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BROOKS Nader looked incredible in her latest risky outfit, as she went braless in a see-through top for a night out in New York.

The new Baywatch star, 29 is known for her daring looks and her latest one did not disappoint.

Brooks stepped out in the Big Apple in a daring bejewelled top.

The sexy star also ditched her bra for the occasion, baring her figure for all to see.

Brooks, who The Sun revealed has been enjoying a steamy romance with Brit actor Taron Egerton, 35, completed her look with a pair of low-slung white trousers.

This isn’t the first time Brooks has been bold with her fashion choices.

flirty france

Brooks Nader ditches underwear & flashes huge bruise on her bum in St Tropez

‘HAPPY GIRL’

Brooks Nader goes braless under plunging see-through dress

Just days ago, she also stepped out in New York in a lacy dress – again not bothering with a bra.

And then two weeks ago she ditched her underwear again in France in a sexy white gown.

Aside from modelling for Sports Illustrated, Brooks is known for her various TV appearances.

This includes her stint on Dancing With The Stars and her reality show Love Thy Nader.

However, her biggest gig to date is her role in the new reboot of Baywatch.

Brooks has stepped into the same part that made Pamela Anderson, 59, famous.

Former newsreader and Strictly Come Dancing star Katie Derham is hosting the BBC Proms

BBC host Katie Derham received a marriage proposal on a first date.

The former Strictly Come Dancing star is a former ITV news presenter but in 2010 she announced she was returning to the BBC where she started her career as a researcher.

Since then she’s worked extensively across radio and she was one of the contestants on Strictly Come Dancing in 2015 when she was partnered with Anton Du Beke and impressed both the judges and viewers, topping the leaderboard and making it through to the final. She returned for the Christmas special two years later which she won with Brendan Cole.

As she teams up with Celebrity Traitors star Nick Mohammed to present the BBC’s Last Night of the Proms on Saturday, September 12, which will feature a Dolly Parton tribute, we take a look at her life offscreen.

Katie Derham’s heartbreak

Katie, who was born in Kent, is now 56 and she admits that her last birthday was a poignant moment for her because her mother Margaret was the same age when she was diagnosed with early onset Alzheimer’s.

Margaret died aged just 61, from complications of pancreatitis. Opening up to HELLO! magazine’s Second Act podcast Katie said: “I’ve stopped being quite so angry (over her death) as I was for many years. She never met my second daughter, and she had such a bright and interesting mind.”

She added: “It seems particularly cruel. She was 61 when she died – that’s nothing is it?” Katie also spoke about how she felt she had to “step up” and be the “mother of the family” after Margaret died.

The mother-of-two continued: “I don’t know how she (Margaret) responded to the menopause, I don’t know what she was like as a young grandma – I don’t know what she was like as an older grandma.”

Marriage proposal

Katie met her husband, John Vincent, now the chief executive and co-founder of fast food chain Leon Restaurants, when he caught her gatecrashing the Cambridge University May Ball – and proposed to her.

“It sounds so bad now, in retrospect. But with a big smile and a big twinkle, he said “Well, you know, give me a snog and I won’t throw you out,” she revealed to HELLO!

“It did make me laugh. And we spent the night dancing around, but I thought (proposing) was a joke, I genuinely never thought I’d see him again. But he told his mum and dad ‘I met this girl at this ball and I’m pretty sure I’m going to marry her.’”

They met up again when John took the plunge and called the BBC switchboard during her shift as a financial news researcher in 1992. They went on to marry seven years later and they are the proud parents of two daughters.

Last Night of the Proms: The Finale is on BBC One on Saturday, September 12 from 9pm

That was a strange game. There were 22 accepted flags for 211 yards in penalties, fumbles galore and three turnovers in total. There was a safety and a missed field goal. Ultimately, Mater Dei (4-0) won 10-9 over Corona Centennial (1-2) in a game where it only converted two out of 10 third down attempts.

Beyond the weirdness, however, a solution at the quarterback position might have emerged for the Monarchs — in the form of a freshman, no less. Head coach Raul Lara has cycled through three players in the position so far this season, and the standout against Corona Centennial on Friday was Paytyn Guess.

“The young kid is dynamic, no doubt,” Lara said before the game. “But he’s young and he’s still learning the program and playbook. Once he learns, we’ll get him in the game a little bit more.”

Friday night’s game showed that Guess might be ready to be the starter.

Santa Ana Stadium has played host to Mater Dei football games for many decades, but the fans in its stands might not have seen a better pass than what the freshman conjured during the second quarter. Running away from oncoming rushers, Guess threw the ball back against his body — something most coaches advise against — and found heavily recruited senior wideout Gavin Honore at the one-yard line.

It was a dot. Right on the money. Professional players 10 years Guess’ senior would be excited to make that kind of play.

Mater Dei High freshman quarterback Paytyn Guess.

(Caleb Otte / For The Times)

The only hesitation to not start Guess was shown on the very next snap. Under center, Guess fumbled the snap and Centennial recovered the ball in the end zone. It was an unfortunate low after such a triumphant high.

Ultimately, though, Guess made the key throw after being entrusted to lead the final drive. With Mater Dei in their own half of the field on a third down, he found Honore along the sideline to pick up a first down and effectively end the contest.

That came after Mater Dei junior quarterback Russell Sekona tied the score, 9-9, midway through the fourth quarter with a one-yard touchdown plunge. Jerry Shifman converted the point-after kick for the winning margin.

Centennial had a chance to reclaim the lead with 2:30 left in the game, when its last drive ended in a missed field goal.

As far as Guess, he can make plays and had multiple downfield passes that fell just incomplete. But in that moment, the kid showed true composure. There might be growing pains, but the raw talent is on display.

Guess finished the nightcompleting four of nine passes for 56 yards, while rushing for 19. Lara had no worries about putting the freshman in the fire and letting him secure the victory.

“Coach Lara’s trust in me means everything,” Guess said after the win. “It shows me what I can accomplish on the field.”

He has a lot of time to develop, but aGuess said he needs to acclimate to this new stage.

“High school football moves quicker,” Guess said “I also need to be louder in my cadence because this was my first game in front of a big crowd.”

His skills directly resembled that of his counterpart on the night, senior Jaden Jefferson. The Hawaii commit might be ending his high school career just as Guess is starting, but both have a slippery and slinking style of play that excites fans just as much as it moves their teams down the field.

Jefferson had a solid game, going 14 for 23 through the air with 205 yards and tacked on 65 on the ground. The play that defined the night, however, was a blemish on his record. Backed behind its own 10-yard line, Centennial looked to Jefferson for another magic moment. His flip pass to a running back bounced off his teammate and into the waiting arms of a Mater Dei defender, setting up Sekona’s run.

Centennial’s defense was top notch all night, only allowing two third-down conversions. Mater Dei’s run game was shut down, gaining less than 100 yards, and it looked like the Monarchs would be stifled for the entire four quarters.

The game started out with a jet sweep touchdown from Kennie Leggett, a former Mater Dei player, and it seemed as though Centennial would beat the Monarchs as it did twice last season when building a 9-0 lead in the first quarter. The home team’s defense ratcheted up the pressure, however, not giving up another score. The Huskies only scored again on the freak safety in the first quarter.

Centennial has dealt with a lot of injuries to the offensive line this season, which allowed Mater Dei to get multiple sacks and hurries on Jefferson. Before the game, head coach Matt Logan said that his team has been treating every game in the same way regardless of the opponent. Three tough Trinity League matchups to start the season, however, have left them with a losing record.

Centennial played better, and Logan was right by saying it can go toe-to-toe with any opponent, but the scoreboard favored Lara’s men on a weird night in Santa Ana.

NEW YORK — Republicans are gathering in Dallas on Wednesday for a highly unusual midterm convention, a “Trump-a-Palooza” that will put President Trump at the center of this fall’s midterm elections — whether the candidates running like it or not.

Many party members, including those facing tight races, are skipping the two-day affair, citing conflicting obligations or balking at demands that they pony up for access. Others are hoping an appearance alongside Trump will put them in the national spotlight as they work to turn out his voters without him on the ballot.

The convention, which is part rally and part fundraiser, comes as Republicans try to boost enthusiasm heading into the midterms’ final stretch despite Trump’s low approval ratings. Organizers have cast it as “a primetime showcase for President Trump’s success, candidates, and causes that have propelled the 2026 midterms to unprecedented focus.” Much of the programming will focus on Democrats, trying to cast them as extremists by highlighting the party’s insurgent left wing.

The lineup features Trump and more Trump

Normal political conventions are held every four years and serve a purpose beyond pomp and circumstance, with parties formally nominating their presidential picks. In 2024, Trump used the opportunity to announce JD Vance as his running mate.

The schedule this week released by organizers makes clear that the convention will be the Trump Show, through and through.

“It’s gonna be a Trump-a-Palooza,” RNC Chairman Joe Gruters told Spectrum News.

The president will be speaking both nights, delivering a keynote address on Wednesday night and speaking again Thursday after Vance to close out the event. He had originally been scheduled for only one speaking slot.

Also addressing the convention will be members of the Republican congressional leadership and Cabinet members including Atty. Gen. Todd Blanche and Health Secretary Robert F. Kennedy Jr. The president’s oldest son, Donald Trump Jr., is on the roster, too.

Candidates who will speak include Michigan Senate nominee Mike Rogers, who is running a high-profile race against Abdul El-Sayed, and North Carolina Senate nominee Michael Whatley, who is up against former Gov. Roy Cooper.

Organizers have outlined 12 hours of programming over the two nights that will include more than 100 speakers and segments focused on subjects like tax cuts, fraud allegations, border security and a proposed ban on members of Congress trading stocks.

Missing from the public lineup: any mention of the unpopular war with Iran.

Republican House Speaker Mike Johnson said some members of his caucus plan to skip Dallas, preferring to stay home and campaign for reelection, but many of them will make an appearance.

“We’ll parade our stars across the stage,” he said.

Many will be skipping the event

An Associated Press survey of more than four dozen Republican candidates found a majority either planned not to attend, said their plans were to be determined, or ignored requests for comment.

“I had stuff already planned in my congressional district or I would be there,” Kentucky Rep. James Comer told NewsNation. “Got a lot going on back in Kentucky, so my time is needed there.”

“Well, unfortunately, I have a family obligation, so I won’t be able to be there,” Georgia Rep. Buddy Carter said on Fox Business.

Some members balked at high attendance fees. Republican House members were being asked to pay $25,000 for convention tickets and lodging, according to people familiar with the situation and granted anonymity to speak frankly about the private arrangement.

An additional 2,000 tickets were distributed by the House GOP’s campaign arm, largely to donors and others to attend the convention. Other tickets were allocated to state parties to distribute as they saw fit.

“Per the RNC, this is a ticketed fundraiser and rally, not a traditional national convention,” the Denton County Republican Party in Texas wrote in a Facebook post, which advertised packages from $5,000 to $20,000.

The Republican Party of Virginia was offering a relative discount of $1,000 to $1,500, not including accommodations, according to an email obtained by the AP.

Despite the many no-shows, more than 100 Republican House members and candidates are expected to be in Dallas, including almost all of the MAGA Majority class of candidates in the most targeted congressional districts, according to a person familiar with the event who requested anonymity before it begins.

“It’s like any political convention, it’s no different than the traditional RNC,” said Matt Beynon, a spokesperson for Pennsylvania Rep. Scott Perry, who won his district by barely 1 percentage point in 2024 with Trump on the ballot. “Obviously, you’re out of the district, but it’s a really good opportunity to get in front of people” and “talk to the press.”

It remains unclear what kind of air time the convention will receive. The two nights of programming will coincide with the launch of football season. The NFL season is set to kick off Wednesday with a game between the Seattle Seahawks and the New England Patriots. And on Thursday, the San Francisco 49ers and Los Angeles Rams will be playing an international game in Australia.

In a sign of the growing focus on the midterms, Trump’s political organization, which is sitting on a big war chest, is spending heavily to back a new group, the No Going Back PAC Inc., The New York Times reported Wednesday. The new group started reserving $47 million for six competitive Senate races and one competitive House race. That’s in addition to the $10 million the Trump-affiliated MAGA, Inc. political group is spending in the Texas Senate race.

Democrats say Republicans are out of touch

Democrats, meanwhile, are planning their own counterprogramming.

“The fact that these Republicans are planning a celebration in the middle of an economic crisis — where everyday Americans are drowning because of this high cost of living — is extraordinary,” Rep. Hakeem Jeffries, the House Democratic leader, said at the U.S. Capitol.

Democrats have held such midterm conventions in the past but are not doing so this year. Rep. Suzan DelBene of Washington, chair of the Democratic Congressional Campaign Committee, said she wasn’t worried that her party was missing an opportunity to make its case on a national stage like Republicans.

“They are not focused on the issues that people are struggling with right now, that they’ve created,” DelBene said. “Cost, housing, food, healthcare, childcare, energy costs, gas prices all going up. That’s what we’re talking about on the ground all across the country.”

Americans “are going to continue to see how much they don’t care,” she added. “And we’re gonna be on the ground all across the country with great candidates talking directly to the American people.”

Colvin writes for the Associated Press. AP writers Steven Sloan and Lisa Mascaro in Washington, Marc Levy in Harrisburg, Pennsylvania, Hannah Fingerhut in Des Moines, Iowa and Sarah Rankin in Richmond, Va., contributed to this report.

Folk singer Ray LaMontange was treated for heat-related dehydration after collapsing onstage during a weekend performance amid triple-digit heat in Nashville.

On Saturday, the 53-year-old toppled to the side while performing his popular track “Jolene” in front of a sold-out,crowd at Ryman Auditorium, according to recorded fan footage.

There were reports that LaMontagne had lost his place earlier in his set when performing “Hannah,” per Consequence. According to the National Weather Service, temperatures in the Nashville area reached a high of 101 degrees.

Later that night, LaMontagne’s management released a statement through his Instagram stories, sharing that the Grammy winner was in “good hands with local EMS” and that he was being treated for “heat-related dehydration.”

LaMontagne returned to the stage the following night, performing at the Louisville Palace in Kentucky, where he made no mention of the incident.

Last month, the Americana singer — best known for tracks “You Are the Best Thing” and “Hold You in My Arms” — had kicked off his 20th anniversary tour.

The tour is named after his 2004 debut album, “Trouble,” which is platinum certified in both the United States and United Kingdom; though the album reached only No. 164 on the Billboard 200 chart, it hit No. 5 on the U.K. Albums chart.

Known for his gruff vocals, LaMontagne first came to the scene in the early aughts as a timid troubadour. The New Hampshire-born, Utah-raised artist was once a former shoe factory worker from Maine whose singer-songwriter journey began when he woke up one morning to Stephen Stills’ “Treetop Flyer” on his clock radio.

All nine of LaMontagne’s albums — with the exception of his independently released 2024 LP, “Long Way Home” — have charted in the Billboard 200.

LaMontagne will continue on with his Trouble tour — which features special guest the Weather Station — through Oct. 3, closing out at New York City’s Beacon Theatre.

A YouTuber set himself a £100 challenge to discover just how much food, drink, accommodation and entertainment he could squeeze into a night in Benidorm

The seemingly endless cost of living crisis is making even our weekly shop a major budgeting challenge. So it’s no surprise that some of us have given up on luxuries like holidays. With that in mind, YouTuber Ed Chapman set out to see how far £100 could take a holidaymaker in one of the most popular Spanish resorts.

Benidorm is renowned for “The Strip”, a street lined with garishly neon-lit English pubs and restaurants promising a traditional fried breakfast. It’s the ideal spot for a cheap and cheerful stag or hen weekend, but just how cheaply can you spend a night there?

Armed with €116 (£100), Ed scheduled a night out, a stay in a one-star hotel and a fun activity for the following day.

A key part of his plan was tracking down a hotel that wouldn’t leave him out of pocket. Ed explained that while he could have saved a bit of cash by opting for a hostel, he’d rather have a proper hotel room to himself.

And given what he paid for it, he said the room exceeded all expectations: “Believe it or not, we have a balcony,” he said. “I was sort of shocked by this for the price.”

The hotel bathroom also came as a welcome surprise: “This is a nice big modern shower. I was really shocked about this. You’ve got a toilet here. You’ve even got a little sink at the side as you’d expect, and a bathroom hand dryer in a holster,” reports the Express.

The room, which set Ed back just £62, was something of a revelation, he said: “I didn’t expect such a good shower situation. And it is a very powerful shower as well. I’ve been really impressed with this for one night.”

For his evening meal, Ed nipped into a bar-restaurant called the Bulldog and went for a wallet-friendly jacket potato. For €6 – just over a fiver – he tucked into a perfectly decent jacket potato with baked beans, served alongside a side salad which, as he rightly noted, “no-one ever eats.”

Washed down with a “massive” pint of cider that brought his total spend to £9, it was a hearty and satisfying meal that set Ed up nicely for a bar crawl.

Spending an evening solo on Benidorm’s notorious “Strip” could have been quite a daunting prospect, but Ed says he had a brilliant time. Settling down with a pint of cider in one particularly “friendly” bar, he recounts how a complete stranger wandered over and planted a kiss on his ear: “Bit friendly, bit familiar,” he said.

Ed spent a couple of hours strolling around Benidorm, noting that while it’s widely regarded as a destination for a “lads’ holiday”, the ratio of men to women meant that romance was unlikely to be on the cards.

He did clock one club hostess, however, stripping a gleeful punter and giving him a smack on the bottom with a leather tawse, which was about as close to romance as the evening got.

With his night’s entertainment wrapped up, Ed headed back to his hotel room before venturing out the following morning for a fry-up, which set him back a very reasonable £5. However, after forking out on two bottles of water with his meal, the total breakfast bill came to £7.

Technically, the “entertainment” element of Ed’s getaway pushed him marginally over budget. His session at a water-park assault course set him back €16 (roughly £14).

Featuring Ed’s efforts to balance on some oversized vinyl beach balls and a go on a soggy trampoline, it proved a somewhat chaotic conclusion to the trip: “No one ever does this on Total Wipeout, do they?” Ed said, admitting that he’d spent £101 of his £100 budget.

Ten years ago, Walt Disney Imagineering announced what was widely perceived by the public as a risky — and ill-advised — project: Disney California Adventure’s Twilight Zone Tower of Terror would be remade into a ride featuring Marvel’s “Guardians of the Galaxy.” And it would open in just a few months, ahead of the 2017 summer tourist season.

Fans, to say the least, were not happy. They saw the makeover as a marketing move, done solely because a new movie in the franchise was being released. They were also skeptical of the tight timeline.

Retired Imagineer Joe Rohde, who led the project, heard the complaints.

“They look at the schedule and go, ‘You can’t do anything in that amount of time. There’s nothing you can do that is worth doing in this short amount of time, so we think this is going to be bad,’ ” says Rohde, whom I chatted with at the recent Disney fan convention D23.

Rohde‘s new book, “Floating Mountains: The Art of Imagining the Impossible,” is out this week and in it, he demystifies the creative process, heavily touching on his four-decade career at Imagineering as a jumping-off point on how to stay inspired and find art in the everyday. In a revealing chapter on what became Guardians of the Galaxy — Mission: Breakout!, Rohde writes about creating art out of a series of limitations.

Famed retired Disney Imagineer Joe Rohde, whose book “Floating Mountains: The Art of Imagining the Impossible” demystifies the creative process.

(Jay L. Clendenin / Los Angeles Times)

He notes that the new “Guardians of the Galaxy” film was not the reason for changing the drop tower ride — rather, the motivating factor was giving the Disneyland Resort something new to promote for 2017 and to begin to bring Marvel into the parks.

When assigned the project, Rohde initially pitched a Dr. Strange-inspired attraction, believing the hotel facade of Tower of Terror could quickly and easily translate to a mysterious sanctum. Execs, however, rejected the concept, arguing Dr. Strange wasn’t popular enough. They told Rohde and the team to focus on Spider-Man.

Now it was Rohde’s turn to say no. “Spider-Man needs room to swing,” Rohde writes in his book. “We only go up and down. There’s nowhere for Spider-Man to be!”

Bringing Marvel superheroes into a theme park, Rohde tells me, is something of a challenge.

“Marvel is a character brand,” Rohde says. “When we watch these movies or read the comics, our primary investment is in the psychology of the character. Spider-Man is a great example of this. Spider-Man’s life is a constant emotional crisis of one kind or another. It’s almost more of a soap opera format.

Guardians of the Galaxy — Mission: Breakout! is today the dominating structure of Avengers Campus at Disney California Adventure.

(Allen J. Schaben / Los Angeles Times)

“So, you have an art form — the Marvel Cinematic Universe and the Marvel Comic Universe — in which settings are disposable and are disposed of in order to drive character development. That works great in a film, but when it comes to place-making, it is difficult to lock yourself on the experiences of places, which is part of what makes theme parks theme parks. All through your day in a theme park the primary actor you engage with is the architecture and the landscape.”

With Spider-Man out, “Guardians of the Galaxy” was the compromise everyone could agree on. Only now the clock was ticking. Rohde notes that the team had to stop viewing the Tower of Terror as a hotel, and instead look at it as something of a blank page — an empty canvas that just happened to be in the shape of a blocky silhouette that jolts guests 190 feet in the air. Remove the hotel signage, and suddenly the mass resembled many things: “a grain silo, a fortress, a bank, a storage facility, possibly a prison,” Rohde writes.

Arguably, the facade for Mission Breakout! represents a bit of each of those. In “Floating Mountains,” Rohde says he began reimagining the building by taking inspiration from Marvel comic artist Jack Kirby, but he has also spoken of finding influence in architect Renzo Piano, who worked on France’s Centre Pompidou. The end result is a retro sci-fi building with high-tech-like pipes drawing one’s attention.

The chapter documents a frantic race against time. The star of the ride is an audio-animatronic of the Rocket Raccoon character, but it wasn’t always clear the figure could be finished by the deadline. And instead of using just one ride profile like the Tower of Terror, Mission Breakout! aimed for four, but Rohde writes the team had two as a fall-back plan (ultimately, they prevailed with their original intent).

Rohde notes that to get it done, a concession was made: limited reviews but a fixed, unchangeable budget with a strict deadline. And the team had to make a decision and commit. Little tinkering.

Guardians of the Galaxy — Mission: Breakout! is now considered one of the most popular attractions at Disneyland.

(Jason Armond / Los Angeles Times)

“You have to allocate a certain percentage of time and energy to prepare for a review, and that can be two weeks of energy,” Rohde says. “In this case, the most crucial thing about this project was its opening day. If you back out of that opening day just with production time, it becomes clear there’s no time to change. There’s no time to ask someone if they like it or don’t like it. So we have to decide we’re going to do it, and we’re going to do it for this much money, and you can look at it once before we start, and once before we build.”

Guardians of the Galaxy — Mission Breakout! opened on time, and with enough budget left over to create an “after dark” version during the Halloween season, which is currently running. And those fans who initially viewed the project with skepticism? Many were quiet after opening day, as Mission Breakout! is considered one of the Disneyland Resort’s most popular attractions.

Aside from replacing the former tension with chaotic elevator maneuvering, the makeover was a success because it’s not a rehash of a scene from the film. Rather than rely heavily on plot, it focuses on one frantic moment — a prison breakout — to create a zany, screwball comedy feel. In short, it’s a singular work of art, one that stands apart from its cinematic counterparts.

And that’s key to the appeal of “Floating Mountains,” as throughout Rohde makes the case that theme parks — often derided as commercial entities — are indeed vital spaces. He speaks of art as living on a spectrum. On one end, “art for art’s sake,” and on the other, “utterly commercial enterprises with no purpose other than to harvest value out of an intellectual property.”

“Theme parks,” says Rohde, “rocket somewhere in the middle of this.”

“I do believe that their social impact alone should argue for the fact that, no matter what you think of high art, of low art, something is going on here that people find very affecting,” he says of theme parks. “I think it is an art form.”

This week in SoCal theme parks

Inside Kingswell skate shop is a wall documenting the building’s history as the first L.A. outpost of what would become the Walt Disney Co.

(Todd Martens / Los Angeles Times)

• A Disney history celebration. Walt Disney launched his animation career in Kansas City, Mo., in 1920. But when his Laugh-O-gram Studio failed after only about two years, he decided to move west. Here in Los Angeles, Walt and his brother Roy would in 1923 rent a small studio space on Kingswell Avenue in Los Feliz, near where he was staying with his uncle. They called their operation the Disney Bros. Studio, and it was officially the formation of what would become the Walt Disney Co. In September 2024, a small strip on the corner of Kingswell and Vermont avenues was designated the Disney Bros. Cartoon Studio Square. This Sunday, the space will host a mini-block party from noon to 5 p.m., with photo ops, events and skating demonstrations courtesy of the Kingswell skate shop,
• Welcome the Lucas Museum. The long-awaited Lucas Museum of Narrative Art has arrived in L.A. and is welcoming members for previews. The space officially opens Sept. 22, and its emphasis on pop culture and “Star Wars” likely means there’s many an overlap with the Disney fan community. The Times has a bevy of coverage, including an architecture review as well as an analysis of its collection and how it deviates from typical art gallery fare.
• Meow Wolf taps dozens of L.A. artists for new venue. Meow Wolf is getting closer to unveiling its Los Angeles locale. When doors open — the company is targeting late 2026 — expect a walk-around, floor-to-ceiling experience that pays homage to the art of cinema with a sci-fi, psychedelic-like bent. And to bring that vision to life, the Santa Fe, N.M.-based experiential art collective will be working with nearly 40 L.A. artists across multiple mediums. Meow Wolf last week unveiled its roster of artists with ties to the L.A. region.
• A new Magic Mountain coaster is on the way. Six Flags Magic Mountain, garnering headlines tied to the safety of its X2 coaster, is looking ahead to 2027 and teasing a Thursday announcement for its next big thrill ride. The park last week posted a video to social media hinting at more info to come this week on what is expected to be a glider coaster with bike-like seating.

Ride report

An actor performing as Ozzy Osbourne during a haunted house at Universal Studios Hollywood’s Halloween Horror Nights.

(Scott Strazzante / For The Times)

This week’s ride report is actually a haunted house report. Of the eight spooky mazes at Universal Studios Hollywood this year, there were two clear standouts for me: the “Sinners” maze, which I documented last week, and Ozzy Osbourne: Prince of Darkness. This walk-through attraction, which Halloween Horror Nights mastermind John Murdy has described as something of a passion project, is a filled with cartoonishly sinister imagery in an homage to the recently deceased heavy metal legend.

Murdy says he didn’t have any hesitation about crating a haunted house based on Osbourne’s solo career so soon after he died last summer. “It hit everybody really hard,” the lifelong Osbourne fan says of the artist’s death. “It hit his fan community really hard. We needed to do something for the fans to celebrate this guy’s legacy.”

A giant animatronic bat in a haunted house inspired by the music of Ozzy Osbourne.

(Scott Strazzante / For The Times)

In an unique twist, nearly every scare actor is performing as some embodiment of Osbourne. The attraction is also filled with little nods to Osbourne’s life and legacy, including pictures donated from the family and a toy cow as a nod to an early job of Osbourne’s in a slaughterhouse. Murdy estimates the house features about 20 songs from Osbourne’s solo career, bookended by “Crazy Train” and “See You on the Other Side.” A train, of course, figures heavily into the maze, and an early ride scene appears to take us straight to hell.

It gets demented, but in a silly way that feels all-in-good-fun rather than anything frightening. Case in point: A centerpiece of the attraction is a giant animatronic bat, which is holding the severed head of Osbourne, only here the musician is depicted as a werewolf. Osbourne, says Murdy, was also heavily religious, so the walk-through culminates with the artist on a church-like throne. But it’s no ordinary cathedral, as jetting our from under Osbourne’s chair is a blue dragon, a nod to the tattoo the singer had on his chest.

It’s a love letter to Osbourne, and Murdy’s appreciation of the artist runs deep. He notes that as a seventh- or eight-grader in the early ‘80s, he wrote a term paper defending the artist. “I didn’t like the fact that people were condemning things when they hadn’t even bothered to read the lyrics and know what they are about,” Murdy says. “Take ‘Crazy Train.’ It’s about the Cold War. It’s about a fear that society is going off the rails. At an early age I was already going, ‘Don’t trust things that you hear at face value.’ ”

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

I can admit when I was largely wrong. Last week I expressed concerns about the way Halloween Horror Nights was adding the character of Nikki from “Obsession,” worrying a hyped incognito approach could open up the actor — or regular paying guests — to being uncomfortably approached by attendees. But while Nikki is not easy to find, she’s far from anonymous, all bloodied up and holding a brick. Plus, she’s accompanied by multiple handlers who keep folks from crowding the performer’s space.

There is a game-like aspect to this. Those who speak a password, released via social media, receive a fake business card, which does mean many a guest is standing there shouting a password at the actor. This is slightly awkward, and where I still have some reservations.

An actor as Nikki from “Obsession” interacting with guests during Halloween Horror Nights at Universal Studios Hollywood.

(Scott Strazzante / For The Times)

But many who find Nikki may discover it’s a highlight of the night. I’m not someone who seeks out characters at theme parks, largely because they’re there more for photos than to completely interact. Nikki is different. Nikki is in full immersive theater mode, responding entirely in character and pushing guests to talk about their devotion — to her, to another, to anything. In my minute with the actor, she aggressively quizzed me on my nonexistent love life, forcefully walking toward me so I had to gently stumble backward, which she lightly mocked.

Despite the unnerving tone of the actor’s questions, I was charmed. More of this type of interacting and play is always welcome. Now, I just wonder why she was so consumed with the health and age of my cat.

Orange Lutheran High does not have an easy game on its schedule. MaxPreps ranked the school’s schedule as the toughest in the nation, as it faces off against five opponents in the website’s preseason national top 25 rankings.

The first three weeks have been a true gauntlet.

It started with an away game in Florida against Miami Central High, the seventh-best team in the state, according to MaxPreps. Orange Lutheran only lost by one point.

After beating the 15th-best team in California, San Diego Cathedral, last week 38-24, the Lancers faced its biggest test yet: Chandler (Ariz.) Basha, the No. 1 team in Arizona, and ranked 12th nationally. Orange Lutheran is the eighth-ranked team in California and 61st nationally.

A 30-24 loss to Basha last season still hung in the air around Orange Coast College on Friday night, and it looked like Orange Lutheran would be in for another one after Basha senior quarterback and Princeton commit Jake Rogers threw a 62-yard touchdown pass to senior wide receiver Jaden Baldwin on the third play of their first drive.

However, because they didn’t make this season about themselves, Orange Lutheran has a prime directive to make things as hard as possible on opponents. A 23-17 win Friday suggested they followed through on that goal.

After the first quarter, Basha was not able to do anything effective on offense.

Every possession in the third quarter was a three-and-out, with one resulting in a punt out of the end zone. Basha had a bad snap, giving Orange Lutheran two points.

Beyond that, twin brothers and juniors Anhor The Great Johnson and King Rich Johnson swarmed everything that Basha tried to do.

It started with a 75-yard pick-six from King Rich on a snaking sideline return that gave Orange Lutheran a lead they never conceded.

Anhor The Great had so many pass breakups that counting would’ve been a fool’s errand.

Defensive line bat downs and sacks haunted Rogers, who finished the game with 192 yards passing and two touchdowns with two interceptions as well as a less than 50% completion on passes and two interceptions.

Senior lineman Lucas Rhoa got to watch this all unfold from the sidelines, and he was truly in awe after the game.

“One of the best defensive games I’ve seen,” he said. “Really, two big plays and three other points [is all Basha got]. We couldn’t do it without them, because we only put up 23 points.”

The only score given up in the second half was a 30-yard pass from Rogers to senior running back Noah Roberts. It gave the Bears life for the first time since the half. It was also Roberts only big play on a night where he averaged less than two yards per carry.

It was senior night for Orange Lutheran, with emotions flowing around Orange Coast College stadium all night, but it was a sophomore running back who had the most explosive performance.

Ryan Christianson finished with 151 yards rushing and one touchdown on 31 rushes. He was buoyed by Rhoa and a strong offensive line performance.

“Our running back is amazing, he did amazing things,” he said. “I’m proud of the way we played tonight, but there’s so much more we could clean up. So many points were left on the board. If we clean it up we’re going to be very good.”

First year head coach Ray Fenton inherited this insane schedule, but he probably would’ve booked the same battles. Many of his players will be playing Division I football on Saturdays, so why not test them now?

Plus, Orange Lutheran plays in the Trinity League. With highly ranked schools such as St. John Bosco, Mater Dei and Santa Margarita on the schedule, playing weak schools in nonleague games does nothing but harm Orange Lutheran’s talented roster.

“We can’t hide from our league, it’s like the SEC of high school football,” Fenton said.

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

Froun, Lebanon – Hasan Saeid Ramadan, 56, was at home in this southern Lebanese municipality when he heard the explosions.

“It shook the ground like an earthquake, and the mountain collapsed,” he said, pointing at the nearby Qantara mountains.

Israeli forces are present just south of Froun and occupy large areas of southern Lebanon, where they conduct operations, including regular detonations, that they say target the Lebanese group Hezbollah.

The ones conducted by Israel along the Qantara mountain range this week led to a visible collapse in at least two places in the mountains. Locals and officials in villages along the edge of Israeli-controlled Lebanese territory, such as Froun, Ghandouriyeh, Bourj Qalaway and Qalaway, told Al Jazeera that the sounds of war – warplanes, drones but, most of all, Israeli demolitions – are constant and often keep them up at night.

While Ramadan was speaking, an explosion echoed in the distance – another apparent Israeli detonation of a home. “Day and night,” he said. “We even see them.”

He added: “It’s become routine.”

Pilot zones

In March, Israel invaded Lebanon for the second time in less than two years. The first invasion in October 2024 was followed by a near-full Israeli withdrawal with soldiers remaining in five locations in southern Lebanon. After the second invasion, however, Israeli officials have said their troops will stay on in southern Lebanon despite promises from United States officials that the Israelis do not have territorial ambitions in Lebanon.

While US President Donald Trump announced a ceasefire in April, Israel’s military has continued to attack what it says are Hezbollah targets and infrastructure around southern Lebanon.

Meanwhile, the Lebanese state has been locked in US-brokered direct discussions with Israel despite objections from Hezbollah and its allies, who favour indirect discussions with the Israelis to try to end the war and the Israeli presence in southern Lebanon.

Israel and Lebanon agreed a “framework agreement” in June, which launched a “pilot zone” plan. The pilot zones are to act as a test area for the Lebanese army to disarm Hezbollah and for the Israelis to withdraw. The first pilot zones were the villages of Froun, Srifa and Zawtar al-Gharbiyeh. But locals disputed the inclusion of Froun and Srifa, saying they were never occupied by Israel in the first place.

“[The Israelis] didn’t take a single step here,” Ramadan said.

For its part, Israel is also reportedly critical of the pilot zone scheme, and analysts doubt their willingness to allow it to progress.

“The pilot zones can only really work if you have goodwill of various parties,” Nicholas Blanford, a nonresident senior fellow at the Atlantic Council and author of a book on Hezbollah, told Al Jazeera. “The trouble is the Israelis have said they are not going to stage any more withdrawals, so it brings the process to a halt.”

And regardless of the efforts from the Lebanese state and the Lebanese army, both Hezbollah and Israel have played a role in undermining the process.

“Hezbollah opposes the scheme outright and argues that Lebanon should rely on Iran to pressure the US into demanding an Israeli withdrawal,” David Wood, the International Crisis Group’s senior analyst for Lebanon, told Al Jazeera. “Israel has paid lip service to the pilot zones scheme but has recently expanded – rather than reduced – its occupation of Lebanese territory.”

Demolitions and destruction

In the villages near the areas Israel controls, many of the homes and local infrastructure lie destroyed. Piles of concrete rubble and dust line many of the roads to the villages. Explosions were heard throughout the day on Thursday, and locals said they are often worse at night and disrupt their sleep.

During the harshest days of the war, these villages were ghost towns. Residents fled north to Sidon or Beirut, where they stayed with family, in displacement centres, or slept rough on the streets, locals said.

Residents began to return to these villages after the announcement of the framework agreement. But what they returned to was not what they had left behind.

Mohammad Ali Nader, the head of the municipality of Ghandouriyeh, said his area was mostly agricultural and farmers grew olives, wheat, chickpeas, corn and tobacco, among many other crops. But now, the area lies overwhelmingly in ruins. Most residents don’t have access to water or electricity.

The clanking sound of cranes and other construction equipment moving rubble or smashing concrete echoed out into the rolling hills behind Nader. He stood on the ruins of a home that had been destroyed by two Israeli rockets.

“Much like all the other houses that were destroyed, this house is no longer habitable,” he said, saying it had once boasted two storeys and a large garden. He added that the electric and water infrastructure in the area was also mostly destroyed. “We used to grow carob here, but where is there carob now?” he asked rhetorically. “Not a carob is left nor olives, tobacco or wheat.”

Nasser Mokdad, an official in the municipality of Froun, said the area was currently not receiving state-provided electricity but added that the Lebanese government was working on returning services, setting September 15 as a target date.

No water, no electricity, no return

Residents in the affected villages said the current period reminds them of the days of the Israeli occupation of southern Lebanon from 1982 to 2000. Hasan Bazzi, the head of the municipality of Froun, said the only difference is that during the previous occupation, southerners remained in their Israeli-occupied villages.

This time around, the Israeli demolitions are ensuring that those whose homes are in Israeli-occupied areas will have difficulty returning, even if the troops eventually withdraw.

When the war restarted this year, Ramadan fled his home of 30 years and took refuge in an area near Tyre, a coastal city in southern Lebanon, and then moved farther north to Sidon, about an hour south of Beirut.

When he returned after the truce in the area, his house had been badly damaged. Still, it fared better than the neighbouring houses, which he said belonged to his cousins. He’s now sleeping in his garage with his wife. Their house, like the surrounding area, has no access to water or electricity.

He said the heat at night bothers him and he’s developed a bad heat rash. During the day, he slowly works on fixing the shrapnel-pocketed walls of his home.

Dripping with sweat under the midday sun, he smiled. “My conscience is at ease because I’m by my home,” he said.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

Greg Ito with “Personal Effects,” 2026, “The Spectrum Within,” 2025 and “Love is a Vessel,” 2026.

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

Jerson Hondall in the library of Gagosian Gallery, Beverly Hills.

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

Aleza Zheng in her South L.A. studio featuring “The Unbearable Lightness of Being,” 2026, “Of Providence,” 2026 and “All That Is In Heaven,” 2026.

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.