night

That was a strange game. There were 22 accepted flags for 211 yards in penalties, fumbles galore and three turnovers in total. There was a safety and a missed field goal. Ultimately, Mater Dei (4-0) won 10-9 over Corona Centennial (1-2) in a game where it only converted two out of 10 third down attempts.

Beyond the weirdness, however, a solution at the quarterback position might have emerged for the Monarchs — in the form of a freshman, no less. Head coach Raul Lara has cycled through three players in the position so far this season, and the standout against Corona Centennial on Friday was Paytyn Guess.

“The young kid is dynamic, no doubt,” Lara said before the game. “But he’s young and he’s still learning the program and playbook. Once he learns, we’ll get him in the game a little bit more.”

Friday night’s game showed that Guess might be ready to be the starter.

Santa Ana Stadium has played host to Mater Dei football games for many decades, but the fans in its stands might not have seen a better pass than what the freshman conjured during the second quarter. Running away from oncoming rushers, Guess threw the ball back against his body — something most coaches advise against — and found heavily recruited senior wideout Gavin Honore at the one-yard line.

It was a dot. Right on the money. Professional players 10 years Guess’ senior would be excited to make that kind of play.

Mater Dei High freshman quarterback Paytyn Guess.

(Caleb Otte / For The Times)

The only hesitation to not start Guess was shown on the very next snap. Under center, Guess fumbled the snap and Centennial recovered the ball in the end zone. It was an unfortunate low after such a triumphant high.

Ultimately, though, Guess made the key throw after being entrusted to lead the final drive. With Mater Dei in their own half of the field on a third down, he found Honore along the sideline to pick up a first down and effectively end the contest.

That came after Mater Dei junior quarterback Russell Sekona tied the score, 9-9, midway through the fourth quarter with a one-yard touchdown plunge. Jerry Shifman converted the point-after kick for the winning margin.

Centennial had a chance to reclaim the lead with 2:30 left in the game, when its last drive ended in a missed field goal.

As far as Guess, he can make plays and had multiple downfield passes that fell just incomplete. But in that moment, the kid showed true composure. There might be growing pains, but the raw talent is on display.

Guess finished the nightcompleting four of nine passes for 56 yards, while rushing for 19. Lara had no worries about putting the freshman in the fire and letting him secure the victory.

“Coach Lara’s trust in me means everything,” Guess said after the win. “It shows me what I can accomplish on the field.”

He has a lot of time to develop, but aGuess said he needs to acclimate to this new stage.

“High school football moves quicker,” Guess said “I also need to be louder in my cadence because this was my first game in front of a big crowd.”

His skills directly resembled that of his counterpart on the night, senior Jaden Jefferson. The Hawaii commit might be ending his high school career just as Guess is starting, but both have a slippery and slinking style of play that excites fans just as much as it moves their teams down the field.

Jefferson had a solid game, going 14 for 23 through the air with 205 yards and tacked on 65 on the ground. The play that defined the night, however, was a blemish on his record. Backed behind its own 10-yard line, Centennial looked to Jefferson for another magic moment. His flip pass to a running back bounced off his teammate and into the waiting arms of a Mater Dei defender, setting up Sekona’s run.

Centennial’s defense was top notch all night, only allowing two third-down conversions. Mater Dei’s run game was shut down, gaining less than 100 yards, and it looked like the Monarchs would be stifled for the entire four quarters.

The game started out with a jet sweep touchdown from Kennie Leggett, a former Mater Dei player, and it seemed as though Centennial would beat the Monarchs as it did twice last season when building a 9-0 lead in the first quarter. The home team’s defense ratcheted up the pressure, however, not giving up another score. The Huskies only scored again on the freak safety in the first quarter.

Centennial has dealt with a lot of injuries to the offensive line this season, which allowed Mater Dei to get multiple sacks and hurries on Jefferson. Before the game, head coach Matt Logan said that his team has been treating every game in the same way regardless of the opponent. Three tough Trinity League matchups to start the season, however, have left them with a losing record.

Centennial played better, and Logan was right by saying it can go toe-to-toe with any opponent, but the scoreboard favored Lara’s men on a weird night in Santa Ana.

NEW YORK — Republicans are gathering in Dallas on Wednesday for a highly unusual midterm convention, a “Trump-a-Palooza” that will put President Trump at the center of this fall’s midterm elections — whether the candidates running like it or not.

Many party members, including those facing tight races, are skipping the two-day affair, citing conflicting obligations or balking at demands that they pony up for access. Others are hoping an appearance alongside Trump will put them in the national spotlight as they work to turn out his voters without him on the ballot.

The convention, which is part rally and part fundraiser, comes as Republicans try to boost enthusiasm heading into the midterms’ final stretch despite Trump’s low approval ratings. Organizers have cast it as “a primetime showcase for President Trump’s success, candidates, and causes that have propelled the 2026 midterms to unprecedented focus.” Much of the programming will focus on Democrats, trying to cast them as extremists by highlighting the party’s insurgent left wing.

The lineup features Trump and more Trump

Normal political conventions are held every four years and serve a purpose beyond pomp and circumstance, with parties formally nominating their presidential picks. In 2024, Trump used the opportunity to announce JD Vance as his running mate.

The schedule this week released by organizers makes clear that the convention will be the Trump Show, through and through.

“It’s gonna be a Trump-a-Palooza,” RNC Chairman Joe Gruters told Spectrum News.

The president will be speaking both nights, delivering a keynote address on Wednesday night and speaking again Thursday after Vance to close out the event. He had originally been scheduled for only one speaking slot.

Also addressing the convention will be members of the Republican congressional leadership and Cabinet members including Atty. Gen. Todd Blanche and Health Secretary Robert F. Kennedy Jr. The president’s oldest son, Donald Trump Jr., is on the roster, too.

Candidates who will speak include Michigan Senate nominee Mike Rogers, who is running a high-profile race against Abdul El-Sayed, and North Carolina Senate nominee Michael Whatley, who is up against former Gov. Roy Cooper.

Organizers have outlined 12 hours of programming over the two nights that will include more than 100 speakers and segments focused on subjects like tax cuts, fraud allegations, border security and a proposed ban on members of Congress trading stocks.

Missing from the public lineup: any mention of the unpopular war with Iran.

Republican House Speaker Mike Johnson said some members of his caucus plan to skip Dallas, preferring to stay home and campaign for reelection, but many of them will make an appearance.

“We’ll parade our stars across the stage,” he said.

Many will be skipping the event

An Associated Press survey of more than four dozen Republican candidates found a majority either planned not to attend, said their plans were to be determined, or ignored requests for comment.

“I had stuff already planned in my congressional district or I would be there,” Kentucky Rep. James Comer told NewsNation. “Got a lot going on back in Kentucky, so my time is needed there.”

“Well, unfortunately, I have a family obligation, so I won’t be able to be there,” Georgia Rep. Buddy Carter said on Fox Business.

Some members balked at high attendance fees. Republican House members were being asked to pay $25,000 for convention tickets and lodging, according to people familiar with the situation and granted anonymity to speak frankly about the private arrangement.

An additional 2,000 tickets were distributed by the House GOP’s campaign arm, largely to donors and others to attend the convention. Other tickets were allocated to state parties to distribute as they saw fit.

“Per the RNC, this is a ticketed fundraiser and rally, not a traditional national convention,” the Denton County Republican Party in Texas wrote in a Facebook post, which advertised packages from $5,000 to $20,000.

The Republican Party of Virginia was offering a relative discount of $1,000 to $1,500, not including accommodations, according to an email obtained by the AP.

Despite the many no-shows, more than 100 Republican House members and candidates are expected to be in Dallas, including almost all of the MAGA Majority class of candidates in the most targeted congressional districts, according to a person familiar with the event who requested anonymity before it begins.

“It’s like any political convention, it’s no different than the traditional RNC,” said Matt Beynon, a spokesperson for Pennsylvania Rep. Scott Perry, who won his district by barely 1 percentage point in 2024 with Trump on the ballot. “Obviously, you’re out of the district, but it’s a really good opportunity to get in front of people” and “talk to the press.”

It remains unclear what kind of air time the convention will receive. The two nights of programming will coincide with the launch of football season. The NFL season is set to kick off Wednesday with a game between the Seattle Seahawks and the New England Patriots. And on Thursday, the San Francisco 49ers and Los Angeles Rams will be playing an international game in Australia.

In a sign of the growing focus on the midterms, Trump’s political organization, which is sitting on a big war chest, is spending heavily to back a new group, the No Going Back PAC Inc., The New York Times reported Wednesday. The new group started reserving $47 million for six competitive Senate races and one competitive House race. That’s in addition to the $10 million the Trump-affiliated MAGA, Inc. political group is spending in the Texas Senate race.

Democrats say Republicans are out of touch

Democrats, meanwhile, are planning their own counterprogramming.

“The fact that these Republicans are planning a celebration in the middle of an economic crisis — where everyday Americans are drowning because of this high cost of living — is extraordinary,” Rep. Hakeem Jeffries, the House Democratic leader, said at the U.S. Capitol.

Democrats have held such midterm conventions in the past but are not doing so this year. Rep. Suzan DelBene of Washington, chair of the Democratic Congressional Campaign Committee, said she wasn’t worried that her party was missing an opportunity to make its case on a national stage like Republicans.

“They are not focused on the issues that people are struggling with right now, that they’ve created,” DelBene said. “Cost, housing, food, healthcare, childcare, energy costs, gas prices all going up. That’s what we’re talking about on the ground all across the country.”

Americans “are going to continue to see how much they don’t care,” she added. “And we’re gonna be on the ground all across the country with great candidates talking directly to the American people.”

Colvin writes for the Associated Press. AP writers Steven Sloan and Lisa Mascaro in Washington, Marc Levy in Harrisburg, Pennsylvania, Hannah Fingerhut in Des Moines, Iowa and Sarah Rankin in Richmond, Va., contributed to this report.

Folk singer Ray LaMontange was treated for heat-related dehydration after collapsing onstage during a weekend performance amid triple-digit heat in Nashville.

On Saturday, the 53-year-old toppled to the side while performing his popular track “Jolene” in front of a sold-out,crowd at Ryman Auditorium, according to recorded fan footage.

There were reports that LaMontagne had lost his place earlier in his set when performing “Hannah,” per Consequence. According to the National Weather Service, temperatures in the Nashville area reached a high of 101 degrees.

Later that night, LaMontagne’s management released a statement through his Instagram stories, sharing that the Grammy winner was in “good hands with local EMS” and that he was being treated for “heat-related dehydration.”

LaMontagne returned to the stage the following night, performing at the Louisville Palace in Kentucky, where he made no mention of the incident.

Last month, the Americana singer — best known for tracks “You Are the Best Thing” and “Hold You in My Arms” — had kicked off his 20th anniversary tour.

The tour is named after his 2004 debut album, “Trouble,” which is platinum certified in both the United States and United Kingdom; though the album reached only No. 164 on the Billboard 200 chart, it hit No. 5 on the U.K. Albums chart.

Known for his gruff vocals, LaMontagne first came to the scene in the early aughts as a timid troubadour. The New Hampshire-born, Utah-raised artist was once a former shoe factory worker from Maine whose singer-songwriter journey began when he woke up one morning to Stephen Stills’ “Treetop Flyer” on his clock radio.

All nine of LaMontagne’s albums — with the exception of his independently released 2024 LP, “Long Way Home” — have charted in the Billboard 200.

LaMontagne will continue on with his Trouble tour — which features special guest the Weather Station — through Oct. 3, closing out at New York City’s Beacon Theatre.

A YouTuber set himself a £100 challenge to discover just how much food, drink, accommodation and entertainment he could squeeze into a night in Benidorm

The seemingly endless cost of living crisis is making even our weekly shop a major budgeting challenge. So it’s no surprise that some of us have given up on luxuries like holidays. With that in mind, YouTuber Ed Chapman set out to see how far £100 could take a holidaymaker in one of the most popular Spanish resorts.

Benidorm is renowned for “The Strip”, a street lined with garishly neon-lit English pubs and restaurants promising a traditional fried breakfast. It’s the ideal spot for a cheap and cheerful stag or hen weekend, but just how cheaply can you spend a night there?

Armed with €116 (£100), Ed scheduled a night out, a stay in a one-star hotel and a fun activity for the following day.

A key part of his plan was tracking down a hotel that wouldn’t leave him out of pocket. Ed explained that while he could have saved a bit of cash by opting for a hostel, he’d rather have a proper hotel room to himself.

And given what he paid for it, he said the room exceeded all expectations: “Believe it or not, we have a balcony,” he said. “I was sort of shocked by this for the price.”

The hotel bathroom also came as a welcome surprise: “This is a nice big modern shower. I was really shocked about this. You’ve got a toilet here. You’ve even got a little sink at the side as you’d expect, and a bathroom hand dryer in a holster,” reports the Express.

The room, which set Ed back just £62, was something of a revelation, he said: “I didn’t expect such a good shower situation. And it is a very powerful shower as well. I’ve been really impressed with this for one night.”

For his evening meal, Ed nipped into a bar-restaurant called the Bulldog and went for a wallet-friendly jacket potato. For €6 – just over a fiver – he tucked into a perfectly decent jacket potato with baked beans, served alongside a side salad which, as he rightly noted, “no-one ever eats.”

Washed down with a “massive” pint of cider that brought his total spend to £9, it was a hearty and satisfying meal that set Ed up nicely for a bar crawl.

Spending an evening solo on Benidorm’s notorious “Strip” could have been quite a daunting prospect, but Ed says he had a brilliant time. Settling down with a pint of cider in one particularly “friendly” bar, he recounts how a complete stranger wandered over and planted a kiss on his ear: “Bit friendly, bit familiar,” he said.

Ed spent a couple of hours strolling around Benidorm, noting that while it’s widely regarded as a destination for a “lads’ holiday”, the ratio of men to women meant that romance was unlikely to be on the cards.

He did clock one club hostess, however, stripping a gleeful punter and giving him a smack on the bottom with a leather tawse, which was about as close to romance as the evening got.

With his night’s entertainment wrapped up, Ed headed back to his hotel room before venturing out the following morning for a fry-up, which set him back a very reasonable £5. However, after forking out on two bottles of water with his meal, the total breakfast bill came to £7.

Technically, the “entertainment” element of Ed’s getaway pushed him marginally over budget. His session at a water-park assault course set him back €16 (roughly £14).

Featuring Ed’s efforts to balance on some oversized vinyl beach balls and a go on a soggy trampoline, it proved a somewhat chaotic conclusion to the trip: “No one ever does this on Total Wipeout, do they?” Ed said, admitting that he’d spent £101 of his £100 budget.

Ten years ago, Walt Disney Imagineering announced what was widely perceived by the public as a risky — and ill-advised — project: Disney California Adventure’s Twilight Zone Tower of Terror would be remade into a ride featuring Marvel’s “Guardians of the Galaxy.” And it would open in just a few months, ahead of the 2017 summer tourist season.

Fans, to say the least, were not happy. They saw the makeover as a marketing move, done solely because a new movie in the franchise was being released. They were also skeptical of the tight timeline.

Retired Imagineer Joe Rohde, who led the project, heard the complaints.

“They look at the schedule and go, ‘You can’t do anything in that amount of time. There’s nothing you can do that is worth doing in this short amount of time, so we think this is going to be bad,’ ” says Rohde, whom I chatted with at the recent Disney fan convention D23.

Rohde‘s new book, “Floating Mountains: The Art of Imagining the Impossible,” is out this week and in it, he demystifies the creative process, heavily touching on his four-decade career at Imagineering as a jumping-off point on how to stay inspired and find art in the everyday. In a revealing chapter on what became Guardians of the Galaxy — Mission: Breakout!, Rohde writes about creating art out of a series of limitations.

Famed retired Disney Imagineer Joe Rohde, whose book “Floating Mountains: The Art of Imagining the Impossible” demystifies the creative process.

(Jay L. Clendenin / Los Angeles Times)

He notes that the new “Guardians of the Galaxy” film was not the reason for changing the drop tower ride — rather, the motivating factor was giving the Disneyland Resort something new to promote for 2017 and to begin to bring Marvel into the parks.

When assigned the project, Rohde initially pitched a Dr. Strange-inspired attraction, believing the hotel facade of Tower of Terror could quickly and easily translate to a mysterious sanctum. Execs, however, rejected the concept, arguing Dr. Strange wasn’t popular enough. They told Rohde and the team to focus on Spider-Man.

Now it was Rohde’s turn to say no. “Spider-Man needs room to swing,” Rohde writes in his book. “We only go up and down. There’s nowhere for Spider-Man to be!”

Bringing Marvel superheroes into a theme park, Rohde tells me, is something of a challenge.

“Marvel is a character brand,” Rohde says. “When we watch these movies or read the comics, our primary investment is in the psychology of the character. Spider-Man is a great example of this. Spider-Man’s life is a constant emotional crisis of one kind or another. It’s almost more of a soap opera format.

Guardians of the Galaxy — Mission: Breakout! is today the dominating structure of Avengers Campus at Disney California Adventure.

(Allen J. Schaben / Los Angeles Times)

“So, you have an art form — the Marvel Cinematic Universe and the Marvel Comic Universe — in which settings are disposable and are disposed of in order to drive character development. That works great in a film, but when it comes to place-making, it is difficult to lock yourself on the experiences of places, which is part of what makes theme parks theme parks. All through your day in a theme park the primary actor you engage with is the architecture and the landscape.”

With Spider-Man out, “Guardians of the Galaxy” was the compromise everyone could agree on. Only now the clock was ticking. Rohde notes that the team had to stop viewing the Tower of Terror as a hotel, and instead look at it as something of a blank page — an empty canvas that just happened to be in the shape of a blocky silhouette that jolts guests 190 feet in the air. Remove the hotel signage, and suddenly the mass resembled many things: “a grain silo, a fortress, a bank, a storage facility, possibly a prison,” Rohde writes.

Arguably, the facade for Mission Breakout! represents a bit of each of those. In “Floating Mountains,” Rohde says he began reimagining the building by taking inspiration from Marvel comic artist Jack Kirby, but he has also spoken of finding influence in architect Renzo Piano, who worked on France’s Centre Pompidou. The end result is a retro sci-fi building with high-tech-like pipes drawing one’s attention.

The chapter documents a frantic race against time. The star of the ride is an audio-animatronic of the Rocket Raccoon character, but it wasn’t always clear the figure could be finished by the deadline. And instead of using just one ride profile like the Tower of Terror, Mission Breakout! aimed for four, but Rohde writes the team had two as a fall-back plan (ultimately, they prevailed with their original intent).

Rohde notes that to get it done, a concession was made: limited reviews but a fixed, unchangeable budget with a strict deadline. And the team had to make a decision and commit. Little tinkering.

Guardians of the Galaxy — Mission: Breakout! is now considered one of the most popular attractions at Disneyland.

(Jason Armond / Los Angeles Times)

“You have to allocate a certain percentage of time and energy to prepare for a review, and that can be two weeks of energy,” Rohde says. “In this case, the most crucial thing about this project was its opening day. If you back out of that opening day just with production time, it becomes clear there’s no time to change. There’s no time to ask someone if they like it or don’t like it. So we have to decide we’re going to do it, and we’re going to do it for this much money, and you can look at it once before we start, and once before we build.”

Guardians of the Galaxy — Mission Breakout! opened on time, and with enough budget left over to create an “after dark” version during the Halloween season, which is currently running. And those fans who initially viewed the project with skepticism? Many were quiet after opening day, as Mission Breakout! is considered one of the Disneyland Resort’s most popular attractions.

Aside from replacing the former tension with chaotic elevator maneuvering, the makeover was a success because it’s not a rehash of a scene from the film. Rather than rely heavily on plot, it focuses on one frantic moment — a prison breakout — to create a zany, screwball comedy feel. In short, it’s a singular work of art, one that stands apart from its cinematic counterparts.

And that’s key to the appeal of “Floating Mountains,” as throughout Rohde makes the case that theme parks — often derided as commercial entities — are indeed vital spaces. He speaks of art as living on a spectrum. On one end, “art for art’s sake,” and on the other, “utterly commercial enterprises with no purpose other than to harvest value out of an intellectual property.”

“Theme parks,” says Rohde, “rocket somewhere in the middle of this.”

“I do believe that their social impact alone should argue for the fact that, no matter what you think of high art, of low art, something is going on here that people find very affecting,” he says of theme parks. “I think it is an art form.”

This week in SoCal theme parks

Inside Kingswell skate shop is a wall documenting the building’s history as the first L.A. outpost of what would become the Walt Disney Co.

(Todd Martens / Los Angeles Times)

• A Disney history celebration. Walt Disney launched his animation career in Kansas City, Mo., in 1920. But when his Laugh-O-gram Studio failed after only about two years, he decided to move west. Here in Los Angeles, Walt and his brother Roy would in 1923 rent a small studio space on Kingswell Avenue in Los Feliz, near where he was staying with his uncle. They called their operation the Disney Bros. Studio, and it was officially the formation of what would become the Walt Disney Co. In September 2024, a small strip on the corner of Kingswell and Vermont avenues was designated the Disney Bros. Cartoon Studio Square. This Sunday, the space will host a mini-block party from noon to 5 p.m., with photo ops, events and skating demonstrations courtesy of the Kingswell skate shop,
• Welcome the Lucas Museum. The long-awaited Lucas Museum of Narrative Art has arrived in L.A. and is welcoming members for previews. The space officially opens Sept. 22, and its emphasis on pop culture and “Star Wars” likely means there’s many an overlap with the Disney fan community. The Times has a bevy of coverage, including an architecture review as well as an analysis of its collection and how it deviates from typical art gallery fare.
• Meow Wolf taps dozens of L.A. artists for new venue. Meow Wolf is getting closer to unveiling its Los Angeles locale. When doors open — the company is targeting late 2026 — expect a walk-around, floor-to-ceiling experience that pays homage to the art of cinema with a sci-fi, psychedelic-like bent. And to bring that vision to life, the Santa Fe, N.M.-based experiential art collective will be working with nearly 40 L.A. artists across multiple mediums. Meow Wolf last week unveiled its roster of artists with ties to the L.A. region.
• A new Magic Mountain coaster is on the way. Six Flags Magic Mountain, garnering headlines tied to the safety of its X2 coaster, is looking ahead to 2027 and teasing a Thursday announcement for its next big thrill ride. The park last week posted a video to social media hinting at more info to come this week on what is expected to be a glider coaster with bike-like seating.

Ride report

An actor performing as Ozzy Osbourne during a haunted house at Universal Studios Hollywood’s Halloween Horror Nights.

(Scott Strazzante / For The Times)

This week’s ride report is actually a haunted house report. Of the eight spooky mazes at Universal Studios Hollywood this year, there were two clear standouts for me: the “Sinners” maze, which I documented last week, and Ozzy Osbourne: Prince of Darkness. This walk-through attraction, which Halloween Horror Nights mastermind John Murdy has described as something of a passion project, is a filled with cartoonishly sinister imagery in an homage to the recently deceased heavy metal legend.

Murdy says he didn’t have any hesitation about crating a haunted house based on Osbourne’s solo career so soon after he died last summer. “It hit everybody really hard,” the lifelong Osbourne fan says of the artist’s death. “It hit his fan community really hard. We needed to do something for the fans to celebrate this guy’s legacy.”

A giant animatronic bat in a haunted house inspired by the music of Ozzy Osbourne.

(Scott Strazzante / For The Times)

In an unique twist, nearly every scare actor is performing as some embodiment of Osbourne. The attraction is also filled with little nods to Osbourne’s life and legacy, including pictures donated from the family and a toy cow as a nod to an early job of Osbourne’s in a slaughterhouse. Murdy estimates the house features about 20 songs from Osbourne’s solo career, bookended by “Crazy Train” and “See You on the Other Side.” A train, of course, figures heavily into the maze, and an early ride scene appears to take us straight to hell.

It gets demented, but in a silly way that feels all-in-good-fun rather than anything frightening. Case in point: A centerpiece of the attraction is a giant animatronic bat, which is holding the severed head of Osbourne, only here the musician is depicted as a werewolf. Osbourne, says Murdy, was also heavily religious, so the walk-through culminates with the artist on a church-like throne. But it’s no ordinary cathedral, as jetting our from under Osbourne’s chair is a blue dragon, a nod to the tattoo the singer had on his chest.

It’s a love letter to Osbourne, and Murdy’s appreciation of the artist runs deep. He notes that as a seventh- or eight-grader in the early ‘80s, he wrote a term paper defending the artist. “I didn’t like the fact that people were condemning things when they hadn’t even bothered to read the lyrics and know what they are about,” Murdy says. “Take ‘Crazy Train.’ It’s about the Cold War. It’s about a fear that society is going off the rails. At an early age I was already going, ‘Don’t trust things that you hear at face value.’ ”

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

I can admit when I was largely wrong. Last week I expressed concerns about the way Halloween Horror Nights was adding the character of Nikki from “Obsession,” worrying a hyped incognito approach could open up the actor — or regular paying guests — to being uncomfortably approached by attendees. But while Nikki is not easy to find, she’s far from anonymous, all bloodied up and holding a brick. Plus, she’s accompanied by multiple handlers who keep folks from crowding the performer’s space.

There is a game-like aspect to this. Those who speak a password, released via social media, receive a fake business card, which does mean many a guest is standing there shouting a password at the actor. This is slightly awkward, and where I still have some reservations.

An actor as Nikki from “Obsession” interacting with guests during Halloween Horror Nights at Universal Studios Hollywood.

(Scott Strazzante / For The Times)

But many who find Nikki may discover it’s a highlight of the night. I’m not someone who seeks out characters at theme parks, largely because they’re there more for photos than to completely interact. Nikki is different. Nikki is in full immersive theater mode, responding entirely in character and pushing guests to talk about their devotion — to her, to another, to anything. In my minute with the actor, she aggressively quizzed me on my nonexistent love life, forcefully walking toward me so I had to gently stumble backward, which she lightly mocked.

Despite the unnerving tone of the actor’s questions, I was charmed. More of this type of interacting and play is always welcome. Now, I just wonder why she was so consumed with the health and age of my cat.

Orange Lutheran High does not have an easy game on its schedule. MaxPreps ranked the school’s schedule as the toughest in the nation, as it faces off against five opponents in the website’s preseason national top 25 rankings.

The first three weeks have been a true gauntlet.

It started with an away game in Florida against Miami Central High, the seventh-best team in the state, according to MaxPreps. Orange Lutheran only lost by one point.

After beating the 15th-best team in California, San Diego Cathedral, last week 38-24, the Lancers faced its biggest test yet: Chandler (Ariz.) Basha, the No. 1 team in Arizona, and ranked 12th nationally. Orange Lutheran is the eighth-ranked team in California and 61st nationally.

A 30-24 loss to Basha last season still hung in the air around Orange Coast College on Friday night, and it looked like Orange Lutheran would be in for another one after Basha senior quarterback and Princeton commit Jake Rogers threw a 62-yard touchdown pass to senior wide receiver Jaden Baldwin on the third play of their first drive.

However, because they didn’t make this season about themselves, Orange Lutheran has a prime directive to make things as hard as possible on opponents. A 23-17 win Friday suggested they followed through on that goal.

After the first quarter, Basha was not able to do anything effective on offense.

Every possession in the third quarter was a three-and-out, with one resulting in a punt out of the end zone. Basha had a bad snap, giving Orange Lutheran two points.

Beyond that, twin brothers and juniors Anhor The Great Johnson and King Rich Johnson swarmed everything that Basha tried to do.

It started with a 75-yard pick-six from King Rich on a snaking sideline return that gave Orange Lutheran a lead they never conceded.

Anhor The Great had so many pass breakups that counting would’ve been a fool’s errand.

Defensive line bat downs and sacks haunted Rogers, who finished the game with 192 yards passing and two touchdowns with two interceptions as well as a less than 50% completion on passes and two interceptions.

Senior lineman Lucas Rhoa got to watch this all unfold from the sidelines, and he was truly in awe after the game.

“One of the best defensive games I’ve seen,” he said. “Really, two big plays and three other points [is all Basha got]. We couldn’t do it without them, because we only put up 23 points.”

The only score given up in the second half was a 30-yard pass from Rogers to senior running back Noah Roberts. It gave the Bears life for the first time since the half. It was also Roberts only big play on a night where he averaged less than two yards per carry.

It was senior night for Orange Lutheran, with emotions flowing around Orange Coast College stadium all night, but it was a sophomore running back who had the most explosive performance.

Ryan Christianson finished with 151 yards rushing and one touchdown on 31 rushes. He was buoyed by Rhoa and a strong offensive line performance.

“Our running back is amazing, he did amazing things,” he said. “I’m proud of the way we played tonight, but there’s so much more we could clean up. So many points were left on the board. If we clean it up we’re going to be very good.”

First year head coach Ray Fenton inherited this insane schedule, but he probably would’ve booked the same battles. Many of his players will be playing Division I football on Saturdays, so why not test them now?

Plus, Orange Lutheran plays in the Trinity League. With highly ranked schools such as St. John Bosco, Mater Dei and Santa Margarita on the schedule, playing weak schools in nonleague games does nothing but harm Orange Lutheran’s talented roster.

“We can’t hide from our league, it’s like the SEC of high school football,” Fenton said.

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

Froun, Lebanon – Hasan Saeid Ramadan, 56, was at home in this southern Lebanese municipality when he heard the explosions.

“It shook the ground like an earthquake, and the mountain collapsed,” he said, pointing at the nearby Qantara mountains.

Israeli forces are present just south of Froun and occupy large areas of southern Lebanon, where they conduct operations, including regular detonations, that they say target the Lebanese group Hezbollah.

The ones conducted by Israel along the Qantara mountain range this week led to a visible collapse in at least two places in the mountains. Locals and officials in villages along the edge of Israeli-controlled Lebanese territory, such as Froun, Ghandouriyeh, Bourj Qalaway and Qalaway, told Al Jazeera that the sounds of war – warplanes, drones but, most of all, Israeli demolitions – are constant and often keep them up at night.

While Ramadan was speaking, an explosion echoed in the distance – another apparent Israeli detonation of a home. “Day and night,” he said. “We even see them.”

He added: “It’s become routine.”

Pilot zones

In March, Israel invaded Lebanon for the second time in less than two years. The first invasion in October 2024 was followed by a near-full Israeli withdrawal with soldiers remaining in five locations in southern Lebanon. After the second invasion, however, Israeli officials have said their troops will stay on in southern Lebanon despite promises from United States officials that the Israelis do not have territorial ambitions in Lebanon.

While US President Donald Trump announced a ceasefire in April, Israel’s military has continued to attack what it says are Hezbollah targets and infrastructure around southern Lebanon.

Meanwhile, the Lebanese state has been locked in US-brokered direct discussions with Israel despite objections from Hezbollah and its allies, who favour indirect discussions with the Israelis to try to end the war and the Israeli presence in southern Lebanon.

Israel and Lebanon agreed a “framework agreement” in June, which launched a “pilot zone” plan. The pilot zones are to act as a test area for the Lebanese army to disarm Hezbollah and for the Israelis to withdraw. The first pilot zones were the villages of Froun, Srifa and Zawtar al-Gharbiyeh. But locals disputed the inclusion of Froun and Srifa, saying they were never occupied by Israel in the first place.

“[The Israelis] didn’t take a single step here,” Ramadan said.

For its part, Israel is also reportedly critical of the pilot zone scheme, and analysts doubt their willingness to allow it to progress.

“The pilot zones can only really work if you have goodwill of various parties,” Nicholas Blanford, a nonresident senior fellow at the Atlantic Council and author of a book on Hezbollah, told Al Jazeera. “The trouble is the Israelis have said they are not going to stage any more withdrawals, so it brings the process to a halt.”

And regardless of the efforts from the Lebanese state and the Lebanese army, both Hezbollah and Israel have played a role in undermining the process.

“Hezbollah opposes the scheme outright and argues that Lebanon should rely on Iran to pressure the US into demanding an Israeli withdrawal,” David Wood, the International Crisis Group’s senior analyst for Lebanon, told Al Jazeera. “Israel has paid lip service to the pilot zones scheme but has recently expanded – rather than reduced – its occupation of Lebanese territory.”

Demolitions and destruction

In the villages near the areas Israel controls, many of the homes and local infrastructure lie destroyed. Piles of concrete rubble and dust line many of the roads to the villages. Explosions were heard throughout the day on Thursday, and locals said they are often worse at night and disrupt their sleep.

During the harshest days of the war, these villages were ghost towns. Residents fled north to Sidon or Beirut, where they stayed with family, in displacement centres, or slept rough on the streets, locals said.

Residents began to return to these villages after the announcement of the framework agreement. But what they returned to was not what they had left behind.

Mohammad Ali Nader, the head of the municipality of Ghandouriyeh, said his area was mostly agricultural and farmers grew olives, wheat, chickpeas, corn and tobacco, among many other crops. But now, the area lies overwhelmingly in ruins. Most residents don’t have access to water or electricity.

The clanking sound of cranes and other construction equipment moving rubble or smashing concrete echoed out into the rolling hills behind Nader. He stood on the ruins of a home that had been destroyed by two Israeli rockets.

“Much like all the other houses that were destroyed, this house is no longer habitable,” he said, saying it had once boasted two storeys and a large garden. He added that the electric and water infrastructure in the area was also mostly destroyed. “We used to grow carob here, but where is there carob now?” he asked rhetorically. “Not a carob is left nor olives, tobacco or wheat.”

Nasser Mokdad, an official in the municipality of Froun, said the area was currently not receiving state-provided electricity but added that the Lebanese government was working on returning services, setting September 15 as a target date.

No water, no electricity, no return

Residents in the affected villages said the current period reminds them of the days of the Israeli occupation of southern Lebanon from 1982 to 2000. Hasan Bazzi, the head of the municipality of Froun, said the only difference is that during the previous occupation, southerners remained in their Israeli-occupied villages.

This time around, the Israeli demolitions are ensuring that those whose homes are in Israeli-occupied areas will have difficulty returning, even if the troops eventually withdraw.

When the war restarted this year, Ramadan fled his home of 30 years and took refuge in an area near Tyre, a coastal city in southern Lebanon, and then moved farther north to Sidon, about an hour south of Beirut.

When he returned after the truce in the area, his house had been badly damaged. Still, it fared better than the neighbouring houses, which he said belonged to his cousins. He’s now sleeping in his garage with his wife. Their house, like the surrounding area, has no access to water or electricity.

He said the heat at night bothers him and he’s developed a bad heat rash. During the day, he slowly works on fixing the shrapnel-pocketed walls of his home.

Dripping with sweat under the midday sun, he smiled. “My conscience is at ease because I’m by my home,” he said.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

Greg Ito with “Personal Effects,” 2026, “The Spectrum Within,” 2025 and “Love is a Vessel,” 2026.

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

Jerson Hondall in the library of Gagosian Gallery, Beverly Hills.

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

Aleza Zheng in her South L.A. studio featuring “The Unbearable Lightness of Being,” 2026, “Of Providence,” 2026 and “All That Is In Heaven,” 2026.

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.

Universal Studios Hollywood’s Halloween Horror Nights was built on an outsize reputation. Jump scares, dudes with chainsaws, fake blood and adult drinks accentuated with gummy worms.

Some of these staples haven’t changed. Jump scares aren’t going anywhere, and at a behind-the-scenes walk-through of this year’s haunted houses, dozens of mannequins laid splayed across floors with baggies of custom-made faux blood ready to be drizzled on them before showtime.

But a Halloween Horror Nights evolution, one that began in 2019 with the arrival of Jordan Peele’s “Us,” has been underway. Today, haunted mazes are works of mini theater, one where scares are drawn out and choreographed. A single room may feature as many as six actors, and now, for the first time, professional stunt performers. Driving this change is the content, the films that inspire the tone of Halloween Horror Nights. And this year, two of the showcase properties are Ryan Coogler’s “Sinners” and Curry Barker’s “Obsession.”

Halloween Horror Nights, which opens Thursday, has gone prestige.

“This is a different time, and we try to live on the edge of that,” says longtime Halloween Horror Nights mastermind John Murdy, talking about modern horror films. “When we started, we were Freddy, Jason, Leatherface and Michael Myers. It was all slashers.”

A foreboding scene from the “Sinners” haunted house at Universal Studios Hollywood.

(Ronaldo Bolanos / Los Angeles Times)

“Sinners” demanded a different approach. Yes, it’s a vampire movie, but it’s so much more.

In a shift for Halloween Horror Nights, the “Sinners” maze will begin with an extended pre-show, meaning about 90 seconds of a lip-synced concert designed to re-create the film’s centerpiece performance of Miles Caton’s “I Lied to You.” Halloween Horror Nights actors will, of course, play a version of Caton’s Sammie strumming a guitar, but as the scene continues other musicians will materialize behind scrim scenes — a DJ, an electric guitarist — to heighten the film’s themes of the timelessness and spirituality of music.

“Music was such a huge part of ‘Sinners,’ so when we were sitting down to figure out what we wanted to do, we knew we had to rethink how we do stuff,” Murdy says. “It starts with storytelling.”

Murdy and the Halloween Horror Nights team wanted to attempt to re-create the thrill of that scene, when “I Lied to You” bridges cultures and conjures artists from different eras. It’s designed to be a celebratory moment before mayhem descends. Consider it an attempt to capture, if even for a moment, the complexity of “Sinners” in a walk-through attraction, one guests will ultimately spend just a few minutes in.

“What I thought Ryan did so brilliantly in ‘Sinners’ is he took vampire mythology and combined with the devil-at-the-crossroads story, the Robert Johnson story, and then brought in the Jim Crow South,” Murdy says.

A burnt vampire as part of the “Sinners” haunted house at Halloween Horror Nights.

(Ronaldo Bolanos / Los Angeles Times)

Murdy concedes, of course, Halloween Horror Nights can only glance at some of the film’s deeper meaning. Ultimately, the goal is to thrill guests. So don’t expect, for instance, a metaphor or a statement on racism, and how prejudice continues to fuel, rule and terrorize culture.

“That’s Ryan’s job in the film,” Murdy says. “Our job is to represent the film as closely as possible. We’re not trying to extrapolate on the film. This was pretty strictly an interpretation of the film. Ryan is the authority.”

‘Sinners’ brings ‘a whole new technology’ to Halloween Horror Nights

But do expect a maze that exploits the park’s movie magic history. Tapping the stunt performers behind the “WaterWorld” special effects show, “Sinners” will boast a scene in which an actor playing the vampire Remmick will descend from the ceiling to fright guests. And making the eyes of the vampires glow red was no easy feat. The film utilized specially made metallic contact lenses, which wouldn’t work at Halloween Horror Nights due to the limited amount of time performers can wear them. Instead, the park’s makeup team constructed prosthetic eyelashes that hide a rice-sized LED light that hangs in front of the performer’s eyes.

“We did a bunch of mock-ups and tests and eventually got the green light,” Murdy says. “We’re doing a whole new technology that we’ve never done before, just to pay that off.”

John Murdy, left, who leads the creative direction of Universal Studios Hollywood’s Halloween Horror Nights, poses for a photo with a young fan who goes by the name “Christian the Ghostbuster.”

(Ronaldo Bolanos / Los Angeles Times)

For those who worked on the film, Halloween Horror Nights is an opportunity to keep “Sinners” in the cultural zeitgeist, while hopefully inspiring some guests to dig a little deeper, says Sev Ohanian, a producer of the film and a founder, along with Coogler and his wife and producer, Zinzi, of Proximity Media.

“We want to make event-driven movies that bring audiences in close proximity to often overlooked subjects,” Ohanian says. “But at its core, it features subject matter that maybe a lot of folks don’t have all that much familiarity with.”

A skeleton mariachi band on the set of the Killceañera haunted house at Universal Studios Hollywood.

(Ronaldo Bolanos / Los Angeles Times)

“That’s the magic of this experience,” Ohanian continues. “Maybe somebody has never seen ‘Sinners’ and they go through this fun spectacle attraction and are exposed to really beautiful blues music and they get to see the artistry of that era of a certain group of people.”

Experimenting with narrative will continue across a number of Halloween Horror Nights houses. Killceañera, which turns a quinceañera into an event in which a teen takes revenge on her bullies, will feature an outdoor performer lip-syncing a song co-written by Murdy and Slash from a balcony. Ozzy Osbourne: Prince of Darkness will intermix the iconography of Osbourne’s solo music with religious undertones, culminating with a giant animatronic bat biting the head off of Osbourne in werewolf form.

The ‘Obsession’ approach

And then there’s “Obsession.” The film was released too late for a large-scale Halloween Horror Nights attraction, but the event will feature an actor dressed as Inde Navarrette’s Nikki walking the grounds. Murdy describes it as a “Where’s Waldo?” moment, as Nikki will be largely incognito and hidden throughout the park, her whereabouts teased nightly via Instagram. Nikki will be seeking a password, also hinted via social media, that will change nightly, from guests.

The first 100 who find Nikki and speak the correct password will be given a business card for the One Wish Willow agency from the film. I do worry slightly about this approach, as, while costumes are not allowed, Nikki could inspire some cosplay at the event, which would open non-scare actors to being approached throughout the evening. But the hope is to bring a more interactive element to Halloween Horror Nights, one that can invite a deeper interaction with character actors.

A look inside the Ozzy Osbourne-themed haunted house at Universal Studios’ Halloween Horror Nights.

(Ronaldo Bolanos / Los Angeles Times)

“We’re not going to tell you exactly where she’s going to be,” Murdy says. “Your job is try to find her and give her the password and you might get a wish in return.”

Bringing “Obsession” into the event did raise some eyebrows. While Murdy notes that Barker is supportive of the approach and collaborating with the team, it was questioned whether a character many see as a target of assault and manipulation would make an appropriate scare actor. Murdy has heard such protests.

“So is Regan in ‘The Exorcist,’” says Murdy, referring to the young victim of the classic horror story.

Audiences still, of course, want to see their favorite characters represented in real life. And Murdy wasn’t going to miss an opportunity to have one of the year’s most buzzed-about horror films at the event. “It blew me away,” he says of “Obsession.” “I was like, ‘Wow.’”

This week in SoCal theme parks

• An examination of coaster intensity. On a more serious note, Magic Mountain’s X2 remains shut down while state safety officials continue an investigation involving the attraction. The ride, first opened in 2002 as X, has been the subject of controversy and at least one high-profile lawsuit stemming from a 22-year-old man’s death. Six Flags bills the ride as “a right of passage for the ultimate daredevil” that goes up to 76 mph. A CNN report recently took a look at other, more recent injuries allegedly stemming from the attraction.
• What to eat at Halloween Horror Nights. The Times’ Nava Rawls has a look at new food items coming to Halloween Horror Nights this week. Are you brave enough to eat a 22-inch beef hot dog covered in cheese sauce, coleslaw, sriracha aioli, banana peppers and Hot Cheetos inspired by the video game “Fortnite”?
• A Marvel legend, honored. Avengers Campus at Disney California Adventure has added a memorial honoring legendary comic artist/creator Jack Kirby. The plaque can be found at the main entrance near the land just past Carthay Circle, and sits opposite a similar plaque recognizing Stan Lee.

Event report

A scene from Oogie Boogie Bash’s Haunted Mansion-inspired street parade.

(Todd Martens / Los Angeles Times)

Disney California Adventure’s Oogie Boogie Bash has been underway since mid-August. It’s a popular event, and excellent for families with little ones, as the emphasis is on character interactions and candy rather than scares. I do, however, wish it offered a bit more variety from year to year.

New this year is a Haunted Mansion-inspired street party, which takes the place of the event’s full-scale parade, which is currently on hold due to construction of the new “Coco” attraction. It’s short, but lively, offering a couple of Mansion floats from the parade as well of dozens of dancers. The party stops at various points along the route for a mini dance presentation, and if you’re seated in one of these locales, it’s a better experience. Or else it’s just a too-mini parade. I wondered if a night-long party in the Hollywood Land section of the park would have been a better way to go, even if it meant losing one of the candy giveaway spots.

As someone who isn’t a character person, the centerpiece for me is Villains Grove, which takes over the Redwood Creek Challenge Trail with projections and effects that nod to various evil characters. Seeing ominous vines twist to life on towering trees, or watching the Cheshire Cat materialize through the woodland setting, is always a delight. But, sadly, Villains Grove hasn’t changed much since 2019, and it’s time for Disney to rethink the space. I miss, too, the days when Oogie Boogie Bash had its own spooky World of Color show. As it stands, I just wonder if there are enough attractions if you’re not interested in character hunting.

Tickets remain available for a handful of September dates.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Fast and Furious: Hollywood Drift will officially open on Sept. 16.

(Todd Martens / Los Angeles Times)

Fast & Furious: Hollywood Drift at last gets a proper opening date. Universal Studios’ high-speed thrill ride, which has been operating in technical rehearsals since late July, will open on Sept. 16. By giving the ride an official opening date, the theme park is announcing that the attraction is ready for daily operations.

Curious to ride? Don’t miss my rundown of everything you need to know before you head to the park. Looking for a review? I have that too. Want to know about the 10-year journey to bring the attraction to park? Read this. And if you’ve heard about some drama involving the park’s neighbors in Toluca Lake, this story will catch you up.

Universal Studios Hollywood is almost ready to properly open its new Fast & Furious: Hollywood Drift coaster. The high-speed thrill ride, which has been operating in technical rehearsals since late July, has an opening date: Sept. 16.

The coaster has essentially been in an extended testing phase. By giving the ride an official opening date, the theme park is announcing that the attraction is ready for daily operations.

Fast & Furious: Hollywood Drift, which seats riders in expertly designed mini-vehicles designed to reference real automobiles, has long been circled as the most important theme park attraction of 2026, a feat of engineering nestled on a steep hill between the park’s upper and lower lots that was 10 years in the making.

The ride — designed by Universal, manufactured by Intamin — has already changed the look and feel of Universal Studios, giving the park its first major outdoor thrill ride. Once known primarily as a studio tour park, Universal has been undergoing a large-scale overhaul throughout the last decade-plus, adding immersive lands such as the Wizarding World of Harry Potter and Super Nintendo World.

Now it has a coaster that feels akin to taking a joyride, complete with authentic engine and brake sounds. So if you’re thinking of taking Fast & Furious: Hollywood Drift for a spin, here’s what you need to know.

The view of Fast & Furious: Hollywood Drift from Universal Studios Hollywood’s Wizarding World of Harry Potter.

(Todd Martens / Los Angeles Times)

Is the ride included with Universal Studios admission?

Yes. A daily ticket starts at $109.95, although prices vary by day and expect to pay in the $150 range for a weekend date. Unlike Disneyland, Universal does not require reservations, but it is recommended to buy in advance.

Are express passes available?

Universal Studios will sell front-of-the-line access as an add-on to a daily ticket — but not yet. Fast & Furious: Hollywood Drift will not be included in express pass offerings at launch, according to a Universal spokesperson. That means all guests will have to wait in the same line. Express access is expected to be offered at a later date.

So, how long should I expect to wait in line?

A while. During technical rehearsals, afternoon waits routinely topped two hours, with some waiting longer than three and closer to four, although the last was rare. Expect operations to run a little smoother thanks to the soft open phase, but come prepared to be patient.

Is the ride included with Halloween Horror Nights?

The short answer is no. The longer answer: Those who spring for what Universal calls the R.I.P. Tour, however, will be able to ride. A guided experience, that ticket is $479 per person. (The fine print: Earlier this summer Universal did promise Hollywood Drift access with some tickets, but has since removed that option. The park has stated it will honor the terms of those who purchased the tickets before access was removed, and those buyers should have received instructions from Universal.)

The Fast & Furious: Hollywood Drift coaster features multiple inversions.

(Todd Martens / Los Angeles Times)

Tell me about the ride. How intense is it?

The ride reaches speeds of 72 mph, the fastest coaster in Universal’s global portfolio, while traversing 4,100 feet of track, two towering inverted loops and a pretzel loop. There are four individual launch points, and the coaster cars have the ability to rotate 360 degrees. It’s intense, but it’s also incredibly smooth, which helps it feel more approachable.

Wait, 360 degrees? Will I get motion sick?

Individual results will vary, of course, but for reference I am someone who can’t do extreme coasters — Magic Mountain’s Wonder Woman Flight of Courage is too much for me — and struggle on attractions that spin, such as Walt Disney World’s Guardians of the Galaxy: Cosmic Rewind. Yet I’ve been completely fine on multiple rides of Hollywood Drift. The spinning isn’t gratuitous, as the cars turn and drift with the flow of the track, so the movement feels aligned with direction.

Can I request a specific car?

You can! But be kind and patient with Universal staffers, who may not always be able to grant such requests due to crowding. If you have a specific concern, however, raise it with the coaster staff, and they will likely accommodate.

One of the ride vehicles of Fast & Furious: Hollywood Drift.

(Todd Martens / Los Angeles Times)

What’s the ‘easiest’ car for those who are nervous?

The middle cars, although not by much. All rotate, all experience the same speed and inversions. There are four vehicles, and the first provides the most striking views, including of the track’s drops, so the squeamish are advised to aim for the middle two cars, as it will provide a better sense of where the coaster train is heading. I’ve been told by some at Universal that the last row of the last car — each car seats four — can feel a little more riveting as it will heighten some of the speed and lift sensations. But I’ve sat in the front and the last car, and still don’t know if any differences were in my head or not.

Is there a height requirement/maximum?

Yes, you must be at least 51 inches tall to experience the coaster. There is no listed height or weight maximum, but guests are encouraged to sit in a test vehicle outside the attraction before getting in line. Riders must be seated completely inside the vehicle, which uses a pull-down lap bar, and be fitted against the headrest.

How accessible is it?

Modern roller coasters are not known for their accessibility, but Hollywood Drift is surprisingly accommodating for how intense it is. I am not small. I am 6-foot-2 and more than 210 pounds, and found Hollywood Drift to be one of the more comfortable coasters I have been on. There’s also plenty of leg room. I know a number of people significantly larger than me who have been able to ride successfully.

Where is the ride located in the park?

Across from the Wizarding World of Harry Potter. But you can’t miss it, as you need to pass it to get to the park’s lower lot, and it’s viewable from pretty much anywhere.

Well, is it worth riding? What’s your verdict?

I think it’s a blast. I rode the coaster on its first day of technical rehearsals, and as I wrote in my review, it’s full of surprises, of wondering where and when a coaster vehicle will be spin, careen or accelerate. Every turn, twist, flip leaves you guessing. Some of the park’s Toluca Lake neighbors, however, may be less enamored with it.

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

Brits already mourning summer holiday season can ditch the cold for the sun-soaked beaches of Barbados, Antigua, St Lucia and more

The summer holiday season is officially at its end – but for those already dreading the return to the daily grind after their sun-soaked getaways, jetting off for a Caribbean cruise is sure to lift the spirits. And one cruise line has slashed prices on its autumn trips for the bank holiday weekend, with just hours left to save.

Ambassador is offering 5% off all of its remaining Caribbean cruise holidays in 2026, with prices including return flights from either Heathrow or Manchester Airport, to escape the dreary UK autumn/winter weather for golden sands and warm waters. Customers just need to book by midnight on August 31 using the discount code BANKHOL5.

First up is the Atlantic Horizons and Caribbean Discovery voyage, an epic 24-night journey sets sail from London Tilbury on October 29 and calls in France, Portugal and the Azores before crossing the Atlantic towards the islands of the West Indies. Priced from £1,709 per person for an ocean view room using the discount code – working out at just £71 per night – highlights of this trip include Antigua, Martinique, St Lucia and more, with a return flight from Barbados back to the UK included at the end.

READ MORE:

Next is the Tropical Treasures cruise holiday from November 22, a 14-night adventure sailing from Bridgetown, Barbados to visit the vibrant streets of Curaçao, the lush hills of Dominica, the coral reefs of Bonaire and the iconic peaks of St Lucia. Available to book from £1,614 per person using the August bank holiday discount code, there’s also the option to secure a half price premium drinks package and save on flight upgrades too.

Sailing at the start of December is the Island Rhythms and Blue Horizons trip, another 14-night holiday beginning in Barbados before heading to the likes of the lively port town of Pointe-à-Pitre, the colourful streets and bustling markets of Fort de France, and Kralendijk, Bonaire’s capital with calm beaches and rich marine life. The cheapest of Ambassador’s 2026 Caribbean cruises from £1,519 per person using the BANKHOL5 code, this voyage has eight ports of call in total to swap the depths of British winter for tropical island-hopping.

Book a Caribbean cruise holiday

From £71 a night

Ambassador

See the deals

Ambassador is offering 5% off its 2026 Caribbean voyages to customers who book by midnight on August 31 using the discount code BANKHOL5.

Rounding off Ambassador’s Caribbean cruise offers is the Christmas & New Year Caribbean Celebration, giving holidaymakers the chance to ditch the chaos of Christmas at home for a festive season with a difference. Priced from £2,469 per person with the discount and beginning a 14-night voyage on December 20, this trip will see passengers spend Christmas Day on warm sands and welcome the New Year with music, dancing and celebration at sea, exploring Grenada, Curaçao, Tobago, St Lucia and St Kitts.

Ambassador writes of its autumn/winter Caribbean cruise offering: “It’s a time of year when the Caribbean truly shines, with warm breezes, long daylight hours and a slower rhythm that invites you to breathe deeply. Whether you’re wandering colourful markets or unwinding on deck, each day brings something new.”

Ambassador isn’t the only cruise line offering Caribbean getaways as the UK weather begins to trend cooler and wetter. Fred. Olsen still has spots left for its Caribbean Christmas Island-Hopping holiday, a 31-night winter sun trip with Christmas Day at sea and New Year’s Eve in Antigua, priced from £5,799 per person with a special offer of £150 on board credit to spend.

Or for holidaymakers seeking a more budget-friendly option, TUI’s Marella has also slashed prices on some of its Caribbean cruise offers. One of the earliest deals sailing at the start of November is the Passage To Paradise trip travelling from Malaga to visit Antigua, Dominica and Barbados, now priced from £1,209 per person with a £776 discount.

Back at Ambassador, the price of each cruise includes return flights and transfers between the airport and ship, as well as full board dining while on board. Passengers will also have plenty to keep them entertained in between stops, including the use of the ship’s gym, swimming pool and hot tubs as well as a range of daily shows and activities from fitness classes, quizzes and crafting to plays, cabaret, music and dance.

Ambassador has earned an average rating of 3.9 out of five stars on Trustpilot. One passenger wrote in their review: “Fabulous Caribbean Cruise. Good food, excellent staff, great entertainment and lectures and a fantastic itinerary meant this was a fabulous holiday.”

Another fed back: “Our 45-day adventure on board Ambassador’s MV Ambition exceeded all our expectations! Sailing from Tilbury to the Caribbean via the Azores, calling at many beautiful islands. Escaping the winter weather and enjoying the beautiful Caribbean while being pampered and entertained.

“Our daily routine was very enjoyable, lectures, daily choir practice sessions leading to two shows towards the end of the cruise! Plenty of socialising, exercising on deck in the sunshine or relaxing in the spa, working out in the gymnasium with fellow athletes and trainers.”

They added: “MV Ambition is a comfortable ship with pleasant bars and restaurants, friendly and attentive staff that worked hard to make sure we had all that we required. The entertainment team were excellent, such great shows, musicals and fabulous performances!”

Not everyone gave their experience five stars, however, with one person commenting: “We were on a 46-day cruise to Cuba and the Caribbean and found the staff to be excellent, the cabins comfortable and facilities ok. I have marked the experience down due to the fact that despite saying that they cater for vegetarians we were disappointed with the food on offer.”

After British and Commonwealth bantamweight title defeats, Maguire would avenge a previous loss against David Needham in 1975 to get his hands on the Lonsdale Belt – and in the build-up, reunited with Ali at Wembley.

In August 1977, they met again in the Grosvenor House Hotel for a testimonial in honour of Ali’s friend Paddy Monaghan, the Fermanagh-born bare-knuckle boxer.

By then, Maguire had drawn with European champion Daniel Trioulaire, while a second crack at the title brought a loss to Franco Zurlo before defeat by Johnny Owen proved his final stand.

“There were ups and down,” Maguire says of his career, “but it’s one I’m proud of.”

While his days in the ring were over, he would remain connected to the sport, serving as a member of the British Boxing Board of Control’s Northern Ireland Council.

On Saturday, Maguire will watch from home as Taylor, a trailblazer for women’s boxing, makes the same walk as Ali.

“I’ve had the opportunity to tell my kids and grandchildren about my time there, so for those boxing this time, they can do the same one day,” he said.

“Katie Taylor has had a great career and deserves her big night, but hopefully it’s not another 50 years before boxing’s back in Croke Park.”

The glowing bar is decorated like a DJ lives there with shelves of classic records, ghetto blasters, plush couches, upscale food and craft cocktails. It feels like seeing a comedy show in the living room of a friend with taste. Comics who’ve come to the stage include Donnell Rawlings, Iliza Shlesinger, Morgan Jay, Josh Johnson and Kam Patterson. Unlike most club shows that are quick to kick you out, the promoters encourage people to hang out for what feels like an after-party worth sticking around for. Though the show is seasonal and runs until Sept. 22, the promoters plan to come back in December.

When: 8 p.m. Tuesdays
Tickets: Varies

Kehlani has rescheduled the two concerts she had to postpone because of illness.

On Thursday, the “Folded” singer announced new dates for her Camden, N.J., and Columbia, Md., shows on Instagram. The Camden show, which was originally scheduled for Aug. 26, will now happen on Sept. 5. The Columbia show will follow on Sept. 6. The latter had previously been scheduled for Aug. 27.

The two stops on Kehlani’s self-titled world tour had to be postponed after the two-time Grammy winner needed to seek treatment at a hospital for pain that prevented her from being able to swallow.

“[A]fter two off days feeling completely normal.. ive been up all night unable to swallow & in so much pain,” Kehlani wrote in a social media post Wednesday. “[I] just left the hospital & am not cleared to sing for the next two shows. i’m so sorry.”

In the since-deleted Instagram post (which is still available on Facebook), the “Nights Like This” singer expressed her frustration that she wasn’t able to perform as planned.

It “breaks my heart to have to ever do this,” Kehlani wrote. “i do everything i’m supposed to do to ensure my health stays up to par & it still isn’t guaranteed.”

The “After Hours” singer kicked off the North American leg of her world tour in support of her self-titled album in Minneapolis earlier this month. She is scheduled for back-to-back Southern California stops at the Viejas Arena in San Diego and the Intuit Dome in Inglewood on Sept. 23 and 24, respectively.

FINDING a London hotel room that isn’t the size of a shoe box and is actually affordable can be a real challenge.

Luckily, I’ve done my research and have found an underrated hotel that hides a secret bargain.

This stay offers suite-sized rooms for a very reasonable £65 – which is less than what you’d pay for those broom cupboard-sized rooms in the city centre.

Not only that, but the hotel has great connections into Central London, plus has attractions like the Minecraft Experience and The Legend of the Titanic exhibition less than 10 minutes away.

Throw in unlimited free ferry rides across the river to Canary Wharf, and it might just be the best-kept budget hotel hack in the capital.

Here’s everything you need to know about a&o London Docklands Riverside.

Read more on cheap hotels

TOP MARKS

Dirt cheap hotels in 7 top holiday destinations that guests actually RAVE about

GOOG TIP!

Trick to get cheap hotel stays revealed by Google with new price drop feature

Where is a&o London Docklands Riverside?

a&o London Docklands Riverside is in Rotherhithe, which sits directly opposite swanky London finance district Canary Wharf.

A stay here even comes with free ferry tickets to cross over the river and reach Canary Wharf in a matter of minutes.

You can take the ferry as many times as you’d like during your stay. Ferries come every 15-20 minutes, and run daily until around 11pm.

The easiest way to get to the hotel via public transport is by taking the underground to Canada Water, and then walking around 10 minutes to reach the hotel.

What is the hotel like?

This is a no faff, no-frills spot which makes for the perfect budget-friendly base on a trip to London.

The building is a restored 17th century wharf warehouse, bringing a touch of the area’s maritime history to your stay – but all of the amenities here are super modern.

Everything here is designed for efficiency – the check-in process is quick and easy, there are vending machines throughout with snacks, drinks and toiletries, and reception are on-hand 24 hours a day to help.

There’s an indoor bar and lounge area, plus an outdoor ‘Urban Beach’ bar with plenty of parasol-topped tables for soaking up the sun in the warmer weather.

What are the rooms like?

This London stay offers the ultimate room hack – entire suite-sized rooms from just £65 per night.

a&o London Docklands Riverside used to be a Hilton Doubletree hotel, however since a&o took over ownership, you can snag a large room for a shockingly low price.

This is because some rooms here which were once sold as King Junior Suites are now being sold for the price of a regular double room.

This means that you could bag an entire suite with a big double bed, lounge area with a sofa, desk to work from and even a balcony overlooking the Thames for just £65 per night.

That works out to only £32.50pp per night (almost unheard of for a Central London hotel).

Prices vary depending on the time of year you visit, so if you want to bag this price, make sure to look for off-peak season stays such as weekdays in the winter.

As this accommodation is owned by a&o hostels, there are actually dorm rooms on offer here, too.

If you’re a seasoned traveller that doesn’t mind sharing a room, you could bag a stay here from as little as £19 per night – perfect if you just want a place to crash after a concert or event.

What is there to eat and drink?

Breakfast here is served buffet-style with all the usual suspects – eggs, sausage, bacon, cereals – plus a pancake machine with Nutella and maple syrup.

It’s definitely worth heading out into the city to grab lunch and dinner, as London is full of amazing restaurants inspired by all sorts of cuisines.

Cross the river into Canary Wharf and you’ll soon spot Big Easy – a huge, American-style BBQ restaurant that sits on top of the underground station, with huge neon signage that reflects onto the water below.

Here you can feast on steak, ribs, fries, corn on the cob and more, all lathered in thick barbecue sauce. Messy, but so delicious.

What else is there to do there?

When you’re out in Canary Wharf, make sure to book in a session at Fairgame.

Head towards the giant yellow rubber duck on the waterfront and behind it you’ll find a playground for grown-ups.

Inside there’s street food-style stalls, a bar serving crazy cocktails and, most importantly, loads of fairground-style games like whack-a-mole and basketball hoop-shooting.

If you’ve got kids with you, or just fancy a wholesome day out, hop on the DLR to Mudchute Farm.

Here you’ll find a farm with a surreal feel, where you can see alpacas, goats, sheep, chickens and more grazing grasses backed by London skyscrapers.

There’s even a community garden on-site where you can get stuck in and lend a hand planting flowers, fruits and vegetables.

Is it family friendly?

a&o London Docklands Riverside is family-friendly, with private, family-sized rooms and even pram hire from reception.

The hotel also has dog-friendly rooms, with a fee of £13 per pet per day.

Is the hotel accessible?

The hotel is accessible with step-free access onto the property and elevators to reach the rooms.

Make sure to mention any specific needs you may have upon booking.

THE WORLD’S top cities for a night out have been revealed with one spot in the UK making the list – and no, it isn’t London, Birmingham or Manchester.

The UK is home to great nights out anywhere you go, but one seaside city in particular has it all.

According to Time Out, Brighton is the best city to go on a night out in the UK and one of the best spots in the world.

The publication commented: “Brighton’s legacy as the home of the UK’s LGBTQ+ nightlife scene continues to thrive.

“Of all cities on this ranking, Brighton received the highest score for its sense of community, with 84 per cent of locals saying it’s easy to make connections in the seaside city.”

According to TripAdvisor, the best spot to head to in the city is Maggie Mae’s, which opened back in 2014 and claims to be “one of Brighton’s busiest and most loved venues”.

Read more on travel inspo

GET A ROOM

13 London hotels we love for UNDER £100- all-inclusives & bargain suites

SO FLY

Our fave beach hols under 5 hours from UK with Caribbean dupes & £2 bottles of wine

For the number one LGBTQ+ nightclub on the South Coast, visit Revenge which has three floors, five VIP booths and even a magic mirror photobooth.

A raunchier option is Madam Lola’s – a cabaret and nightlife experience inside a Grade II-listed building with drag performances, dancing on tables and circus performances.

If you like to enjoy a pint but also want a bit of fun then The World’s End is the ideal spot.

The venue is home to a lively bar area as well as a 10-person remote controlled race track and a retro arcade.

If you want something unique, head to Alcotraz – a prison-cum-bar immersive experience – or for sticky floors and cheesy tunes, head to Pryzm nightclub.

Comedy clubs are more your thing? Brighton has options including Komedia, which hosts around 700 comedy performances each year.

While Brighton came eighth overall, the top spot went to Bangkok in Thailand.

The city has “everything you could ask for, from the pokey street-side bars to the mega clubs and the 360-degree rooftop bars to the wild LGBTQ+ party pads”, according to Time Out.

In second place – and the best city for nightlife in Europe – was Berlin in Germany, known for the hedonistic Berghain where cameras are banned but nudity is a go.

Time Out said: “Berlin’s nightlife is at a turning point. Rising rents and redevelopment have fuelled what critics call Clubsterben: the slow death of the city’s legendary clubs.

“But there is light at the end of the darkroom. Germany is aiming to reclassify its clubs as cultural institutions, making them harder for developers to displace; a new layer of protecting following UNESCO’s 2024 recognition of Berlin’s techno culture as intangible cultural heritage.”

Rounding out the top three was New York in America.

Eight months have passed since Rob and Michele Reiner were killed and their youngest son was arrested and charged with murder, but the couple’s eldest son still feels he “will never understand why this happened.”

The children of film director Rob Reiner and photographer Michele Reiner mostly have kept mum despite extensive coverage of the brutal stabbings of Dec. 14, 2025.

In a television interview with KABC-TV’s Marc Cota-Robles, Jake Reiner, the eldest son, described the aftermath of the slayings and the arrest of his brother, Nick, as a “living nightmare.”

“Nobody really understands what it’s like to go through something like that until you’re living it,” said Jake, 34. “It’s been eight months. It feels like eight years at the same time. And it also feels like eight minutes because every moment that I wake up, I’m reminded of my reality.”

Jake said he learned the night of their deaths that the Los Angeles Police Department was looking at Nick as a prime suspect. A grand jury indicted Nick last month on murder charges with special allegations of committing multiple murders and lying in wait, making him eligible for life without parole or the death penalty if convicted.

“He’s in jail,” Jake said. “It’s like, I physically lost my parents, and then Nick was arrested. Now it’s just me and Romy, and we have to navigate this by ourselves essentially.”

Asked whether he was surprised that Nick was suspected in the crime, Jake declined to answer. He also declined to discuss his brother’s attempt to use family trust money to fund his legal defense. Instead he discussed the anger he is feeling.

“It manifests into rage, into how unfair this was, how I didn’t get a say in what happened. I didn’t get to stop it from happening. I had no choice in the matter,” Jake said. “I just have to accept the reality of it. And to me, that is just one of the most infuriating parts of all of this.”

He said he learned of his parents’ deaths while attending a celebration of life event for a high school friend at Union Station. His sister, Romy, tried to call him.

“I screened it because I thought, at the time, I’m in the middle of something, you know, I’ll call her back,” he recalled, “and then she called immediately again, and I knew at that point that something was wrong.

“Romy told me our dad was dead, and then she said, ‘I can’t find mom.’ I immediately went into shock.”

Investigators found the body of Rob Reiner in the master bedroom. Michele Reiner subsequently was found in the bedroom area as well.

Romy, 28, has not publicly commented.

Nick’s struggles with addiction and mental health were public knowledge. In 2015, he partnered with his father on the film “Being Charlie,” about a drug-addicted son, which Nick wrote and Rob directed. It was loosely based on Nick’s life.

Jake was no stranger to crime scenes — as a longtime television news reporter he said he witnessed plenty, but nothing could have prepared him for his parents’ home that night.

“As a reporter, I did it for 10 years; I came up on crime scenes all the time,” he said. “But when it’s your crime scene, a crime scene at your childhood home, it’s like the most surreal thing I’ve ever seen.”

Nick has pleaded not guilty. A pretrial hearing is slated for Sept. 15, a day after his 33rd birthday.

“I’ll never understand. I don’t care how it’s explained to me. I don’t care what facts come out, ” Jake said. “My parents had unconditional love for all three of us. I can tell you they never stopped wanting to help him. They never stopped helping him.”

Jake and Romy made their first public appearance together since the tragedy on Aug. 2 at Dodger Stadium, where they took part in the ceremonial first pitch. Dodger Stadium meant a great deal to their father.

“One of the great pleasures I have is walking into Dodger Stadium. It’s like I feel at peace,” Rob Reiner once said.

“He had season tickets for the Dodgers,” Jake said, “and we would go anywhere from three to four games a week, and it was just the greatest time with him.

“It was an emotional thing that we did. I don’t know if I really could take in the moment, because everything happened kind of fast, but I was really happy that we got to do that.”

Wigan Warriors boss Matt Peet told BBC Radio Manchester:

“It was a fitting occasion for Billy with everything the club did and the atmosphere in the ground.

“I thought the performance was befitting.

“The fans and the people in the crowd who’ve had a sad week, we have a responsibility.”

Hull KR head coach Willie Peters told BBC Radio Humberside:

“I’m really proud of the performance. We had a young side tonight and we didn’t stop fighting until the end. We played against a good team, who were extremely disciplined and give you nothing.

“The inexperience we had in this team tonight, the main thing is that we said we need to fight for everything. We gave them a few things but they did the badge proud.

“I’ve always said players have to earn the jersey, it’s not given to them. It was different circumstances tonight and there were probably three players who could have played but they’ve played a lot of rugby league.”

Wigan: Field; Eckersley, Keighran, Wardle, Marshall; French, Smith; Havard, O’Neill, Thompson, McDermott, Partington, Ellis.

Interchanges: Walters, Mago, Kerr, O’Connor.

Hull KR: Broadbent; Horne, Gorman, Booth, Kershaw; Mourgue, Charles; Sue, Leyland, Luckley, Martin, Dearlove, Lawton.

Interchanges: Amone, Fishwick, Murphy, Woods.

Referee: Aaron Moore.

I didn’t want to feel disappointed, so I suggested we leave.

My friend Mejin countered that we should give the moon a little more time to show itself.

We’d hiked up to Five Points, where five trails meet in Griffith Park, with the goal of watching the moon rise over the nearby Los Angeles River and Elysian Valley.

But the smog was thick, and the view was obscured. I already felt beat down by life. Now, the moon was a no-show? But as Mejin and I chatted with passersby about why we were standing around — no one seemed as hyped about the moon as we were — we spotted a flicker of golden light, low in the sky.

In this edition of The Wild, our weekly outdoors newsletter, I will recommend three night hikes around L.A. where you should have great views to watch the moon rise. Each trail offers an opportunity to still get outside despite this oppressive heat wave L.A. is experiencing this week. And this week’s full moon is extra special. On Thursday night, we’ll be able to witness a partial “blood moon” eclipse. Sounds spooky, and it isn’t even Halloween yet!

First, let’s talk through the time of sunset and the moon’s rise so you can plan your hike accordingly:

• Thursday: Sunset at 7:25 p.m., moon rise at 7:16 p.m.
• Friday: Sunset at 7:24 p.m., moon rise at 7:43 p.m.
• Saturday: Sunset at 7:22 p.m., moon rise at 8:09 p.m.
• Sunday: Sunset at 7:21 p.m., moon rise at 8:37 p.m.

A view of the super blue moon as seen from the Hollywood Hills on August 2023.

(Jason Armond / Los Angeles Times)

In terms of the partial “blood moon” eclipse, here’s what you need to know, thanks to a story by Times staff writer Fedor Zarkhin:

• “The main stage of the eclipse will begin at 7:34 p.m., when the moon will fall under the core, or umbra, of Earth’s shadow. It will gradually turn a reddish, copper color as sunlight bends and filters through the atmosphere to fall on the otherwise-obscured part of the moon.”
• “The eclipse will peak at 9:13 p.m. — when 96% of the moon’s surface will fall under the Earth’s shadow.”
• “The most visible phase of the eclipse will end at 10:52 p.m.”
• “The eclipse will end entirely just after midnight.”

If you’d like to look for your own full moon hike, rather than using the list below, your hiking spot will ideally include:

• Clear views to the east. The moon generally rises in the northern hemisphere in the eastern sky (at around 102 degrees on Thursday in L.A., coordinates you can find using your cellphone’s compass).
• Open after hours. Several of our local parks are only open from sunrise to sunset (outside of special events). Make sure to check the hours (if there are any) if you’re planning to take a night hike not listed below.
• A wide dirt or paved path. None of the hikes below are terribly technical. That’s intentional, as the best night hikes are those along a wide fire road or paved path.

The moon rising in Thousand Oaks over Simi Peak to the east in October 2021 in the phase known as waxing gibbous.

(Al Seib / Los Angeles Times)

• Friends. It’s best to hike in a group at night, in part because your chatter and laughter will alert any animals that you’re nearby.
• Hiking poles. Although none of these trails are terribly technical, there’s still an inherent risk that comes with hiking. Consider bringing poles for the trip down, just to give yourself a bit more purchase on the sandy soil.
• Extra water. We’re all slowly melting in this heat wave. Pack more water than you’d normally bring because we’re probably all a bit more dehydrated than usual this week!

The moon rises above the snow-capped San Gabriel Mountains and the Los Angeles skyline as rain clouds begin to envelope the sky. The view is from Kenneth Hahn State Recreation Area in January 2021.

(Genaro Molina / Los Angeles Times)

As always, please remember to practice the seven Leave No Trace principles out on the trail, which include picking up after yourself (including orange peels) and not playing loud music. This better ensures we leave it better than we found it so everyone, including our local wildlife, can continue to enjoy our public lands.

OK, toss an extra water bottle in your pack and let’s take a look at these hikes!

Hikers sit on the ledge of the Topanga Lookout, a concrete base of a fire lookout that is believed to have been torn down in the 1970s after smog made the lookout tower irrelevant.

(Jaclyn Cosgrove / Los Angeles Times)

1. Topanga Lookout

Distance: 2.1 miles
Elevation gained: About 350 feet
Difficulty: Easy end of moderate
Dogs allowed: Yes
Nearest to: Topanga
Accessible alternative: An L.A. County beach with accessible offerings

The 2.1-mile trek out and back to the Topanga Lookout takes hikers along the Topanga Ridge Motorway (called Topanga Tower Motorway on some maps) to an iconic spot in the Santa Monica Mountains where, on a clear day, you can see dozens of miles away.

Along the way, you’ll spot massive rock slabs that look like the forgotten frisbees of Zeus and his pals. And you’ll be treated to a lush habitat of native plants, including prickly phlox, chaparral yucca, black sage, hollyleaf cherry and Coulter’s Matilija poppy.

Hikers light the path to the Topanga Lookout in the Santa Monica Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

To begin, you’ll park near the trailhead at Stunt and Saddle Peak roads. Be careful if crossing the road, as that large bumblebee you hear nearby is actually a sports car ripping along the road. From the trailhead, you’ll take Topanga Ridge Motorway for just over a mile northeast. You will pass an entry point for the Backbone Trail and a private road.

The trail starts as a wide paved path before transitioning after about a third of a mile to a dirt path of varying widths. Although it’s not overly technical — I chatted with a hiker walking it in slides — the trail has some uneven surfaces, so a headlamp or good flashlight is necessary when hiking it at night.

You will pass at least one spur trail — unofficial, user-generated — including one that’s steep and unstable. I overheard one youthful hiker tell their friends, “Dude, I almost died three times.” Not a ringing endorsement for that route. Plus, it didn’t sound like it offered any better views than you’ll get at the lookout spot.

As you approach the lookout, you’ll notice a steep path up to the concrete base. If you, instead, take the foot path to the right of the lookout, you’ll find stairs that allow you a much easier time getting to the top. You likely won’t find solitude — I interacted with a dozen hikers on a Wednesday night — but you will find incredible views of the Santa Monica Mountains and L.A. County. I was blown away.

A headlamp lights the path ahead as the stars twinkle above near the Topanga Lookout in the Santa Monica Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

I kept calling this spot the Topanga Overlook in my head, knowing that was wrong. It hadn’t clicked for me that this used to be the site of a fire lookout tower, hence the reason there’s a concrete structure here.

Believed to be built in 1934, the Topanga site was one of three fire lookout towers that the L.A. County Fire Department maintained in the Santa Monica Mountains with the other two located at Castro Peak and Triunfo Peak near the Ventura County line, according to a 1958 Times article. (For more history on fire lookouts in L.A. County, including how to hike to an existing one, you can read this article I wrote about Vetter Mountain.)

An almost full moon rises over the Santa Monica Mountains and nearby cities.

(Jaclyn Cosgrove / Los Angeles Times)

The Forest Fire Lookout Assn. lists the reason for the Topanga Lookout’s demolition to be “unknown.” However, I think I figured out what happened.

Author Milt McAuley wrote in one of his Santa Monica Mountains hiking guidebooks that the lookout tower was removed in the 1970s but provided no further details. This was around the time that air quality was worsening in L.A. County.

The sunset as seen from the Topanga Lookout trail in the Santa Monica Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

“The County Fire Department has seen the day coming when the lookout tower would be outmoded,” Deputy Fire Chief George Brunton said in a 1969 Times article. “Too much smog cuts the effectiveness of the lookout operators and as the area becomes populated we no longer feel the need for these fixed fire spotters.”

Brunton told The Times that the county was launching a pilot program (somewhat literally) to use helicopters as fire lookouts. Officials had already closed the Triunfo tower and another at Parker Mountain near Saugus. “If the pilot program proves successful, other towers will be shuttered, according to Brunton,” the story reads.

Today, the Topanga Lookout and the surrounding area is mostly public land. Please respect any “No Trespassing” signs you see, as there remains some private land nearby, and if able, bring a trash bag with you. Unfortunately, not all visitors practice Leave No Trace!

The view from the Seco View Trail in Debs Park.

(Jaclyn Cosgrove / Los Angeles Times)

2. Seco View and Oak Grove trails to overlooks

Distance: 1.4 to 1.86 miles
Elevation gained: 600 feet
Difficulty: Moderate
Dogs allowed: Yes
Nearest to: Northeast L.A.
Accessible alternative: L.A. River trail near the Taylor Yard bridge

This short jaunt through Ernest E. Debs Regional Park in the Montecito Hills offers great views at any time of day, with a bonus of great spots to sit at the top.

To begin, park at Hermon Park, or walk from the Highland Park Metro stop, as it is about a 0.7-mile walk to the trailhead from there.

From Hermon Park, head south, crossing Via Marisol from the crosswalk. From the crosswalk, you’ll walk west to the trailhead.

You will take the Seco View Trail southwest-ish for just over a quarter of a mile before turning left (or south) on Oak Grove Trail. You will follow Oak Grove Trail for about a quarter of a mile and then continue on Oak Grove Trail as it jags to the right (or west). You’ll quickly come to a wider dirt path. Turn left (or west).

A green park bench at Debs Park.

(Gina Ferazzi / Los Angeles Times)

In just 300 feet, you’ll come to a paved path where you can turn left or right and reach benches either way. From here, the choice is yours to sit, rest and enjoy the moon rise.

On your way back, you have the option of following a wide-but-steep path down rather than returning on Oak Grove Trail.

The moon rises over Elysian Valley in late July.

(Jaclyn Cosgrove / Los Angeles Times)

3. Five Points via Fern Canyon Trail

Distance: About 2.4 miles
Elevation gained: About 475 feet
Difficulty: Moderate
Dogs allowed: Yes
Nearest to: Atwater Village
Accessible alternative: Griffith Park Observatory paved paths

This 2.4-mile journey will take you to Five Points (5-Points on some maps), where five trails meet and offer you the opportunity to extend your adventure (as long as you packed a map).

To begin, park at the Merry-Go-Round Lot 1 or nearby, keeping in mind that sometimes parking lots in the area close for setup and equipment for Shakespeare in the Park.

Exit the parking lot in the southeast corner and head to the Lower Beacon Trail, a wide flat dirt path parallel to the road. You’ll only be on this for about 200 feet.

At Five Points in Griffith Park, where, on a clear day, you can see Santiago Peak, the highest peak in Orange County.

(Jaclyn Cosgrove / Los Angeles Times)

Soon, you will turn left (or southwest) onto the Fern Canyon Nature Trail.

You stay on this lush shady path for just under one-fifth of a mile, continuing southwest until you reach the Fern Canyon Trail, a wide dirt path.

You will follow Fern Canyon Trail as it takes you first west, then southeast before taking you eastward to Five Points.

If anyone in your party is thirsty, the Joe Klass Water Stop is nearby.

From Five Points, you can hang out until you spot the sturgeon moon, the name for this month’s full moon. And if it doesn’t come quickly, consider waiting.

3 things to do

A tribute will honor the life and music of Swamini Alice Coltrane Turiyasangitananda.

(Adam Corey Thomas / TreePeople)

1. Celebrate Alice Coltrane’s birthday in Beverly Hills
TreePeople and Living Earth will host a tribute to Alice Coltrane from 7 to 10 p.m. Thursday at TreePeople’s outdoor venue in Beverly Hills. Proceeds from ticket sales will go toward the musicians, money needed to restore the ashram Coltrane established that burned in the 2018 Woolsey fire and to TreePeople, a local nonprofit that has planted more than 3 million trees in our region. Tickets range from $33 to $66 plus a $3.21 processing fee. Purchase at livingearth.la.

2. Bird-watch in a cemetery in Altadena
Pasadena Humane will host a wildlife walk from 6:30 to 8 p.m. Friday through Mountain View Cemetery in Altadena. Guests will learn about local birds, squirrels and coyotes, and also the history of the graveyard. Tickets are $7.18. Register at eventbrite.com.

3. Locate lizards in Culver City
Herpetologist Earyn McGee will host a lizard art walk from 10 a.m. to 1 p.m. Saturday at the Stoneview Nature Center (5950 Stoneview Drive) in Culver City. After taking a hike to observe lizards in their natural habitats, McGee will lead the group in an art activity at the nature center. Register at docs.google.com.

The must-read

A male tule elk frolics near the Tomales Point Trail, part of the Point Reyes National Seashore in Inverness.

(Josh Edelson / For The Times)

Point Reyes National Seashore is a stunningly beautiful 110-square-mile expanse about an hour north of San Francisco. It’s at the heart of a debate between environmentalists and ranchers over the best way to manage the landscape. Times staff writer Susanne Rust wrote that after a lawsuit brought by environmentalists over the future of ranching there, in 2025 “a settlement was announced with the National Park Service laying out how the park would function going forward. Natural landscapes and wildlife would take priority over agriculture. Eleven of 13 historic ranching families would leave and be made whole for their losses.” But the remaining two families want to continue the fight. And they’re apparently finding the ear of the high-ranking officials of the Trump administration.

Happy adventuring,

P.S.

I’ve had a handful of moments on the trail when I felt like I was in real danger. The time I accidentally went off trail and ended up on an unstable hillside, dropping my pack in a river below. The time a bear slapped my tent. And because I’m a wimp, the moment when two entangled snakes emerged from the bushes and looked at me — before returning to their tryst. If you hike often enough, you will undoubtedly run into some kind of trouble. I’d love to hear from you. I write Between a Rock, an outdoors survival series that I hope helps educate other outdoors folks about how to respond in the face of emergencies. I’ve interviewed folks who’ve faced down mountain lions and bears, and underprepared strangers. You can submit your story via this form, and I will reach out if I’d like to hear more. I love these interviews because I always learn something too.

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

IF YOU are getting sad that the summer appears to be over in the UK, then it’s good news as TUI is launching holidays to three North African cities.

The new holidays will be to Fez, Rabat and Tangier in Morocco.

Head to Fez if you want to explore Morocco‘s oldest imperial city, with a number of medinas and souks to discover as well as hands-on workshops where you can learn traditional Moroccan crafts.

Make sure to get mint tea as well, which will set you back just £1.

Temperatures in September often exceed 30C as well.

A four-night break to Fez staying at the Hotel Nouzha on a bed and breakfast basis costs from £156 per person (£39 per person per night).

Read more on travel inspo

GET A ROOM

13 London hotels we love for UNDER £100- all-inclusives & bargain suites

TRAVEL TIP

The £2.99 SIM hack that can save Brits HUNDREDS abroad

Alternatively, in Rabat you can head to the old medina where you will find a number of cosy cafes.

From the city, you can also head to the popular Chefchaouen, known as the ‘Blue City’ for its narrow streets full of blue buildings.

The city often reaches 30C in September.

A four-night holiday to Rabat staying at the Belere Rabat on a bed and breakfast basis costs from £213 per person (£53.25 per person per night).

And finally, in Tangier you can explore a slower-paced city, where highs usually sit around 28C in September.

Head to the Grand Socco, which is a lively market square that acts as the entrance to the old medina.

If you like history, head to the Kasbah museum which is inside the former sultan’s palace and has a colourful tiled courtyard.

A five-night holiday to Tangier, Morocco staying at the Fredj Hotel & Spa on a bed and breakfast basis costs from £321 per person (£64.20 per person per night).

Chris Logan, Commercial Director at TUI UK&I, said: “Morocco is a brilliant choice for customers looking for sunshine, culture and value close to home.

“From beach breaks in Agadir and Taghazout to the buzz of Marrakech, it’s a destination that gives holidaymakers so much choice in one short-haul trip.

“With packages at great prices, regional flying options and flight times of under four hours, Morocco is easy to get to from the UK.

“Some customers want the beach, some want the buzz of a city and others want to discover somewhere that feels a little more off the beaten track.

“With Fez, Rabat and Tangier now in our programme, we’re giving holidaymakers even more ways to experience Morocco and pack culture, value and sunshine into one easy getaway.”

The Magic Castle is getting in on the theme park game.

The famed Hollywood institution is teaming up with Knott’s Berry Farm for its after-hours Halloween event, Knott’s Scary Farm, now in its 53rd year. The Magic Castle will supply the artists and show direction for a production that is expected to run nightly in the park’s recently refurbished Bird Cage Theatre.

The theme park initially reached out to the Magic Castle last year, says Payden Adams, vice president of entertainment for Knott’s Berry Farm, but the castle was in the middle of a leadership reorganization at the time. With that completed, a partnership could finally begin.

“It is just astounding what they’ve done with the Bird Cage Theatre,” says Jessica Hopkins, granddaughter of castle pioneers Bill and Irene Larsen and the castle’s chief operating officer. “Magic Castle magicians have been performing in there for decades. It just felt right.”

The magic shows will take place at the park’s recently refurbished Bird Cage Theatre.

(Kyusung Gong / For The Times)

Curating Knott’s magic show will be Rudy Coby, a resident magician at the Magic Castle. Coby performed at Knott’s about 35 years ago and credits the park in helping him get his start. He says the new show, “Occultum,” will vary by week with different performers lined up throughout the Halloween season. Knott’s Scary Farm begins Sept. 17.

And yet, says Coby, “Not every magician is for this audience.” So what’s the differentiating factor for a Halloween magic show?

“It’s a little more edgy,” Coby says. “You really have to grab their attention. It’s the TikTok generation.”

Some of the illusions Coby says he will bring to Knott’s Scary Farm would be “too intense for the Magic Castle.”

“The ideas I’ve had, with chainsaws and cutting off my limbs, I couldn’t get away with at the Magic Castle,” he says.

“But you can here,” says Hopkins.

The Magic Castle-headlined show is not the only new addition to Scary Farm in 2026. Here are two other reasons I’m looking forward to the event.

Inked: A new maze with killer vintage cartoons

Concept art for the new Knott’s Scary Farm maze, Inked.

(Knott’s Berry Farm)

One of the two new mazes coming to Knott’s Scary Farm will rely heavily on black-and-white, vintage-style animation. Inked, as it’s called, will be set in the 1930s, and was introduced at a media event with a song-and-dance production that recalled Disney’s classic Silly Symphony “The Skeleton Dance.”

The story centers on Mortimer Morbid, a deadbeat, down-on-his-luck animator whose career changes — not necessarily for the better — when it’s discovered his blood can bring his drawings to life. Of course, cartoons infused with blood don’t have the most altruistic desires.

Inked designer Daniel Miller says the maze took two years to create, largely because Knott’s conceived the animation for the walk-through in-house with a team of four. Most every room in the haunted house is expected to feature original media, as the animated creations will be represented both in their cartoon form and as costumed characters.

And it’ll be gruesome.

“We kind of geared it around the notion that they’re bloodthirsty,” Miller says of the killer ‘toons. “We see all the animators in various stages of disembowelment.”

Sheesh. Animators have it hard enough today already.

Expect the unexpected with ‘Voodoo: Bayou’s Edge’ and Unearthed

Concept art for Unearthed, a new Knott’s Scary Farm maze.

(Knott’s Berry Farm)

Knott’s Scary Farm, unlike its main SoCal competitor, doesn’t rely on known film and television properties. That means the event can generally get a little … weirder. You see that in its mazes, as noted above, as well as in its theatrical productions. Also new this year is a show titled “Voodoo: Bayou’s Edge,” which takes place on an outdoor stage. The production centers on a voodoo queen and the mysterious happenings in a cemetery. Knott’s is pitching it as a music, dance-focused show.

And while voodoo can potentially be a culturally sensitive subject to tackle in a theme park, the show comes from the mind of the respected Rovin Jay, who has long been closely involved in the park’s spectacular “Ghost Town Alive!” Expect “big dance numbers” and something “really sexy,” says Adams.

Another new maze, Unearthed, will be set in the present day but takes its cues from films such as “Raiders of the Lost Ark” and “The Mummy” as it deals with a supernatural archaeological dig. Maze designer Jon Asperin says it will have numerous interactive elements, such as effects triggered by guests pulling a lever.

“Having the ability to come up with original stories lets us tap into the nerd in all of us,” says Asperin. “We don’t feel restricted by certain IP or things that may not be appropriate. We get a chance to challenge ourselves with trying out new things that some folks won’t take a risk on.”

This week in SoCal theme parks

The Disneyland attraction Mad Tea Party as it was under construction just months before the park opened. The image is from the documentary “Disneyland Handcrafted.”

(Disney+)

• A must–see Disney history event. Nonprofit creative institution Ryman Arts, in partnership with Santa Ana’s Bowers Museum, will host a talk and cocktail reception centered around a screening of Leslie Iwerks’ documentary “Disneyland Handcrafted” on Sept. 27. It’s a charity event, and a good one, as the panel lineup is top notch. Historian and author Tim O’Day will moderate a talk that includes the film’s producer, Mark Catalena, former Imagineer-turned-historian Tom Morris and current Imagineer Emily “Emo” O’Brien, who oversees creative at Disneyland and is leading the team behind the just-announced makeover of Tomorrowland. Don’t expect any insights on the latter, of course, but do anticipate a lively talk on the evolution of Disneyland. Tickets start at $125 and are on sale now.
• Stay seated on Tiana’s — or else. Disneyland has updated signage around Tiana’s Bayou Adventure, warning guests that they will be removed from the park if they stand up while on the log-flume adventure, reported Times writer Hannah Fry. The changes come less than two months after a 13-year-old boy climbed out of a log flume and fell 50 feet.
• Exciting Disneyland construction news. Big changes are coming to Disneyland, and while many are years away, the positive sign is that the park is wasting no time in getting started. There are now indications of construction in Disneyland’s esplanade between its two parks. This will pave the way for a new parking garage, of which groundbreaking has just begun, as well an entrance experience on the eastern side of the resort. This is the first of many steps, but one that must be completed before Disney begins its wider expansion that could bring attractions such as “Avatar” to the resort.

Ride report

A photo of the Haunted Mansion’s new gingerbread house, as snapped from my ride vehicle.

(Todd Martens / Los Angeles Times)

Merry Christmas! Yes, that’s right, as the Haunted Mansion has been given a Christmas-heavy makeover, as always focused on “Tim Burton’s The Nightmare Before Christmas.” (And yes, before the debate begins, it’s clearly a Christmas movie.) While I prefer the original Haunted Mansion, there are plenty of fun and clever details in the seasonal makeover that still make it a must-experience attraction. The attic scene, for instance, is full of clever nods to Disney history, including a Rolly Crump-inspired melting candelabra man. Each year I wonder if what I’m seeing is brand new, or was always there, such as what appeared to be a tiny bride figurine.

But one change is guaranteed: Each season Disneyland’s team concocts a new gingerbread house for the ballroom diorama. This year’s edition is a giant, candy-infused music box-like creation, which gradually opens as guests glide past it and a skeleton pops out. The concoction is designed in the shape of the Haunted Mansion itself, so it’s a little mansion-within-a-mansion. And, bonus, the room smells like gingerbread.

The best thing I ate at the parks this week

The delicious pumpkin cookie from Disneyland’s Harbour Galley.

(Todd Martens / Los Angeles Times)

I love a cookie, and Disneyland’s Harbour Galley has the best one on the property this Halloween season with its pumpkin creation. They’re small-ish — three or four bites — but come in packs of 6 ($8.49) or 13 ($14.49). They’re soft, slightly chewy and addictive. I love it when I get a little brown sugar crystal in my mouthful. The pumpkin flavor isn’t overpowering. It’s closer to a ginger snap than it is a slice of pumpkin pie, meaning it has just the right balance of sugar and spice. It‘s also, it should be noted, one of the best values at the resort for a dessert item. I get a pack of 13 and have breakfast for a week.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

The Walt Disney Co. stated that it will soon reimagine Disneyland’s Tomorrowland at its fan convention D23. The move has been one fans have long clamored for.

(Todd Martens / Los Angeles Times)

The topic consuming most Disneyland fans for the next few years will be the Tomorrowland reimagining. The project is just getting started, and I’ll refrain from offering a wishlist. Let the Imagineers do their work, I say, although I consider all of it, save for the monorail and Space Mountain, on the table. Gut it. Start over. But reader Peter La Barba of Long Beach wrote in with a request that I wouldn’t disapprove of.

“Whatever they do, I hope they restore the two Mary Blair murals that were in Tomorrowland,” La Barba wrote. “I’d like to see optimism restored to Tomorrowland. I was about 3 or 4 when we went to the park in August of 1955 and I wanted to live in that future. Not the incessant war future of ‘Star Wars.’”

Hear, hear. The murals of animator/fine artist Blair were a wonder, full of children of the world in celebration mode. Flying contraptions! Communication devices! Satellites! Planets! I don’t have an image safe to use, so head over to Disney history site Yesterland for a look. The two murals lasted until the ’80s and ’90s, and replacing them was a mistake that’s only looked more shortsighted over time. As Blair’s work continues to grow in stature, who needs another “Star Wars” painting?