project

It is set to become the world’s largest airport after a £23.5billion expansion and refurbishment project is completed

Dubai is preparing to unveil the world’s largest and most cutting-edge airport, complete with robot staff and ‘no queues’ for passengers. Al Maktoum International Airport will become the biggest in the world once its £23.5billion expansion and refurbishment is finished.

It is anticipated to handle 260 million passengers annually and boasts features specifically designed to make travelling as seamless as possible. The airport claims it will eliminate queuing altogether, as bags can be dropped off before travellers even reach the terminal.

This means passengers will not need to repeat the security and customs processes.

Dubai Airports CEO Paul Griffiths described this as a “no red lights” concept while speaking to Khaleej Times.

Another way the passenger experience will be improved is through an ‘integrated underground Automated People Mover system’ that removes the need to walk from one end of the vast airport to the other.

This will feature a multi-track train, with 14 stations to shuttle passengers between terminals and concourses.

Collecting baggage is also set to be a far quicker process, as the new system will be capable of handling tens of thousands of bags in under 60 minutes.

Luggage is also expected to be available within minutes of landing, meaning the dreaded wait at the baggage carousel will become a thing of the past.

All of these impressive features will be made possible through automated travel systems, AI security checks and robot staff. These robots will be responsible for tasks such as baggage handling and may even tackle customer service queries.

According to details published by Dubai Aviation Engineering Projects (DAEP), the infrastructure developer for Dubai’s aviation sector, plans for DWC include “a new era of smart airport systems and passenger-centric facilities, taking travellers to worldwide destinations in the most awe-inspiring and comfortable way possible”.

The expansion also features five parallel runways and up to 400 aircraft gates.

Once construction at Al Maktoum International Airport is complete, the neighbouring Dubai International Airport will shut down permanently.

Dubai International Airport (DXB) is set to close its doors for good in 2035, according to reports.

All operations currently running through the bustling travel hub will be relocated to Al Maktoum International Airport (DWC).

California Forever, the tech billionaire-backed group that hopes to build a city from scratch on farmland in the outer San Francisco Bay Area, is lobbying state leaders to fast-track a massive shipbuilding deal that would kick-start its development after years of local opposition.

The billionaires behind the project are seeking a deal to expedite environmental reviews of the development and, if necessary, bypass county restrictions on building by being absorbed into Suisun City boundaries. They’ve hired former Senate President Pro Tem Darrell Steinberg and former Senate Majority Leader Bob Hertzberg — Democratic architects of landmark environmental laws — to make their case, and are using the prospect of luring a major shipbuilder to California to accelerate the dealmaking.

California Forever has pursued its project for nearly a decade, though the vision has shifted: At first pitched as a walkable city with cottages, bike lanes and even a water park, the plan then added a major shipbuilding operation and, last summer, a significant manufacturing hub.
California Forever’s proponents, led by the state’s powerful building trades union along with Realtors, peace officers and pro-housing groups, argue the latest proposal would boost the state’s economy and bring an estimated half a million jobs to California. And now, a prospective tenant has emerged: Defense company Saronic Technologies Inc., which builds autonomous vessels for use in national security, is deciding between California and Texas for its next factory. The state must fast-track the development or lose the deal, supporters argue.

The developers are seeking the state’s permission to use an 18-year-old environmental impact report for the shipyard development, limit any legal challenges to the project to 270 days, and allow Suisun City to annex their land if needed, according to Steinberg and Hertzberg.

“In short, if legislation is not approved, California will lose billions of dollars in investments and tens of thousands of jobs this summer to Texas and other states,” proponents wrote in a joint letter to Gov. Gavin Newsom and legislative leaders this week.

But some locals and lawmakers are skeptical, arguing that details about the project remain scarce. The proposed development would convert vast farmlands into factories and risk harming the surrounding ecosystem, they said, which deserves rigorous environmental review under the landmark California Environmental Quality Act that proponents are seeking to expedite.

State Sen. Christopher Cabaldon (D-West Sacramento) is shown during a Senate floor session at the state Capitol in Sacramento on Feb. 20, 2025.

(Fred Greaves / CalMatters)

“For a project this scale in this location, it is what the [law] was designed for,” said Sen. Christopher Cabaldon (D-West Sacramento), who represents the area. “A central question for the people of Solano County is: Is this going to be for the community or is this a conversion project that leaves them behind?”

Opponents also slammed California Forever for pursuing relief behind closed doors with state leaders and circumventing local opposition. Since 2018, the group has secretly bought up agricultural land, shelled out hundreds of millions of dollars to court local residents and spent at least $330,000 lobbying the governor and legislative leaders for favorable legislation.

“I think they know that the only way this actually happens is under cover of darkness, by trying to essentially get the governor to work this plan for them,” said Jordan Grimes, legislative director at Greenbelt Alliance, which has advocated for streamlined environmental reviews for housing projects.

Secretive beginnings foment distrust

For residents of Solano County, an agricultural community on the outskirts of the Bay Area that includes coastal areas next to a deep-water shipping lane, the suspicion around California Forever has been hard to shake.

The group’s subsidiary, Flannery Associates, started buying up farmland in 2018, eventually acquiring 62,000 acres while routinely refusing to answer questions about its backers. Some farmers later alleged the company used strong-arm tactics to get them to sell.

In 2023, Flannery’s backers were unmasked as a group of wealthy venture capitalists, including the founders of LinkedIn and Netscape, all led by former Goldman Sachs trader and real estate developer Jan Sramek. Marc Andreessen, co-founder of venture capital firm Andreessen Horowitz, holds investments in both California Forever and Saronic, the defense company eyeing California. Andreessen’s firm did not immediately return a CalMatters inquiry for comment.

Despite rocky beginnings, California Forever needed the majority of Solano County voters on its side due to a 1984 “orderly growth” law that requires voters to approve development on unincorporated land.

In 2024, the company debuted the East Solano Plan to rezone 17,500 acres of agricultural land for a dense, 400,000-person city. The proposal was set to go before voters that year, but its backers pulled it following powerful grassroots opposition, poor polling and a county assessment that found holes in the plan. Sramek acknowledged the group likely moved too fast and said the initiative would go back before voters in 2026.

Instead, the group has pivoted. The East Solano Plan has become the Suisun Expansion Plan and the Solano Shipyard. In January 2025, Suisun City’s city council directed its manager to explore expanding the city’s limits through annexation, which is now underway, although it could take years.

State Route 113 runs through land where California Forever plans to put its new city in Solano County.

(Loren Elliott / CalMatters)

“The annexation and the shipbuilding have been a clear way to work around the need for voter support in Solano County,” said Nate Huntington, a member of the grassroots group Solano Together, which formed in response to the secretive land purchases. Huntington pointed out that California Forever hasn’t even submitted a proposal for a shipbuilding facility to the county.

“All of this has been happening in backrooms of Sacramento, and it’s not been publicly available.”

Seeking state environmental relief

California Forever is now selling the development to the state as a major incentive to lure manufacturers and shipbuilders to California — and the subsequent need for housing to accommodate the promised jobs.

The company wants the governor and state lawmakers to cut red tape for the development and require enough housing for the new jobs. Steinberg and Hertzberg told CalMatters they are contemplating legislation to that end, but only after California Forever signs a lease with a manufacturer or shipbuilder.

Their plan would allow the governor to designate construction on company land as “environmental leadership development projects,” which would effectively require any litigation to be resolved within 270 days. Steinberg authored the state law streamlining that process in 2013.

State law requires government agencies to prepare a report for any project that might have a significant impact on the environment. Instead of assessing the impact of the proposed shipyard, Steinberg and Hertzberg’s proposal would use a 2008 report, which designated the area where the shipyard would go as “water-dependent industrial usage.” Most of California Forever’s 7,500-acre planned footprint does not have that designation.

Steinberg told CalMatters the report is sufficient since the site has changed little.

“The state and county need the ability to say yes now to these numerous opportunities,” he said in a text. A new report, he said, “would require years of additional delay and lost opportunities.”

But the report is outdated, Cabaldon argues.

“This is completely different,” he said. “Just the notion that you would just say, ‘We are not going to do any assessments at all and we’ll just rely on this old one’ — that is not consistent with what the public interest is.”

Steinberg and Hertzberg also want the state to require enough housing in the area, but to allow surrounding cities and Solano County to permit local housing developers to build first.

But if local governments aren’t willing to or cannot build enough housing within the timeline the manufacturer or the shipbuilder wants, Steinberg and Hertzberg’s proposal would allow Suisun City to annex adjacent California Forever-owned county land into its city boundaries — a controversial idea that has drawn fierce local opposition. The move would be a “last resort,” Steinberg and Hertzberg stressed repeatedly.

The annexation would effectively bypass the county’s orderly growth initiative, which requires voters to have a say in development.

“The shipbuilders and manufacturers need certainty on a much faster timeline,” Steinberg said.

Cabaldon said the pitch to build new housing to accommodate theoretical jobs is “fantastical,” noting that Saronic, the proposed shipbuilder, is a leader in automation.

“There’s no indication that this is going to generate on an ongoing basis that many jobs, and certainly not more jobs than we have housing for even today without building a single additional unit,” he said.

Historic union agreement prompts support

In January, California Forever announced it had signed a 40-year deal with the Napa/Solano Building Trades Council and Northern California Carpenters Union to use union labor to build its development. The agreement was an important political alliance for Chief Executive Sramek, bringing more influential advocates to the table.

According to Digital Democracy, both the Building Trades Council and the Carpenters Union have given roughly $10 million in direct donations to legislative candidates since 2000.

Those advocates made themselves heard over the last few weeks, following a Texas county court approving significant tax incentives to lure Saronic to Brownsville. In a statement, Saronic said its nationwide search is still “active and ongoing.”

The California Alliance for Jobs, an alliance of influential construction companies and workers, drafted two letters in quick succession calling for legislative leaders to streamline the California Forever expansion and shipyard.

“We champed at the bit to go all in to get this project moving, and to get legislation through Sacramento this session,” said Joshua Arce, executive director of the alliance.

Suisun City Councilmember Princess Washington, who has consistently been the sole vote on the council against the annexation plan, said she feels organized labor is being used as “political pressure” to win approval.

“Processes are slow, but they’re done that way through government to ensure that it’s being done correctly, that all parties of interest are being treated fairly, and there’s checks and balances,” Washington said.

“It’s unheard of for a project to be done as quickly as they want it to be done.”

In a statement, California Forever spokesperson Jim Wunderman said any shipyard project will comply with all California environmental and land-use laws. He said county supervisors already approved using the 2008 impact report, and that legislation would allow the group to “meet prospective employers’ timelines.”

He said by pursuing expansion within Suisun City, California Forever is following the community’s preferences by channeling new growth into existing cities.

An ongoing presence in the Capitol

Since 2024, California Forever has spent at least $330,000 lobbying the Legislature and governor’s office on bills and other actions, according to campaign finance records.

Steinberg and Hertzberg told CalMatters they were hired in April as “special counsel,” not lobbyists, meaning they are spending less than a third of their time talking with public officials.

Grimes, who said he respects Steinberg for leading landmark environmental land-use reforms in the Legislature, said he’s disappointed in his advocacy for California Forever, “a project that is antithetical to all of this.”

Sheep graze on land where California Forever plans to build its new city in Solano County.

(Loren Elliott / CalMatters)

California Forever reported spending $90,000 lobbying the governor’s office and the Governor’s Office of Business and Economic Development, called GO-Biz, last year on “federal shipbuilding activities and California business attraction and retention activities.”

“GO-Biz has discussed relevant state incentive programs with Saronic and explained how they operate,” said GO-Biz spokesperson Willie Rudman. He said the agency does not offer incentive packages to specific companies.

Last fall though, GO-Biz helped organize a bid for Saronic to settle in Solano County. County staff reported during a board meeting that GO-Biz supported a legislative effort to override the county’s “orderly growth” law.

County supervisors rushed through a proposal to change the boundaries of the Solano Shipyard to comply, but with just days remaining before the end of the legislative session, Assemblymember Lori D. Wilson, a Democrat from Suisun City, said there wasn’t time to introduce legislation.

Since then, Wilson said, the proposal has been on the table, but “nothing’s been requested” of her office by California Forever.

The company also urged lawmakers to act fast or risk losing the shipbuilder to Texas last year — a negotiating tactic common in economic development, Cabaldon said.

But Cabaldon argued that Saronic will decide where to place its shipyard based on “defense needs of the United States of America” instead of state incentives.

“We have to negotiate with our eyes open,” he said.

Wolffe and Yu write for CalMatters.

Netflix show, Building the Band, was Liam Payne’s last completed project before his heartbreaking death in October 2024 aged 31 when he fell from a hotel balcony

Netflix has decided not to renew Liam Payne’s final TV project according to reports. The tragic singer’s series, Building the Band – which was filmed four four months before his death – is said not to have been recommissioned, despite the music competition launching the careers of four new groups.

Liam, who tragically died in 2024 aged 31 after falling from a hotel balcony in Argentina, served as judge on the series alongside Nicole Scherzinger and Kelly Rowland, while AJ McLean hosted the contest.

The winning act, 3quency, received a global platform through Netflix, while several contestants have since secured recording contracts following the show’s release. However, there a reportedly no plans for a second series.

A source told The Sun: “Although there are currently no plans for a second season of Building The Band, bosses at Netflix are really proud of what they achieved. That’s because the show led to the creation of four amazing groups and all of them have since signed record deals.”

The source added: “The finalist groups – 3quency, SZN4, Soulidified and Midnight Til Morning – have all released original music, toured internationally – and attract hundreds of thousands of listeners each month. And Midnight Til Morning are performing at BST Hyde Park at the end of this month.”

Building the Band challenged 50 singers unknown to each other to form new groups, relying on vocal chemistry before progressing through a series of performances.

The winning act received a global platform through Netflix, while several contestants have since secured recording contracts following the show’s release.

The programme had been completed and ready for release before Liam’s death, leaving Netflix to decide whether it should proceed with the series.

After consulting the star’s grieving family, the streaming service chose to air the competition and dedicated it to the late singer.

Liam, who rose to stratospheric fame as a member of One Direction after the group was formed on The X Factor in 2010, appeared on the show mentoring aspiring singers hoping to recreate the success enjoyed by his own chart-topping band.

Since his death, tributes from his former bandmates Harry Styles, Niall Horan, Louis Tomlinson and Zayn Malik have continued to resonate with fans, while discussion around Liam’s legacy has remained a recurring topic across the music industry.

However, although Building the Band attracted significant attention because it featured the star’s final on-screen appearance, it failed to make a major impact with UK audiences, which Netflix will be aware of.

The Mirror has contacted Netflix for comment.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

June 25 (UPI) — Korea Zinc said Thursday that Chairman Yun B. Choi visited Australia this week to meet with the country’s Prime Minister Anthony Albanese to discuss ways to strengthen collaboration on critical minerals.

During the bilateral meeting in Canberra on Wednesday, Albanese described U.S. Project Crucible as a valuable model, which the Australian government could benchmark, according to Korea Zinc.

The $7.4 billion initiative involves the construction of an integrated smelter in Clarksville, Tenn. Groundbreaking is scheduled for next year, with commercial production expected to begin in 2029. Toward that end, Korea Zinc cooperates with the U.S. government.

Once operational, the facility will produce base metals such as zinc and lead, along with strategic minerals including germanium and gallium, which are crucial for the semiconductor, defense, and other high-tech industries.

The prime minister also said that Korea Zinc’s business model closely aligns with the Australian government’s resource and energy policy objectives, particularly its efforts to beef up critical industries.

In response, Choi stated that Korea Zinc will keep trying to build a win-win partnership with the Australian government. The world’s largest non-ferrous metals manufacturer operates an Australian affiliate, Sun Metals Corporation.

“Over the past 30 years, we have been a partner that has contributed to Australia’s industries and local communities while expanding beyond smelting into renewable energy and green hydrogen,” he said.

“The synergy between Australia’s abundant resources and our technological prowess and diverse business portfolio will continue to bear fruit in the future,” he added.

The share price of Korea Zinc rose 1.09% on the Seoul bourse on Thursday, while the benchmark KOSPI gained 5.42%.

HARRY Styles has some tricky steps to negotiate in his £30million mansion project — restoring a rotten staircase.

The former One Direction singer is paying experts to return the 300-year-old feature to its former glory as he turns three properties into one huge home.

The staircase revamp could delay the renovation project, which is slated for completion by October 2027.

A source said: “Harry doesn’t do anything by halves.

“This is a very ambitious project so there are bound to be stumbling blocks.

“The staircase is the latest snag but it’s a lovely period feature and he’s going to get the very best craftsmen to make it as good as new.

“It will take a while because it has to be taken apart piece by piece, restored and then put back in place, so it could well affect the deadline.”

In planning documents, Harry’s team say the condition of the 1734 staircase has deteriorated and it had some “poor-quality repairs” over the years.

He has appointed heritage carpentry experts to assess the best way to restore the feature.

Harry, 32, who is dating US actress Zoe Kravitz, 37, is merging the Georgian and 18th-century properties in Hampstead, North London.

The extensive renovation project includes high-end amenities such as a basement cinema, pool and gym.

The development has faced opposition previously from neighbours concerned about disruption and blocked light.

Despite the staircase issue, Harry had a spring in his step while in cut-off jeans in London after his weekend shows at Wembley.

Amazon’s Prime Day sale is underway, and members can subscribe to platforms such as Apple TV, Paramount+ and MGM+ with up to 60% off.

Amazon has slashed the price of Apple TV, Paramount+ and MGM+ by up to 60% to mark the start of its latest Prime Day sale. On Tuesday (June 23), the retail giant kicked off its latest site-wide sales event, where subscriptions for several major streaming platforms now start at £2.99.

During the sale, Amazon customers can bag an Apple TV subscription for half price at £4.99 (was £9.99) per month. Those securing the deal will lock in the lower price for two months, after which it reverts to the usual £9.99 until cancelled.

Similarly, MGM+ – the home of Project Hail Mary – is now £2.99 (was £5.99) for two months, while Paramount+ is £2.99 (was £7.99) for one month. The deals are running until July 2 and come as Amazon kicks off its Prime Day 2026 sale.

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Across June 23-26, there are discounts on thousands of items exclusively for Prime members or shoppers on a Prime 30-day free trial. Elsewhere in the sale, Prime Video is offering free trials of Lionsgate+, Studiocanal Presents and Crunchyroll.

A caveat is that both the reduced streaming subscriptions and free trials will roll on to standard paid subscriptions at the end of the promotional period. This means subscribers should make sure to cancel their subscription before the end of the discounted or free period if they want to avoid paying the standard rate.

Get Apple TV half price for two months

£9.99

£4.99

Amazon | Apple TV

Get Apple TV+ here

Amazon customers can subscribe to Apple TV through Prime Video for £4.99 per month for two months until July 2.

Elsewhere, Sky is giving away streaming subscriptions at no extra cost with its TV packages, with customers signing up for the £24 Ultimate TV bundle able to claim free access to Netflix, HBO Max and Disney+. It also comes with around 135 channels, including Sky Atlantic

For those opting for Apple TV, the streamer has released some highly acclaimed titles already this year. Including comedy horror Widow’s Bay, which holds an impressive 98% Rotten Tomatoes score.

Just launched is the sophomore season of Sugar. The neo-noir detective series led by Colin Farrell as private investigator John Sugar.

Also available to stream are beloved series like Ted Lasso, Severance and Slow Horses. Alternatively, Apple TV offers a seven-day free trial when signing up directly on the platform.

MGM+ also has some hit new titles streaming now, such as Ryan Gosling’s space epic Project Hail Mary. The box-office smash only hit cinemas in March but is included at no extra cost with the Amazon deal, alongside series like Outlander and the James Bond film catalogue.

On Paramount+, members can catch the latest series of Michael Fassbender’s spy thriller The Agency and new episodes of Yellowstone spin-off Dutton Ranch. These are also available on the Paramount+ platform, which is running its own £2.99 deal.

WASHINGTON — More than $350 million from President Trump’s “big, beautiful bill” has been quietly directed to White House security, an allotment that Democrats warn appears to be helping fund his new ballroom project — despite the president’s insistence that no taxpayer dollars would be used.

The apportionment of funds, which the White House’s Office of Management and Budget made late Friday, comes from two accounts that were intended to provide the U.S. Secret Service with extra money for hiring and training in the aftermath of last year’s assassination attempts on the president, according to Democrats on the Senate Budget Committee. The shift was made days after Congress rejected a $1-billion request for the White House in a Homeland Security bill that Trump signed into law and as the ballroom project is tangled in legal challenges.

Senate Judiciary Committee chairman Chuck Grassley, whose panel initially drafted the security funding, said Thursday he was unaware of the allocations.

“The president said that it was all going to be paid for with private money,” said Grassley (R-Iowa). “And that’s what the country expects.”

Sen. Jeff Merkley of Oregon, the top Democrat on the Senate Budget Committee, charged that Trump’s actions are potentially illegal.

“After repeatedly telling the American people that zero taxpayer dollars would be spent on his gold-plated ballroom boondoggle, now Trump appears to be using a smoke and mirrors tactic,” Merkley said in a statement.

“Trump has proven that he can’t be trusted to follow the law,” Merkley said. “He only cares about wasting taxpayer money on his vanity projects.”

Ballroom project hits setbacks

Trump has faced setbacks in his attempts to build the ballroom on the White House grounds, where he ordered the demolition of the storied East Wing to make way for it.

Touring the construction site last month, Trump called the development a “gift” to the American people. He has repeatedly said that it is being paid for by donations — which has also run into ethics questions from watchdogs concerned about potential corruption and conflicts of interest.

Congress refused the Trump administration’s request for $1 billion for the ballroom last month. The administration wanted the money as part of a Homeland Security bill, but Republican and Democratic lawmakers rejected efforts to tack it on. It became politically toxic at a time when Americans are reeling from inflationary high costs of living.

The Washington Post reported earlier this week that the price tag for the project has ballooned to $600 million, according to a project summary prepared by the contractor, with more than half of that funding coming from taxpayers. Roll Call first reported on the apportionment of new funds for White House security.

At its core, arguments are swirling over how much of the White House project is to bolster security underground, with bomb shelters and a medical facility, and how much of the costs are related to the president’s promised 999-seat ballroom on top.

White House says Trump and donors are paying for the ballroom

A spokesman for the White House said that Trump and donors are funding some $400 million for the ballroom development, and that the coordination with the Secret Service had been noted in the initial announcement of the project.

“The East Wing Modernization Project is inextricably tied to the security of the President, the White House grounds and the certain security infrastructure assets,” said White House spokesman Davis R. Ingle in a statement.

He said the events over the past weekend, including an alleged attack plan targeting the UFC Freedom 250 event at the White House, proves why the project is needed.

“President Trump and generous American patriots are funding the ballroom to the tune of approximately $400 million, which will be a secure and appropriate venue for Presidents for generations to come,” he said.

Government lawyers have argued that the project includes critical security features to guard against a range of threats, such as drones and missiles.

The White House has said in court documents that the East Wing project would be “heavily fortified,” including bomb shelters, military installations and a medical facility underneath the ballroom. The Secret Service told senators last month that $220 million of the White House’s $1-billion request would go to harden the ballroom addition, with bulletproof glass, drone detection technologies, chemical and other systems.

The rest of the money would go for other security improvements, according to a document provided to Senate Republicans, including $180 million for a new, “long overdue” White House visitors screening facility.

Congress holds power of the purse

The shifting funds are certain to ignite growing concerns in Congress over the separation of powers, and the president’s use of federal funds allocated by lawmakers.

The money comes from Trump’s big tax breaks and spending cuts bill that the president signed into law last summer. It provided more than $1 billion for Secret Service resources, including “personnel, training facilities, programming, and technology; and performance, retention, and signing bonuses.”

The provision was uncontested at the time, even as Democrats voted against the broader bill. Democrats said they did not challenge this section or try to strip it out from the package.

Under the Constitution, only Congress has the specific authority to allocate funds across the federal government, including the executive and judicial branch operations.

While the president holds the power to sign — or veto — those appropriation bills, once the funding becomes law, it largely must stand.

Mascaro writes for the Associated Press.

June 19 (UPI) — Korea Hydro & Nuclear Power, or KHNP, said Thursday that its CEO Kim Hoe-chun has traveled to the Czech Republic to review progress on the construction of two nuclear reactors in the European country.

The state-backed utility noted that Kim took part in a meeting of the Dukovany Steering Committee in Prague alongside South Korea’s Minister of Trade, Industry and Resources Kim Jung-kwan and Czech Deputy Prime Minister Karel Havlicek.

Kim’s visit is timed with the first anniversary of the signing of an $18 billion contract to build two 1,000-megawatt reactors in Dukovany, located around 120 miles southeast of the Czech capital.

Groundbreaking is targeted for 2029, with commercial completion expected by 2037. The South Korean consortium includes such industrial partners as Daewoo E&C and Doosan Enerbility.

The two sides also discussed ways to strengthen bilateral nuclear cooperation, while companies from the two countries signed an engineering support agreement related to the project, according to KHNP.

Kim also toured the manufacturing facilities of Doosan Skoda Power in Plzen, situated roughly 55 miles west of Prague. The Czech turbine manufacturer owned by the Doosan Group is expected to play a key role in the Dukovany program.

“The Dukovany project is a monumental endeavor that symbolizes the strategic partnership between South Korea and the Czech Republic,” Kim said in a statement.

“We will work closely with the Czech government, the project owner, local communities, and Czech companies to make this project a model for the safest and most successful nuclear power plant construction in the world,” he added.

The Franco-German KNDS company has presented a new main battle tank, which it is offering to France as an interim replacement for its Leclerc fleet. The development comes as France recognizes that it will need a Leclerc successor before the next-generation Main Ground Combat System (MGCS) becomes available. This joint French and German program is complicated and already delayed, while Europe at large is increasingly alert to the need for capable tanks and other armored vehicles as the threat from Russia grows, and trust around U.S. military backing diminishes.

The proposed CAPINT tank was unveiled at the Eurosatory defense show on the outskirts of Paris this week.

Europe currently has four major lines of development effort for future main battle tanks (excluding the United Kingdom), ranging from multinational programs to national developments. The landscape has become much more fragmented over the past two years, as nations have increasingly understood the urgency of fielding new-generation armored vehicles.

Arguably the most ambitious of these programs is the now-delayed Franco-German MGCS, which began in 2017 and is now expected to arrive in service some time in the mid-2040s. With the MGCS delayed by roughly a decade, both France and Germany have a looming capability gap. In the case of France, its Leclerc tanks are due to be taken out of service by 2038.

As well as the main battle tank that is supposed to be its centerpiece, the MGCS program, as a ‘system of systems,’ is expected to field other crewed and uncrewed vehicles. These will likely be tasked with electronic warfare, air defense, or as platforms from which to launch drones or loitering munitions or fire directed-energy weapons.

Alongside this effort, around a dozen European nations (excluding France) are currently working on research and development under the MARTE (Main ARmored Tank of Europe) program, which is looking at tank requirements for the post-2040 period.

Against this complicated backdrop, France and Germany have both come to the realization that they will need new tanks before the MGCS arrives in service.

As a result, Germany is now working on the Leopard 3, also known as the Leopard 2AX, expected to provide a service-ready fighting vehicle around the early 2030s.

Back in April of this year, French Armed Forces Minister Catherine ​Vautrin told parliament that Paris had decided to launch an “intermediate” tank program to mitigate delays affecting MGCS.

To meet the French requirement for a stopgap tank, KNDS is now proposing its CAPINT (CAPacité INTérmédiaire, or Interim Capability).

This will combine a French turret and main gun on the hull of a German Leopard 2, a tank that is already in production for a variety of customers. Should this solution be chosen, a new Leopard 2 would likely be set up in France to manage the demand.

Interestingly, another new tank on show in Paris this week, the New Main Battle Tank (NMBT) concept demonstrator, from the Leonardo Rheinmetall Military Vehicles (LRMV) joint venture, also uses a Leopard 2 hull as its starting point, although that may change in the future. Derived from the Rheinmetall Panther KF51, the new tank is being offered to the Italian Army, which is also looking for a successor to its current Ariete main battle tank.

Returning to the CAPINT tank, the turret will be uncrewed and armed with the 120mm ASCALON smoothbore gun from KNDS France. The plan is to have the turret able to accommodate a 140mm cannon in the future. The 120mm ASCALON has already undergone firing trials using an uncrewed turret on a moving vehicle. Meanwhile, the 140mm version of the ASCALON is planned for the MGCS.

#ASCALON

Unlike larger-caliber guns that have been proposed for future tank programs in the past, the 120 mm ASCALON offers the advantage of being fully compatible with all NATO-standard 120 mm ammunition. This means operators can maintain and leverage their existing ammo stockpiles.

The three crew of the CAPINT will be carried in an “armored citadel” at the front of the vehicle, which will be defended by passive composite armor as well as reactive and active protection systems.

The active protection system will be developed by KNDS and will be distributed around the turret and hull, so its defensive effectors provide more complete coverage.

In the meantime, it is interesting to note that a Leclerc outfitted with an anti-drone “cope cage” on top of its turret is part of the dynamic demonstration of military equipment at Eurosatory this week.

KNDS says it will complete a CAPINT demonstrator tank as early as 2030 and, should France choose to go with it, it could deliver the first series-production examples in 2035, leading to frontline deployment in 2037.

There is also a plan to incorporate into the CAPINT some of the advanced systems that are intended for the MGCS.

These elements are likely to include fully integrated AI, the aforementioned passive/reactive/active protection systems, counter-drone warfare, and beyond-line-of-sight engagement capability.

Another feature of the MGCS program that would likely be brought forward for the CAPINT tank is accompanying uncrewed ground vehicles (UGVs). According to MGCS, one or two types of “robotic wingmen” are planned for the interim tank. These UGVs will be able to keep up with the tank, but will be small enough to be affordable. Their cost will also be governed by offering different levels of passive protection.

The renewed focus on tank programs reflects a broader resurgence of armored warfare across Europe, driven largely by lessons from Russia’s full-scale invasion of Ukraine. While that conflict has highlighted the vulnerability of tanks to drones, loitering munitions, and precision anti-tank weapons, it has also underscored that heavily protected, mobile firepower remains indispensable for combined-arms operations. As a result, European militaries that once downsized or delayed armored modernization are now investing heavily in new main battle tanks and upgrades.

While the need for interim tanks in both France and Germany is becoming increasingly urgent, the current push for the CAPINT and for the German Leopard 3/Leopard 2AX does risk putting the MGCS program under threat.

“We are already working to create what will be the combat of tomorrow,” KNDS CEO Jean-Paul Alary said during a press conference at Eurosatory yesterday. “Maybe the combat of tomorrow, the ambition of MGCS, will come a little bit earlier than the project itself.”

Meanwhile, according to Reuters, a German government spokesperson raised doubts about the future of MGCS, saying that the project would be focused on “platform-independent” technologies, adding that it was not clear whether a joint tank would still be built.

Depending on how capable these stopgap tanks prove to be, the decision of France and/or Germany to walk away from the more complex MGCS program could become easier. Much will likely also depend on the path that the MARTE program takes, with the possibility that MGCS requirements could be superseded. Meanwhile, recent experience with the Franco-German-led pan-European Future Combat Air System (FCAS) has highlighted just how difficult it can be to keep programs like these on track, regardless of how badly they may be needed.

Contact the author: thomas@thewarzone.com

Israeli journalist Gideon Levy says the US-Iran announcement represents a personal defeat for Prime Minister Benjamin Netanyahu and his ambitions against Iran and Lebanon. His relationship with US President Donald Trump could also be at risk if Israel jeopardises the deal.

TORONTO — A new Canadian-built bridge across the Detroit River that U.S. President Donald Trump threatened to block will open soon, Canadian Prime Minister Mark Carney said Tuesday.

A ribbon-cutting ceremony for the Gordie Howe International Bridge, jointly owned by Canada and the U.S. state of Michigan, is set to take place on Friday, while the bridge itself is expected to open to traffic later this month.

In February, Trump demanded that Canada turn over at least half the ownership of the bridge to the U.S. federal government and agree to other unspecified demands in one of his many salvos over cross-border trade issues.

The bridge, which would connect Windsor, Ontario, and Detroit, and would be a vital economic artery between Canada and the United States, had been expected to open early this year, according to information on the project’s website.

The bridge is named after Howe, the late Canadian hockey great who spent 25 seasons with the Detroit Red Wings.

The project was negotiated by former Michigan Gov. Rick Snyder — a Republican — and paid for by the Canadian government to help ease congestion over the existing Ambassador Bridge and Detroit-Windsor tunnel. Work has been underway since 2018.

“Obviously the bridge will be open at the end of the week. A symbol of, but also a fact of cooperation between our countries,” Carney told reporters as he walked into Parliament.

“Great for Canadians going across the border, Americans coming across the border, and for commerce,” he said, calling it “positive news.”

Trump threatened the bridge as the United States-Mexico-Canada trade agreement is up for review this year, and Trump has been taking a hard-line position before those talks, including by issuing new tariff threats.

Carney, meanwhile, has spoken out on the world stage against economic coercion by the United States.

Sen. Elissa Slotkin, a Michigan Democrat, has said that the Canadian-funded project is a “huge boon” to her state and its economic future.

Michigan is a swing state that Trump carried in both 2016 and 2024.

Snyder wrote in an op-ed in The Detroit News earlier this year that Trump was wrong in asserting that Canada owns both the U.S. and Canadian sides of the Gordie Howe bridge.

“Canada and the state of Michigan are 50/50 owners of the new bridge,” Snyder wrote. “Canada was wonderful and financed the entire bridge. They will get repaid with interest from the tolls. Michigan and the United States got their half-ownership with no investment.”

The Gordie Howe bridge will join the privately owned Ambassador Bridge as the second span connecting Detroit and Windsor, Ontario.

The rival Ambassador Bridge is considered the busiest U.S.-Canadian border crossing, carrying 25% of all trade between the two countries. It plays an especially important role in auto manufacturing.

Companies controlled by the Moroun family, owners of the rival Ambassador Bridge, previously sued to prevent the Howe bridge from being built.

Gillies writes for the Associated Press.

WASHINGTON — A relentless push by President Trump to reshape Washington‘s cityscape is facing mounting resistance, threatening a slate of transformative monuments intended to cement his legacy in the nation’s capital.

Eager to see his projects completed before leaving office, Trump has responded to growing legal and political obstacles by pushing ahead, attempting to force approvals through faster than opponents can challenge them. But the scramble to fast-track construction has inflated their costs for taxpayers, imperiling his plans and amplifying his political risks as the midterm elections approach.

Urban design has become a preoccupation for Trump since the start of his second term. Cranes dot the skyline of the city, and construction fences block access to many of its most cherished parks and venues less than a month before the nation celebrates 250 years since its founding on July 4.

Cranes from the White House East Wing ballroom construction project rise from behind the U.S. Treasury Department building on Thursday in Washington, D.C.

(Kevin Carter/Getty Images)

Government lawyers are defending the president’s use of the wrecking ball, arguing in court that he has unfettered power to build and destroy. Should he ever choose to tear down the Statue of Liberty, the Justice Department told a judge Friday, no one could stop him.

Yet a recent series of legal setbacks, as well as increasing Republican opposition on Capitol Hill, have cast doubt on the fate of his most lavish designs, including the construction of an imposing ballroom at the White House and the erection of a massive triumphal arch on the sightline of the National Mall.

It’s become a race against time for the president, who could soon confront a Democratic-controlled Congress armed with renewed oversight authority and subpoena power, further gumming the works of elaborate construction projects, which could stymie their completion before he leaves office.

“This is very much on the committee’s radar,” said one Democratic source with the House Oversight Committee, citing “serious concerns surrounding corruption.”

Visitors at the Mall gather in front of the Lincoln Memorial and near the Reflecting Pool, which is under renovation on Friday in Washington, D.C. President Trump dismissed criticism of the recent Lincoln Memorial Reflecting Pool renovations, rejecting claims the project amounted to merely a “paint job.”

(Roberto Schmidt / Getty Images)

Trump as ‘builder-in-chief’

Several of Trump’s more modest initiatives, referred to by the administration as beautification projects, are complete or well underway.

At the White House, a historic rose garden conceived by Jacqueline Kennedy was paved over, and its adjoining colonnade refurbished with black granite and gilded presidential portraits. The Palm Room foyer was decked in marble and chandeliers. New flagpoles fly supersized American flags on the North and South lawns.

The en suite bath of the Lincoln Bedroom in the residence has been gutted and renovated. And the Oval Office now practically drips in gold, while an adjoining study, once used by Franklin Roosevelt to scrutinize war maps and Lyndon Johnson to monitor the space race, was converted into the president’s personal swag shop.

A temporary Ultimate Fighting Championship arena constructed on the White House South Lawn is another example of how Trump is leaving a visual mark on the presidential residence. The structure, which towers over the White House, was paid for by the UFC, which is scheduled to host a series of fights on the premises.

Outside the White House complex, fountains across the city are coming back to life after decades of neglect, from DuPont Circle to Freedom Plaza and Union Station. The idyllic Logan Circle, surrounded by historic mansions, is being revitalized by the National Park Service, as is Lafayette Square, the site of an infamous clash between Trump and protesters shortly after George Floyd’s murder in 2020.

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1. National Park Service Conservator for the National Mall and Memorial Parks Ali Cavicchio puts a clear coat over the recently repainted “I Have a Dream” marker at the Lincoln Memorial on June 05, 2026 in Washington, DC. The marker’s letters are carved into stairs of the Lincoln Memorial where Dr. Martin Luther King Jr. stood and delivered his “I Have A Dream” speech in 1963. (Chip Somodevilla / Getty Images) 2. Members of the West Branch Area School District in Morrisdale, Pennsylvania, student marching band perform at the Lincoln Memorial on the National Mall on June 05, 2026 in Washington, DC. (Chip Somodevilla / Getty Images)

In some parks, even the turf is getting a makeover.

“People are all thanking me because Washington is beautiful again,” Trump told reporters last week. “The parks are open, we changed the grass. You know, grass has a life, also. Like people, grass has a life, and that grass hasn’t changed in 70 or 80 years.”

On Friday morning, several people sat by the restored cascading fountain at Meridian Hill Park. They walked their dogs, read books and exercised by the water.

Jean Luc, 33, was one of them. As he took a stroll with his 2-month-old daughter, Juno, he said it had been nice to see the government fix up the park, which he says he tries to enjoy with his daughter daily.

“It’s been nice to see the whole process,” he said. “I love it.”

President Trump displays a chart titled “Our Pool is Bigger than Skyscrapers” while discussing his renovations to the Lincoln Memorial Reflecting Pool on Wednesday in the Oval Office.

(Kevin Dietsch / Getty Images)

The Lincoln Memorial Reflecting Pool has been painted over in “American Flag Blue” by a firm that Trump said had worked on the swimming pool at his golf club in Virginia. Millions will be spent to regild the hulking Art Deco statues that buttress Arlington Memorial Bridge. And Trump has plans to connect the Lincoln Memorial to the Potomac River by building a promenade, one of many projects he has said may be named after himself.

Federal contracting data show that the Virginia firm Terra Site Constructors has been awarded roughly $60 million in contracts from the National Park Service to complete work on the various fountain rehabilitation projects across the city.

Another Virginia firm, Atlantic Industrial Coatings, holds a contract for $14.2 million to paint the reflecting pool.

The funding for both contracts comes from the entrance fees paid by national park visitors.

“How fortunate are we to have the builder in chief?” Interior Secretary Doug Burgum said Thursday in the Oval Office. “Someone who both has the vision and the understanding of how to get projects done that would make our city safe and beautiful.”

Construction continues on the White House East Wing ballroom on May 29, 2026.

(Kevin Carter / Getty Images)

‘The finest ballroom anywhere in the world’

Yet other, more controversial projects, exacting irreversible change to capital institutions, are facing greater opposition.

On Thursday, the Kennedy Center for the Performing Arts directed its staff to begin removing Trump’s name from its facade after a judge ruled that the attempted name change, and his effort to close the venue for two years of dramatic renovations, were illegal.

Angered by the court’s decision, Trump directed the Commerce Department to make arrangements to transfer control of the Kennedy Center to Congress. The move would give lawmakers power over the center’s operations, maintenance and management. It was originally an act of Congress that gave the Kennedy Center its name and mandate.

In other areas of the city, preservationists have successfully delayed the president’s bid to paint over the natural gray granite of the Eisenhower Executive Office Building. And Republican lawmakers have refused to vote to fund the construction of a ballroom at the White House that has already laid waste to the East Wing and, if completed, would dwarf the landmark residence.

Construction crews began tearing down the East Wing in October to make way for the 90,000-square-foot facility. Trump, who built a career as a real estate developer, has frequently touted the project, gushing over the sounds of jackhammers and excavation trucks.

Construction continues on the White House South Lawn on June 1, 2026, for an upcoming UFC match. President Trump is hosting a UFC match on the White House grounds to mark the nation’s 250th birthday.

(Kevin Carter / Getty Images)

“Oh, that’s music to my ears. I love that sound,” Trump told Republican senators at a White House event last fall. “A lot of people don’t like it. When I hear that sound, it reminds me of money.”

The ballroom project was initially expected to cost $200 million, a price that has since doubled. It is being financed by private donors and Trump, who has called it a “gift to the United States.”

“We are building what will be the finest ballroom anywhere in the world,” the president said last month.

More than half of the publicly identified donors of the ballroom projects — 14 of the 27 known corporate contributors — have won new or bigger federal contracts worth more than $50 billion in the six months since construction began, according to a report released by Public Citizen, a watchdog group.

“These giant corporations aren’t funding the Trump ballroom fiasco out of the goodness of their hearts,” said Jon Golinger, a public policy advocate at Public Citizen and author of the report. “They have massive interests before the federal government and they hope to curry favor with, and receive favorable treatment, from the Trump administration.”

White House military aides stand next to the giant mirror that hangs along the Rose Garden Colonnade at the White House on May 21, 2026.

(Chip Somodevilla / Getty Images)

The White House has challenged the report’s assertions, saying critics of how the project is being funded are “only people who suffer from a severe and incurable disease known as Trump Derangement Syndrome.”

“President Trump is making the White House beautiful and giving it the glory it deserves at no cost to taxpayers — something everyone should celebrate,” White House spokesman Davis Ingle said in a statement.

The report came out as the ballroom project has faced persistent hurdles in court and Congress.

The National Trust for Historic Preservation sued to stop construction, arguing the administration had not followed the legally required review process and had not secured congressional approval. In March, a federal judge halted aboveground construction, but an appeals court quickly allowed work to resume through June while the case proceeds.

On Friday, the panel heard the case and expressed skepticism about Trump’s push to build the ballroom without congressional approval.

On Capitol Hill, Senate Republicans dropped a proposal to set aside $1 billion in security funding for the ballroom after several GOP senators said it lacked the votes to pass.

Trump has insisted the funding is not necessary to complete the project, though he said it would help secure the complex. Without it, he told reporters last month, “the White House won’t be a very secure place.”

(Los Angeles Times photo illustration; Photo by Kevin Dietsch / Getty Images)

Arc de Trump

The president is also seeking to build a 250-foot-tall “triumphal arch” near Arlington National Cemetery, across the Potomac River at the foot of Memorial Bridge.

Renderings show the arch would be twice the height of the Lincoln Memorial, crowned by a golden statue of Lady Liberty sporting outstretched wings. An observation deck on its roof would offer sweeping views of the city.

Preservationists have criticized the plan as disrupting a sacred sightline between the memorials to Abraham Lincoln and Robert E. Lee, designed as a statement of unity after the Civil War. Even advocates of adding an arch in Washington have criticized the size of Trump’s proposed structure as overbearing. And a group of Vietnam War veterans has sued to try to stop its construction, arguing the project lacks congressional approval and would “dishonor their military and foreign service” because it would block the view of the cemetery.

Commission of Fine Arts member Pamela Hughes Patenaude, left, hands colleague Matthew Taylor a model of President Trump’s proposed triumphal arch to commemorate the country’s 250th anniversary during the commission’s public meeting at the National Building Museum in Washington on April 16, 2026.

(Andrew Harnik / Getty Images)

Despite public opposition, the National Capital Planning Commission last week advanced the project in its review process.

Trump praised the planning commission’s support, saying that “when completed, it will be, without question, the Greatest Arch of them all!”

The president has yet more plans to leave his mark — in some cases with his name, in others with his face.

Transportation Secretary Sean Duffy has proposed a $22-billion overhaul of Dulles International Airport outside the capital that would include a new terminal brandishing Trump’s name. Limited-edition U.S. passports will feature his portrait. And the Treasury has plans to mint a $250 bill featuring Trump’s mugshot from his 2023 Fulton County arrest, pending congressional approval — an unlikely prospect.

A walkway with the numbers “45” and “47” leading to construction on the new ballroom extension of the White House in Washington, D.C., on May 19. President Trump said a military hospital and research facilities will be built on the site of his planned White House ballroom, offering more details about the scope of the sprawling, controversial project.

(Samuel Corum/Bloomberg via Getty Images)

In a moment that went viral on social media, Sen. Jon Ossoff (D-Ga.), who is generating buzz over a potential run for the Democratic presidential nomination in 2028, offered a theory on what’s driving the president.

“He’s trying to put his face on the money. He’s building a monument to himself,” Ossoff told a crowd of supporters.

“But see, Atlanta, he’s doing these things now because no one will honor him when he’s gone,” he added, “because he’s a failed president and a national disgrace.”

Wilner reported from Los Angeles and Ceballos from Washington. Times staff writer Ben Wieder contributed to this report.

Nonfiction films and series are among some of the most-watched (and most-discussed) programming on TV. As Emmy season heats up, the directors of six notable contenders share thoughts about their projects.

‘The Yogurt Shop Murders’ (HBO)

“It’s just a famous, famous story in Texas, but particularly Austin,” director Margaret Brown says of the bewilderingly complex case of four teenage girls slain at a yogurt shop in the state’s capital in 1991. “You heard about it all the time at parties. My best friend was like, ‘That story is rabbit hole upon rabbit hole upon rabbit hole — no one knows what really happened. It’s impossible to figure out.’ I liked the idea of something that was impossible to figure out. But when I started doing the interviews, I was like, ‘This is dark, this is deep trauma.’ I’d never watched or done true crime before. I didn’t realize what it would be like to sit with people who hadn’t known what happened to their siblings and children for over 30 years. I remember [thinking], ‘I’ve got to get this right. I can’t mess this up. There’s just too much pain here.’”

‘The American Revolution’ (PBS)

“Leading up to it, I said I just don’t want us drowning in fife-and-drum treacle,” director Ken Burns says of his expansive treatment of America’s origin story, which draws out the experiences of Native Americans and enslaved people as well as the era’s atmosphere of civic discord. “Clearly it’s not, because we’re so existentially challenged by the moment. But the revolution gives us a sense of perspective. Times were more challenging then. More division. More division in the Civil War. More division in Reconstruction. Yes, the threats are unprecedented, but they’re not totally unfamiliar. Mark Twain is supposed to have said history doesn’t repeat itself, but he’s [also] supposed to have said it rhymes. I love that. So like Odysseus, I tie myself to the mast and resist the temptation to put a little neon sign in the film saying, ‘Isn’t this so much like today?’”

‘Sean Combs: The Reckoning’ (Netflix)

“There was so much noise,” says director Alexandria Stapleton, who tracks hip-hop mogul Sean “Diddy” Combs’ rise and shocking fall in this series, executive produced by 50 Cent. “I’m scared for my safety, I’m scared for my career. Then there was every journalist, every giant corporation, trying to chase the same story. Because there was a feeding frenzy, there were a lot of people that were not truthful. It was making sure that we were going after the right people to speak with, and then … making sure that they felt safe emotionally. No one knew who I was interviewing while I was making it. In making a project about a man who’s very connected in media and very good at whatever he wants his narrative to be, there was a very deliberate decision to not drop this project until we literally were a week out.”

‘Ocean With David Attenborough’ (National Geographic)

(Keith Scholey / Silverback Films and Open Planet / National Geographic)

“It’s been weird, because I’ve got older, and he sort of stayed the same, like the Dorian Gray picture,” says Keith Scholey, one of the film’s directors, of the 100-year-old broadcasting legend and naturalist. “He’s still got that huge power and presence and commitment. It comes from the heart. He’s got a huge depth to him, in terms of knowledge, experience, personality … but he’s also very self-effacing. The most boring thing in the world for David Attenborough is David Attenborough. He’s interested in every aspect of the truth, and he loves uncovering that and passing that on to the world. He knows how to present in a way that it’s a performance, but it’s not a performance.”

‘Neighbors’ (HBO)

“Neighbor disputes are a great leveler,” says Harrison Fishman, who co-directs this gonzo excursion into neighborhood feuds with Dylan Redford. “If you think about class and race and politics, all that stuff gets thrown out the window when people are dealing with such small, concrete problems. You quickly start learning why people care so much about the things that they’re fighting for. It becomes a bit like a Trojan horse into learning about aspects of America and things about people that have nothing to do with the dispute. Those tangents are so valuable to us, because it gives context to the dispute. But it also helps people understand who everybody is in our country.”

‘Mr. Scorsese’ (Apple TV)

“We would get together and have these very long conversations,” says director Rebecca Miller, who interviewed American cinema’s great poet of tortured masculinity over five years. “But then in terms of the other voices, I thought, ‘Who knows him best?’ There was this wonderful movie called ‘Crumb,’ by Terry Zwigoff. He interviewed [cartoonist R. Crumb’s] ex-girlfriend at a certain point, and I felt like I got a view into the person, not in a gossipy way, but … trying to get a rounded view. If you only get the front-facing part, you’re not going to get a full sense of who they are. It was very important to me that we hear from the daughters or his wife, that there’s a sense of a person in there.”

WASHINGTON — Yet another White House construction project is underway, though this one is meant to be only temporary.

Crews are erecting an octagon-shaped cage on the South Lawn that will host next month’s UFC bout, helping mark the nation’s 250th anniversary — and President Trump ‘s 80th birthday.

Online renderings depict what the completed, wire-mesh-fence-ringed fight space is expected to look like ahead of the June 14 event. It will be ringed by a red, white and blue stage under a towering arch featuring stars and stripes patterns and two large screens carrying the action live.

The cage and stage will themselves be surrounded by thousands of temporary seats, including ringside space for a full marching band that can set the entire scene to blaring music.

The project is part of a series of events celebrating the semiquincentennial of the Declaration of Independence’s signing on July 4, 1776. Other planned functions include an IndyCar race that will pass by the White House and the Great American State Fair taking place on the National Mall.

Trump has said that the finished UFC project will feature “a 5,000-seat arena right outside the front door of the White House.” Additional large screens broadcasting the fights will be set up in a park at the nearby Ellipse, and the UFC has said it plans to issue as many as 85,000 free tickets to accommodate spectators at both locations.

“I have never seen anybody want anything so much as people want those tickets,” Trump said recently of demand to attend the UFC fight, adding, “That’s gonna be something.”

The card has been panned by fans online as underwhelming, featuring just two championship fights. Brazil’s Alex Pereira will meet France’s Ciryl Gane for the interim UFC heavyweight title. Then Spanish-Georgian lightweight champion Ilia Topuria takes on interim champ Justin Gaethje, one of just two Americans who currently hold even a share of the UFC’s 11 championship belts.

The octagon and surrounding structures are the latest project in the White House building boom Trump is leading.

The president’s other efforts to leave his mark include tearing up part of the Rose Garden to make room for a patio space reminiscent of his Mar-a-Lago estate in Florida, affixing partisan plaques to the wall of the colonnade for a Presidential Walk of Fame, redoing the bathroom attached to the Lincoln Bedroom and renovating the Palm Room, placing new flag poles on the north and south lawns and demolishing the entire East Wing for a sprawling ballroom.

The president also wants to repaint the Eisenhower Executive Office Building beside the White House and build a 250-foot arch at the nearby Lincoln Memorial — the same monument where weigh-ins for the upcoming UFC fight are scheduled to take place, bout organizers say.

Weissert writes for the Associated Press.

Women’s basketball is finally getting the queer rom-com it deserves.

Media company Run-A-Muck has announced that it is developing “Courtside,” a sports romantic comedy set in the world of professional basketball. WNBA All-Star Gabby Williams, two-time WNBA champion Sydney Colson and 2022 WNBA champion Theresa Plaisance are among those set to appear in the movie, according to Deadline.

“If you like ‘Love & Basketball’ and ‘Bend It Like Beckham’ and ‘Bring It On’ but you found yourself wondering, ‘Could this maybe be a little bit gayer?’ We have great news for you,” Colson said in a Thursday Instagram post. “The answer is yeah, you could always make it gayer.”

Colson, a Texas A&M standout who was drafted to the WNBA in 2011, is also one of the executive producers on “Courtside.”

Written by “Abbott Elementary” writer-producer Brittani Nichols and directed by Carly Usdin, the movie will follow an injury-plagued women’s basketball superstar with championship ambitions who is thrown for a loop when she falls for a teammate.

“Making a movie like this is super exciting to me because I grew up playing basketball,” Colson added. “I would have loved as a young person to see my story depicted … on screen so to see a team of people who want to ensure that others can see characters and storylines that feel personal and familiar to them. I’m so excited about it.”

Colsen and Plaisance, who won a championship together as teammates on the Las Vegas Aces in 2022, share a podcast and also starred in the unscripted buddy comedy “The Syd + TP Show” together. Williams, who plays for France in international competition, currently plays on the Golden State Valkyries.

“It feels like I’ve been waiting my whole life for this kind of excitement to surround women’s basketball, and I’m excited to blend my love of sports, lesbian tension, and comedy into one project,” Nichols told Deadline. According to the outlet, Run-A-Muck co-founder and “The L Word” star Jennifer Beals is also slated to appear in the project.

WASHINGTON — The U.S. Commission of Fine Arts on Thursday approved the design for the triumphal arch that President Trump wants built at an entrance to the nation’s capital.

Commissioners, all of whom were appointed by Trump, approved the design despite overwhelming opposition from the public. Approval is a key step in the project’s process.

The proposed arch is one of several projects the Republican president is pursuing alongside a White House ballroom to leave his imprint on Washington.

He has said some of his other projects, such as adding a blue coating to the interior of the Lincoln Memorial Reflecting Pool, will beautify the city in time for July 4 celebrations of America’s 250th birthday.

The U.S. Commission of Fine Arts approved the concept for the arch at its monthly meeting in April.

As presented to the federal agency, the arch itself would stand 250 feet tall from its base to a torch held aloft by a Lady Liberty-like figure on top of the structure. The statue would be flanked on top by two eagles and guarded at the base by four lions — all gilded. The phrases “One Nation Under God” and “Liberty and Justice for All” would be inscribed in gold lettering atop either side of the monument.

A public observation deck on top would provide 360-degree views of the surroundings.

The commission’s vice chairman, architect James McCrery II, said in April that he preferred the arch without the figures on top. Removing them would significantly reduce the arch’s height by about 80 feet. Critics of the project, including an overwhelming number of people who submitted public comment in April, said the arch would be taller than any other monument in the capital city and dominate the skyline.

At a height of 250 feet, the arch would dwarf the Lincoln Memorial, which is 99 feet tall, and be close to half the height of the Washington Monument, an obelisk that is about 555 feet tall.

McCrery also recommended that the lions on the base be removed because that animal is “not a beast natural to the North American continent.” And he objected to plans for an underground tunnel for pedestrians to get to the arch, which would be built on a traffic circle between the Lincoln Memorial and Arlington National Cemetery in Virginia.

Preliminary surveys and testing of the site began last week.

A group of veterans and a historian have sued the Trump administration in federal court to block construction on grounds that the arch would disrupt the sightline between the Lincoln Memorial and Arlington House at Arlington National Cemetery, among other reasons.

Trump and Interior Secretary Doug Burgum have argued that Washington is the only major Western world capital without such an arch. Burgum’s department includes the National Park Service, which manages the plot where Trump wants to put the arch.

Trump’s rehab of the Lincoln Memorial Reflecting Pool is also the subject of a court challenge brought by the Cultural Landscape Foundation, which said the administration’s moves to repaint the bottom of the Reflecting Pool blue without first undergoing relevant reviews ran afoul of federal preservation laws governing historic sites.

The nonprofit group argued in a lawsuit filed last week that the changes at the Reflecting Pool are part of Trump’s broader effort to push through dramatic renovations in Washington without proper reviews and undermine the tone of the area.

A hearing in the case was scheduled for Thursday afternoon in federal court in Washington.

Superville writes for the Associated Press.

May 15 (UPI) — President Donald Trump said Friday that wants to build the National Garden of American Heroes, an exhibit of statues in West Potomac Park in Washington, D.C.

Trump posted on social media that the public space would include landscaping and statues of the founding fathers, military soldiers, religious leaders, civil rights figures, athletes, artists and entertainers.

“This magnificent exhibition of statues will be located in West Potomac Park, which we are transforming into one of the World’s most beautiful public spaces,” Trump posted. “Right now, it is a totally BARREN field of Prime Waterfront Real Estate along our Mighty Potomac River.”

The project is the latest of Trump’s announcements to mark the United States’ 250th anniversary. He has said he wants 250 statues included in the garden.

Trump has ordered other projects in Washington, D.C., including renovation of the East Wing of the White House and repainting the basin of the Lincoln Memorial reflecting pool. These projects have drawn criticism over Trump exerting unilateral authority to put them in motion, bypassing congressional approval.

The White House has not clarified whether it will seek congressional approval for the statue garden.

The National Capital Planning Commission and Commission of Fine Arts are typically involved in reviewing projects like this in Washington, D.C.

The newly formed National Garden of American Heroes Foundation is fundraising for the garden project.

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When Kevin Hart announced in January that he’d licensed his name to Authentic Brands Group, the popular comedian was silent on a key detail: the future of his namesake media company.

Hart sold some ownership and oversight of his brand in exchange for an undisclosed sum of money and a stake in Authentic, a New York-based firm that manages the likenesses of Marilyn Monroe, Muhammad Ali, Shaquille O’Neal and David Beckham.

Hart used the partnership with Authentic to reset his relationship with the people around him and his company, according to six current and former employees. Hart’s employees say they worry that this deal marks the beginning of the end of Hartbeat, the comedian’s namesake media company that produces films, owns a network of short-form video channels and handles marketing for brands.

Though the announcement made no mention of Hartbeat, the agreement gave Hart money to buy out his private equity partner in the company over time and regain control of the use of his name, image and likeness. Hart’s endorsement deals, which had been a pillar of Hartbeat business, will now be handled by Authentic.

Once valued at about $650 million, Hartbeat has shriveled over the past few years. The company enacted its latest round of job cuts in December, firing the heads of its scripted TV division, as well as employees working across marketing, social media and brand partnerships, said the people. Earlier this year it let go the leaders of its podcast division and later sued them for breach of contract.

Hart has withdrawn from the company, leaving day-to-day management in the hands of a small group of executives. Staff meetings have been canceled. The development of new film and TV projects has slowed. A slate of new podcasts was pitched but never produced.

Hartbeat’s struggles reflected the challenging environment for many Hollywood production companies as media giants merge and cut spending. The company is also a cautionary tale in this age of the celebrity media mogul. Financial firms have plowed money into media companies led by high-profile figures, believing they could use their notoriety to build valuable businesses. Yet even seemingly successful ones have had a hard time.

Hartbeat, like many of its peers, has suffered from mismanagement and grappled with the tension between the needs of the star and his company. Hart, one of the hardest-working people in Hollywood, tired of subsidizing a company that relied so much on him

Hart declined to comment for this story, which is based on conversations with several current and former employees. On Sunday night, Hart, who hosted the widely viewed roast of NFL great Tom Brady two years ago, was the subject of his own roast on Netflix.

Building a Billion-Dollar Business

One of the most successful stand-up comedians and actors of his generation, Hart, 46, has always been entrepreneurial. In 2017, he started Laugh Out Loud, an online video comedy business that later grew to include branded entertainment. He also operated his own production company, Hartbeat Productions, that made programs for streaming services like Peacock, Quibi and Netflix Inc.

With Hollywood in the midst of a production boom, Hart watched his fellow celebrities get rich from their media enterprises. Reese Witherspoon sold her media company, Hello Sunshine, in a deal that valued it at as much as $900 million. Hart’s friend LeBron James raised money for his company, SpringHill, at a valuation of $725 million. Hart believed he could be next.

In late 2022, Hart merged his business interests under the Hartbeat banner and raised money by selling a 15% stake to the private equity firm Abry Partners. The deal valued the company at about $650 million.

The new business was predicated on three pillars: film and TV, short-form video and advertising. Hartbeat had a deal to produce movies for Netflix, a slate of podcasts for SiriusXM Holdings Inc. and original audio series for Audible. Hartbeat also developed relationships with advertisers such as Lyft Inc., Procter & Gamble Co. and DraftKings Inc.

While Hart would star in Hartbeat projects, the goal of the company was to develop projects and new business that didn’t involve its namesake founder. The company could leverage Hart to sell projects and secure broad programming partnerships. Hart would ask that Hartbeat be involved in producing his movies and any advertising campaign for which he was a spokesperson. His fees as a producer and brand ambassador would help pay the bills. The hope was he’d convince other celebrities to use Hartbeat as well. Thai Randolph, who had been running Laugh Out Loud, was named chief executive officer.

Hartbeat opened offices in New York and Atlanta and took over a 40,000-square-foot West Hollywood office once occupied by Oprah Winfrey. Hart redesigned the space and installed a world-class art collection.

The upper-level lobby featured a work by Ghanaian artist Serge Attukwei Clottey, while the conference room had a sculpture by Zimbabwean artist Moffat Takadiwa made of computer keyboard keys. A portrait of Kobe Bryant by Julian Pace hung outside a podcast studio.

Hart’s own office featured a dressing room, a series of paintings by South African artist Feni Chulumanco, multiple TVs and a desk from a prominent French designer. “He really has almost a full-service apartment in his suite,” Kai Williamson, who worked with Hart on the project, told Architectural Digest. Hart was interviewed for a story and also filmed an episode of the design magazine’s “Open Door” video series.

While Hartbeat expanded, Hollywood entered a recession. Economic uncertainty, rising interest rates and growing skepticism about the profitability of streaming caused major media companies to fire staff and pull back on buying new projects. Hartbeat was a little more insulated than most because talent like Hart could usually still get a project made. Still, producing projects without Hart in a starring role became more difficult.

Randolph left the company in late 2023 and was replaced by Jay Levine, who had spent much of his career at Warner Bros. Discovery Inc. Levine brought in a couple of other senior leaders with experience at major media companies.

A contingent of executives pushed Hart to scale back some ambitions, the people said. The company couldn’t afford to be working in so many different businesses at the same time, especially as areas like free, advertising-supported online video, and podcasts got more competitive. Hart was one of the most prolific and productive creative people in the world, starring in and producing movies, TV shows, comedy, short-form videos and advertisements. The point of the company was to relieve the stress on him, not add to it.

While Hartbeat closed its New York office, Hart was reluctant to scale back his vision or replace some long-time lieutenants. Levine negotiated his exit at the end of 2024 and was followed out the door by the company’s chief financial officer and chief content officer. Days before Thanksgiving, Hartbeat laid off about 20 people, nearly one quarter of its work force.

A year of chaos and conflict

In January 2025, Hart announced he would be the new CEO of Hartbeat and pledged to outline the firm’s strategy in the coming weeks. Instead, Hart went weeks and sometimes months without visiting the office, the people said, and empowered Jeff Clanagan and CFO Eric Stoneburner to run the company day to day. (Hart was on set to shoot at least a couple movies last year, in addition to his other work.)

A former concert promoter and movie producer, Clanagan had helped make Hart a major star. He had partnered with Hart to bring his stand-up specials to the big screen, producing shows such as 2013’s Kevin Hart: Let Me Explain, which grossed $32 million at the box office. Clanagan produced some of these specials under the banner of his own company, Codeblack Films, which helps promote, market and distribute video from Black creators.

Clanagan continued to operate Codeblack while serving in a senior capacity at Hartbeat, said the people. He pushed employees at Hartbeat to post its videos to the Codeblack channels as well, saying they could use the additional reach to raise awareness. The videos generated advertising sales for Codeblack.

Clanagan had employees at Hartbeat oversee Codeblack’s social media pages and asked to get those channels loaded into Hartbeat’s content management system. That gave Codeblack’s YouTube channels advantages over others because of Hart’s prominence and his company’s designation with YouTube. Employees raised concerns with human resources and the company’s lawyer.

Clanagan also became increasingly interested in video generated by artificial intelligence. He started a new app called Blktopia, a streaming service for Black viewers programmed with content from online creators and often made by AI. He urged employees to work on it, the people said. Clanagan initially responded to a request for comment and then retracted the text message.

Meanwhile, many of Hartbeat’s main businesses languished. Sales from the company’s YouTube channels fell and investment in new film and TV projects slowed. Hartbeat, once profitable, started to bleed cash. Hartbeat had hired Eric Eddings and Lesley Gwam to produce audio shows that didn’t involve Hart. While the pair developed a slate of projects, they never got approval to make them.

In mid-December, Hartbeat fired about a dozen employees, including some of those who were supposed to develop the podcasts. Eddings and Gwam then decided to start their own company and began trying to raise money. When Clanagan found out, Hartbeat fired them and sued for alleged theft of trade secrets and breach of contract.

A court approved a temporary restraining order but then rejected a preliminary injunction, saying Hartbeat had not demonstrated Eddings and Gwam had used proprietary information or trade secrets. The court said the request was “vague, ambiguous, and overly broad.” The case is ongoing.

Hartbeat also fired the heads of its TV division, Tiffany Brown and Mike Stein, who were in the middle of producing a TV show based on the film Barbershop for Amazon.com Inc. and a second season of the animated series Lil Kev.

The company made no official announcement explaining the cuts. The following week, senior leadership arranged a Zoom meeting. Hart remained off camera until it was his time to speak. He talked for a few minutes about changes at the company and took no questions. Hart changed his phone number in the weeks following the layoffs. (Some of his advisors had suggested he do this years earlier so that he wasn’t so available.)

A few weeks later, Hart announced the deal with Authentic Brands Group. Hart used some of the proceeds to buy out Abry Partners, freeing him to steer his brand deals to Authentic and outside of Hartbeat. A few of his employees and his publicist joined him at Authentic.

“This is a turning point for Hartbeat,” the company wrote in a subsequent email to employees, explaining that the deal would free Hart up to focus on what he does best, while allowing Hartbeat to stand on its own and grow beyond him.

“I know the past few months have been tough,” Hart wrote, adding that for too long the company had been too dependent on him. The email was said to be from “Kevin AKA Boss Man.” It was sent by Hart’s assistant.

Shaw writes for Bloomberg.

SACRAMENTO — Gov. Gavin Newsom said his administration is “moving forward aggressively” to continue laying the groundwork for a giant tunnel beneath the Sacramento-San Joaquin River Delta to replumb the state’s water system.

“We got to move faster. Move faster,” Newsom said to regulators during a speech Thursday at a conference held by the Assn. of California Water Agencies. “We all have to be held to a higher level of accountability.”

California’s 40th governor provided a chronological look back at his water policies since taking office in 2019 and asserted the need to continue his effort to modernize state infrastructure to provide for cities and farms into the future.

Newsom cast the tunnel as a “climate adaptation project,” noting that climate change is projected to shrink the amount of water the state can deliver with its current infrastructure.

With his term expiring at the end of the year, Newsom acknowledged that he will soon “pass the baton” on water policy to the next governor. Democrat or Republican, that person could decide the fate of his signature water project.

“The Delta Conveyance, if we had it last year alone, would have provided enough water, in terms of what we could have captured with an updated system, enough water for 9.8 million Californians’ needs for over a year,” Newsom said. “We’ve got to get that done.”

Water has been a focus of the Newsom administration since his first day in office, when the governor took his cabinet to Monterey Park Tract, a rural Central Valley community that lacked access to safe drinking water.

Described by Newsom as “the forever problem” in California, water policy is also among the most politically contentious issues in the state.

The tunnel would create a second route to transport water from new intakes on the Sacramento River to the south side of the Delta, where pumps send water into the aqueducts of the State Water Project.

The project is particularly acrimonious, drawing out geographical battles between north and south and thorny fights between officials who want to build the tunnel and environmentalists and Delta residents seeking to protect the local ecosystem and their way of life.

Newsom and other supporters have said the tunnel would protect the state’s water system as climate change intensifies severe droughts and deluges. Opponents call the project a costly boondoggle, arguing it’s not necessary and would destroy the Delta.

It’s been mired with regulatory hurdles and other challenges for years.

The State Water Resources Control Board is considering a petition by the Newsom administration to amend permits so water could be tapped where the tunnel intakes would be built.

There have also been other complications. A state appeals court in December rejected the state’s plan for financing the project, and the California Supreme Court in April declined to take up the case. The state Department of Water Resources said it still plans to issue bonds to finance the project.

Other court challenges by Delta-area counties and environmental groups are also pending.

Whether the project is ultimately built may hinge on whether large water agencies, including the Metropolitan Water District of Southern California, decide to participate and pay for its building.

State officials have said that the tunnel, called the Delta Conveyance Project, ultimately would be paid for by participating water agencies.

The state estimated in 2024 that the tunnel would cost $20.1 billion, while opponents say it could cost three to five times more than that.

In the last seven years, California has invested $11 billion in water infrastructure, Newsom said.

The Democratic governor reflected on other parts of his water policies, saying he has prioritized securing funds to provide clean drinking water to more communities where Californians live with contaminated tap water.

He said while there has been progress in bringing safe drinking water to more communities, there is still “a lot more work to be done.”

Newsom touted his administration’s investment in replenishing groundwater in the Central Valley and its efforts supporting plans to build the Sites Reservoir near Sacramento.

Newsom said the Sites Reservoir is critical for the state’s future, and he indicated some frustration about the pace at which it’s advancing.

“We’ve got to do the groundbreaking at Sites,” he said. “If you can’t agree to an off-stream investment in this world of weather whiplash, we’re as dumb as we want to be.”

He said his administration has also made progress on environmental projects including restoring wetlands around the shrinking Salton Sea, removing dams on the Klamath River, and developing a strategy to help salmon, which have suffered major declines in recent years.

Touching on issues that generate heated debate, Newsom talked about a controversial plan for new water rules in the Delta that relies on so-called voluntary agreements in which water agencies would contribute funding for wetland habitat restoration projects and other measures.

Newsom described the approach, called the Healthy Rivers and Landscapes program, as a solution to break away from the traditional conflict-ridden regulatory approach and improve the Delta’s ecological health.

“Got to maintain the vigilance on these voluntary agreements. At peril, we go back to our old ways,” he said.

Environmental advocates argue that the proposed approach, which is widely supported by water agencies, would take too much water out of the Delta and threaten native fish that are already in severe decline.

Newsom said climate change is increasingly driving “weather whiplash” in California and that the state must prepare. He noted that his tenure included the extreme drought from 2020-22, followed by extremely wet conditions in 2023, which revived Tulare Lake on thousands of acres of farmland.

He said the state needs to manage water differently because the effects of climate change have been apparent over the last several years: “The hots were getting a lot hotter, the dries were getting a lot drier, and the wets were getting a lot wetter.”

The International Alliance of Theatrical Stage Employees is striking against “CoComelon: The Melon Patch” in protest over wages and working conditions.

The union representing crew members working on the live-action YouTube series said the workers are being overworked and that the production is understaffed.

The crew, which consists of 22 workers, recently signed cards seeking the International Alliance of Theatrical Stage Employees, or IATSE, to represent them in collective bargaining. The production’s management refused to bargain, according to the workers.

“The crew on this project experienced firsthand what working conditions can be like on a non-union production and organized for fair wages and industry-standard benefits after they started the second season,” IATSE said in a statement to The Times.

The strike began on Wednesday, halfway through the series’ shoot. The workers are currently picketing outside the Stage This studio in Sun Valley.

Moonbug Entertainment, the company behind the “CoComelon” franchise, declined to comment on the matter.

“The Melon Patch” first launched in 2025 and is a spinoff of the original “CoComelon” on YouTube. Over the last several years, “CoComelon” has become a staple in households with young children, known for its brightly colored 3D animation style. The franchise has spawned many spinoffs including Netflix’s “CoComelon Lane.” Universal Pictures is set to release a full-length feature in early 2027.

Several previous “CoComelon” productions have successfully been unionized and covered by IATSE’s contract, including the Netflix series.

Chris Roberts worked as an art director on the first season, but says he was initially offered a lower rate for season two. Though the project is non-union, he said it’s ironic to have to picket a company that makes kids’ content, as he’s unable to support his own family.

“It’s a little disheartening to be offered less money than we were paid in the first season and then have less staff, a heavier workload, and not be able to provide for my kids,” said Roberts, who has been a member of IATSE since 2016.