show biz

Selma Blair allegedly had a violent episode aboard a Delta Airlines flight.

The “Cruel Intentions” star was taken into custody and transported to a hospital for evaluation on Sunday night after allegedly becoming physically abusive with the flight staff, according to the New York Port Authority. The Port Authority Police Department responded to a call around 11 p.m., when a flight coming from Los Angeles International Airport landed at John F. Kennedy International Airport, and two flight attendants needed medical assistance after an alleged altercation while in flight. One flight attendant was also transported to the hospital for further evaluation.

The FBI is investigating the incident.

According to representatives for Blair, “Selma experienced a medical emergency that led to the alleged conduct. Upon landing, she received immediate medical attention and is currently in stable condition.”

In dispatch audio, obtained by TMZ, a flight attendant suffered a bloody nose and Blair is alleged to have “bashed her head” against an overhead compartment.

A spokesperson for Delta told The Times in an emailed statement, “Delta has zero tolerance for unruly or unlawful behavior, as the safety of our customers and crew always comes first.”

In 2016, Blair was hospitalized after an incident on a flight to Los Angeles International Airport from Cancun, Mexico. She subsequently apologized for the behavior, saying in a statement, “I made a big mistake yesterday. After a lovely trip with my son and his Dad, I mixed alcohol with medication, and that caused me to black out and led me to say and do things that I deeply regret.”

The FBI could not immediately be reached for comment.

This story is developing.

Oct. 12, 2026 6 AM PT

One word that could describe Aria Vega’s whirlwind 2026? Chévere.

The Colombian expression for “awesome” is also the name of the fast-rising star’s global smash hit. Released in January, the breezy tropical swing of “Chévere” — and the rest of her sun-kissed singles — embodies the spirit of Colombia’s Caribbean coast where she hails from.

Ahead of the Latin Grammys on Nov. 12, where Vega will be in the running for the best new artist award, Vega is taking what she calls her “Costeñita Core” pop movement on the road, with her first-ever U.S. tour.

“Looking back at all the dreams I’ve accomplished and made come true, it’s all blessings,” a wide-grinning Vega says over Zoom from Miami.

“I’ve been crying tears of joy with my family, my friends and my combo chévere, as I like to call my fandom. Every artist wishes and dreams of a Latin Grammy, and for me, just to be one of the nominees is like, ‘Yo, I’m a winner!’”

Vega was born Mariana Padilla Pérez in Barranquilla, where she lived the lifestyle of the costeños — or the people of Colombia’s Caribbean coastal region. She has been steadily chasing her dreams of superstardom since competing on “Idol Colombia” in 2014; but Vega finally started making waves last year when she integrated more costeño culture, rhythms and slang into her mellowed, Spanglish pop flow.

“Chévere” exploded in popularity after fellow Colombian singer Ryan Castro jumped on the remix in February. Since then, Vega has pushed “Costeñita Core” further into the mainstream with songs like the alluring “Cule Poco (Sirena_Besarico_Costeña),” and the sultry “Compa Coleto (Uy_Como),” offering unhurried takes on champeta and other Afro-Caribbean rhythms.

Vega just kicked off her U.S. Cariavales Tour, which includes a stop at the Roxy in Los Angeles on Oct. 13. Just a week before, she was handpicked by her pop foremother and icon from Barranquilla — Shakira — to perform as part of her 12-show residency in Madrid.

In an interview with The Times, Aria Vega opened up about her Latin Grammy nomination, representing costeños and getting a co-sign from Shakira.

How did the success of the song “Chévere” change your life?
I didn’t expect to be on [so many] airplanes and flights. Right now, I’m starting to feel the weight of that. I’ve seen what it’s like to live on the road. The remix happened after Ryan [Castro] sent me a DM on Instagram saying, “‘Chévere’ is a banger!’” I was really excited to even get that message from him, because I’m a fan of his music. That was a really cool moment.

What can you tell us about your upcoming debut album?
It’s Afro-Caribbean-inspired music. Right now, the album is really long. I have recorded more than 30 songs for it. I’m working on cutting it down to hopefully 15 songs that will touch your heart and soul … I want to make people vibe with my songs, feel cool, and feel chévere. That’s my goal with this album [I call] “Costeñita Core.”

What does “Costeñita Core” mean to you?
It’s an energy that you either vibe with or you don’t. It’s like our food, our slang and experimental fashion. Caribbean maximalism and shifting [mainstream] culture. Overall, it’s about making bold choices and being rebellious.

How do you feel about representing costeño culture through your music and visuals?
It’s a big responsibility. I feel really happy and excited when I see comments that say things like, “It’s an honor for you to represent us, and we love what you’re doing.” I get emotional because I don’t always get that response … There’s also people that say, “I feel that I’m not represented by her in any way.” It’s a mixture of feelings. What can I say? I’m doing this with a lot of love for Barranquilla, Colombia and Colombia’s Caribbean coast. I want to be a voice of the Caribbean coast.

What did it mean for you when Shakira selected you to perform for her residency in Madrid?
As soon as my team told me about this opportunity with Shakira, I was going crazy because she’s so inspiring. She’s also from Barranquilla. Her music has been a part of [my] life. It has been like a companion for me. Since I was like 5 years old, there’s always been a Shakira song that I was vibing with. I’m really excited even about the possibility of meeting her.

How do you feel about performing in L.A. for the first time on your U.S. tour?
I’ve been to Los Angeles before in meetings with my agents and stuff like that, and it felt like a movie. It’s Hollywood vibes and I’ve never felt that energy in my life. It’s really special getting to perform all my songs that are not just in Spanish, but in Costeñol [the costeño dialect of Spanish] at the Roxy. I’m going to wear outfits with cultural designs and perform traditional dances that have been part of my life, ever since I was literally in my mom’s belly. Los Angeles is a coastal city too, so there’s something that connects us.

What are your thoughts about being nominated in the category of best new artist at this year’s Latin Grammys?
Everyone says it’s a really important category, because you can’t be nominated twice. You can only be nominated once in your career. Hopefully I’ll go to Las Vegas for that Latin Grammy and I’ll take it over to la costa.

What will you do if you win the award?
Maybe I’ll do a concert at home. I want to do something that feels honest and authentic, because that’s what led me to being nominated. I dream of becoming a bearer of my culture. What better way to do it than being recognized in the eyes of the Latin Recording Academy?

What was the inspiration for your latest single “Compa Coleto (Uy_Como)”?
My muse is always my tiburón, my shark. It’s no secret that I’m in love. It just makes sense to talk about him in these really loving and cool songs. It’s a song with flirtatious vibes. When you understand the song’s lyrics, it just makes sense to flirt that way and have fun with it.

Who do you want to collaborate with in the future?
I would love to collaborate with Shakira and Beéle. I feel they do a lot for Barranquilla as well. I would love to collaborate with Bomba Estéreo from Santa Marta. Maybe I’ll do vallenato music with Silvestre Dangond. That would be really cool. Felipe Peláez has an amazing voice. It would be cool to bring these sounds of our own to the world.

SELMA Blair has been arrested after allegedly attacking multiple flight attendants while trying to open a plane’s door mid-flight.

The actress reportedly started mass chaos on a Delta Airlines flight traveling to John F. Kennedy International Airport on Sunday.

Selma attempted to open the aircraft door while it was in the air and assaulted several crew members who tried to stop her, according to TMZ who first reported the news.

“Two flight attendants from the airline were injured to the point where they needed further medical care due to an attack from a passenger,” the New York Port Authority confirmed in a statement to The U.S. Sun, though they didn’t mention the Legally Blonde star by name.

“The person who caused these injuries also repeatedly tried to open the plane door. She was arrested immediately upon landing, and the incident is currently being investigated by federal law enforcement,” they added.

A rep for Selma further told TMZ, “Selma experienced a medical emergency that led to the alleged conduct. Upon landing, she received immediate medical attention and is currently in stable condition.”

LETTING LOOSE

Oscars after party pics reveal moments fans didn’t see on TV

It’s unknown what caused Selma’s behavior, but it’s sadly not the first time this happened.

In 2016, the Cruel Intentions star was removed from a flight on a stretcher after having a meltdown in the sky.

More to follow… For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos.

Like us on Facebook at TheSunUS and follow us on X at @TheUSSun

Tobey Maguire closed off one chapter of his love life by helping ex-wife Jennifer Meyer enter a new one.

The “Babylon” and “Spider-Man” star, 51, officiated Meyer’s marriage to music executive Geoff Ogunlesi at the Four Season Resort Lanai in Hawaii over the weekend, according to photos published Sunday by TMZ. Maguire can be seen pronouncing Ogunlesi and jewelry designer Meyer, 49, husband and wife as the newlyweds share a kiss in a photo from the luxury golf course wedding. Other photos published by TMZ show Amazon’s billionaire owner Jeff Bezos and wife Lauren Sánchez Bezos and Leonardo Di Caprio were among the guests present for the ceremony.

Maguire and Meyer’s meaningful reunion came more than a week after they finally settled their divorce. The former spouses, who share two teenage children, officially terminated their marriage on Oct. 1, according to court documents filed in Los Angeles County Superior Court. The exes married in 2007 and announced their separation in 2016.

Meyer and Ogunlesi reportedly began their romance in the summer of 2023 and made their relationship red-carpet official at the Baby2Baby Gala later that fall. They got engaged in August 2024 and in December 2025, Meyer announced she was expecting her third child. The pair welcomed their first child together, a baby girl in June.

The designer has since shared scenes from her latest chapter of motherhood on Instagram, posting photos of herself cradling her daughter, taking the baby out on the town and spending time with her loved ones, including her daughter with Maguire and her now-husband.

“Last few months…. 10000000000/10,” she captioned an Instagram carousel of photos in August.

CHLOE Ferry has opened up about her plans to start a family with her property developer boyfriend.

The reality star, 31, who has previously revealed she would like 10 children, went Instagram official with Alex Swinney in September last year.

Since then, Chloe has loved sharing an insight into her relationship on Instagram.

And during a recent Q&A on the social media platform, she’s hinted that she’s ready to become a mum.

One fan asked her: “Are you going to plan to have kids soon?”

Chloe replied: “I have a date in mind when I would love to have babies, but it could happen any time as I’m not anything.”

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new chapter

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Earlier this year, Chloe gushed over her ‘soulmate’ boyfriend as she opened up about marriage, kids and if he would join the Geordie Shore cast.

Talking to The Sun, Chloe said of Alex: “He is definitely, definitely the person that I want to be with for the rest of my life. I’ve never felt like this ever about someone.

“I thought that I knew what love was before but this is like true love.

“I know it’s a bit cringe to say true love but I just know that this is 100% my person. I’ve planned my full life with this person and I’ve never done that with anyone.”

Chloe added that she is moving in with her beau and would “love” to get married and have children one day.

Back in May Chloe sparked speculation that she had a secret wedding after her boyfriend called her his ‘wife’ in a sweet gesture.

In a snap Chloe was seen holding up a brown envelope.

Scrawled on the back of the envelope were the words: “I [heart] you my wife.”

Chloe wrote over the top of the photo, sharing: “Woke up to this today,” followed by three emojis: a love heart and a teary-eyed face.

The star joined the cast of Geordie Shore in 2015.

Chloe has dated Sam Gowland, Jon Clark, Marty McKenna and Johnny Wilbo in the past.

Pride of Britain host Carol Vorderman says her recent health crisis has given her a new perspective, forcing her to focus on what truly matters.

After a year-long health crisis, and as she marks 44 years on television, Carol Vorderman wants to “deep cleanse” her life and focus on what matters. The 65-year-old Pride of Britain presenter and former Countdown star was completely floored for most of last year, with a sudden debilitating case of rheumatoid arthritis.

She couldn’t walk without crying in pain and found the experience depressing and a shock to the system. Carol says: “As you get older, health becomes one of your top priorities. And time – who you spend that time with, and what you spend that time on. Time becomes your currency, so you don’t want to waste it.

“Every single person I know of my age group, we’re all trying to get rid of stuff. You spend all your life accumulating, but you don’t want to waste time curating things you’ve accumulated. It’s a deep cleanse for old age. Being really poorly and on a lot of medication for so much time really has given me a new perspective.

“You become much more conscious of your overall health. Your priority list changes. It was a big shock to the system, and that’s why I have every sympathy for people with chronic pain. I just don’t know how they live with it. It’s just depressing.”

Carol is due to present The Daily Mirror Pride of Britain Awards, in partnership with P&O Cruises, for the 27th year – a show she has recently co-hosted with Diversity star Ashley Banjo.

The event, shown on ITV and ITVX, celebrates the nation’s unsung heroes and includes awards for Child of Courage, Outstanding Bravery, Lifetime and Young Fundraiser.

Carol says: “The first Pride of Britain was 1999, so it only occurred to me this week that I was on Countdown for 26 years, but now Pride of Britain is my long runner. On November 2, I celebrate 44 years on TV. I’m not having a party, but I am getting a BAFTA Cymru for Outstanding Achievement. In other words, still being alive!

“The reason I keep doing Pride of Britain is because it’s the best job. It’s very glam. There are lots of very glam shows, but it’s very real. I do get emotional about the show about a week before. I remember the people who have won awards and have either passed away through old age or particularly the youngsters who died. They came on because they had cancer and raised money, or whatever their story might have been, and they’re no longer with us.

“Then you also remember the people who were doing these great things 15 years ago are still doing them. I always come back to how many great people there are. The show makes you want to be better and it’s made me more of a fighter.”

Carol recalls how she had to fight when her health nosedived. She says: “I had travel vaccines for a trip to Thailand and within three days I had chronic rheumatoid arthritis. I can’t prove that they caused it. My hands doubled in size. I couldn’t walk. I literally couldn’t move anything without crying in pain.

“I was on steroids probably for about eight months, and now I’m on other medication for the rest of my life. That’s hard because I’ve always prided myself on being healthy. It was as much as I could do to look out of the window and think, ‘I hope one day I’ll be able to walk without pain again.’

“The big thing for a lot of older people is community. You’ve got to feel a part of something. I know that my mum living with us and being around the kids, living in a busy house, gave her a purpose.

“If she’d just been living by herself somewhere, she wouldn’t have lasted. And smartphones don’t help. I love keeping up to date with what people are doing on Instagram, but it’s not the same as getting people together.”

Carol also reveals that laughter is extremely important to her wellbeing. “People who laugh are very special,” she says. “I love laughing. I love laughing at myself. Most of my friends just completely take the p*** out of me all the time.

“As you get older, you realise that even people who make you laugh and want to share, there’s a kindness in it. So for me, there are people who are heroes, because they make you feel better, they make you laugh, rather than taking offence, and I think there’s something quite heroic in that. There’s something about laughter that just breaks down the barriers.”

Carol has also long been a passionate, unfiltered voice of public frustration, turning to political advocacy to expose what she calls “political corruption”. She says: “Good people also need support so that they can do even more good things. Some people have been through so much pain and grief, some of it caused by certain politicians.

“Those things make me very angry, and I suppose now I’m at an age where I no longer need to build a career. A lot of girls say to me, ‘I believe in everything that you do, Carol, but I wish I could say the things you do. I just don’t feel strong enough.’ I say, ‘Yeah, but you’re not in a position to. I am in a position to say it, so I feel that responsibility.’”

Despite the emotional weight of Pride of Britain, Carol says there is always lightness on the show. She recalls: “The one that I always remember was in 2012 when we had lots of people on the stage, because we were celebrating the London Olympics. To present the award was Prince Charles and Camilla, Duchess of Cornwall, as they were then.

“Then in my ear, the show’s boss said, ‘You’ve got to make Charles do the Mobot. Do it.’ So I talked about the wonderful Mo Farah and said, ‘Obviously sir, you will have seen this, shall we all do the Mobot?’ I collared him into it, he couldn’t stand there and say no. So he did it, what a good sport. The next day officials at Clarence House brought up that they hadn’t approved the Mobot ‘incident’ and asked who was responsible.”

For Carol, Pride of Britain is a chance to take a moment and appreciate good people. She says: “Pride of Britain gives us all an opportunity to take a breath for a couple of hours and witness these very real people who are doing very real things because they are brave, they’re determined. It’s a whole balance of life.”

*The Pride of Britain Awards will take place on 19th October, before airing on ITV and ITVX from 22nd October. Find out more about the Pride of Britain Awards 2026 HERE

Welsh actor Luke Evans is currently starring in ITV psychological thriller The Party

Hollywood actor Luke Evans admits he was once ‘very isolated’.

The Welsh actor, now 47, has appeared in Hollywood films like Fast & Furious and Beauty And The Beast and TV dramas including The Pembrokeshire Murders. He can currently be seen in the latest ITV thriller The Party.

But the star, who was raised in Aberbargoed in the South Wales Valleys and started out in his career in West End musicals like Avenue Q and Miss Saigon, hasn’t had it easy and has previously spoken out about how he contemplated suicide during his teenage years.

As The Party, based on the novel by Elizabeth Day, unfolds on ITV and ITVX, we examine Luke’s life beyond the cameras.

Feeling ‘very isolated’

Luke has previously discussed reaching a “dark place” during his adolescence when he faced challenges growing up as gay while being part of the Jehovah’s Witness community, reports Wales Online.

In the third instalment of the BBC series, Alison Hammond’s Big Weekend, Luke revealed his experiences of bullying and the clash between his sexuality and faith, which led him to a “dark place” where he considered taking his own life.

“I knew I was different, I didn’t know I was gay,” he explained. “I just knew I was different from the ages of 7, 8, 9, you know, very young.”

He continued: “I also didn’t have anyone outside the religion to be able to confide in or ask what was wrong. I’ve been baptised in the religion and that meant if I chose to be openly gay, I would be cut-off from everyone and everything I knew.”

Luke acknowledged the situation was “very complicated” and “very confusing”. He said: “I felt very, very isolated.”

Alison then asked if he had reached a “dark place”, to which Luke replied with: “Oh god, yeah. My teenage years, when it was clear in my mind who I was, and I was just… I had no-one to talk to. It was a very difficult position, place to be. Yeah, I contemplated suicide for sure.”

Love life

Luke previously dated Spanish model and actor Jon Kortajarena. Jon has fronted advertising campaigns for prestigious brands including Just Cavalli, Versace, Giorgio Armani and Guerlain, and in 2009 Forbes placed him eighth on The World’s 10 Most Successful Male Models list.

Luke is currently in a relationship with entrepreneur Fran Tomas. Speaking previously to People magazine, Luke described his boyfriend, whom he has been with since 2021, as his “best friend”.

“We’re a great team in life. He’s my best friend. He’s the calm, deep waters, and I am the rushing, bubbly water. And between the two of us, we can solve anything,” he told the publication.

What is The Party about?

Elizabeth Day’s bestselling 2017 psychological thriller has been adapted into a five-part series following Martin Gilmour ( Luke Evans ), a scholarship pupil who escaped poverty to enter British high society after befriending the affluent, magnetic Ben Fitzmaurice at boarding school.

The delicate relationship shatters during Ben’s extravagant 40th birthday celebration at his newly acquired grand country manor. The following morning, Martin discovers himself inside a police station facing questioning over a disturbing incident that occurred overnight.

The Party is on ITV1 and ITVX

“We’re all hiding a little bit of our personality inside,” says director Cristian Mungiu of the characters in “Fjord,” a searing drama inspired by real Norwegian child welfare cases. “The film speaks about a limit of intimacy, after which you will need to make a choice not knowing precisely what happens. This is why I wanted the film to start at the end of a conversation in which you don’t really know what kind of punishments exist in this family.” Lighting and shallow focus deepen the uncertainty of a mother (Renate Reinsve) comforting her daughter (Vanessa Ceban) and a father (Sebastian Stan) waiting to have his say: “You need to admit when you’re wrong.” “You see the role of a mother who tries to play this more empathic part, while the father is the one playing the role of the educator who imposes his rules,” Mungiu says. “This shot speaks about our way of storytelling and designing everything to be ambiguous enough about their relationship. At the same time, this also speaks about a theme in the film: this idea that there isn’t anything like right and wrong and the truth. And we all believe that the truth belongs to us. And this is the problem.”

Venice, Telluride and Toronto have wrapped, and the New York Film Festival is winding down. Ovations have been meticulously timed. Existential crises have been parsed, not including the trauma induced by Tom Cruise’s “Digger,” which prudently skipped the festivals to delay, if only for a couple of weeks, the poisonous word of mouth from seeping out. (It’s still well worth seeing.)

And there have been, of course, prizes, including a Netflix movie, the Spanish maximalist melodrama “La Bola Negra,” winning Toronto’s People’s Choice Award. That’s a first for the streamer, which means we will again be asking the question: Can a Netflix film finally win the best picture Oscar?

If you’ve seen “The Odyssey,” you probably know the answer to that question. But with more than five months (!) until the 99th Academy Awards, it’s a bit early for ironclad guarantees, even if it feels like it would take the winds of Poseidon to blow “The Odyssey’s” best picture campaign off course.

But it’s not too soon to roll out a first set of Oscar power rankings for best picture. With apologies to “Obsession,” “Fjord,” “Possible Love,” “You Can See Everything,” “Elsinore,” and whatever other movies you love (or look forward to loving), let’s start counting.

10. ‘Tender Loving Care’

(Joseph Lynn / Thin Man Films / Bleecker Street)

Because of ongoing health issues, Mike Leigh has said that this warm and wrenching drama will be his last movie. If so, it’d be quite the capper to a career that has netted him seven Oscar nominations, five for his screenplays and two for direction. Yes, only one of his movies, “Secrets & Lies,” has been nominated for best picture. But “Tender Loving Care,” centered on two social service workers navigating the fraying social safety net and, in one case, anxiety about aging parents, possesses a bracing humanity full of compassion and urgency. It’s also quite funny. And it boasts a great cast, including newly minted Emmy winner Kate O’Flynn, as charming here as she is on “Widow’s Bay.” Leigh has more than earned a final curtain call with this one.

9. ‘Club Kid’

Jordan Firstman’s sincere, funny and genuinely moving debut feature has him playing a queer New York underground party promoter blindsided by the arrival of the 10-year-old son previously unknown to him. You could take issue with the uncomplicated perfection of the child, who has exquisite taste in music (Cocteau Twins, really?) and barely a trace of trauma despite the harrowing event that landed him in New York. But “Club Kid” is so assured and heartwarming that you can’t muster the energy to object. There’s probably going to be one feel-good movie nominated, and if it’s between this and “I Play Rocky,” I’ll cast my lot with the one that doesn’t rely so heavily on re-creating the familiar.

8. ‘All of a Sudden’

This 196-minute movie unfolds at, let’s just say, a leisurely pace, and includes a near-20-minute scene in which a character lays out the flaws of late-stage capitalism using a whiteboard. And it’s riveting. Or at least engaging. It’s certainly audacious, this drama about a hardworking director of a Parisian nursing home and the way a chance friendship changes her life. The Oscars’ best picture field now routinely includes two international movies, and Ryûsuke Hamaguchi’s dreamlike meditation on mortality and human connection feels like a sure bet to make the cut. Virginie Efira and Tao Okamoto shared the best actress prize at Cannes and merit attention from Oscar voters as well.

7. ‘The Debut’

Spoiler alert: One awards-season shoo-in is Julianne Moore winning every lead actress prize for her bravura work in this delightful Jesse Eisenberg comedy. Moore plays Mona, a meek, thoroughly unseen wife and mother who impulsively decides to audition for a community theater musical despite having no experience. The movie earned a huge response at its Telluride premiere, though there were some quibbles about the surprising, surreal turns the story takes. C’mon. Isn’t that precisely what we want from a film? With Moore, co-star Paul Giamatti, Eisenberg’s screenplay and original song (Eisenberg wrote several numbers for the film’s fictional musical) assured spots, a best picture nod feels undeniable.

6. ‘The Invite’

(Atsushi Nishijima / A24)

Olivia Wilde’s dinner-party dramedy boasts a killer quartet — Wilde and Seth Rogen as longtime marrieds nursing resentments, Penélope Cruz and Edward Norton playing their upstairs neighbors — and expert direction from Wilde, who navigates the movie’s tonal shifts with authority. It’s wickedly funny and unsentimental and pulls off a bittersweet ending that’s ambiguous enough to keep you talking long after the film ends. One of the year’s most satisfying pleasures.

5. ‘Project Hail Mary’

(Jonathan Olley / Amazon MGM Studios)

Speaking of endings, how many did “Project Hail Mary” have? Two? Three? I lost count. And it doesn’t matter. This was the upbeat end-of-the-world movie that audiences needed at a time when the possibility of human extinction feels uncomfortably real. In a year full of Spielberg knockoffs (and an uneven movie from the man himself), this will be the one left standing.

4. ‘Wild Horse Nine’

(Diego Araya Corvalan / Searchlight Pictures)

Martin McDonagh’s melancholy irreverence plays well with Oscar voters. His last two movies, “Three Billboards Outside Ebbing, Missouri” and “The Banshees of Inisherin,” earned best picture nominations and a combined 16 nods. “Wild Horse Nine,” a biting buddy dramedy about two mismatched CIA assassins (John Malkovich and Sam Rockwell), should continue the filmmaker’s success and may even catapult Malkovich to a long-overdue Oscar. At the very least, it gave him his best role in decades.

3. ‘La Bola Negra’

The filmmakers, Javier Calvo and Javier Ambrossi, are talented and charismatic, former romantic partners who still work together because that’s how Europeans roll. Los Javis (they even have a fun nickname) won the directing prize at Cannes, the first of several festivals that their movie conquered, culminating in that audience award at Toronto. With its three interconnected stories that follow queer men through nearly a century of Spanish history, “La Bola Negra” has an epic feel and emotional payoff that could carry it far. Netflix is all in, opening it in select theaters Oct. 16 and giving it an exclusive 46-day theatrical window, the longest it has afforded any movie. We’ll see if that puts it into the cultural conversation in a way that has eluded other Netflix contenders.

2. ‘Dune: Part Three’

Can Denis Villeneuve’s third and final “Dune” movie, which hasn’t screened widely for press, take the “Lord of the Rings” trilogy path to a best picture victory? If there’s resistance to giving Christopher Nolan back-to-back best picture winners, the greatest threat might come from a movie occupying the same lane, an auteur-driven epic lauded by critics and embraced by audiences. The second (and superior) “Dune” won just two Oscars, compared to the six taken by 2021’s “Dune: Part One.” Perhaps voters were playing the long game.

1. ‘The Odyssey’

(Melinda Sue Gordon / Universal Pictures)

Maybe you saw it when it opened in July, contributing to its $1.75-billion box office. Maybe you’re still trying to see it in Imax 70 mm, the way God (i.e., Christopher Nolan) intended. Maybe you agree with translator Emily Wilson, who thinks Nolan’s movie “lacks psychological, emotional, political and ethical depth” and that its writing is “abysmal.” Whichever side you’re on, “The Odyssey” is probably going to sweep through the Oscars, owing to its craft and thrilling showmanship, its stellar acting and that moment when Odysseus’ dog recognizes his long-absent master and wags his tail before heading off to Elysian Fields.

QUENTIN Tarantino is swapping the big screen for the stage with his first West End play.

The Popinjay Cavalier is written and directed by the Pulp Fiction filmmaker, with Sacha Baron Cohen taking on the leading role.

And theatre fans don’t have long to wait to get their hands on tickets. Here’s everything you need to know.

What time do The Popinjay Cavalier tickets go on sale?

Tickets for The Popinjay Cavalier go on general sale at 12pm on Monday, October 12, 2026.

Fans who previously signed up for priority access can buy tickets earlier, with that sale opening at 9am.

Tickets can be bought through the production’s official website at popinjayplay.com.

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Prices start at £25, while more than 16,000 tickets across the run will cost less than £50.

The show is booking until June 13, 2027.

Demand is likely to be high given Quentin Tarantino’s huge film following and Sacha Baron Cohen’s first major leading role on a West End stage.

Anyone hoping to go should have the official ticket page ready before the sale opens.

When is The Popinjay Cavalier on in London?

The Popinjay Cavalier begins previews at the Phoenix Theatre in London’s West End on February 23, 2027, while its official opening night is on March 18.

At the time of writing, the limited run is booking until June 13, 2027.

Situated on Charing Cross Road, The Phoenix Theatre is currently home to Stranger Things: The First Shadow.

Further casting for Tarantino’s production is still to be announced.

What is The Popinjay Cavalier about?

The play is set in Europe during the 1830s and has been billed as a swashbuckling comedy about deception and disguise.

It follows actor Rupert Sebastian Thomas Jr as he travels to Paris to perform at the Comedie-Francaise.

But after making some badly chosen comments about the French, his journey across the Channel takes a much more dangerous turn.

The production promises sword fights, acrobatics and adventure, drawing inspiration from classic Hollywood swashbucklers.

Tarantino said he was “keen with anticipation to give the West End a great night out.”

Who is starring in The Popinjay Cavalier?

Sacha Baron Cohen is set to play the title role, Rupert Sebastian Thomas Jr.

He is best known for creating characters including Ali G, Borat and Bruno, as well as appearing in films including The Dictator and Les Miserables.

The British comedian and actor said: “Quentin called, I said yes before he even got to say his first ‘motherf***er’.

“When the best director in the world calls, you don’t ask questions.

“I am beyond delighted that we will be losing our West End virginity together. I have made him promise not to be gentle.”

The pair have almost worked together before.

Tarantino cast Sacha Baron Cohen in his 2012 Western Django Unchained, but the actor ultimately pulled out to appear in Les Miserables.

The Popinjay Cavalier is being produced by Sony Pictures Entertainment and Sonia Friedman Productions.

Tarantino first revealed in 2025 that he had completed a play and intended to make theatre his next major project.

Now audiences will finally get to see what his unmistakable style looks like live on a West End stage.

NEIGHBOURS and Home and Away legend Ray Kolle has died aged 85.

The Australian soap star and script writer passed away in Sydney, it was confirmed today.

Tributes have flooded in from heartbroken fans and friends who remembered Ray as an “important part of Australian television history”.

Australian entertainment and production company, TV City wrote in a statement: “Very sad news to hear of the passing of veteran Australian television writer and story editor Ray Kolle.

“Ray was one of those incredibly talented people working behind the scenes who helped shape some of Australia’s most iconic television dramas.

“Another important part of Australian television history has left us.

“Thank you, Ray, for the stories and memories you helped create for generations of television viewers.”

Ray served as head writer on Neighbours from 1986 until 1992, introducing iconic characters like Scott and Charlene Robinson.

His 46-year career began with a big break writing comedy sketches for In Melbourne Tonight.

More to follow… For the latest news on this story keep checking back at The Sun Online

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Big Brother has returned to screens on ITV2 for another drama-filled series

Big Brother fans were left stunned after spotting a never-before-seen house feature.

The show returned to screens last month for a brand new series, originally welcoming 16 contestants into the famous house. And it’s fair to say the show – hosted by AJ Odudu and Will Best – has delivered on the drama.

Recently though, eagle-eyed ITV viewers had their jaws on the floor after they noticed one of the bathrooms has a “luxury toilet and bidet” inside of it.

Rushing over to X, fans shared their shock, with one person writing: “sorry, they have a massage toilet????” Another person penned: “All the budget went for the special toilet then.”

A third chimed in: “THEY HAVE A JAPANESE SELF-CLEANING TOILET???” Someone else wrote: “They’ve got a luxury toilet seat & bidet!???”

It comes after an argument took place inside the Big Brother house between an unlikely duo recently. The House of Power kicked off during Sunday’s (October 11) episode and it didn’t take long before a row broke out between Phillip and Rochelle.

During a conversation with house guest Gemma Collins, Phillip and Rochelle opened up about Twinks moving into the house as one of the new arrivals alongside Catrin.

Phillip explained: “I said her [Twinks] ‘you’ve come into our house, our house’. I said ‘don’t you f****** forget it’. However, Rochelle disagreed saying: “You didn’t f****** say it like that’.”

A furious Phillip hit back, saying : “Don’t call me a liar” before adding “You’ve got too much to f***ing say for yourself, you f****** nosey t*** and you can f*** off away from me”. However, Rochelle insisted: “I haven’t called you a liar.”

The row didn’t last long and they quickly made up much to the amusement of their fellow housemates but some fans have been left wondering if Phillip is “turning on” Rochelle because he heard the crowd chanting “Get Rochelle out” during Friday’s (October 9) live eviction which saw Pauline forced to the leave the house.

Taking to X, formerly known as Twitter, one fan penned: “Phillip turning on Rochelle after he heard the get Rochelle out chants. More faces than a town clock that one.” Another added: “I think Phillip heard the ‘get Rochelle’ out chants.”

Watch Big Brother on ITV2 at 9pm.

HE’S Towie’s handsome long-serving lothario who’s charmed a long list of show stunners over the years.

But you can’t break hearts for a decade on a major reality show and not cop any flack for it.

And Dan Edgar has been on the receiving end of some stinging barbs from former show star Olivia Attwood, who once branded him “boring” and a “coward” on account of his love-life drama with Chloe Sims.

The Essex charmer famously cooled things off with Chloe amid cheating allegations in 2019 and he went on to reunite with on-off girlfriend Amber Turner.

Chloe later told us that the way Dan handled the split “bulldozed” her confidence and led to a cruel pile on from trolls.

Despite brushing off Liv’s criticisms publicly, sources say it left Dan bristling and his decision not to follow Olivia on social media is telling.

Now the follicly-blessed 36-year-old is determined to prove Liv wrong with current girlfriend Chloe Lewis, 35, who he hard-launched in August and has appeared in fun, loved-up snaps with ever since.

An insider told The Sun: “Towie fans will remember it was Olivia who told Chloe that Dan had cheated on her with another woman.

“That led to the implosion of her blossoming romance with Dan, and while Liv was sticking up for her mate, Dan just thinks she’s a trouble maker.

“The ‘boring’ jibe has also never been forgotten by Dan. That was a bit of a sore spot for him, he thinks it was a low blow.

“As a result he still doesn’t follow Olivia on social media to this day, and unsurprisingly she doesn’t follow him either.

“It’s been made a bit awkward though since Olivia started dating Pete Wicks as Dan is still mates with Pete.”

Mum-of-one Chloe Lewis left Towie after four years in 2018, just months before the drama that would kickstart the simmering feud.

She doesn’t appear to have taken offence to Olivia’s past comments about Dan as she remains on the documentary-maker’s social media friends list and even shares the same management.

Our insider said: “It’s a bit of an elephant in the room but it’s safe to say the four of them won’t be going on double dates anytime soon.”

When contacted by The Sun, Dan’s rep denied any beef, saying: “Dan is genuinely surprised by these claims as he has never had an issue with Olivia.

“They’ve had very little interaction over the years, and he certainly doesn’t hold any negative feelings towards her. There’s no feud from Dan’s side, and he wishes her nothing but the best.”

As for Olivia, her issues with Dan stem from the way he treated Chloe Sims during their fling in 2019 on a cast trip to Thailand.

ITV golden girl Liv was a member of the cast at the time and ripped into Dan for ghosting Chloe every time the going got tough, a view shared by viewers who likened him to someone going to ground in witness protection.

Olivia’s boyfriend Pete Wicks once had his own close relationship with Chloe Sims and their friendship secretly spilled into romance on a number of occasions.

It was around this time that Dan, fresh from his split with girlfriend Amber, hooked up with Chloe.

The love triangle, and its murky timeline, sparked confusion and saw Dan and Pete clash in heated scenes.

Liv has made past comments about Dan’s penchant for fading out romances rather than having an honest and frank discussion about the issues getting in the way.

There have been digs about his passivity, with it said that if he wasn’t so good-looking his partners wouldn’t tolerate his behaviour.

Olivia’s past assessment that Dan wasn’t mature enough for Chloe Sims led to fans likening him to Peter Pan, the boy that never grew up.

Pete, whose friendship with Dan has been turbulent over the years, has had a few tongue-in-cheek comments too, once joking that laidback Dan is so chilled that his heartrate remains below 40bpm no matter what drama is unfolding.

Last year, Dan experienced another failed relationship when he and Ella Rae Wise ended their 18-month partnership, despite having a “great sex life”, and it looked like Dan was destined for the single life.

That is until former Towie star Chloe Lewis caught his eye at mutual pals Georgia Kousoulou and Tommy Mallett’s Majorca wedding last summer.

Romance rumours began to swirl in the months that followed as the pair dropped crumbs online, before they enjoyed a joint holiday in Marbella this August, sharing kisses and confirming their relationship.

They had their first official engagement as a couple when they attended a Primark event together last month.

The star-studded bash also had Pete on the guestlist and the trio posed together for a picture, suggesting the frosty relations between Dan and Liv hasn’t affected his and Pete’s friendship. Unlike Dan and Liv, the two do follow each other on Instagram.

There have been a number of smitten social media pictures of Chloe and Dan together since, with the latter now willing to be less subtle about his feelings and seemingly keen to prove to the naysayers that he can be serious and is ready to grow up.

The Sun has contacted a representative for Dan for comment.

Phillip and Rochelle ended up on a blazing argument during the latest episode of Big Brother but fans of the ITV2 reality show are convinced they know the real reason behind their row

Another argument has blown up inside the Big Brother house between an unlikely duo.

The House of Power kicked off during Sunday’s (October 11) episode and it didn’t take long before a row broke out between Phillip and Rochelle.

During a conversation with house guest Gemma Collins, Phillip and Rochelle opened up about Twinks moving into the house as one of the new arrivals alongside Catrin.

Phillip explained: “I said her [Twinks] ‘you’ve come into our house, our house’. I said ‘don’t you f****** forget it’. However, Rochelle disagreed saying: “You didn’t f****** say it like that’.”

A furious Phillip hit back, saying : “Don’t call me a liar” before adding “You’ve got too much to f***ing say for yourself, you f****** nosey t*** and you can f*** off away from me”. However, Rochelle insisted: “I haven’t called you a liar.”

The row didn’t last long and they quickly made up much to the amusement of their fellow housemates but some fans have been left wondering if Phillip is “turning on” Rochelle because he heard the crowd chanting “Get Rochelle out” during Friday’s (October 9) live eviction which saw Pauline forced to the leave the house.

Taking to X, formerly known as Twitter, one fan penned: “Phillip turning on Rochelle after he heard the get Rochelle out chants. More faces than a town clock that one.” Another added: “I think Phillip heard the ‘get Rochelle’ out chants.”

A third person said: Phillip heard the crowd saying ‘get Rochelle out’ now he thinks if I turn on her people will love me, well no.” A fourth agreed: “Philip heard the ‘get Rochelle chants’ and is now turning on her.”

However, some fans are convinced Phillip will go on and win the entire series, with one viewer writing on social media: “Honestly Phillip for the win” and someone else posting: “Love Phillip he owns it, says how it is, he’s funny and he cheers the housemates up as well. Phillip to win for me.”

The argument between the friends comes just days Rochelle said her and Phillip were “the Beckhams” because they were “better together” in reference to celebrity couple David and Victoria Beckham.

Elsewhere in the episode, Big Brother shared the House of Power rules explaining: “Housemates, as you know, this week is all about the power. Soon, the house will be split into two teams. In your teams, you’ll take on a series of tasks. At stake – power in the house. “

Celebrity house guest Gemma then had pick two team captains, she chose Sam and Rob, and they then had to decide who they wanted on their teams in preparation for the head-to-head battles that lie ahead.

The winning team gets power of the house until the next game and are the only ones allowed to use the kettle, toaster, air fryer, hot tub and hair appliances.

The losing team must do all the cleaning, are only allowed two minutes in the shower each and aren’t allowed to sit on the sofa.

Big Brother airs Sunday to Thursday on ITV2 and ITVX at 9pm

A team of paramedics battled to save a man’s life on 999: On the Frontline tonight, after his heart stopped beating twice, resulting in him requiring CPR

A 67-year-old man saved by paramedics after his heart stopped twice has appeared in the Channel 4 series 999: On the Front Line.

The incident was caught on camera for a new episode of 999: On the Front Line, which aired on Sunday (October 11) evening. South Western Ambulance Service paramedic Lloyd and colleague Charlie were called to an address in Bristol after a carer reported a man experiencing breathing difficulties.

“He’s not breathing,” the woman told the 999 operator, “He was struggling to breathe, and then he just started gasping for breath”. At that point, the operator instructed the caller on how to give the man chest compressions, as CPR was needed, while paramedics raced to the scene.

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The 67-year-old man named Roy, who is paralysed from a car accident 25 years ago, stopped breathing when the medics arrived.

Lloyd told the camera, “When we first saw Roy, it didn’t look good; he was not breathing, and as soon as we were at his side, we could tell he didn’t have a pulse, which told us, essentially, he is clinically dead.”

A second team of paramedics joined Charlie and Lloyd, and the team managed to successfully restart Roy’s heart as they all battled to keep him stable.

“It’s really important we act fast because every minute that passes, Roy’s chances of survival drop drastically,” Charlie said.

At one point, Roy managed to open his eyes as the ambulance crews were also joined by a doctor and a critical care medic from Great Western Air, who also arrived at the scene.

The team successfully removed Roy from his flat and safely into an ambulance. However, he soon lost consciousness once more as paramedics tried to save his life.

“For the second time tonight, the team gets Roy’s heart beating once again,” the show narrator told viewers while Roy was rushed into the hospital.

Roy made a full recovery after a blockage in his airway ultimately sent him into cardiac arrest. He spent 11 days in the hospital. I would like to say to everyone in involved in the whole process a very big thank you and well done to everyone.”

999 On The Front Line airs on More4 on Sundays at 9:00 PM, with past and current episodes available to stream on-demand via Channel 4

Time returned for a ‘hard-hitting’ third series of the BBC One prison drama starring David Tennant and Siobhan Finneran

BBC One viewers were left “shocked” following a violent ending of the new prison drama Time.

Time has returned for a third series, consisting of three episodes, set inside a young offender institution called Alderwick, bringing together David Tennant as officer Bobby Bailey and Siobhan Finneran as prison chaplain Marie-Louise O’Dell.

Written by Jimmy McGovern and co-writer Samuel Bailey and directed by Paul Whittington, Time follows Marie-Louise, who arrives at the institution having lost her faith, where she meets Veteran officer Bailey, a man in the midst of his own crisis.

Away from his day job, Bobby drinks while staring vacantly at the TV as his relationship with his wife, Erica (Vinette Robinson), comes under intense strain.

Back inside the prison, Bobby and Marie-Louise lock horns over how to handle Ushindi, formerly Christopher (Chukwubuikem Molokwu ), a young man with a stammer who has recently reconnected with his birth mother.

Meanwhile, two teenage offenders, Peter (Ollie McNulty) and James (Louis McCartney), struggle through the terrifying first weeks and months of their incarceration, but they are hiding significant secrets.

The most jaw-dropping scene came at the end of episode one, as a mediation meeting between Ushindi and seriously violent offender Patsy Flynn (Louis Shelton) goes horribly wrong, leaving viewers in shock.

Despite the brutal final act of the first episode, Time viewers were left wanting to see what happens next to Patsy and vowed to binge-watch the whole series on BBC iPlayer.

Taking to X, one viewer wrote: “What an ending to EP1, gonna have to binge the lot tonight! #bbciplayer #time”, while a second agreed: “2 more episodes on iPlayer, now #Time.”

“Don’t think I’ve been so traumatised since I saw Scum about 45 years ago #Time”, confessed one viewer.

“#Time.. wow, the best yet. Fantastic writing and acting by all involved. A really shocking watch”, said one impressed viewer of the series.

“What was grim but utterly brilliant! Nobody does hard-hitting drama like the BBC. #Time”, added another.

The next episode of Time airs on BBC One at 9pm on Monday (October 12), while the final episode broadcast on Sunday (October 18) at 9pm.

Time continues on Monday at 9pm on BBC One and iPlayer, with all episodes available now on iPlayer

Who doesn’t love a Hollywood ending — or a beginning?

The only guide you need for fall entertainment.

As summer gives way to the inevitable grunts of awards-season jockeying, how wonderful it is to crawl back into the head of our favorite portal John Malkovich, returning with his most complex work in years in “Wild Horse Nine” (hitting theaters Nov. 6). Meanwhile, Jordan Firstman made his name with viciously funny online “Impressions” and a spotlight-stealing turn on HBO’s “I Love LA,” but did you know he was Trojan-horsing in a triple threat? “Club Kid” (out Nov. 6) marks the arrival of a serious screenwriter, director and star making a feature debut of rare wisdom.

Read on for features about those two movies, and if you’d like more options, here are 17 fall titles worth getting excited about in the coming months.

‘Resident Evil’ (Sept. 18)

Austin Abrams in “Resident Evil,” directed by Zach Cregger.

(Sony Pictures Releasing)

Milla Jovovich brought stony-faced supermodel moxie to 2002’s underrated first film and her subsequent franchise was a mixed bag. But there’s a whole global fandom of obsessives who feel that none of these movies truly got the crux of what made Capcom’s original games such an all-night fixation. One of those people turns out to be filmmaker Zach Cregger, who, between “Barbarian” and his Oscar-winning “Weapons,” can now write his own ticket. As unlikely as it seems, this reboot is a project he has spent a considerable amount of his newfound Hollywood capital pursuing and you have to love him for it. Apocalyptic Raccoon City and a viral zombie outbreak are sure to figure, but also, given the Cregger of it all, spooky subterranean passages and confident performances, this time from Austin Abrams and Paul Walter Hauser. — Joshua Rothkopf

‘Digger’ (Oct. 2)

Tom Cruise in the movie “Digger.”

(Warner Bros. Pictures)

Tom Cruise has been busy these last 15 years, starring in five “Mission Impossible” movies, reboots of “The Mummy” and “Top Gun” and a handful of other would-be blockbusters best forgotten. In nearly all of them, he plays a version of the unstoppable Cruise persona. And that’s a performance for sure. But we haven’t seen him play a real character in a long time, which makes his new movie my most-anticipated of the fall, even if the trailer makes it look like it could be a tonal train wreck. Billed as a “comedy of catastrophic proportions,” “Digger” has Cruise playing a Texas oil man charged with saving the world from an environmental disaster that he appears to have caused. The writer-director, Alejandro González Iñárritu, is a five-time Oscar winner, but not a filmmaker known for his humor. That makes the trailer’s absurdist tone and visual style intriguing (and also concerning). Iñárritu clearly loves “Dr. Strangelove,” as do we all. Fingers crossed. — Glenn Whipp

‘Fjord’ (Oct. 9)

Sebastian Stan and Renate Reinsve in the movie “Fjord.”

(Neon)

Winner of the Palme d’Or at this year’s Cannes Film Festival — the second for writer-director Cristian Mungiu and an astonishing seventh in a row for distributor Neon — this is a gripping morality tale specifically designed to make viewers question their instinctive reactions no matter where they sit on the political spectrum. A conservative religious couple (Sebastian Stan and Renate Reinsve, both giving quietly riveting performances) relocate from Romania to a small village in Norway and soon find that the outwardly progressive locals are less than welcoming. The Gheorghius’ five children are taken into protective custody amid allegations of abuse and soon enough, it seems that their beliefs and values are being put on trial. Fans of “Anatomy of a Fall” (another Neon title) will appreciate the detailed glimpse inside another international legal system, as the courtroom scenes are full of tension, emotion and surprise. — Mark Olsen

‘The Social Reckoning’ (Oct. 9)

Jeremy Strong as Mark Zuckerberg in the movie “The Social Reckoning.”

(Leah Gallo / Columbia Pictures)

It’s been 16 years — an eon in internet time — since David Fincher made gripping drama out of coding, depositions and bruised male egos in “The Social Network.” Facebook’s story has since then taken a far darker turn: Russian troll farms, growing concerns about worsening teenage mental health and election misinformation. Aaron Sorkin, who scripted the first film, both writes and directs the follow-up, drawing on internal Facebook documents that whistleblower Frances Haugen (Mikey Madison) leaked to Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White) for the paper’s “Facebook Files” investigation. In a particularly inspired bit of casting, Jeremy Strong succeeds Jesse Eisenberg as Mark Zuckerberg. After playing Kendall Roy, a would-be mogul desperate to seize power in HBO’s “Succession,” and Roy Cohn, a fixer who wielded it ruthlessly in the Trump biopic “The Apprentice,” Strong may have been preparing for Zuck all along. That alone might be reason enough to log back onto Facebook. — Josh Rottenberg

‘Sense and Sensibility’ (Oct. 16)

Daisy Edgar-Jones, left, and Esmé Creed-Miles in the movie “Sense and Sensibility.”

(Focus Features)

You come to “Sense and Sensibility” for sisterly love, for Edward and Elinor, for wit and cleverness, for nosy neighbors, for passionate longing, brooding, Byronic suitors and happily-ever-afters. The 1995 film adaptation of the Jane Austen classic, directed by Ang Lee with Emma Thompson starring and writing the screenplay, was damn near perfect, setting a high bar for any and all comers. So it’s with pleasure (and relief) that I can report that the latest version, directed by talented British filmmaker Georgia Oakley, will delight Janeites and anyone else who appreciates a smart, charming costume drama. The film faithfully adheres to the text, foregrounding the relationship between the Dashwood sisters, the passionate Marianne (Esmé Creed-Miles) and the pragmatic Elinor (Daisy Edgar-Jones). It’s fresh without needing to lunge for all the compulsively shocking aesthetics that undid Emerald Fennell’s “Wuthering Heights” earlier this year. Oakley crisply delivers everything you want, everything you need. — G.W.

‘Whalefall’ (Oct. 16)

Austin Abrams in the movie “Whalefall.”

(20th Century Studios)

If you’re a sucker for that “Pinocchio” sequence in which Geppetto gets swallowed by a whale, you’ll dig Pulitzer Prize-winning novelist Daniel Kraus’ “Whalefall,” a drama about a Californian scuba diver stuck in the stomach of a 60-ton behemoth. That’s bad enough. Worse, the kid’s oxygen tank is running low. One part survival quest, one part ghost story, the narrative centers on the young man hallucinating his abusive dead father, who advises him on how to escape. I devoured the book in one weekend, but couldn’t imagine how this claustrophobic nightmare could possibly translate to film. Director Brian Duffield (“Spontaneous,” “No One Will Save You”) has braved the challenge. Austin Abrams plays the trapped swimmer; Josh Brolin is his seafaring dad. It’s a reunion for two of the leads in last year’s “Weapons.” Steel yourself for slimy bile, sticky emotions and wet tears. — Amy Nicholson

‘Clayface’ (Oct. 23)

Tom Rhys Harries in the movie “Clayface.”

(Warner Bros. Pictures)

Even comic-book obsessives will mention a dozen other DC villains before digging out Clayface, the nom de gloop of a disfigured actor transformed into human Play-Doh. But after the animated series “Harley Quinn” stretched the character into a squishy, vulnerable showboat, I’m curious to see what he looks like in the hands of James Watkins, director of the mischievous 2024 thriller “Speak No Evil.” Watkins has a vicious sense of humor and the casting of Welsh theater actor Tom Rhys Harries in the title role is a signal that the film might be a performance showcase in the vein of Tom Hardy’s roiling split-personality turn in “Venom.” Early glimpses of footage at CinemaCon hint that the script by Mike Flanagan and Hossein Amini is most hyped to mix the superhero genre with icky body horror. Apparently, there are images in which Clayface doesn’t even have a face. — A.N.

‘Fatherland’ (Oct. 23)

Sandra Hüller and Hanns Zischler in the movie “Fatherland.”

(Agata Grzybowska / Mubi)

Paweł Pawlikowski has made a specialty of looking at European history from close range: the aftermath of the Holocaust in the Oscar-winning “Ida” and the Iron Curtain era in “Cold War.” Eight years after the latter, Pawlikowski returns with this spare black-and-white drama, for which he left Cannes with a directing honor. Hanns Zischler plays author Thomas Mann, the Nobelist and critic of Hitler, returning to Germany in 1949 after 16 years in exile, with his daughter Erika (Sandra Hüller) behind the wheel. Their journey takes them through a ruined country eager to reclaim one of its greatest writers without dwelling too much on why he fled. After the moral minefields of “Anatomy of a Fall” and “The Zone of Interest,” Hüller seems ideally cast as Erika, a writer and committed anti-Nazi unlikely to let her father, or the country around him, off the hook. — J. Rottenberg

‘Klara and the Sun’ (Oct. 23)

Jenna Ortega in the movie “Klara and the Sun.”

(Sony Pictures)

When novelist Kazuo Ishiguro published “Klara and the Sun” in 2021, a book narrated by an artificial intelligence still felt safely like science fiction. Five years and one AI boom later, the future has arrived early. Jenna Ortega plays Klara, a solar-powered “artificial friend” purchased as a companion for an ailing teenager (Mia Tharia) whose mother is played by Amy Adams. Klara observes the humans around her with extraordinary attentiveness but only a partial understanding of their behavior, gradually forming her own ideas about love, loneliness and what makes one person irreplaceable to another. Taika Waititi, whose movies have ranged from the antic Nazi satire “Jojo Rabbit” to the candy-colored superhero spectacle of the “Thor” films, is an unexpected match for Ishiguro’s quiet, melancholy story. But with people already turning to chatbots for companionship, the film’s central question no longer feels quite so theoretical: What happens when the machine stops feeling like a machine? — J. Rottenberg

‘Wicker’ (Oct. 23)

Alexander Skarsgård and Olivia Colman in the movie “Wicker.”

(Kristof Galgoczi Nemeth / Black Bear Pictures)

Most of the questions you have following the recent trailer that sent the internet into a tizzy are in fact answered by seeing the movie itself. Set in an indistinct Mitteleuropean village of an uncertain era, the story follows an unmarried fisherwoman (Olivia Colman) who asks her friend, a master basketweaver (Peter Dinklage), to make her a husband. And does he ever, sending over a mass of reeds fashioned into Alexander Skarsgård. Their little community goes berserk, full of curiosity and more than a hint of jealousy at their loving and compatible albeit unconventional union. Adapted from an Ursula Wills-Jones short story by the husband-and-wife writer-director team of Alex Huston Fischer and Eleanor Wilson, the film never overlooks how absurd its premise is, but also finds tender emotional notes within it as well. “Wicker” is a wise, warm allegory examining community and relationships — and why we need the things we do. — M.O.

‘Godzilla Minus Zero’ (Nov. 6)

A scene from the movie “Godzilla Minus Zero.”

(2026 TOHO)

Three years ago, the post-World War II period thriller “Godzilla Minus One” was a monster smash, earning the 72-year-old franchise its first Oscar win and biggest box office haul to date. (What, you thought the radioactive lizard wouldn’t come back?) Takashi Yamazaki’s sequel — the 39th Godzilla movie, if you’re counting — takes place in 1949 Tokyo after disgraced kamikaze pilot Kōichi (Ryunosuke Kamiki) has begun to rebuild his life with new wife Noriko (Minami Hamabe). In still-traumatized Japan, simply having hope for tomorrow is brave and foolhardy with an angry kaiju sulking in the Pacific. Yes, Godzilla exploded in the last film. Since when has that mattered? “Godzilla Minus Zero” has giant shoes to fill, but personally, I couldn’t care less if the green guy wins another Academy Award as long as the multiplex enjoys a shivery blast of his atomic breath. — A.N.

‘Paper Tiger’ (Nov. 13)

Adam Driver in the movie “Paper Tiger.”

(Neon)

A favorite of international festival programmers and film critics for decades now, James Gray has never quite had his breakthrough with mainstream audiences. That may finally change with his latest, which finds him again exploring the rich, complicated bonds of family amid the betrayals and uncertainties of New York’s outer-borough criminal underworld in a way that feels totally fresh and new. Miles Teller is a family man drawn into a business scheme by his ex-cop brother (Adam Driver) that puts them both afoul of the Russian mob in a story set in Queens in the 1980s. Scarlett Johansson plays Teller’s wife. All three give what are easily among their career-best performances as Gray steadily ratchets up the tension with a master’s hand, melding the crime thriller with domestic drama in a distinctive way. With a tremendous payoff in its devastating climactic sequence, this feels like the film Gray has been building toward his entire career. — M.O.

‘Elsinore’ (Nov. 20)

Andrew Scott as Ian Charleson in the movie “Elsinore.”

(Anthony Dickenson / Focus Features)

The Scottish actor Ian Charleson would forever be an Olympic runner on the beaches of “Chariots of Fire,” head tipped back in a kind of spiritual ecstasy. The role brought him international acclaim, but there weren’t enough of them, and a secret battle with HIV and AIDS took its toll. But what Charleson didn’t know was that, near the end, he would embark on the run of his life, performing a legendary Hamlet onstage in a race with death. Andrew Scott carries the whole of this exhilarating biopic on his knitted brow, diving deeply into the metaphysical darkness of Shakespeare’s text, into the rituals and camaraderie of actors and, ultimately, into the defiance of an artist who only wants to disappear once more into his art. Inexplicably overlooked for “All of Us Strangers” and “Blue Moon,” Scott is just now arriving at a kind of effortless humility, dazzling yet approachable, that puts him in the company of the all-time greats. — J. Rothkopf

‘Josephine’ (Nov. 20)

Mason Reeves in the movie “Josephine.”

(Sumerian)

If we are to have things like a “Sundance Film Festival” or “independent cinema,” it should be to support and nourish movies like Beth de Araújo’s powerful San Francisco-set thriller, about a violent sex crime witnessed by an 8-year-old, who is altered by the experience but then called upon to be a courtroom voice in the world of adults. Everyone who has come together to make this tricky but meaningful project seems to be operating on a higher plane: For Channing Tatum, playing a dad increasingly out of his depths, it’s an opening door to the kind of complex roles he has earned from being a dependable goof. For Gemma Chan, as a parent dealing with the unthinkable, the film is a promise fulfilled. But for young Mason Reeves, imbuing the title character with an evolving mystery that suggests a prodigy, “Josephine” is a revelation. — J. Rothkopf

‘Minotaur’ (Nov. 20)

A scene from the movie “Minotaur.”

(Mubi)

The whispers were fierce at a recent Academy Museum screening of Adrian Lyne’s windy erotic thriller “Unfaithful” as plugged-in attendees looked for points of similarity with Andrey Zvyagintsev’s sleek domestic drama, one that dominated this year’s Cannes conversation. Both movies are remakes of Claude Chabrol’s 1969 “The Unfaithful Wife,” but Zvyagintsev kicks the concept up to expert level, turning an affair and its brutal repercussions into a referendum on Russia’s new-money detachment: eating, lying and screwing with the Ukraine war out of mind. Was Zvyagintsev able to shoot in Russia itself? Of course not — he needed to film in look-alike Latvia. That’s how dependably infuriating he is to the authorities. But it’s a miracle he’s shooting anywhere at all: A case of long COVID, a coma and a yearlong hospital stay almost snuffed out one of the boldest filmmakers on the planet. His return to action is a grand piece of fortune. — J. Rothkopf

‘The Further Mis-Adventures of Cliff Booth’ (in Imax Nov. 25; on Netflix Dec. 23)

Brad Pitt and Leonardo DiCaprio in a scene from 2019’s “Once Upon a Time … in Hollywood.”

(Andrew Cooper / Sony Pictures Releasing)

Three years ago, Quentin Tarantino teased that his 10th and final film would be “The Movie Critic,” centered on a film reviewer for a 1970s porno rag, but he scrapped it and pivoted to a sequel featuring Brad Pitt’s stuntman from “Once Upon a Time … in Hollywood.” Tarantino didn’t want to direct it, though, preferring to challenge himself with something more ambitious for his sign-off. So he handed the screenplay — an “unwieldy thing,” he calls it — to David Fincher, tasking him to shrink it down. And that’s how we’ve arrived at a collaboration between two defining American filmmakers who came to prominence in the ’90s and share an interest in dark impulses that often turn violent. How Fincher will meld his clinical precision to Tarantino’s yo-gabba-gabba gonzo spirit is the movie question of the season. — G.W.

‘All of a Sudden’ (Nov. 25)

Tao Okamoto, left, and Virginie Efira in the movie “All of a Sudden.”

(Neon)

It still feels like a magic trick, the way Japan’s Ryusuke Hamaguchi turned “Drive My Car,” a three-hour movie about grief and chauffeuring (among other subjects), into a 2022 Oscar juggernaut. The director is back to remind you of everything you loved about that one, plus he’s got even more in the trunk. Many filmmakers are indulged with long running times; few of them make them as worthy and unnoticeable as Hamaguchi. He’s also in a class with Richard Linklater and virtually no one else when it comes to the lingering, evolving conversation, the kind that drifts into flirtation, debate and something soul-revising. Here it’s between two women (Tao Okamoto and the emotionally reverberant Virginie Efira) who, over the course of a walk along the Seine as dusk turns to night, find themselves bonded by something unexpected. “All of a Sudden” has death on its mind, but also how we live and care for each other en route to that destination. It’s a conversation we all need to have. — J. Rothkopf

SYDNEY Sweeney has brushed off criticism of her controversial sports betting campaign by sharing another previously unseen clip from the advert.

Despite the backlash, the actress is sticking to her guns with another racy glimpse of the shoot.

The 29-year-old took to Instagram to share the footage with the caption: “No BS. Just sports.”

“There are grown men making spreadsheets betting on what colour underwear I’m wearing,” she says, looking doe-eyed into the camera.

She adds: “I mean, I’m flattered?”

Holding two American footballs over her breasts, Sydney finishes with the tagline: “Novig is just sports.”

waist-ed

Sydney Sweeney busts out of corset & urges fans to recreate her Euphoria dog look

GREAT NORMA GENES

Sydney Sweeney revealed as distant cousin of bombshell Marilyn Monroe

The Euphoria actress sparked backlash earlier this month after posing naked in the campaign promoting the sports betting app.

Female athletes were among those who criticised the racy images, accusing the campaign of sexualising women’s sports.

The advert features Sydney in a series of revealing poses, using sports equipment to cover parts of her body.

Some images show The Housemaid star straddling a basketball hoop, while others feature her in a locker room wearing nothing but shoulder pads or holding footballs over her breasts.

Team GB sprinter Amy Hunt slammed the campaign during a post-race interview, saying it painted a misleading picture of women’s sports.

Australian Olympic water polo star Tilly Kearns also voiced her disapproval on Instagram.

British sprinter Hannah Williams made her feelings known on social media, arguing that female athletes already have to fight to be taken seriously.

As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.

The only guide you need for fall entertainment.

Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.

‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)

Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”

(Netflix)

Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali

‘Brothers,’ Sept. 23 (Apple TV)

Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”

(Ryan Green / Apple TV)

Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara

‘American Hostage,’ Sept. 20 (MGM+)

Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”

(Steve Ackerman / MGM+ / Sony Pictures Television)

Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia

‘East of Eden,’ Oct. 1 (Netflix)

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton

‘Below,’ Oct. 8 (Netflix)

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.

‘Cupertino,’ Oct. 8 (CBS)

Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”

(Elizabeth Fisher / CBS)

Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd

‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)

Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.

(Paramount+)

When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown

‘VisionQuest,’ Oct. 14 (Disney+)

Paul Bettany in Marvel’s “VisionQuest” on Disney+.

(Marvel)

When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.

‘Crystal Lake,’ Oct. 15 (Peacock)

Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”

(Peacock)

Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.

‘The Diplomat’ Season 4, Oct. 15 (Netflix)

Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal

‘Nocturne,’ Oct. 30 (Apple TV)

Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”

(Dennis P. Mong Jr / Apple TV)

Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.

‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)

Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”

(Paramount+ with Showtime)

At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.

‘Dig,’ Nov. 23 (Peacock)

Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”

(Colleen Hayes / Peacock)

A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.

‘Blade Runner 2099,’ Nov. 25 (Prime Video)

Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”

(Clay Enos / Prime)

Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.

‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)

Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”

(Netflix)

For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.

‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)

Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”

(Aidan Monaghan / HBO)

In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.

‘North of North’ Season 2, Fall 2026 (Netflix)

Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.

(Netflix)

No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.

‘Pride and Prejudice,’ fall 2026 (Netflix)

Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”

(Ludovic Robert / Netflix)

Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.

CHRISTINA Aguilera proves she can still look naughty in her forties with an eye-catching outfit for a charity gig.

The 45-year-old singer, who had her first hit with Genie in the Bottle in 1999, stole the show at Hollywood’s National PrEP Day bash.

The star-studded event brings together some of LA’s biggest stars to raise funds for life-saving HIV medication.

Reality star Kim Kardashian and Timber hitmaker Kesha, also attended, along with Brit Charli xcx — who sang a medley from her 2024 album, Brat.

Christina has undergone a huge transformation in recent years, with her losing almost three stone in weight – and in April this year – The Sun reported on how she stepped out to flaunt her incredible figure.

Attending the Breakthrough Prize Ceremony in Santa Monica, Christina posed on the red carpet while rocking a dress held up by luck alone.

MAKING KISS-TORY AGAIN

Inside Madonna’s MTV VMA comeback two decades after kissing Britney

SHINING STAR

Christina Aguilera looks incredible as she flaunts weight loss transformation

Looking years younger than she is, and almost the same as she did at the height of her career in the noughties, Christina smiled and pouted for the camera.

Rocking a choppy bob resting on her jawline, complete with a blunt fringe, the singer looked youthful and fresh-faced.

She wore a black skintight body contouring dress which hugged every inch of her slender frame.

The dress was made from a leather material on the bodice, while the skirt was crafted from sheer chiffon.

With her hands resting on her hip bones, Christina looked incredible as she blew kisses to onlookers.

She kept her makeup simple with a muted eye look, a nude pink lip and light brows.

It seems Chet Hanks, son of Tom Hanks and Rita Wilson, is still in his feels over Eric André’s recollection of his zany and “dangerous” appearance on “The Eric Andre Show.”

Hanks, who became an internet personality in recent years for boasting his Jamaican accent at the 2020 Golden Globes red carpet and unironically coining the phrase “White Boy Summer,” seemingly reignited his feud with André when he confronted the Emmy winner during ComplexCon in Los Angeles over the weekend. On Tuesday, Hanks posted video of himself approaching André and his security team at the event and exchanging some words with the comedian.

It’s unclear what the two men say to each other but Hanks appears to bring up an issue to André who seemingly shrugs it off at first. The conversation seems to turn tense when Hanks speaks face-to-face with André and security personnel block the view. The video concludes with André and his securtiy walking away from Hanks and his posse. In the caption to his video, Hanks said André “had NO MEMORY WHATSOEVER of trashing me to the media after I outshined him on his own show!!”

Representatives for André did not immediately respond on Wednesday to a request for comment.

The tension between Hanks and André could be traced to a March 2023 interview with Rolling Stone in which the comedian called Hanks “emotionally disturbed” and shared details about his guest spot on “The Eric André Show.”

“He stole a motorcycle and rode it around. He almost knocked a bunch of grips and gaffers off their ladders,” André recalled in 2023. “It was very dangerous. He tried to prank us back, but we edited out all his b—! He’s not well. How did Colin Hanks come out so good and Chet Hanks come out so bad?”

Shortly after the interview, Chet Hanks responded to André by claiming he was just attempting to “match [the] energy” of the “weird, outlandish” series. “The Eric André Show” began in 2012 and is the origin for a number of viral memes and sketches and unhinged celebrity moments. Of course, “The Eric André Show,” a parody of late-night talk series, always begins with its eponymous host wrecking his set in the most chaotic manner.

In 2023, Hanks called André a “straight b—.” The comedian swiftly fired back, calling Hanks a “f— liar” and dared Hanks to take a “DNA test and prove that Tom Hanks is his f— father.”

After the weekend confrontation, Hanks said that André ultimately “admitted” the feud began “because he had a problem with me ‘mocking Caribbean culture’ when I did my Jamaican accent all those years ago.” Hanks, who is white and was born in Los Angeles, resurfaced to public consciousness in 2020 when he — unprompted — introduced himself at the Golden Globes red carpet with his impression of Jamaican Patois. His father, the prolific actor beloved for roles in “Saving Private Ryan,” “Forrest Gump” and “Toy Story,” received the Globes’ Cecil B. Demille award later that evening.

“WHO KNEW that in addition to the brain rot and poop joke humor he is known for, Eric is also such a passionate cultural activist!!! Great running into you Eric!!!!,” Hanks, who has repeatedly used and defended the N-word on social media, sarcastically ended his caption.

André, who is Black, has long been a vocal social and cultural activist. The “Street Fighter” actor over the years has spoken out against Israel’s war in Gaza and has used his platform to address racism and police brutality.

This summer André, alongside fellow comedian Clayton English, settled a racial profiling suit against Clayton County police in Georgia. The comics were both allegedly racially profiled and subject to “unconstitutional” stops by Clayton County police at Hartsfield-Jackson International Airport in 2021. The stops were part of a police program intended to combat drug trafficking. The Associated Press reported that the settlement “does not include an admission of fault or liability on the county’s part but says the county has ended the program at issue and has no intention of reactivating it.”