show biz

A new BBC crime and detective drama, created by Jim Cartwright, is the perfect watch for Beyond Paradise fans

Beyond Paradise fans looking for their next fix need look no further as a new BBC detective drama is on its way.

The Hairdresser Mysteries, created by Jim Cartwright, sees a star-studded cast with Bridget Jones’s Diary legend Sally Phillips, Coronation Street favourite Charlotte Jordan, Game of Thrones star Charlotte Hope, Adrian Hood and Doctors star Elisabeth Dermot Walsh.

A synopsis for the upcoming six-part show teases: “The Hairdresser Mysteries is an original, homegrown drama and a nostalgic nod to the 70’s which sees a high-end hairdresser, Lily Petal (Sally Phillips), opt out of the competitive city scene to buy a small village hairdressers at the top of a cobbled street.

“Everyone tells their hairdresser everything and soon she becomes the hub of her new village’s secrets and revelations.

“Using her own brand of uncannily developed hairdressing intuitive, empathy and understanding, Lily begins to solve the mysteries of the village.”

At the time of the show’s announcement, Will Trotter and Oliver Kent, Executive Producers for Mill Bay Media said: “We are thrilled to be making The Hairdresser Mysteries and working with renowned writer, Jim Cartwright, who has created a joyful world packed with colourful characters.

“None more so than hairdresser, Lily Petal, and we are delighted to have much-loved actor, Sally Phillips bring her to life.”

Meanwhile, Herbert L. Kloiber, CEO Night Train Media and Eccho Rights said: “We are delighted to bring The Hairdresser Mysteries to the international stage. The unique world that Jim Cartwright has created – modern but joyfully retro – and Sally Philips’ irresistible charm, create a fun drama that is both clever and comforting.

“It is exactly the kind of premium yet accessible series that we are looking to develop, offering buyers a fresh spin on the cosy crime genre that they have been crying out for.”

It comes as Charlotte Jordan, who left Coronation Street in 2025 after five years of playing Daisy Midgeley, is said to have quit her Radio 4 The Archers role for The Hairdresser Mysteries, where she plays Clary Coombs.

After leaving Corrie, Charlotte joined the radio show as Amber Gordon that June but after landing the new BBC role, she had to leave The Archers. Olivia Bernstone has taken over the role of Amber in The Archers as a result of Charlotte leaving.

A spokesperson for the show told Metro at the time: “After a brilliant performance as Amber, Charlotte Jordan is taking time to pursue other projects and so we are delighted to be welcoming Olivia Bernstone to the cast, who will play the role of Amber going forward.”

The Hairdresser Mysteries comes to BBC One and BBC iPlayer soon.

Coronation Street legend Kevin Webster got into a huge showdown with nephew Carl on Tuesday night’s episode of the world’s longest-running TV soap and a shot was fired

Kevin Webster got involved in a shocking gun showdown on Tuesday night’s episode of Coronation Street. The mechanic has been played by Michael Le Vell since 1983 and has been central to many of the soap’s biggest storylines, many of them involving his ex-wife Sally (Sally Dynevor), and their daughters, Rosie (Helen Flanagan) and Sophie (Brooke Vincent).

Over the last year, it’s been a typically dramatic time for Kevin and, not only has he had to deal with a testicular cancer diagnosis, he found out that his now-estranged wife Abi ( Sally Carman ) had been having an affair with Carl Webster, the man he thought was his brother. It was just this year that a major retcon took place and Kevin’s sister Debbie (Sue Devaney) revealed that she was, in fact, Carl’s birth mum.

On top of all that, Carl was recently injured when working on a car on the garage when Tyrone Dobbs (Alan Halsall) let the vehicle collapse down on him, and, to keep himself in the clear, lied to the police about his whereabouts that night, thereby landing innocent Summer Spellman (Harriet Bibby) in prison over the murder of Theo Silverton.

Things came to a head in the latest episode of the world’s longest-running TV soap when Kevin and Carl came face-to-face in the garage as Ronnie Bailey, along with Tyrone, watched on in horror. Having obtained a gun from dodgy car dealer Fiona Morley (Sara Poyzer), it was lying on the floor between them – just after Kevin had tried to hit him with a wrench.

Carl told Kevin: ” Either we fix this… ..or you pick up that gun,” to which his brother-turned-nephew did, believing that it was fake and a violent tussle followed when Carl told him to pull the trigger. A gunshot was heard and it transpired that Kevin had pulled the trigger.

Tyrone got a hold of Kevin to make him see sense and, when he realised Carl had dodged the bullet, he said: “I’m sorry, Carl.” Later on, Carl called round to number 13 where he told Kevin: “Been a bit of a day, eh? Should never have agreed to do that job for Fiona. I don’t know what I was thinking, pulling that out on you. We’re a right pair, aren’t we, eh?

“So, is this us now? Putting everything behind us?” Kevin sighed as he said: “We’re never gonna be best mates, but yeah. We both love Debbie and if you’re serious about doing the right thing by her then we’ll move forward.

“Just one thing. Why did you do it? Abi, I mean. Like, I know I’ve gotta get past it, and it’s doing me no good dwelling on the past but I need to know. Please.” Carl said: “Because she was there, I was selfish, self-destructive. Jealous. Kev, whatever the reason, doing that to you, to both of you, it was wrong and I regret it. I regret it all. I don’t wanna be that person again and I don’t think I’m gonna be.” It was then that the warring relatives seemingly called a truce as they shook hands.

By the end of the episode, Ronnie and Debbie had found out about the whole thing and he claimed he had returned the gun, but now it was nowhere to be seen as Fiona hadn’t received it. Lamenting in the living room, Debbie said to Ronnie and Carl: “So, not only have we got God knows who coming after us, but there’s someone out there with a loaded gun!

“Right, first thing tomorrow, I want you both out there, and I want you to find it, because if you don’t, it won’t be Fiona you’ll have to worry about, it’ll be me! Now, get out of my sight… the pair of you,” and showed them the door. What none of them know, though, is Jodie Ramsey, the mysterious long-lost sister of Shona, had found the gun and taken it for herself.

Reacting to the tense episode, one fan wrote on X: “Carl bringing a gun to an argument.. yes only soft b******* do that!! #Corrie,” whilst another said: “So what’s Jodie planning on doing with the gun then?” Is she gonna use it on David if he doesn’t sleep with her?”

A third wrote: “Aw Carl and Kevin making up. Hope Carl sorts himself out for Debbie,” and a fourth said: “A near miss for Carl and Kevin. Oh s*** the gun has gone off!”

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and is available to stream from 7am on ITV X.

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The Recording Academy announced significant changes for the 2027 Grammys, introducing several new genre categories and updating eligibility rules for two of its top awards.

The rule changes will most prominently affect the new artist and album categories.

A change to allow for four submissions for new artist instead of three “establishes more specific language surrounding prominence,” the academy said in a statement. The change updates the famously confusing criteria for new artist, in which acts familiar to some fans for years can suddenly break through and earn new consideration for the category.

It’s likely to benefit an artist such as Ella Langley, who had previously submitted several times for new artist but finally had a commercial and critical breakthrough with her single “Choosin’ Texas” and LP “Dandelion.”

“We’ve heard from the music community that the way artists are being developed is changing, and the time it’s taking to find success or recognition can take longer than it once did. Artists are often releasing more music before they actually break through the consciousness of consumers or of our voters, and that evolution directly impacts this Category,” Recording Academy Chief Executive Harvey Mason Jr. said in a statement announcing the changes. The changes “reflect the reality that artist development looks different than it did even a few years ago.”

In the album category, new rules state that “the threshold of new recordings required on an eligible album is lowered from 75% to 66% to reduce the exclusion of entries that are widely recognized throughout the music industry as new albums.” Given the fast streaming-centric release cycle of new singles, remixes and live cuts, the rule changes reflect that a new album may have a significant amount material released earlier.

Additionally, the academy announced five new genre categories, most significantly a dedicated award for Asian pop — a late but welcome acknowledgment of the commercial reach, artistic accomplishments and deep fan culture of K-pop and other scenes in Japan, the Philippines and China.

Other new categories include Latin song, a songwriting-specific award for Latin music in an era when Bad Bunny and Karol G make some of pop’s most salient political and creative statements; distinct awards for R&B collaboration or duo/group performance and R&B solo performance; a new traditional pop vocal performance award; and the replacement of folk album with categories for contemporary folk album and traditional folk album.

Additionally, a new “ballot plus” option will allow for voting members working across genres to vote in more categories, and songwriting contributors to winning albums in most genre categories will receive Grammy statuettes and achievement certificates, as producers and engineers currently receive.

“These changes and expansions give even more people a place for their music to be respected, heard and evaluated. With more Categories, we can represent more music creators, artists, writers, and producers, and it gives us a great opportunity to be more inclusive,” Mason said in his statement. “Now more than ever, we have to keep pace because things are changing and evolving so quickly. These changes are a reflection of that fast-paced evolution.”

TOY STORY 5

(PG) 102 minutes

★★★★☆

IT’S been over 30 years since Disney’s Pixar changed the way we all look at the contents of an old toy box forever, with the creation of 1995’s Toy Story.

And it might seem that after four films – and a pretty dire Buzz Lightyear spin-off in 2022 – that the story of toys might have been packed up and put in the loft forever.

But, no. There’s always room for another play.

And Woody, Buzz and their motley crew realise there’s a new enemy sucking the imagination out of their beloved children’s minds: technology.

This film focuses on rootin’-tootin’ Cowgirl Jessie (Joan Cusack), who is favoured by her owner, Bonnie.

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The kid loves nothing more than playing games where Jessie and Buzz Lightyear get hitched.

Sadly, the neighbourhood kids don’t want to join in with Bonnie. In fact, they laugh at her suggestions.

And when Jessie goes on a mission to persuade them otherwise, she watches as they all sit staring at devices, like little zombies.

“That’s not playing!” she exclaims. “They’re not even looking up.” In a misguided act of kindness, Bonnie’s parents buy her a Lilypad (Greta Lee) – a kid-friendly tablet that she can ‘connect’ with other children on.

And, as you can imagine, this does the opposite – making Bonnie addicted to the screen – while shunning her toys, losing her imagination and becoming gently cyber-bullied by the girls in her class.

So, it becomes Jessie and the crew’s job to get her away from the screen and the misery it brings. Which, as any parent will know, is a near impossible task.

There is also another story running alongside it involving a shipment of new Buzz Lightyears trying to find their way to a star.

Also, Woody has to be brought into the pack as he’s still living on the outside with the rebellious Bo Peep.

These multiple storylines make Toy Story 5 disjointed in places, and while plenty of fresh ideas are shown, it keeps repeating the idea of kids growing out of playing with toys.

The brilliant dynamic between the competitive pals Woody and Buzz is missed – as is Randy Newman’s superb theme tune You’ve Got a Friend in Me (this time Taylor Swift’s original song “I Knew It, I Knew You” is played at the credits).

And Jessie’s relentless energy becomes a little grating.

However, it’s great to see the gang back on the big screen – and it has enough entertainment, imagination and heart to make sure you won’t check your phone throughout.

Toy Story 5 is out on Friday.

EastEnders have welcomed back a familiar face, but fans fear this will lead to dangerous scenes for Chelsea and Jordan Fox after they survived serial killer Gray Atkins

A familiar face has come back to EastEnders – and it spells trouble for Chelsea and Jordan Fox. Chelsea’s sister Libby, played by Belinda Owusu, has returned Walford after hearing about her mother Denise’s cancer diagnosis, but while many were happy to see her, it wasn’t long before she and Chelsea started bickering.

They argued about many things, starting with whether Chelsea should have noticed Denise was ill and called Libby earlier. Soon, the conversation turned to Chelsea’s son Jordan, who was recently in a car accident and may not be able to walk again. As Chelsea broke down, Libby comforted her sister. But, again, their peace with each other didn’t last long.

Libby pushed Chelsea to open up more and fill her in on what was going on. As such, Chelsea revealed that she had received a birthday card for Jordan from his great-grandmother, Sheila, along with a cheque for £1000.

When asked why she hadn’t cashed it, Chelsea said she didn’t want anyone connected to her ex husband Gray, Jordan’s father who was abusive and killed multiple people, involved in her son’s life, in case they were still in contact with Gray. The murderer, who was also physically abusive towards Chelsea, is currently in prison for his crimes. Since Sheila is Gray’s grandmother, Chelsea didn’t want to risk her being involved.

But, Libby later took the card, with the cheque inside. Fans were unsure what Libby planned to do with it, but some felt that if she cashed the cheque, this would put Chelsea and Jordan in danger.

One floated the idea that Libby planned to cash the cheque: “First episode back and Libby has already just slotted in like shes been back for ages, although if she does end up cashing the check I hope its actually to help Jordan and not another ‘I’m in debt and need to pay someone off’ storyline again.”

Another added: “Well I hope not since she did say she was willing to give Chelsea money for Jordan’s wheelchair and other stuff so I doubt they writers will make her do that considering what she said today.

“I also hope before she cashes it in she discusses it with Chelsea first because at the end of the day it’s gonna affect Jordan and Chelsea since it’s gonna be from her ex partner’s family and who knows they might still be in touch with him so it could potentially put both Jordan and Chelsea at risk but that’s just my opinion.

“So I hope she discusses it with Chelsea before doing anything bc if I was Chelsea I’m not sure how comfortable I would feel either taking money from my abusive ex’s family.”

A third added that they thought this could lead to a custody battle that puts Gray back in Jordan’s life: “I really hope she talks to Chelsea too, because if she cashes the cheque, Gray’s family could use to suggest that they take over Jordan’s care entirely – they’re already paying and they’ll say Chelsea let him get hurt.

“And if they have custody, they might take him to see Gray, which isn’t safe for anyone, especially Chelsea when she tries to get Jordan back.”

Belinda Owusu, who plays Libby, has already teased that her return to the Square leads to tough scenes for Chelsea, and what will happen with the cheque. She said: “With Chelsea overwhelmed by Jordan’s care and the financial strain, Libby sees it as potential support. She’s torn – she respects Chelsea’s boundaries but also believes it could offer some relief.”

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SIMON Cowell’s fiancee Lauren has revealed that being pregnant while married to her ex husband was ‘one of the hardest times of her life’.

The pair, who met way back in 2004 on holiday in Barbados, were first romantically linked together in 2013.

Lauren and her ex property tycoon Andrew Silverman started dating in the early 2000s, tied the knot in 2003 and welcomed their son Adam, 20, into the world in 2006.

Entrepreneur Lauren became pregnant with music mogul Simon’s child in 2013 and went on to welcome their son Eric, 12, into the world in February 2014.

This led to Lauren and Andrew’s divorce being finalised in November 2013.

Speaking on the Happy Mum podcast, host Giovanna Fletcher asked Lauren: “So, what was it like finding out you were pregnant with Eric?”

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Lauren admitted: “There are so many emotions that went with that, because it was the end of my marriage, obviously.

“It was one of the hardest times of my life, because, I don’t want to say regretful, because I don’t regret anything…

“Do I wish it had happened a different way… of course I do.”

She added: “But I think everything happens for a reason.

“It was just one of those moments where I knew it was right and that was what I wanted and that Simon was the person I wanted to spend my life with.

“And so, however we got there, I just believed that it was meant to be.”

She also opened up about her relationship with her ex now.

Lauren told Giovanna: “When I got divorced, it wasn’t a great situation at all. It was terrible.

“I feel really proud to say that we are many years past that point. My ex and I, we do have a very nice relationship.” 

Simon and Lauren took their relationship to the next step back in 2021.

The Sun exclusively revealed that Simon got down on one knee in Barbados.

A source told us at the time: “Simon and Lauren are ridiculously, nauseatingly in love – incredibly, lockdown brought them closer than ever.

“Lauren was absolutely stunned and never in a million years expected Simon to pop the question. She burst into tears – happy tears – and obviously said ‘yes’ straight away.

“It was important to Simon that the kids were there too, as he adores them both and the family they’ve become. 

“Lauren has been Simon’s rock over these past few years – supporting him when he broke his back, and through thick and thin generally. They make a wonderful couple.

“Whilst Simon never thought he was the marrying type, he’s realised he’s met the woman of his dreams – and couldn’t be happier. In the words of Beyoncé, it was time to put a ring on it.”

KATIE Price’s husband Lee Andrews has broken his social media silence since going missing weeks ago.

The 43-year-old has claimed he was “captured at gunpoint” and “slapped around” before being accused of spying.

He then praised his wife Katie, 48, for her help in getting British authorities involved in his release.

Posting a video of himself on social media with a thicker-looking head of hair, Lee said: “Hi everyone, this is Lee. I’ve been missing now for several weeks. I can tell you I’m now safe and healthy and with my wife.

“I was taken close to the Hattar-Omani border by men at gunpoint and then I was captured by men with assault rifles.

they did slap me around a little bit, little s***s, and I was hand-tied, shackled and also had a hood over my head.

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“From there I was taken to a black site and I had no use of my phone and from what I know it was an extended arm of the National Guard and that’s all I can reveal at the moment.

“I have signed disclaimers now with state security and from there I was put into the system.

“At no point have I faced anything to do with fraud allegations or any criminal activities such as that.”

However, UAE officials debunked his claims he was in jail for spying and confirmed he has spent the past four weeks behind bars on suspicion of fraud.

However, UAE officials challenged his claims he was in jail for spying and said he has spent the past four weeks behind bars on suspicion of fraud.

Lee doubled down on his version of events today, adding: “So I’m sending these messages out to my loved ones and my beautiful wife, who without her help involving all the UK authorities, I don’t think I would have got out of that situation.

“Because of the tensions and things happening in the region, and me being so close to the border, this is why I was suspected of espionage and held in a state security building without the use of a telephone and any right to shower, contact or speak to any of my family, including the embassy or my wife.

“So thank you to Katie for making such a noise where the UAE actually listened and let me go.

“From there, I did have a civil case in Dubai, which led to me going into the mainstream prison during the Arabic holiday Eid and I was able to secure my release.

“I’m here now. So thank you for everyone for listening and loved blessings to everyone.”

Katie appeared to accept his story, sharing Lee’s video on Instagram saying: “My husband is back. I love you.”

The former glamour model’s controversial husband was released from Dubai’s notorious Al Awir prison on Friday.

Katie quickly jetted back to Dubai from the UK over the weekend to see her other half and they shared an emotional reunion on Sunday evening.

Pictures showed Katie jumping into Lee’s arms as he picked her up and hugged her before heading to Vox Dubai, an outdoor rooftop cinema, to catch a World Cup football game.

Lee met Katie via Instagram in January and married in Dubai just nine days later in a whirlwind romance.

Katie told critics who have questioned her decisions: “I know people have been calling me stupid, I see all the trolling, I hear it.

“I am not stupid. Trust me, I am protected in every way. My card has been marked and I have been taking notes.

“There is no way he would mess with me, and in a way I feel protected because I have the nation looking out for me. I’m not a mug and when I finally see Lee, I am going to question him.

“And if the answers I get are not right, that will be it: I’ll be done. That’s it. And I’ll just get on with my life… and not find a man on Instagram and message him….”

Legal documents revealed that Lee was facing multiple legal issues in Dubai.

The court mandated that a total fine of £140,000 would need to be cleared before he could be released.

While imprisoned, Lee requested during a prison phone call that Katie start an online fundraising page to help raise the money, but she told him: “No one will do that for you, Lee, trust me. Everyone hates you.”

During his four weeks at Al Awira, Lee boasted about his accommodation, claiming to have befriended suspected Irish crime boss Daniel Kinahan.

Lee previously served a prison sentence in October for forging Taji’s signature on a £200,000 mortgage document.

AFTER quitting smoking years ago, Rachel Stevens was spotted in a rare relapse as she puffed on a cigarette on a recent trip to London.

While many a celeb has been caught giving in to their smoking urges, the image is a far cry from her “clean girl” Instagram aesthetic and carefully curated social media, and Insiders tell The Sun that the cheeky cig-break is only a glimpse of the real Rachel, who has hidden behind her S Club 7 persona for years.

One source close to the singer says: “People have always had this perception of Rachel as the ultimate girl-next-door. She’s sweet, wholesome, polite and completely drama-free, but the truth is she’s always been far more complex than that.”

“Rachel has spent years carrying the weight of an image that was created when she joined the band aged just 19, and while she appreciated the love from fans, there were times when she felt trapped by the expectations.”

Even now, at 48, Rachel’s online world remains extremely polished.

Just days ago, she was posting perfectly styled outfits, wellness content and carefully framed snapshots of her life.

Scroll through Rachel’s social media, and you’ll find plenty of evidence of the lifestyle she has built her brand around. One day she’s sharing a Pilates session, the next she’s posting from the gym lifting weights or promoting healthy meals and wellness products. Yoghurt bowls, workout routines and clean living have become as much a part of her image as the pop career that made her famous.

What she wasn’t posting about was arguably one of the biggest professional moments she has had in years.

This summer, S Club reunited to support Boyzone on the first night of their Final Farewell tour at London’s Emirates Stadium.

It marked one of the band’s most significant performances since October 2023.

Yet while many artists would have flooded their feeds with backstage snaps and promotional content, Rachel largely stayed quiet. There were a handful of Stories and a Reel, but little fanfare.

Though some fans were left questioning her excitement, for those close to Rachel, it’s entirely typical.

Our source said: “Rachel has always separated the public version of herself from her private life. She doesn’t feel the need to broadcast everything she’s doing. People assume they know her because she’s been famous for so long, but actually she’s one of the more private people in show business.”

That privacy perhaps explains why so much of Rachel’s personal life has unfolded away from public view.

For years, she was considered to be in one of show business’s most stable relationships. Her marriage to childhood sweetheart Alex Bourne appeared rock solid.

The couple had first met as teenagers before reconnecting later in life, eventually marrying and having two daughters together. Which is why their split in 2022 sent shockwaves through fans.

Following the breakdown of her marriage, Rachel began dating Dancing On Ice professional Brendyn Hatfield. They were together for three years, before calling it quits last summer.

The relationship attracted huge attention, with speculation swirling about timelines and cheating rumours that Rachel was ultimately forced to deny. According to those close to her, the experience was deeply uncomfortable.

A pal said: “Having private matters become public talking points was incredibly difficult for Rachel.

“She’s always preferred to keep her personal life out of the spotlight. The divorce came as a shock not just to fans but to people around her too because they genuinely thought the marriage would last forever.”

Yet relationship drama is far from the only challenge Rachel has faced.

Perhaps the most startling chapter of her life came years earlier when she found herself caught up in two terrifying incidents within weeks of each other. In 2009, Rachel was violently attacked during a robbery at her North London home.

The singer later recalled being ambushed by a man who grabbed her around the neck and covered her mouth.

Speaking in court years later, she admitted she was left “absolutely terrified”. Just weeks after that ordeal, she found herself caught up in another traumatic incident while having dinner with family in St John’s Wood when a gunman opened fire nearby during a gangland shooting.

The experiences left a lasting mark – Rachel later revealed she suffered PTSD, anxiety and fears around travelling alone with strangers.

The star admitted: “The two incidents that happened so close together definitely caused a lot of post-traumatic stress. After that, I felt scared to even leave my house, get out of my car, and I was just very fearful.”

It was a side of the pop star the public rarely saw. After all, while Rachel was being voted one of the sexiest women in Britain and appearing on magazine covers, privately she was battling fears few fans knew existed.

The source adds: “Everyone assumed she was confident because she was on TV and branded one of the sexiest celebrities in the world every week. But privately she could be incredibly anxious and hard on herself.”

Even Rachel’s driving ban became a talking point because it didn’t fit the image many people had of her.

The singer appeared in court after accumulating 21 penalty points from five speeding offences and attempted to avoid a ban by explaining how it would affect work commitments and family life.

Again, it surprised many because it felt so at odds with the Rachel the public thought they knew. But insiders insist that’s precisely the point.

Our source explained: “She’s made mistakes, faced challenges and dealt with consequences when things have gone wrong. The idea that she’s some squeaky-clean pop robot isn’t accurate. But neither is the suggestion that there’s some secret wild side waiting to be exposed.”

Indeed, those closest to Rachel say these photos will reveal a whole new authentic side to the pop star.

An insider added: “What people are seeing now is a woman who’s much more comfortable being herself. The smoking pictures might surprise some fans, but those who know Rachel aren’t shocked.

“She’s never claimed to be perfect, and she’s certainly never lived her life trying to be a saint.”

For years, Rachel Stevens was boxed into a role she never quite chose: the impossibly perfect girl next door. But behind the green juices has always been somebody far more human.

As one insider puts it: “The real Rachel sits somewhere in the middle. Warm, emotional, resilient, occasionally rebellious and a lot more human than the image people have projected onto her for the last 25 years.”

And if a cigarette outside a venue is finally enough to remind people of that, Rachel probably won’t lose too much sleep over it.

Fox is under fire for missing on-field action during the first match of the World Cup last week. .

Many sports fans were irate when the network aired a full-screen ad when play resumed after a water break during last Thursday’s Mexico–South Africa match.

In the second half, the referee called for the newly instated hydration break, but the call came during a replay, which led to a miscommunication over when the three-minute break actually started.

Fox ran its full-screen ad late, and because the break didn’t last the full three minutes, players were reportedly left stalling on the field — and many Fox viewers missed the restart entirely.

“The reason that I keep coming back to these games as a fan is for 45 solid minutes of entertainment. Anything that interrupts that, whether it’s [these hydration breaks] or anything else, is not great for the game,” Garrett Denney, an avid World Cup fan and frequent user of the World Cup Reddit page, said. “What we want to see is that kind of rhythm and tempo, the intensity for a full half of soccer.”

Fox declined to comment.

The hydration break is new to the World Cup. FIFA announced it in December as a way to protect players’ health in the summer heat. In every match, the referee is to call for a break around the 22-minute mark of both halves, regardless of weather.

A FIFA spoesperson declined to comment, but pointed to a previous press release describing the breaks as a “focused attempt to ensure the best possible conditions for players, drawing upon the experiences of previous tournaments.”

The extra minutes also created something else — a new advertising window, and broadcasters are taking advantage.

Networks are supposed to leave the on-field action 20 seconds after the referee signals the break and return 30 seconds before play resumes, allowing for ads of up to two minutes and 10 seconds in total. They can air any full-screen ad they’d like, or run a split-screen ad — though a split-screen has to feature a FIFA partner, like Coca-Cola or Adidas.

The stakes are especially high for Fox, which is also leaning on the tournament to promote Fox One, its streaming service that lets subscribers watch its programming without a traditional pay-TV subscription. The World Cup broadcast has been a major plus for the platform, which costs $19.99 a month.

For some soccer fans, though, the commercial breaks are an intrusions.

“The FIFA hydration break is pure capitalism,” comedian Kevin Fredericks wrote on X.

Musician Lloyd Cole made a similar point about the new ad windows: “US tv finally got their 4 quarters. Fifa, corrupt? Fifa?”

After Fox’s stumble, many fans started questioning the intention behind the rule itself.

That frustration has pushed some viewers toward an alternative: Telemundo. The Spanish-language network, available through the Peacock streaming platform, opted for minimal hydration-break ads instead of full-screen takeovers.

During the same Mexico–South Africa match, while Fox aired its full-screen ad, Telemundo kept players on camera, let its commentators share their thoughts, and ran a Lays ad in the corner of the screen. The network has described it as a conscious decision to prioritize authenticity and keep viewers immersed.

“No ads on Telemundo and I’m learning Spanish at the same time!” one user quipped on the World Cup subreddit.

Denney, who’s rooting for Team USA, said his family prefers the Telemundo stream too — even with only part of the household fluent in Spanish.

“Part of our household is fully fluent in Spanish, part is not. And even despite the language barrier, we’ve really gravitated toward the quality of the Telemundo stream,” Denney said. “It’s really more of a rhythmic commentary. You can get deep into the game, you’re not pulled so far out of that experience and it feels almost like you’re at the stadium.”

Emily Atack has been busy filming the new series of BBC drama Reputation.

The Rivals star has been seen on the set of the hotly-anticipated BBC drama, which focuses on the story of a high-stakes celebrity defamation battle. Soon, the legal battle spirals out of control – but at what cost?

In the new photos, Emily can be seen filming in gym gear as she clutches a large bag. Standing outside a nail salon, Emily’s character has sunglasses atop her head as she wears a grey hoodie and blue leggings.

In one picture, she clutches car keys as she hugs one of her co-stars. She is also seen chatting and walking with co-stars Kyle Soller and Marli Siu as part of the scenes.

The series follows the story of a character called Lena, an excellent lawyer who takes on a new case representing global pop star Davina Knight. In her new song, Davina decides to accuse her ex-husband, Billy, of abusive behaviour.

A private split soon ends in a very public libel battle and soon, it is much more than what goes on in the courtroom. There’s social media, PR machines and everyone becomes the judge and the jury.

Lena finds her own personal life thrust into the spotlight as the case continues to unfold. How far will she go to win and how much will Davina do to protect her own reputation?

Lena will be played by Skyfall and Moonlight star Naomie Harris whilst Davina Knight will be played by Mad Men star Christina Hendricks. Naomie said of joining the programme: “I was hooked from page one of Reputation. It’s so rare to read scripts with the wit and flair of Anya’s writing and I knew straight away that I wanted to play Lena.”

Christina added of her part: “Davina’s a fantastic, fierce character. I’m so looking forward to working with Naomie and I’m delighted to be working again with the Forge.”

Emily’s specific role has yet to be revealed but she will also star alongside Alex Jennings (The Crown, The Lady In The Van), David Gyasi (The Diplomat, Interstellar), Emily Atack (Rivals, Inbetweeners), Kyle Soller (Andor, Bodies), Marli Siu (Twenty Twenty Six, Everything I Know About Love) and Alex Heath (Serpent Queen, Prime Target) amongst others.

Tilly Keeper (You, Queenie), Corey Johnson (Digger, The Day of the Jackal), Aidan McArdle (Sherlock & Daughter, Showtrial), Ernest Kingsley Jnr (Washington Black, The Sandman), Jodie Campbell (Boarders, Bitch Boxer), Kayla Meikle (Transaction, Time 2), Mike Noble (This City is Ours, Dirty Business),Enzo Cilenti (Black Mirror, Jonathan Strange & Mr Norrell) and Kat Ronney (Dinosaur, Finding Emily) will all also star in the upcoming BBC drama.

Anya Reiss, writer of Reputation, said: “When I found out London was the global capital of high stakes libel cases – where the rich, powerful and famous come to fight in public for their reputations – I was in. I’ve loved writing this world and now I’m excited to get it off the page and onto the screen.”

Lindsay Salt, Director of BBC Drama, added: “Reputation is high-stakes, intoxicating and hugely entertaining, with a lot to say about the world. In Lena and Davina the brilliant Anya Reiss has created two lead characters for the ages, and we’re delighted to be working with her, Mahalia and the team at The Forge to bring this very public battle to BBC iPlayer and BBC One.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Harlan Coben fans, another of his best-selling books is coming to Netflix.

Harlan Coben fans are eagerly anticipating I Will Find You, his next major Netflix drama.

Coben‘s novel adaptations have become hugely sought-after by Netflix subscribers, and I Will Find You is no exception, with the new series based on his 2023 novel of the same name.

The wait is now officially over as this latest thriller follows in the footsteps of his previous hits including Fool Me Once, The Stranger, Stay Close and Run Away.

Brace yourself for gripping drama, nail-biting chases and jaw-dropping twists, all brought to life by a brilliant star-studded cast.

Netflix I Will Find You release date

Thriller enthusiasts won’t have too much longer to wait as I Will Find You arrives on Thursday, June 18, on Netflix.

All eight episodes will drop simultaneously, giving subscribers the opportunity to binge-watch at their own pace.

Who stars in I Will Find You on Netflix?

Taking the lead role as David Burroughs, a father wrongfully convicted of murdering his own son, is Sam Worthington, widely recognised for his role in the Avatar franchise.

He is accompanied by Severance star Britt Lower as David’s ex sister-in-law Rachel Mills, This Is Us favourite Milo Ventimiglia as her ex-boyfriend and trusted confidant, and Gotham actress Erin Richards as David’s ex-wife Cheryl.

Further familiar faces joining the I Will Find You cast include Westworld’s Jonathan Tucker, Dear White People actress Logan Browning and Pushing Daisies’ Chi McBride.

What is Harlan Coben’s I Will Find You about?

As stated earlier, I Will Find You on Netflix is adapted from the 2023 Harlan Coben novel of the same name.

It centres on father David Burroughs (portrayed by Sam Worthington) who is “wrongfully serving a life sentence for murdering his son”.

The official synopsis adds: “But when he receives word that his son may actually be alive, David embarks on a truth-finding mission that leads him out of prison and into a world of deceit and despair.”

However, will escaping from prison and becoming a fugitive truly result in him locating his son?

I Will Find You launches on Thursday, June 18, on Netflix.

TOM Holland has finally confirmed he and Zendaya are married after months of speculation.

A number of AI-generated wedding pics took the Internet by storm earlier this year sparking an ‘are they/aren’t they?’ frenzy.

In a new interview with Esquire UK, the Spider-Man star, 30, was asked if he needed to address the viral images with his family in case they awkwardly felt they’d been left out.

He said: “No, because they were all there…That’s all you’ll get on that.”

While he wouldn’t go into any more detail on the A-list couple’s wedding, he was happy to speak about the relationship more generally and how he is the “happiest I’ve ever been”.

He said: “Our business can present very stressful situations and it’s really nice to have a bedrock of a relationship that will stand the test of time.

stamp of approval

Zendaya flashes side-boob and shows off new tattoo tribute to Tom Holland

‘AT EASE’

Zendaya shares moment she knew Tom Holland was The One but won’t confirm wedding

“We can support each other in ways that only we can, because only we understand really what it’s like to live this life, and I think that is such a luxury, because I just don’t understand how I would be able to have anything like that with anyone else.

“So, for me, I found my person. She’s my best friend, and I’m the happiest I have ever been when I’m with her, but I have also never felt so supported and safe, ever. Period.”

The nuptials have been a not so well kept secret for some time.

Zendaya’s stylist Law Roach said in March that the pair were husband and wife at the Actor Awards.

He told Access Hollywood: “The wedding has already happened. You missed it.”

When asked to spill more details by the reporter, the stylist laughed and said: “It’s very true.”

The same month she was seen wearing a wedding band at the 19th annual Essence Black Women in Hollywood.

The A-list pair reportedly got engaged between Christmas 2024 and New Year, in one of Zendaya’s family homes in the US.

Tom popped the question in a romantic and intimate setting, sources told TMZ at the time.

The English actor reportedly asked Zendaya’s dad, Kazembe Ajamu Coleman, for his blessing months before the proposal but waited until the time was right to get down on one knee.

Although they didn’t announce their engagement, during a panel event a reporter called Zendaya Tom’s “girlfriend”, to which the actor corrected them and said: “Fiancée.”

In January 2025, Zendaya was pictured wearing a huge £500,000 diamond ring by Jessica McCormack.

Tom and Zendaya first met on the set of Spider-Man: Homecoming in 2016.

After years of speculation about their relationship, the pair finally confirmed their romance in 2021 after they were photographed kissing in Los Angeles.

While the couple has kept their relationship mostly under wraps, Tom previously opened up about Zendaya’s support during his sobriety journey.

Speaking in October 2024, the actor said throughout his journey his girlfriend showed an “overwhelming sense of support.”

“I realised who my real friends were,” Tom told TV host Michael Strahan.

“And getting an overwhelming sense of support from them and enjoying a nightlife experience with them without the pressure of having a drink was a beautiful experience.”

This year they will appear on the big screen twice together, firstly in Christopher Nolan’s historical epic The Odyssey and later in Spider-Man: Brand New Day.

The Dallas Cowboys Cheerleaders secured a significant boost to their salaries last season, but how much are they actually paid?

They still don’t get nearly as much as the Dallas Cowboys football players.

America’s Sweethearts: Dallas Cowboys Cheerleaders are back on screens this week with a thrilling third instalment of Netflix’s hit docuseries.

Each seven-episode season of the show created by Greg Whiteley chronicles the latest NFL season as both rookie and seasoned cheerleaders compete for a spot on the 36-strong squad.

The newcomers are guided by director Kelli Finglass, head choreographer Judy Trammell and a number of cheerleading veterans who have performed for DCC for up to six years running.

After the first season premiered on Netflix back in 2024, many viewers were shocked by how little the cheerleaders were paid compared to NFL players.

This led to a push for higher pay, spearheaded by a number of veteran cheerleaders, that played a major role in America’s Sweethearts’ second season. But was the dispute successful? And how much are they paid now?

How much are the Dallas Cowboys Cheerleaders paid?

Despite the Dallas Cowboys being valued at over $10 billion (£7.45 billion) at the time, their cheerleaders reportedly only earned between $15 and $20 an hour (£11.18 – £14.90) for practice and $500 (£372) per game before the 2025 season.

This all added up to a salary of around $75,000 (£55,890) a year for cheerleaders who made the squad, according to reports from NBC Boston.

However, this itself was an increase from even lower pay just a few years previously, following historical dissatisfaction with the cheerleaders’ wages.

In 2018, former Dallas Cowboys cheerleader Erica Wilkins successfully sued the organisation, leading to a 2019 settlement that bumped up wages from $8 (£5.96) an hour to $12 (£8.94) an hour. Game day pay was also increased from just $200 (£149) to $400 (£298).

During the 2024-25 season depicted in the Netflix documentary’s second outing, the DCC squad was still unhappy with their income as many of them would have to take on second jobs to make ends meet.

Plus, even the Dallas Cowboys’ newest players were earning around ten times more than veteran cheerleaders, with salaries for rookies starting at $750,000 (£558,900) and veterans at $850,000 (£633,460). Quarterback Dak Prescott is the team’s highest earner, with a current average salary of $60 million (£44.75 million) a year after signing a $240 million (£178.83 million) four-year contract.

Throughout the 2024-25 season, the Dallas Cowboys Cheerleaders held meetings to discuss the issue of pay and even considered staging walkouts during games, though this ultimately didn’t happen.

Jada McLean, who played an instrumental role in securing the squad’s new pay deal, told TIME magazine: “We didn’t want to let people down who were so excited to see the cheerleaders after supporting us through the first season of our television show.”

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In the final episode of America’s Sweethearts season two, four-year veteran Megan McElaney announces the squad has secured a “life-changing” salary increase of a staggering 400 percent, with cheerleaders reportedly earning around $75 (£55.89) per hour. Veteran cheerleaders can now earn around $150,000 (£111,770) a year.

However, the cheerleaders’ exact salaries are not disclosed in the series and there has been some dispute over whether the 400 percent figure is accurate.

Veteran Reece Weaver disclosed on the Unplanned podcast last November that the increase was “more like 300 percent”, though maintained the team is still “so grateful with the outcome”.

“I really don’t know all the behind-the-scenes on how it all works out, but what I can say is that it has been such an improvement and a very big increase [over] what we have seen in the past,” she added.

Importantly, the increase does not include a flat fee for game appearances, which Weaver says is a “huge improvement”, and the job has remained part-time and does not include health insurance for cheerleaders.

America’s Sweethearts: Dallas Cowboys Cheerleaders season 3 is available on Netflix.

If you want personal stories of survival, family trauma or just how to get over a breakup, look no further than adult animation. Even better: Sometimes these shows do all that and are still funny. We’ve rounded up some of this season’s best examples in the genre.

‘Genndy Tartakovsky’s Primal’ (Adult Swim)

Set in an anachronistic world where prehumans and dinosaurs fight for survival, “Primal” is told sans dialogue and focuses on a Neanderthal named Spear (whose vocal grunts are provided by actor Aaron LaPlante) and a female Tyrannosaurus rex known as Fang. It’s raw, bloody and, somehow, tear-jerking.

“There’s drama, there’s violence, certainly there’s a bit of lightheartedness … we’re not trying to do it like a live-action thing, but we’re trying to get cinematic,” says creator Genndy Tartakovsky. “And because it’s dramatic and there’s no dialogue, we’re leaning into the visual storytelling of it all. This makes it seem a little bit more sophisticated.”

Tartakovsky says he even tries to make “the blood spurts look beautiful and designed”: “We’re not doing it for shock value.” The show also added the escaped female slave Mira (voiced by Laëtitia Eïdo) at the end of Season 1 because the creator felt it worked for the story.

‘Kevin’ (Prime Video)

Talking cats are not new to animation. But this one is going through the very human roller coaster of a relationship rebound and self-discovery.

Joe Wengert co-created “Kevin” with ex-girlfriend/series voice actor Aubrey Plaza as a cathartic thought experiment about their actual pet cat, Kevin. (Jason Schwartzman voices him in the show.)

“It’s more fun to write for the animals,” says Wengert, whose credits include Netflix’s animated “Big Mouth” and Fox’s live-action “New Girl.” “They have another level of crazy.”

The show also doubles as therapy.

“I’ve always been too into my relationship and I sort of neglect my friends,” he says, adding that “I’ve always wanted to write something about that, but it’s kind of sad when it’s a human man. It’s less sad when it’s a cat.”

‘Long Story Short’ (Netflix)

Raphael Bob-Waksberg, who also created Netflix’s “BoJack Horseman,” knows his beat is animated shows that are both funny and thought-provoking. He says the difference with “Long Story Short,” in addition to it being about humans and not an anthropomorphic horse, is that it has “sadness we can relate to.”

“Here, we see characters sad in the way that we are sad and we go, ‘Oh, this is not a cartoon exaggeration of our sadness.’ This is exactly the same as our sadness,” Bob-Waksberg says.

In order to keep the show from being a total buzzkill, the writers will craft scenes like an intense conversation between adult siblings about fertility treatments in the midst of the chaos and the bizarre costuming of a child’s dance concert.

He says you can do this in live-action, but it would have to be something in the Tina Fey-Robert Carlock style like NBC’s “30 Rock” or Netflix’s “Unbreakable Kimmy Schmidt,” which are known for rapid-fire bits.

“Usually in live-action, when you think about dramedy, your head goes to like, well, not too funny and not too dramatic. And my shows are kind of the opposite,” he laughs.

‘Mating Season’ (Netflix)

Like another show Andrew Goldberg co-created, Netflix’s “Big Mouth,” “Mating Season” is about sex and relationships. But, because it’s not about kids, it can be less metaphoric. And, because it’s about a group of Gen Z-ish forest animals, it can almost seem … cute?

“It feels less voyeuristic than with people,” Goldberg explains of “Mating Season.”

Goldberg, who loves nature documentaries like Netflix’s “Life on Our Planet,” says they opened the second episode of “Mating Season” with a parody documentary because “we wanted to remind people as much as possible that, yes, these are cartoon characters. But these animals are real, and they’re out there, and they’re going about their lives.”

He says the writers were also inspired by dating shows about humans such as Netflix’s “Love Is Blind” and Peacock’s “Love Island,” because “we really discovered, as we were writing the first season, how much the show was a romantic comedy.”

‘Strip Law’ (Netflix)

“Strip Law,” about a Las Vegas lawyer attempting to live up to his late mother’s legacy, is a David and Goliath story, in which Adam Scott’s Lincoln Gumb and a ragtag crew attempt to defeat the powerful and nefarious attorney Steve Nichols (Keith David). It’s also a send-up of legal procedurals, with Lincoln’s cases including a fight over who’s the real Santa Claus and a custody battle that devolves into a theological debate. Even the season finale is a meta masterpiece that’s told from the points of view of Lincoln’s rival attorneys.

“It would be disingenuous to say we weren’t at least a little trying to weird people out,” creator Cullen Crawford laughs.

Crawford cut some of his teeth on CBS’ “The Late Show With Stephen Colbert,” but says he switched formats when he got burned out writing jokes about President Trump. He says that, at least in the comedy world, “a good animation writer will be a good live-action writer and the other way around, to an extent, as long as you understand the mediums.”

The “Love Island USA” production team is mourning the loss of executive producer James Barker, who died last week while on set in Fiji.

“Love Island USA” producers ITV America and Peacock confirmed Barker’s death in a media release shared with The Times on Monday. The announcement said that Barker died after “an unexpected medical emergency” but did not provide additional details, including the day of his death and a cause of death. Barker was 40.

“James’ unimaginable loss has been deeply felt across not just the entire Love Island USA production, but throughout all of ITV and Peacock,” the television companies said in a joint statement. “He was a beloved and greatly valued member of our collective family whose kindness, talent and dedication left an indelible mark on all of us and everyone who had the privilege of knowing and working with him. We extend our heartfelt condolences to James’ family, friends and colleagues.”

Barker began his tenure on “Love Island USA” in 2020, first working as a story producer. He has worked as an executive producer on the series for the last three seasons and was also a member of the producing team on “Love Island” companion series “Love Island Games” and “Love Island: Beyond the Villa.”

Barker, according to Monday’s statement, also oversaw the hit series’ pop soundtrack. For an interview with Rolling Stone in 2025, Barker recalled watching the original British “Love Island” series and how pop music supplemented the on-screen romances and heartbreak: “I think that is where my brain immediately said, ‘One, this is amazing, and more shows should be like this.’ And two, ‘How do I work on “Love Island”?’”

Barker also noted in the interview that he drew inspiration for the “Love Island USA” villa sound from his pre-TV career as a nightlife DJ and spoke about the process of hand-selecting music from established pop acts and up-and-coming artists.

“In the past, there was such a stigma about reality shows that a lot of artists didn’t want their music associated with reality shows. And that’s starting to turn around now,” Barker told the outlet. “[Artists are] more and more seeing, well, one, the financial aspect of having your music synced in these kind of shows, and also just the wide reach of viewers.”

Before “Love Island USA,” Barker was a producer on reality series “Pawn Stars,” “Counting Cars” and “Forged in Fire.” He later served as a story producer on “Queer Eye,” “Cosmic Love” and “Are You My First?” Outside of his TV work, Barker often performed as DJ Chaotic at gay bar C’mon Everybody in Brooklyn.

“Love Island USA,” which began its eighth season earlier this month, will pay tribute to Barker in Tuesday’s episode.

He is survived by his mother Malinda.

Former Top Gear host Jeremy Clarkson headed to the auction house on the Prime Video series

Jeremy Clarkson and Kaleb Cooper bid farewell to an iconic member of Diddly Squat Farm.

Season five of Clarkson’s Farm saw Jeremy selling off the fan-favourite Lambo tractor after it wasn’t getting much use, following his purchase of the AgBot in the new series.

The AgBot, a fully autonomous, driverless tractor, was busy ploughing the fields of Diddly Squat Farm and sowing seeds.

Jeremy and Kaleb could monitor the tractor’s progress on their computer while they got on with other things on the farm, which meant the 2016 Deutz-Fahr tractor wasn’t getting much use.

The veteran broadcaster decided to sell it off, explaining in voiceover: “”The green Lambo hadn’t turned a wheel in weeks, so I decided to sell it, which meant getting it valued by an agricultural auctioneer.”

The valuation on the prized piece of agricultural kit from Oliver Godfrey left Jeremy somewhat surprised and dismayed.

Oliver responded: “It’s not the easiest thing to sell in the world, I’ll be honest, but I would look somewhere in the region of between £50,000 and £60,000.”

Jeremy revealed that the valuation was “quite a lot less” than he’d initially paid for it when he bought it for £80,000.

On the day of the auction, Jeremy didn’t appear too hopeful about his Lambo’s prospects and said: “Here it is. There’s going to be a frenzy of bidding…”

However, the bidding did start to pick up as people put in their offers for the green tractor that Jeremy had customised and adorned with Lamborghini badges.

As the offers went up, Jeremy remarked: “We are actually getting closer to the £80,000 that I had paid for it.”

Despite the valuation, both Jeremy and Kaleb were left astonished and rather relieved when the Lambo ended up getting snapped up for the sum of £70,500.

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Once the hammer went down, Jeremy said: “Well, it was a financial hit, but it wasn’t a financial kick in the nuts.”

The auction comes ahead of tomorrow’s Clarkson’s Farm season five finale, when audiences will get the final two episodes titled Sickening and Reaping – referring to the TB outbreak and the harvest at Diddly Squat.

Clarkson’s Farm season 5 concludes tomorrow on Prime Video

Jelly Roll has filed for divorce from Bunnie XO.

The country music star filed for divorce from his wife in Tennessee’s Williamson County on May 18, according to court documents obtained by People — TMZ broke the news. The announcement may come as a shock for country fans who have followed the couple through their sappy podcast appearances and gushy acceptance speeches.

Bunnie XO, who hosts the “Dumb Blonde” podcast, met Jelly Roll at one of his Las Vegas Country Saloon concerts in 2015. Then, a year later on a Las Vegas stage, the “Save Me” hitmaker popped the question.

The pair said their “I do’s” at a local courthouse later than night in a secret ceremony.

Jelly Roll and Bunnie XO have been candid on the podcast circuit about the ups and downs of their relationship. In Bunnie’s 2026 memoir, “Stripped Down: Unfiltered and Unapologetic,” she wrote about Jelly Roll’s 10-month affair in 2018 and her subsequent emotional unraveling.

The couple also has been open about their struggle with IVF in recent years.

As recently as February, while accepting his win for contemporary country album for “Beautifully Broken,” Jelly Roll thanked Bunnie XO in his acceptance speech, saying that he wanted to thank his “beautiful wife” and that he’d be dead or in jail without her.

And during a 2023 appearance on “Bussin’ With the Boys” podcast, Jelly Roll was overcome with emotion recounting his early days with Bunnie XO. “When Bunnie comes into my life, I have to sit Bunnie down and go, ‘Look, I have a kid that you know about that I’m fixing to have to get full custody of.’”

According to the Grammy winner, Bunnie had his back from the beginning.

“I don’t have a house, I’m homeless. So she’s like, ‘Well, the first thing we have to do is get you somewhere to live in Nashville.’ I was like, ‘Well, I can’t put it in my name, I’m a felon, I don’t have enough proof of income to get the kind of place we need to get her in the right school district.’

“Bunnie’s like, ‘Let’s just go get a condo, so you have a bedroom for her.’ … So Bunnie comes down, and we’re getting a condo. I’ll never forget, Bunnie looked at me, and, man, it makes me emotional. She said, ‘No matter what happens with us. I’m gonna help you get this little girl.’

“And I was like, man, what character this woman has,” he continued.

Hours before news of the couple’s split broke, Bunnie XO posted a video on Instagram dancing to Nickelback’s “How You Remind Me,” and mouthing the lyrics “I said I love you and I swear I still do.”

Tyra Banks has filed a defamation lawsuit against Netflix and the directors of “Reality Check: Inside America’s Next Top Model” claiming that she was manipulated and misrepresented in the series.

The three-part documentary, directed by married duo Mor Loushy and Daniel Sivan, revisited the reality show’s rise and many controversies, including former contestant Shandi Sullivan discussing what she described as a blackout sexual encounter that took place during Cycle 2 of the series and was a major plot point because Sullivan was in a relationship.

Sullivan said in “Reality Check” that she felt like producers should have stepped in considering she was heavily intoxicated, but instead they followed her into the bathroom and bedroom to record a sexual encounter with a male model. In a following scene, Banks lectures Sullivan about cheating and “carnal” temptation.

“Tyra Banks participated in the Netflix documentary series about ‘America’s Next Top Model’ because she believed viewers deserved a candid conversation about the show’s legacy — its successes and its shortcomings,” reads the lawsuit. “There are aspects of the show for which Ms. Banks takes accountability and she wanted ANTM viewers to hear that from her directly.”

The lawsuit, filed on Saturday in the Central District of California, claims that the supermodel turned media personality participated in a 3½-hour interview, of which about 16 minutes was used.

“The producers used what could be stripped of context and reassembled to support a false and defamatory narrative unrelated to what she actually expressed,” reads the suit. “The accountability Banks took ended up on the cutting room floor.”

The suit alleges that producers used “selective editing, deliberate omission and surgical manipulation of continuous footage” to create a false narrative that Banks “knowingly allowed a contestant to be sexually assaulted on her show, exploited that contestant’s trauma for ratings, and then could not even remember it when asked.”

Banks claims that she asked Netflix and the producers of the docuseries for access to the unedited footage of her 3½-hour interview, and proposed they work together to “correct the record.”

“Had they agreed, Ms. Banks could have made the truth public and this litigation would likely have been unnecessary,” reads the suit.

According to the suit, Banks was pitched the docuseries as a “definitive three-hour Netflix docuseries exploring America’s Next Top Model as a groundbreaking popculture phenomenon.” The pitch had a Netflix logo on its cover, and Banks had “long trusted and admired Netflix.” The streamer’s involvement was the reason Banks claims she considered the project.

Banks claims the pitch included promises that the documentary would unpack the show’s legacy “not as a takedown, but as a thoughtful in-depth reflection on its influence, evolution, and impact on fashion, television, and culture.”

The suit claims Banks was prepared for a fair comeuppance, but ultimately the former supermodel felt hoodwinked. “Nothing suggested that the project would falsely accuse Ms. Banks of covering up a sexual assault, or being indifferent to what a contestant characterizes as a traumatic experience.”

In February, directors for “Reality Check” revealed that Banks wasn’t invited to participate in the docuseries until well after production began

“It was like, ‘Hey, this can be a great addition, but definitely not a necessity,’” Sivan said. “People talking trash about her is very easy to find. … But having her passion, bringing this program to life, is something that only she could tell.”

Sivan and Loushy, who also helmed the acclaimed 2025 docuseries “American Manhunt: Osama bin Laden,” said they treated “Reality Check” with the same level of care as previous heavyweight projects.

“There were things that were sensitive and important for me,” Loushy said, from the harassment that she said “ANTM” contestants endured to the insecurities that “to us as women, are sitting tight and hard every day on our heart.”

The directing duo hoped to examine the good intentions Banks and producers had, of turning the fashion industry on its head, empowering women and championing diversity, and the way those intentions evolved as the show moved through cycles.

“At the end of the day, was it a force of good, or was it a force of evil? I hope people keep debating that,” Sivan said.

Former Times staff writer Malia Mendez contributed to this report.

A VHS tape of 1993’s “The Nightmare Before Christmas” introduced brothers Roy and Arturo Ambriz to the tactile whimsy of stop-motion, an animation technique where physical objects are manipulated and photographed frame by frame to achieve the illusion of life.

Realizing that the characters on screen were figures in real sets shocked the Mexican filmmakers’ young minds and set them on an arduous path to craft their own worlds.

“If there’s something we’ve loved our whole lives it’s toys: collecting them, modifying them, playing with them, creating dioramas for them,” said Roy, 36, from under his dark shades during a recent interview at Netflix Animation Studios in Burbank.

“And for us, the most sublime moments in life are when we’re doing something artistic, whether that’s painting, drawing or sculpting. And stop-motion animation combines all of that.”

The culmination of years of tireless work and financial stress for the Ambriz siblings is the breathtaking period fantasy “I Am Frankelda,” Mexico’s first-ever stop-motion feature, which is now streaming on Netflix.

“Thankfully, no one put it into our heads that it was impossible to do this,” said Arturo, 38. “That’s why we don’t like going around saying that this is extremely difficult, because maybe if young people hear that, they might not want to do stop-motion. Don’t tell them!”

A lavish musical, “I Am Frankelda” follows Francisca Imelda (voiced by Mireya Mendoza), a young aspiring writer living in 19th century Mexico and struggling to publish her stories. Meanwhile, in the Realm of Spooks, an alternative reality that’s home to all of the fictional characters Francisca has written, Herneval (Juan Pablo Monterrubio), a winged prince, must save his parents and his kingdom. The creatures in this world live off of human fear, so they create our nightmares.

Herneval crosses into the human world to bring Francisca with him to the Realm of Spooks, so that she can write new nightmares that actually scare people. Humans have become difficult to terrify. By this point, a frustrated Francisca has decided to change her name to Frankelda (a reference to “Frankenstein” author Mary Shelley, who inspired the character). Frankelda and Herneval sing of the relationship between fiction and reality. One can’t exist without the other.

Frankelda was first introduced as part of the 2021 series “Frankelda’s Book of Spooks,” which HBO Max commissioned. In the show, the heroine shares nightmarish tales alongside Herneval, who appears not as a prince but a sentient book. The film “I Am Frankelda” is a prequel that explains the relationship between these characters.

Last month, “I Am Frankelda” screened at the Los Angeles Latino International Film Festival, where Guillermo del Toro moderated the post-screening Q&A. A longtime mentor of the Ambriz brothers, Del Toro first supported them by donating to a Kickstarter campaign to finance their ambitious 2016 short film inspired by cubist art, “Revoltoso,” about a one-eyed boar living during the Mexican Revolution.

“In that moment, it was incredibly validating to realize that if Guillermo liked what we were doing, then it made sense to keep on doing it,” Roy said.

Two years apart in age, Roy and Arturo both studied filmmaking at the Centro, a university in Mexico City. Yet directing together wasn’t always the plan.

“I said, ‘We have to co-direct,’ because the situation naturally lent itself for me, being the older one, to take on the role of director while Roy would serve as production designer. But at a certain point, I realized that the hierarchy was wrong, and that if we wanted something sustainable for the rest of our lives, it had to be a 50/50 split between us. And I mean, 50/50, Roy!” said Arturo, playfully chastising his younger brother.

“It’s more like 60/40, with me having 60% of the power,” Roy added laughing.

In 2011, not long after graduating, Arturo found himself ridden with anxiety. Over the course of his education, he’d focused on artistic excellence but hadn’t much thought about how to actually make a living out of his and his brother’s shared passion. That’s when he decided they should create their own studio, Cinema Fantasma, so as to have control of the projects they took on. Their productions for hire include the Adult Swim show “Women Wearing Shoulder Pads,” which was produced entirely at their company in Mexico City.

“It’s been very difficult because we are filmmakers by vocation, but we are businesspeople by necessity,” said Arturo. “Developing that side of things has been the hardest part, but both are indispensable.”

To wrap up the “Frankelda” series, HBO Max requested a 30-minute special. Instead of accepting that offer, Roy suggested they use the proposed budget allocated to partially fund a full-length feature film. HBO Max agreed with the caveat that the brothers would have to come up with the rest of the money needed on their own.

To finance “I Am Frankelda,” Roy and Arturo mortgaged two homes. They are losing one of them to pay off their debts, so it helps that their dream of animation is a family affair. Their parents are executive producers on “Frankelda”; Roy’s wife, Ana Coronilla, worked as production designer; and Arturo’s spouse, Irene Melis, as a director of photography.

That “I Am Frankelda” is a musical is due in great part to Roy’s love of musical theater.

“At first, Arturo wasn’t sure, but using my 60% share of the power, I convinced him that it should be a musical,” Roy said. Yet it’s Arturo who wrote the lyrics to musical numbers. Each track starts as a poem that composer Kevin Smithers transformed into songs.

A fantastical stop-motion musical period piece, “I Am Frankelda” is far from an easy sell, and that’s what makes its existence all the more astonishing. The Ambriz brothers’ creative pursuit of the unpopular and the unfeasible has bonded them with Del Toro.

Mexican filmmaker Guillermo del Toro, pictured, interviewed “I Am Frankelda” directors Roy and Arturo Ambriz on May 30 during the film’s screening at the TCL Chinese Theatre as part of the Los Angeles Latino International Film Festival.

(Jill Connelly / For De Los)

“He is our most important mentor and the person we admire most in the world, and we also share many of the same interests,” Arturo explained. “That’s why when we saw ‘Pan’s Labyrinth,’ it was like when the glass slipper fits Cinderella. It was exactly what we loved: monsters, war, the cruelty of the human spirit, fairies and period settings.”

“Did you just call yourself Cinderella?” Roy interjected with the mischievous smirk typical of a younger brother trying to ruffle some feathers.

“Yes!” Arturo said quietly but without hesitation.

Every time they hear Del Toro speak about his interests, the Ambriz brothers discover a new well of references and “cultural protein,” from authors to painters.

“Guillermo is someone who actively champions the work of others, which I believe is the right way for an artist to be,” Arturo said.

When they finished “I Am Frankelda,” the brothers sent it to Del Toro, eager to hear his thoughts. As soon as he watched it, Del Toro called them.

“We spoke with him for hours, and he told us everything he saw, obviously with great tact, sharing both the good and the not-so-good,” Roy recalled. “But most importantly, he kept telling us that we had created something unprecedented. He insisted that we would pull through, even though we had ended up with a lot of debt.”

The version of “I Am Frankelda” that premiered at film festivals in 2025 is not the same one that will be available on Netflix. Based on Del Toro’s thorough feedback, the filmmakers recut the film and even animated new scenes. They playfully refer to this new cut that audiences will see globally as “The Grandfather Cut,” to honor Del Toro’s influence.

That “I Am Frankelda” was picked for distribution by Netflix is also Del Toro’s doing, the brothers said. It was the veteran director who suggested the film to the streaming company.

“I Am Frankelda” debuted in Mexico last October to an incredible reception, in part thanks to the fandom the characters had amassed via the episodic series.

“We receive fan art and fan fiction every day. People send us photos cosplaying the characters or of their ‘Frankelda’-themed quinceañeras. We’ve even bought bootleg merch at Mexican markets and on Temu or AliExpress too,” Roy said.

“We’ve bought ‘Frankelda’ socks from there that are of terrible quality, but all the more beautiful because of their bad quality,” he added.

“Of course, there are haters, too, but a large segment of the audience really identified with Frankelda as someone who perseveres, as someone who refuses to let her detractors hold her back. It’s been really beautiful watching that fandom grow,” Arturo said.

Another conviction where they align with Del Toro is their disinterest in engaging with artificial intelligence.

“AI is the antithesis of stop-motion. We’re not even remotely interested in it, because we do stop-motion to enjoy the artistic processes,” Roy said. “We created the studio for painting, drawing, sculpting and writing. Whatever happens with AI doesn’t really matter to us.”

Their second feature, “The Ballad of the Phoenix,” a medieval fantasy, is already in the works.

Country singer Tyler Farr is recovering after he missed his weekend show.

The “Rednecks Like Me” singer was slated to perform at the Goshen Stampede in Goshen, Conn., on Saturday, but the festival announced just hours before gates opened that Farr had an accident on his Chapel Hill farm, about 45 minutes outside of Nashville.

“Due to a motor vehicle incident on his farm, Tyler Farr was taken to a local hospital and diagnosed with a severe concussion,” read the Instagram post. “Tyler Farr will no longer be able to perform at the Goshen Stampede on June 13, 2026. We appreciate everyone’s understanding and will share additional event information as it becomes available. We wish Tyler a speedy recovery.”

David Foster and the All Stars took Farr’s place in the lineup. The event featured two rodeos with bull riding and steer wrestling, monster trucks, carnival rides and country music. Farr shared Goshen Stampede’s post to his since-expired Instagram stories but hasn’t shared any further updates.

Representatives for the country musician did not immediately respond to The Times’ request for comment.

This isn’t the country music star’s first rodeo. Farr, who released “Quit Bein’ Country” last fall, stopped by Taste of Country’s podcast to promote his new EP and told the outlet that he got into a car wreck on the way there and said his truck was too high.

“There’s a big lift on it, and if it had been a normal vehicle, it’d probably been something you could have just buffed out, but the reinforced-steel, ultra off-road bumper I have broke a taillight and knocked the bumper off [the other vehicle],” he said, adding that his truck didn’t have a scratch. “Luckily the person was cool, cop was cool.”

Apparently the last time he was in an accident (before the one in December), his 2013 hit “Redneck Crazy” went to No. 1 on the charts.

The singer has also been candid about his love for country living and turkey hunting.

“When I moved to Nashville, it wasn’t to be in the Hall of Fame,” he told Land.com last year. “That wasn’t a goal … I’m a pretty simple person. My goal was literally to be on the Opry, have a hit song, little country house in the woods, some land, a tractor.”

Several studios in Microsoft Corp.’s Xbox gaming division, including Montreal-based Compulsion Games and San Francisco-based Double Fine, are in active negotiations to spin off as they try to thwart closure, according to people familiar with the company’s plans.

Cambridge, England-based Ninja Theory, the maker of Hellblade, is also in conversations with Xbox, as are several other studios across the portfolio that are at risk of being shuttered.

The studios may still have the opportunity to buy themselves back from Xbox and go independent, although many employees will probably lose their jobs as a result, said the people, who asked not to be named because they were not authorized to speak to the press.

Employees at several studios have been informed of the situation and given permission to seek new work but were told that the status of the studios is still in flux.

An Xbox spokesperson declined to comment.

The potential closures are part of a broader reorganization being overseen by Asha Sharma, who took over as Xbox’s new chief executive in February.

Last week, Bloomberg News reported that the gaming division is planning significant layoffs. Sharma sent out a memo to staff lamenting the bleak state of the business, which has seen revenue and margins plummet in recent years. “Going forward, this cannot continue,” she wrote.

Compulsion Games, Double Fine and Ninja Theory all made award-winning games that were not commercial hits. But even some of Xbox’s more commercially successful studios are not yet sure how they will fit into Sharma’s new mandate, which will prioritize the biggest franchises as the company looks to return to growth.

Compulsion Games is the developer behind South of Midnight, which was released last year. Double Fine, best known for the Psychonauts series, released the smaller games Keeper and Kiln over the last year.

Xbox is facing the current challenges despite having made major purchases in recent years, including its acquisition of Activision Blizzard Inc. for $69 billion in a deal that closed in 2023.

Xbox Game Studios head Craig Duncan stepped down last week ahead of the layoffs, said the people familiar with Microsoft’s plans. Gaming newsletter the Game Business previously reported his departure.

Schreier writes for Bloomberg.