Man

The most recent death on Mt. Wilson claimed the life of a man identified as New Zealand-born, L.A.-based composer Mark Smythe. Following the tragedy, his colleagues and family poured out their hearts as they remembered a man they called smart, funny and a true supporter of his peers.

Smythe died Saturday at 53 after suffering a cardiac emergency on a hiking trail, according to the coroner’s online database. His cause of death was atherosclerotic cardiovascular disease, in which plaque builds up in arterial walls and can lead to a heart attack.

The Sierra Madre Police Department said Saturday that a man — at that point unidentified — died after having a medical emergency on the trail and that no foul play was suspected. First responders arrived at the site around 10 a.m. and administered aid but were unable to save his life.

Smythe had been head of the department of Composing for Visual Media at Los Angeles Music College since last summer, according to his website. Among other honors, he was nominated for a 2023 Society of Composers and Lyricists Award for his work scoring the movie “The Reef: Stalked.”

Kate Ward-Smythe, the composer’s sister, acknowledged his death late Sunday on Facebook.

“It is a comfort to know that he was doing one of the things he loved, hiking in the hills, and we are grateful to his wonderful friends (and emergency service responders) who tried so hard to resuscitate him,” she wrote.

“Mark was a strong larger than life connector in LA, as a professor, composer, musician, and loyal friend. He was also fiercely talented, and an absolute cheerleader for music performance and recording across multiple genres.. he was only just getting started and had so much more to give .. We are heartbroken and trying to process this tragedy, as are all Mark’s friends and family.”

Bear McCreary, known for scoring TV series including “Outlander,” “The Walking Dead,” “Black Sails” and “Snowpiercer” and movies including “Happy Death Day,” “Godzilla: King of the Monsters” and Blumhouse’s “Fantasy Island,” called news of Smythe’s death “awful and surreal,” saying they had just been chatting at a mutual friend’s party a few weeks ago.

“Mark’s enthusiasm and humor were off the charts,” McCreary wrote Sunday on Instagram. “He brought a shark with a bowtie to the red carpet of an SCL awards ceremony when he was nominated for his work on a shark movie – hilarious! When he found out I was writing a metal album, he curated his favorite German folk metal bands for me (turning me on to his favorite band, Finsterforst).”

Having said he always thought he would get to know Smythe better one day, McCreary called his death “a stark reminder to spend time with the people you care about while you can.”

John Massari, who has more than 150 music credits stretching back to “Little House on the Prairie” and contributed music to TV series including “Dancing With the Stars,” “Pawn Stars” and “It’s Always Sunny in Philadelphia,” said in comments that “Mark was a bright light and a refreshing spirit in our community. He is greatly missed.”

“I’m so deeply sad to lose my friend. Mark, I miss you and love you. Thank you for your love, passion, humor, and joy and for always making me feel loved and valued,” singer Baraka May, whose voice can be heard in “Avatar: Fire and Ash,” “Wicked: For Good” and “Beavis and Butt-Head,” wrote Monday on Instagram.

“He was funny and snarky and whip-smart, yet when we collaborated, he just melted into the music and gushed like a fan with child-like wonder. What a tremendous heart and mind!” the vocalist wrote. “I had the honor of collaborating with him on three of his beautiful pieces as a conductor, and I loved his boyish, genuine joy and excitement even in our rehearsals. He wrote and voiced his music beautifully, which often felt haunting, romantic, deep, and sensitive, and his bass playing was so beautiful and thoughtful. He was such a vivid, enthusiastic music lover, and I was very much looking forward to making more music with him.”

The Los Angeles Film Conducting Intensive also mourned the loss, saying online that “Mark was a brilliant talent and a genuine friend to all, a true pillar in our scoring community.

“During the pandemic, Mark generously joined our 2020 New Music Project to support new repertoire for our music community during a time of great uncertainty and when most traditional pieces could not be performed.”

The Hollywood Music in Media Awards remembered Smythe winning a career-propelling prize at the organization’s 2013 ceremony, soon after he arrived in L.A. from New Zealand.

“He quickly built a distinguished body of work for film, shorts, and television, earned multiple HMMA nominations, served as COO of the Society of Composers & Lyricists, and returned to present at the 2018 HMMA Gala,” the organization wrote. “Mark’s talent and generosity enriched our community — he will be greatly missed.”

Smythe’s death was the second this month on Mt. Wilson. On May 3, a man identified as John McIntyre, 66, was declared dead on the same trail after falling down a ravine at Mt. Wilson Road and the Little Santa Anita fire break in Sierra Madre. His cause of death was blunt force injuries.

WASHINGTON — A man accused of storming the White House Correspondents’ Association dinner while armed with guns and knives pleaded not guilty on Monday to charges that he attempted to kill President Trump and fired a shotgun at a Secret Service officer who tried to stop the attack.

Cole Tomas Allen was handcuffed and shackled and wearing an orange jail uniform when he appeared in federal court for his arraignment. Allen didn’t speak during the brief hearing. One of his attorneys entered the plea on his behalf.

Allen’s lawyers are asking U.S. District Judge Trevor McFadden to disqualify at least two top Justice Department officials from direct involvement in prosecuting him because they could be considered victims or witnesses in the case, creating a potential conflict of interest.

Acting Atty. Gen. Todd Blanche and U.S. Atty. Jeanine Pirro were attending the event when Allen ran through a security checkpoint and fired a shotgun at a Secret Service officer, authorities said. In a court filing last week, Allen’s attorneys argued that it creates at least the appearance of a conflict of interest for Blanche and Pirro to be making any prosecutorial decisions in the case.

McFadden, a Trump nominee, didn’t rule from the bench on that question but asked Allen’s attorneys to elaborate on the possible scope of their recusal request. Defense attorney Eugene Ohm said the defense likely would seek to disqualify Pirro’s entire office from involvement in the case. Ohm acknowledged that a bid to disqualify the entire Justice Department would be unlikely.

“That would be quite a request,” the judge said.

McFadden gave prosecutors until May 22 to respond in writing to the defense’s request. The judge asked the government to specify whether it believes Pirro and Blanche could be considered victims in the case.

“That might add some clarity here,” McFadden said.

In their filing, Allen’s attorneys suggested that the appointment of a special prosecutor might be warranted.

Allen is scheduled to return to court on June 29.

A Secret Service officer was shot once in a bullet-resistant vest during the April 25 attack at the Washington Hilton hotel, which disrupted and ultimately prompted an early end to one of the highest-profile annual events in the nation’s capital. The officer fired five shots but didn’t hit anybody, authorities said.

Allen, 31, of Torrance, was injured but was not shot.

Besides the attempted-assassination count, Allen also is charged with assaulting a federal officer with a deadly weapon and two additional firearms counts. He faces a maximum sentence of life in prison if convicted of the attempted assassination charge alone.

Allen was placed on suicide watch after his arrest, but jail officials removed him from that status after several days. Allen’s attorneys complained that he had been unnecessarily confined in a padded room with constant lighting, repeatedly strip searched and placed in restraints outside his cell.

Allen told FBI agents that he didn’t expect to survive the attack, which could help explain why he was deemed to be a possible suicide risk, a Justice Department prosecutor has said.

Allen was outfitted with an ammunition bag, a shoulder gun holster and a sheathed knife when he took a photo of himself in his room at the hotel just minutes before the attack, according to prosecutors. In a message that authorities say sheds light on his motive, Allen referred to himself as a “Friendly Federal Assassin” and alluded obliquely to grievances over a range of actions by Trump’s Republican administration.

Authorities have alleged that Allen on April 6 reserved a room for himself at the Hilton where the event would be held weeks later under its typical tight security. He traveled by train cross-country from California, checking himself into the hotel a day before the dinner with a room reserved for the weekend.

Trump was rushed off the stage by his security team at the Saturday night event and appeared at the White House two hours later, still in his tuxedo, to talk about the attack and the suspect.

“When you’re impactful, they go after you. When you’re not impactful, they leave you alone,” the president said. “They seem to think he was a lone wolf.”

Kunzelman writes for the Associated Press.

To describe a movie as including a ski mask, a camcorder and $50,000 in cash would certainly lead one to imagine a specific type of story. Add two men and sex work and the brain might roll around more pointed scenarios.

But none of that can prepare you for what micro-indie “Blue Film” has in store. The nexus of perversion, pain and sexual purpose driving writer-director Elliot Tuttle’s dark, discursive chamber drama is of a stripe rarely attempted in even the most self-consciously daring movies. Should you need a self-imposed break afterward from intimate two-handers, even Tuttle might understand, then wink in the general direction of his Pasolini posters. (I’m guessing at this provocateur’s wall art.)

Is it clear yet that “Blue Film,” set primarily in a house in Los Angeles over the course of a revelatory night, isn’t for everybody? Some of that “everybody,” incidentally, includes the festivals and distributors who rejected the queer filmmaker’s debut feature, despite having critical buzz, Tony-winning actor Reed Birney as one of its stars and indie guru Mark Duplass as a mentoring producer.

But certain subjects (spoilers ahead) are bound to trigger a different kind of scrutiny. Initially, our attention is on macho-posturing tattooed camboy Aaron (“Boots” star Kieron Moore), graphically boasting to his followers online of the big payday he’ll receive that evening from a submissive client. What he later encounters, however, at the door of a Craftsman on a quiet street is a masked, polite, older host (Birney) with a camera and, once it’s turned on, a lot of personal questions, the kind that begin to crack the facade of a young man used to being in control of his transactional life.

Then his client’s face is revealed and Aaron recognizes it’s his middle school teacher Hank, a convicted pedophile who once coveted him. Hank, who completed prison time for the attempted assault of a different boy, has made a cross-country trip to seek out the adult version of someone who could have been his first victim. He is still processing what he is, wondering if desire, even love, is available to him anymore.

The question is, will you care? Even viewed through Aaron’s cautious, clear-eyed empathy, it’s a steep ask. But you should. Tuttle’s fearless inquisition won’t insult your intelligence, ask your mercy or hogtie your feelings. Honestly, it’s refreshing to be repulsed and intrigued by a movie willing to plumb these psychological depths when Hollywood won’t. In its commitment to unvarnished talk — even if that leads to a clunky staginess — “Blue Film” has thoughts about identity, choice, sin and salvation. There’s a sincere engagement with humanity’s more difficult realities.

Needless to say, this type of graphically articulated exchange wouldn’t work if the performances didn’t land. Thankfully, Moore’s affecting portrayal of jumbled masculinity mixed with situational curiosity is well-calibrated, while Birney, a pro with a challenge, eases us into Hank’s weary self-possession (if not always the nauseating facts of it) before coloring outside the lines with a believably interesting philosophy about reckoning.

But “Blue Film” is tough, make no mistake. Awkward and searching, it exists in a filmic space that you could argue was opened up by last year’s courageous documentary “Predators.” And sometimes that gaze is just discomfiting, full stop. Tuttle wants that. He has room to improve but he’s someone to watch, plumbing the hard-to-fathom.

If, god forbid, there’s a natural disaster in L.A. in the near future, Jena Malone might be one of your first responders.

“I’ve been studying Community Emergency Response Team training,” the actor-musician, 41, said, drinking coffee in the living room of her home overlooking pomegranate trees and a canyon in northeast L.A. “Whether it’s fire management or building a neighborhood tool shed, it’s less important for me to hit career milestones now than to transform how I live on this planet. Let’s build something where we’re all taking care of each other’s needs through mutual aid.”

Those are galvanizing priorities from Malone, who’s led generationally beloved films like the sci-fi noir “Donnie Darko,” played the axe-chucking Johanna Mason in two “Hunger Games” tentpoles and recently co-starred in the lesbian bodybuilding revenge flick “Love Lies Bleeding.” For almost as long, she’s also made experimental folk and electronic records that toy with avant-garde noise and quietly poignant songwriting.

This is a wild time in L.A. for anyone concerned about the city and its culture industries, and Malone is deeply invested in both. Just before the release of her new Netflix series, the Duffer Brothers-produced “The Boroughs,” she’s released her first album in nearly a decade. “Flowers For Men” is an effects-shredded, future-primitive record, written after the birth of her son upended her obligations — and expectations — toward the men in her life and the world they’ll inherit.

“It changed everything,” Malone said, about raising a son. “I grew up learning to thrive and mask in masculine spaces. Grind culture is a masculine toxicity that I inherited and indoctrinated myself in. But parenthood offers you this opportunity to burn your entire life down in sacrifice to finding out what’s real. I had no idea what it was to be a man. All of my ideas burned down and not much was being raised back up.”

For millennial film fans, Malone’s been a consistently compelling, trust-anything-she’s-in actor since her child-star turn in 1997’s “Contact.” Few embody a tortured, beguiling Americana quite like her.

“The Boroughs” — a high-profile follow-up to “Stranger Things” from the masters of unreality, created by Jeffrey Addiss and Will Matthews — has a stacked cast that includes Alfred Molina, Geena Davis and Bill Pullman, set amid a bucolic retirement community under supernatural threat. A ragtag group of Duffer Brothers misfits teaming up to fight off eldritch horror might be the last safe bet in television.

Yet that’s also how Malone feels about the current climate of Hollywood — a once-stable neighborhood fending off malign forces. Institutional consolidation and retreat, spiraling costs, technological upheaval — they all add to a creeping sense that an era is over, and worse is coming.

“Film is in such a delicate transition. I think that where music was 20 years ago, film is now,” she said. “It’s like being on an elevator where every floor is on fire. A lot of the things that I loved about it no longer exist, even if what I love about it is still wildly potent. My stress levels go down and my creativity goes up when I’m building a world that does not rely on the film industry, even though it’s my main love.”

That feeling called her back to music on “Flowers For Men,” arriving nine years after her last LP. The ego-shattering experience of giving birth in 2016 and raising a son prompted reflections about what men’s inner lives were really like, and she wanted to write about them.

“I was raised by two moms, and I had this strange aspiration to become the dad,” Malone said, laughing. “I was the breadwinner of my family then. But being a parent was all brand-new to me. I kept seeing my father in him, my grandfather, these older relationships with men. It was asking me to look at him with curious, childlike eyes.”

“Flowers For Men” was written from a sincere curiosity about mens’ strictures, bad influences and better aspirations. To inhabit someone else’s life, she had to sound different, too.

“Film is in such a delicate transition. I think that where music was 20 years ago, film is now,” Malone said. “It’s like being on an elevator where every floor is on fire. A lot of the things that I loved about it no longer exist, even if what I love about it is still wildly potent.

(Evan Mulling/For The Times)

The most prominent instrument on the album is its layers of vocal treatments. Malone has a lovely natural voice — intimately whispered, with hints of ‘70s country rock. But here she douses it in pitch-shifted digital acid, like a late 2000s R&B record dropped in the pool at the Joshua Tree Inn.

It’s an uncanny combo, but its lends modern melancholy to “Barstow,” which has the narrative structure of a Townes Van Zandt banger but is corroded with bleary effects. “Create In Your Name” has a Billie Eilish-worthy late-night murk, with lyrics so devotional they almost sound consumptive. “Disaster Zones” is all blown-out ambience, and the LP closes on a showstopping cover of John Prine’s classic “Angel From Montgomery.”

“I just love that a man wrote a song where the first line is ‘I’m an old woman,’” Malone said. “As a female songwriter, it gives me so much permission. Now all the doors are open. If I was to give flowers to all of the different men that have touched or changed things that deserve celebration, John Prine would be one of them.”

That idea — celebrating men for the good they’re capable of — felt transgressive enough today that it cohered the album for her. But it also came with questions about how romantic partnership fit into her life. Settling into motherhood, she read up on relationship anarchy — which she sees as not abiding by tiers of connection. She bought books on ethical nonmonogamy (“Sex at Dawn” was a big one) to learn how other lives were not just possible, but maybe even more fulfilling.

(Perhaps this was not a stretch from an actor who played the wild child Lydia Bennet in “Pride and Prejudice.”)

“I had been under this societal understanding that hierarchical love, placing one partner above everything else, was the ultimate romantic expression. I could name hundreds of movies that brought that up,” she said. “But while I’m learning to take care of this child, I’m realizing that self-love is one of the most important parts of this equation. I need to have expression, some work in life that felt like another love. And then my family, and how important friends were. And all of a sudden there’s no world where I would just have one love, not even just romantic love.”

“I had been under this societal understanding that hierarchical love, placing one partner above everything else, was the ultimate romantic expression. I could name hundreds of movies that brought that up,” Malone said. “But while I’m learning to take care of this child, I’m realizing that self-love is one of the most important parts of this equation. I need to have expression, some work in life that felt like another love.

(Evan Mulling/For The Times)

“Flowers For Men” is, in her way, a bargain with that contradiction — to love men deeply, but never put them above all else, even as she got engaged to her partner, actor Jack Buckley, earlier this year.

She’s still sorting out how to present this album live. She said she’s a fan of the Dead City Punx model of renegade shows in forgotten corners of L.A. Maybe as the city seems to fall apart, she’ll find a leafy park or the back of a dingy bar that’s the right home for these strange, lonely yet hopeful songs.

“I want someone to walk into the bathroom and be like, ‘Whoa, why is there a woman singing to me?’” Malone said. “I like the idea that art makes you a little uncomfortable and you don’t have the previously held expectations to know how to hold it.”

Manchester United captain Bruno Fernandes has not come close to winning the Premier League or Champions League since joining the club in 2020.

He did lift a couple of domestic cups under Erik ten Hag – and if United finish third this season, it will be a position they have only bettered once during Fernandes’ time at Old Trafford.

But it represents a meagre return for a player many argue is United’s best signing since legendary manager Sir Alex Ferguson retired in 2013, and someone, they argue, who deserves a place among the club’s best in the Premier League era.

On Friday, he was named the Football Writers’ Association’s footballer of the year. But Fernandes is not one for coveting individual awards.

When he spoke to the media in October, he said: “I don’t see it that one player is better than another because he wins more trophies. Not every time the best player in the world is the one that wins the Ballon d’Or.

“I want to win trophies. I want to be recognised by the many good things I did for the club, for bringing something back to the club, not just my individual numbers.”

United will not win a trophy this season, but there are still a couple of significant milestones ahead of Fernandes.

He needs just one more assist to equal the individual Premier League record of 20 in a single campaign – jointly held by Arsenal great Thierry Henry and former Manchester City star Kevin de Bruyne.

Fernandes is eight clear of Manchester City’s Rayan Cherki in the Premier League’s assists chart this season, with West Ham’s Jarrod Bowen third with 10 assists.

Beating the record clearly means a lot to Fernandes, who will be a key part of Portugal’s World Cup squad this summer. So much so, one of his United team-mates told him he felt Fernandes would previously have taken a shot against Brentford recently, rather than set up striker Benjamin Sesko. Fernandes rejected that notion.

Fernandes is also favourite to win the prestigious PFA Players’ Player of the Year award, which Henry and De Bruyne both took twice.

Despite the lack of major trophies, would the assist record and another player of the year award confirm his status as one of the most creative forces of the Premier League era?

There is no doubt Manchester United have given Bruno Fernandes a push to get this award.

United have been playing up Fernandes’ claims and also ensured the Portugal playmaker was promoted through some recent media engagements.

However, this would have been pointless had Fernandes not delivered at a time in the season when United needed him to deliver.

In October, when Fernandes spoke about qualification for the Champions League, few thought it was likely.

In January, when technical director Jason Wilcox told the United squad that was the aim despite Ruben Amorim’s dismissal, it seemed a tall order.

That they have achieved it with three matches to spare and could yet end the campaign nearer in points terms to the eventual champions than in any other season since Sir Alex Ferguson’s retirement 13 years ago, owes a huge amount to Fernandes.

Since returning from a rare injury against Burnley, Sunday’s victory over Liverpool was only the third match out of 16 in all competitions when Fernandes has not either scored a goal or created one.

His performances across the season have been consistently high and worthy of wider recognition.

Twelve months ago, when the debate over Fernandes’ United future raged, the question being asked was simply this: where would they be without him? The suspicion was they would have been much closer to relegation than they actually were.

The same could be asked now. The answer? They surely would not be looking forward to a Champions League return.

MINNEAPOLIS — A man who sprayed vinegar at Democratic U.S. Rep. Ilhan Omar at a town hall meeting in Minneapolis pleaded guilty to assault Thursday in federal court after reaching a deal with prosecutors.

Anthony Kazmierczak, 55, is awaiting sentencing.

Kazmierczak, dressed in bright orange jail clothing, gave only a fragmentary explanation Thursday of the Jan. 27 assault, which came as the city was already on edge after the fatal shootings of two people by federal agents during a White House crackdown that brought thousands of immigration officers to Minnesota.

After being asked what he remembered of the assault, he told U.S. District Judge Joan N. Ericksen: “It’s fuzzy.”

Kazmierczak, who was in the audience during Omar’s January town hall, leaped up when the representative called for the ouster of then-Homeland Security Secretary Kristi Noem. He sprayed liquid from a syringe as court documents say he shouted that Noem would not resign and that Omar was “splitting Minnesota apart.”

Security officers tackled Kazmierczak, who told them the liquid was vinegar.

“I didn’t want anybody to think she was in danger,” he said Thursday.

Omar, who was not injured, continued with the town hall after the arrest.

Authorities later determined he’d sprayed her with a mixture of water and apple cider vinegar. He was charged with assaulting a U.S. officer.

Court documents say Kazmierczak, a critic of Omar who has made online posts supportive of President Trump, told a close associate several years ago that “somebody should kill” her.

Omar, a refugee from Somalia, has long been a target of Trump’s anti-immigrant rhetoric. After she was elected seven years ago, Trump said she should “go back” to her home country. He has described her as “garbage” and said she should be investigated.

Trump has also accused Omar of staging the attack, telling ABC News, “She probably had herself sprayed, knowing her.”

On Thursday, Kazmierczak told Ericksen that he was being treated for Parkinson’s disease, and that he’d been diagnosed with ADHD, or attention-deficit/hyperactivity disorder, and a form of post-traumatic stress.

After his arrest, his then-attorney said that he did not have access to the medications he needed for Parkinson’s and other serious conditions.

Minnesota court records show that Kazmierczak, who was convicted of felony auto theft in 1989, has been arrested multiple times for driving under the influence and has had numerous traffic citations. There are also indications he has had significant financial problems, including two bankruptcy filings.

In social media posts, Kazmierczak had criticized former President Biden and referred to Democrats as “angry and liars.” Trump wants the U.S. to be “stronger and more prosperous,” he wrote.

Threats against members of Congress have increased in recent years, peaking in 2021 following the Jan. 6 attack on the U.S. Capitol by a mob of Trump supporters before dipping slightly, only to climb again, according to the most recent figures from the U.S. Capitol Police.

Sullivan writes for the Associated Press.

The NCAA announced Thursday that it will expand its two March Madness tournaments by eight teams each next season, a long-expected move that will drop more games into the first week of the highly popular and lucrative showcase without substantially changing its overall form.

The new, 76-team brackets will jam eight extra games — for a total of 12 involving 24 teams — into the front half of the first week of the men’s and the women’s tournaments. It will turn what’s now known as the First Four into a bigger affair that will now be called the “March Madness Opening Round.”

The 12 winners will move into the main 64-team bracket that will begin, as usual, on Thursday for the men and Friday for the women.

It is the first expansion of the tournaments in 15 years, when they were bumped to 68 teams each.

The NCAA said it will distribute more than $131 million in new revenue to schools that make the tournament. That money will come via expanded TV advertising opportunities for alcohol, the likes of which were previously restricted. It said the value of the rights agreement will increase $50 million each year on average over the course of the six years.

Most of the eight new slots are expected to go to teams from the power conferences that were already commanding the lion’s share of entries in the bracket. Two years ago, the Southeastern Conference placed a record 14 teams in the men’s bracket. Last season, the Big Ten had nine.

Keith Gill, the chairman of the Division I men’s basketball committee, called the expansion “a nice way to create some access but make sure we have the bracket we all love when we start Thursday at noon.”

The move is a product of the times, which includes massive expansion — the Atlantic Coast Conference, for instance, has grown from nine to 17 teams since 1996 — and the reality that mid-major schools with top-notch players will often see them plucked away by programs with bigger budgets and the ability to pay them through revenue sharing.

Cinderella? There will still be room for those stirring runs in the tournaments, though not a single mid-major advanced past the first weekend of either tournament the last two seasons.

This is hardly a concern of the decision-makers anymore, who will point to TV ratings that traditionally spell out fans’ preference for the likes of Duke and North Carolina over St. Peter’s and San Diego State, especially once the Sweet 16 starts.

What matters more to the biggest schools is that their teams have a chance to compete in what remains the best postseason in college sports and that they aren’t iced out by lower conference champions who earn automatic bids.

“You’ve got some really, really good teams who are going to end up in that 9, 10, 11 [seed] category that I think should be moved into the” 64-team bracket, SEC commissioner Greg Sankey said last year in discussing how he favored expansion.

Also, the money. The new beer and wine money will add to what the NCAA can distribute in “units” that are earned for placing teams in the bracket and then for every round those teams advance. Last year, that amounted to about $350,000 per unit for the men’s tournament. The Big Ten made nearly $70 million from both tournaments, won by conference members Michigan [men] and UCLA [women].

Leaders in the SEC, Big Ten, Big 12 and ACC have all acknowledged that smaller programs help make March Madness what it is, all the while steadily expanding their own power in NCAA decision-making. That brings with it the tacit threat of fracturing the single thing the NCAA does best — the basketball tournament.

This move might forestall that. What it isn’t expected to do is drastically change the TV deal beyond the advertising.

The current deal for the men’s tournament is worth $8.8 billion and runs through 2032. Adding a few extra games between mid-level Power Four teams on Tuesday and Wednesday won’t change that much.

One reason this took as long as it did was the NCAA negotiations with CBS and TNT, which themselves have been in negotiations over their own ownership.

The more drastic option of expanding the tournament to 96 teams or beyond would involve adding an extra week to a tournament that has thrived in part because of the symmetry of a six-round bracket that gets whittled down over three weeks.

That basic shell began in 1985, with only slight tweaks, the latest of which came in 2011 when it was upped to 68.

Content creator Just Deano flew from Tenerife to Manchester after his recent holiday where he tested out how long it would take to get past the new EES system that has caused chaos for Brits

A Brit arrived at the airport in Tenerife three hours before his flight home after fearing new travel rules would delay him — only to breeze past the Entry/Exit System (EES) in just 30 seconds.

The travel requirement has led to major disruption across airports in Europe — and some Brits have ended up missing flights. This was after getting stuck in long queues in countries like Spain, Portugal and Poland.

For those who don’t know, new rules require non-EU nationals, which of course includes Brits, to register their biometrics instead of having passports stamped at border control.

It was introduced to replace the passport stamp and it works by automatically checking when a person enters or leaves a country in the EU.

As for what it means practically, Brits will have to register details including fingerprints and facial images before scanning their passports when they first visit a country in the Schengen area.

Content creator Just Deano arrived at Tenerife South Airport earlier than he normally would after hearing “horror stories”.

Some people in recent weeks have claimed that machines have been failing by rejecting fingerprints — while others have missed flights because of the delays this has caused.

One Brit wrote: “The key is to arrive three hours early so at least you are in the front of the queue when problems start.”

Another said: “Love Tenerife but HATE the airport.”

However, speaking about his own experience, Deano said: “That EES system, Entry/Exit system, was a piece of cake, you don’t have to do your fingerprints. We were in and out in 30 seconds. Literally 30 seconds. Straight to the e- gate. Put your passport in, went through no problem.”

But the catch here is that if it is your first time travelling to a European country this year, you will have to register your fingerprints, which is what has caused a lot of the carnage.

As was in Deano’s case, once you have registered your biometrics once, that information is then stored for three years, meaning you won’t have to keep repeating the process on each trip in Europe. However, some passengers have claimed they are having to repeat it and are therefore getting stuck.

Summing up his experience, Deano said: “But let me tell you people, don’t worry about the entry exit system, just forget the fingerprints (if already registered). We walk straight past the machines and just go to the e-gate as if you would as if you were getting your passport stamped. No need to worry. Absolutely fine. Even though it’s busy as anything here.

“I would imagine when all these people that are in here are going through that gate, going through that e-gate, you would get a little bit of a queue, but it takes about 10 seconds per person. So don’t worry at all.”

Despite Deano, who is from Huddersfield, not suffering from the new travel rules, some people wrote underneath the video, which you can watch here, that it wasn’t that easy for everyone.

One person wrote: “I have had my fingerprints taken on a few occasions now, did a full EES in Rome and about 5 times again. Didn’t work in Berlin, so hopefully Poland will be better.”

Another said: “Poor advice that Deano about the EES. Tell those stranded at the airport in Lanzarote yesterday as the plane left without them. I think it comes down to the number of flights departing to the UK at or around the same time. Summer is going to be a disaster.”

A third said: “I used the EES six weeks ago and still had to get in line for it again on Monday.”

One person added: “Lucky you – perhaps the delay did you a favour – we had to wait in a queue for over an hour with passport machines being very temperamental (we had done our fingerprints going into country) but both of still ended getting an actual border guy manually dealing with us and many others due to the machines.”

A fifth simply added: “EES, it is not as easy as you state deano.”

Ticket buyer: Alec Mackie of Los Angeles

Events: Men’s baseball gold medal finals, women’s basketball gold medal finals, men’s soccer gold medal finals, swimming preliminary and tennis quarter final mixed doubles

Thoughts: ”My uncle made a spreadsheet. The tickets are for me, my uncle, friends and I’m hoping to take my nephew as well. I was 10 years old at the 1984 Olympics and got to go to gymnastics, swimming and closing ceremonies, and my nephew will be 10 in 2028. I know L.A. is going to have an amazing Olympics, we are Los Angeles! Ten million creative, beautiful people, always dreaming and we know how to wow people. I can’t wait and hopefully traffic is smooth, a glamorous sequel to ’84.”

Reporting from Sacramento — The streets near the state Capitol emptied Monday after a man barricaded himself in his parked car near the building for more than two hours, prompting fears of a possible bomb attack.

Sacramento police and the California Highway Patrol cordoned off several city blocks as SWAT officers and hostage negotiators attempted to make contact with the man, who had scrawled “cops or criminals” and “I just want justice” on his Mazda sedan and plastered the car windows with paper signs.

He voluntarily surrendered without incident just over two hours after police were called to the scene at 1:47 p.m. The Sacramento Bee identified the man as Edgar Napoles-Rodriguez, 27, of Sacramento, though the suspect’s name has not yet been released by officials.

According to court records, the former roommate of Napoles-Rodriguez was granted a temporary restraining order against him last week. The roommate alleged in a legal filing with the Sacramento County Superior Court that Napoles-Rodriguez threatened her with a baseball bat and also threatened to burn down her house.

————

FOR THE RECORD

April 20, 11 a.m.: An earlier version of this post referred to Edgar Napoles-Rodriguez’s female former roommate as a man. It also misstated Napoles-Rodriguez’s age as 28; he is 27.

————

Law enforcement snipers were spotted on the roof of the Capitol during the standoff. A police robot was used when officers attempted to contact the suspect in his car, which was parked on L Street directly in front of the Capitol building. Before surrendering, the man exited the car and began shouting, “Want to shoot me? Shoot me!”

“He may have not had the best of intentions or be the clearest of mind,” said Officer Matthew McPhail, spokesman for the Sacramento Police Department.

The Capitol was not evacuated during the incident, but one entrance was closed.

The Assembly adjourned early Monday but was scheduled to vote on several big issues, including a ban on smoking on college campuses. It wrapped up the meeting abruptly before 3 p.m.

The Senate went through its full agenda as planned and wished Sen. Jerry Hill (D-San Rafael) a happy birthday before adjourning after 3 p.m. without any announcement of the security situation going on outside the building.

Asked about the situation, Claire Conlon, a spokeswoman for the Senate President Pro Tem Kevin de León said, “It’s our policy not to discuss Capitol security details.”

The state Capitol’s security has been ramped up considerably over the last decade.

The most significant incident came late on the night of Jan. 16, 2001, when a big-rig truck smashed into the south side of the historic building during a late-night legislative session on California’s energy crisis. The driver, a 37-year-old man with a history of prison time and mental health issues, slammed his tractor-trailer into the granite portico of the building, and it erupted in flames.

That, plus the terrorist attacks in New York City and Washington, D.C., that fall, sparked a slow but steady move toward increased security around the 142-year-old building.

Now, the perimeter is surrounded by barricades that rise up from the sidewalk, and all public visitors are routed through metal detectors and bag-scanning areas on the north and south sides of the building.

Times staff writers Liam Dillon and Patrick McGreevy contributed to this report.

phil.willon@latimes.com

Follow @philwillon on Twitter for the latest news on California politics

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Caracas, May 5, 2026 (venezuelanalysis.com) – Venezuelan Acting President Delcy Rodríguez called US President Donald Trump a “man of action” and reiterated her commitment to long-term relations with Washington during a ceremony at Miraflores Palace on May 1.

Rodríguez received a delegation of US officials and business executives led by Jarrod Agen, executive director of the Trump administration’s National Energy Dominance Council.

“Please tell President Trump, who is a man of action, that in Venezuela there are men and women of action, but also of their word,” she told the US guests during a televised broadcast. “And we have made a commitment to build solid, long-term relations between the US and Venezuela.”

For his part, Agen first referred to Trump as a “man of action” and claimed that US-Venezuela relations are currently moving at “Trump speed” and that the White House is looking to promote oil, gas, and mining investments in the Caribbean nation.

The public statements followed the signing of contracts with Overseas Oil Company and Crossover Energy Holding for oil and gas projects in Anzoátegui, Barinas, and Monagas states, with investments of up to US $2 billion planned. Venezuelan authorities provided no details about the ventures, with Rodríguez only stating that the natural gas output would be used to strengthen the country’s electricity generation.

According to Argus Media, the two corporations will “work with” Venezuelan state oil company PDVSA on extra-heavy crude projects in the Orinoco Oil Belt. Venezuela’s recent pro-business overhaul of the Hydrocarbon Law allows PDVSA to lease out projects in exchange for a portion of the output.

While Crossover Energy does not have a track record of any past energy initiatives, Overseas Oil is a subsidiary of Hunt Oil, a 90-year-old company founded by Texas magnate H.L. Hunt. Hunt Oil previously used its close ties to the George W. Bush administration to secure oil contracts in Iraqi Kurdistan following the 2003 US invasion.

The latest oil agreements follow major energy deals struck by Chevron, Eni, Repsol, and Shell under the favorable conditions of the reformed Hydrocarbon Law, which include expanded control over operations and sales as well as reduced taxes and royalties.

On May 1, the acting Rodríguez administration also signed a memorandum of understanding in the mining sector with the US’ Heeney Capital and Switzerland’s Mercuria Energy Group.

In a statement, Mercuria, one of the world’s largest commodity traders with a history of involvement in international mining projects, explained that it had entered into “a series of strategic offtake agreements” to purchase around $2.2 billion a year of Venezuelan bulk commodities and gold. 

“The transactions align with ongoing efforts by US authorities to encourage responsible foreign investment in Venezuela’s extractive industries and to facilitate offtake structures that prioritize supply to Western markets,” the communiqué read.

Mercuria and Heeney likewise expressed interest in aluminum, nickel, and ferrous products “opportunities” that could represent a further $3 billion in annual exports.

Heeney co-founder and partner Sean Pi, who signed the agreement on behalf of the foreign companies, thanked Trump for his “leadership” in defending US access to critical minerals. Pi testified before the US House of Representatives in February to back legislative initiatives deregulating and streamlining mining projects to bolster the US supply of critical minerals.

Venezuelan Mining Minister Héctor Silva hailed the deal a “first step for the strengthening of mining ties between the US and Venezuela.” The Venezuelan National Assembly recently approved a new Mining Law that establishes incentives for Western conglomerates to exploit the South American country’s vast mineral resources.

The US delegation for the energy and mining deals with Caracas arrived on board the first direct flight between the US and Venezuela. American Airlines will hold a daily Miami-Caracas connection and will add a second one beginning on May 21 due to high demand.

US Chargé d’Affaires in Venezuela John Barrett held a ribbon-cutting ceremony alongside Venezuelan Transport Minister Jacqueline Faría to mark the resumption of the direct flights. 

Addressing reporters, Barrett stated that the reestablished air connection was a “milestone” and a “clear sign that Venezuela is open for business.”

Caracas and Washington fast-tracked a diplomatic rapprochement in the wake of the January 3 US military strikes and kidnapping of President Nicolás Maduro. Acting President Rodríguez has hosted several White House officials and touted investment opportunities for US corporations. For its part the Trump administration has issued sanctions waivers allowing select Western companies to participate in the Venezuelan energy and mining sectors but imposing control over Venezuelan export revenues.

Edited by Lucas Koerner in Caracas.

Manchester City will host their FA Youth Cup final against Manchester United at their smaller Joie Stadium after turning down an offer to switch it to Old Trafford.

City were drawn at home for the game but are unable to use the main pitch, with Pep Guardiola’s first team still having three home Premier League games to play.

While there is an 11-day gap between their match against Crystal Palace and the last game of the campaign against Aston Villa, club officials argue playing the final in that space will rob them of essential time to complete construction work on the North Stand, which is planned to open for Villa’s visit.

The club also have a test event booked for Sunday, 10 May. They feel they are entitled not to agree to a switch as they are the confirmed home team.

United, who last won the trophy in 2022 – when more than 60,000 were at Old Trafford to watch a team including Kobbie Mainoo and Alejandro Garnacho beat Nottingham Forest – told City they were prepared to host the game.

City said no, so the game will be played at the 7,000-capacity ground, which is used by the club’s Premier League 2 and women’s teams.

The club have used the stadium to host Youth Cup finals previously but since 2000, every other host club has played the game at their main stadium.

Two years ago a crowd of 20,000 watched City beat Leeds United in the final at Etihad Stadium.

It is a repeat of the 1986 final, hosted over two legs at Old Trafford and Maine Road and won by City.

United sources feel it is a mistake and will cost the majority of the players involved an experience in what could turn out to be the biggest game of their lives.

City are yet to confirm a date for the game but it is likely to take place on Thursday, 14 May.

BAD Bunny looked unrecognizable as an old man at the Met Gala on Monday night.

The 32-year-old star arrived at the event with gray hair, a gray beard and a walking stick – leaving fans completely baffled.

The Puerto Rican rapper, whose real name is Benito Antonio Martínez Ocasio, even hobbled up the steps as he posed for photos, leaning into his elderly alter-ego even more.

His skin looked aged, his hands looked older, and the way he walked and moved was that of an 80-year-old.

Fans were entirely divided by the singer’s look, with many flocking to social media to share their thoughts.

“Sorry but no I don’t like it,” said one.

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“Dad bunny,” joked another.

“Why is he an old man?” asked a third.

While a fourth joked: “More like Señor bad bunny lol.”

“Superbowl aged him 60 years lol,” said a fifth.

“Turns out, Bad Bunny was Will Ferrell all along. Well played, Will,” joked a seventh.

But some fans were more complimentary.

“Aging is art,” said one person.

“For me, it was a critique showing that aging can also be beautiful,” added another.

While a third said: “He always brings it!”

And a fourth wrote: “He and Heidi Klum are so good at costumes and entertaining! Love them both!”

Heidi arrived at the event in New York as a living statue in a very bizarre costume, which some fans dubbed as “creepy”.

Heidi transformed herself into a literal sculpture and looked as though she was crafted entirely from marble.

The costume looked like a naked body draped in a fabric, but in sculpture form.

One took to X to say: “She looks a bit scary but this is gorgeous idc.”

“This isn’t Halloween honey,” slammed another.

“This looks more creepy than creative,” penned a third.

But there was much praise too, with one person writing: “Finally someone who understood the assignment Heidi didn’t just wear the theme she became the art. Living marble statue is insane commitment.”

A 23-year-old who says he has visited every country in the world

A man who has visited every country in the world has named the one he believes is the “most annoying”. Luca Pferdmenges might only be 23 years old but he has already travelled to every country in the world.

The German national has amassed a staggering 2.9 million followers on social media as he shares his globe-trotting adventures with his fans. But he has now named the countries he believes are “overrated”.

Speaking to the Daily Mail, he said: “Egypt, France, Maldives, Mauritius, Seychelles, most of the Caribbean Lesser Antilles. They’re often very touristy and often don’t have much besides pretty beaches.”

He went on to claim that the Caribbean is “super-overrated” before claiming one African nation was annoying. He added: “Egypt is the most annoying country for tourists in my opinion.”

Luca explained that a number of the Baltic countries were “underrated” along with the likes of Uzbekistan, Myanmar, and most of the countries in Latin America. He says the nations people “forget exist” are often “way more exciting and more affordable” than classic destinations.

He described Bhutan and Myanmar as “really unknown” and “some of the prettiest countries in the world”. Many of Luca’s fans on his thegermantravelguy channel were left annoyed by his assessment of Egypt, claiming he “must have visited the wrong places”.

The keen traveller was also asked which European nation he believes is the most dangerous. He went on to say that Belgium feels “super unsafe” at night, branding the country as “pretty ugly” and “grey”.

He also named Paris, London and Frankfurt as destinations he believes are more dangerous. Luca also urges holidaymakers to avoid countries such as France, Italy, and Greece.

This he explains is because there are “40 other countries worth being explored” across Europe. He added: “It’s surprising how little recognition places such as Montenegro or Slovenia get. They are some of the most beautiful countries in the world – and cheap – but nobody visits them.”

When asked to pick his favourite country, Luca says he doesn’t have just one, but instead has nine top travel destinations. They were Mexico, Brazil, Israel, Spain, Bhutan, UK, the UAE, Portugal and Austria.

He however says Lisbon in Portugal is his favourite city in Europe. In a video on TikTok, Luca said: “It’s honestly so gorgeous.

“I honestly love Lisbon, I was thinking of moving here at some point but not at the moment.

“I love coming back here and trying all of the vegan Portuguese food like vegan pastel de nata. It’s one of my favorite cities, maybe my favourite city in Europe, Lisbon, it’s gorgeous and has everything you need.”

City have three home games remaining – against Brentford, Palace and Aston Villa, on the final day of the season (24 May).

Their remaining away match is at in-form Bournemouth, who City play just three days after their FA Cup final.

While City are aiming for a domestic treble, Arsenal now have a realistic chance of claiming both the Premier League and Champions League trophies.

Their European semi-final against Atletico Madrid is finely poised before Tuesday’s second leg after a 1-1 draw in the Spanish capital last week.

Arsenal‘s three remaining league games are at relegation-threatened West Ham, then home to already-relegated Burnley before a final-day trip to Palace.

“I am worried for the West Ham game,” added Henry. “Like I was worried for Manchester City‘s match today.”

BBC Sport pundit and former England captain Wayne Rooney, meanwhile, has predicted on his BBC podcast Arsenal will win all of their remaining league games and lift the title.

He said: “We’ve heard a lot about Arsenal cracking under pressure, but Guehi has never been in a position where he’s challenged for the Premier League, [Antoine] Semenyo hasn’t. And I think you’ve seen tonight might be the first sign of that.

“I think it’s Arsenal‘s year. And I hope it is for Arteta’s sake. The work he’s put in over the last five years, and then against his former boss, Guardiola – if he goes and wins that title, that is huge for him.

“Arsenal are very consistent while City can be a little bit up and down. City at their best, you’re the best team in Europe.”

City, though, will be left extremely concerned by their capitulation against Everton, having gone ahead but been unable to see out the game.

January signing Guehi was culpable for the opening goal and City’s defence were sliced open time and time again – Everton should have been out of sight by the time they conceded a 97th-minute equaliser.

City fans who had left the stadium had to scramble back when Haaland scored to give their side hope, before Doku earned a point.

Guardiola looked to the positives by saying: “A really good performance. We played outstanding in the first half. Really, really good.

“In the second half, they made a step up and we maybe weren’t as aggressive and after [that] we gave away the goal.

“They came back and made it a proper English game – so, so aggressive in the duels.

“But in general, we made a really good performance.”

Israeli forces have raided the city of Nablus in the occupied West Bank, firing live ammunition that killed a 26-year-old Palestinian man and wounded four others, including children. Dozens of people have suffered tear gas inhalation.

HE’s the man whose been putting a smile on Katie Price’s face in her online videos – but it’s not her new husband Lee Andrews.

Last month, the former glamour model was hit with a six-month driving ban – her seventh one to date – and has had to find other means of getting around.

Thankfully, Katie hasn’t had to look too far from home for help, with cameraman Ben Algar taking on unofficial chauffeur duties of late.

As a result, ‘Big Ben’ – as he’s nicknamed – has found himself on the other side of the lens, making an increased appearance in her unfiltered day-in-the-life videos on her socials – and it’s not escaped fan attention.

“Car pool with Benjamin,” read the caption of one recent karaoke themed video that sees the two crack up as they give a very different rendition of Guns n Roses’ Sweet Child of Mine.

“You like a bit of 80s don’t you,” Ben says clearly knowing Katie intimately.

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“Yeah but what song did you sing at mine during karaoke the other night?” Katie replies, hinting at a late-night jam together.

“New man??” asked one curious fan in the comments, with another concerned follower penning: “have you split with Lee?”

While a third pondered: “I wonder if Lee is jealous of Benjamin and his wife getting all cosy and having banter lol.”

But contrary to speculation, Ben has been a firm fixture in Katie’s life for decades, with their friendship striking up after filming a number of her reality TV shows over the years.

Sources credit Ben as a ‘stable influence’ and the ‘second man’ in the ex-glamour model’s life, in what has been another whirlwind few months for the star, following her driving suspension and surprise Dubai wedding to Lee Andrews in late January.

“The second man in Katie’s life is Ben, who has been by her side for years,” a source tells The Sun. “But he’s really stepped up recently amid her latest drama.

“He is probably the only stable man she’s ever had in her life outside of her family.

“They’re incredibly close friends and Ben has always quietly guided Katie, not only in her career but in her private life

“The whole family love him- he’s a really great friend to Katie and the entire Price gang. They all think he’s a legend.”

The Sun has reached out to representatives for Katie Price.

Ben is such a trusted ally, in fact that he even has a sweet relationship with her children – most notably Harvey, who has been back home with Katie over Easter.

Katie’s eldest even has a cute nickname for Ben, who is a dad-of-five himself, and calls him ‘Bouncy Ben’.

It’s a stark difference to new husband Lee Andrews who is yet to meet his new wife’s brood.

A video shared in late December saw another Ben appearance, with the caption reading: “Our secret camera man showing himself.”

The reality TV star revealed in it how he’s known as ‘Bouncy Ben’ to Harvey and shared the anecdote behind it.

“Harvey calls him Bouncy Ben because when Harvey was smaller, Ben used to lift him up and bounce him like that,” she said on camera, doing an impression of a toddler being thrown into the air.

“But we tried to explain to Harvey that Bouncy Ben can’t do that anymore.

“One, because you’re bigger than Ben now and you weigh a ton and a half,” she added, before Ben cut in: “And two, I’m not that strong.”

Ben’s closeness to Katie and her clan must be something of a blow to Lee, whose distance is claimed to be due to a travel technicality.

There is ongoing speculation that the 43-year-old is unable to leave the United Arab Emirates city after allegedly forging his ex-girlfriend Dina Taji’s signature to secure a £200,000 loan – something he’s strongly denied.

But air miles aside, Katie revealed in an interview on Good Morning Britain that she “wants to get to know him more” before they meet in real life, even if the kids have spoken to Lee over FaceTime.

Lee’s travel ban isn’t the only scandal that’s come out about him, with Katie’s fourth husband having used AI to fake photos with Kim Kardashian and Elon Musk to drum up interest in his business, Aura Group.

The ‘Walter Mitty’ businessman has also been accused of scamming women by his ex-girlfriend Alana Percival, who he popped the question to in a nigh-on identical proposal to Katie’s.

Lee has strongly denied all claims, but the allegations haven’t eased her family’s concerns.

Buddy Ben’s frequent presence therefore couldn’t come at a better time for worried loved ones, who we’re told is quietly monitoring the marriage.

“Ben has definitely been concerned about some of Katie’s relationships and her marriage to Lee is no different,” our source tells us.

“Like Katie’s family who have some very valid worries about Lee, Ben is the same and has been quietly keeping an eye on it.”

The cameraman and confidante has a good relationship with Katie’s sister Sophie, working with the sibling duo on podcast The Katie Price Show.

Just this week, Sophie and Ben playfully teased Katie over a former boyfriend.

“He works with Katie all the time so is aware of what is going on in her life, it means he can keep watch over her,” the source adds.

“Katie is a grafter so work, along with her kids, will always be a priority. It means she’s always in contact with Ben.

“Her family know he looks out for her and are grateful for his input.”