Man

Last season’s runners-up, Arsenal, will play the likes of Real Madrid, Borussia Dortmund and Lille in the league phase.

Two-time defending champions Paris Saint-Germain were handed meetings with Barcelona, Manchester City and Aston Villa, among their eight matches in the league phase of this season’s Champions League, when the draw took place on Thursday.

PSG, who beat Arsenal on penalties in Budapest in May to retain the trophy, will play Barcelona, Roma, Turkish champions Galatasaray and Slovan Bratislava of Slovakia at home.

Luis Enrique’s team will travel to England twice to face City and Villa. They beat both teams on the way to winning their first Champions League title in 2025, and also defeated the latter in the UEFA Super Cup in Austria earlier this month.

The French champions will also go to Spain to play Villarreal and Italy to take on a Como side coached by Cesc Fabregas.

“I can’t say anything bad about the Champions League, but I won’t be watching the draw. I will be relaxing and going out on my bike, then we’ll take a look at the menu. But I would sign up for the same result as in the last two years,” Luis Enrique told reporters earlier Thursday.

PSG are aiming to become European champions for a third straight year, something only the Real Madrid of 2016 to 2018 have achieved in the last 50 years.

The first matches in this season’s league phase will be played between Tuesday, September 8 and Thursday, September 10, with the final games in late January. UEFA is expected to announce the full fixture schedule on Saturday.

Last season’s runners-up, Arsenal, the Premier League champions, will notably host Real Madrid, Borussia Dortmund and Lille, as well as Sabah, the club from Azerbaijan who came through four two-legged qualifying ties to reach the league phase for the first time.

The Gunners have a tough list of away ties against Bayern Munich, Real Betis, Napoli and Slavia Prague.

Fenerbahce back, Viking in

Andoni Iraola’s Liverpool will be at home to Atletico Madrid, Porto, Villarreal and Lens, while playing Inter Milan, Club Brugge, Fenerbahce and Austrian league phase debutants LASK away.

Manchester United, who were not in the first pot of seeds, have home games against Bayern, Roma, RB Leipzig and Sabah, and also a series of difficult away fixtures against Atletico, Sporting of Portugal, Villarreal and Como.

Other notable games include Manchester City visiting Barcelona and Real Madrid entertaining Inter, while last season’s Europa League winners, Villa, must go to Barcelona and play Dortmund at home. Unai Emery’s team will also tackle Istanbul giants Galatasaray and Fenerbahce.

The latter are appearing in the Champions League proper for the first time since 2008/09 after beating Lyon in the playoffs this week.

New names in this season’s competition are Como, who have upset the traditional order in Serie A, and Sabah, while LASK made it to this stage for the first time after a stunning comeback win over Celtic in the playoffs.

Last year’s Norwegian champions Viking, from the city of Stavanger, have reached the Champions League proper for the first time, too, and they have a glamorous fixture schedule that includes Bayern, Atletico, Villa and Napoli.

This is the third season since the introduction of the new format for the Champions League, with 36 teams now all pooled together in one giant league and each playing games against eight different opponents.

This season’s final will be played at the Metropolitano Stadium in Madrid on June 5, 2027.

In death as in life, Parton left us one of the few spaces where Americans can still unite under a single banner. The banner of Dolly.

Flags are flying at half-mast to honor singer Dolly Parton, who died Tuesday at the age of 80.

There are few artists, let alone individuals of any stripe, whose loss compels a national day of mourning. Especially now, when it can appear there is little to agree upon and everything to debate.

But in death as in life, Parton left us one of the few spaces where Americans can still unite under a single banner: The banner of Dolly.

Her music was borderless, disarming and genuine. Simply put, it was a reflection of the woman who wrote and performed the songs. Her outsized personality, warmth, compassion and charm made her more than a country music star. Parton was an icon whose music, philanthropy and authenticity superseded genre, class, sexuality, color and politics.

She ingratiated herself to the public in bigger-than-big wigs, “trashy” outfits (her words) and with an unfailing sense of humor about herself. When I interviewed Parton in 2001 upon release of her album “Little Sparrow,” she expounded on her fashion sense.

“Just ‘cause I’m singing about a farmer doesn’t mean I have to come out in overalls,” she said. “Or just ‘cause I’m singing about a woman having a baby doesn’t mean I have to wear a maternity smock. But if I did, I’d put rhinestones on it.”

Parton’s self-effacing jokes made her immense talent less threatening in an entertainment industry that often reserved the title of “genius songwriter” for men. And women’s contributions were often minimized by putting the focus elsewhere.

In 1977, when she appeared on “The Tonight Show Starring Johnny Carson,” the most powerful man on television asked what her ample bustline would have been called back home. “Healthy,” he joked? She laughed it off. He then said he would give a year’s pay to “peek under there.” She was quick with a comeback, “I paid good money for these.”

Parton was a master at meeting wisecracks about her shapely figure with her own one-liners. When Carson’s successor Jay Leno asked if her breasts were real, Parton replied, “They’re real big!”

The boob jokes were predictable during her frequent appearances on talk and variety shows. But the of-its-time sexism was neutralized when she’d pull out her acoustic guitar and perform a song as comfortably as if she were sitting on the porch of her childhood home in Appalachia. The audience was then reminded that it was her indelible songs like “Coat of Many Colors” or “Jolene,” and the home-spun beauty of Parton’s voice, that made her a star.

The fourth of 12 children born to a poor sharecropper in a one-room cabin on the banks of the Little Pigeon River in Pittman Center, Tenn., Parton over six decades sold more than 100 million records to become one of the bestselling music artists of all time. She expanded her audience when in 1980 she played an overworked, underappreciated secretary alongside Jane Fonda and Lily Tomlin in “9 to 5.” The title track she wrote and performed for the film is an enduring work anthem, no matter the generation.

Despite Parton’s huge pop successes, which also included “Here You Come Again” and “Islands in the Stream,” she always came back to her roots. “When I came out of the Smoky Mountains, I tried to make a living doing [mountain music], but I couldn’t,” she said back in 2001. “I had to prostitute myself in certain ways musically in order to make a living. It’s almost like I had to get rich in order to sing like I was poor again.”

But it was largely what Parton did and said outside the recording studio and film set that made her such an inspiring and beloved figure, especially in communities that had been overlooked, marginalized or demonized.

She spent her lifetime giving back to Appalachia and other regions of her home state, sponsoring literacy programs and building the Dollywood theme park to attract tourism and create jobs. She covered tuition and related college expenses should Dollywood employees enroll in higher education. It was also reported that Parton had anonymously paid for the band uniforms for a number of Tennessee high schools for years.

When Whitney Houston popularized the country singer’s song “I Will Always Love You,” Parton used her songwriting royalties to buy property in a historically Black Nashville neighborhood, and moved her own business offices into the complex rather than in the city’s corporate or music-row districts. Functioning as a local commercial building and office space, it allowed her to invest directly in the surrounding community. Parton referred to the property as “the house that Whitney built.”

Parton was also known for her long history of openly supporting the gay community. She raised money for HIV-related charities, and her production company, Sandollar Productions, co-produced the Oscar-winning documentary “Common Threads: Stories From the Quilt,” which honored people lost to AIDS. She also publicly came out in support of same-sex marriage in 2009 and voiced her support for the trans community after several anti-trans measures came into law in Tennessee in 2023.

Communities across the political and cultural spectrum, and countries overseas, are now remembering and honoring Parton with drag parades, New Orleans brass band tributes and even a King’s Guard rendition of “9 to 5” outside Buckingham Palace.

Parton’s acts weren’t political. They were empathetic. And unifying. Even in death.

Fernandes rewarded for outstanding season with record assists in the league; Shaw builds on league win and Golden Boot.

Manchester United captain Bruno Fernandes was crowned the Professional Footballers’ Association (PFA) Player of the Year, while Manchester City’s Khadija Shaw scooped the Women’s award for the second time.

The award wins on Tuesday highlighted the individual brilliance of both players, with contrasting fortunes for their respective teams during the season.

Portuguese international Fernandes broke the Premier League assists record during an outstanding 2025–26 season, setting up 21 goals as he surpassed Thierry Henry and Kevin De Bruyne’s previous mark.

The 31-year-old also scored nine times as United overcame a poor start to finish third in the Premier League under Michael Carrick and earned a return to the Champions League.

Fernandes also won the Football Writers’ Association Footballer of the Year award in May.

“It is obviously a very proud moment. They are the ones you go on the pitch against, and it’s probably not easy to vote for someone you play against, so it is a very good moment,” said Fernandes.

Shaw was rewarded for scoring 21 goals on the way to a third straight Golden Boot and securing City’s first Women’s Super League title in a decade.

City also saw further success as Nico O’Reilly was named Men’s Young Player of the Year.

The 21-year-old scored twice in the League Cup final as City beat Arsenal and was part of the side that also won the FA Cup last season.

“I’m very proud of the season I had,” said the England international. “I won two trophies with my club and managed to play at the World Cup with my country. I’m over the moon with how it turned out.”

O’Reilly was joined by City teammates Erling Haaland, Rayan Cherki and Antoine Semenyo in the Team of the Year.

Champions Arsenal had five representatives in David Raya, Gabriel, William Saliba, Jurrien Timber and Declan Rice, with Fernandes and Brentford’s Igor Thiago completing the XI.

Aug. 25 (UPI) — A man is facing federal charges for forging the signature of Supreme Court Chief Justice John Roberts and impersonating a federal agent.

Joshua M. Culver was indicted Friday in the Northern District of Indiana on four counts of falsely impersonating an officer of the United States and one count of forging the signature of a judge and court seal.

He was arrested in Colorado and has been assigned a public defender there.

The indictment alleges that Culver identified himself as a National Security Agency agent on at least two occasions in September 2025. He allegedly did so at the Tippecanoe County Sheriff’s Office trying to get information about the location of a family member. The indictment also alleges that he made phone calls to someone at their employer threatening them and accusing them of breaking the law.

In January 2026, Culver allegedly claimed to be a “Special Master enforcing orders of the United States Supreme Court” to get a Lake County, Ind., judge to dismiss criminal cases and judgments against him.

He’s accused of forging Roberts’ signature and using a counterfeit seal on an order in September that told a Grant County, Ind., court to drop theft charges against him.

In January, BBC Sport highlighted how Manchester City, as a separate entity, has turned selling players nurtured in their academy into big business.

Morgan Rogers, Douglas Luiz, Cole Palmer, Liam Delap and Oscar Bobb are among the players developed by City to have been sold on and are now playing, or have played, for rival Premier League sides.

City have recouped more than £250m from selling young players over the past five years alone.

“To find a balance between recruiting players for sporting success and ones that could become more of an asset in the future is difficult,” explained Marwood.

“One of the hardest bits about signing young players is that you don’t know an awful lot about them but some will come in, adapt, work hard, have ambition and aspiration and go on and have fantastic careers.

“Oleksandr Zinchenko is a prime example. Taty Castellanos is another. So is Jack Harrison.”

Invariably, CFG is not always on point with its talent identification of young talent. Some will make it, some will not. That’s the nature of the player recruitment beast.

The success of Rogers and Palmer, with Aston Villa and Chelsea, has shown that City have sometimes have sold too soon.

Former Aston Villa forward Rogers was sold by Manchester City to Middlesborough in February 2024 for an initial fee of £8m. Last month Chelsea paid £117m for him.

Palmer – sold by City for £40m in 2023 – would demand a similar fee if he were to leave Stamford Bridge.

But as Savinho takes the next step in his career, City are turning their attentions to the future.

There are high hopes for Ryan McAidoo, an 18-year-old at City who has already made his senior debut for the club.

Japan’s Shin Miidera, a 16-year-old attacker playing for partner club Yokohama F. Marinos, is another CFG are monitoring very closely.

Then there is 16-year-old American midfielder Cavan Sullivan, who currently plays for MLS club Philadelphia Union, but will join Manchester City when he turns 18.

Vitor Reiss – who spent last season on loan to Girona from City – is tipped to make the grade.

“In an ideal world you would love for them to stay with you from the beginning right through to the very end – but the reality is it’s probably not going to happen,” added Marwood.

“The challenge is can we produce the next one? OK- Savinho’s gone – but where is the next one? That’s the fascination of this business, you have to look three and four years ahead.

“It’s important we grow this hub of young talent and hopefully find them pathways and produce a conveyor belt of talent and use our network of clubs to aid there development.”

The measure of their success will be judged on the pitch and on the books.

The Emmys’ writing and directing categories sometimes offer a window into the eventual winners, as when “The Studio” swept through the ceremony last year. Other times, voters decide to go their own way. “Slow Horses” has never won the drama series Emmy, but it has won awards for writing and directing the past two years. Noodles for everyone!

The episode submissions this year are a little baffling, often not reflecting the series’ best work. But what do I know? Maybe those “Pitt” submissions primed the waterworks. Perhaps it’s politics.

What I do know are my own personal preferences. So here are my rankings of the writing and directing nominees for drama, comedy and limited series, ordered from least to best.

Comedy series directing

6. “The Ms. Pat Show,” “Give It Arrest”
Directed by Mary Lou Belli

If you haven’t watched Patricia “Ms. Pat” Williams’ unfiltered show, it’s been on BET+ for five seasons and this is Belli’s third nomination for directing. The fan base is nothing if not loyal.

5. “The Chair Company,” “Life Goes By Too F— Fast, It Really Does”
Directed by Andrew DeYoung

Cathartic cringe comedy for people who thought “Severance” was too lighthearted.

4. “Abbott Elementary,” “Ballgame”
Directed by Randall Einhorn

No small feat to shoot during a live baseball game, and the episode is so good (Kyle Schwarber blasts four home runs!) that, even as a Dodgers fan, I can’t say boo about the Philly-ness of it.

3. “Widow’s Bay,” “Welcome to Widow’s Bay!”
Directed by Hiro Murai

As the episode title suggests, it’s the table-setter. There were better episodes, but the last three aired past the eligibility deadline, so this will do.

2. “The Bear,” “Bears”
Directed by Christopher Storer

Tiff and Frank’s wedding, proof that Season 4 of “The Bear” had more than its share of high points. Another showcase for Ebon Moss-Bachrach’s acting and contains a powerful scene between Carmy (Jeremy Allen White) and Uncle Lee (Bob Odenkirk) that sets the stage for the show’s final season.

1. “Hacks,” “Hacks (Finale)”
Directed by Lucia Aniello

Who doesn’t like a fairy-tale ending?

Drama series directing

6. “The Gilded Age,” “My Mind Is Made Up”
Directed by Salli Richardson–Whitfield

Soapy, opulently costumed piffle with a beating heart.

5. “Paradise,” “Exodus”
Directed by Hanelle M. Culpepper

In which the show either jumps the shark or executes an intriguing reset.

4. “The Pitt,” “12 P.M.”
Directed by Noah Wyle

RIP Louie.

3. “Task,” “Out Beyond Ideas of Wrongdoing and Rightdoing, There Is a River”
Directed by Salli Richardson–Whitfield

Shootouts don’t come more chaotic — or devastating — than the 20-minute melee that opens this hour.

2. “Slow Horses,” “Scars”
Directed by Saul Metzstein

Could repeat the Emmy in this category just for that last shot of Lamb’s feet.

1. “Pluribus,” “We Is Us”
Directed by Vince Gilligan

The strange, unsettling series premiere was the best hour of television this year.

Limited series directing

4. “Black Rabbit,” “The Black Rabbits”
Directed by Jason Bateman

Do you even remember what happened in this series?

3. “Beef,” “It Will Stay This Way and You Will Obey”
Directed by Jake Schreier

Is it OK to become our parents if it’s the only way to pay the mortgage?

2. “Beef,” “Oh, the Comfort, the Inexpressible Comfort”
Directed by Lee Sung Jin

Basically “The Pitt,” but with an ethical dilemma involving Gatorade.

1. “DTF St. Louis”
Directed by Steven Conrad

Immaculately composed wide shots and an imaginative use of shallow depth of field are used to highlight the suburban weirdness hiding in plain sight.

Comedy series writing

6. “Jury Duty Presents Company Retreat,” “Mergers and Acquisitions”
Written by Anthony King

In which Anthony (Norman, not King, the episode’s writer) becomes the hero of the television season.

5. “The Chair Company,” “Life Goes By Too F— Fast, It Really Does”
Written by Tim Robinson and Zach Kanin

Season premiere goes straight into goblin mode.

4. “Abbott Elementary,” “Team Building”
Written by Quinta Brunson

The only instance where the words “team building” don’t make me shudder.

3. “Hacks,” “Hacks (Finale)”
Written by Lucia Aniello, Paul W. Downs and Jen Statsky

Too melodramatic with the whole Deborah death scare? Have you been watching “Hacks” for the last five seasons?

2. “Widow’s Bay,” “Welcome to Widow’s Bay!”
Written by Katie Dippold

A fine introduction to the cursed New England island as well as the show’s juxtaposition of comedy and horror.

1. “The Comeback,” “Valerie Does It All”
Written by Michael Patrick King and Lisa Kudrow

Can we laugh about AI being the death of us? For one brilliant episode, yes!

Drama series writing

6. “The Diplomat,” “Amagansett”
Written by Peter Ackerman and Debora Cahn

Come for the “West Wing” vibes, stay for the blindside reveal.

5. “The Pitt,” 12 P.M.”
Written by Valerie Chu

You can’t fault a show that hauls in 25 nominations, including two for writing. These are solid episodes, but they pale in comparison with the last four of the season, which offered an intense, emotionally charged run that culminated hours of careful, patient storytelling.

4. “Task,” “A Still Small Voice”
Written by Brad Ingelsby

Forgiveness brings relief.

3. “The Pitt,” “1 P.M.”
Written by Kirsten Pierre-Geyfman and R. Scott Gemmill

See earlier comment about “12 P.M.”

2. “Slow Horses,” “Scars”
Written by Will Smith

The best moment didn’t come from the book.

1. “Pluribus,” “We Is Us”
Written by Vince Gilligan

“Hello, Carol.”

Limited series writing

5. “All Her Fault,” “Episode 8”
Written by Megan Gallagher

If you like deaths in a series finale, this is the show for you!

4. “The Beast in Me,” “Sick Puppy”
Story by Gabe Rotter; teleplay by Gabe Rotter and Daniel Pearle

I was worried for the schnoodle more than any of the characters in the series.

3. “Beef,” “All the Things We’re Never Going to Have”
Written by Lee Sung Jin

Like healthcare, a home, peace of mind, bees that live when you try to save them …

2. “Death by Lightning,”
Written by Mike Makowsky

We could really use a James Garfield right about now.

1. “DTF St. Louis,”
Written by Steven Conrad

“No one’s normal. It just looks that way from across the street.”

Aug. 21 (UPI) — A man wielding a sword entered a Swedish high school and injured three people Friday before being shot and arrested by police.

Police were called at 2 p.m. local time at Brinelskolan School in Fagersta, Sweden. The students had just returned from summer break this week.

Two of the three people were seriously injured. Local media reported that the attacker was shot in the leg by police, the BBC reported.

Eight other area schools were put on lockdown, but that has since been lifted. A state of high alert was declared for the Vastmanland region. Fagersta, a town of about 12,000 residents, is about 105 miles northwest of Stockholm.

Swedish Prime Minister Ulf Kristersson posted on X that a “serious incident” happened in Fagersta.

“There are reports of injured people. We do not yet know what lies behind the act, but we know that the police are working very intensively. I want to ask everyone to let the police and emergency services work undisturbed. Our thoughts are with all those affected,” the post said.

School attacks have happened in Sweden several times in recent years.

In February 2025, 11 people, including the gunman, were killed in an attack on an adult education center in Orebro. It was Sweden’s worst-ever mass shooting. After the attack, the government tightened gun laws because the suspect had legally owned four rifles. He had brought three of them to the attack.

Two teachers were killed with a knife at a high school in Malmo in 2022, and an 18-year-old later confessed to the killings.

In 2015, three people were killed in a sword attack in Trollhattan, Sweden.

The guide was adamant. “I’ve picked human teeth out of there and I’m not doing it again.” The small group of tourists looked suitably aghast, except the boy. He was jiggling the wellington boots on his feet and singing to himself. He looked about 14. I sensed that he was the catalyst, the one to make things happen.

“So, if anyone is planning to leave human remains in this ancient place,” went on the guide, throwing the boy a stern look, “I say, DON’T.”

We had arrived on the visitor centre bus from nearby Knowth, the first stop on our tour of Newgrange Neolithic site, 30 miles (50km) north of Dublin. I was on a circuit of the Irish Sea, a ferry and road trip to see the best ancient sites that ring this salty mere at the heart of these islands. It was here, around 5,100 years ago, that a new people arrived and, capitalising on the sea as a cultural superhighway, constructed a dazzling array of stone monuments. Some of Europe’s finest Neolithic passage tombs are here, notably at Newgrange, the only one you can enter. But as the guide was sternly pointing out, some modern folk are irresistibly drawn to leave the ashes of deceased relatives inside, especially at Newgrange.

The plush visitor centre had been informative but had not conveyed the deep atavistic intensity that drives such tributes. There was magic here. I wanted to feel it. I had a hunch this boy was in touch with it.

“As for pets,” said our guide, “I want no dog or cat ashes either.”

The boy was drumming his hands on his knees, hearing an unheard rhythm. We were about to walk up to the hallowed tumulus with its 19-metre-long passageway that leads to the central chamber, but our guide was determined to get that boy’s attention. “There,” she shouted. The boy’s head shot up. She was pointing at a set of wheelie bins in the corner. “I can promise you,” she went on, grimly, “that if I find your granny’s remains inside my Neolithic chamber, then her last resting place will be that green wheelie bin.”

There was a stunned silence among the tourists. But not the boy. He immediately ran over to the bin, opened the lid and stared inside.

“Nothing,” he reported, slamming it down. “She’s not there.”

The guide looked nonplussed, then marched away towards the hill that is a tomb. “Follow me,” she commanded. “Do not leave the path.”

Everyone obeyed, except the boy. He ran in a great arc off the path, arms flapping like shamanic wings.

We had started our huge circular journey around the Irish Sea at Pentre Ifan, a magnificent tomb from 3500BC, sited on the same Pembrokeshire ridge that provided the bluestone for Stonehenge. I was travelling with my partner, Sophie, and our dog, Stevie, who had gone through complex hoops to prove he was not carrying either rabies or tapeworm into Ireland. He liked the first ferry, from Pembroke Dock to Rosslare; it had an excellent pet lounge, but what fascinated him was the sea. He could not stop staring. His reaction made me pay more attention to him. Could dogs, I wondered, also help connect us with the deep past? After all, their wolf heritage is 30,000 years old, yet they relive it every minute of their lives. If anyone could remember the Neolithic age, it was Stevie.

He had been well cared for initially. We stayed near Wexford, in a dog-friendly hotel, Marlfield House, with superb gardens. Then we toured the ruins of the greatest Irish saint of them all, Kevin. His sixth-century seat at Glendalough, in County Wicklow, is now a busy pilgrimage site. Twelfth-century Trim Castle in County Meath was next, followed by the Hill of Tara with its ancient standing stone, the Lia Fáil. Here all the pagan kings of Ireland were crowned, so the legend goes.

At its base, visitors had laid a collection of apples, flowers and coins. That puzzled me. Were the apples significant? Or had that gang of girls carrying hurling sticks just donated their unwanted snacks? Some people, it was clear, wanted such places to mean something, not simply be dusty artefacts.

I persuaded Stevie to lie down on a nearby grassy mound. Under us was the Mound of the Hostages, a chambered tomb that was already ancient when the Great Pyramid was built. Time slipped away. Those Neolithic people are so distant and mysterious. What we know for certain is almost nothing. They had cows … and dogs. I opened one eye. Stevie had gone. He’d given up communing with the stone age and gone after the hurling sticks.

That night, we stayed in another excellent dog-friendly hotel, Bellinter House, and visited Marcie Regan’s in Trim, a vibrant, dog-loving pub. Not until Newgrange did we meet the dreaded sign, NO DOGS. I’d been forced to leave him in the car, my dæmon, my conduit to the ancient.

Our guide stopped us at the entrance to the great megalithic structure, a turf-topped hill walled with white quartz. Discovered largely intact in 1699, the entrance was guarded by the same five-tonne stone that sits there now, covered in mysterious swirling patterns. Behind was a narrow entrance and a passage that lay under 200,000 tonnes of stone and earth.

“If you get claustrophobic,” said the guide, “you can leave at any time. Do not touch the carvings.”

Out the corner of my eye, I saw the boy come running. He had done a lap of the monument, chanting to himself, his little sister close behind. The guide bowed her head and disappeared inside. The boy ran his fingertips over the carvings and followed. I went in next. My unsatisfied desire for stone age magic was about to be fulfilled.

The tunnel is slightly kinked and rises imperceptibly. You don’t see the final chamber. The mystery grows. There are patterns on some stones. A deep silence descends. I thought of Stevie back in the car. They found the bones of a dog in here, and its DNA showed traces of wolf from both Europe and Asia. Stevie’s Neolithic moment, however, would have to wait.

At the end of the corridor, we arrived in a small chamber. Above, the roof was made of massive stones. In more than 5,000 years, it has not leaked. It looks haphazard, but is perfect, a Rolex assembled by Flintstones. The most impressive thing, however, was not understood until Prof Michael O’Kelly came and stood in this chamber on 21 December 1967. Our guide was now going to recreate that event, and what has happened at dawn on every winter solstice since about 3150BC.

We were in complete darkness. The boy had pressed himself into a niche where a huge stone basin sat. Human remains, ancient ones, had been found there. And then, the guide touched a hidden switch and a golden light came creeping up the passageway towards us, finally illuminating a triple spiral of megalithic art carved into one giant stone. It was like hearing a deep harmonic chord, or the haunting cry of a night bird, something profound and enigmatic. I forgave the bus, the tickets, the gift shop – all the paraphernalia of the tourism business – and saw the genius of this recreation.

Light slowly filled the chamber. We were all dumbstruck, except the boy. He spoke out loud and bold. “Question. Are there aliens here?”

The guide shook her head impatiently. “I won’t have any talk of aliens.”

The boy nodded and turned to his little sister. “That means there are.”

Then he was gone, scurrying down the tunnel in a half crouch, humming to himself.

A huge storm came in that night, downing trees and flooding roads. We drove through it to Belfast and hunkered down in our hotel.

Next day, thankfully in calm weather, we sailed for the Isle of Man. Landing here was like travelling back in time, to around AD1950. Manx ancient monuments do not come with visitor centres and guides, they come only with a cast iron sign, “Ancient Monument”. We climbed the highest peak, Snaefell, visited several fabulous Celtic crosses and spent ages in the wonderful Manx Museum.

Then, one afternoon, we left the car and walked through fields to the island’s most important Neolithic monument, Cashtal yn Ard. It was in a tussocky field behind a kissing gate and a small sign. No ticket required, only some imagination and, if possible, a stone age scent hound. Behind were ranged the dark hills. The monument itself is a collapsed passage tomb that has left the ghostly imprint of its shape in rows of pale stones, marking the entrance, the tunnel, and finally, a low portal into what is left of the central chamber. Nevertheless, Stevie seemed to know the layout. He ran to the entrance, bounded down the tunnel, dodged through the portal and stopped dead. We lay on our backs and watched the skies. After a few minutes, I sneaked a look at the dog. He was curled up asleep at the exact centre of the vanished chamber.

Travel was provided by Discover Ferries, the industry body for 12 ferry companies. Irish Ferries sails Pembroke to Rosslare from £190 for car plus two (pets travel free). Isle of Man Steam Packet Company sails Belfast to Isle of Man from £179.50 for a car plus two (pets in cars free, pet-accessible cabins £75). Taking a dog to Ireland requires micro-chipping, rabies jab and tapeworm treatment (Stevie’s documents were checked at Rosslare).

Further information from Tourism Ireland, Fáilte Ireland, Tourism Northern Ireland and Visit Isle of Man

“Wonder Man” star Yahya Abdul-Mateen II has addressed the recent discussions regarding Marvel’s track record on projects led by Black actors after the abrupt cancellation of his show.

“I think the optics are obvious,” the Emmy award-winning actor told Vanity Fair in an interview published Thursday. “If I’m a big business, if I’m Disney, if I’m Marvel, I don’t want to be attached to these optics. So it should be a priority to change that narrative and to do what it takes to responsibly change that narrative with quality stories, with quality resources.”

In “Wonder Man,” Abdul-Mateen portrayed Simon Williams, a struggling actor with superpowers that he had to keep secret so he could work in Hollywood. The grounded series — more a love letter to Hollywood than superhero spectacle — was well-received by critics and fans. But just weeks after Abdul-Mateen was nominated for an Emmy for his work on the show, “Wonder Man” was canceled despite the announcement that the series had been picked up for a second season back in March.

Abdul-Mateen was told that the decision “had something to do with the viewership numbers.”

“I wasn’t told what those numbers were, but ultimately, for whatever reason it was, I think they decided that it didn’t make sense for business, and that’s the decision that we live with and we keep on marching forward,” the actor said to Vanity Fair.

Marvel’s abrupt reversal on “Wonder Man” invited scrutiny from fans who had also noted how “Blade” had been stuck in development for years. The film, which had been announced in 2019, was set to star Mahershala Ali as the titular human-vampire hybrid.

“If they wanted to do it, we would’ve done it,” Ali said to GQ in a recent interview, confirming he had “moved on” from the project. (Marvel Studios president Kevin Feige said during a recent podcast appearance that he felt like “a gigantic loser and failure” for not getting “Blade” made.)

Fans have also pointed to other Black characters whose storylines have been sidelined or left unresolved over the years, such as Ironheart and Monica Rambeau.

There is one Black-led project for which Marvel has ambitions plans, though.

Marvel recently stoked excitement for the “Black Panther” franchise at San Diego Comic-Con with the announcement that David Jonsson has been cast as T’Challa’s son and the new King of Wakanda. “Black Panther 3,” from filmmaker Ryan Cooger, will be released on Dec. 15, 2028.

Despite his disappointment, Abdul-Mateen said in his Vanity Fair interview that he understands “business and life move on.” But he also believes there are things Marvel and the industry can learn from “Wonder Man.”

“I felt that our show did have quality story, did have quality resources, did have quality actors and people, and did produce quality results that the viewers responded to positively, that the [Emmy] voters responded to positively,” he said. “So our show does deserve some study and some real, hard information about why a show like this did not continue forward, because it had all of the ingredients that one would want in a show.”

Police allege Australian-Russian citizen joined Ukrainian military seeking to send information to Russian intelligence.

Australian police have charged a dual Russian-Australian citizen for trying to pass Ukrainian military information to people he believed were linked to Russian intelligence.

The 27-year-old man was due ⁠to appear in court in Brisbane on Friday on charges of foreign interference.

Australian Federal Police Commissioner Krissy Barrett told a news conference that the suspect travelled to Russia for training in October 2024. He then returned to Australia but “maintained contact” with individuals he believed were linked to Moscow’s intelligence services.

The police allege the man enlisted in the Ukrainian military in May 2025, ‌where he “gained access to information relating to their military personnel, units and locations”.

Barrett said he shared the information obtained in Ukraine with “individuals he believed were acting on behalf of Russian intelligence services”, putting the safety of Ukrainian military staff at risk.

“We don’t want Australia to become a safe haven for people who are undertaking foreign interference on behalf of other countries,” the commissioner said.

The identity of the suspect, who is unemployed, has not been revealed. Police said there was no indication he had received military training in Australia. Search warrants have been executed, they added, noting the possibility of further arrests related to the case.

Australian Federal Police and the Australian Security Intelligence Organisation spy agency conducted the investigation.

“This case should put regimes perpetrating foreign interference on notice: we have zero tolerance,” ASIO Deputy Director-General Claire McGuinness said.

Russia’s embassy in Australia said it had no knowledge of the case.

“At this stage, no official requests or notifications have been received by the Embassy or the Consulate General in Sydney, either from the Australian authorities or from the individual concerned,” the embassy said in an email to the AFP news agency. “We are currently using the available channels and resources to establish the circumstances of the case.”

Russia arrests Ukrainian operatives

Meanwhile, Russian authorities have arrested nine people and charged them with working for Ukrainian intelligence, state media reported on Friday.

The TASS media agency said eight of the suspects were found to have 35 drones, equipped with explosives smuggled from the European Union, and planned ‌to attack a strategic defence enterprise in the Moscow region.

Separately, a foreign ⁠national was detained close to the Norwegian border. The FSB security service said that the man – whose nationality it did not reveal – had been arrested for trying to launch a surveillance drone over Moscow to help Ukrainian intelligence plot an attack on the Russian capital.

The FSB said it had detained the individual as he was trying to flee to Norway on foot.

Joining Eintracht Frankfurt in May 2023 on a free transfer from Wolfsburg, the then 24-year-old Marmoush found form in his first season with the German side scoring 17 times across all competitions.

He then scored 15 Bundesliga goals from 8.9 expected goals (xG) during the first half of 2024-25, while registering nine assists in 17 league appearances. Across all competitions before leaving Germany, he had 20 goals and 13 assists in 26 games.

Set-pieces were another notable part of his game. Marmoush became the first player in Europe’s top five leagues since Lionel Messi in 2019 to score directly from a free-kick in three consecutive competitive matches. Manchester City then paid £59m for him in January 2025.

The early signs were encouraging. Marmoush scored his first career hat-trick against Newcastle, struck the winner in City’s FA Cup quarter-final at Bournemouth and then scored from long range against the same opponents in the Premier League. It was judged to be the goal of the season.

But there were difficult moments too.

With City trailing Crystal Palace in the 2025 FA Cup final, Erling Haaland handed Marmoush the ball for a penalty. His effort was saved by Dean Henderson as City went on to lose at Wembley.

Former Manchester City defender Nedum Onuoha does not believe that moment should define Marmoush’s spell at the club.

“When I see Marmoush, I don’t see the penalty miss,” Onuoha told BBC Sport. “I see the strength he has with some of the runs he makes in behind.”

Tottenham have agreed a deal with Manchester City to sign winger Savinho for £75m, with a further £10m in potential add-ons.

Savinho, 22, has now been given permission to undergo a medical in north London before signing a long-term deal with Spurs.

More to follow.

The Baleba situation also highlights a strategic change.

In the past, United have almost trailed the players they want to sign, then spent ages trying to complete a deal – or not.

Barcelona’s Frenkie de Jong was a case in point in 2022. Erik ten Hag felt certain he could do the deal even though United’s recruitment staff were being told it was impossible.

It was well into August before the club admitted defeat; with defeats by Brighton and Brentford triggering the £70m deal for Casemiro.

This summer, there has been stealth behind their work. It suited them for talk around England’s Elliot Anderson to obscure what they were thinking around initial midfield targets as they knew the Nottingham Forest man would be financially beyond their reach.

The Santos deal was wrapped up within a week. The Tielemans one was less than that.

There has been consideration given to Mount being the ‘third midfielder’ because of his exceptional form in the early part of pre-season.

However, although his early exit in the encounter with Paris St-Germain in Gothenburg on 8 August was described as ‘precautionary’, Mount has still to return from the foot injury, which would only have heightened concerns around his injury record.

Baleba was supposedly off the radar as a third midfielder. Tchouameni, Scott, Kone, Berge and Adams were the ones being monitored. Now United have made their move, it would be a surprise if the transfer was not concluded swiftly.

Evidently, Old Trafford’s recruitment plans are now being controlled to a far tighter degree than was previously the case.

Aug. 19 (UPI) — Federal prosecutors have charged a man from the Bronx with hate crime offenses alleging he assaulted a security guard and a congregant in a racially motivated attack at a Manhattan synagogue last week.

Larry Montes was arrested following the alleged attack at Central Synagogue on Friday and was charged by New York State.

On Tuesday, the Justice Department charged him with two counts of committing hate crimes, each of which carries a maximum penalty of 10 years’ imprisonment, and one count of damage to religious property resulting in bodily injury, which carries a maximum 20 years’ imprisonment.

“These charges serve as notice that the Department of Justice will intervene to protect the public in the face of antisemitic and racially motivated attacks,” Assistant Attorney General Harmeet Dhillon of the Justice Department’s Civil Rights Division said in a statement.

According to the complaint, Montes was allegedly among some 375 people who attended Shabbat service Friday night at the synagogue. During the service, he is alleged to have stood up and begun shouting and then struck two ceremonial silver candlesticks, which were damaged.

As a security guard attempted to remove Montes from the building, Montes allegedly uttered profanities about those in attendance and allegedly punched a woman.

After being handcuffed, he allegedly looked at a Black security guard cursed and called him a racial slur, before spitting on and head-butting the security guard.

During an interview with law enforcement, Montes allegedly issued antisemitic statements.

As of the end of July, there were 360 hate crime incidents committed in New York City, 205 of which were motivated by anti-Jewish bias, according to the city statistics.

Nearly every week, I pass a colleague in the office who taunts me with four words: “Count of Monte Cristo, Count of Monte Cristo,” as he shakes his head. He’s disappointed his favorite book didn’t make the cut of our 101 best book club picks list, which served as the 2026 LA Times Festival of Books curtain-raiser. I don’t mind the barb. There’s nothing more exciting than an impassioned reader — even when they’re wrong. I’m all for rallying around a book or author and debating their merits like it’s a sporting match. Our book lists, after all, aren’t meant to be final verdicts. They’re invitations to read more (and, maybe, better).

To compile our expansive list we surveyed more than 200 bookish luminaries — along with a few zealous book club members. Our readers had their own ideas for their top book club picks, many of which we deeply considered. Here you’ll find some of our worthy Los Angeles Times reader selections.

“Fahrenheit 451” by Raymond Bradbury

“A favorite book my book group read and discussed is ‘Farenheit 451.’ It was fascinating to see what the past thought the future might bring,” reader Margaret Hardy writes of the 20th century classic. “In terms of technology and control by the government we are seeing today what Bradbury was thinking about in 1953. We felt that the future was found in the past. It was a chilling read.” Equally chilling is that the book often shows up on banned books lists — not unlike in its narrative.

“Homegoing” by Yaa Gyasi

“You missed ‘Homegoing’ by Yaa Gyasi!” reader Melanie H. writes of the critically acclaimed Ghanian historical fiction novel. “My book club read it and I was enthralled. I can’t stop thinking about it ever since. The amount of research and empathy into every single character and era Gyasi put into this story is incredible. It altered my brain and to this day I tell everyone about this book.”

“Giovanni’s Room” by James Baldwin

Reader Roxanne Yahner writes, “It is beautifully written, elegant and eloquent, and there is no preparing anyone for the sheer inexorable force of Baldwin’s language. This novel expresses the personal — and historical — grief of two gay, perhaps bisexual, men as they explore their sexuality at a time and place where such behavior was dangerous. The reader aches for these men and feels their grief. Some in our book club were disturbed by this novel, but all agreed they were deeply moved by it.”

“The Satanic Verses” by Salman Rushdie

Several readers wrote to us recommending Rushdie’s magical realist epic. “It’s such a complex, yet entertaining novel. We learned a lot about the tenets of Islam as woven into the story,” Ellyn Moscowitz shares about their book club pick. “It provoked great discussions about death, afterlife, religion in general and great character studies.”

“Geek Love” by Katherine Dunn

Reader Francesca Smithwick-Driver chose this as a book club pick in the ‘90s for her group and the 1989 National Book Award fiction finalist remains a favorite.

“[It’s] about a family who runs a carnival of ‘freaks.’ The story is told by an albino dwarf. There are strong themes about what it is to be normal, falling in and out of love with yourself — your family — and the world around you. Wonderfully written scenes about horrible things and beautiful things. I still remember the discussion of my book club — from ‘why in the world did you recommend this disgusting book’ to ‘what a book’ … I couldn’t wait to get back to it each time I put it down.”

“The Master and Margarita” by Mikhail Bulgakov

Reader Kate Karp, who has a cat who resembles a key character in this Russian classic, writes: “[It] turned out, no surprise, to have been the inspiration for the Stones’ ‘Sympathy for the Devil.’” She notes it also requires multiple readings to grasp all the subplots — but it’s worth it.

“Klara and the Sun” by Kazuo Ishiguro (and “Chain Gang All-Stars” by Nana Kwame Adjei-Brenyah)

“I am terrible at book clubs because I have found that I am a very picky reader who simply will not read a book that I do not enjoy,” reader Mike Gascoigne writes. “That said, in a book club I did very much enjoy Kazuo Ishiguro’s ‘Klara and the Sun’ and Nana Kwame Adjei-Brenyah’s ‘Chain Gang All-Stars.’ There was a lot to discuss about both titles including AI/robots, intellectual enhancements, climate change, reality television, prison reform/abolition and human nature.”

“All the King’s Men” by Robert Penn Warren

“‘All the King’s Men’ is a powerful summer read — a Pulitzer-winning novel that feels strikingly current,” reader Ken Muche writes. “Set in the 1930s South, Willie Stark’s political rise echoes modern demagogues, reminding us how easily power can blur truth. Even more important, the novel invites reflection on our own bad life choices — showing that taking accountability for one’s actions is the first step toward forgiveness, peace, and ultimately, a more grounded kind of happiness.”

(Grove Press / Black Cat)

“Girl, Woman, Other” by Bernardine Evaristo

Reader Seth Kivnick’s pick is this work of fiction that co-won the Booker Prize in 2019, he notes that the compelling book describes the Black women in the British Isles who came from all walks of life and different countries. “[It] appealed to male and female club members.”

“Hell of a Book” by Jason Mott

“It’s good-humored without being comedy or satire but opens serious friendly discussions about contemporary problems,” reader Christine Almeida writes of the novel that won the 2021 National Book Award for fiction. “Our library-based book club talked about it for a solid 90 minutes without straying from what the book itself had to offer its readers.”

PORTLAND, Maine — The person Immigration and Customs Enforcement agents targeted in Maine last month when an officer shot and killed a motorist was a roommate who was not subject to a final removal order, a Democratic congresswoman from the state said.

Johan Sebastián Durán Guerrero, a 25-year-old Colombian national, was shot and killed by an ICE agent in a car near his Biddeford home on July 13. Rep. Chellie Pingree said during a hearing in Maine on Monday that ICE’s intended target was Durán Guerrero’s roommate, who was the owner of the car Durán Guerrero was driving.

Pingree called the discovery a “shocking revelation in clear contradiction to what ICE” and the U.S. Department of Homeland Security have said about the shooting. She added that it was previously established Durán Guerrero was not the intended target and also did not have a final order of removal, but did have a pending asylum case and a valid work permit.

“Johan Sebastián Durán Guerrero should be alive today,” Pingree said during the hearing. “More than a month later, there are still so many basic questions that remain unanswered by ICE and the Trump administration.”

The Department of Homeland Security said in a statement late Monday that it stands by its prior assessment of the shooting. ICE was conducting “targeted surveillance on the last known address of an illegal alien with a final order of removal,” a spokesperson for the agency said.

“We are not going to disclose law enforcement sensitive intelligence and methods. Nowhere did we state that Johan Sebastián Durán Guerrero or his roommate were the target of the operation,” the spokesperson said.

The shooting of Durán Guerrero remains under investigation by the office of the Maine attorney general. Pingree was among several Democratic House members who spoke at a hearing in Biddeford on Monday to discuss ICE’s use of deadly force in the state. The Department of Homeland Security said at the time of the shooting that Durán Guerrero attempted to flee the scene and the ICE officer discharged his weapon because he feared for public safety.

Pingree and other Democratic members of Congress have also called for answers from Homeland Security about its training and vetting of agents after it was disclosed that the ICE officer involved in the shooting had a history of violent behavior and mental health issues. The shooting also appeared to lead to a policy change in which ICE would suspend most vehicle stops, but President Trump swiftly expressed opposition to that change.

Whittle writes for the Associated Press.

Police have launched an investigation after a 33-year-old man was found dead at Charlton Athletic’s football ground.

Officers and paramedics from the London Ambulance Service were called to The Valley stadium in south-east London on Tuesday morning following concerns for the welfare of a person.

The Metropolitan Police said the man was pronounced dead at the scene. His next of kin have been informed and are receiving support from officers.

Detectives are investigating the possibility that the man had fallen from height in the early hours of Monday morning. The death is currently being treated as unexpected as inquiries continue.

In a statement, Charlton Athletic confirmed the club was supporting police with their investigation following the discovery.

A spokesperson for the Championship club said: “Everyone at Charlton Athletic would like to express their deepest sympathies and heartfelt condolences to the individual’s family, friends and loved ones at this incredibly difficult time.

“The club are continuing to assist the authorities with their inquiries and respectfully ask that the privacy of those affected is respected.”

The club added that there was no suggestion of any wrongdoing on its part and thanked its staff for their professionalism in dealing with a “particularly difficult and distressing situation”.

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Earlier this year, Colman Domingo devoted a portion of his monologue on “Saturday Night Live” to a few things he is famous for. One example? “When you come to my house, the vibes are spectacular.”

Those vibes must have transitive properties: On a recent morning in a borrowed backyard in Santa Monica, the vibes were as impeccable as one of the actor’s famously natty red-carpet looks. Posing for photos poolside, Domingo was the picture of laid-back charm, chatting with the crew in that commanding leather-and-gravel voice and flashing a toothsome smile.

With four projects in 2026 alone and more than 100 credits across film, television and the stage dating back to 1994, you definitely know Domingo from something. Increasingly, people recognize him from several things. Or, as the case may be with a performer of his caliber, they don’t — and that has been the highest compliment of all for the 56-year-old Philly native.

“It is the wildest thing,” says Domingo, stretched out on a sectional in the shade. He recounts how people have approached him about his role as Danny, the elegantly snarky architect on the Netflix comedy “The Four Seasons,” and were flummoxed to discover that he also plays the tightly wound Ali, he of shaken faith and sawed-off shotgun, on the recently concluded HBO drama “Euphoria.” “I’ve had so many people who saw me as one character, but they didn’t know I played the other character, even if they watched both. They’re like, ‘Wait a minute, that’s the same guy?’”

Domingo in “Euphoria.”

(Patrick Wymore / HBO)

That’s the same guy. Familiarity has bred respect as Domingo nabbed Emmy nominations for both roles for the second time — supporting actor in a comedy for “The Four Seasons” and guest actor in a drama for “Euphoria,” a trophy he took home in 2022.

“I get the yin and yang,” he says of the pleasure and challenge of inhabiting men from such different worlds.

Domingo credits “Euphoria” creator Sam Levinson with the complexities of Ali’s journey, which were showcased in the finale in breathtaking extremes of violence and grace and included a poignant monologue about the limits of empathy as he grieved the loss of his sponsee Rue (Zendaya). “It was so beautiful,” says Domingo of the conclusion of his arc. “Sam gave me words that are not just for Rue. They’re like a prayer for the world, sitting down at tables and having the hard conversations and trying to get people to come to their personal truths. To have a breakthrough in their lives. That’s how he’s been utilizing me for the series.”

(Evan Mulling / For The Times)

Conversely, Tina Fey and the writing staff of “The Four Seasons” have been using Domingo’s Danny as, among other things, a brutally effective vehicle to deploy acidic one-liners. (A favorite: “This the town Tracy Chapman sped away from.”)

“He is fictitious, but in many ways there’s a lot more of me in him than I personally have seen [in my previous characters],” he says of the man whose bravado masks an unsettled energy as he encounters the challenges of midlife. “Even in my notes to Tina and the showrunners, I started to craft a character that was closer to myself. I’m like, ‘I don’t see the mes in the world, queer men who are mostly in heteronormative worlds and how we activate and how we love and our friendships that are not just based on the fact that we are queer.’”

Domingo’s own midlife — conversations about fiber and the proliferation of readers in every room aside — is enviable. In addition to the two series, he appeared in two of the most talked-about films of the year, the blockbuster Michael Jackson biopic “Michael” and Steven Spielberg’s sci-fi thriller “Disclosure Day.” In another instance of playing a set of disparate characters, he was the imperious patriarch Joe Jackson in the former and the rebellious, empathetic whistleblower Hugo Wakefield in the latter.

“I wanted to challenge myself in different spaces,” says Domingo with gratitude for those roles as well as other 2026 opportunities, like his “SNL” appearance — which brought him back to his “Big Gay Sketch Show” days — and his recent guest-hosting stint on “Jimmy Kimmel Live!” “I never want to get caught up just doing the same thing.” He recalls a time when he played a couple of villains in a row and similar offers poured in. “I thought, ‘Oh no, I’ve done that.’ I knew it was time to move on to something else. And even ‘The Four Seasons,’ when that came along, I had been going back to back with dramatic roles — ‘Sing Sing,’ ‘The Color Purple,’ ‘Rustin.’ It takes a little toll on you.”

Domingo with Marco Calvani in “The Four Seasons.”

(Emily V. Aragones / Netflix)

Fortunately, all of that work has helped Domingo amass a very comfy set of laurels (upon which he refuses to rest). While his success has been a slow burn, including years of work on Broadway as an actor and playwright — Domingo co-wrote the book for “Summer: The Donna Summer Musical” as well as several straight plays — and his stint as a series regular on “Fear the Walking Dead” the last five years lighted the fuse on the rocket.

In that time, Domingo has won four NAACP Image Awards, been nominated for back-to-back lead actor Oscars, Golden Globes and BAFTA awards, and received a second Tony Award nomination, this one for best play as a co-producer of the “Hamlet” adaptation “Fat Ham.” (His previous Tony nod came in 2011 for featured actor in a musical for “The Scottsboro Boys.”)

Colman Domingo.

(Evan Mulling / For The Times)

“I’m very happy that this has happened the way it has,” he says of this golden period of work and creativity in his 50s. It’s not that he wouldn’t have appreciated or been ready for it in his youth, he says, but he has seen the pitfalls of success that happens too young. “At this age, I know myself. I know what I need. I have boundaries. I know how to still be a person in the world. And that’s the part that’s important to me, which is not being so isolated.”

There’s little danger of that given how often he is now stopped on the street. But he is cheered by the interactions because, whether fans love him as a good guy, a bad guy or a character in between, they all want the same thing. “Whatever I’ve done, people always ask, ‘Can I have a hug?’” Maybe the vibes are not about the house, but Domingo himself.

Manchester United midfielder Toby Collyer is in talks with West Bromwich Albion about returning to The Hawthorns on a permanent basis.

Collyer has been part of Michael Carrick’s squad during pre-season and featured in the second half of last week’s draw with Leeds United at Croke Park as Mason Mount was unavailable because of injury.

However, it had been anticipated all summer that Collyer would eventually leave Old Trafford.

Talks are said to be at an early stage.

Collyer joined West Brom on loan last summer but returned to United in January after making 12 appearances including three starts.

The 22-year-old then joined Hull City after recovering from a calf injury, but only made five appearances after suffering more fitness issues.

Hull were thought to be keen on bringing Collyer back to the club following their promotion to the Premier League but a deal is yet to materialise.

I’m confident that I’ll make my way through The Times’ best breakfast burrito list and devour another couple dozen worthy candidates before I’ll ever have the chance to ride on that chronically delayed LAX people mover.

“Ninety-nine percent done”? Sounds like the answer my kids would give me the night before a big homework assignment was due.

Maybe our next breakfast burrito list can be “Best breakfast burritos near John Wayne Airport.” Or Hollywood Burbank. Or Long Beach. The possibilities are endless. No doubt we have got time until that “one percent” gets checked off.

I’m Glenn Whipp, columnist for the Los Angeles Times, host of the Envelope newsletter, and the guy pondering a “DTF Los Angeles” where the characters inch along the LAX horseshoe, kindling all manner of sinister thoughts.

Cover story: ‘DTF St. Louis’

(Erik Carter / For The Times)

Are TV viewers a little more judgmental when it comes to complicated women?

Linda Cardellini would always know where someone was on their “DTF St. Louis” viewing journey based on their vibe when they approached her.

“If they were halfway through the show, they usually weren’t warming up to Carol and you could feel that energy,” Cardellini says, talking with me for a recent Envelope cover story on the limited series. “But if they were through with the show, that energy changed. Sometimes you could tell they felt bad that they didn’t like her in the first place.”

Carol, as you know if you’ve watched “DTF,” the season’s best limited series, is an overworked suburban mother forced to umpire Little League games because her job at Purina doesn’t pay enough to cover the bills. She’s married to gentle giant Floyd (David Harbour), an ASL interpreter and a sensitive stepfather to her son. But it’s a sexless marriage, so she turns to local weatherman Clark (Jason Bateman), who possesses a vitality long absent in her husband.

“DTF St. Louis” is ostensibly a murder mystery. Floyd dies in the first episode. Writer-director Steven Conrad employs a fair bit of misdirection, pointing our suspicions first to Clark and then to Carol. Since money is tight and Floyd had an insurance policy, Carol is a logical enough person of interest. We learn that she has a criminal record. And she was cheating.

“When I was reading the episodes, I thought, ‘Oh, OK. It’s going to be Carol, even though there’s so many clues telling you that it’s not her,” Cardellini says. “But we’re conditioned to think that. Like, ‘She had to be after the money,’ even though she never accepts any gifts as she’s struggling financially. Everyone just believed the worst in her.”

Granted, Carol could be a little brusque with service workers, and her passive-aggressive approach to police questioning (“Can you speak up?”) was a master class in control and manipulation that I plan to use if I’m ever interrogated for some crime I’m sure I did not do. (Unless it’s somehow related to picking someone up at LAX. Then all bets are off.)

Reviews for “DTF” too often would note how it’s a poignant look at male loneliness in the suburbs when, in fact, Carol is the most isolated character on the show.

“Carol is immensely lonely, but she’s so burdened by the heavy demand of keeping this household afloat that she doesn’t have the luxury to notice that she doesn’t have a friend,” says Conrad. “The job of bailing water is hers alone.”

In that respect, Carol brings to mind Skyler White on “Breaking Bad” and Carmela Soprano from “The Sopranos,” forlorn women dealing with the man-child they married and getting flak from viewers for being a killjoy.

By the end of “DTF,” we find we should have been on Carol’s side all along.

“It’s a beautiful magic trick,” says co-star Bateman.

Just the latest feat of illusion from the talented Cardellini, one that could result in her first Emmy win next month.

Spain’s World Cup-winning captain Rodri is returning to his homeland after Man City agree transfer to Barcelona.

Manchester City have accepted a 65.4 million pounds ($88.47m) bid from Barcelona for their World Cup-winning Spain midfielder Rodri, British media have reported.

The 2024 Ballon d’Or winner has agreed a four-year deal with the Spanish champions, Sky Sports said on Sunday, and will head to the Nou Camp to complete the transfer next week.

Rodri won 12 major honours at City, including four Premier League titles, two FA Cups, three League Cups and the Champions League after 298 appearances in seven seasons at the Etihad Stadium.

Rodri, who joined City from Atletico Madrid for a then-club record 62.8 million pounds (about $80m) in 2019, had one year left on his contract and City had wanted him to sign an extension.

The 30-year-old missed City’s 3-0 loss to Arsenal in the Community Shield on Sunday, having only returned to the club’s training ground on Friday following minor back surgery.