life

July 20 (UPI) — Ismael Zambada Garcia, also called El Mayo, was sentenced to life in prison without the possibility of parole Monday by a U.S. federal judge.

Zambada Garcia, 76, the co-founder and the former leader of Mexico’s Sinaloa drug cartel, pleaded guilty last year to leading the extensive criminal network, in which he made billions of dollars through illegal drug trafficking and violent crime. He worked with Joaquín Guzmán Loera, also called El Chapo, who is also serving life in prison.

Zambada Garcia avoided arrest for decades before authorities captured him in 2024 in El Paso, Texas. His arrest created extensive violence in the Sinaloa state of Mexico as people rushed to fill the power vacuum, The Washington Post reported.

“Ismael Zambada Garcia spent nearly four decades poisoning American communities to make billions of dollars in profit and ordering the murders of anyone who stood in his way,” said Joseph Nocella, U.S. attorney for the Eastern District of New York. “Today, that chapter closes for good.”

Zambada Garcia read a statement in Spanish in his courtroom appearance. He expressed remorse and said his upbringing was in “an environment where violence and crime seemed normal,” The New York Times reported.

“To the next generation, I say: Choose a different path,” he said.

Judge Brian Cogan of the Federal District Court in Brooklyn also ordered Zambada Garcia to forfeit $15 billion, though it’s unlikely that will happen, The Times reported.

Zambada Garcia was arrested after an ally — the son of Joaquín Guzmán Loera — took him onto a plane to allegedly go look at real estate. Instead, they flew over the border to Texas, where federal authorities arrested him. Tensions between U.S. and Mexico authorities continue over the operation, and the Mexican attorney general office said this month that it is investigating if the U.S. government lied about its involvement.

Georges Hana Dib, known as Dr Food, was sentenced for smuggling hashish out of Lebanon in cake packaging.

Beirut, Lebanon – The popular Lebanese food influencer, known as Dr Food and dubbed Lebanon’s Breaking Bad, has been sentenced to life in prison with hard labour for drug smuggling.

Hashish reportedly hidden in cake packaging produced in Baalbek in eastern Lebanon was transported to Turkiye and then shipped internationally.

Georges Hanna Dib and other Lebanese and Syrian nationals were sentenced under Lebanon’s Narcotics Law, which covers the manufacturing of banned drugs, according to reports.

Judge Elie al-Helou, sentenced him to life imprisonment with hard labour and fined him 120 million Lebanese pounds ($1,341).

The sentencing comes after a 2024 drug bust involving 820kg (1,800 pounds) of hashish hidden in cake packaging.

Dib, who is not a real doctor but has more than five million followers on TikTok, is believed to be out of the country. He and others who were sentenced in their absence were also stripped of their civil rights.

Dib was recommended a life sentence and hard labour in February last year when a Mount Lebanon investigative judge charged him with “manufacturing, trafficking, and smuggling drugs abroad”.

On Sunday, Dr Food’s Instagram page made no mention of the court case or any reaction to the sentencing. The page shared a giveaway that his food product brand was running.

People who received the message, posted it on TikTok and received 100,000 views would win $100 from the influencer.

In one video posted to Instagram, Dr Food appears to be filming himself in his car but does not address the court’s decision.

His last story was posted on March 27 from Beirut’s waterfront. There, he is asking displaced Lebanese what they miss eating and then proceeds to order food for them from some of Lebanon’s most popular food chains.

Lebanon’s Bekaa Valley is notorious for hashish production. Last November, Lebanese police arrested Noah Zaiter, a 48-year-old drug trafficker, known as the Lebanese Pablo Escobar. He was sentenced to four months in prison in February.

San Juan arrives at the Cruz de Mayo Wake

For this second installment of our work on Venezuela’s life cycle festivities (click here for part I), we present an in-depth conversation with the renowned Venezuelan musician, cultural practitioner, and percussionist Rolando Canónico. Together, we reflect on the immense responsibility of preserving Venezuelan traditions, specifically during festivals such as Cruz de Mayo and San Juan. From his dual role as a professional musician and cultural worker, Canónico addresses the tension between the commodification of music or competitive virtuosity and absolute respect for ancestral rhythmic and melodic patterns, defending the playing of the drum as an act of genuine devotion rather than a spectacle. He further delves into the powerful spiritual and syncretic connection he experiences when “dialoguing” with the instrument, underscoring his firm commitment to protecting and passing on this invaluable family and cultural heritage to new generations in Caracas.

A percussionist, drummer, and cultural creator, Canónico has participated in Fundación Bigott and renowned musical groups such as Caracas Sincrónica and Francisco Pacheco y su Pueblo. His trajectory is intertwined with a more discrete, yet vital, task: safeguarding Venezuelan musical memory. What began as a conversation between friends turned into a deep discussion about ethics, spirituality, and the responsibility of honoring the legacy of our ancestors in the twenty-first century.

Family and heritage: the weaving of a music lineage

To understand Rolando Canónico, one must look back at his ancestry. “My paternal grandparents passed away many years ago: Luisa Amelia Aponte de Canónico and Benito Canónico,” he recounts. Benito Canónico was the author of “El Totumo de Guarenas,” an important folk music composition. A musical heritage that flows through Rolando’s veins. However, as we delve into his role as a “host” of these festivities, Rolando turned his gaze toward his maternal lineage –to the women who, through the energy of daily life, kept the flame of devotion alive.

His story takes us to the Afinque Marín in the densely populated Afro-Venezuelan community of San Agustín, Caracas, where his maternal great-grandmother became a cultural bridge. “When that wave of people from Barlovento arrived –that migration boom from Barlovento to Caracas –she had the opportunity to be there when all these cultural expressions arrived,” he explained. It was there that, without any artistic pretensions, driven solely by faith, his great-grandmother began to adorn the Cruz de Mayo.

This responsibility passed to his grandmother, Rosa Emilia Pérez Sanz. “She embraced it as such,” Rolando told us, describing a pedagogical-community learning process where knowledge wasn’t taught in classrooms, but rather through observation and habits shared with neighbors. Music, for its part, was naturally incorporated through his mother, the founder of local band Los Tucusitos, blending Christmas carols with the fervor of the Cruz de Mayo vigil. For Rolando, that early exposure to music, combined with the discipline of his musical training, allowed him to turn a family passion into a profession.

A double celebration: a rite of transition and coming together

The celebration that Rolando Canónico holds at his home in La Pastora is not a one-off event, but rather part of a 43-year tradition that has been formally recognized by the Culture Ministry’s Institute of Cultural Heritage for the past 15 years. Every last Saturday in May, the house becomes the setting for a symbolic transition: the farewell to May, dedicated to Cruz de Mayo (May Cross), and welcoming June, the month of San Juan.

The logistical effort is monumental. “It’s not just a matter of sitting there, shouting some stuff, and that’s it,” Rolando emphasized. The process begins days in advance, with the presentation of newborn children and spiritual cleansings. Rather than merely attending as spectators, the community becomes an active participant: “People already know when it is; they don’t even ask anymore –they just show up with a small bouquet of flowers, a candle, fruit, or even a kilo of vegetables for the soup.”

The masterfully designed altar serves both festivities. “We make one, but it also serves as decoration for both,” explained Rolando, describing a symbolic overlap where the Cross is moved aside to make way for San Juan. This is the moment when devotion becomes tangible.

One of the most tense and beautiful moments of the night is the ritual procession. When San Juan arrives, the Cross, guarded by its devotees, seems to resist the change. “That encounter there, that clash, there comes a moment when San Juan announces that he’s going to come out, and the Cross doesn’t want him to,” Rolando tells us with the intensity of someone who has deeply witnessed that “struggle.”

To manage this tension, Rolando delegates to a decimista [poet], who acts as a mediator. He not only sings but also has the authority to say “He said it right!” at the precise moment when the euphoria outside the house reaches its climax. It’s a necessary exercise in control: “I have to do it this way because otherwise the whole thing turns into a conflict.” As the sirens* and golpes de tambor** intertwine, the cross at the altar gives way to the triumphal entry of San Juan, closing one portal to open another.

Rolando Canónico narrates the intensity of this coming together:

That encounter there, that clash, there comes a moment when San Juan announces that he’s coming out, and the Cross doesn’t want him to. So the devotees of the Cross hold their ground. It’s something beautiful, truly beautiful. Right there in that moment, with San Juan already coming down the stairs and the fulía [traditional rhythm] playing at the altar, the devotees form a circle so the fulía doesn’t stop. In the end it’s not a struggle but a meeting. The meeting where San Juan rises as he descends the stairs, already looking toward the Cross, and he’s trying to leave the house to welcome those who are coming. It’s as if he’s saying, “I’m letting you know that I’m on my way here.”

Regarding the energy that is unleashed when the festival reaches its peak with the arrival of the San Juan statues, Canónico adds: “That’s the moment when the altar of the Cross begins to be dismantled, when all the crosses are removed to make way for San Juan.” “That clash there between the Cross and San Juan gives you a powerful feeling,” he continued. “And when the three San Juan statues meet in front of the house, I can’t even describe it…”

Responsibility toward our ancestors and their legacy

If there is something Rolando Canónico is known for, it is his intransigence toward shoddy work. In a world where the commodification of traditional music threatens to sever it from its roots, he stands as a bulwark.

“In my house, I don’t accept things done poorly.” For him, the drum is not an instrument for competition or for displaying empty virtuosity. “I’m not putting on a show. I’m fulfilling a family promise,” he emphatically clarifies. His authority within the festival doesn’t stem from arrogance, but from a deep understanding of and respect for the musical codes, styles, discipline, and rigor that his teachers instilled in him.

This rigor extends to his training of new generations. Rolando is fully aware of his role as a guide and seeks to prepare his nephew and other young people so that the tradition is not diluted by stage “improvisations.” It is a pedagogy by example: he inaugurates each drum, ensuring that the rhythmic foundation is consistent with what has been passed down for centuries.

Finally, the conversation heads into more intimate territory: the relationship between the musician-artist and the divine. When asked if he experiences an altered state of consciousness while playing, Rolando responds with overwhelming sincerity. “I am a devotee of San Juan the Baptist; I am a santero… my spirituality is deeply connected to the drum.”

For Canónico, there is no separation between the musician who reads the score and the practitioner who offers his prayer through the drum’s vibrations. “That’s the best spiritual cleansing there can be here –playing the drum the right way,” he affirms. “I say ‘the right way’ because with the drum, you have to communicate with it.”

This dialogue, this meeting between the sacred and the profane, is what makes the festival in La Pastora, in Rolando’s own words, a “formidable experience.” By the end of our interview, it’s clear that his work is not merely a tribute to the past, but a strategy for cultural re-existence. As our interviewee aptly summarized at the end of our meeting, the true responsibility of a cultural artist is to ensure that, when San Juan arrives at his doorstep, the drum sounds exactly as it should: with the truth of the ancestors and the strength of a future that, thanks to people like him, is guaranteed a place in Venezuela’s collective memory.

Notes

*Sirenas are a cappella songs with an octosyllabic quatrain meter used to express devotion to both the Cross and San Juan.

**Golpes de tambor refers to multiple rhythms where drums, usually in sets of three, are the main protagonists. From a melody standpoint, singers take turns between solos and choruses.

See below for more details on the festivities and the surrounding music.

Fabiola José is a Venezuelan singer. She has performed in countries across South America, Africa, Europe, and Asia. Her singles and albums are available on all digital platforms. She hosted and produced “Cantante y Sonante” for Radio Nacional de Venezuela. In 2018–2019, she created a series of videos for social media, published on her YouTube channel #HechoEnCasa. She holds a bachelor’s degree in Music from IUDEM, Caracas (2005); specialized under Maestro Tom Krause in Spain (2007); and an M.A. in Arts and Cultures of the South from UNEARTE, Venezuela (2020).

Fidel Barbarito is a Venezuelan musician and researcher, with a bachelor’s and master’s degrees in music and history, respectively. He teaches in the undergraduate and graduate programs at the National Experimental University of the Arts (UNEARTE). Together with Fabiola José, he promotes several musical projects aimed at disseminating traditional folk repertoires, integrating them with contemporary compositions inspired by these sounds. Joropo llanero. Parranda de reexistencia is one of his published essays.

The views expressed in this article are the authors’ own and do not necessarily reflect those of the Venezuelanalysis editorial staff.

The Sounds of Celebration

To gain a deeper understanding of the rich soundscape that defines the festivities at the Canónico family home, we break down how the musical universe of these celebrations is organized. It is not merely a decorative sideshow, but rather the ritual language through which faith is expressed.

The music in the Cruz de Mayo wake: a devotional geography (drop-downs with more info)

The Cruz de Mayo ceremony, which precedes the arrival of San Juan, features a structure that honors various regions of Venezuela. Canónico explains that this part of the festival requires specific discipline and respect for the different genres according to their geographic origin.

The order of the genres

Devotional music follows a set pattern that begins with the “Salve Llanera.” Afterward, songs representative of various regions are performed: Lara, Oriente, Falcón, and finally Zulia.

The poet and the sirenas

The mediator plays a crucial role. He recites poetry (“décimas”) and also has the authority to sing sirenas. This person is responsible for maintaining the choir and the performance during the most intense moment, when the altar of the Cruz is being prepared for the transition.

Interpretive rigor

There is a strict hierarchy. Although the community is invited to participate, the singers are committed to specific roles. For example, those responsible for the salve must perform it with the rigor that tradition demands, avoiding any “improvisation” or inappropriate mixing with other genres.

Music for San Juan Bautista: the strength of the drum (drop-downs with more info)

Once the ritual procession takes place and San Juan enters the house, the soundscape changes radically. Canónico explains that, unlike the Cruz, San Juan marks the beginning of a sequence in which the drum takes center stage.

Performance spaces

There is a geographical distinction within the house. The genres permitted to be performed inside the home, directly in front of the altar, are limited and sacred: sirenas, culo e’ puya, quitiplás, and San Juan de Guatire. All other musical performances take place outside the house.

The main reference

Rolando Canónico, as the host and a cultural leader, inaugurates each drum. He performs the Afro-Venezuelan section—specifically the Miranda fulía—alongside his nephew and his godson, ensuring that the rhythmic pattern remains true to tradition and does not veer toward competitive or show-oriented styles.

Ethical guidelines

At the Canónico household, a clear policy has been upheld: to play not for the sake of competition or virtuosity, but out of devotion, tradition, and beauty.

Talking to the instruments

For Canónico, playing the drum is not a technical performance, but a dialogue. He asserts that, in this context, the saint dwells within the drum and that playing it is a form of spiritual cleansing. When the instruments sound, the performer seeks to “detach” himself from rigid patterns in order to let a powerful energy flow, especially when several San Juan statues gather in front of the house.

This musical framework is, in Canónico’s words, a “system” in which every drumbeat and every décima has a specific place and time to ensure that the legacy of the ancestors remains alive without being corrupted by trends or commodification.

Rolando Canónico is a prominent Venezuelan percussionist, educator, and cultural practitioner, recognized as a key figure in the preservation of traditional community music and Afro-Venezuelan percussion. Initially trained at the Bigott Foundation’s Popular Culture Workshops, he has built a prolific musical career by joining iconic groups such as Francisco Pacheco y su Pueblo, Pomarrosa, and Caracas Sincrónica, as well as accompanying important Venezuelan artists, including Cecilia Todd, Cheo Hurtado, Betsayda Machado, Fabiola José, and Luisana Pérez, on recordings and on stage.

Beyond his virtuosity as a session musician, Canónico stands as an active guardian of Venezuela’s musical tradition, demonstrating a deep ethical and spiritual commitment to organizing community festivals, ensuring that historical accuracy and the identity of the ancestors remain alive for future generations.

A few weeks after lifestyle influencer Nara Smith revealed her daughter’s private cancer battle, the mom of four is sharing that Whimsy is in remission.

The content creator, well known for making elaborate meals from scratch while wearing glamorous ensembles, told her following of 12.6 million on TikTok and 4.9 million on Instagram on Friday that she and her husband, model Lucky Blue Smith, have spent the last eight months processing their 2-year-old daughter’s health battle.

The parents debated whether they should share such a private part of their lives and decided to wait until Whimsy had finished her treatments and doctors had a better grasp on the likely outcome.

“Now that she’s finally in remission, it felt like I could find the words to share,” Nara Smith said. “The whole point of me sharing our experience was to shed light on what so many families go through and battle privately. Going through chemo treatments opened my eyes to how expensive medical care is, and what a toll it takes on families specifically.”

“Lucky and I have been trying to return to everyday life and taking it day by day,” she continued. “I don’t know whether life will ever feel normal again, but we’re trying to navigate this next chapter the best that we can.”

Smith, 24, said in an Instagram video earlier this month that Whimsy was diagnosed with cancer late last year.

“When we saw something suspicious on her, we took her to the ER, and they didn’t quite know what to make of it,” she said in the video. “So when we took her into our pediatrician, I just remember him going really quiet and calm and my heart dropped in that moment. I don’t know whether it was my gut telling me something or just a mom’s intuition, but the first thing that I felt was she has cancer.”

The content creator said her daughter underwent numerous X-rays, ultrasounds and a biopsy before the hospital team confirmed the cancer diagnosis. Smith did not specify the type of cancer but said that the illness had spread and that Whimsy needed chemotherapy.

In recent weeks, Smith has shared heartwrenching glimpses into the family’s battle, including photos of Whimsy’s curls being shaved and her bald head bedazzled with gems.

“Cancer has a way of taking things you never realized you’d grieve,” she wrote alongside a video of the parents shaving Whimsy’s head. “The day I ran my fingers through her hair, strands coating them, I realized I wouldn’t be brushing Whimsy’s hair much longer. It’s such a small thing, until it isn’t.

“It wasn’t just hair. It was the little curls I tucked behind her ears, the wispy strands that caught the sunlight, and all the ordinary moments I never imagined I’d miss.

“If sharing these pieces of our story helps even one family feel less alone, or encourages one person to learn more about childhood cancer, then this vulnerable part of our lives is worth opening,” Smith wrote. “Today her curls are returning.”

In Friday’s video, Smith said that she’s been researching charities and foundations to support and included links to GoFundMe pages for children who are battling cancer.

Nara and Lucky Blue Smith, 28, married in 2020 and share four children: Whimsy Lou, eldest daughter Rumble Honey, son Slim Easy, and infant Fawnie Golden. Lucky Blue also shares a daughter with his ex-girlfriend, social media star Stormi Bree.

Times staff writer Alexandra Del Rosario contributed to this report.

Coronation Street’s Betsy Swain has taken centre stage this week as the ITV soap tackles the silent dangers of non-fatal strangulation in a powerful stroke awareness storyline

Coronation Street’s Betsy Swain is currently part of a hard-hitting storyline.

The hit ITV soap is tackling the silent dangers of non-fatal strangulation in a powerful stroke awareness storyline. Only recently, Ryan Connor discovered an unconscious Betsy, where she was rushed to hospital.

Doctors confirmed that she had suffered a stroke caused by a blood clot which was the result of neck artery damage from a temporary loss of circulation.

Once stabilised having suffered a second stroke, an embarrassed and vulnerable Betsy eventually managed to reveal that her boyfriend Dylan Wilson strangled her during consensual sex, despite both believing the pressure applied was minimal.

In the coming months, viewers will witness Betsy’s challenging recovery journeys as she transitions from hospital to home, navigating significant life changes. With Betsy taking centre stage, soap watchers are keen to learn more about actress Sydney Martin’s life from her real age to her normal job before Corrie fame…

Real age

Sydney shot to fame when she joined the ITV soap as Betsy, daughter of fan favourite DS Lisa Swain, played by Vicky Myers.

In the soap, Betsy’s age is 18 with the character having been born in September 2007, meaning she will turn 19 later this year. However, in real life, actress Sydney is in fact 24.

Back in October, Sydney celebrated her birthday, sharing a post on her Instagram revealing she was 24. Reacting to Sydney’s real age, soap fans were left floored at the time.

On a Coronation Street Facebook fan page, one person said: “Happy 24th birthday to Sydney Martin who plays Betsy Swain!“

Someone else declared: “Never knew she was 24!” A third chimed in and quipped: “I need a moment! She’s 24 What?!” Echoing their thoughts, another person penned: “Def looks younger doesn’t she.”

Normal job before Corrie fame

Before landing her Coronation Street role, Sydney was working at supermarket Tesco and immediately handed her notice in after getting the life-changing call.

Previously talking to The Sun, Sydney recalled how she was watching the film Pitch Perfect 3 with flatmates in Manchester when she got the call to say she had won the role of Betsy.

The actress told the publication: “I just ran to the corner of the flat to answer the phone. I said, ‘It’s going to be a no, so keep watching the film’, and then my agent said, ‘Go hand in your notice’.

“I was doing six days at Tesco, so it’s quite the career change. My flatmate picked me up and we just cried. We didn’t finish Pitch Perfect. I could not have asked for a ­better first opportunity.

“My parents are my biggest fans. They are over the moon. I had my first picture in a magazine recently and they bought ten copies.”

Sydney admitted that she had previously auditioned for two smaller roles before landing Betsy and it was a two-month process before getting the job.

Coronation Street continues on weekdays at 8:30pm on ITV and ITVX.

The Son, as they say, will come out tomorrow.

Bet your bottom dollar that Son Heung-min, LAFC’s $26 million man — the record MLS fee for an incoming player — would peel himself off the mat and clear away the cobwebs and sorrows of the past few weeks and months.

He did it with a sizzling, right-footed goal in the 57th minute of LAFC’s 3-0 victory Friday over the Galaxy in the 27th rendition of El Tráfico and the first this year. Also, the first crosstown showdown of Son’s so-far, so-so tenure in L.A.

His arrival last August from Tottenham Hotspur in England’s Premier League was met with uncommon fanfare. Here came another global soccer icon to Major League Soccer — and to L.A., where the South Korean sensation was welcomed enthusiastically by a Korean diaspora that’s about 250,000 strong.

LAFC forward Son Heung-Min celebrates after scoring a goal against the Galaxy at Dignity Health Sports Park in Carson on Friday.

(Ronaldo Bolanos/Los Angeles Times)

The first Asian player to win the Premier League Golden Boot, Mayor Karen Bass spoke at Son’s introductory news conference. The Dodgers invited him to throw out the first pitch on Shohei Ohtani’s bobblehead night (and turned around this season and produced a bobblehead of Son throwing that pitch).

His first LAFC goal — a free kick over the wall in a 1-1 draw with FC Dallas — was named the MLS’s goal of the year. After notching 173 goals across all competitions with Tottenham Hotspur, he finished with nine goals in his first 10 regular-season appearances for LAFC.

Then the scoring stopped. As if someone turned off the spigot.

Before Friday, Son recorded nine assists but no goals over 13 unlucky matches this season. He went 44 shots without striking a goal. And 237 days between goals, according to The Chosun Daily’s tally.

Yeah, just a bit of what his LAFC teammate Mark Delgado described as “a drought.”

Most painfully, Son also was shut out in South Korea’s disastrously short World Cup stay.

South Korea entered the tournament with the expectation that its “golden generation” – led by Son – would reach the knockout stage. But after it opened Group A with a 2-1 win over Czechia, the Koreans lost 1-0 to Mexico and 1-0 to South Africa and failed to qualify for the round of 32 as one of the eight best third-placed teams.

The uproar in South Korea that followed included the country’s president demanding an investigation.

Mexico’s Julián Quiñones and South Korea’s Son Heung-min vie for the ball during a World Cup match on June 18 in Guadalajara, Mexico.

(Ricardo Mazalan / Ap Photo/ricardo Mazalan)

For his part, a heartbroken Son shared a statement on Instagram: “I don’t dare to convey the disappointment and hurt of the fans with a single word ‘sorry.’ So even saying those words feels insufficient.”

It was impossible not to wonder: What the heck?

Where was the version of Son that everyone was celebrating a year ago?

How did the 34-year-old’s game decline so suddenly?

Was this a classic case of overpromising and underdelivering?

It still might be. LAFC — now 8-5-3 and third in MLS’s Western Conference — is going to face tougher competition in the days ahead than the work-in-progress Galaxy.

But on Friday, the center-forward was aggressive and in control. He took two shots in the first seven minutes, both blocked by defenders. He toyed with the Galaxy just before halftime, lining up to take a penalty before turning it over to Denis Bouanga, who scored to make it 2-0.

Then he and Delgado exchanged passes in the second half to set up Son’s first goal in darn near forever.

LAFC coach Marc Dos Santos gave Son 10 days off after the World Cup, but Son said he was eager to return to L.A., because he so enjoys the camaraderie of this club.

Those good vibes were on display when Son’s shot whizzed between two defenders and the outstretched arms of Galaxy goalkeeper Novak Micovic.

Son put his finger to his lips in the universal “shhh” sign and then did his patented camera celebration — click! — miming a snapshot. Because every goal is precious, and let’s be real, you never know when another will come.

LAFC’s Son Heung-Min celebrates after scoring what could be a breakthough goal against the rival Galaxy at Dignity Health Sports Park in Carson on Friday.

(Ronaldo Bolanos/Los Angeles Times)

Around him, the crowd and his colleagues went wild.

Dos Santos did some vein-popping flexing on the sideline. Mathieu Choinière pumped his fists as though he were operating a handcrank. Jacob Shaffelburg and Ryan Hollingshead flanked him on either side as though posing for a family photo. Son’s hair got tousled and nobody wearing black and gold could stop smiling.

“He deserves it, coming back from an emotional World Cup, and joining us right away,” Dos Santos said.

“He’s a great guy,” Delgado said. “He’s been in a bit of a goal drought, and, you know, we all want him to score. We all, he’s always smiling, and in training, he’s always scoring.

“And we’re like, ‘yeah, we need that, we need that!’ Trying to give him confidence,” Delgado continued. “And in games, he finally is getting that confidence back. So to see him score and put the ball in the net and just see his face light up with a smile is awesome. We all want to see him succeed here. We all want him to lead this club like we know he can.”

Now the goal is to keep the goals coming.

“Scoring the first goal of this season, I think it [will] help me,” Son said. “I think, definitely, going forward through the second part of the season. So, let’s keep going, and hope Wednesday [against Salt Lake] I can score another goal.”

Beloved presenter Fern Britton is best known for hosting ITV daytime programme This Morning

Fern Britton has a very famous father and fans will be floored at who he is.

The former This Morning presenter is currently appearing on screens in Fern Britton: Inside the Vet’s. The ITV documentary series follows Fern as she goes behind the scenes at a Bristol surgery.

The programme has recently returned for a second season at The Grove Vets, with the latest instalment set to feature a 10-month-old cat with an injury sustained in a fight. That’s not all, as Dr James Greenwood also provides emergency care to a whippet with a nasty throat injury, and delivers a masterclass on doggy dental hygiene with special help from his own pet.

As Fern continues to delight audiences on ITV1, some viewers may be surprised to learn that she comes from a very famous family, reports the Express.

Who is Fern Britton’s famous dad?

Fern’s dad was the actor Tony Britton. Tony was best known for starring in BBC sitcom Don’t Wait Up alongside Nigel Havers in the 1980s, as well as many British films including The Day of the Jackal.

He also appeared in Robin’s Nest alongside Richard O’Sullivan and Tess Wyatt, and films Operation Amsterdam, as well as Sunday Bloody Sunday. In 1975, he won the Broadcasting Press Guild’s best actor award for his role in The Nearly Man.

Fern announced her father’s death in 2019, just one year after the passing of her mother, Ruth. The deaths of her parents were followed by more heartbreak, as her marriage to TV chef Phil Vickery soon “fell apart”.

The couple announced their split after two decades together in 2020. Fern and Phil haven’t spoken in several years, with Fern claiming that her ex “stopped talking to me” after her mum died.

“My mum died in 2018 and my dad died in 2019, and then my marriage died,” Fern previously told The Telegraph.

Fern Britton’s body transformation

The 68-year-old star recently revealed her weight loss to fans on social media, after losing five stone.

Fern has since spoken about the massive change she made to her diet and how it has influenced her weight loss journey.

Speaking on the Postcards From Midlife podcast, she said: “I realised the sugar intake. I’m addicted to sugar and, funnily enough, if you’re not eating doughnuts, biscuits, cake, jam, you know… it makes you feel a lot better. So, now if I’m eating sugar, it’s too sweet for me because I used to be able to tolerate an awful lot.”

She added: “And like cigarettes as well, I used to be able to tolerate anybody smoking anything in my face, but now it’s like, ‘Stop it’. Apart from that, it was very much kind of sensible.”

Fern Britton: Inside the Vet’s is available to stream on ITVX

Irish actor Brenda Fricker, who won an Oscar for her role in “My Left Foot” and whose Pigeon Lady befriended Macaulay Culkin‘s Kevin McCallister in “Home Alone 2: Lost in New York,” has died. She was 81.

Her talent agent Phil Belfield confirmed Fricker’s death in a statement shared with The Times on Friday. The actor died peacefully Thursday evening in Dublin after a “period of ill health,” he said.

“We will never see her like again and the world is lesser for the lack of her,” Belfield said in the statement. “I was honored to know, love and work with her and she will always have a place in my heart and in the heart of so many film and TV fans the world over.”

Fricker, who was born Feb. 17, 1945, in Dublin, appeared in nearly 100 TV, film and short projects since the mid-1960s. She reached international acclaim for her work in Jim Sheridan’s 1989 comedy-drama “My Left Foot,” based on the life of Dublin-born painter Christy Brown, who only had control over the titular limb due to cerebral palsy. Daniel Day-Lewis starred as Brown and Fricker played his supportive mother. She earned the Academy Award for supporting actress, becoming the first Irish female actor to win an Oscar, and Day-Lewis took home the prize for lead actor.

“My Left Foot” was also nominated for best picture, director and adapted screenplay.

In her review of the film for The Times in 1990, film critic Sheila Benson praised a “magnificent” Fricker for her portrayal of motherly love. “She plays [Mrs. Brown] like the rock she must have been, without a jot of martyrdom or a flicker of complaint and without an actressy moment,” Benson wrote.

The ‘90s brought Fricker additional roles in productions including “The Field,” “Home Alone 2: Lost in New York,” “Angels in the Outfield,” “A Time to Kill” and “Veronica Guerin.” She counted Cate Blanchett, Joe Pesci, Tim Curry, James McAvoy, Fiona Shaw, Sean Bean, Richard Harris, Christopher Lloyd and Tony Danza as co-stars, to name a few.

For generations of movie audiences, however, Fricker will most likely be remembered as the Pigeon Lady from “Home Alone 2.”

A sequel to the hit “Home Alone,” Fricker’s Pigeon Lady was a source of unexpected tenderness for Culkin’s Kevin, now stranded during the holidays in New York. He first encounters Fricker’s odd character in Central Park, dressed in oversized, dirty clothing with city birds resting on her head and shoulders. Though a terrifying sight at first, the film later reveals Fricker’s character has a heartbreaking past.

“The man I loved fell out of love with me,” she tells Kevin one evening, adding, “whenever the chance to be loved came along again, I ran away from it. I stopped trusting people.”

Kevin later gifts his new friend a turtledove ornament after learning the animal represents friendship and love.

Fricker continued acting through 2015 — with roles in numerous TV movies, miniseries, more than 70 episodes of the show “Casualty” and films such as “Conspiracy of Silence” and “Rory O’Shea Was Here” — but her career tapered off. She was last credited for the 2024 film “The Shallow.”

Fricker attended Catholic school but drifted away from religion in her late teens. She suffered injuries from a car crash at age 14, prompting her parents to spend their life savings on plastic surgery as part of her recovery. She also suffered other health issues during childhood and spent two years in a sanatorium.

“The positive side is, it taught me about self-sufficiency,” she told The Times in 1993.

She was a journalist for the Irish Times, where her father had also worked, before she started acting. She graced the stage at Dublin’s Abbey Theatre and the Royal Shakespeare Company in London, and never looked back.

Amid her mounting fame in the 1990s and early aughts, Fricker did not heed the call to move Stateside and lived in the U.K. before ultimately returning to Dublin. “I didn’t like Los Angeles,” she recalled in 1993. “I don’t like the heat and I found it uninteresting. I wasn’t comfortable there.”

Before her death, Fricker penned a memoir, “She Died Young: A Life in Fragments,” about her upbringing and experiences with sexual violence and mental illness. In February, Fricker was awarded Honorary Freedom of the City of Dublin.

Lord Mayor of Dublin Daryl Barron honored Fricker in a statement shared Friday.

“She was a proud Dub with a sharp wit and warmth that exuded to all who knew her and experienced her work,” Barron said. “She will be sorely missed.”

It feels like the World Cup started only yesterday, but we’re quickly approaching the final between Spain and Argentina on Sunday. Even if soccer isn’t a sport you typically watch, it was hard not to get sucked into the enthusiasm of the game and cheer for the teams, whether you had a connection to a particular country or not. If you’re among the viewers who are going to feel a little melancholy after it’s all over, you’re not alone. Culture critic Mary McNamara has been enthusiastically following the matches, and if you’re feeling more globally minded as a result, she came up with a list of international TV shows to watch when the the World Cup is over.

My colleagues at De Los, who, like many of us, have been watching the matches on Telemundo (I count myself among them), might be following up their World Cup viewing with some episodes of “El Señor de los Cielos,” the network’s long-running series starring veteran Mexican actor Rafael Amaya. The ads for the show have been a constant between timeouts and matches, and I’m intrigued. And I’ll admit the racy ads for “El Turco” also caught my eye — Telemundo knows exactly what it is doing.

And as the global event winds down, if you’re still hankering to watch something sports related, you’re in luck because Netflix released its latest comedy starring Will Ferrell, “The Hawk,” in which the comedic actor plays Lonnie “The Hawk” Hawkins,” the greatest golfer in the world. The series, which Ferrell created with longtime collaborators Harper Steele and Chris Henchy, reunites him with fellow “Saturday Night Live” alums Molly Shannon and Chris Parnell. However, the person you’ll see him most with onscreen is his co-star Fortune Feimster. The stand-up comedian and actor dropped by Guest Spot to chat about the new series, her experience with golf and what it was like to go toe-to-toe with Ferrell, one of her comedy heroes.

Also in this week’s Screen Gab, our writers recommend a romance horror film that set the internet ablaze earlier this year and a classic British spy series. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Inde Navarrette stars as Nikki and Michael Johnston as Bear in “Obsession.”

(Focus Features)

“Obsession” (Peacock)

After earning $428 million worldwide at the box office (on a $750,000 budget) and sending shock waves through Hollywood, the cautionary love story in this romance horror film hits streaming. Directed by YouTuber-turned-horror-auteur Curry Barker, the film follows Bear (Michael Johnston), a shy, hapless guy who, after being unable to summon the courage to confess his feelings for friend and co-worker Nikki (Inde Navarrette), dubiously turns to a one-wish willow toy and hopes for her to “love him more than anyone else in the world.” And, well, the results are chilling — in large part due to Navarrette’s ability to go from completely charming to completely frightening with just her face. If you want to understand some of the online discourse the film has ignited — what it says about consent, its plot holes, whether it’s worthy of the hype or just what the heck was up with that walking backward moment — here’s your chance to see what all the fuss is about. — Yvonne Villarreal

Patrick McGoohan stars in the 1967 TV series “The Prisoner.”

(ITC Entertainent)

“The Prisoner” (Criterion Channel)

The 17 episodes of “The Prisoner,” Patrick McGoohan‘s 1967 existentialist, anti-authoritarian, anti-nationalist, mod-a-go-go avant-garde ode to individualism, have been given a deserved berth in the cinematic pantheon that is the Criterion Channel, looking clean and crisp and immediate. Created in an era rife with screen spies — including the one creator-star McGoohan had previously played in the show aired here as “Secret Agent” — its hero is a British operative who resigns his job in the opening credits, only to find himself imprisoned in a fanciful seaside village — a kind of Baroque hilltown impression of a holiday camp. His unidentified jailers believe there must be a darker reason for his resignation and spend the series attempting it to extract it with elaborate charades, gizmos and gadgets, while our hero spends it trying to bring them down and/or escape. (A giant floating white ball provides creepy security.) Unwilling to bend, impossible to break, McGoohan at once upends the James Bond mythos and provides a dashing hero, clever, witty and terribly attractive. — Robert Lloyd

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

In “The Hawk,” Fortune Feimster plays Sam, who becomes the caddie for Lonnie (Ferrell).

(Colleen E. Hayes / Netflix)

“The Hawk” gives us a tour of the golf world through the eyes of the titular Lonnie Hawkins (Ferrell), whose better days in the game appear to be behind him. With his trusty caddie Old Henry (Keith David) by his side, he’s feeling like things are looking up — until Old Henry dies suddenly. Lonnie is heartbroken, but he’s not deterred, choosing to continue his ambitious return to the PGA Tour, leading him to be extremely late to Old Henry’s funeral and making a disastrous entrance.

But who will be his new caddie? Enter Sam, played by Feimster, a drifter Lonnie meets in a Walmart parking lot when he pulls over his tour bus. Sam’s late-model Cadillac is broken down in the parking lot, but that doesn’t get her down. Lonnie and Sam strike up a fast friendship, and before you know it, she’s driving his bus and working as his caddie on the course, encouraging him as he goes up against foes like Golden Fisk (Luke Wilson), Anton (Parnell) and even his own son, Lance (Jimmy Tatro), with whom he has a difficult relationship. Her methods are unusual — Sam doesn’t know much about golf, but their mutual love of fast-casual dining and pickles (a running gag in the show) gets them through.

“I’m excited for people to see another big broad comedy,” she says about “The Hawk.” “You know, we need to laugh. That’s what’s been missing, I think, from our current times is we need some more laughter, some more levity.”

The actor spoke about hers and Ferrell’s onscreen friendship, which has become a real-life friendship thanks to their mutual love of sports, how a silly musical moment in the finale came together and why you might see her and interior designer Jeff Lewis together again soon. — M.G.

I feel like a lot of your comedy has some sensibility of who you are as a person and where you come from — the South. How did you relate to Sam in this series?

The heart of Sam was something I really responded to. I love that this was a really silly, wacky character where I got to show off the broad comedy that I often enjoy doing. But I appreciated the trajectory of the character, that they allowed me to have this range where I got to show emotion and be disappointed and angry and just go through a mix of emotions as an actor. That was a really cool road to get to go down. But I love the heart that she had. And I think that’s something that I try to incorporate in my own life, positivity and cheering people on and that belief in people that they can do it.

How much did you know about golf before taking role?

Not much, honestly, other than a few rounds at Top Golf. [Laughs] I’m a sports gal. I love sports. I played sports my whole life, but for whatever reason, golf was the one sport I did not partake in … I even played college sports. This was the one I didn’t have much knowledge of, but luckily my character did not need any knowledge of golf. It almost was beneficial that I did not know what I was talking about. So when Will’s character needed a club, and I had no clue which one it was, that was all very real.

Do you think the show helps make golf more relatable? Golf is presented as a highbrow sport, but Sam and Lonnie, they’re grounded. He found Sam in a Walmart parking lot.

I definitely think it makes it more palatable for people that aren’t familiar with that world. I think that’s why you start rooting for this character, because he’s the outsider that doesn’t necessarily fit in that world. You kind of like that chaos that he brings to this very posh, very put-together sport. That’s why I think you find a lot of comedy in the juxtaposition of that. Comedy’s all about tension and release, and you have a lot of tension with that stuffy golf world and that competition, and then the release is this fun comedy, ridiculous people, crazy outfits — it’s fun to watch the two worlds collide.

I’m so glad you mentioned crazy outfits because there’s this scene where Sam gets herself a leather suit as a reward. Was it hot to wear?

As a comedian, the suit was incredible because it was so ridiculous. And of course, my character would waste her money on something like that right away instead of being responsible with it and saving it. As an actor, that suit was so, so hot. We were filming in the hottest parts of the Valley of L.A. and they did everything they could to make it not just like … my body sweated every two seconds. It sure was rough at times. But for the look of it all and the comedy of it all, it was worth it.

There’s another great moment, in the finale, where you’re trying to motivate Lonnie and you start singing the Chili’s “Baby Back Ribs” song. Was that in the script?

That was in the script, mainly just because anything song related had to have clearance. But there was a lot of riffing between him and I about fast food restaurants and about restaurants in general, and a lot of that was off the cuff, he and I just talking as people about all the fast food restaurants we love. The Chili’s song is that iconic jingle that everybody knows. We took it very seriously getting to sing it with each other … and we were practicing like, “OK, you take this part,” and he’d be like, “OK, no, you keep going, and then I’ll come in.” It felt like a real musical situation that we were prepping for.

Oh, my God, I need to see that outtake. I would be dying.

Luke [Wilson, who plays Golden Fisk] said he had passed by us practicing, and he said it was such a surreal moment seeing how serious Will and I were taking this song.

Fortune Feimster as Sam and Will Ferrell as Lonnie in “The Hawk.”

(Colleen E. Hayes / Netflix)

Speaking of Will, I went through our archives and you told one of our writers in 2023 that you hoped to one day have a career like Will Ferrell’s. Now you’re starring in a show with him. What was it like working with him, and do you feel like you’re getting closer to that goal?

The experience of working with him was definitely a dream come true — he and Molly Shannon, the fact that I’m with both of them on the show is pretty crazy. I feel like everyone growing up has their “SNL” cast that they are like, “That’s my cast, that’s who I watched every Saturday,” and they were definitely my cast. My early knowledge of comedy comes from them, and I’m sure there’s a big influence of them in my comedy now, having watched them religiously. To now be on a show with the two of them does not feel real at times.

What’s nice is I’d done two movies with Will, like very small parts, and had hoped that that would lead to something more in the future and was so lucky that it did. But we really got to know each other a lot better on this show, obviously, because I was basically his right-hand person the entire show. I would say 85% of what I filmed was with him. We just hit it off right away. Our energies are very similar. We’re very similar in our outlook. Our sensibilities of comedy are very similar.

We became genuine friends. He’ll pick me up and take me to a Lakers game. We just went to the World Cup game together. We definitely have a bond of sports. It’s so cool to not only get to be working with someone I admire so much and a comedy hero, but to now be genuine friends, it’s pretty incredible. I’m so lucky that I’m in that position.

What World Cup game did you guys go to?

We went to USA vs. Turkey here in L.A. He wore his visor that says “Hawk” on it. We kept trying to get the camera guy’s attention because we weren’t sitting in a box. We wanted to be in the mix … with the fans, and so no one expected to see Will sitting there amongst the fans.

After halftime, they go around and show different [celebrities] like, “Leonardo DiCaprio is here.” I said, “Will, the camera guy’s looking at us.” Everyone in our section got really pumped about it. We show up on the Jumbotron, and our whole section starts going nuts. And I’m pointing at Will’s hat, he’s dancing, and we didn’t know that it was also on TV. My phone blew up for like the next 30 minutes because everyone and their mother was watching this soccer game. We ended up inadvertently promoting “The Hawk” on this really big world stage.

What’s a TV series or film that you’ve watched recently that you’re recommending to everyone?

I feel like it’s not something that I have to recommend, so many people know of it, but I really loved “Hacks” [HBO Max], and especially this last season of it, I felt like they wrapped it up so beautifully. Sometimes these shows have this good run, and then they sort of fumble it at the end, and I just thought the way they ended that show really serviced all of their characters in such a great way and highlighted this really beautiful friendship from people of different generations.

What’s your comfort watch, a TV show or film that you love to return to and watch over and over again?

A movie that I could watch no matter what … is “Bridesmaids” [Peacock, Hulu]. That movie never gets old. I just think it’s one of the best comedies. Of course, as a female comedian, I love a group of women doing funny things together. And those particular women are just so incredible. I’ve gotten lucky enough to work with Kristen [Wiig] and Annie [Mumolo] — I did “Barb and Star [Go to Vista Del Mar]” with Kristen and Annie. Even though I was a tiny part of that movie, I can watch that movie over and over again. I just love their sensibilities as writers as well.

I promised my colleague I would ask you one more question, about getting your house renovated by Jeff Lewis on “Flipping Out” and what that was like.

That always cracks me up how many people saw that show. I’m working with him right now. I have a new house that he is helping with at the moment.

I mean, listen, he’s a big personality. There’s a reason why they gave him “Flipping Out” for so many years that he has a radio show now [“Jeff Lewis Live” on SiriusXM], and they’re actually bringing his “Flipping Out” show back [“Still Flipping Out” on Bravo], which I did a little bit of that show as well. But as an interior designer, he definitely has this — he kind of walks into a space and you see him calculate things, like “A Beautiful Mind,” where he’s seeing everything in front of him, and he’s very decisive. I’m very indecisive with interior design. Even though he has this … over-the-top personality, as a designer, he’s so gifted. And when you see his work, you’re like, “Oh, my God, this is incredible.”

Obviously he and I have a funny rapport with each other, but now also doing this house, I feel like I’ve learned even more to the point where I know when to give it back to him a little bit. He likes that little ribbing of each other.

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EAST RUTHERFORD, N.J. — The spotlight on Sunday’s World Cup final will shine brightest on two men, one playing the last game of his sixth tournament and the other the final game of his first.

Argentina’s Lionel Messi, 39, is arguably the greatest player in World Cup history, having played more games, scored more goals and collected more assists than anyone who has gone before him. If Argentina wins Sunday, he’ll match another record as captain of the first team to win back-to-back titles in 64 years.

Spain’s Lamine Yamal, who turned 19 on Monday, may be the heir to all that. He’s already scored 56 goals and won seven major trophies for club and country; Messi had 11 goals and four trophies at the same age.

But these are more than just two ships passing in the night. If fact, this isn’t even their first meeting, although neither remembers the day they were introduced in 2007.

Messi was a shaggy-haired 20-year-old, just beginning his unparalleled career with Barcelona while Yamal was a cherubic 3-month-old, just beginning his life. They came together after Yamal’s mother, Sheila, won a raffle run by a local newspaper and Barcelona’s shirt sponsor, the children’s charity UNICEF. She was told the child would pose with an unnamed first-team player for a photo that would appear in a fundraising calendar.

When she carried her son into the dressing room at Barcelona’s stadium for the photo shoot, Messi appeared, having been chosen by chance. The pictures of a clearly uncomfortable Messi helping Sheila bathe her son in a blue plastic tub were published, then forgotten, until Yamal helped Spain win the 2024 European Championship. After the tournament Yamal’s father, Mounir Nasraoui, posted the picture online with the caption “The beginning of two legends.”

Lionel Messi, then 20, helps bathe Lamine Yamal, who was 3 months old, with help from Yamal’s mother, Sheila Ebana, during a photo shoot in September 2007 in Barcelona.

(Joan Monfort/Associated Press)

“It’s unbelievable,” Yamal’s teammate Mikel Merino said Friday. “The first time I saw it, I thought it was AI. It’s funny how life works sometimes. You have these situations you think is scripted by someone. But it’s just how life works, the coincidences of life.”

That they’ll meet again Sunday afternoon at MetLife Stadium seems more like destiny than coincidence, but who wins the reunion may be decided, in part, by factors other than the play on the field. Smoke from nearly 900 wildfires burning in Canada have blanketed a large swath of the U.S., from Chicago to New York, resulting in poor air quality that forced the postponement of one MLS game Thursday.

The sky above the open-air stadium in East Rutherford, N.J., was noticeably clearer Friday and could improve even more with the heavy rains forecast for Saturday. If those rains linger, however, that could also affect what is shaping up to be a battle of the ages.

Messi has carried Argentina into its third World Cup final since 2014, matching France’s Kylian Mbappé with a tournament-best eight goals and leading all players with 12 goal contributions. Four of his scores either tied the game or put Argentina in front and in Wednesday’s frantic comeback win over England, Messi assisted on the tying and winning goals seven minutes apart.

He seems guaranteed to win his third Golden Ball, which goes to the tournament’s outstanding player. He’s already the only player to win the award twice.

Yamal now plays at Barcelona, Messi’s home for 17 years, and he’s proven to be the same kind of game-changing left-footed playmaker, leading the team in goals (24) and assists (17) in all competition and winning La Liga’s player of the year award this season. Last year, at 18, he finished second in the voting for the Ballon d’Or, an award Messi won eight times.

He’s been quieter in the World Cup, with just a goal in seven games, but Spain has never lost a match he’s played in, going 21-0-6.

Yamal’s father was born in Morocco and his mother in Equatorial Guinea before moving to Catalonia with their families as children. Yamal grew up in a working-class, largely immigrant neighborhood the Spanish newspaper El País described as “forgotten, isolated and stigmatized.” His parents separated when he was 3 and while both remained present in his life, it was his paternal grandmother, Fatima, who sacrificed to support the boy, managing his daily routine to make sure he attended training sessions.

That devotion paid off when Yamal, then just 7, was invited to live and train at Barcelona’s famed La Masia academy, the same academy the Argentina-born Messi had entered at 13. When Yamal signed his first long-term contract with the team 14 months ago — a contract that could pay him more than $45 million a year in wages, bonuses and sponsorships, making him the team’s best-paid player, as Messi once was — he was given the No. 10 shirt Messi wore.

“In every match he shows that he is the best player in history,” Yamal told a Spanish newspaper. “If someone has doubts, it is because they are looking for them. There is nothing more to say there. For me, he is the best.”

Spain forward Lamine Yamal controls the ball during a World Cup quarterfinal against Belgium at SoFi Stadium on July 10.

(Ronaldo Bolanos/Los Angeles Times)

The comparisons and the praise flatter him, said Messi, who then used the same words to describe Yamal as the best.

“There is a new generation of footballers who are very good and who have many years ahead of them. But if I have to choose one because of age, for what he has done so far and for the future he may have, it is Lamine,” he told the Spanish sports journal Diario Sport in May.”There’s no doubt, for me, he’s the best.”

For all the similarities, there are differences. Yamal plays with much more speed and street-football flair and is far more prolific than Messi was at the same age. And while a young Messi focused almost entirely on soccer, Yamal has learned to speak three languages fluently and, unlike Messi, hasn’t kept his politics hidden, waving a Palestinian flag during the club’s parade through Barcelona celebrating its La Liga title last May.

And remember that charity calendar photo with Messi? The one that raised money for UNICEF? Last month Yamal became a goodwill ambassador for the group, focusing on the right to play and supporting children living through humanitarian emergencies.

Turns out some pictures are worth more than a thousand words.

Kris Jenner’s mom, Mary Jo “MJ” Shannon, has died.

Jenner announced the news of Shannon’s death Thursday in an Instagram tribute. She was 91.

“Today, we said goodbye to my beautiful Mommy MJ. … There are no words that could ever capture what she has meant to me or the heartbreak of having to say goodbye. My mom was the heart of our family.”

Jenner wrote that her mother, the matriarch of the Jenner-Kardashian clan, taught her everything that “truly matters.”

“To love your family fiercely, to be kind, to show up for the people you love, and to never take a single moment together for granted,” she wrote alongside a glamour shot of Shannon. “She taught us that family is everything. She showed us how to love unconditionally and how to find joy in the little moments. She showed me how to face life’s challenges with resilience and faith.”

Jenner concluded the post with an open letter to MJ:

“Mom, thank you for every sacrifice you made, every piece of wisdom you shared, and every moment you loved us so completely. I will miss our daily talks, your smile, your laughter… Our hearts are broken, but we find comfort knowing that love like yours never truly leaves us. Your love will live on in our family, in our traditions, in every moment we are together, and in every life you touched. When I look at my kids and my grandkids, I will forever see pieces of you in all of us. There is not a part of me that isn’t shaped by you. And if I have done anything right in this world, it’s because I spent my life trying to live in a way that would make you proud. Every memory, every moment, every blessing, it was all because of you, and I will forever thank God every single day for making you my mommy. My heart is broken into a million pieces… thank you for giving me the greatest childhood and oh what a beautiful blessed life… I love you forever Mommy. Thank you for giving us everything.”

Born Mary Jo Campbell on July 26, 1934, MJ married her high school sweetheart, whom she divorced two months later. Then in 1954, she wed Jenner’s dad, Robert “Bob” True Houghton. She gave birth to Jenner the following year and Jenner’s late sister, Karen Houghton, in 1958. After seven years of marriage, MJ and Bob called it quits and she married Harry Shannon, a businessman who helped raise Jenner and her sister in San Diego, where MJ ran a children’s clothing store.

Harry Shannon died in 2003.

MJ was featured on the famous clan’s E! reality series “Keeping Up With the Kardashians” and the follow-up Hulu series “The Kardashians” numerous times over the years. In a clip from the show, granddaughter Kim Kardashian detailed that her grandmother had survived colon cancer and breast cancer and, in her sunset years, struggled with sickness resulting from the cancer treatments.

In one clip from the show, MJ said she didn’t have an appetite without taking her “medication” first. Then she persuaded her daughter, Jenner, to have marijuana gummies with her. Together they lit some incense and munched on muffins and chips and guacamole.

In another clip, Jenner interviews MJ about her life, and during the sit-down, Jenner asks MJ, “What’s your biggest fear?”

MJ replies, “I try not to fear,” and then follows up asking Jenner what her biggest fear is.

Jenner starts to cry and says, “I don’t want to say it. I can’t believe I’m crying. … Just, losing someone.”

On Thursday, Kim Kardashian caught flak online when a post featuring the Skims mogul and her sister Khloe Kardashian swigging tequila from a boat on a lake published shortly after Jenner announced the news of MJ’s death.

“This post was scheduled a few days ago before we lost MJ, so its timing came right alongside her passing,” Kim wrote in the comment section of the post. “I’ve been by my mom and grandma’s side this past week, and my heart is completely with my family right now. We love and miss her so deeply, and in the days ahead, we’ll be focusing on celebrating her beautiful life.”

Kim followed up with a post celebrating her grandmother, writing, “My sweet Grandma MJ, my best friend, my gossip buddy, my forever twin … You taught all of us the importance of family, and those values are something we’ll carry with us forever!!!!! You were the woman who showed me what it meant to be a hardworking businesswoman. You gave me my very first job at your store in San Diego and taught me lessons about work ethic, strength, and confidence that I’ve carried with me ever since.

“You always believed in me, championed me, and were my safe place. You truly were the matriarch of our family, and your love is woven into all of us. I know you’re at peace now. Give Papa Harry, Aunt Karen, and my dad a hug for me. You will always be a part of me, I love you soooooo much and I will miss you forever and ever. … YOU ARE THE BEST OF US!!!”

Two weeks ago, Jenner’s bodyguard, Mason Haynes, who also worked as a close protection guard for other members of the Kardashian-Jenner family, died in a traffic accident. He was 52.

Away from Coronation Street, Dylan Wilson actor Liam McCheyne has a well-known sibling

Dylan Wilson has been a staple on Coronation Street for years – but what do we know about actor Liam McCheyne?

Liam plays Dylan Wilson, the son of Sean Tully (Anthony Cotton) and Violet Wilson (Jenny Platt). He first arrived on the cobbles in 2011 and later returned in 2022.

Liam’s role on the show has progressed significantly over the years, as over on the soap recently, it was confirmed that Dylan and girlfriend Betsy Swajn (Sydney Martin) are set for a new dramatic storyline examining the devastating life-altering consequences of non-fatal strangulation.

In Wednesday’s episode (July 15) Betsy is found unconscious and rushed to hospital, with doctors confirming that she has suffered a stroke caused by a blood clot. So, with more drama to come on the cobbles we’re taking a look inside Dylan actor Liam’s life, including his relationship with his soap co-star brother.

Liam on working with his brother on Corrie

The character of Dylan was originally played by both Liam and his twin brother Connor. And while Liam has continued his acting career, Connor seems to have hung up his acting shoes in favour of sport.

Talking about him and his brother landing the role of Dylan on Corrie, Liam previously said: “We were three years old and it was a total fluke way to get it.

“My neighbour across the road was on work experience for a local agency and she asked my mum if we would want to go and do an audition for her. She said even if we didn’t get it, it would help her with her work experience.

“My mum, dad and even nursery teachers all thought we would be too shy to do it. When we got here, and were in the casting, as soon as the cameras were on, we were like totally different children with our confidence and were laughing away.”

Liam and twin brother’s close relationship

Liam is still very close to Connor and regularly shares photos of them enjoying time together. Earlier this year, Liam shared a special update with his brother as in January, the pair took to their Instagram to share a post celebrating their 19th birthday.

Alongside photos of the twins over the years, Liam wrote in his caption: “Happy birthday to you best mate and right hand man @connormccheyne1 Here’s to the best memories throughout chapter 19!” Meanwhile, Connor penned: “Happy birthday to this one. @liammccheyne here’s to a top 2026.”

Liam’s Corrie return ‘was hard to take for Connor’

Meanwhile in 2024, Liam revealed that fans often stop his twin brother thinking it’s him. He said: “The funnier story is when people think Connor, my twin brother, is Dylan.

The actor added: “He’ll get stopped in Manchester on his way to college and won’t have enough time to say it’s not him before someone has a camera asking for a picture.”

Liam also previously revealed that when Dylan returned to the soap in 2020, both he and his twin brother were up for the role – and it was a hard decision for Corrie producers.

“They couldn’t decide here at Corrie who would be cast, so they sent it to an external casting agency in London. They literally went off my CV, based on the fact that I’d just come off Last Tango,” he said.

“That was hard to take for Connor, because he was very good. But we’ve both agreed in the past, and we’ve said publicly in the press, that it’s led to another opportunity for him. Acting wasn’t his thing in the end and it’s opened another door for him.”

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX

WASHINGTON — Christopher J. Boyce, whose sale of CIA satellite secrets to Soviet agents was one of the nation’s gravest espionage crimes of the 1970s, pleaded before a Senate panel Thursday for improvements in U.S. security procedures and for other young persons to avoid his fate.

In an emotional, hourlong statement, the 31-year-old Boyce said his 21 months of spying at TRW Inc. offered no “James Bond” thrills and brought him “only depression and a hopeless enslavement to an inhuman, uncaring foreign bureaucracy.”

“As we sit here, a half-dozen, perhaps a dozen, perhaps more Americans are operatives of the KGB,” the former Californian told the Senate Governmental Affairs permanent investigations subcommittee, which is examining how federal security clearances are granted.

‘None Are Happy’

“Perhaps some of them have been in place for years. I tell you that none of them are happy men or women,” he said during testimony described by Sen. William S. Cohen (R-Me.) as “one of the most powerful and poignant statements we have ever heard.”

Boyce, who is serving a 68-year prison sentence for espionage and for robbing banks after escaping from the Lompoc Federal Correctional Institution in 1980, said that “for whatever reason a person begins his involvement . . . the original intent and purpose becomes lost in the ignominy of the ongoing nightmare.”

Although Boyce took the witness stand in his defense during his 1977 spy trial, his Senate testimony Thursday–in which he paused to fight back tears four times–provided his fullest statement to date on his actions and reflections as a Soviet collaborator.

He told senators that he had received a top-secret clearance from the government in 1975 after only a cursory investigation in which he was never interviewed about his anti-Establishment attitudes, which were well known among his friends.

Boyce said the government interviewed only his parents and some of their acquaintances, “who lived in another world” and knew nothing of his opinions.

Smoked Marijuana at 16

“Had the investigators asked any of my friends what I thought of the U.S. government, and in particular the CIA, I would never have gotten the job,” Boyce said. “Had they asked, they would have learned that I had first begun smoking ‘pot’ at 16 and that I had experimented with a variety of other drugs.”

He said he was hired only because his father, a former FBI agent, knew a top security official at the company.

At the Redondo Beach-based TRW, where Boyce worked as a clerk assigned to a highly sensitive satellite project, plant security was “a joke–almost laughable,” making it easy to photograph thousands of documents to pass on to Soviet agents, he said.

Boyce–who testified before the subcommittee while guarded by a dozen federal marshals–described the informal atmosphere and lax security at TRW and said his co-workers never suspected he was cooperating with the Soviets.

Parties in ‘Black Vault’

“We regularly partied and boozed it up during working hours within the ‘black vault,’ ” the super-secret room housing the CIA satellite project, he said. “Bacardi rum was usually stored behind the crypto machines.”

Boyce said a code-destruction machine similar to a blender “was used for making banana daiquiris and Mai Tais. On occasion, the project security manager would join us for a drink on the house.”

Boyce, whose case was recounted in the best-selling book “The Falcon and the Snowman” and in a subsequent film, said he understood that TRW has tightened security in recent years. Witnesses from the company confirmed this in later testimony.

Monkey Badge

So lax was security at TRW, Boyce said, that “my immediate supervisor once made a security badge with a monkey’s face on it and, to everyone’s amusement, used it to come in and out of the building.”

With tears in his eyes, Boyce said he no longer is “a rebellious 21” and agreed to testify “in the hope that I am performing a constructive act.”

He concluded: “I only wish that before more Americans take that irreversible step, they could know what I now know, that they are bringing down upon themselves heartache more heavy than a mountain.”

Austin Reaves discusses the Lakers after LeBron

From Broderick Turner: From the time Austin Reaves joined the Lakers in 2021 as an undrafted prospect, his basketball life centered around playing with a savant in LeBron James.

That no longer will be the case.

Reaves re-signed with the Lakers on a four-year, $180-million deal, but James decided to move on as he prepares to play an unprecedented 24th season.

Reaves was stunned when he heard about James’ decision while playing golf in Lake Tahoe. Nearly two weeks later, Reaves says he still is trying to process the development.

“I kind of was thinking about it last night when I got here,” Reaves said Monday in his first news conference since re-signing. “Starting the season without him being on the team is going to be different for me. He’s kind of all I’ve ever known. Just him being around, joking around, acting like he’s 15. But that’s his decision and like I said in Tahoe, anytime I’ve talked about it, I got nothing but love and respect for him and yeah, let’s play some golf soon.”

Continue reading here

Lakers sign Ziaire Williams to one-year, $3-million deal to bolster their depth

How France became a World Cup power

From Kevin Baxter: Before it could rise in the World Cup, France first had to fall.

And the fall was spectacular.

In 2010, four years after reaching the final for the second time in three World Cups, the players revolted against coach Raymond Domenech during the tournament. In response, the managing director of the country’s soccer federation resigned in disgust, and the team left South Africa winless after scoring just once in three games.

That matched France’s worst World Cup performance in 76 years. The team, outsiders agreed, had become impossible to coach.

Four years later France made the quarterfinals, beginning a streak in which it has reached the final eight in four consecutive World Cups for the first time. If France beats Spain in the semifinals Tuesday it will advance to the final for a third straight time.

Only Brazil and Germany have done that.

The base for that success was laid a generation before the collapse in South Africa, when a series of poor performances led the French Football Federation to create a series of 16 government-subsidized academies known as Centres de Formation.

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World Cup semifinals schedule

All times Pacific
All games on Fox and Telemundo

Tuesday
France vs. Spain, noon

Wednesday
England vs. Argentina, noon

Third-place match

Saturday, 2 p.m.

Championship match

Sunday, noon

How Justin Wrobleski became an All-Star

From Maddie Lee: Dodgers left-hander Justin Wrobleski could have been content with his performance the first couple of months this season. After all, he’d come into the year fighting for a rotation spot, and he’d shown in that time that he was ready to be a full-time major-league starter.

That wasn’t enough.

While still holding on to his identity as a pitcher who goes right at hitters, Wrobleski tallied 20 strikeouts over his last two starts of the first half.

“We’re just doing a good job with the plan,” Wrobleski said last week, days before he was named a first-time All-Star. “I feel like I’m continuing to get better at knowing where to go with two strikes, knowing where to go versus a certain hitter with two strikes and just kind of reading the game.”

Continue reading here

Shaikin: Love it or hate it: Would the Dodgers’ NL West rivals call a Tarik Skubal trade overkill?

Shaikin: Inside the Shohei Ohtani Economy driving a wild auction for his worn cleats

Sparks lose to the Dream

Angel Reese had 23 points and 13 rebounds for her WNBA-leading 16th double-double of the season, Allisha Gray added 20 points, and the Atlanta Dream beat the Sparks 101-92 on Monday night.

Gray made Atlanta’s first field goal of the fourth quarter with 4:07 remaining to tie it at 87. Then, Reese got a friendly roll on her third made three-pointer of the season to make it 90-87 and she added two free throws on the next possession for a five-point lead. Jordin Canada capped the 9-0 run for a 94-87 lead.

Canada finished with 16 points and Rhyne Howard added 11 for Atlanta (14-10), which had lost six of its last seven games. Reese, who missed Saturday’s game against Portland, was seven for 11 from the field and made all eight of her free throws in 32 minutes.

Continue reading here

Sparks box score

WNBA standings

This day in sports history

1912 — Kenneth McArthur runs Olympic record marathon (2:36:54.8).

1951 — Citation is the first horse to win $1 million in a career by taking the Hollywood Gold Cup by four lengths in Inglewood. Citation retires after the race with total earnings of $1,085,760. In 45 starts, Citation ran out of the money only once.

1964 — Jacques Anquetil wins his fifth Tour de France. It’s his fourth straight title of the cycling event.

1973 — Tom Weiskopf wins the British Open by three strokes over Johnny Miller and Neil Coles. Weiskopf goes wire-to-wire and his total of 12-under-par 276 matches the Open Championship record set by Arnold Palmer on the same Troon Golf Club course in 1962.

1985 — Kathy Baker beats Judy Clark by three strokes to win the U.S. Women’s Open golf title.

1985 — The Baltimore Stars defeat the Oakland Invaders 28-24 to win the United States Football League championship.

1986 — Jane Geddes beats Sally Little in an 18-hole playoff to take the U.S. Women’s Open championship.

1991 — Meg Mallon shoots a 4-under 67 for a two-stroke victory over Pat Bradley in the 46th U.S. Women’s Open. Mallon finishes with a 1-under 283.

2001 — John Campbell scores an unprecedented sixth victory in the $1 million Meadowlands Pace as Real Desire beats favored Bettor’s Delight in the stretch. Real Desire paces the mile in 1:49.3 in matching the record set by The Panderosa two years ago in the race that gave Campbell his fifth win. Campbell, 46, is a winner of a $1 million race 19 times.

2005 — In Oklahoma City, the United States is beaten in an international softball game for the first time since 2002, losing 2-1 to Canada in the inaugural World Cup of Softball.

2011 — Kaio breaks former grand champion Chiyonofuji career sumo victory record, beating Mongolian Kyokutenho for No. 1,046. The 39-year-old Kaio forces out Kyokutenho in the Nagoya Grand Sumo Tournament.

2011 — Amateur Tom Lewis shoots a record 5-under 65 in the opening round of the British Open. The 20-year-old Lewis posts the lowest round ever by an amateur in golf’s oldest major to pull even with Thomas Bjorn at Royal St. George’s.

2013 — Jordan Spieth becomes the youngest winner on the PGA Tour in 82 years. The 19-year-old outlasts David Hearn and Zach Johnson on the fifth hole of a playoff to win the John Deere Classic. He’s the first teenager to win since Ralph Guldahl took the Santa Monica Open in 1931.

2018 — Angelique Kerber claims her first Wimbledon title with a 6-3, 6-3 victory over seven-time champion Serena Williams.

2019 — Novak Dokovic wins the longest ever Wimbledon title over Roger Federer 7-6 (5), 1-6, 7-6 (4), 4-6, 13-12 (3) in 4 hours 57 minutes.

2019 — English Mercedes driver Lewis Hamilton wins a record sixth British Formula 1 Grand Prix at Silverstone; moves him one win clear of Jim Clark and Alain Prost (five).

Compiled by the Associated Press

This day in baseball history

1916 — St. Louis Browns pitcher Ernie Koob went the distance in a 17-inning 0-0 tie with the Boston Red Sox. Carl Mays went the first 15 innings for the Red Sox and Dutch Leonard finished.

1946 — Cleveland player-manager Lou Boudreau hit four doubles and a home run in the first game of a doubleheader against Boston, but Ted Williams connected for three home runs and drove in eight runs for an 11-10 Red Sox victory.

1956 — Mel Parnell of the Boston Red Sox pitched a no-hitter against the Chicago White Sox for a 4-0 victory at Fenway Park.

1967 — Eddie Mathews of the Astros hit his 500th home run off San Francisco’s Juan Marichal at Candlestick Park. Houston beat the Giants 8-6.

1968 — Hank Aaron hit his 500th home run off Mike McCormick as the Atlanta Braves beat the San Francisco Giants 4-2.

1968 — Don Wilson of the Houston Astros struck out 18 Reds in a 6-1 victory over Cincinnati in the nightcap of a doubleheader.

1969 — Oakland’s Reggie Jackson knocked in 10 runs in a 21-7 win over the Boston Red Sox at Fenway Park. Jackson had five hits in six at-bats, including two two-run homers and a double.

1970 — Pete Rose of the Cincinnati Reds scored on Jim Hickman’s 12th-inning single after bowling over Cleveland’s Ray Fosse at home plate to give the NL a 5-4 victory over the AL at Riverfront Stadium.

1972 — In a major league first, Bill Haller was the umpire behind the plate while his brother Tom was the catcher for the Detroit Tigers.

1995 — Ramon Martinez threw the first no-hitter of the season as the Dodgers beat the Florida Marlins 7-0. Martinez was perfect for 7 1-3 innings before walking Tommy Gregg.

2006 — The New York Yankees snapped Jose Contreras’ winning streak at 17 decisions with a 6-5 win over the Chicago White Sox. Contreras (9-1) hadn’t lost since dropping a 4-2 decision to Minnesota last Aug. 15.

2008 — Josh Hamilton of Texas, with a dazzling display of power, hit a record 28 homers in the first round of the All-Star Home Run Derby at Yankee Stadium before he was beaten out by Minnesota’s Justin Morneau in the finals.

2009 — The American League continued its dominance over the National League with a 4-3 win in the All-Star game. The AL is 12-0-1 since its 1996 defeat at Philadelphia — the longest unbeaten streak in All-Star history. Carl Crawford of Tampa, robbed Brad Hawpe of a go-ahead homer in the eighth and took home MVP honors.

2014 — Yoenis Cespedes successfully defends his title as Home Run Derby champion in the annual event held before the All-Star Game at Target Field in Minneapolis, MN. Cespedes defeats Todd Frazier in the final round, 9 long balls to 1, having hit 28 overall. Ken Griffey Jr. was the only other repeat winner in the event, winning in 1998 and 1999.

2015 — Mike Trout became the first player in 38 years to lead off the All-Star Game with a home run, and the American League beat the National League 6-3 to secure home-field advantage in the World Series for the third straight time and 10th in 13 years. Trout also became the first player to be selected the game’s MVP two years in row.

2018 — The Cardinals fire manager Mike Matheny just before the All-Star break, after a loss to the Reds that puts them just one game above .500. Hitting coach John Mabry and assistant hitting coach Bill Mueller are also let go, while bench coach Mike Shildt is named interim manager, with a permanent replacement expected to be named when play resumes after the Mid-Summer Classic in a few days. However, Shildt will do so well that he will be made permanent within a few weeks.

2023 — Brothers Josh Naylor and Bo Naylor both hit two-run homers in the 3rd inning in the Guardians’ 12-4 loss to the Rangers at Globe Life Park. It the first time that brothers hit multi-run homers for the same team in the same inning.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The story of Dan Tana’s, in many ways, is the story of Los Angeles.

In 1980, Dan Tana’s burst into flames. At the time, the Tana family was vacationing on a remote Yugoslav island when a telegram arrived: “The restaurant burned down. Call me, Pearl,” recalls Katerina Tana, one of Dan Tana’s daughters.

Dan Tana flew back to Los Angeles, expecting charred remains. Instead, he found handwritten signs taped to the restaurant’s door: “Rebuild it. This is our home. Don’t change a thing,” recounts Katerina.

News of the fire reached musician Linda Ronstadt, who swore that Dan Tana’s served the best plate of spaghetti in the world. The rock star became the immigrant-run restaurant’s unlikely patron saint, calling on her relationship with then-Gov. Jerry Brown to help clear the way for its reopening. Just six weeks after the fire, Dan Tana’s welcomed customers again, even without a roof.

“They open up the restaurant with no roof on it. There’s no air conditioning unit. It was the hottest day,” says Katerina.

Oddly, the fire ushered in a new era for Dan Tana’s — a rebirth, even. Like Los Angeles, the restaurant endured by reinventing itself. “In a weird way, he rebuilt better than he ever could have, because if the restaurant hadn’t burned down, it might not have lasted this long,” Katerina says.

Stories like these fill the pages of “Everybody Came to Tana’s,” the late restaurateur’s memoir, which chronicles the outlandish journey that carried a young immigrant from communist then-Yugoslavia to the helm of one of Los Angeles’ most adored dining institutions. Dan Tana died last year at age 90, but his legacy lives on — inside the restaurant and now in his own words.

On a summer afternoon, his daughters, Gabrielle and Katerina, sit at the Sunset Marquis bar, recounting their father’s remarkable life — particularly his championing of soccer and his contributions to the sport. With the World Cup now unfolding across Los Angeles, the sisters say they can’t help but feel his presence. “One of his big wishes was to be here for this year’s World Cup. That’s why I know he’s here,” Gabrielle Tana says. “He was very instrumental in L.A. getting the World Cup. Our father was constantly helping connect people,” says Katerina.

In the final years of his life, Tana became determined to tell that story, working with writers in Serbia and eventually a ghostwriter, Todd Gold, who requested no credit; the resulting memoir feels wholly told in Tana’s voice. “Our father, for years, was talking about how he wanted to tell his story,” says Gabrielle. “He was always pinching himself about the life that he had — the stories, the adventures, and his luck.”

Tana had an unusual path to becoming the restaurant owner of the renowned Hollywood red-sauce hideout. Born in present-day Serbia, Tana’s early life was marked by political oppression under Communist rule. His father, a restaurateur, spent years as a political prisoner.

Gabrielle and Katerina Tana with their dad at Dan Tana’s, circa 2001.

(Suzette Van Bylevelt)

“When you live in a country where political powers are constantly in play, when you own a restaurant, you’re the person who’s hosting somebody who’s having a dangerous conversation,” explains Katerina. From an early age, Dan Tana’s mother made Dan promise not to end up in the restaurant business.

Instead, Dan Tana became a soccer star, touring Europe with Red Star Belgrade before eventually escaping to Belgium — a decision that would set him on the unbelievable path to Canada and then Los Angeles, where he would serve a stint managing a nightclub called Peppermint West and even launch a modest acting career with the help of Natalie Wood.

The chapters follow the restaurant’s improbable success, offering extraordinary anecdotes, such as how a Yugoslavian immigrant happened to open a red-booth, comfort-food Italian restaurant. The answer? Hiring Mussolini’s private chef. “It was one of two chef options that he was given by his partners: Dan Reeves and Clarence Dan Martin, who funded the soccer league. [Dan Reeves] also bought the restaurant,” says Katerina.

Beyond dispatches from his red-and-white-checkered tablecloth joint and name-dropping, Dan Tana’s memoir outlines his significant contributions to soccer. Throughout his life, he maintained deep ties to the international soccer community, supporting Red Star Belgrade long after he retired from the sport. “He became an evangelist for the game because he thought it was a game that this country would appreciate,” says Katerina. “Football was always the biggest love of his life.”

Craig Susser, left in black, has been greeting patrons at Dan Tana’s for decades.

(Stephen Osman / Los Angeles Times)

Last November, when England faced off with Serbia for the World Cup qualifying games, the stadium held a moment of silence for Dan Tana’s passing. “There were people within the game who really wanted to acknowledge his contribution to the game,” says Katerina.

“A good restaurant has a good bar, and a good bar has ghosts,” reads the introduction. For Dan Tana’s, as far as ghosts go, they comprise a who’s who of Hollywood royalty. Johnny Carson once called it his favorite restaurant. Elizabeth Taylor, Richard Burton, Marilyn Monroe and other A-list stars were known to haunt the bar.

Even with its reputation as a watering hole for Hollywood’s biggest names, Dan Tana refused to pander to celebrities. “Everybody was treated the same. He never wanted the restaurant to be full of celebrities. He wanted to make sure that there were doctors, lawyers and teachers,” Gabrielle says. “He was almost a democratic socialist in that way.”

A revealing anecdote from the early pages of the book: Tana turned away Barbara Sinatra’s offer to buy out the restaurant for a night for Frank Sinatra’s birthday at $25,000. Tana refused. It wouldn’t be fair to his regulars. Frank Sinatra never set foot in the restaurant again.

Sonja Perencevic and Dan Tana attend the restaurant’s 50th anniversary party in Los Angeles in 2014.

(Alberto E. Rodriguez / Getty Images)

In many ways, Tana was one of Hollywood’s quiet power brokers, earning influence through humility and respect rather than status. In 1972, mysterious mafia members came into the restaurant to ask Tana to procure early-screening tickets for “The Godfather.” Naturally, Tana obliged. The mafia returned to report they loved the now-classic film.

The proximity to the Troubadour also made the restaurant a hangout for up-and-coming names in rock music. “He fed so many of those musicians. He wouldn’t charge them. These were kids that had nothing,” says Gabrielle. She recounts a night when musicians from the Troubadour celebrated the end of the Vietnam War at Dan Tana’s; the event went undocumented, lost to history.

Rock stars aside, the place is a writer’s joint too. Eve Babitz — who was a close friend of 93-year-old Deanne Mencher, who still makes the cheesecakes at Dan Tana’s — was known for socializing at the restaurant. “If you got hungry, you had to walk over to Dan Tana’s. Tana’s was delicious and evil — all that garlic,” Babitz once wrote in her semi-autobiographical novel, “L.A. Woman.” Screenwriters, journalists and famed L.A. writers Joan Didion and John Gregory Dunne were also known to frequent the restaurant.

In fact, Gabrielle and Katerina attribute the restaurant’s early colossal success to a Los Angeles Times review. It was 1966, and the restaurant was struggling. Art Ryon, a columnist at The Times, happened to stop at the restaurant before a screening at the Writers Guild of America and ordered mushrooms. “The L.A. Times made the restaurant,” Katerina says. “The next day there’s a line around the block, and my father has no idea what happened.” Tana was informed that he received a rave five-star review in The Times. Success soon followed.

Chicken Parmesan from Dan Tana’s.

(Jakob Layman)

The next generation of Hollywood — including comedy stars like Adam Sandler, Ben Stiller and Chris Rock — has continued the tradition. “SNL” cast member James Austin Johnson expresses his fondness for the restaurant. He discovered the restaurant after hearing Ed Begley Jr. rhapsodize about it. “The first intrigue is finding out who Dan Tana is,” says Johnson. “It has a West Hollywood mystique, like Chateau Marmont — like when Hollywood, the place and the business were all the same.”

Johnson loves restaurants that feel preserved in time. “It’s the idea that you can build something right the first time and then preserve it, so that people can be a part of your good idea when it happens,” says Austin Johnson.

Gabrielle and Katerina credit the enduring appeal of Dan Tana’s to its persistent lack of pretentiousness. The atmosphere evokes a Sinatra-era simplicity. “I think celebrities felt safe. They weren’t photographed, and they would be left alone,” says Gabrielle. The restaurant has kept its dim pink lights, which Gabrielle notes, “made everybody look good.”

The food has also remained consistent, with large portions and comfort food. “It’s not fancy, but it’s the best chicken Parmesan,” says Gabrielle. Over the decades, Dan Tana was approached about expanding the restaurant and opening second locations. He always refused, the restaurant’s humility always mirroring the man behind it. The restaurant, which felt like an anomaly, could not be replicated. “He always said: if I knew what I did right, I would do it again,” says Katerina.

Dan Tana’s originality continues to capture the city’s attention, its legacy now preserved in a memoir and carried on by its new owners, Mihajlo and Sonja Perenčević, who were friends of Dan Tana. Within its pages, the reader becomes one of Dan Tana’s beloved ghosts. “In a town that’s always trying to be something that’s not, it’s not trying to be anything,” says Katerina. “Dan Tana’s is longevity in the midst of ephemera.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

Emmerdale star Shebz Miah arrived in the village in 2025. Here’s everything you need to know about the actor.

Shebz Miah’s real age recently left Emmerdale fans surprised, as they thought the actor was much younger.

In March 2025, actor Shebz arrived in the village as Kammy Hadiq and caused a stir by stealing a quad bike from Moira Dingle’s (Natalie J Robb) land, with Ross Barton (Mike Parr) being blamed for the theft.

This incident introduced Kammy as a bad boy, and he soon caught Sarah Sugden’s (Katie Hill) attention when she found him struggling to start the stolen vehicle by the roadside.

Kammy was soon caught up in a love triangle with Sarah and Jacob Gallagher (Joe-Warren Plant) as both men tried to win her over. As fans know, Sarah and Jacob rekindled their romance, and have since gotten married and are surrogate parents to baby Leyla.

Meanwhile, Kammy caught the affection of close pal Vinny Dingle (Bradley Johnson), whom he had to gently let down, but revealed his true caring and loyal nature following Vinny’s violent attack.

In a devastating twist, Kammy recently confessed to being homeless, a revelation that left viewers in tears. He was living in a barn and explained that his family estrangement was directly linked to the difficult path his life had taken after tragedy struck in his family years ago.

“My dad died. Unexpected,” he told Belle. “I took it really bad, I didn’t look after my mum how I should have done”. Struggling to cope with his grief, Kammy started mixing with the wrong crowd and became involved in stealing cars.

This led Cain Dingle (Jeff Hordley) to welcome the mechanic into the family as his romance with Belle (Eden Taylor-Draper) blossomed.

Taking to Instagram earlier this year, Shebz, from Bradford in West Yorkshire, shared snippets for his time on the ITV soap so far and wrote: “One year bringing Kammy to life. Grateful for the journey, the incredible people behind the scenes, and everyone who’s welcomed the character into their homes…We’re only just getting started… “

Before his stint in the Dales, eagle-eyed fans might recognise Shebz from his cameo in a 2024 episode of Casualty, where he portrayed Noor Din, and from popping up in Doctors in 2023 as Reece Shaw.

How old is Shebz Miah?

Shebz recently celebrated his 29th birthday, which left fans ‘floored’ as they assumed he was much younger. One fan wrote on Facebook: “Happy 29th birthday to Shebz, who plays Kammy”, as another replied: “29!!! I’m shocked.”

A third chimed in: “I thought he was about 20!!”, as another echoed the sentiment: “Happy birthday, I thought he was only 20 years old, he doesn’t look 29.”

“I didn’t think he was 29, he doesn’t look it. Happy birthday,” exclaimed one person as another simply asked, “29?”

Soap star Shabz tends to keep his private life away from the spotlight and has yet to confirm a romance off-screen.

Emmerdale airs weekdays on ITV and ITVX

LAS VEGAS — From the time Austin Reaves joined the Lakers in 2021 as an undrafted prospect, his basketball life centered around playing with a savant in LeBron James.

That no longer will be the case.

Reaves re-signed with the Lakers on a four-year, $185-million deal, but James decided to move on as he prepares to play an unprecedented 24th season.

Reaves was stunned when he heard about James’ decision while playing golf in Lake Tahoe. Nearly two weeks later, Reaves says he still is trying to process the development.

“I kind of was thinking about it last night when I got here,” Reaves said Monday in his first news conference since re-signing. “Starting the season without him being on the team is going to be different for me. He’s kind of all I’ve ever known. Just him being around, joking around, acting like he’s 15. But that’s his decision and like I said in Tahoe, anytime I’ve talked about it, I got nothing but love and respect for him and yeah, let’s play some golf soon.”

The contract Reaves signed was the richest in NBA history for an undrafted player. At 28 and entering his sixth season, Reaves wanted to stay in L.A.

“I wanted to be a Laker the whole time. We had that period from when the season ended until the first [of July] to get something done and we figured it out before then,” he said. “My heart was in L.A. the whole time.”

Reaves will become one of the de facto leaders of the Lakers along with Luka Doncic. The two once again will be one of the most dynamic backcourts in the NBA.

“Obviously my relationship with the guys that were on the team last year,” Reaves said of why he wanted to stay. “And then Luka. I mean, he’s one of my best friends on this planet. Talk to him almost every single day. He sends me videos of his golf swing and asks me what he can do to get better and I tell him I’m not a coach.”

The Lakers have overhauled the roster: All the players who started alongside Reaves in the playoffs last spring are gone. With the signing of former Brooklyn Nets forward Ziaire Williams on Monday, the Lakers have nine new players, all of them arriving either via trades, free agency or the draft.

“They’re good,” Reaves said of the moves. “Obviously, I’ve been with the guys that are leaving for a couple years and with Bron for five years and I hate to see guys like that go. But the pieces that are coming in, I’m very excited about and I’m happy to get started today and see where it goes.”

Walker Kessler dunks during a game between the Utah Jazz and Cleveland Cavaliers on March 23.

(Rob Gray / Associated Press)

One of those new players is Walker Kessler, a 7-foot-2 center the Lakers felt fit best around Doncic and Reaves because he’s a lob threat, rim-protector and good defender and is developing his three-point shooting.

The Lakers got him from the Utah Jazz in a trade and then signed him to a four-year, $130-million contract. The Lakers sent out two unprotected first-round picks (2031, 2033) and two first-round pick swaps (2028, 2030).

Kessler, who played only five games last season after having surgery to repair a torn labrum in his left shoulder, is aware the Lakers paid a big price to get him.

“It definitely makes you feel a certain way when you know an organization believes in you,” Kessler said Monday in his introduction. “And I think what they’ve invested, they’re showing that belief in a monetary value, not just with money, but like you said, assets. And for me, I’m somebody that if I know that they have that belief in me, I’m gonna run through a brick wall for them. That’s just how I’ve been wired my whole life and it definitely makes it a lot easier to go out there and compete for a team.”

Power forward Sandro Mamukelashvili could become a fan favorite, in part because of the tattoo he has on his lower left leg — a No. 24 in honor of Kobe Bryant.

Mamukelashvili, who signed a four-year, $52-million deal, averaged 11.2 points last season with the Toronto Raptors and shot 52.3% from the field, including 38.9% from three-point range.

“I got a Mamba Mentality tattoo. I just love his mindset,” Mamukelashvili said. “Growing up, I used to always say, “Mah-moo Mentality!’ So, I know it’s a little far from each other. But we are getting closer.”

When guard Collin Sexton, another new Laker, was drafted by the Cleveland Cavaliers in 2018, James left and signed with the Lakers. When Sexton signed a two-year, $19-million deal with the Lakers this month, James left again.

Sexton could only laugh about missing out on playing with James.

“He’s just leaving every time I arrive,” Sexton said, laughing. “That’s what it is. No, but one of the other coaches made the same joke yesterday. It’s cool, I know. I’ve always wanted to team up with him for sure, but it’s definitely cool knowing him and just having normal conversations and stuff, so that’s cool.”

Sexton averaged 15.4 points and shot 48.5% last season with Chicago and Charlotte. He’s ready for whatever role coach JJ Redick and the Lakers want for him.

“They believe in me,” he said. “And I just feel like at the end of the day, whenever a coach believes in you and like he said, he’s going to be hard on me and yelling and screaming at me. So, I like that. I think that’s what gets the best from me.”

NATALIE Imbruglia has opened up on receiving new mental health diagnoses while managing perimenopause.

The 51-year-old Aussie star who is best known for her hit single, Torn, revealed she was diagnosed with OCD (obsessive compulsive disorder) and ADHD (attention deficit hyperactivity disorder).

She was also dealing with the effects of perimenopause which made her “really angry” and would contribute to her anxiety before performing.

“You name it, there’s a sprinkle of it. They’re just labels. It’s not a negative, it’s my superpower,” she told The Sunday Times.

“But there’s a particular thing about my neurodiversity that’s hard for me to accept, which is how I get when I’m nervous before a show. Perimenopause made it worse.”

Natalie added: “Let’s just say it was a grieving process. I was really angry. I fell off a cliff. It felt like someone had taken some of my personality.”

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The singer and actress reached out to TV presenter Davina McCall, who has been a public menopause campaigner, for advice after battling feelings of “anger and anxiety.”

Natalie is now on HRT (hormone replacement therapy) which has helped her symptoms and she’s glad the topic has become less “shameful or taboo.”

Perimenopause refers to the time during which your body makes the natural transition to menopause, thus marking the end of a woman’s reproductive years.

A woman may begin transitioning sometime in her 40s. However, this transitional period happens at a different age for every woman, and it could happen as early as mid-30s.

Natalie rose to fame on Neighbours in the early 1990s and in 1997 kicked off her pop career with a cover of the Ednaswap song Torn.

Natalie has also appeared in the films Johnny English, Closed for Winter and Underdogs.

She has sold 10 million records worldwide, and is believed to have a net worth of around £10 million.

In 2019, Natalie revealed she had given birth to a son, Max Valentine whom she welcomed via IVF and a sperm donor.

The architect of modern Qatar, former Emir ⁠Sheikh Hamad bin ⁠Khalifa Al Thani, has died at the age of 74.

Fondly known as Father Emir, ⁠Sheikh Hamad, who ruled Qatar from 1995 to 2013, leaves behind a legacy that includes sweeping economic, social and cultural reforms in Qatar, raising the Gulf country’s profile on the regional and global stage.

During his 18-year rule, Qatar’s gross domestic product (GDP) grew more than 24-fold as the small nation of nearly 2.5 million people became one of the world’s largest exporters of liquefied natural gas (LNG).

Sheikh Hamad’s tenure also saw the adoption of Qatar’s permanent constitution and the launch of the Qatar National Vision 2030, a long-term strategy aimed at transforming the country into a knowledge-based economy and achieving sustainable development.

Here is a look at some key moments in the former Qatari emir’s life:

Path to leadership

Born in January 1952 in Doha, Sheikh Hamad was raised and received his early education in the city.

In 1971, he graduated from the British Royal Military Academy at Sandhurst, United Kingdom, and joined the Qatar armed forces, where he reached the rank of major-general. He was credited with playing a pivotal role in developing the armed forces in terms of ordnance, according to a statement by the Amiri Diwan.

On May 31, 1977, Sheikh Hamad was appointed the heir apparent and minister of defence. On May 10, 1989, he was appointed the chairman of the Supreme Council for Planning, where he was tasked with developing Qatar’s social and economic policies.

After a successful career in the military and senior government positions, Sheikh Hamad assumed leadership of Qatar on June 27, 1995. He remained the ruler of Qatar until June 25, 2013, when he transferred power to his son, Sheikh Tamim bin Hamad Al Thani.

Economic transformation

Under Sheikh Hamad’s leadership, Qatar saw rapid economic growth driven by the expansion of its energy sector.

He viewed the country’s untapped North Field, which is the largest nonassociated natural gasfield in the world, as the cornerstone of Qatar’s future economic dominance, and invested heavily in the LNG sector. In 1996, the country began exporting LNG, with the first shipment sent to Japan.

According to the Amiri Diwan, in 2006, Qatar became the largest LNG exporter in the world, and in 2010, its LNG production capacity reached 77 million tonnes per annum. Qatar’s LNG exports currently represent 20 percent of the global market, it said.

Besides the energy sector, Sheikh Hamad also formulated comprehensive reconstruction plans which helped Qatar’s development in the education, healthcare, sports, culture and media sectors.

In October 2001, he established the Supreme Council for Economic Affairs and Investment to oversee the economy, energy and investment affairs and diversify local and foreign investments and sources of income.

Press freedom and launch of Al Jazeera

A few months after taking office as the emir of Qatar, in October 1995, Sheikh Hamad abolished the censorship of the local press, seeking to improve the country’s press freedom status.

In 1996, he launched the Al Jazeera Media Network, which resulted in “a new dawn” in the Arab and international media world, according to the Amiri Diwan.

Since its launch, Al Jazeera has become one of the world’s most prominent media outlets covering global news, geopolitics and underreported topics and giving a voice to minority communities through its stories.

In August 1995, Sheikh Hamad founded Qatar Foundation for Education, Science and Community Development, which helped expand the country’s influence in media, education, and innovation.

Constitution and national vision

Sheikh Hamad played a key role in introducing democratic measures in the country after he assumed power. In March 1999, he introduced municipal elections, in which women were allowed to vote and stand as candidates.

On June 8, 2004, Sheikh Hamad led Qatar to adopt its first permanent constitution.

According to the Amiri Diwan, the permanent constitution sets out the country’s “preamble, the foundations of democratic rule” and lays out the “basic pillar” for society to guarantee the rights and freedoms of Qatar’s citizens.

In 2004, Sheikh Hamad launched “Qatar National Vision 2030” to guide the country’s long-term development and modernisation and help it transform into a knowledge-based economy.

Global profile

Qatar’s political influence today stretches across North Africa, the Middle East and Asia, with the country using its diplomacy to mediate several conflicts.

Sheikh Hamad drove the country’s mediation efforts in conflicts including the Hanish Islands dispute between Eritrea and Yemen in 1995, the Yemen war between 2007 and 2010, the Lebanese political crisis in 2008 and the Darfur peace process between 2010 and 2011, among others.

In October 2012, he became the first Arab leader to visit Gaza, since the imposition of a widespread international boycott of the Palestinian territory, which was spurred after Hamas began its rule in 2006.

Sheikh Hamad arrived with 90 tonnes of aid and pledged $400m to invest in housing and infrastructure, as he embraced the Hamas leadership of Gaza with an official visit, breaking the isolation of the Palestinian movement, much to the dismay of Israel, its allies, as well as the Western-backed Palestinian leaders in the occupied West Bank.

Besides diplomacy, the late former leader also focused on improving Qatar’s international status by projecting the country as a suitable venue for global sports and entertainment events.

In 2022, Qatar hosted the men’s FIFA World Cup, the world’s most-watched football tournament. Sheikh Hamad received rapturous applause from fans when he attended the tournament’s opening match.

The actor and musician Jason Schwartzman pulled a cassette tape from his pocket on stage at the L.A. Phil’s tribute to Wes Anderson. Schwartzman was just a teenager when he was cast as the obliviously ambitious Max Fischer in Anderson’s 1998 film “Rushmore,” and on Friday, he recalled the night Anderson played him the film’s entire soundtrack in his car.

“He said, ‘This is the soundtrack to the movie, this is the order it’s going to be in, and he walked me through the entire film narrating it,” Schwartzman said, still agog at the completeness of Anderson’s vision before a frame was shot.

More recently, Schwartzman said, “I was at my mom’s house tying my shoe, and I see a cassette tape on the ground titled ‘Rushmore songs’.” He then chucked the tape into the audience, a piece of film history that hopefully someone caught unscathed.

Anderson’s use of far-flung needle drops and lovely original score work is, like everything in his film universe, planned down to exacting detail. But this opener of a three-night stand — sporting an all-star roster of guest vocalists, an exceptional backing band, and a light touch from the Phil — was more in the spirit of how fans revisit Anderson’s films. As old friends that pop back into your life, affection only deepened with time, right when you need them.

Guided by the genial riffing of the night’s MC, Bill Murray (an Anderson regular from “Rushmore” onwards), the program made its case that Anderson’s savvy with soundtrack curation and delicate, evocative scores are the heart of his films, right along with his meticulous visual style and arch, melancholy tone.

The director, recently freed from a malfunctioning elevator in a pithily Andersonian incident, made a brief appearance onstage with Murray in his regal white suit. But the focus was the music itself on Friday, and the ragtag roster of artists that fully conjured it.

To start, huge credit due to the show’s musical director Justin Meldal-Johnsen and the session-killer band of Roger Joseph Manning Jr., Jason Falkner, Joey Waronker and Gus Seyffert. The sheer amount of music to arrange and assemble for this was vast and demanding, and they got to all of it from 1996’s “Bottle Rocket” to the present.

The Phil took a more modest role, performing poignant, rigorous slivers of scores from Anderson’s go-to composers Alexandre Desplat (“Canto at Gabelmeister’s Peak” from ‘The Grand Budapest Hotel” and “Mr. Fox in The Fields,” from “The Fantastic Mr. Fox”) or his frequent collaborator, Devo’s Mark Mothersbaugh (the propulsive “Ping Island” from “The Life Aquatic with Steve Zissou.”)

Pianist Jean-Yves Thibaudet took a lively solo crack at “Moses Rosenthaler” off “The French Dispatch;” Rajib Karmakar and Aakash Pujara played aching sitar and flute drones from “The Darjeeling Limited,” and taiko drummer Kaoru Watanabe nearly blew out the Bowl’s speakers on “Shinto Shrine” from “Isle of Dogs.”

The surprises came from the rock acts brought in to re-imagine the most evocative needle drops from Anderson’s ouvre.

Jackson Browne, in an unbelievable career first, finally got around to performing “Fairest of the Seasons” and “These Days,” tracks he wrote as a teenager eventually covered by German art-rock chanteuse Nico, mournfully used on “The Royal Tenenbaums.”

Beck took a pass at the late Elliott Smith’s ghostly “Needle in The Hay,” used to harrowing effect in the same film, and later Love’s “Alone Again, Or”. Karen Elson beautifully covered Françoise Hardy’s “Les Temps De L’amour” from “Moonrise Kingdom” while the Yeah Yeah Yeahs’ Karen O simmered through the Rolling Stones’ “Play With Fire” off “Darjeeling.”

Yet the delighted gang’s-all-here element that ties Anderson’s regular cast together was embodied by an endearingly shaggy run through “Zorro Is Back” with Jenny Lewis and Rogê. Towards the end of the night, just before a closer with the Faces’ “Ooh La La,” Murray brought out a one-of-a-kind instrument for a big flourish. A nine-dollar desk bell, seemingly purchased at Staples hours before showtime, requested specifically by Anderson.

“Front of house, make sure Bill’s bell is ripping,” Beck implored the sound techs at the Bowl. Indeed, as the band, including Jim James of My Morning Jacket, Lewis and Schwartzman, performed the Bobby Fuller Four’s single “Let Her Dance,” Murray indeed whacked the hell out of that thing.

Mothers and daughters are often caught in a double bind: biologically kindred yet divided by competing claims on identity and selfhood. In Cay Kim’s debut novel “The Future Perfect”, that bond is tangled by cultural discontinuity.

The novel’s mother has been reared in a South Korean household that places a high value on academic rigor and head-down discipline. She devotes all of her energy to grinding that work ethic into her daughter (Kim’s characters are unnamed), who is shuttled between her native Seoul and Minnesota, and grapples with finding the one true way for her to navigate the world.

I spoke with Kay, a native of Seoul who relocated to the States, about mothers, daughters and the unstoppable power of language.

✍️ Author Chat

Author Cay Kim

(Margaryta Bushkin)

This is your first novel. Did you start writing it in college?

This actually originated from a long poem that I wrote. I didn’t know I was going to turn it into a novel at the time. I just had the idea, the summer before my MFA, to expand each stanza into a chapter. That made the writing process relatively easier for me because it was such a straightforward process. I already had the frame of it.

Even though the novel is grounded in a very specific milieu — that of a child who is ensnared between Korean and American cultures — it’s very much a universal story, of a mother who feels the burden of raising a perfect daughter and is resentful when the daughter rebels against her ministrations.

It’s something that occupies so much of my head space. I wanted the mother to be portrayed as a victim of her society. The way that people choose to parent isn’t something that they learn in a vacuum. She has deep-seated beliefs about suffering and self-abnegation. But there’s a point at which an act of service risks inverting into a selfish act.

A big concept for the mother is endurance.

Exactly. It’s a generational trauma the mother is dealing with. She has had such ingrained beliefs passed down to her, and she’s unable to recognize when her methods result in her own mental and physical splintering, as well as her daughter’s.

Is it a function of the mother’s ego, or some kind of twisted narcissism?

She is putting herself through so much suffering because she believes she is doing the right thing. And there’s an extent to how much you can excuse that self-unawareness.

Yet despite this, the daughter feels tied to her mother, even when they are at loggerheads and she is living thousands of miles away.

The mother is such an integral part of the daughter’s consciousness that severance is impossible. They have a shared history and the daughter wants to share things with her mother, even when they are fighting. When she feels lonely at Stanford, the daughter verbalizes the fact that she has learned loneliness from her mother.

There are a lot of scenes in the novel tied to meals prepared by either the mother or the grandmother.

I do a lot of thinking about how cooking plays a role in our everyday lives. It’s something that people can spend hours preparing, only to have it disappear. It’s her mother’s domain. It is so opposed to the way the father thinks, which is very much tied to capital, to amassing and saving money.

The daughter really comes into herself when she is exposed to American culture.

Minnesota is where she acquires language for the first time. Language is so important to this character. Then she is shuffled back to Korea, and this disjunction is the thing that propels her narrative development. But as the story goes on, the daughter reaches a point where she has such mastery of expression and that is a power she acquires.

“The Future Perfect” is written in a very precise and concise way. What fiction writers do you admire, or who may have served as models?

I love writers whose use of language jolts the mind. My favorite writer of all time is Marguerite Duras. “The Lover” reads so easy but when you pay attention to the language, it’s very precisely engineered. I also love Clarice Lispector, for the way she expresses human spirituality.

Is this book drawn from your life? I ask that only because your protagonist winds up attending Stanford, as you did.

When I first started learning how to write, my teacher always used to say that writing shouldn’t necessarily contain the factual truth, but it should have emotional truth. And I feel like that has been the core of my writing practice throughout my life, and that even for those that don’t think consciously about it, that’s often the case.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Country music performer Kenny Chesney sat down with Holly Gleason, the co-author of his new memoir, to talk about writing the book.

(Jill Trunnell)

The state of Ohio is celebrating America’ssemiquincentennial by offering a statewide reading project that features Toni Morrison’s fictional oeuvre, thus providing a vivid alternative history of the country. “Not only does her work re-center African Americans in the story of our country, it also tackles major events from our founding, through slavery, to the impact of Jim Crow, to the great migration and beyond,” Literary Cleveland Executive Director Matt Weinkam tells Leigh Haber.

Chef-Podcaster-Author etc. Eddie Huang has written his first novel, a lightly autobiographical twirl through the foodie-verse called “Come Undone.“ “This book was very much about breaking up with your family to start your own,” he tells Mariella Rudi.

At a time when teen literacy is declining, Rudi polled five high school teachers to find out what books students should be reading now.

Gabrielle Korn’s novel “Long Island Girls” is a Millennial coming-of-age story that drips with Y2K nostalgia and the ways in which youthful optimism and hope can drift into middle-aged cynicism. “One thing I wanted to capture about early adulthood is the constant humiliation,” Korn tells Emily St. Martin. “The thing about being young is that people are so resentful of your youth, but you don’t understand that it’s resentment, you just think everybody hates you.”

📖 Bookstore Faves

The Loved Ones bookshop

(James Alan Duran)

J.C. Gabel, the owner of local book imprint Hat and Beard, has opened a new bookshop called The Loved One, and it already feels like an essential anchor for Historic Filipinotown’s burgeoning cultural scene. The store, which is also a gallery and events space, is expansive (5,000 square feet) and inviting, with patinated hardwood floors and a wall of picture windows that bathes the interior in natural light. I spoke with Gabel about his future plans for his new space.

What is the mission statement of The Loved One?

The Loved One reflects our ongoing commitment to independent publishing, original exhibitions, and the belief that books (and ideas within them) are best experienced in conversation with one another, in-person, whenever possible. In our post-post digital age, the serendipitous nature of organically curating physical objects is, in a sense, the point of the entire operation. We envision The Loved One as a space where everyone can exchange ideas, free from data-mining tech overlords, AI slop and click-bait tomfoolery.

What kind of books are you selling?

We’re going to focus mostly on new books about the visual arts, but we’ll also have several curated tables of fiction and nonfiction organized by subject and publisher, to highlight and promote the work of publishers we admire. Moreover, our genre-based book clubs and live author events — which will run weekly by August — will also influence the titles carried in the shop, too. Lastly, we’re bringing back Big Table, our books and conversation podcast — which we started with Dub Lab during COVID — now that we have a physical space to host and record these conversations.

It’s a very large space. What are your plans for it?

We are really keeping the space as modular as possible so we can change the interior of both storefronts to exhibit art and photography, as well as host author events, artist talks, live music, comedy, book clubs, etc.

You’re also a publisher, with Hat and Beard. How will that tie into The Loved One?

At least half of the arts programming I bring to the table will tie back to Hat and Beard’s original publications; the other half will be curated by Aubrie Wienholt and her team, working in tandem with myself and the H&B family. H&B will, of course, continue to program events all over the city regularly, but it will be nice to have a storefront again for the publishing house. We also intend to sell our rare and limited edition bundles of our books at TLO. There will finally be a physical space where one can come see this work in person before purchasing.

What about Historic Filipinotown? The Loved One is such a cool addition to what is becoming a vital cultural hub for L.A.

We are honored and thrilled to be working out of Historic Filipinotown. So much has opened in and around this neighborhood since COVID. It is a really vibrant community. There is a great camaraderie among all the small businesses in and around our cluster off Temple Street and Glendale Boulevard. Our immediate neighbors, Couplet Coffee and the bar 1642, are both actively involved in our programming monthly: Couplet has sent over a pop-up barista to serve coffee and tea at our literary events, and most of our after-parties are now held at 1642, two doors down.

Huey Lewis shared just how much his relationship to music has changed in a recent podcast interview.

“I’m basically deaf,” the former lead singer of Huey Lewis and the News said in an episode of the “Inside of You” podcast released Tuesday. “My life has changed immeasurably. I can’t hear music. Music is not part of my life anymore, which is a hard pill to swallow.”

Lewis explained that he uses a cochlear implant to help him hear and understand speech, but he is unable to distinguish pitch because of the way the device operates.

“My cochlear implant, it breaks everything down into digital bits so I can understand,” he said. “Speech is easier to listen to than music. Music occurs in all frequencies, with overtones and harmonics and everything. It comes at you in a lot of different frequencies, so it distorts for me … It makes pitch impossible to hear.”

”The Power of Love” singer explained that because of this, he can no longer enjoy music.

“When I cook or I have people over for dinner, I always used to play them music,” he said. “I have a great collection of old big band stuff and old New Orleans jazz and I don’t play it at all anymore. … It’s weird. I can hear the beat, I know what’s going on. But I can’t enjoy it.”

“Music used to be so much fun,” he added. But “it just ends up being frustrating for me when I can’t enjoy it. I can’t feel the warmth.”

Lewis previously discussed his struggles with hearing loss with The Times. The “Hip to Be Square” singer said his Meniere’s disease diagnosis in early 2018 was “brutal.”

“When it first happened, I thought I might as well kill myself,” Lewis said in the 2020 interview, which described him as being “surprisingly upbeat” for someone whose life was so deeply affected by the diagnosis. Meniere’s disease is a disorder of the inner ear that can cause severe dizziness, ringing in the ears, hearing loss and ears feeling congested, according to the NIH. Not much is known about its causes and there is not yet a cure.

While it’s clear that Lewis misses aspects of his musician life, he also appears to appreciate having time for his other passions since his life doesn’t revolve around being on the road performing 75 to 100 shows a year.

“I fish a lot,” Lewis said in the “Inside of You” podcast. “I love to fly fish and I love Mother Nature. I get out there by myself in a stream and I’m conducting nature with my fly rod and it’s just a wonderful thing. I love to do it, and hearing not required.”