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Halloween season is arguably the most festive time of year in Los Angeles. Is it any wonder that a city that favors make-believe would take to a holiday that inspires elaborate set dressings and creative costumes, the latter a chance to take on a role other than ourselves?

Likely not, and whether you lean spooky or playful, the days and weeks leading up to Oct. 31 are filled with events, often with no costume necessary. Consider October an excuse to throw a massive, fall-related bash.

This season there are returning staples, such as “Carved” at Descanso Gardens and Universal Studios Hollywood’s Halloween Horror Nights, but also opportunities to explore Halloween’s campier side. Our penchant for the theatrical is well represented, and even newer Los Angeles institutions such as the Academy Museum are getting in on the autumnal fun.

Whether you’re seeking an event to charm or to inspire frights, there’s plenty our region has to offer.

FORGET the faff of going abroad – you can bag yourself an action-packed all inclusive holiday here in the UK.

Across the UK are 45 Parkdean Resorts sites that offer an all inclusive package, bundling in three sit-down hot meals a day, unlimited soft and hot drinks and more.

The offer is available across some of Parkdean’s most popular sites, such as Camber Sands, Highfield Grange (which has recently had a multi-million pound investment) and Trecco Bay, one of Europe’s largest holiday parks.

And with food and drink taken care of, there’s no need to do a big food shop for the caravan, or worry about how much you’ll spend on food and drink on-site.

Instead, you can sit down in a warm restaurant to enjoy breakfast, lunch and dinner delivered straight to your table – no fuss, no washing up.

For breakfast, kids and grown-ups alike can enjoy a proper cooked breakfast with eggs, toast, bacon, sausage and beans.

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As for lunch and dinner, adult mains include classics like spaghetti bolognese, fish and chips, chicken tikka masala and a bacon and cheese burger.

The kids menu also offers crowd-pleasers like chicken burgers, margherita pizzas and macaroni cheese. Plus you can wash it all down with some soft drinks, which are included too.

Alcohol isn’t included in the all-inclusive packages, but the all inclusive breaks do include unlimited Costa Coffee, so you can grab yourself a warming cappuccino or a cosy hot chocolate on your autumn or winter family break.

All inclusive add-ons start from £80 per adult and £30 per child under 12 which, for a four night break, works out to £20 a night for adults and £7.50 for kids.

When you’re not enjoying all the free food and drink, there’s plenty of activities for the family to get stuck into.

The Newquay holiday park has a high ropes course, hoverboards, and even a Bear Grylls Survival Academy where kids can learn to survive in the wild.

Over at Naze Marine holiday park, kids can bounce around on bungee trampolines or practice their aim at archery.

The holiday parks are also well-known for their amazing entertainment, with a huge variety of evening shows.

The Holiday Happy Gameshow is a hilarious showdown packed with challenges and prizes, while Talent Nation is an incredible talent show with a showstopper final at the end of the year judged by celebrities.

As for kids shows, Milkshake! Mornings are a hit with little ones for their singing, dancing and storytelling, while the Get Up & Glow has a classic ‘school disco’ type feel plus glow in the dark decorations.

The all inclusive offering is valid for four night breaks with Monday arrivals, excluding the school holidays.

However 14 of the parks are offering three-night weekend options, too. Click here to browse which ones.

There are plenty of deals on for family breaks across the resorts, with a current offer where you can save up to £120 off autumn breaks.

There are last-minute, midweek and dog-friendly break options all from £99.

You can bag a four-night stay in a Bronze caravan at Crantock Beach, Lizard Point, Holywell Bay and Sea Acres all from £99.

If you fill up a caravan sleeping six, that works out to £4.13pp per night!

And if you add on the all inclusive package, that works out to £24.13 per night for adults and £11.63 per night for kids for an all-inclusive UK holiday.

There are plenty of other holiday deals for families too, such as the Tots Break packages.

You can bag a four night Tots Break across a range of parks for £99, working out to £6.19pp per night if you’re a family of four.

And on a Tots Break, kids eat completely free as part of the package, saving you up to £70 extra.

Under-fives are completely spoiled for choice on these breaks with free soft play, messy play, and lively music sessions.

They can also tackle the Tots Adventure Playground, or test out new skills together with mini fencing, archery, and even ‘Mini Olympics‘.

Prices correct at the time of publication.

After a roasting hot summer during which a trip to the beach to escape the heat was top of everyone’s agenda, Rosaleen Fenton made an autumnal visit to one of the country’s most popular seaside towns

A summer trip to Cornwall can often feel like a battle against the crowds. With thousands of visitors packing into its narrow lanes, navigating St Ives during peak season can make you feel like you are trapped in an endless queue – albeit one with access to delicious Cornish pasties roughly every five feet.

But as the schools reopen their doors, the town quietens down and begins to feel like a place reclaimed by its residents. I had been told September is the best time to visit, so I gave it a go, my mum and I hopping on a Great Western Railway (GWR) train from London Paddington, hoping for a glorious, slightly calmer seaside weekend.

Our journey took on a mythical feeling as we headed further west. GWR has recently revived its Line to Legend Land storybook, a century-old set of promotional travel pamphlets and books that encourage passengers to explore the scenic regions by train. It is packed with South West folklore and retellings, and now a new tale by former Children’s Laureate Sir Michael Morpurgo.

Do you have a travel story to share? Email webtravel@reachplc.com

OPINION

The railway has installed five life-sized statues of these legendary figures across the network. Stepping onto the platform at St Ives, you were greeted by the famous mermaid of Zennor – which celebrates the legend of a local chorister lured beneath the waves. Reading about a coastline teeming with mythical creatures while watching Carbis Bay slide past your window felt like the perfect way to leave a busy working week behind.

Our home for the weekend was Tregenna Castle Resort, perched high on a hill and offering one of the most breathtaking views in the West Country – and not one I tire of looking at.

These stone walls have seen a lot of history. Built in 1774 as a grand private home, it was later purchased by GWR as an exclusive hotel. Today, the 72-acre estate is a dream for holidaymakers. Situated amidst lush ground, it boasts indoor and outdoor pools, woodland walks, a nine-hole golf course, and courts for tennis, badminton and pickleball.

Then there is the food, which deserves its own spotlight. We dined at the Godrevy View Restaurant, named after the distant lighthouse said to have inspired Virginia Woolf. The ever-changing menu is far superior to standard hotel fare. We begin with a beautifully arranged, nicely seasoned tomato salad served with Thai basil whipped ricotta, watermelon, ponzu and chervil (£11). For main, an 8oz fillet steak is generous, served alongside fondant potatoes, carrot puree, asparagus and baby beets.

On Sunday, we enjoyed roast beef, cooked to perfection, with all the trimmings, including Yorkshire puddings hiding a decadent treat within – a small dollop of braised beef swimming in rich jus. My daily routine quickly settled into gluttony – a delicious fry-up for breakfast, a rich chocolate brownie for dessert – an extremely pleasant way to start and finish every day.

While the town, which has a stand-out independent shopping scene and was named the UK’s prettiest seaside town just this week, is calmer in September than the summer holiday months, the streets still felt substantially fuller than you’d expect from a place of 11,000 people. A great energy, but the bustling made me yearn to return to the sublime peace of Tregenna Castle, just 15-minutes away.

With our visit coming just days after Prime Minister Andy Burnham said he was in favour of a ‘tourist tax’ for Cornwall, the topic of overtourism was top of my mind. It’s fair to say business owners in the area remain divided on the topic, but for me, the benefits are easy to see. St Ives records more than 220,000 overnight stays annually, meaning it could bring in over £1,000,000 a year – a lifeline for a town where social issues are pressing, despite its well-to-do reputation. There’s a foodbank here, and a lot of young people who can’t survive in a property market where 15% of homes are second ones.

Chatting with locals, many said they no longer live in St Ives itself, preferring nearby Penzance, where they have room to breathe, cheaper homes, and not every shop sells clotted cream fudge.

Yet as a visitor, I can see why those in the industry are wary of scaring anyone off. It’s clear how holidaymakers pour vital cash into the local economy through independent shops, galleries and restaurants. Last year Jon Hyatt, who chairs Visit Cornwall, said he was “against any charge that might put visitors off”.

It’d be a terrible shame if they were, given how much there is to enjoy, from frolicking in the waves of Porthmeor Beach and peering off the side of Smeaton’s Pier, to touring the Barbara Hepworth Museum and Sculpture Garden.

Unsure of what to take on next, my travel companion tried using an AI bot to plan a fun day out for us. Unsurprisingly, technology failed us with the app repeatedly instructing us to catch a bus route that hasn’t existed for over two years. Abandoning our future robot overlords, we turned to a friendly member of hotel staff instead, who pointed us straight toward Tate St Ives – a far superior mode of recommendation.

Opened in 1992 on a cliff overlooking Porthmeor Beach, the displays change regularly. We caught an exhibition by Halima Cassell, whose intricate geometric sculptures play beautifully with light and shadow. Outside, it feels as if her artwork was continuing, a rainbow appearing over the beach, ending atop the RNLI flag.

Afterward, we walked a stretch of the South West Coast Path and enjoyed the brutally beautiful landscape, with the rhythm of the waves calming our frazzled nerves. As a special treat, we returned to London on GWR’s overnight Night Riviera Sleeper service.

I slept blissfully after a trip to the glorious buffet bar, where you can enjoy a free hot chocolate, before heading to slumber in a carriage. Getting onto the top bunk is no trouble, with a smart fold-away ladder showing how cleverly designed this small cabin is.

We arrived back in London just after 5am, though passengers can stay on board until closer to 7am. Breakfast is delivered (for me, a bacon roll) alongside piping hot coffee – which gives me the strength to start my day back in London, where I mourn the glorious coastline I left behind.

Book it

Tregenna Castle Resort, Treloyan Avnue, St Ives. Rooms and luxury self-catering lodges available. Visit tregenna-castle.co.uk

GWR operates regular services from London Paddington. To travel in a sleeper cabin on the Night Riviera, you need to purchase a regular train ticket, plus a supplement for the cabin. For the best deals, book up to three months in advance. Book at GWR.com.

Timed entry tickets to Tate St Ives on Porthmeor Beach cost £14 (£1.50 extra with a voluntary donation), though locals can get unlimited all-year entry for £10. Book in advance at tate.org.uk/visit/tate-st-ives.

Former Walt Disney Co. Chief Executive Bob Chapek knows his reputation among Disney fans, especially Disneyland loyalists. In his new book “Behind the Castle Walls,” he defends his changes to the Disneyland experience, the vast majority of which are still felt today.

“Contrary to what some people tried to paint me as,” he writes, “I wasn’t just a maniacal, money-optimizing machine.”

When I had the chance to talk to him last week, I wanted to know if having that image bothers him.

“I’m not concerned about it,” he says, speaking via phone from his Florida home. “I don’t give that any thought at this point. But I’m very proud of the performance of the parks segment during my time. The numbers bear that out.”

Chapek, in his role as chairman of the parks division and later CEO of the company, presided over an eight-year period beginning in 2015 in which Disneyland would significantly raise prices, introduce add-on perks, and, in my opinion, create the unsettling sense that you could be having more fun if you just spent more money.

When Chapek took over the parks segment, Disneyland would begin to fully remake its annual passholder program, largely by significantly increasing its price and limiting access. (In 2015, the top priced annual pass was close to $800. Today, it’s $1,899.) Single-day tickets to the parks would also begin a period of aggressive price hikes. Today, a one-day, one-park ticket tops off at $224. It’s widely expected that Disneyland will be raising its prices again this October, as it has done nearly every year in recent history.

Additionally, benefits that Disneyland guests long took for granted as free, such as the line-skipping Fastpass program, would become a paid perk on Chapek’s watch. Access to some attractions would be grouped together as part of a package now known as a Lightning Lane. In-demand rides such as Star Wars: Rise of the Resistance would be sold separately.

Bob Chapek has defended price increases at Disneyland, noting that ambitious projects like Galaxy’s Edge require capital.

(Allen J. Schaben / Los Angeles Times)

Prices on all of the above typically increase yearly. Today, guests who spring for the front-of-the-line Lightning Lane pass as well as individual access to Rise of the Resistance can expect to pay around an extra $65 per person once having their tickets scanned.

Chapek notes he faced significant opposition at Disney in making these changes.

“To all who come to this happy place, welcome,” goes Walt Disney’s original dedication speech, which for decades was used as a guiding light that every guest who entered Main Street, U.S.A., would be treated as an equal. That meant, with limited exceptions, no special access for anyone.

This was seen as an “inviolable virtue” at Disney, but one Chapek was ready to break, as he writes in his book.

“Everyone is equal when they come through the gates no matter what walk of life they come from,” Chapek tells me. “What’s different, though — and this isn’t because we say it’s different, it’s because the guests say it’s different — it’s that guests say they want an experience that’s tailored to what they can afford.”

Maybe. I don’t have access to guest satisfaction surveys, but that sounds like something only people with a certain privilege say. No doubt guests who can afford less don’t want a worse experience.

Chapek in his book describes himself as a “disruptor,” and considers Lightning Lane-like add-ons “bespoke” experiences that appeal to guests who crave a more customizable day. While they are common at nearly every theme or amusement park, I consider them classist, creating a haves-versus-have-nots mindset as soon as guests step through the gates.

Chapek defends the move to me, pointing out that while he presided over the parks, it’s lowest price one-day, one-park ticket stayed steady at $99 (today it’s $104). While true, and while Disneyland has even sought to increase the number of days offered at its introductory price since Chapek was ousted from the company in 2022, these are often midweek tickets, necessitating that working families take a day off and force a child to skip school.

“How about demand?” says former Walt Disney Co. CEO Bob Chapek, seen here with Minnie Mouse at Hong Kong Disneyland, when defending his price hikes.

(Kin Cheung / Associated Press)

“How about demand?” Chapek says to me when I point out that I have been critical of the moves. “Do people stop coming? That would obviously be a big concern. Even with the increase in prices that were taken on the annual passes, it would temporarily soften demand, but a year later they were subscribed just like they were before. Wall Street has certain expectations that may not be consistent with the expectations of guests of a certain pass type.”

Chapek reveals in his book that there is somewhere around 1.1 million annual passholders to Disneyland, which is today known as a Magic Key. With each price increase, he writes, that number would tumble to around 1 million, but within about 12 months they would be back to a level they were at before the rise in prices.

During Chapek’s reign, the company also introduced a reservation system, which asks guests to plan in advance. The price increase, later coupled with a reservation system, is designed to cut down, in part, on spontaneous trips to the resort, forcing guests to be more intentional about their Disneyland plans. This can aid, of course, in forecasting crowds and park staffing, but is also intended to limit days in which the park can feel overcrowded.

During his five-year tenure as parks chairman, Chapek writes that profits within the segment went up 18%. And that was largely due to an increase in individual guest spending. Over the decades, certain leaders of the Walt Disney Co. have arguably more closely ingratiated themselves with fans than Chapek has, but the fact remains that Chapek fundamentally and forever altered the approachability and the affordability of a Disneyland visit.

“In order to build things like Galaxy’s Edge and Avengers Campus, that takes capital,” Chapek says. “That capital takes revenue.”

My long-term fear, however, is that this has created a slippery slope. Disneyland guests now brace for yearly price hikes each fall, and this is coupled with yearly spikes on food prices each summer. Once the company and its shareholders become accustomed to such a financial boost, an environment where individual guest spending sharply increases even when domestic park attendance is soft or steady, there’s likely no turning back. Disney has created a business that will target the highest-spending consumer year in and year out.

And thus, guest equality, what was once an “inviolable virtue,” is forever a thing of the past, no matter who is in charge.

This week in SoCal theme parks

The X2 roller coaster at Six Flags Magic Mountain.

(Myung J. Chun / Los Angeles Times)

• X2 has been retired. Six Flags has officially pulled the plug on Magic Mountain’s X2 coaster, which has been the subject of recent controversy after several lawsuits allege people were injured on the ride. Six Flags shut down X2 in July amid a state investigation into the coaster. “While X2 consistently passed a multitude of safety tests, we have decided to close the ride because we believe it’s the right thing to do. Ride safety is a cornerstone of our business, and when we see guest confidence affected, we take it seriously,” Brian Oerding, Six Flags Magic Mountain president, said in a statement. The Times’ Fedor Zarkhin has more on the news.
• Don’t miss Disneyland’s mariachi band. There are a few more opportunities to catch Mariachi Alegría de Disneyland in Rancho Del Zocalo park inside Frontierland. The performances, set for the evenings of Oct. 6, 7, 13 and 14, are part of the resort’s National Hispanic Heritage Month celebrations. Also, beginning Oct. 4 and lasting through Oct. 15, guests can meet the character of Elena of Avalor near Royal Hall next to Sleeping Beauty Castle.
• Heads up for those attending Halloween Horror Nights. If you have a visit planned to Universal Studios Hollywood’s Halloween Horror Nights and you’re interested in the park’s new Fast & Furious: Hollywood Drift coaster, there’s now an opportunity to ride it. For a cost. Universal is selling access to the coaster for $19.95 per person. Previously, the coaster was only available to those who sprung for the fancy R.I.P. Tour, which is now sold out.
• Work out in Disneyland! The Disneyland Resort has announced new fitness classes across its two parks, an early morning perk for guests staying at one of its three hotels. Among the offerings is the ability to do yoga in Star Wars: Galaxy’s Edge, agility and strength exercises in Cars Land, and a mini-boot-camp-style class in Avengers Campus. Classes range in price, but most are under $49.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Me, enjoying a beverage, on the now shuttered Star Wars: Galactic Starcruiser.

(Allen J. Schaben / Los Angeles Times)

There is one area where the former CEO of the Walt Disney Co. and I are in complete agreement. Chapek and I both miss Star Wars: Galactic Starcruiser, colloquially known as the Star Wars Hotel. The ambitious, but costly, multi-day experience was one of the most creatively inspiring offerings in company history.

In “Behind the Castle Walls,” Chapek writes that he believes it was shuttered too soon. The Starcruiser closed after about a year of operation. “Was it perfect the first time? Absolutely not,” Chapek tells me. “Was it one of the most ambitious lodging experiences we have ever created? Yes.”

A place dedicated to play — and light role-play — the Starcruiser allowed guests to fully inhabit a fictional world. It was an argument that interactivity could have been the future of theme parks. “It seemed to have the plug pulled on it prematurely,” Chapek says, “and I think it was a big opportunity missed.”

—
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MADONNA banned professional photographers from taking her picture during the Video Music Awards on Sunday night.

Multiple sources told The U.S. Sun that the snappers were issued very strict orders not to take a single pic of the Queen of Pop, 68, despite her making multiple appearances on stage throughout the night.

Madonna also skipped the VMAs red carpet entirely, when even superstar Taylor Swift willingly posed for photos.

“Photographers in the room were told they weren’t allowed to shoot Madonna,” a source explained.

“Only a couple of CBS photographers were given permission.

“She wanted to control the photos and approve what did and didn’t go out.”

fears for madge

Madonna, 68, sparks concern at VMAs after she’s violently thrown in show

The star was obviously visible in the main feed from the show, but very few high-resolution pictures were distributed to the media and fans throughout the night.

The U.S. Sun has reached out to Madonna for comment.

Madonna had a tumultuous night with her various antics throughout the annual awards ceremony.

She first sparked concern during her kick-off performance by appearing to grimace as fellow dancers threw her body onto a platform.

While many viewers thought her reaction was part of the dance, others thought she could be in pain.

Later on in the show, she appeared to wear a knee brace.

And during her speech for Best Dance performance, Madonna told a joke about holding a laser inside her butt.

Though she was referring to a scene from her Confessions II music video, the bit didn’t land with the audience.

Despite the mixed reviews to her performance and speeches, Madonna took home seven awards total at the show.

She later seemed to be feeling no pain while partying in her hotel suite with pals Charli xcx and Julia Garner.

The trio rolled around dancing in bed to her new song Danceteria in a TikTok posted in the wee hours of the morning.

SOME hotels give you a quiet pool, a basic buffet and a slightly battered table tennis table in the corner.

Others serve up 81 water slides, life-size dinosaurs, hypercoasters, wave machines and entire fairytale kingdoms.

Variety is the spice of life, after all.

These are the resorts where the accommodation isn’t just somewhere to sleep – it is the holiday.

You could venture outside, obviously, but when there’s a full-scale waterpark or theme park right outside your bedroom door, convincing the children to leave the grounds would require a serious family negotiation.

I’ve hunted down eight of the wildest, most action-packed family resorts available this autumn and winter.

We’re talking theme park stays from £353pp and all-inclusive waterpark breaks from £405pp, with prices based on a family of four.

Every deal includes return flights and access to the hotel’s headline attractions too – so here are my eight picks guaranteed to ruin basic swimming pools for your children forever.

Aqua Mirage Club & Aqua Parc, Morocco – from £573pp

You know a resort takes entertainment seriously when its grounds cover 20 full hectares beneath the Atlas Mountains.

Aqua Mirage features a massive on-site waterpark packed with free-fall tower slides, a sprawling wave pool and an interactive splash castle for preschoolers.

Away from the water, you get six tennis courts, football pitches, evening shows and several pool areas – including a dedicated adults-only pool and spa for parents trying to remember what silence feels like.

It also gives you two holidays in one: a high-energy waterpark resort and easy access to Marrakech’s historic souks and main square.

I found a five-night all-inclusive break from £573pp, flying direct from Manchester on 26 December 2026.

That means you can swap the post-Christmas slump for slides, sunshine and unlimited food and drink – without having to wrestle another turkey into the oven.

My insider tip at this hotel is to take advantage of its free shuttle into central Marrakech, saving your family a fortune on taxis when you do fancy a break from the slides.

PortAventura Hotel El Paso & Theme Park, Spain – from £353pp

First things first: this isn’t just a hotel with a couple of slides attached – it’s a property built inside one of Europe’s largest theme park resorts.

Designed like a colourful Mexican hacienda, Hotel El Paso sits right on the edge of PortAventura Park, giving you easy access to six themed worlds packed with massive rollercoasters such as Shambhala and, my personal favourite, Furius Baco.

Right next door is Ferrari Land, home to Red Force – the 112-metre-high vertical accelerator that launches riders from 0 to 112mph in five seconds flat. I’m not speaking from experience this time. No, thank you.

The best bit is that PortAventura theme park tickets are included with your stay.

I found a five-night room-only package from £353pp, flying direct from Manchester on 24 October 2026 – right in the school half-term window.

When you consider how much standard admission to the park can cost on its own, getting your hotel, flights and multi-day park entry for £353pp in the school holidays is an absolute steal.

HL Paradise Island, Lanzarote – from £405pp

There are waterpark hotels, and then there are waterpark hotels with giant prehistoric creatures towering over the slides.

Guests staying at HL Paradise Island get free entry to Dino Aquapark, where multi-lane racing chutes and enclosed tubes twist around massive, life-size dinosaurs.

The main resort features several swimming pools, sports courts, live evening entertainment and full all-inclusive dining.

Lanzarote stays pleasantly warm right through autumn and winter, making it a brilliant option for some sunshine when the UK enters full freezer mode.

I found a five-night all-inclusive break from £405pp, flying direct from Birmingham on 13 February 2027.

As those dates fall over the February half-term period for many families, that’s excellent value for a school-holiday escape with food, drink and waterpark entry covered.

My tip here is to book an apartment. Having a separate living space and kitchenette means parents get somewhere to relax once the children crash out after a day of chasing dinosaurs.

LIVVO Costa Taurito & Waterpark, Gran Canaria – from £495pp

Taurito looks like someone has built an enormous holiday resort inside a canyon beside the coast.

At the heart of it is Lago Oasis Waterpark – a massive saltwater park packed with kamikaze chutes, racing slides and a giant pirate-ship splash fortress.

Guests at LIVVO Costa Taurito get access to the park, putting all the water-slide madness just steps from their room.

Southern Gran Canaria is one of Europe’s most reliable winter-sun destinations, and the hotel offers all-inclusive dining to keep the holiday food admin nice and simple.

I found a four-night all-inclusive stay from £495pp, flying direct from London Luton on 14 February 2027.

It’s a compact half-term hit of winter sunshine, with flights, meals, drinks and waterpark access all rolled into one price.

I also love the natural volcanic-sand beach just 200 metres from the hotel, giving you somewhere quieter to escape whenever you need a breather from the slides.

Sol Dunas Family Fun, Cape Verde – from £430pp

Sol Dunas is less of a standard hotel and more of a self-contained holiday town.

This sprawling resort features multiple swimming pools, water slides, splash parks, playgrounds and sports courts, forming part of the wider Melia Dunas mega-complex.

Cape Verde is the closest thing to a long-haul winter-sun holiday on this list, serving up temperatures around 25C, plenty of blue skies and broad golden beaches on the island of Sal.

I found a six-night all-inclusive package from £588pp, flying direct from Bristol on 26 October 2026.

Being in the autumn half-term, this deal gives families almost a full week of reliable warmth without the faff of a connecting flight.

It costs slightly more than some of the Spanish options, but a full week of reliable warmth, direct flights and comprehensive all-inclusive dining at a resort of this size still represents excellent value.

Pickalbatros Aqua Blu Sharm, Egypt – from £638pp

Aqua Blu features enough slides to make your local UK “waterpark” look like a damp garden shed.

Part of the enormous Aqua Park City complex in Sharm El Sheikh, this brightly themed resort boasts high-speed racing chutes, wave pools, raft rides and towers of twisting tubes.

The resort is fully all-inclusive and includes access to a private beach via a quick, free shuttle.

Sharm El Sheikh delivers reliable warmth throughout the year, making it a strong choice for autumn or winter sun.

I spotted an eight-night all-inclusive stay from £638pp, flying from Birmingham on 14 February 2027.

It’s the most expensive deal on this list, but you’re getting more than a week of winter sun, all your food and drink, luggage and unlimited access to an enormous waterpark during a peak family-travel period.

The real insider perk, though, is the dedicated children’s buffet, built at a lower level so little ones can grab their own meals without endless parental manoeuvring. Genius.

Pickalbatros Jungle Aqua Park Resort – Neverland, Hurghada Egypt – from £565pp

This resort features 81 individual water slides.

Eighty-one.

That includes giant family raft rides, multi-lane racers, wave pools and massive themed splash fortresses spread across a complex that feels as though it was designed by a child given an unlimited construction budget.

Beyond the waterpark, Neverland packs in VR gaming arenas, ice skating, huge live productions and an enormous selection of speciality restaurants.

Despite the ridiculous scale of the property, Egypt’s competitive resort market keeps prices shockingly low.

I found a six-night all-inclusive break from £565pp, flying indirectly from Manchester on 16 February 2027, with hold luggage included.

That gives you six nights of all-inclusive dining, luggage and non-stop access to 81 slides during the February half-term period for less than £600pp.

It’s also well worth using the hotel’s internal land train, which runs constantly around the complex, so tired little legs don’t have to walk miles between the slides and your room.

QUIET beaches, cosy hot chocolates in the caravan, loads of rainy day activities for the kids: October half term is the perfect time for a family getaway.

Especially when you can head off on holiday for as little as £2.75pp a night.

Rather than just offering a cheap bed for the week, these holiday parks are running action-packed Halloween activity schedules, with everything from monster talent shows to good-old pumpkin carving.

Plus we’ve purposely picked out spots with plenty more to do off-site, such as a scare fest takeovers at a seaside theme park and a Halloween steam train ride where kids go free.

Better yet, all of these affordable deals are for holidays within the October half term. Many of them begin from Friday night, meaning you collect the kids straight from school and head straight into half term fun.

From the misty Moray coast in Scotland to seaside Halloween fun in Skegness, here’s our favourite UK holiday parks to visit this October half term – from as little as £2.75pp per night.

Butlin’s October Half Term stays

If you visit to Butlin’s this October half term, expect to find everything fully decked out for Halloween.

The fairground will become the ‘Scareground‘, where monsters lurk in thick fog and you can experience the rides at night in glowing neon green.

The classic ‘Night at Reds’ show held by the Butlin’s redcoats has been given a monster makeover, with Halloween-themed games, sing-a-longs and an ‘Eerily Silent Disco’.

Throw in a mega Halloween Welcome Party, character photo shoots, themed pottery painting and pumpkin-carving sessions, and you’ve got yourself a thoroughly spooky break.

Plus, new for 2026, you’ll find the Skyline Gang Monster Mash – a talent show starring the classic characters with a different winner each night.

We found a four night break at Butlin’s Minehead in a standard family room sleeping four for £44, which works out to £2.75pp per night.

Parkdean Heacham Beach, Norfolk

Head to West Norfolk’s Heacham Beach holiday park for an autumn seaside break packed with plenty of spookiness.

Free themed activities include nighttime guided ghost walks around the park, and ‘Professor Slime’, where kids step into the slime lab to create their own concoctions.

In the evenings, settle down for the Quiz Nation Halloween Special where you can put your knowledge to the test against other holiday parks across the UK.

Or, if you come alive with energy at nighttime, stomp your way over to the Zombie Rave, where you can dance the night away.

If you fancy getting out and about, Church Farm Pumpkins sits on the edge of the village and is the perfect pumpkin patch for pictures and picking your own.

We found a three night stay from October 23 in a Bronze caravan sleeping six for £229, working out to £12.72pp per night.

Parkdean are running Halloween activities across 59 holiday parks between October 2 – November 1, with a more extensive activity program during the half term break.

If you’re looking to stay at another Parkdean resort, the following holiday parks won’t have the Halloween activities: Church Point, Fallbarrow, Gatebeck, Limefitt, and Todber Valley.

Haven Skegness

Whether you want to visit a seaside theme park for a creepy scare fest, or go ghost-hunting along the coast, Haven Skegness is ideal for a family Halloween break.

Haven are running loads of Halloween activities this year across their parks, including crafty activities like Halloween Make a Bear and build your own Halloween basket.

Even the food and drink will receive a Halloween twist, as grown-ups can grab a Ghoula Colada or Cursed Lagoon cocktail.

Make sure to step off-site to visit Fear Island, theme park Fantasy Island‘s scare fest where you can dip in and out of immersive zones like creepy cabins inhabited by clowns.

Fear Island takes place on the following dates: 17-18, 21-25 and 28 Oct October, as well as November 1. If you book ahead online you can save 10%.

We found a deal for a three night stay at Haven Skegness from October 23 in a Saver caravan sleeping four for £205, working out to £12.81pp per night.

Parkdean Node’s Point, Isle of Wight

This Isle of Wight holiday park isn’t just for visiting in the summer, it makes for a fantastic October break, too.

At Havenstreet Station, you can board the Isle of Wight Steam Railway for its magical ‘Witches, Wands and Whistles‘ event (17 – 31 October) where kids go free on a themed train ride (adults £26).

Or for a free afternoon out, go on a ghost hunt around the ancient stone walls of Carisbrooke Castle.

On-site, Milkshake Mornings will take a Halloween twist, with a spooky story time as well as themed arts and crafts.

Older kids can make Halloween tie-dye t-shirts, or take part in The Wizard Academy show.

We found a three night break in a Gold caravan sleeping eight for £259, working out to £10.79pp per night.

Haven Quay West, South Wales

Take a trip to Haunted Haven in pretty South Wales this October with a stay at Haven Quay West.

The holiday park is putting on an ‘Eerie Entertainment’ series, with a fancy dress parade featuring giant pumpkins, spiders and ghosts, as well as a Halloween edition of the Seaside Squad show.

During the day kids can get creative with sand art, pumpkin carving and even a Halloween nature trail, where you’ll get up close to creepy crawlies.

This park is also in an ideal setting for breezy autumn walks, with a woodland trail that leads you directly down to the beach, where you may even spot wild dolphins.

If you time your trip for Halloween night, you can stroll down to the harbour for a huge, free fireworks display which lights up the sky over the waters of Cardigan Bay.

We found a four night break in a Saver caravan sleeping four for £265, working out to £16.56pp per night.

Park Holidays Silver Sands, Scotland

Take an autumn break to the misty Moray Firth coast in Scotland with a stay at Park Holidays’ Silver Sands resort.

If you don’t want to brave a brisk beach walk out in stunning Lossiemouth or Cairngorms National Park, you can stay on-site to make use of the indoor heated swimming pool.

During the October half term, there’ll be everything from ghost storytelling to costume contests and classic pumpkin carving.

During the day, kids activities start from 10am and include bead art classes, Segways and wax workshops.

In the evening, settle down to kids shows from the Krazy Krew or stay late for karaoke, cabaret and bingo.

We found a four night break in a Gold caravan sleeping six for £161, working out to £6.71pp per night.

The Prem

Harlequins (10) 17

Tries: Porter, Cunningham-South, Delgado Cons: Slevin

Bath (28) 33

Tries: Du Preez, Cokanasiga, Carreras, Frost, Richards Cons: Russell 4

A terrific try from full-back Santiago Carreras was the highlight of Bath’s opening night 33-17 bonus-point victory over Harlequins.

The Argentina international intercepted a Tyrone Green pass with his boot, kicking the ball into the air before collecting it one-handed before it went out of play and smoothly accelerating away to score under the posts in a real moment of magic.

Dan du Preez, Joe Cokanasiga and Dan Frost added first-half tries for Bath who led 28-10 at the break, with Will Porter and Chandler Cunningham-South replying for Quins.

Pedro Delgado reduced the gap to 11 points early in the second half but Ewan Richards’ late try ensured it would be Bath who started the new season with a win.

More to follow.

Harlequins: Green; Anderson, Beard, Bradley, Murley (c); Slevin, Porter; Hobson, Walker, Delgado, Dun, Browne, Kenningham, Evans, Cunningham-South.

Replacements: Riley, Wenger, Johnson-Holmes, Treadwell, Petti, Friday, Bellamy, Isgro.

Sin-bin: Riley (53)

Bath: Carreras; Cokanasiga, Lawrence, Ojomoh, De Glanville; Russell, Carr-Smith; Obano, Frost, Stuart, Hill, Ewels (c), Bayliss, Underhill, Du Preez.

Replacements: Tuipulotu, Kirk, Griffin, Richards, Pepper, Van der Linde, Redpath, Reid.

Referee: Karl Dickson

Oasis ticket sales kick off this weekend and that means the lucky ones who’ve snapped up their tickets will be making plans. But how much will a trip to see the Britpop band set you back?

Oasis tickets go on sale this weekend ahead of the Britpop band’s 2027 tour. Not only will the Manchester band be touring the UK and heading to Ireland, but they’ll also be doing dates in Europe and the USA, meaning fans from around the world will see them perform hits from Wonderwall to Live Forever.

Ticket sales have been carefully controlled to avoid scalpers turning a profit, and fans have needed to sign up to even get a chance to try to buy a ticket. If you’re not successful bagging a ticket for a UK show, then you may be thinking of heading over to see Oasis in Europe. However, this means booking transport and accommodation.

Here’s a rundown of the costs of seeing Oasis in various cities. Prices are likely to rise closer to the time, especially as hotel rooms near the stadiums are likely to be snapped up.

UK dates and costs

If you’re lucky enough to snag Oasis tickets in the UK, the dates and costs for their UK tour are:

Glasgow – Celtic Park

May, 21, 23, 25, 28 and 29

Seated tickets from £71.50 – standing from £170.50

The tour kicks off in Glasgow at the Celtic Park stadium, which is in the east of the city. It’s well connected by public transport, so you might want to opt to stay in the city centre. The Moxy Glasgow Merchant City has rooms from £337 based on two sharing and is about a mile and a half from the stadium.

Manchester – Ethiad Stadium

June 4, 6, 8, 11, 12, 15, 18, 19, 22, 25 and 26

Seats from £74.60 and standing from £173.60

Oasis will perform a string of dates in Manchester, and the city will have a huge influx of fans, so if you’re booking a hotel, you’ll need to do it as soon as possible. Hotel prices are already becoming dear. For example, on the June 2027 nights when Oasis are playing, the prices at Copthorne Hotel Manchester Salford Quays have hit £302 a night for two sharing, whereas visitors on nights without a gig pay as little as £92 for a room in this four-star property.

Knebworth – Knebworth House

September 11, 12, 18 and 19

General admission £170.50

Oasis’ return to Knebworth means this area of Hertfordshire will be very booked up. Your best bet is to get a coach bundle, as these will be available through Ticketmaster with routes across the UK. Knebworth House is a remote location, meaning staying in nearby towns with a bus connection may be wise. Hitchin has a Premier Inn, although at £349 on September 11, it’s a pricey option.

European tour dates and prices

Munich, Germany – Allianz Arena

July 2 and 3, 2027

Oasis will have two nights of shows in Munich next July, with seated tickets from €96.25 (£82.51) and standing from €165.25 (£141.68).

There are direct flights to Munich from London, Manchester, Glasgow, and several regional airports. Fly out on July 1 and come back July 4, and you’ll find flights on Lufthansa from London-Heathrow from £113 return.

The stadium is on the edge of Munich in an area called Fröttmaning. As you can imagine, hotel options are limited and already expensive for July dates. But it’s close to a Metro, so look for accommodation elsewhere in Munich that’s close to public transport, such as the ibis Hotel München Garching, which has rooms on July 2 from £218 a night and is just one stop away.

Barcelona, Spain – Estadi Olímpic Lluís Companys

July 10 and 11

Tickets to see Oasis in Barcelona start at €85 for seats and €204 for standing (£72.89 and £174.93 respectively). The Estadi Olímpic Lluís Companys stadium, where the show takes place, is on the Montjuïc hill overlooking the city, making it a memorable location for major shows. You can even take the Montjuïc Funicular to the top to get to the show, although you’ll need to take a bus back as it stops running at 10pm.

Barcelona is, of course, packed with places to stay and the metro makes it easy to get around, so you don’t necessarily need to book somewhere next to the stadium. Stay at the Radisson Blu 1882 Hotel, Barcelona Sagrada Familia , available from £332 a night for two sharing, and you’ll be close to the major tourist attractions, so you can enjoy a city break too. If you’d rather stay closer, Mambo Tango is about a 20-minute walk away and has double rooms from £284.

Barcelona is served by several regional airports, and weekend flights from London Luton start at £89 return with Wizz Air.

Amsterdam, Netherlands – Johan Cruijff Arena

July 16 and 17

The next stop on the tour is Amsterdam’s Johan Cruijff Arena, where tickets start at €84.15 for seats and €201.96 for standing (£72.15 and £173.16 respectively).

Again, the arena is on the outskirts of the city, and is found in the Zuidoost area. Just a short walk away is the Joy Hotel, which has budget double or twin rooms on the tour dates from £265 . However, the cheapest rooms don’t have a window, so don’t expect lovely views of Amsterdam.

There are lots of options for getting to the city and public transport is excellent. There are both a train and a metro station serving the arena. Eurostar offers London to Amsterdam tickets from £39 one-way, although they tend not to run at weekends, so you would need to travel down Friday and come back Monday. There are also lots of flight options from multiple airports, and even the London to Amsterdam overnight FlixBus, which starts at £44 in July. While nearly 12 hours on a coach is an endurance test, it does save you from needing to pay for a hotel that night.

Paris, France – Stade de France

July 23 and 24

Seated tickets for Oasis’ Paris shows start at €84.00 (£72), while standing options start at €199.50 (£171). However, these dates coincide with school summer holidays, so expect higher prices and demand not only from Oasis fans but also holidaying families.

The Paris leg of the tour will take place at the Stade de France in Saint-Denis, in the north of the city, and a metro line runs to the area. You can either opt to stay centrally, such as the boutique Chouchou Hotel, which has rooms from £325 a night and explore the city, or simply stay near the stadium. The Ibis Styles Paris Saint Denis La Plaine is about half a mile away, and has basic rooms from £350 a night for these July dates.

Eurostar is an excellent way to get to Paris. It arrives at Paris Gare Du Nord, and tickets currently start at £49 each way. There are also lots of flights to the sprawling Aéroport de Paris-Charles de Gaulle, about 40-minutes from the stadium, from airports across the UK.

Rome, Italy – Stadio Olimpico

July 29 and 30

Rome is another great option for Oasis fans, and the band will be playing in late July. However, it’s worth remembering that these are school holiday dates again, so travel is likely to be expensive and book quickly.

Seated tickets will start at €92.29 (£79.21), while standing will start at a whopping €221.49 (£190.09). There are some cheap flights available, such as Wizz Air, which offer a return from London Luton to Rome for around £131 for late July dates.

Stadio Olimpico is in the north of the city, and it’s served by metro and tram, which is useful as hotel options in the area are thin on the ground and expensive. Sweet Home Parioli is just over a mile away and has rooms from £180 a night based on two sharing, and offers simple accommodation that’s perfect for post-gig sleeps.

Slane Castle – Ireland

September 4 and 5

Before heading to Knebworth, Oasis will play two huge shows at Slane Castle, which is about 45 minutes north of Dublin. There will be a variety of bus services available to take visitors from the city to this rural castle for the gigs.

General admission tickets will be priced at €181.25 (£155.58) – and if you’re coming from the UK, there are lots of inexpensive flights available to Dublin. For example, Ryanair flights from Newcastle to Dublin for those dates are showing for £70 return, although there are often sales where you can buy flights more cheaply.

There will be a few pick-up and drop-off points for coaches across the region, so you might want to stay centrally in Dublin and spend some time exploring the city too. Four-star Riu Plaza The Gresham Dublin has rooms from £350 a night for two sharing, or, for £61 each per night, you can opt for a bunk at the Gardiner House Hostel for a budget-friendly stay.

Have a story you want to share? Email us at webtravel@reachplc.com

“Home Improvement” teen heartthrob of yore Jonathan Taylor Thomas spent the night in jail for allegedly getting unruly with police after a night of drinking.

The 45-year-old actor was detained by the Los Angeles County Sheriff’s Department and taken to the Malibu/Lost Hills station in Agoura Hills shortly after midnight on Monday, according to Sheriff’s Department booking records.

Thomas’ trip to the slammer stemmed from a traffic stop that went awry in Westlake Village. He was the passenger in the car and exited the vehicle after a police officer told him to stay inside, according to TMZ. The outlet reported that Thomas was allegedly inebriated, refused the officer’s instructions and did not cooperate.

Arrest records show that the “Lion King” star was booked at the station on a felony-level charge, with total bail set at $0, which can be a temporary holding classification used during the initial intake before a prosecutor or district attorney formally evaluates the case.

Thomas spent the night in jail, but police let him go Tuesday afternoon, with records indicating that no formal criminal complaint was filed and the incident was reclassified as a detention only, rather than an arrest, which should wipe the arrest from the actor’s official record.

Thomas, perhaps best known for starring in the beloved 1990s sitcom “Home Improvement” opposite Tim Allen, also voiced Simba in Disney’s “The Lion King” and starred in other ’90s family films, including “Man of the House” and “I’ll Be Home for Christmas.”

After a decade of starring roles and magazine covers, Thomas stepped away from the limelight to focus on school, and attended Harvard, Columbia and the University of St. Andrews in Scotland.

“I’d been going nonstop since I was 8 years old,” he told People in 2013. “I wanted to go to school, to travel and have a bit of a break.”

THE UK’s biggest waterpark is about to be the best place to start your weekend.

Sandcastle Waterpark, which is the largest and recently voted best in the country will be open for more hours of fun on Friday evenings.

The Blackpool waterpark has launched its Friday Night Splash event, so now you can spend your evening on its 18 slides and in the swimming pool.

Usually the waterpark is open is until 2:30pm in the week and 4pm on the weekends.

But the new Friday sessions will let you visit from 4pm until 8pm, for a post-work splash before the weekend.

The tropical waterpark, which is always heated to 28C, has something for everyone whether you’re after family-friendly splash zones or thrilling flumes.

SPLASH OUT

UK indoor waterparks MAPPED with 30C temps, white-knuckle rides & £2.50 tickets

DIVE IN

Rainproof UK autumn holiday parks from £8pp a night – Center Parcs dupes and more

There are 18 slides in total, and those wanting to try out the speedy rides should head to The Master Blaster which is described as “white knuckle”.

There’s also Sidewinder, the world’s first indoor half-pipe waterslide and Montazooma, a high-speed ride with hairpin bends and 360 degree helixes on the way from top to bottom.

For families, head to Thunderfalls, which are two twisting waterslides for side-by-side racing.

There are also treehouses and forts for kids to play in and that’s where you’ll find the country’s biggest water cannon.

The slower moving Ushi Gushi River Creek is the lazy river ride while the Typhoon Lagoon is the waterpark’s huge wave pool.

While the kids are splashing about, adults can escape to the Sea Breeze Spa for an extra £7 to unwind in the sauna, steam room, and aromatherapy lounge.

For the ultimate VIP day out, the £60 Tiki Cabana package gets you park entry, lunch and soft drinks, spa access, and the private retreat comes with a TV and hot tub.

Tickets to the waterpark for a three-hour session costs from £25.50 per person over the age of eight (if booked in advance).

Tickets for kids between three and seven-years-old cost from £16.50 per person and children under three go free.

The waterpark is two minutes from Blackpool Pleasure Beach – so it’s easy to make a day out of it and see all the attractions.

The main season runs until October 31, with opening dates from Wednesday to Sunday – this drops down to just weekends after this.

For even more of the UK’s tropical indoor waterparks – check out these ones which have tickets from £2.50.

Travel Reporter Cyann Fielding recently visited the waterpark…

Travel Reporter Cyann Fielding recently visited Sandcastle and gave her verdict…

She said: “Sandcastle Waterpark in Blackpool is kept at a toasty 29C and has more than 18 waterslides and attractions.

“The real gem of the show is the adult-only spa, hidden in plain sight in the middle of the waterpark.

“You’ll have to pay an extra £7.50 per person to enter the Sea Breeze Spa but it is well worth the money.

“When I visited it was quiet, with only one or two other people using the area, compared to the packed waterpark surrounding it.

“Dipping in and out of the saunas and steam room was the ideal way to relax.

“I spent half an hour in the salt inhalation room allowing my lungs to fill with warm, salty air and calm my nervous system.

“There’s Sidewinder too, which is the world’s first indoor vertical drop slide.

“Hovering over the edge of the half-pipe, butterflies flittered around my stomach anticipating the drop.

“Before I knew it, I was tipped over the edge in my rubber ring, dropping metres down before being propelled up the other side of the pipe.

“After, I ambled over to Aztec Falls, where in a rubber ring I dropped into a pitch-black bowl, swirling around like I was inside a waterfall.“

Normally when a telephone rings inside a bar, it’s the duty of the staff to pick it up. But when an old-timey rotary dial phone suddenly springs to life at the Last Canteen, it’s up to guests to decide what to do next.

Answer it — or attempt to make a call from it — and you’ll encounter one of dozens of pre-recorded messages. They’re calls from an imagined future, one when a war-torn America is on the mend from some sort of apocalyptic catastrophe. They’re messages, perhaps, for the bar’s fictional founder, a shotgun-carrying mysterious woman known for her mean bartering skills, or maybe if you’re lucky, you will dial into what sounds like an early 20th century party line and hear from those looking for a date in the Valley, now a neutral zone among warring factions.

The Last Canteen, situated on a stretch of Ventura Boulevard that’s just a short walk from the Universal City metro and minutes from Universal Studios Hollywood, is a new restaurant and bar that looks lifted from a theme park. It also feels like a throwback to an earlier time, when Los Angeles was an epicenter of the themed restaurant.

Southern California has a storied history when it comes to themed establishments. There’s our penchant for food-shaped eateries, of course — see our giant doughnuts or the Tail o’ the Pup — but dinner with a side of story is a Los Angeles-area staple that predates any corporate chains such as Rainforest Cafe or Chuck E. Cheese. From the long-forgotten Jail Cafe in the 1920s to our region’s birth of the tiki bar to the themed restaurant explosion of the ‘80s and ‘90s, when even Steven Spielberg got into the action with the submarine-focused DIVE! in Century City, the themed restaurant has long found a receptive audience in Southern California.

And the Last Canteen feels especially built for our moment.

The Last Canteen’s three founders were going for a lived-in feel.

(Eric Thayer / Los Angeles Times)

Taking influence from the likes of “Mad Max,” “Fallout” and a host of other dystopian, postapocalyptic media, the Last Canteen is a bar for an era — and a city — when the future seems especially uncertain. Whether it’s AI, corporate consolidation, inflation or the struggles of Hollywood that’s got you down, the Last Canteen wants to be your “Cheers” of sorts.

“It’s not the brightest of times, I would say for most of the world, but certainly younger generations are feeling like we got the rug pulled over us — the state of the economy and corporate overreach,” says Jimmy Clements, 32, who founded the Last Canteen with two other friends from the hospitality industry.

“We always joke that the world is ending, but there’s some charm in fully embodying what that would mean, and realizing there’s something on the other side,” he adds. “That’s what attracts me to the genre. OK, the worst thing possible happened, but there’s still people on the other side. We still need community and a place to eat and drink.”

A grenade fashioned out of a baseball is one of the items hidden in the Last Canteen.

(Eric Thayer / Los Angeles Times)

Or as Clements’ partner TJ Lewis says, “Who doesn’t watch ‘Mad Max’ and dream of riding on top of a crazy car with a spike in your hand?”

Despite a potentially bleak concept, the Last Canteen is open and welcoming. The color palette is soft, leaning heavily on dust-like sandy vibes, the cocktail menu takes influence from the fruity, complex world of tiki bars, and a sense of humor permeates the main dining room.

Yes, a demolition bomb, which is actually a movie prop from Angelina Jolie’s “Unbroken,” hangs from the ceiling, but take a moment to explore the venue and you’ll find grenades colorfully fashioned out of baseballs, or rewritten maps of the Valley in its new “Wasteland” era. Universal Studios’ famed minion still stands, but the Ikea is now a “hall of justice.”

Newspapers dot the walls. They’re filled with fiction that tell of the bar’s new reality, giving the place a sense of history and lore. One article, for instance, speaks of a battle that broke out near the remnants of US-101 next to the old “sidewalk stars site.” Another tells of how the bar’s founder took over the land where the establishment now stands. By force, of course. And don’t miss the beer taps, fashioned out of bullets, guns and baseball bats.

The Last Canteen is a themed bar that feels ripe for our era, one in which the future is filled with uncertainty.

(Eric Thayer / Los Angeles Times)

“It’s the difference for us between immersive and themed,” says Lewis. “Like the Hard Rock Cafe is themed. It’s got music on the wall, but you don’t feel like you’re at a concert when you’re there. It’s not immersive. What we were really going for is a lived-in space. We didn’t cover this in ‘Max Max’ posters. It is in the world of. It’s really open-ended. All the details on the wall help paint a picture.”

Of course there were limits. The team jokes that if they really wanted to exploit the dystopian theme, then drinks should likely be served in red plastic cups. Instead, the Last Canteen has proper drinkware, but each type of glass does come from a different set, as the owners wanted to give it a found materials vibe. The menu doesn’t stray too heavily from bar fare, and there are bowls of bison chili ($18), a burger ($18), a charcuterie plate ($21) and, of course, a “Last Meal,” which is a half grilled cheese, a cup of chili and a glass of sarsaparilla ($25).

The cocktail program, however, is extensive. The blackberry-infused Blackthumb or the spiced A Torch or Rosemary feel like darker twists on brighter, lively tiki fare. For those craving the latter, there is currently a frozen version of a Zombie. Bar founders Clements, Lewis and Drew Aloe say the menu, both cocktails and food, will change seasonally.

The Last Canteen founders Jimmy Clements, from left, TJ Lewis and Drew Aloe.

(Eric Thayer / Los Angeles Times)

And the tiki influence is no accident. The three cite the Disneyland Hotel’s Trader Sam’s as the Last Canteen’s primary influence. Also an inspiration? Oga’s Cantina at Disneyland’s Star Wars: Galaxy’s Edge. Theme parks were on their mind as much as the apocalypse.

“What they do so well is they feel really lived in,” Clements says of Trader Sam’s and Oga’s. “It doesn’t feel like a cute homage. You walk in the door and you’re somewhere else.”

And guests are noticing.

“We had someone opening weekend tell me that this feels like an end-of-the-world Trader Sam’s. Thank you. That’s all we want,” Lewis says.

This week in SoCal theme parks

Fast & Furious: Hollywood Drift is now in daily operations at Universal Studios Hollywood.

(Ronaldo Bolaños / Los Angeles Times)

• New coaster. New accolades. New noise complaints. Universal Studios Hollywood officially opened its Fast & Furious: Hollywood Drift last week after months of running the thrill ride in a soft open phase. Fans were happy, with some even calling it the “best” coaster in SoCal. But nearby neighbors in Toluca Lake still want change, arguing that the sound of rider screams from the coaster is disrupting their lives.
• Calling all Disney film buffs. Starting this Sunday, Santa Ana’s Frida Cinema will begin hosting a weekly “Walt Disney Studios” film series hosted by historian/educator Jeff Kurtti. First up is “20,000 Leagues Under the Sea,” which will also feature a presentation from artist/designer Kevin Kidney, who over the years has contributed to many a Disney parks project. Other Sunday screenings will include “Alice in Wonderland,” “Disneyland Handcrafted,” “Swiss Family Robinson” and more. Check out the full series here.
• And speaking of “Disneyland Handcrafted.” It’s the last call for tickets to a stellar Disneyland history and charity event at Santa Ana’s Bowers Museum, which on Sunday will screen the Leslie Iwerks documentary as well as host a reception and panel. Historian and author Tim O’Day will moderate a talk that includes the film’s producer, Mark Catalena, former Imagineer-turned-historian Tom Morris and current Imagineer Emily “Emo” O’Brien, who oversees creative at Disneyland and is leading the team behind the just-announced makeover of Tomorrowland. Tickets start at $125 and are on sale now.

Ride report

The concluding, trippy scene in Inked, a new maze from Knott’s Scary Farm.

(Todd Martens / Los Angeles Times)

As we get deeper into Halloween season, I wanted to highlight another haunted maze, this one being the best one at this year’s Knott’s Scary Farm event. Inked is the maze, and it’s set in a 1930s cartoon studio. While of course having the requisite number of scare actors who will pounce on guests after they turn any corner, the maze also charms as it features original animation in the style of Disney’s classic “Silly Symphony” cartoons. Nearly every room in the haunted house boasts a cartoon scene starring a cutesy ghost, a little cat and an often sad pumpkin man.

The story is the drawn figures have come to life and are now murderous, but you’ll wish you could stop and watch a graveyard short or hang with a jazzy skeleton band. Giant pumpkin heads are animated with cartoon eyes and a mirror-heavy psychedelic scene, pictured above, brings the maze to a fiery conclusion. Knott’s is perhaps relying too heavily on returning mazes of late, but Inked is a winner.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Magic Mountain’s currently shuttered X2 coaster has been in the news of late.

The X2 ride has for years been the Valencia park’s crown jewel, the first roller coaster in the world that spun riders 360 degrees in their seats. It even topped my ranking of thrill rides at the park. I wrote that it was a risky choice, as the coaster is not for the faint of heart. Its seats extend off the track, giving you a sensation of flight at its most chaotic, with an assortment of loops that suddenly shift direction and segue into drops. Due to the constantly changing direction of its seats, the path of the track can be hard to discern.

But X2 has come under close inspection after several lawsuits allege people were injured on the ride. Six Flags shut down X2 in July amid a state investigation into the coaster. The Times’ Fedor Zarkhin has the story.

When the shooting starts, Sara tells her children to lie flat on the ground; the bullets, she said, can go straight through her family’s tent.

Sara, who asked that her real name not be used, has been arbitrarily detained for nearly a decade in Roj camp in Syria’s far northeast, which holds more than 2,300 children and mothers, many of whom are held on the basis of alleged family or other associations with ISIL.

Her children have grown up behind guarded fences topped with barbed wire and tangled with rubbish that often blocks the view of the barren, windswept landscape beyond.

United Nations experts and human rights groups describe open-ended detention in camps such as Roj as a breach of international law.

In recent months, women in the camp told Al Jazeera that the situation has steadily escalated: gunfire at night, stones thrown by guards and a boy left with a serious head injury.

Complaints to the administration, they say, bring promises but little else. “Every cry for help results in another wave of aggression,” one mother said.

Al Jazeera cannot independently verify their accounts, but they match reports by UN investigators and NGOs.

On September 8, the UN Independent Commission of Inquiry on Syria told the body’s Human Rights Council that conditions in Roj had worsened over the past year, with regular night raids, extortion and violence by camp security.

It described the camp as the world’s largest site of mass arbitrary detention of women and children on security grounds.

Who really controls the camp?

The violence comes amid sweeping change in the region.

On August 25, the Kurdish-led Syrian Democratic Forces (SDF), once a key US ally in the fight against ISIL, announced it would dissolve as an independent military force under an agreement with Syria’s central government in Damascus.

After a government offensive in January, the SDF lost much of the territory under its control and agreed to merge with the national army.

Its commander, Mazloum Abdi, has since been appointed a presidential adviser.

Roj, which the SDF had controlled until last month, is now the Syrian state’s responsibility.

But inside the camp, detainees said the transition has been anything but smooth.

One woman described to Al Jazeera a divided security presence, with those who accepted integration with the government on one side and holdouts who refused or were rejected on the other, and tensions between them that play out over the heads of the women and children.

In an open letter published on Monday, 11 mothers in Roj wrote that many of the same guards remain.

“While individuals’ [affiliations] may have changed,” one woman told Al Jazeera, “the people themselves remain the same”.

No legal basis for detention

Children from more than 50 countries remain stranded in Syria.

None has been given an individual legal process to determine why they are held, or for how long.

Fionnuala Ni Aolain, who served as UN special rapporteur on counter-terrorism and human rights from 2017 to 2023 and now sits on its inquiry commission, visited the camp in 2023.

Upwards of 70,000 people were once detained in al-Hol, another larger camp in the northeast holding the families of alleged ISIL fighters. In 2023, more than 52,000 people – mostly Syrians and Iraqis – were held in al-Hol and Roj, including an estimated 12,000 foreign nationals.

She found that conditions met “the threshold for torture under international law”. The violence women and children face now, she told Al Jazeera, is worse.

“It is utterly unacceptable that women and children who have never been convicted of any crimes, who have never been subject to any legal process, are being detained in this way,” she said.

There is no legal basis for their arbitrary detention, she said, adding that the remedy is release.

In January, order at al-Hol collapsed in chaos. The fate of thousands who had been held there remains unknown.

Beatrice Eriksson, a spokesperson for the Swedish branch of the rights organisation Repatriate the Children, which has been in contact with hundreds of mothers in the camps since 2019, told Al Jazeera that boys have been taken from their mothers as young as 12 or 13 and initially held in so-called rehabilitation centres.

Some have since been transferred to Iraq, she said, where they were detained in a makeshift prison for adult alleged ISIL fighters. The whereabouts of others remain unknown.

Eriksson argues that integrating former SDF-controlled forces and administrative structures into the Syrian government could provide an opportunity for change.

She said responsibility for the families has shifted from a non-state group to an internationally recognised government with which most of their home countries have diplomatic relations.

However, some detainees told Al Jazeera that they feel trapped. Governments tell them to reach out to an embassy, but their detention makes that impossible.

Ni Aolain said the responsibility does not just lie with the Syrian government, which is “doing its best to manage the massive post-conflict needs of the population as a whole”.

Instead, she said part of the blame clearly lies with foreign governments, “who have remained persistently stony-faced and unwilling to accept responsibility for their nationals”.

“It is not consistent with solidarity and support for a transitional state, and it’s an abdication of both their human rights and their security responsibilities to Syria”, she said.

For the women and children in Roj camp, the current situation is not sustainable.

“We want the next steps to begin where we’ll see an end to the suffering of our children,” one woman told  Al Jazeera, “even if that means going to prison back home.”

At the time of publication, Syria’s Ministry of Foreign Affairs and Expatriates had not responded to Al Jazeera’s request for comment on the reports of violence at Roj as well as the government’s plans for the camp and its detainees.

The camp administration also did not respond to Al Jazeera’s request for comment.

If you’re looking for a Netflix series to watch, this show already has two seasons available and it’s so good, viewers will happily stay up all night watching every episode

On the hunt for a new Netflix series? It can be hard finding something new to watch, but Netflix is showing a series so good viewers are binging all episodes within days.

The show is so addictive, viewers will happily stay up late to binge as many episodes as they can. Two seasons are currently available to watch and the streaming platform even confirmed in May this year a third season will be on the cards. Social media users recently shed light on the comedy series which stars Kate Hudson and Max Greenfield. So what show is everyone talking about?

Running Point, a sport comedy series, follows Isla Gordon (Kate Hudson), who’s unexpectedly put in charge of her family’s pro basketball team, the Los Angeles Waves.

The reformed party girl has a lot to prove as she soon learns that running a basketball team comes with its own set of challenges both on and off the court.

Over on Reddit, many people who have already watched both seasons had really good reviews about the Netflix series. One person wrote in the Running Point forum: “Just started this show, I LOVE IT!

“Last night I was endlessly scrolling through comedy shows on Netflix and nothing was sticking. I decided to start Running Point (with low expectations) and it immediately hooked me. I stayed up all night and just started season 2.”

Speaking about the entire cast, which also features Drew Tarver, who plays Sandy Gordon, Isla’s younger half-brother and chief financial officer of the Waves, Scott MacArthur as Ness Gordon, the older brother and general manager of the team, and Brenda Song as Ali Lee, Isla’s college roommate, best friend and chief of staff.

The person continued: “Kate Hudson absolutely crushes her role as President of the Waves.”

Over in the comments section, other people agreed Running Point has been a good watch. Someone said: “Oh my gosh yes! This was my first thought when I watched this show, all the similarities to Arrested Development.

“It’s so great. My personal favourite is Ness and all his quirkiness and how funny he is.”

A third admitted: “I came across it last weekend. Binged it in 2 days.” And a fourth chimed in: “My family and I started it like a week ago and we already finished it, so funny! Ness is hands down my favourite character, and I really like Sandy.”

Season 2 premiered in April this year, while Netflix announced a month later the series would be renewed for a third season. While an official release date is not finalised, previous release patterns suggest season 3 could be out around early 2027.

Universal Studios Hollywood’s landscape-changing, park-altering new thrill ride, Fast & Furious: Hollywood Drift, is officially open. The coaster boasting spinning, drifting cars along 4,100 feet of track had been in a soft launch phase since late July. But as of Wednesday morning, the theme park has declared the ride fit for daily operation.

“It elevates us to a new level,” says Jon Corfino, the park’s lead creative executive. “When we first started thinking about this 10 years ago, we recognized that. It’s our first big outdoor coaster. It changes the complexion of who we are, even the visual nature of who we are. You can see this from the freeway.”

The theme park hosted a private ribbon-cutting ceremony — in this case, a metal chain cutting to better represent the action-focused, garage-like grit of the “Fast & Furious” film franchise — on Tuesday evening. Mark Woodbury, the chairman and chief executive of Universal Destinations & Experiences, and Scott Strobl, executive vice president and general manager of Universal Studios Hollywood, together sliced the cable.

‘“Fast & Furious’ has delivered 25 years of high-speed thrills and big blockbuster movie moments and it was the perfect story for us to build this incredible, one-of-a-kind innovative attraction,” Woodbury said, noting a similar coaster, set to open next year, is under construction for Universal’s Florida resort.

Universal Studios Hollywood’s Fast & Furious: Hollywood Drift towers over the theme park.

(Ronaldo Bolaños / Los Angeles Times)

The coaster reaches a top speed of 72 mph, the fastest coaster in Universal’s global portfolio, and places riders in authentic, mini-re-creations of real cars that can rotate 360 degrees to create the drifting sensation of a stunt vehicle. With four inversions that bring guests upside down, Hollywood Drift is decidedly intense.

Wait times on Wednesday were hovering around 90 minutes. “I’m a big fan of the movies, and I think this is the best coaster in Southern California, hands down,” said L.A.’s Peter Lee, 43, as he was exiting the attraction on Wednesday. Lee has ridden the coaster 10 times since late July, but wanted to attend its opening day to purchase a picture of himself on the ride on its first proper day of operations.

Phillip Lambert Duke, 42, of Orlando, came to Universal Studios Hollywood to experience the West Coast edition of Halloween Horror Nights but said Hollywood Drift will be a highlight of the trip. “It’s fantastic,” Lambert Duke said. “It’s beautiful. I love how all the cars move independently of one another. “

Yet Fast & Furious: Hollywood Drift has also attracted some unwanted attention from the neighboring community of Toluca Lake, where residents have cried foul at the sound of rider screams emanating from the coaster. “Untenable,” “disturbing” and “like someone is getting murdered” have been a few of the ways longtime Toluca Lake homeowners have described the noise of riders.

An upside down rider enjoying Fast & Furious: Hollywood Drift at Universal Studios Hollywood.

(Ronaldo Bolaños / Los Angeles Times)

A number of Toluca Lake residents sent a media alert and hosted reporters in their neighborhood on Wednesday’s opening day to showcase just how disruptive the screams could be. Standing in the backyard of a house situated near a neighboring golf course, rider screams are certainly audible, and residents said the consistency of them is destroying their quality of life.

“It’s a constant stress,” said Colby Jensen, 55, a Toluca Lake resident of 26 years. Jensen said some residents have begun exploring their legal options, citing both the emotional duress of hearing constant screams and also a fear of potentially lower property values.

“It’s not just a noise, like the freeway, which is in the background,” Jensen said. “It’ll be quiet for a minute, and then you’ll hear this cacophony of screams. It inherently raises your blood pressure and stress level and it’s unnatural to hear that.”

Sofia S., who declined to give her full last name, said she just returned home to Toluca Lake after graduating from Indiana University. The 22-year-old noted the coaster has made it difficult to work from home.

“I have a little dog, and she’s barking a lot more because she thinks people are trying to come into the house,” she said.

Fast & Furious: Hollywood Drift was designed as one of the quietest thrill rides ever constructed so as not to disrupt the working studio below and the communities nearby. Its track has been filled with pea gravel to mitigate rumbles, and multiple walls and glass-outfitted curved shields have been placed on or near its layout. Universal has even stated that it can rotate the cars so riders scream away from the nearby neighborhood at particularly extreme moments. Such measures have been welcomed by the community, but they’re not enough, say many neighbors.

Universal has scheduled a community meeting with residents for Sept. 30. The park also last month pledged to build additional sound barriers to further dampen rider screams.

Fast & Furious: Hollywood Drift has been the most anticipated theme park attraction of 2026.

(Ronaldo Bolaños / Los Angeles Times)

At Tuesday’s media event, Universal executives declined to discuss community concerns or efforts to alleviate them, but later issued a statement acknowledging that community feedback has been an important part of the process.

“Testing completed to date confirms the attraction is operating in compliance with sound ordinances applicable to Universal property, which are more stringent than city and county codes,” the emailed comment reads.

Toluca Lake residents dismiss criticisms that this comes with the territory of living next to a theme park, noting for much of its history Universal focused on indoor attractions and has previously worked with the community, such as adjusting the audio on its “WaterWorld” stunt show.

Fred Iberri, who said he’s lived in his inherited Toluca Lake home since the early ’70s, said everyone has a right to peace in their home.

“People say, ‘If you don’t like it, it’s your choice to live next to a theme park.’ That’s not true. Universal hasn’t had a coaster outside until three months ago,” Iberri said. “I’ve been here for 52 years, my family for 90, and Toluca Lake has been a peaceful neighborhood until three months ago. Anyone who says that doesn’t know us or the neighborhood. It’s not so easy for seniors to just pick up and move.”

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

When Judy Collins comes to Los Angeles, she likes to stay at the Beverly Hilton in part because “they serve a fabulous breakfast,” she says over coffee at the hotel on a recent morning. “That’s rare today,” she adds. “Too often a place will just send up a cardboard shopping bag with the things you ordered in it.”

Collins knows her amenities: At 87, the Grammy-winning singer and songwriter still plays about 120 shows a year, drawing audiences around the world with her high, clear voice and an expansive repertoire that blends the hits that made her famous in the 1960s and ’70s — Joni Mitchell’s “Both Sides Now,” Leonard Cohen’s “Suzanne,” Stephen Sondheim’s “Send in the Clowns” — with traditional folk tunes and material of her own.

Yet now she’s preparing to hang it up with a lengthy farewell tour she’s calling Sweet Judy Blue Eyes (after “Suite: Judy Blue Eyes,” the folk-rock classic her one-time lover Stephen Stills wrote about her for Crosby, Stills & Nash). The night before our interview, Collins played L.A.’s Ford Theatre; she’ll be back through Southern California for a Sept. 27 date at the Lobero Theatre in Santa Barbara and again next year for shows in Palm Springs and Aliso Viejo.

After we talk, she plans to do a bit of tai chi, for which she uses an app on her phone and which she wishes more people practiced. “Maybe that would alter civilization,” she says. “If we were all doing tai chi, we couldn’t be at war with Iran.” Then she’ll head to the airport for a flight home to New York, where she’s lived for decades — most of them with her husband, industrial designer Louis Nelson, who died in 2024.

At breakfast, Collins is wearing a patterned turquoise jacket over a matching dress and high-heeled black leather boots.

“You like these?” she asks of the boots. “These are Stuart Weitzman. I bought them 30 years ago, and I’ve never stopped wearing them.”

That’s a well-made boot.
They fit, they’re great and I reject all invitations to get rid of them.

Has your thinking about clothes changed over the decades?
I used to dress in jeans because I was a cowgirl — I hung out with rodeo riders in Colorado. As I came up, I liked what was simple. My mother made all our clothes on a Singer sewing machine for years. Now I love beaded things. I have full closets I need to go through.

Before you came onstage last night, an announcer told the audience not to take pictures or videos.
That’s my management’s doing — it’s important to them, so I go along with it. But the pictures are usually bad. Also, the phones take people’s minds off what’s going on onstage. People need the chance to focus. We’re in a period of insanity right now, so people need time to sit wherever they are. They could go to the ballet or to the theater, but they choose to come to me, and they get to sit there and they get to listen and they get to think about their own lives.

As a performer, that’s what you seek to provide.
I’m providing silence. It’s such a noisy world — so full of crappy music that plays outside all these hotels and places where we stay. It drives me nuts.

You have a line in the show where you say, “Something unexpected happened — I turned 87.” It got a good laugh.
People applaud too.

What are they saying by applauding?
They want to be acknowledged for their own ages, whether they’re 87 or 90 or 19. People are coming to see me, but they’re also coming to see their history. They’ll remember what happened 60, 70 years ago — they were probably marching at the same things I was marching at. And if they’re 19, they want to know why we’re not marching now.

Judy Collins performs on “The Smothers Brothers Comedy Hour” in 1969.

(CBS via Getty Images)

You said we’re in a period of insanity.
This country is losing so much of the depth of our origin. The fact that workers who’ve come to this country are being taken off to God knows where — it makes no sense. Number one, these people often have some sort of legality. And secondly, they do the work here. Nobody else wants to go up to the orchards in Oregon and pick the fruit. Do you?

I can’t say that I do.
I don’t want to do that.

This tour is billed as your grand farewell.
So long, you guys.

I’m always reluctant to trust that framing. Cher’s done like eight farewell tours.
I hadn’t counted them up — shame on me.

Should we really believe you?
I think we have to believe in the present tense. What you’re hearing is what’s happening.

You had a music stand onstage with you. What was on it?
All the lyrics to all the songs.

You can’t possibly need the lyrics anymore.
Oh, yes, I do.

You’ve been singing some of them for decades.
Doesn’t matter — it has to be there in case you have to look at it.

Would you say you do look? Or is it more of a security blanket?
It’s a security blanket. But my eyes wander — I like to see who’s in the audience and what’s going on. I like to look up and down the aisles, and I like to fantasize: How did this happen?

Your life and career?
I mean, I know how it happened. I was 16, and I started going to the Denver Folklore Society, which was run by a guy named Lingo the Drifter. And Lingo the Drifter had these wonderful evenings where we all played the guitar and sang and drank illegal whiskey and so on.

Judy Collins last month in Beverly Hills.

(Allen J. Schaben / Los Angeles Times)

Before Denver, you lived briefly as a kid in Los Angeles.
My father was a very eclectic and fabulous radio personality. He had a radio show for 30 years in Seattle then here in Hollywood, broadcasting out of CBS — a big deal. If we weren’t in school, we would drive up Santa Monica Boulevard into Hollywood and we’d stand around and watch them produce the radio mysteries. People would walk in a sandbox to get the sound of somebody walking up the gravel road to the door.

Are you familiar with the term “nepo baby”?
No.

It refers to the child of a famous artist who follows in their parent’s footsteps.
Oh, that’s interesting.

People use it derisively, as if to say that a kid has overly benefited from their advantages.
We certainly had advantages. For instance, the Library of Congress, which is the jewel in the crown — I don’t know what they’re doing now — but they sent us Braille books and they sent us all the shows from New York and they sent us the recordings of all the Shakespearean plays by the great Dame Judith Anderson and John Gielgud. I had all that growing up. In some ways, I wasn’t raised — I was trained. I got to see how a professional has to handle his life. My father was a professional in all ways. He drank — occasionally, not all the time — but he was absolutely organized about everything, including that.

You’ve been sober for something like half a century.
Forty-eight years. I’m in my 49th now.

You ever miss drinking?
Oh, my God, no. I was so sick — I was gone. Bye-bye.

Some people replace one addiction with another.
I had an eating disorder, which is still kind of … You know, last night, I asked for apple juice during the show — I was in trouble because I wasn’t eating. When my husband died, I stopped eating again. I’d stopped eating in the ’60s and ’70s and ’80s, but I got over that. But suddenly I didn’t want to eat again.

Would you consider that disordered eating?
I don’t know. Anyway, I have to really be careful. We had a talk about it last night. I have to eat these protein bars, and I have to eat them all the time.

Do you remember the first gig you played after your husband died?
Oh, yes — I had to go out. When my son took his life in 1992, I got a call from Joan Rivers — she and I knew each other pretty well. She was getting ready to go out and do her show in Las Vegas, and she called me in New York and she said, “I have to tell you this” — her husband had just killed himself — she said, “You cannot stay home. You have to go out.” I was canceling all my shows, and she said, “You can’t do that because you won’t ever get over this if you do.”

How did you take that advice?
I said, “Thank you,” and I called my staff and I said, “Put ’em back on.” My mother came out with me, Louis came out with me, my sister came out with me, and it was incredibly true: I had to be working or else I would die. So when it came to Louis, I was out three days later.

What did that feel like?
Well, it was wonderful because I was working. I can work and get through anything — that’s the psychological effect of what I’m doing on the stage. I’m interacting with people, I’m hearing the laughter, I’m hearing the music. What could be more healing?

This is why I’m wondering why you plan to stop touring.
But you see, I have all these other things to do — I have a life that’s not just touring. I’m working on the music for a Broadway show. And I’m doing a new book — it’s called “Singing Through the Storm,” and it’ll be out next year, I hope.

Judy Collins and Leonard Cohen attend the 41st annual Songwriters Hall of Fame ceremony in New York in 2010.

(Larry Busacca / Getty Images)

You’ve interpreted the music of so many great songwriters: Joni Mitchell, Bob Dylan, Leonard Cohen. Was there ever a writer whose work you admired but couldn’t find your way into?
No.

OK.
I’ll tell you my funniest Leonard story. In 2014, I think it was, I went to this little group in Norway called Democrats Abroad — lonely group of people. That night, this woman came up to me and said, “Hi, I’m Marianne.” I said, “Hi, Marianne.” And then she said, “I’m Leonard’s Marianne.” She said, “There’s something I’ve wanted to tell you for many years: We were living together in Spain, Leonard and I, and he was writing songs and we were swimming in the nude. And then one day he came to me and he said, ‘Marianne, I’m going to New York to sing my songs for Judy Collins,’ and he went to New York and he played you all his songs and you recorded them.” Marianne said, “I just wanted to tell you that you ruined my life.” Fortunately, we became friends on Facebook.

You opened last night’s set with “Both Sides Now.”
Oh, yes.

This might be the most famous song you do. Some artists would save it for later in the show.
I don’t want people to wonder for an hour and a half: Will she? Won’t she? What will I do if she doesn’t?

Do you still enjoy singing “Both Sides Now”?
I love it. It was Al Kooper who brought me to Joni — she sang it to me over the phone. Al is living a very sane, quiet life in the Northeast now. He’s married — never goes out anymore. It’s hard to think of Al Kooper just sitting there enjoying his marriage and his garden.

What will you do on the plane home today?
I’ll probably get out the computer and noodle around on the book and see what I can come up with.

The work never ends.
It never ends because it’s not done.

HELEN Flanagan has put on a busty display and risked popping out of her racy black dress on a night out.

The former Coronation Street star, 36, took to Instagram to share some new snaps as she enjoyed a meal out at Gaucho restaurant in Manchester.

She wore a long ribbed black dress as she showed off plenty of cleavage in the revealing outfit.

Helen threatened to spill out of her attire as she only had three small gold clasps holding her boobs in.

The figure hugging dress perfectly cinched her waist as she displayed her hourglass figure.

She wore her blonde locks in a curly hairstyle and opted for a chic make-up look, complete with false eyelashes, eye shadow and a pink gloss.

READ MORE ON HELEN FLANAGAN

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ON THE TOWN

Helen Flanagan stuns in crop top as she attends Manchester Pride event

Helen appeared to be in great spirits as she beamed from ear to ear and enjoyed some beverages.

The actress simply used a kissing lip emoji as the caption.

Her followers rushed to the comments section to compliment her as one gushed: “The most gorgeous woman ever.”

Another person enthused: “Stunning and classy.”

Somebody else commented: “Sydney Sweeney ain’t got nothing on you.”

Yet another joked: “I mean…..come on, give the other women a chance.”

While a fifth follower added: “You are so gorgeous.”

Helen’s night out comes just days after she joked about selling her knickers to pay for her solicitors fees, amid her ongoing feud with her ex Scott Sinclair.

The Sun revealed how she has had some recent financial concerns after the father of her kids, 37, recently sold their family home, forcing her to downsize.

In a post on Monday, she shared a video where she quipped that she was going to flog her underwear for cash.

In the short clip, Helen was seen shimmying out of her knickers from underneath a long dress, before swinging them in the air.

In the next shot, she headed into the Post Office where she purchased an envelope.

The saucy star was then seen leaving the shop empty handed, implying she had posted her knickers to a fan.

Helen wrote over the top of the video: “When you have to figure out a way to pay for solicitor fees.”

Early in life I discovered I had a particular affliction, and that was a proclivity for spending time at theme parks. I only phrase it that way because I understand some may find such a desire peculiar, which has made me particularly attuned to many comments about theme parks, especially those that aren’t positive.

Too hot, too crowded, too expensive or simply geared only for children. And while I’m happy to discuss or debate all aforementioned topics, there’s one particular criticism that I find especially grating: Theme parks are fake.

This is the argument that they are heavily fabricated and designed to elicit an emotional response, or worse, manipulate us. And it’s one I hear time and time again from grown-up peers. Over the years, it’s cropped up from friends. “Why do you go there?” they will say. “Everything is fake.” It’s appeared in books such as Henry A. Giroux’s and Grace Pollock’s scathing “The Mouse that Roared,” which dismisses the parks as presenting an “infantilized” worldview. And I’ve heard it from people I’ve interviewed, such as the USC professor of psychology who told me that theme parks were so fake, they forbade surprises.

The criticism irks me, in part, because of what it implies. By dismissing a Disneyland or a Universal Studios park as “fake,” there’s an implication that something is “more real.” A national park, perhaps, or a dedicated art institution. I adore those types of spaces as well, of course, but there’s an ignorant snobbery to this sort of remark, a thumbing of the nose that seems to argue I should spend some of my free time elsewhere.

This has been on my mind of late for a pair of reasons. One, I recently visited the Lucas Museum of Narrative Art and have been consumed with the discourse surrounding the value of story-driven art. And two, I recently read “Floating Mountains: The Art of Imagining the Impossible” by famed Disney designer Joe Rohde. The book is many things — an impassioned dissection of creative collaboration, a look at Rohde’s 40 years with Walt Disney Imagineering — but it is also a subtle argument that theme parks are vital, artistic spaces.

A statue of Walt Disney and Mickey Mouse in front of a very real fantasy castle.

(Christina House / Los Angeles Times)

I agree, and so I decided to bring up my pet peeve while talking to Rohde at the recent all-things-Disney fan convention D23.

“It’s a very odd criticism,” Rohde says of the knock on theme parks as being fake.

“Of course they are not real,” he tells me. “Movies are not real. Theater is not real. It’s like René Magritte, ‘Ceci n’est pas une pipe.’ Of course, a picture of a pipe is not a pipe. I don’t understand why that is an issue. It is a creation. In some cases it is a photo-realistic creation. In some cases it is a stylistic creation. But it is a creation. That’s what makes it a work of art.”

In “Floating Mountains,” Rohde, the primary creative behind the stunning Disney’s Animal Kingdom (second only to the original Disneyland in my mind), documents the myriad of disciplines that must come together to create such spaces. Animal Kingdom is full of real-world details. I can spend days exploring just the Africa section of the park, reading anti-poaching signs and piecing together a story that helps inform the area’s magnificent safari ride.

This is a work of art, albeit a less understood one, for narrative place-making and environmental storytelling are borderline experimental, less common than, say, a book or a film. Place-making requires that we not just take in our surroundings but constantly analyze them for story insights.

Joe Rohde, in 2017, discussing Pandora — the World of Avatar at Disney’s Animal Kingdom in Florida’s Walt Disney World.

(Jay L. Clendenin / Los Angeles Times)

Rohde also notes the degree to which Imagineers are taking influence from real-world spaces in an effort to bring narrative details into the parks, ensuring they appear at once familiar and fantastical. In the case of Animal Kingdom, it was Africa’s Lake Manyara National Park, among many other locales, that gave that park its realistic grit. And when it came to the fully imagined floating mountains of Pandora — The World of Avatar, it was finding inspiration in the Italian Baroque art of Gian Lorenzo Bernini, as seen in the entangled vines descending from the apparently hovering mountains.

Now, I am not someone who argues that a trip to Animal Kingdom is a stand-in for a vacation to Africa. Or that visiting the World Showcase of Epcot is akin to a jaunt around Europe. Or that hanging out in Cars Land is a substitute for a drive down Route 66. And an afternoon slugging pints at Hog’s Head at Wizarding World of Harry Potter is certainly not the equivalent of a day at an authentic British pub. No, what a theme park offers is an artistic interpretation, one that filters the natural world through the stories that define our lives.

Theme parks are not so much an escape from the world but a way to make sense of it. View them with an open mind, and they are an entree into storytelling exploration. This is different to me than, say, a re-creation of the Eiffel Tower being plopped into Las Vegas, which is preying on replication as generic spectacle. Theme parks, of course, can fall victim to this, too, when they utilize signposts or characters from a film as a substitute for innovation (see much of the design of Pixar Pier at Disney California Adventure).

Cars Land in Disney California Adventure was inspired by the scenery and history of Route 66.

(Mark Boster / Los Angeles Times)

France at Epcot’s World Showcase, in contrast, aims to weave a brochure-like tale of the country, to introduce us to culinary and architectural standouts that can inspire us to dig deeper. For some, sure, that’s deeper into their wallets, but World Showcase inspired a young me to be curious about the world beyond the suburban Chicago neighborhood I grew up in.

And purely fantastical creations — at least the ones that are done well — are not just references to things we saw on a movie or television screen. I think of Guardians of the Galaxy — Mission: Breakout! at Disney California Adventure, which is specifically designed as a cartoon-like intrusion, a building meant to clash and call attention to its surroundings. It’s all an effort to heighten the concept that the modern American myth — the superhero film — is work that encroaches, with uplifting exaggeration, on real-world settings.

And even a Disneyland classic such as Pirates of the Caribbean requires deep analytical reframing to properly understand it. Sure, it’s a boat ride with singing robot pirates, but that’s not the reason it has endured for more than half a century. I’ve described the attraction as the template for the perfect theme park ride, one that invites the guest to discover a host of mini stories based upon where riders are directing their focus. It’s a huge influence, for instance, on the world of open-world video games, which allow players to pick a direction and discover a narrative path. It’s anything but fake.

Pirates of the Caribbean is a study in environmental storytelling.

(Christina House / Los Angeles Times)

The criticism that theme parks are fake is a surface one, one that fails to properly meet the medium where it’s at. It’s easy, of course, to look at the nostalgia of a Main Street, U.S.A, and the castle up ahead and to write off Disneyland as a rosy, idealized take on America. This is the undiscerning view, for Disneyland is a presentation of an America that never existed, one disrupted by a castle that also doubles as an extended hand.

Think of it as an ask to use one’s imagination and to be open to play: Theme parks are a wholly unique medium that requires a different set of criticism, one that is looking at architecture and design as a storytelling device. And when one gets on a ride, a theme park expects us to be open to a somewhat abstract form of storytelling. Theme parks are also, at their core, a form of participatory art, inviting us to take on a starring role.

The mechanization of what makes a theme park a theme park is simply too complex, too vast and involving too many people to be dismissed as fake. And let me say that there’s no shame in wanting to be immersed in a world crafted by the hands of many a skilled artist, whether that’s the new David Geffen Galleries at LACMA or the Disneyland Resort.

This week in SoCal theme parks

Concept art for Magic Mountain’s upcoming 2027 coaster Thrill Glider.

(Six Flags Magic Mountain)

• A new coaster coming to Magic Mountain. Six Flags announced that coming in 2027 to its Valencia park will be Thrill Glider, a first of its kind thrill ride designed by coaster manufacturer Vekoma exclusively for Magic Mountain. Riders will board what the park is referring to as “hoverbikes,” essentially bike vehicles designed to simulate a flying sensation by being suspended from the track.
• Scary Farm is upon us. Halloween season is officially in full swing as Knott’s Scary Farm opens Thursday. New this year are two mazes, including one that intermixes a host of vintage animation, as well as a magic show collaboration with the Magic Castle.
• Fast & Furious: Hollywood Drift officially opens. Though it’s been in a soft open phase since late July, Universal Studios Hollywood’s Fast & Furious: Hollywood Drift will be properly open as of Wednesday. This means the coaster has passed its final testing and is ready for daily operation. Here’s everything you need to know about Universal’s fancy new coaster.
• Legoland expands its Halloween event. Brick or Treat at Carlsbad’s Legoland begins on Saturday and it’s bigger than ever in 2026. The family friendly event, for which costumes are encouraged, this year has added Brick or Treat Street, with six life-size monster homes to interact with. Also, be sure to head to the park’s new coaster, the Galacticoaster, which has received a Halloween overlay.
• A Walt Disney exhibition at Forest Lawn. Head to Glendale’s Forest Lawn Museum on Saturday evening for the opening reception of “California Visionaries: The Lives and Legacies of Walt Disney and Hubert Eaton,” which explores the connection between Disney and Forest Lawn Memorial-Parks founder Eaton. The exhibition, which promises concept art, rare Disney sheet music as well as items from early Disneyland attractions, is on display until Feb. 7.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Attention readers who are in or near Fillmore: This Saturday is the first-ever edition of the “Time Travel Convention,” a new interactive theatrical experience from Live Action Attractions. Many veterans of the theme park industry worked to bring this event to life, including some who collaborated on the now-shuttered Star Wars: Galactic Starcruiser, colloquially known as the “Star Wars” hotel.

The story: Once a year, time travelers from the distant future head back in time to witness a historic day in small-town America. Players are cast in the role of time travelers, and throughout the day Saturday expect a series of games and costumed characters to interact with. There will be three theatrical moments staged throughout downtown Fillmore beginning at 10:01 a.m.

Register online, and you’ll receive info on where to meet. The event is highly recommended.

The 78th Primetime Emmy Awards saw a number of firsts: A first-time host, a first-time Emmy winner and the first to win two lead acting Emmys in a night. These notable achievements were coupled with moments of remembrance for legendary actors and creators, like Dolly Parton, Rob Reiner and Catherine O’Hara, among many others.

With Mariska Hargitay at the helm, the show ran at a quick pace without feeling rushed, giving room to winners to say their thanks in acceptance speeches while still having moments of fun in between. Here, our writers discuss some of the best moments of the ceremony. — Maira Garcia

Best moment of overdue recognition: Rhea Seehorn

Rhea Seehorn finally won an acting Emmy, an accolade that was long overdue.

(Robert Gauthier/Los Angeles Times)

If you appreciate Rhea Seehorn’s complex, subtle acting, her dynamic range and her deadpan humor, then you’ve probably found the Emmys to be maddening over the years. She famously wasn’t nominated for playing poker-faced attorney Kim Wexler on “Better Call Saul” until the show’s two-part final season. And she never won, not even for the raw, heartbreaking work she did in those last episodes. So seeing her win, finally, for her lead turn on “Pluribus” was thrilling, long overdue recognition that, given her history, made you wonder if it would ever come. Awards voters typically don’t appreciate nuanced acting, too often equating “best” with “most.” But Seehorn’s work on “Pluribus” was undeniable. Playing Carol Sturka, a sad woman forced to save the world from happiness and hive mind, Seehorn had the role of a lifetime and ran with it. This Emmy was a long time coming, and you could feel that when she choked up on stage accepting it. Her palpable joy thanking “Pluribus” creator Vince Gilligan, wiping away tears, is one reason why we keep watching the ceremony. — Glenn Whipp

Best double Emmy haul: Matthew Rhys

Matthew Rhys with his double Emmy haul for “The Beast in Me” and “Widow’s Bay.”

(Ronaldo Bolanos/Los Angeles Times)

It was the sort of epic night that might make life vest-wearing mayor Tom Loftis jolt from his boat seat in shock or compel the villainous real estate heir Nile Jarvis to scarf down a whole rotisserie chicken with a glint in his eye — Matthew Rhys, the actor who brought both characters to life on screen, won two Emmys during Monday’s ceremony.

In doing so, he achieved a feat no actor has accomplished in 78 editions of the Emmy Awards: he won two lead acting Emmys in the same night. He was recognized for lead actor in a limited series for his turn in Netflix’s psychological thriller “The Beast in Me,” where he played Nile equal parts charming and terrifying. Later, he took the stage to accept the lead comedy actor prize for his optimistic but skeptical take on a mayor of a small, haunted island town in Apple TV’s horror comedy “Widow’s Bay.”

Rhys didn’t react like his characters might have — instead, he thanked his homeland: “To the great and good people of Wales… we are a small but mighty nation!”) And he took in the moment being feted by his partner, Keri Russell, who hung on him with pride as he made his way back to the main seating area after his first win.

The double wins add to Rhys’s collection of gold across the acting categories. In 2018, he took home the prize for lead drama actor for “The Americans.” — Yvonne Villarreal

Best reaction to someone else winning: Martin Short

Martin Short, left, with his “Only Murders in the Building” co-star Steve Martin on the red carpet at the Emmys.

(Christina House/Los Angeles Times)

Rhys may have taken home lead actor Emmys for limited series and comedy series, but the award for best reaction belongs to Martin Short.

During Rhys’ acceptance speech for lead actor in a comedy, the camera briefly panned to Short, who was nominated for “Only Murders in the Building,” just in time to catch him ripping paper into pieces — presumably his speech — and throwing it on the floor in anger and disbelief.

It lasted only a few seconds, but Short took advantage of the moment.

The timing. The commitment. The expressive performance. Short’s full comedic arsenal was on display before the camera moved on. It was the kind of quick visual gag that was easy to miss, and plenty of people probably did. But for those who caught it, I hope it was worth the spit-take. I am certainly glad I had a napkin at hand.

Short may have lost the Emmy, but his comedic timing remains undefeated. Stay funny, Short. — Anthony Solorzano

Best emotional moment that emptied our tissue box: Michael J. Fox

Michael J. Fox received the Bob Hope Humanitarian Award for his work and advocacy on Parkinson’s disease.

(Robert Gauthier/Los Angeles Times)

In an Emmys telecast full of genuine emotion — Reba McEntire’s musical celebration of Dolly Parton, a heartbreaking In Memoriam segment that ended with Jamie Lee Curtis’ personal tribute to Rob Reiner — the most moving moments were claimed by Michael J. Fox, receiving the Bob Hope Humanitarian award.

Fox’s decades-long battle with Parkinson‘s disease, and for those who suffer from it, is well known, as is his refusal to let it define him or his career — he received his 19th Emmy nomination this year, for guest actor in “Shrinking.” But when he first came out on stage, in a wheelchair and classic black, he spoke first about his admiration for Bob Hope, a man whose tireless support of soldiers “and military families like mine” illuminated, for Fox, the necessity of showing up for others. “When it starts to get tough, you show up, you help, and if you add a little joy while you’re doing it, that’s so you know it’s even better.”

The utter silence of that room as he spoke, the admiration on all those famous faces said it all. Fox remains as he has long been — funny, sincere, wildly talented and one of the most courageous people many of us will ever know. — Mary McNamara

Best self-depricating host: Mariska Hargitay

Mariska Hargitay didn’t take herself too seriously as host, cracking a number of silly jokes throughout the night.

(Robert Gauthier/Los Angeles Times)

Host Mariska Hargitay was refreshingly lewd and charmingly self-deprecating as the first female host of the Emmys in 15 years.

By not taking herself too seriously, she set a laid-back tone for a high pressure show that for many nominees feels like a life or death moment.

Winning is not everything, Hargitay regularly reminded the crowd, with bits that grounded actors’ experience, like a clip from a 1984 B-horror film she starred in called, “Ghoulies,” which, as she explained to everyone, is a film, “where a monster pops out of a toilet.”

“Jamie Lee Curtis isn’t the only scream queen around here,” Hargitay quipped.

That joke came after an ongoing series of goofy, blue wisecracks, including one about “Law & Order” producer Dick Wolf, saying his real name was “Richard Penis;” that her “SVU” character, Olivia Benson, was “America’s sweetheart sex cop;” that aging fans who once loved and watched “Hannah Montana” would soon need “Hannah Mammogramas;” and an aside about her packed work schedule, noting that “Margo may have money troubles, but Mariska’s doing just fine.”

She ended the night with a mic drop by introducing Woody Harrelson and Matthew McConaughey as “my two favorite flavors of vape.” — Jessica Gelt

Best changes to a host’s hair: Hargitay and her hairstylist

A sampling of Mariska Hargitay’s hairstyles at the Emmy Awards.

(Robert Gauthier/Los Angeles Times)

Beach waves, bombshell, Targaryen-inspired twists, luscious locks and a tousled bob. Mariska Hargitay changed her hairstyle so many times throughout the Emmy Awards it was hard to keep track. One can only imagine the quick work happening backstage to get her hair coiffed amid costume changes. And one can only hope there was a wig wall somewhere inspired by Catherine O’Hara’s Moira Rose. The bombshell blowout was reportedly a tribute to her late mother, ‘50s starlet Jayne Mansfield — Hargitay took home two Emmys earlier this month for a documentary she directed about her. Her quick-turn tresses were yet another example of the first-time host’s infectious enthusiasm. — Brittany Levine Beckman

Best presenter who should host the next awards show: John Mulaney

John Mulaney introduced the award for lead actor in a drama series, but not before sending up men.

(Robert Gauthier/Los Angeles Times)

I’ll say it: I’m not sure how I feel about John Mulaney. I’ve waffled over the years. I used to love his work, then I found it tired, then I fell off the bandwagon altogether. So believe me when I tell you: I wasn’t sure how I’d feel about him presenting lead actor in a drama series. I wasn’t primed to like his speech. And yet.

He won me — I’m not necessarily a certified Mulaney hater, but certainly not a full-blooded Mulaney lover — over with a truly funny arpeggio of riffs about the mediocrity we accept from men and male actors. I was trepidatious, as was the live audience. (“This award is for the guys. Just men being men,” is a scary start.)

But then Mulaney rounded the curve with a tongue-in-cheek reference to the “Bluey” dad controversy and I sat up straighter. If the line, “some of the men in this category do method acting, and some do regular, less annoying acting” didn’t get me, then “they can play anything, these nominees, not just doctors — they can play a cop or an FBI agent or a secret agent, and then that’s it, no other examples,” certainly did. Don’t get me started on the DJ Khaled quote (I loved it).

Let this man host an awards show, as he is clearly trying to do. I recognize the game, and I respect it.

Also: a very honorable mention to Meg Stalter dressed as a literal Emmy statue. Meg, you are the only method actor I respect. — Laura Zornosa

Best Targaryen family reunion: Emma D’Arcy and Emilia Clarke

Emma D’Arcy and Emilia Clarke nodded to “Game of Thrones” before presenting the award for lead actress in a limited series or television movie .

(Robert Gauthier/Los Angeles Times)

One of the last things I ever expected to see on an awards show in 2026 is the Mother of Dragons speaking in High Valyrian on stage. So “Game of Thrones” star Emilia Clarke hitting the stage with “House of the Dragon’s” Emma D’Arcy to present the award for lead actress in a limited series or television movie was a pleasant surprise.

“In the ‘Game of Thrones’ universe, Emilia is my great-great-great-great-really-great granddaughter,” D’Arcy said. “And in honor of our shared Targaryen lineage, Emilia is going to address you in High Valyrian — our mother tongue — and I will translate.”

Clarke earned four Emmy nominations during “Game of Thrones’” run for portraying Daenerys Targaryen, one of the last surviving members of the family that long reigned over Westeros. D’Arcy, meanwhile, plays Rhaenyra Targaryen in “House of the Dragons,” which is set at a time when there are so many Targaryens that a war of succession became inevitable.

The Targaryen team-up was my favorite but it wasn’t the only name-based collaboration of the night. An earlier segment saw Olivia Benson, the fan-favorite “Law & Order: SVU” character played by Hargitay, share the screen with another Olivia Benson — Taylor Swift’s cat that is named after her. The cat made a surprise cameo along with the mega pop star in a pre-recorded segment about the likelihood of Swift appearing at the Emmys. — Tracy Brown

Best invitation to dinner at their house: Marcello Hernández

Marcello Hernández presented an award, but not before presenting some dinner invitations to a few people in the crowd.

(Robert Gauthier/Los Angeles Times)

When I saw “SNL’s” Marcello Hernández would be presenting at the Emmys, I knew it would be a special moment, and he didn’t let me down. The actor, who presented the award for directing for a comedy series, promptly made himself at home, shouting out, “Donde ‘tan los Latinos?” He then took the opportunity to say hello to a few fellow actors in the room.

“Very quickly, I would like to say hello to Harrison Ford,” he said, looking at the actor sitting in the audience, who gave an exasperated look and waved. “You are a legend and a real inspiration to me and I would like to invite you to have dinner at my house.”

The room erupted in laughter, but he wasn’t finished. He then extended an invitation to Zendaya and her partner, Tom Holland: “I want to say hi to Zendaya, you’re a beast and you’re amazing. And I saw you and I wanted to play it cool, and I decided I can’t do that. So I would like to invite you and Spider-Man to have dinner at my house.”

Then he proceeded to invite Oscar Isaac, the Guatemalan actor who utilizes his given name professionally, suggesting they might be related. “You are so good in ‘Beef’ and you are also Hernández, like I am. So we could be cousins, you never know. And I will see you at Christmas, I will cook you whatever you want.”

Lastly, he said a hello to Matthew McConaughey, and quoted his Cuban tía, who told him if he works very hard, he can hang out with “Matthew McCon-i-purse.” It was a light-hearted speech that spoke to anyone who suddenly finds themselves in a room wondering how they got there. — M.G.

MEGAN Stalter has shocked the Emmys red carpet, transforming into a literal golden statue for the 78th awards ceremony.

The Hacks star turned heads in a gold bikini and matching body paint for the night’s boldest look.

In true eccentric style, Stalter covered herself head-to-toe in gold, complete with angel wings and a golden orb.

Stalter arrived with her Hacks co-star and bestie Paul W. Downs, who wore a sharp black tux.

The 35-year-old is up for Outstanding Supporting Actress in a Comedy for playing Kayla Schaefer in the fifth and final season of HBO Max’s Hacks.

It is her first Emmy nomination.

DRESS FOR DRAMA

Zendaya debuts dramatic pixie cut as Brooks Nader wows on Emmys red carpet

Kayla, the over privileged and clueless assistant on the HBO’s hit series, was her first acting job.

Stalter is no stranger to outlandish red carpet attires.

In January she attended the Critics Choice awards with her co-star, mimicking Kylie Jenner’s all-orange look which she had worn with boyfriend Timothy Chalamet to the Marty Supreme premiere.

At last year’s Emmys, the actress opted for a simple pair of jeans and a T-shirt – in a deliberate non-statement.

In 2025 at the Las Culturistas Culture Awards, she wore a corset-style top made from actual Diet Coke packaging.

In April, the actress told Marie Claire: “Every red carpet appearance or anything that I get to do in front of people, I want to have fun and make the most of it because it’s my dream.

“We worked really hard to get here, and now I want to enjoy it.”

Stalter is up against her castmate Hannah Einbinder, who won the category last year, plus Janelle James for Abbott Elementary, Michelle Pfeiffer for Margo’s Got Money Trouble and Jessica Williams for Shrinking.

One amused commenter reacted to her look and said: “If they don’t give her the statue, she IS the statue.”

Hacks recently wrapped its fifth and final season which is up for 24 Emmy nominations at this year’s ceremony.

It is the second most nominated show this year, just trailing one award behind The Pitt.

This years Primetime Emmy Awards are being held at the Peacock Theater in Los Angeles.

It will air on NBC and Peacock and is hosted by Mariska Hargitay.

Another meteor shower arrives later in November, with the Leonids expected to peak around 17 November.

The Leonids can travel at about 70km per second as they enter the Earth’s atmosphere, making them some of the fastest meteors visible from Earth.

Under ideal, dark sky conditions, around 10 to 15 Leonids an hour can be visible at the shower’s peak, although the actual number seen will depend on weather, light pollution and the brightness of the Moon.

They get their name from the constellation Leo, from which the meteors appear to radiate.

The best time to look is generally after midnight and before dawn, when Leo is higher in the sky.