night

Kane, who scored 73 goals for club and country last season, is among the favourites for award with Lamine Yamal and Kylian Mbappe.

Bayern Munich striker Harry Kane is hoping for a “special night” at Monday’s Ballon d’Or ceremony in his hometown of London, where the England captain is the bookies’ favourite.

The 33-year-old scored 73 goals for club and country last season, the second-best mark in history after Lionel Messi’s 82 in 2010-2011.

But in continuing his habit of tormenting old foes Arsenal on Wednesday, the former Tottenham striker again demonstrated how complete a player he has become since moving to Germany in 2023.

At one point, dropping back to take goal kicks to ignite Bayern’s attack, Kane also set up Alphonso Davies’s first-half equaliser with a pinpoint long-range pass.

In the second half, Kane won and then converted a penalty, giving Bayern the lead before England teammate Declan Rice scored late to grab a share of the spoils for Arsenal with a 2-2 finish.

Open field

Kane is odds-on to claim what would be his first Ballon d’Or, but the outcome is anything but certain in one of the most open fields in recent memory.

The Bayern striker faces stiff competition from Spain’s World Cup-winning duo Lamine Yamal and Rodri along with France captain Kylian Mbappe and teammate Michael Olise.

While Yamal and Mbappe in particular have taken to the airways to extol their suitability for the award, Kane has been typically circumspect despite constant media questioning.

Repeatedly asked about his chances after Wednesday’s star showing, Kane said: “I try not to think about it. Obviously, it’s hard.

“There’s rumours flying around, so you try and stay away from it. I’m going to try and enjoy Monday night as much as possible. It’s a big occasion and a big event.”

Officially, there are three broad criteria upon which the Ballon d’Or is awarded: individual performances and impressive character, team performances and class/fairplay.

In recent years, recipients have either won the Champions League and/or World Cup or have made their case through sheer weight of numbers. Kane clearly satisfies the latter criteria.

Long criticised for a failure to win team trophies at Tottenham, Kane brought his total to five with Bayern after last year’s league and cup double, but the Bavarian giants’ dominance of Germany may count against him.

Bayern made the semifinals of the Champions League, going out narrowly to eventual champions Paris Saint-Germain.

England finished third at the World Cup with captain Kane scoring six times and laying on an assist.

‘Ridiculous’ Kane

After scoring against Arsenal, Kane has at least one goal in each of his past 10 Champions League matches, one short of Cristiano Ronaldo’s record of 11.

“Whenever you’re in any conversation with Ronaldo it means you’re doing something special, especially in this competition,” Kane said.

Bayern coach Vincent Kompany praised Kane’s team-focused efforts, saying: “What made Harry happy the most in recent years is that he finally won his first team trophies here.

“Now if he can crown his career or his season with the Ballon d’Or, that would be deserved for the way he plays for the team.”

After Wednesday’s match, Rice had special praise for his international captain.

“Harry is the clear winner [of the Ballon d’Or]. His numbers speak for themselves. The year he had is remarkable.

“For a striker to play that pass for their first goal, then take the penalty how he did, … he’s ridiculous. He’s such a good player.”

Former Three Lions midfielder Steven Gerrard on Wednesday joined Jude Bellingham in calling Kane “arguably the best England player there’s been” after Kane’s masterclass against Arsenal.

Michael Owen was England’s last Ballon d’Or recipient, winning it in 2001, while in 1981 another striker, Karl-Heinz Rummenigge, was the last Bayern player to claim the honour.

“Monday could be a special night. We’ll have to wait and see,” Kane said on Wednesday.

“I’m trying not to think about it too much because we have important games and another one on Sunday.

“I know it’s a massive event. I am looking forward to it for sure. Hopefully, it’ll be a special night.”

“WE’D known each other for 60 bloody years. It was a hell of a shock.” 

Black Sabbath guitarist Tony Iommi is still coming to terms with the loss of his brother in arms, Ozzy Osbourne. 

“The night before he passed, I was talking to him — and the next day he was gone,” says the affable guitarist in his soft Brummie tones. “God, that was strange.” 

As members of the hard-rocking trailblazers, Iommi became “The Godfather Of Heavy Metal” and Ozzy “The Prince Of Darkness”. 

They came from humble backgrounds with precious little cash but a combination of inspiration and perspiration carried them to phenomenal global success. 

Recalling their first gigs together in the late Sixties, Iommi says: “We could just about afford enough petrol to get us home in the van — and to share a bag of chips. 

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“It’s mad when you think about it, but I’m so proud of what we did because we stuck to what we believed in.” 

It was Iommi, the only ever-present member, who laid the foundation on which Sabbath — and a whole new genre of music — was built. 

His immense, doom-laden riffs adorned songs like Iron Man and Paranoid, providing a platform for Ozzy’s manic vocals and wild stage antics. The best part of six decades later, Sabbath are no more but Iommi is still creating vibrant new variations on his signature sound. 

He is releasing an album under his own name filled with some of those immense riffs, called From The Dark. 

He has done it by assembling an ace band including Norwegian singer Jorn Lande, who, with his flowing locks and beard, looks every inch a Viking marauder. 

In the words of the guitarist himself, “It rocks!” 

I find myself speaking to Iommi a few days after he had visited Windsor Castle to receive his MBE from Princess Anne. 

“I don’t know how she does it,” he says of the redoubtable royal. “She was really nice, professional and relaxed.” 

For Tony, it was official recognition of not only his guitar and songwriting heroics but also of his unstinting support for hospital charities in Birmingham. 

Having been treated for lymphoma in 2012, he says “it’s been lovely to give something back” to the health sector “because they work hard and were so good to me”.  

As our chat moves back to music matters, it’s clear that the events of last summer are still very much on his mind. 

On July 5, 2025, he and fellow Sabbath founders Geezer Butler (lyrics, bass) and Bill Ward (drums) joined ailing Ozzy for one last hurrah at Villa Park in their hometown. 

The momentous Back To The Beginning shindig featured a who’s who of hard rock royalty paying their respects — Metallica, Guns N’ Roses and Alice In Chains among them. 

Next Tuesday, a concert film opens in Birmingham cinemas, and the next day, it goes nationwide. 

A mere 16 days after that momentous show, Iommi phoned Ozzy for what turned out to be the last time. The next evening, on July 22, came the sad news that his bandmate had passed away aged 76. 

Describing the call, he says: “Ozzy was going, ‘I’m really tired. I just can’t seem to pull myself together’.  

“I said, ‘You’re bound to feel like that — it’s been a tough few weeks’.” Iommi adds that when Sabbath convened for the Back To The Beginning rehearsals, he wasn’t prepared for his bandmate’s declining health.. 

Poor Ozzy had been battling Parkinson’s as well as the effects of injuries caused by his quad bike accident in the UK and a fall at his LA mansion. 

Iommi says: “The last time I saw him was when we did the Commonwealth Games together (in 2022). I didn’t fully realise quite what he was going through. 

“When he was back in LA, we’d talk on the phone every other week but I didn’t get to physically see him. 

“He’d be telling me he had this pain here and that pain there — and I sort of took it with a pinch of salt. 

“I’d be saying to him, ‘Well, I’ve got a pain in my neck. I’m suffering, too’. That would be the extent of our bloody conversation!” 

Iommi recalls the moment he, Butler and Ward set eyes on Ozzy again: “We were all shocked — and it went very quiet in the room.” 

But thankfully their time rehearsing in an Oxfordshire studio proved to be a life-affirming chance to catch up and indulge in a trip down memory lane. 

Iommi says: “We sat down on the couch, the four of us, and we were having a laugh and taking the piss out of each other. 

“It felt like the old times, but then Ozzy would get tired and lose concentration.” By that stage, however, Black Sabbath were on course to perform four of their best-loved, bone-shaking numbers, War Pigs, N.I.B., Iron Man and Paranoid. 

It’s important to note that Iommi needed persuading to take part. He says: “When I was first asked to do the show, I said I didn’t want to do it.  

“We’d done a tour called The End in 2017 — and to me it was the end. 

“But then Bill (Ward) wasn’t on that tour and we hadn’t played with him for 20 years. Then they said the show was for charity, so I said, ‘Of course I’ll do it’.” 

When it came to finally appearing on stage, Iommi, Butler and Ward had to deal with a new dynamic — Ozzy stuck on a big black throne adorned with skulls and a huge bat. 

Iommi says: “It was really strange for myself, Geezer and Bill because we had Ozzy in front of us in that chair. 

“We couldn’t see him! In the past, we would watch him running around.” 

Despite that, the band played their socks off and gave their final bow after Paranoid had ended with a spectacular pyrotechnic display. 

Iommi continues: “When we came off, there was a big, chaotic backstage and I went to my dressing room and Ozzy to his. 

“But as Ozzy was leaving, they wheeled him into mine. He said he was so pleased we did it, that he’d even been able to do it and that he’d enjoyed it. 

“I thought he did an incredible job, given the state of his health.” 

If that night truly marked the end of Sabbath, Iommi had already been keeping his hand in by working on new music that is eventually appearing on From The Dark. 

There is also the not-so-small matter of the barnstorming first track on Robbie Williams’ latest album Britpop called Rocket, which Iommi co-wrote and played on. 

“That was something I never expected but really enjoyed,” he affirms. “It was so different for me to do that. 

“Robbie was great, asked a lot of questions — but he was always honourable and polite. 

“He actually asked me if I’d join him on stage when he played Birmingham but I was away at that time.” 

Iommi has another connection with Robbie in the shape of Karl Brazil, the singer’s studio and touring drummer. 

He plays on From The Dark along with bassist Becky Baldwin and the aforementioned singer Lande, who reminds Iommi of Sabbath’s other great vocalist aside from Ozzy, the late Ronnie James Dio. 

Recommended by Mike Exeter, co-producer of the album, Brazil turns in a powerhouse performance. 

“Karl’s a good player and he loves doing what he does,” says Iommi. “That’s the thing with this album — I wanted people who enjoy playing.” 

As for Lande, he worked with Iommi on sessions as far back as 2005, as well as a Ronnie James Dio tribute concert in 2010. 

“I liked Jorn’s voice and he is a nice person to get on with,” he says.  

“I had him in mind for a while so he was the obvious choice when I decided not to make an instrumental album but use a vocalist.” 

It was up to Lande to provide lyrics to songs such as the searing opener, Over The Violent Sun, and next track, Black Times, both informed by the dangerous times we live in. 

Iommi says: “When Jorn first sent me the lyrics, I was, like, ‘Blimey! This is what’s happening in the world, isn’t it?’  

“It reminded me of old Sabbath stuff like War Pigs, which was about the Vietnam War but could be about today. 

“I was happy for Jorn to do his own thing — and he came out with real power and feel.” 

This brings us to bassist Baldwin, who, like Iommi and Brazil, is from Birmingham. 

“Apart from Jorn, I wanted to keep things as local as I could. First, I asked Geezer if he wanted to play on the album but he was away so Mike (Exeter) suggested Becky.  

“The good thing is she’s a fan of Geezer. She’s got his playing style.” 

Iommi reports that Sabbath bassist and chief lyricist Butler has given his new album his seal of approval. 

“We always keep in touch and as soon as the single (World Alone) came out, Geezer emailed to say he really liked it.” 

The cinematic video for the song includes black-clad Iommi playing guitar against a backdrop of menacing black clouds. 

“To be honest, I don’t like being in videos,” he says.  

“I’m a guitar player, not an actor, and I always feel uncomfortable.” 

But he adds that the video makers were a “good bunch” and “great to work with”. 

“And all they wanted me to do was ‘just stand there and play’.” It’s fair to say that of all From The Dark’s ten tracks, World Alone has the most upbeat guitar passages. 

Iommi smiles and says: “When I started writing this album, the immediate thing for me to do was come up with a doomy riff.  

“Then I’d come up with another doomy riff, and another one — so I had to do something up-tempo to give it a break.” 

Rather than call on several of his high-profile musician mates from down the years, there’s just one special guest on From The Dark. 

He is Iommi’s close friend — Queen’s legendary guitarist, Sir Brian May, who applies an epic solo to standout track Death Wake. 

“Brian comes up to see me when he’s got time and we sit and play,” Iommi says. 

“When I told him about the album, he brought his guitar and played on Death Wake, which was really great. 

“After that, I said, ‘Play on another one’. Brian went, ‘Oh no, it’s your album and your solos are good!’” 

Iommi says he first met May more than 50 years ago “and we hit it off from day one”. 

“He’d be in a studio. When Freddie (Mercury) and everyone left and he was on his own, I’d go round to keep him company. 

“Then when I’d be doing some Sabbath stuff, Brian would come and sit with me.  

“It became a really good friendship.” 

So would they ever make an album together? I venture. 

“Do you know how many years we’ve spoken about that?” laughs Iommi.  

“Then, of course, he gets busy and I get busy. We’ve gone on and on about it for so long that it’s become a joke.” 

For now, metal fans the world over will have to make do with Iommi’s From The Dark, guest starring Brian May. 

It’s got plenty of those epic “doomy riffs” we’ve come to expect from The Godfather Of Heavy Metal. 

TONY IOMMI 

From The Dark 

★★★★☆

COUNTRY music legend John Anderson has died at the age of 71.

The iconic voice behind Swingin and Straight Tequila Night was inducted into the Country Music Hall of Fame in 2024 with his heartbroken family paying a touching tribute.

John, a native of Apopka, Florida, passed away on Wednesday.

His cause of death is yet to be announced.

An emotional statement from John’s family read: “It is with the heaviest of hearts that we share the passing of our beloved husband, father, grandfather, and best friend.

“To the world, he was a gifted country music singer whose voice and songs touched countless lives.

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“To us, he was so much more. He was the heart of our family, the one who made us laugh, loved us fiercely, and made every ordinary moment feel special.

“We are completely heartbroken.

“His music will live on, but for us, his greatest legacy will always be the love he gave his family and the memories we will carry with us forever.

“Please keep our family in your thoughts and prayers as we grieve this unimaginable loss.”

He boasted a trio of hugely popular number one hits on the country charts for Wild and Blue, Black Sheep and his signature song Swingin.

John’s last public appearance saw him appear alongside his fellow inductees at the Country Music Hall of Fame Medallion Ceremony in Nashville on October 18.

They were inducting the 2026 stars Tim McGraw, Paul Overstreet and the Stanley Brothers.

John said his own induction into the elusive club was one of his best achievements.

He told Rolling Stone at the time: “One of the main gratifications is I got to live to see it.

“Several of my friends were inducted posthumously.”

John leaves behind his wife of 43 years Jamie Anderson and their two daughters Brionna and Alexa.

The New York Knicks celebrated their NBA championship Tuesday night at Madison Square Garden, yet hardly anything went according to plan. And LeBron James found himself smack dab in the swirl of the fierce and funny festivities.

James made his Philadelphia 76ers debut memorable, helping his new team defeat the Knicks, 106-100. Asked by NBC sideline reporter Zora Stephenson if he was enjoying spoiling the Knicks’ ring night, James grinned and said, “Yeah, I do. It’s pretty special.”

Last seen in Los Angeles bidding a hasty farewell after eight seasons with the Lakers — Times columnist Bill Plaschke wrote that “He left before the door could hit him in the butt” — James, 41, began his 24th NBA season by contributing 14 points, nine rebounds and seven assists in the 76ers’ victory.

LeBron James of the 76ers exchanges words with fans during a regular-season opener against the Knicks at Madison Square Garden.

(Sarah Stier / Getty Images)

And James did so even while jawing with courtside Knicks fans about using a helicopter to commute from his new home in New York to Philadelphia. Of course, famed director and Knicks fan fixture Spike Lee couldn’t stay out of it.

“Hey, LeBron, just because you have a helicopter and you live in New York doesn’t mean we’re gonna cheer for you,” one fan yelled, according to NBC broadcaster Mike Tirico. Another fan dinged James for being soft simply because he lived in L.A. for so long.

James couldn’t let that one go, yelling back, “Ain’t nothing soft in the Midwest. I don’t know what the f—- you talking about. I’m not from the West Coast, I’m from Ohio, baby.”

Lee, resplendent in a bright orange and blue pinstriped suit with matching hat, stood from his front-row seat, seemingly serving as conciliator. Much of the exchange was caught on camera by NBC, with Tirico and fellow broadcaster Reggie Miller providing commentary.

“[James] said hello to somebody over here,” Tirico said. “Spike Lee is over for a look and a chat. … LeBron is taking the helicopter rides back and forth from Philadelphia to New York and engaged here in some front-row convo.”

Miller chimed in, “That’s the last thing you wanna do is get LeBron going here in this building…. And guess who’s playing peacemaker? Spike Lee! He’s over here playing peacemaker. Boy, I have seen everything.”

Fanatics is supplying James with the helicopter as part of a multiyear, exclusive trading card and collectibles contract signed in 2024. Although the deal raised the antenna of investigative reporter Pablo Torre — who won a Pulitzer Prize for uncovering the Clippers’ salary-cap circumvention with Kawhi Leonard — NBA commissioner Adam Silver called the helicopter arrangement “perfectly appropriate.”

LeBron James performs a pregame ritual before the game against the New York Knicks at Madison Square Garden.

(Caleb Bowlin / Getty Images)

Silver was at Madison Square Garden on Tuesday night. The Knicks celebrated their first NBA championship in 53 years with a ring ceremony and raising a banner to the rafters. They did their best to laugh off a typo on the T-shirts fans received that proclaimed the team as the 2026-2027 champions.

Despite the testy exchange with fans and enduring their “We don’t want you” chant while he shot free throws, James softened what he had said to Stephenson, sidestepping a suggestion by a reporter that the 76ers ruined the Knicks’ celebration.

“I wouldn’t say that,” James said. “It was a great night for New York fans. Fifty-plus years. I was a part of that at one point where we hadn’t won a major championship in Cleveland in over 50 years. The fans will never forget this moment.”

Accidents on roller coasters are rare. But that is precisely why when they happen, they are so disarming and affecting. Places such as theme and amusement parks are where we go to momentarily escape the stressors of daily life, often with friends or loved ones.

Last week, Hassan Jihad Ibn Kariem, 42, of Atlanta, was ejected from a roller coaster at Six Flags Over Georgia and struck other riders as he fell, the Cobb County Police Department said in a statement. It’s tragic and heartbreaking, and the type of event that can make all fans of these spaces begin to question their safety, and whether theme parks can be a third space where we can go for a respite.

It’s been a particularly rough year for Six Flags, a company still in transition after merging with Cedar Fair just a couple of years ago. Last month, Six Flags Magic Mountain closed its X2 coaster permanently after a history of injuries. While it’s important to note that there is no connection or similarities between the two incidents, their combination creates an overall public perception that the brand is compromised. The industry will be closely watching how Six Flags responds in the weeks and months that it may take to complete an investigation.

In the days since the Georgia accident, I have been asked repeatedly, by friends and even members of the media, if I have been scared on a roller coaster or would hesitate to get on one.

They’re not easy questions to answer. For one, roller coasters are safe, and yes, I have been scared on them, but they are designed to frighten, to thrill and provide airtime in our seats that makes us wonder just how secure they are. To be sure, this is not a flaw. This is their intent.

I was also reminded of a 2003 accident at the Disneyland Resort, when a guest died after a derailment on Big Thunder Mountain. The ride was shuttered for about six months before it was reopened, and when it did so it was immediately met with long lines and cheers. Such is the pull and trust of Disneyland, but the company at the time was relatively transparent about the cause of the accident — two bolts on the locomotive’s left guide wheel assembly fell off — and measures taken to retrain workers.

It took officials from the state of California three months to investigate the incident, and Disney detailed to the media the changes it made to park maintenance procedures. Big Thunder has operated without any headline-generating incidents since.

We don’t yet know what happened in Georgia, and it may be some time before we do, but I only hope Six Flags is similarly direct, especially if this accident was the result of mechanical or human error. There’s too often little reporting on roller-coaster incidents, in part because rules and regulations can vary by state, and also because most infractions are deemed relatively minor and quickly handled in-house by the various parks. Journalists, including myself, should do better when it comes to requesting public records and educating ourselves on coaster engineering.

And when the unthinkable happens, such as what occurred last week, the public should be made aware of exactly what caused it. We’re owed that. To be sure, this is less about assigning blame for an accident, and more about ensuring measures are taken to guarantee it doesn’t happen again. Park operators would be wise to realize the issue just won’t be forgotten or disappear.

Of course, nothing is 100% fail-proof. Daily life is full of risk-taking endeavors such as getting behind the wheel of a car, and riding a roller coaster is strictly optional. But theme and amusement parks — despite the warnings that accompany most any attraction — enter an unspoken contract with their guests. And that is that here, you are safe. I don’t know when or if Six Flags will regain the trust of those who may be rightfully coaster-timid at the moment. But I know that the way they respond can determine whether they’ll lose it for good.

This week in SoCal theme parks

The dinosaurs on the Disneyland Railroad.

(Todd Martens / Los Angeles Times)

• A dinosaur spotlight. The other week, I noted a recent ride around the park on the Disneyland Railroad was looking particularly spiffy, thanks to a refurbishment of the Grand Canyon diorama and dinosaur-heavy Primeval World section of the attraction. No changes to the dinos, but the lighting overall felt more lively and theatrical. Later Walt Disney Imagineering posted a behind-the-scenes look at the updates on Instagram, noting there had been a full lighting overhaul. A switch to an LED-based system gave the team greater control and flexibility in the tone of the lighting.
• A Magic Mountain coaster reopens. Six Flags closed a number of rides around the country, including Goliath at its Valencia park, after a man fell to his death from a roller coaster at one of its parks in Georgia. After a two-day shutdown and review last week, Goliath reopened by the end of the week.
• A can’t–miss Disneyland double feature. We’ve highlighted the current Walt Disney Studies film program at Santa Ana’s Frida Cinema before, but this Sunday will have a showing that’s particularly notable to park fans. The movie theater will be screening “Disneyland Handcrafted” and “Disney Worldbuilders,” two films that I’ve praised. The screening, hosted by author/historian Jeff Kurtti, will feature a discussion with former Imagineer-turned-historian Tom Morris as well as Roland Betancourt, who wrote the fascinating “Disneyland and the Rise of Automation: How Technology Created the Happiest Place on Earth.” Tickets are $16 for the 5:30 p.m. event on Sunday.
• Get ready for candy cane season. Disneyland has unveiled the dates in which guests can attempt to snag one if its handmade, oversize 18-inch candy canes. They are available select dates at Candy Palace in Disneyland and Trolley Treats in Disney California Adventure beginning Nov. 27. Prepare to rope drop the park if you want one, as guests will need to head straight to the candy shop to score a wristband to purchase one. I bought one back in 2018 or so, and used it primarily as a holiday decoration. Since then, they’ve become a coveted item thanks to social media hype, and I’ve struck out in attempts to snag another one. @FoodatDisneyland has all the dates.
• Attention, Haunted Mansion fans. Disneyland Magic Key holders can starting this week pick up one of four lenticular cards celebrating 25 years of Haunted Mansion holiday. They’re free, and released on Mondays at Disneyana in Disneyland, Kingswell Shop in Disney California Adventure and WonderGround Gallery in Downtown Disney. Limit one per guest, and the cards come with a display frame. More information is available on the Disneyland Magic Key site.
• Meow Wolf noodles! The opening of Meow Wolf’s L.A. locale is now just a couple months away, and the Santa Fe, N.M.-based art collective is in the midst of a promotion with Tsujita Artisan Noodles. The latter, with local locations in the downtown Arts District as well as in Sawtelle, is currently serving up what it’s calling the Meow Wolf Anti-Gravity Noodles. The noodles on the latter appear in a frozen, midair state, and Meow Wolf fans may also want to go for the branded chopsticks.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

The Ghost of Halloween Future (Samantha Aotaki) in “A Halloween Carol.”

(Lawrence Meyers)

On a lighter note, it’s spooky season, and that means the L.A. immersive scene is at its best. I’ve long maintained that there is a big overlap between the the theme park community and those who appreciate interactive, immersive entertainment, and that is why I would heartily recommend “A Halloween Carol,” which has a few more dates open before its run concludes next week.

The show, as the name implies, is a twist on the Charles Dickens classic, only here we are visited by the ghosts of Halloween past, present and future. It’s an insightful look at how, from a young age, we are asked to don metaphorical masks of sorts. The show asks us to grapple with what aspects of our personality we are hiding, or putting forth, and does so via intimate, one-on-one conversations, many of which take on a philosophical bent.

If you come ready to play, you may find yourself being disarmed to the point of vulnerability. I wouldn’t call it scary — some may even find some moments near the end a bit sexy — but it does ask us to thoughtfully confront how honest and performative we are being to get through the day.

Mobina Atashi’s £550 package holiday to Bulgaria was meant to be a time to relax, but turned into a nightmare after one “painful” night

A student who says she was left too scared to sleep after finding something crawling in her hotel bed has described how she first thought she had “chickenpox”. A dirty room is enough to ruin a holiday, but discovering you may be sharing your bed with blood-sucking insects is the stuff of nightmares.

Law student Mobina Atashi, 22, claims that’s what happened when she flew out on July 12 for a seven-night Jet2 break near Bulgaria’s Black Sea coast — and ended up leaving early.

Mobina says she didn’t want to kick up a fuss when she first noticed the room was dirty, as she’d arrived late and planned to report it later. But she claims she was soon woken up by intense itching.

In shock, she claims she spotted bed bugs in her bedding and soon noticed angry red welts spreading across her skin — which she documented. Mobina says she was moved to a different room, but claims that one was also grubby.

Mobina claims staff downplayed what happened, insisting the bites looked like an allergic reaction rather than bed bugs.

She says she was left with no choice but to leave early, ending her holiday after two nights and paying an extra £40 to get back to the UK. On her return, Mobina says she complained to Jet2 and asked for a refund, but claims she was told there wasn’t enough evidence to link the bites to the accommodation.

Jet2 said they take concerns such as these “very seriously” and are looking into the matter further. Mobina, from Manchester, said: “I arrived after midnight. The room was very dirty but I decided to sort it out in the morning, it had hair everywhere. After a few hours of sleeping, my body was itching and I was confused. I turned the lights on and there were so many bugs.

“My whole body had red bumps and it got worse after a few days. They were on my breast area, neck, chin, behind my ears, legs and arms. There were at least 20 on my arms, probably 100 in total. It was like I had chickenpox, it was painful and mostly itchy. I made a mistake not to check properly before getting in bed but I was so tired.

“I ran downstairs at 5am and told them to please clean my room as soon as possible. I showed them videos. One of the ladies said they would change my room and gave me a new key. The new room was also dirty. There was hair and yellow stains on the bed.

“There were no bed bugs but I was so scared to sleep that night, after that, I decided I could not stay at the hotel.

She says she reached out to Jet2 on live chat in a bid to get support, only to be directed back to the hotel to resolve it. Mobina said: “I tried to talk to Jet2 through the live chat and they told me I had to talk to the resort.

“The receptionist said it looked like an allergy and that she didn’t think it was bed bugs, but it is. When I got home, I made several complaints for a refund and I didn’t get a response. They replied after three months and called me, they said all they can do is apologise.

“They said they can’t prove the bugs were caused by the accommodation and that my bites could have been caused by something else. I wanted to go on a relaxing holiday because I have anxiety and wanted to relax by myself. I never expected this. I’m traumatised because I’m scared of insects and spiders. If I see a spider, I cry, it’s my worst fear.”

Now claiming the ordeal has left her “scared at night”, Mobina has sworn off booking holidays through Jet2 in future. Mobina said: “I said they need to at least compensate me, but they said there is no evidence. I am so scared of travelling, I will never go solo travelling again.

“I’m scared at night. If my body itches, I think it is a bug. It is so traumatic. I’m never using Jet2 in the future, especially not package holidays.”

A Jet2 spokesperson said: “We’re very sorry to hear about Ms Atashi’s experience. We take concerns like these very seriously and we are investigating in further detail. We will contact Ms Atashi directly once this investigation is complete.”

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BONFIRE Night is on the horizon, and the biggest celebration in the WORLD is right here in the UK.

Lewes will hold its annual event in a matter of weeks and not only is it free to visit but it will be busier than ever.

Thousands of Brits descend on the town in East Sussex which has been holding bonfire events since 1795.

However, it isn’t the usual firework display followed by hot chocolates – this one is the world’s biggest with torchlit processions and giant effigies.

The event marks both Guy Fawkes Night and the memory of 17 martyrs from the town who were burnt at the stake.

Every year, six different bonfire societies each hold their own procession and firework displays.

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In 2024, it was recorded that 40,000 people were in attendance.

The event is predicted to be even busier this year because it falls nearer the weekend on Thursday, November 5.

The majority of the event is completely free, like the bonfire at Commercial Square – but visitors will need to pay to watch at others.

This year, the processions start at around 5pm and will arrive at the individual bonfire at around 9.45pm with fireworks displays finishing around 11pm.

Travel Writer, Hope Brotherton, who has previously attended told visitors to “be prepared”.

She said: “In the last few years, I’ve been lucky enough to attend Lewes Bonfire because a handful of my friends are from the Sussex town.”

“Because the town’s streets and alleyways are rather narrow, the High Street in Lewes is one of the best, and safest, places to watch the torch-lit procession.

“The processions can often be very loud because of the drums that accompany each of the societies. But the noise is all part of the electric atmosphere, as are the effigies.

“If you do want a drink in a pub, be sure to head there in the early afternoon. Several of the bonfire societies base themselves in local pubs too, which means they can be busier than usual.”

On the day of the event there will be limited rail services – trains will not stop at Lewes from 5pm until the start of the service the next day.

There will also be road closures around and in the town due to the procession and predicted number of attendees.

It’s so popular that those wanting to visit are encouraged to book hotels a year in advance.

On Booking.com there’s a one-night stay available from November 5-6, 2027 from £75 per night (for two people).

Unlike many other firework and bonfire events around the UK, the one in Lewes is not suitable for children or young families as officials warn it can be ‘overwhelming’.

Despite this, lots of visitors often rave about the event calling it an “amazing experience”.

One wrote on Tripadvisor: “The energy is superb, the friendliness of everyone involved, and a feeling of excitement throughout makes this such a memorable night out.

“Everyone should come to Lewes on November 5th at least once, you will never find a night like this anywhere else in the world.”

WHEN you picture Wetherspoons, you probably think of cheap pints, even cheaper food, colourful carpets, and a lively Friday night.

But your night out at Spoons doesn’t have to end with an expensive taxi home – with dozens of hotels across the UK and Ireland, the budget pub chain is quietly offering some of the best value city breaks around.

I headed to Dublin to see exactly what a night spent in a Spoons hotel really entails.

Spoiler alert: this particular Spoons hotel feels like staying overnight in a museum, and the rooms are nicer than you might think.

There are 56 Wetherspoons hotels across the UK and Ireland, so I decided to try out a stay at Keaven’s Port, a unique convent-turned-hotel in Dublin.

Keaven’s Port sits on Camden Street, which is where you’ll find crowds of locals out for drinks in Dublin – away from the expensive pints of Temple Bar.

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This well-positioned pub hotel puts you on the same street as popular nightclub The Camden, which you’ll find buzzing on the weekends.

And as for daytime sightseeing, here you’re only a 20-minute walk from popular attractions like Dublin Castle and Trinity College.

Wetherspoons are known for repurposing unique historic buildings including former opera houses, corn exchanges and banks.

Not only does this guarantee some decent square footage for all those restaurant tables (as well as a prime spot in the town centre) but it makes for a pretty unique overnight stay.

This one I found to be particularly unique. Keaven’s Port hotel is made up of eight old Georgian townhouses as well as a chapel.

The collection of buildings used to belong to Ireland’s Little Sisters of the Assumption, a convent established in the 1890’s.

Now, the chapel has been restored and is part of the bar and restaurant area. I must admit, sitting in a confession booth under stained glass with a bowl of chips and a pint is a tad surreal.

Getting to the rooms takes weaving through a series of corridors and lounge areas, each of which are packed with historical artefacts that made this stay feel more like a trip to the museum.

Lining the walls were old dresses and textiles, painted portraits and more belonging to historic residents of Camden Street Upper, as well as information boards telling you all about the history of the building.

One lounge area sees a giant Guinness-style harp, cosy sofas and a chessboard, while another sees antique furniture, Renaissance paintings and a collection of battered books packed with fascinating old stories.

After making your way out of the maze, you’ll reach the main bar and restaurant area (which thankfully has its own entrance, too).

Everything about the restaurant screams Spoons – tiled floors, a very long bar, plenty of high tables with stools as well as booths and larger tables for groups.

Just when you think there’s more than enough space, a spiral staircase decorated with mirrors leads you down to an even larger restaurant, as well as courtyard for the summer beer garden months.

We all know Spoons pubs in the UK offer some great-value deals on food and drink, but can you get good value over in pricy Dublin?

It turns out you can. An Irish spice bag with a soft drink costs €10.50 (£8.86), and a small cooked breakfast is an unbelievable €2.95 (£2.49).

You can grab a pint of Abbott for €2.60 (£2.19), wine by the glass starts from €4.30 (£3.63), and cocktail pitchers from €9.95 (£8.39).

A hot drink will only set you back €1.70 (£1.43), and it’s free refills from then on all day.

But what are the rooms like? Once you make it out of the busy bar area through to the elevators, the noise of the bar soon disappears.

If I’m totally honest, I went in expecting a cramped room with stained furniture and some strange marks on the walls.

Thankfully, I was pleasantly surprised at what I saw when I stepped in.

First of all, these rooms are very spacious. The large double bed had crisp white sheets, and there was plenty of room surrounding it to open up your suitcase.

The spacious desk was laid with the usual tea and coffee facilities. Here you also get posh shortbread biscuits and water cartons decorated with pictures of Irish poet W.B. Yeats (I kept mine as a souvenir).

The bathrooms were pretty glam too with black marble, a large mirror and a surprisingly spacious tub and shower. All in all, not at all bad for the price point.

Inspired by the local history, I did a bit of my own research. Namely, I wanted to know, who actually was St Keaven?

The name supposedly comes from St. Kevin, a sixth-century Christian hermit and saint, with a church named after him in nearby Camden Row.

Little is known about the Irish saint, other than that he appears in Seamus Heaney’s poetry and that he is associated with the glacial valley of Glendalough in nearby County Wicklow.

If you fancy, you can actually take a day trip from Dublin city centre into Glendalough to walk beside its glacial lakes with Wild Rover Tours (from €43). If you want to see some of Ireland’s rolling green hills and sparkling lakes away from the city, I’d highly recommend giving it a try.

But if you’d rather stay in the centre and make the most of the cheap pints in the bar below your room, it’s a great place for pre-drinks before rocking up to The Camden.

Rooms start from €86 (£72) per night, or £36pp based on two sharing. Click here to book.

Prices correct at the time of publication.

SANTA VISITS, festive pantomimes, bauble making and parties every day – these holiday parks offer the ultimate Christmas experience without the price tag.

Parkdean is opening a number of its resorts over the festive season and a whole family can stay for less than £150.

Parkdean Resorts has officially opened its bookings for Christmas with festive getaways available across eight UK holiday parks.

These are:

• Camber Sands Holiday Park, Sussex
• Cayton Bay Holiday Park, Yorkshire
• Vauxhall Holiday Park, Great Yarmouth
• Trecco Bay Holiday Park, Wales
• Ty Mawr Holiday Park, Wales
• Warmwell Holiday Park, Dorset
• White Cross Bay Holiday Park, Lake District (limited activities)
• Fallbarrow Holiday Park, Lake District (accommodation only)

Each of the holiday parks will be open throughout December including Christmas and the New Year with a whole host of activities.

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Winter Wonderland which will have over 30 Christmassy activities is available at Camber Sands, Cayton Bay, Trecco Bay, Ty Mawr, Warmwell and Vauxhall.

White Cross Bay and Fallbarrow will be open during the festive period – but these won’t hold the Winter Wonderland programme.

But for the ones that choose to enjoy Winter Wonderland, the events vary from park-to-park and some will have Search for Santa where youngsters are invited to help the elves find Santa with clues and songs.

There will be creative activities too like bauble and Christmas card making as well as festive pot painting.

Family-friendly pantomime performances will take to the stage with some famous faces like Jenny Ryan from The Chase.

There will be ice skating, Christmas parties and sing-alongs – for those there on Christmas Eve, there will be a special show to countdown to the big day.

Along with the Christmas activities, the holiday parks will also have their usual offerings like swimming, adventure activities and live entertainment.

One writer visited the Vauxhall holiday park in Great Yarmouth which recently underwent a £5million makeover.

Here, he watched entertainment like a knife-throwing magician, a Taylor Swift tribute act, karaoke, bingo and stand-up comedy. 

Other activities at Vauxhall include the high and low ropes course, Bear Grylls escape rooms, an inflatable bounce park, a swimming-pool obstacle course, pottery painting, off-road rangers and an adventure playground. 

He added: “We’ve taken our children to Dubai, Turkey, the Netherlands and Disneyland, to name a few — but they feel they’ve hit the jackpot on this quintessential Great British caravan-park holiday here in Norfolk.”

A four-night stay at Vauxhall holiday park from December 7 in a Sandpiper/Buzzard Apartment which sleeps up to six starts from £159 – or £6.62pppn.

If you want to stay for five-nights from December 23 in a Goose Apartment which sleeps four, this starts from £599 or £29.95pppn.

Trecco Bay in Porthcawl is the UK’s largest holiday park which has over 2,000 lodges and caravans.

It has Pirate Crazy Golf, a high ropes course, splash pad, archery, hoover boards and bumper zorbs.

There’s also a bowling alley and the Next Level Gaming Arena which has over 25 consoles including PS5 and Xbox.

Four-night breaks from December 14 in a Bronze Caravan which sleeps up to six starts from £159 – or £6.62pppn.

The six holiday parks with the Winter Wonderland programme have all-inclusive add-ons on certain dates, so there won’t be hidden surprises.

It includes three meals a day which are served directly to the table so there are no queues either – there’s also unlimited drinks and Costa Coffee.

This starts from £100 per adult and £40 per child (under 12) per break.

Anthony Reilly, Marketing Director at Parkdean Resorts, said: “We know that the festive period can be a stressful time for families looking to plan a getaway that’s great value, feel-good and has something for everyone.

“That’s why we’re so excited to bring back festive breaks, bigger and better than ever. Booking early means families can relax knowing they have secured their festive tradition for 2026, leaving the Christmas stress behind – and start unwrapping the excitement now.”

Munster: O’Connor; McCarthy, Nankivell, Kelly, O’Brien; O’Shea, Casey; Loughman, Van der Merwe, Aungier; Ahern, Beirne (c), Edogbo, Hodnett, Gleeson.

Replacements: Clein, J Wycherley, Brookes, F Wycherley, G Coombes, O’Donovan, Hanrahan, O’Donoghue.

Racing 92: Prisciantelli, Hulleu, Habosi, Manu, Tupou; Gibert, Latrasse; Njocke, Escobar, Kharaishvili; Lainault, Joseph, Tagitagivalu, Martins, Baudonne (c).

Replacements: Basse, Leota, Bamba, Hughes, Camara, Machenaud, James, Roche.

Sin bin: Roche (70)

Referee: Karl Dickson (RFU)

LAS VEGAS — The plan for the Lakers had been to turn their fourth preseason game into a dress rehearsal for the upcoming season.

But that was not the case.

The Lakers did get the preseason debut of center Walker Kessler on Tuesday night, a good sign for them to see their biggest acquisition of the summer play.

But on the flip side, Luka Doncic didn’t play in the Lakers’ 101-89 loss to the Golden State Warriors at T-Mobile Arena because he was resting.

“He’s not injured, just getting the night off,” Lakers coach JJ Redick said.

So, it was left up to Kessler, Austin Reaves and the rest of the available Lakers to sort things out. And Reaves and Kessler were on point.

In just his second preseason game, Reaves was doing what is expected of him, scoring 28 points on 10-for-18 shooting, including four for seven on three-pointers, with seven assists and four rebounds. But forced to handle the ball more with Doncic out, Reaves also had seven turnovers.

Kessler started and had 11 points, nine rebounds, one blocked shot and one steal in 16 minutes.

For the Lakers, it was good to see Kessler on the court. They gave up a lot to acquire him in a trade with the Utah Jazz — two unprotected first-round picks and two pick swaps and then signing him to a four-year, $130-million contract.

Kessler played in only five games last season while recovering from a torn labrum in his left shoulder.

He missed the first three Lakers’ preseason games because of a left pinky injury.

Kessler yearned to play again.

“Yeah, I mean it was a lot of fun being out there again,” he said. “It’s been so long. Before the game I was actually pretty nervous, to be honest. But, getting out there and just playing with the guys, it was a blast. I can’t really, you know speak to … I think I have a certain presence on the floor, but I think my teammates around me did a great job of playing defense on the perimeter. I think we shared the ball really well tonight. Just how it was, especially in the first half. It was a lot of fun.”

He began his night with a defensive rebound, which allowed the Lakers to set up their offense early in the first quarter.

Kessler then cut to the basket, took a pass from Reaves and scored on a layup, his first points of the preseason.

His second basket was a left-handed layup early in the second quarter. Shortly after, Kessler blocked a shot by Warriors center Charles Bassey from behind, a display of his defensive presence.

Another good sign, less than a minute later, was when Kessler got an offensive rebound and bounded back up for a dunk.

When the Warriors went to their small-ball lineup in the first quarter, it meant the 7-foot-2 Kessler would be tested on defense, because his man was 6-2 Gary Payton II. It meant Kessler was forced to play defense on the perimeter and not down low where the Lakers prefer him.

Still, Kessler held his own.

Lakers forward Arthur Kaluma drives the ball against Warriors forward Yaxel Lendeborg during the first half Tuesday.

(David Becker / AP)

While he was out and unable to play, Kessler learned a few things about himself.

“Yeah, I think what I missed most was competing,” Kessler said. “Quite frankly, competing to win, and I think as far as making me a better basketball player, I just think it has made me long to go try to win every game and win every night. So returning, I think it makes me a little better basketball player.”

The Lakers lost to the Warriors for the second time this preseason. Their other two games were victories over the Sacramento Kings. They play one more preseason game, Friday night against the Denver Nuggets at Crypto.com Arena, and then open the season against the Warriors at home on Oct. 21.

Before the game, Redick said the plan was for the Lakers to “continue to work on us.”

“We have kind of circled this game, not as a full dress rehearsal, just in terms of our scout presentation, but we gave the guys a sample of that this morning and at shoot-ariund,” Redick said. “Not as much game-planning necessarily, but just kind of the sequencing of how we present prior to a game. We’ll do the same thing pregame with a brief personnel tape. We just want to get better. I mean, that’s the biggest thing. We want to get healthy, we want to get better, we want to continue to build our fitness and cardio level and find a rhythm. And it’s been a little disjointed with having some guys out.”

Redick said rookie Cameron Carr, guard Collin Sexton (lower leg) and forwards Ziaire Williams (right foot contusion) and Adou Thiero (undisclosed) “are still day to day” with their injuries.

MYLEENE Klass looked utterly gorgeous dolled up tonight for the Sky Arts Awards.

It comes shortly after the stunning star turned down joining her Hear’Say bandmates on their reunion tour alongside Liberty X due to being “too busy”.

Myleene slipped into a baby blue strapless gown that fell all the way to the floor.

The dress featured a blue slip underneath and then all-over tassel details draping down the fabric.

The star paired the beautiful dress with simple accessories including a gold watch and a small golden clutch bag.

For an added pop of colour Myleene opted to wear large red earrings, visible underneath her chic bob.

NOT SO SIMPLE

Myleene Klass breaks silence on why she isn’t joining Hear’Say reunion

THAT’S KLASS

Myleene Klass shows off long legs in hotpants after snubbing Hear’Say reunion

Hear’Say announced earlier this month that they would be reuniting to commemorate their 25th anniversary.

However, a source revealed that Myleene wouldn’t be joining the line up.

They shared: “The group have been asked multiple times over the years about a reunion but it was never the right time.

“The 25th anniversary feels like a special moment to celebrate the success of the band and give something back to their fans. Myleene was invited but their diaries did not align.”

The group formed on ITV reality television show Popstars and debuted in 2001.

Band members Kym Marsh, Myleene, Suzanne Shaw, Noel Sullivan and Danny Foster split two years later after a couple of No1 singles and a chart-topping album.

Myleene previously ruled out reuniting, saying: “If I go backwards, I won’t know who I am.

“I hope it works. I will be cheering the loudest.”

“That is where we need to get him,” said the Gunners boss before the game. “And if he misses the chance, so be it. At the end, the more volume we generate, the bigger the probability of him scoring more goals.”

Saka’s strike against Lille was a confident one-touch finish and came after he missed a late one-on-one opportunity in Saturday’s Premier League victory over Leeds.

“He has been getting in great positions, getting shots, getting one-touch finishes and tap-ins,” added Arteta.

“That is the kind of unpredictability we have with that player, otherwise we know how the opponent is going to defend him. He is doing well, he could have had another four or five goals by now, easily. But if he continues like that, we know.

“When he talks about scoring a certain amount of goals, he needs to be thinking about scoring a certain amount of goals per game. If that shifts, that mentality, he will get into those positions and score more goals.”

Saka has scored 20 goals in a season just once in his career, which came in the 2023-24 campaign and 16 in the Premier League.

But the winger has also been in good goalscoring form for England with five in his last four matches and scored a double in the 7-0 Nations League demolition of Croatia in the recent international break.

Saka is now on 19 goals in major European competitions for Arsenal, only behind Thierry Henry (42), while he has nine assists in the Champions League which puts him behind Henry (16) and Cesc Fabregas (14).

He has refused to disclose the targets he has set himself, but Arteta welcomed Saka’s response following his message to do more in front of goal.

The Spaniard said: “I don’t know if that’s the case, but I am very happy.

“He wasn’t feeling that good yesterday and today, as he had some sort of illness. He wasn’t ready to start but he was really wanting to contribute to the team if it was needed and he came on and made a huge impact and delivered with real quality.”

Arteta revealed he also spoke to Saka after telling the media about his desire for the player to have a greater impact.

“After the press conference I went, he was on the massage table, and I said, ‘Bukayo I just killed you in the press conference, good luck tomorrow’, he added.

“He was laughing. He knows that we have discussed these kind of things and he takes it because he wants to be the best version of himself.

“In order to do that, you have to put big objectives and challenges and try to reason by working and being consistent – and when it doesn’t work, keep going because he has the ability to do it.”

Steve Tatham always wanted to work in theme parks. And growing up in Anaheim, some sort of career associated with Disneyland seemed readily attainable.

“Disneyland was the local business,” Tatham says. “It’s where everyone ended up when they were students and working part-time, and I was no exception.”

While in college, he got a job as a Jungle Cruise skipper, and since then, he has never looked back. Over the course of his career, Tatham has spent nearly 30 years with the Walt Disney Co., many of them in theme park design with Imagineering. More recently, Tatham worked at Universal Creative for more than a decade and was the executive creative director of Epic Universe, the company’s impressive new Florida park.

Today, Tatham is turning his focus toward the next generation of theme park designers, having recently been tapped by USC to lead the Bachelor of Fine Arts in Themed Entertainment program, which is offered out of the cinema school. The four-year program is designed to prep students for a myriad of fields — modern theme park design firms work not only on new attractions but readily contribute to museums, zoos, immersive marketing events and more.

And yet theme park designer can feel like an elusive dream job, one based on connections, mentoring or even just luck. Part of that myth was shaped by the initial Disney Imagineers, many of whom were simply making up the job as they went along. As a longtime admirer of Tatham’s work, I recently chatted with the newly crowned academic leader on how one should prep for a career in the field, hoping to demystify it just a little bit.

Steve Tatham, photographed in Florida’s Epic Universe, is leading USC’s undergraduate program in theme park design.

(Steve Tatham)

You don’t need to major in themed entertainment to work in theme parks

There aren’t too many universities that offer a theme park design degree. (Along with USC, Purdue offers a themed entertainment design major and the Savannah College of Art and Design has one of the best-known and longest-running programs in the country.)

But Tatham notes that when he began his career in the industry, it generally wasn’t a field accounted for by universities. And many theme park designers I meet as a reporter, whether relatively new to the industry or veterans, created their own paths into the biz.

Tatham’s own background still provides a solid template for those students looking to enter themed entertainment design, as not everyone will have the means or the ability to attend a program such as USC’s. “I wrote my own major,” he says of his time as an undergrad at UC Berkeley, where he targeted theme parks as his career goal. He majored in film design but took courses that combined theater, architecture, environmental psychology and film studies. After graduating, Tatham went to UCLA for a masters in architecture.

Architecture was a career path pushed to Tatham by longtime scenic designer Henry May, who was his advisor at Berkeley. It was an early recognition that theme park design is an offshoot of urban design, requiring principles necessary in both stagecraft and real-world planning.

Think beyond theme parks

People are hungry for themed experiences. Global theme park attendance topped 246 million in 2024, a 2.5% increase, according to the Themed Entertainment Assn., which also charted a nearly 15% growth in attendance at the world’s top 20 museums, which are often a fertile industry for theme park designers. And that says nothing of the domestic trend of smaller, more locally-focused entertainment centers (think Netflix House or Meow Wolf).

It’s why Tatham tells his USC students to think beyond a Disney or Universal creation.

“If you look in the world out there, there’s marketing firms doing pop-up retail and pop-up dining, and they are doing immersive design in museum spaces,” Tatham says. “In addition to theme parks, there are opportunities within marketing and within architecture. Students who get this interdisciplinary training, which involves coding, architecture, design, exhibition work, landscape architecture and lighting, it’s a growing field.”

Steve Tatham once served as a tour guide on Universal Studios Hollywood’s behind-the-scenes tram tour.

(Genaro Molina / Los Angeles Times)

The best lessons come from observing guests

Long before Tatham was designing Epic Universe, he was working as a tour guide at Universal Studios Hollywood. As a film buff, he enjoyed the early-career job, but says one lesson from those days continues to stick with him.

“I would go on and on, because I love movie history, and I would be like, ‘Right here is where Jimmy Stewart worked, and Edith Head designed costumes,’” Tatham says. “They would politely listen, but then when ducks walked across, they would get excited and take pictures. People love things that are alive and immediate and happening now. People respond to what is immediate.”

The best theme park design is in conversation with guests. I think of Epic’s “How to Train Your Dragon”-inspired land and the bounty of movement found in the space via animatronic dragons (if you promise dragons, guests better see dragons!), or Disneyland’s New Orleans Square, where the curved, winding paths encourage constant discovery.

AI won’t replace great original ideas

Tatham is careful when speaking on the subject of artificial intelligence. He doesn’t want to dismiss its potential to be used as a development tool. And yet Tatham is direct when it comes to AI and creativity.

“I think there are a lot of challenges with AI. I think there are a lot of things that are scary,” he says. “But I think, ultimately, if it’s used as a tool, it can be useful to artists.”

But there are limits.

“AI is never going to come up with a great idea,” he says. “It’s just going to recombine and reconfigure and spit back to you ideas that others have had. So I think this is an opportunity for original thought to stand out even more than it has in the past.”

Jennifer Bascom of Disneyland, gives a telegram to Disneyland guest Keith Kocienski of Fullerton while playing a live-action role-playing game in Frontierland called Legends of Frontierland back in 2014.

(Christina House / For The Times)

But the integration of smartphones remains a challenge

While Disney recently shuttered its Play Disney Parks mobile app, the park is experimenting with connectivity between the video game “Fortnite” and its attraction Millennium Falcon: Smugglers Run. Tatham cautions that any time a theme park invites someone to use a smartphone during their day at the park, designers are then pulling them away from the curated experience.

“The problem is when you’re in Universal or Disneyland, you’re now competing with all the opportunities that people have to explore their own entertainment,” Tatham says. “Are they going to be on Instagram or playing Solitaire online? So now you’re competing with that.”

And yet Tatham thinks there are lessons to be learned from the interactive world, as long as designers focus on real-world play. Tatham, after all, worked on what was once of my favorite Disneyland projects, the great but short-lived Legends of Frontierland. Some of those who contributed to it brought it to Knott’s Berry Farm, where it has been fine-tuned into the terrific Ghost Town Alive! The latter is a rarity in the theme park space.

Yes, it’s possible to make a decent salary

So how much can one expect to make? This isn’t an easy question to answer, as there’s only so many slots at Walt Disney Imagineering and Universal Creative, and the theme park design industry encompasses so much more.

There are independent themed entertainment firms to marketing outposts to studios to museums to architecture companies to theaters and more. And salaries can vary greatly between the public or private sector, as well as entry level versus senior positions. Even recruiting sites have a broad range, from around $50,000 to above $200,000.

The good news, says Tatham, is there is a high ceiling. Additionally, that there is a breadth of industries to work in should help any potential graduates. “There are many different job descriptions with different salaries in the themed entertainment field,” Tatham says.

And yet he knows it’s a concern of parents.

“I want students and parents to know that it is possible to make a solid steady income in the arts and that they shouldn’t focus on a backup plan but rather on putting together a killer portfolio because there is work for those who have honed their skills,” he says. “I would tell them that they should be prepared to live in Orlando, Fla., or Glendale, Calif., and be open to international assignments. Top directors can make in excess of $250,000 a year, but they should be prepared for starting salaries similar to architecture, graphic design or similar creative fields.”

A Disneyland cast member playing the role of Alice in Wonderland interacts with guests.

(Christina House / Los Angeles Times)

Remember why theme parks still matter

Anytime I have an opportunity to chat with someone with Tatham’s experience I want to hear their take on one question in particular, and that’s why they love theme parks and why they believe the spaces resonate with so many people. As someone charged with creating passion among the next generation of theme park designers, I was especially interested in Tatham’s response.

“If you go to a theme park, there is something for every demographic,” he says. “There are things for kids. There are things for grandparents. There are things for everyone in between. People can enjoy those times together, which was the original intent of Walt Disney. He was looking for a place while in Griffith Park where he could go do things with his daughters. He created it because it did not exist.”

For Tatham, it’s about the memories.

“If you ask people about their experience in theme parks, they will remember in great detail which parks they went to and who they were with,” he continues. “Ask them about going to the movies, they might say, ‘Sure, I went with my family, but can’t tell you what movies and who I was with.’ But they will remember those moments with theme parks. It’s a great bonding experience. That’s the reason they exist and the reason I love to create them.”

This week in SoCal theme parks

Plans are underway to refurbish the Griffith Park merry-go-round.

(Christina House / Los Angeles Times)

• The Griffith Park carousel will spin again. Assessments are underway to see what it will cost to once again get the Griffith Park merry-go-round spinning. Theme park fans best know it as the site that is said to have inspired Walt Disney to dream up what would become the Disneyland Resort, and it has been shuttered since 2022. Curiously, there’s also a Disney connection with the carousel today, as some of those who work at Walt Disney Imagineering are volunteering their time and efforts to restore this treasure in Griffith Park. Read my story here.
• Six Flags Magic Mountain shuts down second coaster. Six Flags is closing several rides across the U.S. and Canada — including the Goliath roller coaster at Six Flags Magic Mountain in Valencia — after a man fell to his death from a roller coaster at one of its parks in Georgia. Park officials said Tuesday that the closures were out of an abundance of caution and were temporary. Times writers Hailey Branson-Potts and Fedor Zarkhin have more on this story.
• Merry Minions. Universal Studios Hollywood has unveiled its slate of holiday of programming, and returning this year are its popular “Grinchmas” offerings, including the 65-foot winding, drooping, Dr. Seuss-inspired Christmas tree. There will be meet-and-greets, including a reading of “How the Grinch Stole Christmas,” as well as holiday carolers and ornament decorating. New this year will be holiday festivities in the park’s kid-focused Minion Land, complete with Minions in holiday attire. Super Nintendo World, Wizarding World of Harry Potter and other areas will also be dressed for the season, beginning Nov. 21 and lasting through Jan. 3.
• A heads-up for ‘Cars’ fans. It’s the 20th anniversary of the “Cars” franchise, and those with a special affinity for the series will want to find their way to Disneyland’s Pixar Place Hotel and park themselves on the hotel’s second floor art gallery. That’s where the hotel is hosting an exhibit honoring the film with drawings, paintings, sculptures and behind-the-scenes footage that document how Radiator Springs Racers was brought to life. And before you go, read my story on how Route 66 inspired the film and Cars Land.
• Step into the world of ‘Dune.’ Tickets are now on sale for an immersive “Dune” exhibition in downtown L.A. that promises spectacle, as well as a bit of mystery. Step around, and potentially inside, awe-inspiring vehicles from the film, or come face-to-face with the Bene Gesserit, a group of priestesses who possess, among other things, the ability to bend the will of others. “Dune: The Experience” opens Nov. 20 and and is currently set to run through Dec. 20, although an extension is likely. Standard tickets start at $42 but there are various ticket packages available.

Ride Report

The dinosaurs on the Disneyland Railroad.

(Todd Martens / Los Angeles Times)

It’s always a good idea to hop on a Disneyland attraction that has been recently refurbished. It’s generally a chance to see the ride in tip-top shape. And so I was eager to get on the Disneyland Railroad on a recent trip to the park, as the dinos in the Primeval World world section of the attraction had recently been hidden behind illustrated tarps. Good news, as the dinosaurs are looking as sharp as they ever have. No real changes were made to the figures, but they’re all moving as they should, be it munching on grass, rattling out of an egg or getting ready for battle.

The theatrical lighting overall feels a little brighter, and the few digital effects — a volcano erupting in the background, for instance — are all in working order and bring an added sense of dimension to the diorama scenes. Be sure to add it to your day. The Disneyland Railroad is also a fine reminder to slow down during your Disneyland visit.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

What is “Eggs in Space”?

(Todd Martens / Los Angeles Times)

A cinematic mystery is brewing, one that seemingly has connections to the local immersive entertainment community. What, for instance, is “Eggs in Space”? A recent sci-fi event at indie nonprofit movie theater and store Vidiots ended with the beginnings of a puzzle.

The screening appeared to be interrupted by a film that was taking control of the projectors. The film? “Eggs in Space.” As an abstract image of an egg appeared on screen, performers began walking toward the front of the theater in a transfixed, cult-like fashion.

There is, of course, no record of a film titled “Eggs in Space,” although there is a website dedicated to its disappearance. So dig in. A new alternate reality game just dropped. I have a hunch you’ll want to know where it leads.

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