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A beach has been praised for its golden sands and tranquil blue waters that are reminiscent of Mediterranean destinations and holidays abroad – only it’s right here in the UK

A stunning British beach is turning heads for its golden sands and crystal-clear blue waters that wouldn’t look out of place on the Mediterranean coastline – but the best part is, it’s here in the UK.

It’s not always a case of flocking to Europe or the Caribbean for a lavish holiday, because Britain has plenty to offer. From charming towns to villages, locals and tourists can enjoy a diverse array of attractions here. Now if you’re in need of inspiration when it comes to booking your next staycation or day trip, we have you covered. According to Beach Guide UK, a whopping 1,500 beaches can be found across the country.

While the UK is hardly renowned for its reliable sunshine, Cornwall’s spectacular coastline more than compensates. There truly is something for everyone – from stunning stretches of powdery golden sand and unique shingle beaches, to hidden coves, world-class surf spots, and brooding atmospheric shores that could easily double as a backdrop for a BBC crime thriller.

Yet one particular beach is causing quite a stir thanks to its breathtaking Mediterranean-esque charm. Step forward Carbis Bay.

Discover Carbis Bay: Cornwall’s Mediterranean-Style Hidden Gem

This much-loved seaside village and resort sits approximately one mile southeast of the iconic St Ives, nestled on the western shores of St Ives Bay along the Atlantic coast.

Nature enthusiasts and walkers will find themselves equally captivated by Carbis Bay, as the South West Coast Path – England’s renowned 630-mile long-distance trail winding around the south west peninsula’s coastline – runs above the shore.

TikTok user Suzanne posted footage of Carbis Bay on the popular social media site.

Overlaid on the video, which sweeps across the golden sand and brilliant blue waters, she penned: “Okay… this might be the prettiest beach in the UK.”

Alongside the clip, Suzanne added the caption: “Carbis Bay, Cornwall, looking like the Mediterranean.”

Best Things to Do at Carbis Bay Beach: Swimming and Water Sports

The spot has also received recognition from Visit Cornwall, which notes: “Just a mile out of St Ives, Carbis Bay Beach is the perfect destination for a relaxing day at the beach. The bay’s lush cliffsides and position on the Atlantic Coast assure tranquil waters, making it the ideal spot for swimming.

“Tucked away into its own corner of St Ives Bay, Carbis Bay enjoys a perfect, natural shelter from the worst of the Atlantic swell, making its waters a tranquil paradise ideal for swimmers of all ages.”

Visit Cornwall continues: “The golden beach itself is perfect for soaking up the sun on warm summer days, or constructing elegant castles in the sand.

“While surfers might wish to look elsewhere for a swell, any with an interest in stand up paddle boarding or kayaking may just find that Carbis Bay ticks every box.”

Planning Your Visit: Travel Times and Carbis Bay Hotels

The travel to Carbis Bay can vary but if you’re coming from London, a car journey will roughly take 5 hours. Alternatively, a train journey is about 4 hours and 41 minutes. From Bristol, this is slightly closer and about 3 hours in the car.

Meanwhile it’s around 4 hours if you’re leaving from the Midlands.

It’s best advised that if you are visiting St Ives, booking yourself accommodation might be the less exhausting option. Hotels in Carbis Bay average about £350 to £470 per night during summer.

However rates can vary drastically and drop around £100 at any other time of the year. Meanwhile, luxury 5-star estates (like the Carbis Bay Estate) can range from £475 to £1,000+ per night depending on seasonal demand.

When you walk into a room with Los Primos del Este, the happy-go-lucky guys immediately make you feel like part of the family. What they first cultivate with silly banter and lighthearted ad-libs eases into a more vulnerable, introspective atmosphere, comparable to a cathartic therapy session.

When I met the norteño-sax band in at Interscope Records — the major label that signed them in early 2023 — it was just a couple of hours before the official release of Los Primos’ new album, “Dulce Amargo,” on Thursday.

For a young band of players in their early 20s, they play it cool; “Dulce Amargo” is their eighth LP to date. The project feels thoroughly chiseled to their refined sonic tastes (influenced by Julión Álvarez, Legado 7 and Remmy Valenzuela) inflected with raw, sentimental lyricism and a wailing saxophone that commands each track with the spirit of an electric guitar.

“Play it back to back and actually start understanding the sound more and realize there’s new sounds being created,” said lead vocalist Geovanni Flores. “Because a lot of people get stuck in their old ways.”

Made up of five members — Flores, bassist and supporting vocalist Ariel Jesus Lopez, accordionist Juan Luis Hernandez, drummer Alejandro Tellez and saxophonist David Tellez — the group has built a steady momentum in the música mexicana genre. They’ve championed the resurgence of norteño-sax, a subgenre that fuses the accordion sounds of norteño music with an invigorating alto saxophone, made popular by legendary groups like Conjunto Primavera.

Since forming in 2017, the North Carolina-based band has gained over 2 million listeners on Spotify through catchy norteño-sax songs like “No Es Mentira (Version Norteña),” “Poema” and “Mami” — drawn together by a polka-like beat that has made them a staple of Mexican dance venues.

In 2024 alone, the subgenre grew by 39% in both the U.S. and Mexico, per Spotify.

Los Primos del Este formed in 2017 out of North Carolina.

(Arwen Clemans / Los Angeles Times)

The band took a few years to find its groove. Its 2020 debut album, “PDE,” experimented more with the prickly, sad sierreño sound popularized by acts like Eslabon Armado and DannyLux — as well as trap-infused corridos tumbados with a thumping tololoche. Still, this was music one could bop their head to, even if dance parties were limited during the global pandemic. With norteño-sax, the group could incorporate contemporary dating themes into songs that bring people physically closer to one another on the dance floor.

“There’s been a sense of maturity that’s happened within the group. In the past, we would just make music to make music and release it,” said Flores. “ We thought about every single detail now, even down to the album cover.”

Before getting into the thick of their recent music catalog, Los Primos del Este quickly unfurled details of the album cover, which shows the group sprawled across the flatbed of a white truck. The image was inspired by Alejandro Cartagena, a Dominican Republic-born Mexican creative who photographed carpooling laborers on the flatbeds along a highway in Monterrey, Mexico, in 2012. The project was a visual representation of how everyday people — often marginalized individuals — navigate transit in a sprawling suburban area.

Such an open stance on community issues appears to be a norteño-sax speciality. In 2000, their forefathers Conjunto Primavera previously told The Times that they make music for working-class audiences: “Wealthy people don’t like what we do.”

“Personally, I found myself in the bed of a truck at one point, low-income, trying to make something out of nothing,” said Lopez. “That’s the world I grew up in, and that’s the world I wanna show everybody. It’s not all sweet, you know?”

The band also nods to injustices faced by immigrant communities — including the recent fatal shootings of 52-year-old Lorenzo Salgado Araujo and 26-year-old Johan Sebastian Duran Guerrero by Immigration and Customs Enforcement agents in Texas and Maine, respectively.

“We’re willing to take the heat,” said Lopez, referring to the band’s pro-immigrant stance. “The community looks at us as a negative presence, but in reality, we’re hard-working, dedicated family people.”

It is both that honesty and vulnerability that are etched into the 14-track LP “Dulce Amargo,” which translates to “bittersweet” in English. The band shared that each member contributed details of his own personal experience to the brainstorming sessions — a process they likened to therapy.

“We were comfortable enough with each other to let [our] stories be heard,” said Lopez. “In the Latino community, there is kinda like that stereotype [that] you have to be strong.  I think this message goes out to everybody — if you’re feeling something, specifically the men, it’s OK to just let it out.”

(Arwen Clemans/Los Angeles Times)

The hazy love melody “Tremenda,” for example, underscores an intense yearning for connection. Written after Lopez was starstruck by a woman, its first lyrics begin in wondrous marvel: “Tal vez fue tu mirada,” or, “Perhaps it was your gaze.”

“What’s the first thing you do when you look at somebody? I look at the eyes,” said Lopez. “They say the eyes are the doors to the soul.”

Alejandro Tellez’s contribution came with the punchy “Linda Sonrisa,” that pleads for someone to realize the realities of the mistreatment they’re facing with another lover.

“How many times are you gonna let him do you wrong until you realize that you have the right guy in front of you?” said Alejandro Tellez in a sing-song twang. “That’s a story that I went through in high school.”

For Flores, the EDM-fused, echoing melody “Mejor Sin Ti,” struck a personal chord; could a relationship be the only thing standing in your way to personal success? “Some people do hold you back, some people tie you down — that’s what I felt,” said Flores.

Hernandez gets a bit teary-eyed when talking about his favorite song, “Sentimientos,” a whirling polka-driven ballad about an avoidant situationship, he said. “To me, it’s like we both kinda love each other already, but we’re kind of afraid to say it,” he explained. “A lot of people are afraid of falling in love again, so that song hits close to home.”

The concept behind “Mereces Mejor,” a trance-inducing ode with floating melodies that implores a loved one to recognize their self-worth, was inspired by David Tellez’s own experience with unrequited love: “She’s trying to go to the bad guy, and I’m over here giving everything I got.”

As the five artists prepare to take their new album on the road — including an upcoming performance at the Lone Star State’s Truck Show Texas Fest on July 25 — they want to make clear that norteño-sax is not a stagnant subgenre. Like most of música mexicana, it, too, is evolving, both in sound and lyricism, encapsulating today’s complex dating culture. Their emotional vulnerability is welcome in a field flooded with artists that may otherwise shrink away from such honesty — perhaps due to the stigma of mental health issues in the Latino community, especially among men.

“We understand that changing the sound may not be for everybody, but we’re making music for the next generation,” said Lopez. “Who knows? Maybe their parents might end up liking this too.”

This article contains many spoilers for “Heartstopper Forever.”

In the early minutes of “Heartstopper Forever” — the feature film finale of Netflix’s hit teen romantic dramedy series — Charlie Spring (Joe Locke) notices a crooked photo strip on his boyfriend Nick Nelson’s (Kit Connor) bedroom wall. Gently pulling down the pictures, taken on the beach day they made their relationship official, Charlie smiles wistfully at their younger selves: “We look like babies.”

It’s a line that applies to the characters as much as it does to Locke and Connor. Four years after being catapulted into global stardom, the pair are bidding a bittersweet farewell to the roles that have defined their own coming of age.

“Season 1 does feel like an immensely long time ago that I do look back and think, ‘Yeah, we do look like babies,’” Connor says, with Locke nodding in agreement next to him on a recent video call from London. “‘Heartstopper’ itself was this tiny little show that was clearly something quite special to us, but we didn’t really think or know anyone was going to watch. And, suddenly, it became this thing that was immensely important to a lot of people.”

Adapted by Alice Oseman from her own bestselling graphic novels, which originated as a webcomic in 2016, “Heartstopper” chronicles the endearing love story between high-strung, gay overthinker Charlie and kind-hearted, bisexual rugby player Nick at an all-boys’ school in England.

Nick (Kit Connor) and Charlie (Joe Locke) in a scene from Season 1 of “Heartstopper.”

(Netflix)

Upon its debut in 2022, the show was lauded for its unabashedly joyful, tender portrayal of queer youth — a refreshing departure from the trauma-heavy narratives that dominate other teen dramas. Even as “Heartstopper” ventured into darker thematic territory, such as Charlie’s history of eating disorders and struggles with self-harm, Oseman’s writing never lost its deft, light touch.

From the outset, Oseman knew she wanted to end “Heartstopper” with Nick going off to university in Leeds and Charlie, who is a year younger, finding independence as head boy at school. But with her cast growing increasingly more in demand every year, the author-turned-screenwriter says it would have been logistically difficult to make a fourth and final season.

After Netflix greenlit a two-hour finale instead, Oseman elected to zero in on her protagonists — not unlike her comics — rather than give each character their own, heavily condensed arc. “I think that was definitely the right decision, because we really get to spend a lot of time with Nick and Charlie and not feel like we’re missing anything,” she says.

Directed by Wash Westmoreland (“Colette,” “Still Alice”), “Forever” finds the first loves grappling with the reality of an impending long-distance relationship, leading to a rash breakup and, ultimately, an emotional reconciliation. In a surprising role reversal, as Charlie confidently steps into a leadership role as an advocate for other LGBTQ+ students, Nick is left to discover his own identity and self-worth outside of being the protective, supportive boyfriend.

On the set of “Heartstopper Forever” as Connor and Locke film a scene from the movie.

(Samuel Dore / Netflix)

Connor, who also executive produced the film with Locke, felt Charlie and Nick’s romance would be better wrapped up in a feature-length format. “There were a few very important and crucial, but short and intense [plot points] — the breakup and the time apart, and the eventual makeup and the two of them discovering who they are without one another,” he explains. “Doing it in a shorter period, I thought, would make those things hit that much harder and feel that much more visceral.”

Unlike previous seasons in which she could rely on her existing comics as storyboards for the show, Oseman was working simultaneously last year on the sixth and final volume of the “Heartstopper” comics, released earlier this month, and the “Forever” screenplay.

Juggling the same story in two different formats turned out to benefit each end product. “When I finished writing the first draft of the script, it actually made me do a really big rewrite of the comic, because it helped me see which moments were really important and which moments didn’t need to be there,” she says. (One of the pivotal scenes was the Pride parade, filmed on the last morning of production.)

As first-time producers, Locke and Connor also provided script notes that directly influenced the story. For instance, “there was no scene between Charlie and Mr. Ajayi in the original script,” says Locke, referring to the gay art teacher, played by Fisayo Akinade, whose classroom became Charlie’s safe haven from bullying before he befriended Nick. “I was like, ‘That scene in Season 1 with them is so pivotal to the story. It would be really lovely to have just a little moment for them in the film that circles on that chapter of their relationship.’ And straight away, Alice was like, ‘Yeah, great idea. Let’s do this.’”

For his part, Connor always feared that the show’s “rose-tinted” approach, though part of the story’s appeal, “would not be nuanced enough to talk about the complexities of being human and being young.”

Locke says he proposed a scene with Fisayo Akinade, who plays art teacher Mr. Ajayi, as a way to circle back on their relationship.

(Netflix)

“There was one moment where I was like, ‘Oh God, I hope these young people watching “Heartstopper” don’t suddenly forget that these kids are human, and that these kids can make mistakes and still be lovely, delightful and good people,’” Connor says. With Oseman and Locke, Connor was adamant about “finding the place [where] these characters were being treated in a way that we all felt good about.”

According to Oseman, Locke and Connor were also heavily involved in selecting a new intimacy coordinator, Robbie Taylor Hunt. Over the years, the amount of sex — or lack thereof — in “Heartstopper” has been the subject of much discourse. “It always annoyed me slightly that people were like, ‘Oh, this is so unrealistic. They’re not having sex.’ They were underage. What do you want us to do?” Locke says with a wry laugh.

Oseman has learned to tune out that online chatter, accepting that she cannot please everyone — let alone represent the entire spectrum of the young queer experience. With each season and now this film, her creative team chose to age up the story slightly. After Charlie and Nick lost their virginity to each other at the end of Season 3, the film uses physical intimacy to reveal more about their maturing relationship.

Locke says those scenes were necessary to the plot. “The pier sex scene is this carnal lust between these two people who need to get it out. The sex scene in the pillow fort is a moment of connection for them,” he says. “And the big sex scene at the end of the film is the reconciliation of their relationship.”

In the end, Nick and Charlie decide to give their relationship another shot, confident that their love can defy the conventional wisdom that teen romances rarely last. But what they learn during their split is “that you can’t put all of your hopes and dreams, your mental health and your ability to survive into one person, because it’s not fair on yourself and on that other person,” Connor says.

Over the years, the amount of sex, or lack of it, in “Heartstopper” has been the subject of online discourse. The film shows more physical intimacy.

(Netflix)

The film’s epilogue, like in the comics, offers a brief glimpse of Charlie visiting Nick for a weekend in Leeds, ending with the two of them looking through the pages of a scrapbook that still has room for new photos. While Oseman has her own vision of Nick and Charlie’s future in 10 years — they’d be newly married with a dog, she believes — the actors who play them aren’t so sure.

“I feel like the beauty of ‘Heartstopper’ is that we get to see a chapter of these two young men’s lives, and it ends in a way that doesn’t promise anything,” Connor says. “Even if they were to not end up together eventually, it wouldn’t make the experience that they shared together any less special or pivotal to who they are as people. I think that’s kind of beautiful.”

Locke is reluctant to divulge his own interpretation of the characters’ future, preferring instead to let viewers make sense of the hopeful ending. “I hope they’re happy,” he says simply. (But for the record, the actors both believe that Charlie and Nick will stay together. “Of course, we all hope so,” Connor clarifies.)

Although she is ready to tell new stories, Oseman believes that she will be revisiting Nick and Charlie, who first appeared in her 2014 debut novel “Solitaire,” “in small ways for the rest of my life.”

“I think there definitely won’t be another 10-year-long webcomic — probably not — but I love thinking about what Nick and Charlie might be up to when they’re 40 or 60,” Oseman says. However, she adds, “I think the main story of ‘Heartstopper’ has concluded, and I do feel good about that.”

Like their high school characters, Locke and Connor are ready to graduate from the “Heartstopper” universe. Wary of being typecast, they have established themselves as versatile stage actors, making their Broadway debuts in “Sweeney Todd” and “Romeo + Juliet,” respectively. Onscreen, Locke joined the Marvel universe in “Agatha All Along,” while Connor has explored vastly different cinematic genres — his next major project, the film adaptation of the dark fantasy video game “Elden Ring,” will reunite him with “Warfare” director Alex Garland.

Even on the day of our interview, Connor and Locke looked a world away from Nick and Charlie. Locke wore an all-black designer outfit, while Connor — dressed in a light blue striped button-down over a white tank and khakis — had traded Nick’s signature floppy hair for designer stubble. Yet both actors have made peace with the reality that they will forever be linked to each other and their roles. “That’s part and parcel of the job,” Connor says.

Fittingly, the last scene Connor and Locke filmed as Nick and Charlie was the anniversary scene in the park where there is a fallen tree with the letters “N+C” carved into the trunk. “It was lovely because it was back to how a lot of the ‘Heartstopper’ experience has been, which is just me and Joe,” Connor says.

“I love thinking about what Nick and Charlie might be up to when they’re 40 or 60,” says creator Alice Oseman. However, she adds, “I think the main story of ‘Heartstopper’ has concluded, and I do feel good about that.”

(Netflix)

Would they be open to revisiting Charlie and Nick’s love story as older adults? “In 10, 15, 20 years, who knows? Maybe,” Connor says. “Even if Alice were to decide that they wanted to make a TV show about another character in the universe of ‘Heartstopper’ and they wanted us to cameo or something, then, hey, maybe.”

While the “Heartstopper” team expected the series to resonate with younger audiences, they have been particularly moved by the reactions of older queer viewers, who have marveled at the strides in LGBTQ+ representation onscreen. Coming from the world of young-adult fiction — where she notes stories of queer joy are abundant — Oseman recalls being surprised that “Heartstopper” was treated as an anomaly in mainstream media. Still, she is proud to have helped move the needle on LGBTQ+ representation, particularly when such characters remain underrepresented.

“My hope is that people will be able to look back … and say, ‘Hey, “Heartstopper” did really well. Let’s make another queer show that’s got the [same] ‘queer joy’ vibes,’” Oseman says. “I hope it’s been able to give that encouragement to the people in power to let there be more stories out there because we just need more, different kinds of queer stories.”

Connor believes that anyone can enjoy the show because “Heartstopper” simply captures the universality of “human beings being happy and being in love.”

“Obviously, the [queer] representation is incredibly important. I think that the very existence of the show and the comfort and safety that it can bring people is one of the things that makes it so special,” Connor says. And the demand for such stories “isn’t going to change,” he adds. “Queer people are always going to exist.”

NESTLED in the Scottish Highlands is one of the quirkiest holiday homes in the country.

Eagle Brae is a Scottish hidden gem made up of beautiful log cabins that sit on a remote hillside.

It’s consistently rated as ‘the most unique luxury log cabin resort in Scotland‘ and made an appearance on Tripadvisor’s 2026 Best of the Best Awards this year.

It is part of the worldwide one of a kind category – and came in third on the list overall.

To make the cut, the hotel or holiday home has to be in the top one per cent of over eight million listings on Tripadvisor – so it’s a very impressive feat.

On Tripadvisor, Eagle Brae has 696 five-star reviews – one guest called it the “best place in Scotland” with others calling their stay “magical”, “faultless” and “heaven on Earth”.

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The unique stay was described by Tripadvisor as “Hobbit-level cottagecore” thanks to its Middle-earth look.

Eagle Brae is made up of ten wooden log cabins with open-air decks and grass on the roof.

Inside all the cabins it’s very cosy with log burners, comfy sofas, plaid patterned curtains and cushions, with deer antlers hanging on the walls.

The larger cabins can sleep up to six people to suit family stays, smaller ones sleep up to two people – and dogs are welcome too.

The log cabins are self-catered, so each is kitted out with a fully-equipped kitchen.

There’s even a concierge service for anyone who wants a fully stocked pantry before arrival.

Eagle Brae is near Glen Affric National Nature Reserve and the River Farrar so there’s plenty of opportunity to do outdoor activities.

They offer guided canoe trips, black grouse safaris, pony trekking, mountain biking, clay pigeon shooting and even pony trekking.

At Eagle Brae and while exploring the area, you’re likely to spot wildlife like red deer and squirrels, pine martens and perhaps even a golden eagle.

Back at the log cabins, on a clear night, it’s possible to see the Northern Lights.

Rates for larger cabins like Aquila that sleeps six offer short breaks from £1,064.

Rates for Parus, which sleeps two, has short breaks from £833.

Here are the top 10 ‘one of a kind’ hotels in the WORLD…

According to Tripadvisor these are the most unique stays…

1. Crane Hotel Faralda, Amsterdam
2. Valley Views Camping, New Zealand
3. Eagle Brae, Scotland
4. Taj Lake Palace, India
5. Shinta Mani Wild, Cambodia
6. Treehouse Lodge, Peru
7. La Tour D’eole, Morocco
8. Nayara Bocas Del Toro, Panama
9. Fingal Hotel, Edinburgh
10. Skylodge Adventure Suites, Peru

Erling Haaland and SoFi Stadium, ladies and gentlemen. Your breakout stars of the World Cup.

We’ve all fallen for the blond forward who has rowed Norway to its first World Cup quarterfinal berth — and also for SoFi Stadium.

Or “Los Angeles Stadium,” FIFA’s designation for the $5.5-billion architectural masterpiece that welcomed the world to Inglewood.

I cover Rams and Chargers games there regularly, but the World Cup changed how I feel about the place. It has more soul now, more character.

There is more history attached, “core memories,” as Kevin Demoff, president of parent company Kroenke Sports & Entertainment, put it.

The exultation when the United States went up 1-0 in the seventh minute of its tournament-opening, 4-1 victory over Paraguay? “That’s now a core memory of this stadium,” Demoff said.

So is the proud Iranian diaspora showing up en masse to mostly support Team Melli twice, in draws with New Zealand and Belgium.

And the goal by LAFC’s Stephen Eustáquio in the second minute of second-half stoppage time to lead Canada to a 1-0 victory over South Africa in its first knockout game.

And Spain’s taut, 2-1 victory over Belgium in Friday’s high-stakes quarterfinals match.

FIFA might say these sensational scenes put L.A. — our tiny hamlet of more than 18 million people — “on the map.”

What they did was put SoFi Stadium on everyone’s radar as one of the world’s foremost football stadiums.

Jose Ovalle, a 34-year-old from Reynosa, Mexico, has watched matches at Estadio Azteca in Mexico City and Estadio BBVA in Monterey, both sites of World Cup action this summer.

“They’re amazing stadiums — a lot of history, so much history,” Ovalle said Friday. “But [SoFi Stadium] is one of the top stadiums in the world.”

Spain midfielder Fabián Ruiz, left, celebrates after scoring past Belgium goalkeeper Thibaut Courtois, right, in the World Cup quarterfinals at SoFi Stadium on Friday.

(Allen J. Schaben / Los Angeles Times)

Nah, said New Zealand coach Darren Bazeley: “This is the best football stadium I’ve ever been in.”

Swiss center back Manuel Akanji plays for Inter Milan and roots for the Atlanta Falcons. It was a big deal for him to play at their home field, Mercedes-Benz Stadium, in last year’s FIFA Club World Cup.

“It’s really nice, but this is the best,” Akanji said after Switzerland defeated Bosnia-Herzegovina in group play at Sofi Stadium. “This is the best I’ve seen overall among all the stadiums I’ve ever been to. It’s amazing.”

Eight matches, five group stage games, two round-of-32 knockout affairs, Friday’s quarterfinal and a partridge in a pear tree — it was a monthlong run that was everything SoFi Stadium’s team could have wished for when it began preparing to host eight years ago. And more.

“I don’t think you can envision the passion of national team fans,” Demoff said. “We’ve seen so many great events here, NFL games, concerts, but the pride of a national event and seeing people come to Los Angeles and the U.S. for the first time, and seeing this building for the first time…

“There’s something magical about 30,000 Bosnians in blue singing, marching from the airport to here. You can’t properly envision that, no matter how many times you’ve been here.”

People raved about sight lines and sound. They admired the architecture and the infinity screen and the way the canopy kept things cool. In line to buy merchandise Friday, Orange County’s Nick Valencia looked around and mused: “Wow, humans made this.”

Players had the run of the place on real grass, not the artificial turf in place for NFL games. (Don’t expect that to change, Demoff said, noting that upkeep would be doubly challenging at SoFi Stadium with two NFL teams using the field.)

Soccer fans amplified their positive reviews online, where the only complaint having to do with SoFi Stadium was that FIFA decided to give the World Cup final to the archaic-by-comparison MetLife Stadium — a.k.a. “New York/New Jersey Stadium” — instead.

The stadium popped in person and on TV, its distinctive, futuristic shape making it immediately recognizable in a way that not every stadium is.

Vibes were good among volunteers and visitors from around the world and every corner of the United States — and among stadium staffers, who won raises in a late-breaking contract agreement that resulted in increases to more than $30 per hour.

The Rams’ house — and Chargers’ — was full almost every match, with four sold-out crowds of 70,492 and an eight-game total of 561,656.

People paid thousands of dollars for tickets and got their money’s worth at the world’s most-expensive stadium, a modern marvel that’s only getting better with age.

Dodger Stadium is dripping in lore, from Kirk Gibson’s legendary walk-off home run in 1988 to more history, like Shohei Ohtani playing perhaps the greatest game ever last postseason.

Staples — er, Crypto.com Arena — is where Kobe Bryant dropped 81. Decathlete Rafer Johnson lit the Olympic flame in 1984 at the Los Angeles Coliseum. And we all can picture Brandi Chastain ripping off her top in her iconic celebration after scoring the game-winning penalty kick in the 1999 Women’s World Cup at the Rose Bowl.

“We may not have the Brandi Chastain moment from ‘99,” Demoff said. “But we’ve had so many great moments off this tournament that I think will be replayed over and over and over again.”

There are more moments to come, with SoFi Stadium slated to host Super Bowl LXI in February and then, in 2028, to stage the Olympic Opening Ceremony and the Olympic swimming competition.

“Where the U.S. scored the opening goal,” Demoff said, “is going to be the middle of the Olympic swimming pool. I think that contrast blows people’s minds. It certainly blows mine.”

And for the past month, Los Angeles’ stadium blew the world’s mind.

Shia LaBeouf’s alleged stalker has been arrested after posting a video of the actor asking to be left alone.

According to Orleans Parish Sheriff’s Office booking records, Alyssa Lee Couture, 40, was arrested Monday night and booked on a misdemeanor charge of stalking. Hours earlier, Couture had posted a video of a confrontation with LaBeouf in what appeared to be a grocery store parking lot. The “Honey Boy” actor is shown speaking to Couture through the window of a car.

“Leave me alone. God bless you. Leave me alone,” LaBeouf says calmly in the video. “You’re scaring my dad. You’re scaring my people. Leave me alone.”

Couture has posted more than 5,000 videos on her Instagram, most of which feature the woman addressing the embattled actor, whom she appears to believe is her husband. In a GoFundMe launched in May, Couture wrote that she was hoping to raise $70,000 to find permanent housing and that she had been living in her car and staying with family members. She also wrote that she had schizophrenia, among other disabilities.

Although the New Orleans Police Department does not identify Couture’s stalking victim as LaBeouf due to privacy policies, the timeline of her booking appears to line up with the confrontation with LaBeouf.

According to People, LaBeouf left Los Angeles after his split from actor Mia Goth last year and relocated to Louisiana to be closer to family.

In June, he pleaded guilty to three counts of simple battery, months after he went viral for his involvement in a Mardi Gras altercation in New Orleans. The actor, 39, was arrested in New Orleans on Feb. 17. At the time, New Orleans police confirmed LaBeouf was charged with two counts of simple battery for allegedly assaulting two men near a bar in the French Quarter. TMZ published bystander video of the incident and footage of LaBeouf walking through the French Quarter hours before the brawl.

The actor was released from jail shortly after his arrest and posted $100,000 in bond. More than a week after LaBeouf’s initial arrest, the New Orleans Police Department issued a second warrant for the actor’s arrest in connection with the same incident, and he racked up an additional simple battery charge. Prior to the second arrest, a New Orleans judge ordered LaBeouf to begin substance abuse treatment and undergo weekly drug testing.

Times staff reporter Alexandra Del Rosario contributed to this report.

WASHINGTON — Dozens of people held at a sprawling Immigration and Customs Enforcement facility in Texas say they were either beaten by guards or witnessed others being beaten, according to a new report issued by legal and human rights advocates.

The 84-page report issued jointly Wednesday by Human Rights Watch and the American Civil Liberties Union also says men and women held at Camp East Montana, located at the U.S. Army’s Fort Bliss in El Paso, recounted being denied necessary medical care, forced to live in filthy conditions and fed inedible meals. Detainees also said they were prevented from contacting their lawyers or family members.

Of the 71 detainees contacted over a five month period, 64 — about 90% of those interviewed — said they had either personally been assaulted by the staff or had seen others physically abused, according to the report.

“ICE’s Camp East Montana is a human rights disaster,” said Angélica César, a fellow at Human Rights Watch and the ACLU who was a lead researcher for the report. “The U.S. government should shut it down, conduct independent investigations into all abuses and deaths in custody, and put an end to mass deportations and mandatory immigration detention.”

The Department of Homeland Security, which includes ICE, did not immediately respond to a request for comment.

The new accounts of violence and substandard living conditions inside Camp East Montana are consistent with earlier reports by The Associated Press and others. At least three detainees held at the facility since it opened in August have died, including a 55-year-old Cuban migrant who was handcuffed and stopped breathing earlier this year after being held down by guards.

A local medical examiner later ruled that death a homicide and a federal report issued last month said evidence in the case was “missing or destroyed.” That report by the Government Accountability Office found mismanagement by the Department of Homeland Security had created unsafe conditions that contributed to detainee deaths and suffering even as millions of wasted tax dollars enriched contractors.

In March, ICE replaced Acquisition Logistics, LLC, the prime contractor that had been awarded a deal last year worth up to $1.3 billion to build and manage the camp. The Virginia company had no prior experience running an ICE detention facility, had never won a federal contract worth more than $16 million and lacked a functioning website.

The change came as an internal ICE review documented 49 deficiencies, which it defines as violations of detention standards or policies, in areas including the use of force and restraints, security and medical care.

Despite the change in contractors, interviews conducted by Human Rights Watch and the ACLU as recently as last month found serious problems at the camp have persisted.

Detainees recounted degrading and inhumane living conditions that included bathrooms covered in feces, flooded housing units and no access to soap or other basic hygiene supplies, according to the report. They also reported being held indoors for weeks without meaningful access to recreation, sunlight or fresh air.

People also described receiving spoiled food and inconsistent meal schedules, with delays of up to 12 hours between meals.

The report recounts detainees saying that guards beat detainees in response to hunger strikes, requests for medical attention and complaints regarding detention conditions. Several people said that guards imposed collective punishment, striking or assaulting multiple people after accusing one detainee of violating rules, according to the report.

Researchers found that staff pressured and coerced those held there into abandoning immigration claims and accepting removal to third countries if they could not be sent back to their own country. The detainees said they were threatened with violence, criminal prosecution, and indefinite detention if they refused deportation.

In some cases, the report concluded, the circumstances of ICE detention could amount to enforced disappearances, a potential violation of international human rights law.

Human Rights Watch and the ACLU called on the Trump administration to close Camp East Montana and to allow independent investigations into deaths in custody, excessive force, medical neglect and enforced disappearances.

“The abuses documented at Fort Bliss are the predictable outcome of the Trump administration’s mass deportation agenda, its brutal expansion of immigration detention, and the erosion of federal oversight mechanisms,” said César, the lead researcher. “People at Camp East Montana are human beings who deserve to be treated with dignity and protected from harm.”

Biesecker writes for the Associated Press.

WASHINGTON — The Immigration and Customs Enforcement agency should continue vehicle stops after recent fatal shootings, President Trump said on Wednesday, seeming to oppose a new suspension of the practice used as part of his immigration crackdown.

ICE is “doing a GREAT job, one that has to be done,” Trump wrote on his social media site.

The Republican president said that to remove criminals he claims were let into the country under the previous Democratic administration “we must be strong, tough, and smart, and we CANNOT give up one of ICE’s most important and effective Crime Fighting tools, THE TRAFFIC STOP!” Trump said, “Once we do, we are playing right into the criminal’s hands.”

Trump administration officials have told Immigration and Customs Enforcement officers to suspend most vehicle stops after two deadly shootings within a week, people familiar with the decision said Tuesday.

The suspension was ordered after an ICE officer shot and killed a Colombian driver Monday in Maine and a week after another officer shot and killed a motorist in Houston, renewing criticism of the agency’s enforcement tactics that were widely condemned last winter after the killings of Alex Pretti and Renee Good in Minnesota.

In Florida on Tuesday, a third man in roughly a week died during an encounter with immigration officers. This time, a 28-year-old man was killed after he was hit by a tractor trailer while running from immigration and other federal officers, authorities said.

It’s a narrative that has been repeated again and again since the Trump administration’s immigration crackdown began, with federal officers confronting drivers and then saying they opened fire when the drivers’ vehicles became a danger. That’s despite decades of warnings from policing experts that shooting into moving cars presents a danger of its own and should almost always be avoided.

At least 10 people have been killed during immigration operations since the start of the Trump administration’s mass deportation campaign. At least four of those deaths involved people in vehicles, including the one last week in Houston, a trend so troubling that U.S. Sen. Susan Collins, R-Maine, said Tuesday that she had urged Department of Homeland Security Secretary Markwayne Mullin “to cease all non-urgent vehicle stops.”

John Sandweg, who was acting director at ICE, which is part of DHS, during President Obama’s Democratic administration, estimated recently that there have been roughly 18 traffic stop shootings during the Trump immigration crackdown.

The office of Maine Sen. Angus King, an independent who caucuses with Democrats, was told by DHS that ICE was suspending traffic stops, office spokesperson Matthew Felling said.

ICE, which has been under pressure to beef up arrest and deportation numbers, often says people it’s trying to arrest are increasingly resistant to leaving their homes. ICE officers blame immigration advocates who advise immigrants to stay in their homes unless ICE produces a warrant signed by an independent judge instead of the administrative warrants the agency generally uses that are signed by another ICE officer. So, ICE officers say, they’re forced to find other areas in which to make arrests.

Shooting angers Maine

Hundreds of people in Maine protested Tuesday over the fatal shooting of Johan Sebastián Durán Guerrero, a 25-year-old Colombian national. Advocacy groups said Guerrero, who had a wife and a young daughter, was authorized to work in the United States.

DHS said Monday that an officer, “fearing for public safety,” shot and killed Durán Guerrero while officers were watching the home of someone they believed was in the U.S. illegally and facing a final order of removal from the country. It said in a post on X that when ICE tried to stop a car driven by someone who came from the home, the person attempted to flee in the vehicle and the officer fired.

That was a shift from how King earlier described the encounter, when he said Mullin told him the officer opened fire after the man tried to use his vehicle as a weapon. King said Mullin told him the officers were trying to serve an arrest warrant but not for the man who was shot.

In a scathing post on X, outgoing Colombian President Gustavo Petro called the shooting a targeted killing “at the hands of the U.S. government.”

Petro, who has openly quarreled with Trump, urged Trump to provide an explanation and accused ICE officers of treating Durán Guerrero as “an inferior being without rights.”

In Wednesday’s social media post, Trump told ICE to be “judicious, fair and smart, and go back and do your very important job.”

Maine’s congressional delegation on Tuesday demanded a “comprehensive, transparent, and expedited investigation.”

Questions surround the shooting

Photos showed bullet holes in Durán Guerrero’s car windshield, but the officers involved in the shooting didn’t have body cameras, leaving many questions. Among them are how close the officer was to the vehicle when shooting, whether officers told Durán Guerrero to stop and why ICE believes he had put the public in danger.

Border czar Tom Homan told reporters Tuesday that the investigation needs to play out and that officers will be held accountable if they are found to have acted inappropriately or illegally.

Maine’s attorney general’s office, which said it is working with federal agencies to investigate, said initial statements suggest the driver was trying to flee in the direction of the officer, whose name hasn’t been released and who was placed on leave.

Collins said Mullin told her the DHS inspector general is investigating in cooperation with the FBI.

Democrats seeking to unseat Collins in November have sought to connect her with ICE’s methods, which have drawn public scrutiny and derision. Collins later said in a statement that although ICE needs to improve, eliminating the agency would make the nation less safe.

Maine Secretary of State Shenna Bellows, a Democrat who is vying for Collins’ seat, called the ICE officers at the shooting “thugs” during a vigil Tuesday in Lewiston.

Superville, Whittle, Brook, Santana and Sisak write for the Associated Press.

People have been told that the more intense checks have ‘an upside’ after arriving

Brits visiting Gibraltar now face new rules, including security screening and passport scrutiny, when landing in the British Overseas Territory. Travel journalist Simon Calder reported for The Telegraph that new rules came into force from today, July 15, as part of a post-Brexit deal.⁠

The UK-EU agreement to create an open land border between Gibraltar and Spain has been signed in Brussels – and was brought into effect from Wednesday. It will make Gibraltar effectively part of Europe’s passport-free Schengen Zone, with the removal of checkpoints and border fences.⁠

But the changes introduce tighter border controls at Gibraltar’s airport. On arrival at Joshua Hassan Gibraltar International Airport, Brits should expect two new sets of checks, which will satisfy entry into Gibraltar and the Schengen Area:

• Gibraltar entry immigration controls – performed by the Gibraltar authorities
• Schengen entry immigration controls – performed by the Spanish authorities

This includes registration under the Entry/Exit System (EES) where it applies. All of the updated entry requirements for tourists can be found on the GOV.UK website here.

The main page reads: “To enter Gibraltar, your [full UK] passport must have been issued within the previous 10 years and its validity must extend for at least three months after the day you intend to leave Gibraltar or the Schengen Area.”

If you are a British–Irish dual national and travel on your Irish passport, you will be treated as an EU citizen on entry to Gibraltar and the Schengen Area. You will not be subject to the 90-day limits, EES or ETIAS. If you travel on your British passport, the conditions above apply.

What were the rules before July 15?

Before July 15, 2026, UK citizens visiting Gibraltar did not have their stay count toward the Schengen Area’s 90-day limit, and they only faced a single immigration check handled solely by Gibraltarian authorities upon arrival. Because the provisional UK-EU Gibraltar Agreement had not yet taken effect, Gibraltar operated entirely outside of the Schengen rules

UK nationals could visit Gibraltar for up to 90 days without a visa. Passports simply needed to be valid for the duration of the intended stay. But from today, tourists visiting the territory bordering Spain will face new rules.

What are the new ‘rules’?

As explained by Simon, he said: “From this summer, it gets a bit trickier to reach [Gibraltar] for British passport holders. The British Overseas Territory is not joining the Schengen area, but the effect for UK passport holders is the same.

On arrival in the Rock, you will be checked by Spanish passport officials to make sure that your passport meets those tricky rules on expiry and issue dates. They’ll also want to know if you’ve spent more than 90 days in the last 180 days in the Schengen area, and any time you spend in Gibraltar will count towards that total.”

With these new checks, Simon adds that there will be “an upside”. He claims that, with these stronger checks carried out in the airport upon arrival, visitors are considered inside the ‘frontier free zone’ and could travel straight into Spain without stopping again.

While every World Cup introduces viewers to new young stars, this tournament featured eight players who were older than 40 — one more than the number of over-40 players in the previous 22 World Cups combined.

Among them were Portugal’s Cristiano Ronaldo, 41, and Mexico’s Memo Ochoa, 40, who were playing in their sixth World Cups alongside Argentina’s Lionel Messi, a relative youngster at 39. No one has played in more men’s World Cups.

But while Ronaldo and Ochoa have gone home, Messi will be playing in his third semifinal in four tournaments Wednesday when Argentina, the reigning champion, faces England at Mercedes-Benz Stadium in Atlanta.

The newfound longevity of elite soccer players has been made possible by advances in sports medicine, diet and analytics that measure everything from biomechanics and heart rate to muscular output and sleep cycles, all in real time. And injuries that once ended careers can now be repaired through outpatient procedures.

Argentina star Lionel Messi holds his jersey up and celebrates with teammates after a World Cup quarterfinal win over Switzerland on Saturday in Kansas City, Mo.

(David Ramos / Getty Images)

“Over the past 10, 20 years, the sports science within the game has changed a lot,” said Liam Anderson, an exercise physiologist at the University of Birmingham in England, who has worked as an applied practitioner in top-flight professional soccer for more than a decade.

“Players are now definitely more aware of their bodies and I think the professionalism has changed quite a lot as well. But they’re also in tune with the things which are helping them recover, manage their training load and ultimately stay fitter and healthier for longer.”

Gone are the days when chain-smoking Dutch legend Johan Cruyff would light up a cigarette on the bench, French world champion Zinedine Zidane would smoke in the locker room and George Best would party and drink so hard he would disappear for days at a time.

“There’s a couple of reasons,” Dr. Michael Joyner, a specialist in the physiology of elite athletes at the Mayo Clinic, said of the growing lifespan of soccer players. “The first is that people just make a lot more money and as a result, there’s tremendous incentive to keep playing. The second is people are taking much better care of themselves.”

“You just don’t hear about people like George Best anymore,” said Joyner, speaking for himself and not the clinic where he works.

“Diet is huge,” Anderson added. “High-protein diets and fueling with carbohydrates for matches. Nutritional strategies have changed considerably in the last 10-15 years.”

And those diets are tailored by position since a midfielder, who may run more than seven miles in a match, burns more calories than a goalkeeper.

As the eldest player in Major League Soccer, Diego Chara has had to make some concessions to age.

“It’s a little detailed,” said Chara, a midfielder with the Portland Timbers. “Talking about recovery time, it maybe takes a little bit longer than before. Nutrition. Working in the gym, it’ll be longer than other players.”

But if Chara, 40, is an old man in a league where the average age is younger than 26, he would have been something of whippersnapper in this summer’s World Cup.

The Portland Timbers’ Diego Chará passes the ball under pressure from the Columbus Crew’s Wessam Abou Ali on Feb. 21in Portland, Ore.

(Amanda Loman / Associated Press)

Soccer isn’t the only sport in which 40 is the new 30.

Serena Williams returned to Wimbledon this summer at age 44 and at least half a dozen athletes 40 and older showed up at the Milan-Cortina Olympics last February hoping to medal. Four of them succeeded, including American Elana Meyers Taylor, 41, who became the oldest athlete to win an individual gold in Winter Olympics history in the women’s monobob.

It isn’t unheard of for athletes to be golden in their golden years. Ted Williams hit .316 at 41 and Gordie Howe played 80 games and had 41 points in his final NHL season at 52. Nolan Ryan threw a no-hitter and pitched 173 innings at 44 while Tom Brady quarterbacked the Tampa Bay Bucs to a Super Bowl title at 43.

But if those age-defying performances were outliers, playing into your mid-40s and even early 50s may soon become, if not common, at least less unusual.

“People are just staying in better shape, taking care of themselves,” Joyner said. “Career-changing or career-ending injuries are no longer career-ending injuries. It just goes on and on, all of this stuff combined.”

American Serena Williams, 44, serves against Australian Maya Joint during a match at Wimbledon on June 30.

(Cameron Spencer / Getty Images)

State-of-the-art training centers and access to top-line sports medicine have also become more accessible, even in poor countries.

“The elite level has spread and really become global, as opposed to where there used to be pockets,” Joyner said. “The opportunities to compete are so great.”

Few team sports are as physically demanding as soccer, though, which makes both the growing number of seasoned citizens and their performances noteworthy. Messi has averaged nearly a game a week for club and country during the past 23 years, yet he entered the semifinals of this tournament tied for the scoring lead with France’s Kylian Mbappé, who is 12 years younger.

Ronaldo has played even more games yet he became the oldest player to score in a World Cup knockout game when his penalty kick helped eliminate Croatia and midfielder Luka Modric, who will be 41 in less than two months.

“They’ve probably lost a little bit off the top, but their experience and their mind make up for that,” said Scott Trappe, a professor of human bioenergetics at Ball State. “So the overall package of them as a sports person is really they’re contributing at a high level. I think we’re going to continue to see this movement.

Portugal’s Cristiano Ronaldo celebrates scoring a World Cup group stage goal against Uzbekistan on June 23 in Houston.

(Charlotte Wilson / Getty Images)

“They like playing the sport and as long as they can and contribute and they make these teams, they’re going to do it. I don’t see the trend going away.”

And that will not only change the way we think of sports and athletes, it will completely rewrite the record book. Messi, for instance, entered the semifinals of this World Cup as the tournament’s all-time leading scorer with 21 goals. But that was just one ahead of Mbappé, who could appear in another three or four World Cups.

“No question,” Trappe said. “You look what’s going on in pro cycling. We’ve got some guys in their upper 30s competing in the Tour de France, but we also have a teenager competing. So this lifespan, what used to be a five- to eight-year period for cycling at the at the highest levels is turning out to be, you know, double or triple that.”

Both Messi and Ronaldo have benefited from how they play as well, walking rather running for long stretches of the game to conserve energy for the burst they need to lose a defender. It’s a strategy Mbappé, Norway’s Erling Haaland and other young players have adopted and if they do that over enough games, the wear and tear it saves could add years to the end of their careers.

“We are expanding. The age will start moving up a little bit further up and players’ careers will definitely be longer,” Anderson said. “The sort of normal distribution of playing age will begin to move forward and that experience within the squad will be key.’

Argentina’s Lionel Messi dribbles the ball during the World Cup quarterfinal match against Switzerland on Saturday in Kansas City, Mo.

(Charlie Riedel / Ap Photo/charlie Riedel)

Consider Wednesday’s semifinalists. In its quarterfinal win, Argentina used six players older than 32 and two — Messi and defender Nicolas Otamendi — who are over 38. The spine of England’s team runs from goalkeeper Jordan Pickford through defender John Stones to striker Harry Kane, who are all 32.

“We’re coming up with new ways on how to improve and maximizing potential,” Anderson said. “God gave us what we are and it’s maximizing that, not necessarily changing that.”

That knowledge won’t stay in the stadiums and locker rooms for long, expanding to others who choose to adopt the same wellness discipline as professional athletes.

“It cycles down,” Trappe said. “We’re studying that in the lab at a pretty high level. This sort of healthy lifestyle in terms of functionality and extending into our later years and having a higher quality life, there’s data starting to emerge there.

“These types of things are going to trickle into that for sure.”

WASHINGTON — U.S. Immigration and Customs Enforcement has temporarily ordered officers to avoid, in most cases, making vehicle stops in the wake of two deadly shootings.

The tactical shift comes a day after an ICE officer shot and killed a Colombian man in Biddeford, Maine, and a week after an ICE officer fatally shot another man in Houston. Both men were driving at the time of the shootings, and the incidents have renewed criticism over the agency’s immigration enforcement tactics.

Multiple news outlets and a former federal immigration official said early Tuesday that the order allows for exceptions if officers are executing a criminal warrant and working with partner law enforcement agencies. The directive, later confirmed by a top official, is a temporary pause while ICE officers receive more training on vehicle stops.

An ICE spokesperson said that the agency wouldn’t discuss law enforcement tactics but that “we are always evaluating our procedures to keep our officers safe and criminals off our streets.”

But on Fox News on Tuesday afternoon, Tom Homan, a top White House immigration official, said the decision to halt most vehicle stops was made by Homeland Security Secretary Markwayne Mullin and top ICE leadership. But he emphasized that “it’s not a policy change, it’s a temporary pause” while officials review the incidents and decide whether training could be improved.

Homan said the pause won’t affect ICE arrests. He said officers could, in some instances, make an arrest before someone gets into their vehicle or after they arrive at their destination.

“I think it’s going to be a short pause,” he said. “I’m confident that ICE is well trained in vehicle stops and you’re going to see us keep moving forward.”

Reacting to ICE’s policy change, Rep. Christian Menefee (D-Texas) said in a statement that training won’t solve the agency’s deeply ingrained issues.

“Immigration enforcement shouldn’t be heavily militarized and chasing people through our streets,” he said. “The American people deserve competent leadership and law enforcement that is transparent, accountable, and worthy of the public’s trust.”

Sen. Susan Collins (R-Maine) said she had urged Mullin to “cease all non-urgent vehicle stops” in the wake of the Biddeford shooting.

“I am encouraged that the Department has agreed to do so,” she wrote on X.

Hundreds of people protested in Biddeford on Tuesday over the killing Monday of Johan Sebastián Durán Guerrero, a 26-year-old Colombian. Protests similarly broke out in Houston last week after the killing of Lorenzo Salgado Araujo, a 52-year-old from Mexico.

The Department of Homeland Security alleged that the men killed in both incidents resisted arrest and that the officers fired their weapons defensively as the men attempted to flee. Neither man was the intended target of the ICE officers.

Local officials in Houston and Biddeford are calling for independent investigations into the shootings. In both instances, the officers involved were not wearing body cameras.

Homeland Security said the officer who shot Durán Guerrero was “fearing for public safety.” The agency said Salgado Araujo had “weaponized his vehicle in an attempt to run over an ICE law enforcement officer.”

Durán Guerrero’s shooting marked at least the ninth such death since President Trump began his immigration crackdown. In a scathing post on X, outgoing Colombian President Gustavo Petro called the shooting an assassination “at the hands of the U.S. government.”

Durán Guerrero is survived by his wife and young daughter. Advocacy groups said he was authorized to work in the U.S.

Daniel Boucher, who lives near where Durán Guerrero was shot, said he “clearly heard the victim say, ‘I tried to stop.’”

The two shootings come as immigration arrests have surged again amid a Trump administration push to carry out its mass deportation agenda. Over five days at the end of June, ICE arrested more than 10,000 people.

The Associated Press contributed to this report.

The federal government agreed to temporarily hold off on construction of a planned Immigration and Customs Enforcement facility in Northern California.

The voluntary pause until Sept. 9 comes after the California Atty. Gen. Rob Bonta and Santa Clara County officials sued the Trump administration last month to block the facility from being developed near Gilroy. The lawsuit remains ongoing.

“This pause in the construction, demolition, and development at the site of the challenged ICE facility is a significant step towards protecting our people, our communities, and our environment while the case remains ongoing,” Bonta said in a statement Monday night.

The Department of Homeland Security, which oversees ICE, didn’t immediately reply to a request for comment.

State and local officials believe the facility will be used for short-term detention of up to 150 people at a time, though ICE denied that it would be a detention center.

Community members and advocates for immigrants swiftly opposed the project. ICE has consistently looked to increase its detention capacity in California, where eight detention centers can now hold a combined 9,000 people, though the state has long been a thorn in the agency’s side.

The halt is part of a compromise between both sides involved in the legal action. After the state and county submitted a request for the court to temporarily halt the project, a hearing was set for Oct. 7.

Now, state and federal officials jointly requested that the court move up the hearing by at least a month. The agreement also extends how much time the federal government has to respond.

A federal judge signed off on the agreement Monday night.

The lawsuit, filed in U.S. District Court in San José, alleges that the leased land is zoned exclusively for agricultural use and that the federal government violated laws requiring state and county notification, as well as procedural steps before beginning construction.

“Writers are always selling somebody out,” Joan Didion once wrote. She was talking about journalists, but it can be just as true of novelists. Whether the genre is romantasy or autofiction, making up stories often demands making up stories about real people — exploiting them — to serve a narrative purpose.

Cali Adeline’s debut novel, “People Watching in the Desert,” gives this thorny ethical business an impressively complex treatment for a book that comes on like a beach read. Sonny, its hero, has checked into Sanctuary, a spendy Phoenix-area resort, for an extended stay. She’s 25 and unemployed, and it’s unclear at first how she acquired the funds to splurge on an on-site cottage with a pool, 90-minute massages, and various forced-fun adventures. It’s also unclear why she chose a five-star resort for the splurging, given her discomfort with everything from the menu on down. Sitting down for dinner alone, she “discreetly googled some of the words on her phone under the table: cotija, calabacitas, tabbouleh, bisque.”

Adeline lays out a breadcrumb trail that eventually reveals that Sonny has lugged some especially heavy personal baggage to Sanctuary. Her neglectful, addict mom died when she was a child, only to be replaced with a repressive, overprotective grandmother who stomped on her every ambition. Early adulthood has been defined by failed relationships and uninspiring work. People are to be feared: She’d sooner indulge in croquettes at the resort’s cocktail party than make small talk with other vacationers, and when she braves the world outside her cottage it’s usually with a notebook in her hand.

The early pages of “People Watching” weave Sonny’s perspective with brief sketches of her fellow resort-goers, which usually open with godlike authority: “Allana was ten feet tall and beautiful.” “Chloe and Mark had been married for seven blissful years.” “Dale was invisible. He had that way about him.” The odd bluntness of these statements, combined with their touches of surreality (“ten feet tall”?), makes clear that these mini-bios are scribblings from Sonny’s notebook. Terrified of the world, but determined to better understand what she’s been excluded from for so long, she’s determined to imagine her way into reality.

Sonny’s Walter Mitty-like imaginings do some valuable double duty in the novel. For one thing, they offer some necessary conflict in a setting that’s all about relieving tension. Resorts are, almost by definition, boring, but as Sonny hangs out poolside or does yoga or endures a singing bowl, her mind (and the novel) is reeling with imagined infidelities, deaths, gambling debts and other domestic dramas. Second, her sketches serve as character-defining examples of projection on Sonny’s part, as her observations of others reveal her own concerns about love, sex, money and rejection.

And, of course, she’s deflecting, too — better to make up drama about others than confront her own. The memories Sonny eventually surfaces are more potent than anything she makes up. But they’re also crueler, and you can understand why she’ll think and write about anything but. She recalls a time as a child when she was neglected for days on end and braved a trip to a neighbor for help. “The woman asked Sonny when the last time she took a bath or changed her clothes was and Sonny didn’t know the answer. Her only response was, ‘I’m four,’ as she proudly held up five fingers,” Adeline writes. “She was three.”

Remember the words “beach read” up there? It’s not difficult to predict how Sonny’s arc will curve: It’s a Walter Mitty story, but also an Ugly Duckling story. That notebook full of mini-dramas becomes a source of drama in itself. Say, that bartender is pretty cute, isn’t he? And Sonny eventually integrates with a few of her fellow resort-goers, and learns there’s more to them in reality than her imaginings. As one character gently chastises her, “People can surprise you, Sonny, but you have to let them.”

The pat-ness of Sonny’s Sanctuary journey makes her yet another entry in an evolving genre you might call “Is This Character Concussed?” In these novels, the main character has been so absurdly addled by a (late-revealed) trauma that everyday human interactions are wildly aglow with (at first) terror or (later) manic-pixie wonder. Prime examples include Gail Honeyman’s “Eleanor Oliphant Is Completely Fine,” Sayaka Murata’s “Convenience Store Woman,” and multiple characters in the oeuvre of Sally Rooney and Ottessa Moshfegh. (Women are the most common character in these books, but guys can play too: See Fredrik Backman’s “A Man Called Ove.”) Socially awkward characters offer an opportunity for dry humor and deadpan prose. Because these stories have to dramatize a search for normalcy, its leads tend to be awkward in ways that strain credulity.

But you don’t have to wholly buy into the idea of a character like Sonny to find something intriguing about what Adeline is saying about storytelling throughout “People Watching.” In Sonny’s notebook, every observation is a moral choice, a mini-essay about what proper conduct is, what failure is, how you might get past it, and what our responsibilities to others might be. A notebook is a place of wish fulfilment, and a place for vengeance. Sonny explains at one point that she only started to get free of her grandmother’s clutches once she was capable of imagining her violently erased:

“I wrote a story. About her. And how one day while I was at work the house caught fire. Which wasn’t that far-fetched because the whole place really was a fire hazard. And … and … well, she was asleep inside the house, in the story, and didn’t make it out. I didn’t mean it. I was angry. And it was a story.”

Adeline stresses the word “story” three times in one brief passage. Sonny wants to reassure everybody that she was just making it up. But no writer is, not entirely.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

Ever wondered what it’s like travelling from the UK to Spain without any flying involved? One woman recently embarked on the journey and it surprised quite a few people

Travelling to another country is exciting, but not when you have a nervous fear of flying. Whether it’s the stress of airport security or even missing your flight, it can become a huge anxiety for many travellers.

One woman recently showed how you can travel from London to Spain – without any flight involved. The great thing is, once you’re in France, travelling across mainland Europe can be quite straight-forward. Although it’s a given travelling via plane is a lot more quicker than car or train, but you don’t get the sense of adventure as much as you would by train where you take in the sights.

Spending two days on her trip, Claire decided to embark on the journey from London St Pancras where she rode the Eurostar to Paris. She said on TikTok under the name Claire’s Footsteps: “You can travel overland from London to Malaga in two days and this is how much it costs.

“First take the Eurostar from London to Paris and there are trains available for around £49. You can either stay in Paris for a night or take the 2:42pm train to Barcelona, this costs around £89 and arrives into Barcelona at 9:32pm.”

She said hotels close to Barcelona Sants, which is the city’s largest and most important railway station, cost around £65, although this varies on time of year.

The traveller added: “You could stay for two nights and see more of Barcelona or stop off at any of these nearby cities – Figueres, Girona, Zaragoza and many more options – and see them too.”

As for the next day, Claire boarded a direct train to Malaga at around 11am, arriving just before 6pm – a journey that set her back £58.

In the clip, she revealed the total cost of the trip, including one night’s accommodation, came to £265. People in the comments section appeared amazed by the total cost, although someone said it was time-consuming.

Someone else said: “I would,” while a second added: “Yes absolutely.”

It’s worth bearing in mind the overall cost of the trip can differ depending on when you book as this is just a guideline.

Claire, who provided a thorough breakdown of the journey in her caption, claimed: “The schedule shown allows travel across two calendar days: Day 1 London to Paris (and optionally Paris to Barcelona), overnight in/near Barcelona Day 2 Barcelona to Malaga.

“Staying two nights in Barcelona is an option if you prefer sightseeing or a more relaxed pace. What to consider before booking: Fares fluctuate with availability and sales; check Eurostar and rail operator sites for current prices.

“Connect times: allow buffer for delays between service if changing stations or transferring luggage. Accommodation near Barcelona Sants is convenient for the morning departure to Malaga.”

She also noted the overland journey from London to Malaga across two days is entirely doable and can amount to roughly £265 based on the example prices provided.

So will you be trying this trip? Let us know in the comments below…

Yo-Yo Ma closed his eyes as he drew a bow slowly across his cello, playing the first notes of the Catalan lullaby “The Song of the Birds.” But this venue wasn’t like any vaulted concert hall he had toured globally.

At Maywood’s Riverfront Park, Ma was accompanied by the vroom of nearby traffic, cascade of a yucca rainstick and burbling hum of a water synth. An oblivious biker pushed past the world-renowned classical musician. The music flowed on.

Ma’s pop-up show in Southeast Los Angeles was part of his ongoing efforts to highlight people’s relationship to nature through music. He is among a new wave of artists who have been hosting shows along the L.A. River, a waterway with a complex history.

Yo-Yo Ma plays cello for a small group of artists and environmental advocates as part of the L.A. Phil Insight program, which aims to spark conversations around the arts.

(Halline Overby for InsightLA)

The river once terrorized Angelenos; its unconstrained flow was prone to flooding until most of its 51 miles were lined with concrete starting in the 1940s. While it’s been neglected, trashed and often forgotten over time, myriad governmental and nonprofit groups have been working for years to restore habitat, add park space and establish recreational elements (sometimes in conflict over the vision). And recently, creatives and activists, who dream of transforming it into a hospitable greenway, have been hosting arts events.

“Awareness around the river itself is changing,” said Maria Meija, executive director of L.A. River Arts, one of the organizations bringing attention to its history and cultural significance through public programming. She sees the serpentine stretch of the river as a natural highway that connects Angelenos from the San Fernando Valley to Long Beach. “We believe that if the river is properly activated as a green and cultural landscape, then Angelenos will fundamentally also get to experience Los Angeles in a different way.”

The River Solstice Festival was a family affair, with guests lounging on picnic blankets, watching puppet and opera performances and participating in birdwatching.

(Ariana Drehsler / For The Times)

Visions of those possibilities were realized on the summer solstice in mid-June at L.A. River Arts’ inaugural River Solstice Festival at an Elysian Valley park abutting a soft-bottomed area of the river known as the Glendale Narrows.

Children and parents applauded the performances by the Bob Baker Marionette Theater and opera singer San Cha at Lewis MacAdams Riverfront Park in what’s otherwise known as Frogtown. Attendees also gathered for guided bird-watching along the bike path by the water. Four-year-old Juni Wahab was entranced by the sight of the swallows and cormorants swooping low overhead and the rushing twists of water.

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1. Bob Baker Marionette Theater performs at the River Solstice Festival, clockwise from top left. Meanwhile, attendees enjoy the park and river as skateboarders roll down the bike path. (Ariana Drehsler / For The Times)

“It’s going so fast,” Wahab said, wiggling and pointing as her aunt held on tightly for safety. “There are so many waves.”

A quick stroll upstream, a group of DJs unaffiliated with the family-friendly festival hosted a day party aimed at Gen Z and millennial attendees, perched on one of the channel’s outcrops. Roughly a dozen people at the if-you-know-you-know event grooved and shuffled to EDM music while kayak enthusiasts paddled by and locals fished for carp.

Dominic Tsoi drove from Orange County to spin at the open decks hosted by the DJ collective Helipad Society. “This event really resonated with me, because it mixes two things that I really love, music and being a part of nature,” said Tsoi, adding the commute was worth it. An indoors club setting can feel stifling, but outdoors is where Tsoi feels free.

DJs have been putting on pop-up events like this one at the L.A. River and sharing videos of their sets on TikTok.

(Ariana Drehsler / For The Times)

Just up the sloped bank, Antonio Solano and Erick Torres were sweeping outside their tent, where they live under the Glendale Freeway. Torres started noticing events at the river increase over the last three years.

“It gets people together,” said Torres, who’s been living above the river for over a decade. The music is a source of pleasure even as Torres and Solano stay vigilant to avoid city encampment sweeps. “It’s good, we enjoy it.”

Social media has driven interest in these DIY events as artists playing ambient music against a backdrop of verdant green have gone viral on TikTok.

“The attention has expanded to people who otherwise wouldn’t have given the L.A. River a second thought,” said Noah Klein, a lifelong Angeleno who has hosted popular river jams over the last two years through his Living Earth public art series.

Erika Apelgren wears a flower crown that she made at the River Solstice Festival.

(Ariana Drehsler/For The Times)

People don’t need approval to host these impromptu gatherings, said Dash Stolarz, director of public affairs at the Mountains Recreation and Conservation Authority. The park agency oversees commercial use of the L.A. River recreation zones in Elysian Valley and the Sepulveda Basin, another section of soft-bottomed riverbed.

In her 25 years on the job, this was the first time Stolarz had heard of people using the riverfront for mini concerts. She was excited by the ingenuity of artists; as long as people aren’t charging for events, they don’t need permission.

“It’s exactly how we envisioned people enjoying the river,” Stolarz said. “We want people to use the river like a park.”

Though unlike a regular park, the L.A. River is primarily treated as a flood control channel, so park rangers carefully monitor for rain when the recreation zones open for leisure, like kayaking, during the summer.

While appreciating the L.A. River can be a good thing, social media algorithms can flatten the context around the waterway, particularly when it comes to demographic changes in nearby neighborhoods.

“The City of L.A.’s greatest skill is the erasure of its own history, and the L.A. River kind of feels like the perfect encapsulation of this,” Klein said.

Once home to mostly working-class Latino families, neighborhoods along the river in northeast L.A. have seen home prices surge for years. To preserve the history of these neighborhoods, Clockshop, an arts organization, has been collecting interviews with locals as part of a multimedia oral history project since 2023. The project includes everything from videos of an Indigenous musician performing a song about water in the Tongva language to brothers worrying about the future of their family’s 60-year-old pickle business in the face of gentrification.

Jon Christensen, director of the Laboratory for Environmental Narrative Strategies at UCLA, said river revitalization can be part of a “green gentrification cycle” as new development pushes out old communities. Like the chicken-and-egg paradox, it’s hard to tell which comes first: the amenities surrounding the L.A. River or the more affluent people seeking them.

Yo-Yo Ma, who hosts a podcast called “Our Common Nature,” chats with attendees at his intimate river concert. Human connection to the natural world is among his passions.

(Halline Overby for InsightLA)

Christensen hopes artists engaging with the river spurs conversation for more equitable green investments that benefit communities and the environment. “When people are more connected to nature, they want to support nature more,” Christensen said of his studies on how people connect to the outdoors. “It’s really kind of a virtuous cycle there.”

Cindy Donis, a water organizer with East Yard Communities for Environmental Justice, said artwork can also raise awareness around inequities. While there are aspirations to turn the river into a greenbelt, nightmarish pollution incidents have still haunted Southeast L.A. communities.

Ma’s performance was nearly canceled in May due to 25,000 gallons of crude oil that spilled into the L.A. River after a pipeline rupture in Boyle Heights. Weeks later, the Lineage warehouse fire sent even more debris and pollution downstream. Donis said multiple people reached out with complaints of a foul smell emanating from the river. Miles away, some at the River Solstice Festival wore masks due to poor air quality caused by the fire.

Charles Kelley with his daughter Zirah Kelley pose along the L.A. River bike path near the River Solstice Festival.

(Ariana Drehsler/For The Times)

Earlier this year, East Yard Communities for Environmental Justice held an exhibition at Art Space Huntington Park called “We Are Water” to uplift local Indigenous artists. “Art really allows and embraces healing,” Donis said. “It’s another tool that allows us to process these feelings and get closer to the solutions as a community.”

The L.A. River inspired Arturo Gonzalez to found his arts education nonprofit that focuses on gang intervention among young people in East L.A. As Ma performed in the park, Gonzalez stood in the river basin, spray-painting in neon-pink blockbuster letters the name of his organization, East Side of the River, onto pillars under Slauson Avenue.

As a teenager in the early 2000s, Gonzalez was involved in gangs that would tag the gray walls of the L.A. River, but his passion for graffiti and Chicano art eventually led him out of those circles.

“The river was a safe place to paint, where you could sit and spend the day learning colors, composition,” he said of illicit tagging as a teenager, which eventually led to his public art work. “There’s a thin line between vandalism and art.”

Arturo Gonzalez spray-paints the name of his organization, East Side of the River, which focuses on gang intervention.

(Halline Overby for InsightLA)

This time, Gonzalez arrived with permission from the county and painted on a detachable fabric in case the mural needs to be removed.

“The opportunity to get into the river and paint again was like a dream,” he said. He seeks the input of local residents in his planned projects so they can participate in beautifying their neighborhoods. “We call it wall medicine for the community.”

A pilot’s wife has shared some handy airport security tips for anyone asked to remove their shoes – and it’s all about being prepared with a few simple travel essentials

Being asked to remove your shoes at the airport is a fairly routine occurrence. The extra checks largely stem from an incident in 2001, when a passenger attempted to conceal explosives in his shoes while boarding a flight.

While it remains an important safety measure – making it far easier for airport security to check footwear for items that could be smuggled through – it can be rather tiresome for those of us simply heading off on a well-earned holiday.

There’s no denying it feels a bit awkward padding through security in just your socks or bare feet. Not only is it uncomfortable, but it can also leave your feet dirty, given the sheer number of people passing through the area.

Fortunately, a pilot’s wife named Laurie has some handy advice to share. The travel expert, based in Houston in the US, regularly posts useful content on her popular Instagram page.

She has put forward two top tips for when you find yourself faced with this security request. So here’s what you need to do to prepare yourself:

1. Clean your feet with an antibacterial wipe

Most travellers don’t have access to showers at the airport – and trying to use a sink might attract some rather odd looks from fellow passengers.

However, that doesn’t mean you can’t freshen up. Packing antibacterial wipes in your hand luggage could prove to be a real game-changer.

You can swiftly clean your feet if you’re required to walk through security barefoot, taking just a matter of seconds without holding up your journey.

Even better, antibacterial wipes serve other purposes too. Many passengers like to wipe down surfaces on the plane to avoid picking up any unwanted germs.

We recommend giving aeroplane windows a swift wipe if you’re planning to rest against them.

Other commonly touched surfaces – such as TV screens, remote controls or tray tables – may also require a quick clean. So don’t forget to pack those wipes!

2. Pack an extra pair of socks

Even when wearing socks, the thought of treading over a grimy floor can be quite unpleasant. It’s also less than ideal if you’re going to be travelling in the same socks all day, meaning they’ll stay dirty throughout.

Travel expert Laurie shares two tips for handling this situation effectively. She recommends: “Wear a pair of ratty old socks through the [security] line and toss them when done.”

If chucking them isn’t possible, Laurie suggests bringing along a spare pair with a small plastic bag. You can then change into clean socks, pop the dirty ones into the bag, and wash them once you’ve reached your destination.

Laurie’s advice has proved popular online, racking up over 1,100 likes since being posted, with many voicing their gratitude.

One user commented: “Always the best tips!”. Meanwhile, another agreed: “Very good tips.”

Though it has weakened to a severe tropical storm, it still presents a risk because of the huge volume of moisture within its rain bands.

The storm is expected to gradually diminish in its intensity as it moves north-west.

On Sunday morning, the centre of the typhoon reached Hangzhou City in Zhejiang province, Chinese state media reported.

Forecasters said the typhoon would move to eastern Anhui on Monday, and to the northern Yellow Sea from the Shandong Peninsula on Tuesday.

More than 1.7 million people were evacuated in Zhejiang and thousands more in neighbouring provinces, state media said. Schools, work and outdoor activities have been suspended in Zhejiang, while 400 flights and dozens of train services have been cancelled.

The city of Wenzhou, home to around 10 million people, is close to the path of the storm, with authorities evacuating hundreds of thousands of residents.

“We could hear roof tiles and tree branches falling,” Li Liangxing, a resident of the city told Reuters, adding “of course we were scared.”

Beijing had ordered the evacuation of 100,000 people to “avoid risk”, officials said.

Bavi began as a super typhoon, battering Guam and the Northern Mariana Islands last Monday with wind speeds of 290km/h (180mph).

As it made its way through the Pacific, weakening to 144 km/h winds, it struck the Sakishima islands, part of Japan’s Ryukyu island chain between the country’s main islands and Taiwan. At least five people were injured and thousands were without power.

Taiwan itself did not receive a direct hit but thousands of people were forced to leave their homes and there was a danger of landslides after heavy rain. Neither country has reported any deaths.

Taiwanese authorities had warned that Bavi could bring up to 1m (39 inches) of rainfall.

Dozens of flights have been cancelled while schools have suspended classes across the region. Supermarket shelves have been wiped clean as residents stock up on supplies.

Parts of southern China are still reeling from the devastation brought by Typhoon Maysak earlier this week.

Maysak left at least 39 people dead and killed large numbers of livestock, resulting in massive agriculture loss. It also spurred two rare tornadoes in the central Hubei province.

For a certain swath of millennials, Dan Finnerty’s rendition of Bonnie Tyler’s “Total Eclipse of The Heart” in the frat comedy “Old School” is its definitive performance.

In the 2003 film, the Dan Band’s sweaty, inappropriately exuberant version of the ’80s power ballad upstages Will Ferrell’s wedding. The scene forever changed the lyrics of Tyler’s hit to something much more profane, but no less yearning.

After Tyler’s death at 75, Finnerty (who played a similar role in “The Hangover,” among many other comedies) reflected on his sideways journey into Tyler’s career, and how one quick scene on a two-decade-old comedy still endures.

You’ve had a pretty unique relationship to Bonnie Tyler’s music, how are you feeling after she passed?

It’s definitely sad. Everybody is texting me. I never met her, but what an impact she had on me. I grew up right when “Total Eclipse” came out in the ’80s, and it was such a huge song at the time. It had never left my head. I was always just belting that song out because it’s so epic, from Jim Steinman’s writing to Bonnie’s performance.

Why does that moment from “Old School” still endure? It arrived at the last cusp of the DVD era before culture transitioned into the internet and streaming video.

Without YouTube and the internet, you really had to grab pop culture moments from your memory. That’s definitely one of the reasons why pulling it out seemed obscure when we did “Old School.” People were like, “Oh my God, yes, I love this f— song.” Which is so different now because everything’s at your fingertips, so you can’t really rely on like pulling back some nostalgia moment because it’s always around anyway now with the internet. But people were reacting as much to me dropping the f-bombs as the nostalgia of the song, and rediscovering it and realizing that the song kicks ass and never stops kicking it.

Was the song already in your repertoire when you filmed “Old School?”

I was doing my show with the Dan Band in Los Angeles, and [director] Todd Phillips ended up coming to one of the performances. I met him afterwards, and he was like, “There’s actually a wedding scene in this movie. What song would you sing at a wedding?” I had just started working on a medley of “Total Eclipse,” and I think at the time I was going to do “Holding Out for a Hero,” but then I just merged it with “Private Dancer,” and he was like, “Oh my God, I love it.” The following Monday, he called and he’s like, “Can you put that together?”

The bit works because you totally commit to the song’s hugeness, and the profanity slips by like it’s spontaneous. You can tell you love the song on the merits.

I had never done it before. But Todd had seen my show, and when we went to do the first take, I didn’t think I was allowed to swear. But I obviously was swearing during my live show in all my little medleys. He came running up and he’s like, “Are you gonna swear like you do in the show?” I’m like, “Am I allowed to?” And he’s like, “Yeah.” So I’m like, “Buckle the f— up.”

But basically, what I was doing was honestly trying to match Bonnie’s commitment at the level she did with her voice, which is what I loved about all of her performances and Jim Steinman’s music. It’s just over-the-top commitment and drama. The swearing was just me being like, “How can I bump this up one notch when they’ve already just nailed it?”

Did you ever hear from either of them about what they thought about the film?

I’d tried to get Bonnie to do a duet of “Total Eclipse,” and I reached her management. He was like, “Well, Bonnie’s willing to do the song as long as there’s no profanity because she’s not a profane person.” I was like, “Well, neither the f— am I. I was an altar boy.” It didn’t end up working out, because I knew if I did the song without the swearing, people would be like, “What the f—?” But later, met Jim Steinman. I mentioned it to Steinman, and he was like, “Oh, I wish they called me because I can make Bonnie do anything, she’d love the swearing,” which killed me.

You did kind of alter her song forever for a certain generation.

I was just picturing them both hating how I bastardized their song. So when I finally met Steinman, he was like, “No, no, no! I f—ing loved it. In fact, I’ve always thought of all those epic booms, the Kurzweil, all the big hits in ‘Total Eclipse,’ those were musical f—s.”

Mostly I wanted to just find Bonnie and apologize to her for all the drunk guys I have pictured over the years at her concert screaming “F—” ever since that movie.

That song became your biggest hit as a comedian. How’d it change your life?

It got funnier the older we got. When I would do “Total Eclipse” right after “Old School” came out, it would get the biggest reaction. There was one set early on at the Playboy Mansion, we were hired to play some party there. There were just a bunch of drunk guys at the mansion and a couple Playboy bunnies that were contractually hired to walk around and wave. They’re like, “Play ‘Total Eclipse,’” and so I did. Then they’re like, “Play it again.” I’m like, “OK.” Then “Play it again.” I was like, “Here we go, give them what they want.” It was the least amount of work I had to do for a song that was pre-loved from a moment in a movie.

God, I hope she knew how much I loved her and apologize for all the drunk guys that had probably f-bombed the hell out of her concerts.

Before that song, people were like, “Do you have a flier for your next show?” I’m like, “For what?” But once “Old School” happened, suddenly a record label was like, “We want to do a live album.” I’m like, “Who’s gonna buy it?” But my manager is like, “Don’t say s— like that. There’s a record label that wants to make an album with you, dumbass.”

The whole thing has just been a surprise, but it’s been a good one. We’re playing this festival in Canada next weekend, and God, that song’s going to be such a big moment.

World Cup tourists are coming to L.A. for the soccer, but they’re staying for the $21 smoothies and Double-Doubles.

As the last Los Angeles FIFA World Cup event ended Friday, soccer fans were eating like locals and famous chains from the region were cashing in.

In the weeks that L.A. has hosted the World Cup, international soccer enthusiasts have flocked to big brands from the area, often in large groups wearing their countries’ jerseys.

It is a phenomenon seen at many of the host cities. In Dallas, giant gas station Buc-ee’s is the main attraction. For people visiting New Jersey, deli shops have been a hot ticket. In L.A., the place to be between matches was Erewhon.

Thirsty international sports fans gathered for pictures outside different Erewhons, wandered their aisles smiling, and, of course, picked up pricey smoothies.

While Erewhon would not comment on its business, mobility data company Arity, which uses phone data to track consumers, said Erewhon visits at the outlets around SoFi Stadium were quadruple what they were a week earlier on June 12, the day of the U.S. national soccer team’s opening match there.

Arity looked at what stores people visited within a 10-mile radius of SoFi that day and also found surges in visitors to nearby El Pollo Loco and Trader Joe’s.

Locals have spotted groups of people in Korea jerseys huddled together, trying to decide what to order at In-N-Out.

Some complained on social media that international tourists at Trader Joe’s were buying up all the mini canvas tote bags.

Soon after the Belgium vs. Spain quarterfinal ended Friday, the In-N-Out near SoFi had a long line of soccer fans stretching out the door in bright red and yellow and black jerseys and matching striped hats and scarves.

One of the workers said he had to explain “spread” and “animal style” to foreign football fans.

“I didn’t know this place existed,” a fan from Romania said while waiting in line.

Los Angeles and other cities and states that have hosted the event need the soccer fans to spend money to make the event worth all the time, effort and money it requires.

A rosy 2024 report projected the World Cup could bring more than $800 million to the L.A. region as 180,000 people converge on the area to sleep, eat and spend.

There were early concerns people weren’t turning up for the event because of the high ticket prices and the difficulty of obtaining visas for citizens of some countries.

However, at least for some L.A. hotels, there was a surge of last-minute visitors which pushed up occupancy and room rates.

While sports fans are not in the region to shop, they do make time for it.

World Cup customer spending is also apparent in beer sales. Andrew Heritage, the chief economist at the Beer Institute said beer purchases at entertainment and attractions in L.A. – outside of World Cup spaces – were up around 10% from normal.

“That tells me that fans in the L.A. area have decided to extend their stay and take in all the other things that the area has to offer, rather than just the match itself,” he said.

On social media, the purpose of these shoppers is clear: grab a quick souvenir or local specialty and take a selfie.

The data from Arity suggests that fans are very efficient when they spend at local spots, diving in, getting what they want and getting out as soon as possible, said Jeff Schlitt, a director at the company.

“Normally you’re there for an hour. They’re going to be there for 15, 18 minutes,” he said. “Why is that? Because they were purpose-driven shoppers.”

For some travelers, the more popular American chains aren’t unfamiliar. But some of the native L.A. fare still comes as a surprise.

As one Belgium-Spain matchgoer from the Netherlands stood taking a picture of the In-N-Out sign after the game, he said he’d never had a burger like the one he’d just tried.

“We only have McDonald’s and Burger King,” he said. “It’s way better.”

July 10 (UPI) — The Centers for Disease Control and Prevention on Friday reported that well over 800 cases of a food-borne parasite have been confirmed by 31 states.

CDC officials were working with state and local health agencies to investigate clusters of cyclosporiasis cases in multiple states, some of which the Food and Drug Administration is working to trace and others that have not yet been linked to a common source, the agency said in an update.

Cyclosporiasis is a gastrointestinal disease caused by the parasite cyclospora, which can cause watery diarrhea, loss of appetite and weight loss, and in some cases require hospitalization, according to the CDC.

The parasite can be acquired when people eat or drink contaminated food or water and, although it can be spread year-round, it is considered to be a larger problem during the spring and summer months.

The current series of outbreaks has been tracked since at least mid-June, although the FDA lists its first investigation of cyclospora as staring June 3. With no product linked to the parasite or any other outbreak, the FDA is attempting to trace back to a source.

“Multiple jurisdictions have reported an increase of cases in the last two weeks compared to the same period in 2025,” the CDC said in the update.

“We assume a 6-week reporting lag between illness onset and case reporting to CDC,” the agency said. “Therefore, we anticipate that case counts will continue to rise as data are received.”

The CDC reported that as of July 9, it has confirmed 843 cases of the nationally notifiable disease in 31 states, with 86 hospitalizations, but officials said the agency is aware of at least 1,500 more cases that have not yet been confirmed as domestically acquired in the United States.

Among the states reporting cases and investigations, Michigan on July 4 reported that its confirmed cases increased to 572, a large increase from 170 on June 30.

Cyclospora infects the small intestine after contaminated food or drink is consumed, and symptoms of infection can be seen anywhere from two days to two weeks after exposure.

Overall, the infection is generally not life-threatening, but because of dehydration linked to frequent and sometimes explosive diarrhea — especially in younger or older people, and those with weakened immune systems — it may require hospitalization.

Outbreaks in the United States have previously been linked to bagged salad mixes and kits, fresh cilantro and basil, raspberries, snow peas, and green onions, health officials said.

On Friday, a group of retired judges stepped off a tour bus in a ritzy Michigan suburb after three days of barnstorming through corn fields, cities and coal towns in Ohio and Pennsylvania. They carried with them a message.

In courthouses and public squares, they marked the nation’s 250th anniversary with a dire warning: The rule of law in America is in grave danger. They delivered a similar message at a library in Grosse Pointe just outside Detroit — the last stop on an extraordinary tour to defend judicial independence and bolster trust in courts.

Americans’ confidence in the court system and democracy has dipped in recent years. The country is more polarized, and President Trump has repeatedly cast doubt on the fairness of the judicial system.

Some judges on the tour said in phone interviews this week that the United States was at a precipice.

“Looking back in history, we have teetered,” former Ohio Supreme Court Justice Michael Donnelly said. “This is a moment where we can decide to reinstill those beliefs that we are a country of laws and not of men.”

Judges step off the bench

The four-day tour through the Rust Belt is a sharp departure for a typically reserved and insular branch of government. Federal judges in particular largely limit their comments to the courtroom and written decisions, focusing on the facts of individual cases.

But that restraint is loosening amid a barrage of attacks by Trump and other White House officials, the administration’s rampant defiance of U.S. district court orders and its expansive view of executive power. Trump has called a district judge who ruled against one of his immigration moves “crooked” and suggested with no evidence that Supreme Court justices who struck down his tariffs were motivated by foreign interests.

More federal judges have recently begun talking about receiving death threats and profane messages, though they have not blamed Trump or any other officials. Some have blasted administration policies in sharply worded opinions that strayed beyond the legal dispute before them. Even U.S. Supreme Court Chief Justice John G. Roberts Jr. has weighed in.

In an appearance in March, Roberts said personal criticism of federal judges was dangerous and had to stop. The rare rebuke from the head of the nation’s top court came two days after Trump’s remark about a “crooked” judge, though Roberts didn’t mention Trump or anyone else by name.

The U.S. Marshals Service reported 564 threats against federal judges in the government fiscal year that ended in September, up from 509 the year before.

“I don’t want to say we have moved into an era of lawlessness, but it sometimes feels that way,” said former U.S. District Court Judge Victoria Roberts, who joined the bus tour in Michigan.

Timothy Lewis, another former federal judge on the tour, said his concerns about the politicization of the judicial branch reached a tipping point a decade ago, when Senate Republicans thwarted President Obama’s nomination of Merrick Garland to the Supreme Court. Today, the rule of law is facing an “existential threat” from an ongoing breakdown of norms, according to Lewis, who spent seven years on the 3rd U.S. Circuit Court of Appeals.

“I have fundamental concerns,” he said, “about where we are headed as a nation.”

Their route has been varied

The tour started Tuesday in the western Pennsylvania town of Greensburg — once the hub of a thriving coal industry that now lures visitors from nearby Pittsburgh for highland recreation and a historic downtown.

Judges mingled with customers at a coffee shop before speaking at the domed, ornate Westmoreland County Courthouse. Then it was off to Washington, also in western Pennsylvania. The town of 13,000 people, where about 15% of the population is Black, was a key stop on the Underground Railroad and a regional base for the civil rights movement.

From there, the bus headed west for events Wednesday in Columbus, Ohio, and the city of Wooster in Amish country. The judges stopped at a Cracker Barrel restaurant on the way. They spent Thursday in Cleveland before circling Lake Erie north to Michigan.

The two groups that planned the tour — dubbed “Justice in Motion” — say they were inspired by a similar campaign in Poland in 2021 after that country’s governing party took control of key judicial institutions.

Independent Polish judges visited scores of towns to promote the rule of law and teach voters about the country’s constitution. The U.S. tour also aims to educate people.

An effort to combat misinformation about what they do

Maureen O’Connor, a former chief justice of the Ohio Supreme Court, said judges risk ceding the narrative about their roles and motives to “voices of misinformation” if they don’t speak up.

A letter she received years ago, and still keeps, reminds her of that danger. The writer accused O’Connor, a Republican, of betraying her party when she repeatedly struck down Republican-drawn legislative maps as illegal gerrymanders. “There was just a basic misunderstanding of what my role was as a judge,” O’Connor said.

O’Connor is among roughly 30 judges, including two former federal judges and two current federal judges, who participated in the tour. One of the federal judges was nominated by a Democrat, the other three by Republicans. The state judges, some of whom are also still on the bench, represented both parties.

They were joined by former Pennsylvania Gov. Tom Corbett, former Ohio attorneys general and a few lawyers. The event was put together by the Democracy Rising Collaborative and Keep Our Republic, nonpartisan advocacy groups.

Organizers say they chose stops that would get the judges in front of as many people as possible to build connections and trust. The judges embraced that mission.

“The lifeblood of the judiciary is public confidence,” Donnelly, the former Ohio Supreme Court justice, said. “If you lose that, it’s very difficult to get it back.”

Thanawala writes for the Associated Press.

July 10 (UPI) — A huge wildfire raging in southern Spain killed at least 11 people with another 19 unaccounted for, authorities said Friday as more than 700 firefighters and troops, nearly 200 firetrucks and 16 aircraft battled the flames.

The Andalusian government said in a post on X that all indications pointed to the main blaze, which had already burned through more than 3,000 acres near Los Gallardos in Almeria province, being sparked by a fallen power pole before spreading to woods nearby.

Warning casualty numbers could increase substantially, Andalusian President Juanma Moreno said eight people were injured, four of them seriously.

“I’m on my way to Almeria. The consequences of Los Gallardos are devastating. Right now, all efforts are focused on controlling the fire and preventing further loss of human life,” he said in an update online.

The fatalities occurred in and around Bedar village, just northwest of Los Gallardos, with Andalusia’s health minister saying he believed four of those killed whose bodies were found in a car were likely Britons.

Health and Emergencies Minister Antonio Sanz said he had reason to believe they were British because the vehicle was right-hand drive whereas European cars are all left-hand drive — with the exception of Ireland, Cyprus and Malta.

The Spanish armed forces’ Military Emergencies Unit said in a post on X that it had 220 soldiers and 70 fire vehicles on the scene “attacking the frontline of the wildfire head-on to contain its advance.”

The provincial government said around 600 area residents remained evacuated.

More than 200 miles away in western Malaga Province, 1,000 people were evacuated from two residential complexes in the mountain village of Benahavis as a precautionary measure due to an “urban wildfire” that broke out on Thursday afternoon, the government said in a statement.

Authorities said more than 230 firefighters and other emergency personnel and 10 firetrucks were continuing to work to bring the fire under control and that the region’s Wildfire Prevention and Suppression Plan had been activated.

Residents forced to leave their homes were accommodated in a sports center, by the Red Cross and with family and friends or in local hotels.

Weeks of unseasonably hot weather across western and southern Europe, including three heatwaves with temperatures topping 40 degrees Celsius, has triggered a series of wildfires that have burnt at least 49,000 acres across Spain, Portugal, Greece and France.