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Walter Parazaider, the saxophonist and co-founder of the rock group Chicago, has died. He was 81.

Parazaider died June 17 of complications from Alzheimers disease. In a statement posted to social media on Wednesday, the band said that “Chicago is heartbroken at the sad news of Walter Parazaider’s passing this morning. We extend our deepest condolences to his family, friends and countless Chicago fans who are all grieving his loss today.”

His daughter, Felicia Helen Parazaider, also posted on Facebook that “I love you poppy, my Pal…You coloured our world.”

Born in Maywood, Ill., Parazaider began his music career as a clarinetist, before founding Chicago with childhood friends in the group’s namesake city. The band’s pop hits like “25 or 6 to 4” and “Saturday in the Park” were staples of the ‘70s and remain beloved fixtures of classic rock. His diverse woodwind skills helped give the band its regal sound, adding saxophone riffs to hits like “Just You ‘n’ Me” and a poignant flute solo on “Colour My World.”

While Chicago’s lineup changed often, Parazaider remained with the group until retiring in 2018. In April of 2021, Parazaider wrote in a statement on Chicago’s website that “I was diagnosed with Alzheimers disease. Needless to say, my wife, daughters and myself were shocked and devastated. It has taken awhile to process this news and the fact is, we still are. The good news is we have a wonderful medical facility here and I have a very good doctor. I am working hard and not going to give up.”

Chicago gave credit to Parazaider for conceiving of the band’s distinct instrumentation, and the work ethic that made them stars. “A Rock & Roll band with horns was Walt’s idea,” Chicago’s statement continued. “He put the band together and they rehearsed in the basement of his mother’s home. He is also the one who did the hard work to book shows for the young, unknown band, performing top 40 covers at local bars in and around Chicago.

“We are forever grateful for his contribution,” they continued. “Perhaps his greatest gift was bringing people together. This amazing music may have never been heard had it not been for Walt’s vision.”

Parazaider is survived by wife JacLynn and daughters Laura and Felicia.

Stephanie Shih, “梅國 (Still life with chamoy and Dirty T Tamarindo),” 2025/2026. Archival pigment print on wood panel, varnish, glue, acrylic, frame. 38.25×48.25×3.75.

(From the artist)

Much has been written about the experience of aimlessness in the new David Geffen Galleries at LACMA, but it is another thing to experience it firsthand. The meandering floor plan, with its rooms of various sizes and orientations alongside their resulting passageways and corners, demands that you wander, not map, your perusal of the galleries. As a result, a visitor can easily feel disoriented, or in my case, a touch deconstructed. A little depersonalized, if you will.

Fortuitously, I was there to meet with multidisciplinary artist Stephanie Shih, whose photo-based compositions have the opposite effect, grounding the viewer in their personhood and experience. Her still lifes are made both beautiful and meaningful through their intentional arrangement of specific food, florals and ephemera, touching on diasporic understandings of self, Western and European appropriations of the “exotic” and the juxtaposition of the natural with the fabricated. In other words, to view a Shih piece is to collaborate with the artist on reconstructing or, in some cases, reclaiming an understanding of place and self.

We were talking about, and in front of, Shih’s new piece, “梅國 (Still life with chamoy and Dirty T Tamarindo),” which was not only commissioned by LACMA, but created in a temporary studio Shih constructed within the gallery itself over the course of two weeks late last year. The image features two ceramic vessels, one slightly in front of the other, within a traditional still life scene. The background jar stands alone, while the piece in the foreground overflows with a rainbow of plants, flowers, fruit, chamoy candies, gummies and a single real butterfly. To get to the small but sunny corridor that houses the work, one might make a few indirect turns and cross the gallery containing Andreas Gursky’s “Ocean” series. Flanked by four wall-size photographs of vast, overhead perspectives of the deep blue Indian Ocean, it’s easy to feel small among the giant panels. Luckily, when I met Shih at LACMA, she intercepted me outside and led us confidently up the Geffen’s dramatic exterior staircase and to “The Global Appeal of Blue-and-White Ceramics” installation — no crossing of oceans necessary.

After our conversation, I stayed to wander the galleries for a few more hours. I am a completist and I wanted, no, needed to see everything. Without the prescribed navigation I was accustomed to in a museum, this became a fool’s errand. I got physically lost and a bit lost to myself. Had I already seen that statue or did it just look like another visage also rendered in marble a few galleries back? I was pretty sure I had already taken these two rights and then a left before, but what if I hadn’t and would then miss a whole other room? The 360-degree curved glass walls encasing the galleries offered many glimpses of a face that belonged to me but somehow wasn’t mine. Who was I? I felt like I would never see everything on display, but also maybe never again exist beyond the funhouse of the Geffen Galleries. In my confusion, I passed by “梅國 (Still life with chamoy and Dirty T Tamarindo)” more than once and was reminded of Shih’s ability to articulate complex reconstructions of self through her exquisite, serene compositions. It was enough to reassure me that I could find myself again, if only I slowed down and considered my context with curiosity instead of fear.

This curiosity led me to “Shaping Dutch Identity: The Mr. and Mrs. Edward Carter Collection.” It was a serendipitous encounter for two reasons: One, the visual and symbolic correlation between Shih’s painterly use of shadow in her food- and floral-centered compositions, and the still life masterpieces of the 17th century Dutch. And two, because much like her work itself, our interview included layered discussion of constructing and shaping identities. Take the new Peter Zumthor-designed building in which we found (and in my case, lost) ourselves, which builds upon the existing galleries of LACMA while redefining the museum’s identity. Or Shih’s in-situ studio, which was created for creation’s sake, then taken down with only a photo of its contents remaining — contents which were constructed by the artist, too.

There was also the progression across cultures and continents of blue-and-white ceramics, which mirrors the evolution of chamoy, a pickled fruit condiment in Mexican cuisine that, along with a blue-and-white Talavera jar, is at the center of Shih’s piece. Both the ceramic and the chamoy traditions symbolize layers of culture as shaped by globalism and localism.

At one point in our conversation, I was momentarily embarrassed when I couldn’t recall the Filipino term for dried sour plums (kiamoy), a precursor to Mexico’s chamoy. It was an aspect of my identity as a third-generation Filipina that was also irretrievable to me that day. Shih was understanding and gracious in her response: “One of the really fun parts of the work I get to do is learning a lot of these histories that get hidden from us.” Given Shih’s academic background — she holds a PhD from Stanford University in linguistics — it makes sense that she brings deep research to her practice. Her art is rich with symbolism and history. But Shih’s work is also playful and, much like her response to me, generous in the invitation it extends to viewers to bring their own identities to her pieces in order to construct meaning for themselves. I may have felt unmoored among the Geffen’s myriad corners and paths, but never when I was standing in front of Shih’s piece.

Installation view of the inaugural presentation in the David Geffen Galleries, April 2026, featuring (top) Stephanie Shih’s 梅國 (Still life with chamoy and Dirty T Tamarindo) (2025- 26) and (bottom) Jar (c. 1700-50).

(Museum Associates / LACMA)

Claire Salinda: Your composition captures flowers, chamoy and other candies and fruit sumptuously arranged in and around a ceramic jar from LACMA’s permanent collection. How did you decide on chamoy as a subject? And how is it contextualized within the new David Geffen Galleries?

Stephanie Shih: “梅國 (Still life with chamoy and Dirty T Tamarindo)” is on display in “The Global Appeal of Blue-and-White Ceramics.” The gallery presents a condensed history of blue-and-white ceramics globally in dishes, starting in the Middle East with a 9th century Iraqi piece. From the Middle East we really got the use of cobalt in designs, and that married with the introduction of porcelain from China. We also have the Iznik kilns in Turkey, which are still operating today, and influences into Southeast Asia, and so on. Later on, the influence spread farther afield into Japan and France, where they started adding even more to it. The blue-and-white tradition has really spread globally, so this gallery is a nice microcosmic story of the effects of globalism before modern globalism.

For a long time I’ve been wanting to make a piece about chamoy and was just waiting for the opportunity to do so. The story of chamoy really parallels this journey of blue-and-white ceramics, which got to Mexico because of Spanish colonialism and then was adopted by local artisans. They really made it their own in the Talavera tradition. Chamoy similarly comes from Asia through pickled plums, particularly China via the Philippines. Filipino laborers came to Mexico via colonialism, and adapted and adopted champoy with spices and chilies from Mexico to become chamoy.

The curator, Susie Ferrell, gave me a whole list of blue-and-white surveys that they were looking at. We went to storage and to the conservation labs to look at all the pieces and we ended up choosing two pieces to work with. The one in “梅國 (Still life with chamoy and Dirty T Tamarindo)” is a Mexican Talavera jar from the 1700s. It’s the first non-Asian origin institutional ceramic I’ve gotten to work with in my career, which is the reason that I gravitated toward it.

Chamoy has been used by a lot of modern day food makers and chefs with American nostalgic candies, like peach rings and gummy worms, and my personal favorite, Gushers. One of these food makers, Alana Solis, who’s based in Tucson, runs Dirty T Tamarindo, a chamoy candy business she started during the pandemic. It was from her that I learned the history of chamoy, and so I wanted to do a piece with her candies for a long time. And this is just a really perfect opportunity with the Talavera jar.

I had pitched to Susie that it might be nice to have a second ceramic in the piece, a companion that demonstrates the origins and precursors of the blue-and-white ceramics in Mexico, a Chinese piece or something. She actually picked the one pictured here, which is also from the LACMA collection. It’s a 12th century Qingbai ware prunus vase, a meiping jar. When Susie pitched it to me, I didn’t even realize how perfect it was: A prunus vase is usually what they put plum blossoms in, and meiping means beautiful plum vase. It just ended up being a really, really good pick from her.

CS: You built a studio space within the gallery to create the piece. I’m curious about the constraints and what was surprising for you.

Artist Stephanie Shih’s makeshift set in the Los Angeles County Museum of Art (LACMA) David Geffen Galleries for her two-week commission project residency; Light test detail.

(Stephanie Shih)

SS: I was here for two weeks. I had a friend build a wall, we painted it downstairs and then brought it in and had it in the gallery with the light coming in through the windows. They gave me a refrigerator to store all the food, because I wasn’t supposed to have it out in the gallery space. We built out work tables too … it’s hard to kind of imagine with all the other stuff here now.

It was in December, and so the building was in several stages of installation with the art. There were just stacks of crates and boxes, which is amazing — it was very cool to just see statues half unpacked.

And actually, seeing everything get installed affected my thinking about the frame. Originally I wasn’t going to do a framed piece, it was just going to be on a panel. But then as I saw everything else go up, there was a weightiness to the way everything was framed and thought about. A lot of the frames are gold gilded, which are incredibly beautiful and historical. I wanted something that played off of that tradition, but using a red frame made it really obvious that it’s not 100% within tradition.

CS: How does this commission fit into your practice?

SS: My work started out really thinking about the artistic references we get as people working in food and still life. So many of the references are of this very Eurocentric art historical tradition. But if you look at that tradition, many things are taken from other cultures and used to symbolize the access and wealth and value that was assigned to these objects from the perspective of European imperialists, to put it nicely. It wasn’t until very recently that people were even thinking, “Well, where are these things from? What other artistic traditions does that mean that we’ve sort of borrowed from?” And so a lot of my work thinks about responding to that, but also taking back some of that tradition to tell stories of diaspora communities today here in the U.S.

From there, I’ve really started thinking a lot about the construction of identity and how we get to the things that symbolize who we are, and how we use symbols as we move through the world. As a cognitive scientist and linguist, a lot of my research training is about symbols and about the construction of identity in that way.

CS: Do you think that this piece could have been made anywhere else?

SS: No, I don’t think so. There’s something so special about the mission with the new building, how it’s so much more fluidly built and how LACMA is trying to think curatorially outside of the silos that have been set up by traditional art history. Thinking about that really, really influenced my approach to these pieces in terms of trying to collapse in each piece the timescales of historical influences and contemporary identity, but also the locality.

There’s stuff in “梅國 (Still life with chamoy and Dirty T Tamarindo)” that’s very global and far away, but also hyper local and here in L.A. For instance, the butterfly was found by my friend just a couple miles north in WeHo while I was working at LACMA. It’s native to California.

Do you know who Rachel Ruysch is? She was one of the big Dutch still life painters and in some of her later work, she was able to access flowers and plants from the American West, which was really rare at that time. She has a piece with prickly pear cactus as well as datura in it, which is crazy. We see those plants right here, but not in England and the Netherlands, where she was working at the time. Seeing that piece was part of the influence as well. In my piece, we have candy stripe ranunculus, which I was able to find for the candy. The cactus is from my backyard. There’s marigold and chamomile for their significance in Mexican culture, and the hibiscus flower, which has a long history across the Pacific Rim, tracing a lot of the places that ended up with chamoy and sour plums. I wanted a little nod to Hawaii with the pineapple because that’s where we also get salted plum culture.

Artist Stephanie Shih poses on set.

(From the artist)

CS: As we stand and chat in front of “梅國 (Still life with chamoy and Dirty T Tamarindo),” I can’t help but notice folks stopping to take it in. How is it being here and seeing people interact with the work?

SS: Oh, really fun!

CS: Do you ever want to interrupt them to answer a question you overhear?

SS: No. I think my favorite part of watching people interact with the pieces is what they bring to it. Some people see the chamoy immediately and they recognize their experiences in it, which is really lovely to see. Like, I can see someone’s been pointing at it, there’s a nice fingerprint mark. That’s funny. Some people recognize the candy in it. Kids often ask me, “How did the gummy butterflies fly?” and that’s really fun to answer. I appreciate that everyone brings their own experiences to it, and that sort of completes the piece for me.

A BARRY Manilow fan was banned from meeting his idol after staff called his wig and jacket an insult to the singer.

Wayne Denton, 69, spent £2,400 on VIP tickets, which included an after-show meet-and-greet with the US star.

But he was told he would only be allowed in if he removed his wig and orange jacket, similar to one Copacabana hit-maker Barry, 83, has worn on stage.

Wayne, who has a Manilow tribute act called Celebrating Barry, said: “I was humiliated.

“It’s a wig I wear partly because I’ve got no hair.”

Wayne, from Stourbridge, West Mids, watched the show on Saturday at Liverpool’s M&S Bank Arena with pal Janet Martin, 54, a backing singer in the tribute act.

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Footage then shows a man telling them before the meet-and-greet: “We can’t do the wig and jacket.

“It’s insulting to Barry.”

The pairs VIP tickets cost £1,200 each.

Wayne said no dress code was mentioned beforehand.

He and Janet were offered a refund.

A spokesman for Manilow was contacted for comment.

Before the lights dim and the trailers roll, moviegoers will start to see microdrama ads in movie theaters.

National CineMedia (NCM), the company responsible for the pre-show programming on the big screen, announced a new partnership with AI-native microseries studio aTwist on Wednesday. The company will begin advertising aTwist’s upcoming slate of vertical series in theaters later this summer.

“Movie theaters have always been where people go to lose themselves in storytelling,” Mike Rosen, NCM’s chief revenue officer, said in a statement. “This partnership brings new, exciting content to the pre-show experience, and gives brands the opportunity to speak more authentically to an audience that is naturally drawn to compelling, innovative content.”

The partnership was first reported by the Hollywood Reporter.

The deal will feature brand-sponsored series, previews of aTwist originals and a QR code that will take viewers directly to the aTwist platform.

These advertisements will be integrated into NCM’s regular programming, which spans more than 18,500 screens in over 1,650 theaters nationwide. The advertiser works with major movie chains such as AMC, Cinemark and Regal, across 185 markets. NCM was founded in 2002 and is best known for its “Noovie” preshow hosted by Maria Menounos.

ATwist is set to launch later this summer. The Los Angeles-based company, founded by former Hollywood executives Jana Winograde, Susan Rovner and Lloyd Braun, is entering an increasingly competitive format.

Microdramas, which originated in China, have continued to gain traction in the U.S. Some of the industry’s major players include ReelShort and DramaBox. The short-form content, engineered for a vertical phone screen, has drawn comparisons to a new addictive form of soap opera. The vertical video market is expected to generate around $150 billion in revenue this year, according to media consulting firm Owl & Co.

Brands such as Marc Jacobs and Crocs have already positioned the storytelling format as a way to advertise new products and reach new audiences.

By advertising to moviegoers, aTwist is hoping to distinguish itself among its competitors.

“We built aTwist around the belief that great storytelling should meet audiences wherever they are,” Winograde, aTwist’s chief executive officer, said in a statement.

“There is no better partner than NCM to introduce microseries to moviegoers and bring our storytelling into one of the most immersive entertainment environments.”

Red Dwarf star Chris Barrie is set to return to the beloved comedy series as narrator of new prequel

A Red Dwarf star has expressed his delight after being confirmed to return to the cherished comedy series.

Chris Barrie is making his way back to the Red Dwarf universe, having been announced as the narrator for the audiobook of the new spin-off novel, Red Dwarf: Titan.

The actor, who famously portrayed Arnold Rimmer in the cult sci-fi comedy, will voice the latest book, written by Red Dwarf co-creator Rob Grant and Andrew Marshall, reports Radio Times.

Discussing his latest project, Chris said: “I am finding Red Dwarf: Titan to be a very entertaining read. Recording any audiobook is always a challenge with so many characters to cover.

“But Red Dwarf: Titan, loaded as it is with laugh-out-loud lines and situations, is simply a joy!”, reports the Liverpool Echo.

The star added: “I’m delighted that the portrayer of Arnold J Rimmer himself, the fabulous multi-voiced Chris Barrie will be reading the audiobook of Red Dwarf Titan.

“And I’m certain that Rob would be too. In fact we would be noisily competing as to whom was the most delighted. Currently that’s me.”

Besides his iconic portrayal of Rimmer throughout Red Dwarf’s 13 series, Chris previously narrated the first two Red Dwarf novels: Infinity Welcomes Careful Drivers (1992) and Better Than Life (1995).

Red Dwarf: Titan will serve as a prequel to the BBC sci-fi comedy, which followed Craig Charles’s Dave Lister who wakes after three million years to find he’s the last remaining human.

His sole companions are a hologram of his deceased bunkmate, Arnold Rimmer (Chris Barrie), and a humanoid creature descended from his pet cat (Danny John-Jules).

In conversation with Radio Times just weeks before his death, co-writer Grant revealed of the novel: “It’s Lister and Rimmer before the accident on shore leave on Titan.

“It’s set one universe to the side, so we can have familiar characters but we can do different things with them, because the difficulty was writing something that was going to be original and fresh and using the same characters without breaking the canon. “.

He further disclosed that the tale would see Lister and Rimmer “get a message from the far future warning them that all realities are going to collapse unless they do something about it.

“Grant also assured us that Red Dwarf’s signature silliness is back in full force, with the writer promising that fans will “laugh their little chippers off”.”

Red Dwarf is available to stream on BBC iPlayer and Red Dwarf: Titan will publish in hardback, ebook and audio on July 16

The Scream movie series is one of horror’s most successful franchises and has seven films under its belt

A star from the horror film franchise Scream has revealed the surprising amount he still earns from one of the movies.

Back in 1996, the Scream series kicked off with its first instalment. Directed by Wes Craven, the film followed Sidney Prescott and her friends being targeted by a sadistic killer who donned a black cloak and white mask: Ghostface.

Due to the first film’s success, several more movies followed including a sequel in 1997, and a third instalment in 2000. Then, after 11 years Scream 4 was released in 2011.

And more recently, the slasher franchise was brought back in 2022 for a fifth movie and 2023 for a sixth. This year, a seventh film was released which became the highest-grossing film of the series so far.

The satirical whodunnit was a huge hit thanks to a clever script penned by Kevin Williamson and Wes Craven’s direction, while the characters’ awareness and acknowledgement of horror film clichés was uncommon at the time. Scream helped to revive interest in the teen slasher genre.

And this week, a star from Scream 2 revealed his residual pay from the film 29 years after its release. Actor and comedian Craig Shoemaker appeared in the sequel, Scream 2 – which made $172 million at the box office.

Craig played the role of ‘Artsy Teacher’ in the instalment. Taking to his Instagram, he shared a photo of his residuals cheque which revealed he made a total of $34.09.

He captioned the post: “In 1999 | was cast in the role of the film professor in the sequel of the original Scream movie, Scream 2, where I lead a conversation in class about film sequels. The residuals keep rolling in, baby! What should I buy with my 34 bucks?”

The latest Scream movie, Scream 7, was released earlier this year. The film shifted the focus back to the original final girl, Sidney Prescott – played by Neve Campbell and her teenage daughter Tatum, played by Isabel May.

Neve didn’t appear in the sixth Scream film in 2024, which starred Jenna Ortega and Melissa Barrera as sisters who discover a serious connection to one of the original Ghostface killers, Billy Loomis.

Neve announced she would be stepping away from the 2024 Scream film after a dispute over pay. She said in a statement: “Sadly, I won’t be making the next Scream film. As a woman I have had to work extremely hard in my career to establish my value, especially when it comes to Scream.

“I felt the offer that was presented to me did not equate to the value I have brought to the franchise. It’s been a very difficult decision to move on,” Neve added.

She continued: “To all my Scream fans, I love you. You’ve always been so incredibly supportive to me. I’m forever grateful to you and to what this franchise has given me over the past 25 years.”

Coronation Street icon Sally is not the only famous person in her family

Coronation Street legend Sally Dynevor has two famous daughters who TV fans may recognise.

Sally, 63, joined the ITV soap back in 1986 playing Sally Seddon, who later became famed for marrying mechanic Kevin Webster (Michael Le Vell).

From a devastating cancer battle to her many failed romances on the street, Sally’s 40 years in Weatherfield have not been short of drama. Especially as her marriage to husband, Tim (Joe Duttine), hasn’t always been smooth sailing.

It’s fair to say Sally is a soap legend and has played a part in several big storylines, and is much-loved for her comedy appeal and status as a street busybody.

Away from the soap, actress Sally is loved up with her husband, Tim, whom she married in 1995. Tim is a successful screenwriter who has worked on the ITV soap Emmerdale, as well as on the TV series The Drowning and Desperate Measures. According to IMDb, Tim has written more than 2,000 episodes of Emmerdale between 1995 and 2016.

His last credited episode aired in January 2016 and followed Diane Sugden (Elizabeth Estensen) as she tried to sell her half of The Woolpack, while Adam Barton’s (Adam Thomas) emotional attachment to baby Johnny Woodfield became a problem.

Sally recently delighted fans after giving them a look into her private life with Tim. Taking to her Instagram, she shared several snaps from their recent trip to Iceland, where the happy couple was taking in the glorious sights.

She captioned the post: “Well, that was an adventure. What a wonderful, beautiful country Iceland is”. As expected, fans and co-stars were left gushing over the post.

Jane Danson commented: “Pretty special I really want to go again. Glad you had a fab time Sal”. Sally Ann Matthews penned: “Oh wowzers”, while Jude Riordan added: “I’m going next week!”

Sally and Tim share three children together, including daughters Phoebe, 31, and Hattie, 22, and son Sam, 29 Both of the girls have followed in their footsteps and are enjoying careers in television.

Who are Sally Dynevor’s famous daughters?

Hattie Dynevor stars on the BBC drama Waterloo Road, playing Libby Guthrie, the daughter of history teacher Neil (Neil Fitzmaurice), and has so far appeared in series 13 – 17.

She also appeared in the recently released gripping Netflix series Legends as Arabella, which also stars Steve Coogan and Tom Burke.

Hattie’s older sister, Phoebe, also launched an acting career on Waterloo Road, playing Siobhan Mailey between 2009 and 2020.

Bridgerton fans will also recognise the actress as Daphne, the wife of Simon Basset, the Duke of Hastings, played by Regé-Jean Page, between 2020 and 2022. Speaking to Collider, Phoebe opened up about a possible return to the Netflix period drama.

She said, “When the first season came out, they didn’t know what they needed to put in play. We were the ones that got away, in a certain way.

“I can only speak for myself, I would always come back if I was asked. I have not received a call. When I get that call, I will be there if I can.”

She has since starred in a long list of popular television shows, including The Musketeers, Dickensian, Snatch, and Ten Percent. Away from the small screen, Pheobe has starred in the movies The Colour Room, Inheritance, and Thrash.

Coronation Street airs weekdays on ITV and ITVX

Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.

In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.

The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.

Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.

“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.

“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”

Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.

The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.

Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.

“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”

When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).

Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.

However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.

Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.

The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.

In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.

According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.

“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”

One of the most devastating moments in world history will be brought to life on Disney+ by a beloved star of The Night Manager and Marvel blockbusters

It’s shaping up to be one of the year’s most gripping docudramas.

BBC The Night Manager star Tom Hiddleston will be playing time detective in an immersive new historical series coming to National Geographic and Disney+ later this year.

Pompeii: Out of Time will reunite the iconic Marvel star with Loki executive producer Kevin R Wright for the three-part series that promises to lift the lid on the explosive historical moment.

The first-look trailer has given fans a glimpse of Hiddleston stepping into his new role as he makes the case that the eruption of Vesuvius wasn’t just a catastrophic day of death and destruction.

His latest series will feature an eye-opening investigation into those who may have survived the blast, brought to life with immersive and thrilling dramatisations.

Along for the journey is a team of ancient Rome experts, from archaeologists and historians to geologists and disaster experts, who will uncover remarkable real-life stories that challenge assumptions people have about the fateful day in 79 AD.

A teenage apprentice, a powerful businesswoman and a mysterious Praetorian Guard are all vital pieces of the puzzle as Hiddleston steps back in time to explore the hours before and during Vesuvius’ eruption in what is shaping up to be an essential watch for any history buff. A synopsis from Disney+ teases: “As the volcano awakens and the countdown to catastrophe begins, the evidence converges in a gripping race against time to uncover who survived, who perished, and what determined their fate.”

Hiddleston says in a statement: “The ancient world has compelled my imagination and curiosity for as long as I can remember: I’ve been fascinated by it all my life.

“Classical Antiquity is the foundation and cornerstone of Western and European culture. To visit Pompeii is to feel the distance of the 2,000 years between now and then compress. The past becomes the present; the past feels so close. Tangible, honest and real.

“Our relationship with the past is alive — studying who we were in order to understand who we are. Pompeii is a gateway for that conversation. It’s a privilege to host this visually immersive and dynamic series.”

He added: “Pompeii is often remembered for how its story ended. But by looking closer, we can uncover the details of people’s lives, the choices they made, and the moments that came before the city was buried.

“To revisit the final hours of those ordinary people, caught in an extraordinary moment, and to help bring these remarkable human stories back into the light, is a genuine honour.”

The upcoming series is already generating excitement amongst fans, with one user commenting below the trailer on YouTube: “Omg this seems so interesting.”

“This is absolutely fascinating — Pompeii is an incredible place, and this approach brings its story to life in a very powerful way,” someone else replied, adding they’re “really looking forward” to tuning in.

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“I want to see it NOW!” another fan exclaimed, and a final fan wrote: “For someone who’s survived Ragnarok, Tom Hiddleston couldn’t be better suited for this doc. Looking forward – or back – to it.”

Mark your calendars, as all three episodes will be available to stream in just over a month’s time.

Pompeii: Out of Time with Tom Hiddleston premieres Thursday, 23rd July on National Geographic and Disney+.

Emmerdale and Coronation Street are missing from the ITV schedules for two days this week, before returning to the channel amid the football coverage – while EastEnders is still on

Soap fans have found their Emmerdale and Coronation Street schedules all over the place this week.

With football taking over on ITV1 once more, the soaps are not airing in their usual time slots, or even on their normal days. EastEnders is also being hit by a schedule shake-up this week.

But EastEnders still airs on it’s normal days for this week, while Corrie is not on at all this Wednesday or Thursday. So when are the soaps on next?

For EastEnders fans, you will still get your soap fix on both Wednesday and Thursday. It’s a bit later than normal on BBC One though, airing for 30 minutes at 8:30PM, instead of 7:30PM.

As for Corrie and Emmerdale, fans will not get their next episodes until Friday 19 June. For once, both soaps will be in their usual time slots too.

So Emmerdale fans, your next episode will air on ITV1 at 8PM on Friday, followed by Coronation Street’s next episode at 8:30PM on the same channel. The episodes will also be dropping on ITVX that morning.

Of course with no episodes on Wednesday or Thursday, there will be no ITVX episode to stream on these days. But rest assured for this week, your next soap action is Friday.

Of course next week, it’s chaos again. Friday’s episode teases big moments ahead. On Corrie, Debbie Webster is trapped in a nightmare after the gun drama at the garage.

While she clashes with Tracy Barlow, an incident with a balloon leaves her terrified as she mistakes the noise of it bursting for a gunshot. Betsy Swain has some news for Lisa and Carla, which could tease an exit.

Sam Blakeman’s family rally around him, while he asks to see Roy Cropper. Maria Connor is suspicious of Gary Windass when he reveals he’s booked a holiday for the whole family.

She’s still assuming Gary and Sarah Platt are having an affair. Meanwhile, Kit admires the engagement ring he’s bought for Sarah.

As for Emmerdale, Lewis Barton gets kidnapped after preparing for a holiday with his love interest Vinny Dingle. As Lewis packs a suitcase and goes to make his way to the airport, a van suddenly pulls up near him.

Masked men jump out and Lewis is taken, and next week we find out who is holding him hostage. It’s all part of Kev Townsend’s return storyline, with more to be revealed.

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Following Jeremy Clarkson’s emotional cancer admission, questions are being asked about the future of Clarkson’s Farm, which has already been rocked by behind-the-scenes health battles

The latest episodes of Clarkson’s Farm have taken a devastating turn, with Jeremy Clarkson announcing his shock cancer diagnosis.

The former Top Gear host reduced farm manager Kaleb Cooper to tears as he revealed he’d known about the “aggressive” prostate cancer since May. Following treatment, Clarkson confided in Kaleb that he’d had “10 per cent” of his prostate removed via ultrasound, explaining: “The prostate, 10 per cent of it’s dead. The 10 per cent where the cancer is.”

In the season finale, Clarkson addressed viewers from his hospital bed, sharing that there had been complications during treatment. The 66-year-old told fans: “What I wanted to say was if this is all successful, I’ll see you for season six, and if it isn’t, I won’t. Take care, everyone.”

Over on Instagram, ahead of the new episodes dropping, an emotional Clarkson warned followers that a “really, really difficult watch” was in store.

Holding back tears in a candid post, Clarkson said on Tuesday: “Ordinarily, we try to keep the show bucolic and charming and cheerful. But the final two episodes, which drop in the middle of the night tonight, are none of those things really. They’re a difficult watch. They’re really, really, difficult.”

Fans of the hit farming show will know all too well that Clarkson is not the first cast member to share his health battles, with other stars being struck with serious illnesses throughout its five-year run.

Now questions have emerged about the future of Clarkson’s Farm, which has been running since June 2021, with Prime Video yet to issue a formal statement on its continuation.

At present, the show has not been officially recommissioned. In February, Clarkson himself confirmed that, while some recording for the upcoming series had already taken place, some pausing had been required due to the weather.

In his column for The Sunday Times, the presenter wrote: “There’s no filming happening on the farm at the moment. Or farming. It hasn’t stopped raining since the beginning of the year, so I can’t plant anything, and I can’t do anything with my cows either because we are still locked down by TB.”

But planning documents submitted to West Oxfordshire District Council reportedly suggest that season six is in the works. According to The Independent, part of it reads: “Season five will air this year and season six has been commissioned and will air in summer 2027.”

Clarkson’s enthusiasm for the farming show shows no sign of waning. Speaking previously with The Sun, he said: “We’ll definitely do six – Amazon want to (do series six), and I want to. I’ve got a good idea for six. I said I’ll stop doing them when there are no more ideas. But I’ve got two quite good ones, so we’ll do six, and then we’ll see…”

The beloved farm has been plagued by setbacks and personal health struggles. Back in 2024, during the show’s third series, farmhand Gerald Cooper revealed he had prostate cancer.

The fan favourite, known for his distinctive mullet, has since confirmed that he is thankfully cancer-free. Discussing his diagnosis with Prostate Cancer UK, Gerald shared: “It was a shock – but everyone has really supported me.”

He added: “I received tremendous support from family, friends and Prostate Cancer UK – which was also a lifeline. I made it through, and I’m now cancer-free.”

Wanting to do something “joyful” following his recovery, the 77-year-old went on to launch a racehorse syndicate to help raise some all-important awareness of prostate cancer. The horse itself is, of course, named ‘The Mullet’.

Then, in June 2025, it was revealed that castmate Alan Townsend – aka Alan the Builder – was awaiting heart surgery. While carrying out building work on the Farmer’s Dog Pub, Alan confirmed to Clarkson that he had a “quadruple bypass coming.”

When asked whether he had any fears about the procedure, Alan admitted: “Oh, [I’m] frightened to death. I don’t even like thinking about it. That’s why I keep going to work — keep out of the way. They told me to really just take it easy and stay at home. But if you stay, you’ll be worrying to death about it.”

In the latest season, fans were delighted to see Alan back at work after undergoing a gruelling procedure. Opening up to Clarkson about returning to normality, Alan confirmed that the op had been “very painful”, adding, “I don’t want to show you on camera, but it’s a nasty cut.”

Alan shared that he’d been hospitalised because of issues with the arteries in his heart. He explained: “One had collapsed and curled itself up, and the others were about 85-90 per cent blocked. Horrible. I had a bit of a problem with the lungs, I lost 36 per cent of the lungs.”

Coincidentally, Alan and Clarkson had been neighbours at the same hospital, with Clarkson undergoing follow-up heart check-ups at the same time.

The presenter underwent a heart procedure in October 2024, after experiencing a tightness in his chest. Medics revealed he’d been mere days away from a heart attack, in a scare that led to him having a stent fitted.

Opening up about his brush with catastrophe on the first episode of season five, Clarkson blamed his health woes on the pressures involved in launching The Farmer’s Dog. He told Kaleb, “I’m back and not dead. The Grim Reaper will have to wait. It was f***ing close, though.”

Clarkson’s Farm season 5 is on Prime Video

Do you have a story to share? Email me at julia.banim@reachplc.com.

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The ITV daytime programme has been hit with hundreds of Ofcom complaints from fuming viewers.

Good Morning Britain has been hit with hundreds of Ofcom complaints after comments made by Susanna Reid were slammed by viewers.

The programme has received 508 complaints about the show that aired on June 9, the watchdog reported.

In a statement sent to The Daily Mirror, Ofcom confirmed the “complaints related to comments made during a discussion about the Scottish World Cup Bank Holiday”.

Good Morning Britain that day had seen Ed Balls and co-host Susanna discuss the news that Scotland would receive a Bank Holiday for qualifying for the World Cup.

Ed had said on the ITV daytime show: “This morning, in our five o’clock meeting, Susanna said, ‘I can’t believe this, the game’s on the Sunday morning, and they get bank holiday [more than] 24 hours later.’

“I said, ‘What?’ I couldn’t believe it. It never occurred to me that that was going on.”

Responding to viewers’ reactions, Susanna said, “It’s really outrageous. I mean, how long does it take Scots to get over the fact that they’ve played their first match?”

Viewers had been left fuming after hearing, with Susanna later issuing an apology.

One had seethed: “So many anti-Scottish comments from your presenters and guests this morning. Do you realise your show is shown on Scottish television? Unfortunately.”

Another blasted: “Extremely anti-Scottish. Not everyone is getting it, and not everyone wants it. I don’t even like football, but thought your comments were uncalled for!!!”

Yet another seething viewer said, “Not everyone is getting it. Jumping on the anti-Scotland bandwagon, I see.”

ITV also released a statement following the backlash, which read, as per The National Scot: “The editorial team feel discussion of the fact that some football fans would be drinking alcohol while watching the match is something that would be referenced in the discussion of any home nation’s participation in an international tournament.

“No sleight was intended toward Scottish fans in particular – it was more a reflection of football watching culture in the UK.”

It went on: “We’re aware this coverage has been distorted on social media by brief edited clips that do not represent the full four-minute discussion. Having reviewed the full segments, our feeling is that the issue of drinking and football would have been raised in a discussion of any home nation having an extra day off work following a game. We do note, however, that such discussions can play into national stereotypes. This was not the intention, and in no way was the focus of the discussion.”

The publication noted that ITV also said that the Good Morning Britain editorial team had taken on board “concerns about Ofcom’s rules relating to generally accepted standards, due accuracy and due impartiality, but taking into account the light-hearted nature of the news review discussion and the discussion that followed later in the programme, consider that the programme was in line with Ofcom’s standards”.

Susanna later issued an apology, admitting she had left fans “irate” and being accused of “jealousy”.

After welcoming two Scottish broadcasters on the programme earlier this week, who questioned Susanna on her comments, the former BBC Breakfast star said: “My Scottish ancestors would be turning in their graves, I can only apologise.

“Let me say, it’s outrageous that not everyone in Scotland has got today off as a bank holiday.”

Good Morning Britain airs weekdays from 6am on ITV1 and ITVX.

VENEZUELA Fury looked unimpressed when her new husband Noah Price criticised her family for buying them such a “small house”.

The eldest daughter of Tyson Fury, 37, has moved into a static home which her boxer dad bought for her and Noah, 19, after they tied the knot last month.

Since moving into their first home as a married couple, Venezuela, 16, has been sharing videos of their life living there.

In the influencer’s latest TikTok, she posted a clip of her new husband Noah complaining about how small their static house is.

Noah can be heard laughing, as he says: “Why did you (Tyson) get me such a tiny house, oh cause you (Tyson) bought it!”

Venezuela can then be seen looking unimpressed at her husband’s comment about the size of their home that her dad had paid for.

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At 42ft long and 14ft wide, the static home spans 588 square feet – roughly the same size as a large London studio flat.

The Sun revealed how generous Tyson and wife Paris Fury, 36, splashed out on the £46,995 static home as a wedding gift for them.

They also gave them a nice little nest egg of £5M, to get them started out, as well as paying for their lavish wedding.

Meanwhile, the new couple have found their marriage has been lucrative so far for them.

Fans can’t get enough of their TikTok videos, where they share their daily life in their static home.

Venezuela and Noah have become so popular that The Sun recently reported how they are in talks to star in their own fly-on-the-wall show.

A TV insider said: “The couple are not A-list celebrities but everyone has become obsessed with their love story.

“People are genuinely intrigued by them.

“Whether it’s the fact they have married so young, Venezuela’s famous family or their gypsy lifestyle, they have the ‘X factor’.

“Several TV executives think a proper fly-on-the-wall series following their lives as newlyweds in the gypsy community would be fascinating.”

Netflix is likely to win any bidding war for the show, as the streamer already has a working relationship with the Fury family.

Their series, At Home With The Furys, became an instant hit when it dropped in 2023 and filming is already under way on a third series, which is due later this year.

TINA Daheley’s BBC Radio 2 Breakfast Show replacement has been revealed just a day after she announced she’s quitting.

The newsreader has spent nearly eight years on the programme and was dubbed former host Scott Mills’ “work wife”, but now she’s moving on.

Filling her sizeable shoes is journalist Matt Carter, and he can’t wait to get going.

Writing on Instagram, he said: “Thrilled to finally be able to spill the beans and tell you I’ll be joining a stellar cast of @djsaracox, @theelliebrennan and the fantastic prod team as your newsreader on the NEW breakfast show next month! Big (and very stylish) shoes to fill – wish me luck…

“See you on the 6th!”

The news was well received by listeners and station legends.

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Zoe Ball said: “Fantastic news Matthew [heart].”

While OJ Borg posted: “Mate this is wicked! You were wicked when we did breakfast together.”

Tina, 45, told how the role had been “one of the greatest privileges of my life” and admitted it was “humbling” to “deliver the biggest breakfast show in Europe”.

She then made the reveal she is staying in the Radio 2 fold and on Jeremy Vine‘s 12-2pm show over summer.

In an emotional statement, she wrote: “After more than seven years of early alarm calls on Radio 2, I’m stepping away from Radio 2 breakfast.

“It’s been one of the greatest privileges of my life to wake up with you every morning, and humbling to have been trusted to deliver the news on the biggest breakfast show in Europe.”

Tina went on to reminisce about her time with the BBC and said: “My breakfast run ends on Radio 2 but it all started on 1Xtra where I landed my dream job reading the news on Trevor Nelson’s Breakfast Show.

“From there, I spent a decade broadcasting to one in four young people in the UK on Radio 1.

“After 18 years and six back to back breakfast shows (probably a record) in there somewhere, I am looking forward to a lie in”.

Tina, who began her BBC radio career on Trevor Nelson’s show, reads the early-morning news and contributes to lively discussions.

Earlier this year, she went “missing” amid an “awful week” after being struck down by illness.

Scott Mills Scandal in Brief

SCOTT Mills has been sacked from BBC Radio 2 – yet what’s happening?

She was absent at the same time as her former co-host Scott was pulled off-air.

It was revealed earlier this year that fan-favourite host Scott, 53, had been fired from his Radio 2 Breakfast Show over allegations surrounding his “personal conduct“.

Scott was dismissed after new information about a police investigation about alleged sex offences with a boy aged under 16 in 2018 came to light at the BBC.

As well as losing his role on Radio 2, Mills was also sacked from working on the BBC’s Eurovision coverage and from a new podcast spin off from Race Across The World, which he won the celebrity series of in 2024.

It was revealed shortly afterwards that Sara Cox would take over the sought after Breakfast Show slot earlier this year, with insiders saying the talented star was seen as the “heir apparent” for the job.

Corey Feldman was rushed to an L.A. hospital after his plane arrived at Los Angeles International Airport on Monday.

The “Stand by Me” star, 54, started feeling unwell on his flight from Chicago to Los Angeles and was met by medical professionals at his gate. A doctor happened to be on board and checked on the former child star while in the air, but it was unclear what the issue was.

Doctors at a Los Angeles hospital were able to rule out gallstones, and on Tuesday, a representative for the “Goonies” star told The Times that they cracked the case, and Feldman is on the mend.

“Corey is doing much better and is now out of the hospital,” a rep for the actor and singer said. “They determined it was a really bad case of food poisoning (which no one ever wants to have on a plane!). Corey wants to thank everyone for all of the love and well wishes. He has definitely seen a lot of the messages and really appreciates everything.”

As for what soured Feldman’s stomach, his rep said, “Corey is vegetarian so I can definitely confirm it was not shrimp!”

Feldman was in Chicago to participate in a 40th anniversary celebration of the 1986 classic “Stand by Me,” one of the earlier films that put Feldman on the map as a young actor. He appeared at anniversary events alongside co-stars Jerry O’Connell and Wil Wheaton.

Feldman is dropping the single “What Am I Here 4” on Monday and is slated to perform two birthday shows, on July 25 at the Arrow Room in Rancho Cucamonga and on July 26 at the Garden Amp in Garden Grove.

The farmer was visibly upset, breaking into tears, when Jeremy Clarkson announced his cancer diagnosis in the latest episodes of the TV show Clarkson’s Farm

Jeremy Clarkson’s devastating cancer diagnosis left farm manager Kaleb Cooper in tears.

The 66-year-old shared the news in the final episodes of his series Clarkson’s Farm, as he sat down to chat with Kaleb Cooper and Charlie Ireland.

“I’ve got cancer,” Clarkson said during a conversation about the farm’s harvest.

Kaleb replied, “No, you haven’t. Where?”

The former Top Gear host has continued: “Where it is, is of no concern of anybody. I’ve known since May.”

“I had a medical, you remember back in May? I disappeared off the other week and I had a biopsy and it is cancer and it’s aggressive, but it’s really early so the treatment will be, you know…

“I was praying we could get the harvest done and then I could go and get some treatment but it’s going to be slap bang in the middle.”

Kaleb, wiping away tears, then said, “Look after yourself, you go and do… if you need anything just ring.”

Later in the show, Clarkson spoke about how the year had been challenging while talking to Kaleb, his girlfriend Lisa, and his two other employees.

“We started the year and I had coronary heart disease and ended it with me with cancer,” he explained.

“We can dwell as much as we like on all the bad things that have happened on the farm, but I think it’s better now, at the end of the year, to focus on things that have happened that are good.”

Kaleb asked, “When will we know the treatments worked?”

In response to Kaleb’s tears, the Who Wants to be a Millionaire host jests at him to “cheer up”.

“Not for another few weeks. Come on cheer up, it probably did work.”

The emotional episode has now been added to Prime Video.

Ahead of the episodes the TV star warned fans that they may be “a difficult watch”.

He posted on Instagram: “Ordinarily we try to keep the show bucolic and charming and cheerful. But the final two episodes which drop in the middle of the night tonight are none of those things really.”

In the clip, he took a deep breath and added: “They’re a difficult watch. They’re really, really difficult.”

After he announces the news to the farmers, Clarkson is later seen in a hospital bed set to undergo surgery.

However, Clarkson appears to maintain a positive attitude as he says he hopes to be back for a sixth season, before joking that if the treatment isn’t successful ‘take care everyone’.

JOHANNESBURG — Globally celebrated South African jazz icon Abdullah Ibrahim has died at age 91, his family announced in a statement Monday.

Ibrahim, formerly known as Dollar Brand, passed away peacefully in Germany following a short illness, surrounded by loved ones, the statement issued on behalf of his family said.

As one of South Africa’s most respected jazz figures, he famously played at Nelson Mandela’s 1994 presidential inauguration. Mandela referred to Ibrahim as “our Mozart.”

His final public concert in South Africa took place at the Cape Town International Jazz Festival in March, when he once again captivated audiences with the musical skill that defined his career.

Paying tribute to her partner, Dr. Marina Umari said he “passed away peacefully with South Africa and its people in his heart.”

“His love for his country never wavered, no matter where in the world he found himself,” she said.

His family said that even though his life is over, his influence and voice would continue to resonate around the world.

South African President Cyril Ramaphosa paid tribute to the musician, praising his contribution to the anti-apartheid struggle and acknowledging his lasting impact through music.

“Today our nation mourns the passing of an international icon and global citizen whose profound creations honored the South Africa that shaped his political commitment and musical brilliance,” said Ramaphosa.

Born Adolph Johannes Brand in Cape Town on Oct. 9, 1934, Ibrahim rose to international prominence as a pianist, composer and bandleader. With a career spanning more than seven decades, he forged a unique blend of jazz and South African musical traditions, making him a cultural ambassador whose music struck a chord with listeners worldwide.

Ibrahim’s mother Rachel Brand was mixed-race and under the apartheid system he was classified as “colored,” which afforded him certain social privileges that were denied Black South Africans. He was raised by grandparents and was told Rachel was his sister, only learning the truth in adulthood. Influenced by his grandmother and mother playing piano at the AME Church in Kensington, a Cape Town suburb, Irbrahim began piano lessons at age 7 and made his professional debut at 15.

In 1959 and 1960, he played with saxophonists Kippie Moeketsi and Mackay Davashe, trumpeter Hugh Masekela, trombonist Jonas Gwangwa, bassist Johnny Gertze and drummer Makaya Ntshoko in the Jazz Epistles. The group recorded the first full-length jazz LP by Black South African musicians, “Jazz Epistle — Verse 1.” The South African government began targeting jazz groups as part of increasing state repression, and following the Sharpeville massacre in March 1960, the Jazz Epistles broke up.

During this time, Ibrahim met jazz singer Sathima Bea Benjamin and the pair moved to Europe. The following year, in Zurich, Switzerland, Benjamin convinced Duke Ellington to come see Ibrahim perform with the Dollar Brand Trio. Impressed, Ellington helped arrange a recording session with Reprise Records, later released as “Duke Ellington presents The Dollar Brand Trio.”

In 1965, Ibrahim and Benjamin married and moved to New York. He played at the Newport Jazz Festival and toured throughout the U.S. In addition to playing with, and, on occasion, leading the Duke Ellington Orchestra, Ibrahim interacted with such musicians as Don Cherry, Ornette Coleman, John Coltrane and Pharoah Sanders, and was influenced by the Black Power movement, incorporating African elements into his jazz. His compositions also reflected the influence of Ellington and Thelonious Monk.

The musician returned briefly to Cape Town in 1968 and converted to Islam, changing his name from Dollar Brand to Abdullah Ibrahim. As an expatriate, he toured the world for decades, appearing at major venues and working with classical orchestras in Europe. His composition “Mannenberg” became noteworthy as an anthem of South Africa’s anti-apartheid movement.

In 2009, Ibrahim received an honorary doctorate in music from Wits University and the Order of Ikhamanga, a prestigious civilian award, from former President Jacob Zuma in the same year.

Ibrahim was named a Jazz Master by the National Endowment for the Arts in 2019.

Alan Winde, the mayor of the Western Cape, where Ibrahim’s hometown is located, honored the performer and commended him for capturing South Africa’s cultural richness and history in his music.

“South Africa has lost a legend,” Winde said. “Abdullah Ibrahim represented everything that makes South Africa and the Western Cape so remarkable. His music told the story of our unique cultural diversity and past.”

Ibrahim is survived by Umari; his son, Tsakwe, a musician; and his daughter, Tsidi, a rapper who goes by Jean Grae.

According to his family, Ibrahim will be laid to rest in the German state of Bavaria, where he lived.

Gumede writes for the Associated Press.

DUA Lipa has taken her London property empire to four pads by snapping up two more swish homes.

The pop sensation – who recently married actor Callum Turner– has just splashed around £1m on a two-bed flat in London’s Leicester Square area.

And another £1m went on a flat in north London which is next door to a pad with a similar price tag she already owns.

Dua also has a pad in Hampstead worth £7m.

A firm called Chiltern Court Ltd, of which she is a “person of significant control” took out loans from the royal family’s banker Coutts & Co and OneSavings Bank Plc to fund the purchases.

That’s despite the chart topper being worth £150m.

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Dua also owns a stunning £6.5m Victorian property in West Hampstead, which she bought back in 2020.

Prior to that she bought her first home in 2017, located in London, when she was just 22.

It’s been a great few weeks for Dua after tying the knot with Callum during an intimate ceremony at Old Marylebone Town Hall last month.

Dua, 29, stunned in a white hat, dress and gloves hand in hand with newly wedded husband, 35-year-old Callum, wearing a navy suit and tie.

Eight friends and family stood on both sides of the stairs at Marylebone Registry and tossed confetti as the beaming couple headed into a black cab.

A small security team and the family went in a green Land Rover and accompanied the couple who left in taxi.

It was a low-key affair making them legally man and wife ahead of their second wedding – a lavish three-day event in Sicily.

Insiders have said that the ceremony will be a massive, luxurious affair.

“They have rented out multiple huge venues for the multi-event extravaganza,” said a source.

Dua and Callum have been linked together since early 2024 and went Instagram official in May that year.

Then in June 2025 the singer confirmed that they were engaged.

MODEL Rosie Huntington-Whiteley looked incredible as she wore shades with a white cropped jacket and bikini.

The mum of two, 39, who is the long-term partner of movie action star Jason Statham, wore the outfit for Brazilian swimwear brand ViX Paula Hermanny.

She also got on her bike in a tied blue shirt for the photoshoot, as part of  her role as a co-designer and global ambassador.

For another look, she wowed in a strapless cut out red swimsuit as she posed for a snap in front of beach waves.

The model completed the look with the blue oversized shirt and pushed her hair out of her face with a wet look.

Rosie said: “I wanted to design a collection to reflect how women really live and travel — pieces that feel effortless, sensual, and timeless, wherever you are.”

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She added: “This collaboration feels incredibly personal as I’ve worn ViX for years.

“Paula and I share a love for beautiful fabrics, clean lines, and pieces that feel effortless yet considered.”

This is Rosie’s second official collection with the luxury brand.

Earlier this month Rosie wowed in a pink matching gym set as she worked up a sweat.

She also rocked a pair of weight-lifting gloves and some sunglasses for the mirror selfie.

The star scraped her hair back off her face and completed the look with some gold earrings.

Rosie started dating Jason, who has starred in the likes of Transporter, The Mechanic and Fast & Furious, started dating in 2009.

The pair met while at a party in London.

The two took their relationship to the next level and got engaged in 2016.

And they share two children Jack, eight, and Isabella, four.

Grammy-nominated rapper Mystikal has been sentenced to 20 years in prison for third-degree rape.

The “Danger” rapper was arrested in the summer of 2022 and booked into the Ascension Parish Jail in Louisiana and charged with first-degree rape, simple robbery, domestic abuse battery–strangulation, false imprisonment and simple criminal damage to property after the victim identified the rapper as the suspect from the hospital where she was being treated for injuries.

According to Baton Rouge-based ABC affiliate WBRZ, the victim told a Louisiana courtroom on Tuesday that Mystikal, real name Michael Tyler, punched and choked her, pulled braids out of her hair and forcibly raped her during the 2022 incident. The victim requested the maximum sentence for the rapper.

“If I did that to you, I deserve the max sentence,” Tyler told the courtroom before he was sentenced to 20 years for third-degree rape, which carries a maximum sentence of 25 years with no chance for early release or probation.

In March, Tyler entered a guilty plea, which knocked his first-degree rape charge down to third-degree. In Louisiana, first-degree rape carries a maximum sentence of life imprisonment. According to WBRZ, the rapper’s attorney filed a motion to withdraw the guilty plea days before Tyler was sentenced, but the motion was tossed.

The New Orleans-born artist was convicted more than two decades ago of sexual battery after pleading guilty to charges in 2003. He served six years in prison and was released in 2010.

The rapper was previously indicted in 2017 on rape and kidnapping charges stemming from allegations in 2016. He spent 18 months in jail before being released in 2019 on a $3-million bond, the Associated Press reported. The Caddo Parish district attorney in Louisiana ultimately dropped those charges in 2020 after a second grand jury declined to bring an indictment.

With his raspy vocal intensity and scream-like musical delivery, Mystikal shot to the top of the charts with Master P’s No Limit Records in the late 1990s. In 2004, the embattled rapper’s original label, Jive Records, released two compilations of his music, “Prince of the South … The Hits” and “Chopped & Screwed.”

Former Times staff writer Nardine Saad contributed to this report.

Sean “Diddy” Combs is expected to be released from federal prison earlier than expected in 2028.

The disgraced music and alcohol mogul, 56, is now set to be released from FCI Fort Dix, a low-security federal prison in New Jersey, on Feb. 23, 2028, according to the Federal Bureau of Prisons inmate database. Combs was sentenced in October 2025 to 50 months in prison after he was convicted of transporting prostitutes across state lines for drug-fueled sex performances known as “freak-offs.”

The updated release date shaves off even more prison time for Combs, who was initially projected to be freed in June 2028. Earlier this year, the producer’s release date was moved up to April 2028.

A legal representative for Combs did not immediately respond to a request for comment Tuesday. People reported that Combs is participating in a drug-abuse rehabilitation program in the federal prison. The outlet also reported that the musician’s legal team preferred Combs carry out his sentence at FCI Fort Dix because of its treatment program and proximity to his family.

Combs was sentenced last year after a lengthy and highly public legal saga involving damning allegations of sexual assault and other violence. Singer Casandra “Cassie” Ventura and producer Rodney “Lil Rod” Jones were among the accusers who lodged civil complaints against Combs. Though he was found guilty in July on two counts of a prostitution-related charge, jurors cleared Combs on racketeering and sex trafficking.

“Mr. Combs has been given his life by this jury,” defense attorney Marc Agnifilo said at the time.

Earlier this month, the Los Angeles County district attorney’s office said it was investigating two sexual assault cases against the Bad Boy Records founder. A Florida music producer alleged last year that Combs sexually assaulted him in 2020 and 2021. When the claims first surfaced in 2025, Combs’ civil attorney dismissed them.

“Let me make it absolutely clear, Mr. Combs categorically denies as false and defamatory all claims that he sexually abused anyone,” attorney Jonathan Davis said at the time. “He looks forward to vindicating himself in court, where such matters are decided — and not in the media — based on admissible, material evidence, not rank speculation and unsubstantiated allegations.”

Times staff writers James Queally and Richard Winton contributed to this report.

A new BBC crime and detective drama, created by Jim Cartwright, is the perfect watch for Beyond Paradise fans

Beyond Paradise fans looking for their next fix need look no further as a new BBC detective drama is on its way.

The Hairdresser Mysteries, created by Jim Cartwright, sees a star-studded cast with Bridget Jones’s Diary legend Sally Phillips, Coronation Street favourite Charlotte Jordan, Game of Thrones star Charlotte Hope, Adrian Hood and Doctors star Elisabeth Dermot Walsh.

A synopsis for the upcoming six-part show teases: “The Hairdresser Mysteries is an original, homegrown drama and a nostalgic nod to the 70’s which sees a high-end hairdresser, Lily Petal (Sally Phillips), opt out of the competitive city scene to buy a small village hairdressers at the top of a cobbled street.

“Everyone tells their hairdresser everything and soon she becomes the hub of her new village’s secrets and revelations.

“Using her own brand of uncannily developed hairdressing intuitive, empathy and understanding, Lily begins to solve the mysteries of the village.”

At the time of the show’s announcement, Will Trotter and Oliver Kent, Executive Producers for Mill Bay Media said: “We are thrilled to be making The Hairdresser Mysteries and working with renowned writer, Jim Cartwright, who has created a joyful world packed with colourful characters.

“None more so than hairdresser, Lily Petal, and we are delighted to have much-loved actor, Sally Phillips bring her to life.”

Meanwhile, Herbert L. Kloiber, CEO Night Train Media and Eccho Rights said: “We are delighted to bring The Hairdresser Mysteries to the international stage. The unique world that Jim Cartwright has created – modern but joyfully retro – and Sally Philips’ irresistible charm, create a fun drama that is both clever and comforting.

“It is exactly the kind of premium yet accessible series that we are looking to develop, offering buyers a fresh spin on the cosy crime genre that they have been crying out for.”

It comes as Charlotte Jordan, who left Coronation Street in 2025 after five years of playing Daisy Midgeley, is said to have quit her Radio 4 The Archers role for The Hairdresser Mysteries, where she plays Clary Coombs.

After leaving Corrie, Charlotte joined the radio show as Amber Gordon that June but after landing the new BBC role, she had to leave The Archers. Olivia Bernstone has taken over the role of Amber in The Archers as a result of Charlotte leaving.

A spokesperson for the show told Metro at the time: “After a brilliant performance as Amber, Charlotte Jordan is taking time to pursue other projects and so we are delighted to be welcoming Olivia Bernstone to the cast, who will play the role of Amber going forward.”

The Hairdresser Mysteries comes to BBC One and BBC iPlayer soon.