night

Mexican football fans did their best to give Ecuador a sleepless night ahead of their World Cup match in the round of 32 in Mexico City.

From midnight until the early hours of the morning, dozens of fans gathered outside the Westin Hotel in Santa Fe, an upscale area on the outskirts of the capital, using loudspeakers, horns, and motorcycles to disturb the visiting team’s rest.

Team hotel serenades are a deeply entrenched, highly polarising tradition in Latin American football. While they began as a passionate way for fans to rally behind the home team, they have increasingly evolved into a psychological weapon designed to rob visiting players of a good night’s sleep.

After the incidents in Mexico City, the Ecuadorian football federation said on Tuesday it had filed a formal complaint with organisers.

“Such conduct stands in stark contrast to the principles of fair play, equity, and unity that a World Cup should embody,” the federation, known as FEF, said in a statement.

“The FEF respectfully calls upon the competent authorities to pay greater attention to these events and to adopt the necessary measures to safeguard the safety of our players, coaching staff, and fans.”

The fan ambush, organised on social media, added to a chaotic arrival for Ecuador. The disruption capped off a gruelling logistical nightmare for the South American team, which had deliberately planned a last-minute Monday night arrival to mitigate the effects of Mexico City’s 2,200-metre (7,300-foot) altitude.

To combat the physiological toll of thin air, sports scientists generally recommend two contrasting approaches: an extended acclimatisation period of at least two weeks, or the “fly-in, fly-out” method — arriving as close to kick-off as possible before acute symptoms set in.

That is the route that teams from the major sports leagues in the United States use when they come to play in Mexico City.

But Ecuador’s journey from Columbus, Ohio, was plagued by delays from the start. Ecuador coach Sebastián Beccacece complained that their flight was delayed by more than three hours, though he did not specify whether he had factored in the two-hour time difference between the cities.

“A flight delay, then the transfer to the hotel — it ended up being a nine-hour journey; we took three hours longer than scheduled,” Beccacece said. “But the team is doing well and is excited — obviously facing an opponent that posted good results in the group stage.”

Additionally, the team landed at Felipe Ángeles International Airport, located 65 kilometres from their hotel. The squad was forced to navigate the trek to Santa Fe through Mexico City’s notoriously heavy traffic, which was further paralysed on Monday by heavy night rain.

Since its opening in 1967, Pirates of the Caribbean has stood as an anchor at Disneyland, a statement piece that has defined the direction of the park.

And that remained true last week when Walt Disney Imagineering unveiled a new audio-animatronic pirate. It’s wow-inducing. It’s also narrative-wrecking. And it fundamentally shifts the vibe of the attraction’s early scenes.

The high-tech pirate, we can bet, is just a small preview of the park’s next-gen toys. Because when changes come to Disneyland, they often hit Pirates of the Caribbean first. Over a half-century ago, the robotic figures of Pirates were a symbol of Disneyland’s technological ambitions, dazzling audiences with characterized but lifelike movements. With the ride, Disneyland made it clear that as the world advances, so, too, would the park.

As culture shifted and the lecherous buccaneers of the ride began to look more like symbols of sexual harassment, they would be forced to undergo some welcome personality adjustments. A redheaded victim of sex trafficking would transform into one of the ride’s most striking characters, and a number of rides from the Jungle Cruise to Splash Mountain would eventually undergo similar reassessment.

For Pirates of the Caribbean, after all, is the attraction that defined the Disneyland template. Its mastery is that it is a series of larger-than-life dioramas constructed around an abstracted narrative where themes of greed, lust and intemperance take precedence over a plot with a firm beginning, middle and end. And thus it made sense for Imagineering, the outfit of the company responsible for theme park experiences, to unveil its latest tech-driven master work on the ride.

A new animated pirate on Disneyland’s Pirates of the Caribbean shifts from living to dead using projection technology.

(Todd Martens / Los Angeles Times)

Reaction, however, has been less than enthused. Disneyland’s own social media accounts are flooded with pointed critiques, but even if we consider that social media tends to lead with gripes, some of the park’s most ardent fan sites have referred to the reimagined scene as a gutting. Why so much hullabaloo over a single robot? If we allow that Disneyland is a place that generations make pilgrimages to, then Pirates of the Caribbean is its most sacred temple. Handle with care.

There is, of course, a series of stages most Disneyland fans go through with any major changes, and it’s usually one of shock or confusion followed by acceptance and eventually new nostalgia. And Disneyland’s recent attraction updates have by and large been winners, as evidenced by the lovely Tiana’s Bayou Adventure, the exploratory Adventureland Treehouse and the bewitching Snow White’s Enchanted Wish.

This one, however, is more complicated.

Where once was a foreboding skeleton frozen in time atop a treasure and swords, there is now an animated figurine built with the latest in projection technology. The latter transitions from living to dead, caught in a perpetual loop with each glimpse of the cavern’s “cursed treasure,” which it continually lifts and drops. The pirate is placed after the ride’s two dips in a gold-filled room among the winding, mysterious underground chambers that help set its tone.

Dead pirates fill the caverns of Disneyland’s Pirates of the Caribbean.

(Todd Martens / Los Angeles Times)

Since the attraction’s opening, the only living beings in this portion were a lone seagull and maybe a stray sea critter or two. It is here where the mystique of Pirates of the Caribbean is set, and guests are placed in the active role of piecing together the time-shifting narrative. Story is hinted at rather than fed to us. We hear tales of the hexed fortunes found in the caves via ghostly narration, but see only its after-effects — skeletons locked in a chess battle or standing behind the wheel of a crumbling ship.

The centerpiece treasure room, where our new pirate is found, has long been a breathtaking scene. Previously, a now decayed body sat atop a mountain of wealth, an empty, soulless figure done in by selfish pride. It was disquieting, and a bit ghoulish. Stray, soft musical notes underscored the tragedy. Further on, a trapped pirate quietly transitions from living to dead via an old theatrical mirror illusion, and the boats float into a city filled with battles and buffoonery.

Gone is the subtlety. A somber tableau is now relatively loud, as our eyes no longer take in the full set but zero in on a bright and at times lively figurine. I cannot deny that it is an impressive piece of technology. On the multiple rides that I took Monday morning, I overheard two teens describe it as “pretty cool” and watched as a young child excitedly shouted to his mom and dad that the figure’s face was changing.

The caverns of Pirates of the Caribbean set a foreboding tone.

(Todd Martens / Los Angeles Times)

Such reactions are no doubt what Imagineering is hoping for. Part of the job of stewarding a classic attraction, after all, is ensuring it maintains an appeal to future generations. But I believe two things can be true. The new pirate may captivate some audiences and it can also stylistically and tonally clash with the attraction. This is the right tech, perhaps, for a more animated experience, one such as the in-development “Coco” ride coming to Disney California Adventure. Unfortunately, in Pirates it’s misplaced. Worse, it’s distracting, as we’re immediately drawn to its movement, grunts and quick-transitioning face.

I lament losing what was there. Projected figures, even the best of them, such as this one, are still media and can still gleam with light. And while the original Pirates of the Caribbean designs by Marc Davis were exaggerated, they were brought back to reality by Blaine Gibson, who sculpted them with bold, hardened features that made them at once heightened but believable. They may have been cartoonish, but they weren’t actual cartoons, and this figure is too much of a contrast, its comic-like excess feeling less relatable, less human. And that says nothing of its snort-like laughs, which reminded me too much of the huffs and puffs of the ride’s donkeys.

It also raises more story questions than it answers. Why, for instance, aren’t the other skeletons caught in a loop? Sometimes more is said by saying less, and this feller leans silly in a portion of the ride that calls for spooky. Ultimately, it just feels unnecessary, a symptom of our often exhausting, tech-obsessed, digital-drenched age where new, needless tools are shoved in our faces daily.

Thankfully, the rest of the attraction serves as a reminder that no computer wizardry can out-class old-school theater. Theme parks should evolve with the times, but sometimes it takes artful restraint to not mess with what’s already timeless.

This week in SoCal theme parks

• Disney California Adventure turns Soarin’ Over California into Soarin’ Across America. The makeover will be unveiled July 2, just in time for the Fourth of July holiday and the celebration of America’s semiquincentennial. While Soarin’ Across America is already open at Florida’s Walt Disney World and I’ve written about the patriotic re-imagining, I’ve waited to see it in the flesh and will have impressions next week.
• Fireworks! If you’re looking for them this weekend, our theme parks have got you covered. Disneyland, of course, has an annual Fourth of July show with patriotic music, and the park will be running “Disney’s Celebrate America! — A Fourth of July Concert in the Sky” Friday through Sunday. If you’re heading to Knott’s, be sure to check out the park’s free-to-visit Independence Hall, a replica of the Philadelphia landmark that will be offering guided tours Friday and Saturday, while Six Flags will feature fireworks Friday through Sunday. Universal Studios Hollywood will on Friday and Saturday debut a new Fourth of July-themed fireworks show.
• Shattered glass on Fast & Furious: Hollywood Drift. Fans are eagerly awaiting the opening of Universal Studios Hollywood’s new “Fast & Furious”-inspired coaster, and word spread via social media recently that a panel of glass on one of the ride’s sound barriers had shattered. Universal declined to comment, but sources familiar with the ride characterized it as an “installation error” that shouldn’t delay the public launch of the ride, which is expected by mid-summer. I reached out to California’s Division of Occupational Safety and Health’s Amusement Ride & Tramway Unit (Cal/OSHA), which monitors the state’s theme park attractions. A spokesperson said the situation was looked into but did not warrant further evaluation.
• Plan your perfect theme park day. The L.A. Times has unveiled a new feature. Now you can save must-try spots from our local guides and build your own personalized list. Or perhaps you’d like to browse my mega-project “Every Southern California theme park ride, ranked” and create an itinerary for your next visit.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Visitors tie paper tags bearing wishes onto trees in the courtyard of the Broad as part of an exhibition dedicated to Yoko Ono.

(Kayla Bartkowski / Los Angeles Times)

Theme parks often are about the power of imagination, allowing us to play pretend in heightened, alternate worlds. And I had theme parks on my mind while I traversed the Broad’s excellent current exhibit dedicated to Yoko Ono.

What, perhaps you wonder, does Ono have to do with theme parks? “Yoko Ono: Music of the Mind” documents the entirety of the artist’s career, and much of her early work centers on play. Real, philosophical play, essentially the idea that through creativity, fantasy and a bit of silliness, we can all see the world differently.

Whether it was communicating with her audience while in a bag (1964’s “Bag Piece”), an antecedent to Meow Wolf’s “Experience Tube,” or offering instructions to count stars, tally our wrinkles, drop off peas on a morning walk, attach wishes to a tree or create fictional maps of our neighborhoods, much of Ono’s career was dedicated toward building community and connections through playfulness and imagination.

It’s freeing work, and a reminder that a little frivolity via participatory art — and that’s really what theme parks and so-called immersive entertainment provide — is a necessary ingredient for happiness.

THERE’S nothing better than a day on the beach – and your hotel is right around the corner.

Well, these are some of the highest-rated beach hotels with thousands of reviews on Tripadvisor and solid ratings – not to mention they’re all under £100 per night.

The View Hotel, Eastbourne

One of the highest-rated beach hotels in England on Tripadvisor is The View Hotel in Eastbourne.

It’s literally steps away from the beach – and those with a room at the front can get incredible coastline views.

To make the most of the beach, make sure to head to the hotel’s Vista Bar Cafe on the seafront where you can munch on fish and chips or indulge in afternoon tea.

On Tripadvisor, it has a rating of 4.5 with over three thousand top reviews with some visitors have calling it the “perfect hotel” and another said it’s an “Eastbourne delight”.

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A double room at The View Hotel for two adults can be booked from £98 per night.

Hotel Pelirocco, Brighton, England

You won’t be getting a standard stay at the Hotel Pelirocco – the quirky spot in Brighton calls itself England’s “most rock n roll hotel”.

Inside it has themed rooms that are based on the likes of Star Wars, Leigh Bowery, Dolly Parton and David Bowie.

Its location means it has easy access to Brighton’s pier, lanes and it’s a one-minute walk to the beachfront.

On Tripadvisor the hotel has a rating of 4.6 with over a thousand ‘excellent’ reviews.

One guest said it’s “not to be missed” and that they’d “seen pictures online but these do not do the hotel or room justice!”

A room at the Hotel Pelirocco in Lord Vader’s Quarter for two adults can be booked from £94 per night.

The House at Ramsgate, Kent, England

The seaside resort of Ramsgate has sandy beaches, vintage ice-cream parlours and shellfish stalls.

If you want to make the most of being by the seaside, check out The House at Ramsgate.

The boutique hotel is inside a Georgian building with sea view and harbour view rooms that range from cosy queen rooms to family suites.

There’s an on-site bar and restaurant too that’s open seven-days a week for breakfast, lunch and dinner.

On Tripadvisor, the hotel has a rating of 4.7 with 754 overwhelmingly positive reviews and guests have called it an “absolutely gorgeous hotel” with “beautiful views”.

A Queen Room at The House at Ramsgate for two adults starts from £95.

Hotel Miramar, Bournemouth, England

Hotel Miramar in Bournemouth describes itself as the ‘best sea view hotel in Bournemouth’ – so it’s ideal for a coastal escape.

Inside are plenty of rooms and suites, some of which have sea views and you can reach the beach by foot in under 10-minutes.

It has a fine dining restaurant called No 43 and the Ocean Bar and Terrace is the must-sit spot for evening meals.

On Tripadvisor, it has a rating of 4.4 and 1,500 top reviews.

One visitor called it a “charming seaside stay” and the beautiful building with pillars and balconies as “stunning”.

A standard double room at the Hotel Miramar for two adults starts from £99.

Llandudno Bay Hotel, Wales

In the “Queen of Welsh resorts” is the Llandudno Bay Hotel.

It sits right on the promenade so you won’t get much closer to the sea than that.

Rooms vary from single sea view rooms all the way to king rooms which have huge bay windows overlooking the beach.

According to the hotel manager, you might even spot a dolphin from your room and dogs are welcome at the hotel too.

The hotel has a rating of 4.2 and over a thousand positive reviews.

Some guests describing it as “just perfect” – another described the views as “stunning”. Double or Twin Room for two adults starts from £90 per night.

Cardigan Bay Guest House, Aberystwyth, Wales

Sitting on the Aberystwyth seafront is The Cardigan Bay Guest House.

The spot offers simple stays and some rooms have huge beach facing bay windows with accommodation ranging from single rooms to a three-bedroom apartment.

On Tripadvisor it has a rating of 3.8 out of five – one visitor called it a “lovely little guesthouse”.

A double room with private bathroom at Cardigan Bay Guest House for two adults starts from £60 per night.

The Ship Inn, Tresaith by Marston’s Inns, Wales

Tucked away in the Welsh town of Tresaith is The Ship Inn pub which also has four rooms all with views across Cardigan Bay.

It sits on the Welsh coastal path and is minutes away from Tresaith Bay which is considered one of the nicest beaches in the country which has a waterfall that drops directly onto the sand.

All four rooms have en-suites and as the pub is just downstairs, pop down anytime for a hearty meal before bed.

On Tripadvisor it has a rating of 3.8 with 236 ‘excellent’ reviews.

One visitor called it a “lovely little traditional hotel right next to the beach” another described it as being “simply perfect”.

A double room with at the Ship Inn for two adults starts from £78 per night.

Carnoustie Golf Hotel and Spa, Scotland

On the outskirts of Dundee is the enormous Carnoustie Golf Hotel and Spa.

It has 96 luxury en-suite rooms, three separate 18-hole golf courses and a spa with a heated swimming pool, Jacuzzi, sauna, steam room and a 15-station gym.

Thanks to its coastal location, front-facing rooms have sweeping views of the North Sea.

On Tripadvisor, the hotel has a rating of 4.1 out of five with over a thousand ‘excellent’ reviews.

One described it as being “posh without being pricey” and as having “beautiful views that don’t disappoint”.

A standard double room at the Carnoustie Golf Hotel and Spa for two adults starts from £94 per night.

Millport Pier Hotel, Millport, Scotland

On the Isle of Cumbrae is a family-run hotel in the quaint seaside town of Millport.

The Millport Pier Hotel has 10 rooms from standard doubles to suites and panoramic views of Newtown Bay and Millport Bay.

On Tripadvisor, the Millport Pier Hotel has a rating of 4.3 with one visitor saying it is a “wee diamond of a place” and one of the “best wee hotels ever.”

A double room at the Millport Pier Hotel for two adults starts from £90 – and it include breakfast.

Bayview Bed and Breakfast, Stonehaven, Scotland

The location is unmatched at Bayview Bed and Breakfast, especially in its ocean view rooms that look out across the North Sea.

Not to mention that each room is self-contained with a private entrance so it won’t even feel like you’re staying at a hotel.

Some are right on the beachfront and they come with private terraces along with little bistro sets so you can enjoy the views all day.

However guests say that if you want to the best views, book the penthouse apartment.

On Tripadvisor, the hotel has a rating of 4.7 out of five. One visitor even wrote in their review: “I really didn’t want to come home.”

You can book a double room with private entrance for two adults from £85 per night.

As one of the biggest techno DJs in the world, Charlotte de Witte never has her feet on the ground for long. But she comes back to L.A. as much as she can.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“Since I started, L.A. has been one of those very important cities. You really want to hit it as a beginning artist. It’s where everything is centered and everything is happening,” De Witte said during an interview at the Grammy Museum in November. She was here celebrating the release of her self-titled album debut. “L.A. made a difference for me.”

Throughout her years partying and performing in L.A., she’s played clubs such as Sound and Exchange LA. Then she grew to larger spaces like the Shrine and City Market, where she played open-to-close sets.

In the past, when things haven’t been as hectic, De Witte has enjoyed many of L.A.’s unique cultural offerings. Here are a few of her favorite things to do on a Sunday in the city.

9 a.m.: Coffee at Maru downtown

When I’m staying around downtown, I like to go to the Arts District and stop by Maru for a coffee. They also make great matcha and pastries. Whether it’s to-go or you’re just hanging around for a bit, great coffee is the best way to start the day!

11 a.m. Roller skate from Venice to Santa Monica

If we have a little bit more time to enjoy L.A. on tour, we always go to Venice. It’s such a unique place to be, but it’s also a very chill place. You’re in L.A., which is a huge city, but because you’re also next to the ocean it’s more calming for the mind and soul. When I’m on tour, I’m always in big cities, in the middle and the heart of where everything’s happening, and I could miss some peace and quiet, because I live in the countryside at home in Lisbon. Venice is that bright, sweet spot in the middle, where you have the more relaxing presence of the water and the beach, but still connected to Los Angeles.

Noon: Lunch at Gjusta

My manager is a big fan of Gjusta. He goes there all the time, wherever he is staying, so I think it kind of rubbed off on me.

2 p.m.: Facial treatment at Formula Fig in Culver City

A facial treatment is one of my favorite self-care moments when I’m on the road. It helps me relax and keeps me feeling fresh. The area around the Culver City location is also really nice for a walk or to grab a drink or a bite.

4 p.m.: Cruise around L.A. with an old-school Manx Beach Buggy

Manx Beach Buggies are an amazing buzz! I recently had the chance to take one for a spin around the city with my wonderful friends at Race Service, the car culture hub on Venice Boulevard in Mid-City. They had an event at Living Room. People from all over the U.S. drove there with their cars. It was incredibly fun, and it felt very, very L.A.!

6 p.m.: Dinner at Dudley Market

I am kind of into wine, especially natural wines. In Portugal, we are doing a lot with wines. Actually, we are building our own vineyard, so it’s important to us to learn more about natural winemaking. Dudley has amazing food and a great wine selection, and it’s also in Venice, so it’s perfect.

11 p.m.: Night out in a rough and sweaty warehouse like Aurora

As a DJ, I obviously have to end my night on the dance floor. It’s such a primal feeling to go clubbing, to all come together and dance to a beat. To feel this in your chest, it’s an experience that human beings have been doing throughout history. Because of the time that I spent on the dance floor, but also the time that I spent on the other side as a DJ, I would really argue that clubbing is essential in everyone’s life. It’s also self-care. During my last stay in L.A. — the week I released my debut album — I played five shows during a three-day period. I enjoyed all the sets, but to end the day with a deep dive into the night, Aurora Warehouse is a great venue.

For a second day in a row, the United States has launched strikes on Iran, once again citing an attack against a commercial vessel as a motivation.

Saturday’s renewed attacks are the latest indication that a Middle East ceasefire, established as part of a June 17 memorandum of understanding between the US and Iran, might be at breaking point.

In a statement, US Central Command (CENTCOM), which directs military action in the Middle East, explained that the latest attacks came “at the Commander in Chief’s direction”.

“CENTCOM forces launched strikes today in direct response to continued Iranian aggression against commercial shipping,” the command centre wrote.

“U.S. military aircraft targeted Iranian military surveillance infrastructure, communication systems, air defense sites, drone storage facilities, and minelayer capabilities.”

Explosions were reported in southern Iran, around the village of Tahrui, near the port of Sirik, which was also the focal point of Friday’s US attacks. State media also indicated that Qeshm Island had been hit.

Responses to cargo ship strikes

Saturday’s strikes against Iran followed a similar playbook to Friday’s.

Early on Saturday morning, at about 4:30am Eastern US time (08:00 GMT), the Panama-flagged tanker Kiku was travelling through the Strait of Hormuz when it was reportedly hit by an unidentified projectile.

No crew members were injured, and no leakage was reported from its cargo.

CENTCOM said the ship had been carrying more than 2 million barrels of crude oil when it was hit by a “one-way attack drone”.

The website MarineTraffic.com indicates that the tanker left the Al Shaheen oilfield on Thursday and is due to dock in Fujairah, in the United Arab Emirates, on Sunday.

A similar sequence of events prompted Friday’s volley of US attacks.

In that case, a Singapore-registered container ship, the Ever Lovely, was struck by a drone as it sailed through the Strait of Hormuz on Thursday. No one on board was injured, and the boat continued on its travels.

But US President Donald Trump denounced the drone strike on Friday as a “foolish violation” of the June 17 memorandum.

By that evening, the US and Iran had exchanged fire, with the US targeting the area around Sirik, and Iran hitting US military installations in the Middle East.

CENTCOM referenced Friday’s actions in announcing the latest round of strikes.

“After yesterday’s U.S. strikes in response to the Iranian attack on M/V Ever Lovely, Iran was given a chance to honor the ceasefire agreement,” CENTCOM wrote.

Iran “elected not to”, it added, citing the Kiku drone strike. CENTCOM also maintained that commercial traffic through the Strait of Hormuz, a sticking point in ceasefire negotiations, would continue, with US military backing.

“U.S. forces remain vigilant, lethal, and ready,” CENTCOM said in its statement.

Controlling the strait

Central to the latest round of fighting is control over the Strait of Hormuz, a key artery for maritime traffic. Nearly 20 percent of the world oil supply passed through the narrow waterway in peacetime, as well as significant quantities of fertiliser and natural gas.

But after the US and Israel launched attacks on Iran on February 28, launching the present-day war, Tehran moved to shut down traffic through the strait, which sits between its shores and Oman’s.

Iran’s decision sent global fuel prices skyrocketing, and that generated pressure, both domestic and international, for the Trump administration.

The June 17 memorandum was designed to provide relief. Though it was a prelude to further negotiation, the deal called for the US, Iran and their allies to “declare the immediate and permanent termination of military operations on all fronts, including in Lebanon”.

It also outlined a 60-day period during which time Iran was to make its “best efforts” at allowing commercial traffic to transit through the Strait of Hormuz at no charge.

That part of the memorandum specified that Iran and Oman, the two countries that border the strait, would determine “future administration and maritime services” in the waterway.

But continued fighting in Lebanon has prompted Iran to threaten the strait’s closure once more.

Then, there is the question of the memorandum’s terms. Experts say the US and Iran have come to different understandings of how the June deal should be enforced.

Al Jazeera correspondent Resul Serdar Atas explained that Iran believes it should be allowed to restrict commercial traffic that does not have prior clearance to pass through the strait.

“Article Five of the memorandum of understanding, according to the Iranian officials, is clearly saying that any ship, whether it’s going through the Iranian territorial water or the Omani territorial water, has to be in full coordination with the Iranian authorities,” he said.

“But that is not understanding of Americans. The Americans are saying, ‘Well, if it is going through the Omani territorial waters, they do not need to coordinate with the Iranian authorities.’”

That, in turn, is leading to a disagreement over who is violating the terms of the ceasefire. The US sees Iran as violating the agreement by interfering with commercial vessels, while the Iranians perceive the US as breaking its commitment to stop fighting.

“That is the pattern,” Serdar Atas said. “For Americans, keeping the Strait of Hormuz open is quite important for the stability of the global economy. But for Iran, the Strait of Hormuz being under Iranian control is the ultimate deterrence and the biggest leverage.”

Tit-for-tat ‘could get out of hand’

Some of the hostilities are a result of the high level of distrust between Iran and the US, according Hassan Ahmadian, a professor at the University of Tehran.

He noted that Iran’s insistence that ships passing through the Strait of Hormuz receive its clearance could be read as a defensive action.

“I think the Iranians will not let go of this because obviously they want only commercial ships, according to the MoU, to pass through the strait. So any ship that doesn’t coordinate might be a military one, might carry military stuff,” Ahmadian said.

He believes that the latest flurry of US attacks may prompt Iran to halt any deliberations with the Trump administration as they seek to cement a peace deal.

The US side, meanwhile, is likely to face pressure from rising oil prices as the result of the renewed fighting, according to Harlan Ullman, a retired US naval officer and chairman of The Killowen Group, a global advisory firm.

Still, Ullman warned that the latest exchange of fire could spiral into an escalation in violence, rendering the memorandum of understanding moot.

“The agreements are very, very fragile, and this tit-for-tat could get out of hand,” Ullman said.

“If prices go up, as I suspect they will, that will be a moderating influence, and I think the United States will consider that rising oil prices are not good, and it will probably continue the negotiations.  But right now, who knows?”

NEW YORK — David Clayton-Thomas, the lead singer of Blood, Sweat & Tears, whose husky, high-strung tenor on “Spinning Wheel,” “And When I Die” and other hits helped make the so-called brass rock band among the most popular acts of the late 1960s, has died at age 84.

Spokesperson Eric Alper said that Clayton-Thomas died peacefully Wednesday at St. Michael’s Hospital in Toronto. Alper did not cite a specific cause of death.

Clayton-Thomas was a onetime street fighter and petty thief from Canada who briefly became a rock superstar, the front man of a nine-member group that sold millions of records and won two Grammys for “Blood, Sweat & Tears,” which beat out the Beatles’ “Abbey Road” for best album of 1969. Calling out amid a jazzy parade of horns, keyboards and percussion, Clayton-Thomas’ urgent shout was a signature voice of the era, preaching love on the Motown cover “You’ve Made Me So Very Happy,” a lasting legacy on Laura Nyro’s “And When I Die” and a cool head on his own “Spinning Wheel.” Meanwhile, Blood, Sweat & Tears helped inspire a wave of horn-led bands, among them Chicago, the Electric Flag and Ten Wheel Drive.

“A lot of the guys [in Blood, Sweat & Tears] would play a Broadway show matinee, then go up to Harlem and play Latin music or R&B and funk at night, or come down to the Village and play pure jazz the next night,” Clayton-Thomas told Bestclassicbands.com in 2023. “I was just a blues player: Give me three chords and I’ve got a song.”

At its peak, Blood, Sweat & Tears’ appeal was so broad it helped lead to the band’s downfall.

Hip enough to perform at the 1969 Woodstock festival, where they were among the highest paid acts, they also were known enough to the establishment to tour Eastern Europe the following year on behalf of the State Department. When Clayton-Thomas and other band members denounced the Communist regimes on the other side of the Cold War, Rolling Stone’s David Felton wrote that “the State Department got its money worth.” Counterculture Yippies would turn up at a 1970 Blood, Sweat & Tears show at Madison Square Garden, carrying obscene banners outside and dumping manure by the front gate.

The band had practical reasons for going along with the government: Clayton-Thomas, who had allegedly wielded a gun at his girlfriend, had been denied a green card and faced deportation. But after topping the charts in 1970 with the album “Blood, Sweat & Tears 3,” their appeal soon faded. A burned-out Clayton-Thomas left the group in 1972, and neither he nor the remaining musicians ever regained their old stature. Blood, Sweat & Tears would continue recording over the next few years, and even briefly reunited with Clayton-Thomas, who went on to release more than a dozen solo albums and tour on his own for decades.

Beginning under a licensing agreement reached in 1984, Clayton-Thomas toured as “Blood, Sweat Tears” for 20 years with a revolving roster of bandmates. A 1994 Times review of a show at the Coach House in San Juan Capistrano reported that “BS&T’s formula has legs, that its music has withstood the test of time. Indeed, in a world full of today’s pop harmonic minimalism, the sound of trumpets, trombones, guitar and sax backing a singer somehow seems fresh, even if it has been around for so long,” and Clayton-Thomas “still has all the enthusiasm and buzz-saw roughness that gave his voice its distinctive quality way back when.”

In 2005, BS&T re-formed (without Clayton-Thomas, who continued his solo career) and has toured since with various lead singers.

Clayton-Thomas was inducted into the Canadian Music Hall of Fame in 1996. “Spinning Wheel,” covered by everyone from James Brown to TV star Barbara Eden, was voted into the Canadian Songwriters Hall of Fame a decade later.

Born David Henry Thomsett on Sept. 13, 1941, in Kingston upon Thames, near London, and raised near Toronto and Ottawa, he was the son of a Canadian World War II veteran and of a pianist-entertainer who helped inspire her son’s interest in music. Thomsett was lucky to have the chance. He fought violently with his father, was living in the streets by his mid-teens and by age 20 was serving time in a reformatory for vagrancy, assault and other crimes.

An old guitar, left behind by a fellow inmate, changed his life. He taught himself to play and began spending extensive time in the early 1960s around Toronto’s Yonge Street music “strip,” where peers included the American rockabilly star Ronnie Hawkins, a mentor to Robbie Robertson and other future members of the Band and a guide for Thomsett early in his career.

Eager to reinvent himself, he changed his last name to Clayton-Thomas while leading his own groups. In the mid-’60s, he released such albums as “Sings Like It Is” and had a hit single with the antiwar rocker “Brainwashed.” He would also befriend a rising star, Joni Mitchell, whose childlike “Circle Game” helped inspire “Spinning Wheel,” and the venerable John Lee Hooker, who would indirectly contribute to Clayton-Thomas’ breakthrough in the U.S.

The band Blood, Sweat & Tears, including David Clayton-Thomas, far right, from the documentary “What the Hell Happened to Blood, Sweat & Tears?”

(Sony Music Archives)

Hooker had encouraged Clayton-Thomas to move to New York, where the American bluesman had an engagement at the Cafe Au Go Go in Greenwich Village. When Hooker unexpectedly departed for a tour of Europe, club owner Howard Solomon needed a replacement and recruited Clayton-Thomas.

“So I played him a couple songs on the guitar,” Clayton-Thomas told Bestclassicbands.com. “He said, ‘Do you have a band?’ I said, ‘Sure,’ and went out into Greenwich Village looking for anybody carrying a guitar case or even looking like a musician, and we put together a little band and we opened there that night. We ended up staying there for several months.”

Around the same time, session man-producer Al Kooper was looking to form a jazz-rock group and was joined by such musicians as guitarist Steve Katz, drummer Bobby Colomby and horn players Randy Brecker and Jerry Weiss. They called themselves Blood, Sweat & Tears, releasing the debut album “Child Is Father to the Man” early in 1968. Although praised by Rolling Stone publisher Jann Wenner as “a fine, exemplary group,” members were torn between those allied with Kooper and those who thought his vocals too weak to attract a substantial audience.

By the end of the year, Kooper and others had departed, and the band was seeking a new singer. After Judy Collins saw Clayton-Thomas perform, she recommended him to Colomby.

“I got home and just a couple of days later, Bobby Colomby called me up and said, ‘Hey, Kooper’s gone. We got four guys left out of the nine. And we still got a record contract with Columbia. Do you want to come down and try out for the band?’ ” Clayton-Thomas told Bestclassicbands.com. ”I said, ‘You’re damn right.’ I knew [bassist] Jim Fielder real well and I knew they were superb musicians. So I was on the next plane. We had a rehearsal that afternoon, an audition, and it was instant magic. We just knew right off the bat.”

Clayton-Thomas is survived by his daughters, Ashleigh Clayton-Thomas and Christine Graham.

Italie writes for the Associated Press.

A WHOLE load of UK holiday parks will be cheaper this summer thanks to the new Government initiative.

From today until September 1, there will be the Great British Summer Savings tax cut across UK attractions.

In addition to days out and meals, holiday parks will also be cheaper this summer.

The scheme means there will be between a five and 20 per cent tax cut on days out across the UK .

All 39 Haven holiday parks will be participating in the scheme, as well as three Butlin’s resorts.

For Haven, it doesn’t matter whether you have already booked a holiday or book it in the coming weeks – you will still make savings.

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Across the parks, kids’ meals will be cheaper and those who purchase a Play Pass as a part of their booking will also get a £7.50 voucher per child which can be use for any of the activities at Haven’s parks.

Simon Palethorpe, CEO of Haven, said: “Summer is a time for making memories, and that’s why we’re giving back up to £5 million to our guests and owners as part of the Government’s Great British Summer Savings initiative.

“We know household budgets remain under pressure, and we want to help our holidaymakers enjoy more of what matters – whether that’s a hole-in-one on the Crazy Golf, a leap of faith off The Jump tower or another shot to hit the bullseye in the Archery.”

In the summer holidays you could head to Haggerston Castle between August 24 and 28 for £435, working out at £27.19 per person per night, based on a family of four.

The holiday park is located near Berwick-upon-Tweed in Northumberland and is on a historic estate.

At the park you can head to a large indoor swimming pool with its own waterslide, or outside try out Aerial Adventure.

There’s also a Wetherspoons onsite for cheap tipples.

If you want to head away sooner than this, you could visit Haven Caister-on-Sea Holiday Park, which is Britain’s oldest holiday park.

Not too far from Great Yarmouth in Norfolk, the holiday park has direct access to the beach.

You can also head to the family activity hub onsite with off-road 4×4 mini karts.

There’s also both indoor and outdoor pools.

A four-night stay between July 6 and 10 costs from £169 – which equals just £10.57 per person, based on a family of four.

Butlin’s Minehead, Skegness and Bognor Regis will also participate in the scheme.

A Butlin’s spokesperson said: “We’re pleased to support the Great British Summer Savings initiative by passing on the temporary VAT reduction where eligible.

“Families visiting our resorts will enjoy savings on Day Visits and children’s meals across a range of our dining venues during the campaign period.”

Away Resorts has also confirmed to Sun Travel that it will be participating in the scheme – all children’s food at Away Resorts will be reduced, even including kids eat for £1 for now less than £1.

The resorts are also discounting show tickets.

Away Resorts still has lots of availability for the coming weeks as well as the summer holidays.

For example, you could stay at Tattershall Lakes in the Lincolnshire countryside.

The holiday park has both indoor and outdoor pools and is a great place to cool down in the head as you can head paddleboarding or jet skiing.

There’s also adventure golf, a high ropes course, zip-lining and even axe throwing.

A three-night stay between July 3 and 6 costs from £291 – which works out at £24.25 per person per night, based on a family of four.

Alternatively, if you wanted a holiday park break during the school summer holidays, you could head to Clumber Park in Nottinghamshire.

The holiday park is surrounded by forest and rolling hills and even has hot tubs.

As for things to do at the site, you can hire bikes and head off on a cycle.

And nearby, you could try out a round of golf at Worksop Golf Club & Clumber Park Lodges.

A three-night stay between August 13 and 16 costs from £420 – which works out at £35 per person per night, based on a family of four.

Center Parcs told Sun Travel: “While we welcome measures to support the hospitality and leisure sector, the majority of the VAT reductions announced are targeted at day attractions and therefore don’t apply to us here at Center Parcs.

“However, throughout the summer we have introduced our ‘Kids eat for £2’ promotion across our village restaurants during the summer holidays, which provides an even greater saving for guests.”

Over the period, Park Holidays are reducing their kids’ menus cost from £7.95 to £7.45.

Parkdean Resorts declined to comment.

Families will also be able to save money on children’s meals, cinema tickets, theatre shows, soft play centres, theme parks, museums and zoos.

There will also be free bus travel for children in England across August.

Sun Travel has contacted Park Holidays UK and Bluestone National Park Resort to see if they are participating.

Prices correct at the time of publication.

Lakers get Cameron Carr

From Broderick Turner: In the first round of Tuesday night’s NBA draft, the Lakers made a trade with the New York Knicks, acquiring Cameron Carr, who the Knicks had selected with the 24th overall pick.

The Lakers then took guard Sergio De Larrea from Spain with the 25th pick and traded him to the NBA champion Knicks, along with cash considerations. The Lakers went to Spain recently to watch De Larrea work out.

Lakers president of basketball operations Rob Pelinka didn’t talk about the trade because the NBA had not made it official as of late Tuesday night. Carr was in New York at the draft, but he also didn’t speak with the media.

In need of athletic wing players on a team that could have up to nine free agents, the Lakers got one with 21-year-old Carr.

The 6-foot-5 Carr averaged 18.9 points per game at Baylor, 5.8 rebounds and 2.6 assists. Carr shot 49.4% from the field and 37.4% from three-point range.

Continue reading here

NBA draft order with pick-by-pick selections

Clippers select Keaton Wagler

From Thuc Nhi Nguyen: After a three-day visit to L.A., Keaton Wagler found his new home.

The Clippers picked Wagner fifth overall in the NBA draft Tuesday at Barclays Center, using the franchise’s highest draft pick since 2009 on the former Illinois guard. During a hectic draft process in which some top players don’t speak to the team that ultimately picks them, Wagler said the Clippers showed consistent interest and communicated with him and his agent, giving him confidence he could hear his name called early during Tuesday’s loaded first round.

“I’m just super excited to get out there,” Wagler said. “They have a great front office and coaching staff and players, and I just can’t wait to get out there and get going.”

The 6-foot-6 guard was named Big Ten freshman of the year after averaging 17.9 points, 5.1 rebounds and 4.2 assists per game. Under-recruited out of high school, the Kansas native held college offers from schools including Oral Roberts, DePaul and Murray State before starring at Illinois.

When NBA Commissioner Adam Silver read Wagler’s name aloud, he hugged everyone at his table, walked between two smoke towers and grabbed a Clippers hat with a bedazzled team logo before shaking Silver’s hand.

Continue reading here

NBA draft order with pick-by-pick selections

Dodgers rout the Twins

From Maddie Lee: Chuckie Robinson hadn’t recorded a hit yet as a Dodger. As the third-string catcher, joining the major league squad midseason, his main focus had to be the defensive side. Anything on offense was a bonus.

Because of a rash of injuries, he was the only Dodgers catcher available Tuesday. And in the fourth inning, Robinson stepped up to the plate and lined a single into shallow left field, moving Alex Call to third, and setting up Shohei Ohtani for a sacrifice fly.

That’s how the Dodgers routed the Twins 12-3 on Tuesday, with contributions from up and down the lineup. And that’s how the Dodgers (51-29) have claimed the best record in the majors, despite injuries to key players.

“The depth,” first baseman Freddie Freeman said when asked what that record reflected. “We’ve got really good depth, we’ve got really good players, guys that care. Doesn’t matter what’s happening; we’ve got a lot of guys injured right now, and you’ve got guys stepping up, making big plays, big at-bats.”

Freeman himself went three for five with a pair of doubles and two RBIs on Tuesday. But Robinson, with starting catcher Will Smith still on the injured list with a neck injury and backup catcher Dalton Rushing temporarily unavailable after a concussion scare Monday, also had two hits and brought in a run with a sacrifice bunt.

Continue reading here

MLB clears Dodgers’ Dr. Neal ElAttrache after link to Conor McGregor steroids report

Dodgers box score

MLB standings

Angels defeat the Orioles

Rookie right-hander Ryan Johnson gave up one hit over six scoreless innings, Nolan Schanuel hit an early two-run home run and the Angels beat the Baltimore Orioles 5-1 on Tuesday night.

In his third career start, Johnson (1-2) carried a no-hitter into the sixth inning before Jeremiah Jackson hit a line drive single to center with one out. Johnson allowed one walk with career highs of eight strikeouts and six innings, while throwing 90 pitches.

A second-round draft pick by the Angels in 2024, Johnson earned his second career win against a Baltimore offense which combined to score 18 runs over its previous two games.

Continue reading here

Angels box score

MLB standings

World Cup: Matt Freese took different path to become U.S. goalie

United States goalkeeper Matt Freese.

(Kelvin Kuo / Los Angeles Times)

From Kevin Baxter: Playing in goal for the U.S. men’s national soccer team is a little like playing right field for the Yankees. You’re following a long line of great players, making the comparisons — and the high expectations — unavoidable.

Matt Freese is the latest to be thrown into that crucible. But he considers that pressure to be a privilege, not a problem.

“I wouldn’t say it’s intimidating, I would say it’s inspiring,” he said before the U.S. training session Tuesday morning in Irvine. “It’s a long line of goalkeepers that I’ve looked up to for my whole life — and there were some before my life as well.”

Two games into this summer’s World Cup he’s certainly held his own with that group, giving up just one goal for a team that’s unbeaten and already through to the next round. However Thursday’s group-stage finale with winless Turkey will be far from meaningless for Freese since his first start for the U.S. came against Turkey 55 weeks ago, bringing his whirlwind international team career full circle.

Continue reading here

Click here for complete TV schedule, groups and players to watch

Full World Cup coverage

Tuesday’s World Cup results

Group K
Portugal 5, Uzbekistan 0
Colombia 1, Congo DR 0

Group L
England 0, Ghana 0
Croatia 1, Panama 0

Today’s World Cup TV schedule

All times Pacific
Noon, Bosnia-Herzegovina vs. Qatar, FS1, Telemundo
Noon, Switzerland vs. Canada, Fox, Telemundo
3 p.m. Morocco vs. Haiti, FS1, Universo
3 p.m., Scotland vs. Brazil, Fox, Telemundo
6 p.m., Czechia vs. Mexico, Fox, Telemundo
6 p.m., South Africa vs. South Korea, FS1, Universo

World Cup Group standings

Group A
Country, W-D-L, Goal Differential, Points
x-Mexico, 2-0-0, +3, 6
South Korea, 1-0-1, 0, 3
Czechia, 0-1-1, -1, 1
South Africa, 0-1-1, -2, 1

Group B
Canada, 1-1-0, +6, 4
Switzerland, 1-1-0, +3, 4
Bosnia-Herzegovina, 0-1-1, -3, 1
Qatar, 0-1-1, -6, 1

Group C
Brazil, 1-1-0, +3, 4
Morocco, 1-1-0, +1, 4
Scotland, 1-0-1, 0, 3
Haiti, 0-0-2, -4, 0

Group D
x-United States, 2-0-0, +5, 6
Australia, 1-0-1, 0, 3
Paraguay, 1-0-1, -2, 3
Turkiye, 0-0-2, -3, 0

Group E
x-Germany, 2-0-0, +7, 6
Ivory Coast, 1-0-1, 0, 3
Ecuador, 0-1-1, -1, 1
Curacao, 0-1-1, -6, 1

Group F
Netherlands, 1-1-0, +4, 4
Japan, 1-1-0, +4, 4
Sweden, 1-0-1, 0, 3
Tunisia, 0-0-2, -8, 0

Group G
Egypt, 1-1-0, +2, 4
Iran, 0-2-0, 0, 2
Belgium, 0-2-0, 0, 2
New Zealand, 0-1-1, -2, 1

Group H
Spain, 1-1-0, +4, 4
Uruguay, 0-2-0, 0, 2
Cape Verde, 0-2-0, 0, 2
Saudi Arabia, 0-1-1, -4, 1

Group I
x-France, 2-0-0, +5, 6
x-Norway, 2-0-0, +4, 6
Senegal, 0-0-2, -3, 0
Iraq, 0-0-2, -6, 0

Group J
x-Argentina, 2-0-0, +5, 6
Austria, 1-0-1, 0, 3
Algeria, 1-0-1, -2, 3
Jordan, 0-0-2, -3, 0

Group K
x-Colombia, 2-0-0, +3, 6
Portugal, 1-1-0, +5, 4
Congo DR, 0-1-1, -1, 1
Uzbekistan, 0-0-2, -7, 0

Group L
England, 1-0-1, +2, 4
Ghana, 1-0-1, +1, 4
Croatia, 1-0-1, -1, 3
Panama, 0-0-2, -2, 0

x-clinched round of 32

The top two teams in each group plus the next eight best third-place teams advance to the next round.

Note: The U.S. is locked into a July 1 knockout stage game against the third-place team from either Group B, E, F, I or J at Levi’s Stadium in Santa Clara.

This day in sports history

1910 — James Braid wins his fifth British Open with a four-stroke victory over Sandy Herd.

1911 — John McDermott becomes the first American-born winner of the U.S. Open when he beats Michael Brady and George Simpson in a playoff. McDermott finishes two strokes better than Brady and five strokes better than Simpson.

1913 — John Henry Taylor wins his fifth and final British Open Championship at Royal Liverpool Golf Club at Hoylake, England.

1922 — American Professional Football Assn. is renamed the National Football League.

1922 — Charter NFL club Chicago Staleys renamed Chicago Bears by team founder, owner and head coach George Halas.

1928 — John Farrell beats Bobby Jones by one stroke in a 36-hole playoff to win the U.S. Open.

1947 — Jim Ferrier wins the PGA championship by defeating Chick Harbert 2 and 1 in the final round.

1958 — Brazil, led by 17-year-old Pele, beats France 5-2 in a semifinal of the World Cup. With Brazil up 2-1 in the second half, Pele scores three consecutive goals.

1968 — Joe Frazier stops Mexican challenger Manuel Ramos in 2nd round TKO at NYC’s Madison Square Garden in his first heavyweight boxing title defense.

1968 — Canada’s Sandra Post beats Kathy Whitworth by seven strokes in a playoff to become the first non-U.S. player and rookie to win the LPGA championship.

1980 — The Atlanta Flames relocate to Calgary, Alberta. The NHL team keeps the name “Flames.”

1990 — Criminal Type becomes the first horse to win consecutive $1 million races after capturing the Hollywood Gold Cup. He had previously won the $1 million Pimlico Special on May 12.

1991 — The NHL’s Board of Governors adopts instant replay.

1992 — NBA Draft: LSU center Shaquille O’Neal first pick by Orlando Magic.

1995 — Stanley Cup Final, Meadowlands Arena, East Rutherford, NJ: New Jersey Devils beat Detroit Red Wings, 5-2 for a 4-0 series sweep; Devils’ first Stanley Cup finals appearance.

1998 — NBA Draft: Pacific center Michael Olowokandi first pick by Los Angeles Clippers.

2000 — Rick DiPietro is the first goalie drafted No. 1 when the New York Islanders select the 18-year-old star from Boston University at the NHL Draft.

2001 — Karrie Webb, 26, captures the LPGA Championship by two strokes to become the youngest woman to complete the Grand Slam.

2004 — NBA Draft: Southwest Atlanta Christian Academy power forward Dwight Howard first pick by Orlando Magic.

2010 — John Isner outlasts Nicolas Mahut in the longest match in tennis history. Isner hits a backhand winner to win the last of the match’s 980 points, and takes the fifth set against Mahut 70-68. The first-round match took 11 hours, 5 minutes over three days, lasting so long it was suspended because of darkness — two nights in a row. Play resumed at 59-all and continued for more than an hour before Isner won 6-4, 3-6, 6-7 (7), 7-6 (3), 70-68.

2010 — John Wall is selected as the No. 1 pick in the NBA draft by the Washington Wizards, and a record number of Kentucky teammates follow him. Four more Wildcats are among the top 30 selections, making them the first school ever to put five players in the first round.

2011 — NHL Draft: Red Deer Rebels (WHL) center Ryan Nugent-Hopkins first pick by Edmonton Oilers.

2013 — Bryan Bickell and Dave Bolland score 17 seconds apart in the final 1:16 of the third period and the Chicago Blackhawks win the Stanley Cup with a stunning 3-2 comeback victory in Game 6 over the Boston Bruins.

2016 — NHL Draft: ZSC Lions (NLA) center Auston Matthews first pick by Toronto Maple Leafs.

2018 — Harry Kane scores a hat trick to propel England to its most emphatic World Cup victory and into the knockout stage. With John Stones heading in twice and Jesse Lingard curling in a shot, England beats Panama 6-1 and scores its most goals ever in a World Cup game.

2022 — American Katie Ledecky wins the 800m gold medal in 8:08.04 at the World Swimming Championships in Budapest; completes 400/800/1500m treble for unprecedented 4th time at a single worlds.

2024 — The Florida Panthers win their first title in franchise history defeating the Edmonton Oilers 2-1 in Game 7. MVP: Connor McDavid (Oilers C).

Compiled by the Associated Press

This day in baseball history

1936 — Rookie Joe DiMaggio hit two homers in the fifth inning and added two doubles in the New York Yankees’ 18-4 victory over the St. Louis Browns.

1950 — Wes Westrum of the New York Giants hit three home runs and a triple in a 12-2 victory over the Cincinnati Reds.

1955 — Harmon Killebrew hit his first major league homer, off Billy Hoeft at Griffith Stadium, but the Detroit Tigers beat the Washington Senators 18-7.

1962 — Jack Reed, a substitute outfielder, hit a homer off Phil Regan in the 22nd inning to give the New York Yankees a 9-7 win over the Detroit Tigers in a game that lasted 7 hours, 22 minutes. It was the only homer Reed hit in the majors.

1968 — Jim Northrup tied a major league record by hitting two grand slams in one game as the Detroit Tigers beat the Cleveland Indians 14-3.

1983 — Don Sutton of the Milwaukee Brewers became the eighth pitcher in major league history to strike out 3,000 batters. Sutton’s 3,000th victim was Cleveland’s Alan Bannister in a 3-2 win over the Indians.

1984 — Oakland’s Joe Morgan hit his 265th home run as a second baseman, breaking Roger Hornsby’s career home run record for that position. Morgan’s homer off Frank Tanana was the 267th of his career and led the A’s to a 4-2 win over Texas.

1993 — Carlton Fisk of the White Sox, plays his 2,226th and final major league game, surpassing Bob Boone’s record of 2,225 for most games caught.

1993 — The Marlins obtain OF Gary Sheffield and P Rich Rodriguez from the Padres for P Trevor Hoffman, Andres Berumen and Jose Martinez.

1994 — Jeff Bagwell hit three homers, two in one inning to tie a major league record, as the Houston Astros beat the Dodgers 16-4.

1997 — Randy Johnson of the Seattle Mariners struck out 19 batters — one short of Roger Clemens’ major league record for a nine-inning game. He became the first AL left-hander to fan 19, but the Oakland Athletics won 4-1.

2002 — Both starters in the first game of the Angels-Texas doubleheader — Joaquin Benoit and Aaron Sele — threw 96 pitches, 53 strikes and 43 balls. Benoit and the Rangers won 8-5.

2003 — Brad Wilkerson hit for the cycle, going 4-for-4 with four RBIs, in Montreal’s 6-4 win over Pittsburgh. It was the first cycle in the majors this season and was performed in sequence — single, double, triple and homer.

2014 — Brothers B.J. and Justin Upton tied the major league record for brothers homering in the same game as teammates, accomplishing the feat for the fourth time, in Atlanta’s 3-2 win over Houston. Other brothers who had homered in the same game four times were Jeremy and Jason Giambi for the Oakland A’s and Vladimir and Wilton Guerrero for the Montreal Expos.

2015 — Pavin Smith homered and drove in three runs and Brandon Waddell turned in another strong College World Series pitching performance, leading Virginia over Vanderbilt 4-2 for the school’s first baseball national championship.

2017 — Three Oakland A’s players, Matt Olson, Jaycob Brugmand and Franklin Baretto, hit their first career home run in a 10-2 win over the White Sox.

2019 — The Yankees tie a record belonging to the 2002 Rangers by homering in their 27th straight game on their way to defeating the Blue Jays.

2018 — The Dodgers set a National League record with seven solo home runs in an 8-7 win over the Mets.

2021 — The Chicago Cubs throw the first combined no-hitter in franchise history beating the Dodgers 4-0. It was the seventh no-hitter of the season.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

When the creators behind Universal Studios Hollywood’s soon-to-open “Fast & Furious” coaster discusses the attraction, they speak of it not only as the most grown-up, intense ride at the park, but also as one of the most extreme coasters in Universal‘s global portfolio. That means, in theory, a ride as vaunted as its Florida coasters Jurassic World VelociCoaster and Stardust Racers.

For riders, some of the perception of danger will come from the coaster’s location. Fast & Furious: Hollywood Drift is set on a hill between the park’s upper and lower lots. It will careen over, under and around guest escalators, and take attendees on a journey that includes multiple inversions and speeds of 72 mph, making it the fastest coaster at any Universal park. A particularly unique facet is the ability for its cars, each meticulously designed after a real vehicle, to rotate 360 degrees.

Plenty of coasters have the capacity to spin, but Universal has been hyping the high-speed “drift” sensation of its cars. Each ride vehicle will have distinct programming along the coaster’s 4,100 feet of track, and the hope is to create the feel of a stunt car just barely maintaining its control.

I like a coaster, but I’m also, I’ll admit, a tad squeamish. Hollywood Drift is expected to open by mid-summer, and at the time of writing, only Universal stakeholders had been on the attraction. Jon Corfino, the park’s lead creative executive, was one of those riders, so as he gave me a tour of the coaster, I pressed him to describe what the experience is like. Here’s what I learned.

So Fast & Furious: Hollywood Drift is intense. But just how intense is it?

A loop on Fast & Furious: Hollywood Drift.

(Todd Martens / Los Angeles Times)

The late, great theme dark designer Eddie Sotto once devised a simple formula for what makes a good coaster: Fear minus death equals fun. I wanted to ask Corfino just how scared I would be. Answer: Pretty frightened. Probably.

“It’s a high level of intensity, absolutely, for sure,” Corfino says.

And yet Corfino tried to calm my nerves. Hollywood Drift, he explained, is designed to feel relatively slick — polished, if you will.

“I’ve ridden coasters that I would say are high intensity, but they’re very aggressive,” he says. “They’re very rough. But if you look at what we tried to achieve here, it’s that you’re in a [car] vehicle. It’s very smooth. It’s not something that would be not natural for a car, if that makes sense.”

Well, except for the whole going upside down part. Based on Corfino’s assessment, we can expect some white knuckles, as Hollywood Drift will lift riders off their seats at multiple points.

“You definitely feel you’re coming out a couple times, and not the least of it is when you’re upside down,” Corfino says. The coaster will utilize a lap restraint that extends from the top.

“You’ll be holding on,” he says. “When you’re upside down, you’re holding on.”

What about the drops?

Unversal Studios’ Hollywood’s Fast & Furious: Hollywood Drift is set to open this summer.

(Todd Martens / Los Angeles Times)

Corfino didn’t pinpoint the exact steepness of the drops on Hollywood Drift, but riders will encounter one immediately after launch. When exiting the show building, designed to look like a warehouse garage, Hollywood Drift will take a sudden dip off a cliff. The sharp drop is one of many.

Riders will encounter, for instance, a so-called “bunny hop,” which is typically a series of small hills that provide airtime. But Hollywood Drift will play with riders’ expectations through its terrain. Those mid-ride hills are “actually pretty darn steep,” Corfino says. And then before the ride ends, riders will go up, over and under Universal Studios’ most recognizable feature (except perhaps Stuart the Minion): its escalators.

“When you go up over the loop, that’s very steep. You’re coming straight down over the stairway and then underneath the stairway,” Corfino says.

How real are the cars?

The minicars of Fast & Furious: Hollywood Drift.

(Todd Martens / Los Angeles Times)

The coaster will feature four heavily detailed miniature cars as ride vehicles. These four-seaters — mimicking a Dodge Charger, Mazda RX-7, Nissan Skyline GT-R and Toyota Supra — all come complete with working taillights. And each has its own distinct sound effects, engine and brake noises that match their real cars. Guests will hear brakes each time the vehicle drifts or turns.

The minicars aren’t complete tiny re-creations. The odometers in the coaster cars, for instance, are for show only.

“The truth is I was really laboring,” Corfino says of the accuracy of the coaster cars. “They all have realistic sound effects, and when you hit the bottom, the big launch, I wanted to hear the NOS kick in. But you’re going so fast, at 72 mph, and with the wind, you’re not hearing anything. Quite frankly, your vision is even kind of shaky because you’re going so fast.”

That sort of attention to detail is what separates a Universal or Disney coaster from so much of the industry — even if riders will be clutching their restraints too hard to notice the discrepancies in each car’s engine roar.

I’m eager to get on the ride. I will, however, pretend I didn’t hear Corfino say that thing about “shaky” eyesight.

This week in SoCal theme parks

Dataland is now open in downtown Los Angeles. Theme park fans should give it a look.

(Carlin Stiehl / For The Times)

• “Stranger Things” lives at Halloween Horror Nights. Universal Studios Hollywood’s trickle of announcing haunted houses for its Halloween event continues. After unveiling a “Sinners” house earlier this year, Universal has added “Stranger Things” to the roster. “Stranger Things” is no outsider to the festivities, but this house will be themed specifically to the show’s fifth and final season. Expect, of course, some Demogorgons and other nasty creatures. Halloween Horror Nights is set to launch on Sept. 3.
• Theme park fans, pay attention to this new museum. Now open in downtown Los Angeles is Dataland, which was described by this outlet as a “25,000-square-foot immersive, environmental, generative, multisensory AI arts museum.” While there’s much to discuss and debate regarding the center’s use of AI, Dataland’s inaugural exhibition, “Machine Dreams: Rainforest,” is the kind of all-encompassing, wrap-around display theme parks are known for (I’d argue Dataland is, in fact, more indebted to theme parks than the world of fine arts, but that’s another column). No doubt those in the immersive space are paying close attention as to how Dataland is received.
• “Toy Story 5” has arrived, in theaters and at the Disneyland Resort. Fans of the “Toy Story” franchise will want to make their way to Disneyland’s Pixar Place Hotel, where a second-floor exhibit features drawings and sculptures from the new film. And for hotel guests, coming July 2 is the “Disney Poolside Splash Bash,” a pool party with music, trivia and appearances from Jessie, Bo Peep and Woody. If you’ve seen the movie, I encourage you to check out Amy Nicholson’s review of the work. She found, perhaps, that the toys have overstayed their welcome.
• Bag checks and metal detectors arrive at CityWalk. Universal Studio’s theme park adjacent shopping and dining area is home to a couple should-be cultural institutions: the Los Angeles outpost of Jimmy Buffett’s Margaritaville and one of the finer Imax theaters in the nation. Now getting to either comes with an extra hurdle, as Universal has placed CityWalk within the theme park’s security zone. Prepare for bag checks, metal detectors and extra time if you’re heading to a sold-out screening of Christopher Nolan’s “The Odyssey.” The local film community, as reported by The Wrap, is having a fit.

What I’m thinking about

A media image distributed by Adobe and Walt Disney Imagineering is designed to show how AI software can be used in the design process.

(Adobe / Walt Disney Imagineering)

Generating attention this week was an announcement from Adobe and Walt Disney Imagineering, the creative arm of the company responsible for theme park designs, regarding a new AI partnership. AI is a term I generally believe is rightfully viewed with skepticism, especially when it comes to creative work. As a writer, I view utilizing AI to help craft a story as strictly forbidden; journalism, after all, is a storytelling art. But I’m not above tools that can help accelerate tedious aspects of the process, such as using AI to help transcribe an interview.

So places in which Adobe’s Firefly Foundry could, say, transform drawn 2D renderings into potential 3D models seem not entirely troublesome, especially for an industry in which one of the most time-consuming aspects is the build. And yet there were components of the announcement, as well as the press materials distributed with it, that made me cringe. The generation of on-demand, on-brand assets, for instance — one of the promised abilities of the software — is a job for an artist, not a computer.

And Adobe and WDI proved my point. Accompanying the press release was an image of Disneyland’s Haunted Mansion ride vehicles, the Doombuggies, as re-imagined by the program. A perfect, coffin-like design from Bob Gurr was now bedazzled with garish, grotesque imagery that had little similarity with anything in the Haunted Mansion. That the two companies viewed something this amateurish as a prime example of what the software could achieve should raise an eyebrow.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Changes are coming to Disneyland’s classic Autopia ride.

(Allen J. Schaben / Los Angeles Times)

Disneyland’s classic Autopia attraction is facing a deadline. The Disneyland Resort has already stated that the gas-powered minicars of Autopia would be on the way out in early 2027. Disneyland officials confirmed just a few weeks ago that the park has an agreement with the California Air Resources Board to retire the current engines next year. No closing or reopening date has been announced, and no details on the new cars have yet been released.

But, thanks to new reporting from environmental reporter (and former Times staffer) Sammy Roth, it’s been revealed that the theme park faces a strict deadline to begin making the switch. In a recent edition of Roth’s Climate Covered Goggles, the writer noted that due to an agreement with the board, Autopia in its current form must shut down by Feb. 1, 2027.

While that doesn’t shed any clarity on when the ride may reopen with refreshed vehicles, it at least provides a timeline as to how long it will likely exist in its current form.

REALITY TV star Kim Kardashian showcases a dazzling new look — striking platinum hair.

She has covered her flowing black tresses with an edgier bob wig.

Kim, 45, was wearing huge sunglasses and a floor-length coat on a night out in Beverly Hills, California, as she debuted the blonde revamp.

It was a marked change from the US star’s last public outing — cheering on Brit boyfriend Sir Lewis Hamilton, 41, at the Monaco Grand Prix two weeks ago.

Kim has been hilariously mocked by F1 ace Kimi Antonelli after stealing his towel at the Monaco Grand Prix.

Whilst supporting her boyfriend Lewis Hamilton, who lost out to winner Kimi, at the race, the reality star picked up and used a towel reserved for the Mercedes driver following the race.

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This sparked fury online, with Kim seemingly unaware that the towel was for the driver as she used it to wipe her sunglasses while walking through the paddock.

But now, 19-year-old Kimi has made light of the misunderstanding in a hilarious TikTok video, which was shared to the official Mercedes page.

In the clip, Kimi is seen asking around for his towel, before washing his hands and having nowhere to dry them.

“Hey, have you seen my towel?” the sportsman asks the camera.

Fans in the comment section of the video couldn’t hold back their laughter, with one writing: “hmm I wonder if kim k knows anything?”

“She thought it said KIM not KIMI,” said another.

A third joked: “Keeping up with Kimi’s towel”.

Towel or not, Kimi bagged his fifth-consecutive race win at the coveted Grand Prix last week, beating out Kim’s Ferrari driver boyfriend, who was close behind in second.

The controversy around the Pride Night protest by three San Francisco Giants pitchers continues to grow.

Sen. Josh Hawley (R-Mo.) entered the fray Tuesday, demanding answers from Major League Baseball after it issued warnings to Landen Roupp, JT Brubaker and Ryan Walker about writing on their uniforms. The players added a Bible verse on their specialty caps for the night.

In a letter addressed to MLB commissioner Robert Manfred, the Republican senator also accused the league of “a pattern of discrimination … against baseball players who profess their Christian faith.”

“I write with grave concern over your reported decision to issue a formal warning to three Major League Baseball (MLB) players for publicly expressing their Christian faith,” Hawley says in his letter. “MLB has said this is a content-neutral policy and that MLB ‘respect[s] players’ right to free expression.’ But this is dubious, given that MLB is openly promoting a political viewpoint and possibly compelling adherence to that viewpoint.”

The Missouri senator referenced the league’s “sweeping, judicially manufactured exemption from the federal antitrust laws” as justification for his inquiries.

A number of other Republican politicians also called out MLB for its actions, including North Carolina Rep. Greg Murphy, Florida Atty. Gen. James Uthmeier and Texas Gov. Greg Abbott.

“Trump won we don’t have to do this anymore,” Vice President JD Vance wrote on social media.

The San Francisco Giants’ pride logo is displayed on the scoreboard at Oracle Park before its Pride Night game against the Chicago Cubs.

(Scott Marshall / Associated Press)

In Friday’s Pride Night game against the Chicago Cubs, Roupp, the Giants’ starting pitcher, wore a hat with “Gen 9:12-16” written alongside the rainbow “SF” logo. Relief pitchers Brubaker and Walker also added similar references to the Old Testament passage about rainbows being a “covenant between God and every living creature” on their caps. (Fellow Giants pitcher Sam Hentges chose to wear a cap with the team’s standard logo instead of the Pride Night version.)

“That’s just kind of something I believe in, and I stand firm in that,” Roupp told reporters after the game. “I’m thankful we live in a country where, you know, we have the freedom to believe what we want … and express what we want.

“The verse says … the rainbow is a symbol of God’s covenant to us, and us as believers to stand firm in that,” he added after confirming he never had previously inscribed it on his cap before. “There’s no hate at all. It’s just what I stand for and what I stand in. I believe in God, and that’s me.”

Rainbows have been associated with LGBTQ+ pride since the rainbow flag was introduced by activists and artists in San Francisco in the 1970s. The verse Roupp mentions often is cited by Christian conservatives in their effort to “reclaim” the rainbow’s symbolism. (Former Dodgers pitcher Clayton Kershaw added the same Bible verse to his Pride Night cap last season.)

Following the Pride Night actions of Roupp and his fellow Giants pitchers, the team’s fans, members of the LGBTQ+ community and allies expressed their hurt, anger and disappointment in the players and the organization. The Giants have a history of supporting the LGBTQ+ community and causes.

The MLB issued the players who added inscriptions to their caps a warning Monday for violating the league’s uniform policy.

“To be clear, this routine verbal warning not to wear the hat in future games is not disciplinary and had absolutely nothing to do with the content of the message,” MLB clarified in a widely reported follow-up statement issued Tuesday.

“We respect players’ right to free expression. However, writing of any kind, with any message, is prohibited per Major League Baseball’s Uniform Regulations which provides in part that, ‘(a) Player may not write, attach, affix, embroider or otherwise display nicknames or messages on apparel or playing equipment…’. We have given the same warning numerous times in the past to players for messages such as ‘Dad’, ‘Happy Mother’s Day, I Love Mom,’ and names of family members.”

A number of fans expressed anger and disappointment after the actions by pitchers for the Giants, a team with a history of supporting the LGBTQ+ community and causes.

(Scott Marshall / Associated Press)

The Giants have not addressed the fallout beyond their statement following the game Friday.

“The San Francisco Giants are proud to support Pride Night and the LGBTQ+ community. Baseball should be a place where everyone feels welcome, respected, and valued,” the statement provided to numerous outlets reads. “We also respect that individuals may make personal choices about participating in team activations. We understand that the choices by individual players has caused pain and anger to many in the LGBTQ+ community and we are sorry for that. Those choices do not change our organization’s commitment to inclusion, belonging, and creating a welcoming environment for all. We remain grateful to our fans, partners, employees, players and coaches who help make Pride Night a meaningful celebration.”

The team was among the first in professional sports to host an HIV/AIDS awareness game in the 1990s and the first MLB team to incorporate the Pride rainbow in its on-field uniforms for its Pride game in 2021.

California state Sen. Scott Wiener has continued to call out both the Giants and Republican politicians regarding the Pride Night protest and the aftermath.

“MAGA leaders like JD Vance and Josh Hawley are now glomming on and declaring an anti-LGBTQ culture war, in an attempt to bully MLB from enforcing its rules,” Wiener wrote in an lengthy post on social media, calling them out for their “Bigotry against LGBTQ people.”

“This isn’t an issue of religious freedom. People have a right to whatever religious beliefs they want — even if those beliefs dehumanize other people — but they don’t have a right to hijack their employer to promote those hateful beliefs at a job-related event.”

Amid the first days of grief after Alex Vesia and his wife lost their newborn daughter last fall, Vesia noticed something as he watched the World Series on television. He paused the broadcast, then checked the video, then texted another player to make sure.

51.

Dodgers teammates wore his number on their caps. So did players from the Toronto Blue Jays.

“It was awesome,” Vesia said. “It was a very heartwarming moment.”

Moving.

Touching.

And, under baseball’s rules, illegal.

Who knew, really, until this week? Three pitchers from the San Francisco Giants wrote the name of a Bible verse on their Pride Night caps and, amid an uproar, Major League Baseball said it had warned the players that “writing of any kind, with any message” on any playing apparel is not permitted. The issue, the league said in a statement, was not what they wrote on their caps but simply that they wrote on them at all.

Said MLB in the statement: “We have given the same warning numerous times in the past to players for messages such as ‘Dad’, ‘Happy Mother’s Day, I Love Mom’ and names of family members.”

To its credit, the league did not enforce the rule when Vesia’s number started appearing on caps in the World Series. But, if you’re going to draw a line on enforcement, where should you draw it?

In San Francisco, the actions of the Giants’ pitchers were widely condemned.

“They were in for a rude awakening with the response, and it wasn’t just from the gay community,” Giants broadcaster and former pitcher Mike Krukow told KNBR, the team’s flagship radio station. “It was from the Northern California community that supports the gay community.”

In response to media inquiries, and as first reported by Outsports, MLB confirmed it had warned the three players. I asked the league whether warnings had been issued in two other instances in which players had written on their caps, including Clayton Kershaw last year writing the same Bible verse on his Pride Night cap that the Giants’ pitchers wrote this year. MLB declined to comment.

“I got chastised by the league when I put Charlie [Kirk]’s name on my hat last year, because a man was murdered in cold blood,” Dodgers pitcher Blake Treinen told me, “and now these gentlemen who are relievers in San Francisco are getting chastised by the league for putting a Bible verse on their hat. It’s crazy to me.”

Treinen said league officials had told him the rule is strictly enforced.

“I straight up asked Clayton last year, ‘Did they call you when you put that on your hat?’” Treinen said. “He said, ‘No.’”

The Pride caps feature team logos decorated in the colors of the rainbow, a symbol long associated with the gay community. In the Bible verse cited by the pitchers (Genesis 9:12-16), the rainbow represents “the everlasting covenant between God and all living creatures.”

That the league would warn players against writing a Bible verse on their caps ignited a wave of conservative outrage, from Vice President JD Vance to Texas Gov. Greg Abbott.

Missouri Sen. Josh Hawley fired off a letter to MLB commissioner Rob Manfred, alleging apparent discrimination “against baseball players who profess their Christian faith” and threatening the league’s antitrust exemption. Assistant U.S. Atty. Gen. Harmeet Dhillon said on national television that players might be able to file a claim for employment discrimination.

That is complete nonsense. This is what you want: When employees raise an issue to their employer, the employer listens and addresses their concerns.

In 2023, the year after five Tampa Bay Rays players declined to wear rainbow logos for Pride Night, Manfred said the league would no longer compel players to do so.

“We have told teams, in terms of actual uniforms, hats, bases that we don’t think putting logos on them is a good idea just because of the desire to protect players: not putting them in a position of doing something that may make them uncomfortable because of their personal views,” Manfred said then.

Teammates congratulate Freddie Freeman after his walk-off home run gave the Dodgers a 1-0 win on June 5, when the Dodgers held their annual Pride Night. Blake Treinen, the winning pitcher that night, elected to wear his regular Dodgers cap instead of the Pride version.

(Katelyn Mulcahy / Getty Images)

Manfred said the Pride Night celebrations could go on, however a team wished to stage them — or not, in the case of the Texas Rangers, the only one of the 30 MLB teams that declines to hold a Pride Night. And the league still sells Pride gear on its website for all teams, including the Rangers.

In the cases of the Giants and Dodgers, MLB grandfathered each team’s long-running use of a rainbow logo on the cap, with this accommodation to players: If you don’t feel comfortable wearing the Pride cap, just wear your regular cap.

That is what Treinen and outfielder Alex Call did when the Dodgers celebrated Pride Night. That is also what a fourth Giants pitcher did.

“My job is to abide by the rules,” Treinen said. “Ultimately, the only rule we have is to wear our team-issued uniform. So that’s what I chose to do.”

To Treinen, the decision over whether to wear a Pride cap is not about passing judgment on anyone else but about what he sees as the push “to force something on people that you know that is controversial to their faith — and, in fact, straight up against their faith.”

He expressed his support for the Giants pitchers.

“Kudos to those men over there who are standing strong in their faith,” he said. “It’s a sad thing to corner someone and try to make them feel bad about their convictions.”

I respect Treinen for explaining his viewpoint. To me, wearing a Pride cap for one night does not diminish your faith at all. It might sharpen your convictions. More important, it signals a welcome to everyone in the community that buys the tickets and broadcast subscriptions that help pay your salary.

“I think a few people made it about themselves and not about the community,” San Francisco Mayor Daniel Lurie told the Bay Area Reporter.

We always proclaim the life lessons of sports. One of them: Sometimes you have to put the team’s interests ahead of your own.

The UK has an incredible range of places to camp, from national parks to unspoilt coastline, so where should you pitch your tent or drive your motorhome this summer? Research has shown the ultimate spot to enjoy the great outdoors

A ‘Summer on a Shoestring Index’ has been created to show the best-value money places to camp in the upcoming months, and the winning destination has some of the country’s best beaches as well as inexpensive spots to pitch up.

Devon beat competition from Cornwall, the Scottish Highlands, and many other beautiful UK regions to be named the UK’s best-value destination for a campervan staycation this summer.

The index, put together by Camplify UK, took into account factors including the price per day for a caravan pitch, tourist board ratings, nearby activities, and the proximity of inexpensive places to eat. Devon also topped the list thanks to its number of National Trust Properties, Areas of Outstanding Natural Beauty, and National Parks, all of which offer inexpensive days out for families.

Camping pitches in Devon can be found for as little as £14 a night, and according to Camplify 85% of campsites in the county offer stays for under £20 a night while still maintaining a rating of at least 8.5. For rural escapes, Dartmoor National Park is an incredible choice, offering untamed open moorland and deep river valleys where wild ponies roam.

Devon destinations include the beach towns of Woolacombe and Croyde, and National Trust sites such as Baggy Point and Lydford Gorge make for inexpensive days out. There’s also the North Devon National Landscape to explore, an area of outstanding natural beauty that includes rocky coves, waterfalls, and soft sand dunes.

A recent ranking of the Best Beaches in Europe for 2026 included three in Devon. These included Woolacombe Beach at number 8, which beat beaches in the Canaries and Portugal to get a top ten ranking. Trebarwith Beach came in at number 17, while Bigbury Beach in South Devon ranked at 23.

Coming second on Camplify’s list was neighbouring county Cornwall, which also has lots of free and inexpensive days out for families. Like Devon, its also known for its spectacular beaches, with some compared to the Caribbean. Kynance Cove on the Lizard Peninsula, as its turquoise waters and white sands could easily be found on a far-flung island.

For outdoorsy breaks, Cornwall is famous for surfing, especially towns such as Newquay whose beaches are considered some of the best in the UK in which to catch a wave.

Rounding off the top three was the Scottish Highlands, the perfect spot for camping among wild scenery, and waking up to views of mountains and glacial valleys. You’ll find plenty of well-equipped campsites in the region, although unlike England, wild camping is legal in Scotland if you’re in a small tent and ensure you leave no trace when you pack up the next day.

Those camping in motorhomes or bringing caravans still need to ensure they book a pitch at a campsite or other designated area. Forestry and Land Scotland (FLS) offer a stay the night scheme, where self-contained campers can park cheaply overnight in their car parks, with spaces on a first come, first served basis..

Have a story you want to share? Email us at webtravel@reachplc.com

LOVE Island Australia’s Gabby McCarthy, the reality star with the show’s biggest ever boobs, has almost fallen out of her skin-tight dress.

The buxom lass, 22, took to Instagram to share a series of pictures from her night out as her grey and white dress struggled to contain her 34G chest.

She took pictures of herself sitting on a hotel bed as well as standing in front of a luggage trolley.

Gabby posed up a storm as her boobs glistened, thanks to the oil she put on them.

The zip on her dress went up as far as it could go as she nearly had a nip-slip.

In one snap, Gabby got on her knees on the bed as she stared seductively into the camera.

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She captioned the post: “In your dreams.”

Her followers flocked to the comments section as one gushed: “SHE THE BADDEST AND SHE KNOWS IT!!! Stunning as per Queen Gabs.”

Another person commented: “Ooh I’m obsessed.”

Somebody else said: “You are not from this Earth I swear.”

Yet another asked her: “You just get hotter?”

While a fifth added: “Actually unreal,” with love heart eyes emojis.

This isn’t the first time she’s threatened to spill out of her dress and it certainly won’t be the last.

Back in February, she left little to the imagination in a short black dress.

She posted the sizzling pic which accentuated her natural curves.

Gabby accessorised with shades, silver jewellery and knee-high boots to complete her look.

She shot to fame on the seventh series of Love Island Australia which aired last year.

She appeared as the very first bombshell on day one and immediately caused a stir with her confident personality.

The content creator was enjoying a connection with Jotham Russell but after their relationship fell apart, she decided to quit the show.

While on the show, she was accused of lying about surgery after claiming her boobs were natural.

Fans of the programme spotted old photos of her modelling trainers and lingerie and began doubting her chest was as natural as she claimed.

One person wrote on Reddit: “I thought they were natural until I saw pictures of her a few years ago being a b-c cup at best.

“Unpopular opinion, but I believe she has teardrop implants. Natural boobs jiggle and move a lot when you’re walking and running but hers are way more ‘stiff’. Her surgeon did an amazing job making them look natural though.”

Another wrote: “I admit I was searching for the truth on her boobs, only cuz she claimed they were natural. Sparked a bit of debate amongst friends.

“Hard one to call. They look fake to me and don’t believe weight gain caused them to grow.”

During her introduction video, she said: “My name is Gabby, I’m 21 years old and I’m from the Gold Coast.

“I get this question every single day of my life, my boobs are natural guys!

“If I want a guy, then I always get him. I’ve got the teeth, I’ve got the face, I’ve got the body, and I’ve got the boobs.”

One of the most devastating moments in world history will be brought to life on Disney+ by a beloved star of The Night Manager and Marvel blockbusters

It’s shaping up to be one of the year’s most gripping docudramas.

BBC The Night Manager star Tom Hiddleston will be playing time detective in an immersive new historical series coming to National Geographic and Disney+ later this year.

Pompeii: Out of Time will reunite the iconic Marvel star with Loki executive producer Kevin R Wright for the three-part series that promises to lift the lid on the explosive historical moment.

The first-look trailer has given fans a glimpse of Hiddleston stepping into his new role as he makes the case that the eruption of Vesuvius wasn’t just a catastrophic day of death and destruction.

His latest series will feature an eye-opening investigation into those who may have survived the blast, brought to life with immersive and thrilling dramatisations.

Along for the journey is a team of ancient Rome experts, from archaeologists and historians to geologists and disaster experts, who will uncover remarkable real-life stories that challenge assumptions people have about the fateful day in 79 AD.

A teenage apprentice, a powerful businesswoman and a mysterious Praetorian Guard are all vital pieces of the puzzle as Hiddleston steps back in time to explore the hours before and during Vesuvius’ eruption in what is shaping up to be an essential watch for any history buff. A synopsis from Disney+ teases: “As the volcano awakens and the countdown to catastrophe begins, the evidence converges in a gripping race against time to uncover who survived, who perished, and what determined their fate.”

Hiddleston says in a statement: “The ancient world has compelled my imagination and curiosity for as long as I can remember: I’ve been fascinated by it all my life.

“Classical Antiquity is the foundation and cornerstone of Western and European culture. To visit Pompeii is to feel the distance of the 2,000 years between now and then compress. The past becomes the present; the past feels so close. Tangible, honest and real.

“Our relationship with the past is alive — studying who we were in order to understand who we are. Pompeii is a gateway for that conversation. It’s a privilege to host this visually immersive and dynamic series.”

He added: “Pompeii is often remembered for how its story ended. But by looking closer, we can uncover the details of people’s lives, the choices they made, and the moments that came before the city was buried.

“To revisit the final hours of those ordinary people, caught in an extraordinary moment, and to help bring these remarkable human stories back into the light, is a genuine honour.”

The upcoming series is already generating excitement amongst fans, with one user commenting below the trailer on YouTube: “Omg this seems so interesting.”

“This is absolutely fascinating — Pompeii is an incredible place, and this approach brings its story to life in a very powerful way,” someone else replied, adding they’re “really looking forward” to tuning in.

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“I want to see it NOW!” another fan exclaimed, and a final fan wrote: “For someone who’s survived Ragnarok, Tom Hiddleston couldn’t be better suited for this doc. Looking forward – or back – to it.”

Mark your calendars, as all three episodes will be available to stream in just over a month’s time.

Pompeii: Out of Time with Tom Hiddleston premieres Thursday, 23rd July on National Geographic and Disney+.

When Jon Corfino was among the first to test ride Universal Studios Hollywood’s new high-speed “Fast & Furious”-inspired coaster, it was the culmination of a convoluted decade-plus journey filled with uncertainty. For before any track was laid, before the ride was even associated with “Fast & Furious” or any film franchise, Corfino, the park’s lead creative executive, didn’t know whether a coaster could even exist.

Universal Studios Hollywood is landlocked, constructed around a working film studio, meaning space is at a premium. And then there’s the problem of noise. Coasters, historically, are loud, and film productions necessitate a quiet environment. The theme park is also nestled against a neighborhood full of homes and apartments.

To make it work at all, the coaster would need to stand on a relatively steep hill, winding over, under and around escalators between the park’s upper and lower lot. It extends significantly beyond guest-accessible areas, visible even from nearby Ventura Boulevard. “It wouldn’t be your first choice,” Corfino says of the topography. “But in a way, it makes it more dynamic that we were able to do it.”

He continues, “Everything we do is a bit of invention.”

When discussion on the project first began a decade or so ago, Universal Studios Hollywood was far from a thrills park. While the Wizarding World of Harry Potter was nearing completion and would open in 2016 — a full-scale re-creation of a fictional world that would alter the tenor of the park — the vast majority of Universal rides were designed to place guests inside the world of stories they had already seen on the screen. Or to let them “ride the movies,” as Steven Spielberg once coined. The park’s portfolio was also dotted with stunt and animal shows.

Fast & Furious: Hollywood Drift will reach speeds of 72 mph and take riders through multiple inversions.

(Todd Martens / Los Angeles Times)

Universal was once heavily dedicated to pulling the curtain back on how movies were made. A coaster simply didn’t fit the vibe.

“It was never a thought,” Corfino says of his earliest days at Universal back in the 1990s. “It was a different ethos. We were going to take you behind the scenes and show you stuff. But during the epic transformation of bringing in ‘Potter,’ and immersing you in different environments, it became more of a reality.”

And so began the process of looking for a franchise to associate with the coaster, one that would still make sense with Universal’s inside-the-movies mindset. At the time, there already was a “Fast & Furious” segment on Universal’s behind-the-scenes tram tour (now shuttered, a replacement is expected to be unveiled in 2027).

“You go through a lot of ‘what ifs,’” Corfino says. “I can say, one of the earlier ‘what ifs’ was ‘what if this,’ in terms of brand. We already had one [‘Fast & Furious’ attraction] on the backlot, but we didn’t know what else we were going to be doing, so you go through a lot of different ideas. But it was early on that we said, ‘This brand speaks to it.’”

The view of Fast & Furious: Hollywood Drift from Universal Studios Hollywood’s Wizarding World of Harry Potter.

(Todd Martens / Los Angeles Times)

Fast & Furious, the street racing mega-franchise that’s celebrating its 25th anniversary this year, works in part because Universal could theme the coaster around cinematic stunts. Before guests board the ride, they will walk through a twisting queue area that will focus on prop cars with installations designed to show how movie magic is brought to life. Guests will be prodded to scan QR codes to further go behind-the-scenes, that is if they’re not distracted watching the coaster, which will launch directly above them and then go on a journey through multiple inversions on the side of a hill.

And then there was another problem: Would it be too loud? Before land was moved, Universal placed speakers on the old special effects and stunt buildings to see how noise traveled down the hill. “We did recordings all over the place and really established a baseline on which to design,” Corfino says.

Ultimately, the tracks would be complemented with multiple sound walls and shields, the latter clear structures designed to block coaster rumbles and audience screams. And because the cars can rotate 360 degrees, Universal can in theory direct rider yells away from the studio below and the neighborhood nearby. What’s more, the actual track has been filled with pea gravel, designed to minimize nose from any reverberations.

“It’s incredibly quiet,” Corfino says. “We were able to do that by putting materials inside portions of the track to deaden the sound. I’m not sure we would have needed it, but it was important to do the right thing. It’s pea gravel and rocks. It’s quieter than I ever thought it was going to be.”

VP of Universal Creative Jon Corfino, who led the creative development of the Fast & Furious coaster, photographed in 2019.

(Brian van der Brug / Los Angeles Times)

A 72-mph coaster with 360-degree rotation and multiple loops and inversions that’s relatively muffled? Perhaps. I can only say that as I watched test cars speed by me last week from an upper lot lookout, the soundtrack from the Jurassic World water ride below was certainly louder.

An opening date for the coaster has not yet been set, but it’s soon. The other week the Universal website briefly posted June 26 as a launch date, and while that was once a targeted day, it will not be the coaster’s grand opening, which is now expected after the Fourth of July holiday (the coaster will be open intermittently for tech rehearsals for some time before its official date).

But Corfino is willing to make one promise. “Given the physical realities of putting this on the side of a hill,” he says, “this is the best view in Hollywood.”

That is, if you’ll be brave enough to keep your eyes open to take it all in.

Universal Studios Hollywood first began exploring a high-speed coaster more than a decade ago.

(Todd Martens / Los Angeles Times)

This week in SoCal theme parks

• Los Angeles loves a parade. Head to the Los Angeles County Museum of Art on Saturday evening for the Art Parade, which is designed to showcase L.A.’s thriving creative community with a colorful procession down Museum Row. Of particular note: Experiential art firm Meow Wolf, which is in development on its first-ever Los Angeles installation, will be participating. Meow Wolf’s L.A. exhibit, influenced equally be sci-fi and cinema, is on target for a winter opening.
• Disneyland history is Los Angeles history. The Autry Museum of the American West has a new exhibit, “Life, Liberty and Los Angeles.” As part of the show, which highlights how SoCal reflected and contradicted our nation’s founding ideals, guests will come across a 1967 Autopia vehicle from Disneyland. Now perhaps a bit quaint, the ride once exemplified our region’s dreams of an open freeway. Autopia is due next year to be remade with electrical vehicles.
• Plan a tour of Walt Disney’s former Los Feliz home. Disney and his family in the 1930s lived in a storybook mansion. Keepers of the house have announced that it will be open on a few select Saturdays this summer for tours. Though a private residence, tours are led by Disney expert Dusty Sage, who oversees the Micechat website and fan community. I’ve been inside, and can report the house is full of unique design quirks as well as a number of only-in-SoCal historic tales.
• A lively night at Downtown Disney. Head to Downtown Disney on Friday at 5 p.m. for Yardfest 2026, an evening to honor the music and traditions of historically Black colleges and universities. Expect performances from the Texas Southern University Ocean of Soul Marching Band near the area’s live stage, which itself has a unique design paying homage to famed Black architects, as well as specialty food offerings and Mickey Mouse in his drum major outfit.

Ride report

Knott’s Berry Farm has a new show inside the Calico Saloon dubbed “Spirits and Shenanigans.” The production is part of the park’s summer offerings.

(Todd Martens / Los Angeles Times)

Today’s report is on a show. It’s summer season at Knott’s Berry Farm, which means a new storyline for its popular Ghost Town Alive!, a heavily improvised, actor-led experience that unfolds like a live-action role playing game. New this year is a hootin’ and hollerin’ good time of a show in “Spirits and Shenanigans,” which takes place in the Calico Saloon inside the park’s historic Ghost Town.

At 25-minutes, the production centers on the fictional husband-and-wife bar proprietors, who sing of leaving Illinois to open the spot, as well as its boot-tapping, can-can dancing staffers. Just ever-so-slightly risque with a bit of a patriotic feel, it’s a fast-moving ode to drinking holes and the sense of local community they provide. Expect tap dancing as well as numbers that will turn the entire stage into a drum kit. So if you’re heading to Knott’s this summer, “belly up to the bar,” as they sing, and grab a Boysenberry IPA and one of the few inside seats for this lively, can’t-miss production.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

FANCY a UK staycation with the family this summer holidays?

We’ve found UK family holiday deals for July and August that won’t break the bank – and will be sure to keep the kids (and grown-ups) smiling.

With schools across the country breaking up as early as July 17, the countdown to summer is officially on – just make sure to check the term time dates for your area.

You can book a family summer holiday at big-name parks from Haven and Parkdean Resorts from as little as £16.19pp per night.

Here’s our pick of affordable family getaways in the UK you can take during the school summer holidays.

Sunnydale Holiday Park, Saltfleet, Lincolnshire

This beachfront holiday park has charming coastal villages and a seal sanctuary on your doorstep – and you can stay for around £16pp a night.

Read more on holiday parks

ALE BE THERE

Haven to open new Wetherspoon pubs across ‘majority’ of its 39 holiday parks

HAPPY HOLS

Haven holiday parks with beaches, waterparks and Wetherspoons from £12.25pn

This gem of a park in Saltfleet, Lincolnshire, is an ideal choice if you want a peaceful park with direct access to the beach – without the crowds and noisiness of larger resorts.

Despite being a smaller park, it still has plenty to see and do such as a heated indoor pool, an on-site fishing lake, an outdoor adventure playground and evening entertainment shows.

Take a trip to nearby Mablethorpe (15 minutes’ drive) to visit adorable seals at the Seal Sanctuary and Wildlife Centre.

Here you can also meet rescued reptiles, birds, meerkats and even monkeys. Entry costs £15 for adults and £11 for children.

Plus you can chill out on the sands of Mablethorpe Beach, or take a ride on the Mablethorpe Sand Train for £2.

Parkdean Resorts offer a four night stay at Sunnydale Holiday Park from July 20 for £259 total, which works out to £16.19pp per night.

The deal is for a stay in a Bronze caravan, where double-glazed caravans come with a fully-equipped kitchen, bathroom and everything you’d need in a budget-friendly base – plus there’s dog-friendly options, too.

Book a 4 night stay at Sunnydale Holiday Park for a family of 4 in July for £259

Haven Littlesea Holiday Park, Weymouth, Dorset

This AA 5 Gold Star-rated holiday park in Weymouth gives you direct access to the vast Jurassic Coast, with famous spots like Chesil Beach on your doorstep.

The holiday park itself is a large seafront site packed with activities for all ages.

There’s a large outdoor pool to cool off from the summer heat, plus a heated indoor option for any rainy days.

Younger kids can hop in a mini 4×4 for an off-road adventure, bounce around on the bungee trampolines or play with slime and make crafts during the Creative Sessions.

Older kids and thrill-seekers of the family can take on the outdoor climbing wall, the NERF gun training camp or scramble their way through the inflatable arena.

We found a Haven Hideaway deal for four guests to stay three nights in a Saver Caravan from July 17 for £259 total, or £21.60pp per night.

Book a 3 night stay at Littlesea Holiday Park for a family of 4 in July for £259

Withernsea Sands Holiday Park, Yorkshire

This holiday park in Humberside was awarded the Tripadvisor Travellers’ Choice Award last summer, and it’s surprisingly affordable even though it’s one of the most highly-rated parks.

Reviewers have praised its ‘extremely good’ evening entertainment, kind staff and cleanliness of the site and caravans.

There’s also a heated indoor pool, a kids club, sports courts and mini golf – plus a bar, restaurant and Costa Coffee when you need to fuel up on food and drink.

As for evening entertainment, families can meet the Starland Krazy Krew of animal characters, as well as play bingo and watch performances from live singers.

Not only does the site give you direct access to a Blue Flag beach, but it also makes for a great base to explore nearby coastal towns of Hornsea and Bridlington.

We found a deal for a three night stay in a Bronze Caravan from July 17 for £257 total, or £21.50pp per night.

Book a 3 night stay at Withernsea Sands Holiday Park for a family of 4 in July for £257

Orchards Holiday Village, Clacton-on-Sea, Essex

It’d be hard to get bored at this action-packed park in Clacton-on-Sea, with a busy activity schedule and Clacton Pavilion on your doorstep.

This expansive park offers unique activities like mini segways for kids, Footgolf and, this summer, a Football Fun Factory where aspiring footballers can put their skills to the test.

There’s plenty more for families to dive into like the FunWorks amusement arcade, an indoor and outdoor swimming pool and a nine-hole golf course.

Plus for something more relaxing you can take in the scenic surroundings by hiring a bike or spending an afternoon set up by the fishing lake.

For food and drink, pick from familiar favourites like Burger King and Papa Johns, or settle down for pub favourites in the Mash and Barrel.

Here you’re only 17 minutes’ drive from Clacton Pavilion Fun Park, where there’s over 20 rides along the seafront, adventure golf and live entertainment shows. An unlimited rides wristband costs £12.99.

We found a Haven Hideaway deal for a three night stay in a Bronze Caravan for four people from 31 July for £295 total, or £24.58pp per night.

Book a 3 night stay at Orchards Holiday Village for a family of 4 in late July for £295

Combe Haven, Sussex

This holiday park in St Leonards-on-Sea, Sussex is a lively resort with lots of high-energy activities.

This park is perfect for kids who like to make a splash, with an outdoor pool, lazy river, and a giant Space Bowl flume.

There’s lots of sports on offer, too, such as archery coaching, football and Batfast (a sport like Squash with an interactive screen).

For a bite to eat, grab a meal from Cook’s Fish and Chips and sit on the seafront, and relax with a drink at The Saxon Bar and enjoy the sea views.

Here you’re also around 15 minutes’ drive from historic Hastings, where you can visit Hastings Castle or go undertake the Smuggler’s Adventure in the town’s caves and tunnels.

Haven are offering a three night stay from July 17 in a Saver Caravan for four people for £275 total, or £22.92pp per night.

Book a 3 night stay at Combe Haven for a family of 4 in July for £275

*Prices correct at the time of publication.

TONOPAH, Nev. — Some years ago, Harry Chahal and his wife were on a trip to Las Vegas when, like countless motorists before and since, they passed through this high desert speck of a town.

Tonopah, built by the mining industry around 1900 and depleted as the gold, silver, lead and mercury waned, is a remote way station about halfway between Reno and Las Vegas. Signs on either side warn — ominously, given the unforgiving expanse ahead — that once you’ve left, the nearest gas station is not for another 100 miles or so.

Harry Chahal opened hometown pizza in 2015 after driving through town and seeing there was no pizza place.

(Mark Z. Barabak / Los Angeles Times)

As he passed through town, Chahal noticed something missing: a pizza parlor.

Pizza is not generally associated with Punjab, India, where Chahal — given name Harvarinderjit — is originally from. But he learned how to make pizza, and how much customers loved gobbling it up, while working at different gas station mini-marts around rural Nevada.

In that absence, Chahal saw opportunity.

He and his wife, Ravinder, moved to Tonopah and in 2015 opened Hometown Pizza in a vacant building on U.S. Route 95, which runs through the heart of town. Ten years later, they bought the Dream Inn Motel, a 39-room operation just up the road.

Views of the 47th president, from the ground up

Lately, Chahal has been sprucing up the motor inn: new cabinets, new furniture, fresh paint every few months. The reason is President Trump.

Tonopah and the surrounding desert, stretching farther than the eye can reckon, is verging on a boom, owing to vast reserves of lithium, boron and other sought-after materials and a Trump administration promise to turn the U.S., in the words of Interior Secretary Doug Burgum, into “a mineral powerhouse once again.”

Chahal, 40, is a repeat Trump voter and even though he has issues with some of what the president has done — he’s not happy about the war with Iran and inflation has taken a decent-sized bite out of his pizza business — he feels his faith in Republicans in general and Trump in particular have paid off.

A registered nonpartisan, Chahal is fairly apolitical. “I vote for Republicans because they’re better for business,” he said as a lunch-time crowd of locals and folks passing through tucked into the $11.99 pizza-and-salad buffet. Here’s proof: In the last year, Chahal said, he’s seen motel occupancy increase significantly, from around 15 rooms rented each night to 25 or more.

Those fresh touches to the Dream Inn are Chahal’s investment in the future and a belief that, with Trump in office, even better times lie ahead.

Tonopah was built as a mining town around 1900. It’s fortunes have waxed and mostly waned.

(Mel Melcon / Los Angeles Times)

::

For much of its being, Tonopah relied on metal, minerals and other valuables scooped from the earth. Today, government is the largest employer.

But mining continues to hold fast to the town’s imagination.

A headframe — that’s the tower built directly over an underground mine shaft — is part of Tonopah’s logo. Mining-related sculptures, including statues of Jim and Belle Butler, who staked the first claim in the 20th century silver rush, dot the main thoroughfare. The high school’s athletes are called the “Muckers,” after those who shovel ore into underground rail cars.

The Tonopah Historic Mining Park is a big tourist attraction, along with the Clown Motel and other lodging establishments supposedly haunted by the ghosts of dead miners and other paranormal phenomena. (Chahal says there are no apparitions at the Dream Inn.)

The Clown Motel, which draws visitors from around the world, is said to be haunted by the ghosts of dead miners.

(Christopher Reynolds / Los Angeles Times)

Lately, however, mining is becoming more than just a part of nostalgic lore. It’s poised to again be a major boon to the local economy and the town’s 3,000 residents.

Plans are underway for a new lithium and boron mine at Rhyolite Ridge, approximately 30 miles southwest of Tonopah, in Nevada’s Silver Peak Range. (Lithium, most of which is now imported, is a vital ingredient in the batteries that store solar energy and power electric vehicles; boron is used, among other things, for bulletproof armor and vests.)

About 27 miles to the south of Tonopah, near the town of Goldfield, a new gold mine is set to open in 2028.

Joe Westerlund, Tonopah’s town manager, said fresh development and the prospect of hundreds of new, good-paying jobs are much welcomed. The median income here is about $37,000 annually, less than half the state average. The hospital in town closed in 2015. Venture off U.S. 95 and the rolling hills are flecked with weathered miner’s cottages and tumbledown homes no longer fit for habitation.

(A three-bedroom, two-bath home in a comfy subdivision on the north end of town can be had for around $250,000, but don’t hurry over to buy; inventory is low and could grow even leaner if demand for housing increases.)

The Tonopah Historic Mining Park is a big local tourist attraction.

(Mark Z. Barabak / Los Angeles Times)

While some of the groundwork for the mining resurgence was laid during the Biden administration, Trump is credited with fostering a much friendlier regulatory environment, which promises even more opportunities for extraction.

“As soon as he got into office, things started loosening up. We had 15 drill rigs,” said Westerlund, who has lived in Tonopah since 1972. “I had never seen that before in my life.”

There are, of course, environmental concerns — about pollution, water supply, native habitat — but those worries haven’t gained much of a toehold. Nye County, which is home to Tonopah, isn’t exactly tree-hugger country — and not just because most of the land is scrub-filled desert. Trump carried Nye County all three times he ran, with landslide support ranging from 68% to 70%.

“This is a pro-Trump town,” Westerlund said, “and I feel like his policies are doing good for the town.”

Chahal stands ready to cash in, knowing firsthand what economic good times feel like.

The Mizpah hotel, opened in 1908, offers the plushest accommodations in town.

(Chris Erskine / Los Angeles Times)

When he moved here in 2014, he and his wife were forced to stay in a motel for six months because workers finishing up a $1 billion solar energy project were taking up most of the living space. That’s the kind of extended-stay guest he’s after, not the tourists bedding at the Mizpah Hotel, the plushest resort in town, with its cut-glass chandeliers, Victorian furnishings and photo gallery of celebrities who’ve stayed the night.

“If I can rent 25 rooms a night, maybe 15 can be for the long term” of several weeks at a time, Chahal said. He’s done the math — $82 a night for a queen bed, single occupancy; $89 for a king — and likes how it pencils out.

::

Chahal came to the U.S. in 2006, after marrying Ravinder, who grew up in the Sacramento area. She had family in Punjab and was a regular visitor to India. The two met when they were 10 years old. Chahal became an American citizen in 2020.

Politically, Indian Americans lean heavily toward the Democratic Party. But in the tiny Nevada communities where the couple lived — Lovelock, Battle Mountain and Ely before Tonopah — there was little or no Indian American presence. So Chahal wasn’t acculturated into the party the way many others have been. Rather, he embraced the GOP gospel of lower taxes and less regulation.

Working seven days a week, Chahal has little time these days for politics, beyond voting. He isn’t particularly ideological or, for that matter, worshipful of Trump.

“Every coin has a head and a tail,” he said, flipping his wrist as though tossing a quarter in the air. He sees two sides to the president. “Maybe you’re angry for some things,” Chahal said. “Maybe you agree with some things.”

He supports the notion of tariffs as a way of bringing manufacturing jobs back to the U.S. He also laments that the pizza boxes he uses, which are made in China, once cost him 30 cents and now run almost 67 cents apiece.

He backs Trump’s promise to round up and deport violent criminals who are in the country illegally. But he’s also mindful of the important role immigrants play, especially in areas like farming and construction, in sustaining the U.S. economy.

Chahal criticized the heavy-handed enforcement that resulted in the killing of two protesters in Minnesota. But he blamed their deaths on overzealous ICE agents, not Trump.

Living in a town greatly shaped by outside forces — the fluctuation of commodity prices, the changing of presidential administrations, the shifting priorities emanating from Washington — Chahal is familiar with vicissitudes and the business cycles of boom and bust.

Not everything Trump has done has helped the mining industry.

His tariffs and inflation have greatly increased construction costs. Cuts to the federal workforce have slowed the oversight and approval processes. His hostility toward green energy has dampened the market for electric vehicles and made solar energy considerably less attractive.

But based on the talk around town, Chahal believes a more prosperous future is in the offing. He certainly hopes so, and he’s counting on the president to deliver.

If the Constitution allowed for a third term, Chahal said, he wouldn’t hesitate voting for Trump again.

WASHINGTON — One by one, the burly mixed martial arts fighters made their entrance past the solemn, hulking marble statue of America’s 16th president and jogged down the steps of the Lincoln Memorial to roars from thousands of fans drawn to the unusual sporting weekend marking the nation’s 250th anniversary and President Trump’s 80th birthday.

The news conference Friday night featured the fighters who are preparing to face off Sunday in the Octagon built outside the White House. But it was also a chance to see the UFC fans who have thronged to Washington and endured lightning, humidity and bugs.

Tracy Philbeck and his son Levi drove from Charlotte, N.C., with a group of friends to support their favorite fighter, American Justin Gaethje, in the upcoming lightweight title bout against Georgian Ilia Topuria.

“You will hear an eagle screaming when Justin Gaethje wins,” the elder Philbeck said with a chuckle.

David Halstead journeyed from Albany, Australia, to watch the sport he has loved for a decade. Halstead said Trump, who regularly attends the fights, “put UFC on the map.”

The UFC has said it spent $60 million on this weekend’s festivities, and the president has billed his birthday fete as “the greatest show on Earth.”

Not everyone agrees.

The Public Integrity Project described the event as a “private, commercial, corrupt use of our most sacred national monuments for private gain” in a lawsuit the watchdog group filed to try to stop it from happening on federal land. A federal judge ruled Friday that the White House was allowed to go ahead.

About 1 in 10 U.S. adults consider themselves mixed martial arts fans, according to Ipsos Sports polling conducted in February and March. That survey suggests MMA fans tend to be male and nonwhite. They are more likely to identify as Republicans than Democrats.

“One misconception is that everyone who watches UFC is a Trump supporter, but that’s not the case,” said Ricardo Rodriguez, 24, explaining that he loves the physicality of the sport. “People also expect a knockout every time.”

Ellie Louizes, who practices Muay Thai, or Thai kickboxing, and jujitsu martial arts, drove from Daytona Beach, Fla., with her boyfriend, Jacob Purvis.

Female fans of MMA are the minority. But Louizes said she knows a lot of women who get into watching the sport through their male partners. She said “female fighters are often way more aggressive” than the men.

Fans brushed off criticism

The fans at the Lincoln Memorial brushed off criticism about the bouts being held at the White House — on federal grounds owned not by its occupant, but by the American people.

Holding fights at the “people’s house,” Tracy Philbeck said, “goes back to the days of Teddy Roosevelt.”

President Theodore Roosevelt regularly held sparring sessions at the White House, though they were not formal, public prizefights. He was an enthusiastic amateur boxer who had boxed at Harvard and continued the sport throughout much of his life.

Boxing fans also make up a large part of the UFC’s fan base.

At a UFC-sponsored community event this week at the District of Columbia’s Midtown Youth Academy, the boxing gym’s executive director was helping out with a visit from UFC fighter Randy Brown, who sparred with more than a dozen local teenagers and preteens.

Gloria Lee said meeting the fighter was a big deal for kids at her gym. “It’s just been a thrilling week, and I was about to fall out when he came in the door!” she said.

Asked about her personal UFC fandom, Lee said she had not watched it much. But by the end of Brown’s visit, she got into the ring with the professional fighter and threw some slugs of her own.

Hussein writes for the Associated Press. AP writer Linley Sanders contributed to this report.

On a Thursday in early June, under the hot bright lights of the famous Blue Note jazz club in Hollywood, the legendary trumpeter and composer Arturo Sandoval took center stage with a microphone in hand — and a hip wiggle for good measure. Rocking a silk shirt adorned with rhinestones, and backed by his incredibly nimble band, the Cuban-born virtuoso kicked off his four-night residency at the club with sizzling banter and panache.

“I had to watch what I said in Cuba,” he told the audience. “Now I live in the United States of America, man — I say whatever the hell I want. Do you like it? Well, if you don’t, I don’t care!”

Now 77, Sandoval feels he was liberated by the power of jazz. Released in May, his dynamic new album, “Sangú” — Spanglish for “sounds good!” — is bursting with the free-spirited energy he’s cultivated in the decades since he came to the United States from Cuba. Sandoval maintains a fiery pace throughout the album, commanding not only the trumpet, but the timbales and piano. (He even recorded his own scat singing for the appropriately-titled track, “Scat.”)

Once derided by the revolutionary government as “Yankee imperialism,” jazz music became a staple of Sandoval’s daily diet. As a young trumpet player in Cuba’s national band, he sought refuge in the sounds of Charlie Parker and Dizzy Gillespie by tuning into Voice of America: a radio program covertly broadcast from the States. Sandoval eventually served three-and-a-half months in jail in the 1970s when he was caught listening to the program — but with famed pianist and director Chucho Valdés, Sandoval would pioneer a distinctly Afro-Cuban jazz fusion with the Orquesta Cubana de Música Moderna, which was renamed Irakere and won a Grammy for best Latin recording in 1980.

It was in 1990, while touring Europe with his hero Gillespie, that Sandoval finally defected from Cuba with his wife and son — and found the refuge he’d been seeking in the U.S.

“Jazz is synonymous with freedom,” he said. “And I’ve always said the most important word in any dictionary around the world is the word ‘freedom.’”

Inside his Tuscan-style home in the Valley, Sandoval’s shelves are lined with the myriad of awards he’s collected in the time since he arrived in the States: an Emmy award for scoring the 2000 movie based on his own life, “For Love or Country,” which starred Cuban American actor Andy García; 10 Grammy statuettes and the Presidential Medal of Freedom, which was presented to him by President Obama in 2013.

Just last month, Sandoval was also awarded knighthood by the King of Spain. “Does that make me Don Arturo Sandoval?” he audibly asked the ChatGPT application on his phone; indeed, it does. (“My wife gets a little jealous of ChatGPT,” he added with a laugh.)

Come July 4, Sandoval will perform at the America250 concert in Washington D.C., which is a bipartisan celebration of the United States’ 250th birthday. Co-chairs of the event include former President George W. Bush, former First Lady Laura Bush, former President Obama and former First Lady Michelle Obama. Seated next to his Bösendorfer grand piano, Sandoval spoke with The Times while on break from his world tour to discuss the new album, his collaborations with Karol G and Ariana Grande, as well as his weakness for a good cigar.

This interview was edited and condensed for clarity.

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What keeps you playing the trumpet after all these years?
I have no choice. The piano is not that complicated, but the trumpet is a pain in the butt. The trumpet is merciless. You have to practice every single day, otherwise it sends you a bill.

How do you smoke cigars and stay healthy enough to play the trumpet?
I’ve been a big time cigar smoker since I was 14 years old. I never miss a day. I had a good one already. Every year they put me in the MRI to check my lungs. And the doctor always says, “Man, you have lungs like a person who never smoked.” A cigar is completely different from cigarettes. [With] a cigar you don’t inhale to the bottom of the lung, you know, it’s from here [taps his throat]. That’s the art.

You’ve been knighted by the king of Spain! How does that feel?
Great! We’re having 30 people over tonight. My wife is cooking for everyone. The consul [from Spain] called me three or four days ago [and] said, “Arturo, I got a surprise for you. I just got a package from the king at my house, ready to give it to you.” And I said, “What kind of joke is that?” My four grandparents came from Spain to Cuba — from my mother’s side, they were from Tenerife, Isla Canaria. From my dad’s side, they were Gallegos from Galicia. Even if I weren’t related to my family in Spain, whatever — I love Spain!

Given how restricted music and expression were in Cuba, how did you get into the international jazz community?
We put together a big band called Orquesta Cubana de Música Moderna [later called Irakere]. I met a journalist who played the saxophone — he said, “Man, you ever hear any jazz music?” He played for me a compilation or recordings of Dizzy Gillespie and Charlie Parker. That was in ’67 or ’68. Ten years later, I got a phone call from the guy — there was a jazz cruise going around the Caribbean and they [were in Havana] for 48 hours. I told him, “Pretend we never had this conversation!” But I went to the harbor. When the boat arrived, I saw Maestro Gillespie coming down the stairs. I didn’t know how to say one word in English. But God has always been good to me.

A guy behind him started talking to me in perfect Spanish. He was a percussionist playing with the great Stan Getz … a bunch of good musicians there. Dizzy started asking me questions through him. They said, “You have a car?” I had a Primo 1951, but it was falling apart. He said, “Ok, show me Havana.” He stayed for a jam session that night with Irakere. Gillespie went back to New York and told everybody about those musicians he heard in Cuba. Then one day a guy came to Irakere’s rehearsal and introduced himself with a translator — he was the president of CBS Records. A few months later, he put us on the plane [to New York] and drove us in a little bus straight to [perform at] Carnegie Hall. CBS made a recording of that, [which gave us] our first Grammy.

Many years later, in 2013, you were awarded the Presidential Medal of Freedom. What’s something special you remember about that night?
My granddaughter Lola was there, she was 6. It’s customary to take a photo with the president and the first lady. And we did, the whole family. When we got together for the photo, Lola started pulling at Obama’s jacket. He looked her and said, “May I help you?” She said, “Mr. President, I missed school today. I need a note from you.”

I said, “Oh Lord.” But Obama smiled and said, “Of course.” Then he got a paper with the White House [logo] on top and wrote, “Please excuse Lola from the school today … [Signed,] Barack Obama.”

Legendary jazz trumpeter Arturo Sandoval, shown performing at Dorothy Chandler Pavillion in Los Angeles in 2016.

(Courtesy of Timothy Norris)

Your new album is so cinematic. What’s the story behind it?
One day my son and his wife, who’s my manager, came over and said, “Papa, you’re getting old. You have to change your repertoire.” I said to my son, “I’ve been feeding you for 50 years and then you come and tell me what to do? Gimme a break!” But to be honest, when the pandemic happened, I was locked [inside] here. I used to travel a lot, and I was so frustrated and sad. So for two-and-a-half years, I started writing two or three new tunes a day and recorded a few hundred on my own. They picked 100 out of those; I said, “[Now] pick 12.”

When I got with the band, when somebody told me what to play — a little faster, a little slower — I said, “What the heck, man?” But I did it. And they were right. I’m so happy, blessed and grateful because they are amazing musicians. Nobody’s weird. No drugs, no alcohol, strictly into the music.

You joined Karol G’s band at Coachella this year — how did that happen?
As an old man, it’s not every day you have the opportunity to play Coachella. She called me last year to play on a tune in her latest album, “Ivonny Bonita.” So when they invited her to Coachella, she said, “Arturo, we’d like to play with you there.” She’s got great charisma and knows how to put a show together. To play for [more than] 150,000 people each night? That’s not my daily gig. I was nervous, but grateful for the opportunity. And when I checked my followers on Instagram, I got like 5,000 people in a few days — that never happens to me!

Let’s talk about Instagram!
Oh that’s a funny story. [In 2018] I did an album of duets with Stevie Wonder, Pharrell Williams, Ariana Grande … big time people. When Pharrell wrote a song for our duet, we were in the studio, cutting the track. He said, “Arturo, I’m producing for Ariana Grande in a studio across the hall. You would like me to call her?” I said, “Of course, man.” They sang together, Pharrell and Ariana. And by the end, I got my phone and said, “Ariana, can we take a photo with Pharrell?” She took my phone out of my hand to take [a selfie] and said to me, “Put it on Instagram.” I didn’t know what that was. She said, “You don’t know what Instagram is?” Sorry, I’m old! But I put it on Instagram, thanks to Ariana Grande. She’s so talented, man.

How do you stay dedicated to music after all this time?
People talk a lot about the word “talent.” What’s that? A lot of people supposedly have big talent, but they don’t have the passion, the discipline, the commitment. See those roses in my yard? If somebody gave you a seed, you put it in a vase with fresh dirt. Add some vitamins and water, and if you’re lucky, you’re gonna have a rose. But if they gave somebody the exact same seed and they left it on a table somewhere, that rose is gonna die! I’m 77 years old and I still practice every day. Nothing goes to my head. All those awards would mean nothing if I didn’t take care of what I had.

RALEIGH, N.C. — Andrei Svechnikov scored twice and Sebastian Aho added a second-period goal in a breakout game for Carolina’s top-line performers, helping the Hurricanes beat the Vegas Golden Knights 4-2 on Thursday night to move one victory away from the Stanley Cup.

Captain Jordan Staal added his fifth goal in the series on a night when Carolina overcame multiple hiccups from these playoffs, from a shaky power play to being outplayed in the second period of this series.

And there had been the waiting game for Aho and Svechnikov — two roster mainstays in an eight-year postseason run — to find a better offensive groove.

It all came together in Game 5, with Svechnikov’s short putaway at the post on the power play giving Carolina a 4-1 lead midway through the third period. And unlike most multi-goal leads in what has been a wild and thrilling series, this one held up, with Brandon Bussi finishing with 22 saves in his second career postseason start.

That gave the Hurricanes a 3-2 lead in the best-of-seven series. Game 6 is Sunday night in Las Vegas, with the Hurricanes playing for the chance to hoist the Stanley Cup for the first time since coach Rod Brind’Amour captained them to the title in 2006.

It has been a tough series for Vegas goaltender Carter Hart.

(Karl B DeBlaker / AP)

Pavel Dorofeyev scored twice for Vegas, finding the net for the first time since Game 1 of the Western Conference Final sweep of Presidents’ Trophy winner Colorado. Carter Hart entered this one as the first goaltender in Stanley Cup Final history to give up at least four goals in each of the first four games, then did it again to continue a difficult series while finishing with 20 saves.

Vegas had twice before been in a 2-2 series in these playoffs, in the first round against Utah and the second round against the Ducks. Both times, the Golden Knights won Game 5 and then closed out the series in Game 6.

This time, they’ll have to win on home ice to force the series back to Carolina for a Game 7 on Wednesday night. And they’ll have to take two in a row against a Hurricanes team that hasn’t suffered consecutive losses since mid-January.

Vegas played much of the night without center William Karlsson, who was being checked out on the bench for an apparent upper-body injury. Karlsson skated to the tunnel midway through the second period and didn’t return.

Defence Secretary Pete Hegseth has confirmed that the United States is launching strikes on “key facilities” in Iran, framing the attacks as part of the ongoing negotiations for a permanent ceasefire.

Hegseth spoke to reporters on Wednesday in Tampa, Florida, as he left the headquarters for the US Central Command (CENTCOM), the military apparatus that oversees operations in the Middle East and parts of Asia.

His remarks echoed the escalating rhetoric of Republican President Donald Trump, who warned earlier that Iran would “have to pay the price” for taking too long with the negotiations.

“ CENTCOM — Central Command — will be busy tonight because President Trump said we will be hitting Iran hard, and we will be,” Hegseth said.

He explained that he had just reviewed the plans for Wednesday night’s attack with Admiral Bradley Cooper, CENTCOM’s commander.

“ Those strikes that’ll happen tonight will be strong. They will be clear,” said Hegseth, who then suggested they may continue into a second day. “If they have to happen tomorrow night, they will be strong, and they will be clear.”

CENTCOM followed Hegseth’s comments with a social media post, announcing “additional self-defence strikes” at 5:15pm US Eastern time (21:00 GMT).

“The strikes are in response to Iran’s unwarranted and continued aggression,” it wrote.

Within minutes of those comments, Iran’s IRNA media outlet reported explosions in Bandar Abbas, Qeshm, Gorgan and Hengam.

Wednesday’s attack will mark the second straight day of US attacks against Iran, fracturing the fragile truce struck on April 8.

The US has been at war with Iran since February 28, when the Trump administration joined Israel in an unprovoked attack on the country.

Both Israel and the US have argued that the attack was necessary to prevent Iran from obtaining a nuclear weapon, though Tehran has long denied seeking one.

But the Trump administration has offered contradicting rationales for the war in the months since it began.

At one point, US Secretary of State Marco Rubio suggested that the US acted “pre-emptively” because it “knew that there was going to be an Israeli action” and it wanted to head off retaliation. Rubio has since walked back those remarks.

Hegseth on Wednesday credited the upcoming strikes to frustration with Iran’s negotiating tactics.

“ As President Trump said, they’ve been tap-tap-tapping. You can see when someone’s trying to tap-tap-tap on a deal,” he said. “Instead, they’re going to have tap, tap, tap bombs dropping on key facilities in Iran from the United States of America.”

Since a temporary ceasefire was announced on April 8, much of the most intense fighting between the US and Iran has been paused.

But this week’s escalation began when an AH-64 Apache helicopter was downed near the Strait of Hormuz overnight on Monday.

Trump on Tuesday blamed Iran for the helicopter’s crash. Though no US service members were hurt, he said the US “must, of necessity, respond to this attack”.

In announcing a second round of attacks, Hegseth denied that the US sought to resume full-scale fighting. He instead framed the offensive as a means of kick-starting the stalled negotiations with Iran.

“That’s not because we want to restart anything we don’t have to restart,” Hegseth said of Wednesday night’s attack. “It’s because the War Department is prepared to set the terms to ensure that we get the kind of deal President Trump expects.”

The two sides have differed over issues like the fate of Iran’s nuclear programme and whether Iran would receive sanctions relief.

Trump has repeatedly threatened to attack Iran’s bridges and energy infrastructure, at one point warning that “a whole civilization will die” as a result of US attacks.

Those comments have prompted human rights concerns. Intentionally targeting civilian infrastructure can be considered a war crime, and critics compared Trump’s threats against Iranian “civilisation” to genocidal remarks.

Reporters confronted Hegseth with those concerns on Wednesday.

“You just mentioned you’re going to plan to hit them and strike them hard tonight,” one reporter asked. “If the response is in hitting bridges, electrical infrastructure, how would that not be a war crime, potentially targeting civilian infrastructure?”

Hegseth dismissed the question as “disingenuous” and accused the reporter of “impugning the motives” of the US military. But he did not rule out that civilian infrastructure would be struck as part of Wednesday’s attacks.