WASHINGTON — Last June 16, armed immigration agents broke the locks to forcibly enter an Oxnard auto body shop. Juan Carlos Ramirez, a U.S. citizen, filmed as they arrested his father.
Then the agents pepper-sprayed Ramirez, slammed him onto the hoods of two vehicles, punched his face and kneed him in the side, according to a legal claim he later filed against the federal government.
Local attorney Vanessa Valdez denounced Ramirez’s arrest at an Oxnard City Council meeting the next day. The following month, Valdez found herself in a similar situation when agents raided the cannabis company Glass House Farms.
Despite identifying herself as a legal observer, she said, agents — or possibly National Guard — deployed tear gas and shot her six times with rubber bullets. She ran and then, unable to see, crawled on all fours to escape.
Vanessa Valdez, a Ventura-based attorney, has filed a claim against the federal government, alleging she was hit with tear gas and six rubber bullets during the Glass House Farms raid last July.
(Christina House / Los Angeles Times)
“They were just shooting aimlessly, it seemed like,” she said. “I thought maybe they had fractured a rib because that’s how painful it was. I couldn’t sleep face down for three weeks.”
Ramirez and Valdez are among the dozens of U.S. citizens and immigrants who are seeking financial compensation for damages they say they suffered during President Trump’s immigration dragnet. For Valdez, that includes the cost of hospital visits, lost wages as she recovered, anxiety medication and seeing a therapist.
After reviewing public accounts and legal documents and interviews with more than a dozen lawyers and immigrants, The Times found that claimants from across the country are seeking at least $260 million.
In a statement, Homeland Security spokesperson Lauren Bis wrote that ICE officers are held to the highest professional standard and receive regular training. Bis said that when agents are faced with danger, they use their training to protect themselves and the public.
“The pattern is NOT of law enforcement using force. It’s a pattern of violent agitators attacking our law enforcement,” she wrote.
Asked about Valdez, Bis said law enforcement deployed chemical irritants including pepper balls, but not rubber bullets, after agitators attempted to breach the perimeter at Glass House Farms. She said Ramirez refused officer’s commands and physically attacked them, so they pepper-sprayed him in self-defense.
Lawyers who are experts in tort claims said the bureaucratic process is lengthy and complex, and any damage award would likely be lower than what a claimant is seeking.
Still, seeking redress through the Federal Tort Claims Act is one of the few legal remedies available for those seeking financial compensation for deaths, physical injuries, emotional trauma, unlawful detention or property damage caused by federal employees.
The number of claims is expected to rise.
Federal agents, some wearing street clothes and some wearing uniforms and protective gear, form a defensive line against hundreds of protesters outside the Metropolitan Detention Center in Los Angeles on Jan. 30.
(Allen J. Schaben / Los Angeles Times)
In recent months, advocacy organizations have prepared practice advisories for attorneys interested in filing tort claims, and law groups across the country have begun holding training sessions on the process.
“There is no question in my mind that a lot of people — hundreds, thousands — have been harmed significantly and will be legally entitled to large damages payouts, which are going to come from the federal government,” said Jonathan Feinberg, a Philadelphia-based attorney.
Feinberg, who specializes in cases involving excessive use of force by police and abuses of detained immigrants, is president of the board of directors for the National Police Accountability Project, which focuses on law enforcement misconduct.
“We’re going to be talking about Minneapolis in 2030,” he added.
Before they can sue in federal court, individuals must first request a review by the agency that they say is responsible, such as Immigration and Customs Enforcement or Customs and Border Protection. The agency has six months to respond and deny the claim or offer a settlement.
If the agency doesn’t respond or denies a claim, the claimant can then file suit.
Unlike civil rights lawsuits, in which juries decide the verdict, in tort cases, judges make that call. Only the agencies are named as defendants, not individuals.
The Times reviewed the claims of nearly 80 people filed since the start of 2025. The vast majority remain in the review stage. Lawyers anticipate most will not be settled, unleashing a flood of lawsuits starting this summer.
Federal law since 1871 has established that people can sue state and local officials for violating their constitutional rights. But the law left out federal actors.
One hundred years later, the Supreme Court allowed for damages lawsuits against federal officials who violate a person’s civil rights, though decisions in recent years have substantially narrowed that ability.
Democrats in California are pursuing legislation that would make it easier for residents to seek financial damages for constitutional violations committed by federal agents. Similar laws were already enacted in Maryland, Illinois and Connecticut, though the Trump administration has sued to block the latter two.
But there is a different route — tort claims.
Tort cases can be difficult to win, in part because the government can claim a “discretionary function exception,” which shields the agency from liability when the situation involves a policy-driven judgment call.
“So that’s what a lot of plaintiff’s lawyers are really anxious about, that the Trump administration is going to say, ‘Well, we’ve got our own immigration policies. Of course a lot of people disagree with them, but the statute is designed to give us the right to make those policy judgments,’” said Benjamin Zipursky, a Fordham University law professor who studies torts.
“Now, if I were the plaintiff’s lawyer, I would say, ‘Yeah, but shooting somebody in cold blood because you’re just mad about their political views, and they’re not really threatening your life at all — that’s not a policy judgment,’” he said.
The law office of John Burris, an Oakland-based attorney who represented Rodney King after he was severely beaten by Los Angeles police officers in 1991, has taken on damages clients in Minnesota. He said he anticipates filing around 80 tort claims stemming from the immigration enforcement actions there.
A memorial for Renee Good at the location where she was fatally shot in Minneapolis.
(Eric Thayer / Los Angeles Times)
Burris said the experience has given him flashbacks to the period before King’s beating and the subsequent protests over police brutality, when officers felt they could act with impunity.
“There’s 1779798656 a more fundamental understanding that bad stuff does happen,” he said. “Everyday people are not as willing as they once were to just accept a police officer’s perspective.”
Public disapproval over immigration enforcement rose after federal immigration agents in Minneapolis shot and killed two 37-year-old U.S. citizens, Renee Good, a mother of three, and Alex Pretti, an ICU nurse, in separate incidents.
Other deaths took place before the Minnesota operation: 23-year-old Ruben Ray Martinez, who was killed by an ICE agent in Texas who fired repeatedly through the open window of his car; Keith Porter, 43, who was killed in Los Angeles by an off-duty ICE agent after shooting his gun into the air on New Year’s Eve; and Jaime Alanis Garcia, 57, who fell 30 feet from atop a greenhouse while fleeing agents at the Glass House Farms site in Camarillo.
Lawyers for the families of Good, Martinez and Garcia confirmed they are pursuing tort claims. Lawyers for the other families did not respond to requests for comment.
Additional highly publicized cases have also resulted in tort claims: Marimar Martinez, who was shot five times by a Border Patrol agent in Chicago; Mahmoud Khalil, the Columbia University student and Palestinian rights activist who spent 104 days detained after the administration labeled him a national security threat; Aliya Rahman, a disabled woman on her way to a doctor’s appointment in Minneapolis who blacked out at a detention facility after ICE agents detained her.
New claims appear to be filed weekly. Seventeen men, women and children who were detained in a military-style raid at a Chicago apartment complex filed claims this month seeking about $5 million each.
In many of the cases, Bis said, the claimants impeded or assaulted agents. Pretti’s death remains under investigation, she said.
Willy Wender Aceituno stands in the parking lot where he was arrested last November by ICE agents in Charlotte, N.C.
(Jesse Barber / For The Times)
Willy Wender Aceituno was already a plaintiff in a class-action lawsuit filed by the ACLU of North Carolina challenging the policy allowing warrantless immigration arrests after he was stopped twice in a span of minutes by immigration agents last November. In March, he also submitted a tort claim.
Aceituno is a Honduran-born U.S. citizen who voted for Trump. On the day he was arrested, a group of masked agents checked his identification and left. Aceituno then filmed as a second group surrounded his red truck.
“If you break it, you will pay for it,” he tells them in Spanish seconds before one agent smashes the window with a baton. “Why did you do that, sir?”
Aceituno suffered cuts when agents threw him to the ground, which was covered in shattered glass. They placed him in an SUV with other detainees and drove him around Charlotte, N.C., before releasing him, still bleeding, more than 2 miles from his vehicle.
The moment brought back Aceituno’s childhood memory of watching his father be arrested by the Honduran military and disappeared.
“I remember they broke down the door, entered, put him in handcuffs and threw him to the ground,” he said. “I thought, ‘It’s happening again.’ To see the other Hispanics in the car made it feel like this is racial persecution. This is about skin, not criminality.”
Bis, the Homeland Security spokesperson, said Aceituno acted erratically, escalated the situation and refused to comply with officers’ commands.
Lawyers said many people, especially immigrants, who have viable claims have chosen not to pursue them out of fear of being targeted for deportation. Some were deported before they could sue.
“Even now, our clients wake up some days thinking, ‘What am I doing suing the federal government?’” said Iván Espinoza-Madrigal, executive director of the Massachusetts-based Lawyers for Civil Rights. “You have to have a lot of courage to be able to stand up against an administration that has put a bull’s-eye on you and that has targeted you based on your identity.”
Others have turned to mutual aid or online fundraisers to pay for medical bills or to repair property damage. On the website GoFundMe, donation campaigns describe shattered car windows, broken limbs, head trauma and mounting bills.
Some damage can’t be fully recompensated, Espinoza-Madrigal added.
Members of the Haitian community hold signs in support for the extension of Temporary Protected Status during a rally last month in Miami.
(Carl Juste / Miami Herald / Getty Images)
One of the organization’s clients is Jose Pineda, a Salvadoran man with Temporary Protected Status. A year ago, Pineda was stopped by ICE officers on his way to work in East Boston as a landscaper. They wouldn’t accept his Social Security and work authorization cards as proof enough that he was not deportable, and detained him without explanation, according to his tort claim.
So Pineda spent nearly two days in a holding cell at the ICE Boston Field Office with around 50 other people. He couldn’t sit or sleep and received minimal water and food.
Bis said agents “briefly questioned” Pineda because he matched the description of the subject of an operation, and that he was released after being identified.
When he was released, the claim alleges, his documents were returned but $600 in cash that he was saving to pay rent was not. The incident left him with frequent headaches, anxiety and memory loss, and exacerbated his gastritis. His absence from work resulted in a demotion from lead foreman to an assistant role.
“Whenever I drive, if someone stays behind me for three, four or five minutes, I start to imagine that it’s them again,” he said in an interview.
Pineda’s arrest also caused recurring nightmares that leave him shouting and thrashing around in bed. Out of fear that he could inadvertently harm his wife, they now sleep in separate beds.
International cave rescue experts in Laos were in a race against time and the weather as day 7 of an operation to rescue seven people trapped in a flooded cave in a mineral rich region of the country came to a close. Photo by Metta Tham Kalasin Rescue/EPA
May 26 (UPI) — Authorities in Laos were in a race against time and the weather Tuesday as day 7 of an operation to rescue seven people trapped in a flooded cave in a mineral-rich region north of the capital, Vientiane, came to a close.
The group, all locals, became trapped by landslides triggered by heavy rains on Wednesday after entering the remote cave, which is accessible only on foot, in the central province of Xaysomboun on a hunting and gold prospecting mission.
The landslides blocked the cave entrance and caused it to flood with muddy water.
The group have not been heard from since, but one person who managed to reach safety reported at least one area of the cave was not underwater and specialist cave rescue divers from neighboring Thailand who had joined the operation said they had found pockets of air.
“I’m confident that they are still alive because there is still air in the cave,” said Metta Tham Rescue head of operations Kengkard Bongkawong.
He said that with water levels still rising after torrential rain forced rescuers to retreat Sunday night, they were pumping water out 24 hours a day and placing fixed ropes inside for rescuers to follow.
“The route is not complicated but the problem is the space. It’s so narrow that we have to crawl and tilt to pass through; also the rocks are really sharp,” said Kengkard.
Kengkard took part in the dive operation in 2018 to rescue 12 members of a youth football team and their coach after they had been trapped for more than two weeks in a flooded cave in Thailand’s Chiang Rai province.
The Metta Tham Rescue team was joined at the site Monday by Finnish diver Mikko Paasi, and Thai cave diver Norrased Palasing, also both veterans of the Tham Luang cave rescue in 2018.
The rescue turned into a huge international operation involving 10,000 specialists, from cave rescue and medical experts to Elon Musk, who had his engineers develop a mini rescue. submersible.
The mini sub was never used but two divers, both former Thai Navy SEALS, were killed in the operation.
Wreathes are seen amongst the statues at the Korean War Veterans Memorial during Memorial Day weekend in Washington on May 27, 2023. Memorial Day, which honors U.S. military personnel who died while in service, is held on the last Monday of May. Photo by Bonnie Cash/UPI | License Photo
When actors from TV’s top comedy series recently gathered for The Envelope’s Emmy Comedy Roundtable, any lessons they’d learned over the years about how not to break quickly went out the window — this year’s guests made each other laugh early and often.
Contributing to the hilarity were Danielle Deadwyler, whose English professor in HBO’s “Rooster” has her life disrupted by a bestselling writer; Donald Faison, who reprises the role of Christopher Turk, now chief of surgery, in the revival of ABC’s medical sitcom “Scrubs”; Sabrina Impacciatore, who embodies the vain managing editor of a failing regional newspaper on Peacock’s “The Paper”; Justine Lupe, who plays Morgan, a flighty but loyal sister and podcast co-host in Netflix’s rom-com “Nobody Wants This”; Lamorne Morris, who portrays New York City journalist Robbie Robertson in Prime Video’s Depression-set “Spider-Noir”; and Chris Perfetti, who features on “Abbott Elementary” as awkward but well-intentioned social studies teacher Jacob Hill.
In the course of our conversation, participants discussed surviving bad reviews, what fans misunderstand about comedy and, yes, how they keep a straight face during funny scenes (if not on The Envelope roundtable). Read excerpts from the conversation below.
What is the last thing that made you laugh out loud, whether it was meant to be funny or not?
Lupe: I have a one-and-a-half year-old. She’s just starting to talk. She doesn’t really say a lot of words at once, but she started doing this thing where, when she’s going poop, she just goes, “Oh, wow. Oh, wow.” And every time it’s just so cute.
Perfetti: I also do that when I poop, so please tell her it’s normal… I don’t know, guys. It’s scary times. I don’t find myself laughing out loud very much anymore. I guess to that end, I watch Jimmy Kimmel’s monologue every night and I think that it’s pretty drop-dead gorgeous. It’s so funny, and he’s using that platform in such a gorgeous way.
Faison: My daughter was playing a volleyball game against a very formidable opponent. I’m just going to put it out there: LeBron James’ daughter. She was serving and pushed everybody back with her serve. Boom! Everybody backs up. Now she’s got everybody out of bounds, then she taps it real soft and it falls in front of them. I laughed out loud. I was just so impressed, and my daughter looked at me like, “You mother—. Don’t you enjoy that!”
Impacciatore: A couple of days ago I was fighting with my boyfriend and it was a very bad fight and I really wanted him to understand my reasons. I was trying to put on my trousers and unfortunately I put two legs in one [side]. He started to laugh so loud and I was so upset. And then I started to laugh loud too. But it’s horrible when it happens, because I’m a very serious person when I fight.
Donald, the last season of “Scrubs” concluded in 2010. Now Dr. Turk is back working at the hospital with his buddy J.D. (Zach Braff) and a lot of the original cast. What was it like stepping back into that world?
Faison: When the pandemic happened, Zach and I did a rewatch podcast of “Scrubs,” and that’s where all of this started to formulate again. In doing the rewatch podcast, we researched what the fans liked, what we liked, and what we thought was funny. And we were very honest about it. If it sucked, we said it sucked. Then the T-Mobile [ad campaign with Faison and Braff] happened. So for the past five or six years, I’ve been playing Turk to Zach Braff’s J.D. When the revival came around, it was easy to slip back in because we had been doing this banter for so long. The only thing that’s different is that he’s older, but maturity has not set in with him yet. He’s a 50-year-old kid who’s really good at cutting people open and training younger people, but for the most part, he’s still silly.
Chris, “Abbott Elementary,” which follows several teachers at an underfunded public school in Philly, is heading into its sixth season. That means you’ve been playing Jacob for quite some time. Do you ever find the line between your personalities blurring?
Perfetti: The line between Chris and Jacob is definitely blurring. When we first started, I was shocked that [creator] Quinta [Brunson] saw me as this person. We weren’t alike at all, but I trusted that she saw something [in me] she wanted to exploit. Now, I would be so lucky to steal some of what he’s got going on. He’s unbelievably loyal and ambitious and really comfortable in his own skin. He leads from that place. And I need to shut the hell up and stop telling the writers things about my own life because now they’re showing up in the show. So truly the line between Chris and Jacob is getting weirder.
Danielle, “Rooster” takes place at a fictitious college. You actually have several degrees, including multiple master’s. Did you draw on your own experience in academia for “Rooster”?
Deadwyler: I was a student, and that’s a very different dynamic than being an administrator or a professor. But I dig education. I dig the intention of the environment, the debate, the ongoing pushing of the self and weaving that into your personal life. It’s all super connected. So I just brought that to the show.
You’re renowned for your work in intense films like “Till” and “The Piano Lesson.” Do you use a different muscle for comedy?
Deadwyler: I was always saying to the [“Rooster”] team, ‘Hey, guys, I feel good. I can breathe. I have energy to do things. Is that normal for people?’ So yes, it’s a completely different muscle. But [co-star] Steve [Carell] says this beautiful thing that characters don’t know whether they’re in a comedy or a drama. And that’s about as true as it gets. You bring full rigor and development and discipline to the making of a role, regardless of what genre.
Justine, how much do you relate to your character Morgan in the interfaith romantic comedy “Nobody Wants This”? Or is it more like you want to fix her?
Lupe: I don’t know if I want to fix her because that’s what’s compelling about her. I have so much fun playing the mess of Morgan. I relate to her. I started off where she was kind of a semiautobiographical story of [show creator] Erin Foster’s relationship with her sister, Sara. Then immediately the ship left the dock when I took the character. Justine has now taken over this idea of who this person is, and it’s a lot more sloppy and unbridled. The mess of her is actually me, because I’m a little bit sloppy as a person.
The show really captures the relationship between siblings, and sisters in particular.
Lupe: I identify with the idea of being someone who’s evolved past their original home life, and then going back into circumstances with your family, and regressing immediately. I wanted to play with that dynamic. Morgan might think that she’s evolved past certain things and then the minute she’s codependent with her sister, they devolve back into the bratty kid-like versions of themselves that are like picking on each other. I know the feeling, when you go back home and you’re like, “Wow, have I grown up at all?”
Lamorne, “Spider-Noir” is based on a Marvel comic and is set in an exaggerated version of 1930s New York. Audiences have the choice to watch the series in black and white or in color. How does the tone change between the two styles?
Morris: I watched both and they both have their own unique qualities. I would say the way folks should watch it is the way we traditionally watched TV as a people. You start in black-and-white and then when color was introduced, you would go back and watch those same films when they added color to it. While we’re filming it, [I was thinking] “How are they gonna make this visual effect look cool in black-and-white?” And then you watch it in black-and-white and you go, “What the f—?!” And I go back and watch it in color and go, “Holy — it looks great in color, too.” Everything down to the wardrobe [and] the set design, you watch it in black-and-white and it looks bold and as vivid as if it were in color. But then when you watch it in color and you go, “Holy crap, that house is blue, that suit is orange.” So just go watch it in both versions.
Sabrina, your character in “The Paper” wants to be the managing editor of the Toledo Truth Teller, but she’s really all about the clickbait. How much did you know about that conflict in modern journalism?
Impacciatore: I made sure not to know anything about it because Esmeralda doesn’t have a clue. Esmeralda is not a real journalist. Esmeralda is there for some mysterious reasons that I’m trying to figure out. She’s the queen of bull—, so I made sure not to know anything about journalists. And because I had played Valentina in “White Lotus,” I wanted to make sure that this character is going to be completely different from her. She must be out loud, she must be big. So I made some choices about her, for example, the nails. I still have these nails because I’m still shooting, but usually I don’t have long nails. But these nails started to make me think in a different way, to move my hands in a different way. Like these are guns, weapons to manipulate people. [Touches Morris with her nails.]
Morris: Consider myself manipulated.
Impacciatore: I’m the opposite. I have no filters in life. I am my own worst enemy. I’m too transparent. I don’t know how to hide feelings. So I thought, “What does she do?” Because it’s a documentary, she thinks one day she will be a star. So I have her have hair like Rita Hayworth the first day I arrived on set. They were looking at me like, “What is she doing?” They didn’t get it, so I had to explain that she wants to be a star. Once you start to play a manipulative person, you see manipulation everywhere. It’s like now I’m losing a bit of innocence, because I don’t trust anybody anymore. Now randomly I say, “Are you trying to manipulate me?”
“The Paper” and “Abbott Elementary” are mockumentaries. Does it make a difference in how you’re performing when it’s shot in that style?
Perfetti: On our best day, we’re trying to dupe people into believing that it’s real life. But similarly, I think Jacob thinks that he will be the star of this documentary whenever it comes out. He’ll be an executive producer on it. So there’s very much an element of having one foot in the audience’s experience. His outrage is heightened because he knows it’s being captured on film. I grew up doing plays and so it’s an easy dynamic to borrow from. When you’re on stage, even on your best days, you always have even a pinkie in the audience’s experience. You have to be able to be in conversation with them. The mockumentary format really allows for that and I think it informs the show in a really beautiful way.
Impacciatore: The first time that I watched “The Office,” I thought, “This project is incredible, but the light is so horrible. I will look so ugly.” I was trying not to be chosen for this project because I was so scared to be so ugly. So when I arrived on set as the character, I brought my own ring light and I said, “Guys, Esmeralda, because she knows she’s in a documentary, she needs her own lighting.” I got away with it. To me, comedy is a very serious thing.
What do audiences underestimate or misunderstand about what it takes to make a comedy?
Deadwyler: The assumption is that you’re being funny, and it’s not that at all. When you [Chris] just talked about doing plays, I was thinking theater is the thing that enabled me to really lean into the joy and transition into working on “Rooster.” There’s a rhythm and a quality of engagement that I learned completely in the theater world that applied to the gelling and the cohesion of “Rooster” in all of the scenes. So leaning into drama enables you to lean into the hilarity or the quirkiness or awkwardness of humor.
Morris: If the script is funny, it’s going to be funny if you’re an actor playing it real. And obviously you have throughout history those characters who know how to add to that, who can ham it up in such a way. Chris Farley and those guys. The Belushis, the Will Ferrells. They can take something really funny and just say, “I’m gonna add my stamp to it so when you see this type of humor, you know it was from me.” Then you have your Judd Apatows of this world who can create a funny environment and all the actors are basically playing it real and playing it straight.
Faison: People think you’re actually that funny or you’re that quick and you can come up with those jokes that fast. But really you’re saying somebody else’s words and you’re being somebody else. Somehow I got labeled as a stand-up comic. I’ve never done stand-up in my life, but I’ve been in so many comedies that people think, “He must be funny in real life.” I imagine Jack Black must hate going outside because everybody’s, “Do that skandosh, sliggidy, diggity thing that you do!”
Deadwyler: They want you to do that you do for drama, too.
Morris: “Make me cry”?
Deadwyler: They want you to give them the feeling that they know you for, because that’s all they’ve witnessed of you. They want me to ride a horse. They want me to cry. And it’s like, “I’m just trying to get these chicken wings and go home.”
And trying to break out of that, whatever that is, and move on to the next thing that you want to do.
Faison: For a long time it was very difficult as an actor to do anything else other than comedy, because you could get typecast. That’s something that happens right away. You could be the best friend for the rest of your life if you’re not careful.
Morris: I came up in traditional comedy. Second City, Chicago. When I was a kid, I didn’t care about anything else other than like making people laugh. So in plays and things, I was always cast as the comic relief, back in my ham-it-up days. Up until the beginning of my TV career with “New Girl.” I didn’t know who I wanted to be on that show. I didn’t know who I was and I’m thankful to the staff for just allowing me to grow into that character. But what I grew into was a f— clown. I just was like, “Oh man, I get to do this for seven years.” I loved every minute of it.
When you get recognized out in public or somebody knows they know you from something, who have you been misidentified as? Or do they simply call you by your character’s name?
Faison: I was at sushi once and it was actually another famous person that came up to me, I’m not gonna say their name. And he looks at me and goes, “Alfonso?” I said, “Nope.” And he hightailed it out so quick. I was like, “I gotta call Alfonso Ribeiro and tell him that somebody thought that I was him at a restaurant.” I’m glad to be recognized, but I am not Alfonso Ribeiro.
Morris: People think I’m everybody, but there’s one guy I get. Malcolm Barrett. This has been going on for 15 years. A good friend from theater school, we did every play together, he called me when I moved to L.A. and was like, “Dude, congratulations on your AT&T commercial!” I was like, “What AT&T commercial?” And he’s like, “The one where you’re playing Pop-a-Shot basketball.” And I’m like, “That’s not me.” Years later, everyone, people would come up to Malcolm all the time and say, “Congrats on ‘New Girl.’”
Perfetti: I cannot go to Philadelphia because I suddenly now have 5 million new family members. I don’t get mistaken for an actual person, but I do love the moment where you pass them on the sidewalk or on the subway and you see the wheels churning in their mind.
Lupe: I have a yoga teacher that still calls me Willa [her character from “Succession”]. I’ve been going to her for like a year and she’ll be like, “And Willa, you want to move into down dog.”
Justine, you’ve been referred to as a scene-stealer more than once for your work in “Succession” and “Nobody Wants This.” What do you make of that?
Lupe: That was the thing about “Succession.” I started when I was 26 and I felt like I got to be a fly on the wall in so many incredible scenes with all-star actors. To even be even seen among that kind of company, it makes me so happy. I feel the same way about “Nobody Wants This.” I look around and I’m like, “Wow, these are just incredible people that I’m working with.” So it’s nice to know that people are even registering my existence.
Perfetti: Willa is responsible for what I think may be one of the funniest TV moments ever. I can’t remember which season where you read your reviews and throw the iPad overboard, but it lives in my mind rent-free. The sound you make, the way that you just kind of stare off into the distance afterward, it’s one of the greatest things I’ve ever seen.
Do you read reviews of your work?
Morris: I did a movie called “Sandy Wexler” with Adam Sandler and he said to me, “Hey buddy, when a film comes out, don’t read the reviews.” He’s like, “Who cares? We got our own thing going.” … It allowed him to stay true to who he is for his fan base, which is larger than life. If you start caring so much about what people think about your art, it’s going to change what got you there in the first place. That’s what Jamie Foxx talked about after winning an award, you don’t want to switch it up all of a sudden because everybody looks at you like you’re this great actor, you won this thing, and you start doing things differently.
Impacciatore: On set, if someone gives me a feedback about something that he liked, I don’t want to hear that because it feels like a trap. And I don’t want to know what worked and what didn’t work because I want to be free. I want to explore things. Reading a review … it’s something rational that is describing something irrational. Like to me, acting is an irrational act. It’s wild when it happens. It’s going somewhere else and not even knowing what you did.
Faison: I tend to not look at reviews. This was the first time ever in my life … when “Scrubs” came out this time around. It’s because we made it for the fans. It was strictly for the fans. So when we put it out and the critics were very nice this time around, that was cool. And then you get to Reddit and Instagram and you’re waiting for them to be like, “You guys suck!” “How dare you?!” And that didn’t show up. It was like, well, I’m gonna read the reviews then.
Lupe: I once had a critic call me a “bargain-basement Gwyneth Paltrow.”
Morris: You’re like, “Gwyneth Paltrow, you say?”
Lupe: As long as the word Gwyneth is in there, I’m OK.
Morris: If someone calls me “a bootleg Eddie Murphy,” I’m retiring.
Faison: “He kind of reminds me of a poor man’s Richard Pryor.” Why, thank you.
Lupe: There was like a part of me where I was like, “Well, if I can make it through that, then whatever. Who cares? It’s just fun to hear people’s perceptions of what you’re putting out there. How people interpret it. Because sometimes you can’t see the forest through the trees. If you have enough perspective, it’s interesting to hear the dialogue about the things that you’re working on.
Deadwyler: If it’s productive, I find that critical analysis is useful. But if it’s critical stabbing, that’s useless to me.
Faison: I have a question for all of you guys. When it comes to acting on set, do you prefer to see what you just did or do you prefer to trust what the director says? When it comes to comedy, I wanna see what the f— we are doing just to make sure we’re in the rhythm.
Lupe: I don’t watch it in the moment. I’ve gotten easier on myself watching things after they’re released. When I first watched my work, I just wanted to like, in all honesty, tear my face off. It was really a tough experience.
Morris: If I trust the director, I never look at the monitor. No knock on, like first-time directors, because I work with a lot of first-time directors that I trust, but there are some from time to time that just go, “It’s great,” every take. And so sometimes I have to go, “Just give me a second, let me see.” … A couple of times [they’d tell me], “Everything you did was brilliant.” And I know for a fact it wasn’t. So now I don’t trust s— you say.
The Envelope’s 2026 Emmy Comedy Roundtable: Lamorne Morris, from left, Justine Lupe, Chris Perfetti, Danielle Deadwyler, Donald Faison and Sabrina Impacciatore.
Chris, the cast on “Abbott” are so good at bouncing lines off one another. How are you not breaking all the time, or are you?
Perfetti: It’s certainly gotten harder as we’ve gotten closer. We’re all trying to make each other break now. But we’re pretty good. The show is sort of made on the fly and we’re constantly throwing jokes away or trying to see how far we can push something. I think a lot of what we find funny on “Abbott” is people trying to avoid pain. Even when it’s ridiculous, it doesn’t feel too hard to keep our feet on the ground. We’re also so blessed with the mockumentary [format]. The story is very much told by the camera. So I’m always on, and something that comes up in that take might make it into the final cut because there’s three cameras going at all times. But Quinta probably breaks the most because … she genuinely forgets about some of the jokes that she writes. And so when she hears it again, it takes her by surprise.
Lupe: There is something to that energy of people enjoying being in that kind of space with each other, like on the verge of laughing. Riding the line of being just about to break, it’s so much fun. The chemistry between them is so palpable. When you see a break like that, you’re like, “Wow, they’re really enjoying each other.”
Morris: [It’s hard when] I’m literally loopy, it’s late and I know this actor I’m working with is a f— killer. I start laughing before we roll, and I’m like, “This is gonna be so difficult.”
Lupe: And then it’s like that thing when you’re like a little kid, where someone’s like, “Stop laughing” and it makes it worse because you are trying so hard not to laugh.
Impacciatore: If there is that moment where we can break, there is a real abandonment and there is a real freedom … It’s the most beautiful feeling about being an actor. It’s about feeling less lonely.
Faison: Danielle, you’re working with Steve. First of all, he’s gonna break everybody. I’m pretty clear that everybody on set’s gonna laugh because he’s just got that. But has anybody made him break yet? And who is that person? I know if I made Steve Carell break in the middle of a scene, I’m dancing for a while. I’m gonna be calling my mom like, “Yo, he f— laughed at my joke!”
Deadwyler: I know that they wilded out the day the bed broke [during a fight scene with co-star Phil Dunster]. But I have not seen him break in that way. He is so rigorous. He’s about building the character, building a dynamic, trying to tell a full story.
Lupe: He also must have so much practice from “The Office.”
Deadwyler: He’s strong.
Faison: I laugh harder at “Saturday Night Live” when they break than when they keep it together.
As technology becomes more and more advanced and accessible to people, cruise ships have to put rules in place to make sure passengers are safe, and their privacy is protected
Having one item onboard could leave you in lots of trouble (stock)(Image: Getty Images)
People are being warned that they could be fined or kicked off a cruise ship they’re a passenger on for wearing 1 luxury item when onboard. Several cruise companies have introduced a number of new rules in 2026 to ensure the safety of passengers travelling on board.
As technology continues to advance and people snap up the latest gadgets, cruise operators are keeping their policies up to date to safeguard holidaymakers and protect their privacy while travelling at sea. Whether you’re sailing with Disney, Virgin, P&O or Fred. Olsen., each cruise liner has their own set of rules that could land passengers in trouble.
Don and Heidi, a couple who have clocked up 100 cruises between them, regularly share updates and handy tips on TikTok, and have been keeping a close watch on shifting cruise policies over recent months.
With the rise of people wearing smart glasses, such as the very popular Meta Glasses, cruise ships have been forced to take steps to protect their passenger’s privacy when they’re traveling on cruise liners.
Don said: “Cruise lines are instituting new policies and in 2026, these behaviours will get you fined, banned, or removed from the ship entirely.
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“One, recording other passengers without their consent using technology like Meta Glasses is a serious violation of privacy policies and fellow cruisers are reporting it.”
One of the cruise companies who has banned the items is Royal Caribbean who quietly updated its prohibited items list to tighten onboard safety and cybersecurity.
Recently, Royal Caribbean updated the verbiage on its prohibited items list to read: “‘Smart’ glasses from any of several manufacturers that can record video and audio are not allowed to be used in certain areas onboard the ship, including, but not limited to, public restrooms, Youth Program areas, medical areas, as well as the casino.”
Royal Carrabian’s app confirmed that if a guest fails to abide by the policy, the chief security officer and captain are authorized to confiscate the smart glasses.
Don continued: “Two, flying a drone from the ship is banned on nearly every cruise line. Get caught launching one and you’ll be escorted off at the next port.
“Three, fights on cruise ships are all over the news and lines are done looking the other way. Passengers involved in physical altercations are now being banned from certain cruise lines for life.
“Four, getting caught with prohibited items in checked luggage and you get escorted to a security meeting. Try to bring something more serious on board and you could be handed over to authorities at the next port.
“Five, this isn’t optional. It’s international maritime law. Skip the muster drill and crew will track you down to complete it. Refuse entirely and you’ll be removed from the ship before a set sail.
“Six, lighting up on your balcony, in your cabin, or anywhere else outside the designated smoking areas can get you fined and repeat violations can get you escorted off the ship.
“This includes vaping. Don’t forget to share this one with your cruise mates for your next sailing.”
If there’s one thing in American sports that’s going to get people to sit up, lean forward and engage, it’s the home run. We all dig the long ball.
If anything can get someone to run home and turn on a softball game, it’s a big-time slugger from a big-time school mashing homers like nobody before.
Heard about Grant? She’s the UCLA softball player who’s hit an NCAA-record 40 home runs (so far) this season.
UCLA senior Megan Grant leans over and holds her helmet between pitches during a super regional game against UCF on Friday at Easton Stadium.
(Gina Ferazzi/Los Angeles Times)
Forty! In 147 at-bats! That’s a home run every 3.68 at-bats!
If you’re wondering, Mark McGwire hit a home run every 7.3 at-bats in 1998, the year he finished with 70. And Barry Bonds went deep every 6.52 at-bats in 2001, when he hit his MLB-record 73 home runs.
Whenever she gets asked about her historic home runs, the red-hot, red-haired hitter is like, shucks: “I mean, it’s incredible,” she said. “I’m just honestly blessed to be able to say the number 40. But, yeah, that’s all I can say.”
She just wants to be thought of as a hard worker and a good teammate. But what Grant is going to be remembered for most is as the founding member of softball’s 40-home run club.
Her 40th home run came in her 58th game this season and on her seventh career grand slam — Grant Slam? — in the Bruins’ NCAA regional final victory over South Carolina last weekend.
Forty, a round number of round-trippers with a ring to it. And a sweet echo coming so soon after the Bruins women’s basketball team won its first NCAA championship, history to which Grant also contributed as a reserve before softball beckoned.
Side quest completed, the left-handed-hitting senior stepped back into the box to help the Bruins chase a 13th championship on the softball field.
Grant is soaking up the experience, and encouraging her younger teammates to, too: “‘Enjoy this, it’s so rare to be here’ … and, ‘Hey, we can do this, we can do it together.’”
A .469 hitter, she leads the nation in slugging percentage (1.333), on-base percentage (.650) and OPS (1.983). She bats second in UCLA’s NCAA record-breaking lineup that shattered Oklahoma’s 25-year-old previous record of 160 home runs. UCLA hit seven home runs during two super regional wins against Central Florida this weekend to push that record to 200.
With a 9-1 win Friday and a 14-4 victory Saturday, the Bruins advanced to the Women’s College World Series for the 34th time and for the third time in Grant’s astounding tenure.
UCLA senior Megan Grant (43) high-fives teammates during a win over UCF Friday at Easton Stadium.
(Gina Ferazzi/Los Angeles Times)
Tip your helmet and toss Grant her bouquets — flower power — because there she is popping up on ESPN’s “SportsCenter” and on the MLB Network. One of three finalists for the USA Softball Collegiate Player of the Year award, she’s got guys discussing her exploits on a dad pod otherwise dedicated to NBA takes. Fans dressed up as chefs as a tribute to her nickname, “Chef Megan.”
Star power, power broker. Grant is a lift-all-boats attraction for a sport that’s been steadily carving out space in the public consciousness.
All over the country, college softball teams have been breaking attendance records. And ratings are up, up, up; ESPN said this has been its most-watched college softball regular season since 2009, with games averaging 292,000 viewers. The MLB-backed Athletes Unlimited Softball League is entering Season 2; Grant was drafted No. 4 overall by the Portland Cascade.
“People will pay to see her play,” said Lisa Fernandez, UCLA softball legend and associate head coach.
Fernandez also is the general manager of the AUSL’s Utah Talons, for whom UCLA’s other senior slugger Jordan Woolery will play this summer.
The Bruins imported the latest in a lineage of Bay Area dynamic duos. The Oakland Athletics had the Bash Brothers, Jose Canseco and Mark McGwire; the Golden State Warriors gave us the Splash Brothers, Stephen Curry and Klay Thompson. And now UCLA has Walnut Creek’s Woolery and Grant, of San Bruno — the Bruin Bombers.
They’re the first teammates in NCAA history to each hit 30-plus homers in the same season, with 74 between them.
And, yes, chefs! Like Curry before her, Grant is cookin’ the competition, breaking the 31-year-old NCAA single-season home run record with No. 38 on May 9 against Nebraska.
Included among the record wreckage she’s leaving in her wake: Stacey Nuveman’s UCLA single-season record of 31 homers. For her career, Grant needs only one more to tie Nuveman’s Bruins record of 90.
But Grant’s got to get a pitch to hit first. After UCF walked her six times in two games, she has 74 walks this season and 69 base hits. She also has 13 hit by pitches.
“It’s very similar to Barry Bonds, right?” Fernandez said. “It’s either a walk or a home run. Like, you pick.”
The tale of the tape measure behind Grant’s greatness is the down-to-the inch precision of her preparation. The Mamba-esque magic is in the embracing behind-the-scenes monotony, powering through it.
“She was the hardest worker, always working. Never enough,” said Ray McDonald, Grant’s coach at the San Mateo-based Warrior Softball Academy since she was that kid with an electric, bat-busting swing. “It was eating and sleeping, hitting, and you know, shower. The essentials.”
“When we recruited her, Ray, he was like, ‘Coach, you better be ready to work,’” said Fernandez. “And I’m like, ‘Oh, I know how to work.’ And [then] I was like, ‘Oh my gosh, now I understand how people must have felt when I played.’
“There is an aspect of this game that people don’t realize unless you are in it. To be great, there’s a — for lack of a better word — monotony to the process. Can you master the same move over and over again? And she’s committed to it. To her drills, to the process, to her routine, all of it. There’s a lot of people who are committed to it when they’re not doing well: ‘Oh, got to get back to my drills.’ She has been committed to that process from the day she stepped on campus.”
The process includes working on her mind. That deep, deep breath before every deep, deep home run is a way to stay centered. To stay in the moment — and it is a moment.
For softball. For UCLA. For Grant, who, with all this power and responsibility, is hitting it out of the park.
Although the Supreme Court, in general, and conservative appellate courts, in particular, have bowed and granted President Trump permission to do pretty much anything he wants, they haven’t thoroughly capitulated to his endless grasping for ever more power. (The way invertebrate congressional Republicans have.)
And it’s not just the fears of a lot of shaggy-thinking liberals.
“The nation is strong as is its commitment to the rule of law,” said one appellate judge, a Republican appointee. “The current president presents the greatest threat in decades.”
The survey was conducted by Bright Line Watch, a nonpartisan academic group that monitors the health and resilience of American democracy, in conjunction with the Safeguarding Democracy Project at UCLA’s School of Law.
Conducted between mid-February and early March, the poll anonymously surveyed 21 federal judges, 113 lawyers, 193 law professors, 652 political scientists and a nationally representative sample of 2,750 Americans.
What leapt out to UCLA’s Rick Hasen, director of the Safeguarding Democracy Project, was that “across the ideological spectrum and across judges, lawyers and law professors, there was considerable agreement that the rule of law in the U.S. is under tremendous stress.” That consensus, he said, suggests “a real risk to democracy.”
Most legal experts agreed that Trump is using executive power excessively, with a majority doubting the conservative-leaning Supreme Court would handle cases involving the Trump administration impartially. The experts also expressed concern about politicized law enforcement — Trump seeking to persecute his perceived enemies — executive branch overreach, and the failure of Congress or the Supreme Court to do more to rein in the rogue president.
Talk about contempt of court — not to mention our vital system of checks and balances.
There was, unsurprisingly, a split among conservatives and liberals who took part in the survey. (The study defined legal conservatives as those saying the Supreme Court should base rulings on its understanding of what the Constitution meant as originally written. Liberals, who made up most of the respondents, were defined as those saying the court should base its rulings on what the Constitution means in current times.)
There were also differences between legal experts — those most intimately involved in the judicial system — and the public at large. The experts were more concerned about Trump’s excesses and threats to the rule of law, which, Hasen said, stands to reason.
The legal system is not something most people encounter daily in the same way they do, say, gasoline prices or the cost of groceries. “Yet,” Hasen said, “it’s one of these background things that really matters.”
Why?
Hasen put it this way: “Imagine that a person had a dispute with their neighbor and it ended up in small claims court before a judge and the judge made the decision not based on the merits of the case but based on whether he was friends with one of the parties, or didn’t like people who were similar to one of the parties.”
If, for instance, “people know that the government can successfully seek retribution from people who criticize it, people will be less likely to criticize the government,” Hasen said, leaving the country worse off by muzzling those who would hold their elected leaders to account.
Happily — and who couldn’t use a bit of good cheer right about now — all is not lost.
People “can demand that their elected representatives take steps to assure that the rule of law will be followed,” Hasen said, and can insist “that the government [not] play favorites or seek retribution against perceived enemies.”
That’s the power people have, come election time. That’s why voting matters.
There are lots of things riding on the outcome in November, not least the sanctity and integrity of our legal system.
Homicides in Los Angeles are down to levels not seen since the 1960s. Neighborhoods once awash in gang violence now sometimes go weeks, even months, without a shooting. And the follow-home robberies and street takeovers that captured the public’s attention in recent years have largely subsided.
By many measures, the city is safer than it has been in generations — and yet voters following L.A.’s hotly contested mayoral race might think the opposite.
The challengers to Mayor Karen Bass have zeroed in on homelessness and public drug use to argue she hasn’t delivered on public safety, while also criticizing how the Police Department has operated and been funded during her tenure.
Mike Bonin, a former L.A. City Council member, said the fact that Spencer Pratt — the former reality TV star who has been attacking Bass from the right — has gained so much traction in the race is proof of how Bass and other candidates to the left have failed to change “prevailing narratives that the city is unsafe.”
Mayoral candidate Spencer Pratt hosts a campaign block party on 10th Avenue in Los Angeles on May 20, 2026.
(Robert Gauthier / Los Angeles Times)
Pratt has been particularly active on social media, where he has shared artificial-intelligence videos created by fans depicting him as various superheroes coming to the rescue of a city that, under Democratic rule, has turned into a dystopian hellscape.
In a March 26 post on Substack, Pratt railed against the thousands of drug-related calls that emergency officials respond to every month. He has said that if elected mayor, he would order the police and fire chiefs and the county health director to “treat every encampment as a grave-disability zone.”
“No new laws needed,” he wrote. “No endless task forces.”
Flanking Bass on the left is Nithya Raman, a progressive City Council member who was once the mayor’s political ally.
Raman has argued that Bass has thrown too much money at the LAPD, with raises for police officers coming at the expense of other basic services such as park maintenance and street paving. Raman said the LAPD pay increases have “bankrupted” the city, depriving other services of much-needed funding. In campaign ads, Raman has cast herself as a more sensible alternative to Bass. Raman has said she would work to reduce traffic deaths and prioritize safety on the city’s buses and trains.
When she first ran for office in 2020, Raman called for defunding the police, saying the Los Angeles Police Department should be a “much smaller, specialized armed force.” Since then, however, she has voted for some budgets that increased spending on law enforcement.
In response to questions from The Times, Raman said she would work to find ways to overhaul public safety.
“I’ll propose budgets that expand unarmed response, work with LAPD to improve 911 response to more quickly answer calls for help that don’t require armed officers, and will appoint leadership at the Police Commission who will actively partner with the City Council to work on reform,” she said.
Representatives for Pratt and Bass didn’t respond to requests for interviews with the candidates.
Bonin said Bass — who supported various police reform measures while Congress — has shocked some of her supporters with how “aggressively pro-police she has been.”
When she ran for mayor in 2022, Bass vowed to retool the recruitment and hiring process in order to restore LAPD staffing to 9,500 officers. That hasn’t happened. The number of sworn officers recently fell below 8,600, despite Bass striking a deal with the police union to offer higher starting salaries and new retention bonuses.
Mayor Karen Bass takes part in a candidate forum on May 5, 2026, in Sherman Oaks.
(Eric Thayer / Los Angeles Times)
On Thursday, the City Council approved a $15-billion budget for the upcoming fiscal year, which included funds to hire 510 new officers — just enough to offset turnover and maintain current staffing levels.
Raman has said the LAPD should not shrink any further because there aren’t enough officers to respond to 911 calls “in a timely fashion.”
Samantha Stevens, a Los Angeles political consultant and former legislative staffer, said people seem willing to back Pratt because he acknowledges that their sense of safety has been shaken — even if he has offered few concrete details about how to tackle crime beyond cracking down on homelessness.
Pratt’s critics say that his plan relies on funneling homeless people into a shelter system that doesn’t have the capacity to handle them all. Others have noted that the aggressive tactics he has proposed would probably face legal challenges.
L.A. City Councilmember Nithya Raman, who is running for mayor, makes a campaign stop at the site of a home burned in the Palisades fire.
(Eric Thayer / Los Angeles Times)
“He’s kind of a case study in somebody who has a lot of opinions but has no idea of how the city is run,” Stevens said.
Fernando Guerra, a political science professor at Loyola Marymount University, said Pratt seems to have tapped into a deep well of discontent among Angelenos who believe that crime and homeless have spiraled out of control. The challenge for Bass, he added, is that although the numbers suggest that crime has decreased, many people associate the sight of encampments spilling onto public sidewalks as “a breakdown” that indicates the city is becoming less safe.
“You want to go back to the days of Daryl Gates, you’ve got Pratt,” he said, referencing the former LAPD chief whose controversial police sweeps in the late 1980s yielded thousands of arrests while alienating large segments of South L.A.
“If you want more of the same from the past 20 years, you’ve got Bass,” Guerra added. “And if you want something new, then you’ve got Raman, but she has to explain what exactly she wants to do.”
Although Pratt and Raman appear to be the strongest challengers to Bass, several long-shot candidates have also made public safety a key issue in their campaigns. Some have gone after Bass for her support of LAPD Chief Jim McDonnell. Hired by Bass in 2024, McDonnell has touted the impressive drop in crime under his leadership, but also faced criticism over an uptick in shootings by police and aggressive crowd control tactics during protests against the Trump administration’s immigration policies.
Police Chief Jim McDonnell attends a news conference at LAPD headquarters on May 21, 2026.
(Genaro Molina / Los Angeles Times)
Rae Huang, a minister and housing rights advocate, said if elected mayor she would immediately replace McDonnell with someone who has the “ability to really reimagine what public safety really looks like.”
“I’m the only one with the guts to say that out loud,” Huang told The Times during a recent campaign stop at a bookstore in the West Adams neighborhood.
In social media posts and interviews, Huang has frequently referred to the LAPD as “one of the biggest legal gangs in the world,” and said she would work on diverting money from the police budget to scale up programs that have shown promise in sending unarmed specialists to deal with emergencies that involve people experiencing mental health crises.
The city is already running two such pilot programs, but under Bass they have remained underfunded, Huang said. Last week, the City Council signed off on expanding one of the programs.
Huang said she would also invest more heavily in addressing the city’s lack of affordable housing, which she said is an underlying cause of crime and homelessness.
The Los Angeles Police Protective League has poured hundreds of thousands of dollars into attack ads against Huang and Raman.
Adam Miller, a tech entrepreneur, has tried to strike a balance in his mayoral campaign, advocating for changes while acknowledging that many people still feel unsafe despite the historic drop in violent crime.
He criticized a recent vote by the L.A. City Council to limit so-called pretextual stops, in which officers pull people over for minor traffic infractions in order to investigate more serious offenses. The stops have been blamed for enabling racial discrimination.
Miller said that “constraining the Police Department is the opposite of what we should be doing.” He called for “leveraging” AI and modernizing the department’s archaic computer systems, which he said could allow the LAPD to catch up to other agencies that have embraced new technology.
Miller told The Times that he recently went on a ride-along with officers from the Rampart Division, which he said was eye-opening.
“At the highest level I think Angelenos don’t feel safe anymore,” he said. “They don’t feel safe in their neighborhoods, but more recently they don’t feel safe even in their own homes.”
Statistically speaking, the city might be safer than it’s been in decades, he said — but that doesn’t necessarily matter to voters.
“I don’t think it’s just perception,” he said. “I think it’s reality that crime has spread.”
A family’s long-awaited Easter getaway turned into a nightmare after travelling hundreds of miles only to find their booked resort shut and fenced off
The resort is said to have gone into administration in October 2025(Image: CONTRIBUTED)
After months of planning a relaxing family break abroad, one couple thought they had everything organised down to the last detail. But what awaited them at the end of a nine-hour journey across Europe was something they never could have prepared for.
The couple, who asked not to be identified due to the man’s occupation, had booked a stay at the Waterside Elegance Sky Pad at the Your Nature Resort in Belgium through Booking.com last October. Having previously visited the resort, they were eagerly anticipating their return with their two young sons in April, only to arrive and discover the site appeared to be closed.
Instead of checking into their accommodation and settling in for a long-awaited family holiday, the couple claim they were met by locked entrance gates, construction fencing and an eerily empty car park. Signs displayed outside the resort also appeared to indicate the site was no longer operating.
The Waterside Elegance Sky Pad is a luxury duplex cabin located within the 280-hectare Your Nature Eco Forest Resort in Antoing, Belgium. The £105 million resort has reportedly been fenced off and forced into bankruptcy, leaving holidaymakers stranded after it allegedly exceeded €15 million in losses, according to Forbes.
In a lengthy Reddit post, the man explained how the family’s entire trip had been carefully planned around the needs of their children, including their eldest son who is autistic and non-verbal. But after arriving at the resort entrance and, by chance, speaking with a site manager, the couple claim they were informed the resort had gone into administration months earlier in October.
This is despite Booking.com allegedly repeatedly reassuring the family their holiday would go ahead as planned, with emails recognising the reservation remained valid. The Reddit post also claims the company accepted tourism tax payments and issued a check-in voucher just weeks before the family travelled to Belgium.
“If you think your holiday is secure because you have a confirmed booking voucher, think again,” he warned.
Speaking to The Mirror, the man detailed how the family were left scrambling after the revelation, with hundreds of pounds spent on Le Shuttle crossings, fuel, food and overnight accommodation in France. He also claimed Booking.com later suggested alternative accommodation options, though the family considered them unsuitable.
Booking.com is understood to have refunded the original accommodation costs, though disputes between the two parties are said to remain ongoing.
The family are seeking compensation for more than £400 in additional travel expenses incurred during the ordeal. They claim the online travel agency is refusing to accept liability, despite allegedly issuing a separate payment of 150 EUR which they say they have refused to accept.
In the Reddit post, the man referenced provisions within the Consumer Rights Act 2015 and Consumer Protection from Unfair Trading Regulations 2008, arguing the family relied on written assurances when booking non-refundable travel arrangements. However, no court has ruled on the claims and Booking.com disputes wrongdoing.
A Booking.com spokesperson told The Mirror: “We’re sorry to hear about this customer’s experience. When a property chooses to list on Booking.com they must agree to our terms and conditions, which includes keeping their room availability up to date.
“If an accommodation partner wants to end their agreement or remove their listing, we have simple processes and clear guidance to help them do this. We can confirm this property is currently closed on our platform, and that we’re also in touch with the customer to offer support.”
Consumer experts regularly advise travellers to retain booking confirmations, receipts and written correspondence when arranging holidays online. According to Citizens Advice, customers may have rights if services are not provided as described, although compensation outcomes can vary depending on individual circumstances and booking terms.
You say you want to be mayor of Los Angeles, but do you really?
I know that being a candidate has rescued you from anonymity after your career in reality TV went off a cliff. You’ve got CEOs backing you, and fans raving, and you’ve managed to milk social media attention.
But at some point you might have to answer questions from the reporters you’ve been avoiding.
And if you win, you’re going to have to drive to City Hall five, six, seven days a week, and I don’t know if you saw my column a few weeks ago, but the fountain on the south lawn hasn’t worked in about 60 years. If you get elected, you better put a wrench in your lunch box, because nobody has figured out how to fix it.
So that’s the reality, pretty much. And the unions will want what they want, and the socialists on the City Council will be lying in wait, especially after President Trump blew you a cross-country air kiss and certified your MAGA credentials.
More than 30,000 people are waiting for their broken sidewalks to get fixed (I’m not exaggerating) but there’s no money, and if you hire several thousand more police officers as you’ve pledged, the city would be bankrupt for the next decade or so and you’d need to take out a loan to buy a doughnut.
So call me, like I say, because I think there’s still time to change your mind.
If you choose to proceed, and if you actually win, it might feel like you’re in a sequel to that reality show you did called “I’m a Celebrity … Get Me Out of Here,” and you may end up praying the show gets canceled. The mayor’s hours are long, and everywhere you go, someone will want you to fix this problem or that, and as you wander the halls of power you’ll think back on your campaign pledges and hear the constant echo of a line from H.L. Mencken:
“For every complex problem there is an answer that is clear, simple, and wrong.”
Can I confess something?
I’m feeling guilty about all of this.
Not to sound presumptuous, but I feel partly responsible for the fact that you’re in contention for the job.
Like you, I’ve been calling out issues with the management of L.A., and I’ve been doing it for years. But I had the good sense not to run for mayor.
Why’s that?
Because unlike you, I know the fixes aren’t as easy as we’d like them to be.
When Karen Bass was running the first time, I had a long talk with her about her homelessness plan, among other things. At the end of the day, she asked for my input.
I reminded her that as much as people would like for the city’s top elected official to immediately clear the streets, a mayor is limited by shared power with the City Council.
By drug epidemics and untreated mental illness that are largely under county authority.
By uncertain funding from the nation’s capital.
By global forces that transformed the economy and created staggering levels of inequality that are made all the worse by the high cost of housing.
Bass was aware of all that, but said that having worked in Sacramento and D.C., and having built relationships with county supervisors, she’d be able to build better systems and get better outcomes.
So how has she done?
Not great. And then there’s the fire.
As I’ve said before, leaving the country despite forecasts of elevated wildfire risk was probably the worst mistake of her political career.
I don’t need to remind you of that. Having lost your house in the Palisades, you know that Bass badly underreacted, then stumbled on the rebuilding, and then had a hand in downplaying the Fire Department’s failure to adequately deploy and extinguish the fire that became an inferno.
To summarize, she’s left herself wide open to a challenge.
And she probably can’t believe how lucky she is that you might be her November competition, if the two of you bounce out Councilmember Nithya Raman and the other candidates in the June 2 primary.
I don’t hold it against you that you haven’t worked in government or politics before. These days, a lot of voters prefer outsiders. But it might have helped if you’d done something of purpose at some point in your life, like run a successful business or volunteer at a food bank. Were you junior high class president, or were you in the Boy Scouts? Anything could help.
Not that being the boyfriend and later the husband of someone on an MTV reality show called “The Hills,” which chronicled the work of a woman who went from “Laguna Beach: The Real Orange County” to an internship at Teen Vogue, can’t prepare a young man for statesmanship.
In this culture, you could ride that all the way to the White House.
But the flimsy resume could explain, Spencer, why you’ve been taking so many social media-fueled potshots at Bass without offering anything of substance.
Let’s arrest drug zombies.
OK, then what?
I’d advise you to study the primer by my colleagues Doug Smith and Andrew Khouri on what you can and can’t do about homelessness as a mayor in L.A. Clearly, you’ve got a lot of boning up to do. In fact, I’m reminded of a line by a Philadelphia columnist years ago, when he said of a politician who wasn’t up to the job: He’s been standing in shallow water for so long, he doesn’t realize he can’t swim.
If I were you, I’d consider the fact that President Trump made the mistake of promising easy fixes. He was going to deliver a massive infrastructure program. He was going to deliver healthcare reform that was better and cheaper for everyone. He was going to lower consumer prices on Day One, and here we are, with millions of people wondering how they’re going to pay their bills while Trump rigs it so he doesn’t have to pay the IRS.
All that being said, I’m glad you decided to run, because elected officials need constant reminders that their jobs are not secure, even when the challengers are way in over their heads. I’d almost like to see you win, because that’s one reality show I’d be sure to watch.
And I say this despite the fact that you once told your talk show buddy Alex Jones — who insisted that 9/11 was an inside job and that the Sandy Hook massacre of 20 children was a hoax — that melting ice caps are overrated. Or, as you explained it to Jones, “we’ve all seen footage of the polar bears swimming to new pieces of ice.”
When the general election rolls around, and the ice begins to break, will you know how to swim?
U.S. Citizenship and Immigration Services Director Joseph Edlow, pictured during a congressional hearing in April, announced on Friday that people in the U.S. on any kind of visa who want to apply for a greed card will have to leave the country to do so. Photo by Bonnie Cash/UPI | License Photo
May 22 (UPI) — U.S. Citizenship and Immigration Services announced Friday that people in the United States temporarily who want to apply for a green card will have to leave first.
USCIS said in a statement that people who have traveled to the United States on a temporary visa but want a green card to remain in the country permanently “must return to their home country to apply, except in extraordinary circumstances.”
The new requirement could make it more difficult to obtain permanent residency in the United States, and may lead to family separations and longer wait times, experts have said.
“This policy allows our immigration system to function as the law intended instead of incentivizing loopholes,” Zach Kahler, spokesperson for USCIS, said in the statement.
“When aliens apply from their home country, it reduces the need to find and remove those who decide to slip into the shadows and remain in the U.S. illegally after being denied residency,” Kahler said.
Kahler said that people visiting the country on visas for students, temporary workers or tourists “should not function” as the first step in the green card process.
The Christian humanitarian organization World Relief said in a statement that the change alters a “longstanding practice of allowing non-citizens who the United States lawfully and now qualify under U.S. law for lawful permanent resident status to ‘adjust status’ within the United States.”
There were about 1.4 million green cards granted in 2024, nearly 1 million of which were applied for and granted to people already residing in the United States, and at least 500,000 per year have received their cards the same way during the last two decades, The New York Times reported.
“Our consular processing system through which they would have to apply is already overburdened,” Sarah Pierce, a former policy analyst at USCIS, told The Times. “So that means we could have families separated for months or years.”
Kevin Warsh takes the oath of office as he is sworn-in as the new chairman of the Federal Reserve by Supreme Court Associate Justice Clarence Thomas in the East Room of the White House on Friday. Photo by Yuri Gripas/UPI | License Photo
WASHINGTON — For much of President Trump’s second term, Republican senators have largely stayed in line, wary of the consequences of defying a president with a history of targeting those who cross him. This week, that dynamic noticeably shifted.
Senate Republicans blocked two of Trump’s legislative priorities, angered by the push to create a $1.8-billion federal fund to compensate people who claim to have been politically persecuted, including rioters who assaulted the Capitol on Jan. 6, 2021. The revolt forced Republican leaders to pull a planned vote on legislation to fund the president’s immigration crackdown and security features for the president’s White House ballroom project.
In response, the president defended the fund and lashed out at its critics.
“I gave up a lot of money in allowing the just announced Anti-Weaponization Fund to go forward,” Trump wrote in a post on Truth Social. “Instead, I am helping others, who were so badly abused by an evil, corrupt and weaponized Biden Administration, receive, at long last, JUSTICE”!
The president also called Republican senators who broke with him quitters who are “screwing the Republican Party.”
The friction, which has been building for weeks, is being watched as potential test to the limits of Trump’s grip on his party amid an already tense political environment heading into the midterm elections.
“This is kind of a perfect storm,” former Sen. Jeff Flake (R-Ariz.) said on NBC’s “Meet the Press.” “It may be that this time you can point to it and say this is when the great migration begins, away from some of the president’s policies and away from the fear that the president can target you.”
Whether this week marks the beginning of that moment — or simply another episode of political turbulence that fades — is the central question now handing over Trump’s second term.
Not the first break — but an escalation
This is not the first time Republicans have broken with the president. In November, Congress overwhelmingly voted to force the Justice Department to release of the Jeffrey Epstein files, an effort that Trump unsuccessfully tried to thwart for months.
The Epstein vote showed that on the right issue, under the right circumstances, Republicans could be moved to defy Trump. This week, the creation of the fund changed the circumstances again, and the number of Republican senators willing to act quickly grew.
This moment comes after months of rising costs during the war in Iran, efforts by the president to oust members of his own party and now a set of proposals that are proving hard to defend in an election year.
“What you have is basically a bunch of people who feel a bit under siege,” said Bob Olinksy, the senior vice president of Structural Reform and Governance at the Center for American Progress. “At the same time, they know that most of what the president is doing is unpopular, and they’re the ones who are going to be standing for reelection in November.”
Republicans push back
Senate Republicans leaders are now asking the Department of Justice to reconsider the terms of the fund, underscoring just how politically toxic the idea has become within the president’s own party.
Sen. Kevin Cramer (R-N.D.) told reporters that the politically speaking, the fund is “unexplainable.” Sen. Susan Collins (R-Maine) told the New York Times the fund should be in real trouble. Sen. Mitch McConnell (R-Ky) called the fund “utterly stupid” and “morally wrong.”
Sen. Thom Tillis, a North Carolina Republican whom Trump has singled out for going against him, was equally unsparing, saying he opposed “using billions of taxpayer dollars to compensate convicted felons and thugs who attacked police.” He also criticized the administration for pushing domestic and foreign policy issues that he says are bad for housing and the military.
“If opposing these things makes me a RINO [Republican In Name Only], then I gladly accept that nickname,” Tillis wrote on X. “We need Republicans to do well in November, but the stupid stuff is killing our chances!”
The Republican push back comes as the concern about self-dealing runs deep across the electorate.
A recent poll Economist/YouGov poll found that 59% of Americans believe Trump is using his office for personal gain, though that belief is sharply divided among partisan lines. A CNN poll found that 37% of Americans say Trump puts the good of the country above his personal gain, while 32% say he is in touch with the problems of ordinary Americans.
Asked if the political environment influenced the actions this week, Senate Majority Leader John Thune (R-S.D.) told reporters that there is a “political component to everything we do around here.”
Funds and tax immunity clauses
Senate Democrats are wondering if the fund will mark a watershed moment for Republicans.
“Have Republicans finally found a bridge too far?” Sen. Richard Durbin (D-Ill.) told reporters after Republicans left Washington without funding Trump’s priorities.
Democrats have called the fund an illegal abuse of power designed to line the pockets of Trump’s allies with taxpayer dollars. Sen. Chris Van Hollen (D-Md.) called it a “pure theft of public funds.”
The fund was created as part of a settlement resolving a $10-billion lawsuit Trump personally brought against the Internal Revenue Service over the leak of his tax returns. Alongside it, the deal says the IRS is “forever barred and precluded” from pursuing any tax claims against Trump and his businesses.
The fund, however, has been the target of most of the bipartisan ire. Mostly because Trump and administration officials have not ruled out that it could stand to benefit people who carried out violence during the Jan. 6 riot.
The public funds, if disbursed, would come from the federal judgment fund, which is a Congress-approved ongoing appropriation that allows the Justice Department to settle cases and make payouts. In the past, Republicans have taken issue with the fund. The GOP-controlled House Judiciary Committee characterized it an abuse in 2017.
Several of the president’s allies have already talked about tapping into the fund.
Former Proud Boys leader Enrique Tarrio, who was convicted of seditious conspiracy and later pardoned by Trump, told CBS News he would seek a payout from the fund.
“I was targeted,” Tarrio said. “And I do believe that this fund does apply to me.”
Kate Cassidy said that she was told her passport photo didn’t match her current appearance
Always check your passport is valid before travel
People across the UK may need to update their passports before their holiday. The reminder comes after one woman was stopped and questioned at the airport.
According to GOV.UK officials: “You must get a new photo when you get a new passport, even if your appearance has not changed.” However, it also states that you will “need to get a new passport to travel abroad or prove your identity if you change your name” and “your gender.”
GOV.UK adds you will also need to get a new passport if “your appearance” has changed and “you cannot be recognised from your passport photo any more (for example, you’ve had plastic surgery).”
The reminder for UK passengers to update their travel document, if needed, comes as 27-year-old Kate Cassidy, who had been dating One Direction’s Liam Payne for two years at the time of his death in 2024, shared her experience getting flagged by TSA staff after she was told her passport photo didn’t match her current appearance.
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While she said she understood the rules, she pointed out that “there are way better ways to handle things and word things.” In her TikTok video, viewed almost 1 million times, she said: “I just got genuinely ridiculed at the Fort Lauderdale airport. I’m at the security line, and I gave the guy my passport, and they obviously do a photo view.
“If it matches your passport, you get the green light, and if it doesn’t match your passport, you get the red light. I got the red light because my photo, I guess, didn’t match my appearance.”
After showing her passport photo to the camera, she explained that airport security said she looked unrecognisable in comparison to the other picture. She said: “He calls over a woman, and she literally looks at my passport, she looks at me, she’s doing a double take, up and down, and this woman keeps going on and on and on about how, ‘this isn’t you, you’re giving me somebody else’s passport”.
Kate explained that the staff questioned, “new nose? New lips? Something to your eyes? New hair?”. Kate then pulled out her ID to confirm her identity, but she said that her ID was not hers either. Looking at Kate’s passport, ID and then her, Kate said: “She goes ‘one, two, three. Those are three different people’.”
The American social media influencer admitted: “I’m literally so embarrassed. She then goes and calls three different men over. One guy was like, ‘do you not have a work ID?’ and I was like, ‘I can pull up my Instagram, I don’t know what to do.’
“Keep in mind that everybody in line behind me is listening to this. I understand they’re doing their job. At the same time, I think there are way better ways to handle things and word things.”
In another video, after the airport incident, she listed exactly what procedures altered her appearance. She mentioned that she has cheek filler, chin filler, Botox, a boob job, nose job and lip filler.
She also noted she’s a natural blonde but dyes her hair brown. She further said she has “a whole head of extensions, fake nails, and I am also naturally super pale, so I do spray tans once a week.”
It’s not just travellers that need to think about this. Motoring experts on GOV.UK confirm: “You must change the photo on your driving licence if you cannot be recognised from your photo, for example, if you’ve had plastic surgery.” This includes learner drivers who will need to take their provisional licence to the test centre.
For L.A. cool girl and actor Taylour Paige, the perfect Sunday involves lots of shopping — shopping for statement jewelry at Maxfield, minimalist yet playful clothing at Jacquemus and vintage home decor at Pierce & Ward.
“I really love fashion,” says the Inglewood native. “I appreciate fashion. I respect fashion.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Paige’s latest project, “I Love Boosters,” is centered on fashion as well. Written and directed by Boots Riley, the maximalist film follows the Velvet Gang, a pack of small-time shoplifters (played by Paige, Keke Palmer and Naomi Ackie) as they attempt to take down a ruthless fashion mogul in the name of “fashion-forward filantrophy.” It hits theaters Friday.
Once she learned that Riley was behind the film, she knew she had to be a part of it.
“When I met Boots, he was like, ‘This is the smaller role of the three in the Velvet Gang,’ and I was like ‘I don’t care. I want to work with you,’” says Paige, who has also starred in the film “Zola” and HBO’s “It: Welcome to Derry.”
With her baby and husband by her side, here’s how the new mom would spend a Sunday in L.A.
This interview has been lightly edited and condensed for length and clarity.
7 a.m.: Take a little walk and grab a matcha
I’m a mother so I could wake up anytime between 6 to 8 a.m. When I breastfeed, he’ll actually go back to sleep but it really just depends on the night we had. I’ll have my morning matcha. There was a period where I was making my ceremonial-grade matcha at home and I would like to get back to that, but there’s something about walking to get my matcha that I just really enjoy. I like that it’s a little outing. I like the matcha at Erewhon, but only because I know that when I ask for almond milk, they’re giving me the Almond Malk [brand] which only contains almonds and Himalayan salt. I also like Community Goods, which my homie Pedro runs. My typical breakfast is eggs with Celtic salt and I’ll drizzle some olive oil on it. Maybe I’ll have some cottage cheese or shredded carrots as well.
10:30 a.m.: Stock up at the farmers market
Once we’re up, I have to go to the farmers market in Atwater Village. I need my organic eggs, my strawberries, my lemons, my lemongrass, my hummus and my ghee. Maybe I’ll get like some gorgeous Japanese sweet potato cause I try to eat a sweet potato daily. I eat it with the skin on because you gotta get beta carotene [laughs]. Also, my husband makes this beautiful lemongrass tea that I love at night. It’s kind of been my little postpartum treat that I look forward to. I feel so feminine when I drink it. I don’t know how to explain it, but we get a big bunch at the farmers market on Sundays. Going to the farmers market makes me feel ready for the week.
12:30 p.m.: A second matcha and a late breakfast
Then we’re going to have a late breakfast at All Time. I’m getting the salmon with the crispy rice, broccoli, onions and two big eggs on top. It’s got a little bit of a tart taste. It has a special sauce that you pour on top of it. Probably because I’m sleep-deprived, I’m getting another matcha and a hot water with lemon.
2:30 p.m. Time for some shopping
Then we’re gonna stroll into Pierce & Ward, which is just a couple stores down. It’s a home interior design store. The storefront is literally the color green. It’s just beautiful. I love beautiful things. They do upholstering, but they have a lot of cute little tchotchkes. They’ve got incense. They’ve got beautiful stools, striped upholstering, but they also have, you know, soaps and again incense, and just cute things. The people are so kind in there.
Then we’re going to head over to Melrose Place. We’re going to Margiela and Violet Grey. I’m going to pop into Maxfield. I’m going to try on jewelry. I recently tried on this beautiful Jennifer Meyer emerald gold necklace that I wanted and I was like “How much?” They were like “14” and I was like “Oh, $1,400,” and they were like, “No, $14,000.” I was like, “Oh, OK, cute. I’ll be back.” They have gorgeous Phoebe Philo [pieces], Miu Miu flats, Louise Trotter’s Bottega. I’m having a ball trying things on. Maybe we’re going to swing into Jacquemus because it’s so cute. It’s like a French dream. The girls who work there are so kind and so fly. They told me that he had the couches specifically designed to look like his mom’s couches in his childhood home. They’re bright yellow. It just feels really happy and like a breath of fresh air, and obviously the clothes are beautiful.
4 p.m.: Discover new beauty brands at Formula Fig
There’s this place called Formula Fig. I’m not going to spend too much time in there. Of course they have really beautiful, curated skin care, but they also have cute random things for your hands and feet. You know how we have social media, which is constantly feeding us with things we don’t need, but because someone is selling it to us, it impacts us psychologically. I like that Formula Fig is an experience where you go into the store and discover on your own.
If we have time, we’ll hop in the car and head over to Arcana [Books on the Art]. I can ask anyone who works there, but I’ll ask Lee about absolutely anything. Let’s just say I don’t know what I want, but I know what I’m feeling, or what I want to learn more of, they’re actually art historians in there and they deeply care about books and artists and people. It ends up opening other tabs of people, artists, photographers, writers, painters, watercolor and musicians that I’ve never heard of or I’ve always wanted to know more about.
5:30 p.m.: Sushi for dinner
We’re going to drive our ass to Burbank and we’re getting Sushi Yuzu. Life hack: If they’re too full, we’ll literally go a couple blocks west and hit Kabosu, which is their sister restaurant. I’ve been going here for 10 years. It’s the greatest sushi, so fresh. I love every chef there. We’re starting with the garlic edamame, obviously. Then I’m getting the lime roll, the albacore crispy onion, the garlic sashimi, and I’m going to keep ordering and ordering and be so happy. I’ve put so many people on. I should get equity in the restaurant or something.
7:30 p.m.: Sunset walk before bed
You want a fart walk right after your meal, right? [laughs] So we’re going to go for a nice sunset walk in our neighborhood. Then we’re heading home, giving the baby a bath, I’m taking a shower and we’re going to bed at like 9:30 p.m.
When San Juan native Rafael Rodriguez opened Señor Big Ed in Cypress in the mid-90s, there were few Puerto Rican restaurants in Southern California.
“A lot of customers were driving long ways to come to eat at Señor Big Ed,” said restaurant manager Veronica Coronado. “They would get very emotional when they would eat the food, because it reminded them so much of their childhood.”
While cities like New York and Miami have come to be veritable hubs for Puerto Rican cuisine, the food community here in Los Angeles — more than 3,000 miles away from the island — still remains relatively small.
“His whole movement and everything that he’s been doing for the island … has really been this big boost for global awareness of the Puerto Rican identity and culture,” said Carmen DeLeon, the actor and chef behind Capicu, a Puerto Rican pop-up in L.A.
While longstanding restaurants like Señor Big Ed have anchored communities for decades, newer spots like Taínos in Woodland Hills and La Casa de Iris in Long Beach are expanding the Boricua food landscape in L.A.
“Everyone comes to look for this food because this is like gold,” said Edwin Torres, chef at Taínos in Woodland Hills.
In addition to traditional guisados, mofongo (mashed green plantains) and banana-leaf-wrapped pasteles, Taínos shares Puerto Rican dishes rarely seen outside of home kitchens. Soon, co-owner Odessa Rodriguez plans to add guanimes con bacalao, boiled flour dumplings with salted cod, a Taíno dish that traces back centuries.
“We’re not trying to reinvent the wheel. We are just trying to bring back essential plates that our ancestors ate,” Rodriguez said.
DeLeon, known as the Not Starving Artist on Instagram, started her pop-up in 2023 with her sister Anabel, serving small bites at bars, farmers markets and local events. The siblings grew up in Arizona cooking Puerto Rican food with their island-born parents, and DeLeon said she’s passionate about making the cuisine accessible to others.
“I want to attract people first, and then I can talk about where these dishes derive from and where the inspiration comes from,” she said.
The current menu features pizza empanadillas, vegan arroz con gandules (rice with pigeon peas), vegan tostones and gazpacho, and mini sandwiches with ham, cheese and sweet pimiento peppers.
DeLeon hopes more people will grow excited about Puerto Rican food as they discover the culture and meaning behind the cuisine.
“There’s so much history and structure and love behind this group of people, this environment, this culture, this food, this identity,” she said. “I hope that when people eat this food … I want your belly to feel full, I want you to feel as if you’re sitting at my house with my family.”
Similarly, Rodriguez hopes Taínos will become a cultural hub for Boricuas in L.A.
“It fulfills me to feel that I am providing a sense of comfort, nostalgia, home,” she said. “It’s bigger than food.”
Whether you’re craving nostalgic flavors from home or looking to experience L.A.’s small but growing Puerto Rican food scene, here are four restaurants serving up a taste of the Isla del Encanto. — Angela Osorio
European capitals continue to be beloved getaway destinations for countless Britons looking for a quick break from daily life. With straightforward access by plane or train, these cities are perfect for long weekend trips. Yet an increasing number of locations are gaining notoriety amongst travellers for being hostile, dirty and dangerous.
One city in particular has been singled out as a place to avoid, according to recent reviews from British visitors. Long considered the ultimate destination for a romantic retreat, Paris has faced significant backlash, reports the Express.
In a Reddit thread, one user branded the city as grimy and said locals were “unbelievably rude”.
ExplanationWorried14 wrote: “I said ‘merci’ when someone actually stopped at a crossing and he looked angry and shrugged like I was an idiot.
“Some school girls sang a song about me being an English w****, despite me wearing a long, flowing hippie dress that in no way revealed any flesh, and I felt unsafe.”
“Got followed by two men near the Louvre. Would never go back. I don’t know why people say it’s romantic… I guess those people are into some weird stuff.”
Another commenter pointed to rampant criminal behaviour and mentioned that the French capital came with a steep price tag.
Mister Pink said: “Lots and lots of crime is very visible all around in the form of pickpockets and con artists. Very expensive, and the Parisians generally were pretty rude.
“At least when you go to the nicer bits of London for food, the area tends to be quite nice to match the outrageous prices.”
Other well-known European cities fared little better in the eyes of the Reddit users, who were equally ruthless in their verdicts.
Berlin was branded as a city overrun with rude locals.
Philosophyguilty wrote: “Old school Berliners are vicious. If you live in Berlin for any length of time, you will have a tale or two about them.”
Softwarepanda agreed, writing: “Never been in a place with so much grumpiness.”
Brussels was labelled as having a “pretty grim vibe”, while Rome — a city forever synonymous with La Dolce Vita — was alleged to be crawling with “scammers and gropers”.
MINNEAPOLIS — A judge on Thursday handed down an extraordinary prison sentence — nearly 42 years — to the former leader of a Minnesota nonprofit who was convicted in a staggering $250-million fraud case that helped ignite an immigration crackdown by the Trump administration.
Aimee Bock ran Feeding Our Future, which had claimed it helped provide millions of meals to children in need during the pandemic. The U.S. Justice Department, however, said she was atop the “single largest COVID-19 fraud scheme in the country.”
“I understand I failed. I failed the public, my family, everyone,” Bock said in federal court.
President Trump used the fraud cases against Bock and many others to initially justify a massive surge of federal officers to the Minneapolis-St. Paul area last winter, leading to a pushback by residents and the deaths of two people.
“Feeding Our Future operated like a cash pipeline, open to anyone willing to submit fraudulent claims and pay kickbacks,” prosecutors said in a court filing.
Bock had long proclaimed her innocence but was convicted last year of conspiracy, fraud and bribery.
“This case has changed our state forever,” Joe Thompson, formerly the lead prosecutor in the case, said outside the courtroom. “Aimee Bock did everything she could to earn this long sentence.”
The nonprofit sat atop a fraud network that included a web of partner organizations, phony distribution sites, kickbacks and fake lists of children supposedly being fed, prosecutors say. Dozens of people, many from the state’s large Somali community, have been convicted in a series of overlapping food fraud cases that have spent years in the courts.
Bock and co-conspirators enriched themselves with international travel, real estate purchases, luxury vehicles and other lavish spending, the government said.
Bock’s lawyer, Kenneth Udoibok, argued for no more than three years in prison, saying she had provided key information to investigators. He argued that Bock had been unfairly painted as the mastermind and insisted that two co-defendants were responsible for running the scams.
Meanwhile, authorities this week filed additional charges against others in a sprawling investigation into federal social service spending in Minnesota.
The targets include Fahima Mahamud, who was CEO of Future Leaders Early Learning Center, a childcare center in Minneapolis. Over three years, Mahamud’s organization was reimbursed approximately $4.6 million for services on behalf of people who didn’t make a required copayment, prosecutors allege.
A message seeking comment from her lawyer was not immediately returned Thursday. Mahamud was charged separately in February with fraud related to meals. She has pleaded not guilty.
Two other people were charged with conspiring to get $975,000 in Medicaid subsidies for housing services that were not provided. They’re expected to plead guilty in June, according to a court filing.
Two additional people were accused of receiving $21.1 million by billing Medicaid for autism therapy that was either unnecessary or not provided. Investigators said the two paid families as much as $1,500 per child per month to add their names to the program and get reimbursement.
Trump, who has long derided Somalis, last year blasted the state as “a hub of fraudulent money laundering activity.” He also criticized the leadership of Gov. Tim Walz, the Democrats’ vice presidential nominee in the 2024 election.
“Somali gangs are terrorizing the people of that great State, and BILLIONS of Dollars are missing. Send them back to where they came from,” Trump wrote on social media.
Bock is white and the U.S. Attorney’s Office says the overwhelming majority of defendants in the cases are of Somali descent. Most are U.S. citizens.
The immigration surge led to repeated protests and confrontations between residents and federal officers and resulted in the killings of Renee Good and Alex Pretti.
WASHINGTON — President Trump’s grip on his party slipped on Thursday as anger boiled over among Senate Republicans about a growing list of issues.
In a striking display of defiance, GOP senators abruptly derailed plans to vote on legislation to fund Trump’s immigration crackdown amid deep disagreements over security funding for a White House ballroom and a $1.8-billion fund to pay people who claim to have been politically persecuted.
The discontent had been building for weeks. Many senators had grown frustrated over Trump’s decision to endorse candidates running against longtime Republican incumbents.
Senate Majority Leader John Thune (R-S.D.) acknowledged the concerns over the fund Thursday after a reportedly contentious private meeting about it between Senate Republicans and acting Atty. Gen. Todd Blanche. He also conceded midterm politics had added to the tension.
“It’s hard to divorce anything that happens here from what’s happening in the political atmosphere around us,” Thune told reporters. “You can’t disconnect those things.”
A day earlier, Sen. Bill Cassidy, a Louisiana Republican who lost his primary race on Saturday to a Trump-backed challenger, expressed strong disagreement with the creation of the fund, which would be controlled by appointees without congressional oversight.
“People are concerned about paying their mortgage or rent, affording groceries and paying for gas, not putting together a $1.8 billion fund for the president and his allies to pay whomever they wish with no legal precedent or accountability,” Cassidy wrote on X. “If there needs to be a settlement, the administration should bring it to Congress to decide.”
Sen. Mitch McConnell (R-Ky.) also had harsh criticism for the fund.
“So the nation’s top law enforcement official is asking for a slush fund to pay people who assault cops? Utterly stupid, morally wrong — take your pick,” he said in a statement.
The discord was striking, partly because Republicans have largely steered clear of checking the president’s power, and Congress has been largely sidelined under the second Trump administration on the war in Iran and other issues.
“I don’t think the Republicans had any choice but to pull the plug until we come back in June, because they’re facing a bit of a mutiny within their conference,” Sen. Adam Schiff (D-Calif.) told The Times, saying he had heard that the meeting between Blanche and Republicans “didn’t go well.”
As tension simmered on the background, Trump seemed unbothered by the group of Republicans’ public rebellion against his agenda. When asked whether he was losing control of the Senate, he said he didn’t know.
“I only do what is right,” he told reporters in the Oval Office.
However, he expressed annoyance at lawmakers who would not support $1 billion in federal funding for security costs related to the ballroom project. He said the structure is being privately funded by him and other “great patriots.”
“We are making a gift to the United States,” Trump said. “This is being made as a gift from me and other people that are great patriots and spent a lot of money. We are building what will be the finest ballroom anywhere in the world.”
The $1 billion for security funding would be “very much a good expenditure,” he said. If Congress does not sign off on the money, Trump said the “White House won’t be a very secure place.”
Trump did not immediately comment on Thursday about the Senate’s delaying of the funding bill. The White House declined to comment on the matter.
Trump’s second-term actions have frequently tested the loyalty of Republican lawmakers, who have largely stayed in line. The settlement fund, with its ethical questions, appears to have crossed a line for some senators in a party that has traditionally opposed wasting taxpayer funds.
The money comes from the judgment fund, which is a Congress-approved ongoing appropriation that allows the Justice Department to settle cases and make payments.
Stephen Miller, a top aide to Trump, told reporters at the White House that the $1.8-billion settlement was “just a small measure of the justice” that many people are owed after being targeted by the federal government. Miller declined to say whether the White House was reaching out to senators to ease concerns about the fund.
Republicans in Congress decried the use of similar third-party settlements during the Obama administration, with House lawmakers repeatedly passing a bill aimed at stopping settlement slush funds, noted Molly Nixon, a senior fellow at the Cato Institute.
Though the Trump administration’s plan is novel because the settlement money isn’t going to a third party, the general concept has been offensive to Republicans in the past; the Republican-controlled House Judiciary Committee termed it an abuse in 2017.
“If you’re taking a consistent view, you’d be at least equally as opposed to this settlement,” Nixon said of Republican lawmakers.
That could be driving some of the opposition now, along with concerns about who is going to get the money and whether it could be distributed to people who wouldn’t have been able to make a successful case before a court of law, Nixon said.
“The fund is going to plaintiffs who were victims of lawfare or weaponization. … Those are pretty ambiguous terms. They’re sort of in the eye of the beholder,” Nixon said. “It’s pretty easy to see how this could very easily become a quiet political claims process.”
Police officers who defended the U.S. Capitol during the Jan. 6, 2021, riot have already filed a federal lawsuit seeking to block the creation of the fund, arguing in part that it would compensate extremist convicted of committing violent crimes.
“The fund’s mere existence sends a clear and chilling message: those who enact violence in President Trump’s name will not just avoid punishment, they will be rewarded with riches,” the lawsuit says.
When Trump returned to office in January 2025, one of his first acts was pardoning or commuting the prison sentences of the 1,500 people who were charged in connection with the attack. Vice President JD Vance on Wednesday did not rule out that settlement money could go to those rioters, saying the money would be given out on a “case-by-case basis.”
Thune told reporters on Thursday that the Justice Department would have to come up with some guardrails to ease concerns among senators.
“We need to get some clarity,” he said.
Though the number of Republicans angry with Trump is significant enough to make or break legislation, the caucus appeared far from falling apart.
Senate Republicans blocked an attempt by Sen. Alex Padilla (D-Calif.) on Thursday to pass a bill to prohibit federal funds from reaching Jan. 6 rioters, an attempt to prevent the fund from being used to compensate them.
“I’m encouraged hearing some of my Republican colleagues agreeing with me,” Padilla said on the Senate floor. “Let’s stand up for congressional oversight as a unified Senate.”
Sen. Tommy Tuberville (R-Ala.) objected to Padilla’s bill, later writing on X: “PROUD to object today to Senator Padilla’s RIDICULOUS bill and stand up for ALL FREEDOM-LOVING AMERICANS.”
Schiff, who is working on an amendment that would target the fund, said other Republican colleagues he spoke to Wednesday evening were unhappy with the position Trump has put them in. He said Trump’s actions have helped underscore Democrats’ arguments against his party.
“All [it’s] doing is helping us make the case that the Republicans couldn’t care less about people’s cost of living … that there’s plenty of money for golden ballrooms for the president, there’s plenty of money for the president’s cronies, but there’s no money for the average family,” Schiff said.
At this year’s festival to unveil our inaugural Cannes issue, I had to opportunity to sit down with Sony Pictures Classics co-founders and co-presidents Michael Barker and Tom Bernard and EVP of Acquisitions, Production and Business Affairs Dylan Leiner on the Main Stage at the Marché du Film to discuss the company’s festival strategy, bidding wars, artificial intelligence and more. Watch the full conversation and read edited excerpts below.
How much does the festival reception of a movie, the reviews coming out of a festival, the buzz around it, shape decisions that you’re making? Or is it just confirming what your gut already knows?
Leiner: I want to tell one story that speaks to that, which was at the first Berlin Film Festival we attended after COVID. I remember, in the same day, I ran into three international distributors who all asked if we had seen “The Teacher’s Lounge.” And I didn’t even know what the film was. It wasn’t on our radar, it wasn’t in competition. So we quickly saw “Teacher’s Lounge” and we acquired the film [which went on to be nominated for the 2024 international feature Oscar]. And that was one of the great values of an in-person festival, the ability very quickly to communicate with distributors, with tastemakers, with critics from around the world and get that kind of information. Gut, personal taste… It plays into it a lot, but then we need reassurance. And being at a festival and being in this fishbowl environment is really helpful for that.
For a lot of people, myself included, the mystique of a festival is often around the bidding war narratives: Who’s going to pick up what and what are they going to pay? I’m curious for your take on the first big acquisition of this year’s Cannes, A24 buying “Club Kid” for a reported $17 million.
Bernard: Throughout the years, there were companies [that would] maybe overpay, or they were going to bid to get this movie no matter what, because they were the headline in all the newspapers covering this festival. So in terms of a company that’s branding — which, A24 is one of the best in branding — I think that that had to do with a little bit of the cash that went up. … There’s a branding aspect in a lot of festivals for a movie that’s a hot movie that the press has decided to seize on.
Barker: Here’s a key to how we have survived. It’s different from the way you talk about it. When we acquire a movie, whether anyone else has offers, we try to block it out. And we have trained ourselves to not let that noise bother us. What is it worth to us? What do we think it’s going to do? Dylan runs these incredible models of what it’ll do on the low end, what it will do on the high end. And then you decide where you want to be.
Bernard: Or we think we can make it work.
Barker: But at no point do we sit around and worry about who else has a higher offer for the movie. Because I have to say, in very few instances, on the movies we buy, are we the higher offer. We just do the best we can, and if we lose it, we lose it.
Bernard: [French film producer] Serge Silberman, a sage of the past, he always said, “You never lose money on a movie you didn’t buy.”
That brings up a question that I had about “Nuremberg,” which was a real success.What you’re saying is,it performed in alignment with your expectations. Were there any lessons that you took away from that in terms of future projects that might come along?
Leiner: Yes, it performed in accordance with our expectations. What’s interesting about that film, we acquired it here last year. Nobody else was really interested in the movie. … So our challenge basically was to figure out how to convince the filmmaking team that, because it was a very expensive film, that we were the right company to acquire the film on the terms that we could afford and that we could make it work. And it was a very intense series of phone conversations, in-person meetings.
Bernard: We felt like we were auditioning to get married to somebody. We were never going to be able to pay to make their money back. It was a $40-million movie, and they were really sort of out there without anybody really looking at it. And we said, “Listen, sell it to us. We think it’s going to be a great success. We’ll make your movie way more valuable over the test of time.”
Barker: There are two types of movies that are being made and distributed. One are the big tentpole studio movies. It’s about winning the weekend theatrically. These are the theatrical-driven movies. And it’s all about making that huge budget back very quickly. But the other kind of film, which is why we are in business, is the evergreen. Every one of our films, we open it with the best marketing push we can. Yes, we try to get the highest box office. But what we know will happen, even if the box office ends up being less, we believe in these films as long-term players. And these films have really long tails. You look at movies like “Run Lola Run” or “Call Me By Your Name” or even “Living” … They have generated revenues to the filmmakers and to us that’s way beyond what the box office would have portended when it opened.
I would be curious, what areas of the filmmaking process or the film distribution process do you think AI is appropriate for use, that you’ve experimented with it, that you’re excited about its prospects? And where are your red lines, if you have any?
Barker: One of the people on our staff — we really love our young staff. One of them was writing a screenplay with AI, and told me they got certain rules on AI. And I’m listening to all these rules. You can’t have your main character die in a first scene. You can’t have your romantic female lead be totally unlikable, people aren’t going to go. I’m listening to this, and I said, “Have you ever seen ‘Sunset Boulevard?’” And she goes, “No, what is that?” I said, “Go watch that movie.” She came back and she was like, “Holy cow.” I said, “Billy Wilder sat down and made that up based on what he observed.” AI is not going to be able to do that.
As someone who is “not the best person with bugs and stuff,” Stephanie Bernaba never imagined herself becoming an outdoorsy mom.
But the mother of three is getting more daring as gas prices and other travel costs make vacations more expensive. Bernaba, 47, has been steering her family toward local beaches, bike rides and hiking trails near their home in coastal Rhode Island instead of the faraway trips they once took.
“I’ve been trying to do more of that because one, it’s quality time. Two, it’s fresh air. And three, we’re not spending an arm and a leg,” she said.
That kind of calibration is shaping the summer travel season, which gets its traditional start in the U.S. with the long Memorial Day holiday weekend. Higher fuel prices resulting from the Iran war and other inflationary pressures are making most forms of travel costlier as people in many parts of the world form their plans.
The U.S. Travel Assn. expects annual travel spending to grow by a modest 1% this year, powered largely by domestic leisure travel despite the FIFA World Cup giving soccer fans from other countries a reason to visit the U.S. Airfares have climbed around the world along with the price of jet fuel as the war constrains global oil supplies.
Sticking closer to home may not cushion the sticker shock. The nonprofit Institute on Taxation and Economic Policy estimated Americans would collectively spend an extra $3.5 billion on gasoline over the holiday weekend. The average price for a gallon of regular gas in the U.S. was $4.56 on Thursday compared to $3.18 a year ago, according to the motor club AAA.
Other travel expenses have gone up too. The latest consumer price index showed airfares were 20.7% higher in April from a year earlier, the cost of intracity transit, such as buses and subways, rose 5.6%, lodging cost 4.3% more, and eating out got 3.6% pricier.
Changing travel patterns
Despite elevated prices, industry forecasts suggest Americans still want to get away, even if it means replacing long trips with long weekends, choosing destinations closer to home and finding ways to cut costs by cooking meals or using buses and trains instead of driving.
AAA predicted that 45 million U.S. residents would travel at least 50 miles from home between Thursday and Monday. The Transportation Security Administration said it expects to screen 18.3 million passengers from Thursday to next Wednesday.
Many households are planning summer vacations but making tradeoffs such as shorter trips or cheaper lodging, according to Bank of America analysts. Mastercard said in a recent report that consumers appeared increasingly focused on value and were adjusting their destinations and timing instead of not going away at all.
“Generally, it’s certainly more of a demand reshuffling than a demand softening,” David Tinsley, a senior economist at Bank of America Institute, said.
For the Bernaba family, that has meant trading a big vacation for a shorter trip nearby this summer. Their scaled-back itinerary still is pricey: more than $400 for a ferry to Martha’s Vineyard for their car and passengers, and about $800 a night for each of the two hotel rooms the family of five needs.
Another family that had planned to join them backed out after seeing the price tag.
“The pinch is being felt all the way around,” Bernaba said.
Analysts have increasingly described travel spending as “K-shaped,” with higher-income households continuing to spend while lower-income families pull back or opt out entirely. Bank of America said lower-income households were significantly more likely to report having no summer travel plans this year.
Travelers are confronting other stressors besides cost.
Airlines around the world have canceled flights and trimmed routes to save on fuel and operating costs, leaving passengers with fewer options. Recent U.S. government shutdowns — which caused major flight disruptions and long security lines — are likely still fresh in travelers’ minds. The conflict in the Middle East and broader geopolitical tensions add another layer of concern, especially for those considering trips abroad.
The various factors impacting travel right now have made planning trips more mentally taxing and may be pushing people toward simpler and more accessible vacations that feel easier to manage, said Marta Soligo, a tourism sociologist at the University of Nevada, Las Vegas.
“The keyword here is unpredictability,” Soligo said. “Tourists don’t like unpredictability.”
Quality over quantity
Jim Wang, a personal finance blogger who lives in Maryland with his wife and four children, said his family’s original plan to travel to Spain to see a full solar eclipse in August began to unravel once they looked at the logistics.
Beyond thousands of dollars in airfare, the trip would have required multiple connecting flights, plus a car rental to reach northern Spain, where the path of totality is expected to pass.
“It’s like, ‘Oh, I don’t know if I want to see the eclipse that much,’” Wang said.
Instead, Wang’s family plans to head this summer to the Lake Tahoe area straddling California and Nevada, where they can stay at a relative’s cabin for free, hike and enjoy a slower pace with limited cellphone service. His wife’s parents and sister expect to join them.
“We’re still going to travel. It’ll just be different,” Wang said. “The vacations are no longer as grand for the adults. But for our kids, it’s still exciting.”
Nancy McGehee, a Virginia Tech hospitality professor who studies consumer behavior, said travelers are increasingly focusing more on the “why than the where” when it comes to vacations.
“What we’re seeing is people are saying, ‘All right, we can’t do that big splashy trip we wanted to do, but what else can we do?’” McGehee said. “It’s more quality over quantity that we’re seeing people go for.”
Back in Rhode Island, Bernaba has accepted that travel may look different for her family for a while.
“I think that’s probably why my mind has gone to doing more nature-y things,” she said. “Let’s learn how to use the earth to enjoy ourselves because that’s not going to cost as much money.”
As plenty of Californians remain undecided about the gubernatorial primary’s unsettled Democratic field, some are waiting to cast their ballots, creating the potential for a slower vote count or a longer wait to find out the winners.
Though the landscape could change quickly if Democrats coalesce around a single candidate within the next several days — signs of which were emerging this week — for now, many Democratic-leaning voters appear to be waiting for new developments before making their final decisions, political analysts say.
“This has been a roller coaster of a race, and I think voters are waiting to see when the ride is going to end and cast a vote at that time,” said Steve Maviglio, a Democratic strategist.
A larger-than-usual number of people casting mail ballots on or close to election day could extend the ballot-counting process, said Kim Alexander, president of the nonpartisan California Voter Foundation. County election officials said they were prepared for that possibility. Early returns so far haven’t made it clear whether most voters will wait longer than usual to cast ballots.
Mike Sanchez, a spokesperson for the Los Angeles County registrar, said the county was “fully prepared” for the possibility of receiving “a significant number” of ballots returned close to or on election day, June 2.
“It is not uncommon in primary elections, particularly those with a large number of contests and candidates, for some voters to take additional time to review their ballots and hold onto them longer before returning them,” he said.
Californians who want to vote on or close to election day can vote in person or use a mail-ballot return option that doesn’t rely on the U.S. Postal Service to help speed the process and avoid the risk of a mail ballot arriving late, election officials said.
Hesitation by Democratic-leaning voters reflects the toll of a historically uncertain primary race for governor. The contest has been marked by the unusual lack of a clear Democratic front-runner and the party’s failure to line up behind a single candidate after former U.S. Rep. Eric Swalwell dropped out in April.
Early concerns within the party that a split Democratic electorate could put two Republicans on the November ballot under the state’s top-two primary system also heightened the sense of stakes among left-leaning voters.
Those factors, combined with a large slate of candidates, voter confusion about how candidates’ platforms differ and a desire to choose the person “most likely to win” have made Democratic-leaning voters uncertain, said Christian Grose, director of the USC Democracy and Fair Elections Lab.
“There’s a little bit of, whoever’s in the lead some Democrats are choosing to vote for … but people don’t know who that person is,” Grose said, noting that “some of that [could start] to go away” as the race tightens.
An indication that Democrats are starting to consolidate around Xavier Becerra, the former U.S. Health and Human Services secretary, came Tuesday in a new survey released by the California Democratic Party. It showed Becerra with support from 21% of respondents, followed by billionaire Tom Steyer with 15%.
Republican-leaning voters appear to favor Steve Hilton, who had support from 22% of survey respondents. Republican Chad Bianco, the Riverside County sheriff, had 10%. Under California’s primary system, the top two vote-getters advance to the general election, regardless of party.
Tallies from a handful of counties showed varying early turnout so far.
In San Francisco, a relatively small number of ballots have been returned, indicating that voters may be waiting, Michelle Parker, president of the city’s elections commission, said Tuesday. If people vote by mail close to election day — rather than voting in person or using a drop box — it could affect the speed of vote-counting, a possibility the city’s election staff is prepared for, she said.
“We’ll see how quickly they come in, but knowing what the news has been like and watching what the dynamic has been like across the state, I’m not surprised people are waiting,” Parker said, referring to the governor’s race.
In San Bernardino County, 5.6% of mail ballots had been returned as of Tuesday, a rate comparable with previous elections, Registrar of Voters Joani Finwall said. Election officials “strongly encourage” voters to cast ballots early using drop boxes or early voting locations, Finwall said.
In Orange County, by contrast, data so far indicate that voters are not waiting, the Registrar of Voters office said. More than 129,000 vote-by-mail ballots had been returned by the end of the day Monday, more than had been returned by the same time in the 2024 and 2022 primaries. Of those, a slightly higher percentage of Republicans than Democrats had voted.
If a large number of voters were to wait until June 2 to cast a mail ballot, the county would be able to efficiently process them, said Registrar of Voters Bob Page, noting that 90% of the county’s early vote-by-mail ballots were included in election night results in the 2024 presidential primary.
Voters should be prepared for the possibility that the gubernatorial results aren’t determined on election night, Grose said. One candidate could appear to be in the lead on election night and another could overtake them once all ballots are counted.
State election officials warned this month that some social media posts urging Democrats to vote “late” could be misinformation. Secretary of State Shirley Weber’s office said it would look into such posts, one of which falsely attributed the message to historian Heather Cox Richardson.
Mail ballots must be postmarked on or before election day and arrive within seven days after the election; otherwise, they are considered late and not counted.
Rusty Hicks, chair of the California Democratic Party, acknowledged chatter around people holding onto their ballots but said the survey released Tuesday indicated voters are “beginning to move towards specific candidates.”
Even as Becerra and, to a lesser extent, Steyer rose in popularity, other Democrats saw support in the single digits in the poll, including former U.S. Rep. Katie Porter, San José Mayor Matt Mahan and former Los Angeles Mayor Antonio Villaraigosa.
“This race isn’t over; we’ve certainly seen a lot of twists and turns to this point, but you do see some clear consolidation taking place for both Democrats and Republicans,” Hicks said on a call with reporters. “I’m not concerned about California Democrats having their voices heard.”
“There is some uncertainty among Democrats about, ‘Is there one more shoe to drop for someone?” Grose said. “That’s one reason people are holding onto their ballots.”
Voters who want to cast ballots later than May 26 should return their mail ballots at a voting site, county election office or drop box, rather than via the Postal Service, by 8 p.m. on June 2 or should vote in person, recommended Alexander, of the California Voter Foundation.
Because mail ballots require election officials to conduct signature verification, they take longer to count than in-person ballots. In addition, recent changes at the U.S. Postal Service have slowed mail service, creating a higher potential for mailed ballots to arrive late.
Alexander also urged voters to take advantage of Saturday in-person voting, available at county election offices statewide the weekend before election day, and other early voting options.
“I am very sympathetic with voters who want to take their time to make their decision in this very fluid election,” she said. “The important thing is to have a plan.”
For a guy who has become known for his monstrous output of clips, comedy specials and content, it’s a wonder Josh Johnson has time to stop to think about what makes his comedy timeless. As a former writer and now one of the hosts of “The Daily Show,” much of Johnson’s humor outside of specials relies on his ability to deliver jokes on the dumpster fire du jour when it comes to pop culture and politics. But for his latest one-hour special, “Symphony,” premiering Friday on HBO, he wanted to orchestrate something different that would still be funny 40 years from now, regardless of what’s fashionable or who is running the country.
Using music as a canvas to paint a funny, layered portrait of the human experience, Johnson creates a set that comes alive with the sound of more than the laughter at the Wiltern, where the special was filmed earlier this year. With stories focused on surviving rowdy family, moments of loneliness, struggles with faith, and navigating our deepest human relationships, Johnson’s abilities as a pensive storyteller are conducted masterfully. The result is an hour that helps showcase his refined comedic voice, surprise the audience and sound the trumpets for his next round of touring.
This interview was edited for length and clarity.
Why was it important for you to veer so strongly into music as a theme of your new special, “Symphony”?
I think music, in a way that nothing else does, brought the central points and themes of the special home. In the beginning [scene] with the title card and the busker who has a [music-related] quote in front of him, that’s sort of the mission statement of the special and everything I’m trying to do. The thing to me is including the music to help bring about these ideas and bring each section home and bring it all the together in a way that obviously I’m also attempting to do through the comedy. I think thematically there’s nothing stronger to make the overall point than music.
What inspired you to shoot it at the Wiltern?
The Wiltern is so beautiful and it also lends itself to that sort of art aspect I’m talking about in the very beginning of the special. Things that have that look of the Wiltern help not just create a spectacle, but give you something really beautiful to look at. You get something really beautiful to listen to in the music, and then the comedy helps decorate the hour that we’re spending together.
“If you speak to a lot of people’s timelessness around family and culture and some of the bigger topics, but without naming names, I think that you create something that really stands the test of time,” Johnson says about his new special, “Symphony,” premiering Friday on HBO.
(Ser Baffo / HBO)
You definitely play around with the format of a typical special in this new hour. As somebody who has mastered the ability to release a crazy amount of comedy in recent years on YouTube and social media, what aspect of a traditional one-hour special do you still find important?
I think that everything that I’ve been doing so far is pretty topical and very of the moment, even when I’m not talking about a specific pop culture or political topic. I think that there’s a time for comedy of the moment, but then I also think there’s an aspect that you want to be timeless, and that’s what the specials are for me. You want the piece to be something that people watch 40 years from now, and I don’t always expect every single set that I put out to have that level of longevity. Because no matter how it feels right now, there’s going to come a time where we look at the people who take up so much of our bandwidth and our thoughts throughout the day as just a sort of passing political fashion or the things that we see as like huge indicators of where society is right now will eventually become forgotten crazes. But I think that if you speak to the human condition, if you speak to a lot of people’s timelessness around family and culture and some of the bigger topics, but without naming names, you create something that really stands the test of time.
There’s a duality between your timely comedy on “The Daily Show” and the timelessness you’re aiming for in specials. Was it important for you to separate the two ways that people might see you as a comedian?
People are going to have their takeaways from whatever you do. I try bringing the same amount of intention to everything, but as far as the way people see me, it’s something that’s kind of out of my control.
Religion comes up a lot in the special, the Bible specifically. I’d read somewhere that you had taken a break from practicing Christianity in recent years. If so, what was your reason for including the topic in your special?
I wouldn’t even necessarily call it a break, I just think that there’s moments you’ll find yourself in, where whether you grew up on a text or a certain few tenants that you live by, there’s always going to come a time where it’s really important to revisit those things… It’s not necessarily that I bring religion up in the special because I stopped practicing. It’s actually because I think that if I’m breaking life down into these sort of pillars that make up a person — I’m not saying religion has to be one of them — but I do find it to be an aspect for a lot of people. So if I’m once again trying to speak to things from a universal perspective as best I can, I think it’s something that that definitely comes up.
Comic Josh Johnson turns his new hour into a concertlike experience, using live music, a busker’s credo and L.A.’s ornate Wiltern Theatre to tie jokes into a single, sweeping theme.
(Ser Baffo / HBO)
Considering how well you use music as a backdrop for the special, how long did it take to come up with a concept for the hour? Did you write the jokes before coming up with the structure or vice versa?
I basically had a structure before I had a set, and I went to the director Jacob Menache about the idea for this thing like three years ago and we were talking about how best to make it work. That was long before I knew what jokes were going to go where, or how many things, how many aspects we were going to add to it, or anything. So I think that it’s been a long time coming, as far as like the actual structure of what you end up seeing.
Watching your special was the first time I paid real attention to who the musical director was in the credits. What was it like working with respected bassist and producer Derrick Hodge on creating the concept for the music in “Symphony”?
I look at Derrick as someone who was doing a lot of interesting things, and so I thought it was going to be a fantastic opportunity to get to work with him. I don’t know that much about music, to be honest. I try to dabble with producing here and there because I have ideas, but it’s the real musicians, the real artists that take the ideas that I might pitch out and create something with it. So I really leaned on Derrick as much as possible to like bring us home. I feel like so much of what I was trying to do was in bringing an overall idea of the structure of a set and asking Derek, “Hey, what do you think about this?” I don’t know if I could have ever thought up a way to create what I was trying to build without him.
Was there something about you that you felt like you wanted to get across in this special that maybe you haven’t gotten to in your previous specials?
It can be tough to show new shades of yourself when you put out a lot of stuff, and you are always kind of coming with stories about your life and your childhood or anything like that when I think of putting a set together, especially something that is attempting to be timeless. Overall, I think every new story is a new story to [the audience]. But I think that if you can express how you used to think versus how you think now, that can be revealing. Towards the beginning [of “Symphony”] I talk about how there are things I didn’t understand until pretty close to the special in theory, things I didn’t understand until like a week ago, or I’ve always held this belief, or something like that, and I think that if you can give people insight to your evolution as a person, I think that’s a really powerful thing.
“I think music, in a way that nothing else does, brought the central points and themes of the special home,” Johnson says.
(Ser Baffo / HBO)
Were there any things that occurred during the rehearsal process that genuinely surprised you?
Watching it come together was a huge surprise, because you know, [the director] Jacob’s out here in L.A., I’m in New York, and so I make the flight down and everything, but the Thursday rehearsal with the musicians [before the taping] was the first time I was seeing everything come together. It was first time I was hearing everything, and so I think watching something finally come to life after such a long period of time is always going to throw you for a loop.
Now that the special will finally be out, what plans do you have next about how to showcase your comedy?
I’m really excited for people to see what’s coming. I start the tour Comedy Band Camp in June. I have some surprises for people there as well, and I’m looking forward to showcasing lots of artists. I’m looking forward to showcasing as much as I can that helps me elevate the level of craft and what I bring to people. And so I’m doing that through even more collaborations. I’m going to be hyping up some people that maybe you’ve heard of, or maybe you haven’t heard of. The special is kind a beautiful kick off for the tour that I’m going to be doing because we are going to be on the road for quite a while, and I chose Comedy Band Camp as a theme, because camp is this thing that people are nostalgic for, it’s a place to go that is safe, where you make friends. Band is about people coming together for a shared goal, it’s about everyone having a singular purpose towards creating art. So I think mixing those two things together will be a unique experience that no one can get anywhere else, and it’ll be a challenge to present it as best as possible. But I have a lot of plans for how I’m going to do that.
