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Amazon’s Prime Day sale is underway, and members can subscribe to platforms such as Apple TV, Paramount+ and MGM+ with up to 60% off.

Amazon has slashed the price of Apple TV, Paramount+ and MGM+ by up to 60% to mark the start of its latest Prime Day sale. On Tuesday (June 23), the retail giant kicked off its latest site-wide sales event, where subscriptions for several major streaming platforms now start at £2.99.

During the sale, Amazon customers can bag an Apple TV subscription for half price at £4.99 (was £9.99) per month. Those securing the deal will lock in the lower price for two months, after which it reverts to the usual £9.99 until cancelled.

Similarly, MGM+ – the home of Project Hail Mary – is now £2.99 (was £5.99) for two months, while Paramount+ is £2.99 (was £7.99) for one month. The deals are running until July 2 and come as Amazon kicks off its Prime Day 2026 sale.

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Across June 23-26, there are discounts on thousands of items exclusively for Prime members or shoppers on a Prime 30-day free trial. Elsewhere in the sale, Prime Video is offering free trials of Lionsgate+, Studiocanal Presents and Crunchyroll.

A caveat is that both the reduced streaming subscriptions and free trials will roll on to standard paid subscriptions at the end of the promotional period. This means subscribers should make sure to cancel their subscription before the end of the discounted or free period if they want to avoid paying the standard rate.

Get Apple TV half price for two months

£9.99

£4.99

Amazon | Apple TV

Get Apple TV+ here

Amazon customers can subscribe to Apple TV through Prime Video for £4.99 per month for two months until July 2.

Elsewhere, Sky is giving away streaming subscriptions at no extra cost with its TV packages, with customers signing up for the £24 Ultimate TV bundle able to claim free access to Netflix, HBO Max and Disney+. It also comes with around 135 channels, including Sky Atlantic

For those opting for Apple TV, the streamer has released some highly acclaimed titles already this year. Including comedy horror Widow’s Bay, which holds an impressive 98% Rotten Tomatoes score.

Just launched is the sophomore season of Sugar. The neo-noir detective series led by Colin Farrell as private investigator John Sugar.

Also available to stream are beloved series like Ted Lasso, Severance and Slow Horses. Alternatively, Apple TV offers a seven-day free trial when signing up directly on the platform.

MGM+ also has some hit new titles streaming now, such as Ryan Gosling’s space epic Project Hail Mary. The box-office smash only hit cinemas in March but is included at no extra cost with the Amazon deal, alongside series like Outlander and the James Bond film catalogue.

On Paramount+, members can catch the latest series of Michael Fassbender’s spy thriller The Agency and new episodes of Yellowstone spin-off Dutton Ranch. These are also available on the Paramount+ platform, which is running its own £2.99 deal.

WASHINGTON — More than $350 million from President Trump’s “big, beautiful bill” has been quietly directed to White House security, an allotment that Democrats warn appears to be helping fund his new ballroom project — despite the president’s insistence that no taxpayer dollars would be used.

The apportionment of funds, which the White House’s Office of Management and Budget made late Friday, comes from two accounts that were intended to provide the U.S. Secret Service with extra money for hiring and training in the aftermath of last year’s assassination attempts on the president, according to Democrats on the Senate Budget Committee. The shift was made days after Congress rejected a $1-billion request for the White House in a Homeland Security bill that Trump signed into law and as the ballroom project is tangled in legal challenges.

Senate Judiciary Committee chairman Chuck Grassley, whose panel initially drafted the security funding, said Thursday he was unaware of the allocations.

“The president said that it was all going to be paid for with private money,” said Grassley (R-Iowa). “And that’s what the country expects.”

Sen. Jeff Merkley of Oregon, the top Democrat on the Senate Budget Committee, charged that Trump’s actions are potentially illegal.

“After repeatedly telling the American people that zero taxpayer dollars would be spent on his gold-plated ballroom boondoggle, now Trump appears to be using a smoke and mirrors tactic,” Merkley said in a statement.

“Trump has proven that he can’t be trusted to follow the law,” Merkley said. “He only cares about wasting taxpayer money on his vanity projects.”

Ballroom project hits setbacks

Trump has faced setbacks in his attempts to build the ballroom on the White House grounds, where he ordered the demolition of the storied East Wing to make way for it.

Touring the construction site last month, Trump called the development a “gift” to the American people. He has repeatedly said that it is being paid for by donations — which has also run into ethics questions from watchdogs concerned about potential corruption and conflicts of interest.

Congress refused the Trump administration’s request for $1 billion for the ballroom last month. The administration wanted the money as part of a Homeland Security bill, but Republican and Democratic lawmakers rejected efforts to tack it on. It became politically toxic at a time when Americans are reeling from inflationary high costs of living.

The Washington Post reported earlier this week that the price tag for the project has ballooned to $600 million, according to a project summary prepared by the contractor, with more than half of that funding coming from taxpayers. Roll Call first reported on the apportionment of new funds for White House security.

At its core, arguments are swirling over how much of the White House project is to bolster security underground, with bomb shelters and a medical facility, and how much of the costs are related to the president’s promised 999-seat ballroom on top.

White House says Trump and donors are paying for the ballroom

A spokesman for the White House said that Trump and donors are funding some $400 million for the ballroom development, and that the coordination with the Secret Service had been noted in the initial announcement of the project.

“The East Wing Modernization Project is inextricably tied to the security of the President, the White House grounds and the certain security infrastructure assets,” said White House spokesman Davis R. Ingle in a statement.

He said the events over the past weekend, including an alleged attack plan targeting the UFC Freedom 250 event at the White House, proves why the project is needed.

“President Trump and generous American patriots are funding the ballroom to the tune of approximately $400 million, which will be a secure and appropriate venue for Presidents for generations to come,” he said.

Government lawyers have argued that the project includes critical security features to guard against a range of threats, such as drones and missiles.

The White House has said in court documents that the East Wing project would be “heavily fortified,” including bomb shelters, military installations and a medical facility underneath the ballroom. The Secret Service told senators last month that $220 million of the White House’s $1-billion request would go to harden the ballroom addition, with bulletproof glass, drone detection technologies, chemical and other systems.

The rest of the money would go for other security improvements, according to a document provided to Senate Republicans, including $180 million for a new, “long overdue” White House visitors screening facility.

Congress holds power of the purse

The shifting funds are certain to ignite growing concerns in Congress over the separation of powers, and the president’s use of federal funds allocated by lawmakers.

The money comes from Trump’s big tax breaks and spending cuts bill that the president signed into law last summer. It provided more than $1 billion for Secret Service resources, including “personnel, training facilities, programming, and technology; and performance, retention, and signing bonuses.”

The provision was uncontested at the time, even as Democrats voted against the broader bill. Democrats said they did not challenge this section or try to strip it out from the package.

Under the Constitution, only Congress has the specific authority to allocate funds across the federal government, including the executive and judicial branch operations.

While the president holds the power to sign — or veto — those appropriation bills, once the funding becomes law, it largely must stand.

Mascaro writes for the Associated Press.

June 19 (UPI) — Korea Hydro & Nuclear Power, or KHNP, said Thursday that its CEO Kim Hoe-chun has traveled to the Czech Republic to review progress on the construction of two nuclear reactors in the European country.

The state-backed utility noted that Kim took part in a meeting of the Dukovany Steering Committee in Prague alongside South Korea’s Minister of Trade, Industry and Resources Kim Jung-kwan and Czech Deputy Prime Minister Karel Havlicek.

Kim’s visit is timed with the first anniversary of the signing of an $18 billion contract to build two 1,000-megawatt reactors in Dukovany, located around 120 miles southeast of the Czech capital.

Groundbreaking is targeted for 2029, with commercial completion expected by 2037. The South Korean consortium includes such industrial partners as Daewoo E&C and Doosan Enerbility.

The two sides also discussed ways to strengthen bilateral nuclear cooperation, while companies from the two countries signed an engineering support agreement related to the project, according to KHNP.

Kim also toured the manufacturing facilities of Doosan Skoda Power in Plzen, situated roughly 55 miles west of Prague. The Czech turbine manufacturer owned by the Doosan Group is expected to play a key role in the Dukovany program.

“The Dukovany project is a monumental endeavor that symbolizes the strategic partnership between South Korea and the Czech Republic,” Kim said in a statement.

“We will work closely with the Czech government, the project owner, local communities, and Czech companies to make this project a model for the safest and most successful nuclear power plant construction in the world,” he added.

The Franco-German KNDS company has presented a new main battle tank, which it is offering to France as an interim replacement for its Leclerc fleet. The development comes as France recognizes that it will need a Leclerc successor before the next-generation Main Ground Combat System (MGCS) becomes available. This joint French and German program is complicated and already delayed, while Europe at large is increasingly alert to the need for capable tanks and other armored vehicles as the threat from Russia grows, and trust around U.S. military backing diminishes.

The proposed CAPINT tank was unveiled at the Eurosatory defense show on the outskirts of Paris this week.

Europe currently has four major lines of development effort for future main battle tanks (excluding the United Kingdom), ranging from multinational programs to national developments. The landscape has become much more fragmented over the past two years, as nations have increasingly understood the urgency of fielding new-generation armored vehicles.

Arguably the most ambitious of these programs is the now-delayed Franco-German MGCS, which began in 2017 and is now expected to arrive in service some time in the mid-2040s. With the MGCS delayed by roughly a decade, both France and Germany have a looming capability gap. In the case of France, its Leclerc tanks are due to be taken out of service by 2038.

As well as the main battle tank that is supposed to be its centerpiece, the MGCS program, as a ‘system of systems,’ is expected to field other crewed and uncrewed vehicles. These will likely be tasked with electronic warfare, air defense, or as platforms from which to launch drones or loitering munitions or fire directed-energy weapons.

Alongside this effort, around a dozen European nations (excluding France) are currently working on research and development under the MARTE (Main ARmored Tank of Europe) program, which is looking at tank requirements for the post-2040 period.

Against this complicated backdrop, France and Germany have both come to the realization that they will need new tanks before the MGCS arrives in service.

As a result, Germany is now working on the Leopard 3, also known as the Leopard 2AX, expected to provide a service-ready fighting vehicle around the early 2030s.

Back in April of this year, French Armed Forces Minister Catherine ​Vautrin told parliament that Paris had decided to launch an “intermediate” tank program to mitigate delays affecting MGCS.

To meet the French requirement for a stopgap tank, KNDS is now proposing its CAPINT (CAPacité INTérmédiaire, or Interim Capability).

This will combine a French turret and main gun on the hull of a German Leopard 2, a tank that is already in production for a variety of customers. Should this solution be chosen, a new Leopard 2 would likely be set up in France to manage the demand.

Interestingly, another new tank on show in Paris this week, the New Main Battle Tank (NMBT) concept demonstrator, from the Leonardo Rheinmetall Military Vehicles (LRMV) joint venture, also uses a Leopard 2 hull as its starting point, although that may change in the future. Derived from the Rheinmetall Panther KF51, the new tank is being offered to the Italian Army, which is also looking for a successor to its current Ariete main battle tank.

Returning to the CAPINT tank, the turret will be uncrewed and armed with the 120mm ASCALON smoothbore gun from KNDS France. The plan is to have the turret able to accommodate a 140mm cannon in the future. The 120mm ASCALON has already undergone firing trials using an uncrewed turret on a moving vehicle. Meanwhile, the 140mm version of the ASCALON is planned for the MGCS.

#ASCALON

Unlike larger-caliber guns that have been proposed for future tank programs in the past, the 120 mm ASCALON offers the advantage of being fully compatible with all NATO-standard 120 mm ammunition. This means operators can maintain and leverage their existing ammo stockpiles.

The three crew of the CAPINT will be carried in an “armored citadel” at the front of the vehicle, which will be defended by passive composite armor as well as reactive and active protection systems.

The active protection system will be developed by KNDS and will be distributed around the turret and hull, so its defensive effectors provide more complete coverage.

In the meantime, it is interesting to note that a Leclerc outfitted with an anti-drone “cope cage” on top of its turret is part of the dynamic demonstration of military equipment at Eurosatory this week.

KNDS says it will complete a CAPINT demonstrator tank as early as 2030 and, should France choose to go with it, it could deliver the first series-production examples in 2035, leading to frontline deployment in 2037.

There is also a plan to incorporate into the CAPINT some of the advanced systems that are intended for the MGCS.

These elements are likely to include fully integrated AI, the aforementioned passive/reactive/active protection systems, counter-drone warfare, and beyond-line-of-sight engagement capability.

Another feature of the MGCS program that would likely be brought forward for the CAPINT tank is accompanying uncrewed ground vehicles (UGVs). According to MGCS, one or two types of “robotic wingmen” are planned for the interim tank. These UGVs will be able to keep up with the tank, but will be small enough to be affordable. Their cost will also be governed by offering different levels of passive protection.

The renewed focus on tank programs reflects a broader resurgence of armored warfare across Europe, driven largely by lessons from Russia’s full-scale invasion of Ukraine. While that conflict has highlighted the vulnerability of tanks to drones, loitering munitions, and precision anti-tank weapons, it has also underscored that heavily protected, mobile firepower remains indispensable for combined-arms operations. As a result, European militaries that once downsized or delayed armored modernization are now investing heavily in new main battle tanks and upgrades.

While the need for interim tanks in both France and Germany is becoming increasingly urgent, the current push for the CAPINT and for the German Leopard 3/Leopard 2AX does risk putting the MGCS program under threat.

“We are already working to create what will be the combat of tomorrow,” KNDS CEO Jean-Paul Alary said during a press conference at Eurosatory yesterday. “Maybe the combat of tomorrow, the ambition of MGCS, will come a little bit earlier than the project itself.”

Meanwhile, according to Reuters, a German government spokesperson raised doubts about the future of MGCS, saying that the project would be focused on “platform-independent” technologies, adding that it was not clear whether a joint tank would still be built.

Depending on how capable these stopgap tanks prove to be, the decision of France and/or Germany to walk away from the more complex MGCS program could become easier. Much will likely also depend on the path that the MARTE program takes, with the possibility that MGCS requirements could be superseded. Meanwhile, recent experience with the Franco-German-led pan-European Future Combat Air System (FCAS) has highlighted just how difficult it can be to keep programs like these on track, regardless of how badly they may be needed.

Contact the author: thomas@thewarzone.com

Israeli journalist Gideon Levy says the US-Iran announcement represents a personal defeat for Prime Minister Benjamin Netanyahu and his ambitions against Iran and Lebanon. His relationship with US President Donald Trump could also be at risk if Israel jeopardises the deal.

TORONTO — A new Canadian-built bridge across the Detroit River that U.S. President Donald Trump threatened to block will open soon, Canadian Prime Minister Mark Carney said Tuesday.

A ribbon-cutting ceremony for the Gordie Howe International Bridge, jointly owned by Canada and the U.S. state of Michigan, is set to take place on Friday, while the bridge itself is expected to open to traffic later this month.

In February, Trump demanded that Canada turn over at least half the ownership of the bridge to the U.S. federal government and agree to other unspecified demands in one of his many salvos over cross-border trade issues.

The bridge, which would connect Windsor, Ontario, and Detroit, and would be a vital economic artery between Canada and the United States, had been expected to open early this year, according to information on the project’s website.

The bridge is named after Howe, the late Canadian hockey great who spent 25 seasons with the Detroit Red Wings.

The project was negotiated by former Michigan Gov. Rick Snyder — a Republican — and paid for by the Canadian government to help ease congestion over the existing Ambassador Bridge and Detroit-Windsor tunnel. Work has been underway since 2018.

“Obviously the bridge will be open at the end of the week. A symbol of, but also a fact of cooperation between our countries,” Carney told reporters as he walked into Parliament.

“Great for Canadians going across the border, Americans coming across the border, and for commerce,” he said, calling it “positive news.”

Trump threatened the bridge as the United States-Mexico-Canada trade agreement is up for review this year, and Trump has been taking a hard-line position before those talks, including by issuing new tariff threats.

Carney, meanwhile, has spoken out on the world stage against economic coercion by the United States.

Sen. Elissa Slotkin, a Michigan Democrat, has said that the Canadian-funded project is a “huge boon” to her state and its economic future.

Michigan is a swing state that Trump carried in both 2016 and 2024.

Snyder wrote in an op-ed in The Detroit News earlier this year that Trump was wrong in asserting that Canada owns both the U.S. and Canadian sides of the Gordie Howe bridge.

“Canada and the state of Michigan are 50/50 owners of the new bridge,” Snyder wrote. “Canada was wonderful and financed the entire bridge. They will get repaid with interest from the tolls. Michigan and the United States got their half-ownership with no investment.”

The Gordie Howe bridge will join the privately owned Ambassador Bridge as the second span connecting Detroit and Windsor, Ontario.

The rival Ambassador Bridge is considered the busiest U.S.-Canadian border crossing, carrying 25% of all trade between the two countries. It plays an especially important role in auto manufacturing.

Companies controlled by the Moroun family, owners of the rival Ambassador Bridge, previously sued to prevent the Howe bridge from being built.

Gillies writes for the Associated Press.

WASHINGTON — A relentless push by President Trump to reshape Washington‘s cityscape is facing mounting resistance, threatening a slate of transformative monuments intended to cement his legacy in the nation’s capital.

Eager to see his projects completed before leaving office, Trump has responded to growing legal and political obstacles by pushing ahead, attempting to force approvals through faster than opponents can challenge them. But the scramble to fast-track construction has inflated their costs for taxpayers, imperiling his plans and amplifying his political risks as the midterm elections approach.

Urban design has become a preoccupation for Trump since the start of his second term. Cranes dot the skyline of the city, and construction fences block access to many of its most cherished parks and venues less than a month before the nation celebrates 250 years since its founding on July 4.

Cranes from the White House East Wing ballroom construction project rise from behind the U.S. Treasury Department building on Thursday in Washington, D.C.

(Kevin Carter/Getty Images)

Government lawyers are defending the president’s use of the wrecking ball, arguing in court that he has unfettered power to build and destroy. Should he ever choose to tear down the Statue of Liberty, the Justice Department told a judge Friday, no one could stop him.

Yet a recent series of legal setbacks, as well as increasing Republican opposition on Capitol Hill, have cast doubt on the fate of his most lavish designs, including the construction of an imposing ballroom at the White House and the erection of a massive triumphal arch on the sightline of the National Mall.

It’s become a race against time for the president, who could soon confront a Democratic-controlled Congress armed with renewed oversight authority and subpoena power, further gumming the works of elaborate construction projects, which could stymie their completion before he leaves office.

“This is very much on the committee’s radar,” said one Democratic source with the House Oversight Committee, citing “serious concerns surrounding corruption.”

Visitors at the Mall gather in front of the Lincoln Memorial and near the Reflecting Pool, which is under renovation on Friday in Washington, D.C. President Trump dismissed criticism of the recent Lincoln Memorial Reflecting Pool renovations, rejecting claims the project amounted to merely a “paint job.”

(Roberto Schmidt / Getty Images)

Trump as ‘builder-in-chief’

Several of Trump’s more modest initiatives, referred to by the administration as beautification projects, are complete or well underway.

At the White House, a historic rose garden conceived by Jacqueline Kennedy was paved over, and its adjoining colonnade refurbished with black granite and gilded presidential portraits. The Palm Room foyer was decked in marble and chandeliers. New flagpoles fly supersized American flags on the North and South lawns.

The en suite bath of the Lincoln Bedroom in the residence has been gutted and renovated. And the Oval Office now practically drips in gold, while an adjoining study, once used by Franklin Roosevelt to scrutinize war maps and Lyndon Johnson to monitor the space race, was converted into the president’s personal swag shop.

A temporary Ultimate Fighting Championship arena constructed on the White House South Lawn is another example of how Trump is leaving a visual mark on the presidential residence. The structure, which towers over the White House, was paid for by the UFC, which is scheduled to host a series of fights on the premises.

Outside the White House complex, fountains across the city are coming back to life after decades of neglect, from DuPont Circle to Freedom Plaza and Union Station. The idyllic Logan Circle, surrounded by historic mansions, is being revitalized by the National Park Service, as is Lafayette Square, the site of an infamous clash between Trump and protesters shortly after George Floyd’s murder in 2020.

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1. National Park Service Conservator for the National Mall and Memorial Parks Ali Cavicchio puts a clear coat over the recently repainted “I Have a Dream” marker at the Lincoln Memorial on June 05, 2026 in Washington, DC. The marker’s letters are carved into stairs of the Lincoln Memorial where Dr. Martin Luther King Jr. stood and delivered his “I Have A Dream” speech in 1963. (Chip Somodevilla / Getty Images) 2. Members of the West Branch Area School District in Morrisdale, Pennsylvania, student marching band perform at the Lincoln Memorial on the National Mall on June 05, 2026 in Washington, DC. (Chip Somodevilla / Getty Images)

In some parks, even the turf is getting a makeover.

“People are all thanking me because Washington is beautiful again,” Trump told reporters last week. “The parks are open, we changed the grass. You know, grass has a life, also. Like people, grass has a life, and that grass hasn’t changed in 70 or 80 years.”

On Friday morning, several people sat by the restored cascading fountain at Meridian Hill Park. They walked their dogs, read books and exercised by the water.

Jean Luc, 33, was one of them. As he took a stroll with his 2-month-old daughter, Juno, he said it had been nice to see the government fix up the park, which he says he tries to enjoy with his daughter daily.

“It’s been nice to see the whole process,” he said. “I love it.”

President Trump displays a chart titled “Our Pool is Bigger than Skyscrapers” while discussing his renovations to the Lincoln Memorial Reflecting Pool on Wednesday in the Oval Office.

(Kevin Dietsch / Getty Images)

The Lincoln Memorial Reflecting Pool has been painted over in “American Flag Blue” by a firm that Trump said had worked on the swimming pool at his golf club in Virginia. Millions will be spent to regild the hulking Art Deco statues that buttress Arlington Memorial Bridge. And Trump has plans to connect the Lincoln Memorial to the Potomac River by building a promenade, one of many projects he has said may be named after himself.

Federal contracting data show that the Virginia firm Terra Site Constructors has been awarded roughly $60 million in contracts from the National Park Service to complete work on the various fountain rehabilitation projects across the city.

Another Virginia firm, Atlantic Industrial Coatings, holds a contract for $14.2 million to paint the reflecting pool.

The funding for both contracts comes from the entrance fees paid by national park visitors.

“How fortunate are we to have the builder in chief?” Interior Secretary Doug Burgum said Thursday in the Oval Office. “Someone who both has the vision and the understanding of how to get projects done that would make our city safe and beautiful.”

Construction continues on the White House East Wing ballroom on May 29, 2026.

(Kevin Carter / Getty Images)

‘The finest ballroom anywhere in the world’

Yet other, more controversial projects, exacting irreversible change to capital institutions, are facing greater opposition.

On Thursday, the Kennedy Center for the Performing Arts directed its staff to begin removing Trump’s name from its facade after a judge ruled that the attempted name change, and his effort to close the venue for two years of dramatic renovations, were illegal.

Angered by the court’s decision, Trump directed the Commerce Department to make arrangements to transfer control of the Kennedy Center to Congress. The move would give lawmakers power over the center’s operations, maintenance and management. It was originally an act of Congress that gave the Kennedy Center its name and mandate.

In other areas of the city, preservationists have successfully delayed the president’s bid to paint over the natural gray granite of the Eisenhower Executive Office Building. And Republican lawmakers have refused to vote to fund the construction of a ballroom at the White House that has already laid waste to the East Wing and, if completed, would dwarf the landmark residence.

Construction crews began tearing down the East Wing in October to make way for the 90,000-square-foot facility. Trump, who built a career as a real estate developer, has frequently touted the project, gushing over the sounds of jackhammers and excavation trucks.

Construction continues on the White House South Lawn on June 1, 2026, for an upcoming UFC match. President Trump is hosting a UFC match on the White House grounds to mark the nation’s 250th birthday.

(Kevin Carter / Getty Images)

“Oh, that’s music to my ears. I love that sound,” Trump told Republican senators at a White House event last fall. “A lot of people don’t like it. When I hear that sound, it reminds me of money.”

The ballroom project was initially expected to cost $200 million, a price that has since doubled. It is being financed by private donors and Trump, who has called it a “gift to the United States.”

“We are building what will be the finest ballroom anywhere in the world,” the president said last month.

More than half of the publicly identified donors of the ballroom projects — 14 of the 27 known corporate contributors — have won new or bigger federal contracts worth more than $50 billion in the six months since construction began, according to a report released by Public Citizen, a watchdog group.

“These giant corporations aren’t funding the Trump ballroom fiasco out of the goodness of their hearts,” said Jon Golinger, a public policy advocate at Public Citizen and author of the report. “They have massive interests before the federal government and they hope to curry favor with, and receive favorable treatment, from the Trump administration.”

White House military aides stand next to the giant mirror that hangs along the Rose Garden Colonnade at the White House on May 21, 2026.

(Chip Somodevilla / Getty Images)

The White House has challenged the report’s assertions, saying critics of how the project is being funded are “only people who suffer from a severe and incurable disease known as Trump Derangement Syndrome.”

“President Trump is making the White House beautiful and giving it the glory it deserves at no cost to taxpayers — something everyone should celebrate,” White House spokesman Davis Ingle said in a statement.

The report came out as the ballroom project has faced persistent hurdles in court and Congress.

The National Trust for Historic Preservation sued to stop construction, arguing the administration had not followed the legally required review process and had not secured congressional approval. In March, a federal judge halted aboveground construction, but an appeals court quickly allowed work to resume through June while the case proceeds.

On Friday, the panel heard the case and expressed skepticism about Trump’s push to build the ballroom without congressional approval.

On Capitol Hill, Senate Republicans dropped a proposal to set aside $1 billion in security funding for the ballroom after several GOP senators said it lacked the votes to pass.

Trump has insisted the funding is not necessary to complete the project, though he said it would help secure the complex. Without it, he told reporters last month, “the White House won’t be a very secure place.”

(Los Angeles Times photo illustration; Photo by Kevin Dietsch / Getty Images)

Arc de Trump

The president is also seeking to build a 250-foot-tall “triumphal arch” near Arlington National Cemetery, across the Potomac River at the foot of Memorial Bridge.

Renderings show the arch would be twice the height of the Lincoln Memorial, crowned by a golden statue of Lady Liberty sporting outstretched wings. An observation deck on its roof would offer sweeping views of the city.

Preservationists have criticized the plan as disrupting a sacred sightline between the memorials to Abraham Lincoln and Robert E. Lee, designed as a statement of unity after the Civil War. Even advocates of adding an arch in Washington have criticized the size of Trump’s proposed structure as overbearing. And a group of Vietnam War veterans has sued to try to stop its construction, arguing the project lacks congressional approval and would “dishonor their military and foreign service” because it would block the view of the cemetery.

Commission of Fine Arts member Pamela Hughes Patenaude, left, hands colleague Matthew Taylor a model of President Trump’s proposed triumphal arch to commemorate the country’s 250th anniversary during the commission’s public meeting at the National Building Museum in Washington on April 16, 2026.

(Andrew Harnik / Getty Images)

Despite public opposition, the National Capital Planning Commission last week advanced the project in its review process.

Trump praised the planning commission’s support, saying that “when completed, it will be, without question, the Greatest Arch of them all!”

The president has yet more plans to leave his mark — in some cases with his name, in others with his face.

Transportation Secretary Sean Duffy has proposed a $22-billion overhaul of Dulles International Airport outside the capital that would include a new terminal brandishing Trump’s name. Limited-edition U.S. passports will feature his portrait. And the Treasury has plans to mint a $250 bill featuring Trump’s mugshot from his 2023 Fulton County arrest, pending congressional approval — an unlikely prospect.

A walkway with the numbers “45” and “47” leading to construction on the new ballroom extension of the White House in Washington, D.C., on May 19. President Trump said a military hospital and research facilities will be built on the site of his planned White House ballroom, offering more details about the scope of the sprawling, controversial project.

(Samuel Corum/Bloomberg via Getty Images)

In a moment that went viral on social media, Sen. Jon Ossoff (D-Ga.), who is generating buzz over a potential run for the Democratic presidential nomination in 2028, offered a theory on what’s driving the president.

“He’s trying to put his face on the money. He’s building a monument to himself,” Ossoff told a crowd of supporters.

“But see, Atlanta, he’s doing these things now because no one will honor him when he’s gone,” he added, “because he’s a failed president and a national disgrace.”

Wilner reported from Los Angeles and Ceballos from Washington. Times staff writer Ben Wieder contributed to this report.

Nonfiction films and series are among some of the most-watched (and most-discussed) programming on TV. As Emmy season heats up, the directors of six notable contenders share thoughts about their projects.

‘The Yogurt Shop Murders’ (HBO)

“It’s just a famous, famous story in Texas, but particularly Austin,” director Margaret Brown says of the bewilderingly complex case of four teenage girls slain at a yogurt shop in the state’s capital in 1991. “You heard about it all the time at parties. My best friend was like, ‘That story is rabbit hole upon rabbit hole upon rabbit hole — no one knows what really happened. It’s impossible to figure out.’ I liked the idea of something that was impossible to figure out. But when I started doing the interviews, I was like, ‘This is dark, this is deep trauma.’ I’d never watched or done true crime before. I didn’t realize what it would be like to sit with people who hadn’t known what happened to their siblings and children for over 30 years. I remember [thinking], ‘I’ve got to get this right. I can’t mess this up. There’s just too much pain here.’”

‘The American Revolution’ (PBS)

“Leading up to it, I said I just don’t want us drowning in fife-and-drum treacle,” director Ken Burns says of his expansive treatment of America’s origin story, which draws out the experiences of Native Americans and enslaved people as well as the era’s atmosphere of civic discord. “Clearly it’s not, because we’re so existentially challenged by the moment. But the revolution gives us a sense of perspective. Times were more challenging then. More division. More division in the Civil War. More division in Reconstruction. Yes, the threats are unprecedented, but they’re not totally unfamiliar. Mark Twain is supposed to have said history doesn’t repeat itself, but he’s [also] supposed to have said it rhymes. I love that. So like Odysseus, I tie myself to the mast and resist the temptation to put a little neon sign in the film saying, ‘Isn’t this so much like today?’”

‘Sean Combs: The Reckoning’ (Netflix)

“There was so much noise,” says director Alexandria Stapleton, who tracks hip-hop mogul Sean “Diddy” Combs’ rise and shocking fall in this series, executive produced by 50 Cent. “I’m scared for my safety, I’m scared for my career. Then there was every journalist, every giant corporation, trying to chase the same story. Because there was a feeding frenzy, there were a lot of people that were not truthful. It was making sure that we were going after the right people to speak with, and then … making sure that they felt safe emotionally. No one knew who I was interviewing while I was making it. In making a project about a man who’s very connected in media and very good at whatever he wants his narrative to be, there was a very deliberate decision to not drop this project until we literally were a week out.”

‘Ocean With David Attenborough’ (National Geographic)

(Keith Scholey / Silverback Films and Open Planet / National Geographic)

“It’s been weird, because I’ve got older, and he sort of stayed the same, like the Dorian Gray picture,” says Keith Scholey, one of the film’s directors, of the 100-year-old broadcasting legend and naturalist. “He’s still got that huge power and presence and commitment. It comes from the heart. He’s got a huge depth to him, in terms of knowledge, experience, personality … but he’s also very self-effacing. The most boring thing in the world for David Attenborough is David Attenborough. He’s interested in every aspect of the truth, and he loves uncovering that and passing that on to the world. He knows how to present in a way that it’s a performance, but it’s not a performance.”

‘Neighbors’ (HBO)

“Neighbor disputes are a great leveler,” says Harrison Fishman, who co-directs this gonzo excursion into neighborhood feuds with Dylan Redford. “If you think about class and race and politics, all that stuff gets thrown out the window when people are dealing with such small, concrete problems. You quickly start learning why people care so much about the things that they’re fighting for. It becomes a bit like a Trojan horse into learning about aspects of America and things about people that have nothing to do with the dispute. Those tangents are so valuable to us, because it gives context to the dispute. But it also helps people understand who everybody is in our country.”

‘Mr. Scorsese’ (Apple TV)

“We would get together and have these very long conversations,” says director Rebecca Miller, who interviewed American cinema’s great poet of tortured masculinity over five years. “But then in terms of the other voices, I thought, ‘Who knows him best?’ There was this wonderful movie called ‘Crumb,’ by Terry Zwigoff. He interviewed [cartoonist R. Crumb’s] ex-girlfriend at a certain point, and I felt like I got a view into the person, not in a gossipy way, but … trying to get a rounded view. If you only get the front-facing part, you’re not going to get a full sense of who they are. It was very important to me that we hear from the daughters or his wife, that there’s a sense of a person in there.”

WASHINGTON — Yet another White House construction project is underway, though this one is meant to be only temporary.

Crews are erecting an octagon-shaped cage on the South Lawn that will host next month’s UFC bout, helping mark the nation’s 250th anniversary — and President Trump ‘s 80th birthday.

Online renderings depict what the completed, wire-mesh-fence-ringed fight space is expected to look like ahead of the June 14 event. It will be ringed by a red, white and blue stage under a towering arch featuring stars and stripes patterns and two large screens carrying the action live.

The cage and stage will themselves be surrounded by thousands of temporary seats, including ringside space for a full marching band that can set the entire scene to blaring music.

The project is part of a series of events celebrating the semiquincentennial of the Declaration of Independence’s signing on July 4, 1776. Other planned functions include an IndyCar race that will pass by the White House and the Great American State Fair taking place on the National Mall.

Trump has said that the finished UFC project will feature “a 5,000-seat arena right outside the front door of the White House.” Additional large screens broadcasting the fights will be set up in a park at the nearby Ellipse, and the UFC has said it plans to issue as many as 85,000 free tickets to accommodate spectators at both locations.

“I have never seen anybody want anything so much as people want those tickets,” Trump said recently of demand to attend the UFC fight, adding, “That’s gonna be something.”

The card has been panned by fans online as underwhelming, featuring just two championship fights. Brazil’s Alex Pereira will meet France’s Ciryl Gane for the interim UFC heavyweight title. Then Spanish-Georgian lightweight champion Ilia Topuria takes on interim champ Justin Gaethje, one of just two Americans who currently hold even a share of the UFC’s 11 championship belts.

The octagon and surrounding structures are the latest project in the White House building boom Trump is leading.

The president’s other efforts to leave his mark include tearing up part of the Rose Garden to make room for a patio space reminiscent of his Mar-a-Lago estate in Florida, affixing partisan plaques to the wall of the colonnade for a Presidential Walk of Fame, redoing the bathroom attached to the Lincoln Bedroom and renovating the Palm Room, placing new flag poles on the north and south lawns and demolishing the entire East Wing for a sprawling ballroom.

The president also wants to repaint the Eisenhower Executive Office Building beside the White House and build a 250-foot arch at the nearby Lincoln Memorial — the same monument where weigh-ins for the upcoming UFC fight are scheduled to take place, bout organizers say.

Weissert writes for the Associated Press.

Women’s basketball is finally getting the queer rom-com it deserves.

Media company Run-A-Muck has announced that it is developing “Courtside,” a sports romantic comedy set in the world of professional basketball. WNBA All-Star Gabby Williams, two-time WNBA champion Sydney Colson and 2022 WNBA champion Theresa Plaisance are among those set to appear in the movie, according to Deadline.

“If you like ‘Love & Basketball’ and ‘Bend It Like Beckham’ and ‘Bring It On’ but you found yourself wondering, ‘Could this maybe be a little bit gayer?’ We have great news for you,” Colson said in a Thursday Instagram post. “The answer is yeah, you could always make it gayer.”

Colson, a Texas A&M standout who was drafted to the WNBA in 2011, is also one of the executive producers on “Courtside.”

Written by “Abbott Elementary” writer-producer Brittani Nichols and directed by Carly Usdin, the movie will follow an injury-plagued women’s basketball superstar with championship ambitions who is thrown for a loop when she falls for a teammate.

“Making a movie like this is super exciting to me because I grew up playing basketball,” Colson added. “I would have loved as a young person to see my story depicted … on screen so to see a team of people who want to ensure that others can see characters and storylines that feel personal and familiar to them. I’m so excited about it.”

Colsen and Plaisance, who won a championship together as teammates on the Las Vegas Aces in 2022, share a podcast and also starred in the unscripted buddy comedy “The Syd + TP Show” together. Williams, who plays for France in international competition, currently plays on the Golden State Valkyries.

“It feels like I’ve been waiting my whole life for this kind of excitement to surround women’s basketball, and I’m excited to blend my love of sports, lesbian tension, and comedy into one project,” Nichols told Deadline. According to the outlet, Run-A-Muck co-founder and “The L Word” star Jennifer Beals is also slated to appear in the project.

WASHINGTON — The U.S. Commission of Fine Arts on Thursday approved the design for the triumphal arch that President Trump wants built at an entrance to the nation’s capital.

Commissioners, all of whom were appointed by Trump, approved the design despite overwhelming opposition from the public. Approval is a key step in the project’s process.

The proposed arch is one of several projects the Republican president is pursuing alongside a White House ballroom to leave his imprint on Washington.

He has said some of his other projects, such as adding a blue coating to the interior of the Lincoln Memorial Reflecting Pool, will beautify the city in time for July 4 celebrations of America’s 250th birthday.

The U.S. Commission of Fine Arts approved the concept for the arch at its monthly meeting in April.

As presented to the federal agency, the arch itself would stand 250 feet tall from its base to a torch held aloft by a Lady Liberty-like figure on top of the structure. The statue would be flanked on top by two eagles and guarded at the base by four lions — all gilded. The phrases “One Nation Under God” and “Liberty and Justice for All” would be inscribed in gold lettering atop either side of the monument.

A public observation deck on top would provide 360-degree views of the surroundings.

The commission’s vice chairman, architect James McCrery II, said in April that he preferred the arch without the figures on top. Removing them would significantly reduce the arch’s height by about 80 feet. Critics of the project, including an overwhelming number of people who submitted public comment in April, said the arch would be taller than any other monument in the capital city and dominate the skyline.

At a height of 250 feet, the arch would dwarf the Lincoln Memorial, which is 99 feet tall, and be close to half the height of the Washington Monument, an obelisk that is about 555 feet tall.

McCrery also recommended that the lions on the base be removed because that animal is “not a beast natural to the North American continent.” And he objected to plans for an underground tunnel for pedestrians to get to the arch, which would be built on a traffic circle between the Lincoln Memorial and Arlington National Cemetery in Virginia.

Preliminary surveys and testing of the site began last week.

A group of veterans and a historian have sued the Trump administration in federal court to block construction on grounds that the arch would disrupt the sightline between the Lincoln Memorial and Arlington House at Arlington National Cemetery, among other reasons.

Trump and Interior Secretary Doug Burgum have argued that Washington is the only major Western world capital without such an arch. Burgum’s department includes the National Park Service, which manages the plot where Trump wants to put the arch.

Trump’s rehab of the Lincoln Memorial Reflecting Pool is also the subject of a court challenge brought by the Cultural Landscape Foundation, which said the administration’s moves to repaint the bottom of the Reflecting Pool blue without first undergoing relevant reviews ran afoul of federal preservation laws governing historic sites.

The nonprofit group argued in a lawsuit filed last week that the changes at the Reflecting Pool are part of Trump’s broader effort to push through dramatic renovations in Washington without proper reviews and undermine the tone of the area.

A hearing in the case was scheduled for Thursday afternoon in federal court in Washington.

Superville writes for the Associated Press.

May 15 (UPI) — President Donald Trump said Friday that wants to build the National Garden of American Heroes, an exhibit of statues in West Potomac Park in Washington, D.C.

Trump posted on social media that the public space would include landscaping and statues of the founding fathers, military soldiers, religious leaders, civil rights figures, athletes, artists and entertainers.

“This magnificent exhibition of statues will be located in West Potomac Park, which we are transforming into one of the World’s most beautiful public spaces,” Trump posted. “Right now, it is a totally BARREN field of Prime Waterfront Real Estate along our Mighty Potomac River.”

The project is the latest of Trump’s announcements to mark the United States’ 250th anniversary. He has said he wants 250 statues included in the garden.

Trump has ordered other projects in Washington, D.C., including renovation of the East Wing of the White House and repainting the basin of the Lincoln Memorial reflecting pool. These projects have drawn criticism over Trump exerting unilateral authority to put them in motion, bypassing congressional approval.

The White House has not clarified whether it will seek congressional approval for the statue garden.

The National Capital Planning Commission and Commission of Fine Arts are typically involved in reviewing projects like this in Washington, D.C.

The newly formed National Garden of American Heroes Foundation is fundraising for the garden project.

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