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IF YOU are looking for your next hotel stay, then look no further as the world’s top new hotels to visit in 2027 have been named.

Condé Nast Johansens – which ranks the best hotels in the world – has revealed its 2027 Awards for Excellence for the best newly opened hotels across the planet.

Hotels are ranked against different categories including design, service, bars and culinary experience.

Named the best in the UK overall and one of the best in the world was Aethos London Shoreditch, which only opened in October 2025.

The hotel boasts a modern look throughout with calm and warming tones.

There are 164 rooms in total including balcony suites and the Aethos Panorama Suite with a private outdoor terrace overlooking the London skyline.

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The hotel is home to Aethos Cafe London, which is the ideal place for pastries and coffee, or a glass of wine in the evening.

If you want to head to a more fancy spot, then there is the hotel’s restaurant – Mitsu – which serves Japanese sharing dishes such as flame-grilled meats.

There is even a wellness floor with a studio and gym both open 24/7.

There is a dedicated members’ space as well called The Willow Room, which is open to members to meet, work and socialise.

The hotel is in the heart of Shoreditch as well, with attractions including Old Spitalfields Market and Columbia Road Flower Market.

The hotel costs from around £180 per night.

As for the rest of the world, Andaz Lisbon in Portugal was named the best new hotel in Europe and the Mediterranean.

The hotel opened in early 2026 with 170 rooms and suites.

It also has a restaurant which serves regional Portuguese seafood, with a rooftop overlooking the Tagus River.

It costs from £240 per night to stay at the hotel.

Birch House – A Private Coastal Club & Retreat in Fort Lauderdale, Florida, won the best new hotel for the North, Central and South America category.

This exclusive hotel only has five suites nestled behind private gardens.

The hotel is also just a two-minute walk from Fort Lauderdale Beach and Las Olas Marina.

Suites start from around £370 per night.

And then Maloba Private Game Reserve in South Africa won the Africa, Asia and Middle East category.

The all-inclusive safari destination features the main safari lodge with luxury suites that include plunge pools overlooking the open bush.

There is also the farm and gardens villa, which is a private retreat set among the property’s farm.

Guests staying at Maloba Private Game Reserve often see zebras, white rhinos, cheetahs and Cape buffalos.

Staying at the Reserve typically costs from £2,100 per night, with a minimum stay of three nights.

For each location category, there are a number of other awards including best design and best for families.

Other hotels in the UK to get awards include Virgin Hotels Edinburgh in Scotland which won the best design award.

Best rural hotel went to Horsted Place Hotel in Sussex Downs, best hotel spa went to Sopwell House in St Albans and best for families went to The Belfry in the Midlands.

BBC Scotland was given access to the strategic co-ordination centre at the police headquarters at Fettes.

A wall of CCTV cameras trained across Edinburgh and Glasgow flickered from empty streets to a packed Celtic stadium as officers watch for signs of disorder.

The atmosphere in the room was calm despite pockets of disorder – the situation seemed to be generally under control.

Information flashed up on screens with updates from Operation Moonbeam. As the evening progressed the screens filled up as public order units were deployed to an increasing number of places.

Teams from Police Scotland, the Scottish Fire and Rescue Service, the Scottish Ambulance Service, the Scottish government and Edinburgh city council were in attendance.

Officers from as far afield as Avon and Somerset, Hampshire, Hertfordshire and South Wales were ready to be deployed.

Scotland’s Education Secretary Mairi McAllan said any instances of disorder or attacks on the public or on emergency services were “completely unacceptable”.

She told the BBC’s Radio Scotland’s Breakfast programme: “Police Scotland were well prepared. Our emergency services were well prepared. The vast majority of displays went ahead without any problems, and that’s to be welcomed.

“But nonetheless, I would want to be absolutely unequivocal. Totally unacceptable that any disorder related to fireworks should be ongoing.”

Additional reporting by Paul Ward and Patrick Jackson.

RUSSELL Brand was “petrified” tonight after being whisked to a high security jail after his rape and sexual assault conviction.

Brand, 51 – due to be sentenced on Monday – was being monitored around the clock by guards after he was found guilty.

The fallen comic and TV star had to hand over his clothes in reception before being strip-searched and scanned.

He was then taken to an induction wing and given a ‘first-night pack’ which consists of toiletries including a toothbrush and toothpaste and a food pack including cereal, tea, milk and sugar.

The packs also contain treats including Polos, juice sticks, and digestive biscuits.

Brand was also handed one toilet roll and given two pairs of grey prison-issue jogging bottoms plus t-shirts and sweatshirts and underwear.

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He was allowed one three-minute phonecall behind bars – likley to have been made to wife Laura, 39, who supported him during his Southwark Crown Court trial.

But that will be his only call for a week as all phone numbers have to be approved and assigned a PIN.

Brand – understood to have whisked to either Wandsworth or Belmarsh in London – was monitored around the clock and blocked from mixing with other lags.

His first-night meal was an “inedible” microwave offering in reception.

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Staff conducted a first-night interview in which they asked the star about his state of mind and checked he was not a danger to himself.

New inmates are also asked about religious beliefs and Brand was offered a bible.

He was also offered a vape pack.

Brand – who lived in a Hollywood Hills mansion in California when allegations against him were first raised – will tomorrow be assessed by a nurse and a wellbeing specialist.

A source said: “The first night for anyone in a jail is really daunting – and Brand was petrified.

“It will be a massive shock to the system to him and he will be monitored around the clock.

“All prisoners have to strip off in reception which is humiliating and a real wake-up call.

“He will be in prison-issue clothes and given a first-night pack, which will be a world away from what he is used to.

“All his cockiness will disappear as he takes in his new surroundings.

“But he will be relatively safe and watched around the clock by officers and banged up away from other inmates to start with.

“Brand will be in London until and after his sentencing but is then likely to be moved somewhere that specialises in sex offenders where he is more out of harm’s way.”

Hollywood has been cranking out films about unprepared men thrust into fatherhood since the silent movie days when Charlie Chaplin’s Little Tramp found a littler tramp on his doorstep and raised the ragamuffin as his own in 1921’s “The Kid.”

Since then, we’ve seen unwitting uncles (John Candy’s Buck), a triad of dads (“Three Men and a Baby”) and self-absorbed workaholics rethinking their priorities (Dustin Hoffman in “Kramer vs. Kramer”). But we’ve never seen an instant parent quite like Jordan Firstman‘s party promoter Peter in “Club Kid,” the Cannes Film Festival sensation that Firstman impressively directed and wrote for himself.

We meet Peter in a whirlwind, strobe-heavy blur of an opening sequence that takes us through a disorienting parade of coke-and-ketamine-fueled nights in New York’s underground queer club scene. Everyone wants a piece of Peter. His energy (and the drugs he sells) guarantee a good time. It’s a thrilling introduction, shot on 35mm on location in New York City, and the throbbing bass is still bumping around my skull.

When Peter stumbles back to his rent-controlled apartment, his downstairs neighbor Evelyn (Colleen Camp) gives him the once-over while telling him that she just finished Steven Spielberg’s “War Horse” and that “it’s as good as they say.” Peter doesn’t hear her. (Probably the bass is ringing in his ears too.)

“You ever just lose 10 years?” he asks Evelyn.

It turns out he has done just that. The night we’ve witnessed actually took place a decade ago. And one of its episodes included a hetero hookup, part of what began as a threesome with a hot dude and British tourist, Leonora (Paris Petitjean). Peter had forgotten about it until one of Leonora’s friends, Edison (Kirby Howell-Baptiste), knocks on his door, her arm around the beautiful 10-year-old recently orphaned Arlo (Reggie Absolom). Now this Peter (Pan) is going to have to grow up — fast.

If you know Firstman, it might be as an actor in the HBO series “I Love LA” or perhaps Sebastián Silva’s 2023 black comedy “Rotting in the Sun,” in which he played a heightened, vapid version of himself. You may also know him as an online provocateur, sharp and self-aware. Those familiar with that Jordan Firstman might be shocked to watch “Club Kid” and discover that the guy on the screen — and the creator behind the camera — is being utterly, hopelessly sincere with his feature film directorial debut. Get ready to wipe away a tear or two.

That disarming, open-hearted earnestness makes “Club Kid” a crowd-pleaser, albeit one that retains Firstman’s edgy comedy and insider knowledge of queer New York nightlife, as well as a lived-in awareness of how, over time, the nightlife can fray your soul. And just as Peter is ready to bid the scene an Irish goodbye, in walks Arlo, opening up an unlikely path to adulthood that astonishes Peter, a man-child who doesn’t own a single appropriate T-shirt that he can give to his newfound charge. (The one emblazoned “I love Björk and bareback” that Arlo initially picks out goes back into Peter’s closet.)

The thing is, Arlo really does love Björk, not to mention the Cocteau Twins, Elliott Smith and Massive Attack. Preternaturally poised and absolutely adorable, Arlo seems genetically engineered to fit into Peter’s chaotic life and thrive. He’s perfect. Too perfect. Given the tragic circumstances that brought him to Peter, you wait for the moment when grief and anger bubble up. That happens, if briefly. And then Arlo goes right back to being the coolest kid ever, except for maybe being lactose intolerant, but with all the plant-based swaps available these days, that’s hardly a deal-breaker.

Peter does tell Arlo that “it’s OK to be sad in my house,” confiding that he suffers from low self-esteem. This feels like Firstman trying to give some dimension to Peter, but it’s broad and lacking conviction. I’d say a bigger problem for Peter is that he drops $300 on some vinyl. Is there no Urban Outfitters near his apartment?

These issues nag a bit, but just a little because the loving chemistry between Firstman and Absolom is so real and tender. You can also forgive some of the shallower character notes because “Club Kid” is really funny, populated with a superb supporting cast that includes party girls Miss Benny, Alaska Riley and Saturn Risin9 as members of Peter’s rambunctious inner circle, Diego Calva as a child psychologist helping Peter (and, against his better judgment, falling for him) and Cara Delevingne, biting as a spiraling fellow promoter. Best of all is Eldar Isgandarov, playing a self-described “queer philosopher” who goes from couch-surfing at Peter’s place to moving in with Evelyn. He and Camp are so great together that, given the power, I’d green-light a spinoff feature pairing them without hesitation.

So there’s a lot to like. So much that when the film’s inevitable complications arrive — because, c’mon, somebody has to question the wisdom of Peter raising this kid — you feel a lump in your throat the size of a coke pile at one of Peter’s parties. If that comparison feels a little indelicate, it’s very much in keeping with the freewheeling spirit of “Club Kid,” a sentimental journey where the house music plays all night long.

It’s the first week of November, and that means it’s officially the holiday season, which is my favorite time to visit our local theme parks. Disneyland is first out of the gate, unveiling its full slate of holiday programming on Nov. 13. Universal Studios Hollywood and Knott’s Berry Farm will follow the weekend of Nov. 20.

For many, it’s also a season of gift giving, which can be one of the most daunting parts of this time of year. Thankfully, our theme parks are here to help — enter any of them and it’s difficult to walk more than a few feet without passing a souvenir shop, stand or stall.

To celebrate the start of the holiday season — and to coincide with the launch of The Times’ extensive gift guide — I’ve decided to dedicate this newsletter to some of my favorite items currently available at our theme parks. A word of warning, however. I’m a bit of a dork for monorails, and I like silly things, so this list does possess a slight personal bias. But like our paper’s guides to stocking stuffers or unique, made-in-L.A. items, consider it primarily a source of inspiration.

Or a reminder, perhaps, to schedule a visit to one of our theme parks this holiday season and bring home a little gift for yourself.

Disneyland

My favorite new item available at Disneyland is essentially a flip book, albeit one styled as a vintage ‘50s-style TV with brown casing that can house multiple oversize flip books. Turn it on, and it springs into action, playing scenes from either “Steamboat Willie,” “The Sorcerer’s Apprentice” or “Flowers and Trees,” all classic pieces of Disney animation. The images unfold, of course, where the screen would be, and the set also plays music from the animated works. This Disney Animation Television (pictured above) is $99, and you can find it at Disney California Adventure’s Off the Page. It is a park exclusive.

I warned I was a monorail fiend, and new this year at the Disneyland Hotel is a collection from midcentury artist Scott “Scooter” Burroughs. I know many a Disneyland fan is a mug collector, so I’m highlighting this Burroughs-designed Disneyland Hotel item, which has the hotel’s vintage logo on one side, and Mickey and Minnie carrying luggage in front of one of the hotel’s towers and monorail on the other. The teal Disneyland Hotel coffee mug (pictured above), complete with an ornate Disney “D” handle, is $24.99 and available in the hotel’s gift shop.

I’m also showcasing the $24.99 monorail salt & pepper shakers (pictured above), which despite having been available for multiple years, remains my favorite gift at the resort. Yes, they’re in the style of Walt Disney World’s current monorails. but I love the mini track holder and smile every time I use them. Available throughout the resort, including Disney Home in Downtown Disney.

A new Fantasyland sweatshirt has arrived at Disneyland.

(Todd Martens / Los Angeles Times)

The Disneyland Resort has in recent years upped its fashion game. Too often I’d spy a shirt or sweatshirt I liked, and turn it around only to find the understated design on the front was paired with a garish creation on the back. Thankfully, the park seems to be moving away from that style, and this year debuted a gorgeous, restrained yet artful Fantasyland sweatshirt featuring a flying pirate galleon from “Peter Pan.” It’s $69.99 and available at multiple shops, including the Disneyland Hotel or the Emporium on Main Street, U.S.A. I love its minimal use of colors, pairing a creamy white with a royal blue.

For the last Disney item, I’m going to pivot slightly to include a selection from Walt Disney World. As I write this newsletter I’m listening to the newly released “Epcot” vinyl (pictured above), a two-LP set that spans the history of the Florida park. As someone who visited the park yearly as a child, it’s a nostalgic joy, featuring music from “Journey into Imagination,” “Universe of Energy,” “The Land” and more, but the primary keepers for me are some of the Future World instrumentals. This is available online from the Disney Music Emporium for $32.99.

Universal Studios

I can’t resist when Universal Studios Hollywood releases items that center the park’s tram tour. So I immediately wanted this King Kong plush (pictured above) that features the giant gorilla cradling a mini tram vehicle. This, in my mind, is a nod to the attraction when it featured a large animatronic of Kong that would create the illusion of rocking the ride vehicles, so in addition to being cuddly, it has a sort of vintage coolness. This park exclusive item is $30, and can be found in the Universal Studio Store near the entrance.

I don’t think the kitchen cupboard of any Universal Studios Hollywood fan is complete without a few pieces of the park’s retro glassware (pictured above). I have the one styled after the late great E.T. Adventure ride, which opened here in 1991 but sadly left the park in 2003. The ‘80s-style graphic cups have mini ride summaries. Each one is $10, and the park also has glassware styled after the “Back to the Future” ride (RIP) and the Kong section of the tram tour. The items can be found in the Universal Studio Store.

There’s a whole lot of Yoshi’s in this colorful shirt at Universal Studios Hollywood.

(Todd Martens / Los Angeles Times)

Universal Studios Hollywood is also the go-to shop for fans of the “Harry Potter” franchise and Nintendo. I’m a bigger fan of the latter, so I’m going to focus on a couple of my favorite Nintendo items. I’ve long been eyeing this Yoshi camp shirt, but I’m not yet persuaded I can pull it off; one of these days I’m sure I’ll be break down and buy the $75 item. I love its mix of green and pinks, and dig the soft, playful vibe. Plus, everyone adores Yoshi.

Universal Studios Hollywood’s mini-”Jaws” puzzle is an ideal stocking stuffer.

(Todd Martens / Los Angeles Times)

The park also has a fair amount of Nintendo toys, including Mario, Bowser and Yoshi, but I’m a big fan of the dancing Piranha Plant, which spins and rotates when exposed to noise. It’s $37 and a little goofy, but I can’t have plants in my apartment because my cat instantly destroys them, so I’m always on the prowl for toys that double as greenery.

The Universal Studio Store has small sections dedicated to a number of the films featured in the park, and I was smitten with this mini “Jaws” puzzle, which would make an excellent stocking stuffer for fans of the Steven Spielberg classic. It’s $15, comes in an easy-to-store capsule, and features bright, cartoonish poster art.

Knott’s Berry Farm

I love all things boysenberry and at any time throughout the year you can find numerous boysenberry items around my apartment. Lately, I’ve been using the park’s boysenberry cream hand soap, which sells for $16.99. Look for it at numerous shops at the theme park, including the main store just outside the park or the hotel gift shop. It does have a powerful berry fragrance, but I don’t mind as it allows me to pretend I’m spending the night at the park. If you can’t make it to the park, Knott’s sells a $12.99 boysenberry bath bomb online.

The boysenberry, a Knott’s creation, is a delight, a sort of midpoint between a blackberry and a raspberry, although sweeter than both. That’s why I never don’t have a jar of boysenberry jam (pictured above) on hand. They’re $12.99 and available pretty much everywhere at the park but also online. The boysenberry jam is a hearty jelly, its taste reminding me of fall, as it’s not a thin, easily-spreadable jam.

Knott’s stages its annual boysenberry fest each spring, and it’s always a good time to sample dozens of boysenberry-infused foods. Typically, I prefer a more subtle touch, which is why I’ve become a big fan of the park’s boysenberry pancake mix, which sells for $7.99 and is available throughout the park and online. Each bundle is good for a number of meals, although I tend to use more than the recommended dose for thicker, larger pancakes. It’s not a heavy boysenberry flavor, so if you want to go overboard you can pair them with boysenberry syrup, which sells for $12.99 per bottle.

While I focused on boysenberry items in this list, it would be derelict of me not to mention that Knott’s Berry Farm is a prime source for all things “Peanuts.” The boysenberry, however, is such a SoCal original that I’ve been known to visit the park for the sole purpose of snaring a boysenberry pie, which I should mention is a perfect Thanksgiving dessert.

This week in SoCal theme parks

Layoffs last week hit Disney’s experiences division, which oversees its theme parks.

(AaronP / Bauer-Griffin / GC Images)

• Layoffs hit Walt Disney Imagineering. Last week The Times revealed that just under 200 people would be cut from Disney’s experiences division, which includes Disney’s theme parks, cruise line and Aulani resort and spa in Hawaii. Many of those involved, sources say, were with Walt Disney Imagineering. None of the currently announced projects for the Disneyland Resort are believed to be affected.
• Another coaster is coming to Magic Mountain. Six Flags’ Valencia park is soon going to be home to ArieForce One, which previously resided at the now-shuttered Fun Spot America near Atlanta. Six Flags purchased the coaster earlier this year, but at the time did not announce where it would be relocated. Magic Mountain hopes to open ArieForce One in 2028, according to a park spokesperson. The news was first reported by Brady MacDonald of the OC Register.
• Express access comes to Fast & Furious: Hollywood Drift. Getting on Universal’s fancy new coaster will now be a little easier, at least for those who are willing to pay to skip the line. Universal Studios Hollywood is now selling a paid line-skipping pass for $19.95 per person. This will give you an entry time to return to the attraction.
• Happy holidays! The Disneyland Resort is giving us a beer stand. Set to open in the coming days at Disney California Adventure is Bountiful Valley Brews, a new beer stall that will also sell a pepperoni pizza egg roll. In addition to local ales, Bountiful Valley will also sell a margarita and a Southern whiskey peach tea. The kiosk will be located near the entrance to Avengers Campus.
• A new immersive experience is coming to Anaheim. TeamLab, the Japan-born, tech-heavy immersive art collective, is plotting its first permanent U.S. exhibition in Anaheim. The group, stylized as teamLab, is moving into a 110,000-square-foot space at OCVibe, the 100-acre mixed-use entertainment district currently in development near the Honda Center. The teamLab spot is not estimated to open until 2030, but a press release specifies this will be a new exhibition and not a re-creation of one of the collective’s popular international exhibits.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

—

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Zainab Johnson believes in optimism — to a somewhat alarming degree. Not just because she usually presents as smart and happy and sharply dressed on stage or because she’s doing incredibly well in her comedy career, or even just because she’s a millennial. She’s happy in spite of every aspect of life that conspires to bring her down because it’s the ultimate power move. From surviving a near deadly car crash that broke both her legs to fighting for every opportunity to become successful in stand-up only to realize there’s more work at the top of the mountain, Johnson’s attitude towards it all has been to keep smiling. It’s no wonder she named her newly-arrived second special “Toxically Optimistic” (the first stand-up special produced by the Obama’s Higher Ground Productions).

But the unbridled joy is also the byproduct of a weight she’s lifted off herself in this new hour on Netflix — the pressure of always having to keep it real in her comedy. As a Black female stand-up it’s the box she says she’s often put in when she goes on stage and audiences are expecting her to air out her true-life trauma and make it funny as if she’s got nothing else to offer. Those who know her know better. Johnson’s mode as a storyteller has always been to dig for the deeper meaning in things, and in this new special she uses an opossum — her unlikely spirit animal — to get the job done.

This conversation has been edited for length and clarity

Having optimism is tough these days, especially for people glued to their algorithms and, of course, watching too much news. Is it a challenge as a comedian to be able to get people out of that and get them into the positive mode of thinking?

It’s not difficult because it’s kind of what they want. People come to comedy shows because they want to feel good. Ultimately, they do want to come to hear you say the things that they can’t say. They want to hear your opinion on the things happening in the world that we’re all experiencing. They want to be affirmed by you. They want to be challenged by you, but ultimately they want to feel good. A comedy club is like a restaurant for the soul. Nobody likes to eat and then not feel good afterwards, right? And so I think that what I do in my comedy is I always like to put medicine in the candy. And “Toxically Optimistic,” is another medicine in the candy.

What were some things that you took from your first special “Hijabs Off” that helped you craft “Toxically Optimistic?”

My first special “Hijabs Off” was me laying the groundwork. I just wanted people to understand my foundation of who I am and know that whatever I give them after that, this is who it’s coming from. I think that “Hijabs Off” taught me to have fun, to really trust myself in the moment. There’s really spontaneous moments that I have in “Toxically Optimistic” and watching at home, you might not know that they’re spontaneous. You might think that I wrote that and I have been performing that all along. Some things in that special that night was the first night I said it… I don’t shy away from things. If anybody watched “Hijabs Off,” one of the most talked about moments was when my hair was like getting unruly because of the temperature in the room, and I can’t see myself, but I could I could feel it, and I called it out in that moment, like comedically. You see everybody on camera all the time, and so it liberated every woman in the room to “OK, good, she knows her hair is going crazy right now.” I was glad that I trusted myself at that moment, and so I just leaned more into that with “Toxically Optimistic.”

Johnson says Black women comedians often face pressure to deliver authenticity and personal meaning, while some white male peers can roam freely into the absurd; her bit nudges audiences to expect more.

(Christina House / Los Angeles Times)

The people that know you now through that special know your story of being one of 13 siblings. If that doesn’t make you funny. I don’t know what will.

A lot of people say “you must be so funny being one of 13.” But I don’t know if that can take responsibility for me being funny.

I think it helps at least when it comes to fighting to be heard. I know because I’m one of a bunch.

How many specifically?

Well, I’ve got four in my immediate group, but my dad had 14 total.

Oh wow, look at papa, a Rolling Stone.

[Laughs] So I understand what it is to like fight for space in the conversation or to do anything. So maybe for you it was something like that?

I definitely think that it is. I can attribute that to being one of 13, being on stage with stand-up. Because with comedy, you could choose improv, you could choose sketch, right? But I think I do like that I’m carving out time almost every night that I get to be the center of attention, whether it’s for 15 minutes at a time or an hour at a time. But yeah I think my family’s so funny. They just don’t have the guts to do it in front of people over and over again, which is why I try to bring them as characters to life on stage. I feel like I might be the messenger.

You talk specifically about one of your sisters in your new special and how close you are with her as well as her mental state.

I think she would be called neurodivergent but I don’t really like that term. Every time I see a movie with “divergent” in it, the divergent is bad. Anytime you see a sci-fi movie and they talking about a divergent, the divergent is like not a good thing.

“I’m not a person that gets on stage and just talks about something for the joke of it,” Johnson said. “I’m always looking not just on stage, but in my life, for the deeper meaning, or the ‘why’ in things.”

(Christina House / Los Angeles Times)

I think it’s worth noting that you don’t necessarily treat your sister any different.

Oh no, no. I talk about that on stage a lot. Like any time we have taboo topics or taboo-like scenarios different from the “norm” we get really precious about it. Even in comedy clubs, people get awkward and stuff. The only way to normalize it is we have to get comfortable talking about like it is not something different. My sister is getting roasted like everybody else. She’s having a say like everybody else. She has a voice like everybody else — and we wouldn’t have it any other way. However, that’s inside the house. Now, outside the house, protection is different. I’m not like, “Oh yeah, you could talk to her like you would talk to me.” No, no, no. Talk to her nicely or you’re gonna have 12 other people to deal with.

In comedy specials there’s a difference between storytelling for a cheap laugh and showing us an allegory or something with a deeper meaning within the story. I love that you take that route with kind of an unlikely character.

I love talking about comedy when you’re not trying to give away the punchline.

I’m trying.

You’re trying to save the bit. Like they gotta go watch the bit. Yeah. But you want to talk about the bit!

What was the key for you about going beyond the joke or the story in that particular part of your special?

I am aware of the point that I’m making. The point that I ultimately end up making, I’m hyper aware of that because I’m living in that every day. Eugene, the opossum [the main character of the bit in question], was something that was really happening to me, and so these were like these two simultaneous situations — what does it mean for me to now be on stage as a Black woman every night trying to deliver comedy, but also I got this wild animal in my backyard every night and like, how am I dealing with this? And at some point on stage, I found the connection. I found it because I’m not a person that gets on stage and just talks about something for the joke of it. I’m always looking not just on stage, but in my life, for the deeper meaning, or the “why” in things. And when I found [it], I know it’s a trip to just give the audience this [wild story] but I’m gonna use it to prove a point. I’m gonna use it to illustrate something that I think is really important for the audience to be aware of. And when I figured that out, I felt really good. Watching it, you’re like “Where is she going with this?” And then when you get there, you’re like “it’s a great destination, thank you so much for bringing me here.”

And I think that destination brings up a big issue about what Black women are and aren’t allowed to say or how they’re “allowed” to be comedic. Why was that topic important for you to put out there to the world?

A few reasons. One, I am an observer as much as I am a doer, and I would be doing these really fun shows with really big comedians…I remember Mark Maron put me on a show with him and Zach Galifianakis, who’s hilarious and can speak very deeply about things in the world. I remember he went out in front of this audience, and I mean the stuff he was saying was so wildly imaginative. I was kind of like, “Hold on a second, they’re not even requiring him to be based in reality.” Like they were eating it up, you know?

And I was like, “What would happen if I did that?” That’s just a question that I asked myself… I watch someone who’s fully capable of being accountable not have to be accountable at all and kill in front of this audience. But the moment I went out there [on stage], I felt the pressure. I don’t know if it’s from me or from [the audience]. I can’t tell. But the pressure is there. It’s pungent, for me, like to “Give us something real, give us something valuable. Tell us who you are.” And [Galifianakis] didn’t have to do that. And I was like, “What does it feel like to not have to do that?”

“I don’t know if I should say that, but sometimes I’m watching things, and sometimes I’m up there as a performer, and I want the audience to want more,” Johnson said. “I want the audience to be smarter.”

(Christina House / Los Angeles Times)

Does the freedom from “being real” as a Black female comedian feel like an unboxing for you?

I think this is an unboxing. I’m naturally so scared to be trapped. It’s crazy because I’m usually not a person that’s trapped, but it’s because I’m so scared to be trapped. But also, the thing that I love about the Eugene [opossum] bit is that I say, you know, that there’s this comedian talking about a horse. A horse is a majestic animal. It’s a respected animal, nobody’s afraid of a horse, people love horses, horses signify beauty. But the opossum? To make an audience love an opossum is very difficult because I would go out on a road, and the moment I would say, “Anybody know what an opossum [is]?” Immediately, the audience would be like, oh, like their reaction to an opossum is like, “Girl, don’t even. I’m not trying to think about that right now. I’m sitting here enjoying some chicken wings at a comedy and you about to make me think about a big a— rat!” So even just to get them to sort of endear an animal that usually gives people a sort of like a reaction of like “ugh,” just that alone is a win for me. But then to turn up the heat and say also, I want you guys to know that I walked you through something that you had no idea that I was walking you through, and here’s why, you know. And I hope that it trains the audience in a way.

I don’t know if I should say that, but sometimes I’m watching things, and sometimes I’m up there as a performer, and I want the audience to want more. I want the audience to be smarter. I want the audience to be more sophisticated. I don’t want them to have less fun. I don’t want them to be less silly. I knew every time I did that bit, I was challenging them without letting them know. Like I’m about to challenge you guys to do something, and when you leave here, I hope that you, you know, I hope that you don’t do it just for me, but every other person that you see that is not a straight cis white male.

I think wanting better for the audience, especially a comedy club audience, is the most toxically optimistic thing I’ve ever heard. But it’s a pursuit I think you’ve achieved. I also walked away with a greater respect and love for possums.

I love that. I think most people do. I was at an event last night, it was an event solely focused on beauty and makeup and that sort of stuff, right? And the amount of women that came up to me and were like, “How’s Eugene?” The special was not out yet at this point, but they saw me working out this bit, And it reminded me of the process. To get up on stage and just do that [bit], it’s not easy. It’s easier to do it once I’ve already given you a full, nice 40 minutes of comedy. Now I’m gonna go into the experiment. But [the women who saw the early version of the bit] reminded me “Yeah, Zainab, you’re bold. You, you’re not doing it the way most comedians do it.”

SAN FRANCISCO — Rookie Yaxel Lendeborg scored a career-high 37 points and dished out six assists in a game in which Golden State rested stars Stephen Curry and Draymond Green, and the Warriors beat the Clippers 124-112 for their fourth straight win Sunday night.

Lendeborg notched his fourth game with 20 or more points, scoring five straight midway through the third quarter that gave the Warriors their biggest lead to that point at 83-68. He shot 13 for 19 — six of 11 from three-point range — and his points were the most by a Warriors rookie since Curry went off for 42 on April 14, 2010, at Portland.

With two 30-point performances among his initial seven games, Lendeborg joined Hall of Famers Wilt Chamberlain and Rick Barry as the only other Warriors to do so. Lendeborg bounced back from a tough outing in a win against the Lakers on Friday in which he fouled out.

Brandon Williams scored 17 points off the bench as the Golden State reserves contributed 40 points in all.

Rui Hachimura had 24 points and Kobe Sanders came off the bench to score 16 for the Clippers, who lost their fifth straight game.

Curry and Green had the night off for the front end of a back-to-back, with the Clippers also playing in the first of consecutive games.

Golden State has found a rhythm since starting 0-3.

Brandin Podziemski overcame a slow start to finish with 17 points, eight rebounds and eight assists and De’Anthony Melton added 21 points for the Warriors, who were big supporters of the Golden State Valkyries’ run to a WNBA championship that was capped by a thrilling Game 7 win Saturday.

Gabby Williams, Tiffany Hayes and Kiah Stokes walked through Chase Center a night after the Valkyries beat the Atlanta Dream in the first Game 7 in Finals history to huge cheers as they made their way to seats in the first quarter. The team was honored at midcourt in the first half.

The arena crew has been busy, changing the court after the Warriors played Friday night and again after Saturday’s WNBA finale.

Up next for the Clippers: vs. the Toronto Raptors at Crypto.com Arena on Monday.

The Chief Minister of Jersey, Senator Lyndon Farnham, said operating a drone close to an airport was “not a prank or a harmless hobby”.

“To those responsible, the message is clear: if you are identified, you should expect to face the full consequences of the law,” he added.

Pacific Basirwe was waiting for his wife and young son to fly in from London Heathrow when he heard the news.

He said: “It’s annoying, this should be regulated, and the people doing those things should be prosecuted.

“It’s been two days in a row now… If there is no further action, they will keep doing it, which is not good.”

SOMETIMES you just want a break from the hum-drum of daily life, without having to spend too much money.

After all, what’s better than a beautiful hotel room where you can wake up at your leisure, or a cosy cottage with all your family?

So as the team of travel experts at the Sun, we’ve looked at all of our favourite places across the UK where we’ve stayed which DON’T break the bank.

And you certainly don’t have to splash the cash on expensive five star stays to enjoy a luxurious and restful break.

Not only have we searched the entire UK, from Edinburgh and the Lake District to Oxford and Kent, but all of these stays are less than £100, so £50 each an night.

Some are even a bargain £3 each, per night. You’re welcome.

Searles Hunstanton, Norfolk

A cheap and cheerful holiday park break can really jazz up an otherwise boring and drizzly November.

Growing up in north Norfolk, I spent my fair share of days at Searles Leisure Resort. I even worked on the mini golf course, so I have plenty of recommendations!

Visiting in the autumn is super affordable. Use of the pool, sauna, jacuzzi and £1m kids splash zone is completely free (as long as you book direct) – so no need to buy an expensive add-on swim pass.

If visiting over a weekend, make sure to tuck into their impressive Sunday carvery. While the main restaurant can get busy, I recommend eating in the Sports Bar which overlooks the golf course.

While on-site entertainment is limited in autumn, there’s plenty of indoor, kid-friendly attractions nearby such as Farmer Fred’s soft play in Heacham and shows at Hunstanton Princess Theatre.

The site practically backs onto Hunstanton promenade, so you can be on the seafront in only a few steps. On dry days, make sure to walk all the way along to Old Hunstanton’s stripey chalk cliffs for a stunning view.

Grab a pack of hot, sugary cinnamon doughnuts from Kay’s, then head to Hunstanton Pier amusements to spend your spare 2ps. You won’t miss the massive building right on the green with a bowling alley overlooking the sea.

With a November Super Savers break, you can bag a four-night stay for £119. If you stay as a group of six, that works out to £4.96pp per night. – Jenna Stevens, Travel Reporter

Maldron Hotel, Newcastle

If you’re looking for a fantastically central hotel to enjoy a night out in the party city of Newcastle while still getting a good night’s sleep, you can’t go wrong with the Maldron Hotel on Newgate Street.

This modern, fresh hotel delivers 4* quality at great prices.

There’s free wifi, smart TVs, air conditioning and tea and coffee making facilities and a choice of deluxe rooms, executive suites and family rooms.

There’s hearty breakfasts and all-day dining at the Grain and Grill bar and restaurant as well as options that can be delivered to your room.

But its main attraction is its central location. Opposite the Eldon Square shopping centre and close to The Gate leisure complex, it’s just a three-minute walk from Newcastle’s Central Station and close to local metro stations.

Footie fans will love the fact they can walk to St James’ Park and the Quayside is with its famous bridges, modern art galleries, lively bars and famous Sunday market is also just a 10minute stroll away.

Rooms from from just £68 a night for a double room, or £34 each. See maldronhotels.com. – Lisa Minot, Head of Travel

Cefn Nannau, Wales

An off-grid cottage staycation, deep in rural countryside just can’t be beaten – especially at this time of year when the autumn chill is finally starting to hit.

There’s room for the whole family (and more) in the gorgeous 12-person Cefn Nannau, buried among rolling fields in Corwen, North Wales.

It features two cosy living rooms with roaring log burners and board games so you can hunker down on those dark evenings, plus there’s an outdoor hot tub overlooking farming fields where sheep graze freely.

Rooms are cosy and come with glorious green views (and many feature en suite bathrooms, too) while the spacious kitchen, with a rugged Aga, is great for whipping up group feasts.

The property’s charm comes from its history as a former barn and character comes in the form of wonky beams and traditional terracotta floor tiles.

Its location is second to none, too.

Wales‘ largest freshwater lake, Bala Lake, is a short drive away,stretching 3.5miles in length. There’s also Snowdonia National Park right on your doorstep.

Cefn Nannau cottage costs from around £21 per person per night, based on full occupancy and a stay of seven nights. See sykescottages.co.uk. – Sophie Swietochowski, Assistant Travel Editor

London & Paris Hotel, Folkestone

Sea views, check. Cosy rooms, check. Fantastic pub grub, check. With all the boxes ticked, the London & Paris Hotel in Folkestone I think is one of Kent‘s best, affordable places to stay.

The seaside town is short of boutique hotels, with the majority of options being B&Bs or pub stays.

But the London & Paris reopened back in 2023 after years of renovations restoring the historic building.

Now, every room has sea views, and each is designed in elevated beach chic, so kooky patterned interiors and blue striped walls.

It no longer has its own restaurant, but the downstairs Harbour Inn pub is one of the finest in town with fantastic fresh seafood and Sunday Roasts.

Even better, Folkestone is less than an hour from London so makes for a great weekend trip from the capital.

Rooms start from £90 a night, so £45 each – Kara Godfrey, Deputy Travel Editor

Butlins, UK locations

Earlier this year, I made my first pilgrimage to Butlin’s at their Skegness resort, and was so overwhelmed that I drew up an hour-by-hour activities spreadsheet to make sure that we made the most of every opportunity.

In just three days, we saw six shows, swam in the pool, played mini golf and laser quest, explored the soft play, spent far too many pound coins in the arcade, enjoyed arts and crafts and went to the fun fair.

We didn’t have time for the bowling, go-karting, pottery, climbing and aerial adventure courses.

What’s particularly incredible is that so many of these activities are included in the price of your stay, even if you go for the cheapest accommodation.

Their base rates start from £49 for four nights for a family of four during school holidays, which is an astonishing £12.25pp per holiday (working out to around £3 each a night).

It doesn’t matter where you book – the cheapest or priciest rooms – the activities included in the price are the same.

The quality of the entertainment is top notch too – and much cheaper when you could easily be spending £40 each for tickets to the West End, while Butlin’s shows are included and the same standard.

If we’re conservative, that’s £120pp for three nights of quality shows already. – Caroline McGuire, Head of Travel (Digital)

Pinewoods Holiday Park, Norfolk

In my mind, holiday parks are rowdy places filled with screeching children and soft play fun barns, so imagine my surprise when I pulled up to the peaceful Pinewoods Holiday Park in Norfolk.

Saltmash Lodge in Wells-next-the-Sea has ample room for six people – and a dog too. 

Inside, the master bedroom is impressively large with a kingsize bed, spacious en-suite and plush dressing area. The other two had twin beds and a separate bathroom.

My favourite part though, is the open-plan dining, kitchen and living area surrounded by large windows and a skylight.

Outside there’s a wraparound deck with a barbecue. But during the autumn, evenings are best spent settled on the sofas in front of the coal-effect fire.

Pinewoods is in a top location too, an equal walk into the town of Wells which has pretty quayside pubs and boutiques. Walk the other way to get to Wells beach with lots of golden sand and backed with brightly decorated beach huts and, beyond that, a pine forest.

Lodge prices start from £747 for a three-night stay, sleeping six people in three bedrooms which works out to £41.50pp per night.– Alice Penwill, Travel Reporter

Mollies Motel, Oxford

Mollie’s opened its first ever motel in Oxfordshire in 2019 – a quirky concept inspired by roadside stays in the US, except more lavish.

And best of all, it’s super cheap.

In fact, I challenge you to find a more chic and handsomely-decorated bedroom for the same low price as this (less than £40pp a night).

The hotel started as the budget-friendly little sister to swanky members club Soho House and although it is now a separate entity, it still maintains a close relationship with the brand.

That means uber stylish furniture from Soho Home and Scandi-style decor. Think wooden panelling, earthy tones and funky lighting.

If you love American grub, then you’ll love the hotel’s diner which sticks to the American theme with huge burgers, dirty fries and hard shakes loaded with whipped cream.

Rooms cost from £37per person per night, on a room-only basis, with other hotels including Mollies Bristol and Mollies Manchester. – Sophie Swietochowski, Assistant Travel Editor

Kickass Grassmarket, Edinburgh

Now hear me out: don’t knock a hostel until you try it. 

Kick Ass Grassmarket sits in the centre of Edinburgh, just a few minutes’ walk from all the major attractions and is a welcoming and secure hostel. 

Now, when you think of a hostel you probably picture dorms full of bunk beds and strangers, but at Kick Ass you can actually get a private room making it a great budget option. 

Plus you’ll get the benefit of social spaces and a fully-equipped kitchen. 

A double or twin room costs from just £70 per night, and has enough space for your luggage. 

Rooms have plenty of sockets, a full-length mirror and reading lights by the bed. And if you are lucky, you might even get a castle view – not bad for £35pp, eh?

Edinburgh is stunning all year and you don’t have to spend much to have a good time in the city, with hiking the famous Arthur‘s Seat is a top free activity. 

The National Museum of Scotland is also well worth exploring; its airy central atrium lets light flood the museum.– Cyann Fielding, Travel Reporter

The Alan, Manchester

One of my favourite cities in the UK is Manchester, as it has all the elements of London – fantastic food scene, beautiful architecture and history – just with friendlier locals.

Oh and much cheaper hotels that are just as beautiful.

I love The Alan, built into the a former Victorian cotton warehouse.

The rooms feel elevated, so pink plaster rooms, marble tables and orange glass mugs, as well as brass bathroom fittings and fancy toiletries.

They have all the modcons, from flat screen TVs to Bluetooth speakers as well while the bar below is where you should be meeting your mates for a glass of wine and some nibbles.

Rooms start from £62 a night, or £31 each. – Kara Godfrey, Deputy Travel Editor

The Netflix series has been deemed “so good” to watch at the weekend – and it’s gripping enough to keep you glued to your seats all night long. So have you seen it?

Netflix viewers say a show is so “addictive” it has them glued to seats all night long binge-watching every little bit of it. Finding a new show to watch can be a difficult job, especially if you have all the streaming platforms.

But if you swear by your Netflix subscription more than anything else, this show has been deemed a great watch for your weekend viewing marathon. Viewers claimed it’s so gripping that it has them sacrificing their sleep, ensuring they watch every second of it. So have you seen this drama miniseries yet?

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The show people are raving on about is called I Will Find You and it’s currently available to stream on Netflix UK.

In a TikTok post, one mum shared the suggestion with her followers as she said: “If you need a good watch this weekend, I recommend this! Omg was so bloody brilliant.”

Sharing a snippet of the beginning credits, the Netflix viewer added: “I couldn’t stop watching it until it was finished. Absolutely brilliant.”

Others agreed it was gripping as another commented: “I finished this tonight, wow what a series!”

What is the plot?

The American crime-drama miniseries is based on the 2023 novel by Harlan Coben which follows a father who was wrongfully sentenced to life in prison for his son’s death.

David Burroughs, who is played by Sam Worthington, was arrested and sentenced to life after the supposed murder. As he accepts his fate, his wife Cheryl (Erin Richards), leaves him and moves on with a new relationship.

But five years into his sentence, David receives a prison visit from Rachel Mills (Britt Lower), his former sister-in-law and a journalist, who shows him photo which can clear his name.

In the background of the picture taken at an amusement park, it clearly features a young boy with Matthew’s distinct facial birthmark.

As a result, David manages to orchestrate a daring prison break with the help of sympathetic inside allies to hunt down the truth, clear his name, and rescue his son Matthew.

Along the way, he uncovers a dangerous web of conspiracy, secrets and a cover-up. The series features a line-up of stars, which includes Sam Worthington, Britt Lower, Milo Ventimiglia, and Erin Richards.

I Will Find You premiered on Netflix UK back in June this year and all episodes are currently available to watch.

“IS there anybody there?” I whisper into the darkness, silently praying I don’t hear a response.

It’s a Friday night and I’m sitting in the dark in Cornwall’s Bodmin Jail in a bid to make contact with the spirits that apparently roam this former prison.

My husband Paul and I are sampling a thrilling experience, My Haunted Jail — Paranormal Investigation, which runs twice a week.

Upon arrival, visitors are split into pairs and taken to separate parts of the prison before being left to their own devices to see if they can conjure up any ghouls from the past.

Folklore is etched into the facility’s walls.

Built by prisoners of war in 1779, it became Cornwall’s county prison for more than 150 years and 55 public executions took place here.

WAIL OF A TIME

I drove Irish Route 66 with deserted golden beaches and pirate-like islands

TEMPTED?

Tiny ‘Bali of Europe’ town with stunning beaches, €3 cocktails and £20 flights

No wonder people think it’s haunted . . . 

One of the most infamous inmates, I learn, was Matthew Weeks, hanged in 1844 for the murder of Charlotte Dymond.

Both spirits have supposedly been spotted on different occasions, with Matthew wandering around pleading his innocence.

Another notable figure is Selina Wadge, who was hanged for the murder of her disabled son in 1878 and whose spirit preys on youngsters visiting the jail.

The only prisoner ever to escape Bodmin was an inmate named Henry.

He allegedly vanished into thin air in 1897 and some believe his spirit still walks the corridors today, trying to find a way out.

We begin our paranormal experience in the naval wing, home to a museum that highlights the original cells and stories of those caged here.

There was a definite ghoulish atmosphere — no surprise when in a cold prison after dark.

While we didn’t experience any chills or things that go bump in the night, many people have reported feeling their clothes being tugged, or claimed to hear children screaming and keys rattling, as well as heavy footsteps.

Every part of the jail has been fitted out with cameras, so any paranormal activity can be caught on film and potentially used on the next My Haunted Project TV show.

Paul was the first to try the Bloody Mary challenge — a trend that’s been doing the rounds for a few years now.

It involves participants trying to summon the ghostly spirit of Bloody Mary by speaking her name three times into a mirror in a dark room.

There have been reports of a shadow appearing or people being pushed and hearing whispers, but much to my relief, nothing materialised. May­be the ghouls sensed my apprehension?

After trying and failing to summon Bloody Mary, each pair of visitors were given 40 minutes in each section of the jail before being moved on by walkie-talkie in the dark.

Silently, we made our way through the jail, creeping into the administration block and then the courtroom.

It was very hard not to be moved by the stories of the people who were once housed in the prison as we wandered the eerie corridors.

It wasn’t just evil murderers who were locked up there, though — many people were jailed for petty crimes such as theft, as well as for being mentally ill.

In times gone by, there was no segregation, with men and women being caged together — and sometimes kids even accompanied their imprisoned mothers.

Our evening finished at 2.30am and although we didn’t experience any ghostly jumps, I was relieved to escape the damp cells and head to the comfort of a warm hotel room.

Following a £50million makeover in 2021, Bodmin Jail opened 70 lavish bedrooms — all of which are significantly more glamorous than the damp and dingy rooms we’d just been exploring.

Created from three former cells, each room retains original features but has modern-day upgrades and homely touches — thank goodness.

The next day, I learned that our now lovely looking room once housed 17-year-old apprentice, James Grenfell Trewhella.

He was jailed in 1848 for ­setting fire to a workshop and a carriage owned by his wealthy boss, Penzance coachbuilder John James.

At least he wasn’t convicted of murder, I suppose . . . 

One lucky reader will win an overnight stay for two, including a delicious three-course dinner with wine and a full breakfast in the contemporary, newly transformed Holiday Inn London – Heathrow M4, Jct.4.

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Make a weekend of a festive day out, add an overnight stay to a family adventure or arrive the evening before an early flight. However you choose to spend your time, guests can return to the hotel for dinner, unwind in the newly refreshed surroundings and settle in for a comfortable night’s sleep.

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“Night Watch” has an easy hook, starting with its setting. The immersive monster show is staged inside an ominous white van.

Yes, a real van. It’s creepy, and pulls equal inspiration from immersive theater, video games, escape rooms and environmental design. At a little over 30 minutes or so, it’s refreshingly approachable, a bite-sized slice of interactive, participatory theater that lingered with me long after I saw it. And not just because there were moments that startled me. “Night Watch,” like any good monster story, has metaphors on its mind.

“Night Watch” is the creation of Sara Biel and KJ Knies, a husband-and-wife creative team with day jobs working for a themed entertainment design firm. On their own, however, they go by Bee’s Knees. There’s buzz around “Night Watch.” Its initial October dates sold out nearly instantly, but the couple is extending the run at least into mid-November. Additional tickets will go on sale Wednesday at 9 p.m., and those interested are advised to join the waitlist.

The couple’s experience in theme park design is evident in “Night Watch,” as its small cargo van is ripe for exploration, with TVs, monitors, filing cabinets and more outfitted with vintage tech and lore-building corporate paraphernalia. Before the show properly began, I started frantically combing through folders and flipping through notebooks.

KJ Knies and Sara Biel are the creators of “Night Watch,” an immersive horror story set in a van.

(Bee’s Knees)

Yet I soon learned my goal here was not so much to find clues, like in a typical escape room, but to build a personality profile. Participants are assigned the role of an overnight security guard to monitor a mysterious tech firm. You’re unaware, at least at the start, of what kind of business the company is in, but “Night Watch” wants you to get to know the person who held the job before you. The van is outfitted with posters of national parks, hinting at someone who was longing for a life with more freedom and travel than a working-class career provides.

“Night Watch,” off the bat, wants us to grapple with how personal dreams can clash — or become lost — with the corporate world. It feels personal, and that’s no accident, says Biel, as the show was informed by the couple’s own talks about their future.

Throughout “Night Watch,” attendees are tasked with examining security footage.

(Bee’s Knees)

“I moved to L.A. to become a writer. KJ moved to L.A. to become a filmmaker,” Biel says. “Now we’re on this different corporate path. Is this the path that we should be on or should we have listened to our gut and went a more artistic direction? I feel like all of our friends are going through this. You move to this city to do one thing, and you fall into a different path. That’s not bad. I’m of the opinion that you follow the doors that open as you go, but that’s what we were grappling with and what we wanted to bring into this show.”

With monsters, of course.

I completed “Night Watch” solo, but the show can accommodate up to four people (tickets for two start at $90). You’ll interact with an actor who plays your co-worker during the production, primarily via a two-way radio. At times, you’ll monitor the action outside of the van. Other moments have you digging into the digital files of the previous security guard, who is said to have mysteriously left his job. But mostly you’ll just talk with your unseen co-worker, who might push you into philosophical discussions about your hopes for a better life. This creates an inherent tension in “Night Watch.” You might know on one level that this is a monster story, and yet like me, find yourself opening up about personal details, trying to manifest a better day for yourself.

Details inside the van.

(Bee’s Knees)

With “Night Watch’s” emphasis on security footage and old computer logs, Knies says he was influenced by full-motion video games, citing the work of Sam Barlow and his voyeuristic crime game “Her Story.” It isn’t hard to see the show as a thinly veiled statement about our current tech-obsessed era, with each day bringing with it seemingly fresh announcements about some new site, social media add-on, gadget or AI tool that promises to improve our lives (but rarely, if ever, does). There’s a moment when you start to wonder if the business you’re providing security for is actually one of the “good guys.”

The project’s story, says Knies, began with a simple sketch from Biel: “The first idea that Sara pitched me was a monster sucking souls and pooping gold.” It spiraled from there, and the last half of “Night Watch” comes quick as we unravel its multiple mysteries. And that’s where the frights, heightened by the intimacy of the van, come in.

“We really wanted to play with having a confined space that we could manipulate to our advantage,” Biel says. “We wanted to play with the effects of moving the van and shaking the van and closing off your viewpoint.”

The confined venue — a dimly lit storage van — helps participants narrow in on the mission.

(Bee’s Knees)

The van has other benefits, too, especially in L.A. where it’s hard to find a unique venue for a limited-run show. “The cheapest and easiest places you can get are white walls with tile floor, but then you’re going to spend so much money decking that out to make it feel like a lived-in space,” Knies says.

“Night Watch” is currently staged outside of Hatch Escapes, home to some of the city’s finest escape rooms, in Arlington Heights. Biel says the two are talking to Hatch about hosting the show there long-term, but there is one hitch. The van is a rental, and at some point it will need to be returned.

“Don’t tell Enterprise that we painted on their walls,” Knies says.

This week in SoCal theme parks

An audio-animatronic Indiana Jones figure hangs above guests on Disneyland’s Indiana Jones Adventure.

(Myung J. Chun / Los Angeles Times)

• Indiana Jones is adventuring again. Disneyland’s popular Indiana Jones Adventure reopened after a six-week refurbishment on Friday with a number of changes. Most of them will be invisible to guests, but Disneyland engineers worked behind-the-scenes to make the attraction more reliable and found ways to increase its capacity. They also added some spiders. Read all the details here from my walk-through of the attraction last week.
• A bookstore for us immersive, theme park geeks. Coming next year to Los Angeles, near the corner of Melrose and Fairfax avenues, is Genres Book Society, boasting a design led by former Walt Disney Imagineer Ann Morrow Johnson. Genres is part bookshop, part speakeasy and part immersive venue. There’s a dragon, a secret bar and a tree with glowing books. Read more about this bookshop dreamed up by Clare Grant and Karissa Marston here.
• Nikki, meet Nikki. One of my highlights of this year’s Halloween Horror Nights at Universal Studios Hollywood was interacting with a scare actor playing the role of Nikki from the film “Obsession.” The other week, the actor who initiated the role in the movie, Inde Navarrette, visited the horror event and had her own dalliance with one of the park’s Nikki performers.
• Still need Halloween plans? The doors of downtown’s Clifton’s, a venue some say inspired Walt Disney (although this isn’t really confirmed by any official sources), will be open for an immersive theater dinner show. Expect roving actors, multiple storylines to follow and an otherworldly wedding that may or may not involve monsters. The current operators of the historic space have big plans for programming similar such events throughout the holiday season. “The Dark Wedding” runs Friday through Sunday, and tickets start at $65.

A farewell to Halloween season (but mostly just to Cars Land’s zombie car)

A mostly deceased “zombie car” struggles to come to life at Cars Land in Disney California Adventure.

(Todd Martens / Los Angeles Times)

The first Oogie Boogie Bash at Disney California Adventure was held this year on Aug. 18, which means Halloween season is coming to a close after a 2½-month celebration. Our local theme parks will be wrapping up Halloween festivities this weekend, and it was a good one. Universal Studios Hollywood shined with a “Sinners”-inspired maze, but the star of the event was its dedication to Ozzy Osbourne. And Knott’s Berry Farm was wise to partner with the Magic Castle.

But in terms of pure decor, the Disneyland Resort has everyone beat, and I wanted to take a moment to salute my favorite Halloween adornment. I was initially nervous, as when the resort debuted its Halloween look in August the zombie automobile in Cars Land was missing. I make a beeline to it each season because it’s such a demented tale that I want to make sure it hasn’t left the park. This mostly dead skeleton car sits outside Radiator Springs Curios, owned by the character of Lizzie. Lizzie is a widow, lovesick at the loss of her husband Stanley.

The shop was under refurbishment earlier in the season, hence the reason for the zombie car’s late arrival, but I was relieved when it finally materialized a couple weeks ago, its body trying to emerge from the ground from under a tree. It’s a morbid story. Lizzie, see, has created a “ghoul-ant” (coolant, get it?) in the hopes of bringing dead cars back to life. She wants to use it on Stanley, but not until its perfected. It’s not. This mostly lifeless car struggles every few seconds to get its engine going. Occasionally, it musters enough strength to get the radio powered on. But it’s mostly just trapped in a near-dead state.

This zombie car is nothing more than the result of a failed experiment, and the implication is there will be more, as Lizzie will not stop until she’s reunited with Stanley. It’s more than a little sick, but also a statement about the way a lost love can forever haunt us. In that sense, it’s perfect, and I adore it. See you, hopefully, next year, zombie car.

The best thing I ate at the parks this week

The short rib lasagna from the Hearthstone Lounge.

(Todd Martens / Los Angeles Times)

With the heat briefly lifting a little bit ago, it was time to revisit my favorite dish at the Disneyland Resort. It’s heavy, hence the reason I was eager to tackle it when things cooled down. I’ve ordered the short rib lasagna from the Grand Californian’s Hearthstone Lounge three or four times over the past year, and I’m now convinced it’s among the best items on the menu at any restaurant at the resort, including the high-end fine dining establishment Napa Rose. It’s that good. And yes, it’s pricey at $42, but it’s a large portion and could easily be split. In fact, I wish I had done the latter, but I was at the park solo and had to immediately end my night after feasting on this decadent dish because I was simply too full to continue exploring. The tender short rib easily peels apart with a fork, and it’s plentiful. A trio of cheeses, and a heavily creamy Bechamel sauce, coupled with a buttery Mascarpone, make this the perfect winter dish. I’ll be at Disneyland on Thanksgiving, and am half thinking of making this my holiday meal rather than turkey.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Morning crowds at Disneyland just after park opening, known as “rope drop.”

(Myung J. Chun / Los Angeles Times)

Late breaking theme park news arrived Tuesday morning courtesy of trade group the Themed Entertainment Assn., which released its 2025 global attendance report. The news for the theme park sector is … mixed? Here in SoCal, attendance at Disneyland Park and Disney California Adventure increased ever-so-slightly, at 0.4% each. Disneyland drew 17.4 million in 2025, making it once again the second most-visited park in the world, behind only Walt Disney World’s Magic Kingdom. Just over 10 million visitors took in California Adventure.

Universal Studios Hollywood fared less great, suffering an attendance dip of 8%. The report attributes the downtown to our devastating wildfires early in the year, as well as a decline in international tourism to the region. It’s worth noting that the park in 2023 opened Super Nintendo World, and it’s newness may have worn off a bit for local visits last year. Overall, the park drew 8 million guests.

Also suffering declines in attendance were Knott’s Berry Farm and Six Flags’ Magic Mountain, each dipping about 4%. Knott’s drew 4.3 million attendees while the Valencia park brought in 3.2 million visitors.

—

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RUSSELL Brand had an “insane sexual appetite” and treated women poorly, his former PA told his rape trial yesterday.

Helen Berger described him as a “peacock” who would allegedly find random women online to satisfy his lust.

Ms Berger, who worked with the comedian from June 2006 to February 2007, said: “Though I’ve worked with a lot of celebrities before and seen a lot of people normalising bad behaviour, this was on another level.”

In a statement read to Southwark crown court, she said Brand, now 51, was having sex day and night and described him getting “antsy” on deadlines.

She said he would joke: “May I go and have sex now?”

But she said sexual activity would also make him depressed.

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Ms Berger, who worked for Brand through his agent John Noel, told the court she would often be called to go to the comedian’s flat in Camden, North London, where she found he was always in his underwear.

She described seeing him use MySpace to find women and invite them over for sex.

She also recalled being instructed to get phone numbers for Brand from female fans when she first started working for him but said she felt uncomfortable and told him she would not do it anymore.

Ms Berger said she quit working for Brand within months because she became sick of him.

She wrote: “I worked a lot and was exhausted, emotional, and it was a lot to deal with.

“I always had to manage my emotions around him. He had an insane sexual appetite and was sleeping with people day and night.

“He was very open about what his needs were. We didn’t have a specific conversation about it.”

Brand, supported in court by wife Laura Gallacher, denies three rapes, three sexual assaults and indecent assault on six women between 1999 and 2009.

Mr Justice Bennathan told jurors the defence case would begin today.

LOOKING to celebrate Bonfire Night with some incredible firework displays but without the price tag? Luckily there are plenty of free ones across the country.

The average November outing can cost UK families up to £30 and that’s without the hot chocolates, so here’s a handy list of the biggest celebrations that are completely free to enter.

Cambridge

For anyone near Cambridge, Midsummer Common is one of the largest free fireworks displays in the East of England.

On November 5, the evening will begin with a live DJ at 6pm – then to keep everyone entertained, there will be theatrical walkabout acts through the crowds.

These include giant caribou puppets and stilt walking jellyfish.

There will be food vendors on-site as well from 6pm until late.

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The firework ‘extravaganza’ will begin at 7pm. The event is completely free, but donations are encouraged.

Manchester

In Manchester, there are three free fireworks night celebrations hosted by the City Council all taking place on November 7 this year.

These will be at Heaton Park, Wythenshawe Park and Platt Fields Park.

Each event will open at 3pm followed by interactive storytelling sessions for children.

At all the sites will be two lots of fireworks, the first will be reduced noise fireworks at 5pm.

There will be a lantern parade at 7pm and around the site is a food and drink village, family-friendly entertainment and activities as well as funfair rides.

The second firework display will be at 8pm set to music.

Watford

Hertfordshire’s biggest display is the Cassiobury Park Fireworks in Watford on November 7.

It kicks off at 6pm with entertainment on the main stage by Vibe 107.6FM followed by a local band.

Dotted about will be food and drink outlets along with activities for kids including bungee trampolines and a bouncy slide.

The fireworks display will start at 7.30pm.

Plymouth

For anyone in the south west, Plymouth will hold a large Bonfire Night celebration on November 5.

It’s popular with around 20,000 people flocking to The Hoe for its huge bonfire next to Smeaton’s Tower and 15-minute firework display over the Citadel.

Food stalls will open on Plymouth Hoe from 4pm until late.

The bonfire will start at 7pm in the evening with the fireworks starting at 7.30pm.

These are completely free to attend, but for anyone who heads up to the promenade for the rides – there will be a small fee to go on them.

Norfolk

Fawkes in the Walks is one of the biggest firework displays in Norfolk.

This year it will take place on November 6 at The Walks in King’s Lynn.

Kicking off at 6pm it will have live music, food and drink stalls and a funfair which will keep everyone occupied before the main event.

The fireworks kick off at 8pm alongside live music from DJ Mark Purdy and Vex.

The event is completely free but donations are encouraged.

London

In London anyone on a budget can usually get a good view of fireworks for free from vantage points like Primrose or Parliament Hill.

However, if you want to go to an actual event, Coram’s Fields is one of London’s free community displays.

Gates open at 3.30pm with performances by local youth groups beginning at 4.15pm – this is also when the fun fair rides and food stalls will first open.

The 18-minute long firework display will begin at 6pm.

General entry to the display is on a first-come, first-served basis and is subject to the park’s capacity.

It’s also worth noting that as Coram’s Fields is a children’s park, adults may can only attend the event when accompanied by a child.

East Sussex

For a slightly unusual Bonfire Night, Lewes in East Sussex holds the biggest celebration in the country.

Every year on November 5, six different bonfire societies each hold their own procession and firework displays through the town.

The majority of the event is completely free, like the bonfire at Commercial Square and the torchlit parades.

Entry to the individual society firework and bonfire sites requires a paid ticket – but they will be free to watch from the public-accessible areas along the routes.

This year, the processions start at around 5pm and will arrive at the individual bonfire at around 9.45pm with fireworks displays finishing around 11pm.

A man dedicates U2’s “With or Without You” to the ex-boyfriend who ghosted him. A woman sings “I’m Coming Home” from “The Rocky Horror Picture Show” for the late Tim Curry. The room pounds their fists on the tables to the bridge of Metallica’s “One,” a harrowing anthem about the horrors of war.

This is Blue Mondays, a karaoke night dedicated to sad songs that’s become a ritual of catharsis for its regulars. It happens the first Monday of every month at the Fable, where singers compete for what KJ (karaoke jockey) Teri Gamble calls, “the most coveted shirt in all of Eagle Rock”: a blue T-shirt featuring a pajama-clad Garfield (the cat, not the president) with the caption “I hate Mondays.”

Gamble, an actor, musician and podcaster, has sung karaoke since childhood with their babysitter. They host several karaoke events, including a Broadway night at Akbar in Silver Lake, and have helmed Blue Mondays for about two years.

Singers gather at the Fable on the first Monday of the month to belt out their saddest songs.

Gamble doesn’t always choose the best singer to win the Garfield shirt. They consider performers who make a song their own, get everyone singing along, or seem like they need a win.

“There was a girl who … had a cast on her arm. She cried her whole song. I said, ‘you don’t have to tell me what happened, but I love you and I hope everything gets better.’ And then I definitely gave her the shirt that night,” Gamble said.

Thom Sigsby, who owns the Fable with his wife, Monica Katzenell Sigsby, enjoys the low-key performances. “Someone did [Sara Bareilles’ “She Used to Be Mine”] and it was just devastating. There wasn’t a single moment of feeling like she realized there was anyone else in the room,” he said.

You’d expect long faces nursing their drinks, but it’s often the opposite. There’s something freeing about exorcising negativity through song that keeps people coming back. There’s community here, across the dedicated regulars and the staff — Gamble’s an incredible singer, and bartender Megha Wescombe absolutely crushes “Maybe This Time” from “Cabaret.” As Nicole Kidman might say, “Heartbreak feels good in a place like this.”

Patrons cheer after a performance during Blue Mondays. Regulars tell stories of forging new friendships at the event.

Mel Minghelli can perform both parts in “Phantom of the Oprah” thanks to her wide vocal range.

“I think I end up feeling less sad about my own personal sads because we are sharing them together,” Gamble said. “So it feels like the burden is lessened by the end of the night every time.”

Akhil Indurti, a software engineer who also performs musical improv at the Upright Citizens Brigade, won October’s shirt. He sang System of a Down’s “Chop Suey” (frontman Serj Tankian owns Kavat Cafe, two doors down), though his go-to is Chris Isaak’s “Wicked Game.”

“I think oftentimes [people] listen to sad songs because they’re sometimes more musically interesting,” he said. “They’re not just a major chord progression. It’s not usually just sadness. There’s nuance and subtlety. There’s some storytelling.”

Soraya Sebghati won September’s shirt with Linda Ronstadt’s “Long Long Time.” She fronts the band Night Talks, and said sometimes people tell her she shouldn’t be allowed to do karaoke because she’s a professional. She still loves it, both as a performer and a spectator, and — despite her seemingly upbeat demeanor — enjoys Blue Mondays as a “safe space for the freaks and the goths and people who want to sing sad stuff.”

Fable owner Thom Sigsby says his karaoke book, with more than 12,000 songs, may feel antiquated compared with digital karaoke platforms, but that’s the point.

“I’m the kind of person, when I’m sad, I like to listen to more sad music. I’m also a big cinephile. Bleak Week at Cinematheque’s [Bleak Week: Cinema of Despair] is my favorite week of programming of the year,” she said.

Fable owner Thom Sigsby says his karaoke book, with more than 12,000 songs, may feel antiquated compared to digital karaoke platforms, but that’s the point.

Dave Child lays it all out on the karaoke stage.

The Fable’s crowd and the songs they choose are eclectic, spanning generations and musical tastes. Some songs you’re guaranteed to hear every time — Radiohead’s “Creep” and Johnny Cash’s cover of “Hurt” are staples — but some performers choose more subversive tracks.

For example, OutKast’s “Hey Ya” sounds happy, but it’s about loveless relationships. Barry Manilow’s high-energy “Copacabana” describes a woman who drank her life away following her lover’s murder. Gamble recalled a performer who writhed on the floor while sob-singing Lou Bega’s “Mambo No. 5,” which could be sad considering the protagonist’s inability to maintain a steady relationship.

Blue Mondays didn’t start at the Fable. Sigsby was already a karaoke enthusiast when he began KJing at Bigfoot Lodge in Atwater Village about 14 years ago. By his own admission, he “got way too into it,” spending his own money to add songs to his book. A former theater kid and commercial actor, karaoke gave Sigsby a new way to express himself on stage and make friends. He and his wife even bonded over karaoke before they married.

Lyrics for “Solitaire,” a Neil Sedaka ballad, plays during a karaoke performance.

Given that Mondays are usually slow, Sigsby and his co-workers began adding shticks: single-artist blocks, nights where KJs chose singers’ songs, and Blue Mondays, which offered a free “Prozac” shot for each depressing tune (a mystery blend with an on-theme hue). Free booze — which singers still receive today — was a motivator, but so was the theme, which seemed to “resonate” more than the others.

Sigsby later founded his own karaoke company, HiHo Karaoke. It operates at bars including Ye Rustic Inn, Glendale’s the Gold Rail and Bigfoot Lodge, whose own Blue Mondays, Sigsby said, draws a younger crowd. Compared with some karaoke outfits, Sigsby admits HiHo may appear “antiquated,” but that’s intentional. “There’s no app, there [are] no [paper] slips. You literally just come talk to us because we want to meet you and talk to you and have a relationship with the singer[s],” he said.

The same goes for HiHo’s book. Streaming services may offer 50,000-song catalogs, but HiHo’s 12,000-plus book is curated by its hosts and clientele. Licensing each song ensures musicians and rights holders are paid, and lets people request the songs they’ve been dying to sing, from emo deep cuts to Puccini operas.

Brian Collins performs during Blue Mondays.

In 2019, Sigsby and his wife purchased the Fable (formerly the Old Chalet and before that, the Black Boar) less than six months before the pandemic. It was after stay-at-home orders lifted that Blue Mondays really took off. “I think it really was just this need for everyone to reconnect coming out of COVID and also have a safe space … where they really could emote,” he said.

Through the Eaton fire in nearby Altadena and today’s economic uncertainty — Sigsby notes the first Monday means everyone’s just paid rent — the Fable has continued to offer that space.

Regular Mel Minghelli, whose impressive four-octave range let her nail both the Phantom and Christine in “The Phantom of the Opera,” said, “I think in the way that sad music has helped people as a comfort, it’s really nice to be able to perform it and have other people … hear it or also feel comforted.” Minghelli used to treat her unique talent as a “party trick,” but now wants to record her own music with singer-songwriter Johnny Mace, another regular she met at the Fable.

Mace chose Calum Scott’s cover of Robyn’s “Dancing on My Own” that evening, though he said he often does Black Sabbath’s “War Pigs.” He described the Fable as a “magical” place where he’s found numerous friends and opportunities. “I was in the deepest depression and coming out here got my confidence back and I found my voice again. I [had given up] on my music career. I was really hurting and this place gave me life again so I owe this place a lot,” he said.

He won the shirt once singing the Goo Goo Dolls’ “Iris” but has since given it away, to whom he can’t remember. Why? Unlike Garfield, he likes Mondays.

The next Blue Monday is Nov. 2, 8:30 p.m.-12:30 a.m., at the Fable, 1630 Colorado Blvd. in Eagle Rock.

Theme parks attractions are never really finished, especially those intended to be built to last. And so it is with Disneyland’s Indiana Jones Adventure, which officially reopens Friday after a six-week refurbishment. The ride is looking as fresh as it has in years. There were minor changes — more large spiders and other creepy critters were added to one foreboding tunnel — but also some substantial ones designed to increase the attraction’s capacity and reliability.

While some ride refurbishment closures result in very noticeable changes to the guest — for instance, the recent addition of a face-shifting buccaneer on Pirates of the Caribbean, or the temple-shattering projections that were added to Indiana Jones Adventure back in 2023 — other updates are less visible yet enhance the experience, such as helping to eliminate downtime.

That is the case for Indiana Jones Adventure. Behind-the-scenes engineering modifications over the last year have boosted not only the attraction’s reliability, but allowed its capacity to increase by about 125 people per hour. Ultimately, that allows for about 1,000 more guests per day, says Nicholas DiBernardo, an area manager for Attractions Engineering Services and eight-year veteran of the resort.

A yearly rehab of the ride is required, says DiBernardo, in part because it is one of the resort’s most complex, with many moving show elements. To ensure that it continues to meet the theatrical and safety standards required, it may appear to Disneyland regulars that Indiana Jones Adventure receives tune-ups with more regularity than other rides at the resort.

Nicholas DiBernardo surveys the guest load-in area of Indiana Jones Adventure. DiBernardo, an area manager for Attractions Engineering Services, helped oversee the recent refurb.

(Myung J. Chun / Los Angeles Times)

When asked whether that’s the reality, DiBernardo answers: “Yes and no.”

“Every attraction is different,” he says. “Indiana Jones typically has a refurbishment every year just because of the size of the attraction and the amount of work that goes into keeping this attraction up. It all depends on the needs for improving show quality or maintenance reliability.”

An audio-animatronic figure of Indiana Jones, which was disassembled and rebuilt during the recent refurbishment of the attraction.

(Myung J. Chun / Los Angeles Times)

Two key changes were made to the attraction in 2026. The most recent — and the reason for the ride’s downtime this fall — was something of a wishlist item, and that was changing the machinations that drive its first major show scene, the doors that lead guests face-to-face with Mara, the deity within the Temple of the Forbidden Eye that drives the ride’s action. Prior to the refurbishment, the doors were controlled by hydraulic actuators. Now they’re fully electric. In simple terms, DiBernardo says the doors are now easier to maintain, there’s no longer a risk of a hydraulic spill, and they should properly open and close with significantly more dependability.

That may not sound like a sexy ride enhancement, but it’s one that DiBernardo says will ensure Indiana Jones Adventure runs more efficiently. “In the past, when the old actuators would fail, the doors would have to remain open, ruining the guest’s show experience,” he explains. Not just that, but it slowed down the ride, as fewer cars could be dispatched so riders weren’t seeing the vehicle in front of them.

Nicholas DiBernardo gives a tour of Disneyland’s Indiana Jones Adventure, which just completed a six-week tune-up.

(Myung J. Chun / Los Angeles Times)

Elsewhere, DiBernardo says capacity was able to be increased by improving the loading and unloading process, again a change that will be invisible to guests. Essentially, the vehicles park more accurately.

DiBernardo, who works Disneyland’s third shift from 2 a.m. to 11 a.m., says this adjustment, a mix of hardware and software changes, was made over the course of the past year. The problem, oversimplified: Vehicles did not always park in their precise loading and unloading position. Because a theme park attraction needs to operate with extreme exactness to ensure guest safety, DiBernardo says that before this fix, operators would have to send vehicles through the temple sans guests to reset them.

“That was a major win for us,” says the lifelong San Pedro resident. The parking issue was completed in May, and it’s changed the ride’s capacity.

Skulls on Indiana Jones Adventure. The area received a cleaning and a lighting refresh.

(Myung J. Chun / Los Angeles Times)

Of course, a huge cause of downtime for a Disneyland attraction is often largely out of the park’s control. It’s us, the guests, who are the problem.

“Our No. 1 downtime driver is guest items,” DiBernardo says. “Guests will be on the attraction, and they’ll have a large water bottle or a backpack. All the vehicles have a pouch for them to store everything, but if they don’t do that, there’s many twists and turns throughout the ride, and those articles can fly out. We’ll have to stop the ride. Not only are we working on ways we can improve maintenance reliability, we’re also working with our operations to help notify guests to store their items.”

Nicholas DiBernardo, who helped lead the recent refurbishment of Indiana Jones Adventure, walks toward Mara, the deity within the Temple of the Forbidden Eye.

(Myung J. Chun / Los Angeles Times)

To that end, each Indiana Jones Adventure vehicle has been outfitted with new, bigger pouches that should make it easier for riders to dump in their items. All of that should ensure more guests throughout the day can enjoy the attraction, and right now they’ll want to, as all the figures have been dusted, blacklight paint has been reapplied, and the Indiana Jones audio-animatronics have been disassembled and rebuilt.

Walking through the attraction on Thursday, DiBernardo pointed out how all the figures are currently moving with full mobility. The first time we see Indy he’s attempting to force shut a door, one that moves with the figure in front of vibrant animations. Later, he’s hanging over a guest in one of the ride’s grandest illusions, one designed to trick guests into believing the vehicle is reversing (it doesn’t move backward, but rather the walls shift) as a crater of a ball closes in on us.

Walking the track, I noticed many a detail I hadn’t seen on my hundreds of rides on the attraction over the decades. As Indy hovers above us, for instance, his legs and hips subtly shift. Elsewhere in the ride, when a vehicle dips down a hill, it’s actually going down steps. The latter are painted on the track, but DiBernardo notes that over time the cars eventually strip away the paint. I had never seen the stairs. Of course, it’s easy to be distracted by the skull in front of us hovering over a pit of lava, where many of the lights have now been refreshed.

Flames amid a decaying skull on Disneyland’s Indiana Jones Adventure.

(Myung J. Chun / Los Angeles Times)

Indiana Jones Adventure has changed over the years. Some opening day effects are long gone, such as the illusion created by actual shifting doors at the start of the attraction, or visions of tumbling rubble near its beginning. But Indiana Jones Adventure remains one of the park’s most detailed attractions, one in which I’m still discovering artistic minutiae more than 30 years after it opened in 1995. And as the recent refurbishment proves, it’s an attraction that remains an ever-evolving work of art.

“The sky is the limit on what we can also add to this attraction,” DiBernardo teases. But for now, it looks good as new.

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

Kane, who scored 73 goals for club and country last season, is among the favourites for award with Lamine Yamal and Kylian Mbappe.

Bayern Munich striker Harry Kane is hoping for a “special night” at Monday’s Ballon d’Or ceremony in his hometown of London, where the England captain is the bookies’ favourite.

The 33-year-old scored 73 goals for club and country last season, the second-best mark in history after Lionel Messi’s 82 in 2010-2011.

But in continuing his habit of tormenting old foes Arsenal on Wednesday, the former Tottenham striker again demonstrated how complete a player he has become since moving to Germany in 2023.

At one point, dropping back to take goal kicks to ignite Bayern’s attack, Kane also set up Alphonso Davies’s first-half equaliser with a pinpoint long-range pass.

In the second half, Kane won and then converted a penalty, giving Bayern the lead before England teammate Declan Rice scored late to grab a share of the spoils for Arsenal with a 2-2 finish.

Open field

Kane is odds-on to claim what would be his first Ballon d’Or, but the outcome is anything but certain in one of the most open fields in recent memory.

The Bayern striker faces stiff competition from Spain’s World Cup-winning duo Lamine Yamal and Rodri along with France captain Kylian Mbappe and teammate Michael Olise.

While Yamal and Mbappe in particular have taken to the airways to extol their suitability for the award, Kane has been typically circumspect despite constant media questioning.

Repeatedly asked about his chances after Wednesday’s star showing, Kane said: “I try not to think about it. Obviously, it’s hard.

“There’s rumours flying around, so you try and stay away from it. I’m going to try and enjoy Monday night as much as possible. It’s a big occasion and a big event.”

Officially, there are three broad criteria upon which the Ballon d’Or is awarded: individual performances and impressive character, team performances and class/fairplay.

In recent years, recipients have either won the Champions League and/or World Cup or have made their case through sheer weight of numbers. Kane clearly satisfies the latter criteria.

Long criticised for a failure to win team trophies at Tottenham, Kane brought his total to five with Bayern after last year’s league and cup double, but the Bavarian giants’ dominance of Germany may count against him.

Bayern made the semifinals of the Champions League, going out narrowly to eventual champions Paris Saint-Germain.

England finished third at the World Cup with captain Kane scoring six times and laying on an assist.

‘Ridiculous’ Kane

After scoring against Arsenal, Kane has at least one goal in each of his past 10 Champions League matches, one short of Cristiano Ronaldo’s record of 11.

“Whenever you’re in any conversation with Ronaldo it means you’re doing something special, especially in this competition,” Kane said.

Bayern coach Vincent Kompany praised Kane’s team-focused efforts, saying: “What made Harry happy the most in recent years is that he finally won his first team trophies here.

“Now if he can crown his career or his season with the Ballon d’Or, that would be deserved for the way he plays for the team.”

After Wednesday’s match, Rice had special praise for his international captain.

“Harry is the clear winner [of the Ballon d’Or]. His numbers speak for themselves. The year he had is remarkable.

“For a striker to play that pass for their first goal, then take the penalty how he did, … he’s ridiculous. He’s such a good player.”

Former Three Lions midfielder Steven Gerrard on Wednesday joined Jude Bellingham in calling Kane “arguably the best England player there’s been” after Kane’s masterclass against Arsenal.

Michael Owen was England’s last Ballon d’Or recipient, winning it in 2001, while in 1981 another striker, Karl-Heinz Rummenigge, was the last Bayern player to claim the honour.

“Monday could be a special night. We’ll have to wait and see,” Kane said on Wednesday.

“I’m trying not to think about it too much because we have important games and another one on Sunday.

“I know it’s a massive event. I am looking forward to it for sure. Hopefully, it’ll be a special night.”