Month: June 2026

The show that has had everyone clamoring for tickets this spring, Joe Mantello’s cobweb-clearing production of Arthur Miller’s “Death of a Salesman,” won, as expected, for best revival.

Mantello, who received a Tony for his direction (his third such award), swept away the cliches that have accumulated around this American classic to reveal a “Salesman” like none we’ve experienced before. The Loman family home isn’t depicted in a literal fashion but instead fluidly suggested in a warehouse space that allows the actors to move unfetteredly between past and present. (The physical production was honored with awards for Mikaal Sulaiman’s sound design, Jack Knowles’ lighting and Chloe Lamford’s scenic design.)

Laurie Metcalf, confirming her standing as the First Lady of the American Theater, won for her portrayal of Linda Loman, a more formidable than usual interpretation of Willy’s stalwart wife. Metcalf, who endowed her characterization with a sharp-edged autonomy and transfixing gravitas, added another Tony to her two previous acting wins (“Three Tall Women,” “A Doll’s House, Part II”).

Joe Mantello wins the Tony for his direction of “Death of a Salesman.”

(Evelyn Freja / For The Times)

Nathan Lane was in a tight race with John Lithgow, who won for his ruthlessly uncompromising portrayal of a wrathful and dyspeptic Roald Dahl in Mark Rosenblatt’s “Giant.” Lane’s Willy leaves a lasting memory in “Salesman,” but it would be hard to imagine “Giant” having the same impact without Lithgow, who provides a terrifying human foundation to this explosive play about a writer’s political commitments tipping over into toxic antisemitism. (The performance slips into a sinkhole of animus in the uncanny way of one of Dahl’s recognizably terrifying, psychologically plausible stories.) In his almost but not quite valedictory acceptance speech, the 80-year-old Lithgow acknowledged that this Tony win, his third, comes 53 years after his first — and feels every bit as satisfying.

Aya Cash and John Lithgow in “Giant.”

(Joan Marcus)

Rather than a slight to Lane, Lithgow’s win is a sign of the dramatic depth that characterized this otherwise squirrely season. Indeed, Lithgow’s performance was as thrilling to experience as that of British powerhouse Lesley Manville, who won for her portrayal of Jocasta in Robert Icke’s modern reworking of “Oedipus.” The play was categorized by the Tony committee as a revival, but it’s really an original drama — one that gave rise to one of the most enthralling productions of the year.

In a season lifted up by Bess Wohl’s magnificent “Liberation” and capacious enough to include a first-rate “Salesman,” a searing “Oedipus” and a smartly contentious “Giant,” it should be no surprise that there were more great performances than statuettes to dole out.

Roberts was summoned from the bench by head coach Craig Bellamy in the 60th minute of Wales’ defeat by Romania.

The 64-cap international’s fellow substitute David Brooks levelled proceedings just three minutes after entering the pitch to cancel out Florinel Coman’s opener at Stadionul Steaua.

But Adrian Rus netted an 80th minute winner as the men in yellow clinched their first victory since football legend Gheorghe Hagi was appointed boss in April.

It means Wales are without a win in four matches in 2026 while their winless run in away friendlies was extended to 17 matches – a sequence stretching back to November 2008.

Despite the disappointing result, Roberts was delighted to be back on the pitch representing his national side once again.

“Personally for me, it’s brilliant to be back,” said the Burnley defender.

“Some people are happy that I’m back, some people not so happy, but I am back and hopefully I can keep ticking over during the summer and go again next season for club and country.”

Of the complaints made to the Citizens Advice Consumer Service, 42% involved all-inclusive packages abroad

More than four million people had problems with a package holiday in the past year, a survey for Citizens Advice suggests. The survey found 76% of adults had been on a package holiday before, and 34% of them had experienced a problem. Some 8% had suffered an issue within the last 12 months specifically, equating to an estimated four million travellers, it said.

The charity said it received about 14 complaints a day about package holidays, including issues such as unexpected changes to the hotel, denied refunds, and poor customer service. Of the 3,500 package holiday complaints made to the Citizens Advice Consumer Service in the past year, 42% involved all-inclusive packages abroad.

A third of complaints (33%) related to the quality of the holiday falling short of the agreed deal, such as hotels being misdescribed, bad food or unavailable facilities. Customer service failures made up 19% of complaints, including long waits on the phone, ignored complaints and administration errors made by firms.

As a result, one in four of those who experienced an issue with a package holiday (25%) said they suffered stress, anxiety or upset, while 17% had to pay extra for daily expenses. Citizens Advice encouraged holidaymakers to check what protections were included within their booking.

One complainant, Zorana, a semi-retired NHS doctor from north-east England, reported spending £6,300 on an all-inclusive, seven-night trip to Lanzarote with her daughter through a UK holiday operator. Torrential rain on the second day resulted in “nightmare” flooding, leaving hotel guests without electricity, water, food or internet.

However the woman said she received no on-site support from their operator, causing them considerable stress. Zorana, 66, said: “We spent the morning on the beach and planned the sauna for later. But when we were eating lunch the rain started and didn’t stop.

“By the time we got to the spa, the hotel told us we couldn’t go in because it was flooded. Half an hour later the electricity had gone. Without electricity, everything stopped. There was no more internet and no more water because the pumps were not working.

“We all gathered in the hotel lobby, to hear what was going on. It was the weekend and reps from all the other travel companies were there, talking with people, reassuring them, giving them information. Some were already distributed to other places. We asked, ‘Where is our rep?’ And we were told he doesn’t work on weekends.

“We were very angry. Hotel staff told us our travel company was always a problem and never helped people. We came home after five days and I started to chase the travel company for a refund. But the customer service adviser said they can’t deal with it because compensation was offered. But their offer was not adequate.

“I mentioned the lack of support, the delay, the value of the holiday, that I had to find and pay for another hotel, and because of this it was reasonable that they should give me all my money back. I feel a victim twice over because I had the stress of our holiday being ruined, and then months of trying to get compensation.”

Citizens Advice consumer spokeswoman Jane Parsons said: “Too often, people are left stressed and disappointed when their dream holidays are spoiled because they’re not getting what they paid for. To make matters worse, they’re having to spend a lot of time and effort trying to resolve issues, sometimes with no luck.

“A record of any issues that occur and evidence should be kept – like clear details of what went wrong and when, photos and receipts. If something goes wrong with your holiday you might be able to get compensation from the company you booked with. You should tell them about any issues as soon as possible – if you don’t say anything until you get home you might get less compensation, or none at all.”

Chartered Trading Standards Institute chief executive John Herriman said: “This research highlights the real impact poor practice in the travel sector can have on consumers, specifically the problems for consumers booking holidays online, particularly through social media.

Left out of pocket

“Too many people are left out of pocket or dealing with stress when holidays don’t meet what was promised. What should be a time to relax and unwind can turn into the opposite. While it’s vital consumers understand their rights, check the protections included and keep clear records if something goes wrong, businesses must meet their legal obligations and ensure they deliver the standard of service people have paid for – and resolve issues raised quickly.

“Strong consumer protection depends on both informed consumers and responsible traders.”

Consumers are entitled to compensation for a holiday if it was lower in value than the one booked, spending extra money was required because of a problem, a large part of the booked services were not provided, something goes wrong that causes distress or disappointment or if the holiday was completely ruined.

Yonder surveyed 2,018 adults between April 17-19 about their experiences with package holidays, including problems. Respondents were asked to exclude issues outside the operator’s control, like geopolitical events or natural disasters.

June 7 (UPI) — Emergency officials said damage assessments were underway early Monday in the Philippines after a magnitude 7.8 earthquake jolted Sarangani province in the southern island of Minanao.

The powerful quake came at 7:37 a.m. local time and was centered about 20 miles west of of the town of Maasim at a depth of 20 miles.

The Office of Civil Defense received early reports of major damage to infrastructure in the area although no official verification of casualties had yet been received.

“There are reports of major damage in various infrastructure,” agency officials told reporters. “Electricity and communications are affected as well. Evacuation is also ongoing in affected coastal areas.”

Most of the affected areas are in Zamboanga Peninsula, Davao Region, Soccsksargen, and the Bangsamoro Autonomous Region in Muslim Mindanao.

The Pacific Tsunami Warning Center issued warnings that waves of up to 10 feet were possible in some areas of the Philippines while waves up to 3 feet could strike parts of Malaysia and Indonesia.

No danger of tsunamis was imminent for the coasts of the United States or Canada, the center said.

Philippines President Bongbong Marcos said he has instructed all relevant government agencies to “act immediately,” including setting up evacuation centers and assessing damage to roads, bridges and critical infrastructure.

Marcos also ordered the suspension of classes in all levels across affected areas in Mindanao until further notice, adding, “The safety of our children comes first.

“Please heed the tsunami warning,” he urged. “Move to higher ground now. Do not wait. Your life is more important than anything left behind.”

It was a strange year on Broadway, but then it’s been strange everywhere. Our world at times seems downright unrecognizable, with politicians acting like mob bosses, AI transforming not just the internet but potentially the entire economy, the cost of living leaving only the super rich able to keep up, and I won’t even mention the climate crisis, but the forecast calls for more doom and gloom.

Good work, however, won’t be denied, even if Broadway producers have perhaps overlearned the lesson of last year’s sleeper, Cole Escola’s “Oh, Mary!” Parody with a heavy dose of camp has become all the rage in a theatrical season in which the best musical winner, “Schmigadoon!,” is an affectionate sendup of golden age classics by Rodgers and Hammerstein, Lerner and Loewe and their inspired descendants.

If Broadway is changing faster than the old guard can keep pace, the same is true for the culture in general. The economics of producing have scrambled the old playbooks. Unusual risk has occasionally brought unexpected rewards. “Schmigadoon!” fended off the competition to take the night’s top prize along with awards for both its book and score by Cinco Paul.

Michael Arden’s spectacular production of “The Lost Boys” — the staging won awards for Dane Laffrey’s scenic design and Jen Schriever and Arden’s lighting — enriched the 1980s cult film on which the show is based with human substance and high-flying showmanship. Shoshana Bean’s win for her featured performance as a persevering single mom, is a testament to the musical’s capacious heart. Ali Louis Bourzgui’s somewhat unexpected yet eminently worthy triumph for his featured performance as the vampire with front-man magnetism, catalyzed the production’s thrilling virtuosity. But few would describe this year’s ragtag selection of new musicals as robust.

The only overriding lesson may be that there are no overriding lessons. Two-time Oscar winner Adrien Brody made his Broadway debut in “The Fear of 13,” reprising his acclaimed Olivier-nominated London performance. But he didn’t even receive a nomination for his work — a snub that I found unaccountable.

Spoofs like best musical nominee “Titanique,” a zany burlesque of James Cameron’s “Titanic” and all things Celine Dion, found new respectability on Broadway. And “Two Strangers (Carry a Cake Across New York”), the two-person British musical by Jim Barne and Kit Buchan, endeared itself to audiences (if not so much to Tony voters) with its rom-com appeal. But what does it say about a season in which musical revivals upstaged new work?

“Ragtime,” the Lincoln Center Theatre production directed by Lear deBessonet that originated at New York City Center, was not only the most operatic offering of the season but was all the most emotionally stirring and dramatically ambitious. The show, which justly received the Tony for best musical revival contained perhaps the season’s most seismic tour de force. Joshua Henry’s Tony-winning lead performance as Coalhouse Walker Jr., the path-breaking pianist tragically ahead of his time, was astonishing in both its theatrical might and its generosity, which allowed everyone around him to shine, especially Caissie Levy, who picked up a Tony for her lead performance as a white matriarch whose political consciousness courageously awakens.

“Cats: The Jellicle Ball” pulled off the seemingly impossible by making Andrew Lloyd Webber’s megamusical look cool on Broadway. The production’s radical concept brings the queer audacity of Harlem Ballroom culture to these feline proceedings. For their imaginative daring, co-directors Zhailon Levingston and Bill Rauch were justly honored as were costume designer Qween Jean and choreographers Omari Wiles and Arturo Lyons, among the production’s notable awards.

“Chess,” which was strangely overlooked in the best musical revival category (“The Rocky Horror Show” strutted in instead), may not have managed to overcome the challenge of this over-elaborate geopolitical tale, even with a puckish new book. But the production made Nicholas Christopher a likely future Tony winner star.

What was old was new again on Broadway, but let’s hope that producers can still believe that the best is ahead of us.

The Angels flipped the script on the Dodgers, preventing a Freeway Series season sweep with a 13-5 win Sunday afternoon at Dodger Stadium.

Emmet Sheehan’s start only lasted 1 ⅓ innings, as he struggled to keep his pitch count low. He threw 35 of his 49 pitches in the second inning alone. Many of those went to Nick Madrigal, who battled Sheehan in a 14-pitch at-bat in which Madrigal won two ABS challenges.

“I thought the stuff was good coming in,” said manager Dave Roberts about Sheehan. “After the first inning, I just didn’t feel comfortable getting him past the 40-pitch mark in one inning. I’m not going to put this guy in harm’s way.”

The Angels third baseman drew a walk, marking the beginning of the end for Sheehan, who already allowed a single. The 26-year-old pitcher loaded the bases with another walk. Angels catcher Sebastián Rivero drove in two runs with a center-field single.

“Frustrating,” Sheehan called his outing. “Couldn’t put guys away, not efficient.”

The game shifted into an unexpected bullpen game, and the Dodgers shuffled through seven pitchers. Edgardo Henriquez retired five consecutive batters. But the Dodgers’ spiral continued. Jo Adell reached first after a ball deflected off the glove of Miguel Rojas. Adell then moved to second on a passed ball by catcher Dalton Rushing. Reliever Blake Treinen then gave up a walk and before Rivero hit another two-run single.

Madrigal beat the Dodgers (42-24) in another double-digit pitch plate appearance in the fifth. Home plate umpire Dan Iassogna called a third strike, but Madrigal argued with the umpire, emphatically slapping his head. After an ABS review, the pitch was determined to be a ball. Rushing, seemingly not pleased with a borderline check-swing call, argued with Iassogna. In the end, a 12-pitch at-bat resulted in another walk.

Coupled with a missed call for a walk on a foul-tip earlier in the game, the check-swing call added to a frustrating afternoon for the Dodgers.

“It should be reviewable,” Roberts said of the foul tip. “That changed the game, and obviously the Madrigal check-swing. I felt that he went. That did impact the game.”

Dodgers manager Dave Roberts walks on the field during the seventh inning Sunday against the Angels.

(Eric Thayer / Los Angeles Times)

Roberts replaced Alex Vesia with Jonathan Hernández, who gave up a two-run single to Jose Siri. Miguel Rojas threw out Madrigal at home on the hit to limit the damage.

In the third inning, Kyle Tucker drove in a run on a groundout that landed a foot away from home plate, but it gave Shohei Ohtani just enough time to sprint home after Rivero threw to first.

Still, the Dodgers, who had outscored the Angels 41-5 in games this season before Sunday, struggled. Twice, Rushing hit singles. Twice, Ryan Ward, the next batter, grounded into a double play, dashing any momentum. Rushing and Ward hit back-to-back home runs to right field in the sixth, but the Dodgers couldn’t capitalize on the momentum.

Rushing received more playing time than predicted this series, but he said he embraced the opportunity. He matched his career-high with four hits on Sunday. His home run was his first since April 20.

“This year, my whole goal was make sure if there’s an opportunity that I can pick a day that Will [Smith] needs rest, make sure that I can provide just as much as he does with the bat as well as behind the plate,” Rushing said Saturday. “He knows I’ll catch every game if he can’t go back there.”

Catcher Will Smith did not play Sunday because of neck stiffness, despite Roberts predicting the catcher would return for the series finale. Imaging on Smith’s neck came back negative, though it’s unclear if he’ll play Tuesday against Pittsburgh.

“It’s not anything serious, but it’s something that is preventing him from playing,” Roberts said. “It’s kind of a day-to-day thing.”

Rushing’s and Ward’s home runs were quickly negated when Adell hit a two-run homer to left-center field. Zach Neto also hammered a seventh-inning, three-run home run. By the time the game concluded, the bottom of the Angels lineup batted 13 for 15, walking four times. The Angels (25-41) could’ve scored more if not for Neto and Mike Trout, who hit a combined one for 12.

“The bottom half of the order, they were fouling off a lot of balls, we couldn’t put those guys out,” Roberts said. “But, yeah, the Madrigal at-bat really was a difference today.”

Glasnow talks about his injury

Dodgers starting pitcher Tyler Glasnow (back spasms), who was put on the 60-day injured list Saturday, attributed his slow recovery to trying to come back too soon. He plans to rest a few days before building back up.

“It’s uncomfortable,” Glasnow said. “When I get into my load, something feels weird. The more I go, the more it starts to aggravate it. Generally, before I start to throw, as long as it’s completely gone, it gets over the hump, it’s gone, and then I can get back to full speed. I just feel like I haven’t gotten there yet.”

As the World Cup nears, many Iranians say their normal enthusiasm for the event has been dampened by the co-host US’s war against their country as well as economic hardships.

Escalation comes after Israel attacked Lebanon’s capital, Beirut, killing at least two people and wounding 20.

LUKE Evans caused the Tony Awards audience to blush and sent social media spiraling after performing in a scandalously skimpy Frank-N-Furter costume live on CBS.

The Beauty and the Beast actor left little to the imagination, wearing just a tiny black jockstrap, a leather corset and sky-high heels for Sunday night’s Rocky Horror Show performance. 

During the 79th Tony Awards held at Radio City Music Hall in New York City, the ceremony paid tribute to the hit Broadway revival of The Rocky Horror Show. 

Luke, 47, emerged through a cloud of smoke to perform his starring role as the iconic Dr. Frank-N-Furter with glam-rock chaos in full force.

He completed the sexy look with fishnet stockings, elbow-length gloves, dramatic stage makeup and the crystal-covered corset before launching into a raunchy rendition of the track Sweet Transvestite alongside the cast.

At one point during the performance, the Welsh actor spun around to flash the crowd in the barely-there costume while grinding across the stage and dramatically whipping off a velvet cape to reveal the jockstrap underneath.

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The raunchy performance instantly sent social media into a meltdown as viewers praised Luke for fully committing to the campy cult-classic character.

“Luke Evans shaking his d**k and a** on stage at the Tony Awards while wearing his slutty Rocky Horror Frank-N-Furter costume…this is what Pride Month is all about!” one fan wrote on X.

Another viewer joked: “I did NOT expect Luke Evans in six-inch heels and a corset at the Tonys but now I never want him to take it off.”

A third person posted: “Broadway Luke Evans might be his most powerful form yet.”

Luke has been starring as Frank-N-Furter in the Broadway revival of The Rocky Horror Show since previews began earlier this spring, with the production officially having its opening back in April at the Hudson Theatre.

The actor previously admitted he spent months preparing physically for the demanding role, which includes elaborate choreography, live vocals and multiple quick-change costume moments throughout the show.

Frank-N-Furter, the provocative alien scientist at the center of Rocky Horror, was originally made famous by Tim Curry in the 1975 cult-classic film adaptation.

Now, Luke has made it his own, putting a darker and more seductive spin on the iconic role.

While Luke may be stirring up conversation on Broadway these days, the actor has spent years building an impressive resume across film, television and theater.

Many fans recognize the star as the villainous Gaston in Disney’s 2017 live-action Beauty and the Beast opposite Emma Watson, where his booming musical vocals and cocky swagger made him a standout.

He also starred as Bard the Bowman in The Hobbit trilogy and played the sinister Owen Shaw in Fast & Furious 6 before later reprising the role in the franchise’s spinoff projects.

On television, Luke has taken on darker dramatic roles in projects including The Alienist, Nine Perfect Strangers and Hulu’s true-crime miniseries Nine Bodies in a Mexican Morgue.

Broadway audiences, meanwhile, have long known Luke for his powerhouse stage vocals. 

Before his Hollywood breakthrough, he starred in major London West End productions including Rent, Miss Saigon, Avenue Q and Piaf.

His turn as Frank-N-Furter in The Rocky Horror Show marks Luke’s splashiest return to the stage in years – and judging by the positive Tony Awards reaction, audiences are fully embracing his comeback.

The actor’s Tony Awards appearance quickly became one of the night’s most viral moments alongside Megan Thee Stallion’s Moulin Rouge-inspired twerking performance and host Pink’s over-the-top opening number.

The 79th Annual Tony Awards aired live Sunday night from Radio City Music Hall in New York City.

Nelly Korda watched someone else lift the trophy at last year’s U.S. Women’s Open.

This time, it was Korda — the 2025 runner-up — who did the heavy lifting.

The world’s No. 1 women’s golfer won for the fourth time in 2026 on Sunday and checked off the biggest item on her to-do list.

“To be hoisting this trophy, to hold it high and at such an iconic venue, is just a dream come true,” said Korda, the first American to win back-to-back majors since Juli Inkster in 1999.

Korda claimed her first U.S. Open title, pulling ahead on the back nine at Riviera Country Club, which was playing host to the major championship for the first time.

It was anything but a wire-to-wire win for Korda, who struggled on the tee and limped through the opening round at two over par. But she shot a pair of 67s on Friday and Saturday, then closed out the victory Sunday with a 69 on a postcard afternoon.

Korda’s scrambling was masterful. No one in the last 20 years won a U.S. Women’s Open hitting fewer greens, yet she got up and down for par 24 times out of 30.

The final putt — two feet, 10 inches — was appropriately dramatic, teetering along the left edge before curling back into the cup. With the victory comes a $2.5-million prize.

Korda gasped, covered her mouth, waved to the crowd and wiped away tears. She made her way to her family on the fringe of the green, was showered by champagne and took a swig.

She was locked in a four-way tie for first — Charley Hull of England, Gaby Lopez of Mexico and In Gee Chun of South Korea also at seven under — and broke free with a long birdie putt on No. 17.

There would be no playoff, not with Korda closing the deal with a par on No. 18. It was her fourth win in eight tournaments this year.

Hull and Lopez tied for second, one shot back.

Nelly Korda holds the Harton S. Semple trophy after winning the 81st U.S. Women’s Open at Riviera Country Club on Sunday.

(Gina Ferazzi / Los Angeles Times)

Korda, 27, is the youngest American player to win four majors since Mickey Wright in 1960.

What’s more, Korda is only the second American in the past 10 years to win the Open, joining former USC standout Allisen Corpuz, who won at Pebble Beach in 2023.

Korda has a championship pedigree. Her older sister, Jessica, was a six-time winner on the LPGA Tour, and brother, Sebastian, is a professional tennis player. Their father, Petr Korda, won the 1998 Australian Open in singles tennis. Their mother, Regina Rajchrtová, is a former professional tennis player who competed for Czechoslovakia in the 1988 Summer Olympics.

When the tournament started, the focus was on Korda’s feet. She was gifted a pair of Nike Victory Pro 4 golf shoes from LeBron James but changed out of them after six holes because they felt too roomy. It was a bad day for her as she was spraying her tee shots.

The focus then shifted to her head. She has worked on her mentality this year after going winless in 2025.

“I’ve tried to have a mindset shift,” she told reporters Saturday. “I’ve tried to have the attitude of instead of saying, `I’m screwed in this position. Oh, here we go again,’ I’m just going to embrace the challenges, and I’m not going to walk off the golf course. I’m just going to figure it out.”

Korda, who had the fewest bogeys of anyone in the field (seven), was typically steady Sunday, saving pars when she needed to despite crosswinds that picked up in the afternoon and made putting trickier.

There were plenty of compelling story lines taking shape as the sun began to dip on the legendary course.

Lopez, who made a great birdie putt on 18 to claim a share of the lead, was looking to become the first Mexican woman to win the Open and the second to win a major behind her mentor, Lorena Ochoa, who won the Chevron in 2008.

After making par on each of the first nine holes, Lopez made her move on the back with four birdies.

“I’ll say that at the beginning of the day I felt way more nervous than at the end,” Lopez said. “At the beginning it’s all the energy, you’re trying to get a run, but the U.S. Open it’s about waiting and waiting and waiting, and once you get your chance you kind of ride the wave.”

Hull, a runner-up in a major for the fifth time, was looking to become the third English woman to win the Open, matching Laura Davies (1987) and Alison Nicholas (1997).

Amazingly, Hull nearly missed the cut after over-par rounds of 73 and 72 on Thursday and Friday. On Saturday, she shot a 65 — the lowest round of anyone in the field on any day — and followed with a 67 on Sunday.

Gaby Lopez sinks a birdie putt on No. 18 to briefly move into a share of the lead during the final round of the U.S. Women’s Open on Sunday.

(Gina Ferazzi / Los Angeles Times)

According to Elias Sports Bureau, Hull matched the U.S. Women’s Open record for the lowest 36-hole score in the final two rounds (132), set by Meg Mallon when she won in 2004.

“It’s frustrating,” Hull said. “Another second place.”

She added: “I love the feel of being under the gun, under pressure. It’s not like a life-and-death situation, but you know that adrenaline that you get…”

Chun had a chance to win her fourth major and bookend Open victories, as she won this tournament in 2015. That would have been the second-biggest gap between Open victories.

On the 100th day of the US-Israeli war on Iran, Al Jazeera’s Mohamed Vall explains how Tehran’s patience has reached its limit with the continuous violations of the ‘ceasefire’. Iran fired missiles at Israel after Israel attacked Beirut on Sunday.

Johannesburg, South Africa – In the quiet mining town of Swartruggens, a small courthouse is preparing to decide whether five Mexicans accused of a major illegal drug operation will be granted bail or remain in custody.

Their arrests followed a raid on a remote farm in North West province, where police said they uncovered a large methamphetamine laboratory worth about one billion rand ($60m).

The case is one of several pointing to a pattern taking shape in South Africa’s rural interior.

The Swartruggens laboratory was not an isolated discovery.

It was one of four major meth sites linked to Mexican criminals uncovered in South Africa in just two years, a pattern that has unsettled investigators and organised crime experts.

In 2024, police dismantled a large meth facility worth about $105–110 million on a farm near Groblersdal in Limpopo. Later that year, another laboratory worth roughly $5–6 million was discovered near Tshwane, followed by arrests last year in Mpumalanga.

Then came Swartruggens.

When police moved in on the North West farm in May, they found 481 kilos of methamphetamine, containers of chemicals and firearms. Among those arrested were Mexican nationals Fabian Astorga, Jesus Alonso Medina Astorga, Luis Alberto Ramirez Rios, Jose Andres Medina and Jacquelin Lopez Madrid, alongside co-accused South Africans.

All the sites followed the same pattern: remote farmland, long distances from towns and enough isolation for criminal activity to go undetected.

For investigators, the pattern is becoming harder to ignore.

Mexicans are increasingly being found working alongside local collaborators in rural production sites, suggesting a shift from trafficking meth into Africa to producing it there.

Organised crime researcher Julian Rademeyer told Al Jazeera the model reflects a deliberate strategy.

“It’s quite a unique development where you have members of Mexican drug cartels franchising, moving chemists into remote rural areas and farms,” he said.

The approach has been building for more than a decade, he added.

The logic is straightforward: produce closer to consumers, cut transport costs and reduce exposure to border and maritime enforcement.

How it spread

Mexican-linked networks in Africa did not begin in South Africa.

Researchers trace early activity back to Nigeria, where local groups were producing meth with Mexican involvement by around 2016.

From there, the networks spread through East Africa, then south through Mozambique and Botswana, before reaching South Africa more recently.

For years, users on the streets spoke of “Mexican meth”, often assumed to be imported. That supply chain has now shifted inward.

“Now, basically, the cartel chemists are being sent here,” Rademeyer told Al Jazeera.

Analysts say multiple supply routes now feed the South African market, but the most significant change is the rise of local production.

Who looks the other way

Methamphetamine dominates parts of South Africa’s illicit drug market because cheaper drugs such as cocaine and heroin remain out of reach for many users, creating steady demand for a cheaper, highly addictive stimulant.

Crime expert Willem Els says demand is only part of the story.

“The main reason why manufacturing locally is lucrative to cartels is the local conditions that exist, where there is protection from corrupt police and politicians,” he told Al Jazeera.

“It is very lucrative. The cartels can make a lot of money because South African conditions result in undetected and protected operations.”

A separate commission of inquiry into law enforcement has heard testimony alleging deep corruption within policing structures, including missing drug consignments and suspected inside involvement in major cases.

One case under scrutiny involves 541 kilos of cocaine seized in 2021 and later stolen from a police facility, in what investigators believe was an inside job.

Former Interpol ambassador Andy Mashiale told Al Jazeera the problem is visible on the ground.

“There is no way in which police don’t know those labs,” he said. “So corruption plays a role.”

He said officers deployed to rural areas were often aware of suspicious activity but failed to act.

“What inspires the drug manufacturers or the drug cartels is the willingness of the police to enable the drug trade from happening,” he said.

South Africa’s elite Hawks unit says recent raids show progress in disrupting networks, while international partners, including the US Drug Enforcement Administration, have provided intelligence linking some suspects to the Sinaloa Cartel.

But investigators warn that the system behind the labs is resilient.

A frontier that keeps moving

US Africa Command officials have warned that Mexican cartels are now not only moving drugs through Africa, but also producing them on the continent.

For South Africa, the challenge is no longer just border control, it is institutional capacity, intelligence and corruption within the system meant to contain it.

Without deeper reform, analysts warn, the pattern is likely to continue: new farms, new labs, new chemists arriving quietly in rural provinces.

For the five men in Swartruggens, the question is immediate, whether they will be released.

For South Africa, the question is larger and more difficult: how to contain a trade that is no longer arriving at its borders, but taking root in the country.

Rademeyer says the structure is built to absorb disruption.

“It’s a game of whack-a-mole,” he told Al Jazeera. “You seize a meth lab here, you seize a meth lab there. They’ll spring up elsewhere.”

Ali Louis Bourzgui scored an upset win for performance by an actor in a featured role in a musical for originating the role of David in the musical adaptation of the cult vampire horror film, “The Lost Boys.”

As viewers scrambled to keep their score cards straight — André De Shields was favored to take the trophy for his work in “Cats: The Jellicle Ball” — the 26-year-old Bourzgui went on to deliver the night’s most impassioned, and pointedly political speech.

He began by noting that, “Vampires represent those who have shunned their own humanity in order to achieve a non-existent sense of superiority. The billionaires will never find happiness from their money. The colonizers will never find fulfillment from the land and lives they steal. The fascists will never find meaning from their conformity, not in this lifetime or eternity.”

Through the cheers of an invigorated audience, Bourzgui went on to talk about how “theater is one of the last places people can come to worship the power of true collective human presence.”

At its best, he said, theater helps us see ourselves in a stranger’s story.

“This is dedicated to the beautiful tapestry of immigrant families who make this country really special. May you one day not have to audition for the empathy that should be freely given by this country that benefits from your beauty, for the queer and trans communities who will exist, no matter what people in power try to take away from them.”

Bourzgui, whose father immigrated to America from Morocco, went on to pay tribute to Palestine and his own Arab heritage.

“For the people of Palestine, who deserve a free life, a full life without occupation, for Arabs and their makers and artists, may we continue to tell our stories and show our faces. Our humanity becomes undeniable, and our families can no longer be written off as merely collateral damage, may they know the beauty of our kisses upon his cheek and the romance of a language rooted in passion for love and life itself.”

He wrapped up this speech with a plea for love and empathy.

“If there’s one thing we can learn from vampires, it’s that life is short, but that’s it’s a gift. Find beauty in the ephemeral and gratitude in what is not promised, and always invest in the people that want to see you blossom into your truest self, and hold that space for them in return.”

Katie Stith, the softball coach at JSerra High, can finally take a bow and become the most famous Stith in the family — at least for a couple weeks.

Imagine being the daughter of legendary club softball coach Mike Stith (OC Batbusters), then going into coaching. Katie did just that and has earned the spotlight after guiding JSerra to its first Southern Section Division 1 championship.

She has been selected The Times’ coach of the year for 2026.

It was her eighth season, and if you want to play in Division 1 in Southern California, you have to go through the gauntlet of powerhouses, from Norco to Orange Lutheran to Murrieta Mesa.

JSerra navigated a difficult regular-season schedule, then avoided upsets in the playoffs. The team finished 25-8 and had wins over Norco, La Mirada, Oaks Christian, Orange Lutheran and Garden Grove Pacifica — all prominent programs.

She was able to rely on pitcher Liliana Escobar and catcher Annabel Raftery in those pressure-packed moments from the first game to the last.

North Korea has released photos of Kim Jong Un inspecting huge munitions at a weapons factory ahead of Chinese president Xi Jinping’s visit. Pyongyang has ordered missile production capacity to be doubled in the next five years.

Yariv Oppenheimer told Al Jazeera that Israeli PM Benjamin Netanyahu has incentives to escalate tensions with Iran and Hezbollah but is constrained by US President Donald Trump and US interests. He said Iran’s June 7 response was a warning, not a push for war, and doubts Trump would allow major Israeli retaliation.

Countryfile presenter Matt Baker and his wife Nicola have opened up about how they manage time apart due to his filming commitments

Matt Baker shared a rare insight into his marriage.

In a previous interview on ITV’s Lorraine, broadcast last year, Matt Baker and his wife offered candid insight into how they keep their relationship thriving despite lengthy stretches apart owing to Matt’s filming schedule.

As the conversation turned to Matt’s TV series and Nicola’s book, host Lorraine Kelly quizzed the couple on how they first met.

With a cheeky grin, she asked: “Now, you two met when you were babies, right? Teenagers. Nicola, were you into farming? Were you a farm girl?”

“No, I wasn’t a farm girl,” Nicola replied warmly. “I loved being outdoors. I loved just the outdoor life. But farming was something that came to me when we met.”

Lorraine then turned her attention to how the couple copes with prolonged time apart, particularly when Matt heads off to film Countryfile and other projects. She probed: “Obviously, you know, you go off and do your own thing writing the books, and you go off and do your own thing around Britain,” reports the Express.

She continued thoughtfully: “So there are times when you’re apart, but you don’t think sometimes that works. It just does. You know, you’ve always got something to talk about.”

“We are such do-ers, really,” Matt chipped in, adding: “We are so supportive of what each other wants to do.”

He concluded: “But yeah, we’ve just sort of found our way through because we sort of focus on what we’re passionate about.” Nicola offered her take on their situation: “And then we make the most of the time when we have together, you sort of prioritise that and make the most of that.”

When Matt isn’t busy filming, he often keeps his Instagram followers updated with his day-to-day life. In one of his most recent posts, the Countryfile presenter shared the heartbreaking news that his dog had died.

In an emotional social media post, Matt confirmed the loss of his cherished companion, writing: “R.I.P Bob”.

He wrote alongside the post: “It’s with a very heavy heart that I’m letting you know our wonderful Bob is no longer with us.

“He’s been gone a while, but I haven’t been able to talk about it as I’ve been finding it so incredibly sad. Bob was a brilliant dog. He was there for me with his gentle soul as the ultimate companion through some of the greatest chapters of my life, from raising our kids to all the changes we made on our family farm.”

He continued, “It’s broken my heart, but I feel hugely grateful to have had him in our lives, and I thank him from the bottom of my heart for everything he’s taught me and brought to our family.

“I’m sure all you dog lovers will agree the reason we love our dogs so much is because the only time they break our hearts is when they leave us. RIP Bob X.”

Lorraine airs weekdays at 9.30am on ITV and Countryfile airs on Sunday on BBC One.

The quarter mark of a season isn’t necessarily a make-or-break point, but for the Sparks, it was starting to feel like it was close to it.

An 89-72 win over the expansion Portland Fire on Sunday to close a 1-2 homestand felt more necessary than the Sparks might have wanted to admit. But after struggling on the road before losing consecutive games at home against Las Vegas and Dallas amid a three-game losing streak, the Sparks needed something to go right.

Especially defensively, where the Sparks had seemingly been getting worse. They had their best defensive game of the season Sunday, holding Portland to 36% shooting — the second-lowest mark against them this season.

Kelsey Plum finished with 16 points and six assists and Nneka Ogwumike had a double-double with 20 points and 17 rebounds. Dearica Hamby had 22 points with 12 rebounds, a solid response for the veteran forward following her struggles in recent games.

Before the game, coach Lynne Roberts admitted that she would consider benching some players if things didn’t improve.

“That’s the stage we’re at,” she said. “So that’s where we’re at. So stay tuned.”

The Sparks (5-6) stuck with their usual rotation and held the Fire to 72 points, the fewest they’ve allowed in a game this season.

Plum didn’t register a shot attempt until early in the third quarter when she hit a mid-range jumper to go ahead 45-43. The Fire defense smothered her, and while Erica Wheeler and Ogwumike made some shots early, the Sparks mostly didn’t make Portland (6-7) pay for doubling up their star.

The Sparks went on an 8-0 run in the first quarter while the Fire struggled to make shots around the rim.

But the Sparks’ offense went cold in the second quarter, allowing Portland to come back to lead by two at halftime. Portland also dominated on the boards to get extra possessions.

The Sparks adjusted to open the third quarter with six consecutive points. Portland struggled to hold on to the ball and turned it over nine times in the third quarter, allowing the Sparks to outscore them 23-12.

Portland couldn’t recover and the Sparks capitalized on turnovers to pull ahead by as much as 18.

The Sparks will play at the Seattle Storm (3-9) next on Wednesday.

Iran and Israel exchanged threats after Tehran launched missiles towards Israel in response to Israeli strikes on Beirut’s southern suburbs. Israel vowed to deepen attacks on Lebanon, while Iran warned of further action if the strikes continue.

Tsunami warnings have been issued across Asia following an 8.2 magnitude earthquake off the Philippines.

Authorities in Indonesia, Philippines and Japan early on Monday issued warnings of tsunami waves following the powerful quake.

The quake struck off the island of Mindanao shortly before 7:40 am local time, according to the United States Geological Survey.

The US government agency advised people in affected areas to get out of the water and move away from beaches and harbours.

More to follow…