Month: June 2026

EXCLUSIVE: Scott Mills was axed from the BBC earlier this year after new evidence came to light about a historical alleged sexual offences – but this might not be the end of the former radio DJ

Axed star Scott Mills has seen a flurry of support this week as his husband Sam Vaughan returned to Instagram to mark their two-year anniversary.

In his first post since the DJ’s shock sacking, Sam posted a sweet picture of him and his husband from their wedding day, captioning the post with a white heart emoji and the words “2 years.”

Stars including Zoe Ball, Rylan Clark and Sara Cox reacted to the post, with former colleauge Zoe writing: “Love you,” in the comments, followed by four red heart emoji’s. Rylan and Sarah also posted hearts in the comments section.

It comes as the Mirror exclusively revealed that Scott is set to sue the BBC for unfair dismissal after his surprise sacking. The DJ has enlisted top lawyers to lodge a case against the BBC. It’s understood he will claim that he disclosed the full details of the cop probe – including the accuser’s age – to BBC Radio 1 bosses at the time.

The BBC has previously said that they knew about the investigation but that “new information” came to light which sources claim was the fact the accuser was under 16. But it’s understood Mills will argue that this was all raised at the time to Radio 1. A source said: “It’s going to get very messy indeed.”

Mills was interviewed by police in 2018 under caution after being accused of serious sexual offences against a boy under the age of 16. A full file was sent to the CPS, who said there was not enough evidence to charge him.

In April, Mills released a statement through his lawyers claiming he had been the subject of “rumour and speculation” since his sacking and that he had “co-operated fully” with the police investigation into the allegations.

As Scott gears up for a battle with the Beeb and his partner returns to social media, questions have been raised on when the DJ could make a career return. “I think Scott Mills’ route back into the spotlight will depend on whether the public see his departure as a temporary setback or as a sign that his broadcasting career has reached a crossroads,” Mayah Riaz, a PR to the stars, tells the Mirror.

“Historically, we have seen that established presenters who have a strong personal brands and years of goodwill behind them are often afforded a second act. This is especially true when they have built up a loyal audience and have industry support over many years,” she said.

The expert noted the significance of the public show of support towards Scott’s husband Sam as it highlights that the star still has a network of influential friends and colleagues who are willing to publicly stand by him. She said this can help “soften the narrative” and “remind people of the affection that exists for a personality.”

The DJ has lost a number of gigs since being axed by the BBC, including podcast roles on Race Across the World and Pop Top 10 with Rylan Clark. Mills was also dropped as a patron of children’s cancer charity Neuroblastoma UK and “stepped back” from his role as an ambassador for the MS Society UK.

His regular panto work, which reportedly made him £600,000 in the last three years, has also been cut. Imagine Theatre, which got Scott involved in Jack And The Beanstalk shows, said there are no plans to work with the presenter for the 2026/2027 season. It said the decision was taken before he was fired by the BBC.

If Scott was to make a comeback, Mayah suggests it won’t be through a “grand relaunch”. Instead, it could be through a project that reminds his audience why they connected with him in the first place.

She explained: “Talent and familiarity remain powerful currencies in broadcasting. It goes without saying that authenticity will be key. The public are increasingly sceptical of overly polished comeback campaigns and media-managed statements.”

Mayah says the public respond “far more positively to resilience, humility and genuine passion for the work” and the biggest mistake Scott Mills could make is to come across “desperate to reclaim the spotlight”. She added: “The strongest celebrity comebacks are those that give people something new to talk about.”

Mills previously issued a statement via lawyers thanking his well-wishers. He said: “I wish to thank from the bottom of my heart all those who have reached out to me with kindness, my former colleagues, and my beloved listeners, who I greatly miss.”

On the police probe, he said: “The recent announcement that I am no longer contracted to the BBC has led to the publication of rumour and speculation. In response to this the Metropolitan Police has made a statement, which I confirm relates to me.

“An allegation was made against me in 2016 of a historic sexual offence, which was the subject of a police investigation in which I fully co-operated and responded to in 2018.” He added: “Since the investigation related to an allegation that dates back nearly 30 years and the police investigation was closed seven years ago, I hope that the public and the media will understand and respect my wish not to make any further public comment on this matter.”

PORTLAND, Ore. — Former Sen. Bob Packwood, a moderate Oregon Republican whose reputation as a champion of women’s rights was tainted late in his career by a sexual harassment scandal, has died. He was 93.

Packwood’s death Saturday was announced in an obituary sent to media outlets by his family. The release didn’t include additional details.

As the scandal unfolded, Packwood initially refused to quit the chamber in which he had served for 27 years, saying he didn’t want to be remembered only for that.

Before the #MeToo era, Packwood stood out as an example of private behavior undermining a man’s public image. He previously had been praised by Planned Parenthood and others.

The great-grandson of a member of the 1857 Oregon Constitutional Convention, Packwood established himself as a social moderate and fiscal conservative who often voted across party lines. He considered running for president in 1980.

Elected to the Senate in 1968, Packwood was best known as the leading Republican advocate of abortion rights — at a time when the position had bipartisan support — and was widely admired by women’s groups throughout the country until the Senate Ethics Committee launched an investigation into the allegations of sexual and official misconduct in 1993.

More than two dozen women, former employees and acquaintances, accused him of making unwanted or uninvited sexual advances.

The allegations remained the target of an ethics inquiry that widened to include other alleged acts of official misconduct. He resigned in September 1995, and went on to start a lucrative lobbying business in Washington.

Democratic Sen. Ron Wyden, who replaced Packwood in 1996, said that although he should be praised for his record on abortion rights and tax reform, how Packwood treated women overshadows it all.

“His horrible history as documented in his own diaries will forever overshadow that public record. Simply put, historians’ first line about Bob Packwood must include those women who he abused and assaulted for years and years,” Wyden said in a statement.

As chair and then ranking Republican on the Senate Finance Committee, Packwood was a master of cutting deals and forging compromises needed to pass tax legislation through Congress. He was most proud of the lead role he played in a sweeping tax reform of 1986 that lowered the top income tax bracket and eliminated many itemized deductions.

Over his career, he was described as a blunt, independent, outspoken politician who was a boat-rocker, loose cannon, skilled partisan, and — for most of his career — political survivor.

“I think they probably all ring true,” Packwood told the Associated Press in December 1992.

“I would like to think that I am nobody’s lackey. I try to reach conclusions independently and then I’m willing to fight for those conclusions; if necessary, having to fight against my party or my party’s president,” he said.

Packwood won his first Senate election at age 36, narrowly defeating Democratic Sen. Wayne L. Morse, an Oregon legend who had held the seat for 23 years. He quickly grabbed attention as a rising star in the GOP. By 1980, he was elected chairman of the National Republican Senatorial Committee.

But he lost the seat when the White House backed a competitor after Packwood publicly accused President Reagan of alienating women, African Americans and Jews.

Just two weeks after Packwood’s reelection in 1992, the Washington Post printed allegations from former female employees and acquaintances that the senator had subjected them to uninvited sexual advances.

The Senate Ethics Committee also investigated allegations that Packwood solicited jobs from lobbyists for his ex-wife, used his staff to try to threaten the female accusers into keeping quiet and obstructed the investigation by altering his personal diaries.

The Senate held two days of extraordinary debate in 1993 over whether Packwood should have to comply with an Ethics Committee subpoena for his diaries, in which he reportedly made entries relevant to the investigation. The Senate voted 94 to 6 to enforce the subpoena.

Packwood took the case to federal court and lost, ending when Supreme Court Chief Justice William Rehnquist refused the senator’s request for the high court to intercede.

Packwood launched his lobbying business, Sunrise Research Corp., in 1997. By 1999, the firm was grossing $1.5 million a year. His business slowed in later years, but he told a City Club of Portland audience in 2010 that he was still spending about half his time in Washington lobbying for a number of clients.

It was interesting work, Packwood told the audience, according to the Oregonian, but “it is not as much fun as being in the Senate.”

As Congress became increasingly partisan after his departure, Packwood continued to advocate a centrist tack and in his 2010 City Club speech called for Oregon to create nonpartisan elections.

WNBA games are being officiated differently this season and it’s been a struggle for the Sparks to adapt.

After complaints about the league being too physical last season, the WNBA created a task force of coaches and general managers to develop more consistent officiating.

Foul calls have been up so far this season, with officials focused on freedom of movement or letting offensive players move without being knocked away from the ball.

“It’s hard, especially when you’ve been playing for a certain way for a long time and then having to switch it up more often, in my opinion, as a defender, but it just is what it is,” Sparks guard Ariel Atkins said. “So, yeah, you just have to adjust.”

Across the league, teams are averaging 20.9 fouls per game. Last season, it was 17.5 per game. The Sparks are fouling 22.0 times per contest, the fifth most in the WNBA.

The Connecticut Sun led the WNBA last season with 19.6 fouls per contest. In 2026, 10 of the 15 teams are averaging more than 20 fouls against them per contest.

“I’m cool with it, as long as it’s called the same for 40 minutes, like both ways,” Sparks coach Lynne Roberts said. “I think the officials have been given a tough task that’s hard, but I think they’ve done a decent job of being pretty consistent with it. Players, coaches, you just have to adjust, and I think the one thing that I’d like to see us get better at is just [being] not so reactive, just have a little more toughness, in terms of not responding. That’s how they’re going to call it — we got to move on to the next play.”

The increase in calls seems to have given teams more room to score, as intended, despite more starts and stops to game flow.

Entering Sunday, four teams had offensive ratings more than 110 after Minnesota’s 109.5 was the best in the league in 2025. Indiana leads the league in pace at 99.50 after the Sparks led the league last season at 96.84. Five teams are working at a pace of 97 or higher, which would have placed last year’s Sparks at sixth.

One of the Sparks’ offseason priorities was improving their league-worst defense, but that’s been more difficult than ever with how the game is being called.

Sparks forward Cameron Brink blocks a shot from Toronto’s Laura Juskaite during a game on May 15.

(Jeff Lewis / Associated Press)

“Getting used to it as a player, kind of understanding the flow of the game, that’s probably the toughest part for me,” Atkins said. “There’s no real flow or like rhythm to it, right? I’m hoping that the corner turns or we both adjust on both sides.”

The Sparks’ pace is on track to be similar to last season at 97.67 — fifth in the WNBA — through nine games. Their offensive rating of 107.9 is eighth in the WNBA, but they’ve played half of their games without league-leading scorer Kelsey Plum.

Defensively, though, they haven’t made much of an adjustment. They have a league-worst 114.1 defensive rating.

Cameron Brink’s 4.0 fouls per game are the fifth most in the WNBA, and Atkins’ 3.6 also ranks among the bottom 10 players in the league. Plum is at 3.1 just below Atkins, Dearica Hamby isn’t far behind at 3.1 and Erica Wheeler is at 2.9, giving the Sparks the most players in the league in the bottom 30 on a single team.

“It’s hard, I think, on a defensive end, especially when you’re somebody that enjoys the physicality and you like to lean into it,” Hamby said.

The Sparks already had an uphill climb to improve on the league’s worst defense, but as they continue to adjust to the way games are being officiated, it’s all the more difficult.

Add it to the list of things the 4-6 squad needs to work on to climb back near the top of the WNBA.

“I try to not center officiating as a part of my experience,” Nneka Ogwumike said. “I know it’s part of the game, and something we can’t control, but I do think we can do better in our response to it.”

Iranian state TV broadcast scenes of celebration in Tehran as missiles flew overhead en route to Israel. Iran says the launch was retaliation for Israel’s earlier attack in Beirut, and other US-Israeli ceasefire breaches.

Ross Harrison, a senior fellow at the Middle East Institute, says that Iran’s renewed missile strikes on Israel aim to restore deterrence without reigniting full scale war.

At the recent glitzy PEN America Literary Gala at the Natural History Museum in New York City the evening’s MC, B.J. Novak, declared that the crowd was there to celebrate more than just freedom of speech — they were there for “literary glamour.”

“Writing is glamorous,” he declared. “Reading is glamorous.”

For Novak, bestselling novelist Ann Patchett — who has also worked tirelessly on behalf of independent booksellers and in support of her fellow writers, and was one of the event’s honored guests — epitomizes that allure. “I think it’s great that Ann Patchett is a smoke show. She doesn’t have to be,” he quipped. “It’s just cool that she is.”

With “Whistler,” Patchett’s 10th novel, she definitively proves that the “smoke show” moniker, if at all relevant, is icing on the cake. This exquisite writer has once again delivered an incandescent work of fiction — sweet, but never sentimental, infinitely wise and suffused with love. It’s also an ode to New York City itself.

“Whistler” is narrated by protagonist Daphne Fuller, a 54-year-old English teacher married to Jonathan, a restlessly retired doctor and hospital administrator who dotes on his wife and whom he regards as “extraordinary.” When we first encounter the couple, they’re roaming the Metropolitan Museum of Art — which, one gets the sense, they know by heart. As Daphne ponders the sculpture “Two Horses,” by Charles Ray, Jonathan spots an elderly stranger eyeing his wife, casting glances in her direction. The stranger follows them from room to room fixated on Daphne. Jonathan’s curiosity is piqued, and he slips away from his wife’s side to get to the bottom of why they’re being followed — which is revealed to be the novel’s inciting incident.

Turns out that stranger is no stranger at all. He is Eddie Triplett, a long-lost stepfather whose divorce from Daphne’s mother, Abigail, remains an unhealed wound. Running into Eddie now for the first time in more than four decades, Daphne is startled by the rush of emotion she feels: “I hadn’t known there was something in me to break,” she reflects, “but there it was and break it did. I stepped into an open crack in time and fell backwards.”

Eddie, as it happens, is but one of Daphne and her sister, Leda’s, three dads. By the time Abigail marries her third husband, mild-mannered Lucas, and the couple go on to have three sons, Daphne has grown a protective shell. These facts are narrated with detachment by the protagonist herself. As she and Eddie gently unspool their memories and together fill in the blanks, their bond deepens. The “falling backwards” Daphne experiences in Eddie’s company — traversing time — soothes, softens and delights her.

As the novel unfolds, what becomes ever clearer is that Daphne and her author are undeniably similar, though Patchett has observed: “I am normally careful to make sure there is a big wall between my life and my fiction.” In “Whistler,” she throws that caution to the wind. Easter eggs are scattered throughout. Like Daphne, Patchett is married to an older man — also a doctor — whom she adores. She too had three dads, as she chronicled in a 2020 New Yorker piece aptly titled “My Three Fathers.” Patchett and her heroine also appear to share this enviable trait: They navigate life with grace, generosity and utter competence. IRL, Patchett returns emails on the day she receives them, is an outspoken advocate for free expression, is generally renowned for her good deeds. She’s also widely known for her many devoted friendships, though she doesn’t suffer fools. You’d want to be her ride or die. As you would … Daphne’s.

In an interview 10 years ago, Patchett observed that it wasn’t until she read a piece by Jonathan Franzen, “in which he insisted that the novelist had to do what scares him most, and for him, that had been writing about his family,” that she considered following that path in her fiction. “I thought ‘oh nothing would scare me more. I would happily ride down the Amazon in a canoe and deal with snakes’ ” (as she did for “State of Wonder”) “ ‘than face my family.’ ” In 2016 she wrote “Commonwealth,” which drew on her personal experience of divorce and dysfunction, themes she revisits in “Whistler.” But in “Whistler,” it’s as if Patchett herself is in the reader’s ear. (And, by the way, should you pick up the audio version of the book, she narrates and is literally in your ear.)

Patchett has said she had an ulterior motive for writing “Whistler.” She’d been in the midst of writing a different book, a novel about a Wyoming rancher and her horse, Whistler, but it wasn’t clicking. As she pressed on over the better part of a year, a second idea came to her “like a fever dream.” She immediately filed away the messy work-in-progress and began writing a fictional ode to a cherished friend, former publishing executive Jim Fox, to whom “Whistler” is dedicated. Fox had died two years before, on his 85th birthday, and Patchett was still grieving. Her aim, with “Whistler,” she has said, is to put down on paper how much they loved each other. Fox is reborn as Eddie Triplett in the book, a charming and erudite book editor who radiates joie de vivre and is among the loves of his stepdaughter Daphne’s life.

Patchett’s literary style isn’t of the show-offy variety packed with dazzling sentences and edge-of-your-seat cliffhangers. The drama is quiet. Her words accrue and gain power through their spareness and clarity, and a level of character development that forges an easy intimacy with the reader. There’s also a sly wit and sagacity that have become Patchett signatures, honed to perfection in “Whistler,” whether wrestling with the legacy of family trauma, or the human struggle to accept the transitory nature of it all. Or, as Patchett’s mother once admonished after the failure of her daughter’s first marriage: “Stop trying to make everything permanent. It doesn’t work.”

While Patchett has clearly drawn on actual events and individuals to produce this luminous work, she exhibits the expert novelist’s knack for following a plot where the imagination takes it. I don’t recommend consuming “Whistler” in one enormous gulp. I dipped in and out, savoring scenes, reflecting on them, occasionally shedding a tear. In other words, I didn’t want it to end.

Haber is a writer, editor and publishing strategist and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

Real Madrid to join Mateus Fernandes race, Brighton reject Spurs’ second Jan Paul van Hecke bid and Harry Maguire could leave Manchester United.

Real Madrid are set to join the race to sign Portugal midfielder Mateus Fernandes, 21, following West Ham‘s relegation from the Premier League. (Sun), external

Brighton have rejected a second bid from Tottenham Hotspur for Netherlands centre-back Jan Paul van Hecke, 25. (Talksport), external

Harry Maguire could be allowed to leave Manchester United this summer, just months after the England defender, 33, signed a new contract. (Football Insider), external

Inter Milan have made an offer for England midfielder Curtis Jones, 25, but are currently some way short of Liverpool‘s valuation. (Gazzetta dello Sport – in Italian), external

Liverpool could use Netherlands forward Cody Gakpo, 27, as leverage in their bid to sign Ivory Coast winger Yan Diomande, 19, from RB Leipzig. (Teamtalk), external

Bayern Munich have said they have no intention of selling Michael Olise after Real Madrid said they would offer £130m for the France winger, 24. (Bild – in German), external

Bernardo Silva says that joining Barcelona is “an option” after leaving Manchester City but the Portugal midfielder, 31, is yet to make a decision on his future. (Marca – in Spanish), external

Tottenham‘s Italy international Guglielmo Vicario, 29, has emerged as the frontrunner as Juventus look to sign a new goalkeeper. (Gazzetta dello Sport – in Italian), external

Coventry City have submitted a club-record £20m bid for Carl Rushworth, the 24-year-old English goalkeeper who helped the Sky Blues win the Championship while on loan from Brighton last season. (Talksport), external

Iranian media has released video showing missiles being launched towards Israel, while videos captured incoming missiles making impact in northern Israel. Iran says it’s a response to Israel attacking Beirut in violation of a US-brokered ceasefire in Lebanon.

Nigerian troops say they have rescued 360 people abducted during a deadly terrorist attack on Ngoshe, a resettled community in Gwoza Local Government Area of Borno State, northeastern Nigeria, more than three months after terrorists overran the town, killing residents and forcing thousands to flee.

Solomon Ali Talake, a primary school teacher and survivor of the March 3 attack, said community members had received information about the rescue.

“I was told they have been rescued,” Solomon told HumAngle on Sunday. “Families have been informed, but they have not allowed us to see them yet. They said they are assessing them and will release them to their families afterwards.”

The March 3 attack on Ngoshe was one of the deadliest assaults on a resettled community in southern Borno in recent months. Residents said the attackers first struck a military formation in the town before moving into the community. Homes were set ablaze, civilians were killed, and hundreds of residents were reportedly abducted.

Solomon survived by hiding in a tree throughout the night while the attack unfolded beneath him. From his hiding place, he watched as gunmen moved through the community, burning houses and pursuing fleeing residents.

The attack displaced thousands of people, many of whom fled to Pulka, a neighbouring community about 12 kilometres away. Others sought refuge in Maiduguri, Cameroon, and other locations. The exact number of people killed or abducted remains disputed. While some media reports estimated that about 100 people were killed and more than 300 abducted, residents told HumAngle that the scale of the attack made precise figures difficult to establish. Victims were later buried in a mass grave, according to survivors.

Among those abducted were two of Solomon’s nephews, aged 14 and 11. On Sunday, he said he had not yet been able to confirm whether they were among those rescued.

Asabe Ali Talake, Solomon’s sister and the children’s mother, also said she had received reports of the rescue but remained uncertain about the fate of her children.

Asabe said she was still waiting for confirmation from authorities. Relatives of the freed victims say communication with them remains restricted while security agencies conduct assessments.

Military authorities typically screen and profile people freed from insurgent-controlled territories before reuniting them with their families. The process is intended to establish identities, assess physical and psychological conditions, and determine whether further investigation or rehabilitation may be required.

This comes amid a broader wave of insecurity affecting communities across Borno State. In recent months, terrorists have launched repeated attacks on military formations, reconstruction projects, and resettled communities, raising concerns about the sustainability of government resettlement efforts in conflict-affected areas.

Part of a broader rescue effort

A politician from Gwoza, who spoke to HumAngle on the condition of anonymity because he was not authorised to discuss the matter publicly and who was involved in advocacy efforts for the victims’ release, claimed a ransom was demanded for the release of the victims. HumAngle could not independently verify the claim, and the military has not publicly indicated that any negotiations took place. 

This development is the latest in a series of operations by troops of Operation Hadin Kai targeting terrorist enclaves in the Mandara Mountains and surrounding areas.

Three days earlier, troops rescued a woman and her infant child after killing several terrorists. On May 1, troops rescued six abductees during an operation around the Mandara Mountains. Six more victims were rescued on May 14. In April, 12 victims, including men, women, and children, escaped during a military operation targeting a terrorist camp.

The latest operation, however, represents the largest reported release linked to the March 3 attack on Ngoshe, offering renewed hope to families who have spent months waiting for news of their relatives.

While military authorities described the operation as a rescue, questions remain about how the victims regained their freedom.

Actor-comedian Elon Gold and pro-Israel influencer Lizzy Savetsky are facing backlash after making an “offensive” joke in an interview on the red carpet for “The Wedding Entertainer (The Tale of Moishe Badhan)” at the Tribeca Festival.

In the interview, Gold said the film was shot in Israel. “I was only raped by two Israeli dogs,” he said.

“I thought they only rape Palestinians,” Savetsky replied, to which he said: “No, I got also a dog.”

The clip spread widely on social media and drew outrage. In a statement posted on social media, the Tribeca Festival called the remarks “offensive and unacceptable.”

“Sexual violence and human suffering should never be mocked or minimized,” the statement said. “The comments do not reflect the Tribeca Festival’s values, and we regret the hurt and offense they have caused.”

The statement said the festival had not been able to reach the filmmakers. A Tribeca spokesperson said Savetsky was not in the film and was not credentialed by the festival, but was invited to the premiere by the film team.

Gold’s manager did not immediately respond to a request for comment. In a video statement posted to social media, Savetsky said the remarks were in reference to a “ridiculous claim” in the New York Times that Israeli officials trained dogs to rape Palestinians.

The paper “published this piece with zero evidence. And we’re all just supposed to sit here with a straight face and take it like it is some sort of truth.”

She added that the film festival is a “forum that is meant to spark dialogue” and that Jewish comedians throughout history have used humor as a way to cope with anti-Semitism.

“The Wedding Entertainer” tells the story of a disgraced Hasidic comedian who is looking to book one last gig to raise the $20,000 he needs to marry off his daughter. He convinces his childhood best friend to let him co-host his son’s wedding alongside a “younger and flashier” wedding MC — played by Gold —who had already been hired. Gold is also an executive producer.

Zverev had long been dubbed the best player of his generation to have never won a Grand Slam after a string of near misses – including three defeats in major finals.

At the US Open in 2020, he lost the final despite being two sets up against Dominic Thiem and having served for the championship at 5-3 in the final set.

Zverev then led Carlos Alcaraz by two sets to one in the 2024 French Open final but it was the Spaniard who ended up lifting his first Coupe des Mousquetaires.

At the Australian Open in 2025, he was outclassed in a merciless performance by Jannik Sinner that left Zverev saying he felt mentally “empty” a few months later.

“Last year was one of the most difficult moments in my tennis career,” Zverev said.

“This year is one of the happiest moments. It’s a very different feeling right now.”

It seemed like the pressure of a Grand Slam final might prove too much for a fourth time when 24-year-old Cobolli, who had twice fought back from a set down, forced a deciding fifth set.

But Zverev, who has struggled with his emotions on court in the past, held his nerve to end his major final curse.

After falling flat on his back in celebration, Zverev dedicated his victory to his team, which includes his father and brother.

“We have been through injury, heartbreaks, losses. We have been losers at times in the most important moments,” Zverev said.

“At the end of the day, we are Grand Slam champions now and that is what counts.

“I was laying on this court with an injury that I didn’t know if I will ever come back from. All of those memories, they’re not wiped out,” he said.

“They’re still with me but this one will beat all of them.”

June 7 (UPI) — Pope Leo drew more than 1 million people to an open-air mass in Madrid on Sunday morning to start his week-long visit to Spain.

The mass, to celebrate the feast of Corpus Christi, was held in the Plaza de Cibeles and saw the Pontiff ride through the 1.2 million strong crowd that overflowed into nearby streets to the stage where he performed mass, The Guardian and The BBC reported.

Pope Leo arrived in Madrid on Saturday to start the visit, the first time in 15 years that a Pope has spent time in Spain, and was greeted with fanfare and Spanish King Felipe VI and Queen Letizia.

Along with the mass, Pope Leo had plans on Sunday to meet with the members of the Order of St. Augustine and attend a gathering of Spanish representatives of the country’s culture, arts, business and sports.

Among remarks in Pope Leo’s sermon, he told those in attendance that, like God, they should work to help “the poor, the downtrodden, those who are alone and forsaken,” adding that religion remains “a school of faith from which” they can draw in their daily lives.

The large crowd on Sunday morning followed the Pope addressing between 500,000 and 600,000 people on Saturday night at a prayer vigil — and saw him address younger people in the crowd with the “6-7” hand gesture that has gone viral online.

Monday, the Pope is expected to address the gridlocked Spanish parliament, where his comments likely will address the type of political polarization in Spain and many other nations right now.

On Thursday, Pope Leo has plans to visit the Canary Islands, a landing spot for people looking to migrate to Spain.

Videos show missiles over Israel as the Israeli military says Iran launched a new wave of attacks. The escalation follows a deadly Israeli strike on Beirut, with Iran warning it would abandon negotiations and return to ‘direct confrontation’.

Forty-eight days, 16 hours, 57 minutes and 12 seconds after a virus transforms humanity into a blissful symbiotic horde, one of its survivors, Carol (Rhea Seehorn), treats a rooftop as a personal driving range — the golf balls shattering a neighboring building’s windows. “If you’re alone for 40 days, you’re going to go a bit crazy and be lonely,” says “Pluribus” cinematographer Paul Donachie of the series’ aesthetic, which finds surreal beauty in bland desert urbanism emptied of people. “We searched Albuquerque to find the right kind of rooftop and building to frame her in light, but with darkness around her,” he says. “We’re putting her in this box before revealing what she’s aiming at.” Along with a looser framing, shadow and contrast highlight loneliness and emotional ambiguity. As another survivor (Carlos-Manuel Vesga) makes the long journey in search of Carol, “what was interesting about this particular episode was there was no dialogue and we’re telling two little stories of what’s going on emotionally with each person,” Donachie notes. “She is trying to enjoy it and take her mind off it. But I think there’s frustration not knowing what the hell is going on in the world.”

Attorneys for musician Chuck Redd say a D.C. Superior Court judge dismissed a breach of contract lawsuit filed against the artist after he canceled a Christmas Eve performance at the Kennedy Center in protest of President Trump’s influence over the venue.

The dismissal was granted Friday under Washington’s Anti-SLAPP laws, which are designed to prevent meritless lawsuits intended to silence opposing points of view on matters of public interest.

Redd, a drummer and vibraphone player who has toured with Dizzy Gillespie, Ray Brown and others, had presided over holiday “Jazz Jams” at the Kennedy Center since 2006. He called off last year’s performance shortly after Trump’s handpicked board for the Kennedy Center voted to add the president’s name to the venue, which Congress named for President Kennedy after his assassination.

“The Center sued Mr. Redd because he publicly and rightly objected to adding Donald Trump’s name to the Kennedy Center, a living memorial to former President John F. Kennedy,” Lisa J. Banks, one of Redd’s lawyers, said in a statement. “The lawsuit against Mr. Redd was political retribution, pure and simple, by the Trump Kennedy Center, and the Court correctly saw it as such in dismissing the case with prejudice.”

Redd told the Associated Press in an email Saturday that he is “very pleased with the judge’s ruling.”

The motion to dismiss, filed in March, argued that Redd wasn’t contractually obligated to perform. It included the contract provided by the Kennedy Center, which the artist never signed.

Representatives for the Kennedy Center did not immediately respond to a request for comment on the suit’s dismissal.

Goldin writes for the Associated Press.

PARIS — Alexander Zverev is no longer one of the best players never to win a major title.

He’s finally a Grand Slam champion.

In his fourth major final, Zverev beat Flavio Cobolli 6-1, 4-6, 6-4, 6-7 (5), 6-1 for the French Open title on Sunday.

It was a unique opportunity for Zverev without Jannik Sinner or Carlos Alcaraz across the net and the third-ranked German took full advantage on the red clay of Roland Garros.

When Cobolli missed an overhead on the second championship point after more than four hours of the five-set encounter, Zverev dropped on his back to the clay and covered his face with his hands as he began sobbing. When he got up, with his shirt and arms covered in clay, Zverev put his hands back on his face before he lifted both arms in celebration.

When Zverev was handed the Coupe des Mousquetaires trophy, he lifted it with both hands and let out a liberating roar.

“This court is so special to me in so many ways. I’ve had the best moments of my life on this court; I had the worst moment of my life on these courts,” Zverev said, referring to when he was injured and pushed off on a wheelchair during a semifinal against Rafael Nadal in 2022.

“I was laying in that corner over there four years ago with seven broken ligaments and two fractured bones,” Zverev said. “I lost a Grand Slam final here two years ago but now finally it’s a happy end.”

Zverev has now joined an elite group of players that captured their first major in their fourth final: Eight-time major champion Andre Agassi, 2001 Wimbledon winner Goran Ivanisevic and 2020 U.S. Open champion Dominic Thiem.

No Sinner or Alcaraz

Zverev had been an overwhelming favorite for the title ever since the top-ranked Sinner struggled in the first week’s heat wave and wasted a two set and 5-1 lead against Juan Manuel Cerundolo in the second round. A day later, 24-time Grand Slam champion Novak Djokovic was also eliminated.

Alcaraz, the two-time reigning champion, withdrew before the tournament with an injured right wrist.

It was Zverev’s second French Open final, having wasted a lead of two sets to one against Alcaraz in the 2024 championship match.

Zverev had an even bigger advantage — two sets to none — in the 2020 U.S. Open final and lost that one, too, to Thiem. He was also beaten in straight sets by Sinner in the 2025 Australian Open final.

It was the 25th title of Zverev’s career.

Cobolli’s first Slam final

The 14th-ranked Cobolli had never been past a Grand Slam quarterfinal until this week. He was attempting to become the first Italian man to raise the singles trophy at Roland Garros since Adriano Panatta 50 years ago.

Cobolli comes from the same tennis club in Rome as Panatta did and Panatta was asked by tournament organizers to present the trophy to the champion to celebrate the anniversary of his 1976 triumph.

The honors, however, went to Zverev.

Russian teenager Mirra Andreeva won the women’s singles trophy on Saturday.

Zverev took control early on

The match was played in perfect conditions and Zverev’s game was almost flawless at the start.

Zverev broke Cobolli’s serve in a long opening game when Cobolli shanked a forehand into the first row of the stands. The break came after Zverev had a bit of luck when a backhand return hit the net but dribbled over on game point for Cobolli.

A group of women in the stands held up letters to form Zverev’s nickname: “Sascha.”

Cobolli likes to stand way over near the corner of the court and hit big kick serves out wide into the ad court. Zverev knew what was coming and returned one such kick serve early in the first set with a backhand that he wrapped around the outside of the net post. Cobolli ended up winning the point, but it was a message from Zverev that he knew how to handle his opponent’s tactics.

The next time Zverev hit a wrap-around-the-net-post return, Cobolli couldn’t handle it and Zverev won the point.

Cobolli’s supporters in his box were all dressed in blue, the color of Italy’s national teams, and as Cobolli worked his way back into the match, there were chants of “Ole, Ole, Ole; Flavio, Flavio.”

After Zverev held for a 6-5 lead in the fourth, he had his upper right leg treated by a trainer. Then Zverev wasted a 3-1 lead in the tiebreaker, which Cobolli concluded with a forehand winner up the line that produced a roar from the crowd.

But Cobolli appeared to run out of energy in the fifth, running down a drop shot only for Zverev to then pass him up the line for a 3-0 lead and a double break.

Abuse allegations

Moments after Zverev’s previous Grand Slam final in Australia in 2025, a person in the stadium yelled out the names of two of his ex-girlfriends who accused him of physical abuse.

One case was resolved following an agreement between German prosecutors, lawyers for Zverev and his former partner. The ATP Tour investigated another case and concluded there was insufficient evidence.

Dampf writes for the Associated Press. Samuel Petrequin and Jerome Pugmire contributed to this report.

Alexander Zverev has finally secured his maiden Grand Slam title with a dramatic five-set victory over Italy’s Flavio Cobolli in the French Open final on Sunday.

The second seed became the first German man to win a major tournament since Boris Becker at the 1996 Australian Open with a 6-1, 4-6, 6-4, 6-7 (5/7), 6-1 victory after four hours and 16 minutes.

“This court is so special to me in so many ways… but now finally, it’s a happy end,” said Zverev, who suffered a season-ending ankle injury in the 2022 semifinal against Rafael Nadal on Court Philippe-Chatrier, where he was also edged out in five sets by Carlos Alcaraz in the 2024 final.

It was Zverev’s fourth Grand Slam final and second at Roland-Garros after some heartbreaking near misses in his career.

“We’ve been through losses, we’ve been losers at times as well in the most important moments,” he said during the trophy presentation, turning to his team.

“But at the end of the day, we’re Grand Slam champions now, and that’s what counts.”

Cobolli, the 10th seed, was bidding to become the first Italian man since Adriano Panatta to win the French Open in 50 years.

The 24-year-old had never even played a Slam semifinal before, let alone a final, after his last-four opponent Matteo Arnaldi withdrew from the tournament due to illness.

“It’s not easy for me to talk right now,” said Cobolli after receiving his runner-up trophy from Panatta, before addressing Zverev.

“I’m happy for you, but I’m also sad because I was close and I feel it. So now you’ve achieved your dream, let me win the next time.”

Both players appeared to struggle with nerves at various points in the match, especially Cobolli during an error-strewn first set.

But Zverev’s greater experience showed in a deciding set that was far tenser than the scoreline suggested, as he managed to get over the line.

The 29-year-old was handed a golden opportunity to break his Grand Slam duck by the injury-enforced absence of reigning champion Alcaraz and surprise early exits for Jannik Sinner and Novak Djokovic.

The world number three was not always in control, making 54 unforced errors, but did enough to finally shed the tag of being one of the best players to have never won a major.

Zverev had previously also lost in six Slam quarterfinals and seven semifinals, alongside his three final defeats.

The most agonising miss of all was his first major final, when he blew a two-set lead and failed to serve for the championship against Dominic Thiem at the 2020 US Open.

The now-retired Thiem was watching on from the stands at Roland-Garros as Zverev belatedly put the memories of that match to bed six years later.

Cobolli’s nervy start

Cobolli made a nervy start and appeared to be struggling to deal with the occasion as the first set quickly got away from him in 39 minutes and he made 16 unforced errors.

He managed to settle into the match with three successive holds of serve in the second set, and then made his move out of nowhere to break in the seventh game.

Zverev had been completely untroubled on serve previously, but produced a scrappy game featuring two double-faults and a wild forehand on break point before turning to gesticulate angrily towards his coaching staff.

Cobolli started to grow in confidence and served out the set to breathe life into the final.

A higher-quality third set disappeared from Cobolli’s grasp in the 10th game, though, as from 30-0 up, he lost four points in a row, including a poor forehand that flew well wide on set point.

The world number 14, who will climb into the top 10 for the first time next week, hit straight back with a break in the opening game of the fourth set.

He could not pull away in the set, though, as both players ended up being broken twice, including Cobolli when he served for it at 5-4.

But the Italian rallied himself to push it into a tie-break, which he took to force a decider with a blistering forehand winner on his second set point.

Following a delay before the start of the final act after Cobolli left the court, Zverev struck first blood with a break in the first game.

Cobolli’s hopes were finally all but extinguished when he missed a break-back point and then dropped serve again to slip 3-0 down.

Zverev staved off three more break points in the fourth game and eased to victory from there, falling to the clay in celebration after Cobolli shanked an overhead on his second championship point.

Legal challenge claims US president did not seek proper approval for fighting event to be held on his 80th birthday.

A lawsuit is seeking to stop United States President Donald Trump from hosting an Ultimate Fighting Championship (UFC) match at the White House.

The lawsuit, lodged on behalf of two Virginia residents, is the first known legal challenge to the mixed martial arts event, which is set to be hosted on June 14.

The event will take place on Trump’s 80th birthday. It is also pegged to the 250th anniversary of the signing of the Declaration of Independence, which the US will commemorate on July 4 of this year.

The legal challenge filed on Saturday maintained that Trump did not receive proper authorisation to host the fight.

It argued that the event violated US National Park Service regulations prohibiting sporting events on federal parklands, that Congress did not consent to the construction of a towering arch overlooking the event space, and that no environmental review was conducted before the construction.

“This is fundamentally a private, commercial, corrupt use of our most sacred national monuments for private gain,” said Brendan Ballou, a lawyer for the plaintiffs. “And that is what is motivating this lawsuit.”

In a statement to the Associated Press, the White House dismissed the lawsuit as “obstructionist, baseless, and dilatory”.

The White House maintained the UFC fight was “no different than the various other White House-hosted events on the South Lawn and properly permitted events on the Ellipse and National Mall throughout the year”.

Crews have been erecting an octagon-shaped fighting cage on the South Lawn of the White House, with Trump saying the project will include a “5,000-seat arena right outside the front door of the White House”.

Attendance at the fight will be invite-only and closely monitored. The Military Times news site reported earlier this week that 1,200 service members given tickets to the event must meet certain waist-to-height ratio standards.

Public viewing areas will also be set up at the nearby Ellipse.

Trump has long been closely involved with both professional wrestling and UFC, with his casinos and event spaces hosting past events.

He regularly appeared as a version of himself in World Wrestling Entertainment (WWE) events throughout the 1990s and early 2000s. His current secretary of education, Linda McMahon, is a co-founder of the WWE.

Trump has more recently embraced UFC, which is currently owned by the same company, TKO Group Holdings, as the WWE.

UFC president Dana White has been a close ally of Trump’s.

Political analysts have credited Trump’s embrace of the sport with reaching disaffected male voters in the US, particularly during his 2024 election campaign.

Claire Danes’ performance in Netflix’s “The Beast in Me” appears like a lock for an Emmy nomination for lead actress in a limited series or TV movie. In typical fashion, Danes left it on all the floor in portraying a reclusive author who suspects her developer neighbor (Matthew Rhys) of misdeeds.

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The Golden Globes rarely get it as right as they did in awarding Danes the drama series best actress award, at 15, for ABC’s “My So-Called Life.”

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The lifespan of the authentic teen drama that introduced viewers to Danes’ unique emotional translucence, counted in episodes.

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Danes also received an Emmy nomination for the series — the first of eight for acting so far.

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She is the second-youngest Emmy nominee ever for lead actress in a drama series, between Melissa Sue Anderson (15, for “Little House on the Prairie”) and Kristy McNichol (17, for “Family”).

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Danes won an Emmy for playing the real-life animal science professor in the HBO movie “Temple Grandin,” and two for playing complex CIA officer Carrie Mathison on Showtime’s “Homeland.”

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Span of years between Danes’ first and 2026 nominations, if she receives one.

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Danes’ Emmy longevity may not equal the likes of Carol Burnett, nominated in 2024 for “Palm Royale” 62 years after her first, but it’s mighty impressive for someone Danes’ age.

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There’s even a contender in her category this year whose span between nominations would be longer than Danes’ lifetime: Sally Field, who appears in Netflix’s TV movie “Remarkably Bright Creatures.”