life

The reality TV regular has landed her own show which arrives on Disney Plus in a matter of days

Fans of the Real Housewives and Vanderpump Rules have a new must-see show for their watch lists.

House of Stassi premiered in the US this week with its UK release now just days away. The eight-episode series will be available to stream on Disney Plus from August 12.

It documents former Vanderpump Rules star, Stassi Schroeder, as she returns to the spotlight after her sacking from the show back in 2020. While she previously dipped her toe back in to reality TV with spin-off Vanderpump Villa, her own series will take fans deeper into her life and inner circle.

As per the Disney Plus synopsis: “House of Stassi follows reality TV icon Stassi Schroeder as she steps into her next act. In this meta-docuseries, Stassi navigates her long-awaited return to television – this time with the people she loves most by her side.

“As her ambition pulls her back into the spotlight, those around her level up. But as cameras roll and truths surface, her closest relationships are put to the test.”

Why is Stassi Schroeder famous?

She got her big break on the long-running reality series, Vanderpump Rules. A spin-off of the Real Housewives of Beverly Hills, the show began in 2013 and follows fan favourite housewife Lisa Vanderpump and the lives of the staff working across her restaurants and bars.

Stassi was on the show from the very start as a worker at Lisa’s West Hollywood restaurant, SUR. Her outspoken nature made her a standout personality across the eight seasons she featured in. She has also launched a successful podcast and has written three best-selling books.

Stassi Schroeder controversy explained

Back in 2020, Bravo confirmed it had fired Stassi and her co-star Kristen Doute from Vanderpump Rules. It came after a past incident from 2018 resurfaced in which the pair had called the police on black TV personality, Faith Stowers, for a crime she did not commit, claiming she resembled a suspect.

Stassi later issued a statement addressing the “racially insensitive comments”, writing: “I did not recognise the serious ramifications that could have transpired because of my actions. What I did to Faith was wrong. I apologise and I do not expect forgiveness.”

She added: “I am going to continue to look closer at myself and my actions – to take the time to listen, to learn, and to take accountability for my privilege.”

Meanwhile Kristen did the same, saying: “Although, my actions were not racially driven, I am now completely aware of how my privilege blinded me from the reality of law enforcement’s treatment of the black community, and how dangerous my actions would have been to her,” adding that she would “do better.”

Meghan Markle feud

Stassi claimed on her podcast in 2025 that she was “furious” at Meghan Markle and was boycotting her Netflix show With Love, Meghan. It came after she was allegedly refused freebies from Meghan’s As Ever brand, despite Stassi publicly supporting her in the past.

“The way she moves through social media, I think that she’s stuck in 2017, and she just thinks I’m a lowly reality person,” Stassi told her podcast listeners. “That’s what I think, and I am furious, and this is the last straw. I’m not watching her show anymore.”

Noticing that a PR package had been sent to another podcast host who had been critical of Meghan in the past only added fuel to the fire, and Stassi vowed: “I’m going to unfollow her right now. Literally, I’m unfollowing her. Done!”

Meghan has never commented on the supposed PR package snub nor the remarks made by Stassi.

House of Stassi arrives on Disney+ from August 12.

Billy Ray Smith Jr. became embedded in the San Diego sports community as an exceptional linebacker who lived up to his billing as a first-round draft pick and played all of his 126 NFL games with the Chargers from 1983 to 1992, long before the franchise moved to Los Angeles.

Despite being Texas-raised and Arkansas-educated, Smith Jr. became synonymous with San Diego by spending the rest of his life in the sunny SoCal city as a sportscaster, radio host and big-hearted, larger-than-life personality.

Smith Jr. died Wednesday at age 64, his family saying in a statement that he “faced his long journey with dementia caused by CTE with unmatched bravery, dignity, and strength.”

“It is with profound sadness that we share the loss of our beloved Billy Ray Smith Jr., who passed away peacefully surrounded by family,” the statement said. “Billy Ray brought so much joy, light, and laughter to the world as a devoted father, husband, son, and loyal friend.”

Chronic traumatic encephalopathy (CTE) is a progressive brain disease characterized by mood disturbances and cognitive decline. It is linked to repeated head impacts and traumatic brain injuries, and has been found posthumously in numerous athletes in contact sports.

According to the Mayo Clinic, CTE cannot be diagnosed definitively during life. However, clinical criteria has been developed for traumatic encephalopathy syndrome (TES), symptoms that occur together and are associated with CTE.

A diagnosis of CTE requires evidence of degeneration of brain tissue that can only be seen during an autopsy. Through 2022, the Boston University CTE Center studied the brains of 376 former NFL players and diagnosed 345 with CTE, a rate of 91.7%.

The list of former NFL players diagnosed with CTE includes another legendary Chargers linebacker, Junior Seau, who died in 2012 of a self-inflicted gunshot wound at 43. Smith played alongside Seau from 1990-1992.

Their friendship endured after Smith Jr. retired and moved into broadcasting. He was a speaker at Seau’s public memorial service.

Smith Jr. was born Aug. 10, 1961, in Fayetteville, Ark., the son of longtime NFL defensive lineman Billy Ray Smith, and grew up in Plano, Texas. The year he was born, his father registered a career-high 13.5 sacks for the Baltimore Colts.

Smith Jr. followed his father’s footsteps to the University of Arkansas, and was twice named a unanimous All-American and voted into the College Football Hall of Fame. The Chargers drafted Smith Jr. with the fifth overall pick in 1983.

He moved from defensive end to linebacker in San Diego and by 1987 was named the team’s most valuable player. Smith Jr. finished his career with 26.5 sacks, 15 interceptions and 14 fumble recoveries.

He soon moved behind a microphone, teaming with Scott Kaplan on a popular radio show on the Mighty 1090, a station that went off the air in 2019.

“He loved being part of San Diego,” Kaplan told the San Diego Union-Tribune. “Yeah, he was the fifth overall pick and he played 10 years and, yeah, was the face of the defense before he handed it off to Junior Seau. But he was the guy who never left San Diego.

“He was loved because people knew Billy Ray. It wasn’t like other star athletes; they knew him because they had seen his whole life, from the time he was in his early 20s, play out on local television. And he never left.”

Smith Jr. worked on TV as a sportscaster and sports director for KGTV while also making appearances on Fox Sports and local Chargers broadcasts.

He met his wife, broadcaster Kimberly Hunt, during a United Cerebral Palsy telethon while still a Chargers player. They married in 1990, had a daughter, Savannah, two years later and celebrated their 36th anniversary in June. Hunt, an Emmy Award winner, is currently in her 18th year as the KGTV news evening anchor.

The couple was active in charities for decades and this year was given the San Diego Nice Guy of the Year Award.

“Through decades of volunteer service and charitable leadership, Billy Ray has generously supported youth programs, veterans, healthcare initiatives, and numerous nonprofit organizations, helping strengthen the fabric of the San Diego community,” the San Diego Nice Guys said earlier this year.

“Together, Kimberly Hunt and Billy Ray Smith represent the very best of San Diego —individuals whose professional excellence is matched only by their kindness, humility, and dedication to improving the lives of others.”

Smith Jr. came to San Diego as a fearsome linebacker who made two Pro Bowls, yet he transcended football through his infectious personality and devotion to his adopted city.

“He had that big smile, that huge laugh, that rip-your-arm-off handshake,” Kaplan said. “B.R. did everything right. There was not one part of him that was a lie, a secret, not one skeleton in the closet. He really, really lived a life that he could be very proud of.”

Aquilino’s uncle David Bonomi said his nephew was a “friendly, talented artist” who had been killed in a “brutal, cruel and evil manner”.

He said the family had reported him missing as it was “very unusual for him not to have been in contact” as he called his mother every day.

Speaking earlier about the review of the four unexplained deaths, Det Supt Rachael Bentley, from Devon and Cornwall Police, said: “As a major crime investigation team we were informed by the coroner’s officer for His Majesty’s Coroner that there were four deaths at Sandy Lodge.

“As part of the investigation, a detective inspector, separate to the investigation but within major crime, did a review of those deaths, and that included commissioning some more forensic work, some CCTV, and statements.”

Inquiries were ongoing and Desborough was “not a suspect at this time”, Bentley said.

“We don’t believe there is a link at this time, but I said it’s an ongoing investigation,” she said

She said police attended each of the deaths at Sandy Lodge and inquiries suggested natural causes but coronial investigations were paused when Desborough was arrested for murder.

Beth used Vinted to sell all her unwanted items – and thinks other UK households could also be sitting on thousands of pounds

A Brit woman sold her unwanted things to start a new life abroad. But while she loves it, she misses one unusual thing about British life in particular.

Beth Hackman made £3,000 selling her unwanted clothes on Vinted to fund her dream move to Australia. She sold more than 600 items, including unwanted clothes, shoes and accessories on the app.

The 25 year old used the funds to pay for a flight, visa and accommodation in Sydney in March this year. Now she has started a new life as a physiotherapist.

But despite loving her new life, she does miss one aspect of life on the UK high street you perhaps wouldn’t expect. She said: “I’m loving Australia because of the work-life balance. I’m working fewer hours here than in the UK and making the same salary equivalent. I miss my family so much because I’m so close with them but I message and call them every day. Other than that I miss a Tesco meal deal.”

She decided to sell most of her clothes after realising she had far too many things. Beth listed everything from gym wear and occasion dresses to her brother’s prom suit and even a pair of Alexander McQueen trainers, which sold for £200.

“I’d just accumulated too much and hated how much was generally fast fashion,” Beth, from Windsor, Berkshire, said. “Moving to Australia has been a dream for around three years.

“I actually got to the point just before I went travelling that I sold all of my shoes so I just had my gym and running trainers or a random pair of heels left. I’d say I’ve sold at least 600 items and that much was just sat in my wardrobe.”

She believes many households are sitting on hundreds, if not thousands, of pounds worth of unwanted possessions without realising it. Beth said: “I would 100% encourage people to declutter if they’re saving for a major life goal. People don’t realise how much they could make.

“I think we’re all over consumers. Some of my friends have obscene amounts of clothes. Also, I feel better buying things second hand and also recycling my own clothes on Vinted. I wear a dress once and then sell it rather than let it sit in my wardrobe.”

Beth believes many people miss out on making easy money simply because they don’t present their listings properly. She also believes detailed descriptions and quick postage make a huge difference, helping her build positive reviews that encouraged more buyers.

Beth said: “Taking good photos with a clean background is key. I also used a mannequin sometimes. Good descriptions are important. I had a postage locker on my way to work so always posted things quickly so got lots of good reviews.

“I think people initially put things up for way too much. People on Vinted want a bargain and won’t pay normal resell prices. I will always negotiate. I’d rather it be sold and out of my house and lose out on 50p than be set on prices. Although some people do take the p***.

“Photos and descriptions really matter to me as a buyer and I wouldn’t buy from someone who looks like they don’t put effort in so I make sure my posts looks better.” Beth first downloaded Vinted around five years ago, but not with the intention of making money.

Instead, she used the resale platform as a savvy shopping tool, searching for designer pieces to see how they looked on real people before buying them new. She said: “I started to use it as a platform to double check a product.

“If I wanted a dress from House of CB, I’d search it on Vinted to see how it looked on real bodies and to compare sizes. I like to think I’m clever for this. It’s basically picture reviews.”

July 28 (UPI) — A 16-year-old who used an assault-style rifle to kill two other students and two teachers at his Georgia high school will spend the rest of his life in prison.

On Tuesday, a judge sentenced Colt Gray to life without parole for the Sept. 4, 2024, shooting at Apalachee High School in Winder, Georgia. Another teacher and eight other students were injured in the shooting.

Gray pleaded guilty to all 55 counts, including those of murder, on Friday.

“You do not seem to be tormented by what you did, you seemto relish following in the footsteps of the murderers you idolize,” Judge Nicholas Primm of Barrow County Superior Court told Gray on Tuesday. “You aren’t rackedwith guilt. You’re proud of yourself.”

“There’s no joy here,” Primm said. “It’s only a measure of closure. The slain will not return to life. The injured will not forget their wounds. And a 16-year-old, 16-year-old boy, will live and die in prison.”

Gray was 14 at the time of the shooting and was charged as an adult. The two students who died — Mason Schermerhorn and Christian Angulo — were also 14. Gray also killed teachers Richard Aspinwall, 39, and Cristina Irimie, 53.

Prosecutor said in the sentencing hearing that Gray became obsessed with school shooters through an online community and that his jail phone calls with his mother showed he was “thrilled” to be compared to them.

Gray’s father, Colin Gray, was convicted in March on charges of second-degree murder and involuntary manslaughter for giving his son the weapon he used to commit the shootings.

Family members of those killed had urged the judge to give Gray the maximum sentence for his crimes.

“It is a life sentence of grief and trauma for those left behind,” said Aspinwall’s wife, Shayna. Their daughters were 2 and 5 when Gray killed their father.

An aide involved in an affair with Gavin Newsom more than 20 years ago, when he was mayor of San Francisco, detailed their relationship and her journey to sobriety in an essay published by Vanity Fair on Tuesday.

Although Ruby Rippey, 54, has spoken previously about her relationship with the now-governor, her first-person essay offers the most intimate description yet of the affair. It comes at a time when Newsom is wrapping up his final year as California governor and considering a presidential run in 2028.

Rippey, who had worked as Newsom’s appointments secretary, was married to Alex Tourk, the then-mayor’s close friend, campaign manager and prior deputy chief of staff, when the affair became public in 2007. Tourk resigned after Rippey told him that she had been sleeping with their boss, she writes.

At the time, Newsom was newly divorced from Kimberly Guilfoyle and he apologized in front of a gaggle of reporters who packed his office for a news conference, admitting “everything you’ve heard and read is true.” Later, he said he was seeking treatment for alcohol abuse.

In the essay, Rippey details that the affair with Newsom happened when she was a new mother and when her drinking, which had been a problem before the relationship, spiraled out of control.

Rippey writes that their relationship began in July 2005 after a wedding at a Napa Valley estate and spanned months, with intermittent sexual encounters until she entered rehab in May 2006.

They met at his penthouse in San Francisco’s Russian Hill neighborhood, at a private back room in a bar in North Beach and at the W Hotel in Los Angeles, she writes.

“We meet and we drink. There is sex, but it isn’t the point. The point is proximity — to power, to being chosen, to feeling newly visible — no longer muted by pregnancy, by new motherhood, by the strain of white-knuckling long stretches of sobriety,” she writes. “It isn’t love. It isn’t romance. It’s intoxication.”

Izzy Gardon, a spokesperson for the governor’s office, said on Tuesday that Newsom acknowledged his role and publicly apologized for the affair nearly two decades ago.

“In the time since, he met his wife, started a family and has focused on serving Californians. He addressed this chapter of his life, including in his memoir, and out of respect for everyone involved, does not have anything further to add,” Gardon said.

The affair occurred while Gavin Newsom was mayor of San Francisco.

(San Francisco Chronicle / Hearst Newspapers)

Newsom faced renewed criticism for the affair during the 2018 governor’s race amid a larger reckoning over sexual misconduct in politics, corporate America and Hollywood. But Rippey has said she doesn’t see herself as a victim of a powerful man.

“Yes, I was a subordinate, but I was also a free-thinking, 33-yr old adult married woman & mother. (I also happened to have an unfortunate inclination towards drinking-to-excess & self-destruction.),” she wrote on Facebook at the time.

She still doesn’t place blame on the governor for what happened, but noted in her essay that in the post-#MeToo era she came to realize that her then-boss had a responsibility to “hold the line.”

“That didn’t happen. But I didn’t stumble into the space left open — I saw a possibility and went for it,” she writes. “Both things are true: I am responsible for what I did. Power does not distribute consequences evenly.”

For Newsom, she writes, the affair is merely a “footnote in a longer arc of ascent. For me, it is the fracture that split my life into before and after.”

In his memoir, “Young Man in a Hurry: A Memoir of Discovery,” published this year, Newsom acknowledges the liaison with Rippey, describing it as “the briefest of affairs.”

He also writes that he admitted the betrayal to Tourk, a detail that Rippey takes issue with in her essay. She says she was the one who first broke the devastating news to her husband via email while she was at her parent’s house in Napa and he was home in San Francisco with their young son.

“But resentment is a luxury I can’t afford,” she writes. “Instead, I return to gratitude, not for the affair, not for the pain I caused Alex, but for the totality of what followed. I required something catastrophic to change direction. Something that made the cost of going back — of drinking again — unthinkable.”

After the affair, Rippey and Tourk divorced but continued to co-parent their son, who is now an adult. She’s been sober for 20 years, she writes, remarried and now has a son with her second husband.

“The damage was mine,” she writes at the conclusion of her essay. “But so is the life rebuilt in its wake.”

Times staff writer Taryn Luna contributed to this report.

Emmy-nominated composer Bear McCreary has taken a reverse road to symphonic rock. Prog rockers have traditionally integrated symphonic elements; other rock bands have done orchestral versions of their songs. McCreary began creating television and film scores, discovered his inner metalhead, and has since bridged those worlds with his “Singularity” project. It all adds up to a different take on that time-honored formula.

The second of the two albums, “The Singularity: Ekleipsis,” is out Friday and features contributions from guitarist Steve Vai, Coheed and Cambria frontman Claudio Sanchez, Fall Out Boy frontman Patrick Stump and McCreary’s younger brother Brendan, who sings on half the tracks. The multifaceted album feels like “I am Bear, hear me roar.”

“I love that quote,” he says, laughing, during his two-hour interview with The Times. “I want to put that on the posters. I feel like ‘The Singularity’ is a temper tantrum of a record from someone who had been writing music for other people for 20 years, then all these ideas exploded out.” Two years after the release of the first “Singularity” album, “Ekleipsis” feels more focused and personal to him.

From Anthrax dinners to sessions with Slash, Stewart Copeland and Bulgarian choirs, McCreary’s restless curiosity drives genre-bending songs that wrestle with identity, diaspora and the world listeners are trying to survive.

(Allen J. Schaben / Los Angeles Times)

The first “Singularity” double album — which featured guests like Serj Tankian, Corey Taylor, Rufus Wainwright and Joe Satriani — tied into a graphic novel about a man who repeatedly experiences loss and death at the hands of a villainous character in his every life across their multiverse. This leads to a major revelation at the end. Although McCreary says that “Ekleipsis” is not disconnected from that universe, it is not strictly tied to a narrative.

“I wasn’t setting out to write a concept album again,” McCreary admits, “but there’s something immediate in all the lyrics. Half of them are specifically talking about the world that we all find ourselves living in and trying to overcome in some way.”

McCreary’s sonic diversity continues with “Ekleipsis.” Gojira frontman Joe Duplantier collaborated with the McCreary brothers and the Mystery of the Bulgarian Voices choir on “Black Box” to create a work of dissonant majesty. The composer improvised his way through the initial stages of “Pray for a Storm,” his high-energy collaboration with famed drummer Stewart Copeland.

“Let’s all go into your studio with nothing,” McCreary recalls telling the irrepressible percussionist. “I’m not even going to bring an idea. We’ll plug in our instruments, set the mics up and play. I want to capture your ideas and your energy, then shape it into a song based on the pieces that I get.”

McCreary sees new endeavors as a learning experience. He meets his collaborators in the way they like to work. He was awed while writing with Guns N’ Roses bassist Duff McKagan and Red Hot Chili Peppers drummer Chad Smith on the anthemic “Cool Kids.”

“Those guys are true songsmiths,” the composer declares. “I think they’re unrecognized as songwriters. They wrote for Ozzy Osbourne. They’re focused on hammering down a riff until it works. We walked into a studio with a riff that Duff had written and walked out with this song that we brought Slash onto. We got that band experience [with them].”

McCreary is best known for scoring series like “Battlestar Galactica,” “The Walking Dead” and “The Lord of the Rings: The Rings of Power,” along with movies such as “Godzilla: King of the Monsters” and the “God of War” video game franchise. He gained entry into metal through a dinner with Anthrax guitarist and “Battlestar” fan Scott Ian two decades ago.

“‘I know you. You’re a guy who loves Sepultura,’” Ian told him, invoking a musical link for the composer. Intrigued, McCreary listened to Sepultura’s folk-infused Brazilian death metal and loved it. His metal journey began.

Ever since, McCreary has been itching to dive into that arena. He has an important collaborator in that quest.

“My brother’s my secret weapon when it comes to rock,” McCreary says. “His body of [rock] knowledge makes up for mine. Our emphasis is in a different place. He is a fantastic producer because he’s got a really good radar for when things are useless, when a part of a song isn’t pulling its weight. It’s a very good influence to have someone like that. He’s got a great lyrical sense and an incredible voice.”

McCreary says Brendan is often the driving force of their lyrical efforts, and “sometimes we co-write with other people. Claudio Sanchez wrote all the lyrics on ‘Sweet Misery.’ It just depends.”

The younger McCreary was the propelling wordsmith on “One Fine Day.” “It’s about our experience as being in the Armenian diaspora and exploring what that means to us,” McCreary elaborates. “All the songs are very personal, which is another thing that sets this record apart from the last record. Many of them were personal, but I also had a weird song about an automaton that fell in love.”

Mentored at USC by Elmer Bernstein, McCreary now leaps from “God of War” themes to a Higgs boson rock musical and a roaring Singularity tour that hits L.A. on Sept. 17.

(Allen J. Schaben / Los Angeles Times)

Before he jammed with rock icons, McCreary was mentored by the late, iconic Elmer Bernstein for nearly the last decade of his life. The burgeoning young composer organized Bernstein’s music archives, sat in on recording sessions and audited his senior-level classes for three years while studying at the Thornton School of Music at USC. McCreary says that Bernstein “really set me on the path that I am now on, not because I learned how to orchestrate or how to write music from him. But he showed me the life that I could envision myself having when I was 15 or 16, that crucial time when you’re really setting the rudder for where you’re going to go in life.”

That rudder has steered him to many shores. McCreary has been co-writing the musical “Particle Fever” with Zoe Sarnak (“Galileo).” Pulitzer Prize finalist and Tony winner David Henry Hwang (“M. Butterfly)” wrote the book, and Tony nominee Leigh Silverman (“Suffs”) is its director. It is based on the documentary of the same name about the discovery of the Higgs boson — the “God particle” — at the Large Hadron Collider in CERN. It will debut at the La Jolla Playhouse in February 2027.

“It is a really kick-ass, earnest rock musical about a really ambitious discovery,” McCreary says. “My hope is that it actually has some of the swagger and fun that people found in ‘Hamilton,’ which also was a very dry subject that you learned about in eighth grade.”

The 47-year-old composer exudes an infectiously upbeat energy. He loves challenges and says he learned that charisma and charm are valuable assets to get in the door to prove one’s talents.

“I’m wired to be very positive and collaborative,” he concedes. “But I got so oppressively excited in my 20s that I started annoying people. My lesson was walk it back.”

His creative energy continues unabated. He’s even scored shorts for filmmakers he met through Twitter. (“I’m down to work.”) He has been blogging about his musical life for 20 years for a core group of followers. (“In hindsight, if Jerry Goldsmith had done that in the ‘80s, my God, my life would be different.”)

McCreary started as a high school keyboardist, then found the accordion in college, an instrument that gave him greater stage motion and which he later used to great effect in his music for the “Outlander” series. He loves to headbang while playing the hurdy-gurdy, an instrument he picked up in 2010 and later employed in the “Black Sails” show and “God of War: Ragnarok” video game. He learned guitar to play rhythm during his 2025 shows.

Those riffs will be on display at the Wacken Open Air festival on Friday and during McCreary’s eight-date September “Singularity” tour of the West Coast that hits L.A. on Sept. 17. McCreary has performed his symphonic scores in Europe and America with orchestras, but now he also loves to rock out (loud).

A big secret of the ambitious McCreary’s success harks back to lessons of simplicity that Bernstein taught him.

“The giant theme that I wrote for ‘God of War’ can be played with one finger on a piano,” McCreary reveals. “That is the thing that it boils down to, and that is what I listen for in music. Most of the time it means there’s a melody in there that sticks with you, and it doesn’t matter how well it is produced or how epic it is or how loud it is. A good song is a good song is a good song, and it really doesn’t matter how good a band performs. If the song is good, it will connect with people.”

PRINCESS Andre has admitted she can’t keep up with mum Katie Price’s “extreme” love life and rollercoaster marriage to latest husband Lee Andrews.

The influencer and TV star, 19, spoke candidly on her reality series, The Princess Diaries, after her parent tied the knot with conman Lee in January.

Katie said I Do just 10 days after meeting Lee for the first time.

Princess, who is Katie‘s child with ex Peter Andre, along with big brother Junior, revealed in her ITV show: “Mum’s in Dubai right now to see her husband and to be honest I don’t really know much about it.

“I’ve never met him but mum’s love life is everywhere at the moment.

“Mum’s love life stories are quite extreme and honestly I don’t even follow it myself, but as long as my mum’s happy, we’re happy, and that’s all that matters”.

PRINCESS DIARIES

Princess Andre lifts lid on her love life & mum Katie’s truce with Peter

carbon copy

Princess Andre takes swipe at ‘copycat’ star online in surprise new feud

Back in June, Katie’s new spouse Lee made a bizarre claim he had “adopted” Princess – alongside the former glamour model’s four other kids.

The suggestion prompted Princess’ dad, Mysterious Girl hitmaker Pete, to deny Lee’s words.

At the time, his rep told Metro that Lee’s claims were “categorically untrue” and are “yet another lie” from the self-proclaimed business man.

Since then, former glamour model Katie has been presented with an explosive dossier from The Sun’s Clemmie Moodie covering her spouse’s misdemeanours – including his mental health lies and damning texts.

At the time, The Sun’s files against Lee – including a “gay affair rumour” – had, according to a source, left Katie with no choice but to consult a divorce lawyer.

Who is Katie Price’s husband Lee Andrews?

KATIE Price tied the knot with Lee Andrews in January 2026. Yet who is he?

• Katie Price has married businessman fiancé Lee Andrews in a whirlwind wedding
• It is the fourth time Katie, 47, has been a bride. She has also been married to Peter Andre, Alex Reid and Kieran Hayler
• Katie and Lee met just after being introduced on social media
• Lee claimed he is a billionaire in a failed clip from his acting career
• He now claims to be a Dubai-based businessman
• Yet The Sun has unmasked him as a fantasist who faked celebrity links using AI-generated photos and recently talked about marrying two other women
• Failed actor is just another title to add to Lee’s questionable CV, after he claimed to have once worked as the Director of Philanthropy at The Prince’s Trust (now The King’s Trust)
• Lee also shared images – since proven to be AI – of him working with Elon Musk and Kim Kardashian
• It’s been revealed shameless Lee told former girlfriends that he had studied at Cambridge University, and has a PhD in biotechnology science
• But The Sun has seen a response from the university explaining it could not find a record of Lee being registered as a student with a date of birth they had provided
• His LinkedIn profile says Lee has been a Member of the Board of Advisors to the Labour Party since 2015
• Lee was also mocked for repeating the exact same wedding proposal on Katie – that he did for another woman just four months ago.

Clemmie also confirmed in her in-depth article that Katie is refusing to return to Dubai – where Lee lives and is currently locked up in prison.

Meanwhile Katie has vowed to quiz her husband over his offer to sell a sex tape of them – as her sister Sophie branded him a “d***head”.

It comes after The Sun revealed Lee’s sickening plan of hawking an alleged “sex tape” with his wife.

Speaking on the latest episode of her podcast, Katie addressed the video and insisted she has no knowledge of it – but said finds the whole things “ridiculous” and “overwhelming”.

She said: “I commented when he went missing but he’s in prison and I will be questioning him about a lot of things when he’s out. I’m just getting on doing what I’m doing.

“There is so much, there is no smoke without fire.”

Within days of Katie marrying Lee in Dubai, stories started to emerge of the lies the conman has told.

Lee claimed he had connections with some of the richest stars in the world, but it proved to be fake, and that he had used AI to fake meetings and pictures with Kim Kardashian and Elon Musk.

In one of Lee’s only interviews, he told The Sun he planned to buy Chelsea FC as part of a £2billion bid.

Lee has also claimed that he has degrees from some of the UK’s top universities, including Cambridge, but the institution quickly clarified that they had no trace of Lee having ever attended as a student.

Through it all, Katie has stood by her husband and jetted back and forth to Dubai to be with him.

The couple also recently got a dog together in the UAE city, and despite her family’s on-going protests over the relationship – she had been planning to jet back out for another reunion with Lee before Clemmie’s bombshell dossier was published.

Carly Simon on Monday shared a lengthy and candid letter regarding the state of her health, which she said led to her recent withdrawal from the public eye.

The 83-year-old “You’re so Vain” singer and two-time Grammy winner in a statement shared with The Times revealed she has been diagnosed with Parkinson’s disease and has dedicated time away from the spotlight to understand and learn how to live with the illness. Simon said she decided to come forward about her health issues after “so many people have written to me, kindly wondering about my relative silence.” She did not specify when she was diagnosed.

Parkinson’s disease, according to the Mayo Clinic, is a nervous system movement disorder that worsens with time and cannot be cured. Tremors are a common symptom of Parkinson’s disease, which also notably afflicts “Back to the Future” star Michael J. Fox.

Simon explained in her statement that she experienced arthritis in both of her knees and one hip prior to receiving her diagnosis. She had those three joints replaced — “out with the old and in with delicate bouquets of metal and plastic” — but experienced worsening mobility after, including difficulty walking and standing from couches and low chairs.

“Eventually, there were periods when I could not walk without considerable help,” she continued. “My family and I knew that something more was going on.”

She said she was diagnosed with Parkinson’s after a trip to the Mayo Clinic and underwent treatment and started taking medication to aid with her symptoms.

“There is no tidy predictable schedule to the illness,” she said.

Simon also wrote that her experience with Parkinson’s wrought “anxiety, depression, exhaustion, an apathy.” Of the last, Simon recalled lying like a starfish “while nothing inside is telling you to get up, read, watch, sing, call someone, or do much of anything at all.”

Simon revealed that in the same period, she underwent surgery to treat skin cancer, specifically basal cell carcinoma on her face. The singer’s two sisters died of different cancers days apart in 2022. She said she felt self-conscious about her appearance post-surgery and retreated further from the public. “This gave my inner critic quite a lot of new material,” she wrote.

The singer, who likened herself to an “all-season” hibernating bear, said “I have not stopped living, and I have not stopped working” amid her health issues. She then promoted her upcoming album “Comes in Waves,” her first album of original music since 2008. “Comes in Waves” arrives Aug. 14. She is set to release the song “Peaches” from the album on Friday.

“Music has always known when to arrive,” she wrote. “It has rescued me more times that I can count.”

“Working on the music gave shape to days that did not always have much shape,” she said. “It gave me somewhere to go without having to leave the room. It reminded me that illness can change your life without becoming the whole of your life.”

For Simon, her Parkinson’s battle has proved “difficult, frustrating, and sometimes frightening,” but not a complete obstacle to her life. She expressed gratitude to her friends, family, caregivers and medical teams for their support.

“These days I move more slowly, I lean on others more than I once did, and I have learned to accept that every day will look a little different,” she concluded. “But I am still very much here.”

CARDI B is about to let everyone in on the story of her rollercoaster life — including working as a stripper.

I can reveal the rapper is the subject of a major new documentary from the same team behind programmes on Victoria Beckham, Pamela Anderson and Coleen Rooney.

Production company Dorothy Street Pictures is secretly working on the special, in which she will speak about her rags to riches story.

Cardi, who wore this eye-popping pink catsuit and matching hat for a performance in New York on Sunday, has quite a backstory, so I’m sure it will be riveting viewing.

She started off her working life as a stripper, and would entice men to hotel rooms and steal their money.

Her fortunes changed when she became a viral sensation a decade ago on apps such as Vine and Instagram, and eventually got signed to a label and scored hit songs including Wap and I Like It.

ODDIE’S FIGHT

Inside Bill Oddie’s health battles including ‘lithium toxicity’ scare

SAD TURN

Carly Simon, 83, reveals Parkinson’s and cancer diagnosis after years-long break

Cardi has not been short of controversy during her time in the showbiz spotlight, famously throwing a shoe at rival Nicki Minanj during a spat in 2018.

She has also had a difficult love life, getting married to Migos rapper Offset in 2017, and having four kids with him before they separating in 2023.

A source said: “Cardi is one of the most in-demand rappers in the world and is also one of the most interesting.

“She has lived her life in the public eye to some degree. But there’s a lot that she’s never opened up about, and this is her chance.

“Next year will mark a decade since she released her major-label debut single Bodak Yellow and so there’s a documentary in the works which will mark that.

“There’s a lot to talk about and she wants the public to see who she really is, because she often feels misunderstood.

“It’s expected to air on a big streaming service like Netflix, but the deal is still being hatched out.”

Cardi released her long-awaited second album Am I The Drama? last year and then went on a tour across North America.

And I won’t be surprised if we see her back on stage at British festivals next summer.

KOJO: LADIES RULE

Kojo Funds has worked with acts ranging from Wizkid and Tion Wayne to Kano and Bugzy Malone since bursting on to the music scene a decade ago.

But the British singer has saluted the work ethic of top women in the industry and says they have inspired him.

His biggest chart hit to date is 2017 collaboration Finders Keepers with Mabel, and has also worked with Raye on a 2018 track called Check.

Kojo said in an exclusive interview: “Female artists who are operating at that level take their craft seriously. Put effort into what you’re doing, don’t do it anyhow.

“They’re very hard-working, I respect them for that. The work ethic… that’s the kind of thing I took from them.”

Kojo’s new single How Many will be on his EP Hello It’s Me Again, which is out on August 21.

And one person who’s bound to be giving it a spin is Cardi B.

Recalling how the US rapper discovered his music, he said: “Her first time in London, she went to a club and they were playing my music.

“Dun Talkin’ came on and she saw how people were hyping her up while she was moving to it.

“The next morning, she’s on Instagram singing it, with her hair messy, a little bit tipsy.”

They’ve since performed together and hung out, so I’m hoping a collaboration with her is on the cards next.

DANCING On Ice beauty Vanessa Bauer has been tipped for a career in Hollywood by Football Factory and The Business actor Tamer Hassan.

She has re-trained after the ITV show was axed, and plays Tamer’s girlfriend in new film Rise Of The Footsoldier: Retribution.

On how great she was playing Isabella Chaika opposite his character, Colonel Sullivan, he told me: “Vanessa has a future in films, 100 per cent.

She looks great, she carries herself well.

“She’s definitely got some chops to be an actress.”

Vanessa joined Dancing On Ice in 2018 when the show was revived.

She won with Jake Quickenden, and was a runner-up several times with celebs including Diversity’s Perri Kiely and Towie’s Joey Essex.

But the show ended again in 2025 and now she is exploring new paths, having also appeared in Netflix’s The Thursday Murder Club.

THE race for No1 is hotting up.

Shakira’s Dai Dai now is just 118 copies ahead of Sam Fender and Olivia Dean’s Rein Me In – closing the gap from 609 copies the previous day.

The World Cup anthem will be her third chart-topper if she can hang on to the lead until Friday.

But if Rein Me In can clinch it, it will become the longest-running No1 of all time, with 19 weeks at the top.

ROMCOM TOO TOUGH FOR CHRIS

OSCAR-winning director Christopher Nolan says there’s one genre that’s too hard for him to tackle – the romcom.

The man behind movies such as Oppenheimer, Interstellar and The Dark Knight would be “terrified” at the prospect of making one.

The Brit whose new epic The Odyssey is No1 at the box office, explained: “I think doing a romcom would be incredibly difficult.

I love watching those movies. But no, I think people who direct comedy, people who do comedy . . .  that’s one of the hardest things in the world, to make people laugh that way.

“If I show a film to people and maybe they don’t respond to bits of it, I’m like, ‘Ah, they don’t get it. Whatever’. There’s no hiding behind that when you do comedy, so I would be terrified.”

TYLA POPS TO UK ON TOUR

TYLA is hitting the road for a 34-date global tour following the release last week of her second album A*POP.

The Chanel singer has announced she will open the tour in Paris on October 12 before shows at London’s O2 Academy Brixton on October 15 the O2 Apollo Manchester on October 19 and O2 Academy Glasgow on October 18.

Tickets will go on sale at 10am this Friday through tylaworld.com.

Zara’s latest feet

THERE was no chance of Zara Larsson getting cold feet about her latest brand deal with these slippers.

She wore the funky footwear – designed as giant feet in flip flops – while reclining on a sofa as part of a campaign for re-sale site Depop.

Zara put 30 pieces of clothing from her own wardrobe up for sale, and they sold out almost straight away.

She said: “I’m not particularly sad about releasing anything of mine into the world because I know I’m gonna get many more beautiful things back. Fashion is fun in that way.”

Given all the designer brands desperate for her to wear their clothes, I am sure she has plenty of options.

LIFE OF RILEY FOR RAY AND DANNY

DANNY DYER and Ray Winstone are teaming up again, two decades after appearing in TV film All In The Game.

The hardmen, pictured together in 2006, have been cast in UK crime thriller Going Under, which is due to hit cinemas next spring.

Production on the film has just been completed, after being shot in secret.

It will follow Ray’s gangster character Riley and his right-hand man Don, played by Danny, trying to pull off one final deal.

Charli’s bra-t summer

CHARLI XCX is ready for our fourth heatwave of the summer – and has stripped off to prepare.

She shared this photo of her wearing a bra and sunglasses on Instagram, just as it was revealed there will be a picture of the singer going on display at the National Portrait Gallery in London.

A 2024 photo of Charli in a white crop top, which was taken by Harley Weir and used to promote her album Brat, has been added to the gallery’s collection and will be in its History Makers Now space.

Senior curator Brandei Estes said: “We are delighted to acquire this striking portrait of Charli XCX, which captures one of the defining cultural figures of her generation.”

WILD Child actress Emma Roberts has tied the knot to afellow screen star Cody John.

Emma, who appeared in American Horror Story and is the niece of Hollywood A-lister Julia Roberts, wore a Monique Lhuillier dress, and told Vogue: “I’ve been married in a movie before, and I tried out wedding dresses for that, which feels so weird. Now, it’s the real deal.

“I wanted it to feel very vintage-inspired.”

The couple started dating in 2022.

LIZ & BILLY LOVE BIRDWATCHING

LIZ HURLEY has revealed the secret to her romance with Billy Ray Cyrus is a shared love of birdwatching.

She said: “We’ve been together nearly 18 months, but we spend the vast majority of our time in the countryside, whether it’s in England or Tennessee.

“We like doing the same things, which some people would think is a little odd. We like bird watching. We’ve got binoculars, we’ve got long lenses.”

The relationship has been especially good for her son, filmmaker Damian, who has been able to meet Billy’s superstar daughter Miley.

Liz added on SiriusXM’s Andy Cohen Live in the US: “When he was a young teen, he used to love all her music. I used to have to watch her music videos like Wrecking Ball a zillion times with him, so we were very familiar with who she was, and I knew I was going to like her, and I do like her.”

Last things first: Eve Babitz is a major minor L.A. writer who died five years ago at age 78. She spent nearly a quarter-century as a recluse, having suffered in 1997 a shocking and disfiguring accident while striking a match to light her Tiparillo. Her thin Indian skirt caught fire searing her panty hose into her flesh, leaving her with third-degree burns over more than half her body. She never published again, though many championed her gifts, including me. At the time of her misfortune, I was book editor of the Los Angeles Times. I had long admired her, especially the rollicking and indispensable “Slow Days, Fast Company,” first published in 1977, a charming and insightful series of stories bursting with pluck and sass. I recommended to John Carroll, the then-editor of the paper, that he make her a columnist and urged Babitz to write him directly. She did, and that letter from October 2000 is the last included in “Too L.A.: Letters Never Sent (But Some Were),” a book of letters expertly edited and chosen by Lili Anolik. Babitz tells Carroll that “what the paper needs is some writers that cause such an uproar, people will have to read it in order to stay abreast of the edge.” Babitz knew what she was talking about. She’d been living on that edge since she was a teenager at Hollywood High in the late 1950s.

The posthumous resurrection of Babitz’s writings is most welcome. Yet there is a risk of overpraising her merits. She was an unabashed booster of the glossy L.A. that became synonymous with a rising creative elite whose élan and narcissism she found irresistible.

Lili Anolik makes the case in her perfervid introduction: “The letters are everything you could want” and often “profound” and “frequently brilliant, invariably amusing.” She says they deserve to be put on the short shelf next to Virginia Woolf’s imperishable “A Room of One’s Own” for they are “every bit as candid, every bit as lucid, every bit as brutal, every bit as delicate as Virginia Woolf’s celebrated manifesto.”

If only.

“Too L.A.: Letters Never Sent (But Some Were)” by Eve Babitz

(New York Review Books)

Regrettably, Anolik, who is almost singlehandedly responsible for Babitz’s literary exhumation, has so fallen in love with her subject as to almost blind her to Babitz’s defects, both with respect to her writing and to the life. With two previous books — “Hollywood’s Eve” (2019) and “Didion and Babitz” (2024) — prompted by Anolik’s riveting March 2014 Vanity Fair profile, Anolik has become Babitz’s greatest champion. Now with “Too L.A.,” a title taken from Babitz’s own over-oxygenated writing, she has gathered and edited a trove of letters. They brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona. Babitz herself, on the strength of these 197 letters, only 30 of which she ever mailed, understood in a way Anolik doesn’t the limitations of her talents, even as she strives to slip the shackles of a mansplaining culture which at almost every turn tried to blunt her ambitions, both artistic and writerly, even as her editors and admirers sought (often with her ardent encouragement) to slip between her sheets.

Eve Babitz was born in 1943 to Hollywood neo-royalty. Her Brooklyn-born father, Sol, was first violinist for both the Los Angeles Philharmonic Symphony and then the 20th Century Fox Studio Orchestra. Sol would ultimately marry Lily Mae Laviolette, a beautiful Cajun Catholic shiksa willing to convert to Judaism. Eve’s godfather was Sol’s good friend Igor Stravinsky. When puberty burst upon her at age 14, Babitz’s blossoming made her a prime candidate for induction by the fast-track girls at Hollywood High who called themselves the Thunderbird Girls and cruised the Sunset Strip in their cool cars, looking for the main chance.

From left, Sol Babitz, Mae Babitz, Mirandi Babitz and author Eve Babitz gather at a launch party for her book “Slow Days, Fast Company” in 1977.

(Photograph by Paul Ruscha; courtesy of Mirandi Babitz / The Huntington Library)

At 20, Babitz posed nude playing chess with the fully clothed Marcel Duchamp to promote Duchamp’s retrospective exhibition at the Pasadena Art Museum. At the time, Babitz was having an affair with the museum’s 32-year-old married director, Walter Hopps, which perhaps explains Babitz’s reluctance to have her face photographed so as not to give the game away to Mrs. Hopps, who attended the opening. A month later, Babitz confides in an (unsent) letter: “Everything’s so fabulous for me now I can’t believe it. There’s nothing like two boyfriends to do it for you every time. There are such fabulous boys around and they take you out on dates and to movies and I feel just like a teenager. (I’m recapturing my lost youth.) I get to get dressed up and I flirt outrageously and put people on and I do things like look soulfully out the window and man it’s just too hoozie for words. … If only all of this could last forever — not that it will, but I can.”

She spent the rest of her life torn between the excitements of everyday life — cruising the hangouts du jour (Barney’s Beanery in the early 1960s where she met many of L.A.’s up-and-coming artists — Ed Kienholz, Billy Al Bengston, Laddie Dill, Peter Alexander, and the Ruscha brothers, Ed and Paul, both of whom she’d bed, Paul becoming an on-again, off-again boyfriend whose bisexuality made for a sometimes tenuous connection; and after seducing Jim Morrison before he became famous and later the Troubadour in the late 1960s which was a happy hunting ground — Steve Martin, Glenn Frey, Don Henley, J.D. Souther, Country Joe Mcdonald, Jackson Browne, to name only a few, and then Ports restaurant where she anchored a corner table) — and the seductions of drugs — uppers, acid (which she seemed to ingest with an alarming frequency), pot, of course, and then by the mid-1970s, tragically, an Everest of cocaine. She had entered what she aptly called the era of “squalid overboogie.”

Eve Babitz and her frequent companion Paul Ruscha celebrate the 1977 release of Babitz’s seminal “Slow Days, Fast Company.”

(Photograph courtesy of Mirandi Babitz / The Huntington Library)

The name-dropping is relentless and if, like me, you have an insatiable appetite for hoovering them up, this volume will not disappoint. Still, there are many pages of vapid jottings — “I cleaned the house, did the laundry, and vowed to quit smoking” — that suggest why Babitz was a failure as a novelist (see her dud “Sex and Rage”) and a superb writer of short stories and essays that stylishly plumbed the depths of her own sensibility precisely in the degree to which she was uninterested in other people.

Nearly 30 years after she stripped to please her married lover and startle the unsuspecting Duchamp, the father of Dada, and eight years after she joined AA in 1982 — the year her beloved father died of Huntington’s disease at age 70 which ultimately would also kill her — and gave up drugs and alcohol and (almost entirely) writing as well, which had always been seen by her as enabled by dope of one kind or another, she boasted that, looking back, “Everybody wanted to be me — they looked at me with yearning faces, and said, ‘Boy, you sure had fun.’ ” She was not entirely wrong. She had struck many admirers both then and now, as the quintessential California girl, a daughter of Dionysus, whose devotion to pleasure was free of misgiving or regret. She detested the East Coast avatars of apocalypse, like Nathanael West, who saw only doom and gloom in sunny L.A. Babitz, by contrast, saw things sunny side up. If Joan Didion was unsettled and made anxious by the hot Santa Anas that regularly kicked up, Babitz luxuriated in them, recalling how she and her sister would as young girls rush to embrace them, spinning madly round and round. In a 1977 unsent letter to Joseph Heller, who had championed her work when she had sent him an unsolicited fan letter after having read “Catch-22” when it was first published and she was barely 20, she declares proudly: “I’m a gossip storyteller who likes L.A. rather than hates it.” She refers to her “shallow nature,” writing that “I feel like an upstream salmon, determined to reach the shallow water, no matter how fast the river is running the other way.”

Eve Babitz, the ultimate Hollywood reveler, on Sunset Boulevard in 1980.

(Los Angeles Times)

On the evidence of these letters, she had two great loves: Ahmet Ertegun, a principal founder of Atlantic Records, and Tom Dowd, renown recording engineer and producer who worked for Ertegun. Of the two, Ertegun had the edge, if for no other reason than he came with buckets of dough, making possible assignations at his regular bungalow at the Beverly Hills Hotel with limo pickup and dropoff services, and the best champagne and other assorted stimulants. Ertegun was effortlessly elegant and erudite, and there was no one he didn’t know and who wouldn’t return his calls. He was married, age 45, 20 years older than Babitz, when they fell for each other in 1969. She began sleeping with him even as she agreed to profile him for Jann Wenner’s newly launched Rolling Stone. The writing didn’t go well. Wenner wanted a tougher piece than she was willing to write. Ultimately, she abandoned the assignment, claiming (not unreasonably) that she didn’t see how she could write objectively about a man she loved.

Babitz courted danger with heedless bravado and exemplary recklessness. She once had the moxie to rid herself of a would-be rapist: When told not to scream, she said with unimaginable sangfroid: “Why not?” The man bolted. It might be said of Babitz, as Oscar Wilde said of his life, that she spent her talent on her writing and reserved her genius for her life. Sculpting her natural gifts of wit and brazenness into a living artwork dazzled all who came within her orbit. Her lust for life was palpable. The letters are proof. She came at people without fear. She left them without apology. She was the boss of herself. She was the girl who seemed to have it all. The only thing she lacked was inexperience.

Wasserman, a former book editor of the Los Angeles Times, is publisher of Heyday Books, a nonprofit, independent publishing house founded in 1974 in Berkeley. He is the author of “Tell Me Something, Tell Me Anything, Even if It’s a Lie: A Memoir in Essays.”

Samantha Morton didn’t mean to start humming during that scene in “The Odyssey,” the scene everyone is talking about, when, as the sorceress Circe, she turns Odysseus’ men into pigs, literally molding them into their true savage selves.

It wasn’t in the script. It just happened. And when Morton was done, she looked over to director Christopher Nolan, waiting for him to say something like, “Maybe try it without the humming, Samantha.”

But Nolan didn’t say anything, so Morton did it again and the music that was swirling inside her head, which she remembers now as a symphony of glass harmoniums and theremin, kept coming out as Circe went about her witchy business, altering her gluttonous guests, who are busy slurping and gulping down her stew.

“These are sounds that can make you go mad, apparently,” Morton, 49, tells me, reclining on her bed at the Hotel Chelsea in New York. “So to transform the men, the magic came not just from my hands but from my sounds.”

Samantha Morton as Circe in “The Odyssey,” directed by Christopher Nolan.

(Melinda Sue Gordon / Universal Pictures)

Morton unabashedly believes in magic. How else, she asks, can you explain how a girl who was shuttled between children’s homes and a dozen foster families, only to be living on the streets of Nottingham, England, at the age of 14 with a criminal record, be here talking with me now, sipping green tea at the Chelsea?

“That’s got to be guardian angels and love — and not that I suddenly became good at acting and got a job,” says Morton, a veteran who’s been at it for 35 years, dazzling audiences and stealing scenes for the likes of Steven Spielberg, Jim Sheridan and, now, Nolan. “I’ve always believed that anything is possible and there’s no doubt in here,” and she pats her heart, “because I’ve always felt this immense love for me from another entity.”

When Morton heard that Nolan wanted to meet her for “The Odyssey,” she says she wept. If that sounds dramatic, she makes no apologies. She likens it to being an athlete who qualifies to represent their country at the Olympics. She’d spent decades honing her craft for that phone call. When it came, she flew to Los Angeles in January 2025 during the wildfires, embarking on what would become the best job interview of her life.

I ask her what she remembers about that meeting.

“I think it went really well,” Morton answers, laughing.

Morton told Nolan she hadn’t read “The Odyssey,” which, when you quit school at the age of 12, makes sense. Flying back home to England — she and her husband live in East Sussex with their children, 18-year-old daughter Edie and 12-year-old son Teddy — she recalled that, yes, she knew a bit of “The Odyssey” from having seen it parodied on an episode of “The Simpsons.” (“We’re ‘Simpsons’ mad in our house,” she says. “Like, mad.”)

But Morton doesn’t believe in bogging herself down in research, not since starring in a British TV production of “Jane Eyre” when she was 19 and carried around a heavily highlighted copy of the Charlotte Brontë book, despairing whenever the adaptation deviated from the novel. From that point on, she stuck to the script and her own imagination.

“That’s got to be guardian angels and love — and not that I suddenly became good at acting and got a job,” says Morton of her career. “I’ve always believed that anything is possible.”

(Ebru Yildiz / For The Times)

Thinking about Circe, Morton recalled going to the library with her dad (“We had nothing and were beyond poor, but he always had a library card,” she says) and finding the Howard Pyle fairy-tale book “King Stork.” She remembers being mesmerized by the story’s wicked witch. She recalls other witches from folk tales like Baba Yaga, frightening characters but also, she says, “women possessing an innocence that had been eroded over the years by the harshness of life.”

Morton does a playful verbal evasion when discussing the nuts-and-bolts aspects of shooting the scene where Circe transforms Odysseus’ men, saying that back in the day when behind-the-scenes features were prevalent on DVDs, she routinely declined to participate.

“I didn’t mean to be tricky, but it was like: This is my private moment. This is for me,” she says. “I do like the idea of a little mystery.”

But then a beat later, she laughs it off and dives in, remembering that her husband showed her an Instagram post from Nolan’s set revealing how the movie’s Cyclops was, in fact, a puppet.

“Oh my gosh — I love puppets!” Morton raves, and off she goes, telling me how much she adores Jim Henson and how “The Dark Crystal” is one of her all-time favorite films.

What she will say about her “Odyssey” scene is that there were no digital effects. Everything was real and “in camera” and that she was so in the zone that she barely remembers any of it, only flashes.

“That’s not CGI,” Morton says. “That’s human brilliance and a connectivity of me as a performer, almost dancing and feeling one. And not to say that it was sexual, but I wanted it to be very sensual when she’s with the men and the animals, just like, you know, that she’s almost one with them.”

“What was lovely about that,” Morton begins and then stops, wondering if she should draw back the curtain on the creative process. She goes ahead. “There was a day on set when Chris was like, ‘OK,’ and he put his hand in because I was a little scared. It’s like that scene in ‘Raiders of the Lost Ark’ where he puts his hand in the thing, and you’re like, ‘Oh no!’ I was a little nervous, but Chris did it first. I think he actually cut his finger.” She giggles. “You know, he’s going to go in first, like getting into the cold water in the sea. I felt protected and supported in that whole process.”

When Odysseus’ men arrive at Circe’s home, hungry, asking to be fed, Circe seems frightened — understandably so. She’s alone, and these soldiers have a history of pillaging and taking what they want. And yet, she’s a powerful sorceress. Is Circe really scared or tricking them to lure them in?

“I played that like she was genuinely frightened because she was caught off-guard,” Morton says. “I also wanted to play somebody that was all ages, so I played her like a 16-year-old girl in that scene. And then in other scenes, I’m playing her as a 90-year-old woman or a 49-year-old woman or a sister or a mother, a grandmother. I just wanted her to be ageless.”

Morton, looking out for Circe, stresses that transforming Odysseus’ men was not purely vengeful.

“It’s not just hate,” she says. “It’s not just harm. It’s not just anger. It’s almost like a Zen master within the goddess role of the teaching as well. ‘Be careful what you wish for,’ gluttony, greed, all of these things.”

There’s a righteous feminist rage underneath the scene as well, a modernization that brings “The Odyssey” fiercely and disturbingly up to date. It’s another reason why people leave are leaving the theater talking about Morton.

“In some weird way, the film lived or died over that character,” says director Nolan of Morton’s Circe, a creation of pure acting and no digital sorcery. “She was the fulcrum.”

(Ebru Yildiz / For The Times)

Nolan thinks “The Odyssey,” in some weird way, “lived or died over that character — she was the fulcrum.” He told The Times that “after one of her takes, the crew gave her a great round of applause.” Emma Thomas, Nolan’s producing partner and wife, later recalled that the last time that had happened was with Heath Ledger on “The Dark Knight.”

Morton makes a point of telling me how much Ledger meant to her, having been cast opposite him (and Odysseus himself, Matt Damon) more than 20 years ago in Terry Gilliam‘s 2005 fantasy adventure “The Brothers Grimm.” Miramax chief Harvey Weinstein overruled Gilliam, dropping Morton from the film because, in his eyes, she wasn’t attractive enough.

“And Heath fought for me with such kindness and compassion,” Morton says. “He’s up there with Philip Seymour Hoffman for me. There’s something otherworldly personal about what they gave, such sincerity and vulnerability and an absolute dedication to craft. They leave a mark on your heart.”

It’s not the first time Morton has invoked the heart in our conversation. She brought her son, Teddy, to New York for the premiere of “The Odyssey” because she wanted to show him the place where her creative spirit was born. Morton first came to New York as a teen to do press for “Emma,” returned a year later to promote “Jane Eyre” and then couldn’t bring herself to leave, “sofa-surfing” at friends’ apartments so she could immerse herself in the city.

“New York stole my heart,” Morton says. It’s where she first got into literature, devouring Charles Bukowski, roaming the aisles at the St. Mark’s Bookshop, checking out movies from Kim’s Video and gobbling hash browns and eggs over easy at the Waverly Diner.

Not long after, Morton scored the role that would land her the first of two Oscar nominations (for now, at least), playing the mute laundress in Woody Allen’s “Sweet and Lowdown.” The production put her up in a Greenwich Village apartment and when it ended, she moved to the East Village.

Only the diner remains but Morton still plans on touring the Village with Teddy, showing off all of mom’s old haunts and, yes, having a cup of soup at the Waverly.

“Life is good right now,” Morton says, smiling. “Who knows? Maybe I’ll indulge in some hash browns.”

There are many dedicated figures devoted to Chicano empowerment in America. But in the arts, playwright-director-impresario Luis Valdez — the migrant farmworkers’ son behind the defiantly consciousness-raising El Teatro Campesino and the historic hits “Zoot Suit” and “La Bamba” — holds a singular place, achieved with remarkable perseverance. It’s a trajectory that the immensely appealing, rollicking documentary “American Pachuco: The Legend of Luis Valdez” tracks with a vitality and purpose befitting its subject.

Anchored by Valdez himself, now in his 80s and filling the camera frame like a grandfatherly lion, the film supplements his vivid biographical details with rich archival footage and testimonials from family members, collaborators and peers. There’s also the bold but sneakily effective narrator choice in Edward James Olmos, reviving his snarling, star-making El Pachuco growl from “Zoot Suit” to remind us of one of Valdez’s essential contributions to the theatrical canon. (Olmos is also an interviewee, as is Cheech Marin, Taylor Hackford, Lou Diamond Philips and labor leader Dolores Huerta.)

Born in Delano, Calif., and drawn to literature and language as a way to combat racist assumptions about a Mexican American’s destiny, Valdez found his gifts sharpened by puppet shows, school plays and finally, the union movement in his hometown. Valdez saw that pointed, raw satire was not only necessary but a recruitment tool for the fight. We hear the underdog aesthetic term rasquachismo used to describe these early impromptu performances: essentially a colorful funkiness, “so funky that nothing can undermine you,” Valdez says. As if something earthier and stronger had been harvested in the fields with all those valuable grapes.

After the labor battles of the Vietnam War era, Valdez took El Teatro Campesino’s mission nationwide. Excerpts from a televised adaptation of his play “Los Vendidos (The Sellouts)” — about a shop selling automatons representing Chicano stereotypes — underscore the continuing tensions of assimilation, a trap disguised as acceptance. But the piece also reflected feelings Valdez had about his long-estranged brother Frank, an engineer whose alienating efforts to deny his own background and fit in formed a heavy undercurrent in Valdez’s life.

“Zoot Suit,” an ambitious, musicalized, slang-flavored staging of the violent injustice behind L.A.’s notorious 1943 Zoot Suit riots, became a smash in 1978 (its narrow-minded New York reception notwithstanding). The story of how the Ritchie Valens biopic “La Bamba” came to be — a delicate mix of legacy tending and savvy casting — is similarly rousing and illuminating, even if it seems like an omission not to dig into why, after such a big hit, more movies didn’t follow. (Although, since this is Hollywood, we can guess the reasons.)

There’s so much to chew on in David Alvarado’s portrait of life, art and activism that “American Pachuco” plays like a joyful challenge to those searching for their own voice or meaning. As engaging a chronicler of his own life as Valdez is, his lessons in how to be seen and heard — and how to stay that way — feel especially timely. In our demonizing present, the story of such a pioneering truth-teller speaks powerfully to the needs of our blended American future.

In 2007, for the first time in recorded history, more humans were living in urban spaces than rural ones. The animal kingdom has followed suit. In our cities, we are surrounded by synanthropes — wild animals that have adapted to human-modified environments and have learned to thrive in them — yet most of us are unaware of the biodiversity of this urban wildlife and how it functions along a parallel track with its human brethren.

Dan Werb’s latest book “Our Wild Familiars” explains how these “soil churners … epidemic vectors and ecosystem partners” have a crucial role to play in the future sustainability of our communities. I talked to Werb about coyotes, the health benefits of birdsong and seagulls with junk-food issues.

✍️ Author Chat

You are an epidemiologist.

I was trained as a social epidemiologist — somebody who can look at how societal factors influence the health of populations. I study how society determines who lives and dies, who is sick and who is healthy.

I’m wondering if it was your interest in Zoonotic viruses that led you to this subject?

The last book I wrote was called “The Invisible Siege.” It is an overview of the history of coronavirus science, starting in the ‘80s, braided with the much longer history of the coronavirus family. And it ends with this scientist who is describing being in northern Thailand and moving through Myanmar and Yunnan Province in China in the ‘90s. And he stumbles upon this exotic animal market near the Shan Autonomous state, which is an ethnic enclave in northern Myanmar that’s been at war with the junta there forever. And this market’s got cloud leopard skins, civets and every crazy, exotic animal that you can imagine. And they were all being sent directly into China. And it’s exactly this kind of trafficking that is carrying all these viruses, like this superhighway of exotic animals into urban areas.

But not all urban animals are vectors for disease. In fact, we have fostered very cushy urban environments for many different species. Pigeons, for example, who don’t have to fly in cities because they have no natural predators.

Chris Shell, a coyote expert from Altadena that I interviewed, pointed out that pigeons do have to worry about predators now, because there are red tail hawks and coyotes and other creatures. Our urban ecosystems are becoming more complex. There are some biologists that are describing our time right now in North America as the great urban shift. They’ve done modeling exercises showing that over the next few decades there are literally going to be thousands of species moving into urban areas. They’re increasingly going to be mega-fauna, much larger animals.

Why is that happening?

We’re seeing the continuing acceleration of the transformation of wild spaces into human modified spaces. But it’s also because of extreme weather events. If you look at the horrible fires that occurred in Los Angeles last year, one of the things that happened was hundreds of thousands, even millions, of animals had to flee those areas that were on fire, and they fled into urban areas. What do urban areas provide? Constant sources of freshwater, continual sources of food waste, and other prey. You’ve got climate change happening, and that’s causing this real shift of animals moving into different places.

Dan Werb, author of “Our Wild Familiars,” a new book about wild animals who’ve managed to survive in human communities.

(Joseph Fuda)

What about a less traditional metropolitan space, like L.A. County, which is a hodgepodge of so many different kinds of topography and terrain.

L.A. is super fascinating because lot size isn’t directly related to income. It’s very much more heterogeneous and variable, even within neighborhoods. The wealthier a neighborhood is, the higher the biodiversity is going to be, because we’re going to have larger lots, more green space, fewer fences, things like that.

We have a complicated relationship with coyotes in L.A., especially those of us who have lost pets to them. But according to your book, we have trapped them in our cities.

Coyotes need to have pathways that allow them to move in and out cities. As it is now, they move into urban environments looking for food and water, and they can’t get out. They get trapped in cities, and conflict happens. Like black bears in suburbs across large parts of North America that dig into people’s garbage.

And bears and other animals eating, say, fast food leftovers is a nutritional disaster as well.

It’s like an ecological trap. They see no reason why they would leave, even though staying is actually more dangerous for them. And there are all kinds of ecological traps across cities that manifest in different ways. One that I always think about is seagulls at the seashore that have evolved over tens of millions of years to be able to hunt fish and shellfish. And the fish are right there, yet they’re eating french fries because it’s slightly less work.

You mention the Wallis Annenberg Wildlife Crossing that spans the 101 freeway in Agoura Hills, the first animal crossing of its kind in America, as a potential solution to this problem.

I think it’s great. One hopes there will be more projects like that undertaken in other cities around the world.

We’ve discussed all the rotten things that are going on with animals in cities. Why is it a wonderful thing that animals have come into our cities and our lives?

If we hear birdsong, we’re less stressed. If we hear additional birdsong, it multiplies the stress-relieving effect. Being close to animals is biologically beneficial for us. It’s really about connection. I look at AI, and there’s this kind of sense that an AI chat bot can decrease loneliness. But it’s just an echo chamber. I think a true connection is bridging some kind of divide in the way that you think or perceive the world. And in that sense, being aware of an animal who is aware of you takes you out of yourself in a way that I think is really, really special.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Book jacket for “You Won’t Get Free of It: Stories of Mothers and Daughters” by Rachel Aviv

(Los Angeles Times illustration; book jacket from Knopf)

The ostensible topic of Rachel Aviv’s new essay collection, “You Won’t Get Free of It,” is mothers and daughters, but according to Julia M. Klein, Aviv’s sparkling, sharp-eyed pieces “involve the slipperiness of truth and the crushing inadequacy of our mental-health system and social safety net.”

“Cool Machine,” the final volume of Colson Whitehead’s Harlem trilogy, is an “American epic disguised as a heist novel,” writes Leigh Haber. “Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic.”

Whitney Friedlander profiles Jessica Knoll, one of America’s most successful authors of sexy thrillers that “depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads.”

Finally, Dan Tana’s book about his legendary, eponymously-named restaurant in West Hollywood, “Everybody Came to Tana’s,” has been posthumously published. Sixty-two years after the restaurant’s opening, it’s still a tough reservation to snag. “In a town that’s always trying to be something that it’s not, it’s not trying to be anything,” his daughter Katerina tells Maddie Connors. “Dan Tana’s is longevity in the midst of ephemera.”

📖 Bookstore Faves

The Philosophical Research Society is a Los Angeles Historic Cultural Monument in Los Feliz.

(Philosophical Research Society)

There is nothing else in L.A. like the Philosophical Research Society. The nonprofit was founded by scholar Manly Hall in 1934 as a place for the curious to explore wisdom, philosophy, mysticism and mythology across all cultures. Its visually striking Mayan Revival Los Feliz campus, a Los Angeles Historic Cultural Monument, features an auditorium, a gallery and a library of 30,000 volumes. The PRS bookshop is its own gem, a well-curated miscellany of books for spiritual seeking and enlightenment.

In a joint email exchange, PRS staffers dama, Jarrett Schaefer, Kelly Carmena and Amanda Brass explain what makes the store a sui generis experience.

How does the bookshop tie in thematically with the Philosophical Research Society?

The PRS Bookstore is a reflection of all that we do here at PRS. It is an extension of the library created by Manly Hall where you will find foundational texts in alchemy, mythology, philosophy, astrology, and art. You will also find a selection of books based on themes explored in our talks and screenings and from recommendations made by the team at PRS.

It’s a very well-curated inventory of new and secondhand books — I assume you’re very careful about what you stock on the shelves.

We select works that are meaningful to us and hope that they will resonate with everyone too. We highlight works by mystics and visionaries. In our staff recommendations section, you’ll find titles like Ben Caldwell and Robeson Taj Frazier’s “Kaos Theory,” art books by Penny Slinger, Betye Saar and Remedios Varo, Yoko Ono’s “Grapefruit,” “Red Tarot” by Christopher Marmolejo, “The Bhagavad Gita,” and “Time, Myth & Matter” by LD Deutsch. We also feature items from local artists like Moss Candles, Black Willow Jewelry, and perfume by Syd Botanica. Our secondhand books are donation-only and are a kaleidoscopic bag of surprises.

The Philosophical Research Society features an auditorium, a gallery, a library of 30,000 volumes and a bookshop.

(Philosophical Research Society)

What book genres tend to sell well?

Esoteric art, mythology, tarot and divinatory practices, ancient philosophy, and hermeticism are all popular subjects. The top-selling book every year is Manly Hall’s seminal work “The Secret Teachings of All Ages,” which is an encyclopedic outline of symbolic philosophy. The used astrology books and children’s books are quite popular too.

Do you have author events?

We’ve hosted book talks with Mark Mothersbaugh, Michelle Coltrane, Mitch Horowitz and Susan Orlean. We regularly co-present events with publishers like Hat & Beard Press, Angel City Press, the Library of Esoterica, Sky Press, Ouroboros Press and Bibliomancers. There are also monthly events that are centered around the bookstore: The Manly Hall Book Club, Astro Study Group, Surrealist Study Group, Tarot Salon and an Esoteric Game Night.

Philosophical Research Society is at 3910 Los Feliz Blvd. in Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Eighty years ago, though the Arsenal of Democracy had vanquished the Axis and weathered a withering Depression, the recovering American people found themselves rich in bills but short on laughs. Enter Dean Martin and Jerry Lewis, who debuted together on July 25, 1946.

Unlike Laurel and Hardy, Abbott and Costello, or Hope and Crosby, who relied on tightly scripted setups, this disparate yet kindred duo captured America’s heart by being viscerally, uproariously and unpredictably wild.

Martin and Lewis were the founding fathers of an anarchic, side-splitting brand of comedy that combined pratfalls, ad-libbed wordplay and a sustained demolition of the fourth floor. Orson Welles observed that the duo’s combustible zaniness was so hilarious that it made you wet your pants.

The boys cavorted about the stage, kibitzing with bandleaders and the audience alike. In between trading impromptu quips, Martin and Lewis overturned tables, cut ties, sheared suits and spritzed seltzer on one and all.

The suave, dashingly handsome Italian crooner clowning around with his gawky, rubbery Jewish buddy brought the house down every time. It was nonstop, jocular pandemonium: Commedia dell’arte 2.0.

“Saturday Night Live,” Second City, David Letterman, Jerry Seinfeld and Adam Sandler all owe a debt to the artists who started life as Dino Crocetti and Joseph Levitch.

Martin and Lewis created a novus ordo seclorum, in its way innovating like America’s founders, spawning a new comedic order of the ages.

Their alchemy was as ineffable as it was infectious. Variety’s first review of the act noted, “All they do cannot be detailed, but virtually every bit of it is good for solid laughs.” Carl Reiner similarly declared: “I saw what I thought was the funniest ad-libbed thing I had ever seen. It was a riot, and we never stopped laughing.”

In their own madcap way, Dino and Jer epitomized Cicero’s notion that comedy is the imitation of life, the mirror of custom and the image of truth.

Martin and Lewis became the monarchs of all media, conquering radio, nightclubs, television and the silver screen. In 1948, they appeared on Ed Sullivan’s first television show, “Toast of the Town.” From 1950 to 1955, the Martin-and-Lewis-hosted “Colgate Comedy Hour” frequently bested Sullivan in the ratings.

When Hollywood beckoned, the boys answered the call, cavorting, cutting up and reconfiguring reality on the silver screen. They starred in 16 films, bringing their boisterous bromance to capacity-crowd movie theaters.

Though their big-screen adventures could not capture the comedic chaos of their stage act, Martin and Lewis transformed even the most pedestrian screenplay into box-office gold. As film critic Ciara Maloney explained, “Their brilliance shines through the weakest material: the ineffable, bewitching something between them — an intimacy, an immediacy, an ingenuity — frozen in amber for those of us who would never see it in the Copacabana.”

The essence of this duo was the outré interplay between the Prince and the Putz, the Leading Man and the Monkey. Though he was the comedian by trade, Lewis fully credited Martin as the “genius” of the pairing: “He kept the center. He was the spine of the act. And the monkey was constantly attached to that spine, on the spine, next to it.”

From “Sailor Beware” to “The Stooge,” “Living It Up” and “Artists and Models,” theirs was a comedy partnership that came to symbolize America. It is little wonder that presidential historian Tevi Troy called the 1950s “The Martin and Lewis Decade.”

However, many Americans didn’t see these two celebrities as distant icons. Film critic Jenna Ipcar has described how “a perfect comedy duo will make their audience feel like a lucky participant instead of just a passive observer, a welcome guest in a secret world.” Martin and Lewis embodied that ideal.

The boys’ bittersweet final performance took place at New York’s Copacabana on July 25, 1956. Exactly 10 years after their debut in Atlantic City, N.J., Dean Martin and Jerry Lewis had pioneered a new brand of comedy, soothed postwar America’s psyche and made a nation laugh again.

Rosario A. Iaconis, chairman of the Italic Institute of America, writes about Italy and its cultural influence. He is at work on a novel about Harry S. Truman.

R&B singer Nivea publicly revealed her recent leukemia diagnosis on an episode of the Atlanta-based performance and interview series “Cadillac Chronicles.”

In a conversation with host Brian Freeman, the 44-year-old Grammy-nominated artist said she was diagnosed earlier this year and is “grateful to God” for her health as she undergoes treatment.

“I’ve been going through treatment, and everything is going great so far, and I expect it to continue. Amen, amen, amen,” she said on Tuesday’s episode.

“Cadillac Chronicles” features Freeman riding in his 1974 Cadillac Eldorado with a musician, usually a hip-hop or R&B artist. In addition to discussing gratitude, Nivea also performed her hits from the car’s passenger seat, including 2002’s “Don’t Mess With My Man,” which earned her a 2003 Grammy nomination.

It seems the diagnosis hasn’t slowed her down. The singer also revealed she’s working on new music and going to school for audio engineering, which she said she’s “always wanted to learn.”

“I’m doing all the things I want to do,” she said. “Loving on my children, and just being grateful and taking every opportunity that comes my way.”

Nivea — born Nivea B. Hamilton — was married to singer-songwriter and record producer The-Dream from 2004 to 2008, and shares three children with him: daughter Navy Talia, born in 2005, and twin sons London and Christian, born the following year.

She also shares a son, Neal — who performs as Lil Novi — with rapper Lil Wayne.

Leukemia is a cancer of the blood that begins in the bone marrow, which varies based on the type of blood cell affected and the stage of the disease. The “Complicated” singer did not reveal which type she was diagnosed with, but said she maintains a “positive” outlook in all areas of life.

“I’m very grateful for life. It’s so cliche to say, you don’t know the time nor the hour, but it’s true, and it just helped me put a lot of things in perspective,” she said. “I live in gratitude religiously.”

As EastEnders’ king-hearted teen Barney Mitchell lands himself in hot water, let’s take a look inside the life of actor Lewis Bridgeman.

EastEnders has aired shock scenes for the teenagers of Walford this week, and Barney Mitchell could be hiding a very dark secret.

Actor Lewis Bridgeman arrived on the BBC One soap in the summer of 2024, alongside his dad, Teddy (Roland Manookian), and Harry (Elijah Holloway), and drama quickly followed.

It was soon revealed that self-confessed bookworm Barney is the product of an affair between his mum, Nicola (Laura Doddington), and Zack Hudson (James Farrar), leaving both Barney and Teddy devastated by the truth about his paternity.

Sweetheart Barney appears to be an innocent extension of the Mitchell family with a passion for friendship and education, but the schoolboy is now taking center stage, as he may be hiding a sinister side following a violent incident involving Joel Marshall (Max Murray).

In recent episodes of the BBC soap, Joel returned to Walford following a six-month prison sentence for violently attacking his step-mum, Vicki Fowler (Alice Haig), who was determined not to live under the same roof as the tearaway teen.

He soon realised he was not welcome in the Square and planned to leave without saying goodbye to his dad, Ross Marshall (Alex Walkinshaw). However, before Joel left the Square, he was attacked by Walford’s teenagers who tied him to a fence and soaked him in beer while making fun of him.

Lily Slater (Lillia Turner), Avani Nandra-Hart (Aaliyah James), Amy Mitchell (Ellie Dadd), Nugget Gulati (Juhaim Rasul Choudhury), Ricky Branning (Frankie Day), Denzel Danes (Jaden Ladega), and Barney Mitchell (Lewis Bridgeman) later went back to free Joel after Will Mitchell (Freddie Phillips) ordered to let him go.

But when they returned, Joel was found unconscious on the floor with a serious head injury. On Thursday (July 23), the group was sickened by the sight of his body, and the police soon arrived at the scene.

DC Craig Ingram (Matthew James-Bailey) assured the teenagers were not under arrest as their parents gathered at the station, though they were all witnesses to the assault.

The group later gathered in The Arches to get their story straight as Joel received treatment in the hospital, but Barney looked visibly sheepish.

Harry Mitchell (Elijah Holloway) arrived and told them to leave, saying that the garage owner, Phil Mitchell (Steve McFadden), would be furious if he knew they’d used his premises as a meeting point. It then transpired that Barney had taken his spare key.

With everyone gone, Barney asked his brother if he’d found anything. Harry pulled a carrier bag from his coat that contained a hammer and said he needed to know everything. Did Barney attack Joel?

Who plays Barney in EastEnders?

Barney Mitchell is played by actor Lewis Bridgeman. The 19-year-old actor was born in Maldon, Essex, and attended Plume School with aspirations to become a drama teacher or an actor from a young age.

In 2021, Lewis joined the National Youth Theatre, which allowed the soap star to participate in workshops and stage productions and opened up opportunities for professional acting contracts.

The young actor has since appeared in various theatre productions, including The Wind in the Willows and Goodnight, Mister Tom.

Lewis’ talents do not stop at acting, as the soap star is also very intelligent. At the age of 12, he took Mensa International’s acceptance test and passed, indicating an IQ above 132 and placing him in the top 2% of the world’s population.

Lewis has been diagnosed with autism and dyspraxia, and his mother, Jayne Bridgeman, was worried he would struggle at school.

“Lewis has wanted to become an actor since the age of six,” proud mum Jayne told Maldon Standard in 2021.

“He adores everything to do with theatre and film. I’m very proud, I love the theatre, and we geek out together on Star Wars and Marvel things.”

Lewis went on to achieve four grade 9s and studied drama at A-Level whilst attending Chelmsford Drama Centre at weekends.

He landed the role of Barney Mitchell in EastEnders in 2024, with his first scene airing the same summer.

EastEnders airs Monday to Thursday on BBC One and iPlayer

Clive Masters has officially arrived in Walford, and while he gets to know Linda Carter, let’s take a look at the actor’s family life off-screen

EastEnders newcomer Jason Durr has a famous wife who television and gardening fans will know.

During Wednesday’s (July 22) episode of the BBC soap, Jason officially arrived in Walford as Clive Masters, a local Councilor and potential love interest of Linda Carter (Kellie Bright).

As the local community centre is at risk of closing down and being redeveloped, Ian Beale (Adam Woodyatt) put Linda in touch with Clive, who might be able to help with their fight to save the venue.

During their first meeting, it was clear that there was romantic chemistry between Linda and Clive as they opened up about their former partners, and they were set to grow closer in forthcoming episodes.

Will the pair take a chance on a little romance? The former Queen Vic landlady is yet to find love following the presumed death of her beloved husband Mick, played by Danny Dyer, who disappeared at sea on Christmas Day 2022.

Speaking about joining the cast of the BBC soap, Jason, 58, said: “Few shows command their place in the national conversation quite like EastEnders, so I’m delighted to be joining the cast as Clive Masters. Working with the wonderful Kellie Bright has been an absolute joy and pleasure from day one.”

He added: “All the cast, crew and production staff have been incredibly generous, welcoming and good humoured. I’m excited for audiences to meet Clive and see what’s in store.”

Who is Jason Durr married to?

Former Heartbeat star Jason has been married to TV presenter Kate since 2004, after they met while in Majorca, Spain. Kate, a former actor and model, is a garden designer and has even won a Royal Horticultural Society gold medal for her expertise.

In 1984, Kate enjoyed a brief stint in the children’s drama Grange Hill and starred in the television series Perfect World and Sam’s Game, both of which aired in 2001.

She has had success presenting, hosting Dream Ticket, Night Fever, and An Audience with Lennox Lewis, and is best known for her Guinness World Records presenting work.

The couple lives together in Wiltshire, and Kate often shares pictures on her Instagram of her stunning garden and many gorgeous outdoor designs.

Jason and Kate have three children together, two daughters and a son, and they usually keep their family out of the spotlight.

On Wednesday afternoon (July 22), Jason appeared on This Morning to talk about his latest acting role on EastEnders and paid a sweet tribute to his “lovely” wife.

Speaking to ITV daytime hosts Dermot O’Leary and Alison Hammond about learning his scripts, he said: “You’ve got to be absolutely pinpoint perfect with your dialogue, and it’s just a joy to be working with other regulars, who get it.”

Jason added, “Keep reading it. It’s one of those things, repetition, parrot fashion, you know, that kind of thing. The kids help me, my lovely wife helps me.”

Before marrying Kate, Jason was married to an Australian named Jeanine between 1995 and 2000. She was a singer-songwriter, and the pair were together for five years before splitting.

EastEnders airs Monday to Thursday on BBC One and iPlayer

It began as a whimsical idea that occurred to Daniel Leigh after an idyllic trip to the United States: Sell his family’s five-bedroom home in England and travel the world with his wife, Lauren Vaknine, and their two children.

So he was surprised when, a few months later, Vaknine and their children, Braxton, 10, and Viva, 7, agreed to go along with the plan.

“We’re not really travelers,” Leigh said. “We’ve always watched others travel.”

When they got back from their trip to America in March, they noticed that others had successfully raffled their homes on the British website Raffall. The online platform raffles everything from cars to homes, including one man who promoted his house to Americans last year as a “safe haven from Trump.” The couple decided to try it too.

The home is located just 20 minutes outside of London in Elstree.

(Lux Visuals Ltd.)

In June, they put their house in Elstree, about 20 minutes from London, up as a sweepstakes prize online and began selling tickets for five British pounds each, or $6.75.

“While someone new makes memories in our home, we get to go and make some of our own,” said Leigh, who has worked in educational recruitment in London for more than 20 years.

Leigh got the idea after reading a New York Times article about Imelda Collins, who raised about $1.4 million last year by raffling her two-bedroom cottage in Ireland. She sold 206,815 tickets at $6.70 each, and in October, Collins sold her cottage to Kathleen Spangler, a 29-year-old U.S. Marine Corps officer from Dayton, Ohio, who had bought three tickets on a whim and promptly forgot about them.

Leigh and Vaknine, both 42, grew up in the same village and went to high school together.

But after their family trip to New Orleans; Asheville, N.C.; and South Carolina spots Charleston, Folly Beach and Lake Keowee, they began to wonder if they wanted to stay in the same town forever. Kayaking and seeing the beauty of the Appalachian Mountains made them rethink their life.

The couple’s open kitchen was renovated in 2021.

(Lux Visuals Ltd.)

The living room.

(Lux Visuals Ltd.)

“Living on a lake was the most peaceful life I’ve ever had,” Leigh said. “It was perfect. In England, the kids spend most of their time indoors because of the weather, and we have to keep them busy with things like trampolines or indoor parks. Every family outing costs about $300. You can’t just go to the lake, the beach or hike in the mountains.”

Leigh said they have worked hard to build the life they thought they wanted, with two kids, their dog and a home. But after achieving professional success, they realized it was not the future they hoped for.

“We keep chasing goals that always seem just out of reach, simply because we feel we have to keep going,” he said. “There’s so much life to live. We’re seeing many of our parents and our friends’ parents pass away, and it makes you realize that life can feel like a conveyor belt. You either live or you just keep moving along.”

For Vaknine, a holistic wellness coach who was diagnosed with juvenile rheumatoid arthritis at age 2, selling their home and traveling the world carries even deeper meaning.

“I have been on a long journey,” said Vaknine, who has been in remission for the past decade. “From being head-to-toe disabled to being fully able-bodied, you don’t come through that without realizing that there is so much more to life than working, taking the kids to school and making dinner in the same house every day. For me, the extraordinary life isn’t about mansions, yachts or extravagance. It’s about experiencing life fully, finding deep inner joy, and I can’t do that if I stay within the same four walls in the same town I grew up in.”

Her husband added, “She lives a life of gratitude for everything. That’s what this is about: Let’s live life in the moment and do what we can when we are fully able.”

Their five-bedroom home, which is estimated at about $2 million, is on a quiet cul-de-sac with just five other houses in Hertfordshire, England. It has 2,226 square feet of living space, a south-facing garden, an open-plan kitchen, a dining and living room renovated in 2021, plus a home office and gym.

Leigh said they are not trying to make a profit, but they need to sell 550,000 tickets to cover the property’s costs, legal fees, taxes, prize money and raffle expenses.

“The ticket target has been set to cover all of the associated costs, so it’s unlikely there will be much left over,” he said. “If ticket sales exceed the target, then certainly, but that’s not the goal.”

If they don’t reach the ticket target, a winner will still be chosen and will get 50% of the money raised. They hope the winner gets the house.

One of the home’s bathrooms.

(Lux Visuals Ltd.)

One of the five bedrooms in the couple’s home.

(Lux Visuals Ltd.)

One reason homes aren’t auctioned often on the site, he said, is that you have to promote them yourself. Leigh estimates they’ve spent about $17,000 so far and are about to spend another $15,000 on Meta advertising. They also have to pay for their own legal advice.

The raffle has become a family project, and their children have helped with promotion. In one video, Braxton asks what might be the most important question about their move: “Are we bringing the dog?”

“We may have to leave him with family for a while,” Leigh said of their dog Story. “He’s the size of a small pony, so traveling with him could be a challenge. He’d definitely be missed, though.”

Working together to promote their home has been a valuable lesson for their children, Leigh said, showing them “that if you put your mind to something, you can do it. I want them to see hard work. It’s not just fun to do videos. It’s staying up till midnight, getting up early, running two jobs and making sure you don’t miss an interview. And in the end, the kids will see that life can change, and there’s a world out there if you make it happen.”

The family recently spent time in North Carolina, South Carolina and Louisiana. “We’re huge fans of America,” Leigh said. The couple hope to visit all 50 states after their home is raffled on Dec. 7.

(Daniel Leigh)

The kids aren’t worried about losing their home, Leigh said. “They are excited about going on a holiday, which we hope will include Australia, India and every state in America.”

With a record number of Americans applying for British citizenship, the couple’s raffle may be well-timed. The winner, chosen randomly by Raffall on Dec. 7, will get a mortgage-free home with all legal fees and taxes paid, plus $45,000 for household bills. The property transfer may take up to 60 days or longer according to Raffall’s terms and conditions.

Part of every ticket sale will go to Solace Women’s Aid, a British charity supporting women and children affected by domestic violence. Leigh notes that not every state can take part in Raffall competitions because of different state gambling, lottery and consumer protection laws.

At a time when many people are trying to choose between traveling or saving for a house, the couple is offering raffle entrants a chance to do both.

That’s the point, Leigh said: “If not now, when? That question changed everything.”

Mexican drug kingpin Ismael ‘El Mayo’ Zambada has been sentenced to life in prison in the US, following a plea deal last year when he admitted to trafficking millions ⁠of kilograms of cocaine. El Mayo led one of Mexico’s most violent drug cartels, the Sinaloa Cartel, for about four decades.

Thirty years ago a teenage boy, traveling abroad and without parents for the first time, came upon a scene of staggering destruction.

At Pompeii, when Tom Hiddleston saw the casts of the bodies killed by the explosion of Mt. Vesuvius in AD 79, he wasn’t just horrified, he was mesmerized, even excited; amid all that death it felt like the past was alive.

“Until that point, it had existed in books in the classroom, but I felt like was going back in time, walking into the past,” he said in a recent video interview about “Pompeii: Out of Time With Tom Hiddleston,” his new series that’s a hybrid of travelogue, documentary and extensive dramatic reenactments (with a meta touch).

“I was knocked sideways by the quality of the preservation,” he recalled of that teenage visit. “You can hear that these buildings carry the echoes of the lives they contained because of the frescoes, the mosaics, the furniture. You feel 2,000 years compress and collapse. It’s like magic.”

Hiddleston knows something about magic and time travel. After studying classics at Cambridge, his acting career led to the Marvel Cinematic Universe and the role of Loki, the god of mischief and “the boundary crosser.” Loki’s movie misdeeds get him “removed from the timeline of history,” and in the “Loki” spinoff TV show, he faces his past while bouncing through time.

One place Loki lands is Pompeii. Hiddleston was actually on a set in Atlanta, but there he was speaking Latin and revisiting his own past. “I felt this extraordinary confluence of my passions.”

Tom Hiddleston in a scene from the series, where he speaks to experts about Pompeii and how the eruption of Mt. Vesuvius unfolded.

(Christian Black / National Geographic)

Hiddleston had been talking with producer Kevin R. Wright about his fascination with the ancient world, and after seeing Hiddleston in fictional Pompeii, Wright got the ball rolling on “Out of Time,” co-writing and helping to produce the series, which debuts Wednesday on NatGeo and Thursday on Hulu and Disney+.

On the show, Hiddleston travels back to Pompeii and the lip of the volcano, speaking to experts of Pompeii’s history and volcanoes but also one in surviving disasters to help him understand people’s behavior as the sky was falling on them. “It’s about trying to gather as much evidence from different disciplines,” he explained.

Hiddleston’s enthusiasm for the project is evident throughout our interview: Each question earned a five-minute response, all delivered with passion (and incredibly articulate with no verbal fillers or talking in circles) and fascinating digressions — he broke down the Greek and Latin roots of the words “democrat” and “republican,” mentioned the classical references in the architecture of the New York Stock Exchange and British Museum, and tied in the relevance of Christopher Nolan’s “The Odyssey.”

Here, for instance, is a portion of his answer to my first question about whether the driving force of the series was the importance of facts in understanding history, using storytelling and imagination to create empathy for the people of Pompeii, or to show the way our past still has lessons to offer today:

“I wanted a series with an original dynamism, which could be immersive and propulsive and emotional, and bring the story of Pompeii and its people back to life in a way that could be different and innovative. I wanted to evoke for the audience the feeling that I had when I first went to Pompeii.

“At university, I had teachers who taught me to live in the question and that our relationship with the past is a two-way street. One cannot examine the past without acknowledging that we look back from the perspective of where we stand. We tell stories to understand something about ourselves — we need to know who we were to think about who we are now.

Darius Arya, an archeologist and historian, with Hiddleston in the ancient city of Herculaneum. (Paolo Verzone/National Geographic)

Human remains inside of boat sheds, where people took shelter from the eruption of Mt. Vesuvius. (Paolo Verzone/National Geographic)

“The engine of my commitment was centered on empathy, trying to honor the lives of the people of Pompeii. If we could gather enough evidence, enough fragments of truth, they might add up to a picture of history, which would generate great reserves of feeling and compassion so we could see ourselves in their predicament, their instincts, their choices, their capacity to help each other. And that experience of empathy and compassion would connect us to a thread across time to people experiencing a terrifying and traumatic event, and to see that in our world now.

“But we were very careful about the idea that the truth matters. In writing history, there must be intense rigor — evidence is important and if you have evidence that should counteract any bias or hypothesis.

“But the evidence here is incomplete so at some point, you have to take an educated guess, a leap of imagination. The past is a two-way street with the present, but it’s also an eternal mystery and all of our questions will never be answered so there’s that joy of living in the question.”

When the publicist said our time was up, Hiddleston stepped out of time and took one more question. And then another and another, nearly doubling the time allotted, thrilled to be exploring the connections between past and present.

While many people think that the city’s population was wiped out, the vast majority actually escaped and modern research has found the names and details of hundreds of survivors. Hiddleston notes that “one great gift of Pompeii is that the Romans didn’t have paper, so the walls, the columns, the houses, the public buildings are covered in writing: deeds, business contracts, advertisements, gossip, doodles.”

In this behind the scene photo, director of photography Jim Jolliffe runs with a camera, following Frankie Treadaway playing Avianius, a teenage boy whose story is reenacted in the series.

(Darrin Zammit Lupi / National Geographic)

The three episodes track the stories of a teenage boy, a successful businesswoman and a soldier in the nearby town of Herculaneum, with a sprawling cast and special effects bringing those scenes to life. “We thought that in the words of Pliny the Younger, ‘their lives were worthy of our memory.’ ”

While there have been other more traditional Pompeii documentaries, Hiddleston felt he had something distinctive to offer, thanks to his “day job.”

“I take a piece of writing and a character, real or imagined, and research as much as I can, and then imagine it and try and breathe life into a person,” he says. “Even when I’ve played real people, I’ve run out of evidence. That’s when you just have to extend your empathy and compassion, your knowledge of human beings and the breadth and range of human experience, the things we all share and can connect with to find an internal world of variety and depth.”

Hiddleston wanted to extend that to the people of Pompeii. “They were three dimensional people with rich lives,” he says. “We follow the trail of breadcrumbs as far as we can, and then try to bring them to life with empathy and compassion.”

I’m one of those rare Mexicans who never cared for soccer.

My family is from the north-central Mexico state of Zacatecas, where baseball is king and even volleyball was more popular in the ranchos of my parents than futbol. The childhood sports idols for my generation of cousins were Dodgers pitcher Fernando Valenzuela and boxing champion Julio César Chávez, not Mexican soccer legends Hugo Sánchez and Jorge Campos. Our dads bought us hats and bats to occupy our summer, not kits and cleats. I don’t even remember any of us ever owning a soccer ball — and I have nearly 100 cousins.

The first World Cup I remember was the 1994 edition hosted by the United States. I remember reading a huge Times special preview section on the affair and collected some of the commemorative pins that McDonald’s sold. But the matches were background noise in our living room during family parties as we splashed around in the swimming pool at our Anaheim home. When the tournament finale happened at the Rose Bowl, my favorite cousins and mutual best friend instead caught a baseball game at Angel Stadium and knew about Brazil’s victory over Italy only because the people above us in a private suite let us know.

As a sports fan, I paid enough attention to soccer as the decades passed to know who was who and what team was what and which sides kept winning — and that was mostly because I enjoyed EA Sports’ excellent video game version of it. What made playing soccer on consoles so fun — an exponential number of domestic leagues and international tournaments, the fact that every English-language match seemed to have a Scottish color commentator, the seeming aimlessness and formlessness on the pitch broken up by flairs of beauty — made it a slog when watching in real life.

As a reporter, I knew enough about soccer culture to file stories from watch parties across Southern California’s cornucopia of diasporas every World Cup. As a Mexican American, I cared enough about Mexico’s perpetually heartbreaking El Tri squad to watch their runs and sigh about how we’ll always have it harder than most. But I never bothered to tune in to other matches even as soccer leagues from across the globe have stormed network, cable and streaming channels in recent years.

I never hated the sport — it just never moved me. But when the final whistle blew on this year’s World Cup finale and three-quarters of the packed house at Chapter One: The Modern Bistro cheered wildly, I realized I was finally, truly a soccer fan.

Over 104 games, a bunch of questionable VAR calls, another heartbreaking downfall by Mexico, a bizarre Tom Cruise pregame monologue in the last match and the brilliant goal by Ferran Torres in extra time that let Spain squeak by Argentina 1-0, I slowly learned and felt why soccer is the world’s most popular sport, why a billion-plus people watched alongside me Sunday afternoon, and why this Cup kept setting viewership records in the United States and beyond until the end.

Who wouldn’t be moved by the heroic performances of underdog countries against the game’s traditional powers, such as tiny Cape Verde and ancient Egypt? Who couldn’t feel the thrill of seeing young stars meet the hype around them and exceed it — Erling Haaland of Norway, Lamine Yamal of Spain, Mexican midfielder Gilberto Mora, to name the most fabulous? Who didn’t want to interact with fan bases that distilled the best of their side’s cultures and traditions and showed it off to everyone and anyone — I’m doing Norway’s Viking Row even as I type.

Who can’t learn from the life lessons soccer offers — and I’m not talking about the obvious geopolitical metaphors? I knew some of them, yet I never really absorbed them until I decided to make Chapter One my gustatory church for the Cup and watch as many games there as possible. I caught so many that I effectively became a walking Manhattan cocktail for the summer, and while my liver won’t forgive me for a while, my heart and soul absolutely have.

The one thing I always admired about domestic leagues — well, except Major League Soccer — is the relegation system, where the bottom teams in one league swap places with the top teams in a lower-ranked league at the end of each season. For national tournaments, the corollary is how poorer countries always have to match up against richer ones for regional face-offs and qualifiers that culminate in the quadrennial dream that is the World Cup.

That makes soccer a beacon of hope and possibility that few other team sports can offer, especially in an era where top teams try everything possible to keep everyone else out of their riches (which is why relegation will probably never come to MLS). In a world where the haves are grinding down the have-nots, soccer is a reminder that anything truly is possible for anyone — you just have to keep at it.

The Chapter One gatherings quickly taught me how the long lulls broken up by spurts of passion that I once found a drag were actually as stirring as a religious experience. It’s impossible not to feel this watching even one game — but a succession of them have the effect of a full conversion.

Cheers and chants turned into prayers. Boos against opponents and bad referees and yells at your side to do better was the Spirit moving you to testify. Text threads among friends became daily missals. When your side scored, it was like the gift of life itself — I’ve never been in a louder environment than when Mexico scored against England, a roar that rivaled a jet engine.

When your side lost, like Mexico eventually, inevitably did, it was a reminder that we all must at some point — but that we shouldn’t dwell on defeat because while eternal glory isn’t guaranteed, it can happen. And that’s why soccer teaches we must continue no matter how bad our team performed, no matter how terrible things get or how hopeless life seems.

After every Mexico match, downtown Santa Ana became the most wonderful expression of happiness I’ve ever been lucky enough to join — fireworks, conga lines, street takeovers or just standing among thousands of strangers and soaking it all in. It was the revival of a people whom a year early were angrily protesting on those same city blocks if they weren’t sheltering in place because ICE was running roughshod over Southern California.

Only soccer could’ve caused such a joyous revolt. We should all channel some of that magic into our daily lives.

And in the middle of all this emotion, I actually watched what was going on. I saw talented teams such as South Korea collapse under pressure and my beloved Mexico valiantly fall against an English squad that was taller, faster and just better — for now. Haaland’s singularity was a testament to how humanity seeks heroes — but Spain’s ultimate triumph via crisp passes and selfless teamwork offered a stirring, convincing collective counterpoint.

Soccer probably won’t supplant my love for baseball, football, basketball and hockey — but I can now mention it in the same breath as them.

International and professional soccer is rife with corruption and avarice and increasingly embraces the worst tendencies of late-stage capitalism. And yet fans suspend their cynicism for a few hours — for a tournament, for a season — because they know that the communion that soccer offers is pure and holy.

It truly is the people’s game. And no amount of Gianni Infantino or mysteriously suspended red cards can ever take that away.

Now that the Cup is over, my mind is racing with what club teams I should start to follow and continue my World Cup experience. I already kind of like Bayern Munich because that was the side I chose in EA Sports FIFA 18 (to show how retrograde my soccer knowledge remains, I still think James Rodriguez, Thomas Müller and Robert Lewandowski play for them), but who will I root for in Premier League? I can’t do Arsenal even though Chapter One is the official Orange County home for Gooner fans because that would be too obvious. Maybe Crystal Palace, about which I know nothing other than that was also the name of the Bakersfield music hall owned by country legend Buck Owens?

Zacatecas has never had a successful club team — baseball still rules there, after all — so I think I’ll root for Pumas UNAM to honor all my Mexico City friends who urged me forever to give soccer a true chance. I don’t really know any La Liga squads besides Real Madrid, Atlético Madrid and FC Barcelona, so I have a lot of studying to do there. And between the Galaxy and LAFC? Well, time for me to catch a home-and-home El Tráfico and let their support groups court me.

One team I know I’ll now follow: Angel City, the L.A. women’s soccer side brilliant enough to rebrand itself “Immigrant City Football Club” last summer in the midst of President Trump’s deportation deluge while the city’s other professional sports teams stayed quiet. And I’m already counting down the months before Brazil hosts the Women’s World Cup a year from now and Chapter One becomes my Cheers anew.

Soccer: it’s been a long time coming between you and me. But here I am! Drop those hydration breaks, and you’ve got a fanático for life.