Month: April 2026

Here’s what Jet2 passengers travelling as a family need to know

Heading off on holiday is an exciting time, but travelling as a family can also prove demanding. You’ll need to ensure everything is organised and all your crucial documents such as passports and boarding passes are sorted.

As well as this before departing, it is useful to familiarise yourself with any rules or regulations you might be unaware of – including any airline requirements. This is particularly important when travelling with children and babies. And by making sure you know what’s expected, you can make your journey as easy as possible.

Here are the latest Jet2 rules for passengers travelling with children and babies.

Firstly, the travel operator allows only those aged 14 or above to travel unaccompanied, and that any passenger under the age of 14 can only travel if accompanied by a passenger aged 16 years or over who will assume full responsibility for them. Jet2 guidance adds: “Some countries impose special conditions for minors who are travelling either alone, or without their legal parent/guardian.”

Passengers are advised to verify the requirements for their destination. When departing or entering Portugal, including Madeira, without a parent or legal guardian, young people under the age of 18 are required to have a letter of authorisation with them.

This letter must be signed by the parent or legal guardian and contain accurate detail confirming the young person’s temporary address and the responsible person’s contact information, while in their destination. Jet2 adds: “To avoid delays at the border, we recommend a copy of the signatories’ (parent or legal guardian) photo identification is carried with the young person for verification purposes, by the authorities at the Portuguese border.

“Residents or nationals of Portugal under the age of 18, leaving Portuguese territory, may additionally require authorisation letters to be legally certified prior to departure.”

Travelling with Jet2 with children and babies

Travellers are permitted to bring up to two items per child or infant at no extra cost, which can include a pram or buggy, a car seat, a baby carrier, and a travel cot. Items must not exceed 32kg in weight and any further items will be subject to excess baggage charges.

Infants under two years of age on the date of travel can fly free of charge. Infants over 7 days old without any underlying health conditions won’t require prior clearance and will be permitted onboard.

However, babies aged between two and seven days old will require prior approval from Jet2.com. Infants 2-14 days old who have been incubated, ventilated or have experienced any birth complications will also need authorisation before flying, and Jet2 says it is unable to carry any infants less than 2 days old.

Bookings can be made before an infant has been born. Should their name be unconfirmed, simply enter the first name as ‘Unborn’ and last name as ‘Baby’. Jet2 further explains: “Once the infant’s name has been confirmed, contact us and we’ll be happy to update the name free of charge.”

Infants will be positioned on the lap of their accompanying adult and fastened using an extension seatbelt, which will be supplied by cabin crew and you are not allowed to use your own infant or extension seatbelt. Alternatively, you can reserve a seat for them where they’ll need to sit in a car seat, provided it meets the necessary criteria.

Anyone wishing to book a seat for an infant is advised to contact the Jet2 Customer Service team for guidance and costs. Jet2 is also informing passengers that if you’re flying with an infant and you’ve already added a hold bag to your booking, your allowance will automatically be increased by an additional 10kg per infant, free of charge.

THE oldest member of a much-loved 70s pop group has passed away, his family has announced.

Alan Osmond, the founding brother and guitarist of The Osmonds, died on Monday aged 76.

The family said in a statement that his wife Suzanne and their eight sons were beside Osmond at his bedside when he passed away, but did not reveal an official cause of death.

Alan Osmond had battled multiple sclerosis for 40 years after being first diagnosed in 1987.

He was the third-born child of parents George Virl Osmond Sr. and Olive Osmond, and in 1958 performed alongside his younger brothers Wayne, Merrill and Jay on a TV show at the age of 12.

The group first found fame as a barbershop quartet on The Andy Williams Show.

This early success set the stage for their siblings to join the lineup; once younger brother Donny arrived, the group transitioned into pop music as “The Osmonds,” quickly achieving superstar status as teen heart-throbs.

They had hits such as One Bad Apple, Yo-Yo, Down by the Lazy River and Love Me for a Reason.

Alan left the group in 2007, and his brothers went on with solo careers.

Alan and his brother Merrill founded the Stadium of Fire in Provo, Utah, a massive Fourth of July celebration, and he also co-founded and ran the OneHeart Foundation.

He then published his memoir, “One Way Ticket,” in 2024.

Osmond is survived by his wife, their eight sons, 30 grandchildren, and five great-grandchildren.

“I’m trying to be very patient. But we are good and just waiting a little bit.

“We have a few tests in the next few days and then we will see how the injury is and what the next steps will be.”

The 22-year-old, who won clay-court titles in Monte Carle, Rome and Roland Garros and reached the final in Barcelona last season, could lose significant ground to Sinner in the rankings because of the injury.

Italian Sinner reclaimed the number one ranking this month after beating Alcaraz in the Monte Carlo final.

Alcaraz said: “I’d rather come back a little later but in great shape than come back early, rushing around, and unwell.

“God willing, I have a very long career ahead of me, many years, and pushing myself too hard at this Roland Garros could seriously harm me in future tournaments.

“Things happen in the professional world. You have to accept them. I need to recover really well if I don’t want it to affect me later on.”

The US tech giant Palantir Technologies has posted what it terms a summary of Palantir CEO Alex Karp and head of corporate affairs Nicholas Zamiska’s book, The Technological Republic, on social media.

Many of the positions articulated in the book go far beyond what would normally be expected of a tech company: calling for the introduction of national service, the “moral” duty of technology companies to participate in defence, the necessity for hard power if what it calls free and democratic powers are to prevail, and an embrace of religion in public life.

The publication of what appears to be a 22-point manifesto comes at a critical time for Palantir, which faces global criticism for its support of US President Donald Trump’s controversial immigration crackdown and its backing of the Israeli military’s actions in Gaza and the occupied West Bank.

Many have expressed alarm at the book’s emphasis on cultural hierarchies and what it calls “regressive” cultures.

Eliot Higgins, the founder of the online investigations platform Bellingcat, sarcastically pointed out how “completely normal” it was for a tech company to post what he said was a manifesto attacking democratic norms. “It’s also worth being clear about who’s doing the arguing,” Higgins added. “Palantir sells operational software to defence, intelligence, immigration & police agencies. These 22 points aren’t philosophy floating in space, they’re the public ideology of a company whose revenue depends on the politics it’s advocating.”

So, what is Palantir, why is it so controversial, and why has it posted the “manifesto” now?

What does the book say?

As well as referring to the hard power needed to replace the “soaring rhetoric” previously used to defend “free and democratic societies”, the book rails against what it calls the “psychologization of modern politics”, which appears to criticise anyone the authors feel has become too emotionally invested in their political representatives and identity.

The call for people to care less about politics appears to critics as a way of deflecting from Palantir’s own controversial political positions and its openness to working with government policies that clamp down on liberty. Worryingly for some is also the book’s emphasis on what it calls the technology sector’s “obligation to participate in the defence of the nation”, and on the supposed inevitability of developing AI weapons.

Among other points, the writers appear to defend billionaires, such as Elon Musk, whose achievements, they say, are not met with “curiosity or genuine interest” but are instead dismissed by those who “snicker” at the South African-born businessman. Musk was heavily criticised for his role as the head of DOGE, or the US Department for Government Efficiency, which scrapped several government agencies without much regard for the roles those agencies played, or the legal and political process necessary to shut such agencies down.

Palantir’s post concludes by criticising “the shallow temptation of a vacant and hollow pluralism”. It argues that an unthinking commitment to inclusivity and pluralism “glosses over the fact that certain cultures and indeed subcultures… have produced wonders. Others have proven middling, and worse, regressive and harmful”.

How have people reacted?

Not well.

Mark Coeckelbergh, a Belgian philosopher of technology who teaches at the University of Vienna, described Palantir’s messaging as an “example of technofascism”, while Greek economist and former Finance Minister Yanis Varoufakis said Palantir had effectively signalled a willingness “to add to nuclear Armageddon the AI-driven threat to humanity’s existence”.

Posting on social media, Arnaud Bertrand, the entrepreneur and geopolitical commentator, claimed that Palantir had revealed a dangerous “ideological agenda”.

“They’re effectively saying ‘our tools aren’t meant to serve your foreign policy. They’re meant to enforce ours’,” he wrote.

What is Palantir?

Palantir Technologies is widely regarded as one of the world’s most influential data analytics firms, securing major contracts with governments, militaries and global corporations.

Founded in 2003 by Alex Karp and Peter Thiel, with support from In-Q-Tel, the CIA’s venture capital arm, it built its early business on post-9/11 intelligence work and has since expanded internationally, with contracts across Europe, the Middle East, and beyond.

While retaining his shares in Palantir, Thiel is understood to no longer play an active role in its day-to-day operations. Karp has positioned himself as the public face of the company.

Under Karp’s leadership, Palantir has drawn heavily on the expertise of former members of Israel’s cyber-intelligence unit, 8200. After the company announced a “strategic partnership” with Israel in January 2024, its involvement in Gaza and the occupied West Bank expanded considerably. Using a mix of intercepted communications, satellite material and other digital data sources, Palantir began integrating these inputs to help produce targeting databases – effectively, “kill lists” – for the Israeli military.

It has also cultivated close ties with US security agencies, particularly during the Trump administration, of which Thiel has been an enthusiastic backer, and has also worked with Israel in its occupation of the West Bank and genocide in Gaza.

According to its critics, including the rights group Amnesty International, “Palantir has a track record of flagrantly disregarding international law and standards, both in the violations of the human rights of migrants in the United States, to which it risks contributing to, and its ongoing supply of artificial intelligence (AI) products and services to the Israeli military and intelligence services that are linked to Israel’s ongoing genocide in Gaza.”

What exactly has Palantir been accused of in Israel and the US?

Palantir Technologies has faced criticism across the world for its enabling of government surveillance and military systems in the US and Israel.

In the US, it has been accused of supporting immigration enforcement and policing tools that aggregate vast personal datasets, including medical information, enabling profiling and raising due process and privacy concerns. In Israel, critics allege that its AI and data platforms have been used in military operations in Gaza, potentially contributing to the targeting decisions that have underpinned Israel’s genocide there.

Responding to questions from Al Jazeera earlier this year, a spokesperson for Palantir said, “As a company, Palantir does support Israel. We’ve chosen to support them because of the appalling events of October 7th. And more broadly, we’ve chosen to support them because we believe in supporting the West and its allies – and Israel is an important ally of the West.” The spokesman was referring to the Hamas-led October 7, 2023, attack on Israel, after which Israel launched its genocidal war on Gaza.

Why post the ‘manifesto’ now?

Palantir’s politics and alarm over its influence are growing and gaining traction across much of the West.

As well as concern among US Democrats, politicians in Germany, Ireland, and in the European Parliament have criticised the tech giant, whose products, according to one German lawmaker and cyber security expert, have fallen short of security standards across the bloc.

In the UK, the row over the National Health Service’s adoption of Palantir technology has led to some of the fiercest criticism yet. MPs calling for the UK to take advantage of an early break in the tech giant’s 330 million-pound ($446.4m) contract with the health service labelled Palantir “dreadful” and “shameful” in a debate last week, after which even the government conceded that it was “no fan” of the US company’s politics.

Louis Mosley, the head of Palantir Technologies UK, defended the company by arguing that it had no interest in patient data and existed only as a tool to better manage health service resources.

This is a very similar situation to the one that surrounded Red Bull’s former head of strategy, Will Courtenay, who is now McLaren’s sporting director.

It emerged at the 2024 Singapore Grand Prix that Courtenay had signed to join McLaren when his contract ended, and Red Bull emphasised that he would not be allowed to leave before 2026.

They did not specify exactly when in 2026, and BBC Sport has been told that negotiations were held that led to him starting work at McLaren on 1 January this year.

Despite that, for the entirety of last year, Courtenay stayed in his previous role, even though Red Bull were fighting McLaren for the drivers’ championship.

For now, the same thing will happen with Lambiase – he will continue in his role as Red Bull’s head of racing and race engineer to Verstappen for the foreseeable future.

However, just because Red Bull’s statement announcing his departure said he would not be joining McLaren until 2028 does not necessarily mean that will be the case.

McLaren’s statement said Lambiase would join “no later than 2028”. That means they will be hoping to come to an agreement with Red Bull that shortens that timeframe.

It’s worth pointing out, meanwhile, that McLaren have emphasised that Lambiase is joining to provide support for team principal Andrea Stella, not ultimately replace him.

Stella has until now been fulfilling the role to which Lambiase has been appointed, that of chief racing officer, in addition to that of team principal.

Stella said last week: “Zak (Brown, the chief executive officer of McLaren Racing) and I have built a flat team structure, in which it is essential to ensure all leaders are properly empowered, but at the same time, we must guarantee there is always the necessary level of long-term support.

“It goes without saying that, with this approach, the dual role I currently hold could not be sustainable in the long run.”

McLaren have indirectly – but very clearly – rejected what are said to be inaccurate reports that Stella is on his way to Ferrari.

Stella said in a statement issued by McLaren on Friday: “Some of the recent rumours, including those regarding astronomical salaries and mythical pre-contracts, have made me smile.

“It almost seems as though the ‘silly season’, which usually begins before summer, has arrived early!

“I’m quite used to this sort of thing by now and I take with a smile. It almost looks as if some envious pastry chef has tried to spoil the preparation of a good dessert at the McLaren patisserie. However, we do know very well how to distinguish the good ingredients from the poisoned biscuits.”

During a recent Zoom interview from his studio in Switzerland, Peter Zumthor offered a candid look at the making of the Los Angeles County Museum of Art’s new David Geffen Galleries.

The Pritzker Prize-winning architect addressed long-standing criticisms of the building and answered questions about his craft. He noted that the structure is a rejection of the overly “slick” architecture he believes defines the present moment, and shed light on the building’s early development, describing a contained process in which the concept was shaped before being presented to the public.

Finally, he discussed the broader ambition of the endeavor: dissolving traditional circulation and prioritizing emotional experience over institutional order.

The following interview excerpts have been edited and condensed for length and clarity.

You are well–known as both an architect and a craftsman. I think the biggest place for that focus was the concrete. I’m curious about how you formed it. It’s not the typical museum concrete.

I work like an artist in building. This means I custom-make buildings. I can use a few standard details or products, like in the basement. But where the building has an identity, becomes visible, it’s almost all handmade. I have an image of what I want to do, what the building should do, how it should look. So I need people who can help me make custom-made products.

The people who did the formwork — the concrete pouring — [worked in] groups of 100 or more. They were fantastic. They loved their work. At the beginning, formwork leaked on a door, and it looked terrible. They said, “Peter, we’re sorry. We made a mistake. We can fix this. You will not see this afterwards.” But if you make a mistake, you cannot mend it, because what you’re doing here is a concrete sculpture. Sculptures are never mended.

It’s not a perfectly smooth concrete. I’m assuming that’s on purpose?

I love this kind of rawness. This was what I gladly learned. Michael [Govan] in a very friendly, careful way let me know that he would like more “American details” and fewer “European details.” OK, my European details, they stand. That’s what I did 20, 30 years ago. My background as a furniture maker shows, and I can do this. But the challenge in this museum is to get the right “American” roughness. And I think I pretty much succeeded.

What I learned in California [came] back to Europe, and many times we now say in the office, “Let’s do this more L.A.-style.” Because we have too many slick magazines in the world. We have this corporate architecture which doesn’t want to see any touch of a hand. No mistakes. What we need is not refinement. We need wholehearted directness. This is what I take back from America. There’s a certain freshness. It’s not overly refined. I’m proud of that. The roughness has to do with our times. Because our time is slick and glossy, right? The time to make refined, slick architecture is over.

Horizontal light enters from floor-to-ceiling windows around the perimeter of LACMA’s new David Geffen Galleries, which use concrete as a kind of living building material.

(Iwan Baan)

In a 2023 interview with [architecture critic] Christopher Hawthorne, you said there were no “Zumthor details” left in the building. Do you think there are any Zumthor details now?

Of course there are Zumthor details. And I love them. They are not Swiss details. I think Christopher got this wrong. I was actually proudly speaking of how I learned a new way of looking at details. It doesn’t have to be refined all the time.

[Editor’s note: Zumthor told Hawthorne verbatim, “There are no Zumthor details any more,” in the 2023 interview with the New York Times.]

There’s always a tension with every building when it comes to value engineering. Were there any other places where you would want [David Geffen Galleries] to be different?

Basically, I say no. I’m very proud of this building. This is what I wanted to do, and this is what Michael helped me to do. This is exactly it. It’s one of my children and I love it.

Do you see this approach as an evolution in your work? Or is it more specifically for L.A.?

L.A. has changed me. And it’s in a good way. I would [not] have changed and reacted to our slick times the same way without L.A.

There were complaints that the project, and the process, were not as public as some people thought they should be. What is your reaction to that criticism?

I think I can say this: Michael said, “We cannot make a competition or anything like it, because competitions in the U.S. always end up with a winner who doesn’t build because he found out his own way of staging this whole procedure. The first, the most important thing, is that we start on a small budget, just the two of us.” That’s what we did. So when we started to talk about this museum, it was him and me, basically, and he gave me a little bit of money. And he said, “There will come a time when we will have to show something to the public. Let’s see whether people say yes.” They could have said no, but I think what they saw at that point was already too convincing.

Architect Peter Zumthor speaks at the press preview for the David Geffen Galleries at Los Angeles County Museum of Art.

(LACMA/ Museum Associates / Gary Leonard)

Because the museum’s not organized in a traditional way, it might be harder than normal to navigate for some people. It might be a little confusing. What do you say to that concern?

This will take some time, to see the benefits of this new type of museum. I think if you start to like this building in one corner or in another, or you get lost, you start to understand what it is all about. When something new comes, you have to learn, right? But I hope you can see this building never looks down on you. This building is, in a way, deeply human. And it lets you have your opinion.

There are people who have said, very loudly, this space shouldn’t have lost square footage. What is your response to that?

Small museums are beautiful, big museums tend to be really difficult. And the bigger the museum gets, the more difficult it is to make it easily accessible. So I’m very glad that this is not bigger. But it feels bigger.

What is this with bigness? What kind of a hang-up is this? You don’t have to be big. It has the right scale. We were often asked, “Can you experience this building and this collection in one day?” And we said, “Maybe. But maybe it will be better to come back.” Start from the other end. You have your own personal path. And then you research a little bit further. I think these are the beautiful ideas of how to experience the building. And I think it’s endless.

The interior of LACMA’s new David Geffen Galleries encourages guests to wander and make their own connections rather than follow a linear path.

(Eric Thayer / Los Angeles Times)

Can you go back to the beginning and talk about the core concept for the museum?

There are three major things that I always have to answer, whatever I do. What does the building do with the place? Does it help the place? Does it interpret the place? And then, what is the content of the building? What does the building have to do? Why are we building this?

To start out, there was a museum here which was modeled a bit after Lincoln Center. Later, it got clogged up with new buildings and you didn’t recognize the initial idea anymore. These things we took away. Whenever a building is there, whether it’s beautiful or ugly, it will always have grown into the soul of somebody. There will always be people saying, “No, no, I want to keep it.” This is part of my life. I understand this kind of thing always comes up.

The place was rather difficult because I couldn’t see any big urbanistic concept in L.A. L.A. [is] not urban in the European sense with, for instance, the market square.

There was a master plan, which was made by Renzo Piano. And this presented a long axis, and I tried to follow it. It just did not feel right. So I started to react in a more organic way, inspired by the tar pits. This whole area, which to me, is the ancient part of the site, became the starting point.

There was more: like the idea that side light is the most human light. Yeah, no skylights. And another thing was the museum had to be open to its surroundings. So contemporary L.A. should be present at all times. It should come in, whenever you can look out.

Another important thing … was to create or enlarge the public space that Michael [Govan] had started to create between his buildings. Friday evenings, Saturday, you saw so many families there. There is a desire here, a wish, for public space. This is not exactly the strength of L.A. So I think it was amazing that we were allowed to lift up the building and have the whole ground free for people.

Also, let’s do the museum on one level only. Classical museums have a main level, then they have a second level and a third level, a south wing and north wing and so on. And then, as an artist, you can have your work on the main level in the most beautiful spot. But as an artist, you can also land top left, third level near to the attic. So let’s make a building type which treats everybody equal.

LACMA’s David Geffen Galleries are hoisted above the ground on discrete piers, allowing for ample public space below.

(Eric Thayer / Los Angeles Times)

And then we started to think about how we wanted something open for wandering, experiencing and dreaming. This is always difficult to explain — let’s have the knowledge of art, of the history of art, coming second. It’s not because I think this is a secondary thing. It’s just because our experience should come first.

As a boy, I saw the opposite. There’s a tour and there’s a guide, and the guide starts to tell you what you should think. And I never liked this. We thought we should lay out things on a big plane where you can stroll and wander and develop your interest in art. Follow your own path.

You’re overturning a lot of unspoken rules in the art world. And I guess that’s the point in a lot of ways?

This is our point. You see other rules. For instance, if you do a new museum, the conservators say art can be exposed to less daylight. I told them as a joke, “If it goes on like this, soon the art will be in the basement, locked away.”

We have a building wide and long enough that within the building, you can find strong daylight for, let’s say, china or pottery, which love daylight. Then you can go deep into the building where it gets darker, and you can put pieces you don’t want to expose too much to the light. All without having to flip a switch.

The NHS Couch to 5K app is celebrating its 10-year anniversary having been downloaded more than eight million times.

The app, which is a collaboration between the BBC and the Department of Health and Social Care is a free, beginner-friendly running plan and aims to help people go from being non-runners to be able to complete 5km.

As well as eight million downloads, the app has also supported more than one billion minutes of movement since its launch in 2016.

To mark the anniversary, a series of special programmes across the BBC are taking place – including a Traitors special of the BBC Sport Couch to 5K Podcast.

“NHS Couch to 5K has been a real success story and to achieve supporting over one billion minutes of movement over a decade from runners across the UK is truly incredible,” said the BBC’s chief content officer Kate Phillips.

“We all know the physical and mental benefits of taking up regular exercise.”

The NHS says regular running has been shown to reduce the risk of long-term illnesses, such as heart disease, type two diabetes and stroke, as well as helping to maintain a healthier weight and improve mood and wellbeing.

Here are ways to download the NHS Couch to 5K app:

Morbi, India – For seven years, Pradeep Kumar would walk into the ceramics factory in western India at 9am, load raw materials – clay, quartz and sand – into the kiln, and spend the day around the heat and dust of the furnaces.

He handled the clay at different stages, sometimes feeding it into machines, sometimes moving semi-processed pieces towards firing. The work was repetitive and demanding, with no protective gear, such as gloves and masks, against the high temperatures.

“It would be very challenging in the summers since the heat would be at its peak,” he told Al Jazeera.

But on March 15, he lost his job – not because of anything he or the company behind his factory had done, but because the United States and Israel attacked Iran, triggering another war in the Middle East and a global fuel crisis.

Barely two weeks after the war began, the ceramics company where he worked shut down due to a shortage of propane and natural gas. The company, in Morbi in Gujarat state – like all of its peers in the ceramics industry – depends on these critical ingredients.

Morbi is the centre of India’s ceramics industry that employs more than 400,000 people. More than half of these workers, like Kumar, are migrants from poorer Indian states like Uttar Pradesh and Bihar.

Five days after Kumar lost his job, the 29-year-old took his wife and their three children back to their home in Uttar Pradesh’s Hardoi district.

“I am here until every other migrant worker who came back home with us goes back,” he told Al Jazeera.

“We don’t want to suffer like dogs, like we did during the COVID-19 pandemic,” he added, referring to the 2020 and 2021 exodus of migrant workers from India’s more industrialised western states to the poorer east, with millions of starving families, including children, walking on foot for days and sometimes weeks to reach their homes amid a coronavirus lockdown.

About 450 of 600 companies shut

With more than 600 companies, Morbi produces about 80 percent of India’s ceramics in the form of tiles, toilets, bathtubs and wash basins. But at least 450 of those companies have been forced to shut down as a standoff on the Strait of Hormuz, a lifeline for India’s gas imports, continues.

Meanwhile, the war continues, with the US on Sunday capturing an Iranian cargo vessel, even as Washington says it is willing to hold another round of talks with Tehran in Pakistan to reach a deal. Tehran has refused to commit to peace talks after its ship was seized.

The developments came as a fragile ceasefire agreed by Iran and the US after a month of fighting expires on Wednesday. But a re-escalation in hostilities has seen Iran shutting down Hormuz for traffic, disrupting global fuel supplies and raising oil prices.

“All manufacturing units in Morbi rely on propane and natural gas to fire kilns at high temperatures. While propane is supplied by private companies, natural gas is provided by the state to those with connections. Around 60 percent of manufacturers use propane because it is comparatively cheaper,” Siddharth Bopaliya, a 27-year-old third-generation manufacturer and trader in Morbi, told Al Jazeera.

Manoj Arvadiya, president of the Morbi Ceramic Manufacturers Association, said they had shut down the units till April 15, hoping that the Middle East crisis would be resolved by then.

“But even today, only around 100 units have opened, and most have still not begun the manufacturing process. For at least another 15 days, it is likely to remain the same,” he told Al Jazeera.

Arvadiya said the closure has impacted 200,000 workers, with more than a quarter of them forced to go back to their homes in other states.

India’s ceramic industry is valued at $6bn.

“About 25 percent of Morbi’s ceramics are exported to countries in the Middle East, Africa and Europe, with a net worth of $1.5bn. But exports are now delayed and, in some cases, completely halted, especially to Middle Eastern countries, due to the production slowdown over the past month,” Arvadiya told Al Jazeera.

Factories that rely on propane remain shut in Morbi. Though natural gas is mostly available, many units have not made the switch yet, as new connections are being priced at 93 rupees a kilo, while existing users receive it at about 70 rupees.

Khushiram Sapariya, a manufacturer of washbasins who relies on propane, said he will wait this month before deciding on reopening his factory.

“Because then I have to call hundreds of staff who have gone to their homes, and I want to be sure before taking their responsibility,” he said.

Returned home with ‘Morbi disease’

Among the workers who left Morbi last month is 27-year-old Ankur Singh.

“The shutdown of my company did not send me back alone, but with a Morbi disease – silicosis. I would often have fever and cough but kept ignoring it, until I came back to my hometown near Patna in Bihar and found after a check-up that it was silicosis,” he told Al Jazeera.

Silicosis is an incurable lung disease caused by inhalation of silica dust found in rock, sand, quartz and other building materials. One of the oldest occupational diseases in the world, it kills thousands of people every year.

Gujarat-based labour rights activist Chirag Chavda says the disease is “widespread in Morbi because workers are routinely exposed to fine silica dust generated during ceramic production”.

“Even those not directly involved in moulding or kiln work often inhale the particles due to poor ventilation and prolonged exposure across factory spaces,” he told Al Jazeera.

Chavda said most ceramic companies do not follow the government regulations regarding the safety of workers.

Harish Zala, 40, had worked in different ceramic companies in Morbi for two decades before he got silicosis two years ago. He said he received no help from his employer, who allegedly abused and threatened his father when he visited the company after the diagnosis.

“Every year, at least one labourer dies of silicosis in each company, while several get detected for silicosis,” Zala told Al Jazeera. “Some like me get lucky and survive, but have no choice but to quit the job immediately.”

Zala said many companies do not provide the workers with written proof of employment, such as appointment letters, salary slips, or identity cards. “This is done so that if a worker later demands labour rights or legal entitlements, they have no concrete evidence to prove that they were employed by the company.”

Chirag added that such workers are also denied social security under various Indian laws regarding salaries or pension funds, since doing so would establish proof of employment.

“As a result, even after working for years, workers are deprived of their labour rights due to a lack of evidence. This leaves employers with little to no legal accountability,” he said.

In Morbi, there are also migrants like Sushma Devi, 56, who did not go back to her home in West Bengal because the tile company her son works at has promised to continue giving them shelter and food as it waits for manufacturing to resume.

“I am here with a few more people because we did not want to spend money on travelling. Here, at least our ration is sorted,” she said as she walked with a bundle of dry twigs, wood and discarded plywood for the cooking.

“We step out to collect these every day to be able to cook our two-time meal,” said Devi. “I hope the kilns and manufacturing resume soon, but I also hope they don’t stop giving us rice and potatoes even if the kilns don’t start running anytime soon.”

Devi’s husband, Debendar, and their son Ankit live in a one-room set given to them by their company. The family has access to a common toilet for 10 families on one floor.

Kumar, meanwhile, is running out of his meagre savings and fears he could fall into a debt trap.

“Initially, we ate from whatever we had saved. But the house needed repair and we had to borrow 20,000 rupees ($214) from a relative, which we have no idea when or how we will repay,” he said, looking at the reworked roof of his brick house in Hardoi.

Dozens of US veterans and family members of military personnel have been arrested while staging a protest in the US Capitol building in opposition to the war on Iran.

Holidaying as a single parent is a tricky balance. You want to ringfence the kind of extended one-on-one time that can be difficult to find during term time; but too much of that and you know you’ll drive each other a little crazy. Kids need other kids, and you could do with some adult company too. You also need a break. It’s a nice idea to pack the car with camping gear and head out into the wilderness, but it can be a lot of work – and you end up in a field, attempting to put up a tent, alone.

Friends of mine have suggested holiday parks, some of them with bars and restaurants and a daily schedule of kids’ activities. That all sounds a bit overstimulating. I’d been dreaming about sinking into a quiet landscape. But would there be enough to do?

The potential answer came in the shape of One Cat Farm, a small nature reserve tucked in a remote valley in Ceredigion, west Wales, which may have the balance just right. Owners Jessie and Lyndon bought the old pig farm when they moved from London in 2013. Setting up a glamping site, running and raising it with three young children, a barely functioning bathroom and no internet was “not quite as fun” as they’d intended, they tell me, but they persevered, and after years of hard work it is – I soon discover – an incredibly special place.

The four cabins, which sleep two adults and up to three children, were designed and built by the couple and are spaced discreetly through the site. There’s a growing woodland (Jessie and Lyndon have planted more than 300 trees since moving here), a wild-swimming pond, and another where nature is left to do its thing. To the east are the Cambrian Mountains; to the west, the hidden beaches of Cardigan Bay – not that we see much of this when we first arrive, in the dark, having driven straight from school pickup. We’re met by Jessie, who shows us to our cabin, which (with double glazing and heating) is wonderfully warm. My six-year-old daughter can’t contain her excitement; she loves the cushions, the lights, the luxury bedding, and the enormous window through which we glimpse the last of the sunset. On discovering the bar of chocolate left as a welcome gift, she calls the place “paradise”.

I’m impressed by how much thought has gone into One Cat Farm. It is simple in the best kind of way, each detail carefully considered without ever feeling overbearing. On our first morning, we find pond-dipping equipment by the communal shed and head down to the water. We’ve dipped nets before without much success, but here the discoveries come thick and fast. There are newts and caddisfly larval cases, damselfly nymphs and water boatmen. Red kites wheel overhead. I strip down to my swimming costume and slip into the water; it is bitingly cold, and glorious. My daughter whoops. She’s standing by the reeds with a towel ready; I realise, with some surprise, that I’m feeling cared for, too.

Over the next few days we explore the nearby beaches, where there are resident dolphins and seals, along with miles of sand. We eat street food from the Manuka food van on the harbour wall in Aberaeron, and fresh pizza and gelato at Tafell a Tân in Llangrannog; we comb high-tide lines and peer into caves, discover mussels on rocky outcrops and stare up at sheer cliff faces. Walking the hedgerows, we forage pennywort and garlic mustard, and wild garlic in droves (Lyndon tells us to come back in autumn for the mushrooms, his favourite time of year).

It’s easy to be a visitor here, but Ceredigion faces challenges, with about 30% of children living in poverty. Jessie is keenly aware of this, and speaks passionately about the difference that places such as One Cat Farm are able to make to the local economy. “Our existence supports not just our family, but also two employees. And, because of our size, we don’t have onsite facilities like a cafe or pub, so guests go out and support local businesses.” She compares this model with those of bigger holiday sites, which are often run from afar by big businesses: “The difference between them and us is like comparing a big wealthy farm to a small subsistence farm.” Jessie and Lyndon clearly care deeply about what they do, and that the place is of benefit to the community and its wildlife.

It’s incredible to think how much must have changed here in the last decade or so, since the project began. By the pond, we spot an otter and a heron; there are rumours of polecats and a peregrine falcon. Crouching in the grass, a network of small tunnels becomes visible – evidence of voles and shrews, now permanent inhabitants.

I’m not always good at slowing down, but here it’s possible to do just that – even with a small person in tow. One night, she and I try the wood-fired outdoor baths; we soak (and splash) for hours, and watch the stars come out. It’s been ages since I’ve felt so relaxed, and so free to revel in my time with her.

While community is encouraged – there’s a communal kitchen and fire pit – it’s not enforced, and if you’ve come for quiet it is easy to be secluded. But before long my daughter has buddied up with the boys in the cabin down the slope, who are here with their dad. Soon they’re moving in a pack, playing on the rope swing, making clay models at our picnic table, drawing maps of the wood. As they head off again, I open a book, then stare at the hills, and yes, I think, it is a kind of paradise. This, I see now, is what we needed; not crowds, not endless choices and constant stimulation, but a bit of time to recoup, reconnect and get immersed in the world.

Accommodation was provided by One Cat Farm. Cabin rates start from £134 a night (sleeps two adults and up to three children), minimum two nights.

Emmerdale’s Moira Dingle actress Natalie J Robb has hinted her character could take a deadly revenge on evil Joe Tate in a gun showdown, and she ‘could kill him’

There’s dramatic scenes on the way on Emmerdale as Joe Tate is finally rumbled by Moira Dingle.

Robert Sugden confesses his part in Moira being arrested over Celia Daniels’ drugs and human trafficking crimes. When he explains what really happened, Moira finds out Joe was blackmailing him and Victoria Sugden.

But she’s left even more rage-filled when she realises Joe is a huge part of the reason she’s been in prison over a double murder she did not commit. Preparing to take revenge, it all leads to a gun showdown at Home Farm.

Will Moira end up in prison again though if she takes a deadly revenge on Joe? Actress Natalie J Robb has revealed what fans can expect from the moment, and what the future holds for Joe…

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Robert tells Moira the truth about planting the documents. How does she react?

Robert starts to feel guilty because he finds out that it’s Moira’s birthday and everybody has kind of forgotten about it. She says that it doesn’t matter and then he gets really guilty about it.

Moira starts to get a little bit suspicious and thinks: ‘What’s going on here? This is odd’. He gives her some pictures that Holly did, and things like that, which he found in the attic.

And then he just says something and she says: ‘How did you know about that?’ Because he wouldn’t have known where the documents were hidden. Then of course she gets it out of him and he confesses that it was him and she goes ballistic.

She’s really hurt actually, because she doesn’t expect that of him. She actually thought he’d turned a corner and changed as a person. Then he admits that it was down to Joe Tate – that he forced him – and why he had to protect Victoria and it was down to Joe Tate.

Moira plots revenge doesn’t she…

I’m fuming then, so I go back to the house to tell Cain but he’s having a bit of an argument with Sam. He’s just not in the mood so I think, good old Moira style, she gets her shotgun and goes to visit Joe Tate.

And literally at that point, she’s going round there to kill him. She has the shotgun, she makes him sit down and try to confess. He’s trying to play dumb but she knows it’s down to him.

Then more people get involved. Obviously she doesn’t kill him. But she swears to him at this point that she will make it her priority to make his life a living hell. Or a non-living one…

Why does she decide not to tell Cain about Robert?

She thinks if he finds out, he’s going to go ballistic and do something stupid. She’s just got out of prison, the last thing she wants is for him to go to prison.

But that’s going to eat him up because he knows what she’s been doing for Robert as well. And the fact that he’s in my farm, it’s just a hard pill to swallow. But I’m trying to prevent something terrible happening and protect the marriage as well, because we’re dealing with something that’s a lot bigger than money.

When she has the shotgun, does it not enter her head that she might end up back in prison?

I don’t think she cares at that point. In that split second, she’s so angry because he’s [Cain] had to deal with the cancer on his own. He’s [Joe] kept me away from my children and she thinks: ‘Really? Are you really that horrible and that cruel? Are you really that greedy? It’s all about power’.

It’s a bit like the world we’re living in now, all about power and it’s not actually about being humane to people. And at that point she’s definitely going there to kill him and she nearly does.

Can you tease what’s to come for Joe?

Well I think he’s going to be under her radar, it might just be quietly. He might try to worm her round. But we don’t know how that’s going to pan out with the writing and which route they’re going to go.

But when I was filming the scenes, it was pretty certain that she was going to get him back in some way or another. And she does, she does team up with people to get him to suffer in a similar way, but that would be by him losing everything, so that he has no power. So we’ll see.

Would you like Moira and Kim to become friends after their recent heart-to-heart at the prison?

It’s nice that they don’t get on but they have that mutual respect for each other. You really see how Kim knows what that farm meant to Moira. And for her to do that for him, it really opens Kim’s eyes. Like: ‘Oh right, okay, it’s a proper love’.

She really respects that and it’s about family roots and values. So there’s that respect for each other. I think that’ll always be there in the background now but they’ll still have fights – probably because of Joe to be honest, he’ll be the main factor!

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Serving, blocking, passing and hitting.

Mira Costa put it all together over the final three sets of its Bay League boys’ volleyball showdown with Redondo Union on Monday night, prevailing 26-28, 25-13, 25-18, 25-22 to avenge a five-set loss in the teams’ first meeting and stake its claim for the No. 1 seed in the Southern Section Division 1 playoffs.

“Last time we didn’t think they were as good as they were, but we’ve watched a lot of film since then and saw where they like to go,” said outside hitter Mateo Fuerbringer, who finished with a match-high 27 kills and four of his team’s nine aces. “We didn’t pass that well in the first set, but after that we started spreading the ball around more and our serving was really good tonight. We got them out of system a lot.”

Colby Graham had nine kills and three blocks and ended each of the middle sets with a kill as the Mustangs (31-2, 7-1) totaled 15 stuff blocks. Wyatt Davis added eight kills and three blocks and Enzo Barker finished with five kills and two aces.

Redondo Union’s Vaughn Flaherty, left, and JR Boice try to block a hit from Mira Costa’s Colby Graham.

(Steve Galluzzo / For The Times)

Mira Costa snapped Redondo Union’s 18-match winning streak and evened up the league standings, but the Mustangs gained the tiebreaker by virtue of fewer sets lost head-to-head.

Mira Costa saved three match points in the first set before Mavrick Essert ended it with one of his eight kills for the visiting Sea Hawks (26-3, 7-1). His older brother Cash Essert had 11 kills and JR Boice added 10 but Redondo Union was unable to maintain its momentum, never leading once in the last three sets.

Redondo Union keyed on Fuerbringer to win the first encounter 27-25, 21-25, 25-22, 21-25, 15-13 on its home court March 26, but Monday’s match was a different story as Mira Costa varied its attack to keep the Sea Hawks on their heels.

“We were gassed the first time because that was right after we played Loyola,” Mustangs setter Jake Newman said. “Loyola took a lot out of us even though we won. So we weren’t prepared for Redondo, but this time around we had two weeks to practice and study their tendencies.”

Mira Costa libero Dane Del Riego returns a serve in a four-set victory over Redondo Union on April 20, 2026.

(Steve Galluzzo / For The Times)

Newman said closing the match in four sets was critical.

“At 24-22 we were telling each other we have to win, we’re not letting this go five,” he said. “We needed to beat them in four for the league championship.”

Mira Costa lost to Corona del Mar in tournament play early in the season but has since defeated the Sea Kings twice. It also has victories over Huntington Beach, Loyola and Newport Harbor — all of which will likely make the highest division.

Redondo Union won its own Varsity Invitational tournament Saturday, rallying to beat Loyola in the finals, and swept Newport Harbor at home March 21.

Coach Greg Snyder praised the Mustangs for executing the game plan to near perfection but warned it may not be the last time they have to face their archrival.

“That’s a really good team we just beat … we could very well see them again the playoffs,” he said. “I wouldn’t be surprised if that happens.”

Japan could soon sell weapons overseas, including fighter jets, in major shift from pacifist policies introduced after World War II.

The cabinet of Japanese Prime Minister Sanae Takaichi has lifted a ban on exporting lethal weapons, including fighter jets, in a major shift to Japan’s pacifist post-World War II constitution.

In a post on X announcing the changes on Tuesday, Takaichi did not specify which weapons Japan would now sell overseas. However, Japanese newspapers said the changes would encompass fighter jets, missiles and warships, which Japan has recently agreed to build for Australia.

“With this amendment, transfers of all defence equipment will in principle become possible,” Takaichi said, adding that “recipients will be limited to countries that commit to use in accordance with the UN Charter”.

“In an increasingly severe security environment, no single country can now protect its own peace and security alone.”

At least 17 countries will be eligible to buy weapons manufactured in Japan under the changes, Japan’s Chunichi newspaper reported, adding that this list may be expanded if more countries enter into bilateral agreements with Japan.

Previous rules, introduced in 1967 and enacted in 1976, had limited Japanese military exports to non-lethal arms, such as those used for surveillance and mine sweeping, Japan’s Asahi newspaper reported.

Asahi also reported that Japan will still restrict exporting weapons to countries where fighting is currently taking place, but exemptions are allowed under “special circumstances” where Japan’s national security needs are taken into account.

Countries interested in buying Japanese-made weapons include Australia, New Zealand, the Philippines and Indonesia, which recently signed a major defence pact with the United States, Chunichi reported, citing Japan’s Ministry of Defence.

Tokyo’s change in policy comes soon after Japan and Australia signed a $7bn deal that will see Japan’s Mitsubishi Heavy Industries build the first three of 11 warships for the Australian navy.

Takaichi sends offering to controversial war shrine

The changes announced by Takaichi on Tuesday come amid reports that the Japanese prime minister had sent a ritual offering to the notorious Yasukuni Shrine in Tokyo on the occasion of its spring festival.

Built in the 1800s to honour Japan’s war dead, the shrine includes the names of more than 1,000 convicted Japanese war criminals from World War II, including 14 who were found guilty of “Class A” crimes.

Visits by Japanese officials to the shrine have long been considered insensitive to the people of China, South Korea, and other countries that Japanese soldiers brutalised during the war.

After the defeat of Axis countries, including the bombing of Japan’s Hiroshima and Nagasaki at the end of World War II, Japan introduced a new constitution renouncing participation in war.

However, Takaichi, considered a China “hawk” and sometimes referred to as Japan’s “Iron Lady”, is among a number of recent Japanese leaders to have pushed back against the country’s pacifist stance.

Mérida, April 20, 2026 (venezuelanalysis.com) – The Venezuelan government launched a “Great National Pilgrimage” to oppose economic sanctions on Sunday, April 19, coinciding with the 216th anniversary of the country’s declaration of independence.

The nationwide mobilization seeks to channel popular opposition to the US-led economic blockade into a sustained, nationwide movement. 

The pilgrimage was inaugurated in three Venezuelan regions, with a calendar of marches, assemblies, and cultural activities covering the remaining 21 states before a closing event in Caracas on April 30. 

In western Zulia state, Acting President Delcy Rodríguez led a rally through the streets of Maracaibo. Addressing a crowd, Rodríguez linked the historical struggle for independence to the modern-day resistance against Washington’s unilateral coercive measures.

“It is a date that marks the first cry for independence from a united people, and so, beginning with that historic date, I feel compelled to embark on this pilgrimage,” she declared to the crowd.

Venezuelan leaders have sought to highlight the impact of unilateral coercive measures on living standards and public services to push for their withdrawal.

“We want Venezuela to be free of sanctions, so that it can grow without restrictions,” Rodríguez affirmed at the Zulia rally. “I am speaking to the people of the United States, Europe, and the governments of those countries. Please stop levying sanctions against the Venezuelan people.”

In Puerto Ayacucho, Amazonas, National Assembly President Jorge Rodríguez led a parallel mobilization on Sunday. He emphasized that the pilgrimage is not merely a political event but a “spiritual and national defense” of the country’s right to self-determination. The campaign’s launch in border states highlighted the disruptions to public services that are generally more acute away from the capital and surrounding areas.

The government’s initiative was also backed by sectors of the moderate opposition. Timoteo Zambrano, deputy from the Democratic Alliance, vowed that his political faction would participate in the pilgrimage.

“[Pilgrimage] is a deeply religious term that unites the world’s religions. We are witnessing a new moment to fight together against sanctions and the blockade,” he said in a press conference in Caracas on Saturday.

For his part, Acción Democrática Secretary-General Bernabé Gutiérrez claimed that Caracas must ask the Trump administration to release proceeds from oil exports “so they reach the state coffers and allow for the solution of our problems.” 

Since January, the White House has imposed control over Venezuelan crude sales, with Venezuela-owed royalties, taxes, and dividends mandated to be deposited in US Treasury-run accounts before being returned to Caracas at US officials’ discretion.

The “Great National Pilgrimage” takes place against a backdrop of nearly a decade of economic pressure from Washington. The first Trump administration launched a “maximum pressure” campaign in 2017 with the goal of triggering regime change.

US Treasury sanctions targeted multiple economic sectors, from mining to banking, and particularly targeted the oil industry, causing an estimated US $25 billion in yearly revenue losses. The blockade also effectively gridlocked Venezuela from international credit markets and saw Venezuelan foreign assets frozen and seized. 

Since the January 3 US military attacks and kidnapping of President Nicolás Maduro, Caracas and Washington have fast-tracked a diplomatic rapprochement. Acting President Rodríguez has struck a conciliatory tone toward the US, recently thanking Trump and US officials for their efforts in reestablishing “cooperation.”

The US Treasury Department has maintained wide-reaching sanctions in place but issued a series of general licenses in the hydrocarbon, mining, and banking sectors, allowing Western entities to deal with Venezuelan counterparts under restricted conditions.

Edited by Ricardo Vaz in Caracas.

HE came second on Eurovision at 2022 with his song Space Man.

Now Sam Ryder is gunning for a first place finish, after signing up to BBC series Celebrity Race Across The World.

And he is in good company, as Came Here For Love singer Ella Eyre is also taking part.

A source said: “Sam loves a challenge and he wanted to test his mettle off stage.

“He signed up with his tour manager Kaz Coles.

“Ella also decided to give Celebrity Race Across The World a go after being tapped up by the casting team.

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“A challenge like this is definitely not in Ella’s comfort zone but she wanted to experience something new and push herself. Both Sam and Ella are competitive and they’re in it to win it.

“They filmed the show earlier this year but their fans will have to wait until it airs before they can see who did the best.”

Earlier this month, I revealed that Sky Sports legend Jeff Stelling had signed up to take part with his son Matt.

They’re also competing against Junior and Princess Andre — who are making their reality TV contest debut together.

On Friday, Sam was one of Chris Evans’ first guests on his new run of TFI Unplugged on Channel 4, to promote his telly series Your Song with Paloma Faith and Alison Hammond.

Sam’s show invites amateur singers to take to the stage in a live roadshow across the UK.

Sam explained: “It’s berserk. We go up and down the country, we bring a stage with us for people who have probably never sung in public before with a live band. They come, share a story and sing a song that’s attributed to that. The connection you see being made is beautiful.”

On working with Paloma and Alison, Sam joked: “They’re mad as a box of frogs but great to be around. All of our laughs are so cackly, it’s unreal.

“The three of us laughing together is like the Witches Of Eastwick.”

Sam added: “There is no winning a record deal. There is an event at the end of it and every singer is invited — they rinse the free bar, and a couple of people from each round perform on the night. That is the prize.

“It’s a show that’s got heart.”

LOOK MUM, I’M ALL SET

THERE is less than a month to go until Eurovision and the UK act is now out of the gates, with Look Mum No Computer giving his first live performance of zany track Eins, Zwei, Drei.

The singer– whose real name is Sam Battle – performed at the London Eurovision Party on Sunday night, but admitted it was a struggle to get there after becoming a dad less than a fortnight ago.

In an exclusive chat with Bizarre’s Howell, he confessed: “The concept of sleep is something I fondly miss.”

But it isn’t just his newborn Max who has taken up his time, as he has also built his set for the contest in Vienna.

The YouTuber and inventor said: “Just before we went to the hospital for the baby, I was finishing the props – making and soldering all the bits for Eurovision.

“I didn’t build all of the props – the BBC didn’t trust my welding! – but I’ve built the synthesiser bits for it, and it’s already on a lorry on the way to Vienna.”

Sam has also been working on his voice and dance moves as he prepares for the contest, which starts on May 12.

He added: “I’ve been singing, and I’ve also been working out. I just need to get my stamina up.”

On his staging, he said: “It’s quite complicated. There are some things that require coordination, which is not my forte. I’ve got two left feet.

But (choreographer) Benke Rydman, who I’m working with on the stage setup – he’s very much pushing my boundaries.”

Also at the event in London on Sunday was Boy George, who features on the San Marino act Senhit’s song Superstar.

He was in chipper spirits before the show and spent over an hour talking to journalists, so I’m sure he’ll be hoping to one-up our British act at the final on May 16.

ARNIE TO BACK AUSTRIA

HE is the most famous living Austrian and despite it being rather at odds with his macho persona, Arnold Schwarzenegger has been invited back to his home nation to attend the Eurovision final.

I’m told that organisers are preparing for the Terminator star to be in the audience at the Wiener Stadthalle in Vienna, with the hope that his presence will help celebrate Austrian culture and draw in viewers.

Arnie already has a surprising soft spot for the contest after meeting with 2022’s Ukrainian winners KALUSH ORCHESTRA and then starring in the music video to their song Shchedryi Vechir in 2023.

Reflecting on the response after they won, frontman Oleh Psiuk previously said: “In Los Angeles, we met Arnold, who has been actively supporting Ukrainians since the early days of the war.

“He invited us over to his house and came out to greet us with a pet donkey.

“We talked about the situation in Ukraine and thanked him for his support and shared how important it was to us.”

Unfortunately though, I don’t think the movie hero’s donkey will be coming with him to the final.

APPLE Music is getting behind Eurovision in a big way, with the streaming service conducting interviews with all the key stars which will air in the run-up to the event.

And you can get to the heart of this year’s songs on Apple Music’s Eurovision 2026 official playlist, which has translated and phonetic lyrics for each of the tracks.

NOW WOODY TELLS HIS OWN TOY STORY

WITH Toy Story 5 hitting cinemas on June 19, the bigwigs over at Mattel invited Bizarre to visit their top-secret studios in LA – where characters Woody and Buzz were once again working their magic before our eyes.

Nick Karamanos at Mattel revealed: “We are bringing to life what happened in Andy’s room for the first time.” (Andy is the central child character in the original film.)

And that means fans of the films won’t just hear Tom Hanks and Tim Allen voicing the characters on screen – they’ll be able to hear them having full-blown conversations in their own homes.

The new Toy Story 5 toy range lets Buzz and Woody actually talk to each other, with no imagination required.

And Hollywood star Tom’s brother Jim Hanks was brought into the studio to bring the speaking toy version of Woody to life.

Mattel designer Baxter Crane explained: “He sounds just like him (Tom), and he knows how to sound like him. He said, ‘To be Tom you’ve just got to yell more, like whatever you wanna say you’ve just got to yell it instead.’

“And it really worked – he sounds just like his brother.”

The craftsmanship behind it all is next level, with Nick revealing that Mattel still uses manual sewing machines to make the characters’ clothes.

Nick explained: “When we think about Toy Story and taking inspiration, a lot of it is just being true to what the characters are and what is the best way to bring them to life.”

It’s not just Toy Story characters being reimagined either, with Camila Mendes, Idris Elba and Nicholas Galitzine all working with Mattel to create figures for Masters Of The Universe.

Andy and his pals will go on sale this Sunday, just in time to get us all excited about the film’s release.

SECRET SOLO SPOT FOR STONES’ RONNIE

THE ROLLING STONES are coming back this summer with their new album Foreign Tongues – but I’m told any plans for Sir Mick Jagger, Keith Richards and Ronnie Wood to take the record on the road are still up for debate.

Despite this, I hear fans of the Stones will be able to see Ronnie in action at a top-secret gig later this year.

My music moles say he is putting on a special, intimate show at the O2 Forum in Kentish Town, London, on August 31.

They revealed: “Ronnie is doing a show and some big rock names will join him. This isn’t a Stones gig, so it’s not with Mick and Keith, it’s other well-known industry names.

“So far, he’s got Imelda May on board to sing and Ronnie is currently talking to other artists about getting involved.

“He absolutely loves to play live. The show should be announced next week, with tickets on sale soon after.”

Confirming the gig, Ronnie told me: “I’m looking forward to kickin’ ass with my back catalogue and some new songs – look out London!”

I revealed last month that the band was back with a brand new record, and that the legends had signed up actress Odessa A’Zion to star in their comeback video.

Last week, they proved their fan base is still crazy for their music. The Stones released an ultra-limited white label vinyl single, Rough And Twisted, under the alias The Cockroaches – with all copies snapped up within seconds.

They are now being flogged online for more than a grand.

HUGH’S PREMIERE LEAGUE

HUGH JACKMAN and his actress girlfriend Sutton Foster couldn’t have looked happier as they attended his latest movie premiere – three years after he split from his wife.

The Greatest Showman actor stepped out in a blue suit to the launch of The Sheep Detectives in New York City on Sunday evening, alongside Sutton in a sequin gown.

He moved on after his 27-year marriage to Deborra-Lee Furness came to an end, with their divorce finalised last summer.

Defender Callum Doyle has been a key member of the Wrexham team bidding for the Championship play-offs.

The 22-year-old has played in 36 games in all competitions this season, including 26 successive matches.

His performances have been recognised with a spot in the Championship team of the season, one he describes as a “massive honour”.

But Doyle acknowledges that life at the Stok Cae Ras did not get off to the best of starts.

Back in October the 22-year-old former Manchester City youngster was featuring in only his eighth game for his new club following a late summer move.

In the second half at home to Oxford – a game Wrexham won 1-0 – he was shown a straight red card during the second half of the match.

“It’s one of those moments that it’s a bad moment,” Doyle said.

“But, in the grand scheme of things it’s not so bad of how I’ve changed my attitude towards training.

“And it’s been good for me since that point.”

The sending off proved to be a blessing and a turning point for Doyle’s season.

Doyle’s enforced absence was an opportunity that manager Phil Parkinson and his coaching team used to work with the Manchester-born defender.

“He came in and missed a lot of pre-season, so it took us a while to get him up to speed,” said Parkinson.

“When he got sent off, it was a chance for us to pull him away and do work with him and almost give him a mini pre-season and get him to where he needed to be.

“But I think everybody can see what a class player Callum is.

“He’s got a lot of experience for someone so young and the aim is for him now to finish his season strongly.”

April 20 (UPI) — A Southwest Airlines flight arriving at Nashville International Airport over the weekend was directed into the path of another Southwest flight that was taking off, causing them to pass within 500 vertical feet of each other.

A flight arriving from Myrtle Beach, S.C., on Saturday evening initiated a go-around before landing because it was facing “gusty winds” during it’s approach, but air traffic controllers directed the crew into the path of another flight, USA Today, WSMV and WTVF reported.

The other flight was departing NIA on a parallel runway, which caused the close call, and “both flight crews responded to onboard alerts” because the two aircraft were 500 feet apart, the Federal Aviation Administration said in a statement.

Five hundred feet is equivalent to 1 2/3 football fields, including the end zones, or two Boeing 747s lined up nose-to-tail, which is half the 1,000-foot distance the FAA requires aircraft to maintain.

The air traffic controller who gave the errant order recognized the mistake and corrected himself with both flight crews, who had already responded to alerts from their Traffic Collision Avoidance System, devices that are standard on all commercial aircraft.

“We are engaged with the FAA as part of the investigation,” Southwest said in a statement.

“Southwest appreciates the professionalism of its Pilots and Flights Crews in responding to the event,” the company said. “Nothing is more importing to Southwest than the Safety of our Customers and Employees.”

Patrick Muldoon, known for his roles on “Days of Our Lives,” “Melrose Place” and “Starship Troopers,” has died. He was 57.

The actor and producer reportedly died Sunday, his manager confirmed to Variety. According to Deadline, Muldoon died suddenly after a heart attack. The Times has reached out to Muldoon’s reps for comment.

Muldoon originated the role of Austin Reed on the daytime soap opera “Days of Our Lives.” He first portrayed the aspiring boxer and brother of Lisa Rinna‘s Billie Reed from 1992 to 1995, and returned to reprise the role from 2011 to 2012 (the character had since become a forensic accountant).

“Austin is a wonderful role,” Muldoon told The Times in 1995. The actor explained he took his “sweet time” mulling over whether to leave the show because “it was one hell of a decision to make.”

“I’m leaving for no other reason than why other people leave soaps,” Muldoon said at the time. “To take a shot at doing other things like nighttime, movies and other things. … I feel confident right now so I figured I better take the shot sooner than later. If I don’t, I’ll always wonder ‘what if.’ ”

He played the recurring villain Richard Hart on the primetime soap “Melrose Place” for three seasons beginning in 1995. Muldoon’s big-screen roles include Zander Barcalow, a pilot and rival of Casper Van Dien’s Johnny Rico, in Paul Verhoeven’s 1997 movie “Starship Troopers.”

Born September 27, 1968, in San Pedro, Muldoon’s early passions included football. He started playing at the age of 6 and would go on to play at Loyola High School and then at USC.

“I did fairly well for being a smaller tight end,” Muldoon told The Times in 2012, adding that getting run over during practice by USC teammate Junior Seau — the late linebacker who had a 20-year NFL career — was among the factors that led him to pursue acting instead. Muldoon began his acting career during the sport’s offseason, and his earliest roles were on shows such as “Who’s the Boss?” and “Saved by the Bell.”

In addition to acting, Muldoon was a producer with credits on films such as “Riff Raff” (2024), “Marlowe” (2022), “The Card Counter” (2021) and “The Comeback Trail” (2020). Most recently, he shared on Instagram his excitement of being among the executive producers for the upcoming film “Kockroach.”

This little-known European country gets a fraction of the visitors of some of its neighbours, but if you’re in the mood to visit somewhere a little different, it’s easily accessed from the UK

Nowadays, travel isn’t exactly cheap. From jet fuel prices to everyday spends, it soon adds up, and many popular beach and city break destinations are getting more costly to visit.

But there are still less expensive destinations to discover, even in Europe, and one of the continent’s cheapest destinations also happens to be one of the least visited. While it’s not on many travellers’ bucket lists, it’s a charming break and something a little different if you’re feeling adventurous.

Many people can’t point Moldova out on a map, and this small Eastern European country is often overlooked. It sits between Romania and Ukraine, with the Foreign, Commonwealth & Development Office (FCDO) advising against travel near the border with the latter, and travellers should pay attention to travel advice for Moldova in case the situation changes.

Just over 67,000 tourists visit Moldova each year, and most of them arrive in the capital of Chișinău, which has routes from the UK serviced by Wizz Air and FlyOne. The city is a mixture of historic and Soviet-era architecture, and the compact, walkable centre is broken up with large green spaces.

As a cultural hub, Chișinău has plenty for tourists to do. Visit the ornate Metropolitan Cathedral of Christ’s Nativity and see the grand frescos, or tour the National History Museum of Moldova for a fascinating look at this little-known nation’s past.

Moldova’s rolling green countryside is covered in vineyards, and just outside the city you’ll find the world’s largest wine cellar at Milestii Mici. Over 30 miles of its limestone tunnels are in use, storing an estimated 1.5 million bottles of wine, enough to throw quite a party.

You can take a tour of the tunnels, which have ‘streets’ named after different wine varieties, and of course, you get your own bottle to take home.

Many local restaurants also serve Moldovan wines, and you can often enjoy a bottle in a restaurant for £4-5, while a pint in a bar can easily be found for less than £2, making it a cheap place for a night out compared to many European destinations.

Just south of the capital you can visit the 13th-century cave monastery at Orheiul Vechi. Dug into the cliffs, it has a series of solid stone stairs and tunnels and amazing views across this traditional Moldovan town. You may even spot a few of the monks who still live within its walls. There’s also the archaeological remains of Old Orhei, dating back as far as the 6th-century BC.

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If you’re looking for time away from the city, the Bicaz Gorge near the border with Romania showcases some of the area’s natural beauty and includes the unique Red Lake. This lake is famous for its reddish hue and the remains of tree stumps that poke defiantly from the water, making it a popular place for hiking.

Have a story you want to share? Email us at webtravel@reachplc.com

Xavi Simons (Tottenham): I didn’t like the celebration when he scored against Brighton – I thought it was a bit too much, a bit Instagrammy. But Spurs have been poor of late and his quality and the X-Factor he showed with the assist and goal could be how they stay up.

I don’t think they will stay up – I’m really worried for them, but they need him to have five more games like that and that will give them the best chance. Maybe if the defenders started to defend they would have won the game instead of drawing it.

Bernardo Silva (Man City): In the biggest game of the season, with a Ballon d’Or winner in Rodri next to him, and facing Declan Rice – who people have talked about winning the Ballon d’Or – Bernardo Silva was the best player on the pitch as Manchester City beat Arsenal.

In key moments, he understood what the game required, grabbed the game by the scruff of the neck and said ‘we win today’. The biggest moment that pops into my head is a cross in the 83rd minute – Bernardo Silva against Viktor Gyokeres to win a header. Bernardo Silva wins it, and blasts Gyokeres in the meantime.

I think he is one of the biggest pieces for Manchester City to replace. Not just with his quality on the ball but also that leadership – it’s going to be hard to replace.

Rayan Cherki (Man City): My favourite player, as you know. The best player to watch in world football for me.

Look at that goal against Arsenal – he goes past Gabriel and Rice as if they are not there. The weight of body to transfer from right foot to left foot. When he shoots, you don’t know which foot is his strongest, he goes with his left foot past people, and scores with his right. He is just an unbelievable footballer.

Pep Guardiola has found another talent. And at 22, he is only going to get better. It’s quite scary when you think about how young this Manchester City team is.

Morgan Gibbs-White (Nottingam Forest): Very simple, you score a hat-trick – even if it is against Burnley – you’re in the team of the week. Captain’s performance. That’s all that matters.

A Cuban Foreign Ministry official said the exchange with Washington was ‘respectful and professional’ and devoid of threats.

The Cuban government has confirmed that it held recent talks in Havana with officials from the United States, as tensions remain high between the two countries over Washington’s energy blockade of the Caribbean country.

Alejandro Garcia del Toro, deputy director general in charge of US affairs at the Cuban Ministry of Foreign Affairs, said on Monday that the US delegation included assistant secretaries of state, and the Cuban delegation included representatives at the level of deputy foreign minister.

Garcia de Toro said that the US delegation did not issue any threats or deadlines as had been reported by some US media outlets.

“The entire exchange was conducted with respect and professionalism,” he said.

In comments reported by Cuba’s Communist Party newspaper Granma, Garcia del Toro emphasised that ending the three-month-old US oil blockade was “a top priority” for the Cuban government in the talks, and accused Washington of “blackmail” for threatening countries that export oil to Cuba with tariffs.

“This act of economic coercion is an unjustified punishment for the entire Cuban population,” he said.

“It is also a form of global blackmail against sovereign states, which have every right to export fuel to Cuba, in accordance with the principles of free trade,” he added.

US news outlet Axios reported on Friday that officials from US President Donald Trump’s administration held multiple meetings in Havana on April 10, including with Raul Guillermo Rodriguez Castro, grandson of former President Raul Castro. The meetings marked the first time that American diplomats had flown into Cuba since 2016 in a new diplomatic push.

According to reports, US officials laid out several conditions for negotiations with Cuba to continue, including the release of prominent political prisoners, an end to political repression, and liberalising the island’s ailing economy.

The Reuters news agency said that US proposals for Cuba also include allowing Elon Musk’s Starlink internet terminals into the country and providing compensation for Americans and US corporations for assets confiscated by Cuba after the 1959 revolution. Washington is also concerned about the influence of foreign powers on the island, a US official told the news agency.

Trump has hinted at military intervention in Cuba and warned of tariffs on any country that sells or supplies oil to Cuba. The fuel blockade has aggravated Cuba’s economic and energy crisis, leading to warnings of a humanitarian disaster.

Cubans have also braced for a possible attack following Trump’s repeated warnings that the country will be “next” after his war on Iran and the US military’s abduction of Venezuela’s President Nicolas Maduro in January.

Last week, Cuban President Miguel Diaz-Canel said that his country was prepared to fight if the US carried through on its threats.

The leaders of Mexico, Spain and Brazil on Saturday voiced concern over the “dramatic situation” in Cuba and urged “sincere and respectful dialogue”.

German Chancellor Friedrich Merz said on Monday there was no evident justification for the US to attack Cuba.

“The ability to defend oneself does not mean the right to intervene militarily in other states when their political systems do not match what others might have in mind,” he said.