show biz

A source has claimed that even though the line-up of The Celebrity Traitors signed NDAs while filming the show, the finalists have become ‘a hot topic’ at showbiz events

The Celebrity Traitors has been thrown into chaos with the finalists being “leaked”. The leaks have reportedly become “a hot topic at showbiz parties”, as bosses scramble to protect the identities.

On Friday, October 9, the BBC released record-breaking audience figures for the popular show, revealing that the third episode achieved a peak audience of 10.3 million viewers. Then, on Friday night, an estimated 9.6 million fans watched the fourth episode of the show, hosted by Claudia Winkleman, 54 – but this could all be in jeopardy if the names get out.

While the all-star line-up signed non-disclosure agreements pledging to keep the game’s results secret until the episodes air, a source claimed that news of the final has leaked. Because of this, executives at the BBC are said to be on edge as the finalists are discussed at various celebrity events, with bosses hoping the names don’t become public knowledge.

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“Because of the leak, who makes the final is now a hot topic at showbiz parties,” the insider told The Sun. “It’s also spread how certain players get on, not helped by the fact that another source has been suggesting who’s been placed for interviews around the final.

“It’s vital the leaks don’t make it to gossip forums online and on social media, where fans can find the information. The BBC is hoping that anyone happening upon the info or hearing it from friends will help keep the secrets of the castle and stay quiet.”

The source added: “The problem is a small group will be aware of The Celebrity Traitors’ secrets, including those who work on the show, the celebrities who ran the course and possibly their close family and friends.”

The BBC show is so popular that even Prince William and Kate Middleton are said to be obsessed with it. Speaking on Palace Confidential on YouTube, Daily Mail royal editor Rebecca English revealed that the Prince and Princess of Wales are huge fans of The Celebrity Traitors, which has an IMDb rating of 8.7.

“Now, William and Catherine are massive Traitors fans. I can tell you that now. They love the programme. Absolutely glued to it,” Rebecca said.

The 2026 celebrity spin-off of the psychological reality game show takes place at Ardross Castle in the Scottish Highlands, where a star-studded cast plays for a £100,000 charity prize pot. The show is currently in the middle of its broadcast run, following the massive success of Series 1 in late 2025, which was won by Traitor Alan Carr.

Currently, there are three Traitors – comedian James Acaster, 41, TV presenter Maya Jama, 32, and mathematician Hannah Fry, 42 – on the show. Actor Richard E. Grant, 69, was banished by the Faithful during the first roundtable.

Episodes air weekly on BBC One and are available to stream on BBC iPlayer.

The BBC declined to comment on this story.

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Is there anything more worrisome about today’s tech titans than the fact that they present as abundance-minded optimists but in actuality are gluttonous, scorched-earth pessimists? Documentarian Alex Gibney is no stranger to dissections of corrupting power — from his feature dives into Enron, Elizabeth Holmes and Scientology. He frames his deeply researched four-hour psych eval “Musk” as the reality check we all need when the world’s richest, most cult-powerful human keeps pushing migration to Mars. Musk might need Earth to become uninhabitable to justify the trip.

Musk’s Tesla cars, SpaceX rockets and Starlink satellites have inspired awe while his “dark MAGA” politics, limited knowledge and petty ego have made him plutocrat Enemy No. 1. Other behavior-coded prisms through which to view Musk — an immigrant whom American fascists love — include his oft-stated belief that we’re living in a simulation. He also loves video games. Gibney sporadically complements his archival materials and many interviews with the metaphoric imagery of player-one gaming: toggling between identities, first-person shooter modes. He also shrewdly compares Musk to the protagonist of a 1930s film adapted from an H.G. Wells story, “The Man Who Could Work Miracles,” about an ordinary guy bestowed with world-altering powers by the gods. (It doesn’t go well.)

There’s even a computer-generated Elon, a by-product of Gibney not securing a face-to-face interview with the tycoon himself. Avatar Musk, meant to appear like AI slop and spouting commentary culled from the totality of his recorded interviews, is pretty gimmicky. But its strangeness also seems appropriate, considering the epic oddity of the South African’s ascension from mistrusted Silicon Valley wannabe to ever-confident cheerleader for space dreams and electric vehicles. Musk is savvy at securing investment, whether his shiny pronouncements about the future prove real or not. It’s why Gibney’s surest, most clear-eyed take is that Musk is less a visionary than a self-promoter — selling Autopilot in Teslas when it led to deaths, being recklessly bullish about AI — and the greatest artificial stock-pumper of all time.

Musk’s forthright, crusty dad Errol sounds almost proud that something was bullied out of his son, but the movie avoids filling out that traumatic childhood. More heartbreaking is ex-wife Justine Musk’s well-articulated experience of Musk’s cruel domestic side — especially where trans daughter Jenna was involved. Ashley St. Clair, the right-wing influencer and one of Musk’s many baby mamas, chillingly completes the portrait of someone who sees fatherhood as an NDA arrangement to help facilitate a genetic army. She watched him up close as he cozied up to Donald Trump, grew his online fandom after taking over Twitter and consolidated his data power. St. Clair simply calls him a “nuke,” one that might readily self-detonate at the slightest bruising of his self-image.

With a built-in intermission dividing his rise (SpaceX, Tesla) from his rightward shift (Twitter, Trump), it’s wild how much the documentary’s second half makes you long for the garden variety tech-bro obnoxiousness of the first. The running time seems a lot for one’s tolerance of a supervillain story and not enough, since the story of DOGE, a venal propaganda folly with a human cost, really needs its own separate feature.

Even a four-hour “Musk” can’t keep up with the unelected trillionaire’s financially self-serving governmental meddling, considering the recent news of his involvement in a Department of Defense AI warfare study. Maybe his conning can be curtailed someday, but the thought there’d ever be enough distracting chaos for a similarly lengthy follow-up is almost too much to bear.

TOWIE star Lauren Goodger nearly revealed more than she intended in her latest Instagram story.

The TV personality stripped naked for a massage, which she filmed for social media.

Covered in just a towel, Lauren, 40, was seen adjusting her position to get comfy for the session – but not without risking a busty flash to the camera as she moved around on her front.

All was well, however, as Lauren managed to spare her blushes by grabbing hold of her towel and pulling it over her chest.

The reality star was undergoing a wood massage and lymphatic drainage, as detailed in a second video.

In it, the therapist was seen rubbing Lauren all over with oils, before taking to her body with various wooden instruments,

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Known as wood therapy, Lauren’s body was kneaded and rolled with the instruments, helping to boost her blood circulation.

The therapy is also used to break down fat deposits and temporarily smooth the appearance of cellulite.

Lauren then treated herself to a strawberry glow tan to round off her spa day.

Earlier in the week, Lauren put on an equally eye-popping display when she hit the gym for a pilates class.

She snapped a selfie in the studio mirror wearing a very low-cut top before working up a sweat during the class.

Lauren first rose to fame in 2010 as one of Towie’s original cast members and was in a relationship with Mark Wright, before quitting the show in 2012, making brief returns, then rejoining as a full-time cast member in 2024.

Oh, Strictly. Home of the both the most bizarre and glorious dances known to man. Over the years we’ve seen some incredible routines – ones that brought a tear to the eye, ones that made us double over with laughter, and ones that made our jaws drop.

Many have been watched again and again online. Here are six that broke the internet:

Faye Tozer and Giovanni Pernice’s Charleston

This charleston, choreographed the The Lonely Goatherd, is amongst the most iconic, inventive, and technically brilliant performances the programme has ever witnessed. Bruno hailed it a “theatrical masterpiece” and urged them to “take it to Broadway”. Darcey Bussell emphasised how remarkable it was that a specific movement had been crafted for every single beat of the music.

Lewis Cope and Katya Jones’ Couple’s Choice

Lewis and Katya’s Couple’s Choice to a jazz version of Radiohead’s Creep during Series 23 proved to be one of the defining, standout moments of that series. The performance moved many viewers and judges to tears, with commentators and former professionals hailing it as one of the most unforgettable Couple’s Choice routines in Strictly history.

Danny Mac and Oti Mabuse’s Samba

Who can forget the first samba to earn a 40 on Strictly? Oti crafted professional-level choreography, and Danny delivered fluid hip isolations and relentless energy that matched her step-for-step.

Rose Ayling-Ellis and Giovanni Pernice’s Couple’s Choice

Their Couple’s Choice routine is widely regarded as one of the most powerful, moving, and culturally significant moments in British television history. Performed in Week 8 to “Symphony” by Clean Bandit ft. Zara Larsson, the contemporary routine was dedicated to the Deaf community.

At the midpoint of the routine, as the music swelled to its peak, the sound cut out entirely, leaving a silence lasting roughly 20 seconds while Rose and Giovanni continued dancing in perfect unison.

Bill Bailey and Oti Mabuse’s Couple’s Choice

Bill, a 55-year-old actor and comedian initially regarded as the “novelty” or wildcard contestant of the series, astonished everyone with his remarkable sense of rhythm, musicality, and dedication. The performance immediately went viral on social media and established Bill as a genuine contender for the series title.

Aston Merrygold and Janette Manrar’s Salsa

The choreography showcased numerous breathtaking overhead lifts and spins, capitalising fully on Janette’s mastery of Latin theatrical work. Their salsa proved hugely popular with audiences and achieved an impressive score, though it later became a focal point of debate within the series, as only three weeks later, Aston and Janette were knocked out.

STACEY Solomon has unveiled her new-look bathroom – and admitted the colour choice could prove divisive.

The TV star – who has recently uprooted her brood from their famed house Pickle Cottage and moved to a new £2m property – shared photos on Instagram of the room, decked out in orange and grey tones.

Stacey proudly captioned the snap: “The Orange Bathroom – I’m ready for people to hate this!”

The mum-of-five, who also shares a step-son with partner Joe Swash, went on: “Honestly I love it so so much… as soon as I saw this tangerine bath set I fell in love with it.

“I just couldn’t throw it away it was so pretty.

“I have plenty of rooms to be neutral in but this is the boys upstairs bathroom and they LOVE this colour so I got to have so much fun in here bringing colour back to life.

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“This room now just makes me happy as soon as I open the door.

“It’s so bright and cheerful!”

Stacey admitted there are “a few snagging bits to do I think I need to add some more bits and bobs but here she is”.

Ticking the room off the list, she finished: “One room done! Wahoo!”

Despite expecting fan backlash, the comments underneath the post were overwhelmingly positive.

“This is incredible,” ITV News‘ Paul Brand gushed, as another fan wrote that it was “nice to see something with a bit of personality as opposed to neutrals and greys that have engulfed the past decade!”

Another remarked, “Abso-loo-tely gorgeous! Totally love it,” as someone else penned: “Oh wow you’ve really smashed that. Looks amazing, great vision that a lot of people wouldn’t have thought of!”

One fan commented that it looked like a “Sindy dream house from the 70s”, as another pointed out the u-bend on the toilet still needed painting.

“I love love it! But stace the white pipe at the back of the loo can we spray paint this? It’s making my eye twitch!” they griped.

Stacey proved that the transformation was quite something, as she shared before snaps of the room, which featured dreary brown tiles and carpet and dull fixtures and fittings.

For the new room, the TV star has installed an orange bath, toilet and sink, with matching accessories, and added light grey tiles and white paint to the walls.

The taps and shower fixtures have been fitted in a brushed bronze, and orange stripes have been painted on the walls – with a “Get Naked” bath mat to complete the quirky look.

Aaron Sorkin’s “The Social Reckoning,” a sequel to 2010’s David Fincher-directed “The Social Network,” is hitting theaters as part of a surge of tech geek takedowns that includes documentaries on Elon Musk and Theranos’ Elizabeth Holmes, as well as Luca Guadagnino’s upcoming comedy “Artificial” about OpenAI’s Sam Altman.

Still, its timing couldn’t be worse.

Cursory and hollow, it recounts the true story of Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White) and Facebook whistleblower Frances Haugen (Mikey Madison), a disenchanted data engineer on the company’s civic integrity team, who paired up for a 17-part investigative series that provided proof of what people already sensed: Facebook boosted misinformation and rage-bait to juice user engagement at the cost of our country’s mental health.

The script ends shortly after Haugen testified before Congress in October 2021, noting that the carpet in her waiting room had recently been swapped out because of bloodstains from the Jan. 6 Capitol attack. The film rewinds to that day, too, and attempts to squeeze drama from slow-motion reenactments of the rioters, which Alexandre Desplat scores to an overbearing military dirge as Mark Zuckerberg (Jeremy Strong) and his good little Facebook soldiers mull over whether to take down the U.S. president’s incendiary posts.

Back in our own reality, Zuckerberg and the president just had lunch last week. At this point, we’re all so psychically drained that the only response we can muster to this vacant period piece is: So what?

Sorkin has my sympathies. The future moves faster than a film in development. And he fundamentally gets the peril we’ve put ourselves in by entrusting Zuckerberg, who is, at minimum, an ethically askew man. After all, Sorkin’s own screenplay for “The Social Network” remains a prescient masterpiece.

But the movie’s problems go beyond arriving simultaneously too slowly and too soon for Zuckerberg’s endgame, where his emptying social media empire has him gambling his fortunes (and ours) on AI. Expanding his scope from Harvard to the planet, Sorkin now aims to show that we’re all trapped in Zuckerberg’s insensitive mind view. Cold computer speak has infected everyone like a virus. When Madison’s Frances goes on a blind date, her online match says he appreciates that the internet makes it simpler for singles to pair up “within their own vector.” The buddy-buddy Winkelvoss twins’ version of the app might actually have been better for the world.

Meanwhile, Zuckerberg, who mostly stays on the sidelines of the movie, is now a mighty billionaire and, as Strong plays him, a dour, lifeless dork. Gone are the beer bashes, the thrill of invention and any hint that Zuckerberg lusted for something — women, attention, clout — other than a quarterly earnings report. This Zuckerberg is no longer made of flesh and blood but ones and zeros. Pity Strong couldn’t play the CEO after his bro-y 2024 mutation into MMA-fighting Marky Mark. At least that guy is amusingly ridiculous. Trapped in this stiffer, earlier incarnation, the only acting Strong is able to do is poke his head straight up from his shoulders until he resembles a retractable pen.

Worse, all the other characters in the film talk just like him: charmless, frigid and quick to cut each other off with snippy corrections. I could forgive that if it was just Facebook’s employees: Madison’s quavering, exasperated Frances, the co-worker (Anna Lambe) who insists she and Frances are merely colleagues, not friends, even after their company frittered away the meaning of the word, and a media relations executive (a smooth Billy Magnussen) who gets the scariest line, coolly insisting that “we’re post-government around here.” After all, these are the folks who saw “The Social Network” and still wanted to work for Zuckerberg.

But the opposition is steeped in that same monotone rudeness. Sorkin must have adored that earlier film’s opening scene where Rooney Mara insults a clueless Jesse Eisenberg because he’s written three-dozen takes on it. At Sorkin’s version of the Wall Street Journal, everyone up and down the masthead — editors, writers, even interns — insults each other with such relish that someone should be written up by HR. The fast-and-furious dialogue hits its nadir when Madison’s Frances slips Jeff important documents that he can’t even read because she nonsensically starts chattering about the looming coronavirus.

Here’s where you say that this is just how Sorkin writes characters. And here’s where I counter that a movie about how algorithms destroy humanity has to have some credible humans in it, if only to illustrate its own point.

Instead, Sorkin’s protagonist-bots come with bolted-on personality quirks. White’s journalist is a Luddite who would rather be late to his own job interview than use Google Maps. He comes across as so clueless that the audience can barely credit him for his reporting work winning an eventual Pulitzer — he’s just soulful eyes and a cellphone ringtone that tinkles old show tunes.

Madison, 15 years the junior of the real Frances, is too young to convince us that her character truly believes she can turn Facebook into a digital utopia. An ultra-online 20-something, she was a front row witness to Gamergate, yet somehow she’s shocked to overhear about middle-school girls getting bullied on Instagram. Her character wears legwarmers and knit wristlets to the office as protection against the air conditioning, which also serves to emphasize her company’s interpersonal chill.

Yet, bizarrely, the script makes Frances dress like a sex worker whenever she sneaks to Jeff’s hotel to slip him some corporate secrets. It’s a disguise, she explains, although the gag is so forced that it’s just as easy to believe the literal-minded girl is taking her Deep Throat identity too seriously. Or perhaps Sorkin just wanted to remind audiences that this awkward creature is the same actor who won the Oscar stripping off in “Anora.”

A few moments do work, like an opening showdown between a drunk blond (a nasty-great Portia Doubleday) and two cops that gets live-streamed to the web, and Zuckerberg’s congressional coaching sessions with his crisis team, played by Wunmi Mosaku and the comedian Bill Burr. From what we learn of Burr’s Charlie Garrigan, an insider who sold his Facebook stock too fast and then wrote a negative New York Times editorial against the company, he seems to be inspired by early co-founder Christopher Hughes, which would made him the only other callback character from “The Social Network.” But Sorkin has changed his name and upped his age, so as fun and ferocious as Burr is, we also spend his scenes feeling a little confused.

Do we learn anything new about Facebook itself? No. Still, I appreciated how dismissive Frances gets when asked to confirm small scandals that she finds too piddly to care about, like Jeff’s suspicion that Zuckerberg is goosing his posts so that positive comments outrank negative ones 32 to 1. That’s just obvious, her posture says. Facebook is over two decades old and he still hasn’t made many friends.

AMY Childs has admitted to feeling “emotional” having wrapped filming on her Towie wedding special.

Amy Childs: The Towie Wedding follows Amy and her now-husband Billy Delbosq as they prepare to tie the knot.

The spin-off sees the couple make arrangements before getting legally wed in London, followed by a lavish ceremony at San Roque Golf Club, near Marbella.

Taking to Instagram, Amy shared behind-the-scenes snaps from filming.

She captioned the images: “And that’s a wrap!

“Feeling so emotional our show has come to an end however I am so excited for you to all to see (dates coming soon)!

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“It’s been incredible!”

Referencing her daughter, Amy added: “PS Polly the star of the show!”

Amy’s photos saw the reality star sat for cameras solo as well as with Billy.

Another shot saw Polly, nine, who Amy shares with ex Bradley Wright, sat for her own solo pieces to camera.

Amy also shared a selfie, taken after getting glammed up for filming.

She looked chic in a black blazer and matching top, showing off a freshly-styled mane in shades of caramel and hazlenut.

Amy showcased her flawless make-up, with a tanned glow to her complexion, striking black lashes and a slick of rosy gloss across her pout.

She sported a necklace with Billy’s name on it, as well as the names of all her children: Polly and Ritchie from previous relationships and twins Millie and Billy with her now-husband.

The pair had their second ceremony at the end of September, surrounded by 180 guests including Towie co-stars such as Jordan Brook and Sophie Kasaei.

Amy was walked down the aisle by her dad, who is also named Billy, with guests all adhering to a black tie dresscode.

Amy and Billy had their first wedding back in April having previously postponed their nuptials last year.

The new show is expected to land on ITV in the coming months.

Actor Chad Lowe returned to Instagram on Thursday for the first time following the Sept. 29 death of his 13-year-old daughter Fiona.

The actor shared a spiritual message from author and psychologist Gerry Hussey through Instagram Stories.

“When you ask yourself the deeper, bigger questions,” Hussey said on Olivia Hunt’s podcast “On Healing” after being asked about God, “and you move beyond the human existence — as through meditation or something — as you experience transcendental experience, [you find] we are connected to everything that is.

“And there’s nothing there, but peace and love,” he continued. “When we die. Where do we go? We return to a state of peace and love.”

Fiona’s manner of death was ruled a suicide by the Los Angeles County Medical Examiner in a report released Oct. 2. She died in a hospital.

“We are deeply heartbroken by the loss of our beloved Fiona,” Lowe, the Emmy-winning star of “Life Goes On,” and his family said in a Sept. 29 statement announcing Fiona’s death.

Fiona was the second of Lowe and his wife Kim Painter’s three daughters. The couple also shares Mabel, 17, and Nixie, 10.

Mabel shared an emotional post about her sister on Oct. 3.

“I love you so much fiona,” Mabel wrote in a post containing photos of the sisters. “i wish your short time here was easier and i hope your mind is at ease now. I will honor you forever and keep your memory alive. I love you, i hope you knew just how much.”

Lowe is the brother of “St. Elmo’s Fire” actor Rob Lowe, whose youngest son paid tribute to his late cousin after her death. He posted Emily Dickinson’s poem “Hope Is the Thing With Feathers,” according to an Oct. 5 Page Six report.

“HOPE is the thing with feathers that perches in the soul, and sings the tune without the words, and never stops at all,” John Owen Lowe shared in an Instagram Stories post. “And sweetest in the gale is heard; and sore must be the storm that could abash the little bird that kept so many warm.”

Chad and Rob’s father, Chuck, shared a photo of his granddaughter on Instagram after her death was announced, per People, with the caption, “Rest in peace sweet Fiona.”

Using interviews filmed on rooftops at night in Tel Aviv, the documentary “NAZA” uncovers Israel’s brutal methodology of warfare in Gaza since the Hamas-led Oct. 7, 2023, massacre that took 250 hostages and killed at least 1,200 people. The testimony offered by these insiders is under the cloak of darkness, but the light it shines on the mass killing of Palestinian civilians is so harsh it burns the conscience. (The title refers to the Israel Defense Forces’ use of an acronym for the Hebrew term for collateral damage: nezek agavi.)

Israeli directors Yuval Abraham and Rachel Szor, half of the quartet (with Basel Adra and Hamdan Ballal) behind the Oscar-winning “No Other Land,” secured one-on-one interviews with 24 Israeli intelligence personnel and soldiers, digitally altering their faces and voices while their silhouettes are framed by the lit cityscape. Sitting across from interviewer Abraham, they recount their participation in a military campaign that has killed over 73,000 in Gaza, according to the Gaza Health Ministry, and is ongoing. Used as an estimation of casualties — just put a number in front, “20 NAZA”— it suggests a battle calculation that has permitted the detachment of moral consquences.

One participant makes his need for anonymity clear: “Israel will put me in jail.” At the same time, there has been clamor for the exposure of these sources so they can be prosecuted for war crimes. The uproar over “NAZA” has also led the filmmakers to be called traitors in their country. Prime Minister Benjamin Netanyahu has threatened to revoke their citizenship.

It all speaks to the power of a well-timed movie, since much of the reporting in “NAZA” has already been published by the Guardian, a co-producer of the documentary, and corroborated by other news outlets. After its theatrical run, the Guardian will stream “NAZA” for free on its website.

The picture painted from the interview subjects, who occasionally draw sketches of weapons-screen interfaces on notepads, is of a computerized tracking-and-killing apparatus, culled from the surveillance Israel keeps of nearly every phone in Gaza. The system is augmented by AI that isn’t always accurate about a target’s presence yet is implemented with airstrikes. Eavesdropping on children is used to track a targeted father’s arrival home in a program called “Where’s Daddy?” As one person says, “You hack her phone and then kill her.”

What’s chilling about these interviews is how they don’t feel like whistleblowing but rather a fact-finding inquiry with available explainers who betray little affect or remorse, even when the topic of personal doubt arises. When one is asked whether this is genocide, the answer comes back, “Yes.” “NAZA” eschews probing for guilty feelings, though, because the point is to unearth a process of obliteration: how it works and what it looks like as implemented by the willing. “My role is technical,” a subject says.

In between these interviews are glimpses of the occasional Israeli news media snippet and at one point an archival reminder of the circumstances of Tel Aviv’s founding. But most insistently, the interstitial visuals are cinematographer Szor’s night shots of apartment facades in modern Tel Aviv: citizens at rest with their loved ones, working out or eating in front of their televisions. It’s a casual surveilling of placidity just up the coast from the atrocities we hear about. “NAZA” isn’t just tough-to-hear journalism, it’s real filmmaking, the visual juxtapositions getting us to think about who doesn’t get to enjoy a quiet evening at home, especially when remote war-waging starts to look like a goal-oriented office shift with a lunch break — or a video game.

Wherever you fall regarding the continued destruction of Gaza, what the filmmakers of “NAZA” make disturbingly clear is that the simplest machinery to spread dehumanization and death is happening now, easing its users into acceptance and rewriting everything about the moral cost of conflict. It’s stone-cold frightening.

Twenty-one years into its run, “Dancing With the Stars” is one of the hottest and buzziest shows on TV right now.

ABC’s competition series kicked off its 35th season in September, scoring its biggest premiere ratings since 2020. Fueling a lot of that viewership power are Gen Z and millennial viewers, attracted by a cast loaded with social media influencers, reality TV stars and nostalgic favorites. And a certain 55-year-old late-night sidekick has emerged as a social media hit with his lovable underdog journey: Guillermo Rodriguez.

Best known as the former parking lot security guard-turned-sidekick on “Jimmy Kimmel Live!,” who was discovered after he was caught sleeping in the car of the show’s announcer, Rodriguez regularly steals the spotlight on the late-night talk show with his humorous, humble interactions in comedy bits and as a red-carpet correspondent. Now, he’s expanding his profile as a celebrity contestant on “Dancing With the Stars,” paired with dance pro Witney Carson.

Rodriguez says he’s been asked to join the show before, but he passed because of a busy schedule and his insecurity as a dancer — “I’m not a dancer,” he tells me. “I dance when we have Thanksgiving, Christmas, but it’s for two seconds, four seconds. Not a minute and a half!”

He praises Carson, who is competing while pregnant, for her patience and encouragement in his journey.

“Oh, my God, Witney is a great partner,” he says. “She’s telling me, ‘Listen, just follow me. Follow the steps. Remember, do not look at the floor; look up. And just be yourself. If I want to ask you to be a diva, you be a diva. I don’t want you to laugh.’ She’s been fantastic. She’s helping me a lot. She tells me, ‘The audience know that you’re not a professional dancer, and that you’re trying hard and everything. Just enjoy because this only happens once in a lifetime.’” Read more from my conversation with Rodriguez in Guest Spot.

Also in this week’s Screen Gab, our writers recommend a miniseries about a mysterious sea creature terrorizing a small coastal town and a pair of psychological horror dramas exploring female rage. And just a quick PSA — not funded by taxpayers, I promise — before I wrap up: “Felicity” is now streaming on Netflix. If you want to get (re)acquainted with collegiate angst, the art of making “hey” pack the same power as a Keats poem or experience Keri Russell’s controversial haircut moment, give it a whirl. As a superfan who returned to it often when it was on Hulu, it’s my duty to warn you to proceed with caution when it comes to Season 4. — Yvonne Villarreal.

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Recommendations from the film and TV experts at The Times

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

“Below” (Netflix)

A first-rate sea monster miniseries, set in a small fishing village in Newfoundland, where the natives add an “s” to some verbs (“anyway you slices it,” “I gets it”), making them sound a little like Popeye. Creator Jesse McKeown drops enough “Jaws” references to let you know he’s aware of the similarities, but “Below,” which goes some crazy places in its latter half, is very much its own aquatic whirligig. Josh Hartnett plays fisherman Calvin Penney, attempting to harvest blue ice for vodka in the face of declining stocks, but finding his haul smelling strangely of ammonia. Mackenzie Davis is marine researcher Fonda Howander (year’s best name), who has an idea about that. (Global warming, your real-world villain.) The series, in which I detect a quality of Canadian naturalism, uses its special effects budget sparingly, and I would say, wisely; when something extraordinary happens, it doubly registers. But the series’ strength is in its evocative background and nicely drawn characters, going about their messy human business, as the town debates whether to let the government transplant them to somewhere less remote while Calvin tries to get his adult kids on his page. — Robert Lloyd

Summer H. Howell as the titular teenager in Prime Video’s “Carrie.”

(Robert Falconer / Prime Video)

“Carrie” (Prime Video) and “Monster: The Lizzie Borden Story” (Netflix)

Killer women usher in the Halloween season with these two new horror series. The TV adaptation of Stephen King’s novel loosely follows the 1976 big-screen classic starring Sissy Spacek, but reimagines the bloody prom queen Carrie (Summer H. Howell) in today’s world, replete with cyberbullies and smartphones. The limited series from horror master Mike Flanagan (“The House on Haunted Hill,” “Midnight Mass”) pits the terror of the modern world — school shootings, conspiracy-theory fanaticism — against a naive girl’s deadly telekinetic powers for a smart and powerful reimagining of the chilling classic. “The Lizzie Borden Story” is the fourth season of the “Monster” anthology series from Ryan Murphy and Ian Brennan, and it stars Ella Beatty as the titular character. With the help of an enviable cast (Sarah Paulson, Vicky Krieps), it dramatizes the events before, during and after the 1892 ax murders of Borden’s father and stepmother, and jumps timelines to connect Borden’s story with that of another violent female killer who shocked the country a century later. Does it take historical liberties? Absolutely, and it makes for a thrilling new take on a notorious chapter in American crime. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Witney Carson and Guillermo Rodriguez perform during Mariah Carey night on “Dancing With the Stars.”

(Eric McCandless / Disney)

When Guillermo Rodriguez signed up to compete on “Dancing With the Stars,” he came in with no dance background and the least nimble body, but he had experience in how to win over fans as the scene-stealing sidekick on “Jimmy Kimmel Live!” Now, Rodriguez has danced the cha-cha, paso doble, foxtrot and samba before millions of people — captivating audiences with assisted knee walks, floor drops and a bare-chested message for the world. He may be the lowest-scoring star on the leaderboard each week, but the 55-year-old knows how to hold an audience and, with professional partner Witney Carson, has managed to stay alive in the competition. After channeling his inner diva for Mariah Carey night on the show (cheekily performing to “Obsessed”) and making it past this week’s elimination round, Rodriguez spoke to us about how he’s feeling at this stage in the competition. — Y.V.

How is the diva life treating you?

Oh, my God, Yvonne, it’s hard work. Being a diva is not easy.

What body part is hurting you today?

You know what — my legs. My legs and my back hurt bad. If you’re in the 20s and 30s, it’s OK, but when you’re like in the 50s, it’s hard. In the 20s and 30s, you have all the energy and also your body is young.

When you get home from rehearsals or after performance night, what’s your routine? Are you doing a bath soak? Are you elevating your feet?

I actually I get in the pool, I get in the hot tub. But someone was telling me I gotta get a massage and I gotta get a cold plunge because that’s gonna help the body. Also, you know what is helping me. I haven’t [had a] drink in two months, and I feel good. I have a shot, I have a drink, so it can relax me and everything. But with “Dancing,” I cannot have a drink because I don’t wanna forget the steps.

You’ve said that you’re doing the show because you want to dance with your wife. How’s that going? Have you been showing her any moves at home?

I have a little bit. And she said, “Well, wait, this is it?” I go, “No, this is only the beginning [steps]. I still got to show [you] more. She goes, “Oh, now I understand why you’re so tired.” And I go, “Yeah, we have to rehearse and everything, and you gotta smile at the camera, you gotta watch your steps, you gotta move your hips and everything.” And I tell her, “When I move to the left, I hear a noise like [mimics creaking noises], ‘Oh, oh, my body is clicking!’ I move left to the left — my knee is making noise!’” But I’m having a lot of fun. It’s great.

How has this experienced changed you so far? How do you feel when you’re out there performing?

It changed me in that I get nervous and it’s hard, but when I go over there [onstage], I like it. I enjoy. You get like a minute and 12 or 40 [seconds], depending on the music. But I’m happy. I get to push myself.

I get out there and [I think], I gotta give my best. And I feel so good because a lot of the audience, they like it a lot. They go crazy and everything, and that makes me feel so good. You know what — I might not be the best dancer, but I’m trying my best, and the people see it. But who knows what’s gonna happen. I might go home next week.

Witney Carson and Guillermo Rodriguez perform the paso doble on “Dancing With the Stars.”

(Christopher Willard / Disney)

We’ve seen you in the bottom a few times. This week, you were there again. What was going through your head this week as you waited for the names to be called?

I feel very nervous. I said, “Oh, my God, this is it. We going home.” I told Witney [before the show], “Witney, I think this is it. I think we’re going home.” She said, “Well, listen, if we’re going home, we did a good job. You told me that you wanna pass the first week, and you already passed the first week, so you don’t have nothing else to lose.” But I feel very nervous. And then when they say, “The couple going home is Ciara [Miller] and Brandon [Armstrong],” I was like, “Oh, my God.” It was hard. And the dance was hard too. Samba is a fast dance. We didn’t have too much time to rehearse because we were going to New York back and forth.

The fandom for “Dancing With the Stars” goes hard. What has surprised you about the fan response?

A lot of the fans are voting for us. I want to say thank you to all the fans. They‘re keeping us alive. They’re voting a lot. They’re making it happen and everything. I was so surprised. [This week,] Carrie Ann [Inaba] give us bad comments, and the audience started booing. I was like, “Wow, this is so amazing! The audience is on our side.” They want us to keep going. And I told Witney, “Witney, we gotta keep going.” We dance for the people. If we make it past next week, it will be great. If we go home, we did it and that’s it.

On the other side of that, there can be some negative talk too, some frustrated fans who think other contestants should still be there. How do you deal with that? Or when the beefs get stirred up on social media? Are you paying attention to that?

I don’t know. The first week I was listening to the comments and everything, but now I don’t listen. I just go have fun. Everybody has different opinions. You cannot please everybody. So I just go have fun, enjoy, and that’s it. If they like it, [or] they don’t like it. Some people say, “Oh, he’s too old. He’s out of shape.” I say, “You know what? Come and dance yourself. It’s not easy.” Every week I try to do better and better.

How do you think Jimmy Kimmel would do in the competition?

Oh — you want me to be honest? He doesn’t dance. And he told me that. He told me, “You know me, that I’m not good.” And I go, “Yeah, I know you’re not good. You’re like a rock.” I told him, “Jimmy. I think when it’s time and they say, ‘Dancing the cha-cha-cha, here’s Jimmy Kimmel,’” I said, “I’m gonna come right away before you start and I’m gonna spray WD-40 so you can move good.”

Is there a song you really want to dance to if you had the opportunity to pick it?

Oh, I would like to dance to one that goes [begins singing “You’re the Best” by Joe “Bean” Esposito, which is featured in the “Karate Kid” soundtrack]: “You’re the best. You’re the best around. No one’s ever gonna keep you down. You’re the best.” I’m like, oh, my God, I would love to dance that one.

I know you’re super busy with all the rehearsals, but is there a show that you are enjoying right now, one that helps you unwind?

Oh yeah, there’s a show that I’m watching right now. It’s called “The Studio” with Seth Rogen. I cannot wait for the new season. I love the show. Seth Rogen is doing a great job. Bryan Cranston too, and Ike Barinholtz. Oh, my God, everyone in the cast is so funny.

We have to get you on that show, Guillermo. You can play yourself.

Yeah, I want to. I want to be in that show. Hopefully, it happens soon.

ICYMI

Must-read stories you might have missed

WHEN Ferne McCann said she wanted followers who were “coachable and consistent and quietly sick of where they are” to join her business, nearly 3,000 people replied that they were ready.

The former Towie star, 36, didn’t however say what the opportunity actually was or what it involved – instead claiming it pays for her family’s security and her daughter’s education – and can even be done around a full- time job. 

The business in question? Ferne wants you to join her and become an independent distributor for the controversial company Herbalife.

For nine years Ferne has been encouraging people to sign up for the global multi-level marketing (MLM) corporation that develops and sells dietary supplements. 

But behind the glossy facade troubling questions have been asked about the multi-billion pound company.

Herbalife was once regularly pushed by reality stars, but now Ferne is among a handful, alongside Danielle Armstrong, who continues to work with them after a string of concerns.

From the very beginning, Herbalife was a direct-selling company, peddling products to the public through a network of members.

Nothing wrong with that. Plenty of other companies – such as cosmetics giant Avon – have the same model.

Where Herbalife has attracted criticism, however, is in their own particular version of the model.

In the past, members would receive money not just from selling products, but also from bonuses following sales made by new members they had recruited to the brand. New recruits were encouraged to buy a substantial amount of starter ‘inventory’, which meant the person who recruited them earned commission straight away even if the products had not yet sold.

But in 2016 the company was subject to a two-year investigation by America’s Federal Trade Commission.

They concluded that the structure incentivized recruitment over actual retail sales. Herbalife was ordered to pay £147million compensation and told to revamp its compensation structure so that distributors are rewarded for what they sell, instead of fundamentally rewarding recruiting over actual retail sales.

Since the ruling, the recruiter will only get paid commission after the new recruit actually sells those products to real customers and shows receipts.

The ruling did little to quell the fears of some that Herbalife still peddled unrealistic dreams to those who could least afford them.

And despite concerns, last month Ferne was busy recruiting again – sparking outrage and concern amongst ‘victims’ of MLM schemes in the past, who felt she had failed to declare she would be earning money if people signed up and started selling.

A spokesperson for Herbalife confirmed she would not make money just from people being recruited, which appears to be a common misconception about the company.

They said: “Many distributors simply sell products to consumers at a profit. Those who choose to can build their businesses further by coaching their own sales teams of independent distributors and earn a commission on their sales as well as their own. Herbalife distributors are not paid to recruit new members – a practice which is illegal in most countries globally.”

In a surprising move, Ferne admits that MLMs are ‘vague’ but doesn’t explain why – or indeed spell out her business model.

Alongside a series of glam images of herself, Ferne wrote: “Almost 9 years ago I joined a business I didn’t fully understand, with a baby on the way and no plan B.

“Today it pays for my girls’ education, it’s given my family a level of security I didn’t think was an option for me any more.

“I want to be real with you about what this is, because I think the MLM industry does itself no favours by being vague!

“It is flexible. You genuinely can build it from your phone, around school runs, around a full-time job, around whatever your life currently looks like. That part is true and it’s why I’m still here.

“I’m looking for people who are properly ready. People with a work ethic. People who are coachable and consistent and quietly sick of where they are. If that’s you, you already know it.

“I’ll train you, I’ll be in your corner, and I’ll show you exactly what I do.”

There was no direct mention of Herbalife or how anyone signing up, or indeed Ferne, would actually be financially rewarded. I took the plunge and followed the others, who mostly appeared to be women, by writing I was ‘ready’.

I instantly received a DM telling me: “There’s never been a better time to start, it’s exploding…we have such a slick system for anyone who’s ready.”

There was also an invite to watch a 20 minute Information Opportunity Video, hosted by Ferne, which is the point where I got cold feet.

Hundreds will no doubt be desperate to join – tempted by the promise of being able to work around the school run. 

There are clearly still some concerns. Many followers were shocked to see Ferne promoting an MLM, with one person remarking: “It’s so disingenuous isn’t it. She knows that her downline won’t be as successful as her, because the only reason she has a decent downline herself is due to her being a celeb and having followers that way.”

Finding someone willing to talk about their experience with Herbalife is tricky – there appears to be a wall of silence surrounding former distributors. 

One woman, who didn’t want to be named, told me how there have been issues with the company for decades and she lost around £15k when she signed up back in the nineties. 

She explained: “I signed up through an old work colleague who looked like they were making good money. 

“Little did I know they were doing it by piling stock onto the people they signed up, encouraging them to get to the next level or event.

“I trusted them and had no experience of MLM before and thought well if she can do it so can I.”

But it was far from an easy ride.

“Hindsight is a great thing isn’t it?” she said. “I lost around £15k I’d say over a two-year period of trying to make it work. I never encouraged customers to do what I did and that’s maybe why it didn’t work as it did for my referrer. I couldn’t sit with people getting into massive amounts of debt so I could earn commission.”

More recently there have been a lot more stories of MLM nightmares.

Laura Whitby, creator of The Nuance Nurse, with several years’ experience in network marketing and direct selling, spoke out after seeing Ferne’s post.

She still works within the direct selling industry but believes the criticism of MLMs is ‘justified’. She has not worked with Herbalife.

She explained: “I spent nearly three years with another company selling thousands of pounds of products every month. But between the money I was spending maintaining rank and trying to qualify for commissions, I barely earned anything.

“Three years of work, thousands of pounds spent, and God knows how many hours. I’ll never get back. And that’s where I want to discuss the difference between network marketing and community commerce. Because in my experience of MLMs, you open your back office and there’s quite literally a group of people with you at the top.

Laura added: “If a business is supposedly about selling products, why is there so much emphasis on recruiting people? And when we’ve got celebrities with enormous platforms promoting these opportunities, I think we need to be asking some serious questions about what they’re actually signing up for.”

Herbalife have denied this is the business model they are using.

The company is a long way from its humble beginnings.

It was founded in 1980 by diet product salesman Mark Hughes who formulated his own protein shake.

The business which he first ran from the boot of his car quickly snowballed and by 2011 its sales had grown to more than £3bn in around 90 countries.

The investigation by America’s Federal Trade Commission in 2016 was a minor setback.

It ruled that it had operated unfairly, cheating hopeful salespeople out of hundreds of millions of pounds with its high-pressure multi-level marketing scheme.

FTC chairwoman Edith Ramirez branded Herbalife’s sale of a “dream” career working from home as “an illusion” and many members “made nothing or lost money on their initial investment”.

And as one bruised former distributor put it: “I would be very wary of something that sounded too good to be true!”

MICHELLE Keegan may have gripped the nation with her new ITV drama The Blame, but there’s one surprising TV appearance that has been doing the rounds on social media again.

It’s not the actress fronting a Netflix mini-series or portraying a soldier in Our Girl, but a forgotten stint on The Jeremy Kyle Show.

Michelle was technically on the now-axed chat show – but as her Coronation Street character, Tina McIntyre.

The soap hilariously did a crossover with Jeremy Kyle’s eponymous show for a special episode back in 2010.

The show tackled family and relationship issues and saw members of the British public work out their drama on air.

And who has more drama than the Platt family?

OH HELLE

Michelle Keegan enjoys public romp with hunky police officer in ITV’s The Blame

show switch

This Morning duo revealed as new Masked Singer panellists ahead of rival twist

During the crossover episode, Michelle’s character Tina appears on the show as her boyfriend, David (Jack P. Shepherd) is accusing her of having a relationship with his brother Nick (Ben Price).

In a clip from the episode, which has been unearthed by TikTok users and is now being circulated around the app, the trio are seen at loggerheads.

“Shut up David,” Tina is seen shouting over the stage as the pair go back and forth, with Jeremy getting involved.

Later, Nick and David are seen fighting over Tina as Nick slams: “She doesn’t like him. She doesn’t fancy you, she doesn’t, it’s over!”

“You think you can fly in, Nick, and take a piece of her,” hits back David, as Tina breaks down into tears and he slams her “waterworks”.

A crying Tina then tells Jeremy: “I’m sick of him, he ruins everything. Even the thought of accusing me of sleeping with Nick, it’s not important to me right now.

“And he’s got a cheek to actually question it – you’ve got a cheek David.”

The hilarious crossover, which was to celebrate the 1000th episode of the Jeremy Kyle Show, came in the middle of Michelle’s time on Coronation Street, which she joined in 2008.

As the clip has been circulating around Tiktok, many users on the video streaming app were confused as to whether it was real or for a skit.

One user said: “If I didn’t know this was a special episode with actors, I would’ve thought this was real, it’s well good 👏😂”

“I would not have recognised her…what year is this???,” said a second of Michelle.

A third praised: “Corrie was on another level creating this with JK, it makes it look so more real.”

Michelle was just 23 at the time of filming the scenes.

She eventually left the soap in 2014, as Tina was killed off.

Claudia Winkleman is known for her bold fringe and dark eyeliner

Recognised almost as much for her bronzed complexion, striking fringe and dramatic eyeliner as for her razor-sharp humour, Claudia Winkleman is adored by millions of television viewers. Claudia, 54, made her comeback to screens earlier this month for the second series of Celebrity Traitors on the BBC.

Claudia, who stepped down from her position as Strictly Come Dancing co-host last year, alongside Tess Daly, has previously joked that her distinctive look is what secures her work. She said: “I think it’s the only reason I get work. I’m sure TV producers go, ‘Who’s the one with the fringe? We’ll have her’.”

Claudia inherited her passion for a sun-kissed appearance from her mum, journalist and editor Eve Pollard, previously revealing: “Like me, my mum loves an orange glow, so I remember her swirling huge brushes of orange over her face and thinking it was the most glamorous thing ever.”

Looking like a ‘real-life’ pirate

She also told Closer Magazine: “I think my fringe starts at the back of my head, it’s got more weight to it than a tonne of bricks. They gave it to me and I knew that was that.

“You have to make much less effort when you have a really heavy fringe. I love eyeliner, but you don’t even need makeup really. If you’ve got a very heavy fringe, you’re wearing some old, battered, buckled-up boots and you’re holding a book then you’re done. You look like a real-life pirate”.

And while she undoubtedly possesses a distinctive style, a rediscovered photograph reveals Claudia sporting a more understated look.

In the image, captured for Red Nose Day in 2003, Claudia holds a giant cheque and appears without the heavily tanned complexion she’s recognised for, alongside lighter hair styled to one side.

While Claudia is currently most recognised for presenting The Traitors and Strictly, she launched her career conducting celebrity interviews on ITV’s This Morning. She also fronted several gameshows throughout the 90s.

EXCLUSIVE: Alexandra Burke gives her verdict on an X Factor comeback, life at home and why she’s more vigilant than ever about her health these days

15:19, 06 Oct 2026Updated 07:25, 10 Oct 2026

Eight years after The X Factor disappeared from our screens, it’s rumoured to be making a comeback with a whole new look and a fresh judging panel.

And one of the biggest stars to have come out of the prime-time talent show, Alexandra Burke, admits she’s “very excited” at the prospect of seeing it back on television.

Alexandra, who shot to fame in 2008 as the show’s fifth winner, says, “The X Factor gave me a career. I don’t know what format it’s going to come back in, what it’s going to look like, but we all know that Simon Cowell is a genius at what he does. So all I can do is sit here and wish him the best with it.”

The show hit pause in 2018 due to declining viewing figures, but although it has been criticised by some former contestants, Alexandra – who duetted with Beyoncé during her unforgettable final – has nothing but glowing memories.

“I’ve only ever had good things to say because I had a great experience,” she says. “It gave me a massive career and I’m still here working, 18 years later.”

As for whether she’s still in touch with Simon, she says, “I saw him in April at Britain’s Got Talent when I performed with the cast of The Chaka Khan Musical. It was lovely to see him, Amanda [Holden], Alesha [Dixon] and KSI. It was wonderful to catch up with everyone.”

She previously admitted that Cheryl [Tweedy], her mentor during her time on the show, didn’t reply to texts following her win, but there are clearly no hard feelings. “We met at a birthday party a couple of years ago and she was on great form,” Alexandra says. “She’s always really lovely when I see her, always so kind.”

So what advice would Alexandra give to any future contestants? “Stay true to who you are, because on these shows it’s easy to get wrapped up in it all,” she says. “And work hard – nothing’s ever handed to you. The hard work starts when the show ends.”

Alexandra’s own career has flourished since her time on the show. She took part in Strictly Come Dancing in 2017, finishing in joint second place with her professional dance partner Gorka Márquez, and has gone on to become one of the West End’s most prolific leading ladies, with starring roles in The Bodyguard and Chicago.

Right now, she’s catching a breath after finishing an epic run of I’m Every Woman – The Chaka Khan Musical in London, playing the iconic singer herself. But laughing, the star – who has two young sons with her Irish fiancé, former professional footballer Darren Randolph – admits her home life alone is enough to keep her on her toes.

“It’s chaos, but it’s a house full of love,” she says. “We have six dogs as well, by the way. My boys are amazing. They’re two very different personalities, and full of energy.”

Stunned by how fast time is whizzing by, she tells us she’s trying her best to live in the moment. “Time just goes so quickly. I remember when my first son was born – now he’s four and in reception, I don’t know where those four years have gone,” she says. “I know that I’ve tried my best to juggle both kids, bringing them to work, and it’s the hardest thing I’ve ever done. But I wouldn’t have it any other way.”

Alexandra says she and Darren make a brilliant team. She has a soft spot for the Irish and dubs them “the friendliest people on the planet”. And if work didn’t keep her in London, she’d be tempted to move to the Emerald Isle.

“I love it there,” she says. “Darren goes back weekly. My boys have only been twice, but we’re planning more trips now they’re older.”

The fitness-loving couple, who have already ticked off two London Marathons together, are set to begin training for their third – and fitness clearly runs in the family as Alexandra’s eldest, at just four years old, comes to the gym with her, lifting his own little weights.

She says having children has reminded her that life is for living. “I look at them and think, ‘Gosh, I need to relax a bit sometimes.’ They have such a zest for life.”

Sadly, she lost her own mum, Melissa Bell, who was the lead singer of London band Soul II Soul, in 2017 from kidney failure, caused by complications from diabetes. “It’s such a hard thing to go through, but I have a brilliant network around me,” she says. “And Mum’s always there, you know. I feel her around me all the time.”

Alexandra has no doubt Melissa would have been a doting grandma. “Oh, 100%. She’d have taken the kids from me daily, and said, ‘Just go to work.’ She did that with my nieces and nephews.”

Almost 10 years on, she says the grief still comes in waves, but she has learned to live with it. “It’s the price we pay for love, isn’t it?” she says softly.

Looking to the future, Alexandra has plenty to be thankful for. As well as her family, she’s back in the studio recording new music, which she hopes to release next year. And she’s just landed an exciting film role – for now, a top secret.

She won Best Supporting Actress in a TV Series at the National Film Awards last year, for playing teacher Helen Jones in the Paramount+ crime series Curfew, but while she wants to get stuck into more TV work, music will always be her “first love”.

The star recently appeared on a special edition of Katherine Ryan’s podcast What’s My Age Again?, in conjunction with tombola and Breast Cancer Now, to get women talking about their breasts more. Despite the topic, she had a hoot with the comedian.

“She’s a gem; she’s so funny,” says Alexandra. “The conversation was really warm. It was actually comfortable for me to have, simply because it just meant a lot.”

Alexandra, who lost her beloved aunt Jean to breast cancer in 2009 and had her own scare some years back, is keen to help change the narrative. As tombola’s research reveals, 66% of women have never asked a friend if she’s checked her breasts, though 58% know someone who’s been diagnosed with breast cancer.

“That hit home for me. I asked myself, ‘When was the last time I asked my girlfriends, my sister or my aunties if they have checked their breasts?’ Why don’t we do that? It needs to become a normal thing, not a taboo question. Who knows, just a quick call asking your friend to check themselves could save their lives.”

Staying healthy has never been more important for Alexandra, now she has two adorable little boys to think of. “I was mindful of it when I lost my mum, but even more so since becoming a mum myself,” she says. “You’re nothing without your health.”

For guidance on how to check your breastsand understand what’s normal for you, visit tombola.co.uk/breast-cancer-now

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Céline Dion will go on — even after taking a little tumble onstage.

The 58-year-old singer slipped in front of a live audience while performing “Dans un Autre monde” during her Paris residency on Oct. 7. But the French Canadian singer quickly got back up and signaled to fans that she was A-OK by flashing a thumbs-up, in footage obtained by People.

Despite the slight stumble, it has been a triumphant comeback to the live stage after a six-year hiatus for the “All By Myself” singer, who has shows scheduled for this fall and next spring at the Paris Plenitude Arena (formerly Paris La Défense Arena).

In 2022, Dion was diagnosed with stiff-person syndrome (SPS), an autoimmune neurological disorder that affects about one in a million people and has no cure. The illness is characterized by muscle rigidity in the torso, arms and legs. Sensitivity to noise, touch and emotional distress can set off muscle spasms, according to the National Institute of Neurological Disorders and Stroke.

Following the diagnosis, Dion canceled her North American Courage World Tour in May 2023 (which originally began in 2019 but was interrupted by COVID-19 pandemic) as she continued to deal with severe muscle spasms and was having difficulty controlling her voice.

“I’m so sorry to disappoint all of you once again. I’m working really hard to build back my strength, but touring can be very difficult even when you’re 100%,” she said in a public statement on her website in May 2023. “It’s not fair to you to keep postponing the shows, and even though it breaks my heart, it’s best that we cancel everything now until I’m really ready to be back on stage again.”

Her early symptoms began in 2008 during her Taking Chances World Tour, when she experienced difficulty controlling her voice despite doctors saying her vocal cords appeared normal, she shared with Vogue in 2024.

Additional details about her struggles with SPS came to light in a 2024 Prime Video documentary titled “I Am: Celine Dion,” directed by Academy Award nominee Irene Taylor, which follows the singer as she navigates the drastic changes to her health.

The “It’s All Coming Back to Me Now” singer has experienced broken ribs because of the spasms, she told Hoda Kotb on “Today” in 2024 while promoting the documentary. Her journey back to the spotlight has entailed intense physical therapy, vocal rehabilitation and medication, she said.

“I’m going to go back onstage, even if I have to crawl, even if I have to talk with my hands, I will,” Dion shared. “Not just because I have to, or because I need to, but because I want to. And I miss it.”

Netflix plans a substantial round of layoffs as the streaming giant faces rising competition and pressure to retain its subscribers, according to people familiar with the job cuts.

The cuts are expected to affect 5% of the company‘s workforce, which could be 800 employees, according to one of the sources who was not authorized to comment. The job losses will affect the creative team including those working on features, the source said.

Netflix declined to comment. The planned cuts are believed to be the biggest at the Los Gatos company since 2022. The news was first reported by news outlet Puck.

Netflix has been under scrutiny from investors over how much time its subscribers spend on the streaming service. View hours rose only about 2% in the first half of 2026 compared with a year earlier, even as content spending climbed.

“Overall we’re not growing as fast as I want us to, and we’re working on making that move faster,” said Netflix co-Chief Executive Ted Sarandos at the Bloomberg Screentime event last week.

Netflix has noted how engagement can be measured in different ways. For example, its investment in live programming helps spur significant subscription sign-ups, even though it represents a small percentage of watch time on the streaming service, the company has said.

But some investors remain skeptical about the company’s future growth. Rival YouTube remains the leader in streaming viewing hours in the U.S. on TVs, representing 14.2% versus Netflix’s 7.8% in July, according to Nielsen. Netflix stock has also declined 43% compared to a year ago. On Friday, the stock closed at $70.30, down about 2%.

Netflix last conducted major layoffs in 2022 after the streamer reported subscriber losses for the first time in more than a decade. In May that year, the company laid off 150 workers and dozens of contractors and part-time workers in areas including its social media teams. The following month, it laid off 300 people or roughly 3% of its staff.

Recently, Netflix made changes to its games division. In August, the company closed its Hollywood-based gaming studio Night School and said it was in the process of closing its Helsinki-based gaming studio Moonloot.

DONNA Air was all smiles as she enjoyed a night out with former Tottenham Hotspur vice-chairman and property tycoon multi-millionaire Paul Kemsley last month.

The former Byker Grove actress, 47, was recently spotted leaving the Chateau Marmont in Los Angeles with the multi-millionaire Brit, 59.

Onlookers claimed the pair “seemed really cosy” while he was heard telling a fan not to interrupt as he was “on a f***ing date.”

After moving to the States last year to pursue new film and TV roles, Donna will no doubt by impressed by Paul’s impressive network of contacts and ability to open doors.

But The Sun can reveal that she may be in for a shock – as he is at the centre of one of Hollywood’s most toxic divorce battles ever.

Sources told how the property magnate’s split from Real Housewives of Beverly Hills star Dorit, who filed for divorce last April, has become “so brutal it makes the War of the Roses script look tame”.

And one warned: “I hope Donna knows what she’s getting into, because this divorce will be explosive. Dorit wants to destroy Paul and she will use every tool in her Gucci handbag to get what she wants.

“If I was Donna, I wouldn’t want to get caught up in it.”

Entrepreneur Paul – who is known as PK – and glamorous ex-wife Dorit have been locked in a poisonous battle since May 2024 when they decided to separate, and he moved out of their $6m mansion in Encino, California into a five star luxury hotel.

And the set of Real Housewives, which both have appeared on since 2016 as cast members, became the fighting ring in which the pair slugged it out, trading a series of vicious blows.

In perhaps the nastiest, in November 2024, Dorit branded her husband “a full-blown alcoholic” and told cameras he had “always” been a drinker.

She added: “Over the years, it’s gotten progressively worse, and little fights will turn into blow-ups. We would be in the gutter after a fight, screaming at one another. I don’t want that toxic energy around small children.”

Months after the episodes aired, in November, PK was pictured kissing Shana Wall outside Cipriani restaurant in Los Angeles and seemingly sounded the death knell for his nine-year marriage.

One day later, Dorit filed for divorce citing irreconcilable differences and requested sole legal and physical custody of their two children, son Jagger, 12, and daughter Phoenix, nine. PK countered with a request for shared custody.

And the fight was to grow even nastier as time went on.

Just two months ago, Dorit claimed in court that her ex-husband was trying to force their kids into homelessness by refusing to maintain an informal agreement to pay the mortgage on their marital home in LA.

Court documents stated they were $6m behind on the payments – despite him earning “at least $2,000,000 a year”. It was also noted that he “has other income streams outside of the United States.”

PK then hit back that his ex-wife had blown $995,270 on “wardrobe related expenses” during a 14-month span between December 2024 and March 2026 – as the family faced the potential foreclosure of their home.

The filing included $69,000 in charges from Louis Vuitton, $69,000 from Chanel, $38,000 from Hermes, and $22,000 from Saint Honore that she racked up between October 30 last year and Jan 6.

The source continued: “Dorit’s shopping is out of control. Fame doesn’t suit some people and she became a bit of a diva after she joined the show. But it wasn’t that which caused her and Paul to break-up.

“The trouble started when they had a burglary, which she found very traumatic, and she was upset with him being away when it happened. She accused him of being absent when she needed him the most.”

In the terrifying ordeal, in 2021, three masked intruders broke to the couple’s home while she was sleeping and held her at gunpoint, threatening her life while her two young children were asleep in their own rooms.

She later recalled hearing them say: “Just kill her” as she prayed for her kids to stay asleep. The crooks ran off with over $1million in luxury handbags, watches, and jewelry.

The source continued: “She was badly traumatised, and they started drifting apart and being very mean to each other. She thought he was having affairs because he would often go missing, not answering his phone.

“He was spending a lot of time in London and she was thinking about hiring a private investigator, that’s for sure.

“Meanwhile for him, one of the worst blows came when she told the world he was an alcoholic after they had separated. That had an awful effect on him. To do that felt unforgivable.

“Now, she is demanding huge maintenance payments from PK, but he will argue that she earns more than him now and so she basically owes him. It’s definitely going to be explosive.”

Against such a poisonous backdrop, the source also warned that PK’s friendship with Donna, who has dated James Middleton and has daughter Freya with Damien Aspinall, will not go down well.

They went on: “Paul might not look like Robert Redford, but he is very generous – he showers women with gifts and fun nights. And he’s very charismatic and has a great sense of humour.

“He and Donna have been friends for ages and have become much closer of late.

“She always says she loves a man with a sense of humour and she finds Paul hilarious.

“He always says he put all his energy into turning Dorit into a TV star – he completely changed her style and the way she looked. If you look at the before and after pictures of her, there’s huge difference.

“To get Dorit the job on Housewives, he set up a dinner party with the show’s bosses, invited his most exciting friends and entrepreneurs, brought in a chef and spent thousands entertaining them all to land her the gig – and it worked.

“Paul saw the potential in her and he turned her into the star she is today.

“Over the years he has lost a lot of money and made a lot of money, but he’s always on the up. He always finds a way to get the deal done. He’s like a cat with nine lives – he always falls on his feet.

“But Dorit is out for revenge and his night out with Donna will only make her angrier and more bitter.

“Recently she has been saying: ‘I will show the world the real Paul Kemsley’ and she is certainly angry enough to really attack him. “This could be the most toxic divorce in Hollywood history.

“So far it’s making the War of the Roses script look tame.”

A spokesman for Donna last night said the couple were not dating and claimed Paul’s comment about a date was made “in jest”.

It was only Adéla’s second headlining show in Los Angeles — and she was only about 20 minutes into it — but the ascendant pop star already had an apology she needed to get off her chest.

“The next song that I’m gonna sing is a little bit awkward,” she said Thursday night at the Fonda Theatre. “So I’m gonna need y’all to bear with me as I explain why I made a song called ‘The Baddest Bitches Ain’t in L.A.,’ OK?”

Added Adéla: “Please don’t boo.”

To be precise, the song in question is titled “Ain’t in L.A.” — a woozy banger from the 22-year-old’s buzzy debut album, “Prima.” But you took her point: Here she was in front of a hyped-up crowd that included Chappell Roan and members of the girl group Katseye, and what she was about to tell us is that true coolness lies elsewhere.

Based on her assertion that the Hollywood dream machine is “all a lie,” “Ain’t in L.A.” looks back with scorn at Adéla’s experience as a first-round flameout on “Dream Academy,” the build-a-band reality series that documented Katseye’s creation under the watchful eye of the K-pop kingpin Bang Si-hyuk. At the Fonda, Adéla recounted moving here from her native Slovakia and working alongside the show’s other contestants to “try to become pop stars together,” she said.

“And guess what? That didn’t work out for me. But it did for them.” She peered up at the venue’s balcony. “Shout out to y’all,” she said.

Except now it’s working out for Adéla too: Thursday’s show was the first of two at the Fonda behind last month’s release of “Prima,” whose title nods to the singer’s background as a ballet dancer; in addition to “Ain’t in L.A.,” which has more than 190 million streams on Spotify, the album has spun off a second hit in “Nicole Kidman,” which reached No. 1 on that platform’s U.S. singles chart thanks in part to the enthusiastic embrace of the Hollywood meme queen herself.

This week, Kidman appeared in a viral TikTok video showing her, Kristen Wiig, Pedro Pascal and Dua Lipa lip syncing to “Nicole Kidman” at a Chanel fashion show in Paris.

Adéla’s breakthrough comes amid a broader surge by a generation of young pop singers — think of Slayyyter and think of Tinashe — finding success with music that plays up rather than sands down its rough edges; each is working in the wake of Charli XCX’s influential “Brat,” which offered new ways to think about how pop balances polish and filth, swagger and confession.

Adéla made “Prima” with the producers Dylan Brady (of the duo 100 gecs) and Blake Slatkin (who’s scored hits with Lizzo and Justin Bieber); together the three get an appealingly scuzzy sound that puts chirpy vocal hooks over serrated club beats à la “Blackout”-era Britney Spears. What I’m saying, basically, is that the indie-sleaze revival is real.

At the Fonda, Adéla brought her songs to life on a stage that was bare except for a ballet barre, which she and a small crew of dancers used to execute choreography that grew raunchier and more elaborate as the show progressed. Both she and a guy danced en pointe; Adéla never went long without whipping her long pink hair, which was one style choice widely replicated throughout the room.

Before she closed with “Nicole Kidman,” the singer sat down at the front of the stage with her journal and told the crowd she wanted to “take a second and manifest a little bit.” She asked the universe to give her a long career, and she asked that her fans, after having gotten home safe, remember this night forever. She also asked — again — that L.A. not be mad at her for writing “Ain’t in L.A.”

“I really do feel bad,” she said, and not a boo could be heard.

The Big Brother house has said goodbye to yet another contestant

A divisive housemate has just been kicked out of the Big Brother house.

The ITV2 competition returned to screens tonight (October 9) for its hotly-anticipated live eviction. The housemates nominated face-to-face earlier this week, leaving carer Pauline and radio presenter Rob at risk of elimination.

Pauline, 31, had received five nominations from Lynx, Philip, Rhianna, Rochelle and Catrin. While 25-year-old Rob received six nominations from Frankie, Lynx, Omar, Philip, Rhianna and Yasmin.

This eviction marked Pauline’s third week being nominated for the public vote in just four weeks, and the Essex-based star was naturally upset to be facing the chopping block yet again. Her response to being nominated sparked a huge row in the house after newcomer Catrin broke down in tears because Pauline refused to speak to her after the face-to-face vote.

Tensions boiled over when Rochelle, 57, found the teaching assistant in tears and decided to confront Pauline. Their heated spat ended with Big Brother issuing a formal warning to Pauline for “unacceptable behaviour”. But has she managed to survive yet another eviction?

Who left Big Brother tonight?

Pauline has been evicted from the Big Brother house following a public vote. Her exit stunned her co-stars and left Yasmin in tears. But the 31-year-old was in good spirits as she danced her way out of the famous house.

Fans were quick to react to the eviction and took to social media to share their thoughts on who was sent packing. “Very disappointing Pauline had to leave just as Twinks brought her back to life. Things were just getting interesting! #bbuk,” commented one.

Someone else shared: “We are getting rid of too many big characters week after week. Can we get rid of some of the deadwood please. We need to keep the drama going #BBUK.”

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Yet another supporter said: “Either option would have been horrible there but happy that Pauline can finally get a bit of peace,” with a fourth fan praising: “at least she came out grinning and dancing! #bbuk.”

Others have been left regretting their votes, with one viewer stating: “We voted the wrong person out. She was finally coming out her shell. Regret voting Pauline now:( #BBUK.”

Tonight’s eviction also came with major news as hosts AJ Odudu and Will Best welcomed The Only Way Is Essex star Gemma Collins into the house as a special guest.

Big Brother returns to ITV2 and ITVX on Sunday (October 11) at 9pm

Hayden Panettiere‘s former fiancé, Wladimir Klitschko, was granted temporary guardianship of her estate on Friday, following the actor’s sudden death in August.

Klitschko appeared in virtual court on Thursday alongside their 11-year-old daughter Kaya, according to People.

Kaya is the sole heir of the estate of the “Heroes” star, who on Aug. 16 was found unresponsive in a Greenville, S.C., residence. The Greenville County Coroner’s Office ruled the death an accidental overdose involving several drugs, including fentanyl.

Klitschko filed a petition in a Los Angeles County court on Sept. 24, requesting that he be allowed to act as Kaya’s representative. The Ukrainian boxer and Olympic gold medalist has had full custody of their daughter since 2018.

The filing cites items that were seized from her home in a federal investigation with no assurance that they will be returned, as well as unauthorized people who gained access to her Los Angeles residence.

“Without an immediate appointment for these purposes, there is a high probability that property belonging to Hayden’s Estate may be lost, damaged or dissipated before a duly appointed personal representative can be in place to protect it,” the filing stated.

According to the petition, Panettiere and Klitschko hired security before her death to protect her home because an unnamed person gained access inside. Her ex-fiancé feared that the same person would continue to “misappropriate” items belonging to the actor’s estate.

A day before their Oct. 8 court date, Klitschko submitted a supplemental claim to the earlier petition where he believed someone from outside of Panettiere’s family was selling some of her possessions, including jewelry, to a pawn shop, per ABC News.

In addition to seeking guardianship, Klitschko also asked the courts to grant him the ability to “request and authorize law enforcement investigation into the recovery of Hayden’s property believed to have been misappropriated.”

Panettiere and Klitschko had an on-and-off relationship between 2009 and 2018 and were briefly engaged in 2013. In 2014, the “Nashville” and “Ice Princess” star welcomed their daughter, but relinquished full custody to Klitschko in 2018 due to her struggles with postpartum depression and substance abuse.

“It was the hardest thing I could do,” she said during a 2022 appearance on “Red Table Talk.” “But the best thing for my daughter was to make sure she was OK, take care of myself and make sure I could be a good mom to her. And sometimes that means letting go.”

Klitschko has always spoken highly of Panettiere, lamenting his loss on Instagram, where he shared a picture of the two with Kaya (with an orange dot covering her face) on Aug. 18. In his post, he stated that the family was going through “profound shock and grief.” He also acknowledged his ex-fiancé’s experience navigating demands of the entertainment industry.

“Nothing will erase the times we shared or the place she had in our lives,” he wrote in the Instagram caption. “To our daughter Kaya, I will always speak of her mother with respect and make sure she remembers the person she was.”

The next hearing is scheduled for Dec. 7, when permanent guardianship of the estate will be decided; however Kaya does not need to be present.

Times staff writer Alexandra Del Rosario contributed to this report.

Fan-favourite Gogglebox stars Jenny and Lee have been a staple on the Channel 4 show for 12 years, having joined the show back in 2014.

The Gogglebox star was in hysterics over Jenny’s marriage remark.

Channel 4 viewers tuned in to watch the nation’s favourite armchair critics give their thoughts and reactions on the latest TV shows of the week. However, in between giving their verdicts on the programmes of the week, Gogglebox favourites Jenny and Lee spoke briefly about marriage.

It comes ahead of the stars settling in to watch the latest HBO drama, War, which follows a very public divorce of two well-known figures. Lee asked Jenny: “Would you ever get divorced?”

After a brief pause, she replied: “Don’t know. No, I’d just wait.” Lee burst out laughing at her quick remark about divorce.

Jenny often speaks about her husband, Ray, on the programme, although he’s opted to stay out of the limelight. However, he did make a very brief cameo recently when he phoned Jenny and viewers got to hear his voice.

Last year, Lee shared a throwback image of Jenny on her wedding day to Ray as he celebrated their 50th wedding anniversary. He captioned the post: “Wishing my sidekick Jenny and Ray a happy 50th golden wedding anniversary, who gets the medal.”

It wasn’t long before people commented on the post, with many praising Ray’s ‘epic’ sideburns. One person said, “Ray should get a medal for those sideburns alone. Epic.”

Someone else added, “Jeez, those sideburns have a life of their own.” While another said: “Bl**dy hell, look at those side burns. You could ski down them.”

Although Ray was offered to join Jenny on the Channel 4 show when she was first scouted at Beverley Races Ladies’ Day in 2014, he declined, prompting her best friend Lee to take his place on the couch.

The pair have been friends since 1994 when Lee met Jenny at the pub when she was a landlady. Speaking to Ireland’s Big Issue magazine, Jenny commented: “Lee was a customer at my pub, The Crown Inn in Paull. He became a regular in 1994 and used to come in pretty much every night with his partner and we were friends from the off. We’ve been best friends ever since.”

Lee added: “I wish I’ve never gone in the pub – it cost me a fortune. When I first met her she had a perm and I can remember thinking, ‘She needs a haircut’. We were firm friends immediately. I don’t think we’ve ever had an argument. We’re too placid to argue. She makes me laugh too much for me to ever fall out with her.”

Gogglebox is available to watch Friday’s on Channel 4 from 9pm.

DAN Osborne has shared a vulnerable post about ‘finding peace’ seven months on from splitting with his wife Jacqueline Jossa.

The TOWIE star and his EastEnders actress lady called time on their romance back in March after being together for 13 years.

Taking to Instagram to reflect, Dan penned an emotional statement in the caption of a simple black and white selfie.

The caption began: “Sometimes you just need to get away from everything. Take time to think, reflect & reset.

“Not everyone will understand the way you deal with things, the decisions you make or what you need to find your peace. And that’s okay. You don’t need everyone to understand your journey or agree with how you choose to walk it.”

Dan then encouraged his followers to continue to pursue happiness, and grow along the way through all the lessons life throws at them.

mind games

Dan Osborne sparks concern as he admits battling a ‘war in my head’

EX FLEX

Dan Osborne flashes his abs on holiday with his three kids after Jac Jossa split

He continued: “Do what makes you happy, what helps your mind, what gives you peace and what helps you grow. Never feel guilty for taking time for yourself.

“Life is about learning, reflecting, making mistakes, growing through them and constantly working towards becoming a better version of yourself.

The reality TV star signed the post off by sharing a revelation: “Sometimes the biggest growth happens when you step away from the noise and learn to be at peace with yourself.”

The post comes less than two weeks after Dan sparked concern sharing how he’s been struggling with a ‘war in his head’.

Dan further captioned the post by writing: “Can’t wait for the day I wake up with this feeling,” and added a worried laughing emoji and prayer hands.

Jac and Dan met at an awards ceremony in 2013 and tied the knot at a Cheshire manor house in 2017.

They are parents to daughters, Ella, 11, and Mia, eight, and Dan also has an 11-year-old son with his ex, Megan Tomlin.

The Sun then recently revealed that Dan was moving on with fitness model Etila Santiago, 33, after he made a secret trip to Miami to visit her after a holiday romance in May.

The Sun On Sunday revealed that Dan grew close to the  Brazilian bikini model after bonding with her over fitness and their mutual support of Arsenal — and vowed to see her again soon.