EXPLAINER
Israeli strikes kill 31 in Lebanon as attacks intensify and displacement orders spread.
Published On 27 May 202627 May 2026
Israeli attacks across southern Lebanon killed at least 31 people and wounded 40 others on Tuesday, as Israeli forces intensified strikes and issued dozens of displacement orders for towns and villages in the country’s south and east.
Panic spread across southern Lebanon as residents fled the escalating assault, with Israeli ground forces reportedly pushing deeper into Lebanese territory amid fears of a wider offensive.
Meanwhile, Iranian officials condemned what they called “blatant violations” of the ceasefire by the United States after attacks on southern Iran on Monday, saying the strikes had further damaged already fragile diplomatic efforts.
Here is what we know:
Russell Crowe has pushed back against TMZ’s coverage of his recent interactions with a crowd of autograph seekers.
“Clickbait,” the “Gladiator” actor wrote in a Monday post on X. “Everybody got their autograph and selfie, the passage to the hotel was kept free for guests, and I still got to the airport on time. One man, no security. Handled. What’s your problem ?”
Earlier that day, the outlet had posted a video of Crowe addressing a crowd of fans and autograph seekers outside of a Paris hotel before making his way to them to sign various memorabilia.
“If you needed a reminder that fans are not always priority No. 1 — turn to Russell Crowe — cause the guy was absolutely not having it outside of his Paris hotel,” TMZ wrote in its since-deleted X post sharing the video. The outlet also framed the video as Crowe “explod[ing] on Pushy Autograph Seekers” in its news story.
In the video, the Academy Award winner is shown giving clear directions to those gathered for his autograph or to snap a photo with him.
“Stay where you are, don’t f— push in on me, I’ll come to you,” Crowe says. “Give everybody space. As soon as somebody’s a d—, I’m gone.”
The actor then approaches the crowd to sign various items held out in front of him. The short clip ends soon after Crowe declines a request to also write “Maximus” — the name of his “Gladiator” character — next to his signature as he continues to sign other things.
Crowe’s temperament, blunt demeanor and distaste for certain aspects of “celebrity” have long been fodder for news coverage. In 2005, the actor made headlines for throwing a phone that hit a Manhattan hotel concierge.
“If I ever was going to torture somebody, I’d put them in a room where they can’t leave and have someone new come in every three minutes and ask the same question over a number of days and then weeks,” Crowe said in a 2010 interview with The Times, describing what happens at a movie press junket on the eve of embarking on one.
“Some people believe celebrity is a power that should be used. Ultimately, your dollars are more powerful,” Crowe said in that interview. “I’m famous for making movies. Celebrity just happens to be an unfortunate byproduct of what I do.”
Disneyland is no stranger to patriotism. Reflecting America — both its positives and its “hard facts,” to quote park founder Walt Disney — was part of its mission statement.
Over the years, the Walt Disney Co. in its parks has become more focused on its IP — that is, its film and television properties — rather than looking beyond its gates. But remnants from Disneyland’s past remain. The park still hosts a daily flag retreat, a respectful, music-focused ceremony often with the Dapper Dans and the Disneyland Band to honor veterans. Then there’s the animatronic show “Great Moments With Mr. Lincoln,” which is an inspiring, vital work of theme park theater. Using snippets of Lincoln’s most timeless speeches, it illustrates how words can unite rather than divide us, a rarity in today’s partisan-heavy landscape.
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I’ve never believed Disney should stay out of politics. I’d argue that’s impossible, anyway, as all art is political. What a company shows — or chooses to leave out of its content — is a reflection of its values.
This summer, Disneyland is leaning all the way into its patriotic tendencies. A Sam Eagle popcorn bucket, complete with a Fourth of July-style stars and stripes cap, is on the way. And the centerpiece of the festivities will arrive July 2, which is when the Disney California Adventure staple Soarin’ Over California transforms into Soarin’ Across America. Key locations on the hang gilder simulator will include Mount Rushmore National Monument, the Washington Monument, the Statue of Liberty and the Hollywood sign, among many a national park.
Soarin’ Across America shows aerial vistas across the United States, and it’s arriving at a divisive moment in our nation’s political history.
(Disney Parks)
Though designed to celebrate the 250th anniversary of our country’s founding, it’s impossible to ignore that it’s coming at a divisive time in the U.S. Soarin’ Across America’s poster art, as I noted last year when the new version of the attraction was announced, made me cringe, as it features a Statue of Liberty juxtaposed with the American flag and bald eagle — art that conveys a sense of nationalistic pride. In 2026, such emotions are complicated. Our country is disrupting the world, ICE raids have shattered our communities and just the other day, our president was effectively shielded from examination of his finances and legal conduct.
So please forgive me if I don’t exactly want to don the red, white and blue right now. Soarin’ Across America feels like the excited guest showing up to a wedding that’s only happening because the couple can’t get their deposit back.
While I do want to cheer its representation of our national parks — spaces that need all the positive publicity they can get right now, thanks to the administration’s budget cuts and layoffs — I wonder about the inclusion, of, say, Mount Rushmore, which has a long, controversial history, and has been a fascination of President Trump’s.
I’m skeptical, in short, as to how Soarin’ Across America will be read at this moment, a time when many are questioning the relevancy of patriotism and loyalty to a flag. So I was eager to discuss these thoughts with veteran Imagineer Tom Fitzgerald, an executive creative director who recently worked on Main Street, U.S.A.’s Walt Disney animatronic show, who met with me last week.
An attraction poster for Soarin’ Across America released via the Walt Disney Co.’s corporate media site.
(The Walt Disney Co. )
I asked him about potential discomfort around Soarin’ Across America’s patriotic displays. He lightly pushed back, arguing in essence that’s why the attraction is necessary.
“I think we were taking the opposite approach, the optimistic approach, which is what Disney is all about,” Fitzgerald says.
“How can we do something that will help us all celebrate?” he continues. “I know personally when I saw the Artemis II mission recently, I felt like we all came together and said what an astonishing achievement. We were all rooting, going up and coming down. I think that’s more what we wanted to do. Let’s just do a portrait of America, and let the guests go in and just enjoy it. … Let’s just let the audience come in without any preconceived notions and enjoy this four-and-a-half-minute journey.”
I did ask a follow-up, wanting to hear about the conversations that were had at Imagineering to ensure this ride wouldn’t be seen as political, even as it is showing locations such as Mount Rushmore, often a site of protests and criticism from Native Americans.
“I think for us, it’s like, go for the iconic place, and keep it all in the Soarin’ style, with the big music, hang gliding,” Fitzgerland says. “Just make it a journey that just flows from coast to coast.”
A coastal scene from Soarin’ Across America.
(Disney Parks)
Fitzgerald says the ride came together in exactly 12 months, making it a relatively fast, time-crunched project. Yet that also means Disney was aware of the heightened cultural environment it was entering.
The attraction is already open at Florida’s Walt Disney World but I don’t believe in reviewing rides via point-of-view videos, so I’m waiting until July 2 to experience it here. When it lands in Anaheim, I hope I find it an empowering, uplifting work. A number of its locations, including our own Griffith Park, or the Grand Canyon West, Denali National Park, a Maine lighthouse and more, are a reminder of our park wonders. It’s in these scenes that I believe Soarin’ Across American will thrive, and become that “portrait or tapestry of crossing America” that Fitzgerald describes.
Also important: The attraction is a reminder that a theme park such as Disney California Adventure is not so much an escape as an idealized reflection of what is happening beyond its borders. Theme park additions don’t happen in a vacuum, and I applaud its designers for continuing to take risks, especially when they don’t involve pop-culture IP (the IP being explored here is America).
And if Soarin’ Across America can inspire a few trips into our great outdoors, whether that’s an afternoon at the Griffith Observatory or that Grand Canyon trip you’ve been putting off, I’ll take that as a win. But it would have been fine with me if the red, white and blue fireworks had been left in the editing bay.
Halloween season is coming soon. Universal Studios Hollywood announced this week one of its first major haunted houses for 2026’s Halloween Horror Nights.
(Wally Skalij / Los Angeles Times)
A grilled cheese from the Grand Californian’s Hearthstone Lounge.
(Todd Martens / Los Angeles Times)
The signature restaurant at the Disneyland Resort is the Grand Californian’s Napa Rose. But don’t sleep on the hotel’s Hearthstone Lounge, which accepts walk-ups and reservations (bar seats can be hard to come by). Its relaxed casual atmosphere has made it one of my regular stops when at the park for a full day, and its menu ranges from the informal (sandwiches, pizza) to the more upscale (a $72 New York steak). I tend to lean to the former, and opted for the restaurant’s $21 grilled cheese sandwich on a recent visit. With Parmesan-crusted toast, it feels decadent but isn’t too filling, as bits of bacon, arugula and tomato balance out its mildly sweet and not-too-heavy Point Reyes Toma cheese filling.
Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.
Ride on,
Todd Martens
“Mouse P.I. for Hire” is a recent video game in a vintage, 1930s-inspired animation style.
(Fumi Games / PlaySide Studios)
One of my non-theme park passions is video games, and I think Disney fans who also enjoy interactive entertainment may want to give a recent release a close look. “Mouse: P.I. for Hire,” essentially available on all platforms, is a well done lighthearted first-person shooter with some stylistic thought behind it. It’s gorgeous, a black-and-white game in the 1930s cartoon feel, and it’s filled with many a sight gag that wouldn’t have been out of place in “Who Framed Roger Rabbit.”
Its tone is of a noir film, and begins with a missing persons mystery while gradually spinning out to reveal a world full of of fascist, evil mice. When it comes to gameplay, it’s a bit old-fashioned, focusing on the cartoonish aspects of video game shooting rather than anything realistic. It’s good fun and a bit silly, and I like to think of it as something that an alternate world Disney could have dreamed up.
Coffee chain has seen ‘very significant’ drop in sales after campaign that evoked deadly crackdown, local operator says.
By Reuters and The Associated Press
Published On 26 May 202626 May 2026
Starbucks Korea has suffered a “very significant” drop in sales after a marketing campaign that evoked a brutal 1980 military crackdown on pro-democracy protesters triggered a public outcry, according to the coffee chain’s local operator.
Shinsegae Group, whose subsidiary E-Mart owns the coffee chain in South Korea, has faced mounting criticism over its so-called “Tank Day” campaign, launched on the anniversary of the May 18 Gwangju Uprising, when the military government deployed troops and tanks to suppress pro-democracy demonstrations.
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In a news conference on Tuesday, Shinsegae Group chairman Chung Yong-jin made a public apology and asked people not to take out any anger on Starbucks Korea employees and front-line staff.
“I take it very seriously, the fact that many people felt deep pain and anger because of Starbucks Korea’s inappropriate marketing campaign,” Chung said.
“I will take all responsibility for the incident.”
Chung also asked people not to take out their frustration on staff at Starbucks shops, saying the responsibility lies with management. There were no immediate reports of major incidents at stores.
Chung issued his first apology on May 19, saying in a statement that the campaign caused “deep pain to the victims and bereaved families of the May 18 Democratization Movement as well as to the public”.
Shinsegae fired the head of Starbucks Korea last week after apologising over the campaign. Starbucks Global also apologised and said that an investigation had begun.
A Shinsegae official said sales had fallen sharply since the marketing controversy.
“While sales are not our main concern at the moment, we have seen a very significant drop,” said the official.
At Tuesday’s news conference, Jeon Sangjin, a senior Shinsegae Group executive, said the company had yet to find conclusive evidence that Starbucks Korea marketing employees intended to mock the pro-democracy movement, an accusation the employees have denied.
However, he said some employees refused management requests to hand over their smartphones during a weeklong internal review.
Jeon said the company would look at the results from the police inquiry, and any employee found to have intended to ridicule protesters would be fired.
The anger over the campaign has triggered public calls for boycotts, amplified by government officials, including Interior and Safety Minister Yoon Ho-jung, who said Starbucks products will no longer be used at government events and lamented the chain’s “anti-historical behaviour”.
The country’s president, Lee Jae Myung, said on X last week that the campaign displayed “inhumane and disgraceful behaviour by cheap profiteers who deny the values of the South Korean community, basic human rights and democracy”.
Hundreds of people are estimated to have died or gone missing when Chun Doo-hwan’s military government cracked down on the protests in Gwangju.
Many details remain unconfirmed, including who gave the order to open fire.
Muslim pilgrims have begun arriving in Mina, near Mecca, ahead of the start of Arafah Day during the annual Hajj pilgrimage. Pilgrims described feelings of peace and gratitude as they prepared for one of Islam’s holiest rituals.
Published On 26 May 202626 May 2026
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Thirty-five years after his death, jazz giant Miles Davis, who would have turned 100 years old Tuesday, remains a truly larger-than-life figure in music and well beyond.
Still possessor of the biggest-selling jazz record in history, “Kind of Blue,” Davis casts a huge influence over the whole music world for his uncompromising artistic vision, constant evolution, style and more. Though he came from jazz, he may be the biggest rock star there ever was. Talk to any musician, regardless of genre, and they will tell you Davis defined swagger and cool. He had a vibe unlike that of anyone else.
In honor of Davis’ centennial, The Times spoke to an array of notable artists from all walks of music, some who knew and played with him, some fans of the man, but all agreed, Miles Davis was and is a singular force in music, an artist like no other in his vision, passion and feeling for the music. In short, there was only one Miles Davis.
Chuck D, rapper: I like Miles Davis and all the exterior aesthetics. I like the Blue Note album covers, Prestige album covers, his style, his way of life.
Cindy Blackman Santana and her husband Carlos Santana in 2019.
(Ethan Miller / Getty Images)
Cindy Blackman Santana, drummer: Stylistically, Miles was a complete innovator. I remember hearing him say that he didn’t play right if he wasn’t dressed right. That is completely something that inspires me as well, because it becomes not only what you’re putting out on your horn or your drums or your guitar or your piano, but it’s your whole being that is expressing this innovative approach to music and to life.
Bilal, singer: If you play the music you’ve got to look the part, and it was almost like he got into a movie role or something like that. But he was always into the clothes … It was almost like every era had a different outfit. But, yeah, I definitely take his style. The clothes make you feel a certain way to play that way. So that’s the vibe. You’ve got to have that character, that attitude.
Emmet Cohen, left, performs with Terence Blanchard at Lincoln Center in 2025.
(Slaven Vlasic / Getty Images for Find Your Light)
Emmet Cohen, pianist and composer: I think when you listen to Miles’ records you can really appreciate them all the way through and there’s something in there for all sides of humanity. Whether it was the Prestige records that he pumped out in a couple of days, or there was “Birth of the Cool,” he just knew how to assemble musicians and let them tell their stories. And the storytelling is really where I think the deepest connections are made. He was a rock star, but he had a story to tell. And that always comes first.
Guitarist Lenny Kaye performs onstage at Carnegie Hall in 2023.
(Noam Galai / Getty Images for Tibet House US)
Lenny Kaye, guitarist: He started in the bebop era, with the immortals of that moment in time. But I always got the sense that he was looking for something else. He didn’t want to participate in the faster-than-light speed changes and virtuosity. So, I really respect the fact that when he moved into “Birth of the Cool,” he pulled it back so he could inject more of his human self into it. And over the years, he kept on doing that, “Sketches of Spain,” “Kind of Blue,” one of the most jazz friendly records of all time.
Flea, bassist: Every time Miles changed it up, he destroyed everything that came before. He is the ultimate artist, always evolving, always coming organically from the depths. His music is the warmest and the wildest.
Flea of the Red Hot Chili Peppers released a solo jazz album in March.
(Allen J. Schaben / Los Angeles Times)
Bilal: I really like his electric era, but I would say I keep discovering and rediscovering stuff from Miles that I’m just like, “Damn, man. It’s like it’s another artist because he went through so many different changes.” … The other day I found his “Sketches of Spain” record. I put it on. I was like, “This is crazy. I forgot he was into this too.”
Wyclef Jean, rapper: When you go through Miles’ whole catalog, you see you can have quiet days. You can have loud days. You can have explosive days. But the key is that consistency. And that discipline.
Kaye: I respect Miles. For me, he’s an artist that transcends the jazz genre. He’s so alert to the shifting moods of the culture, the directions of the music. And what I find fascinating about him is his ability to morph into new styles and to keep challenging himself. One thing about Miles is that he doesn’t repeat who he is.
Musician Ron Carter in 2011.
(Theo Wargo / Getty Images)
Ron Carter, bassist: We always thought that we were honored to have Miles hire us out of other guys who were available to him. The first few gigs, we had a couple of weeks up and down the West Coast, and everybody but Miles was trying to find out what the tunes were, what the changes were. I was just trying to do what I thought was necessary to make this guy think he hired the right guy and make the band sound good. … Whatever his method was, it was successful.
Ibrahim Maalouf, trumpeter: Quincy [Jones] always spoke about Miles not just as a genius, but as someone who knew when to move on. And that’s a lesson I still carry with me every day.
Kaye: In “Bitches Brew” he created the template for what would be jazz fusion and made rock ‘n’ roll an important part of his evolution. Just an artist who never stands still and that is what I personally respect and honor within his work. When he saw what an artist like Jimi Hendrix was doing, he thought, ‘Yeah, I know how to access that and not be Jimi Hendrix. I can be myself.’ He understood the tides of cultural transformation as much or better than most musicians of the 20th century.
Don Was performs onstage at Ryman Auditorium in Nashville in 2022.
(Jason Davis / Getty Images for Americana Music)
Don Was, musician and producer: In life, as exemplified by music, if you don’t change, you stagnate. And the thing about Miles that really stands out, I think, is that he was always willing to risk losing his audience in order to keep moving forward. He was courageous in every era, including eras when maybe courage wasn’t held at a premium.
Maalouf: For me, as a trumpet player, of course, the musical influence; space, phrasing, silence, we can talk about this for hours. But I think that more than that, there’s an attitude.
Ibrahim Maalouf performs at the Paris 2024 Cultural Olympiad at L’Olympia on July 24, 2024, in Paris France.
(Julien M. Hekimian / Getty Images)
Trombone Shorty, musician: Miles has inspired me because of that attitude, ‘I’m going to do what I want.’ He was playing what he felt in whatever time period or whatever decade he was inspired by. He really embraced that tremendously. And that’s always the thing that I admire about him as a person and as a musician. Whatever the spirit is, he’s going to go with that. That’s what I always got from Miles.
Nas, rapper: With Miles it wasn’t just about the music he made, it was about how he carried himself as an artist and a pioneer. His impact on me personally is as much on a human level as it is on the artist level.
Trombone Shorty performs at the Anaheim Convention Center in 2015.
(Jesse Grant / Getty Images for NAMM)
Trombone Shorty: The swagger, he may have created the swag.
Vince Wilburn Jr., nephew and drummer, who now co-manages Davis’ estate: He liked to catch things, that’s why the tape kept continuously rolling, because he said it was songs inside of songs.
Carlos Santana, guitarist: “I recommend that people who never heard of Miles Davis, I’ll say start with “Kind of Blue,” then move on to “Bitches Brew.” Because the thing about Miles Davis is that he teaches people who have never meditated how to stop and be coherent about absoluteness. In one note, Miles can play absoluteness. One note for Miles, like Billie Holiday, like Cindy says, that’s enough to understand all the whys and all the reasons why it’s sacred to be alive.
Was: He probably changed the face of music more than anybody did, at least four or five times. Maybe more than that. It’s a combination of mastery and an unstoppable spirit of adventure that I think make him unique. Because he was absolutely a master of harmony, rhythm, of creating a vibe. Yet he loved upsetting the cart and I think went out of his way to create friction musically, within the band, to keep things stirred up constantly and make every day an adventure. It requires tremendous courage. But also, supreme excellence to do it on the level that he did with the level of musicians that he surrounded himself with. That’s another thing, too. He wasn’t just the most innovative man on the horn. His genius was also as a curator of human chemistry.”
Musician Wyclef Jean performs in 2023.
(Christian Petersen / Getty Images)
Jean: The main thing that I learned from Miles at a very young age is just the braveness, you can’t be scared to just go. Going doesn’t just mean learning one part of it. It means learning the entire metrics. … When it comes to Miles, he’s just a complete teacher; even on how he sees art, how he sees shapes, and also there’s a whole part of Miles that’s tough love when it comes to it. So, all of that instills character.
Bilal: As an older musician, you could see all of the building blocks are in those records. If you take some of those records out, I don’t know where jazz would be. You can see the essential building blocks.
Izzy Escobar, singer: Miles Davis made jazz feel cinematic to me. When I listen to songs like “It Never Entered My Mind” or “Flamenco Sketches,” there’s mystery, romance, restraint and tension in every note. Nothing feels overdone, yet somehow it says everything. As a songwriter, that’s deeply inspiring because the best music doesn’t just sound good … it creates an entire world you can step into. I think that’s why his influence has lasted a century. His music still feels fearless, elegant and emotionally alive — all of which never go out of style.
Jorma Kaukonen, guitarist: I had always thought of jazz as somewhat of a haughty art form. Probably because at the time many of the time signatures and chordal progressions that Miles used were over the head of a young guitar player still functioning in the blues and folk idioms. … The growing rock and art movement in the Bay Area in that era taught us to eschew boundaries and labels, and it became possible to see similarities and possibilities with jazz music that would have gone previously unnoticed. Our harmonic tendencies were nowhere near as complex, but they were rapidly becoming more sophisticated thanks to our exposure to such great improvisers as Miles! Miles knew no boundaries.
Jean: One thing that I learned from Miles is someone can have the best technique. They could be moving around. But if you can dig and play from your soul, this instrument just becomes a vessel of sound and orbit, bro, it’s over. There’s a connection with the soul. And I wouldn’t be able to do that, bro, if I didn’t have people like Miles to really teach me how to hear.
Theo Croker plays trumpet the Kennedy Center in 2018.
(Paul Morigi / Getty Images for Thelonious Monk)
Theo Croker, trumpeter: He was definitely a larger-than-life figure. And it encourages me to be a larger-than-life figure. Growing up as a kid, we sit in a room all day and play trumpet for hours. You see somebody like Miles Davis and you’re like, “Wow, I can be a rock star.” Because I couldn’t sing, otherwise, you end up being a pop star, Prince, Michael Jackson and Stevie and all that. But Miles was that for the trumpet, of course. So, it’s so much bigger than music.
Musician Mia Doi Todd performing in 2012.
(Paul Redmond)
Mia Doi Todd, musician and singer: Miles Davis was such an outstanding band leader, bringing together a group of musicians and seeking to break the boundaries. That is what I look to him most for as a celestial mentor, being a band leader and creating those sonic landscapes. The records that I love most of his are from that electronic jazz fusion era, which weren’t his most popular at the time. I love “On the Corner.” I’m a person of mixed race, so the records that he was bringing together, all these different musical elements, those are the ones that I really admire … “I wish I could play in that band.”
Maalouf: There’s this idea that music is not about providing something. It’s about searching. It’s about staying alive artistically. I think that strength goes far beyond music, it’s really a message for all the musicians that we are. Never stay where people expect you to stay. Every time the audience thought they understood him, he changed direction. And I think that’s definitely one of the most inspiring parts of his musical life.
Was: I never met him. But he was a heroic figure to me as a teenager, very much in the same way that simultaneously, like Bob Dylan and the Rolling Stones were, or John Lennon was, or Allen Ginsberg was.
Bilal performs in New York City in 2023.
(Roy Rochlin / Getty Images)
Bilal: That [artistic vision] is a major influence that I take from Miles. … I always approach the music in that way where you got to do your own thing. You’ve got to have something to say, and you’ve got to want to evolve and always look for ways to grow and change and with the music. Miles was quintessential at that.
Trombone Shorty: To me, Miles Davis was a real rock star. It just wasn’t the sound. When he walked on stage … he looked the way that the music sounded to him. … And as he grew, he just really embraced everything that was coming to him, and he didn’t run away from it. He wanted to have his influence and also be tremendously influenced by things that were happening. He was just the coolest; when they say cool, Miles Davis has to be next to that word.
Nas performs in New York City in 2018.
(Bennett Raglin / Getty Images for Jenn-Air)
Nas: I think Miles’ impact on every inch of music after him is the most impressive part. Musicians from every genre speak on his influence. It has no language or cultural barriers.
Jean: I would literally tell everybody to do a deep dive and start with early Miles, start from the bebop and the blues, don’t just go in. I started my daughter with “Birth of the Cool.” Now she’s vibing and slowly working her way up.
Musician Vince Wilburn Jr. in 2011.
(Theo Wargo / Getty Images)
Wilburn Jr.: Style, creativity, forever evolving, ever looking back, unapologetic. Lenny White used to say everybody wanted to live and be like Miles, all the musicians. You have Miles, and then you have everyone else.
Santana: Miles is what I call a sacred rascal, a divine rascal, a genius. When I’ve been in the room with Herbie [Hancock], Wayne [Shorter] and Tony [Williams], and the name Miles comes up, they all stop. It has such an impact on all of them to this day it shows that Miles is Da Vinci, Stravinsky, Picasso. Collect all the geniuses of this planet, and that’s what Miles is in one note. In one note, he reveals more because in one note, he teaches an individual how to hug infinity with emotions.
Kaye: I think of him as a lodestar for someone who wants to continually move music forward into the future because that’s what music is about. When you play music, you’re moving from one note to the next and creating the future of that piece. I just find Miles a fascinating creature of transformation. Miles, for all his artistic innovation, was a pop star.
Maalouf: Miles Davis’ legacy is not only a sound, it’s a mindset. He gave all of us the permission to be many people in one lifetime. It feels to me it’s the secret and he was generous enough to do it himself and show the world and especially the jazz world that is not always easy to please that someone can be many people in one lifetime. It’s not only true for music. It’s true for everything in life.
Cohen: He’s always on the cutting edge of the next thing and the next group of musicians that he finds. The story in that is that there’s constant change, constant evolution, and to find the thread throughout is kind of the meaning of life. And to play his music is the same thing. He created a language. So, when we play his music, we’re playing within the language that he created.
Was: “That’s why he’s that cat. He’s the most rebellious musician of all time, I think. He was the complete package man, no one more innovative or influential.
I’M A Celebrity star Jake Quickenden has enjoyed a family day out at the fair with his kids following his shock split from his “soulmate” wife Sophie Church.
Sources confirmed to The Sun last week that Jake and Sophie, who share two children together, have formerly separated.
The pair married in 2022 but called it quits earlier this month, telling their friends and family.
The source told us they “remain incredibly amicable” and their “main priority is the kids.”
Jake has been spotted in dad mode this bank holiday weekend as he took his sons Leo, 5, 16-month-old Kit and Freddie, 10 – Sophie’s son from a previous relationship – on a fun day out.
The family were spotted grinning from ear-to-ear as they posed in front of a handful of stalls at the fair.
Read more on Jake Quickenden
In one snap, Jake was seen sitting on a carousel clutching his youngest son as they soaked up the weekend vibes.
The kids enjoyed playing games at the fair and even came away from the trip with a few teddy bears to their name.
Toddler Kit looked over-the-moon in another picture as he played with the ducks in the hook-a-duck pond.
Elsewhere, Jake, 36, was seen taking a dip with his kids in a splash pool – the family certainly had a jam-packed day.
Underneath his Instagram post, one fan wrote: “It looks like you had a lovely day with your boys @jakequickenden making memories.“
Another fan penned: “You’re a great dad Jake, so glad you all had fun x”
Former X Factor star Jake and his ex Sophie are fully committed to being the best parents possible during this tough time.
They called time on their romance after growing apart.
A source said: “Over time, they started to grow apart and Jake and Sophie have had some long and honest conversations about this.
“While they might not be together any more, they are still on great terms and are looking to the future, co-parenting together. Maintaining a happy and supportive family unit together is their focus now.”
Singer Jake recently broke his silence on the split after he replied to a fan who said: “Whatever is happening the kids have the best parents ever…dad and mum who love them so much!
“I hope things work out for the best! Positively you way!”
Jake replied: “Appreciate that, they are all that matter.”
Influencer Sophie and Jake first began dating in 2018 and proposed three years later in Rhodes, Greece.
People in Lebanon have gathered to observe Liberation Day, which marks the date in 2000 when Israel ended its 22-year occupation of southern Lebanon. Al Jazeera’s Zeina Khodr explains how this year’s celebrations come as occupation returns to the country’s south.
Published On 25 May 202625 May 2026
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Ahead of Memorial Day, we want to express appreciation to the brave men and women who have made the ultimate sacrifice for our freedom. Seeking Alpha wishes all our subscribers a beautiful holiday weekend and let us remember those who courageously gave
The majority of the 42 athletes taking part used performance-enhancing substances and Enhanced Games said “13 athletes set personal bests”.
The event was played out in front of a curated crowd of around 2,500, with tickets not on sale to the general public.
On the track, American former world champion Fred Kerley – one of the athletes competing ‘clean’ – won the men’s 100m in 9.97 seconds, which was short of his personal best of 9.76.
British swimmer Ben Proud, who won silver in the men’s 50m freestyle at the 2024 Paris Olympics, triumphed in the 50m butterfly, clocking 22.32 seconds which was 0.05secs short of Andrii Govorov’s world record.
“We all know what we came for. And that’s world records. And so to be that agonizingly close, it’s frustrating,” Proud said.
Another British Olympic swimmer, Emily Barclay, won the women’s 50m freestyle in 24.09, around half a second slower than the world record.
Weightlifter Hafthor ‘Thor’ Bjornsson, who played The Mountain in TV show Game of Thrones, was another taking part but was unable to break his own deadlift record of 510kg.
Drugs used at the Enhanced Games must be legal and approved by the US Food and Drug Administration (FDA).
They include testosterone, growth hormone, peptides, anabolic steroids and other substances banned in sport.
Those behind the event argue enhancement already exists in elite sport, but secretly and without transparency, and say bringing it into the open where it can be monitored makes it safer.
However many sporting governing bodies have publicly rebuked athletes for choosing to compete in the games and some sporting governing bodies have banned athletes for taking part.
The IOC and Wada have described the Enhanced Games as “immoral” and “a dangerous and irresponsible concept”, while World Athletics president Lord Coe said anyone taking part was “moronic”.
The project was founded by entrepreneurs Aron D’Souza and Maximilian Martin in 2023 and has attracted backing from prominent investors including billionaire Peter Thiel and Donald Trump Jr.
Martin had predicted that athletes would beat “quite a few” world records at the event.
CHRISTINE McGuinness looked super sexy soaking up the sun in a thong bikini on the beach amid romance rumours.
The model, 38, took to the coast to enjoy the beautiful weather over the Bank Holiday weekend and have some much needed “me time”.
In a video clip posted to Instagram from the trip, Christine flaunted her fabulous figure in a barely-there swim set.
The teeny black bikini and matching thong hugged Christine’s body to perfection as she lounged on a towel on the sand, waves lapping in the distance.
She bundled her hair up out of the way in two pigtail braids that fell over her shoulders.
Christine finished the look off with a pair of chic sunglasses and a smile.
Read on Christine McGuinness
In the caption, the star penned: “I could be… But when I’ve got a rare day to myself with no plans… it looks like this.”
Fans of Christine took a moment to gush about how gorgeous she looked in the post’s comments section.
One user said: “Wow absolutely stunning xx.”
A second shared: “Phenomenal.”
A third added: “That’s a wonderful view today,” followed by a winking face emoji.
The sexy video comes just weeks after Christine was spotted locking lips with DJ Roxxxan in her Land Rover Defender.
They were first linked when we revealed they flew to Ibiza together in 2024.
The DJ — real name Roxanne Conway — is also a model and describes herself as “masculine”.
Christine was recently also linked to former boxing champ Nicola Adams, 43, after saying she would “love to have a wife one day”.
She added: “Not like a legalised marriage, but like a blessing, a celebration of love.”
Christine and Take Me Out host Paddy McGuinness, 52, divorced in 2024 but still live together in Cheshire with their three children.
They met when she was 19 in 2007 — the year she won the Miss Liverpool title — and married in 2011.
After 10 days of crazed moviegoing at the Cannes Film Festival, Times film critic Amy Nicholson and Times film editor Joshua Rothkopf are all but spent. They leave with 10 recommendations (listed below in alphabetical order), including several titles you’ll be hearing about during awards season, but also, admittedly, more reservations than usual.
Amy Nicholson: There are worse ways to spend your life than watching four movies a day in the south of France. For a week and half, we ran in and out of the dark theaters, blinking at the shock of the sun and bickering about what we just saw with the highest concentration of film lovers anywhere — most of us jacked up on espresso or rosé. Yet, we’re flying home miffed that the movies themselves were mediocre. Cannes is meant to launch ambitious, prickly works by grandmasters and next-generation talents. This year, the programming looked like a party with an impressive invite list — Nicolas Winding Refn, Asghar Farhadi, Hirokazu Kore-eda — but upon arrival, all the guests felt like old acquaintances tapped out of anything interesting to say.
I’m being harsh. Cannes had good movies, too. But I needed this year’s Cannes to be great. Audiences trickling back into theaters deserve to see something fantastic. Instead, too many filmmakers took the crowd’s attention span for granted; even the strongest films in competition could delete a half-hour of dead air. Fittingly, the majority of my favorites came from Cannes’ kookier programming sections, Directors’ Fortnight and Un Certain Regard — and I suspect many of yours did, too, oui?
Joshua Rothkopf: I did find a handful of films from the main competition that impressed me, but point taken: Nobody is served if we can’t admit that this year’s edition was weaker than others. We could blame screenwriting or pacing (though paradoxically I was impressed by both the longest and the shortest movies in competition). Maybe it’s an overall lack of boldness. When a restored version of Ken Russell’s salacious 55-year-old “The Devils” eclipses virtually everything else shown at the festival, a certain timidity is hard to deny. There were too many “nice” films: perfectly respectable but not what I want Cannes to be.
Fortunately, we saw enough to sharpen up a list of favorites. Here’s what stirred us.
I’m not convinced that the utopian vision of end-of-life care presented in Ryusuke Hamaguchi’s drama has a fighting chance in America, but we deserve the opportunity to grapple with its compassionate turns and have that discussion. The director of “Drive My Car” continues his process-centric exploration of workplace relationships in this quietly revelatory movie, one with a centerpiece conversation that merits comparison to the long walks of Richard Linklater’s “Before” movies. Virginie Efira and Tao Okamoto let a day’s stroll linger into profundity, the twilight dimming and human connection brewing in all its possibilities. Is it too late for them? It doesn’t need to be. — Joshua Rothkopf
Esteban (Javier Bardem), a renowned bad boy Spanish filmmaker, returns to his homeland from New York to shoot a period picture in the desert. Off-screen, he’s gifted one of the four leading roles to his estranged daughter (Victoria Luengo), an aspiring actor who hasn’t seen her father in 13 years. Esteban failed as Emilia’s dad. Can he succeed as her director, especially when her big break packs this much pressure? Not likely, especially as Emilia has inherited his disastrous boozing habits. “The Beloved’s” actual director, Rodrigo Sorogoyen, unleashes his leads to become a tag team of destruction, each blaming the other for what’s going wrong on set. They’re both mired in clashing narratives of their relationship. Sorogoyen shows us the truth, as well as the visible frustrations of the film-within-a-film’s cast and crew that risk shutting down this too-passionate passion project. — Amy Nicholson
(Iglesias Mas / Sony Pictures Classics)
Pedro Almodóvar’s self-flagellating film about his artistic process has a Charlie Kaufman-lite structure that I’d rather let audiences discover on their own. In brief: Almodovar’s avatar, a filmmaker named Raúl (Leonardo Sbaraglia), gets dragged over the artistic coals by the dramatic female characters he’s been writing for decades, one of whom dares him to simply coast on his legacy. Too many veteran filmmakers in his year’s Cannes competition seem to have accepted that bargain, so when Raúl got to the end of a new script and decided it wasn’t up to his standards, I nearly shouted “Bravo!” Navel-gazing cinema about the creative process isn’t usually my bag, but Almodóvar doesn’t take his own misery that seriously, even inserting a manic pixie dream hunk, a male stripper-slash-firefighter played by Patrick Criado, for a little bump and grind. — Amy Nicholson
It’s been 101 years since Virginia Woolf first published “Mrs Dalloway,” a novel about persnickety party hostess Clarissa Dalloway colliding with her former lovers, one male and one female. The plot seems simple, but every glare and sigh tells a whole story about modernization, capitulation, cynicism and violence. Twin brothers Arie and Chuko Esiri have transplanted the tale to present-day Nigeria and stacked the cast with Sophie Okonedo, Ayo Edebiri, Nikki Amuka-Bird, David Oyelowo and the staggeringly talented India Amarteifio as the diva in her captivating youth before she married a tedious oilman and started bullying the help. “Clarissa” makes several smart adjustments, swapping in a traumatized Boko Haram soldier for a shell-shocked veteran of the Great War, and cocking an eyebrow at the shiny new yoga studios and coffee shops littering Lagos’ once-lush waterfront. Better still, it’s sexy as heck — the flashbacks are one swimsuit party after another. — Amy Nicholson
The one-sentence pitch of Jordan Firstman’s debut dramedy — a gay nightclub promoter sobers up when he discovers he has a 10-year-old boy — sounded as fun as snorting a line of aspartame. I stand corrected. “Club Kid” is a blast: a spicy, surprising and irreverent comedy that rarely peddles the audience anything artificially sweet. Firstman stars as Peter, a debauched millennial aging out of a New York scene that never cared about him as a person in the first place. His business partner Sophie (Cara Delevingne) is a horror; his selfish squatter-roommate Nicky (Eldar Isgandarov) is even worse and so hilarious I’d watch a spin-off sequel just about him. Peter’s shock son Arlo (Reggie Absolom) has a casual charm that pickpockets your heart, but it’s the script’s sour quips that will have you urging people to get past the treacly set-up and go see “Club Kid” themselves. — Amy Nicholson
Art punk Radu Jude’s latest satire is about a Romanian immigrant with a burlesque double life. By day, Gianina (Ana Dumitrașcu, fantastic) is the live-in housemaid of a daft Parisian family; by night, she’s an actress in a turn-of-the-20th century slapstick farce about a housemaid whose master suckles her patent leather boots. In neither world can she openly say what she thinks (although in her native tongue, she curses her employers and their young son plenty). Fast, crisp and snide, “The Diary of a Chambermaid” gives equal weight to the monotony and the absurdity of Gianina’s grind. And Jude isn’t above including a mocking slow-motion shot of a spoiled French boy totally whiffing a soccer kick. — Amy Nicholson
The tension at the heart of Paweł Pawlikowski’s period piece, set in a ravaged, fallen Germany after the end of World War II, is one that goes unresolved. All that’s left are defensive denials, evasions of Nazi collaboration and the faint hope that something higher has survived. I could watch this kind of guilt-ridden post-apocalyptic movie for hours; instead, this lasts a scant 82 minutes. The conclusion, a wordless moment between father and daughter set to the strains of Bach played on a broken pipe organ, was the most devastating passage of the entire festival. “Fatherland” shows off Pawlikowski’s exquisite way with black-and-white evocations of European tragedy, but he’s never summed them up as poetically. — Joshua Rothkopf
People at the festival called this one complex; I found myself disagreeing. It’s actually a fairly straightforward story about a religious but mostly level-headed family flung into conflict with an overly sensitive branch of child protection services — and maybe with the whole of agnostic Norwegian progressivism. As reactionary as that sounds, I was totally rapt. Partly that’s due to a beautifully plotted courtroom scenario and the immersive performances of Sebastian Stan and Renate Reinsve, reuniting after “A Different Man,” as parents increasingly out of their depths. But mainly, I credit Romanian director Cristian Mungiu, who knows a good story when he sees one, crystallizing its potency with every camera choice. — Joshua Rothkopf
The ice-chilled return of Russian filmmaker Andrey Zvyagintsev (after a multiyear battle with long COVID) is worth the wait: a condensation of everything he does well into something so purely distilled, it should come with a proof warning. The movie kicks off as a casual portrait of the vacant nouveau riche lifestyles of the mini-oligarchs: fancy dinners, divorces, bathroom gossip. Then it becomes an erotic thriller (it’s based on Claude Chabrol’s 1969 “The Unfaithful Wife,” as was Diane Lane’s “Unfaithful”). But the best comes last, as the situation gets fixed in broad daylight with breathtaking brutality. The war in Ukraine? Someone else’s problem. “Minotaur” takes on the whole of Putin’s dissociative society and puts its winners above the blackened clouds, looking down at the rest of us. — Joshua Rothkopf
I am growing to love Jane Schoenbrun’s exfoliation of ’80s horror obsessions, especially for the movie’s nonjudgmental embrace: Let these movies be free in all their “problematic” badness and let them work on you. The fact that “Teenage Sex” sometimes plays like a bottle episode of “Hacks” doesn’t hurt. Hannah Einbinder brings vulnerability to a project that needs her brand of self-excoriating fearlessness. Points, too, for not turning this into yet another celebration of some forgotten male director reclaimed as a genius. Rather, the opposite: It’s about an abused scream queen (Gillian Anderson, gamely campy), a liminal, wintry campground and the exhilaration of running in the woods in your pajamas. — Joshua Rothkopf
Clara Adams expected to win the 400-meter dash Saturday in the Southern Section Masters Meet at Moorpark High. The Long Beach Wilson junior not only won, she broke the section record, circling the track in 51.98 seconds.
“To be honest, I did not expect a 51 today … that was my end goal and I got it before state,” said Adams, who topped the previous mark [set by Norco’s Shae Anderson in 2017] by one hundredth of a second. “It says a lot about my training and teammates who push me in practice every day. I’m ecstatic.”
Even better than breaking a section record is breaking a state record and Adams was smiling wider several hours later after she and teammates Brooke Blue, Brooklyn Fowler and Saniah Varnado did just that by clocking 3:33.83 in the 4×400 relay to obliterate the time of 3:35.49 set by Moore League rival Long Beach Poly in 2004. Rosary Academy was a distant second in 3:41.33.
“The 400 was our first race of the day, all of us ran it and we all qualified for state and that carries over to the rest of the day,” said Adams, who ran the third leg and widened the Bruins’ lead before handing the baton to Varnado for the anchor leg. “The state record is a bonus. We handled our business and now we have a week to prepare to go for the national record.”
Florida Montverde Academy owns the national record of 3:31.68, achieved at the 2024 New Balance Nationals Outdoor in Philadelphia, but Wilson’s foursome was content with the state record, at least for now.
“We already had a good lead when I got it but everyone was getting loud and I was pushing,” Varnado said. “I was thinking we could run in the high 3:30s. I’m proud of how well we did and hopefully we can do even bigger things at state.”
The CIF state track and field championships are next weekend (prelims Friday and finals Saturday) at Buchanan High in Clovis and as usual the Southern Section will be well-represented as numerous athletes met the qualifying standards.
After three-peating in the 1,600 and 800 one week before at the Southern Section finals, Corona Santiago senior Braelyn Combe won both events again Saturday, winning the 1,600 in 4:43.03, well off her 4:41.36 effort at the section finals but still more than two seconds faster than runner-up Reese Holley of JSerra. She won the 800 Saturday by about the same margin in 2:06.04.
Calabasas dominated at the section finals with four runners breaking the Division 3 record in the 100. They were back at it Saturday as last week’s champion Malia Rainey ran 11.33 to win the first heat. Devyn Sproles equaled Rainey’s 11.41 one week before to win the second heat and take second overall. Marley Scoggins (11.46) was third and Coyotes teammate Olivia Kirk (11.62) was fifth.
Tra’via Flournoy led off Rosary’s 4×100 relay, which won in 44.79 at the Masters Meet on Saturday in Moorpark.
(Steve Galluzzo / For The Times)
Rosary’s 4×100 relay established itself as the favorite at state finals with a 44.79, more than a second faster than runner-up Canyon Country Canyon. The Royals’ foursome of Tra’via Flournoy, Justine Wilson, Pfeiffer Lee and Maliyah Collins is hoping to top the state-record (44.23) it set at Arcadia in April when it heads north for the state meet.
“It wasn’t a [personal record] but it was faster than last week,” said sophomore Collins, who ran the anchor leg. “This was a tuneup. Our handoffs were clean and we got the baton around the track. That was our main focus.”
West Ranch junior Tamea Crear (23.50), Kirk (23.54) and Rosary’s Wilson (23.61) and Collins (23.69) took the top four spots in the 200 meters.
San Jacinto Valley Academy sophomore Kaaliyah Lacy clocked 13.44 to win the 100 hurdles, one hundredth off her state-leading time that earned her the Division 4 section title one week ago. Varnado won the 300 hurdles in 41.53.
Irvine senior and Duke commit Summer Wilson, a three-time Southern Section champion in the 3,200, ran a new-season best (10:14.45) and shaved nearly 10 seconds off her time in the Division 2 sectional race.
Irvine’s Summer Wilson wins the 3200 meters in 10:14.45 at the Masters Meet after placing third last year.
(Steve Galluzzo / For The Times)
After sweeping the all three jumps events at the Division 3 section finals, Jurupa Valley senior AB Hernandez did the same Saturday, winning the long jump in 20 feet, 0.75 inches, the triple jump in 40-7 and the high jump in 5-8.
Los Alamitos senior Cassidy Nguyen cleared 13-2 to win the pole vault while Aliso Niguel was first in the discus (165-10) and shot put (49-0) after winning the Division I section crown in both last week.
Woodbridge junior Aidan Antonio won the 3,200 boys race in 8:55.30 while Sterling White of Oaks Christian became the first freshman in state history to break nine minutes, finishing seventh in 8:59.26 to break the ninth-grade record of 9:01.1 set by Eric Hulst of Laguna Beach in 1973.
Riverside King’s Maximo Zavaleta (4:06.30) and Antonio (4:06.54) battled all the way to the finish line to claim the top two spots in the 1,600.
Having won the Division 3 boys title in 38.39 one week earlier, Servite’s 4×100 relay won Saturday’s race in 40.17, followed by Moorpark (40.60) and Loyola (40.83).
“I like the first leg and coming out of the blocks because I get to see my teammates win,” said Jace Wells, whose exchange to Jorden Wells was smooth. Kamil Pelovello and Benjamin Harris ran the last two legs. The foursome set the state record (39.70) at Arcadia.
Harris won the 100 in a wind-aided 10.17 (one hundredth faster than his time in the Division 3 section finals last week), then won the 200 in 20.80 (31 hundredths slower than his winning time a week ago).
“It’s what I expected — I’m proud of it,” Harris said of his 100 time. “I just wanted to execute, win my race and move on. There’s more work to be done.”
Loyola’s Ejam Yohannes beats Servite’s Jaelen Hunter by 11 hundredths of a second in the 400-meter dash.
(Steve Galluzzo / For the Times)
In the most exciting finish of the day, Loyola senior Ejam Yohannes edged Servite sophomore Jaelen Hunter by 11 hundredths of a second in 46.40 in the 400 meters, one week after Hunter ran 46.36 to set a section Division 3 record. Johannes cut three tenths off his Division I winning time last week.
Upland (3:18.54) won the boys 4×400 and Gardena Serra (3:18.88) was second. Crean Lutheran’s Noah Richardson cleared 15-6 to win the pole vault while Redondo Union’s Bo Ausmus won the discus with a throw of 185-7 and the shot put with a mark of 61-9.
Having won the Southern Section Division 3 high jump crown in a lifetime best and state-leading 7-01 seven days earlier, Sherman Oaks Notre Dame senior JJ Harel still had the best height Saturday at 6-10, tied with Nathaniel Baca but winning on fewer misses. Harel aims to repeat as state champion.
Moorpark’s Davis Benson was first in the long jump Saturday at 22-11.75 (he won the Division 3 section crown with a leap of 23-5 last week), followed by Dane Malloy (22-10.5) and Harel (22-9.25). Paloma Valley senior Arthur Stringer won the triple jump in 47-4.5.
Long Beach Poly’s Lynnox Newton won the 110 high hurdles in 13.69, Etiwanda’s Brandon Andrade (13.85) was second and Benson (13.94) third. Andrade (37.01) was second behind Palm Desert’s Kingston Penny (36.86) in the 300 hurdles.
Maggie Graham scored in stoppage time to lift host Houston past Angel City for the Dash’s first victory in 51 days.
Graham fired a shot from just outside the box after a series of one-touch passes up the middle of the field. Houston (4-5-2) ended a six-game winless streak.
Kat Rader put Houston on the board in the 17th minute. Angel City (4-5-1) tied it nine minutes later on Maiara Carolina Niehues’ penalty kick.
Houston was without goalkeeper Jane Campbell after she sustained a head injury Wednesday against San Diego. In her place, Caroline DeLisle made her first career NWSL start.
Temperatures will continue to soar across the bank holiday weekend following the hottest day of the year so far on Saturday.
Temperatures reached 30.5C at Frittenden in Kent, beating the previous day’s maximum temperature of 28.4C in London.
The Met Office said it was very rare for the UK to record temperatures above 30C in May, with the last time being on 25 May 2012.
The heat is forecast to intensify throughout the long weekend, reaching heatwave criteria in a number of locations.
Daytime highs are forecast to reach the upper 20s Celsius in many areas, with the low 30s Celsius likely in the week ahead.
Amber heat health alerts remain in effect for the Midlands, eastern and south-east England.
Amber alerts mean there is a risk of a significant impact across health and social care services, with children and those aged over 65 at risk of negative health implications.
The remainder of England is under yellow heat health alerts, meaning adverse weather is “likely to affect vulnerable groups”.
Spencer Pratt, please give me a call.
We should talk.
You say you want to be mayor of Los Angeles, but do you really?
I know that being a candidate has rescued you from anonymity after your career in reality TV went off a cliff. You’ve got CEOs backing you, and fans raving, and you’ve managed to milk social media attention.
But at some point you might have to answer questions from the reporters you’ve been avoiding.
And if you win, you’re going to have to drive to City Hall five, six, seven days a week, and I don’t know if you saw my column a few weeks ago, but the fountain on the south lawn hasn’t worked in about 60 years. If you get elected, you better put a wrench in your lunch box, because nobody has figured out how to fix it.
So that’s the reality, pretty much. And the unions will want what they want, and the socialists on the City Council will be lying in wait, especially after President Trump blew you a cross-country air kiss and certified your MAGA credentials.
More than 30,000 people are waiting for their broken sidewalks to get fixed (I’m not exaggerating) but there’s no money, and if you hire several thousand more police officers as you’ve pledged, the city would be bankrupt for the next decade or so and you’d need to take out a loan to buy a doughnut.
So call me, like I say, because I think there’s still time to change your mind.
If you choose to proceed, and if you actually win, it might feel like you’re in a sequel to that reality show you did called “I’m a Celebrity … Get Me Out of Here,” and you may end up praying the show gets canceled. The mayor’s hours are long, and everywhere you go, someone will want you to fix this problem or that, and as you wander the halls of power you’ll think back on your campaign pledges and hear the constant echo of a line from H.L. Mencken:
“For every complex problem there is an answer that is clear, simple, and wrong.”
Can I confess something?
I’m feeling guilty about all of this.
Not to sound presumptuous, but I feel partly responsible for the fact that you’re in contention for the job.
Like you, I’ve been calling out issues with the management of L.A., and I’ve been doing it for years. But I had the good sense not to run for mayor.
Why’s that?
Because unlike you, I know the fixes aren’t as easy as we’d like them to be.
When Karen Bass was running the first time, I had a long talk with her about her homelessness plan, among other things. At the end of the day, she asked for my input.
I reminded her that as much as people would like for the city’s top elected official to immediately clear the streets, a mayor is limited by shared power with the City Council.
By drug epidemics and untreated mental illness that are largely under county authority.
By uncertain funding from the nation’s capital.
By global forces that transformed the economy and created staggering levels of inequality that are made all the worse by the high cost of housing.
Bass was aware of all that, but said that having worked in Sacramento and D.C., and having built relationships with county supervisors, she’d be able to build better systems and get better outcomes.
So how has she done?
Not great. And then there’s the fire.
As I’ve said before, leaving the country despite forecasts of elevated wildfire risk was probably the worst mistake of her political career.
I don’t need to remind you of that. Having lost your house in the Palisades, you know that Bass badly underreacted, then stumbled on the rebuilding, and then had a hand in downplaying the Fire Department’s failure to adequately deploy and extinguish the fire that became an inferno.
To summarize, she’s left herself wide open to a challenge.
And she probably can’t believe how lucky she is that you might be her November competition, if the two of you bounce out Councilmember Nithya Raman and the other candidates in the June 2 primary.
I don’t hold it against you that you haven’t worked in government or politics before. These days, a lot of voters prefer outsiders. But it might have helped if you’d done something of purpose at some point in your life, like run a successful business or volunteer at a food bank. Were you junior high class president, or were you in the Boy Scouts? Anything could help.
Not that being the boyfriend and later the husband of someone on an MTV reality show called “The Hills,” which chronicled the work of a woman who went from “Laguna Beach: The Real Orange County” to an internship at Teen Vogue, can’t prepare a young man for statesmanship.
In this culture, you could ride that all the way to the White House.
But the flimsy resume could explain, Spencer, why you’ve been taking so many social media-fueled potshots at Bass without offering anything of substance.
Let’s arrest drug zombies.
OK, then what?
I’d advise you to study the primer by my colleagues Doug Smith and Andrew Khouri on what you can and can’t do about homelessness as a mayor in L.A. Clearly, you’ve got a lot of boning up to do. In fact, I’m reminded of a line by a Philadelphia columnist years ago, when he said of a politician who wasn’t up to the job: He’s been standing in shallow water for so long, he doesn’t realize he can’t swim.
If I were you, I’d consider the fact that President Trump made the mistake of promising easy fixes. He was going to deliver a massive infrastructure program. He was going to deliver healthcare reform that was better and cheaper for everyone. He was going to lower consumer prices on Day One, and here we are, with millions of people wondering how they’re going to pay their bills while Trump rigs it so he doesn’t have to pay the IRS.
All that being said, I’m glad you decided to run, because elected officials need constant reminders that their jobs are not secure, even when the challengers are way in over their heads. I’d almost like to see you win, because that’s one reality show I’d be sure to watch.
And I say this despite the fact that you once told your talk show buddy Alex Jones — who insisted that 9/11 was an inside job and that the Sandy Hook massacre of 20 children was a hoax — that melting ice caps are overrated. Or, as you explained it to Jones, “we’ve all seen footage of the polar bears swimming to new pieces of ice.”
When the general election rolls around, and the ice begins to break, will you know how to swim?
steve.lopez@latimes.com
On this date in history:
In 1701, Capt. William Kidd was hanged in London for piracy and murder.
In 1829, Cyrill Demian was granted a patent for his musical instrument called the accordion.
In 1900, U.S. Army Sgt. William H. Carney became the first African American to be awarded the Medal of Honor. He was cited for his efforts during the Civil War battle of Fort Wagner, S.C., in June 1863.
In 1934, Clyde Barrow and his cigar-smoking sweetheart, Bonnie Parker, who lived by violence, died by violence after being ambushed by police in Bienville Parish, La.
File Photo courtesy of the FBI
In 1939, the U.S. Navy submarine Squalus went down off New Hampshire in 240 feet of water. Twenty-six men died. Thirty-three were saved in a daring rescue with a diving bell. The submarine was raised in September 1939 and recommissioned the USS Sailfish.
In 1945, Heinrich Himmler, the former Gestapo chief, killed himself in a British military prison in Luneburg, Germany.
In 1960, Israeli agents captured Nazi war criminal Adolf Eichmann in Argentina and spirited him to Israel. He was tried, convicted and hanged.
In 1963, the Alabama Supreme Court ousted Birmingham Mayor Art Hanes and two city commissioners, including segregationist Police Commissioner Eugene “Bull” Conner.
In 1991, the U.S. Supreme Court upheld federal regulations prohibiting federally funded women’s clinics from discussing or advising abortion with patients.
In 1992, President George H.W. Bush instituted a new Haitian refugee policy, permitting the Coast Guard to immediately return U.S.-bound boat people to their troubled homeland.
File Photo by Martin Jeong/UPI
In 2009, police said South Korean President Roh Moo-hyun, 62, linked to a corruption investigation, died in a leap from a cliff near his home after leaving a suicide note.
In 2011, the U.S. Supreme Court upheld a lower court ruling that California’s overcrowded prisons violated the Eighth Amendment banning “cruel and unusual punishment.”
In 2013, the Boy Scouts of America ended a century-old ban on openly gay scouts but still prohibited gay adult scout leaders.
In 2018, the National Football League approved a new policy requiring all players to stand for the national anthem or remain in the locker room. Under the new rule, the league planned to fine teams if players kneel during the anthem.
In 2023, the Illinois attorney general announced that an investigation found that 451 Catholic priests in the state had allegedly abused nearly 2,000 children since 1950.
Pool photo by Samuel Corum/UPI
GEMMA Collins’ had a damper put on her bank holiday fun as she received a parking ticket in Essex this weekend.
The former Towie star looked horrified as she returned to her flashy Range Rover after lunch to see that it had been slapped with a hefty fine.
Dressed in a vibrant two-piece for the hottest day of the year so far, Gemma was snapped outside of Italian pizzeria Bel-Sit in Woodford.
However, it seems as though the parking ticket didn’t get her too down as Gemma was seen beaming upon ripping it off of her windscreen.
She appeared to be enjoying the British sunshine, too, as temperatures reached 28 degrees Celsius on what was the hottest day of 2026 so far.
The reality star’s outing comes just days after she was involved in a campaign that was branded “tone deaf” by the public.
Gemma appeared in videos in collaboration with the Department for Education.
The clips, released earlier this week, show Gemma marching into an office to discuss learning with the Education Secretary Bridget Phillipson.
In one instalment, she prattles on about King Richard III and states “not many youngsters would know who he is today”.
The “GC”, who left school at 16 with a single GCSE — a G in maths — goes on: “Whatever you’re learning, make sure you concentrate because you’re going to be taking it into your future career.”
The videos have been ridiculed by mums and dads, with one joking: “I hadn’t thought of just saying ‘concentrate’. All will now be well.”
A second wrote: “What’s next? Joey Essex visits the Ministry of Defence?”
“It’s tone-deaf,” said a third.
Another said: “Many of us have had to fight every step of the way for our children to stay in school, for EHCPs, for specialist placements, and simply for our children’s needs to be recognised and understood.
“The SEND system is exhausting, adversarial, and often leaves families feeling unheard and unsupported.
“So to see the Department for Education use a celebrity with no lived experience of navigating this system feels disconnected from the reality SEN families face every day.”
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Welcome to Bunker Talk, Memorial Day Weekend Edition. For all our American readers/commenters, I hope you have a great Memorial Day weekend. And, of course, I want to give a huge thanks to all of those who made the ultimate sacrifice for our country.
We owe you everything.
This week’s caption reads:
4th July 1944: An American soldier takes a drink of captured German Cognac, while clearing out a German gun emplacement at Cherbourg. (Photo by Fred Ramage/Keystone/Getty Images)
Directives:
Summer is just around the corner. Get into the spirit of long, lazy days — first, let’s pretend those exist in ample supply beyond our dreams — by spending your Memorial Day weekend taking cues from our watch guide. There are plenty of options to suit your tastes, including a new take on one of cinema’s most iconic monster brides and a retrospective of Martin Short’s high-flying career in comedy, the final season of “Hacks” and another television series that expands the “Star Wars” franchise. No sunscreen is required.
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Recommendations from the film and TV experts at The Times
Christian Bale and Jessie Buckley in a scene from “The Bride.”
(Warner Bros. Pictures)
“The Bride” (HBO Max)
Heavy buzz preceded the arrival of Maggie Gyllenhaal’s feminist reboot of the horror classic “The Bride of Frankenstein” earlier this year. The casting of Christian Bale and Jessie Buckley as Frankenstein’s monster and his companion, respectively, along with Gyllenhaal’s obvious passion for the project, seemed to promise cinematic fireworks. However, it divided critics: Some brutally panned the film, calling it overbearing and ludicrous; others applauded the movie as an ambitious big swing that should not be ignored. And while most agreed that Buckley gave a committed performance as the ferocious Bride, her lead actress Oscar win for “Hamnet” did not save the film from bombing and vanishing quickly from theaters. Viewers can now decide whether it was truly a disaster or just misunderstood when “The Bride” hits HBO Max this weekend. — Greg Braxton
Steve Carell and Charly Clive play a father and daughter navigating their complicated relationship in the HBO comedy “Rooster.”
(Katrina Marcinowski / HBO)
“Rooster” (HBO Max)
If you’re looking for some easy laughs this weekend, and you’re a fan of series from Bill Lawrence like “Shrinking” or “Ted Lasso,” this HBO comedy may be right up your alley. The show follows Greg Russo (Steve Carell), a divorced author of “beach reads” who is offered a position at a university where his daughter, Katie (Charly Clive), teaches. Katie, as much as she loves her dad, also wants some space as she navigates the messy relationship with her husband Archie (Phil Dunster), who has left her for a graduate student named Sunny (Lauren Tsai). (Katie does not take it well.) The show is filled with mishaps and misunderstandings that will make you belly laugh. But what also makes this show special is the supporting cast that absolutely kills it when they’re onscreen, including Danielle Deadwyler as Dylan, an English professor; John C. McGinley as Walter, the school’s president; and Robby Hoffman as Mo, Sunny’s friend and roommate. The series just wrapped its first season — I’m willing to bet you’ll binge this one. — Maira Garcia
Martin Short and Catherine O’Hara in “Marty, Life Is Short.”
(From Netflix)
“Marty, Life Is Short” (Netflix)
This delightful and moving documentary brings into focus Martin Short’s life and decades-long career in comedy. Don’t be fooled by its straightforward overview of Short’s rise to showbiz mainstay through his eccentric, vaudevillian brand of comedy. Directed by his longtime friend Lawrence Kasdan, who first collaborated with the comedian on the 1987 comedy “Cross My Heart,” the film goes beyond the bullet points, offering intimate insights about the lows of building a career and a touching look at him as a friend and family man. In addition to hearing directly from Short, the film features soundbites from people who know him well, including Andrea Martin, Tom Hanks, Steven Spielberg, Steve Martin, Eugene Levy and the late Catherine O’Hara. But the true standout moments come from the home footage provided by Short. It’ll leave you longing for a whole docu-series of his star-studded gatherings with some of the names mentioned above. What do you mean we get to see Short and Hanks, both shirtless on a boat, re-enact a scene from “Butch Cassidy and the Sundance Kid” — in this scenario, Hanks’ Forrest Gump is the Sundance Kid and Short’s famous sketch-comedy character Ed Grimley is Butch — as they hurl themselves into the sea? That beats any reality TV moment or DIML vlog on TikTok I’ve seen this year. — Yvonne Villarreal
A scene from Cartoon Network’s “Adventure Time,” featuring Finn the Human, voiced by Jeremy Shada, and Jake the Dog, voiced by John DiMaggio.
(Cartoon Network)
“Adventure Time” (Hulu, Disney+)
With the new “Adventure Time: Side Trips” due on Hulu and Disney+ on June 29, I am watching Pendleton Ward’s original series from the beginning, the better to appreciate its deep world-building and pick up whatever I might have missed the first time. Set in a lush, lively post-apocalyptic world where human boy Finn and shape-shifting dog Jake fight villains and party with friends, it’s gorgeously strange, beautifully designed and full of feeling. Characters include a pie-baking little elephant; Lady Rainicorn, half-unicorn, half-rainbow; a sort of sentient Game Boy; a vampire queen; and the Ice King, looking for a princess (Bubblegum, Flame, Lumpy Space, Hot Dog) to love him. A nexus of creative young animators, it’s the trunk of a tree whose branches include “Summer Camp Island,” “Steven Universe,” “Over the Garden Wall,” and “OK K.O.: Let’s Be Heroes,” which is to say, it’s possibly the most important cartoon show of the 21st century. At 283 episodes, there’s more than one can consume over even a holiday weekend, obviously, but you have to start somewhere. — Robert Lloyd
Clarke Peters, Alfre Woodard, Alfred Molina, Denis O’Hare and Geena Davis in “The Boroughs.”
(Netflix)
“The Boroughs” (Netflix)
In an isolated but fairly posh desert retirement community, freaky things are afoot. Strangely, no one seems to notice until cranky, grieving widower Sam (Alfred Molina) moves in. He hates the Boroughs at first sight and is only there because his now-dead wife signed them up in an apparently unbreakable contract. So of course he’s going to complain about every problem, from a broken door knob to, you know, a mysteriously dead neighbor. And before you can say, “The Thursday Murder Club” meets “Stranger Things” by way of “Scooby-Doo,” he’s reluctantly assembled a group of equally curious residents played by equally high-wattage actors including Geena Davis, Alfre Woodard, Clarke Peters and Denis O’Hare — all of whom make the Boroughs, and “The Boroughs,” well worth the price of admission, be it during nocturnal visits by monsters or an occasionally creaking plot.
Though still a criminally underrepresented demographic, aging boomers are having something of a moment on TV (see also “Only Murders in the Building,” “A Man on the Inside” and “Hacks”) and “The Boroughs,” (produced by the Duffer Brothers, who gave us “Stranger Things”) is a perfect example of why. The message of every unlikely-hero story is inevitably one of empowerment — kids/hobbits/retirees are just as capable of saving the day as muscle-bound men in their prime — and actors as strong and experienced as these can glide over plot holes and shoulder three times their weight in disbelief suspension without breaking a sweat. Getting the opportunity to watch such a group do it together is just as much fun as figuring out exactly what is going on at the Boroughs and who’s going to stop it. — Mary McNamara
A scene from Lucasfilm’s “Star Wars: Maul — Shadow Lord.”
(Lucasfilm Ltd.)
“Star Wars: Maul — Shadow Lord” (Disney+)
“The Mandalorian and Grogu” is the shiny new “Star Wars” movie in theaters this weekend — the franchise’s first since 2019 — but let’s not forget that some of the galaxy far, far away’s best storytelling in recent years has been on TV. “Star Wars: Maul — Shadow Lord” follows the dark side warrior in the early days of the Empire’s reign as he works to rebuild his criminal syndicate while getting some revenge on gangsters that have betrayed him. Introduced and presumed dead after being cut in half in a lightsaber duel in “Episode I,” Maul’s resilience and dark ambitions were further explored in “The Clone Wars.” Maul is a formidable, manipulative, intelligent and vicious villain that’s ultimately doomed to fail, but there’s something about his relentless refusal to accept his fate that I find a bit admirable — even if he’s evil. A noir crime thriller, “Maul — Shadow Lord” is set in a gritty, metropolitan planet outside of the rule of the Empire, meaning, yes, the former Sith lord will cross paths with some Jedi on the run. There’s no better way to close out May than getting immersed in “Star Wars.” — Tracy Brown
Jean Smart and Hannah Einbinder in the fifth and final season of “Hacks.”
(HBO)
“Hacks” (HBO Max)
With the series finale of “Hacks” approaching on May 28, it’s the perfect time to catch up on Ava (Hannah Einbinder) and Deborah’s (Jean Smart) latest schemes. Season 5 follows Deborah clawing her way back into public favor after her short stint as a late-night host. Going out with a bang, the show’s final season has been chock-full of guest stars, from Trisha Paytas and Tony Kushner to Jesse McCartney and “Property Brothers” duo Drew and Jonathan Scott. The dynamic between Deborah’s managers, Jimmy (Paul W. Downs) and Kayla (Megan Stalter), is still ridiculously entertaining, even if Kayla still can’t get Jimmy’s coffee order right. Across the characters, the chemistry is palpable as “Hacks” builds to the pièce de résistance of Deborah’s career: a sold-out show at Madison Square Garden. — Katie Simons
Animated characters from the Crunchyroll series “Classroom of the Elite.”
“Classroom of the Elite” (Crunchyroll)
The anime series revolves around Kiyotaka Ayanokoji, a stoic high schooler with a hidden brilliant mind who enrolls in an isolated boarding school. In this cutthroat school, designed as a meritocracy to identify Japan’s future leaders, students are pushed through unconventional tests — such as a survival challenge on a deserted island — and they risk expulsion if they fail. Bribery and backdoor deals run rampant. School officials turn a blind eye to violence — and there is plenty of it.
The show follows Ayanokoji and his classmates as they scheme to climb from the lowest tier, D-Class, to the coveted A-Class. Along the way, it invites the question of whether an archetypal meritocracy can truly exist in a system ridden with loopholes. The calculating Ayanokoji can be a hard protagonist to root for, as he brazenly uses his peers as pawns. By the end of the third season, we see Ayanokoji begin to occasionally open up to a select few classmates, though we’re constantly left to wonder if those moments are genuine or engineered. Season 4, which premiered in early April with weekly releases, picks up with Ayanokoji in his second year and brings a new slate of characters with murky motivations. — Iris Kwok
Must-read stories you might have missed
Indiana’s lack of glamour is a point of pride, rooted in Midwestern practicality and endless flat fields of corn.
Lately, though, the Hoosier state has been elevated by towering sports figures. And on Sunday, two will be the fresh faces of the Indianapolis 500, which attracts more spectators than any other single-day sporting event in the world.
Indiana Fever superstar Caitlin Clark will be the grand marshal. National championship-winning Indiana football coach Curt Cignetti will drive the honorary pace car.
But even those high achievers might be awestruck by one of the race car drivers. Or at least what that driver will attempt.
Not only will Katherine Legge be the only woman among the 33 drivers in the Indy 500, which begins at 9:45 a.m. PT on Sunday. The 45-year-old motorsports trailblazer from England will then fly to Charlotte to race in the NASCAR Cup’s Coca-Cola 600, which begins at 3:29 p.m. PT.
That’s 1,100 miles of left turns around two oval tracks.
On the same day.
As impressive as undertaking what is known simply as “The Double” are Legge’s travel plans from Indianapolis to Charlotte. Five hours and 44 minutes separate the starts of the two races. The Indy 500 takes longer than three hours to complete. The commute will take close to two hours.
Legge plans to hustle. She will hop into a helicopter moments after the Indy 500 and head to a nearby private jet that will zip her 366 miles to Concord Airport near Charlotte in an hour. Another helicopter will drop her onto the Charlotte Motor Speedway infield. A golf cart will take a beeline to her Chevrolet Camaro in time for the green flag.
At least that’s the plan.
“Being focused for a three-to-four-hour IndyCar race then a five-hour NASCAR race, it’s the same as driving from New York to Daytona Beach pretty much at, gosh, an average of 200 miles an hour,” Legge said. “You cannot lose focus for a second of any of that. I don’t think anybody can comprehend that.”
Legge is the first woman and only the sixth driver overall to attempt The Double. Although her career has included IMSA sports cars and Formula E in addition to IndyCar and NASCAR, she has never attempted anything this challenging.
John Andretti, Robby Gordon, Tony Stewart, Kyle Larson and (rest in peace) Kurt Busch are the others who have tried.
Larson is the most recent, finishing 18th in the Indy 500 and 37th in the Coca-Cola 600 a year ago. He also tried in 2024 but didn’t get to his car in time in Charlotte because of a rain delay in Indianapolis.
The documentary “Kyle Larson vs. The Double” premiered Wednesday on Prime Video. It follows the two-time NASCAR Cup Series champion through preparation, logistics and grueling reality of getting through the day.
Legge is beginning to relate.
“I was thinking about what I’m going to do with a hybrid strategy at the same time as telling people about how I’m going to do the double,” she said. “It’s this weird disconnect, right? Where you’re like, ‘That’s so cool.’ And conceptually, you know exactly what’s involved, but it doesn’t sink in.”
Busch, who tragically died at 41 on Thursday from an undetermined illness, turned in a valiant effort in 2014, finishing sixth in the Indy 500 despite having limited experience in IndyCar. Engine problems torpedoed his chances in the Coca-Cola 600, however, and he completed only 271 of 400 laps on the 1.5-mile track.
“It was a challenge I put forth for myself,” Busch said. “I enjoyed it. I soaked it in.”
Only once in five attempts did Gordon complete both races, finishing eighth in Indianapolis and 16th in Charlotte in 2002. A year earlier, Stewart turned in the most impressive double, finishing sixth at Indy and third at Charlotte.
Andretti was pioneer of The Double in 1994, finishing a respectable 10th before flying to Charlotte with a nurse and registered dietitian to ensure he stayed hydrated. Andretti was penalized for missing the drivers’ meeting, however, and sent from the No. 9 starting position to the rear of the field. He crashed and withdrew on the 91st lap.
Content with one race Sunday will be defending Indy 500 winner Álex Palou, who will start on the pole after a four-lap qualifying average of 232.248 mph. Six different drivers have won the race in consecutive years.
Legge, who will be racing in her fifth Indy 500, will start in the No. 26 position. Actor and Indianapolis native Brendan Fraser will be the honorary starter and wave the green flag. It will be the beginning of an exhausting day.
“Honestly, I’m doing it because it’s a really cool thing to do, and it’s kind of like this old-school epic badge of honor that you get for doing both races in one day,” Legge told Fox Sports. “I’m not doing it to leave a legacy.
“You can do anything that you put your mind to if you want it enough. It would be remiss of me to not take that responsibility seriously, but at the same time, that’s not why I set out to do it. I set out to do it because I love to race.”
First-year baseball coach Dino Flores of Fremont High teaches health, and for the entire semester, he had a freshman from Venezuela, Roiber Colmenares, sitting in class.
One day, Colmenares asked Flores a strange question.
“Hey Mr. Flores,” he said in Spanish. “Do you know how I can join the baseball team?”
“Yes I do,” Flores said.
Colemenares told him playing baseball was all he did in Venezuela.
Then Flores had Colemenares show him how to field a ground ball with an imaginary ball in class.
“That’s when I knew we had something special,” Flores said. “Just his movement you could tell he’s a baseball player.”
With Colmenares leading the way, Fremont has advanced to face Hamilton in Friday’s 2:30 p.m. Division III final at Stengel Field. The Division II final will have South East playing Roosevelt at 5:30 p.m. at East Los Angeles College.
“He’s our best hitter and best pitcher,” Flores said of the 5-foot-8, 140-pound freshman.
Fremont used to be a baseball power, having won five upper-division City titles, the last in 1963. There also was a 3A title in 1992.
“The history is well documented,” Flores said.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
