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Grammy-winning singer Jill Scott brought her “To Whom This May Concern” album — her first in more than a decade — to life at Inglewood’s YouTube Theater last week. Backed by a razor-sharp 11-piece all-male band (including background singers fittingly dubbed “Freeman”), Scott moved effortlessly through a two-hour set filled with songs from the genre-expansive album along with several fan favorites like “He Loves Me (Lyzel in E Flat)” and “Gettin’ in the Way.”

Enforcing a phone-free policy at her personal request, the North Philadelphia native kept the audience intensely locked in — hanging onto her every word and every seemingly impossible note she struck with ease. Before long, it was easy to forget that we didn’t have our devices. Smiles filled the intimate room. Couples danced together. Strangers sang to each other in joyful unison, while others closed their eyes or held their hands on their chest in complete awe of witnessing a veteran artist in her element.

Jill Scott is on tour for “To Whom This May Concern,” her first album in over a decade.

(Jada Imani M)

In her only interview during the tour thus far, we caught up with Scott backstage to talk why she never performs a song the same way twice, how removing devices makes concerts better and why she thinks “To Whom This May Concern” deserves several accolades.

I’m still coming down from all of the energy from the show. How are you feeling post-show?

I am hot from the inside, and it’s gonna take me hours to calm down. [Laughs]

You’ve always described music as an intimate, two-way conversation between you and the audience. For this tour, you created a strictly phone-free space. Why did you decide to do that and how did this shift the experience for you as a performer?

In a couple of ways. One part is that it’s terrifying because there’s no buffer between me and them, so that’s actually scary, but I embrace it. The other part of it is that it’s wonderful because people initially come in kind of nervous about not having a buffer between myself and the space or themselves and space. Then I watch them gradually release, and I get a kick out of that every night. That’s my favorite part.

I’m surprised to hear that it’s scary for someone like you who’s been performing at such a high level for so many years.

Because I care. It matters to me. I really want them to have a good time. I really want them to release some things, allow themselves to be. If you want to make out, if you want to dance, if you want to cry, if you want to shout, or put up your hands in the air, or sit still, I want them to be able to do that. I think it’s important. That’s the relationship. That’s the real relationship between artist and fans of the music. It’s the connection between the music. I’m here to [be of] service. I’m here to push the ship along, but it’s really their relationship with the music and I’m a conduit. That part is probably one of my other favorites. You have to relinquish your id and allow the thing to be the thing. I think sometimes you can practice the joy and the life out of a thing. We practice a lot, but then we forget everything we practice so that it’s alive. My musicians’ freedom is mandatory. It’s a part of the job. So if they show up and play the exact same thing in the exact same way every night, they’re probably not going to be around very long. I need them to be wide open and to rediscover the music every night from their perspective. It’s their 11 perspectives on stage, and then of course there’s the lighting designer. I need him to be free. Don’t give me the same light at the same time every night. Even front-of-the-house sound engineer as well as our in-ear monitors, everybody is playing a part. “What does she need? Let’s read her. Let’s, you know, pay attention. What does she want?” It’s a lot of fun.

You could see really feel that from you and your entire band.

Tonight was a different audience. They were very attentive. Last night they danced all night long from the very beginning. I couldn’t even see the floor. Tonight they were listening. I know it’s a Wednesday night. Everybody’s got to go to work [the next morning], but they were beautiful. The listening audience is probably my favorite. They get quiet and I’m like “Oh, it’s so scary. Am I doing the right thing?” [Laughs] But that means they’re listening. Who doesn’t want to be heard?

Your son came out with you tonight. How was that experience for you?

It’s beautiful to see. He told me Tierra Whack is not traveling with us because she has a new album out, “Whack’s Museum,” so she’s a little busy. He was like, “Mom, how do you feel about me doing the second verse?” and I was like “Be at sound check tomorrow with a mic in your hand.”

He looked so comfortable on stage.

He does. It’s kind of scary. Super exciting. I don’t know what he’ll want to do, but he’s working our set, so he’s a part of the crew. So after he does his performance, he puts back on his blacks and he does his job, and I love that for him, to have that sense of responsibility. He’s exceeding anybody’s and everybody’s expectations. He’s so good at this. All the clothes you see, he steamed up.

He’s really working his way up.

Yes, you must earn your way.

Your album “To Whom This May Concern” released in February, and it feels like a love letter from your favorite auntie. There’s lessons about learning from your mistakes, honoring your ancestors and loving yourself. Now that your fans have been living with these songs for several months, I’m curious if performing them live has shifted your relationship with them at all?

No. On a great night, I like telling the stories that I’ve read. I like embodying them in front of other people. I like watching them experience them in a new way. I’m a fan of that. It just makes it more and more true. Then I see how many people are singing along and how many people are looking at me, and I’m like “Yesss.” It’s reaching the people and I know it’s going to be different because there’s a different audience every night. So I’m thrilled about the project and how it’s touching people. You hope you don’t work this hard at a thing for it to fall on deaf ears, and I know how microwavable music has been, but I believe the cream rises to the top. It’s been a beautiful 26 years. I look forward to 26 more — in my way.

Your album has been receiving a lot of praise from fans and critics. There’s still a few months before the Grammy nominations are announced, but at this point in your career, how important is that recognition to you? Is it as important as it was when you first started your career?

I think I deserve it. That’s all. [Flashes a smile]

I mean everything about this project from beginning to end is blood, sweat and tears. I stayed up many nights just to write, a hunger in my belly and a savage appetite. And I mean it. Everything is true and I love that for me. That’s the kind of thing that takes time and I think musically, it’s incredible. I think the stories are awesome and intentional, and everything about it, from the planning of it to the marketing, has been from my soul, and I think it deserves several.

LONDON is one of the most expensive cities in the world for a holiday.

Whether that means spending six quid on a coffee, £10 for a pint or the bill you rack up constantly tapping in and out of transport – a visit to the city certainly isn’t cheap.

And when it comes to finding somewhere to stay not only can the choice be overwhelming, with around 3,000 hotels to choose from, but it can also be yet another huge expense.

In fact, the average three-star London hotel costs £161 per night and if you are wanting something a little better quality, one night in a four-star property can set you back around £249.

So finding somewhere to rest your head that doesn’t rinse your budget for food, drink and entertainment can feel almost impossible.

Lucky for you, we have tried and tested a tonne of hotels in the capital and here are the very best that are under £100 per night…

The Drey

Streamlined hotels are becoming increasingly common in cities, scraping all of the extra offerings in exchange for cheaper prices.

One of the newest – and most affordable – is The Drey in Earls Court.

Staff are on hand at the lobby but the tech-focused hotel lets you open your room via your phone rather than a physical card.

I stayed in the smallest room, The Snug, although there are also bunk-bed rooms, rooms for six people or windowless rooms for people who “take beauty sleep seriously”.

Complimentary toiletries, a coffee machine and compact bathrooms make it feel more like a four-star hotel.

For anything else you need, there is direct Whatsapp contact with hotel staff who can help out.

The on-site restaurant has been skipped, but they’ve teamed up with local cafe Elixis with a 10 per cent discount.

Rooms start from £84 (with 20 per cent off August stays right now). Kara Godfrey, Deputy Travel Editor

Moxy

Think grown up hostels but in hotel form and you get Moxy.

There’s pool tables in the lobby, welcome cocktails on arrival, and 24-hour bars.

The rooms feel airy and light but with nice touches – some have bunk beds, others have funky LED lighting.

But go downstairs and you’ll usually find great music, bars that feel more like clubs and enough of a vibe that you don’t need to leave, if you’re too exhausted from a day of sightseeing but still fancy a drink.

Gyms and on-site restaurants finish it off so they tick all the boxes even on a budget. It’s not just in the city either, as they even have airport hotels too.

Albeit, these are usually a bit more pared back when it comes to the interiors, but offer the same atmosphere of a jazzed-up budget hotel.

Rooms start from £55 a night. Kara Godfrey, Deputy Travel Editor

Yotel

Did you know there is a hotel whose designs were based on first class plane cabins?

Yotel is known for its famous white and purple decor, and being a great affordable option in the city not just in the UK, but also in the US, Amsterdam, Porto and even recently Japan.

Their city stays are ideal when you want a simple, but clean place to stay in a great location.

I’ve stayed in Yotel City which has fantastic views of London’s iconic landmarks like St Pauls and The Shard.

The rooms themselves are simple and functional but clean, with one of their famous features being the reclining bed, going from a space-saving sofa to a full bed.

Small cubby holes for all your gadgets and compact toilets and showers; they come with towels and toiletries.

Some have gyms and restaurants, as well as umbrellas you can rent and 24-hour grab-and-go stations.

Skip the room being made up and you can even get a discount at the bar. Rooms start from £85. Kara Godfrey, Deputy Travel Editor

easyHotel

Not content with just having flights, easyHotel offers the same affordable offerings the airline is known for, but in hotel form.

Found all across Europe, most of the UK destinations are in major cities including London, Newcastle and Leeds.

Expect very basic rooms – large beds, towels and compact bathrooms with unfancy toiletries – but all you need if you need a hotel as a base.

The iconic orange branding is even dotted throughout the hotels.

You won’t find much else apart from a lobby and vending machine, so no gyms or bars here.

You’ll also have to pay extra if you want them to store your bags, but there is a 24/7 reception if you need help at any time of the day.

And for the central location – I’ve stayed in both the London City Shoreditch and London Victoria – the basic price isn’t one to be sniffed at.

Rooms from £41 a night (15 per cent off for three or more night stays). Kara Godfrey, Deputy Travel Editor

Zedwell

Would you be willing to sleep underground without any windows? If you want a mega cheap city stay simply as a base to rest, then Zedwell is your hotel.

The Zedwell Tottenham Court Road takes you four floors below ground, with all the rooms being windowless.

Even as someone who is claustrophobic, I was surprised with how I felt cosy rather than trapped.

The only sound was the slight rumbling of the London Underground trains going overheard which was weirdly soothing.

Being such a budget hotel, don’t expect much else at the hotel – there’s a lobby with a vending machine, as well as a ‘beauty and ironing room’ if you need some extra amenities to get ready.

But in your room there is an ensuite with towels and toiletries, so what more could you need?

The TVs have been skipped (all in the name of better sleep) but it has fully working WiFi despite its underground location.

Rooms from £66 a night. Kara Godfrey, Deputy Travel Editor

Bob W

Standing for ‘Best of Both Worlds’, Bob W has since expanded to London after success elsewhere in Europe.

Mixing all the benefits of both the perks of hotels and the freedom of Airbnb, this means mini kitchenettes and even laundry facilities at some of them.

The rooms are chic, feeling a lot fancier than the price suggests. Free Wifi, toiletries and towels, as well as complimentary luggage storage are all included in the price.

Forgotten something? Some even have complimentary lockers in reception for things like coffee pods and toilet roll if you run out.

But with no lobby or reception, everything is done via the Bob W app, and a Whatsapp chat if needed.

Due to their central location, you will easily find somewhere to eat and drink nearby if you need something, as there are no restaurants or bars within the hotel.

Or you can add on a breakfast package, usually teaming up with a local cafe.

Rooms from £70 a night (five per cent off with free Bob’s Inner Circle loyalty scheme). Kara Godfrey, Deputy Travel Editor

Premier Inn

You can never go wrong with a Premier Inn in my opinion, and I’ve stayed in my fair share of them. (To prove my credentials, I even have the Premier Inn pillows at home).

But I’ve stayed in them all over the country, especially when it comes to weddings and hen dos, as well as at airports before an early flight.

For £35 a night, you get a clean, simple room, usually with a fairly standard but satisfying menu of food and drink from the onsite restaurant.

One of the most beautiful I’ve stayed at is the newish hub Premier Inn London Farringdon (Old Bailey) which has turned an old Victorian police station (hub being the compact city-centre affordable sister brand).

If you want some peace and quiet, book a room on the quiet floors, while their upgraded Next Evolution rooms are also being rolled out.

And with kids staying and eating for free, it’s no wonder the budget hotel chain is so well-loved.

Want to go even smaller? Try the ZIP by Premier Inn – even more basic but £25 a night.

Rooms from £35 a night. Kara Godfrey, Deputy Travel Editor

The Z Hotel

Z Hotels Gloucester Place is home to a room package that is all-inclusive, which means you get soft drinks, alcoholic drinks, snacks, lunch and dinner all included in the price.

The Z Club room is exclusive to the Gloucester Place hotel and inside each room you will find a king-size bed and ensuite.

While the rooms are nothing special, they are spacious and have everything you need.

And you can’t argue with the location – Marble Arch tube station is just a 10-minute walk away, and Baker Street is a five-minute walk away.

Guests can check in from 3pm, which is what I did and I beelined straight for the dining area where I helped myself to afternoon tea selection, which included ham and cheese croissants and a cake stand featuring macarons, brownies, flapjacks, and pots of tiramisu.

You can also order items from a menu, including salmon and sauerkraut ciabatta or a salad.

In the evening, cheese and wine appears – you just have to ask the host for a glass of wine, but you can have as many glasses as you like.

In the morning, breakfast then consists of toast, flatbreads with omelette and bacon, fresh fruit, Greek yogurt and pastries. A Z Club Room costs from £110 per night, which is just £55 per person, per night. Cyann Fielding, Travel Reporter

Zedwell Pods

Zedwell is one of the city’s newest hotels to open, right in the middle of Piccadilly Circus where you can normally expect hotels to have high prices.

Not Zedwell – the new hotel claims to be the world’s biggest capsule hotel, and with that, comes the small price of just £30 a night.

That definitely makes it the cheapest hotel room in the city (unless you want to bunk up in an 18-bed dorm).

Inside, decked out with a modern concrete and timber design, there are nearly 1,000 individual sleep capsules over five floors.

It’s a twist on the traditional ‘dorm style’ hostel set up as each guest gets privacy and security of being tucked up in your capsule, with the ability to lock it from the inside.

On first glance, the dorm rooms, which are minimalist and dimly-lit looked a bit like a car park or a storage locker with pods stacked on top of each other – but inside, I was surprised to find a cute little space, with mood lighting and welcoming interiors.

Each capsule is made from oak and comes with a single Hypnos mattress, Egyptian cotton bedding, individual mini aircon or heat, smart climate control, noise reduction, and ambient lighting.

There is also a plug socket inside, two USB plugs and a mirror – there isn’t much storage space though, so you’ll need to leave your suitcase outside your capsule.

There are clean common areas too, which felt more adult then teen-backpacker, which includes a lounge and co-working space.

The city is crying out for affordable places to stay and for £30? It can’t be beaten. Helen Wright, Travel Writer

A&O

There’s a little-known London hotel hack that can get you an entire “suite” for just £65 a night.

A&O London Docklands Riverside used to be a Hilton Doubletree Hotel, and some of the spacious rooms which used to be king junior suites are now being sold for the price of a double room under the new ownership.

You can bag a suite-sized room with a large double bed, sofa and lounge area, desk to work at plus even your own balcony overlooking the Thames from just £65 a night.

The hotel sits opposite fancy finance district Canary Wharf, and a stay here even bags you free unlimited travel on the ferry to cross over the river.

Visit Fairgame to go head to head at fairground-style shooting and sports games, and make sure to book in for dinner at the American-style BBQ restaurant Big Easy.

You won’t miss it, thanks to its giant neon lights illuminating the waterfront and blasting country music. Jenna Stevens, Travel Reporter

Ibis London Luton Airport

Sometimes, when you have a really early flight, it is just easier to stay at a hotel the night before.

If heading on holiday from London Luton Airport, make sure to stay at ibis London Luton Airport.

The three-star budget friendly hotel is just a 10-minute walk from the terminal and rooms are basic but well air conditioned, comfortable, sound proof and come with a TV, tea and coffee making facilities and your own bathroom.

Inside, there is a 24-hour bar and a cosy onsite restaurant too.

In the morning, you can help yourself to a breakfast buffet – though if your flight is super early like mine was, let reception know and they will make up a breakfast bag for you to collect when you check out.

Rooms cost from as little as £56 per night. Cyann Fielding, Travel Reporter

Holiday Inn Express London – ExCeL

I love Holiday Inn hotels. Which might seem excessive, given they are a chain of budget hotels, but I’m always astonished at the ease of check-in, the quality of the rooms and how good the food and drink options are.

One of my favourite pre-holiday treats is to check in to one of their airport properties before a super early morning flight, to avoid the pain of leaving my house at 3am on the morning I fly.

Holiday Inn London Gatwick is an absolute giant of a hotel with 216 rooms, but it’s always super quiet in the rooms and it has a two-minute walk to the check-in desks.

But my favourite so far is the Holiday Inn Express London– Excel, which is right next to the Excel Centre in the Docklands and a short taxi ride from London City Airport.

With recently refurbished rooms from £87 a night, which includes a free hot breakfast, the beds are super comfy and very clean and the bathroom is always spotless.

Much like Gatwick, the rooms are really quiet – essential when you are under a flight path and guests are arriving and leaving at all times of the the night.

But my favourite part was the restaurant though, which was stylish with a wide range of options for adults that included curries, burgers, pizzas and ribs from £15.50 for a main.

Kids can have a two-course menu from £5.99, which choices like pizza, spaghetti bolognese and fish and chips. Caroline McGuire, Head of Travel, Digital

Otherwander

Otherwander recently opened in the heart of Soho, approximately 30 seconds away from Oxford Street’s Elizabeth Line entrance so the location couldn’t be better for exploring the capital.

Unlike a normal hotel, Otherwander is a pod hotel which means you get a capsule-like room, with just a bed – no windows, no bathroom.

When you book, you can opt between an upper or lower pod; I opted for an upper pod, which feels more like climbing into a UFO.

I was surprised to find my upper double pod didn’t feel boxy or claustrophobic, despite being only the width of a standard double bed.

You’ll get USB and USB-C charging points, your own air con, a night light, reading light and even a colour-changing light.

You’ll also find a shelf, complete with a strap to secure your backpack or cabin-sized suitcase and three hooks for coats, jackets or towels.

The pod self locks and if you feel a little claustrophobic in the night then there is a little window with a shutter that you can leave open.

You can also choose between a double for £80 per night (£40 per person, per night) or a single for £70 per night. Cyann Fielding, Travel Reporter

The Disney theme parks are entering their fan feedback era.

This past weekend’s all-things-Disney fan event at the Anaheim Convention Center was the first with Josh D’Amaro installed as CEO. And D’Amaro’s message to fans was clear: We’ve heard you, we know what you want and we’re working on it.

That means Disneyland Park is at long last getting its Tomorrowland makeover, a top fan request for much of the last decade-plus. Walt Disney World’s Animal Kingdom is fixing its broken yeti, the star of thrilling roller coaster Expedition Everest that has been busted for about 20 years. Epcot’s fan favorite purple dragon Figment will soon be starring in a brand new attraction that resurrects his bearded creator, Dreamfinder, saving fans from suffering through its current half-hearted iteration in which “Monty Python’s” Eric Idle essentially treats the beloved character as a pest. (I ride it because I adore Figment, but I cringe throughout, and not just because at one point we’re annoyingly blasted with the smell of a skunk.)

And Disneyland Paris is yanking the marketing-driven “Star Wars” overlay Hyperspace Mountain from Space Mountain to return the coaster to its superior Jules Verne-inspired original. Disneyland officials take note: We don’t want Hyperspace Mountain here, either, but at least ours isn’t semi-permanent.

The long-broken yeti on Walt Disney World’s Expedition Everest will eventually be fixed. The above is an artist rendering of the attraction released by Disney Experiences.

(Disney)

It’s a sharp move, and may seem like a no-brainer, but following fan feedback doesn’t come without some risks. Fans, after all, rarely know best, often prioritizing nostalgia and lore over evolution. And Walt Disney Imagineering has remained one of the most respected corporate creative institutions for a reason. In short, fans, don’t let this go to your head.

But D’Amaro is also showing that he understands something not all Disney leaders have appeared to be well-versed in. And that’s the fact that the best IP of the Disney theme parks are the parks themselves.

Disneyland Park’s biggest selling point is not “Star Wars,” “Snow White and the Seven Dwarfs,” “The Princess and the Frog” or “Peter Pan.” It’s Disneyland itself, a temple dedicated to our narrative myths and communal play.

For too long Disney parks seemed to be, if not led, steered by its marketing teams. A franchise here, a franchise there. That thinking led to lesser designs such as a misguided remake of Paradise Pier into Pixar Pier at California Adventure, in which Pixar characters are basically treated as decals. It’s led me to argue in the past that Disney’s IP was squeezing the theme out of its theme parks.

Tomorrowland in its current state is a mess of ideas with a number of underutilized buildings.

(Allen J. Schaben / Los Angeles Times)

Disneyland last attempted to revamp Tomorrowland in 1998, and while the concept was on point — a retro-futuristic, Verne-inspired look of sci-fi fantasy — the company didn’t fully commit to it and the land has largely been a mess of ideas since. Space Mountain remains a symbol of optimism dedicated to the joy and unpredictability of galactic exploration. But the rest of the land, save for the monorail, one of Disneyland’s most recognizable monuments, should be considered fair game.

Tomorrowland has become such an eyesore that even Disneyland President Jill Estorino recognized its negative press at a pre-D23 media event. “Painful to read,” she said to the assembled media as she rattled off stories observing the “little tomorrow in Tomorrowland” and describing the land as “tired.” Estorino conceded it was “all true.”

That made this past weekend’s announcement even more of a surprise. The reimagining, as Disneyland is calling it, is in good hands. Imagineer Emily “Emo” O’Brien, the creative producer overseeing the Disneyland Resort, recently worked on Fantasy Springs at Tokyo Disneyland, a highly acclaimed modern take on a Fantasyland-like area home to fresh takes on “Frozen,” “Tangled” and “Peter Pan.” O’Brien has been with Imagineering for about 30 years, and one of her first projects was hand-shaping the armrests of the approximately 2,000 seats of Disney California Adventure’s Hyperion Theater. The little details at a Disney park matter.

Promotional art for a reimagined Tomorrowland released by Disney. The project, according to Imagineers, is in its infancy.

(Disney)

“I grew up in my career with this legacy,” O’Brien said. “I understand the kind of gravitas and the responsibility that I have with our team to guide us through this journey of reimagining the only Tomorrowland that Walt [Disney] actually envisioned, designed and walked in.”

A remade Tomorrowland, to be clear, is years away. No questions were answered on Tomorrowland at D23, so fans will have to wait to hear what this means for the long out-of-work PeopleMover. And as previously reported, Estorino said the reworking of the original Disneyland area will come after California Adventure opens its “Avengers” and “Coco” attractions. The former two were given a 2028 date, while “Coco” still does not have an opening window. After Tomorrowland, the resort intends to tackle “Avatar.”

The fan favorite purple dragon known as Figment at Walt Disney World’s Epcot. The attraction Journey Into Imagination With Figment has been earmarked for renovations.

(Todd Martens / Los Angeles Times)

At a Disney parks presentation Saturday evening, the Tomorrowland announcement received arguably the largest applause. But it was closely followed by the reveal of a reworking of what is currently known as Journey Into Imagination With Figment at Epcot. That ride has been a shadow of its former, glorious self since the late ’90s, even as the squeaky-voiced Figment has remained a popular mascot for the park. That’s no real surprise, but I, of course, am biased, as I have a Figment tattoo and the character was my childhood favorite.

Figment is a dreamer, his very existence the result of a dreamer. While I don’t necessarily trust the memory of my 10-year-old self, I remember Figment becoming an astronaut one moment and pretending to be a ship’s captain in the next. Visions of that ride are burned into my brain. Figment was a reminder to a video-game-obsessed kid that while you can’t do everything, you can at least envision anything.

And Imagineering appears to be doing just that at the moment. The projects, of course, will have to be conceptualized, designed and built, and there’s still time to make mistakes, such as attaching a known IP to the reimagined Imagination (don’t do it).

Concept art for the Maleficent attraction coming to Villains Land.

(Disney)

Tomorrowland has been flawed since the early 2000s and Disney can survive without touching it. Its attractions — Star Tours, Autopia, Buzz Lightyear Astro Blasters — still, after all, draw crowds. The commitment to redesign it may be a crowd-pleasing one, but it’s also a reminder, a symbol of understanding.

If something’s broke, you correct it. You don’t let it sit in a derelict state simply because the financial math doesn’t justify new guest spending or increased crowds. The Disney parks are a home away from home for many a visitor, and they should be treated as such.

D’Amaro, of course, as CEO will be evaluated on much more than simply how he leads the parks. But he and and his partner Thomas Mazloum, the chairman of Disney Experiences, came to this D23 with one message: We’re one of you. Expect the Disney die-hards to hold them to it.

One more D23 thought

An Imagineering research and development project in which Grogu and the character of Hugo are represented as robotic figures serving guests.

(Todd Martens / Los Angeles Times)

The Imagineering booth on the convention floor was full of delights and wonders, especially in its research and development section. I tend not to devote a ton of newsletter space to R&D, only because I’d rather focus on what guests can or will be seeing in the future, but the two “Star Wars” attractions shown not only deserve their props, but belong in Star Wars: Galaxy’s Edge.

One is a no-brainer, and it’s a snack stand featuring Grogu and Hugo from “The Mandalorian and Grogu.” The latter, voiced by Martin Scorsese in the film, is largely asleep and snoring in the food truck-like stand, while Grogu uses the Force to whisk orders across the counter. Fan were transfixed. And this seems like the perfect mix of corporate and creative desires, as no doubt many a Disney guest would order an extra soda if it came with a show featuring “Baby Yoda.”

An Imagineering research and development project featuring robotic Anzellan mechanics that can interact with guests.

(Todd Martens / Los Angeles Times)

The other was an Anzellan work bench. Anzellans are tiny creatures introduced in “Star Wars: The Rise of Skywalker” known for their engineering skills, and here they were seen working on droid parts. But they also interact with guests.

Get close enough, and they’ll stop what they’re doing to quizzically look at you, ask you a question or maybe even repeat what you said to them. They’re as lifelike a robotic as Disney ever created, and the 14-acre Galaxy’s Edge is never not in need of more activity. Here’s hoping these little guys find a destination in the parks soon.

This week in SoCal theme parks

The vibrant, dance-focused “Magic Happens” parade will return to Disneyland in 2027.

(Allen J. Schaben / Los Angeles Times)

• Halloween is here! While the temperature may not feel like it, the fall Halloween season has arrived, and the Disneyland Resort’s Oogie Boogie Bash begins Tuesday evening. Additionally, the resort-wide Halloween Time launches Friday. There are still tickets available for many an Oogie date, and new this year is a Haunted Mansion-inspired street festival as well as the arrival of Yzma, the villain from “The Emperor’s New Groove.” Oogie is a good time, especially if you haven’t done it before.
• Looking ahead to Disneyland in 2027. With the new Avengers Campus not opening until 2028, the Disneyland Resort in 2027 will rely heavily on entertainment to lure locals back to the park. That means the fantastic “Magic Happens” parade is returning before next summer season. While it has the requisite mix of Disney characters, it’s also notable for its use of contemporary dance. Also returning is the original “World of Color” to Disney California Adventure and a refreshed version of the fireworks show “Remember… Dreams Come True” at Disneyland Park. Both are expected in February, shortly after the holiday season concludes.
• A blow to the in-park games of Disneyland. Reports surfaced Monday that the Walt Disney Co. was killing the Play Disney Parks app, which is home to the enjoyable Star Wars: Datapad game Batuu Bounty Hounters. The app was largely designed to give fans activities while they waited in lines, and was also meant to turn Star Wars: Galaxy’s Edge into a live-in video game. The app will go offline Sept. 16, according to Disneyland officials.
• A new window on Main Street. Former Disney CEO and future Los Angeles Lakers co-owner Bob Iger has received a window on Disneyland’s Main Street, U.S.A. The honor is reserved for those who have heavily impacted the Disney parks, and Iger certainly qualifies, as his many acquisitions — Marvel, Pixar, Lucasfilm — changed the tenor of Disneyland and beyond. Look for Iger’s window above the Emporium gift shop, where he is heralded as a “new century builder.”
• Good news for Disneyland’s ‘Monsters, Inc.’ fans. With the announcement that Disney California Adventure’s “Avatar” experience won’t arrive until after Tomorrowland’s redo, the attraction Monsters, Inc. Mike & Sulley to the Rescue! will get to remain open a little longer. Previously, the attraction was supposed to close in early 2027, but Disneyland officials now say the dark ride will remain open for the foreseeable future. A closing window will be announced at a later date.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

A still from the Smugglers Gambit game in Fortnite.

(Image from Disney)

The Disney theme parks this past weekend deepened its connection to “Fortnite” as part of a partnership with Epic Games. The latter’s Unreal Engine already fuels Millennium Falcon: Smugglers Run, as well as a new Pirates of the Caribbean audio-animatrionic. And now guests who utilize the Disneyland app and connect it to their Epic Games account can receive in-game rewards for experiencing the Millennium Falcon attraction, including the recovery of a unique crate on the ride.

I had a chance to play the “Fortnite” experience inspired by the ride, “Smugglers Gambit,” and appreciate the way park worlds are being used to fuel connection to them at home. “Fortnite,” admittedly, is not my game of choice, but “Smuggler’s Gambit” was more robust than I expected, and I’m happy see aspects of the fictional planet of Batuu represented in the digital space. Business writer Samantha Masunaga has more on Disney’s relationship with Epic Games.

In a nondescript black building in downtown L.A.’s Arts District, rich sounds of sax and bass filled the air for hours. Inside, surrounded by the paintings and posters of iconic musicians, albums and films, dozens of people gathered for a night designed to prove a simple point: You can’t “cancel” jazz.

On Thursday night, eight jazz artists and groups performed a pop-up show, including Okay Coleman!, the Don Brown Collective, Joy Guerilla, and Genghis Don, who also organized the event. All of these artists had one thing in common: They were billed to perform on the now-canceled inaugural L.A. Jazz Festival.

The planned 17-day event was supposed to kick off on Aug. 7 and feature dozens of performances spread throughout every City Council district. Organizers hoped the shows would draw 250,000 attendees and inaugurate the city as a home for jazz events on par with New Orleans and Montreal. The festival was to include a final show headlined by Janelle Monáe, John Legend, Charlie Wilson, Parliament Funkadelic and Raphael Saadiq at Dockweiler State Beach.

“When I got booked for it, I was really excited,” Genghis Don said. “It was one of the bigger festivals I’ve done so far in my career.”

Glen Turner of Joy Guerilla performs at the “Can’t Cancel Jazz” event Thursday.

(Brian Feinzimer / For The Times)

Then, the festival was abruptly canceled due to “last-minute public safety and municipal costs.”

But Don was determined for the show to go on. He partnered with Tída Norasingh of JIJI’s Jazz Club to host the “Can’t Cancel Jazz” pop-up show at Slow Jamz Gallery — a musical experience that was curated in less than 72 hours, according to Don.

“It all came together thanks to so many people who were involved in this,” Don said. “I really couldn’t have done any of this without them.”

The crowd, which leaned younger in part because the event allowed attendees 18 and older, trickled in around 7 p.m., and by 9 p.m., the party was in full swing. It was easy to see how audience members connected with the music by the way they cheered, danced and sang along through the night.

The pop-up show struck a balance between creating an accessible, music-forward environment for fans and providing support for the musicians who had been affected by the cancellation. The event’s entry fee was $20, while the nonalcoholic bar accepted additional donations. Some artists also had merch available for sale on site.

While “Can’t Cancel Jazz” may have been a response to the L.A. Jazz Festival being called off, it wasn’t aiming to replace it. Instead, the pop-up offered something more intimate. At times, the music overtook the gallery, completely captivating the attention of the room. At other moments, conversation and connection were happening right outside on the balcony between attendees, some of whom were meeting each other for the first time.

The result was something distinctly authentic with an underground quality that would have been hard to replicate at a sprawling, weeks-long festival.

“This was more so a test of L.A.’s community,” Don said. “They showed out, people came, the artists came together, and you know that’s the true definition of community.”

Nearly 30 years after Tupac Shakur was gunned down near the Las Vegas Strip in a killing that rocked the rap world, the trial of the man prosecutors allege did everything but pull the trigger got underway Monday with new revelations.

Nevada prosecutors allege Duane “Keffe D” Davis, a one-time Compton gang member, orchestrated Shakur’s killing as revenge for an attack on his nephew hours earlier and are using Davis’ own words in interviews and a book he co-authored as evidence.

In opening statements, prosecutors said an ugly gang rivalry on the streets of Compton led to the slaying of Shakur, a famed rapper and actor, who died six days after he was shot.

The Sept. 7, 1996, shooting, they said, was rooted in a war between Southside Crips-Burris Street, led by Davis, and Mob Piru, a gang long associated with Death Row Records. Shakur was closely affiliated with Death Row, and the record company’s boss, Marion “Suge” Knight, was inside his car the night he was attacked.

In court testimony Monday, it was revealed that Shakur was conscious after the shooting en route to the hospital but did not cooperate with authorities.

The first witness, Garry Dale, a Las Vegas Metro police officer, testified that he saw Shakur pulled out of the car with gunshot wounds and rode in the ambulance with him.

When he asked Shakur who shot him, the rapper replied, “‘No, we’ll take care of it,’” Dale said. “I couldn’t get him to talk any further.”

Duane “Keffe D” Davis is accused of murder in the 1996 killing of hip-hop icon Tupac Shakur.

(Steve Marcus / Associated Press)

The incident, according to Clark County Chief Deputy Dist. Atty. Binu Palal, followed a violent confrontation at a Mike Tyson fight earlier that night in Las Vegas. Palal showed video of Shakur’s entourage attacking Davis’ nephew Orlando Anderson. Travon Lane, a Mob Piru member, had spotted Anderson in the MGM Grand hotel lobby. Months earlier, Anderson stole Lane’s Death Row Records chain in the Lakewood mall during an attack.

The rivalry between the groups grew after the Southside Crips became the West Coast security for Sean “Diddy” Combs’ record label, prosecutors said.

“Let’s be clear, Duane Davis did not pull the trigger. But he did plan the shooting in retaliation of the beating of his nephew,” Palal said. “Remarkably, you will learn that from Duane Davis himself.”

Palal noted that Shakur’s shooting was followed by numerous slayings in Compton, including that of an 11-year-old girl.

“In this world, silence means survival,” Palal said. “The one person who has had a hard time being silent is Duane Davis.”

The prosecutor played parts of an interview with a Los Angeles Police Department federal task force in 2008 in which Davis acknowledged his role in the rapper’s fatal shooting. They also cited other interviews as well as his own memoir.

The prosecutor said Davis got the gun from Eric Zip Martin, an East Coast drug dealer associated with Combs’ Bad Boy Entertainment.

“He admits putting the gun he obtained that night in the back seat of the vehicle so the shooters could shoot,” the prosecutor said. “You will learn that Duane Davis got the gun. … You will learn that he got into a white Cadillac. You will learn when the opportunity presented itself for retribution, Duane Davis made sure that the shooter was armed and ready to execute their revenge.”

Palal said Davis and his crew set out in search of Knight and Shakur. In multiple accounts, including in his book “Compton Street Legend,” Davis wrote that they spotted the Death Row caravan stopped at a red light, with Shakur waving to female fans while hanging out of the BMW window.

“Tupac, he gave himself away,” Davis said in the recording played in court. “Otherwise, they would’ve got away.”

Davis was arrested in 2023 and indicted for masterminding the killing and providing the gun.

Rapper Tupac Shakur is show at Club Amazon in New York on July 23, 1993.

(Al Pereira / Getty Images)

Michael Sanft, Davis’ defense attorney, told jurors there will be no evidence linking his client to the shooting.

“There are no facts to point to Keffe — not one,” he said. “You’re going to hear about this over and over again.”

Sanft recounted decades of probes and noted that prior investigations did not take his client’s statements seriously because they were not credible. “He treats that book like it’s fact,” Sanft said of a lead detective in the case. The defense attorney, in an unusual move, repeatedly undermined his own client’s credibility.

Sanft portrayed Las Vegas police as incompetent, with lost records, and the LAPD and then Compton police as corrupt.

“What facts do they have to put Keffe D in a car in 1996? When you look at the video in 1996, do you see Keffe D?” he added, referencing the lobby beating.

Sanft said Death Row’s security chief was Reggie Wright Jr., a felon and former Compton police officer whose father led the Compton police gang unit. He said the former officer was not with Knight and ordered his security team not to carry firearms. The defense lawyer cast Davis’ memoir as fiction and said there was no evidence his client was in Las Vegas.

The prosecutor, however, told jurors that Davis, from 1998 to 2023, made several incriminating statements and, in 1998, admitted to the FBI to being in Las Vegas at the time of Shakur’s slaying.

Davis, according to prosecutors, told investigators during a secret meeting he “was mad about Orlando Anderson’s beating” and he was the boss who got the firearm and was in the white Cadillac. When Greg Kading, an LAPD detective who led the task force, left policing and later published a book revealing Davis’ role, it made Davis want to go public, according to the prosecution.

“Greg Kading is profiting off Duane Davis’ life story,” Palal said. By the time the book was released, the others who were allegedly in the car the night of the shooting were dead. Anderson was killed and Smith passed away. In 2019, after a series of interviews, Davis published his own book, which, full of bravado, gave a similar account of Shakur’s killing as that of the federal task force. The prosecutor then played an interview from the time of the book’s release, in which Davis justified his actions.

Rap mogul Marion “Suge” Knight appears in court in 2018 in an unrelated case.

(Irfan Khan / Los Angeles Times)

Ingrid Stokes, one of four women in a car that had been following Shakur the night of the attack testified that she freaked out and screamed, then fled the scene, telling police she “didn’t see anything” because “snitches get stitches.”

A third witness who testified Monday, former Las Vegas Metro Det. Brent Becker, said he interviewed Knight about the beating in the MGM Grand lobby, and Knight said he basically “didn’t know anything.” By 1997, detectives suspected that Davis was in the Cadillac that opened fire on Shakur, he testified.

Davis, now 63, has pleaded not guilty to murder with a deadly weapon with the intent to promote, further or assist a criminal gang. In recent weeks, he’s denied being in the Cadillac or Las Vegas that night and, in interviews with Las Vegas TV stations, blamed a former head of Death Row Records security.

“I had nothing to do with nobody’s murder,” he told interviewers.

Prosecutors are expected to call witnesses to support Davis’ claims from over the years. Davis’ lawyers will seek to portray him as a fabricator — his bragging is all fiction. Davis has done the same with Las Vegas reporters.

“I did not write the book; a ghostwriter wrote that book,” Davis said in a recent jailhouse interview. “I was trying to make my family some money.”

ARIANA Grande left fans stunned after bringing out a special guest for a ‘mesmerising’ duet on the second night of her London tour shows.

The singer and actress, 33, is performing at The O2 for the UK leg of her Eternal Sunshine Tour.

On the second night, Ariana had a big surprise for the audience as Wicked co-star Cynthia Erivo joined her on stage.

The pair portray Glinda and Elphaba respectively in the smash-hit musical films.

An onlooker told The Sun: “The crowd absolutely lost their minds when Cynthia came on stage for the Wicked reunion.

“Cynthia and Ariana couldn’t stop beaming as they were reunited to sing For Good.

Read more on Ariana Grande

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Ariana admits she’s ‘overwhelmed’ on stage as she kicks off O2 residency

“It was almost the end of the concert and everyone was shocked.”

They then went onto sing another song Called Get Happy/Happy Days Are Here Again

It comes after Ariana revealed she felt “overwhelmed” with emotion on stage as she thanked her fans for their support.

At the opening night of the UK leg of her Eternal Sunshine Tour, the American singer said: “London, I love you so much.

“As you know, London is my final stop on this tour.

“And I just wanted to say I’m going to savour every last second of these last ten shows with you guys. As this is one of my favourite places in the world.”

Longtime Disneyland fans are finally getting one of their top theme park wishes. The aging Tomorrowland will soon undergo a large-scale overhaul, one that will include brand new attractions.

Walt Disney Imagineering, the arm of the company devoted to theme park experiences, announced the intent to reconceptualize the original Disneyland area at its all-things-Disney fan convention D23, which kicked off Friday in Anaheim. Many details — and questions — remain, and Imagineering stressed that the project is in its infancy, but it’s one the Disneyland faithful have clamored for.

“We are going to reimagine Tomorrowland,” said newly installed Disneyland President Jill Estorino at a pre-D23 media event. “It is coming. We are finally committing to it and doing it.”

Tomorrowland has long vexed Disney designers. Park founder Walt Disney led a major overhaul before his death in 1966, and the land again went under scaffolding in the late ‘90s. The problem: Theme parks are built to last, and the future moves fast. As Disney himself once said, “Tomorrow is a heck of a thing to keep up with.”

Promotional art for a reimagined Tomorrowland released by Disney. The project, according to Imagineers, is in its infancy.

(Disney)

Today, Tomorrowland is home to a number of popular attractions — Space Mountain, Star Tours and Autopia among them — but is also littered with underutilized buildings and a dead PeopleMover track. The latter closed soon after Tomorrowland’s 1998 refresh as the Rocket Rods, one of the shortest-lived rides in Disneyland history.

The reimagined Tomorrowland, said Imagineer Emily “Emo” O’Brien, won’t ignore its history, noting the team has been researching Disney’s original thesis. “We were inspired by his vision of Tomorrowland being a vista into wondrous worlds, and we really garnered the sense of optimism that was at the core of everything he was thinking about.”

And yet the future Tomorrowland will have “new attractions for sure,” said O’Brien, as well as more open, breathable spaces for guests. “We really want to keep the heritage and the responsibility to honoring that legacy at the center, but we have to evolve it for our new generations,” O’Brien said.

Tomorrowland is home to popular attractions such as Autopia.

(Allen J. Schaben / Los Angeles Times)

The Disneyland Resort is on the verge of a major transformation over the next decade or so, of which Tomorrowland is just one project. Estorino said the reworking of the original Disneyland area will come after the completion of “Avengers” and “Coco” experiences currently under construction in Disney California Adventure, but before that park’s addition of an “Avatar” experience.

In fact, many of Disney’s North American theme parks are targeted for changes in the coming years. Here are some highlights of this year’s D23.

Rides announced for Walt Disney World’s Villains Land

Concept art for the Maleficent attraction coming to Villains Land.

(Disney)

Disney pulled back the curtain on its Villains Land — yes, that’s its official name — coming to Walt Disney World’s Magic Kingdom. And Disney is going dark, creating a mysterious, cursed environment that Imagineer Caroline May says will take inspiration from the woodlands of “Snow White and the Seven Dwarfs.” There’s a backstory, involving a wishing well that was corrupted by a stranger’s evil desires that have caused poisoned magic to envelop the forest.

But let’s talk about the rides. There are two, and Disney is thinking big. The centerpiece attraction is a roller coaster that will include an encounter with Maleficent atop her mountaintop fortress. The second is a dark ride into the catacombs of the Evil Queen’s palace, where the Magic Mirror will conjure visions of many a Disney villain.

The villains, said May, a self-described “art school emo indie Goth girl,” are also stylish. So expect the non-forest parts of the land to feel a bit refined. “The villains have high standards,” May said. “They have impeccable taste.”

Orlando’s version of Cars Land gets its close-up

A model of Piston Peak, Walt Disney World’s answer to Cars Land, was revealed at D23.

(Todd Martens / Los Angeles Times)

Walt Disney World’s answer to Anaheim’s Cars Land began with doubts from fans, largely because it was replacing the Magic Kingdom’s Rivers of America and Tom Sawyer Island, two historic park attractions. Here in SoCal, those spaces represent the soul of Disneyland, but the Magic Kingdom is a different beast and has sorely needed new attractions. What Imagineers showed at D23 should, if built to the level of detail revealed in a model, calm many nerves.

Piston Peak, as the land is to be called, looks fantastic. Imagineer Jason Grandt says the area was heavily inspired by Rocky Mountain National Park as well as the painterly vistas of plein air artists and the murals of Thomas Hart Benton. Realistic, but also vibrant, animated and colorful. It will feature transitions through lush forests, majestic red rocks and even snow capped mountains.

The showcase ride has been known. It’s a sort of high-speed run in an all-terrain vehicle around the landscape — over bridges, through tunnels and around colorful geysers. It will frame the entire land, also home to a small family attraction with dancing, spinning cars in a demolition derby setting.

Avengers Campus expansion opens at Disney California Adventure in 2028

Avengers Infinity Defense and Stark Flight Lab, the two new attractions coming to Disney California Adventure that will essentially double the size of Avengers Campus, will open in 2028, according to Imagineer Brent Strong. The new attractions will complete the land.

Infinity Defense is pitched as a centerpiece of the land, and will feature Marvel actors such as Robert Downey Jr., Jeremy Renner, Anthony Mackie and Chris Hemsworth. The ride is expected to rely heavily on 3D effects and high-definition screens, but Strong made clear that there will indeed be large-scale physical sets on the ride. It is a dark ride through the multiverse to take on a battle with King Thanos, and guests will be placed in the role of assembling the Avengers.

Stark Flight Lab was shown at D23 as sitting next to Infinity Defense. The ride is more of an amusement park-like thrill attraction, in which guests will sit in two-person pods and then attach to a mechanical arm that will lift them into the air and attempt to simulate sensations of flight.

A “Coco” boat ride for all

While Disney didn’t reveal a release window for the upcoming “Coco” boat ride at Disney California Adventure, Imagineers did note it would be a family attraction without a height requirement, which will be especially needed after the park closes its “Monsters, Inc.”-inspired ride next year to make way for “Avatar.” The ride will be set about one year after the original film.

The narrative of the attraction will center on Miguel and his great great grandfather, musician Héctor Rivera. Guests will enter a museum dedicated to Rivera and then explore the Land of the Dead via Miguel’s memories. Expect a vibrant, colorful attraction that Imagineers said will nod to classics such as Pirates of the Caribbean and Haunted Mansion in its reliance on audio-animatronics and open-to-interpretation dioramas.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

Jac Caglianone homered and drove in five runs on a three-hit night, Michael Massey also homered and had three hits and the Kansas City Royals beat the Angels 7-6 on Friday to snap a four-game losing streak.

John Schreiber, Nate Pearson and Steven Cruz threw scoreless relief innings for the Royals, with Cruz finishing for his fourth save.

Nolan Schanuel had two hits and four RBIs for the Angels (48-75). They had won three straight.

After Josh Lowe’s solo homer off Alex Lange (2-7) gave the Angels a 6-5 lead in the sixth, Kansas City (50-73) scored twice off Tayler Saucedo (0-1) in the seventh to make it 7-6.

Caglianone is batting .438 (21 for 48) with five homers and 18 RBIs during a 12-game hitting streak. In the ninth, he took second on an error and scored on Massey’s two-out RBI single to finish the scoring.

Caglianone’s two-run homer — his 22nd of the season — off left-hander Sammy Peralta gave Kansas City a 5-4 lead in the fifth.

Royals starter Seth Lugo gave up five runs and seven hits in 4⅔ innings.

Up next: Royals RHP Randy Dobnak (2-1, 2.00 ERA) was set to oppose Angels LHP Reid Detmers (3-8, 4.00 ERA) on Saturday night.

Disney California Adventure is on the verge of a transformation. The 25-year-old next-door neighbor to the Disneyland Resort will be doubling the size of its Avengers Campus in the coming months.

Farther down the road will be the arrival of an “Avatar”-inspired area in the current Hollywood Land corner of the park. Walt Disney Imagineering, the arm of the company dedicated to theme park experiences, revealed a detailed model an “Avatar” water ride destined for the park at its all-things-Disney convention D23.

The miniature shows the ride snaking around the Disneyland Monorail, and reveals a landscape that will fully transform the look and tone of California Adventure. It’s green, it’s lush, it’s a little rustic and it looks as if a mini rainforest will be slotted into the park.

A model of the forthcoming “Avatar”-inspired area includes a monorail in a lush forest.

(Todd Martens / Los Angeles Times )

The “Avatar” model is just one part of expansive booth dedicated to what’s currently in development at Disney’s global parks. The centerpiece of the D23 area is no doubt a model of Piston Peak, a “Cars”-inspired land coming to Walt Disney World’s Magic Kingdom, which, in contrast to Anaheim’s Cars Land, takes on the feel of a woody town nestled next to a national park.

Elsewhere, Imagineering has revealed a look at the soon-to-be remodeled Avengers Campus, which is deep in development on two new attractions that will effectively double the size of the area. The two attractions will different drastically in style.

One is a previously announced ride featuring the Avengers in battle across the multiverse with King Thanos. At a media preview on Thursday, Disney didn’t show off much of the attraction, Avengers Infinity Defense, but expect a dark ride that will emphasize 3D screens in a battle across quickly changing locales.

A look at the expanded Avengers Campus Disney California Adventure shown at D23. Two additional rides are currently under construction.

(Todd Martens / Los Angeles Times )

The other, Stark Flight Lab, is pitched as a testing of new Avengers technology. It’s an amusement-park-like thrill ride, in which guests will sit in two-person pods and then attach to a mechanical arm that will lift them into the air and attempt to simulate sensations of flight.

“It’s going to be definitely thrilling,” said Emily “Emo” O’Brien, an Imagineer who helps lead creative direction of the Disneyland Resort.

Timetables for the completed Avengers Campus and the “Avatar” expansion were not yet detailed, although the Marvel additions are widely seen as not far off. Disney is expected to reveal more info on both projects, as well as a “Coco”-inspired boat ride coming to the park, at a Saturday evening presentation.

Concept art of an “Avatar”-inspired attraction coming to Disney California Adventure.

(20th Century / Disneyland Resort)

The addition of “Avatar” is especially notable as it veers the park, one that began with a mission to reflect our Golden State, into further realms of fantasy. Cars Land, for instance, could be read, in part, as an exploration of Southern California car culture and an ode to Route 66.

An especially noteworthy aspect of the “Avatar” model was the appearance of the ride to be visible outside of its grand show building, as guests walking through the park will be able to glimpse its boats gliding past them. A model of the ride vehicles appears to show six rows that can accommodate five or six guests per row.

The boats are flanked by cascading waterfalls, and mountains that appear to curve in on themselves. An assortment of mystical critters dot the landscape. Speculation is the attraction will be utilize an updated version of the ride system found in Shanghai Disneyland’s rousing Pirates of the Caribbean ride.

“Over its 25 years it has significantly changed, especially at the time we brought in Cars Land and reimagined Buena Vista Street,” O’Brien said of California Adventure. “I think it’s a park that stands on its own now. It’s grown up.”

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

Duvetyne, or in this case the alternative spelling Duvateen, is a twill fabric with a matt finish that makes it ideal for blocking out light.

In its black fire-retardant form, it has widespread use in the film industry to ensure the right controlling effect.

In the first season of the ­original Star Trek for instance, exterior shots of space, “the final frontier”, were created by gluing glitter to it.

As you’ll discover, it was also used by The Afghan Whigs’ frontman Greg Dulli — and now it’s the name of a pivotal song on the band’s tenth studio album, Soft Control.

It is 40 years since he formed the Whigs in Cincinnati, Ohio, later moving to Seattle to become Sub Pop label mates with grunge pioneers Nirvana, Mudhoney and Soundgarden.

But Soft Control, their first LP in four years, has to be one of their most urgent, textured and captivating efforts yet.

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When he calls from America’s West Coast, it’s the first time I’ve spoken to Dulli since 2008.

He was in London then during an extended Whigs’ hiatus, promoting The Gutter Twins’ album Saturnalia, made with the late Mark Lanegan, one of the grunge movement’s defining singers both with the Screaming Trees and as a solo artist.

Lanegan died aged 57 in 2022, a year after battling a severe case of Covid at his adopted home of Killarney, Ireland. “Mark is someone I miss . . . every day,” Dulli tells me.

He returns to the subject in hand and provides a fulsome explanation of his song Duvateen.

“There was a time in my life when I put it on all my windows,” he admits. “I kept my house in permanent night, living the vampire life.

“I had a friend in the movie business so I went with her to get some. I saw what it could do for me.”

So, what DID it do for you? I venture with a degree of trepidation.

“It was decades ago and I just didn’t have any use for sunlight or for being outside,” replies Dulli, before adding with a knowing sigh, “It was clearly not a healthy time for me.”

By calling the piano-led song Duvateen, Dulli, who delivers the lyrics with white-knuckle intensity, is using it as a metaphor for the infinite void — or, if you like, ­mortality.

He admits: “The symbolic nature of it is not lost on me.”

With lyrics that span his childhood, “teacher gonna chase us down the hall”, to the grave, “dig somebody’s hole”, it encapsulates the circle of life and serves as the album’s heartbeat.

Its sound is in stark contrast to the more rock-heavy numbers, drawing this response from Dulli: “When I get a piano song like that, it’s an exciting moment in my life.

“It’s the sort of thing I could play to my mom.” As for the idea that Duvateen is the album’s centrepiece, he says: “You write songs and, as some emerge, they state their alpha-ness.

“Duvateen got my attention very quickly. It started out differently — a bit like Honky Tonk Women for a minute — but I completely changed it.

“It was one of those songs when you feel as if your hand is being guided from beyond.”

I suggest to Dulli that listening to Soft Control’s ten tracks “feels like an emotional rollercoaster”.

“Well, life in general is an emotional rollercoaster for me,” he replies. “It would stand to reason that any art I put forth would be a similar thing.”

Next the single-minded singer describes his path to the album: “We did a Covid record that came out in ’22, then we toured it for a year.

“Then I took some time off and travelled. I didn’t start working on a new record until ’25.

“But once I began writing songs again, they were happening fast and furious. I did 20, 22. Cut them down to ten. And here’s the ten.”

The result is a concise, dynamic punch of an album. “I like 40 minutes or less and I like ten as a round number,” says Dulli. “I’ve been landing on it for the past four or five records.

“They’re like a little family and sometimes they waiting for a little brother or sister to show up. I wrote the final song, Loose Talk, earlier this year.”

The album comes bursting out of the blocks with taut Jungle Roux and riff-heavy House Of I.

Elsewhere, My Lover leans into the band’s R&B credentials while stately The Deepest Part Of The Darkest Shadow serves as a companion piece to Duvateen.

There’s a song called Memphis, Texas, not as strange as you think because there is such place, along with the famous Memphis in ­Tennessee where Elvis made his name.

The album ends with A Simulation, 70 seconds of ambient beauty segueing into one of Dulli’s most tender vocals and a gorgeous string arrangement.

He calls it one of his “most existential songs”. “I get overwhelmed by injustice, sadness, and people and animals being hurt. I know I’m not the only one wondering, ‘What the f*** are we doing here?’”

But now, before we go any further, it’s time to tell Dulli’s story beginning with his teenage dream of fronting a band, inspired by a legendary psychedelic soul band.

He recalls: “I went to see The 5th Dimension. When (singer) Billy Davis Jr. took off at the end of Let the Sunshine In, it was the most electrifying thing I’d ever seen. I knew I wanted to be a lead singer.”

Having dropped out of studying film at the University Of Cincinnati and flirted with the idea of becoming an actor, Dulli formed his first band, The Black Republicans, in the mid-Eighties.

Did they find it hard to get noticed at first? I ask. “When you’re 20 years old, nothing’s hard, man,” he answers. “You’re literally immortal.

“We all had regular jobs. I drove a taxi. I cooked in a restaurant. I painted houses, put roofs on houses. I was a roadie-type guy at the big theatre in town.”

Crucial to Dulli’s trajectory was the recruitment to The Black Republicans of bassist John Curley, the only Whigs founder member still by his side today.

He says: “We would see this bearded dude at our shows. We all thought he was about 40.

“Then one night after the show, he walked up and introduced himself to me, saying, ‘I’m better than your bass player.’ John came by our rehearsal place and played his way into the band.”

Dulli describes what happened next: “I moved to Arizona for six months and wrote a bunch of songs.

“Then I came back to Cincinnati and started the Whigs with John, Rick McCollum (guitar) and Steve Earle (drums).”

He remembers the Midwestern city on the Ohio River being a “great jumping-off point” because so many towns “weren’t that far away from us”.

Dulli rattles off the places in the manner of Johnny Cash singing I’ve Been Everywhere — “Louisville, Lexington, Kentucky, Columbus, Athens, Cleveland, Toledo, Detroit Chicago, Indianapolis, St. Louis, Pittsburgh.”

But most inspirational to Dulli was a venue in Newport, Kentucky, just across the river from Cincinnati, The Jockey Club.

“Back in the day, the jazz dudes Frank Sinatra, Dean Martin, Sammy Davis Jr. played there,” he says.

“Then it fell into disrepair before opening again as a punk rock club. When I got to college, my roommates were deep in that scene and that’s how I got into The Jockey Club.

“I saw The Damned, Ramones, Johnny Thunders, Violent Femmes, Hüsker Dü, The Replacements, Killing Joke, so many great people.

“And everybody in the area cut their teeth there. If you were in a band, you played The Jockey Club and you played it multiple times a month.”

In 1989, the Whigs self-released debut album Big Top Halloween caught the attention of Seattle-based Sub Pop’s boss, Jonathan Poneman, who offered them a contract.

Suddenly, they were label mates with grunge pioneers Nirvana and Mudhoney — but they were a very different beast.

Dulli says: “We were outsiders in more ways than one. We were from Cincinnati and we weren’t from the Northwest.

“Our covers were R&B covers instead of Stooges’. I love The Stooges but we had bonded over The Temptations. At our first rehearsal, we played Psychedelic Shack.

“We formed in October, 1986, and played our first gig in January the following year — and I guarantee you we played Psychedelic Shack at that show.”

Dulli was also infatuated with a Midwestern powerhouse in the shape of genre-defying Minneapolis-based Prince.

“We weren’t trying to sound like Prince,” he says. “But you could grab elements of him and stick them in your quiver.”

So what was it like heading to Seattle and mixing with Kurt Cobain and Co?

“It was like seeing people our age doing cool things,” says Dulli. “When Nirvana knocked Michael Jackson off No.1 on Billboard, I thought, ‘Wow! One of our own is at the top’.

“It was an exciting time, certainly in Seattle, where we had a front-row seat to it all.

“We loved all those guys and we loved those bands, played with everybody, and got to know everybody.”

When it came to meeting his biggest buddy from the scene, Mark Lanegan, it was via a different route.

“I met Mark in Boston when the Screaming Trees, Primus and the Whigs were on the same bill but we didn’t start hanging out until around 2000.”

The Whigs enjoyed a stellar Nineties, navigating their way through the music industry “machine” on various labels but coming up with at least three first-rate albums, Congregation (1992), Gentlemen (1993) and 1965 (1998).

In 2001, frazzled Dulli decided to take a step back and the Whigs disbanded. Aside from a brief recording reunion in 2006, the ­hiatus lasted ten years.

He says: “I had absolutely no intention of being in the Whigs ever again. In my creative life, I’m so proud of the things I did during that time — The Twilight Singers and The Gutter Twins.

“But when the door opened to the Whigs again, I was a different person and ready to step through it.”

Dulli remembers the times he would pass through his home town of Cincinnati where bassist Curley and his wife were raising their two daughters. “We were all pretty cooked from the Whigs experience but John would come to the shows and would get up on stage and play with either one of my bands — and everybody loved it.”

In 2010, when Dulli was on a solo tour, Curley did his usual thing but was then persuaded to do the next night in Chicago, a five-hour drive away.

He says: “It was the first time in 11 years that anyone had seen John Curley and I on stage together outside of Cincinnati.

“When I introduced him, the ovation was so unexpectedly loud and long. That, effectively, was the catalyst for the Whigs reforming.”

Since getting back together, they have made four studio albums, Do To The Beast (2014), In Spades (2017), How Do You Burn? and the imminent Soft Control.

The current line-up is Dulli, Curley, multi-instrumentalist Rick G. Nelson, Christopher Thorn (guitars) and Bryan Lee Brown (drummer who recently replaced Patrick Keeler who tours with Jack White).

Forty years on since the Whigs formed, Dulli says: “I’m still smiling at my good fortune. Still putting out music, playing live, the whole works. I’m a lucky fella.”

He accepts that he used to be “an angry young man” but, at 61, he has found a degree of peace.

“I had an imaginary chip on my shoulder that I needed to get rid of,” he says.

“You can tame yourself but you can always go back to the wild side — just in case you need to explore.”

It’s fair to say that The Afghan Whigs’ latest album is one of his walks on the wild side.

THE AFGHAN WHIGS

Soft Control

★★★★☆

American football player Travis Kelce has reflected on his wedding to Taylor Swift, telling US media that their nuptials were “the best night of my life”.

Kelce and Swift tied the knot on 3 July at New York’s Madison Square Garden in a star-studded event that was largely kept private.

Few details from the ceremony have been shared publicly and Kelce’s comments on Wednesday mark the first he’s shared since the couple were wed by comedic actor Adam Sandler.

“It was kind of cool to live out my childhood dream of being in that venue, the mecca of all sports venues, being able to get married there,” Kelce told reporters at the Kansas City Chiefs’ training camp in Missouri.

Kelce called the wedding “the best night of my life”, thanking guests who attended and calling it “a crazy night”.

The NFL star and the award-winning singer have kept much of the details of the wedding private and there have been no official photos released of the ceremony held inside the stadium. A litany of Hollywood A-list stars, such as actors Hugh Grant and Jason Sudeikis, singer Benson Boone and model Gigi Hadid were in attendance.

Kelce said he had wanted to attend a game when the New York Knicks basketball team were having a good playoff run last year, but had other commitments. The team ended up winning the NBA championships for the first time in nearly six decades.

“My wife went when I was stuck in a mini camp so I didn’t get my opportunity to go then,” he said referring to Swift as his wife publicly for the first time. She sat courtside at Game 4 of the NBA Finals, when the Knicks pulled off a stunning upset against the San Antonio Spurs in a 107-106 finish.

Disneyland’s yearlong, nostalgia-filled 70th anniversary celebration has come to an end. Attention now turns to preserving the resort’s legacy for the next 70 years.

We’re two years removed from the passage of DisneylandForward by the Anaheim City Council, the ambitious multibillion-dollar plan to reimagine and expand the world’s most famous theme park, and questions are now swirling on what’s to come.

Hints can likely be found by looking at what’s already been built, at least at Disney’s international parks. Documentarian Leslie Iwerks did just that with her new film “Disney Worldbuilders,” which will have its premiere this weekend at the all-things-Disney convention D23 at the Anaheim Convention Center and then stream on Disney+ starting Aug. 20.

Iwerks, the director of the recent, and terrific, “Disneyland Handcrafted,” comes from Disney royalty. Her grandfather, Ub Iwerks, was a legendary animator instrumental in the development of Mickey Mouse. Her father, Don, was a cinematic and special effects wizard who worked on numerous Disney attractions, including the Michael Jackson-starring film “Captain EO.” As a documentarian, Iwerks has explored Disney before as the director of “The Imagineering Story” and has a long career of films that touch on not just Hollywood but also politics and environmental issues.

Leslie Iwerks has dedicated a significant portion of her career to analyzing the Disney theme parks.

(Iwerks & Co. / Disney+)

If I had any concerns about the future of Disneyland, watching ‘Worldbuilders” helped ease them. That’s in part because the film makes it clear that the Disneyland template was pretty firmly set in place 70 years ago by park patriarch Walt Disney.

While it’s entirely possible for theme park spaces to jump the shark, so to speak, especially when they focus too much on marketing or re-creating familiar film and television moments (see, say, San Fransokyo Square at Disney California Adventure), “Worldbuilders” zeroes in on the parks’ enduring mission of being places of play. The film features interviews with the likes of Pixar chief Pete Docter, “Frozen” mastermind Jennifer Lee, Marvel maestro Kevin Feige and “Avatar” creator James Cameron, who collaborated with Walt Disney Imagineering to turn their cinematic universes into physical spaces for fans to interact with.

“I’m always blown away at the audacity of Walt saying, ‘I’m going to create the happiest place on Earth,’ and thinking that could actually be a business model,” Iwerks tells me.

“And what I learned about these filmmakers is that they were all inspired by the Disney parks,” she continues. “Unbeknownst to me, they had a spark going to a Disney theme park. It excited their imagination.”

“Frozen” co-director Jennifer Lee poses with a robotic Olaf at Disneyland Paris in a scene from Leslie Iwerks’ new film “Worldbuilders.”

(Roger Do Minh / Disney+ / Iwerks & Co.)

You see it in Shanghai’s “Zootopia”-inspired land, with its oversize benches that hide parking spaces for critter vehicles beneath. It’s an area full of movement, with puppets and animatronics gracing nearly every structure, aiming to capture wonder and silliness as much as it is the world of the film, which Iwerks notes was unexpectedly inspired by the original Disneyland. It’s present, too, in the “Frozen” area of Disneyland Paris, which seeks to reference and modernize the Disney fairy tale, using imagery of castles and magic not to symbolize happily ever after but familial and friendship bonds.

“All these lands allow you to explore, and allow yourself to be free, to play, to be whimsical,” Iwerks says. “They allow yourself to get out of your own ‘daily frets,’ as Walt called them. There are a lot of technologies vying for attention today, such as cellphones and gaming and lots of things, but there is something tangible about walking through a Disney park that is irreplaceable. That is that tangible sense of play that you can see, you can touch and you can smell. These are visceral memories that stay with us as human beings throughout our entire lifetime.”

Could either “Zootopia” or “Frozen” make its way to Disneyland? Neither, I believe, would be out of place, but there’s a special delicacy when adding to Walt’s original park. Even with the passage of DisneylandForward, land isn’t limitless. Expansion should be thought about not just for the next decade, but the next 50, leaving space for new stories yet untold. To place “Avatar” in Disney California Adventure is a definitive statement that the audiences of 2060 will want to hang with the Na’vi as much as those of 2030.

Thus, a wide-angle approach is best. When Pandora — the World of Avatar was built in Animal Kingdom at Florida’s Walt Disney World, it was done so with a thesis on themes of conservation and environmentalism more so than a focus on any of the film’s characters. Disney California Adventure’s own Cars Land is a love letter to Route 66 and roadside Americana as it much as it is an ode to the Disney/Pixar films.

At D23 in 2024, Disney released concept art of an “Avatar”-inspired attraction said to be coming to Disney California Adventure.

(20th Century / Disneyland Resort)

“Worldbuilders” makes it clear that as much as Disney’s parks have stayed the same, how we build themed lands has changed. Gone, for instance, are the big tent ideas of Frontierland, Adventureland and Fantasyland. Theme park designers today take a more targeted approach, bringing to life fully realized cinematic worlds such as Star Wars: Galaxy’s Edge or the aforementioned Cars Land. That’s not necessarily a negative. Galaxy’s Edge, for instance, succeeds because it’s a not a point-by-point re-creation of any locale seen in the films. Instead, it’s a place we can visit, and create our own tales.

It’s a reminder, for instance, that Disneyland, despite the prices, the crowds, the marketing or whatever hang-up one may find, endures because it allows us to, well, play. To be a little silly. And that was the lesson of Iwerks’ “Worldbuilders.”

“It’s about original thinking,” Iwerks says, when asked whether she believes it’s important to continually document the Disney theme parks. “So much of Imagineering is focused on original thinking. People can be really smart, but it doesn’t mean they’re an original thinker. One of the greatest things in the world is to create something out of nothing.”

We may arrive at a “Frozen” land wanting to see Anna, Elsa or, especially, the robotic Olaf, but we remember it because it gave us permission to imagine an alternate, more fanciful reality. Thus, it’s a treatise that it is not the intellectual property that makes Disneyland unique; it’s the belief in a more communal, playful world.

Speaking of D23 …

Theme park fans should get ready for some news this weekend.

Expect updates and details on previously announced — and well into development projects — such as Disney California Adventure’s “Coco” boat ride and two Marvel attractions, which will effectively double that park’s Avengers Campus. The centerpiece of the latter is a ride featuring many of the Avengers in battle across the multiverse with King Thanos.

The attraction, first announced in 2019, was given a name at 2024’s D23, Avengers Infinity Defense, and it will feature locations such as the Black Panther nation of Wakanda, Asgard and New York City. Early looks have it leaning heavily on visual effects interspersed with physical sets, but expect a deeper unveiling this weekend.

A recent photo of construction at Disney California Adventure’s Avengers Campus, where two attractions are under development.

(Todd Martens / Los Angeles Times)

Longer-term, fans are eager for word on what’s planned with the “Avatar” franchise, previously announced to take over part of the Hollywood-themed section of the park currently home to a “Monsters, Inc.” family dark ride. That attraction, Monsters, Inc. Mike & Sulley to the Rescue!, is slated to close in 2027 to make way for the Cameron-created franchise. There’s been some chatter, most of it online-driven and unsubstantiated, that Disney would pivot from “Avatar” to instead center “Zootopia,” but I’m not convinced. Clarity will arrive in the coming days.

I’ll refrain from diving too heavily into rumors, but expect at least one longer-term hint at a bigger swing, hopefully, for instance, the reimagined plans for what is currently the Toy Story Lot, as well as nearer-term updates on Disneyland’s post-70th entertainment. Fans, of course, will forever be hoping for Walt Disney Imagineering, the division of the company responsible for theme park experiences, to unveil that it is remaking Tomorrowland, which, while home to many a popular attraction, is also stuck with a number of underutilized buildings. While I encourage optimism and dreaming as much as any Disney parks fan, I’ll believe it when I see it.

Disneyland fans, however, may have to come to grips with the fact that some of the most exciting updates will be centered on Florida’s Walt Disney World. Imagineering is expected to at long last detail the attractions coming to the Magic Kingdom’s hotly-anticipated Villain’s Land. Also of note, a reveal of the “Encanto” attraction plotted soon for Animal Kingdom.

This week in SoCal theme parks

Key issues remain in union contract talks between the Walt Disney Co. and its parade, show and costumed characters.

(Jae C. Hong / Associated Press)

• A dispute in contract talks. Disneyland employees behind its parade, show and costumed characters have been negotiating their first union contract with the Walt Disney Co. since October 2024. The two sides remain apart on a number of key issues. Disney’s proposal to the roughly 1,700 workers represented by Actors’ Equity omits paid parental leave and cuts paid holidays from 12 to 11, according to an April 6 email reviewed by The Times. Disney says no benefits are being cut because the unit organized in 2024 and the talks are setting first-contract terms rather than modifying an existing agreement. Times Business writers Wendy Lee and Samantha Masunaga have more on the negotiations.
• New sound barriers coming to Hollywood Drift, says councilmember. Universal Studios Hollywood appears to be taking steps to address noise complaints regarding its new high-speed, outdoor roller coaster. The office of L.A. City Councilmember Adrin Nazarian stated the theme park will install two additional sound barriers to mitigate the sound of rider screams on its new ride Fast & Furious: Hollywood Drift, which have been described by nearby residents as “disturbing” and “untenable.” Nazarian’s office made the announcement Monday evening on social media. A Universal Studios Hollywood spokesperson has not yet responded to a request for comment.
• Montezooma’s is now open! Knott’s Berry Farm’s four-year overhaul of Montezooma’s Revenge into Montezooma: The Forbidden Fortress has reached its conclusion. The historic ride began welcoming guests late last week. Look for a report on the remodeled attraction here soon.
• Attendance at Disney parks is up. The Walt Disney Co. noted in its recent earnings call that attendance at its domestic parks for the three-month period that ended June 27 is up 3% over the comparable period last year. International visits remain a challenge, but the company noted that summer promotions helped fuel the increase, especially at Florida’s Walt Disney World.
• Cheap! A full year of Knott’s! At a time when it seems like everything is getting more expensive, Knott’s Berry Farm is currently running a heavy sale on 2027 season passes. Through Sept. 7, a base level pass is just $99, down from its non-sale price of $215. A “gold pass,” which also includes admission to Six Flags Magic Mountain, is currently $129, down from $240. while a “prestige pass,” which includes parking and a number of other perks, is $329, down from $399.
• Slash is back at Halloween Horror Nights. Guns ‘N Roses guitar slinger Slash is a staple at Universal Studios Hollywood’s Halloween Horror Nights, and is returning to create a soundtrack for a haunted house this year. Slash is providing music for a house titled ‘“Killceañera: Music by Slash,” an original maze that flips the script on a teenage rite of passage. Here, a 15-year-old girl seeks revenge on those who have wronged her. Halloween Horror Nights begins Sept. 3.

The best thing I ate at the parks this week

The fish and chips from Gordon Ramsay at the Carnaby at Downtown Disney.

(Todd Martens / Los Angeles Times)

I admit, Downtown Disney’s Gordon Ramsay at the Carnaby is growing on me, especially if one can get seated on the outdoor bar patio, which is far more welcoming than the pub’s indoor bar. I found the latter a little cold and unwelcoming, but the back patio is more lively, especially with pennant race baseball on its big screen TV. I finished a recent Disneyland day with the Carnaby’s fish and chips, which is essentially one giant piece of cod with fries and “mushy peas.” It’s pricey, at $33, but it’s also incredibly hefty and filling. It’s certainly the strongest fish and chips on Disneyland property, and sea salt-infused batter was so crisp and rich that it almost felt wrong to slather the fish in tartar sauce. I couldn’t quite place my finger on the flavor — I’ve read that Ramsay’s fish and chips recipe includes custard powder — but there was a burnt buttery tone that was far from dry. I’ll be back.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Stay tuned to Mr. Todd’s Wild Ride this week for all the big Disney parks news from D23. Saturday evening Disney will be hosting a panel at the Honda Center to reveal new details on attractions coming to its theme parks around the world, and I’ll be there delivering breaking coverage straight to your inbox.

Also, say hi if you see me wandering the Anaheim Convention Center. I’ll have Mr. Todd’s Wild Ride stickers to share.

WHEN booking a holiday there are three specific factors you must consider that can completely change the cost.

Get one of them wrong and you could pay hundreds more for an almost-identical week away… however if you get all three RIGHT you’ve found what I like to call the holiday “magic equation”.

The three key ‘ingredients’ to getting the best deal are where you go, when you fly and how long you stay.

I’ve been digging through thousands of On the Beach holidays to find the best-value combination of departure date, destination and duration for every remaining holiday window before November.

I didn’t just pick whichever holiday had the lowest price, though.

My analysis also compared each option against similar holidays, prices from last year, hotel ratings, customer reviews and the number of hotels still available – and what I’ve been left with is four very specific recommendations.

There’s one for families escaping before the end of the school holidays, two for couples and families with toddlers who can travel outside term time, and one for the October half-term scramble.

So here are the four magic holiday combinations I’ve uncovered – plus a deal you can book right now for each one.

Fly to Tunisia on… August 20

If you’re still hoping to get away with school-age children this summer, August 20 is the date I’d be circling, especially for trips to Tunisia.

The best-value August combination in our analysis was a seven-night all-inclusive holiday to Mahdia, departing on August 20 and returning on August 27.

The average price was just £698 per person – 22.6% cheaper than similar holidays and 9.2% less than people paid last year.

That’s particularly impressive because it gets you back before the end of August too, so no breaking the school holiday rules.

Mahdia itself is a bit of an under-the-radar alternative to Tunisia’s better-known resorts.

It’s a historic coastal town with a beautiful old medina and long stretches of pale sandy beach.

The sea here is often wonderfully clear and shallow, while hotels tend to be large, all-inclusive and built around keeping children occupied.

In other words: much of what families book Turkey for, but frequently at a lower price.

I found a particularly good deal at the four-star Mahdia Beach & Aqua Park from £623pp (and it’s all-inclusive).

It’s a huge beachfront resort with several pools, waterslides, and children’s activities, as well as a high Tripadvisor score – more than 1,900 gave it 4.2 out of five.

Tunisia deal

Mahdia Beach & Aqua Park, Mahdia

• Seven nights
• All inclusive
• Return Liverpool flights

From £623pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Fly to Egypt on… September 23

September is where holiday prices start to calm down from the summer surge.

For couples and parents with children below school age, the best-value combination was a seven-night all-inclusive holiday to Nabq Bay in Sharm El Sheikh, departing on September 23.

The average holiday cost £709 per person, which was 12.3% below the price of a comparable break.

More importantly, it was a massive 22.2% cheaper than last year – the biggest year-on-year drop of any winning combination in the data.

Nabq Bay is one of my favourite recommendations for anybody wanting a proper fly-and-flop holiday in September.

Temperatures are normally still well above 30C, so the weather stays beautifully warm and the resort is full of enormous all-inclusive hotels with private beaches, waterparks and enough swimming pools to require a map.

And Nabq Bay is especially well suited to families with toddlers.

Most of the holiday happens inside the resort, so you’re not repeatedly folding a buggy into taxis or attempting a cultural walking tour at precisely the moment somebody decides they need a nap.

My deal is at the Parrotel Aqua Park Resort is all-inclusive for £450pp when flying on September 23.

As the name rather usefully suggests, the main attraction is its enormous waterpark, but there are also several pools, restaurants, children’s facilities and a private beach area.

Egypt deal

Parrotel Aqua Park Resort, Nabq Bay

• Seven nights
• All inclusive
• Return Stansted flights

From £450pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Fly to Turkey on… October 13

October delivered the strongest overall value score from all the data I sifted through, especially when flying to Turkey.

The winning combination, by far, was a seven-night all-inclusive holiday to Marmaris, flying on October 13 and returning on October 20.

This is just before the half term holidays so is suited for couples or families with little kids not yet in school.

The average price was just £537 per person – that’s 21.4% cheaper than similar holidays and 11.6% below last year’s price.

Marmaris works brilliantly in October because you get the best bits without quite so much of the summer chaos.

The resort wraps around a huge bay backed by pine-covered mountains, with a long waterfront, beaches, boat trips and a seemingly endless supply of restaurants.

Daytime temperatures are typically still warm enough for the pool and beach, although evenings are cooler and there’s a greater chance of rain than during summer.

It’s also a great month for exploring. You can walk the marina without melting, take a boat along the coast or visit Marmaris Old Town without needing to stop for emergency air conditioning every ten minutes.

The deal I found is at the three-star Supreme Hotel, a simple but well-reviewed base with a pool, restaurant and a useful location for reaching the centre of Marmaris.

The best deal I found was an all-inclusive week at the Supreme Hotel from £235pp when flying October 13. At £33.57 per person, per night  – including your flights, hotel, food and drinks – that’s my standout bargain of the lot.

Turkey deal

Supreme Hotel, Marmaris

• Seven nights
• All inclusive
• Return Gatwick flights

From £235pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Fly to Greece on… October 25

If you’ve got kids, you’ll know that October half-term is always difficult.

Once every family in Britain needs roughly the same handful of departure dates, the chances of finding a bargain tend to disappear faster than the good flight times.

But the data did uncover one combination that stood above the rest: seven nights all-inclusive in Kardamena, Kos, departing on October 25.

The average price for a deal here was £740 per person – 13.4% cheaper than comparable half-term holidays and 13.2% below last year.

Kardamena is one of the livelier resorts on the Greek island during summer, but by late October it becomes considerably calmer.

You still have its long beach, waterfront and marina, while Kos Airport is only around a 15-minute drive away.

That short transfer here is a serious half-term advantage too – nobody wants to follow a four-hour flight with a two-hour coach tour of every other family’s hotel.

The weather is the slight gamble, as late October brings warm sunny days, but you might see some businesses closing for the season.

So, this is one where I’d choose a hotel with plenty happening on site.

Lucky for you, the deal I found does exactly that, which is an all-inclusive seven-night stay at Canvas by Mitsis Family Village, for £558pp when travelling on October 25.

It’s built on a hillside overlooking the coast, with pools, waterslides, family entertainment and access to a beach below, and it scores a very impressive 4.4 out of five from almost 2,500 Tripadvisor reviews.

That’s £181.60pp below the average price uncovered by the half-term analysis, and proof that the school-holiday premium can still be beaten if you get the date, duration and destination exactly right.

Greece deal

Canvas by Mitsis Family Villas, Kos

• Seven nights
• All inclusive
• Return Bristol flights

From £235pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

A TODDLER’S antics got a flight canceled as air crews aborted takeoff due to unsafe cabin conditions.

The shocking incident grounded Porter Airlines flight PD444 that was departing Victoria International Airport in British Columbia on Thursday.

Furious passengers were forced to get off the aircraft and wait overnight for a new flight.

The airline revealed that as the plane was leaving the terminal and was heading for the runway when cabin crew noticed the child “standing in their seat” refusing to “secure their seat belt,” Porter Airlines told PEOPLE.

“The aircraft could not takeoff in this unsafe condition, so the crew elected to return to the terminal and have the passengers disembark.”

Numerous attempts had been made by the crew and the child’s parents to get them to co-operate but these all failed.

MARINE ONE PROBE

Trump flight ‘flies too close to passenger jet’ year after deadly crash

The toddler’s unruly antics triggered major schedule delays to the point where the airport runway had closed by the time they looked at rescheduling the departure.

After the plane returned to the terminal, passengers got off with their baggage, and flight planes were refiled, it was gone 12:30am and all passengers and crew had to wait overnight for a new flight.

Porter Airlines issued a grovelling apology to everyone affected by the child’s behavior.

The flight eventually took off for Toronto on Friday at 10:49 pm and arrived at its destination at 6:16 am Saturday morning, delaying passengers by a whole day.

Under the airline’s policy, child safety seats or a restraint device is mandatory for any child under two years old occupying a seat.

The family involved have not publicly been identified.

Setting sail from Southampton, the 98-night Fred. Olsen cruise makes more than 25 stops across the continents via vibrant cities, pristine beaches and lush rainforests

Summer holiday season often means time spent soaking up the sun in the usual haunts year after year – but holidaymakers looking to embark on a getaway with more of a wow factor can take a trip around the world from the UK in 2027. Fred. Olsen’s longest cruise available to book sets sail from Southampton this January for a “once-in-a-lifetime” voyage.

The World Cruise with Japan & Hawaii is a 98-night holiday calling at over 25 ports across the continents, from Singapore to Spain to South Africa and beyond. Setting off from the port of Southampton on January 21 and not returning until April 29, this incredible trip gives passengers the chance to skip the UK winter altogether in favour of soaking up the history, culture and scenery of more than 15 countries.

Unsurprisingly, a coveted spot aboard this adults-only cruise doesn’t come cheap, with the cheapest cabins priced from £13,999 per person. However, for those lucky enough to have the cash to spare, it’s worth bearing in mind that this works out at as little as £143 per night, with travel, accommodation and full board dining all included, plus an offer of £200 credit per cabin to spend on board.

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The first stops on the World Cruise with Japan & Hawaii are the bustling Portuguese capital of Lisbon and the breathtaking scenery of Madeira, before the soft white sands and crystal waters of the Caribbean beckon with visits to Barbados and Grenada. Any of these destinations would make a top-drawer holiday on their own – but on this cruise, they’re just the start of the three-month adventure.

The Borealis ship will then spend four days exploring the islands of Hawaii. With the volcanic landscapes, pristine beaches and lush rainforests providing an awe-inspiring backdrop to this section of the trip, passengers will also have the chance to embrace the spirit of Aloha at a traditional Luau, enjoying hula, music and local cuisine.

Book the World Cruise with Japan & Hawaii

From £13,999pp

Fred. Olsen

Book a cabin

This cruise sets sail from Southampton in 2027 for a 98-night journey visiting more than 25 ports across the world.

The highlights of this cruise holiday include overnight stays in Tokyo and Osaka offering up the opportunity to experience Japan’s unique history and culture. Passengers will have the chance to immerse themselves in Japanese traditions, from tasting sake and sushi to meeting Geisha and experiencing an authentic tea ceremony.

Fred. Olsen writes of this leg of the trip: “Timed for fewer crowds and the chance to witness the beauty of the late plum blossom season (Ume), your journey through Japan allows you to explore ancient castles and temples, take in breathtaking views of Mount Fuji, ride the bullet train in Osaka and enjoy our maiden call into Shimizu.”

After stops in bustling Hong Kong and Singapore, passengers can relax on the beautiful beaches of Phuket and Mauritius before discovering Cape Town’s famous Table Mountain. Holidaymakers can also take the chance to experience whale watching in the Canary Islands due to their year-round warm waters, completing their epic journey around the world.

Here’s the full list of destinations in order of stops on the World Cruise with Japan & Hawaii:

• Lisbon, Portugal
• Funchal, Portugal
• Bridgetown, Barbados
• St George’s, Grenada
• Cartagena de Indias, Colombia
• Colon, Panama
• Puntarenas, Costa Rica
• Huatulco, Mexico
• Hilo, Hawaii
• Kailua-Kona, Hawaii
• Honolulu, Hawaii
• Nawiliwili, Hawaii
• Tokyo, Japan
• Shimizu, Japan
• Nagoya, Japan
• Osaka, Japan
• Hong Kong, China
• Hiep Phuoc for Ho Chi Minh City, Vietnam
• Singapore
• Phuket, Thailand
• Port Louis, Mauritius
• Richards Bay, South Africa
• Cape Town, South Africa
• Jamestown, St Helena
• Praia, Cape Verde
• Las Palmas, Canary Islands
• La Coruna, Spain

Fred. Olsen writes of the epic cruise: “This journey offers once-in-a-lifetime moments, from whale watching in the Caribbean, Mexico and Hawaii to witnessing Hong Kong’s iconic skyline illuminated by the Symphony of Lights.

“You’ll have the chance to visit Pearl Harbor, wander through Singapore’s futuristic Gardens by the Bay and experience the untamed beauty of South Africa, where you can seek out the ‘Big Five’ and admire the dramatic backdrop of Table Mountain.”

As well as travel and accommodation, the price of a cruise also includes full board dining, from five-course à la carte dinners to afternoon tea, and selected drinks with lunch and dinner. And there’s no shortage of things to do on the ship, with the fare also including access to the swimming pools, fitness centre and classes, expert talks and lectures and a variety of other activities, as well as evening shows with live music and dancing.

For those seeking something more budget-friendly, the longest cruise on offer from fellow cruise line Ambassador is the Caribbean Sunsets and South American Secrets holiday. Sailing from London Tilbury in January 2027, this cruise currently has 30% off all cabins with prices now starting from £3,233 per person, and visits 12 countries over 45 nights, including Colombia, Panama, Costa Rica and Belize.

Meanwhile, TUI’s Marella Cruises is also offering last-minute summer cruise deals with flights included in their price. Among the cheapest options are the Highlights of the Mediterranean cruise, which is on offer for £944pp reduced from £1,623, and the Grecian Discovery holiday, now priced from £949pp down from £1,598.

Back with Fred. Olsen, the cruise line has earned a rating of 4.6 out of five stars on Trustpilot based on nearly 15,000 reviews, ranking it among the top-rated cruise companies operating in the UK. One passenger wrote: “We have just booked a second world cruise for 2028. We loved our previous cruises , one world, one Mediterranean on Borealis.”

They continued: “It’s a lovely ship which feels like home to us now because of the wonderful staff who can’t do enough for you. The food is great and we enjoyed so many of the facilities, shows, quizzes, the lectures, the classical recitals and the choir. Looking forward to 2028 and hope to see some of the friends we have made on past cruises.”

Another reviewer praised: “Everything was perfect! The cabin, the staff, the food were all impeccable. We’re already planning on taking their world cruise and have already booked another cruise with them in two months.”

And a third customer echoed: “Fantastic trip to and from the Antarctic on the Borealis. Excellent ship, brilliant crew and marvellous itinerary. Already really looking forward to next year’s world cruise.”

Some felt that the facilities on board had room for improvement, with one person feeding back: “The wine that was included in our freedom fare was OK but maybe a couple of choices of each varietal would have been nice.”

While a different person fed back: “Just love Fred. Olsen ships, the staff are brilliant. Food good but could be better vegetarian options.”

Every now and then a rom-com comes along with an absolutely ludicrous premise that we just sort of accept because it creates the unique conditions for watching a pair of budding movie stars fall in love. This year’s entrant is “One Night Only,” written by Travis Braun, directed by Will Gluck and set in a pretty familiar if spit-shiny New York City. The catch is that America, for some reason, has outlawed premarital sex, with the exception of one night a year, when singles can get their freak on. It’s like “The Purge” but for sex, so the Sex Purge.

Braun’s script was on the Black List, a collection of the best unproduced screenplays in Hollywood, which tends to reward hooky, high-concept projects, often to mixed results. That is most definitely the case with “One Night Only,” a film that exists on the vapors of a bizarre plot and the appeal of hot actors.

You probably have a lot of questions, and “One Night Only” is only going to satisfy some of them. How does the government police the premarital sex? With bio-sensors, of course, as explained by a drunken tech bro (Nicholas Braun) in an exclusive lounge. Singles receive small tattoos that turn from red to green during the 12 hours that premarital sex is permitted, body modifications that measure things like oxytocin and dopamine and whether one sensor is in close proximity to another. Sexual acts that are solo, distanced or parallel are permitted, yet many questions still remain about the kinds of hookups that can be had during the mandated ban.

The why of it all is much less satisfactory. An upbeat news report explains that rates of teen pregnancy are down, which is a very 1980s justification. The whole gambit feels dated and underexplored, both conceptually and politically — so you’re saying single straight people are an oppressed sexual minority? Maybe that idea should have been unpacked a little bit more.

On the night of the Sex Purge, the streets are flooded with attractive, thin, largely heterosexual couples making out all over the place. Perish the thought of being single and vulnerable, as they say on “Love Island,” on such a night, which is how we find our two winsome protagonists, Owen (Callum Turner) and Allie (“A Complete Unknown’s” Monica Barbaro). Owen’s a pizza maker whose girlfriend (Maya Hawke) wants to explore someone else; advertising jingle singer Allie has been ditched by her best friend (King Princess) for a prince.

These two strangers are both despondent and desperate. When they bump into each other on the street, a meet-cute turns into a meet-puke, and so the story follows an enemies-to-friends-to-lovers track, as they spend one crazy night continually running into each other on their increasingly urgent sex quest. The script does a good job of throwing up plausible obstacles and sticky situations for these two to navigate: price-gouged condoms, police raids, catfishing, injuries, parental ambushes, etc.

Turner and Barbaro have charm up the wazoo, and Gluck does a fair amount of key-jangling to distract from the nagging issues of the premise itself. There are repeated gags about Allie’s job singing covers of popular songs reworked for pharmaceutical companies and almost too many celebrity cameos. Every time a celeb’s face pops up it’s essentially an “ooh, shiny thing!” moment so that we stop thinking about the intricacies of the world where Sex Purge happens. Allie’s hopeless romanticism isn’t well-established, and there’s a whole complicated climax (no pun intended) involving the Empire State Building that could have been a lot smoother and more intuitive.

Allie’s most impressive feat is making it 12 hours in New York City in spike heels and a sequined micro-mini, but rom-coms are the stuff of fantasy anyway. Yet “One Night Only” doesn’t present us with fun escapism but, rather, a misguided, underbaked and very straight-guy fantasy of what something like this might look like, which is essentially … lots of people kissing in public? It’s tame and weirdly conservative.

Turner and Barbaro give it their best, but not even their charisma can reliably bolster the inherent structural flaws of this concept and its execution. “One Night Only” feels purged of a brain.

Katie Walsh is a Tribune News Service film critic.

LOVE Island winners Julia Majchrzak and Lorenzo Alessi have kissed and made up on a night out with their fellow villa friends.

The ITV2 dating show winners came to blows after he was clocked fawning over other female’s sexy pics on social media.

The champions were joined on a night out at London’s 100 Shoreditch.

Former Casa bombshell Julia looked stunning in an all-black dress made up of mesh and lace panelling.

With her hair slicked back, she looked every inch a TV star as she smooched her man.

Lorenzo looked slick in an open shirt with a blazer and slacks.

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Joining them for the reunion night were ex islanders Ellie Chadwick and Finley Maddock.

Ellie looked summer ready in a short yellow outfit with a feather bottom as she held hands with her fella.

It comes after the couple were grilled about the online drama on Capital XTRA.

Julia, 26, admitted she found his online wandering eye ‘not funny’ and was ’embarrassed’ by his behaviour.

She told the hosts: “Guys, this is not funny. He’s already embarrassed me online.

“He had no time to arrange a date in five days, but was sat in bed liking other girls’ Instagram pictures.”

It comes after a clip of the couple’s appearance on This Morning went viral last week, with fans left unconvinced by their relationship.

Joining Josie Gibson and Paddy McGuinness in the studio, Lorenzo and Julia were quizzed about their future plans.

But an unimpressed Julia grilled Lorenzo over why he had failed to organise a date and had barely seen her since they won Love Island together.

Viewers also claimed Lorenzo appeared distracted by former flame Jasmine, who was sitting just inches away with Kavan.

The 2026 matchmaking show champ, who scooped his share of a £50K cash prize during the final, has finally removed his profile from Hinge.

Also at the event were Priya and Aidan – who were dumped from the villa days before the final.

The reunion saw familiar faces return including pretty-in-pink Lola Deal and Seán Fitzgerald, Mica Harris and Samraj Toor, and hand-holding singletons Charleen Murphy and Martha Rothwell.

Julia and Lorenzo beat runners-up Jasmine Muller and Kavan Murphy, and third place stars Angelista Gunda and Simba Kudyiwa.

WHEN it comes to holidays, everyone wants as much as they can for their buck.

Well, there’s one city that has come up trumps for affordability from cheap hotels to bargain beers, and plenty of attractions to marvel at too.

Airport transfers experts at Hoppa crunched the numbers revealing Prague as the top destination for “affordability and endless things to do”.

Hoppa said: “The Czech capital takes first place because it combines affordable prices with an exceptional selection of sights and activities.”

It continued: “Its 619 budget-friendly attractions include the Prague Castle grounds and the 17th-century Waldstein Garden (and is more than twice the study average of 272 attractions).”

Hoppa calculated that a meal at an inexpensive restaurant averages £8.58, around a third below the overall average of £13.25.

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A local draught beer costs approximately £2.32, compared with an average of £4.05 across all the destinations analysed – and three-star hotels average £86.96 per night.

Sun Travel has found some breaks starting from £53 per night – including flights.

Royal Court Hotel

This hotel is a beautifully restored 19th-century building, but inside has modern bedrooms and offers a buffet breakfast every morning.

A three-night stay at the hotel with return flights from London Stansted to Prague from October 12-15 starts from £159pp.

Hotel Ametyst

The 4-star hotel sits in the middle of the city and is within walking distance to plenty of bars and restaurants as well as Wenceslas Square and the Opera House.

A three-night stay at the hotel with return flights from London Luton to Prague from September 15-18 starts from £179pp.

Carlton Hotel Prague

The Carlton Hotel Prague in the Zizkov neighbourhood is considered a ‘hideaway’ and is just a tram hop away from all the city’s attractions.

A four-night stay at the hotel with return flights from London Stansted to Prague from October 18-22 starts from £185pp.

Assenzio Prague

Right in the heart of Prague is the 4-star Assenzio Prague – it’s inside a stunning neoclassical building with modern rooms and amenities.

A three-night stay at the hotel with return flights from London Luton to Prague from November 16-23 starts from £219pp.

Royal Prague City Apartments

Less than a mile from the centre of the city, guests can lounge about in their very own apartment-style room at this hotel.

A two-night stay at the hotel with return flights from London Luton to Prague from October 19-21 starts from £122pp.

Hotel Praga 1885 by Wagnerstays

This stylish boutique hotel has everything for a city stay including spacious rooms – and you can upgrade from a standard to suite room for £10.

A two-night stay at the hotel with return flights from London Luton to Prague from October 19-21 starts from £124pp.

Europe’s best-value holiday destinations for 2026…

1. Prague, Czech Republic
2. Antalya, Turkey
3. Skopje, North Macedonia
4. Belgrade, Serbia
5. Sarajevo, Bosnia and Herzegovina
6. Budapest, Hungary
7. Tirana, Albania
8. Sofia, Bulgaria
9. Bucharest, Romania
10. Kraków, Poland

Four years ago, Knott’s Berry Farm was faced with a decision.

Its 1978 ride Montezooma’s Revenge was the first-ever coaster built with a flywheel launch system — a large, highly visible, circular drum-like mechanism with a cable attached to it — and an important piece of the theme park’s history.

But the coaster was in need of refurbishment and they don’t make things like they used to. The flywheel design, once an advanced piece of machinery that allowed Montezooma’s to go from zero to 55 mph in less than five seconds, was no longer in vogue. Replacement parts weren’t going to be easy to come by, if possible at all.

So would they attempt to reimagine Montezooma’s Revenge, or use its footprint for another attraction?

“Nobody else really attempted a full-speed, ground-level launch until later in the ‘90s,” says Jeremy Thompson, who writes coaster analysis on his website Roller Coaster Philosophy and worked for a decade at theme park design firm Thinkwell. “It was way ahead of its time.”

It would have been a shame, roller coaster historians argue, to lose Montezooma’s Revenge. Thankfully, Knott’s Berry Farm agreed, and after four years and a $20-million investment, Montezooma’s, now rebranded as Montezooma: The Forbidden Fortress, is set to soft open in the coming days. A grand opening media event, postponed from last month, is slated for Aug. 14.

The entrance to the newly remodeled Montezooma: The Forbidden Fortress.

(Jess Boyer / Knott’s Berry Farm)

“We thought quite a bit about, ‘If we take this out, what would we put in there?’” says Knott’s Berry Farm Park President Raffi Kaprelyan. “But the answer we always came back to was, ‘Why would you do that?’ This is a perfectly unique ride.”

He adds: “An iconic ride like this, you want to maintain as long as possible.”

The coaster was planned to be named Loco Motion, but it was rebranded as Montezooma’s Revenge after a popular band with the same name that would regularly perform at the park, says Nicholas Laschkewitsch, a coaster historian and documentary producer with nonprofit American Coaster Enthusiasts. At the time of its opening, it was the tallest roller coaster in the world, thanks to 148-foot spikes. It’s also the oldest looping shuttle coaster in its original location, a shuttle coaster being a ride without a complete circuit, meaning here guests are propelled out of the launch station in a linear path through a loop and then backward through the whole course.

The loop on Montezooma: The Forbidden Fortress.

(Jess Boyer / Knott’s Berry Farm)

”A shuttle coaster is certainly not as novel as it once was,” says Laschkewitsch, who also works as a designer at experiential art firm Meow Wolf. “But I think it’s very much a part of the DNA of Knott’s Berry Farm. It’s most people’s first looping coaster who grew up in Southern California. They deserve a lot of credit for investing in [a type of] ride a lot of other parks have thrown out.”

Designed by coaster mastermind Anton Schwarzkopf, Laschkewitsch says there’s only one remaining Schwarzkopf-created flywheel coaster using its original launch system in existence, and it’s in Japan at Nagashima Spa Land. Schwarzkopf was also behind the Great American Revolution at Six Flags Magic Mountain, which opened in 1976 as the world’s first modern vertical looping roller coaster.

“He was a genius as far as how to bank track, and how to physically manufacture track,” Laschkewitsch says. “His rides were as smooth as glass. The fact that he was able to do this without computer technology is incredible.”

The Knott family rides Montezooma’s Revenge on its opening day in 1978.

(Knott’s Berry Farm)

So what’s changed in the refurbishment? Montezooma’s has been remade with new cars, enhanced thematic touches lightly inspired by Maya designs, and boasts both a brand new track as well as a refreshed launch system. It now blasts out of the station with electromagnetic propulsion, technology, says Thompson, that is found on virtually all modern launch coasters (see Disney California Adventure’s IncrediCoaster, which also jolts from zero to 55 mph in five seconds).

That means there will be a difference in “feel” at the launch. Thompson compares it to riding in a modern electric vehicle versus, say, a 1970s hot rod. “You’re losing something there,” he says.

Namely the instantaneous tension, says Laschkewitsch, which will now be smoothed out. “There’s just something special about how that flywheel launch really kicked you in the face,” he says.

A look at the reimaged Montezooma: The Forbidden Fortress.

(Jess Boyer / Knott’s Berry Farm)

The coaster in its initial form lasted just 38 seconds. That won’t necessarily change with Montezooma: The Forbidden Fortress, but Kaprelyan says the new ride system will allow the park to offer different ride profiles. The electromagnetic track, for instance, can jolt guests forward, and then tease them by reversing course, lending a linear coaster a sense of surprise.

Those changes are coming down the road, but probably not until the ride has been open for about a year. “The ride will maybe take you up to the front a little bit, and then shoot you back up the hill, and then shoot you forward again,” Kaprelyan says. “There will be different sequences.”

And overall just a different tone. When all is working properly, the coaster will launch through a haze of fog effects. And it’s blessedly no longer associated with an unsavory name that potentially had some negative cultural implications. Understandable, and the right call says Thompson, but “it kind of loses that zany ‘70s humor.” Prepare to hear fewer potty jokes at Knott’s Berry Farm.

This week in SoCal theme parks

A dementor puppet moves through the train in “Harry Potter: A Hogwarts Express Adventure.”

(David Fouts / For The Times )

• ‘Fast & Furious’ coaster watch, 2026. The big theme park story last week was the unexpected soft launch of Universal Studios Hollywood’s Fast & Furious: Hollywood Drift. The ride is operating in “technical rehearsals,” meaning it doesn’t yet have a formal opening date. Think of it as a final testing phase. Wait times have often stretched beyond two and a half hours, with some reporting lines closer to four hours. Heads-up, though, if you’re thinking of heading to the park this week, as according to notices given to park neighbors in Toluca Lake, the coaster is not expected to be welcoming guests Tuesday through Friday.
• Take a magical train ride. The Southern California Railway Museum in Riverside County is now allowing guests to experience history with a bit of mysticism, as it has temporarily turned into Platform 9 3⁄4 to host “Harry Potter: A Hogwarts Express Adventure.” A one-hour theatrical experience, expect wands, house sorting and, instead of a drink cart, a larger-than-life demonic puppet. Like all things Potter in 2026, the event has attracted some detractors due to J.K. Rowling’s anti-trans rhetoric and political funding. The Times’ Emily Tarinelli has the details.
• Changes afoot at Knott’s Soak City. The Orange County water park is welcoming two brand new attractions next year that will be replacing the current Shore Break slide complex. Look out for Coral Craze, a saucer-like attraction that boasts five riders per slide and is designed to mimic a ski course. Joining it will be Kelp Kraze, also a five-person experience, but this one more of a raft-like slide.
• The ‘Prince of Darkness,’ resurrected. Universal Studios Hollywood has rounded out its haunted house lineup for Halloween Horror Nights with a maze dedicated to the late Ozzy Osbourne. Dubbed Ozzy Osbourne: Prince of Darkness, the haunt will focus on bringing to life imagery from Osbourne’s solo career. The park has previously created a house inspired by the work of Osbourne’s Black Sabbath. Halloween Horror Nights begins Sept. 3.
• ‘It,’ reimagined. Inglewood’s Cosm is embracing horror for its next all-encompassing, wrap-around production. The venue, which boasts a high-definition spherical screen that stretches above, below and ever-so-slightly behind viewers, will on Aug. 28 begin showing 2017’s “It,” the Andrés Muschietti film based on the novel by Stephen King. Like past Cosm screenings, the venue will create CGI imagery to complement the core film.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

My least favorite theme park topic to cover is price increases, as parks are already an investment to visit. Yet the Disneyland Resort keeps making affordability a story. Even more food price hikes have hit the resort, after an earlier round just a couple weeks ago. I’m sad to say they’re increasingly egregious, including, as Disney Food Blog noticed, a $3 increase to $31 on a so-so cheeseburger at Trader Sam’s Enchanted Tiki Bar. Sigh.

There’s head-scratching high prices throughout the resort, including a bump on a relatively small square of churro toffee, which now sells for nearly $10. It’s tasty, but I’m here to tell you it’s not worth it. I stopped buying the delectable when it topped $8, as it was no longer a respectable value at that price point. Instead, support a local bakery.

WITH all this warm and sunny weather, has there ever been a better summer for a camping staycation?

Known locally as Mochras, Shell Island in North Cardigan Bay, Wales, sits in the Snowdonia National Park and is the biggest campsite in the UK – and even one of the biggest in Europe.

To get to the campsite, you’ll need to check tide times, as it is accessed via a Tidal Causeway – a raised road that can only be driven on at low tide.

With 800 pitches, there is plenty of space for campers across the 450-acre site, or if you don’t fancy sleeping under canvas, you could opt for one of the chalets on site.

Guests have access to three large, golden sand beaches that look out across Cardigan Bay where you can even have a campfire on.

And what makes the spot even better is that the sunsets are some of the best in the country, painting oranges and pinks in the sky above the peaks of Llŷn Peninsula and Snowdonia.

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At the park there are loads of things to do for guests including heading to the Tavern Bar for a tipple.

And for forgotten items, there is a useful supermarket on site as well as a gift shop, camping shop and off licence.

Kids can let off steam in the playground and football pitch or watch boats bob in the Mini Boat Pool before heading to the strawberry picking site.

There’s a large games room as well, next to the bar, where you can play pool, have a go on multiple arcade games and try and win on the penny machines.

Or head to the sports room, next to the games room, where you will find three TVs showing different sports.

The beach is just a few minutes’ walk away as well, which is a great spot to head kite-surfing, fishing and sailing.

The beach is known for having a large variety of shells, with up to 200 different species.

Little ones can also enjoy exploring rock pools.

Along the beaches, there are a number of paths for walks as well as recommended swimming spots.

During the peak season, camping costs from £14 per adult per night and children cost £7 per night.

Dogs are welcome too, costing £2.75 per night.

And one of the most unique things about the park, is that you get to pick your pitch as there is no pitch allocation.

This means you could opt for an area hidden in the sand dunes that overlooks the sea, to camp at.

One recent visitor said: “Shell Island is a fantastic campsite in an unbeatable location with a great mix of campers, mostly experienced old‑school types who know what North Wales coastal camping is really like.

“It’s great value for money; they keep pitch prices cheap.

“Loved the whole experience, can’t wait to go again, and the pub on site has great options on tap.”

Around Shell Island you’ll also find 13 species of wild orchid, amongst other wildflowers and crabbing spots.

Slightly further afield, there are a number of other to explore too, including Harlech Castle – a UNESCO World Heritage medieval fortress that’s just 10 minutes away.

And keen hikers can also head to Snowdon, Wales’ highest mountain.

The seaside town of Barmouth is nearby too, where you can explore cosy cafes and independent shops, as well as a large shingle beach.

The cruise line is returning to the Amazon for the first time in almost a decade, with their latest cruise also giving holidaymakers the chance to witness the dramatic landscapes of Antarctica

With summer holiday season in full swing, many Brits who are sick of the usual beach resort might already be planning something more unique for their next getaway. And the wow factor doesn’t get much bigger than with Fred Olsen’s newest cruise that stops off at an incredible 28 ports – but holidaymakers will need to have some hefty savings.

The Amazon and Antarctica Adventure has just been announced by the cruise line, and it’s one of the longest trips available to book. Setting sail from Southampton on January 5, 2028, this cruise aboard the Borealis ship is a whopping 87 nights long and visits dream destinations across five continents, from the Canary Islands all the way down to the Antarctic Peninsula via the likes of Jamaica, Costa Rica, Brazil and Chile.

The voyage marks the first time in nine years that Fred Olsen has offered a cruise to the Amazon – and it’s the only cruise line sailing from the UK to do so, offering British holidaymakers a unique opportunity. “Time ashore brings you closer to lush rainforest, with toucans, butterflies, monkeys and pink river dolphins among the wildlife to look out for,” the description of the Amazon and Antarctica Adventure teases.

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A place on this adults-only cruise understandably doesn’t come cheap, with prices starting from £11,499 per person. But with travel, accommodation, food and entertainment all included at under £140 per night, those with the cash to spare might consider it worth the investment to enjoy a once-in-a-lifetime adventure.

For those seeking something more budget-friendly, the longest cruise on offer from fellow cruise line Ambassador is the Caribbean Sunsets and South American Secrets holiday. Sailing from London Tilbury in January 2027, this cruise currently has 30% off all cabins with prices now starting from £3,233 per person, and visits 12 countries over 45 nights, including Colombia, Panama, Costa Rica and Belize.

Book the Amazon and Antarctica Adventure

From £11,499pp

Fred Olsen

Book here

This 87-night cruise sets sail from Southampton in January 2028 and visits 17 countries across five continents.

Meanwhile, TUI’s Marella Cruises is also offering last-minute summer cruise deals with flights included in their price. Among the cheapest options are the Highlights of the Mediterranean cruise, which is on offer for £944pp reduced from £1,623, and the Grecian Discovery holiday, now priced from £949pp down from £1,598.

Back at Fred Olsen, another highlight of the Amazon and Antarctica Adventure is the Antarctic Peninsula, described by the cruise line as a place with ‘vast glaciers and snow-topped mountains’ where there’s also a chance for passengers to spot penguins and whales. Here’s the full itinerary of stops and highlights on this 87-night cruise:

• Santa Cruiz de Tenerife, Canary Islands
• Santa Cruz de la Palma, Canary Islands
• St John’s, Antigua
• Samana, Dominican Republic
• Ocho Rios, Jamaica
• Puerto Limon, Costa Rica
• Cartagena de Indias, Colombia
• Willemstad, Curacao
• Kingstown, St Vincent and Grenadines
• St George’s, Grenada
• Roseau, Dominica
• Bridgetown, Barbados
• Cruise past Barra Norte, Brazil
• Santarem, Brazil
• Cruising Amazon River, Brazil
• Manaus, Brazil
• Parintins, Brazil
• Alter do Chao, Brazil
• Fortaleza, Brazil
• Buzios, Brazil
• Rio de Janeiro, Brazil
• Puerto Madryn, Argentina
• Punta Arenas, Chile
• Cruise by Cape Horn, Chile
• Cruise Drake Passage, Antarctica
• Cruise Antarctica Peninsula
• Port Stanley, Falkland Islands
• Montevideo, Uruguay
• Buenos Aires, Argentina
• Salvador, Brazil
• Mindelo, Cape Verde
• Las Palmas, Canary Islands
• La Coruna, Spain

As well as travel and accommodation, the price of a cruise also includes full board dining, from five-course à la carte dinners to afternoon tea, and selected drinks with lunch and dinner. And there’s no shortage of things to do on the ship, with the fare also including access to the swimming pools, fitness centre and classes, expert talks and lectures and a variety of other activities, as well as evening shows with live music and dancing.

For those looking to get away sooner, this isn’t the only bumper cruise Fred Olsen is offering. The cruise line’s longest holiday currently available to book is the World Cruise with Japan and Hawaii, which stands at a staggering 98 nights and sets sail from Southampton in January 2027 with prices starting from £13,999 per person.

The third-longest is departing from Southampton this September for a last-minute autumn and winter getaway lasting 71 nights. The Exploration of the Mediterranean is priced from £9,999 per person and visits Spain, Italy, France, Malta, Croatia, Slovenia, Montenegro, Greece, Cyprus, Egypt, Turkey, Gibraltar, Morocco, the Canary Islands and Portugal.

At the time, Kerr gave his answer as the bell tolled. In a flash, he made his move, bursting to the outside in pursuit of Myers and Cheruiyot, who made theirs momentarily first.

With 250m to go, Kerr left them behind. Wightman gamely tried to follow but how do you chase down a man this fast? His brave gamble failed and the bronze medallist from the last two Games trailed home in sixth.

By then, Kerr was already celebrating gold, with Myers coming through for silver and Cheruiyot bronze.

“I peeked up at the screen, saw I had a bit of a gap, and I felt great,” added the Edinburgh athlete, who has been racing at Scotstoun since he was a child.

“I was just trying to stay present and enjoy it. I learned how to race on that track – and I’ve had some pretty bad ones out there – so to really enjoy that last 100m was a really important moment.”

It was the moment Glasgow 2026 has been building to. The historic, reinstated, Blue Riband event of these Games got a fittingly elite winner. As a student of the sport’s history, Kerr will appreciate that.

And as a kid who was at the athletics event at Hampden in 2014, he knew how much joy every man, women and child inside this place would derive from every picture he had taken, every word he shared with them, and every scrawl of his name.

“I have to take my time out there because they’ve waited and put their hard-earned money to come out and watch me perform,” he said.

“You’ve got to stay in your lane and realise I’m lucky coming into this championship healthy, ready to go and I’m in the best shape of my life. And to do that in front of a home crowd is very special.”