people

The killings mark the fourth US deadly strike in the past four days on vessels in the eastern Pacific Ocean.

The US military has killed four more people in its fourth deadly attack on vessels in the eastern Pacific Ocean over the past four days.

US Southern Command (SOUTHCOM) announced the attack in a social media post on Tuesday, alongside a video that showed a stationary boat with outboard engines being hit by a missile and exploding into a huge ball of flames.

SOUTHCOM, which is responsible for US military operations in Latin America and the Caribbean, claimed that the four people killed were “narco-terrorists”, but provided no evidence to support its claims.

Justification for the lethal attack, according to SOUTHCOM, was due to intelligence – details of which were not provided – that confirmed that “the vessel was transiting along known narco-trafficking routes in the eastern Pacific and was engaged in narco-trafficking operations”.

The latest killing of people on board vessels in international waters in the eastern Pacific Ocean and Caribbean brings the overall death toll to at least 175 since early September, when US President Donald Trump ordered the attacks to stop what the White House claims are Latin American cartels transporting drugs to the US.

Tuesday’s killings came after two people were killed in a US strike on Monday, and five people were killed in two separate strikes on Saturday, also in the eastern Pacific.

The Associated Press news agency reported that the US coastguard has suspended a search for one survivor from the two attacks reported on Saturday.

International legal experts and rights groups say the US military campaign amounts to “extrajudicial killings” in international waters and that the attacks have targeted civilian fishing boats.

Legal experts have said that if some vessels were involved in drug trafficking, those on board should face the law, rather than deadly attacks.

Critics have also questioned the effectiveness of the US military operation in part because the fentanyl behind many fatal overdoses in the US, which Trump has used to justify his campaign, is typically trafficked to the US over land from Mexico, where it is produced with chemicals imported from China and India.

Last fall, “Dr. Pimple Popper” suddenly became a patient herself.

Dr. Sandra Lee, the reality TV dermatologist and surgeon known for tackling ick-inducing skin situations on camera, had a bad day a week before Thanksgiving 2025 while she was taping new episodes of her show at her Upland office.

“I had what I thought was a hot flash. I got super sweaty and didn’t feel like myself,” she told People in an interview published Tuesday. She said she finished the shoot and then headed to her parents’ nearby home, where that evening she experienced shooting pains in one leg and later had trouble navigating down a flight of stairs in the middle of the night.

When she awakened the next day, she said, her left side wasn’t working properly and she was having trouble speaking clearly. It was definitely more than a hot flash.

Her doctor dad — also a dermatologist — told her to get herself to an ER, where she had an MRI that showed evidence of an ischemic stroke, where a vessel supplying blood to the brain gets obstructed. The diagnosis was a shock.

“As a physician I couldn’t deny that I had slurred speech, that I was having weakness on one side,” she said, “but I was like, ‘Well, this is a dream, right?’”

Lee, 55, said unmanaged cholesterol levels and high blood pressure were likely contributors to the stroke, plus the stress of balancing her real-life practice with the demands of “Dr. Pimple Popper.” She returned to production in January, she said, though she was more than a little freaked out.

“I don’t like that I don’t have total control of my left hand or the grip wasn’t as strong. If I feel like I’m not at my best — it’s very scary,” Lee said.

Her neurologist told the outlet that Lee’s symptoms are pretty much gone. Lee said she still notices slight differences when she speaks.

The TV doc is on blood thinners now and is still doing some physical therapy after spending two months post-stroke working through PT and occupational therapy. Lee had to make sure her left hand, among other body parts, was functional and that her balance and movement bounced back.

She does, after all, do precise procedures on camera for the Lifetime audience.

And with new episodes of “Dr. Pimple Popper” set to debut Monday for the first time since 2023, Lee remains fascinated by the people who spend time watching her do extractions and excisions, both on the show and online.

“People watch the videos over and over again because it helps them go to sleep at night,” she told People. But, she added, “Others watch it like it’s a scary movie or a roller coaster.”

A Los Angeles City Council panel is pushing to ban electric bikes from most city recreational trails, saying the machines pose a threat to hikers and equestrians.

The council’s Arts, Parks, Libraries, and Community Enrichment Committee voted 3 to 0 in favor of the measure, which now goes to the council’s Transportation Committee before potentially advancing to the full City Council, which would have to approve the ban before it takes effect.

“When you have something that’s motorized traversing that same space, especially if it’s somewhat of a rugged space, for folks that have sensitivities — knees, ankles — you don’t want to create an intimidating situation,” councilmember Adrin Nazarian said.

Although he voted to support the measure, Nazarian said he was open to making changes such as restricting some classes of e-bikes instead of a unilateral ban.

The ban, proposed by councilmember John Lee, would still allow e-bikes on designated bikeways in the city, including some of those along the L.A. River and city beaches.

Regular bikes are already banned from anything designated as a “trail,” according to a city ordinance, but a spokesperson for Lee said e-bikes were a gray area that his proposal aims to address.

Supporters of the measure include Lisa Baca of the Monteverde Ranch Equestrian Center in the northeast San Fernando Valley, who said horses are animals that can easily be spooked by facing moving e-bikes.

“They panic and it becomes very dangerous” for both riders, she said in an interview. At the same time, Baca noted that enforcing any ban on remote trails would be difficult.

Eli Akira Kaufman, director of the nonprofit advocacy group BikeLA, criticized the proposed ban as a “blunt instrument” and said the city should instead engage in a public education campaign aimed at getting people to share space safely.

Michael Schneider, chief executive of StreetsForAll, said the main problem on trails comes not from e-bikes but from people riding more powerful motorcycles and motorized trail bikes that aren’t street legal.

Federal regulations around e-bikes are lenient; they are considered nonmotorized vehicles like regular bikes and don’t require riders to have driver’s licenses or insurance. Local regulations, such as the one proposed by Lee, can vary widely by jurisdiction.

Under California law, e-bikes and e-motorcycles are separately classified by motor power, top speed and whether the bike has working pedals. Class 1 and Class 2 e-bikes don’t require licenses or insurance, while Class 3 riders need to be at least 16.

Catherine Lerer, a partner at law firm McGee Lerer Ogrin who has worked on dozens of e-bike accident cases, said accidents are more dangerous because riders — sometimes children — are moving faster than they would on a regular pedal bike.

“Minors riding e-bikes do not appreciate how fast that these bikes go, and they don’t know the rules that apply to riding an e-bike,” Lerer said. “It’s just a recipe for disaster.”

SACRAMENTO — Eric Swalwell is out — of the California gubernatorial race and Congress, spending time with family, as they say, after allegations of rape and sexual misconduct. That could be considered good news for the slew of Democrats who remain in the running, and even the two Republicans currently polling near the top.

But this muddled campaign season has clearly failed to capture voters’ imagination. This despite a sex scandal, a billionaire spending his millions, a dark horse spending tech-bro millions, a debate where the invitations were so controversial the event was canceled and a sheriff seizing ballots in a failed MAGA-pandering stunt. (President Trump ended up backing his opponent.)

After all that, you’d think Californians would care, at least in a spectacle sort of way.

But they don’t. At least not yet.

So is “undecided” going to remain the leader in the race until voters are forced to fill in their ballots? Even Republicans, with the Trump-endorsed Steve Hilton and Riverside Sheriff Chad Bianco as their main choices, can’t make up their minds.

Times columnists Anita Chabria and Mark Z. Barabak ponder why the race is such a hot mess, who benefits from the Swalwell implosion, whether anyone will ever get excited about any of these candidates — and what all that means for the future of California.

Chabria: We are less than 50 days out from the primary on June 2 and somehow this race remains both boring and unpredictable.

There’s lots of talk about whether the two remaining top Democratic candidates, former Rep. Katie Porter and billionaire investor Tom Steyer, will scoop up Swalwell’s supporters — or if a second-tier contender such as San José Mayor Matt Mahan, former state Atty. Gen. Xavier Becerra or ex-L.A. Mayor Antonio Villaraigosa may rise from the near-dead with a surprise surge.

With such a short amount of time and candidates who have already proved their lack of charisma, I’m worried that what happens next really comes down to money — which Steyer and Mahan have. Mahan’s tech-industry backers are already said to be lining up millions of dollars in ad buys to blitz his name and image on our consciousness in these final days, like a breakfast cereal we didn’t know we wanted to buy.

Ditto Steyer, though he’s got a much higher profile and backing from several key unions.

Do you think that money is going to rule the finish line in this one, or do any of the other candidates have a shot through sheer determination?

Barabak: Let’s be real.

If Tom Steyer was some schmo named Tom Steinway without a vast fortune buoying his political ambitions, he wouldn’t be remotely in the running, much less talked about as one of the putative front-runners. As it is, Steyer has burned through the equivalent of a small country’s GDP and he’s still not cracking 15% in polls.

That’s not exactly a ringing endorsement, notwithstanding all those he’s managed to leverage through his wealth.

California has a long history of rejecting moneybag candidates. In fact, not one has ever been elected governor. That said, we’ve never seen a contest like this one — and that was before Swalwell’s candidacy went up in salacious smoke.

The closest parallel — absent that above-referenced self-immolation — was in 1998. Voters weren’t crazy about the two leading candidates, including a rich guy blasting them with a firehose of TV advertising, so they opted for the colorless guy running far back in the pack. (And yes, dear reader, Gray Davis was eventually recalled, but that came well after the fact.)

There’s a saying in Iowa, around its presidential caucuses. The secret is to organize, organize, organize and then get hot at the end. California, obviously, is not the kind of state you win by holding a million and one kaffeeklatsches. But the principle — lay the groundwork, then count on timing and good fortune — could apply here.

Who might that be? Mahan’s sudden cash gusher can’t hurt. But your guess is as good as mine.

Chabria: The thing about organizing is that for Democrats, much of that work is done by labor unions. They provide the people, the phone banks, the door knockers. The California Labor Federation this time around endorsed basically everybody (Swalwell, Steyer, Villaraigosa and Porter), giving none of the Democratic candidates an advantage.

In a rare move, the California Labor Federation and Service Employees International Union California pulled their endorsement of Swalwell, as have other unions after these allegations came out. But labor remains split among the other candidates (though Steyer seems to be gaining unions’ affections), a real problem when it comes to that kind of organizing.

It’s that division of real people power that makes me worry money will have even more influence this time around.

But also, there is the unknown. There’s chatter online that a famous or strong contender (Kamala? A celebrity?) could stage a last-minute write-in campaign. Although state law no longer allows a write-in for the general election, there’s a tiny window left for one in the primary. What do you think? Could someone new swoop in and excite the voters enough to go rogue?

Barabak: Well, there’s Steve Cloobeck.

Who, you’re probably asking?

He’s a rich real estate developer who quit the race in November after an unsung yearlong campaign. Upon exiting, he enthusiastically endorsed his close friend, Eric Swalwell.

Speaking with our colleague Seema Mehta, Cloobeck said he wished the Legislature would amend the state Constitution so he could file to reenter the governor’s race — a delusion right up there alongside President Trump comparing himself to Jesus.

Seriously, political gossips abhor a vacuum, so they fill it with all sorts of fantastical scenarios of candidates riding in on white horses and rescuing us from … what exactly?

I’ve been the rare voice arguing this governor’s race is not at all boring. Boring would have been Kamala Harris holding a commanding lead for the Democratic nomination and people speculating whether anyone could stop her. While this bunch of candidates won’t send laser light dancing across the darkened sky, there are plenty of quite capable people still in the running, unless you’re looking for someone to entertain and/or offer California four years of distraction and diversion.

And we’ve seen what putting a reality-TV star in the White House has gotten us.

Chabria: At the end of the day, or at least election day, this is a question of whom we trust with the future of California. Ultimately, that’s why this race is a hot mess — none of the candidates, Republican or Democrat, have offered a vision inspiring enough to make voters want to trust them with the next four or eight years.

To me, that’s the real failure here. I don’t think voters would mind boring at all, if it was dolled up with credibility and competence.

I agree with you that we don’t need another reality star in any elected office. And more than one of these candidates has the skills to run the state. But in an era of deceit, arrogance and flashy incompetence, voters do want someone they feel they can trust.

So far, none of the candidates have delivered that sense of security, that they are campaigning as a public servant — instead of the thirsty contender hoping for a rose.

So either someone steps up and earns the rose, or it goes to the top-two least-worst. The June primary is holding on to her secrets for now.

Barabak: You know me; always one to look on the bright side!

If you’re a Republican, the bright side is the long shot, but not impossible, prospect of Bianco and Hilton nabbing both spots on June 2. That would mean one of the two lands in the governor’s office in January, notwithstanding California’s overwhelmingly Democratic leaning.

For an unaffiliated voter and political noncombatant like me, a Californian who deeply cares about my home state, the bright side is this: At least people are finally paying attention to the governor’s race.

So dive in! You’ve got just under seven weeks to make up your mind.

This harmless item isn’t banned by any airline, and many people pack it in their hand luggage, but the shape of it can trigger warning signs at airport security and see you getting held up in the queue

Airport security is one of the worst parts of flying, so once you’ve finally got to the front of the queue, you don’t want anything to delay your progress any further.

Once you put that bag on the conveyor belt, you want it to come through quickly so that you can get on with more important tasks, such as perusing the duty free shop. Nobody enjoys that sense of dread when your bag is stuck in the scanner, or even worse, sent off to the lane of shame to be examined by hand.

But many travellers don’t realise that an innocuous item could be the thing that’s halting their progress through the scanners as it’s shape can raise the suspicions of airport staff.

If you’re off on holiday somewhere with bad WiFi, or simply want something fun to do in the evening, you might be planning on bringing a deck of playing cards, UNO, or other card game.

Trading cards such as Pokémon have also had a huge revival in recent years, and some people even travel with a set of tarot cards so they can do readings on holiday. But packing any set of cards, whether collectible or mystical, can cause a security issue.

A spokesperson for the Transportation Security Administration (TSA), who deal with airport security in the United States, told Travel and Leisure that they recommend people still place their cards in their carry on bag, especially if they’re valuable items like collectible trading cards.

Ian Cava from the TSA explained that it was the shape of the cards that can trigger additional checks, and it can make it seem like there’s something hidden inside. “Trading and playing cards can sometimes trigger additional screening because of the way they are packed and their density.

“When items are stacked tightly together, like decks, binders, or graded slabs, the X-ray image can make it difficult for officers to confirm there are no prohibited items concealed in or around them.”

Ian’s recommendation is that travellers should remove the cards from their hand luggage and place it in the tray next to the bag, alongside items like their mobile phone. “This helps speed up the process and reduces the likelihood of delays,” he claimed.

But if the cards still don’t show clearly on the scanner, don’t be alarmed if the airport security staff need to carry out a physical inspection. Travellers with large and bulky card collections should ensure they leave additional time for security screening.

READ MORE: UK seaside town with ‘timeless charm’ and almost no crowds is ‘best in spring’READ MORE: World’s ‘best theme park’ 2 hours from the UK has Europe’s highest free-fall ride

A pack of cards isn’t the only thing that can see you held up at security. There are a number of personal items banned from hand luggage that could cause you issues. Many items are banned due to being sharp and potentially dangerous, but even innocuous items such as corkscrews could potentially be confiscated.

Have a story you want to share? Email us at webtravel@reachplc.com

L.A. County officials want to put $2.7 million toward beefing up the team of people investigating fraud within a deluge of recent sex abuse lawsuits, suggesting a broadening probe at the district attorney’s office.

The funding allocation, part of the county’s $48.8-billion budget proposal unveiled Monday, would bring on 10 new people to the small team prosecuting alleged fraud within the county’s historic $4-billion sex abuse settlement. L.A. County Dist. Atty. Nathan Hochman announced the probe last November following a Times investigation that found nine people who said they were paid to sue.

The county has agreed to pay billions to settle more than 11,000 claims of sex abuse in juvenile halls and foster homes, a flood of lawsuits spurred by a 2020 law changing the statute of limitations. Since those settlements, more than 5,000 new lawsuits have been filed with an average of 150 new claims coming in per month, according to the county, raising the prospect of future costly payouts.

Acting Chief Executive Joseph Nicchitta said Monday the new filings would continue to be an “anchor” around the county’s finances.

“It is something that’s going to weigh on us going forward,” he said at a news conference announcing the new spending plan.

Hochman said in a statement that the investigation was a priority for his office and the money would be used to “pursue every credible lead and hold fraudsters accountable.”

“It is our pledge to the real survivors of childhood sexual abuse that we will root out and prosecute those who manufactured false claims and profited or tried to profit from those lies,” Hochman said. “As for those who filed fraudulent claims of sex abuse, the time is growing short for you to turn yourselves in before you are arrested, prosecuted and punished.”

Nicchitta made a pitch for legislative change, noting the county was looking to Sacramento to “eliminate loopholes allowing abusive practices by attorneys that inject weak and potentially fraudulent claims into settlement pools.”

The push by the county to change the law has been hotly criticized by some advocates who accuse government officials of trampling on victims’ rights.

“These reforms that we are seeking are anti-fraud,” said Nicchitta. “They are not anti-survivor.”

The payouts are yet another cloud looming over the budget proposal, along with rising labor costs and federal funding cuts. The recommended budget represents a 7% decrease in spending compared to the current plan.

But Nicchitta said Monday it wasn’t all doom and gloom, with the county managing to stave off layoffs and program cuts.

The upcoming budget proposal, he said, represented the calm before the next big wave of potential rollbacks.

“Remember, we’re in the eye of the hurricane,” he said.

The budget forecast was notably rosier than last year’s, in which the county was saddled with $2 billion in new wildfire costs and had made the first round of slashes to finance the sex abuse payouts. The county froze hiring at the time and made most departments shrink their budgets by 3%.

Those cuts, Nicchitta said, went deep enough that they can avoid major slashes this upcoming fiscal year, though he warned the fallout from the Trump administration’s “One Big Beautiful Bill” will soon wreak fresh havoc on the county’s finances. Health officials say they expect more than $2 billion to be cut from the budget for health services over the next three years.

Costs from wildfire will also continue to weigh on the county’s coffers. Officials say the federal government has yet to respond to a February request for rebuilding aid. Nicchitta said he was “optimistic” the money would soon be made available.

Growth from property taxes has given the county a small new pot of funds, which will be used largely to pay for increased salaries for county workers. An additional $12 million will go to public defenders, who say they’re buckling under untenably heavy caseloads, while the Office of Emergency Management will get roughly $10 million to add 44 positions, according to the proposal.

The office, which is responsible for coordinating during emergencies, was under scrutiny following the alert failures of the Eaton fire, and officials had promised in the aftermath to revamp the small office.

The supervisors will be briefed on the budget plan Tuesday.

Walker Scobell just wants people to stop sending death threats to every teenage girl who might know him — and anybody else.

The 17-year-old “Percy Jackson and the Olympians” star announced Sunday on social media that he will be skipping his prom and called out those who are threatening everyone who could potentially be in his orbit because of where they live.

“Just to let everyone know, I will not be attending prom,” Scobell, who plays the titular demigod in the Disney+ series, wrote in a message posted to his Instagram Story. “Please stop sending death threats to EVERY teenage girl who could remotely be associated with me based on their proximity to where I live. It’s not fair to them or their families.”

“Maybe also just stop sending death threats in general,” he added. “That’s just not cool. Kinda weird I have to say this.”

“Kinda weird” indeed.

Based on the book series by Rick Riordan, “Percy Jackson” is a coming-of-age twist on ancient Greek mythology that follows Sobell’s title character as he learns he is the half-human son of Poseidon and what that means for him. Scobell was 13 when he was cast in the show.

The actor previously said that it felt “a little bit weird” to go back to school after the first season of the series had been released but it helped that he’s been going to the same school since the fourth grade.

“Because I feel like I know everybody so well, and I’ve known them for such a long time that … it’s weirder to act like it’s weird,” Scobell told People earlier this year. “I feel like you just accept it right away, and everyone has, which has been super nice for me.”

This is not the first time the “Percy Jackson” franchise’s so-called fans have been out of line.

Aryan Simhadri, who portrays Percy’s best friend Grover Underwood in the series, spoke out last year about an unsettling encounter with a handsy fan when a group of “40 drunk college girls” recognized him.

“I was feeling pretty uncomfortable, so I put my hands in my back pockets,” Simhadri told Entertainment Weekly. “And then she reached around and put her hand inside of my back pocket, with my hand already in there. There’s not enough room in the back pocket of jeans for more than one hand. She lingered there a little longer than I would have liked. Not that I would have liked it at all.”

And Leah Jeffries, who plays Percy’s other best friend, Annabeth Chase, was the target of racist backlash when her casting was announced in 2022. Riordan, who also co-created the show, slammed the attacks in a blog post at the time, saying, “We should be able to agree that bullying and harassing a child online is inexcusably wrong.”

The “Heartstopper” universe began as a small web comic that gained traction on Tumblr nearly a decade ago. It’s now a global phenomenon.

Alice Oseman’s fictional world, where LGBTQ+ teenagers freely explore love, friendship and identity, expanded first to graphic novels before being turned into a hugely popular Netflix series.

The rom-com, which debuted in 2021, is part of a growing portfolio of young adult book adaptations that have flooded streaming platforms in recent years. Hulu’s college drama “Tell Me Lies” and HBO Max’s hockey romance “Heated Rivalry” have become pop culture sensations, joining hits like Amazon Prime Video’s “The Summer I Turned Pretty” and the “To All the Boys” trilogy on Netflix.

“We really thought it was going to be quite a niche show that was seen by a specific group of people,” Oseman said of “Heartstopper.” “It kind of blasted up beyond our expectations.”

After three seasons on the streaming giant, the British coming-of-age series will conclude with a film later this year.

Corinna Brown and Kizzy Edgell starred in Alice Oseman’s queer romance “Heartstopper.”

(Teddy Cavendish / Netflix)

These adaptations often tell tales as old as time of young love and emotional turmoil, but it’s the diverse representation that draws audiences in, said Yalda T. Uhls, founder and chief executive of UCLA’s Center for Scholars & Storytellers.

Audiences gravitate toward authenticity, Uhls added. Young people increasingly want to see stories that reflect their lives, according to a survey administered by Uhls’ nonprofit last year.

“It has to resonate and feel authentic to the time,” Uhls said. “This generation really sees stereotypes pretty quickly … they’ll see inappropriate behavior quickly, and they will call it out.”

Viewers are hungry for diverse casting and storylines across Hollywood. Last year, audiences showed up to the theater at higher rates for movies that had people of color in the cast, according to the annual UCLA Hollywood Diversity Report, released in March.

Netflix’s focus on YA adaptations has paid off, driving more than 1.2 billion total views worldwide in 2025. Audiences are drawn to the platform’s fresh and inclusive interpretations of the genre, said Jinny Howe, Netflix’s head of scripted series for the U.S. and Canada.

“It is still harder to get marginalized stories sort of made and seen by people, but ‘Heartstopper’ is part of that journey,” said Oseman, who also serves as series creator and executive producer.

Lovie Simone plays track star Keisha Clark in “Forever,” a reimagining of Judy Blume’s 1975 novel.

(Elizabeth Morris / Netflix)

“Forever,” a reimagining of Judy Blume’s 1975 book that debuted on Netflix last year, follows two young Black protagonists who fall in love in Los Angeles. The audience had “such a fervent passion for that story, I think, because of the specificity of those perspectives,” Howe said. “Los Angeles was really seen through these eyes.” The show’s second season will reportedly start filming in May.

Prime Video has leaned heavily into the genre, platforming hits like “Maxton Hall,” “Red, White & Royal Blue” and “The Summer I Turned Pretty,” which wrapped up a three-season run last year and has a film in the works.

Young adult adaptations are at the core of the platform’s broader efforts to champion diversity in storytelling, said Peter Friedlander, Prime Video’s head of global TV.

“We’re always looking for shows that give a reflection or a window into other people’s stories,” said Friedlander, also former head of U.S. and Canadian scripted series at Netflix. “This business has been building for a long time, and it’s exciting to see what’s coming out of it.”

Representation in these shows, however, is still far from perfect, said Nicholas Rickards, a doctoral candidate at Brock University in Ontario, Canada, whose research focuses on YA adaptations. Many shows that center a woman of color often still feature white male love interests, he said.

“Studios aren’t totally prepared to tell that story yet,” he said.

Filling a YA void

Streaming platforms’ focus on YA adaptations came as cable TV, which previously dominated the genre, tapered off.

YA retellings had long captivated audiences, finding widespread success during the 2010s. Networks like the CW and Freeform reigned then, airing now-classic teen dramas like “Pretty Little Liars” and “The Vampire Diaries.” The “Twilight” and “Hunger Games” universes and John Green book adaptations also dominated the box office.

Then the entertainment landscape changed. Social media and streaming became preferred modes of content consumption for young audiences, paving the way for platforms like Netflix, Prime Video, Hulu, Disney+ and HBO Max. Diverse storylines, coupled with the global reach of streaming platforms, have reignited an explosion of YA adaptations, and it’s a race that isn’t slowing down.

Younger generations are often difficult to attract, and YA reimaginings are just one way platforms are trying to break into the teenage demographic, said Jennifer Hessler, an assistant professor of cinema and media studies at the University of Southern California.

Lola Tung’s Belly is in a love triangle with Gavin Casalegno’s Jeremiah and Christopher Briney’s Conrad in “The Summer I Turned Pretty.”

(Erika Doss / Prime Video)

Netflix’s initial breakout success in the genre came with the release of “To All the Boys I’ve Loved Before,” a movie trilogy adapted from books written by Jenny Han, who’s also behind “The Summer I Turned Pretty.” The movies became massive hits and continue to drive viewership, drawing more than 55 million views globally last year, nearly eight years after the first film’s release, according to Netflix.

Younger generations are the target demographic of YA series at Prime Video, but the shows attract audiences of all ages, Friedlander said. Identifying and helping cultivate fresh storylines driven by relatable characters are integral to that success.

“If you really make the best version of a story, it can ripple out among different fandoms,” Friedlander said. “I do think that’s the ability of what streaming platforms can achieve as well, because you can really introduce the narrative to wider audiences.”

Made for streaming

Netflix doesn’t have a formula for a breakout success, Howe said, but strong voices that feel universal must be at the show’s core.

Jeff Norton, whose work focuses on book-to-screen adaptations, said he looks for characters he can fall in love with when choosing books to pitch for development.

“That’s the most important thing — to find a main character or a set of characters that I think the audience will resonate with,” said Norton, who is an executive producer of Netflix’s “Geek Girl,” which was greenlit for a second season.

The structures of young adult novels “lend themselves really nicely” to short TV series, Howe said, because it allows fans “to have more time as they’re living inside of these worlds and these experiences — it’s just that much more enriching.”

Streaming platforms usually release shorter seasons, often with six to 10 episodes — about half the episode order of a typical cable TV series.

Balancing the expectations of a book’s existing fandom while trying to attract a new audience is a major component of Friedlander’s role, he said, adding that “the television medium will often demand that you do change some of the journey along the way so it fits the rhythm.”

Norton, the showrunner of Netflix’s “Finding Her Edge,” said much of that show’s plot diverges from Jennifer Iacopelli’s novel. However, he focused on maintaining the book’s tone and found “the readership is actually very forgiving if you keep the characters whole and intact, but give them more to do.”

Oseman’s shift from novelist to TV writer — and now screenwriter — came with a steep learning curve. The growing pains were worth it, she said, because her story reached audiences who might never have picked up her books. Visual media has been crucial in bridging that gap.

“I want young queer people to be able to see themselves in the stories that they’re consuming,” she said. “I really hope that the existence of ‘Heartstopper’ will encourage people who are commissioning TV and movies … to take a chance.”

If you’d like to take a ride on the Goodyear blimp, it turns out you can’t do it wearing heels.

This I learned on Day 2 of Coachella, when the people who promote the tire company’s famous dirigible — they have a nice lady in charge of the blimp’s socials and everything — invited me and my colleagues Rebecca Castillo and Kayla Bartkowski to climb on board for a little cruise over the desert festival.

Before we could get on to the airship that had room for about six to eight people, we had to watch a safety video in which the narrator told us that you can’t wear heels on the blimp — but that if you’d worn them today, you could check with a Goodyear representative and they’d see about other arrangements. (One rep told me she’d already loaned out her sneakers several times Saturday.)

Anyway!

Los Angeles Times reporter Mikael Wood rides the Goodyear blimp flying over Coachella

(Kayla Bartkowski/Los Angeles Times)

The ride was gentler than I’d anticipated — kind of like a boat ride in a harbor. We took off from a giant dirt field at the Jacqueline Cochran Regional Airport in Thermal and tooled around for 30 minutes or so; when we got over Coachella, we could see a few hundred Beliebers camped out as close to the main stage as they could get — nine or 10 hours before Bieber’s performance was scheduled to begin.

They looked so little down there — so small in size, so big in Beliebf.

Back on the ground, we had to get off the blimp two by two, each duo replaced by a new pair of folks who’d responded to an email asking if they might want to a ride on a humongous floating billboard.

The ladies who replaced Rebecca and Kayla looked super jazzed; my guy seemed less impressed.

Maybe he’d blimped before.

In a matter of minutes, Israel killed more than 350 people across Lebanon on Wednesday, April 8. Here are some of their stories.

Anyone who has spent any time in the digital agora will know the chilling feeling of seeing some supposedly secret thing about yourself suddenly reflected in a targeted advertisement. In a new Silicon Valley soap, “The Audacity,” Duncan (Billy Magnussen) founds a company called PINATA, for Privacy Is Not a Thing Anymore, which will allow subscribers to snoop at a deep level on just about anyone in the world; the war against the date eaters, the name suggests, is long since lost, and is none of your business, anyway.

Created by Jonathan Glatzer who has written for “Succession” and “Better Call Saul,” the series premieres Sunday on AMC, the network of “Breaking Bad,” “Mad Men” and an earlier tech-related series, “Halt and Catch Fire,” about the rise of the personal computer — shows that focus on difficult, sometimes amoral characters whose shenanigans might change the world, not necessarily for the better. “The Audacity,” though well made enough, is not in their league.

Duncan made his fortune as a co-founder of a community app something along the lines of Facebook (which, along with Mark Zuckerberg, doesn’t exist in this silicon reality — “If only,” do I hear you sigh? Or was that me?) Now he’s trying to sell his information-gathering startup to “Cupertino” (as in the home of Apple), “the most important tech company to ever exist,” and leaking rumors he imagines will be to his advantage. Duncan is not himself a creator, or particularly smart — he thinks it’s “Schroeder’s Cat,” for example — but does have a gift for selling; his “genius” late partner, Hamish — a suicide — did the real work. Now a new Hamish enters his life in the form of Harper (Jess McLeod, whose blonde bob may remind viewers of the brilliant coder played by Mackenzie Davis on “Halt and Catch Fire”) the creator of the “algo” mentioned above.

Despite his riches, Duncan is unhappy enough to be a patient of the series’ other main character, therapist JoAnne (Sarah Goldberg). (He also has an “ayahuasca guy.”) Most prominent among her other clients is Carl (Zach Galifianakis), a semi-retired industry legend who made his money from a spam platform and whom Duncan will spend much of this eight-episode season attempting to impress. “People act like we took something as if we didn’t build everything they touch,” Carl will complain to JoAnne. “Where’s our parade? All I see are pitchforks and ingratitude.”

Sarah Goldberg plays Joanne, therapist to Duncan and Carl (Zach Galifianakis) in “The Audacity.”

(Ed Araquel/AMC)

JoAnne conducts her business from her rented home, as does her child psychiatrist (second) husband, Gary (Paul Adelstein), one of the few figures in this roundelay you will be given no reason to dislike. (It’s an old house, to contrast it with the modernist leviathans inhabited by the overly moneyed class.) Sharing the place is her weedy, newly arrived 15-year-old son, Orson (Everett Blunck), sent reluctantly from Baltimore, where his father is being treated for cancer. Orson has embarrassing gastric issues and watches alpha-male videos in the basement, where he also practices the bassoon. (That he’s working on “The Sorcerer’s Apprentice,” in its way a story of runaway tech, might have some thematic meaning, though it does also have a killer bassoon part.)

Something Duncan says in a session with JoAnne leads her to unload some stock, like Martha Stewart in 2004, and Duncan, working this out, blackmails her into passing on inside information from her clients to him. “You think you know everything because you have information, but information is not insight,” says JoAnne, who has insight to spare, making herself even more valuable to Duncan, whose pronouncements are more in the line of “Cheaters never lose, and losers, they never cheat” and “Empathetic is just pathetic with a prefix — I am an apex predator.”

Anushka (Meaghan Rath), a power player who works for Duncan, is also a toothless director of ethical innovation on the board at Cupertino. She’s married to Martin (Simon Helberg), who is working on something he calls Alexander, or Xander — he would say “someone,” probably — “an intelligent entity, more of an autonomous companion, for alienated teens based on personal data ecosystems.”

He has less time for his own alienated teen, Tess (Thailey Roberge) — “Dad, eyes on me,” she says, as the family sits at a comically long dinner table, the parents looking at their phones — who has been expressing herself through low-level vandalism and thievery. “I hear you’re klepto now,” says Jamison (Ava Marie Telek), the daughter of Duncan and Lili (Judy Punch), whose body mass is under constant review by her mother. Seemingly, all the children of the Valley are being shuttled by their parents toward Stanford, where they will matriculate by hook or by crook.

Though Lili has been configured as shallow and spoiled, Punch (a great comic actor) injects her with some warmth and keeps her from being the joke she might have been. Galifianakis has a native oddball energy, though some of Carl’s assigned interests feel tacked on and out of joint — he’s involved with a fight club, where “control alt delete” serves for saying “uncle,” and, even weirder, has been made a World War Ire-enactor and military fetishist; it’s a point that exists only to make him receptive to Tom (Rob Corddry), the deputy undersecretary of Veterans Affairs who has come to Palo Alto looking for a partner to digitize truckloads of files that will in some way help to better their plight. (“Straightforwardly, what’s the quant ben for us?” he’s asked. Translation: “What’s in it for us?”) The series’ designated tragic figure, he’s granted a karaoke performance, with original lyrics, of Peggy Lee’s “Is That All There Is?”

Much of the action has to do with characters buying and selling various enterprises, or failing to, and creating and breaking and creating alliances, and it ceases to matter after not too long awhile what person or which company does what. Much less of it has to do with people being people. The cast is very good and the dialogue good enough, but because few of these characters are developed beyond a handful of identifying characteristics, it’s a generally cold, dispassionate watch. As to Duncan, the nominal star of the show, it doesn’t matter whether he’ll win or lose — there’s not enough to hang on to. Past being unlikable, he’s unsympathetic, and worse, for all his noisy behavior, uninteresting. JoAnne, though her journey is more twisted, doesn’t fare all that much better.

To signal that he has considered these things, Glatzer gives Anushka, who has had a revelation, a speechy little speech to voice the thoughts already on your mind. “When was the last time we saw tech help? … Truth be told, what have we actually made better? Did we spread knowledge? No. People used to occasionally agree on truth. Are we more tolerant of those different from ourselves? Please. Absolutely blew it on climate. Data centers emit more greenhouse gas than all of air travel. And have we made made the lives of our children better? Probably, no. But we can have Q-tips at our door in an hour. Huzzah.” So true.

We also get a reminder, from Harper, to check the box that keeps a website from selling your information. It’s good advice.

Lebanon’s Health Ministry says more than 2,000 people have been killed in Israeli attacks since March 2.

Israeli strikes have killed at least 18 people across southern Lebanon, as Lebanese authorities reported that the overall death toll from the war that began last month between Israel and Lebanese group Hezbollah has surpassed 2,000.

Israeli strikes on a village near Sidon in southern Lebanon killed at least eight people and wounded nine others, Lebanon’s Health Ministry said on Saturday.

Earlier, it said that at least 10 people, including three emergency workers, had been killed in Israeli strikes in the Nabatieh district.

In its latest tally, the Health Ministry reported that at least 2,020 people have been killed and 6,436 others wounded since Lebanon was drawn into the US-Israel war on Iran on March 2. Hezbollah launched rocket fire at Israel in support of its backer Iran, sparking massive Israeli strikes and a ground invasion.

Meanwhile, Israeli media reported that two Israeli soldiers were wounded during clashes with Hezbollah in southern Lebanon on Saturday.

Israel’s Channel 13, citing the military, said the two soldiers from the Paratroopers Brigade sustained moderate injuries from shrapnel during the confrontation.

The violence comes as Iran-backed Hezbollah renewed its rejection of direct negotiations between Israel and Lebanon aimed at ending the war.

President Joseph Aoun’s office said on Friday that officials from Lebanon, Israel and the United States would meet next week in Washington “to discuss declaring a ceasefire and the start date for negotiations between Lebanon and Israel under US auspices”.

Hundreds of people gathered on Saturday near the government headquarters in central Beirut in support of Hezbollah and to protest against the talks with Israel, some waving the group’s yellow flags or the Iranian standard.

Demonstrator Ruqaya Msheik said the protest was a message that Lebanon “will not be Israeli”.

“Whoever wants peace with Israel is not Lebanese,” she said, adding: “Those who shake hands with the enemy … are Zionists.”

Hezbollah and its ally, the Amal Movement, issued a statement calling on supporters to avoid demonstrating “at this delicate stage”, citing interests of “stability, the protection of civil peace and avoiding any division that the Israeli enemy seeks”.

Earlier, Hezbollah lawmaker Hassan Fadlallah said the decision to hold direct talks with Israel was “a blatant violation of the [national] pact, the constitution and Lebanese laws”.

Israeli Prime Minister Benjamin Netanyahu said that any peace agreement reached with Lebanon must “last for generations” and also call for Hezbollah’s disarmament.

After a ceasefire was announced between the US and Iran this week, Washington and Tehran have been at odds over whether it also applies to Israel’s bombardment and invasion of Lebanon.

The dispute arose during the historic in-person ceasefire talks held in Pakistan’s capital, Islamabad, between the US and Iran on Saturday afternoon.

Al Jazeera’s Ali Hashem, reporting from Tehran, said that Iran was able to secure “a kind of guarantee from the US that Israel is going to decrease its attacks on Lebanon”.

However, he said that “nothing [has] been confirmed … from Israel, with respect to Lebanon.” While “there have been fewer attacks on Beirut and the southern suburbs,” nothing has been “announced with respect to a ceasefire”, he said.

Music. Art. Fashion. Fun. The Coachella Valley Music and Arts Festival returns to the Empire Polo Club in Indio for its 25th anniversary, with a sold-out crowd for its twin weekends and millions of people watching the livestream from home.

Our team is in the field to capture what it’s really like to be at Coachella, from the biggest stars on stage to the only-at-the-festival vibes of the field.

Sabrina Carpenter, Justin Bieber and Karol G headline, but there are more than 100 acts on the bill, including the Nine Inch Nails and Boys Noize collaboration Nine Inch Noize, girl groups including Katseye and Bini, rock royalty like Iggy Pop and David Byrne and more.

We’ll be updating our gallery all weekend long with images of the performances, iconic art installations, the people, the fashion and more.

If you want to see what Coachella used to look like, take a trip down memory lane with our gallery of photos going back to 1999.

Sabrina Carpenter performs at the Coachella Stage.

Sabrina Carpenter performs at the Coachella Stage.

Fans watch Katseye perform at the Sahara stage.

Turnstile performs at the Outdoor Theatre.

Fans scream as BINI performs at the Mojave stage.

Brendan Yates, lead vocalist of Turnstile, performs during the Coachella Valley Music and Arts Festival.

Festival goers walk past tents blown down by the wind.

Ava Acuesta dances as DJ Fifi plays at the DoLab.

Dijon performs on the Outdoor Theatre.

Natalie Villegas, 27, from the District of Columbia, poses for a photos inside the SPECTRA.

Festival goers walk near the SPECTRA and Ferris Wheel.

Bob Baker Marionette performs at the Gobi Stage.

Festival goers react to Bob Baker Marionette’s performance.

Victoria Aular, 29, from Miami takes photographs inside an art installation.

Katseye performs at the Sahara stage.

Katseye performs at the Sahara stage.

The gates are open at the Coachella Valley Music and Arts Festival.

Teddy Swims performs at the Coachella stage.

Festival goers climb up the SPECTRA.

ISLAMABAD — The United States and Iran began face-to-face negotiations Saturday in Pakistan, days after a fragile, two-week ceasefire was announced, as the war that has killed thousands of people and shaken global markets entered its seventh week.

The White House confirmed the direct nature of the talks, a rare instance of high-level U.S. government engagement with the Iranian government.

Iran’s state-run news agency said three-party talks including Pakistan had begun after Iranian preconditions, including a reduction in Israeli strikes on southern Lebanon, were met, and after U.S. and Iranian officials met separately with Pakistani Prime Minister Shehbaz Sharif.

The U.S. delegation led by Vice President JD Vance and the Iranian delegation led by Parliament Speaker Mohammad Bagher Qalibaf were discussing how to advance the ceasefire already threatened by deep disagreements and Israel’s continued attacks against the Iranian-backed Hezbollah in Lebanon.

Since the Islamic Revolution in Iran in 1979, the most direct U.S. contact had been in September 2013 when President Obama called newly elected President Hassan Rouhani to discuss Iran’s nuclear program. The recent highest-level meetings were between Secretary of State John Kerry and counterpart Mohammad Javad Zarif during negotiations over the program.

Iran sets ‘red lines’ including compensation for strikes

Iran doubled down on parts of its earlier proposal, with its delegation telling Iranian state television it had presented some of the plan’s ideas as “red lines” in meetings with Sharif. Those included compensation for damage caused by the U.S.-Israeli strikes that launched the war on Feb. 28 and releasing Iran’s frozen assets.

The war has killed at least 3,000 people in Iran, 1,953 in Lebanon, 23 in Israel and more than a dozen in Gulf Arab states, and caused lasting damage to infrastructure in half a dozen Middle Eastern countries. Iran’s chokehold on the vital Strait of Hormuz has largely cut off the Persian Gulf and its oil and gas exports from the global economy, sending energy prices soaring.

Reflecting the high stakes, officials from the region said Chinese, Egyptian, Saudi and Qatari officials were in Islamabad to indirectly facilitate the talks. The officials spoke on condition of anonymity to discuss the sensitive matter.

In Tehran, residents told the Associated Press they were skeptical yet hopeful about the talks after weeks of airstrikes left destruction across their country of some 93 million people. Some said the path to recovery would be long.

“Peace alone is not enough for our country, because we’ve been hit very hard, there have been huge costs,” 62-year-old Amir Razzai Far said.

Meanwhile, Israel pressed ahead with strikes in Lebanon after saying there is no ceasefire there. Iran and Pakistan have disagreed. The Lebanese state-run news agency reported at least three people killed.

Officials posture over key issues ahead of talks

Ahead of the talks, President Trump accused Iran of using the Strait of Hormuz, a key artery for global energy supplies, for extortion, and told reporters Friday it would be opened “with or without them.”

Iran’s closure of the strait has proved its biggest strategic advantage in the war. Around a fifth of the world’s traded oil had typically passed through on over 100 ships a day. Only 12 have been recorded transiting since the ceasefire.

Iran has floated the idea of charging ships, though the idea has been widely rejected by countries including the United States and Iran’s neighbor Oman.

On Saturday, Trump said on social media that the U.S. had begun “clearing out” the strait, but it was unclear whether he was referring to the reported use of mines there or Iran’s broader ability to control the area.

Iranian Foreign Minister Abbas Araghchi had said Tehran was entering negotiations with “deep distrust” after strikes on Iran during previous rounds of talks. Araghchi, part of Iran’s delegation in Pakistan, said Saturday that his country was prepared to retaliate if attacked again.

Iran and the United States outlined competing proposals ahead of the talks.

Iran’s 10-point proposal called for a guaranteed end to the war and sought control over the Strait of Hormuz. It included ending fighting against Iran’s “regional allies,” explicitly calling for a halt to Israeli strikes on Hezbollah.

The United States’ 15-point proposal includes restricting Iran’s nuclear program and reopening the strait.

Israel and Lebanon will have direct negotiations

Negotiations between Israel and Lebanon are expected to begin Tuesday in Washington, Lebanese President Joseph Aoun’s office said Friday, after Israel’s surprise announcement authorizing talks despite the countries lack of official relations.

Israel wants the Lebanese government to assume responsibility for disarming Hezbollah, much like was envisaged in a November 2024 ceasefire. But it is unclear whether Lebanon’s army can confiscate weapons from the militant group, which has survived efforts to curb its strength for decades.

Israel’s insistence that the ceasefire in Iran does not include a pause in its fighting with Hezbollah has threatened to sink the deal. The militant group joined the war in support of Iran in the opening days. Israel followed up with airstrikes and a ground invasion.

The day the Iran ceasefire deal was announced, Israel pounded Beirut with airstrikes, killing more than 300 people in the deadliest day in Lebanon since the war began, according to the country’s Health Ministry.

Energy pressures grow

The spot price of Brent crude, the international standard for oil prices, was above $94 on Saturday, up more than 30% since the war started.

And new pressures emerged in Europe for travelers.

The head of Airports Council International-Europe, Olivier Jankovec, warned the European Union that a ″systemic jet fuel shortage’’ could come within three weeks because of the blockage of the Strait of Hormuz.

Jankovec said in a letter obtained by the Associated Press that the crunch could impact the summer travel season and ″significantly harm the European economy.’′

Ahmed, Metz, Castillo and Magdy write for the Associated Press. Metz reported from Jerusalem, Castillo from Beijing and Magdy from Cairo. Associated Press writer Josh Boak contributed to this report.

MIAMI — President Trump shared video of a deadly attack allegedly by a Haitian immigrant accused of bludgeoning a woman with a hammer at a Florida gas station, portraying the killing as justification for his administration’s mass deportation agenda.

Rolbert Joachin, 40, was arrested and charged with killing a woman on April 2 in Fort Myers, about 160 miles northwest of Miami. Authorities said the man was from Haiti and arrived in the U.S. in 2022. The woman who was killed was identified as a 51-year-old immigrant from Bangladesh and a mother of two adult daughters.

Trump, who posted the video late Thursday to his Truth Social account, has often sought to portray immigrants as bringing crime to the U.S., and the video emerging from the Florida attack presented him with a new, particularly graphic opportunity to do so. Trump also often paints Democrats and his predecessor, former President Joe Biden, as allowing in immigrants who posed a criminal or national security threat to the U.S.

Critics say the president unjustly paints all immigrants as criminals in an effort to bolster his immigration agenda, when studies have found that people living in the U.S. illegally are less likely than native-born Americans to have been arrested for violent, drug and property crimes.

“The video of her brutal slaying is one of the most vicious things you will ever see,” Trump said in his post, describing the man as an “animal.”

Graphic video captured woman’s killing

The woman who was killed was working as a clerk at the convenience store of the gas station, according to court documents. The killing happened outside the store and the man was arrested the same day.

In security camera footage of her killing posted on the Department of Homeland Security’s X feed, the man can be seen repeatedly slamming the hammer into a black vehicle parked in front of the gas station. Eventually a woman in black pants and a pink shirt comes out and appears to question him.

The man, wearing a yellow shirt and black shorts, walks up to the woman and immediately swings the hammer at her head. The woman falls down on the sidewalk in front of the gas station’s front doors. The man attacks the woman with the hammer multiple times before stepping over her unmoving body and walking away, out of the frame of the camera.

The victim was later identified in a police report as Nilufa Easmin, 51. A GoFundMe started by Samir Bahadur Syed, the President of the Bangladesh Association of Southwest Florida, described her as a “devoted mother who worked tirelessly to provide for her two young daughters.”

Syed said that Easmin arrived in the United States about three decades ago and resided in Miami and Palm Beach before moving to Florida’s west coast. She was a single mother, and her two daughters — one 23 years old and the other about 26 — were born in the U.S., Syed told the Associated Press.

He added that Easmin had been working at the convenience store for nearly five months and that she also held another job.

Fort Myers police said they responded to a report of a woman being hit with a hammer at a Chevron gas station. When officers arrived they found a woman on the ground with blood around her head and multiple cuts.

Officers later located Joachin walking on the street and took him into custody. The police said he has confessed. He was charged with murder and property damage and appeared in court on Wednesday. His arraignment is set for May 4.

An email message sent to the public defender listed in court records as Joachin’s lawyer seeking comment was not immediately returned.

Trump administration criticizes temporary deportation protections

Trump blamed Biden for granting the man temporary protection to stay in the U.S.

Kelly Walker, acting field office director for ICE enforcement and removal operations for the Miami field office, said during a news conference Friday that Joachin arrived in a “water vessel” near Key West, Fla., in August 2022. He was arrested and given Temporary Protected Status in 2023. That status was revoked this week, Walker said.

The Trump administration has harshly criticized the use of Temporary Protected Status, or TPS, which can be granted by an administration to citizens of a country going through turmoil or strife. Immigrants who qualify are allowed to stay in the U.S. and work for a temporary period, although Republican critics contend that the Biden administration misused its TPS authorities to broadly allow hundreds of thousands of people to stay in the country.

There are several lawsuits at the federal courts challenging Trump’s efforts to terminate TPS for more than one million people, including 350,000 Haitians. In March, a federal appeals court sided with a lower judge’s ruling against the end of temporary status for Haiti and the U.S. Supreme Court will hear arguments on April 29.

The Department of Homeland Security and the Trump administration have often highlighted crimes committed by immigrants and created a website where one can look up people arrested by Immigration and Customs Enforcement and the crimes they’ve committed in the U.S.

The administration often highlights “Angel Families” who have lost family members to crimes committed by immigrants.

On Thursday, ICE held an event marking the one-year anniversary of the reopening of an office dedicated to assisting those families, including emotional testimony from some of the surviving family members.

Salomon, Bellisle and Santana write for the Associated Press. Bellisle reported from Seattle and Santana from Washington.

I decided that, just this once, I was rooting for evil to win — mainly because I liked their energy more.

The wereboar growled next to Black Pudding, a hulking vicious monster, both focused on ripping Puck and Cordelia to shreds. Oberon, an Archfey god, stood alongside them, concerned. But only one thing would decide the fate of everyone on stage: the D20, a 20-sided die.

For 45 minutes on Saturday morning, a rambunctious audience of elves, fairies, gnomes, wizards and more was transported to another land, far away from any concern for modern life, as they watched the “Dungeons & Shakespeare” live show at the Renaissance Pleasure Faire at the Santa Fe Dam Recreational Area in Irwindale.

Lynx the Sword Swallower prepares the audience for his show.

Before Saturday, I’d never attended a renaissance fair, a reenactment of the English Renaissance in the form of an immersive festival (i.e. why the Irwindale fair is based in the 16th century village of Port Deptford). Although I was not entirely new to fanciful make-’em-ups. My family had been members of the Society for Creative Anachronism, a medieval-era living history organization. We frequently dressed up to visit our local kingdom. Once, a wizard gave me a cape. Another time, I won a plague-themed frog toss.

I’d long forgotten what a blissful escape those weekends had been for a young queer kid living in rural America — until Saturday, when I looked around the fair and realized it was a diverse crowd in every sense of the word.

At the “Dungeons & Shakespeare” show, host Willy Nilly encouraged us to lean into the welcoming atmosphere we found among our fellow outcasts.

“Let’s stop worrying about whether we seem weird and make our stories amazing,” the actor, who grew up in conservative Midland, Texas, told the crowd.

And with that same energy, my wife and I trodded further into the fair in hot pursuit of merriment and wonder.

I should note: The Irwindale fair is packed full of opportunities to spend a day. It can, at times, feel overwhelming (and dusty). Here’s what we learned that will set you up for success, should you fancy a trip back in time.

Guests make their way out of the Renaissance Pleasure Faire at sunset.

1. Thou must plan thy morrow

Translation: You must plan your day.

The best way to have the perfect day?

It depends!

Before your visit, I would recommend loosely plotting out your day using the fair’s map. First, you’ll want to discern which performances you’d like to see. Each weekend’s entertainment schedule is released the prior Wednesday, although it can change due to “weather, illness or Her Majesty’s whim,” as the fair website notes.

There are 12 stages and performance areas, each with their own programming. And it’s a real range.

For example, you’ll find MooNie the Magnif’Cent, a fair staple who mixes clowning, stunts and comedy, all without speaking. Supernova the Strongwoman will dazzle the crowd with risky tricks and demolition. And Dora Viellette teaches her audience about an array of music, from medieval to folk favorites, as she plays the hurdy-gurdy (which is very fun to say aloud).

I’d recommend attending the performance you want to see the most early in the day, as the fair seems to get more crowded as the day progresses.

Similarly, if you’d like to focus the day on playing games and experiencing human-powered carnival rides, I’d recommend doing that first. We originally wanted to practice our archery skills, but because we’d waited until after noon, the line was long every time we checked. That said, I did quickly get to throw 10 javelin for $10 later in the day, and I noticed the lines for the “big swing” — aptly named — and the dragon swing were both short. Additionally, it looked like a fairly quick wait to learn from the teachers at St. Jude’s School of Fencing and the Sword Master’s Challenge, where a worker told my wife, “You look like you’d like to hit someone!” (Trust, it wasn’t me, despite my perpetually high anxiety.)

There are also additional paid activities, like having tea with the queen or imbibing via a pub crawl. And then there are the jousting competitions (more on those below).

Her majesty the queen is seen with her court.

2. The Queen doth nay require fanciful garb

Translation: Costumes are not required but very fun.

About five minutes into the fair, I realized I could entertain myself for probably the entire day by simply people watching. Entertainers and guests’ costumes alike were incredible.

Woodland fairies carrying giant daffodils or wearing hats covered in mushrooms. Knights in real armor. Every version of Merlin the wizard, spanning an expansive gender spectrum. Gnomes in tall red hats. And at least one pickle pope blessing people with herbs. You might say they were kind of a big dill. (Hold your applause.)

There are multiple themed weekends, too, including the first weekend when guests were encouraged to strut out in their best pirate garb.

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1. Stephanie Divinski looks down at her shoulder puppet. 2. Trilainna Stanton, also known as Prince Rain, of San Diego. 3. Partners Reese Pei, left, and Mariner Song are pictured. 4. Meisha Mock, left, and Aimey Beer both wear wolf masks created by Meisha.

3. Parley with the guildfolk

Translation: Talk to the townspeople.

Around the fair, you have the opportunity to interact with several guilds and performance tropes. “The most fun you’ll get at the fair is from talking to people,” my friend Matthew, who has several years of renaissance fair experience, told me. “As someone who volunteers with a guild, we aren’t just there to sit around and look pretty. Come talk to us.”

I loved watching the fae creatures of the Fantastikals frolic around, getting into mischief. I kept an eye out for Danse Macabre, whose members dance away the threat of the plague to the fair. But I was most starstruck when I met her majesty Queen Elizabeth I. (Note: The actors do not break character, even to tell a journalist their given name outside of their fair life.)

As I waited in line, I observed the diligently trained actors of the Queen’s Court. The lord high treasurer bent down and handed a gold coin to a toddler doddling around as his family waited to meet the queen. He tried to eat it, but was bested by his mother.

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1. The Fantastikals, representing nature and the elements, provide a sense of wonder and mischief. 2. Royal guard member Maria DeSilva, left, stands by Anna of Austria, the queen of Spain, and her sister Elisabeth of Austria as they read their Bibles together. 3. A maid of honor to the queen passes the time with canvas work.

“You must be quicker if you are to be successful,” Sir Thomas Heneage, the court’s gentleman usher, told him.

I asked the queen what a newbie like me should know about visiting her village.

“I would tell them that at the fair, there is all the world to be had,” she said. “And no matter what you find that will set your heart alight, you will find it here.”

(I also asked her if it was as fun as it looked to be carried around in a basket by the Yeomen of the Guard, and after a good laugh, she affirmed, “It is truly a highlight of our day.”)

The crowd cheers as the jousters charge one another during the final bout of the day.

4. Hark! What a clatter!

Translation: Prepare for shouting

But it’s the fun kind!

When the fair opens at 10 a.m., guests shout, “Open wide the gates!”

“Huzzah!” is commonly shouted out in celebration, like when you tip someone, or when your trusty javelin strikes the target (mine did not).

And “God save the queen!” is exclaimed during the parades and just about any time the queen is around.

5. By hook and crook, ready thyself for a joust

Translation: It’s essential to attend a joust.

A jousters charges toward his opponent during the final bout of the day.

Attending a joust is one of the quintessential renaissance festival experiences.

At the L.A. fair, there are generally three joust performances per day: the Deptford tournament joust, the queen’s joust and the “joust to the death.”

It’s best to arrive 45 minutes early to get a seat, as the performance space fills to capacity. You will be turned away if it is full.

And it’s competitive. Immediately after sitting down, my seatmate informed me that we were rooting for green and blue, and the other team was our mortal enemies. I hooted and hollered accordingly.

6. There is much fine belly-timber

Translation: There is so much good food.

OK, here’s a confession: I eat a vegan diet. But, I can still appreciate the wide range of food options available — including the iconic turkey leg.

After securing our marinated tofu nachos and poke bowl, my wife and I sat down among other guests. Our tablemates had purchased a litany of fried options, including scotch eggs from the Quail Inn, which also serves bacon-wrapped jalapeño peppers, cheese fritters and “whole, partially deboned quail.”

I personally regret not heading over to Scoops on Tap, where I could have ordered vegan lemon blueberry swirl and mint chip ice cream. Their spirit-infused offerings include buttery beer, mocha stout crush and drumstick stout (which is not turkey-flavored, but rather a vanilla base).

7. Pray thee pay full mind to the merchants

Translation: Take time to learn about the artisans.

Drabbits, hand-crafted and one-of-a-kind shoulder puppets, at the Imagination Adoptorium booth.

Throughout the fair, you can easily find unique and colorful birthday gifts, like dragon eggs or a buy-your-own-fairy house, that would make your nieces, nephews and little cousins quickly proclaim you their favorite relative.

Beyond that, you can speak to artisans who’ve been honing their craft, in some cases, for decades. I asked glass artist Stuart Abelman, who has regular glass-blowing demonstrations during the fair, how his artistry fits into the renaissance fair.

“They’ve been blowing glass for 5,000 years,” Abelman, whose studio is based in Van Nuys, said. “Through the Renaissance, there were incredible glass blowers at Murano, Italy, incredible glass blowers. The queen drank [out of] beautiful glassware. They were the best.”

An assortment of masks are seen in the Mischief Masks booth.

8. Fret not if the winds of fate blow you elsewhere

Translation: Don’t worry if you can’t attend this specific fair.

California has several renaissance fairs and similarly themed events throughout the year. And, for the most adventurous, there are other fairs across the country and world, including the Texas Renaissance Festival, said to be the largest in the U.S.

Fairs scheduled this year in California include: Escondido Renaissance Faire (spring event: April 25–26, May 2–3; fall event: TBD); Summer Renaissance Fantasy Faire in Idyllwild (June 13–14); Central Coast Renaissance Festival in San Luis Obispo (July 18–19); Idyllwild Renaissance Faire (Sept. 12–13); and the Northern California Renaissance Faire in Hollister (Sept. 19–Oct. 25).

I spoke to Deptford’s lord mayor, Sir Barnubus Bliss, about what’s most important to him about folks experiencing the fair closest to L.A.

“Every time someone comes through those doors, I always wish them a ‘Welcome home,’” he said, “because it is my understanding that no matter where you are from, no matter what your life has been, when you come within these gates, when you are within our walls, you are at home, no matter where you were beforehand.”

Nik Frey, far left, and his partner Joanna Dominguez, far right, sword fight with Bexleigh Kilker, 9, and Bexleigh’s dad Kevin, as they all wait out traffic after opening day at the Renaissance Pleasure Faire.

And I felt that as I watched adults gallivant around with childlike glee. As my wife and I left the fair, I did not find myself immediately reaching for my phone. I wanted to stay, just a while longer, in a world where seemingly everyone is welcome to be just as they are.

When Halle Bailey moved from Georgia to Los Angeles as a wide-eyed preteen nearly 15 years ago, the city felt like a wonderland of possibility.

“Being from the South, when you first come to L.A., you’re like, ‘Hollywood. Wow. This is where all the celebrities are,’” says the Grammy-nominated singer and actress. At any moment, she thought she might cross paths with Halle Berry — the similarly named actress she’s often mistaken for — on the Hollywood Walk of Fame.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

But after living in the city for a while, Bailey, now 26, says she realized L.A. is made up of all sorts of different pockets — ones “where people are really Hollywood, bougie” and others “where people are chill, like hippies,” she says. Her favorite neighborhoods are Silver Lake, Venice and “places where people are just like, yeah, one love,” she says, laughing.

These days, Bailey is one of the celebrities people would be thrilled to see strolling down Hollywood Boulevard. She’s built a career that bridges music, TV and film: By 13, she and her sister Chloe Bailey — together known as Chloe x Halle — had signed to Beyoncé’s label; she’s earned six Grammy nominations (including one for her debut solo album released last fall); and she played young Nettie in “The Color Purple” and starred as Ariel in Disney’s live-action “The Little Mermaid,” a blockbuster role she’s recently been reflecting on.

Bailey’s next venture? Starring in her first romantic comedy, Universal’s “You, Me & Tuscany,” which hits theaters April 10. She plays Anna, a young woman who impulsively crashes at a empty Italian villa by pretending to be the owner’s fiancée.

“It felt good to play a young woman who was grown, but still discovering herself,” she says. “I felt like I was playing the essence of the Halle who is finding herself now.”

On her perfect Sunday in L.A., Bailey would have a day of fun with her 2-year-old son, Halo. Here’s what they’d do.

This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Wake up and jump into mommy duties

I love mornings. I leave my curtains open while I sleep because I like when the sun wakes me up. We all doomscroll, which is kind of bad to say, but the first thing I check is my phone. Then I have mommy duties right at 8 a.m. Sometimes before [Halo] wakes up, I get a chance to do some things for myself like go outside and sit in the sun for some meditation or stretching. I don’t get to do it every day, but I try. Or I’ll make some tea or a smoothie and just have a moment of gratitude for waking up that day.

8:30 a.m.: Crank up the music

Once Halo is up, we do breakfast right away. I don’t know why I’m super into boiled eggs right now [laughs]. But I love a boiled egg in the morning with either avocado or hash browns. My baby loves hash browns too. I try to make a balanced breakfast and then from there it’s kind of party time.

We’ve been blasting the new Jill Scott album and it’s really cool how the music you play in your house can just change the mood, the vibe and bring good energy into the space that you’re in. And on a Sunday, I don’t know if it’s just because of the way I was raised, but automatically I think, “OK, I need to straighten up for the week. I need to get the house reset.” So maybe I’m cleaning up the kitchen or organizing toys, or making sure the bathroom is straight, or washing clothes while the music is blasting and we’re dancing around, having fun.

12 p.m.: Solo time while the baby naps

I’ll take a lunch break. If I’m in the cooking mood, I love making comfort food like chicken and rice with cabbage and mac and cheese. Something that is just warm and comfy. If I’m not doing that, I’m ordering Wing Stop or Chipotle. I would chill outside for a while until my son’s nap time, which is around 12:30 p.m. He’ll sleep until like 3:30 p.m., so then I have two hours to myself and sometimes I do nothing. Sometimes I just need to sit down and I’ll be on my phone on TikTok or I’ll watch a show. I recently binged the new “Love is Blind” season. I also started watching “Real Housewives” again, but, like, the beginning seasons. I really love the show “My Strange Addiction.” It’s just so hilarious to me. Those are some guilt-free shows that I turn on and my brain can turn off.

I might even go into the studio if I’m hearing a melody in my head or pick up my guitar. Sometimes I might take a nap too, and that feels really good on a Sunday.

4 p.m.: Go on an easy sunset hike

If I feel up for leaving the house, we’ll go for a walk, to the park or maybe even a sunset hike. I’ve always been a nature girl and I feel like it just grounds me, and I’m able to center myself, especially for the start of a new week. There’s a lot of really beautiful hikes in California, but I’ve found ones that are easy and safe to take a baby on so I’m not stressing if he’s running ahead of me or behind me. On a Sunday, you just want to rest, so you’re not trying to do a full-blown workout. Sometimes we’ll get halfway through and then we’ll turn back and go home [laughs].

Near Studio City, there’s a really good one called Fryman [Canyon]. It’s hard in the beginning, but as you get higher it gets easier and you see the view, and you’re just like, “I can do this.” We recently went to Point Dume, which I had never been to, but I saw the view on TikTok. It’s a really beautiful beach hike in Malibu and I love it there. The hike up is super easy, but there’s a field of flowers that you walk through to get to the viewpoint where everyone takes pictures overlooking the beach.

6:30 p.m.: Bath time

I love a bubble bath. If my son is with me that night, we do a whole fun toys in the bath type of vibe. But if it’s a solo night, it’s like candles, lavender bubbles, lights are dim, jazz music is playing in the background, like Billie Holiday, and that is the ultimate reset.

7:30 p.m.: Dinner and a show

If I have a sitter, I might go out to dinner. I like Lucia, which is a Caribbean restaurant in Hollywood. I think the first time I went, they had a really good oxtail mac and cheese. When I went back the menu had changed and I ordered the jerk chicken, which was also good. Also, I’ve been loving the Blue Note recently. I saw Esperanza Spalding there last year.

10 p.m.: Watch something low–stakes before bed

Sometimes I try to force myself to turn off all screens, all phones and go to bed because I need the sleep. It’s either that or I’m up watching something. I just really like watching things that make me feel like I can laugh and I don’t have to think about it. I get really emotionally invested in shows. If I try to watch “The Pitt” at the end of the day, it feels so emotionally exhausting. During the day is OK, but at nighttime, I just need to laugh.

Dilapidated buildings and decaying signage may put off the casual observer. But for Redlands-based artists James McClung and Marcus Mercado, the gritty patina of the Inland Empire urban landscape conjures memories of life in the region.

Honoring these unassuming entities is the main focus of a new community exhibit, titled “Our Empire,” at the Cheech Marin Center for Chicano Art & Culture.

A total of 29 acrylic, mixed media paintings and drawings by McClung and Mercado will be on display at the Altura Credit Union Community Gallery until Oct. 23.

“James and Marcus’ artistic excellence, deep local roots and passion to tell the stories of their neighborhoods aligns with the vision of the Altura Credit Union Community Gallery — a space dedicated to providing opportunities for SoCal artists to showcase their work and uplift the people and places of our region,” said Valerie Found, interim executive director of Riverside Art Museum.

“A lot of people that grew up in these communities see some of these locations and they’re very relatable to their upbringing,” says McClung. “Things have transformed this area as well.”

Take for instance the San Bernardino Santa Fe smokestack, a towering 189-foot-tall structure from the 1920s that fueled the nearby railway power plant until 1994.

(Kayla Bartkowski / Los Angeles Times)

For McClung, who grew up drawing comic book strips with his brother, the historic tower conjures memories of being in transit — after all, it is not far from the San Bernardino Santa Fe Depot, which links the city to other Southern California locations by train.

“I would go out to L.A. in my early 20s, just go off on my own and have a little adventure day,” says McClung. “Santa Fe structure stands out like a monument in the city.”

McClung depicts the tower with rigid orange triangles and hints of dewy sun-kissed hues, alongside a pencil-drawn image of the old Mt. Vernon Avenue Bridge, an 86-year-old structure that connected communities on the west side to the downtown commercial district. The bridge reopened last August under a $244.8–million project.

An elderly man holding a cane is also shown in the upper left area of the painting.  ”Who knows, he probably walked that bridge most of his life,” says McClung, who says he began to appreciate where he grew up following the pandemic.

“When I was a kid, I just remember driving around, looking out the window and observing the area around me,” says McClung. “I think growing up here teaches you to accept the small things and appreciate them too, appreciating small businesses and local establishments.”

Mercado’s interpretation of the Santa Fe tower is subtle, with the smokestack laid out behind the long-stretching freight trains carrying J.B. Hunt and FedEx shipping containers that pass below the renovated Mt. Vernon Avenue Bridge — an industrial crossroad between old and new San Bernardino.

“It’s mostly a reflection of your starting point heading towards L.A.,” he said.

Mercado notes that he took an interest in painting familiar, neglected sites about four years ago. His subjects include the sun-faded hamburglar at the Historic Original McDonald’s Museum in San Bernardino, located at the site where brothers Richard and Maurice McDonald established what would become the largest fast-food chain in the world.

(Kayla Bartkowski / Los Angeles Times)

The defunct Redlands Mall, which is set to be demolished this year, is also a central subject in his artwork.

“I remember specifically being there, memories of the nail salon chemicals. There was a record shop and a hot dog on a stick,” says Mercado of the mall, which opened in 1977. “You’d go during Redlands Market Night, people would be hanging out, so all your friends would kind of meet up for that one night a week.”

When Mercado acquired photos from inside the vacant Redlands Mall from a friend, he saw his beloved hot dog on a stick shop, which he frequented in his middle and high school years, now in a desolate state with empty soda boxes and graffiti that depicted workers as stick figures. He painted it as such.

“To me, it is just a reflection of how we treat our memories or how we remember things,” says Mercado. “Is it the same as what we remember? Is it something that we wanna leave behind, or is it just, like, a ruin?”

Two extinct malls are referenced in the “Our Empire” exhibit, though the second might be hard to decipher unless someone remembers a mystery flute man who used to frequent the Carousel Mall in San Bernardino, which was demolished in 2023 after closing in 2017. McClung painted the flutist after hearing him in an empty parking structure beside the shopping center.

(Kayla Bartkowski / Los Angeles Times)

“I was driving around places in the [Inland] Empire that I wanted to capture. I would go out and take reference photos,” says McClung. “I park in a big parking structure at Carousel mall and I hear this flute. Come to find out he would go there weekly because of the acoustics in the area.”

A quick online search will prompt a flurry of Reddit and Facebook discussion about where the flute man — dubbed the mystical flute man by many — is located now. Besides some streamer vlogs in the area, no formal article or website has ever recognized the elderly man as an idol. His memory, as it exists in McClung’s painting, is reserved for those who share a unique collective experience.

Perhaps others in the area have stumbled upon the mysterious flute man themselves, or can recall the smell of monomer from a nail salon at the Redlands Mall. Or perhaps Inland Empire residents can recognize home from the towering Santa Fe smokestack.

“I want people to come and feel like they are part of this as well,” McClung says. “We have our own memory of what that space was for us, but other people have their own story, too.”

WASHINGTON — President Trump’s threats to wipe out Iran, “a whole civilization,” ended the restraint that Democrats have mostly practiced when it comes to questions of removing him from office in his second term.

By the dozens, Democrats came out to say that Trump should no longer serve in the White House, either through the impeachment process or the 25th Amendment, which allows the vice president and the Cabinet to declare that a president is no longer able to perform the job.

While Trump eventually pulled back on his threat and agreed to a two-week ceasefire with Iran, the episode highlighted the growing demands for Democrats to oppose the Republican president in the strongest possible terms. Calls about Iran flooded into congressional offices, lawmakers said.

The breadth of the Democratic pushback underscored the gravity of Trump’s apocalyptic threat to a country of more than 91 million people. It also served to raise the domestic political stakes for a conflict that is far from over. The Trump administration faces mounting calls to testify about the war and justify its demands for hundreds of billions of dollars in new military spending.

“We cannot excuse what the president said as a negotiating tactic,” Rep. Sara Jacobs, a California Democrat, told reporters at the Capitol Thursday.

“It is important that even though we were able to get this ceasefire, which I pray holds, that we hold this president accountable for what he threatened because threatening genocide is not just against international law, it’s against our federal law, too,” she added.

Still, Democratic leaders and many moderates in the party have steered clear of endorsing impeachment, and any attempt to remove Trump from office is seemingly doomed to fail so long as Republicans control Congress.

In the near term, Democratic leaders in the House and Senate are instead pushing Republicans to join them and pass legislation that would force Trump to get congressional approval before carrying out any more attacks on Iran.

A few Democrats attempted during a brief session of the House on Thursday to pass what’s known as a war powers resolution on Iran, but Republicans, who control the chamber, did not acknowledge their request.

“We need Speaker Johnson to call us into session,” said Democratic Rep. Emily Randall of Washington. “The American people deserve that.”

At the White House, Press Secretary Karoline Leavitt has defended Trump’s rhetoric as effective.

“I think it was a very, very strong threat from the president of the United States that led the Iranian regime to cave to their knees and ask for a ceasefire and agree to reopening the Strait of Hormuz,” she said at a Wednesday White House press briefing.

Callers jam congressional phone lines

As they press their case against Trump, Democrats are responding to the worries of their own base and constituents. Congressional offices were bombarded with phone calls and emails this week, largely from people alarmed by the president’s rhetoric.

In the House, the office of Rep. Suzan DelBene (D-Wash.) received a “ton” of calls and emails Monday and Tuesday, mostly about Iran but also about impeaching Trump or removing him by deploying the 25th Amendment, said one aide who was not authorized to discuss the internal office situation and requested anonymity.

When her district staffers in the state office took a break Tuesday, they returned to 75 voicemails on Iran an hour later, the aide said.

“My office phones have not stopped ringing,” said Rep. Maxine Dexter (D-Ore.) at a press conference in Portland, urging House colleagues to immediately return to Washington.

Dexter’s office received more calls on Tuesday, 257, more than it has ever received in a 24-hour period since the first-term lawmaker’s team began keeping track.

The groundswell appeared to be organic, rather than an orchestrated campaign to pressure lawmakers to act.

While outside groups have been circulating some discussion points, including the legal details around invoking the 25th Amendment, there has not been an organized effort to flood the congressional offices with a strategic message, said one Democratic strategist familiar with the situation who requested anonymity to discuss the private conversations.

It was simply the “horror” of what Trump was saying, the strategist said, and the scale of the president’s threats, that appeared to have sparked the mobilization.

On the political right, several prominent figures including former Rep. Marjorie Taylor Greene of Georgia, also suggested Trump should be removed from office through the 25th Amendment.

Will Democrats make an impeachment push?

Democrats twice impeached Trump for actions taken during his first term, but he was acquitted each time. They have tried to avoid such debates for the last 16 months as they tried to center their midterm message on kitchen table issues rather than opposing a president who narrowly won the popular vote.

Republicans also have the majority in the House and have easily fended off two previous efforts to impeach Trump in his second term. A significant number of Democrats have either joined with Republicans or voted “present” as the House blocked impeachment resolutions sponsored by Rep. Al Green (D-Texas).

Then came Trump’s threat on Tuesday morning to wipe out “an entire civilization.”

“Temporary ceasefire or not, Trump already committed an impeachable offense. Congress needs to get back to work and remove him from office before he does more damage to our country and the world,” said Massachusetts Rep. Seth Moulton, a veteran of the war in Iraq.

It’s unclear how House Democratic leader Hakeem Jeffries will handle the demands for another impeachment push. But Democratic leaders are holding a call on Friday with members of the House Judiciary Committee that is focused on “Trump administration accountability and the 25th Amendment.”

Standing on the Capitol steps Thursday, Rep. Madeleine Dean (D-Pa.) said she supports impeachment, but nevertheless hit the brakes on it for now, as the Democrats are in the minority. Instead, she called on Republicans to stand up to Trump’s threats, including by invoking the 25th Amendment.

She predicted the imperative to remove Trump from office could only grow as negotiators navigate a fragile framework for a peace deal. Dean and other Democrats criticized the plan as “chaotic” and unworkable.

Yet Dean said Trump’s threat to destroy Iranian civilization should have already been enough. “The president brought the entire globe to watch his madness,” she said.

Groves, Mascaro and Freking write for the Associated Press.

When the first two seasons of HBO’s teen drama “Euphoria” aired on Sunday nights, 25-year-old actor and singer Al-akhir Fletcher remembers racing online the second each episode ended, toggling between X (then Twitter) and FaceTime just to keep up with the collective reaction.

“I felt like I had to watch because I didn’t want any spoilers,” he recalled. “I didn’t want anyone to tell me about it. There was maybe one week I tried to wait to binge-watch it, and I couldn’t. Everybody was talking about it.”

That anticipation for Season 3, premiering Sunday, still lingers for Fletcher, though it’s tempered now by doubt and distance, thanks to a four-year gap between seasons. Nevertheless, Fletcher said he’ll finish the show.

“Only because I feel like I’ve invested so much already into the show and into the characters and in their stories,” he said. “So I do want to see it through. I want to know what happens, but there is a little bit of hesitation, especially with hearing about all of the politics and the behind-the-scenes drama of what’s happened with the show.”

When Euphoria last aired in 2022, it turned Maddy Perez’s cutout dresses into a going-out uniform, transformed Cassie Howard’s unraveling into a meme with a saying that everyone understood (“I have never, ever been happier”), and sent Labrinth’s score ricocheting across TikTok in slow-motion edits and tear-streaked montages. It also made bona fide stars out of its cast: Zendaya became an Emmy winner, in-demand actor and fashion icon; similarly, Sydney Sweeney has become an onscreen mainstay, and Jacob Elordi, an Oscar nominee this year.

And, crucially, for a stretch, “Euphoria” made HBO feel like a destination again, with episodes that demanded to be seen in real time and dissected instantly before the night was over.

In the four years since its previous season, though, Hollywood has endured dual labor strikes, streamers have tightened budgets and audiences have fractured into increasingly niche viewing habits. The monoculture that once lifted “Euphoria” has thinned, if it even exists at all.

So as the show returns after an unusually long hiatus, the question isn’t just what happens next for Rue and the gang, but whether “Euphoria” can still hit the way it once did. What we do know is the series isn’t picking up where it left off. Season 3 leaps forward five years, aging its characters out of high school and into a much murkier version of adulthood. Maddy (Alexa Demie) is working for a talent agent and navigating the blurry line between managing actors, influencers and potentially sex work-adjacent clients. Cassie (Sweeney) and Nate (Elordi) are set to marry, all while Cassie is attempting to start an OnlyFans account. And then there’s Rue (Zendaya), whose story can’t outrun the looming debt she owes a drug dealer.

“Euphoria’s” Season 3 returning cast, clockwise from left: Jacob Elordi, Alexa Demie and Sydney Sweeney. (Partick Wymore / HBO) (Jeremy Colegrove / HBO) (HBO)

Can a series disappear for four years and reclaim its choke hold on the culture?

Uncertainty hangs over its return and whether more seasons could be expected. (The show’s creator, Sam Levinson, has been evasive about declaring it the final season, while Zendaya told Drew Barrymore this week she believed it was.)

Interviews with fans and media experts suggest there’s no consensus on whether viewers will flock back like before. Some see “Euphoria” as too big to fail, a brand with enough residual heat to dominate conversation on arrival. Others aren’t so sure, pointing to the long hiatus, the off-screen turmoil and a television landscape that no longer moves in lockstep.

What made the show a breakout hit

Part of what makes questions around the show so difficult to answer is how singular “Euphoria” felt when it first arrived in 2019. At the time, HBO wasn’t in the business of teen dramas. The network had long built its identity on adult prestige — crime sagas, antiheroes and sprawling family epics — not stories centered on high schoolers. “Euphoria” marked a strategic shift, one that aimed to pull in younger viewers without diluting the network’s edge.

“I think this was supposed to be their first foray into quote-unquote young adult programming,” said Michel Ghanem, who writes about television. “They were interested in capturing a younger viewership who maybe hadn’t watched that much HBO up until then.”

What emerged didn’t resemble the traditional teen drama playbook. “Euphoria” was moodier and leaned into storylines rooted in addiction, sex and emotional volatility. HBO began experimenting more broadly with shows like “The Sex Lives of College Girls” and “Generation,” but “Euphoria” stood apart in both tone and ambition. The risk paid off.

“It grabbed on to an audience that loved the cast and the performances and the soundtrack and the cinematography,” Ghanem said. “So I think all of those elements together sort of made it into appointment television.”

Hunter Schafer, left, and Zendaya in Season 1 of “Euphoria.” The show premiered in 2019, becoming a hit for HBO.

(Eddy Chen / HBO)

Beneath the glitter and surreal visuals, some viewers saw versions of people and situations they already knew.

“I found a lot of familiarity in it because of being from L.A.,” said Darryl McCrary, a creative artist who is based here. “I felt like I knew the teenagers. I knew the secret drug addict and the out drug addict and the drug dealers. It felt very familiar. It felt like home in a way.”

Aspiring actor and “Euphoria” fan Cheyenne Washington, who grew up in a small town in Connecticut, also recognized the characters. “I went to high school with people like this. My high school isn’t like how it is on Disney Channel. My high school was ‘Euphoria.’”

By its second season, “Euphoria” had become one of HBO’s most-watched series, with episodes drawing millions of viewers. The Season 2 finale pulled in more than 6 million viewers across platforms, cementing the show as a crossover hit.

“That was the show that my students were talking about,” said Jason Mittell, professor of film and media culture at Middlebury College. “‘Euphoria’ is the buzz show amongst younger people, amongst people who were sort of hyper-online, amongst critics; it was something that was really talked about. That’s the thing that sort of raises it up.”

Why production stalled

While the dual Hollywood strikes were one factor in the delay in production, “Euphoria” was also affected by the sudden deaths of actor Angus Cloud, who played Fezco, and executive producer Kevin Turen, who was considered a key force in the show. There were reports of creative tension between Zendaya and Levinson. At the same time, its young cast had transformed into a roster of in-demand movie stars, with schedules and expectations that look very different from when the show began.

“This new season has to kind of do something new and really break new ground to gain the buzz,” Mittell said. “There is a scenario, depending on how they market it, that it actually could get pretty good viewership. But I think that it’s also just ripe for disappointment. Can you just imagine all the takes that are being written right now? Like, ‘Why “Euphoria” shouldn’t have come back.’ There’s so many people eager to write that.”

And yet, the show’s scale and the fame of the people in it may insulate it from outright failure. “Jacob Elordi, Sydney Sweeney — these are some of the biggest actors on the planet now,” Ghanem said. “Even if the show ends up being a creative flop, I think we’re all going to tune in because we want to see those actors together again and see what storyline Sam Levinson will come up with. There’s no possible world where this third season isn’t a massive hit. There’s just no way.”

Angus Cloud, who played Fezco in “Euphoria,” died in 2023 after an overdose. (Evan Agostini / Invision / AP)

“Euphoria” executive producer Kevin Turen also died in 2023. (Jack Plunkett / Invision / Associated Press)

What has shifted more dramatically is how the show and its creator are perceived, experts and fans said. Since “Euphoria” first aired in 2019, Levinson’s profile has evolved, particularly following the backlash to his HBO series “The Idol,” which was widely panned by critics and plagued by reports of behind-the-scenes turmoil. That scrutiny has extended back to “Euphoria,” with renewed criticism around its portrayal of sex, nudity and teenage characters.

“Since 2019, when the first season aired, there have been a lot of conversations around what Gen Z really wants to see on screen,” Ghanem said. “The show’s reputation isn’t unscathed. And I think people are more critical of Sam Levinson’s work.”

That shift may be especially pronounced among younger viewers, who may have been turned off by “The Idol’s” gratuitousness.

“We’ve had all of these recent studies about younger people who don’t necessarily want to see sexually explicit material anymore,” said Brandy Monk-Payton, assistant professor at Fordham University. “They want to see more development of platonic relationships and asexual connections.”

Can a time gap still lead to success?

Long breaks aren’t unheard of on TV, but they’re rarely this long for a show that’s still trying to hold on to cultural urgency. And history suggests that returning is one thing, but recapturing the same intensity of viewership and fandom is another.

Several recent dramas have tested that gap. “Stranger Things” stretched years between seasons as its young cast aged into adulthood, returning to massive viewership, but, some critics and fans argued, with an ending that felt obligatory.

“They weren’t reckless enough with their characters,” McCrary said.

“The Handmaid’s Tale,” once a defining show of the late 2010s, continued after extended pauses but struggled to maintain the cultural grip it once held.

“I think because of the social and political climate of that show, the interest in it waned,” Monk-Payton said. “We didn’t want to be in the world of Gilead anymore. So do fans want to reenter the world that is ‘Euphoria,’ that sensational world of drug addiction and sex and violence?”

Even “Severance,” which earned critical acclaim and awards recognition after its long-awaited second season, sparked debate among viewers about whether it matched the precision and novelty of its first. The pattern, experts say, is less about whether the audience comes back and more about what they come back expecting.

For Monk-Payton, that expectation functions almost like an unwritten agreement between a show and its viewers.

“It has to retain its contract with the audience,” she said, pointing to the balance between continuity and change. “There has to be some kind of familiarity in the characters and relationships, but also growth — something new that justifies coming back.”

That balance, she argues, is where many returning shows falter. Monk-Payton said in the case of “Severance,” what began as a sharply observed workplace sci-fi story expanded into denser mythology in its second season. Though Apple TV announced that “Severance” had become its No. 1 series, she said the show’s evolution didn’t land the same way for all viewers.

“When shows come back after a gap, they can misread what audiences connected to in the first place,” she said.

The risk for “Euphoria” is similar. If its return leans too far away from the emotional core that defined it, or reshapes its characters beyond recognition, it could strain the connection.

“If we don’t recognize Rue or the others in some fundamental way, that’s risky,” Monk-Payton said. “Some viewers will keep watching to see how it ends because they’re completionists. But others may feel that disconnect.”

When she ran for mayor four years ago, Karen Bass said she wanted to regrow the Los Angeles Police Department to the 9,500-officer force it was before the ranks began to shrink. Now up for reelection — and facing a budget crunch — Bass says her plan has shifted.

The aim going forward, she told The Times in a recent interview, is to simply stop the department from getting smaller.

As of this week, the department had 8,677 sworn personnel — the lowest total in nearly a quarter-century. Even after efforts under Bass to streamline hiring and boost recruitment, some officials are concerned there won’t be enough new cops to replace those projected to leave or retire in the coming years.

“My goal changed, unfortunately,” Bass said. “I do hope that one day we get to the expansion, but we are not there now.”

A Bass spokesperson said after the interview that the mayor remains committed to reaching the 9,500-officer benchmark in the long run, but did not provide a timeline for getting there.

On April 20, Bass will release her spending plan for the upcoming fiscal year, which starts on July 1. She and the City Council will spend the coming months working out how to balance the city’s books in a way that avoids deep cuts to other services and the layoffs of city employees. A projection by the city administrative officer estimates the city’s budget deficit to be “several hundred million.”

Bass said she had spent years addressing a years-old administrative bottleneck within the city’s personnel department, which runs the background process for police hires.

The efforts were targeted “at every level: at the top, as well as internal to the department,” said Bass. “At least the impediments that kept us from retaining recruits, to get them in the academy, that has changed.”

The mayor called the old hiring process “archaic,” and said similar issues exist with other city departments. At the LAPD, she said, “We expanded recruitment and had a record number of recruits, and then we couldn’t get them hired, so we had to revamp the hiring process.”

Despite attrition at the LAPD in recent years, crime has plummeted, with homicides in the city falling to levels not seen since the 1950s. Yet public safety remains an issue in the mayor’s race, where Bass faces a challenge from City Councilmember Nithya Raman.

A recent survey co-sponsored by The Times found that more than half of voters view Bass unfavorably in the race. The same poll found that 39% of Angelenos think the LAPD needs to increase in size, with 29% saying the department should stay the same size and 19% saying it should shrink.

Raman came out ahead of Bass in a recent poll that only identified candidates in the mayoral race by their platforms, but not their names, though other surveys that identified them by name showed Bass in the lead.

Raman has said that she believes the police force is the right size at around 8,700 officers. Bass’ onetime ally has argued the mayor has thrown too much money at the LAPD, an approach Raman claims has come at the expense of other basic services such as park maintenance and street paving.

Raman has accused the mayor of signing off on raises for police officers with a contract that has done little to make a dent in the department’s recruitment struggles and only made worse the city’s financial picture. She and other critics say that with the dwindling number of cops, officials need to start investing more in community-led efforts that prioritize prevention over punishment in order to further reduce crime.

Bass said she had embraced a crime-fighting strategy that balances traditional policing with a more public health-oriented approach, pointing out that she had opened an Office of Community Safety to support gang interventionists who help defuse neighborhood conflicts before they explode into violence. Her administration also spearheaded sending mental health teams or other unarmed responders to emergency calls that were once fielded by police.

It’s no accident, she said, that killings in some of the most crime-impacted neighborhoods had fallen by 27%. So far this year, police say that most crime categories are down compared to where they were at this point in 2025.

LAPD Chief Jim McDonnell has said that without addressing police staffing the city’s progress on crime is at risk, especially as L.A. gets set to host large-scale sporting events like the World Cup and the 2028 Olympics.

During his briefing to the Police Commission on Tuesday, McDonnell said roughly 8% of the department’s employees are unavailable to work because they are on sick leave or other work restrictions. McDonnell and other police officials have said staffing shortages are limiting the department’s ability to respond quickly to low-level crimes, leading to high officer burnout rates, and driving up overtime expenses.

Asked to assess McDonnell’s first year-and-half as the city’s top lawman, Bass issued a written statement that said she considered McDonnell a strong partner “lowering crime, hiring more officers, and reversing longstanding trends.”

She added: “I will always keep pushing every City leader to do better by the people of Los Angeles.”

Bass said she would continue working with the chief to “identify measures” to reduce the number of police shootings, particularly those involving people in crisis.

Such changes would go hand in hand with an overhaul of the department’s much-maligned disciplinary system, which has faced criticism from some corners for not meting out harsh enough punishments when officers shoot unarmed people. The union that represents the department’s rank-and-file members has long complained of a double standard that lets well-connected officers and senior leaders off the hook.

Bass said that based on her conversations with officers, “the internal part of the disciplinary system has gotten a little better.”

Broader reforms have also been under discussion, with the council weighing new limits on so-called police pretextual stops, in which officers use a minor violation as justification to pull someone over and then investigate whether a more serious crime has occurred. Bass said she is in favor of further changes to tighten LAPD policies.

A recently published report by Catalyst California, a group that advocates for racial justice, found that such stops have continued to disproportionately affect Black and Latino drivers, even as the LAPD has scaled back their use over the past decade.

“Certainly, when I was younger, I experienced pretextual stops, and they are terrifying,” Bass said, adding that she believed the department’s culture was already changing. “I will tell you that as many roll calls as I’ve been to, a lot of officers already feel like they can’t do pretextual [stops] anymore — so I think there’s been progress there, but clearly more, more to go.”

Times staff writers David Zahniser and Noah Goldberg contributed to this report.