years

FLEETWOOD Mac founder and drummer Mick Fleetwood has married his girlfriend of six years.

The 78-year-old quietly tied the knot with Elizabeth Jordan, 56, in the South Pacific, making it his fifth wedding.

Sharing pictures from their special day and honeymoon, Mick, who lives with Elizabeth in Hawaii, wrote: “The South Pacific does its magic!!! A honeymoon with my love Elizabeth… creating moments to be remembered!! Sun health and happiness!!”

Though he kept his bride’s face hidden in the pics, the Daily Mail reports her identity is mum-of-two Elizabeth, who heads up Mick’s charitable trust helping Hawaiian schools.

News of an impending marriage was made public by Mick’s musician pal Mike Dawson last year when he wrote on Threads: “Mick Fleetwood just texted and said he is marrying his girlfriend of five years, Elizabeth. How cool, finding love and making that commitment is beautiful. Congrats! @mickfleetwoodofficial.”

The towering rock icon, who stands at 6ft 6ins, has had a colourful love life. He married first wife Jenny Boyd — the sister of 60s icon and model Pattie — in 1970 and they had two daughters, Amy and Lucy.

READ MORE ON FLEETWOOD MAC

SCARY TURN

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LIVING ROUGH

My dad is Fleetwood Mac legend who made millions but I’m living on the STREET

Infidelity (Jenny had a fling with Mick’s bandmate Bob Weston that led to his explosive firing from the group in 1973) and the Mac’s growing popularity put a strain on the marriage and the couple divorced in 1976.

However, they quickly rekindled, moved to America and gave the relationship another shot, marrying again in 1977.

But it was over for good the following year when Mick confessed to an affair with bandmate Stevie Nicks that lasted nearly 12 months while touring the band’s iconic Rumours album.

Famed for its classic California sound and spiky internal politics, the record includes tracks such as Dreams, The Chain and Go Your Own Way and sold over 40million copies.

It would be another 10 years before Mick would say ‘I do’ again.

He began a relationship with his friend and Stevie’s best pal Sara Recor, the inspiration behind Mac hit Sara, in the late 70s while she was still married to a music producer.

The pair wed in a star-studded ceremony 1988 and remained legally bound until 1995 — the same year Mick married his third wife, Lynn Frankel.

Lynn was credited with helping Mick beat his drink and drug demons and the pair had twin daughters in 2002.

Though he holds his hands up to the long-term use of cocaine, he insisted it never stopped him from making music.

He told Ultimate Classic Rock in 2019: “There’s no doubt we were well equipped with the marching powder. That’s a well-worn fairy tale that gets more like a war story, that gets more and more aggrandised.

“I’m not minimalising the fact that we were definitely partaking in that lifestyle. But these weren’t a bunch of people crawling across the floor with green froth coming out of their mouths. We were working, you know?”

His relationship with Lynn was the longest relationship of his life but it came to an end in 2013 and they divorced two years later.

Following the dissolution of the marriage, Mac were plunged into turmoil again with guitarist Lyndsey Buckingham leaving the fold amid a falling out with Nicks and keyboard player and vocalist Christine McVie dying from a stroke and cancer aged 79.

Mick reflected on the difficult period in an interview with Mojo magazine in 2024, saying: “It’s been a strange time for me. Losing sweet Christine was catastrophic. And then, in my world, sort of losing the band too. 

“And I [split] with my partner as well. I just found myself sort of licking my wounds.”

He looks to have regained a lust for life with Elizabeth ahead of entering his ninth decade.

THE drug dealer known as the Ketamine Queen has been sentenced to 15 years behind bars – the maximum term – for her role in Matthew Perry’s tragic death.

Jasveen Sangha, 42, pleaded guilty to five federal charges in September, including distributing ketamine that resulted in the fatal overdose of the Friends star in 2023.

Sangha, a US-British dual national, appeared at the Edward R. Roybal Federal Courthouse in Los Angeles and was slammed by the actor’s stepmom, Debbie Perry, as a “heartless woman”.

In a victim impact statement obtained by The U.S. Sun ahead of the sentencing, Debbie urged a judge to impose the maximum sentence on Sangha.

“The pain you’ve caused to hundreds, maybe thousands, is irreversible,” Debbie wrote in court docs submitted late Tuesday.

“There is no joy… to be found. No light in the window. They won’t be back. That thought comes through our day. Everyday. No escape. You caused this.

NEW ADMISSION

‘Ketamine Queen’ pleads guilty to selling fatal drug dose to Matthew Perry

“You who has talent for business. Enough to make money. Chose the one way that hurts people. How sad for you.

“How will you ever find joy. Have you ever found joy? How sad for you. How sad for you. How sad for us all. We miss him.”

She then begged the court, “Please give this heartless woman the maximum prison sentence so she won’t be able to hurt other families like ours.”

Perry’s mom, Suzanne, and stepdad, Keith Morrison, were seen arriving at court on Wednesday.

During the sentencing hearing, Morrison addressed the court and Sangha.

According to the New York Post, he called Perry a “brilliant and talented man,” and said he should have “had another act.”

“I feel bad for you, Miss Sangha,” he told her. “I don’t hate you. You are a drug dealer.”

Sangha was reportedly dressed in a white jump suit with one ankle shackled.

During an emotional moment, she wiped tears away with tissues from a box placed nearby, according to the outlet.

She also addressed the court, saying she takes full responsibility, adding she had the “rug of life ripped out” from under her.

Sangha had been in custody since August 2024 and was the last of five defendants charged in the investigation to plead guilty.

According to prosecutors, Sangha and a middleman named Erik Fleming sold Perry 25 vials of ketamine, including the fatal dose, for $6,000 in cash just four days before his death.

On the day Perry died, Sangha reportedly messaged Fleming and instructed him to delete their text history, an effort authorities say was meant to cover their tracks.

Prosecutors said in court docs, “She didn’t care and kept selling.

“Defendant’s actions show a cold callousness and disregard for life. She chose profits over people, and her actions have caused immense pain to the victims’ families and loved ones.”

Sangha admitted to one count of maintaining a drug-involved premises, three counts of ketamine distribution, and one count of ketamine distribution resulting in death.

Prosecutors dropped other charges as part of the plea agreement.

Fleming, who obtained the ketamine from Sangha and passed it to Perry’s personal assistant, later pleaded guilty to conspiracy to distribute ketamine resulting in death and faces years in prison.

Sangha operated out of her North Hollywood home, which authorities dubbed the “Sangha Stash House” after federal agents uncovered a large cache of drugs during a raid.

The haul included scores of ketamine vials, crystal meth, cocaine, counterfeit Xanax tablets, and a handgun.

An autopsy confirmed Perry died from acute effects of ketamine and drowning, with toxicology reports indicating multiple doses in the period leading up to his death.

Sangha flaunted her jet-set lifestyle on social media, posting pictures from parties with celebrities, lavish vacations, and designer clothing.

Just days after Perry’s death, she flew to Tokyo, staying at the luxury $1,400-a-night Mandarin Oriental hotel.

Sangha was first arrested in March 2024 on federal drug charges related to her long-running narcotics operation.

Five months later, new federal charges specifically tied to Perry’s overdose were filed; she was taken back into custody and her previous bail was revoked.

Her lawyer, Mark Geragos, announced last year that she would plead guilty, saying she was “taking responsibility for her actions.”

He later told reporters she “feels horrible about all of this” and “has felt horrible since day one.”

In an exclusive jail interview with The Sun before her sentencing, she also said, “I take full responsibility for my actions and the role I played in the events that led to this tragedy. 

“There are no excuses for what I did. I am deeply sorry for the pain I caused, especially to Matthew’s family. 

“Their loss is unimaginable and permanent. 

“I understand that my conduct — operating a drug business and continuing down that path — was reckless, dangerous, and wrong.”

She added, “I can’t undo the past but I can now respect the law. I am determined that my future now reflects accountability and growth.”

Sangha said she is now clean and sober after previous issues with drugs and alcohol and has been undergoing treatment behind bars.

Court documents filed this week show she has also been doing yoga and meditation while locked up at the Los Angeles Metropolitan Detention Center.

Sangha is the third of five people sentenced over Perry’s fatal overdose.

Dr. Salvador Plasencia, one of the doctors who supplied ketamine to Perry in the months before his death, was sentenced to 30 months in prison in December, followed by supervised release.

He shamefully sobbed in court, telling Perry’s mother, Suzanne, and relatives, “I’m just so sorry.”

Dr. Mark Chavez, the second physician involved, received eight months of home confinement and community service.

Two other defendants are still awaiting trial: Kenneth Iwamasa, Perry’s live-in personal assistant, who admitted to helping obtain and administer the ketamine and faces up to 15 years in prison, and Fleming, the middleman.

The five responsible for Matthew Perry’s death

Here are the five individuals allegedly behind Perry’s ketamine overdose.

• “Ketamine Queen of Los Angeles” Jasveen Sangha – Sangha, 42, pleaded guilty in September 2025 to federal charges for supplying the ketamine that caused Matthew Perry’s fatal overdose. Prosecutors say that after Perry’s death, she reportedly searched online, “can ketamine be listed as a cause of death.” She has now been jailed.
• “Dr. P” Dr. Salvador Plasencia – Plasencia, 42, was one of the physicians who illegally supplied ketamine to Perry before his death. He pleaded guilty in mid‑2025 to several federal counts of ketamine distribution. In December 2025, he was sentenced to 30 months in federal prison and fined; he was remanded immediately to begin serving his term.
• Dr. Mark Chavez – Chavez pleaded guilty to conspiracy to distribute ketamine in connection with Perry’s death. In December 2025, he was sentenced to eight months of home confinement, ordered to complete community service, and placed on supervised release.
• Kenneth Iwamasa – Iwamasa, 59, Perry’s live‑in assistant, admitted he obtained and administered ketamine to Perry as part of the scheme. He pleaded guilty to conspiracy to distribute ketamine causing death and is set to be sentenced in April.
• Eric Fleming – Fleming, 54, an intermediary dealer who helped coordinate the flow of ketamine from suppliers to Perry’s assistant, pleaded guilty to conspiracy and distribution charges. He is also set to be sentenced in April.

Court filings show Perry texted Iwamasa, “shoot me up with a big one,” shortly before his death.

Perry, who rose to fame as Chandler Bing on the hit 90s sitcom Friends, was found unconscious in his hot tub in Los Angeles in October 2023 at age 54.

US Attorney Martin Estrada said Perry had relapsed in the fall of 2023, and that “these defendants took advantage to profit for themselves.”

Perry had struggled with decades-long drug and alcohol addiction and became dependent on ketamine during infusion therapy aimed at treating his depression.

If you or someone you know is affected by any of the issues raised in this story, call SAMHSA (Substance Abuse and Mental Health Services Administration) at 1-800-662-HELP (4357)

MADONNA has called in the big guns for her new album – reaching out to Britney Spears for a potential collaboration.

I can reveal the Queen of Pop tried to connect with the Circus singer in December and January with hopes of a joint writing or studio session.

Madge has been busy working on the follow-up to 2019 album Madame X, which is expected to be released this year.

However, Britney has so far refused to engage with the Like A Virgin singer, who was one of the few guests at her wedding to model Sam Asghari in 2022.

A collaboration between the two superstars would be huge for the pop universe — 23 years after they scored a No2 hit with Me Against The Music.

That year, 2003, they also made global headlines when they kissed on stage at the MTV VMAs.

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NOT MUCH MATERIAL, GIRL!

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A source close to the younger star said: “Madonna believes Britney is not just a brilliant artist, but a lovely ­person.

“They had a great time in the past working together and had touched on working together again.

“Madonna felt that Britney could bring something to her new album or perhaps join for a writing idea.

“She feels a connection to Britney and has been a vocal supporter of her, despite all the concern about her welfare in the last couple of years.

“Madonna is one of the few people on the planet to understand the stresses and troubles of being one of the most famous people in the world.”

Britney has said she is unsure if she will ever return to music, although she did have a No3 hit in 2022, duetting with Elton John on Hold Me Closer, following the end of her 13-year conservatorship.

Meanwhile, Madonna has also been busy with acting.

Last month she shot a cameo in Venice for the Apple TV series The Studio, in which she will play herself in a storyline inspired by the making of her scrapped biopic.

It will show Julia Garner — who was cast as Madonna in the real film before it was binned — winning a gruelling audition, then heading to the Venice Film Festival for its debut.

It sounds like quite the farce, but I’m glad Madonna can still laugh at herself after all these years.

KAROL COMES OUT TO PLAY

COLOMBIAN beauty Karol G has Playboy covered . . . even if she isn’t.

The singer went topless on the cover of the mag and posed without a bra in a revealing crop top in another shot, as she gears up to headline Coachella festival in California this weekend.

She joins Justin Bieber and Sabrina Carpenter who also top the bill at the three-day desert bash.

And although she is used to massive crowds, she was unsure about stripping off for Playboy, asking her Modern Family actress pal Sofia Vergara for advice.

When Karol told her she wouldn’t do it if Sofia didn’t think it was a good idea, she says the TV star replied: “With that body? When you get to this age, you tell yourself, ‘F***, why didn’t I pose that one time?“

Karol, take it from me – you look amazing.

ARIANA GRANDE has confirmed she is back in the studio – a month after I revealed she was secretly working on new music.

She previously insisted she had no plans to release her eighth album this year, saying she is far too busy with her Eternal Sunshine tour kicking off in June.

However, last night she posted images on Instagram of her clearly making music, tagging her long-time co-writer and co-producer Ilya Salmanzadeh.
She released her seventh album, Eternal Sunshine, in 2024.

BLOW FOR CREDIT CARDI

NOTHING could get Cardi B down as she arrived for an after-party in Philadelphia in this revealing dress.

The rapper has had a tough week, as her ex-husband Offset was shot and she became the victim of credit card fraud.

But she still had a smile on her face with this violet outfit and her colourful hair, despite saying on Instagram that she wanted to have the person responsible for nicking her money “beat the f*** up”.

Cardi claimed almost £45k was spent on her AmEx card in an Apple shop and fancy American department store Saks. Whoever did that messed with the wrong woman.

A SUPER SHOT FOR MARISA

BRIT stars Marisa Abela and Ella Purnell are battling against US actress Adria Arjona to land a key role in the Superman sequel Man Of Tomorrow.

US website Deadline reported last night that the actresses have been testing for the role of Maxima – the warrior queen from the planet Almerac.

The character lands on Earth and swiftly sets her sights on Superman, who is once again being played by David Corenswet.

It will be a coveted role and landing it would be a coup for any of the leading ladies.

THE STROKES are celebrating 25 years since their debut by returning with their seventh album, Reality Awaits.

It will be out on June 26 and they have already released the first taste with new track Going Shopping.

Their album was recorded in Costa Rica and is their first music since 2020’s The New Abnormal.

JACKO KO ON ABUSE MENTION

THE upcoming Michael Jackson biopic has been forced to erase scenes featuring allegations of child abuse.

The film will finally hit cinemas a fortnight tomorrow – a full year after its original release date.

And now the cause of the long delay has been revealed.

According to a clause in a settlement with one of his accusers, Jordan Chandler – the boy whose accusations were at the centre of Jackson’s first sex probe in the Nineties – any depiction or mention of him in an official Jackson film is banned, so producers had to go back to the drawing board.

According to Variety mag, the final third of the film needed to be reshot, resulting in 22 days of extra work last June.

This is estimated to have cost the late singer’s estate around $10-15million.

Jackson’s nephew Jaafar will play him on screen, but the Billie Jean star’s sister Janet is not in the film. I’m sure it’ll still be a box office smash.

SABRINA CARPENTER says she can separate her feelings from her songs when she’s performing – handy, given she has so many hits about failed relationships.

She told Perfect mag: “When I’m on stage, there’s a button. I think it’s been this way ever since I was young.

“I started ­touring when I was 16, and I’ve always felt there’s a button that turns on when you’re performing. And when you’re singing these songs, in that moment, it really becomes a show.

“I am a human being. I’m a 26-year- old girl. I’m hormonal. I’m emotional. I’m ­dealing with a lot of stuff.

“For me, it really just has been compartmentalising the moments where I feel like the show must go on and moments where I allow myself to be a little all over the place.”

MORE than a quarter of a century after they burst on to our screens as one of America’s most dysfunctional and chaotic families, the Malcolm In The Middle clan are back.

FRANKIE MUNIZ, who starred as Malcolm, posed alongside his on-screen parents, played by Bryan Cranston and Jane Kaczmarek, for the premiere of the four-episode sequel Malcolm In The Middle: Life’s Still Unfair, which debuts on Disney+ tomorrow.

Also back as Malcolm’s older brothers Francis and Reese are Christopher Masterson and Justin Berfield.

But Erik Per Sullivan, who played their younger sibling Dewey, decided not to return as he is busy studying Victorian literature at Harvard University.

One of L.A.’s most unique art galleries is closing up shop.

Gallery 1988, which opened in 2004 and proclaimed itself “the first pop culture-focused art gallery in the world,” will cease operations at the end of April. In a post on Instagram, gallery owner Katie Sutton said that while the gallery had been forced to close its physical space on Melrose a few years back, she had “really tried to keep things going [online], especially for our amazing artists.” Unfortunately, she wrote, “the [art] market is the worst I’ve seen it in over two decades,” and the decision to close became inevitable.

A launching pad for artists whose work paid tribute to television, film, video games and more, Gallery 1988 was renowned for shows like the annual “Crazy 4 Cult,” which showcased pieces celebrating underground classics from across the entertainment space. It also specialized in single-focus shows like “Weird Al,” which celebrated the career of the oddball recording artist “Weird Al” Yankovic, and “You’re the Very Best, Like No One Ever Was,” which paid tribute to the world of Pokémon.

Exhibitions at Gallery 1988, which is closing after 20 years, often featured lines around the block, with fans who camped out for a chance to score a prized piece.

(Courtesy of Gallery 1988)

Perhaps most famously, the gallery collaborated with studios to create art-focused campaigns around properties such as “The Avengers” and “Star Wars: The Force Awakens,” while also launching solo shows from artists like Scott C, Luke Chueh and Tom Whalen.

Gallery 1988 was renowned for selling work that ranged in price from $10 into the thousands, enabling customers from around the world to buy pieces that spoke to them, whether a postcard-sized digital print or a large oil-on-canvas painting.

A number of other galleries have closed in recent months across Los Angeles, including Blum, Nino Mier Gallery, Clearing, Tanya Bonakdar Gallery and L.A. Louver. Sutton says that she’s heard through the gallery grapevine that “even galleries that haven’t closed are struggling,” adding that “it’s a hard time for everybody.”

Though there’s never one reason a business closes, some industry observers and art fans have cited the rise in AI-generated content potentially devaluing original art overall. It’s especially true in the pop culture space, with consumer activity down not just at places like Gallery 1988 but also at events such as WonderCon in Anaheim, where artists could often expect to make a good chunk of change.

Jensen Karp, who co-founded Gallery 1988 with Sutton but stepped back after a health scare nearly two years ago, says that while he certainly sees a “malaise in culture because of AI” that’s indicative of the population “losing the understanding of what true art is,” he wouldn’t attribute the collapse of Gallery 1988 solely to that one thing.

Kristin Tercek “Rejoice” 2015 for the “Force Awakens” show with Disney, LucasFilm and Unicef at Gallery 1988.

(© Kristin Tercek / courtesy of Gallery 1988)

“Our customer base was the people who looked up release dates and who went to the Arclight, and that sense of community is just not there anymore post-pandemic,” Karp says. With the entertainment industry struggling in L.A. as well, that means less disposable income floating around for things like art — especially from the kinds of people who might be inclined to buy a portrait of, say, Steve Martin in the movie “The Jerk.”

Greg Simkins, a California based artist who often sold through Gallery 1988 under the name “CRAOLA,” says he’s felt the impact of the entertainment industry’s contraction firsthand. “People like directors, producers and actors were some of our biggest clients,” Simkins says. “All of the sudden they’re leaving, going to places like Atlanta and Canada. AI is screwing up the movie industry too, and those are the kinds of people who had expendable money to buy original art so it trickles down.”

It doesn’t help that there’s more pop culture-centered art floating around now, and not just on sites like Instagram and Etsy. Though Gallery 1988 was a frontrunner in celebrating popular culture through art when it opened, even hosting a “Rick and Morty”-themed show before the Adult Swim series had a lick of merchandise, it also became a proof of concept for companies including Disney and Netflix, which have started selling their own artist-created material inspired by their properties.

And with Hollywood releasing fewer movies into theaters, the base of what Gallery 1988 artists could pay tribute to also began to contract. Frequent gallery contributor Whalen says that when Gallery 1988 opened, it was filling a niche and “creating fresh content for movies that spoke to” people in their 20s and 30s. Over time, though, art that celebrated properties like “Ghostbusters,” “Back to the Future” and “The Goonies” started to overwhelm the market, causing “a lot of the 1970s and ‘80s movies to become stale,” Whalen says.

Scott C’s “Breaking Bad Upon the Mount,” 2012, for the “Breaking Bad Art Project: With Sony and Vince Gilligan” at Gallery 1988.

(© Scott C. / courtesy of Gallery 1988)

While Sutton and Karp both say they’re beyond grateful that they got to open Gallery 1988 in the first place, let alone keep it open for more than 20 years, they’re worried about what closing the gallery will mean to some of their contributing artists.

“There are so many incredible artists out there and there are so many more places for them to show their work now and that’s amazing,” Sutton says. “But with that bombardment of media from everywhere, it’s hard to really see stuff because it’s coming at you from all directions. So many artists are out there trying to make a living and support their families and that’s just becoming harder and harder.”

“So many of the artists we showed never expected to have an art gallery email them,” Karp says. “I’m so proud of all the artists we worked with and what we were able to do, but I also know that [Gallery 1988 shutting down] closes up an avenue for all of them too and that sucks.”

April 7 (UPI) — Two French people held in Iran for nearly four years have been allowed to leave the country and return home, French authorities announced Tuesday.

“Cécile Kohler and Jacques Paris are free and on their way to French territory, after three and a half years of detention in Iran. This is a relief for all of us and obviously for their families,” French President Emmanuel Macron said on X. “Thank you to the Omani authorities for their mediation efforts, to the State services, and to the citizens who mobilized tirelessly and thus contributed to their return.”

The couple, both teachers, were convicted of espionage after a trial the French government said was “completely unfounded” and “arbitrary.”

Kohler, 41, is a high school literature teacher, and her partner, Paris, is a retired teacher in his 70s. They were arrested during a tourist trip to Iran in 2022. They were imprisoned in the Evin prison, which is where political prisoners and dissidents are kept.

They were allowed four consular visits over the three years after their arrest. French Foreign Minister Jean-Noël Barrot said their conditions were like “torture.”

Kohler and Paris were convicted in 2025 of spying for French intelligence services, conspiring to undermine Iran’s national security and cooperating with Israeli intelligence services. Kohler was sentenced to 20 years in prison, and Paris was sentenced to 17, the French government said.

After intense negotiations, a month later they were released but couldn’t leave Iran. They moved into the French Embassy in Tehran.

Their families and friends have rallied for them over the years and kept their images with the word “freedom” posted on the gates of the French National Assembly and other ministry buildings.

Once the war in Iran began, French authorities intensified negotiations with Iran to get the pair out of the country. They wouldn’t disclose if anything was given to Iran in exchange, The New York Times reported.

Macron announced the release at a health summit in Lyon. He said they were “free and on their way back to France. This is wonderful news,” The Times reported. When the announcement was made in the National Assembly, lawmakers stood and applauded.

Barrot announced on X that Kohler and Paris “have finally left Iran and are now permanently FREE. On the phone just a few moments ago, they expressed to me their emotion and their joy at soon reuniting with their country and their loved ones.”

They were expected to arrive in Paris on Wednesday.

In March 2025, Iran released French tourist Olivier Grondeau, who was held for two years of a five-year sentence for spying. His family had said he was a passionate fan of Persian poetry and was on a tourist visa as part of a world tour.

Sorry, Orlando. Southern California is the theme park capital of the world. Yes, I believe that.

A brief history: Knott’s Berry Farm created a framework that allowed Disneyland to invent the theme park, which Universal Studios tweaked. SoCal innovations, all of them — and the industry remains centered here.

Theme parks are integral to SoCal life. They’re institutions, as familiar as Dodger Stadium, Griffith Park or the Getty. Many of us grew up going to the parks and have archives of fading photos to prove it.

That’s why The Times is launching its first-ever theme park newsletter, a weekly guide to what matters and how to best experience these themed wonderlands. Welcome to Mr. Todd’s Wild Ride, where I’ll take you on my adventures in make-believe, share news and tips, and go deep on the hidden artistry behind SoCal’s most beloved attractions. (Sign up, and we’ll be in your inbox soon.)

Why theme parks are magical

Maybe you haven’t been to a theme park in a while. And maybe that’s intentional. Yes, ticket prices increase every year, crowds frustrate and your ankle will probably be struck by a stroller. But theme parks are art. They’re meticulously designed, as real as our ability to pretend. Few spaces exist in which so many artistic endeavors collide: architecture, costuming, landscaping, animation, engineering, urban design and more. The delight is in the details.

Theme parks are more than an escape — they reflect and respond to culture. Maybe these are simply the ramblings of a Disney adult and fan of all theme parks, but I won’t apologize for seeking joy, wonder and play. It’s what’s needed right now.

I visit theme parks regularly — probably too often by some people’s standards — but I’m excited every time. The key is to stop viewing them as a checklist of activities. So as we enter the busy spring break and summer seasons, here are some ways to develop a deeper appreciation (and simply have more fun) at our most iconic parks.

Embrace the Disneyland classics

I received pushback when I declared It’s a Small World the best attraction at the Anaheim resort, but hear me out. The ride is designed in the look of animator turned theme park artist Mary Blair, reflective of her color clashes and childlike whimsy. It’s akin to a boat trip through an art gallery. No other attraction is so reflective of a singular art style. The facade, designed by renown Disney Imagineer Rolly Crump and inspired by Blair, mixes glistening white metals and fiberglass with gold leaf accents that nod to the Eiffel Tower, Tower of Pisa, a Dutch windmill and more. How many more landmarks can you spot amid the jagged edges and byzantine shapes?

Fun fact: Legend tells that Disneyland used the entire U.S. supply of gold leaf to make the facade. Germany, apparently, came to the rescue.

Don’t skip a ride on the greatest tram tour ever built

Visitors enter the set of Jupiter’s Claim from the movie “Nope” while taking the Universal Studios tram tour in May 2023.

(Genaro Molina/Los Angeles Times)

Universal Studios’ World-Famous Tram Tour, as it is officially designated, is the most important modern theme park attraction in America. The slow-moving backlot trek existed long before Universal Studios had a theme park, but it changed the industry.

In 1976, one year after Steven Spielberg’s “Jaws” opened, the studio put guests face-to-face with a 24-foot shark. Never before had a cultural phenomenon like “Jaws” been so quickly replicated in a theme park. “Ride the movies” is a phrase coined by Spielberg, and it’s an industrywide trend that hasn’t stopped.

Fun fact: Universal consulted submarine builders General Dynamics to construct a shark that could survive long term under water.

Spend an afternoon in America’s first theme park

Knott’s Berry Farm’s entrance as parkgoers ride the Silver Bullet roller coaster behind it in May 2021.

(Allen J. Schaben/Los Angeles Times)

There are times I go to Knott’s Berry Farm and never leave its Ghost Town area, which predates Disneyland and is filled with oddities. A toy shop, for instance, sells actual puppets, and a train ride still features a staged robbery. The park also just remodeled its 72-year-old Bird Cage Theatre, home to outrageous vaudeville-style shows, where a young Steve Martin once performed. It’s a rarity these days to have live theater at a theme park.

Fun fact: The theater’s facade is a replica of the original Bird Cage in Tombstone, Ariz., which has long had a bawdy reputation.

So I hope you’ll sign up for Mr. Todd’s Wild Ride, where we’ll geek out on the history, the artistry and the future of these spaces. Have a theme park question? Email me, and I hope to answer it in an upcoming edition of the newsletter. Life is tough. We can all use more fun.

Today’s top stories

Billionaire Tom Steyer speaks during Jewish California: Governor 2026 Candidate Forum at the Skirball Cultural Center in Los Angeles on Feb. 26.

(Ronaldo Bolanos/Los Angeles Times)

Billionaire candidate for California governor faces criticism

• Tom Steyer, a Democratic candidate for California governor, faces mounting criticism over his former hedge fund’s prior investments in private prisons now housing undocumented immigrants.
• Steyer says he deeply regrets the investment and left his hedge fund 14 years ago and has since spent hundreds of millions on Democratic causes, particularly efforts to fight climate change.

Artemis II crew flies past the moon

• NASA’s Artemis II crew flew past the moon Monday, traveling farther from Earth than any humans in history and becoming the first to see some sections of the moon’s far side in the sunlight with the naked eye.
• The four astronauts described the far side in eloquent detail: Geometric patterns of browns, blues and greens amid the moon’s typical shades of gray.

L.A.-based relatives of a deceased Iranian leader were arrested

• The niece and grand-niece of an Iranian general have been arrested by immigration agents after the niece celebrated the Iranian leadership and denigrated the U.S.
• The general’s daughter has disputed the family connection, according to Iranian media, which has quoted a statement attributed to her saying that the two women bear no relation to the general.

What else is going on

Commentary and opinions

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The Flaming Lips’ Wayne Coyne travels over the Coachella 2004 crowd in an inflated plastic bubble.

(Robert Gauthier / Los Angeles Times)

Today’s great photo is from Times photographer Robert Gauthier during 2004 Coachella. Here’s a look at The Times’ photos from every year of the festival, including its origins in 1999, legendary performances from Daft Punk, Prince and Beyoncé, and the iconic art installations the festival has hosted over the years.

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Angel Reese has a new WNBA home.

After spending her first two seasons with the Chicago Sky, the two-time All Star has been traded to the Atlanta Dream in exchange for first-round picks in 2027 and 2028, the teams announced Monday morning. Atlanta also receives the option to swap second-round picks with Chicago in 2028.

“An Angel’s DREAM,” Reese posted on X. “ATL WHAT UP?!”

Reese was already a star before coming to the WNBA after helping Louisiana State win the national championship over Caitlin Clark and Iowa in 2023 and leading the Tigers back to the Elite Eight the following year.

Selected by Chicago with the seventh overall pick in the 2024 draft, Reese finished as runner-up to Clark in rookie-of-the-year voting and led the league in rebounds per game in each of her first two seasons. Overall, she has averaged 14.1 points and 12.9 rebounds a game.

The Sky have gone 23-61 and missed the playoffs both seasons since drafting Reese. On Sept. 3, the Chicago Tribune published quotes from the star player that indicated her frustration with the team’s inability to build a winning roster and an inclination to leave if the organization isn’t able to get it right.

“I’d like to be here for my career, but if things don’t pan out, obviously I might have to move in a different direction and do what’s best for me,” Reese told the Tribune.

After the Sky’s 88-64 victory over the Connecticut Sun that night, Reese told reporters she had apologized to her teammates about the article.

“I think the language is taken out of context,” she said, “and I really didn’t intentionally mean to put down my teammates, because they’ve been through this with me throughout the whole year. They’ve busted their ass, just how I bust my ass, they showed up for me through thick and thin, and in the locker room when nobody could see anything.”

Reese did not play for Chicago again. She was suspended half a game for her comments, which were deemed “detrimental to the team,” served a separate mandatory one-game suspension by the WNBA for receiving eight technical fouls during the season and missed the final three games of the season with what was listed as a back injury.

The Sky said in a statement Monday that the “trade is designed to achieve roster balance and represents a great opportunity for all parties.”

“Angel has achieved many record-breaking milestones in her first two years in the WNBA and has been a competitive force for the Sky,” the team wrote. “We are thankful for her many important contributions to this league and this game, and we know she will continue to have a big impact on the court and beyond.”

Reese joins an Atlanta team that went 30-14 and finished first in the Eastern Conference before losing to the Indiana Fever in the first round of the playoffs. The roster includes Allisha Gray, who finished fourth in the MVP voting last season, as well as sixth player of the year Naz Hillmon and All-Star Brionna Jones.

“Angel is a dynamic talent and a perfect fit for what we are building in Atlanta,” Dream general manager Dan Padover said in a statement. “She has already proven herself as one of the most impactful players in the league, and her competitiveness, production and drive to win align seamlessly with our vision. This is an exciting moment for our organization and our fans.”

The Associated Press contributed to this report.

Before the Coachella Valley Music and Arts Festival became a world-famous event, it started as a much more modest music festival in Southern California’s desert in 1999.

During the festival, the Empire Polo Club in Indio has been the site of some of the biggest music and pop culture moments of the century, from Daft Punk’s iconic pyramid spectacle in the Sahara Tent in 2006 to Beyoncé bringing a legendary “Homecoming” to Coachella’s largest stage in 2018.

As the festival kicks off its 25th year, we combed through The Times’ extensive archives to take a trip down Coachella’s memory lane. Scroll through and you’ll see those epic moments from Daft Punk, Beyoncé, Prince and Madonna, but also the iconic large art installations at the festival and just how much the event has grown and changed over the years.

1999

The inaugural Coachella happened in October 1999 and was a two-day affair headlined by Beck, Rage Against the Machine and Tool, which The Times’ then-pop music critic Robert Hilburn dubbed the “Anti-Woodstock 99.” However, the inaugural event was marred by a triple-digit heat wave and was a financial disaster.

Dennis Carrillo wears a sombrero as a shield against the blistering sun as he and friend Dario Soto, both of Los Angeles, walk toward the stage at the inaugural Coachella Valley Music and Arts Festival in Indio in October 1999, where the temperature hit triple digits.

(Luis Sinco / Los Angeles Times)

Beck was one of the headliners of the original Coachella in October 1999.

(Luis Sinco / Los Angeles Times)

Thousands of music fans wait at the main stage area at the inaugural Coachella in 1999.

(Gina Ferazzi / Los Angeles Times)

Rage Against the Machine was one of the headliners of the inaugural Coachella Valley Music and Arts Festival in 1999.

(Gina Ferazzi / Los Angeles Times)

2001

Due to the financial losses, Coachella skipped a year and returned in April 2001 as a one-day event with a headlining set by Jane’s Addiction and a bill featuring artists such as Weezer and Paul Oakenfold. It drew more than 32,000 people to the desert.

When Coachella returned as a one-day event in 2001, Jane’s Addiction headlined the show.

(Lori Shepler / Los Angeles Times)

Even in its early years, Coachella made art part of the vibe. In 2001, people on stilts roamed the field in front of the main stage.

(Lori Shepler / Los Angeles Times)

Thousands of fans hang out on the main field at Coachella in 2001.

(Lori Shepler / Los Angeles Times)

Paul Oakenfold’s first time playing Coachella was in 2001.

(Lori Shepler / Los Angeles Times)

2002

Coachella went back to being a two-day event in 2002, headlined by Bjork and Oasis. One of the emerging acts on the bill that year was a rock combo out of New York called The Strokes.

Oasis, with guitarist Noel Gallagher, headlined the second day of Coachella 2002.

(Kevin P. Casey / Los Angeles Times)

When The Strokes first played Coachella in 2002, the New York band was just emerging in the rock scene. Singer Julian Casablancas and the group will perform again in 2026.

(Kevin P. Casey / Los Angeles Times)

The first time Bjork headlined Coachella was the 2002 edition of the festival.

(Kevin P. Casey / Los Angeles Times)

Fans watch arm in arm as Oasis closes out Coachella 2002.

(Kevin P. Casey / Los Angeles Times)

2003

The Beastie Boys and Red Hot Chili Peppers headlined Coachella 2003, but the lineup also included The White Stripes, Iggy and The Stooges, Underworld and the Blue Man Group.

Coachella attracted about 35,000 fans per day in 2003.

(Myung J. Chun / Los Angeles Times)

The White Stripes were one of the standout acts at Coachella 2003.

(Myung J. Chun / Los Angeles Times)

The Sahara Tent has always been the heartbeat of Coachella’s dance scene, but in 2003 it was much smaller than the airplane hangar-sized stage it is today.

(Myung J. Chun / Los Angeles Times)

The Blue Man Group performed at the 2003 Coachella Valley Music and Arts Festival.

(Myung J. Chun / Los Angeles Times)

2004

In 2004, the Flaming Lips created an iconic Coachella moment when singer Wayne Coyne traveled over the crowd in a giant inflatable ball. Headlined by Radiohead and The Cure, the festival also included a reunion of the Pixies. It also marked Coachella’s first sellout, with 60,000 attendees per day.

The Flaming Lips’ Wayne Coyne travels over the Coachella 2004 crowd in an inflated plastic bubble.

(Robert Gauthier / Los Angeles Times)

Syd Klinge’s “Cauac” Tesla coil was one of Coachella’s firstart pieces. It made its debut in 2004.

(Robert Gauthier / Los Angeles Times)

Coachella 2004 featured a highly-regarded reunion of the Pixies.

(Robert Gauthier / Los Angeles Times)

Fans brave sweltering heat as they wait for the Pixies to perform at Coachella 2004.

(Robert Gauthier / Los Angeles Times)

2005

Coldplay and Nine Inch Nails headlined Coachella in 2005. Weezer, The Chemical Brothers and Wilco were some of the other notable acts on the bill. Among the memorable moments was the reunion of Bauhaus and singer Peter Murphy performing “Bela Lugosi’s Dead” while hanging upside down like a bat.

Wilco performs before a crowd of tens of thousands at dusk at the 2005 Coachella Valley Music and Arts Festival.

(Myung J. Chun / Los Angeles Times)

Trent Reznor and Nine Inch Nails headlined Coachella in 2005. Reznor will return to the festival in 2026 with German music producer Boys Noize to perform as Nine Inch Noize.

(Myung J. Chun / Los Angeles Times)

Music fans break a sweat dancing in the Sahara Tent during the 2005 Coachella Valley Music and Arts Festival.

(Myung J. Chun / Los Angeles Times)

Allen Writhen, of Santa Maria, takes a spin on a bicycle at the Cyclecide arena at Coachella 2005. Cyclecide, a San Francisco–based bicycle rodeo group, brought bike-centric art installations to Coachella for multiple years.

(Myung J. Chun / Los Angeles Times)

2006

Technically Depeche Mode and Tool headlined Coachella in 2006, but neither of those is the act everyone remembers from that year. Daft Punk brought out its elaborate pyramid stage and changed the festival and dance music. It was also the year that Madonna surprised Coachella fans by performing in the Sahara Tent. Kanye West was added to the lineup two days before the festival.

One of the most iconic moments in Coachella’s history was the performance by French electronic duo Daft Punk at the 2006 festival.

(Spencer Weiner / Los Angeles Times)

Madonna surprised Coachella fans by making her festival debut in the Sahara Tent in 2006.

(Spencer Weiner / Los Angeles Times)

Alisa Davis, of Las Vegas, enjoys the music and the view at Coachella 200 from Michael Christian’s climbable sculpture “Hypha.”

(Spencer Weiner / Los Angeles Times)

Dave Gahan and Depeche Mode headlined the opening night of Coachella 2006.

(Spencer Weiner / Los Angeles Times)

2007

Coachella expanded to three days in 2007 with headliners Bjork, Red Hot Chili Peppers and Rage Against the Machine. Amy Winehouse performed to an overflowing Gobi Tent. However, it was the reunited Rage that made headlines, particularly when Zack de la Rocha called for the George W. Bush administration to be “hung and tried and shot” for war crimes during “Wake Up.”

Zack de la Rocha called for the Bush administration to be tried for war crimes during Rage Against the Machine’s reunion set at Coachella 2007.

(Spencer Weiner / Los Angeles Times)

Stefano Corazza’s “A Field of Sunflower Robots” was one of the interactive art installations at Coachella 2007.

(Spencer Weiner / Los Angeles Times )

Raising the flag, music fans from all over the world set up camp at Coachella 2007.

(Spencer Weiner / Los Angeles Times)

Abigail Plumhof traveled from New York to Indio for Coachella 2007.

(Spencer Weiner / Los Angeles Times)

2008

Prince was added as a headliner two weeks before the festival began and performed a cover of Radiohead’s “Creep” that is still talked about. It was also the one year that there was a dedicated Coachella Express Amtrak train from Los Angeles to Indio. Jack Johnson headlined the first night and Roger Waters closed the main stage, performing Pink Floyd’s “Dark Side of the Moon” and letting a giant inflatable pig loose in the sky.

Prince headlined Saturday night of Coachella 2008, performing a memorable cover of Radiohead’s “Creep.”

(Spencer Weiner / Los Angeles Times)

Kestrin Pantera dances while Marc Goldstein DJs aboard a special Amtrak charter, the Coachella Express, which traveled from Los Angeles to Indio in 2008. The free train service provided transportation to Coachella Valley Music and Arts Festival attendees.

(Spencer Weiner / Los Angeles Times)

Roger Waters performed Pink Floyd’s “Dark Side of the Moon” during the final day of Coachella 2008. His set also included a giant inflatable pig that was let loose into the Indio night.

(Spencer Weiner / Los Angeles Times)

A dance circle develops inside the Do Lab at the 2008 Coachella Valley Music and Arts Festival.

(Jay L. Clendenin / Los Angeles Times)

2009

Coachella 2009 marked the final year the general public could buy single-day tickets to the festival. Paul McCartney headlined opening night and played 50-plus minutes after curfew. When The Cure tried the same thing to close down Sunday, the sound was cut earlier. Sandwiched in between was a headlining set from The Killers. Other notable performers included M.I.A., who stepped in after Amy Winehouse dropped off the lineup, Morrissey, who complained about the smell of burning flesh, and Leonard Cohen.

Paul McCartney headlined the main stage at Coachella 2009 in a career-spanning set that went nearly an hour past the 1 a.m. curfew.

(Spencer Weiner / Los Angeles Times)

Festivalgoers find shade in the Do Lab at Coachella 2009.

(Jay L. Clendenin / Los Angeles Times)

M.I.A. stepped in to perform at Coachella 2009 after Amy Winehouse dropped off the lineup.

(Jay L. Clendenin / Los Angeles Times)

“Bamboo Starscraper” was a 90-foot-tall bamboo tower by Gerard Minakawa that was part of the art at the festival in 2009.

(Jay L. Clendenin / Los Angeles Times)

2010

This year was the first time the festival only offered three-day passes and Coachella drew a record 75,000 people per day, up nearly 15,000 from the previous year. It was also the year Coachella had its first rap headliner with Jay-Z, who brought out wife Beyoncé to perform “Young Forever.” The other headliners in 2010 were Muse and Gorillaz. The eruption of an Icelandic volcano kept some artists from getting to the festival, including The Cribs and Frightened Rabbit. Then there was Sly Stone’s oft-delayed set that ended with him ranting about his former manager and led to a slander lawsuit. The full festival was also livestreamed for the first time.

In 2010, Jay-Z became the first rapper to headline Coachella. He brought out wife Beyoncé as a surprise guest.

(Luis Sinco / Los Angeles Times)

Members of the Old Crow Medicine Show jam in the VIP area of the Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio in 2010.

(Luis Sinco / Los Angeles Times)

DJ Lance Rock and the creatures of “Yo Gabba Gabba!” performed at Coachella in 2010.

(Luis Sinco / Los Angeles Times)

The crowd reacts during Benny Benassi’s DJ set in the Sahara Tent at Coachella 2010.

(Jay L. Clendenin/Los Angeles Times)

2011

Kanye West closed out Coachella 2011, the year before the fest expanded to double weekends, with a theatrical main stage set that featured dozens of dancers. He co-headlined with The Strokes on a lineup that also included Kings of Leon and Arcade Fire, the latter of which dropped giant light-up LED balls on the crowd as part of the performance.

Kanye West had an elaborate headlining set with dancers to close Coachella 2011.

(Brian van der Brug / Los Angeles Times)

A concertgoer crowd-surfs as Death From Above 1979 performed at Coachella 2011.

(Brian van der Brug / Los Angeles Times)

Arcade Fire dropped giant balloons that had LED lights in them during its 2011 Coachella headlining set.

(Brian van der Brug / Los Angeles Times)

Concertgoers cool off at Coachella 2011.

(Luis Sinco / Los Angeles Times)

2012

In 2012, Coachella added a second weekend. It also marked the first time in Coachella history when the famously sunny desert festival received rain. The big moment of the festival was the Tupac Shakur hologram that appeared on stage with Dr. Dre and Snoop Dogg during their headlining performance. The other artists topping the bill included The Black Keys — who brought out John Fogerty for a Levon Helm tribute Weekend 2 — Radiohead, Pulp and Swedish House Mafia. Attendance was estimated at 85,000 people per weekend.

Snoop Dogg performs with a hologram of Tupac Shakur near the end of the Snoop Dogg and Dr. Dre’s headlining set at Coachella 2012.

(Jay L. Clendenin / Los Angeles Times)

Laura Newton, left, Lucy Holme and Louise Watkins from Britain attended their first Coachella in 2012 and protected themselves from the rain that swept in on opening day with garbage bags.

(Luis Sinco / Los Angeles Times)

David Guetta brought lots of lasers to his performance in the Sahara Tent at Coachella 2012.

(Jay L. Clendenin/Los Angeles Times)

An aerial view of the 2012 Coachella Valley Music and Arts Festival.

(Arkasha Stevenson / Los Angeles Times)

2013

Blur and The Stone Roses shared headlining duties on opening night in a celebration of Britpop while Phoenix and the Red Hot Chili Peppers also had headlining turns during the weekends, the latter battling a nasty dust storm Weekend 1. The house-centric (and air-conditioned) nightclub-like Yuma Tent also made its debut in 2013. Art collective Poetic Kinetics brought “Helix Poeticus,” colloquially known as the Coachella Snail, to Indio.

“Helix Poeticus,” created by Poetic Kinetics makes its way, slowly, across the polo field at Coachella 2013.

(Jay L. Clendenin / Los Angeles Times)

Flea of the Red Hot Chili Peppers headlined Sunday night at the 2013 Coachella Valley Music and Arts Festival.

(Brian van der Brug / Los Angeles Times)

The Yuma Tent made its debut at Coachella 2013 with air conditioning, a hardwood floor and comfy chairs.

(Luis Sinco / Los Angeles Times)

Tesla coils by artist Syd Klinge go off along with the “Coachella Power Station,” left, by artists Vanessa Bonet, Derek Doublin and Chris Waggoner at Coachella 2013.

(Jay L. Clendenin / Los Angeles Times)

2014

A reunited Outkast, Muse and Arcade Fire headlined Coachella 2014, but one of the most memorable performances was Pharrell Williams’ star-studded set on the Outdoor Theatre. We also saw the debut of Poetic Kinetics’ “Escape Velocity,” a.k.a. the Coachella astronaut, and the mirrored “Reflection Fields” by Phillip K. Smith among the festival’s major art installations.

A nearly 40-foot tall astronaut, “Escape Velocity” by L.A. art collective Poetic Kinetics, is reflected in “Reflection Fields” by Phillip K. Smith at the 2014 Coachella Valley Music and Arts Festival.

(Brian van der Brug / Los Angeles Times)

Andre 3000 of Outkast performs inside a screen box opening day of the 2014 festival. Andre 3000 and Big Boi reunited for the festival.

(Bethany Mollenkof / Los Angeles Times)

Fans pack the Sahara Tent for the performance of Showtek at Coachella 2014.

(Jay L. Clendenin / Los Angeles Times)

Pharell Williams performs at the second weekend of the 2014 Coachella Valley Music and Arts Festival.

(Jay L. Clendenin/Los Angeles Times)

2015

AC/DC, Jack White and Drake headlined, the latter bringing out Madonna for a smooch, but Florence + The Machine was one of the breakout performances from the year, literally. Florence Welch broke her foot Weeken d 1. This year also featured some of the most memorable art in the festival’s history, with the hippos running “Corporate Headquarters” and the transformation of Poetic Kinetics’ Coachella caterpillar into a butterfly.

Angus Young duck walked in his traditional schoolboy uniform during AC/DC’s Coachella 2015 headlining performance.

(Luis Sinco / Los Angeles Times)

Music fans flock to “Desiderium Eruca,” Poetic Kinetics’ large butterfly sculpture that replaced the “Papilio Merraculous” caterpillar sculpture at Coachella 2015.

(Marcus Yam / Los Angeles Times)

Florence + The Machine was one of the memorable performances at Coachella 2015. Singer Florence Welch broke her foot when she leaped from the stage during Weekend 1.

(Marcus Yam / Los Angeles Times)

Aerial performers spin above the crowd at the Do Lab at Coachella 2015.

(Marcus Yam / Los Angeles Times)

2016

Guns N’ Roses reunited for the festival, where singer Axl Rose performed from a throne after breaking his foot at a warm-up show at the Troubadour a week before. The festival also included performances from Ice Cube (with a reunion of N.W.A) and Mavis Staples as well as headlining sets from the reunited LCD Soundsystem and Calvin Harris, who brought out Rihanna.

After breaking his foot the week before Coachella 2016 during Guns N’ Roses’ Troubadour warm-up show, Axl Rose performed on stage at Coachella atop the motorized throne Dave Grohl previously used on tour after breaking his leg.

(Brian van der Brug / Los Angeles Times)

Alejandro Murcia and Wanda Quintero take a photo in front of R&R Studios’ “Besame Mucho” installation at Coachella 2016. The typographic sign was covered in silk flowers and is among the more memorable art pieces from the year. Today, the installation lives on at Miami International Airport.

(Jay L. Clendenin / Los Angeles Times)

Ice Cube’s performance at Coachella in 2016 led to an on-stage reunion with the surviving members of N.W.A, featuring MC Ren and DJ Yella Weekend 1 with Dr. Dre joining them on Weekend 2.

(Jay L. Clendenin / Los Angeles Times)

Brian Sneed and Claudia Jerez jump as a friend takes their photo in front of the “Katrina Chairs” art installation at Coachella 2016.

(Katie Falkenberg / Los Angeles Times)

2017

Beyoncé was originally supposed to headline Coachella in 2017 but was pregnant, so Lady Gaga stepped in. Kendrick Lamar and Radiohead also headlined, with the former releasing “Damn.” on the first day of the festival. Hans Zimmer brought an orchestra and performed his biggest music from the movies too. The festival grounds expanded 20 acres and Coachella boosted capacity from 99,000 to 125,000 people. This year was also the debut of the Sonora Tent, which offers air-conditioning and rock club vibes.

The first time Lady Gaga headlined Coachella was in 2017 and it was because she stepped in after Beyoncé had to postpone due to her pregnancy.

(Brian van der Brug / Los Angeles Times)

Crowds of people take photos of Gustavo Prado’s art piece “Lamp Beside the Golden Door”at Coachella 2017. The sculpture featured more than 2,100 mirrors.

(Luis Sinco / Los Angeles Times)

Kendrick Lamar released “Damn.” the Friday of Coachella 2017 Weekend 1, two days before his headlining performance that included ninjas.

(Brian van der Brug / Los Angeles Times)

Olalekan Jeyifous’ 50-foot-tall “Crown Ether” treehouse art installation provided a backdrop for photos at Coachella 2017.

(Brian van der Brug / Los Angeles Times)

2018

Coachella was already regarded globally as a music festival. Then Beyoncé turned Coachella into the pop culture moment of the year. Coachella became Beychella and her Homecoming performance was nothing short of epic, even becoming its own Netflix special. Beyond Beyoncé, Eminem and The Weeknd headlined, but one of the other standouts was Cardi B’s TLC-inspired performance on the main stage. On the grounds, 2018 was the year “Spectra,” the cylindrical rainbow tower, became part of the festival’s landscape.

Beyoncé’s stunning headlining performance at Coachella 2018 celebrated America’s historically Black colleges and universities. Her set also featured cameos from husband Jay-Z, sister Solange and a Destiny’s Child reunion.

(Luis Sinco / Los Angeles Times)

The rainbow-colored cylindrical tower “Spectra” made its debut at Coachella in 2018.

(Christina House / Los Angeles Times)

Cardi B performed a set inspired by TLC at Coachella in 2018.

(Kent Nishimura / Los Angeles Times)

Festival goers walk in front of Edoardo Tresoldi’s “Etherea” wire mesh cathedral structures and Randy Polumbo’s “Lodestar,” which was made with the fuselage of a military jet, at Coachella 2018.

(Maria Alejandra Cardona / Los Angeles Times)

2019

Ariana Grande, Childish Gambino and Tame Impala headlined Coachella in 2019, but the big memories from that year were the rise of artists like Bad Bunny and Billie Eilish as they were becoming bona fide superstars. Arguably the most memorable performance of the year wasn’t even during normal festival hours — it was when Kanye West held a Sunday Service in the campgrounds on Easter Sunday during Weekend 2. Meanwhile, to mark Coachella’s 20th year, Poetic Kinetics brought back the famous roving Coachella astronaut in a new form as “Overview Effect.”

Bad Bunny’s set at Coachella 2019 included a guest spot from J Balvin.

(Mariah Tauger / Los Angeles Times)

Kanye West’s Easter Sunday Service happened outside of the main festival grounds during Weekend 2 of the Coachella 2019.

(Kent Nishimura / Los Angeles Times)

“Overview Effect,” a roaming astronaut sculpture made by Poetic Kinetics, roams around the 2019 Coachella Valley Music and Arts Festival at the Empire Polo Club grounds in Indio.

(Brian van der Brug / Los Angeles Times)

Fans go wild as confetti drops during Tame Impala’s headlining performance at Coachella 2019.

(Mariah Tauger / Los Angeles Times)

2022

After the coronavirus pandemic canceled Coachella in 2020 and 2021, fans were excited to be back at the polo grounds in 2022. L.A. native Billie Eilish rose to headliner status, along with Harry Styles. Kanye West was supposed to headline Sunday night but canceled two weeks before the fest and was replaced by The Weeknd and Swedish House Mafia.

Billie Eilish’s 2022 Coachella headlining turn included a guest spot from Damon Albarn to join her for “Getting Older” and “Feel Good Inc.”

(Dania Maxwell / Los Angeles Times)

Wearing the signature blue wigs of Karol G, music fans cheered the star as she arrived on the main stage at Coachella 2022.

(Gina Ferazzi / Los Angeles Times)

Swedish House Mafia x The Weeknd became a last-minute headliner replacement for Kanye West at Coachella 2022.

(Christina House / Los Angeles Times)

One of the largest art installations at Coachella 2022 was Cristopher Cichocki’s “Circular Dimensions x Microscape,” which was made with more than 25,000 feet of PVC tubes and was five stories tall. At night, images were projected on the piece.

(Christina House / Los Angeles Times)

2023

Bad Bunny and Blackpink headlined both weekends of the 2023 festival. Frank Ocean gave a divisive performance Weekend 1 before dropping off the Weekend 2 lineup. A reunited Blink-182 was initially a surprise addition to the festival’s bill and played in the Sahara Tent Weekend 1 before moving to the main stage to help fill the gap left by Ocean Weekend 2. The festival also added a combo of Skrillex, Fred Again.. and Four Tet to replace the absent headliner.

Bad Bunny performs at Coachella Weekend 1 in 2023.

(Christina House / Los Angeles Times)

People walk by Güvenç Özel’s sculpture “Holoflux” at Coachella 2023.

(Christina House / Los Angeles Times)

Doechii performs at Coachella 2023.

(Dania Maxwell / Los Angeles Times)

A reunited Blink-182 joined the Coachella 2023 lineup days before the festival. The band played in the Sahara Tent during Weekend 1 before moving to the main stage Weekend 2 to help fill the gap left by headliner Frank Ocean dropping off the bill.

(Dania Maxwell / Los Angeles Times)

2024

Lana del Rey, Tyler, the Creator and Doja Cat headlined the festival in 2024, but one of the big draws was the reunion of No Doubt, who brought out Olivia Rodrigo. Sabrina Carpenter, who is headlining the 2026 festival, also performed on the main stage during the day. The big changes in 2024 were that the main festival grounds expanded with a larger Sahara Tent on the southern end of the site and the addition of the Quasar Stage.

Tyler, the Creator’s headlining set at Coachella 2024 featured the rapper dressed as a park ranger and an elaborate national park-like stage set.

(Dania Maxwell / Los Angeles Times)

Gwen Stefani of No Doubt performs at Coachella 2024. The band reunited for the festival and brought out Olivia Rodrigo as a guest.

(Christina House / Los Angeles Times)

Doja Cat was the Sunday night headliner at Coachella 2024 and her performance included dancers dressed like yetis.

(Dania Maxwell / Los Angeles Times)

Chappell Roan was one of the breakout stars at Coachella 2024.

(Dania Maxwell / Los Angeles Times)

2025

Lady Gaga, Green Day and Post Malone headlined the festival, but other memorable moments included Benson Boone and his acrobatics, Gustavo Dudamel conducting the L.A. Phil and a surprise appearance by Sen. Bernie Sanders.

Billie Joe Armstrong of Green Day performs on the main stage at Coachella 2025.

(Allen J. Schaben / Los Angeles Times)

Benson Boone leaps over Queen guitarist Brian May at Coachella 2025.

(Allen J. Schaben / Los Angeles Times)

Emma Liu poses for pictures at sunset at Coachella 2025.

(Allen J. Schaben / Los Angeles Times)

Gustavo Dudamel conducts the L.A. Phil at Coachella 2025.

(Allen J. Schaben / Los Angeles Times)

Patsy Kensit is reportedly returning to Emmerdale as villain Sadie King 20 years after her big exit, with ‘explosive’ scenes on the way when she heads back later this year

An Emmerdale villain is reportedly heading back to the ITV soap after 20 years.

Later this year, it’s been reported that TV star Patsy Kensit will be reprising her role as fan favourite Sadie King. The character debuted on the show back in 2004 as part of the King family.

The former wife of Jimmy King, who is still in the village with his new wife Nicola King, Sadie turned against the family when she teamed up with Cain Dingle to target them.

Cain ended double-crossing his former flame and her plan backfired, sparking her exit from the show in 2006. According to reports though she will soon be back, with “explosive” scenes on the way.

READ MORE: Coronation Street villain ‘ruled out as death’ after returning character newsREAD MORE: Emmerdale fans ‘work out’ Dr Todd’s link to Graham – and it’s bad news for Kim

According to a publication, the top secret signing was planned to shock fans. Of course there will be a little less “shock” now that the apparent signing has been leaked.

Emmerdale have yet to confirm if the news is true, while the Mirror has contacted ITV for comment. A source is said to have told The Sun: “This signing has been kept a top secret as bosses want Patsy’s return to shock fans.

“She is apparently delighted to be get her teeth back into the meaty role. Scriptwriters want to keep the show going with explosive plots and divisive characters.”

Fans began sharing the possible news online, not expecting it while several viewers have been calling for the twist for some time. One fan said: “SADIE KING IS COMIMG BACK? OH MY GOODNESS!”

Another posted: “Sadie King potentially making a return, ok I am sat for that!” A third fan added: “SADIE IS BACK,” while another simply said: “Sadie king is returning to Emmerdale.”

It comes amid another villain trying to kill a soap legend. Graham Foster was exposed for poisoning Kim Tate in a recent episode, tampering with her pain medication.

Kim collapsed and was rushed to hospital, where it was assumed she had accidentally taken too many of her tablets. But fans soon learned the shocking truth.

Graham was shown swapping her medicine bottles over, before explaining he’d swapped out her usual pills for a double dose of her medication. He suggested the plan was to kill Kim but it did not work, so now he was figuring out another way to get rid of “the pain in his neck”.

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

CHLOE Madeley and her rugby star ex-husband have proven there’s no bad blood between them these days.

Chloe and James Haskell – who divorced in 2023 after a five-year marriage – took to Instagram to show off some impressive moves, as Chloe used a shirtless James as a human teeterboard.

The former couple – who share daughter Bodhi, three – filmed themselves in a living room, trying to master some one-on-one acrobatics.

Both heavily into fitness, the pair were replicating another social media video of a different couple doing the same routine.

Chloe, 38, was transparent about the potentially eyebrow-raising video, captioning it: “Yea ok it’s a tad unconventional but it’s also top tier content so here we are.”

In the clip, Chloe was seen balancing on James, 41, who showed off his shirtless muscular frame in the process.

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Dressed in comfy sweatpants and a hoodie, Chloe sat on the floor in front of her former spouse, facing away from him, as James held onto her arms.

Chloe then attempted to roll backwards several times without much luck, trying to contain their giggles in the process.

The pair eventually managed to pull off the trick, as Chloe rolled into James, placing her feet onto his bare stomach and launching herself upwards.

James clung onto his ex-wife before she toppled forward in fits of laughter.

The pair shocked fans when they split three years ago, after they welcomed their daughter in 2022.

Chloe – who is the daughter of TV duo Richard and Judy – has opened up about the split, branding it “really unbelievably stressful”.

Their divorce was recently finalised, with Chloe saying: “It’s fine now, but the process has been incredibly emotional and volatile.

“We have weeks where everything’s fine and we get on really well. And then we have weeks where we don’t agree on something or someone gets frustrated or angry, and then we don’t speak.”

James is set to appear on the new series of Celebs Go Dating, and insists he discussed it with Chloe ahead of signing up.

Of the decision, he said in a podcast interview earlier this month: “I loved the experience… I went on Celebs Go Dating not necessarily to find love but to showcase myself in a different light.

“I think Celebs Go Dating was a way of going on there, having fun, meeting someone, and I think being very aware that my daughter will be watching one day so being very respectful of my ex.

“I obviously talked to her about it and yeah, I’ve had five dates, they’ve all been lovely people but one I might date again.”

Following their secret split, a source said: “Chloe and James have been fighting for a long time to make a go of their marriage. 

“Having a young baby, and James being away so often would take a toll on anyone. But some of James’ behaviour was upsetting, and he knows that.

“Things are completely civil between them, and they shall remain friends. Bodhi is their number one priority.”

DELTA Goodrem’s first album in half a decade is just around the corner.

The Australian singer, 41, has opened up to The Sun about the project – admitting fans won’t have long to wait.

Chatting ahead of a surprise pop set in Camden, London with Australian chocolatey biscuit Tim Tam, Delta said: “I have finished the new album.

“When Eurovision came up I was in the studio already as it was naturally time to create the new album.

“I am doing a new video next week when I am back in Aus again for the next song.

“That will be straight out the gate and the new album will be there straight away.”

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The record, her eighth, will be Delta’s first since 2021’s Bridge over Troubled Dreams.

During her north London set, Delta performed her Eurovision track Eclipse for the first time in the UK.

The Born To Try singer will represent Australia next month at this year’s contest in Vienna, Austria.

Previously speaking to The Sun, Delta admitted while she’s toyed with the idea of doing Eurovision for a few years, it wasn’t until she opened up about her dreams to Bizarre last May that things really started taking shape.

Delta said: “This is, literally verbatim, all your fault. It is all on you — Bizarre started this.

“Your article went back to the Aussies who were like, ‘Do you want to do this?’ So thank you. I have a big job to do.”

Delta will head to Vienna this May to compete with her song Eclipse and it ticks every box, with an infectiously camp chorus and a complex piano bridge.

A beaming Delta explained: “From your article, people started reaching out.

“Then one of the songwriters, Jonas Myrin, who I wrote the song with, took a screengrab of the article and sent it to me saying, ‘Delta, if you ever go to Eurovision, I want to write the song with you’.

“He’s in Sweden. Sure enough he flew to Australia when I said I was doing it.

“Even the first question I got asked when doing my first Australian interview was, ‘We heard it all started from an article from the UK,’ and yes, it did.”

It’s been three years since Australia last qualified for the live final, which adds to the pressure on Delta, who has sold eight million records worldwide.

Delta added: “Of course I am nervous, but it’s so joyous and I am so excited to be a part of it.”

The Panama Papers, one of the biggest ever data leaks, revealed the vast scale of offshore financial networks used by the global elite.

On April 3, 2016, the International Consortium of Investigative Journalists (ICIJ) and the German newspaper Suddeutsche Zeitung released more than 11.5 million documents from the Panama-based law firm Mossack Fonseca. It exposed a network of offshore shell companies linked to the global financial elite, including current and former government leaders.

More than 350 journalists from over 80 countries worked in secrecy for more than a year to analyse 2.6 terabytes of leaked data then published their findings.

Here’s what we know about the Panama Papers ten years on, and whether the leak led to any changes.

What was the Panama Papers scandal about?

The 2016 Panama Papers scandal was about the leak of 11.5 million confidential documents including emails, contracts and banking statements from the law firm Mossack Fonseca.

The papers revealed a massive global network of offshore shell companies linked to some of the world’s richest people including politicians, business leaders and public figures, spanning countries from the United Kingdom to Russia, Australia to Brazil. They were using companies based in tax havens such as the British Virgin Islands, the Bahamas and Panama to move and store wealth away from the scrutiny of tax authorities.

About 214,000 entities were linked to individuals and companies in over 200 countries and territories. The documents covered from the 1970s up to 2016.

Who leaked the Panama Papers?

The Panama Papers were leaked by an anonymous whistleblower using the pseudonym John Doe, who initially shared the documents with Suddeutsche Zeitung, which then collaborated with journalists worldwide on reporting and releasing the findings.

P Vaidyanathan Iyer, managing editor at The Indian Express and one of the hundreds of journalists who worked on the Panama Papers, said that the process of identifying the information was like “looking for a needle in a haystack”.

“We were continuously, for about six to eight months, just reading data,” he told Al Jazeera.

“My team of three and I had a small cubicle to ourselves in the office, and we were cut off from the rest. Day and night, we were going through data, downloading documents onto our laptops and computers, which were all very secure, with restricted access. It was arduous work,” he added.

Who was exposed?

Hundreds of people, including more than 140 politicians, were identified as directors, shareholders or beneficiaries of offshore shell companies revealed in the Panama Papers. Among them were Mauricio Macri, then president of Argentina, and Petro Poroshenko, who was Ukraine’s fifth president from 2014 to 2019.

Other leaders, including former Pakistani Prime Minister Nawaz Sharif and former Icelandic Prime Minister Sigmundur Gunnlaugsson, were also named – all linked to ownership of shell companies in offshore tax havens.

What are offshore shell companies?

Offshore companies are legal entities incorporated in a jurisdiction outside the owner’s country of residence.

Shell companies, on the other hand, are entities that have “no real substantial business or operations in its place of incorporation or registered office,” Kehinde Olaoye, a professor of commercial law and business law associations at Hamad bin Khalifa University in Qatar, told Al Jazeera.

Shell companies are often used to create legal paperwork to cover for fraudulent or dodgy financial transactions. If they’re based in a country other than the owner’s, they’re offshore shell companies.

Are offshore shell companies illegal?

No. Offshore shell companies are not automatically illegal. The purpose of such companies is to create trusts, which then can be used to protect wealth or create estate planning.

However, “there is always a thin line between legitimate and illegitimate purposes” in using offshore shell companies, Olaoye noted.

“Usually, individuals and companies receive advice from financial advisers and legal advisers on how they can structure their business to take advantage of ‘favourable’ tax benefits,” she said.

Did anyone get in trouble for the Panama Papers?

A month after the Panama Papers were leaked, Iceland’s Gunnlaugsson resigned as prime minister following mass protests. According to the leaked documents, Gunnlaugsson and his wife allegedly established a company, Wintris, in the British Virgin Islands with the assistance of the Panamanian law firm. His resignation led to the fall of the Icelandic government at the time.

In 2017, Pakistan’s Supreme Court also disqualified then prime minister Sharif from office following the leaks, despite an earlier ruling that found insufficient evidence of corruption. The Panama Papers revealed that his children held several companies in the British Virgin Islands. In 2018, Sharif was banned from politics for life.

Mossack Fonseca, which had over 40 offices worldwide, also faced significant operational impacts following the leaks, including staff reductions, and ultimately shut down in 2018. Its co-founders, Jurgen Mossack and the late Ramon Fonseca, were acquitted by a Panamanian court, along with 26 others accused of setting up shell companies implicated in scandals in Brazil and Germany.

How much tax revenue has been recovered since 2016?

Between 2016 and 2026, governments worldwide recovered around $2bn in taxes, penalties and levies, according to the ICIJ. Countries such as the UK, Sweden and France each recovered between $200-250m, while others, including Japan, Mexico and Denmark, recovered around $30m each.

However, the amount that remains unaccounted for is significantly higher.

In India alone, the government brought forward close to 425 tax cases, according to Iyer.

“But the amount realised in taxes, which the government got back into its treasury was just about 150 crore rupees, which is around $16m. Whereas the total tax which was brought under investigation was about $1.5bn,” he noted.

Other countries, including Austria, Slovenia and New Zealand recovered between $1m and $8m.

Panama, the country where the leak was revealed, recovered about $14.1m.

Did the Panama Papers lead to changes in the legal system?

Since the release of the Panama Papers, governments have taken steps to curb the misuse of shell companies by introducing new laws and regulations. They include the Corporate Transparency Act in the US, which requires the disclosure of “beneficial owners”—individuals who ultimately profit from offshore entities — as well as measures to improve information sharing between tax authorities.

The United Nations is also considering draft proposals for a Convention on Taxation. In addition, several nations have signed bilateral double-taxation treaties to reduce tax avoidance and prevent income from being taxed in multiple jurisdictions.

But gaps remain in the global tax system. There’s no one overarching international taxation principle that everyone needs to follow — and often there are overlapping treaties and agreements that allow those with the shrewdest financial advisors to choose, or shop, from among those pacts, based on whatever works best for them.

“The main challenge in international tax law is that there is no multilateral tax convention, which creates problems of tax competition and ‘treaty shopping’,” Olaoye said.

Brocklands Adventure Park in Cornwall had attractions including a bowling alley, bumper boats, crazy golf and animals. But it closed in 2007 and has been left abandoned

A once-thriving and vibrant adventure park teeming with wildlife and laughing youngsters now stands eerily abandoned, left to decay.

Brocklands Adventure Park was a beloved attraction in Kilkhampton. The venue welcomed guests from 1977 until it shut down in 2007.

The park garnered multiple accolades after being established by Dennis and Sue Vanstone. During its heyday, it attracted 50,000 visitors each season, having evolved from a modest tea room and shop into a comprehensive leisure destination.

It grew into an expansive complex featuring playgrounds, attractions, animal enclosures and wildlife programmes.

In 1987 it rebranded as Pixieland Funpark. By 1990 the venue had added a 15-inch gauge miniature railway, pony rides, trampolines, and an all-weather playground.

In March 1997, further expansion saw the launch of Pip’s Place, a new restaurant accommodating 200 diners, reports Cornwall Live.

Subsequently there were additional features including a ten-pin bowling alley, archery centre, crazy golf, quad biking, bumper boats, and a mega tube slide.

Creatures from across the animal kingdom called it home. Visitors could encounter rabbits, ducks, iguanas, snakes, parrots, and a raccoon.

In 2000, the park was rechristened Brocklands Adventure Park, signalling its evolution into theme-park territory.

Despite its popularity, the park tragically shut its doors in 2007 when the owners retired. Today, vegetation and undergrowth have overrun the formerly bustling structures.

Wandering through the deserted park and stumbling upon an old archery range, the Youtube channel Street Zips said: “There are soap dispensers, we found a bow and arrow in here.

“There’re drawers here, we’ve got plugs and fuses – and smart plugs – one of the things that go on your wrist to stop you getting whacked by the bow.

“Listen-listen – can you hear it? Yeah like a rat is it – I heard a squeak. The rustiness of the drawers are really cool as well. You would pay a fortune for that for a movie set piece. “

They also discovered boxes for trapping rats, saying: “They’ve obviously got an infestation of something here. That’s a serious trap isn’t it. There’s some spring on that.”

The urban adventurers came across a kiwi tree still bearing fruit. Peering into what they believed was an old animal enclosure, they discovered posters of creatures to look out for in the taxidermy exhibition made “only of roadkill.”

They even spotted old pheasant feathers scattered across the floor.

Fast forward to 2021, a planning proposal was submitted to convert a key building into a two-bedroom home, and by 2023, planning permission was granted to construct five homes on the site.

The steel structure will be repurposed into a two-bedroom dwelling. The planning application reads: “The site comprises part of the former visitor attraction known as Brocklands Adventure Park, which closed in 2007 and contained a range of attractions split across two sites (separated by West Street).

“These attractions included 15in gauge railway, ponds, slides, pony ride track, trampolines, quad biking, bouncy castle, bumper boats, bowling alley, indoor multi-activity centre and refreshment facilities.

“The proposal involves converting the existing steel frame building to form a two-bedroom dwelling.”

When I cracked open retired firefighter Bruce Hensler’s 15-year-old book, Crucible of Fire, I felt I had found an oracle.

Before 15 out of California’s 20 most destructive fires on record, Hensler described large chunks of cities burning to the ground, insurance companies jacking up premiums after realizing they wildly underestimated the risk and politicians failing to enforce the few fire safety rules on the books.

He even describes the fire chief of a decimated city criticizing city its politicians for failing to properly prepare for such a disaster, resulting in the city ousting the chief. (Sound familiar, Palisadians?)

Yet Hensler wasn’t trying to predict what would unfold in California’s wildland-urban interface in the 21st century. He was simply telling the story of the late 1800s and early 1900s in the Eastern U.S.’ downtowns of dense, wooden buildings.

Spoiler: Firefighters, policymakers, local advocates and, notably, insurance professionals figured out how to stop it from happening. Here’s how they did it.

The Industrial Revolution, supercharged by the Civil War, transformed Northeastern cities into denser and denser wooden tinderboxes filled with tons of humans more than capable of accidentally generating sparks.

Fire departments, inspired by the war, were already reorganizing under a new paramilitary structure to more quickly and aggressively respond to blazes although most were still primarily volunteer-based. And beyond a few ad hoc fire safety laws that were scarcely enforced, cities’ building codes and water infrastructure naively lagged far behind the threat cities were creating.

So, cities started burning.

In 1866, a Fourth of July firecracker burned down much of Portland, Maine.

The destruction — more than $240 million in damage in today’s dollars — seriously spooked insurance companies focused on downtown industrial properties. Within days, they joined together to form the National Board of Fire Underwriters to try to stabilize their industry and promote fire-safety measures.

It wasn’t enough. A barn fire burned down Chicago in 1871 — more than $4 billion in damage in today’s dollars. A warehouse fire burned down Boston the next year — causing more than $1 billion in damage.

After the Boston fire, the board raised rates by 50% in large cities and began hurling ham-fisted threats to pull coverage altogether if cities didn’t get their act together and address their tinderbox problems quickly.

Over the next few decades, the board slowly got its own act together: It began collecting data on what caused cities to burn and funded a lab to run experiments. After Baltimore burned in 1904, the board released its own national fire-safety building codes based on that knowledge and created a grading scale to identify the risk of different cities based on their fire departments and water utilities as well as how closely their building practices aligned with the board’s building and electrical codes.

For politicians who dragged their feet because bolstering a water system or fire department is costly and designing a fire-safe building is, quite frankly, more cumbersome, the grading system made maintaining the status quo no longer viable — try explaining to your constituents that insurance rates in town are through the roof simply because the city won’t adopt the board’s new codes.

At some point, cities no longer burned down, only blocks or buildings did. As fire departments and cities continued to adopt new tech (with some pushing from the insurance industry) — motorized fire engines to replace horse-drawn ones, and later, smoke detectors and indoor sprinklers, then air tanks that allowed firefighters to enter buildings — fires didn’t often spread past a single floor or room.

These reforms, targeted mainly at commercial and industrial buildings in dense downtowns, largely missed the looming crisis in suburban residential areas that were slowly building themselves into a different kind of tinderbox that burned from the outside in.

In those areas, we’ve already seen many of the same dynamics play out: first the insurance rate hikes, then the cancellations. Now, some conversations and many heated debates — often driven by the insurance industry — are taking place around what we ought to do to protect our urban-wildland interface areas and how we can make them insurable again.

Organizations such as the Institute for Business & Home Safety play the role of the National Board of Fire Underwriters. Insurance wildfire models are starting to play the role of the grading scale, and policies such as Zone Zero, the national building codes.

As Hensler wrote in 2011, we now “accept building fires as commonplace but no longer expect them to consume adjacent buildings or blocks.”

It reminds me of a text Keegan Gibbs, who leads the Community Brigade program with the Los Angeles County Fire Department, sent me when I asked what he hopes to see in 10 years’ time: “neighborhoods where wildfire can move through the landscape without becoming a community-level disaster.”

More recent wildfire news

State Farm reached a deal with California last month to keep a 17% rate hike that took effect after the 2025 L.A. County fires, my colleague Paige St. John reports. The state initially rejected State Farm’s 22% rate hike request but eventually offered a temporary approval of the 17% hike last year. State Farm — which said it paid $6.2 billion in claims last year, largely from the L.A. County fires — said the increase enables the company to continue serving Californians.

A monthlong heat dome over the American West, fueled by climate change, has melted mountain snowpacks significantly this year, writes fellow Boiling Point host Ian James. With more time for vegetation to dry out, the early melting brings an increased risk of wildfire across the region this year.

In fact, acreage burned this year is nearly triple the 10-year average, reports Tim Casperson of newsletter the Hotshot Wake Up. The uptick has been fueled by a series of fires in Nebraska that has stunned many of the state’s ranchers as it decimated the hay that cattle rely on and stressed pregnant cows, reports Anila Yoganathan at the Flatwater Free Press.

A few last things in climate news

The U.S. Forest Service announced a major reorganization effort Tuesday that will move its headquarters from Washington to Salt Lake City, close research and development facilities in more than 30 states and shift management from broader regional offices to more localized state offices, reports Christine Peterson for High Country News. Former Forest Service employees and tribal leaders expressed concern that the move would uproot thousands of employees, scattering specialized regional knowledge. The chief of the Forest Service said the plan is intended to make the agency more “nimble, efficient, effective and closer to the forests and communities it serves.”

Gas prices in Los Angeles surged to $6 per gallon this week after the U.S. and Israel’s and the U.S.’s attack on Iran prompted the nation to close the Strait of Hormuz. However, California’s petroleum market watchdog is warning that some of the inflated price may be due to price gouging, my colleague Blanca Begert reports. In January, refineries were making 49 cents on the gallon, the watchdog group said; now, it’s closer to $1.25.

Honda is scrapping plans to build and sell three new electric-vehicle models in the U.S. after the Trump administration abandoned Biden-era policy goals to increase EV manufacturing and adoption, Dan Gearino reports for Inside Climate News. It comes after similar moves by Ford and Ram.

Finally, Heatmap News, in collaboration with MIT, has launched a new tool tracking electricity prices across the country on a month-to-month basis all the way down to the Zip Code level. You can check it out here.

This is the latest edition of Boiling Point, a newsletter about climate change and the environment in the American West. Sign up here to get it in your inbox. And listen to our Boiling Point podcast here.

For more wildfire news, follow @nohaggerty on X and @nohaggerty.bsky.social on Bluesky.

April 1 (UPI) — NASA launched its most powerful rocket yet, the Space Launch System, on Wednesday to send the crewed Artemis II mission to the moon, the first in more than five decades.

The mission had liftoff around 6:35 p.m. EDT from the Kennedy Space Center in Florida.

Within minutes of liftoff, Artemis II commander Reid Wiseman told operators on the ground, “we have a beautiful moonrise, we’re headed right at it.”

The four-person crew — which also includes NASA’s Victor Glover and Christina Koch, and Canadian Space Agency’s Jeremy Hansen — is expected to enter the moon’s orbit in about six days. The spacecraft won’t land on the moon, but will orbit around it before returning to Earth.

The 2-hour launch window for Artemis II began around 6:24 p.m., and most of the pre-flight checks were successfully.

Shortly after the crew members boarded the craft, though, NASA officials had to address a pair of issues.

Derrol Nail, of NASA, said officials fixed a problem with the Space Launch System rocket’s flight termination system.

Later, there was a problem with the battery on the launch abort system on Orion. This system ejects the capsule away from the rocket in case there’s a problem with the rocket during flight. NASA detected issues with temperature readings on the battery but had resolved the issue before schedule launch.

The 10-day trip will be the first crewed flight to the moon in more than 50 years and the farthest distance from Earth traveled by humans.

About 9 minutes after the launch, the Artemis crew entered orbit, traveling about 15,000 mph. During Earth orbit, the crew has a series of tasks to complete before they’re able to make their way to the moon.

The Artemis I mission in 2022 flew around the moon but didn’t have a crew aboard.

Covered marquees. Downed statues. Painted-over murals. A canceled holiday.

California has effectively exorcised César Chávez from the public sphere just weeks after a New York Times investigation found two women who said the legendary labor leader sexually assaulted them when they were teenage girls in the 1970s. Just as explosive was the revelation by his longtime lieutenant, Dolores Huerta, that he raped her in the 1960s.

My prediction for the next place we’ll see a Chávez purge: books about him, which number into the dozens and span from academic treatises to children’s tales. But before critics relegate those texts to the banned section, folks should read some of them to see how writers helped establish the Chávez myth and propagated it for decades.

The books that created the Chávez legend

The tendency to elevate him above other activists was there from the start. In 1967, John Gregory Dunne published “Delano: The Story of the California Grape Strike,” which saw the author (and husband to Joan Didion) capture the essence of el movimiento in its earliest days through on-the-ground reporting and interviews with Chávez, whom Dunne described in the introduction as “the right man at the right place at what was, sadly, both the right and the wrong time.”

Famed writer Peter Matthiessen cemented Chávez’s image as a humble hero fighting a lone, brave battle against philistine farmers with a two-part New Yorker profile that became the basis for 1969s “Sal Si Puedes: Cesar Chavez and the New American Revolution.” That narrative continued with Jacques Levy’s 1975 release “Cesar Chavez: Autobiography of La Causa.” Talk about getting too close to the subject: The author’s archived papers disclosed he served as Chávez’s literal notetaker during the 1970 negotiations that ended the grape strike and led to the UFW’s first union contracts.

Chávez came under strong scrutiny

Rose-tinted biographies tellingly stopped around the time Chávez created a commune in what’s now currently the César E. Chávez National Monument in Keene and began to target perceived enemies within the UFW. Critics instead appeared in the media — one of the first was a 1979 Reason article that alleged he was misusing federal funds and contained the prescient line, “Many people will be reluctant to believe anything that could cast a shadow over this man.”

Other critical dispatches included pieces in the L.A. Times, Village Voice and one in the Sacramento Bee so damning in its indictment of how Chávez had, on his own, sabotaged the movement so many associated with him that its author, Marcos Breton, recently wrote how Chávez was left “hostile and angry” by his simple questions.

In the wake of Chávez’s decline and eventual death in 1993, authors created a new genre: Saint César. Titles like “Cesar Chavez and the Common Sense of Nonviolence,” “Conquering Goliath: Cesar Chavez at the Beginning” (by his mentor, Fred Ross Sr., the most important California organizer you’ve never heard of) and “The Rhetorical Career of César Chávez” pushed forth the gospel of their subject as a plainspoken prophet out of the Good Book.

Chávez inspired millions — but those books will now forever read as hollow and sadly myopic.

Rethinking the Chávez myth

True reappraisals of Chávez and his work wouldn’t start until after former Times editor and reporter Miriam Pawel published a 2006 series for this paper that showed the ugly, domineering side of Chávez and the UFW’s decline. Six years later, longtime activist Frank Bardacke simultaneously praised and damned Chávez in his “Trampling Out the Vintage: Cesar Chavez and the Two Souls of the United Farm Workers.” Though a good read, it pales in importance and poignant lyricism to two double whammies that dropped in 2014: “From the Jaws of Victory The Triumph and Tragedy of Cesar Chavez and the Farm Worker Movement” by Dartmouth College professor (and my distant cousin!) Matthew Garcia and Pawel’s own “The Crusades of Cesar Chavez: A Biography.”

Garcia and Pawel are now making media appearances and writing essays to opine on where they think Chávez went wrong. Expect updates to all of these books and so many others in the months and years to come — if they’re ever published again.

Today’s top stories

Red diamond rattlesnakes are among species in the Golden State. One reptile expert who relocates snakes says her phone has been “ringing off the hook.”

(Christina House/Los Angeles Times)

Weird rattlesnake season

• Unseasonably warm March weather triggered an unusually active rattlesnake season in California, with experts fielding record calls about sightings statewide.
• Two fatal bites in Southern California in March and 77 Poison Control calls in three months far exceed typical annual patterns.

Life after California

• A new UC Berkeley study found that people who moved out of California dramatically improved their financial conditions.
• Those former Californians said the move saved them almost $700 in monthly housing costs, and they became 48% more likely to own a home in their new state.

Minimal snow in California mountains

More big stories

Commentary and opinions

This morning’s must read

Other great reads

For your downtime

(Stella Kalinina / For The Times; Bill Addison / Los Angeles Times; Stephanie Breijo / Los Angeles Times; Kayla Bartkowski / Los Angeles Times)

Going out

Staying in

A question for you: How are you celebrating Easter this year?

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … the photo of the day

Dodgers pitcher Shohei Ohtani delivers during the second inning of a 4-1 win over the Cleveland Guardians at Dodger Stadium on Tuesday night.

(Ronaldo Bolaños/Los Angeles Times)

Today’s great photo is from Times photographer Ronaldo Bolaños at Tuesday night’s Dodgers’ game. Shohei Ohtani battled through the rain to throw a one-hit gem in the Dodgers’ 4-1 win over the Cleveland Guardians.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend reporter
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com.

SCOTT Mills was first investigated over sex offences against a teenage boy seven years ago – but only now the BBC has acted.

In a sensational move the BBC pulled Mills off air last Tuesday – with it emerging days later that the axing was linked to a complaint about the 2018 probe into the 53-year-old.

Mills was questioned over allegations of “serious sexual offences” against a boy who police confirmed was under 16 at the time of the allegations.

The case – said to have taken place between 1997 and 2000 – was later dropped in full due to a lack of evidence.

Last night we revealed that BBC bosses had known Mills was being investigated in 2018, Mills informed the corporation but denied the allegations.

And, in March that year The Sun on Sunday revealed how a probe was being carried out into an unnamed radio presenter.

DARK DAYS

Scott Mills’ troubled Radio 1 years that saw star go on-air drunk after tragedy

SCOTT SHOCK

Teen boy at centre of Scott Mills ‘sex offences’ probe was under 16, cops say

Officials decided to keep Mills on air for seven years after he informed them of the investigation before suddenly dismissing him on Monday.

It was only after a complaint was made regarding the police probe that Beeb bosses gave Mills the boot.

Mills’ £360,000 a year contract was terminated within five days of the complaint being made.

But the BBC has since apologised for not taking action on an allegation against Scott Mills raised last year. So, as the scandal unfolds, here is what was known and when.

1997 – 2000

The alleged “serious sexual offences” against a boy under 16 take place with Scott Mills joining the BBC in 1988.

Mills initially joined the corporation as a presenter on BBC Radio 1, presenting the early morning slot before earning his own namesake programme The Scott Mills Show.

December 2016

The Metropolitan Police launch a probe into allegations regarding Scott Mills.

The investigation, which related to allegations of serious sexual offences, followed a referral from another police force.

July 2018

Mills is questioned by police under caution about historical sexual offences against a teenage boy.

The former BBC Radio 2 star told the corporation about the investigation and denied the allegations.

May 2019

After it was decided there wasn’t enough evidence to bring charges against Mills the investigation is closed.

The case was dropped in full.

October 2022

Mills moved from BBC Radio 1 and joined BBC Radio 2, taking over the coveted afternoon slot from Steve Wright.

January 2025

Mills then moves on to take over the Radio 2 Breakfast Show, where he would stay until he was dismissed.

The former presenter took over after Zoe Ball stepped down — calling the role his “dream job”.

March 24, 2026

Mills signs off his show with “see you tomorrow” with his slot taken over the next day by Gary Davies.

Davies would continue to fill in for Scott after being named as the interim breakfast show host.

March 25, 2026

A BBC investigation is launched following a complaint regarding Scott Mills and the historic police probe.

March 30, 2026

In a sensational story, it is announced Mills had been sacked by the Beeb.

BBC Director of Music Lorna Clarke circulates an internal letter to staff informing them of the sacking.

March 31, 2026

The Metropolitan Police confirm that the teen boy at the centre of the allegations was under 16 years old at the time of the alleged offences.

April 1, 2026

The Sun reveals that the BBC was aware of the investigation as far back as 2018.

We revealed how Mills told the corporation in 2018 but was kept on air for another 7 years before suddenly being fired.

March 30 (UPI) — The founder of the orgasm-based wellness company OneTaste, Nicole Daedone, was sentenced on Monday to nine years in jail for forced labor conspiracy.

Daedone was sentenced after being found guilty last year for grooming vulnerable women into working under the guise of helping women heal from various traumas, the New York Daily News reported.

Along with her director of sales, Rachel Cherwitz, who was sentenced to six and 1/2 years in prison on Monday, Daedone recruited women to purchase sexual wellness therapy programs — which included “orgasmic meditation” — and then turned them into “handlers” who would recruit “marks” into the program, ex-employees testified during trial.

Over the course of the decade-long sex abuse scheme, Daedone forced ex-employees to engage in sex acts under the guise of meditation sessions, often forcing them to work for free, the New York Post reported.

Daedone, and her attorneys, have maintained that the company is “rooted 100% in consent.”

“If I talk to you about the practice … you can say yes or no, and no is a perfectly acceptable answer throughout the practice itself,” she told NBC News last year. “It’s all based in consent. We had an ethics committee. This is the antithesis of what this company was.”

Although Daedone was not sentenced to the 20 years in prison that prosecutors sought, she will have to forfeit the $12 million she sold OneTaste for and pay $900,000 to ex-employees who were not paid for their work.

“Ms. Daedone exploited certain women in a calculated way and made money off of that exploitation,” Federal Court Judge Diane Gujarati said at the sentencing.

“What she was doing was not about enlightenment or operating on a different dimension,” Gujarati said. “It wasn’t a game or a show. It wasn’t ‘Harry Potter‘ or ‘The Matrix.’ It was criminal.”

OneTaste operated centers in cities across the United States that offered it’s orgasmic meditation practice, which involved sessions where one person performed a sex act on another for 15 minutes “with no goal except to feel.”

Former employees who testified during the trial called the company a sex cult that was ruled through fear and intimidation, The New York Times reported.

The women said that they were tasked with offering sexual services to clients and investors, as well as care for the company’s communal homes.

One woman testified that she was forced to receive a meditation session and prosecutors alleged that Daedone used the practice as a “means of encouraging productivity,” The Times reported.

After Daedone and Cherwitz were convicted, the Department of Justice said the jury had revealed the duo as “grifters who preyed on vulnerable victims by making empty promises of of sexual empowerment and wellness only to manipulate them into performing labor and services for the defendants’ benefit.”

People who continue to support the company, which has attempted to re-brand itself, have said the trial is prosecuting consenting adults who have chosen to participate in its programs.

While women who testified during the trial said they fell into Daedone’s trap as vulnerable targets — who were referred to internally as marks, according to trial testimony — the company’s current CEO, Anjuli Ayer, called the sentence “a terrifying day for freedom.”

“Once persuasion becomes a crime, anyone can be a defendant, and anyone can be a victim,” Ayer said. “We must correct the record or everyone will suffer.”

Attorney Alan Dershowitz told NBC News earlier this month that he considers the conviction to be “a miscarriage of Justice” based on his reading of the trial materials and plans to help both Daedone and Cherwitz request a presidential pardon.

“With a few changes of words, this indictment could have been directed against Mormon groups, against Hasidic groups, against various Protestant or Catholic sects,” he said. “There’s so many people who join ideological or religious groups, volunteer their time and later become disillusioned.”

Selen Ozcan, who has dual citizenship, claims that, despite finally obtaining a British passport, she still puts it to one side while travelling as her original passport is ‘stronger’

A woman who endured a seven-year battle to secure a British passport has shared her clever airport time-saving technique. Selen Ozcan, who splits her time between London and Bahrain, used TikTok to showcase her trick in a brief video.

The travel content creator now possesses dual citizenship, and always keeps her native Romanian passport to hand as well. While navigating security at an airport, Selen posted footage with the caption: “When the immigration line is too long so I have to pull out the stronger passport.” Brandishing her blue British passport, she swiftly moved it aside to display her maroon Romanian one beneath.

During Britain’s membership of the European Union, UK nationals enjoyed the freedom to visit, reside, work, or study in member states without requiring a visa. However, this privilege ceased when the Brexit transition period concluded on December 31, 2020.

Consequently, British passport holders can no longer access the – typically faster – EU citizen border control lanes at airports.

“British citizens also usually need to have their passport stamped upon entry/exit to the EU unless they are family members of EU citizens and resident in the EU,” the Government clarifies online.

Writing in response to Selen, one TikTok user remarked: “Got my British kid a Romanian passport and now she’s my fast track pass through EU airports haha. My missus is Romanian.”

Another person recounted a similar scenario, saying: “All my UK boys had to wait 15 minutes in a queue at Amsterdam Airport. I skipped all that with my Romanian passport.”

A third commenter argued: “Romania passport is just stronger than UK when entering Schengen and EU. But UK has more access than Romania worldwide.”

While a fourth TikTok user pointed out to Selen: “Travel to USA with Romanian passport and you’ll see the difference between British and Romanian. No offence intended.”

The Henley Passport Index evaluates the world’s passports based on how many destinations holders can enter without needing to obtain a visa beforehand.

“The index is based on exclusive data from the International Air Transport Association (IATA) – the largest, most accurate travel information database – and enhanced by Henley & Partners’ research team,” Henley & Partners clarify.

Covering 199 passports and 227 travel destinations, the index receives monthly updates. Based on Henley & Partners’ figures, Singapore claims the top spot with the “strongest” passport, granting visa-free entry to 192 countries.

Japan, South Korea, and the United Arab Emirates share second position with 187, while Sweden occupies third with 186.

Britain sits in joint sixth alongside Malaysia and Poland, offering access to 183 destinations – actually ranking higher than Romania, which shares 11th place with Bulgaria, at 177.

HOT cross buns; sticky, sweet, delicious and a sign that Easter is on its way – but where did the original bun come from?

Ironically, the origins are in my stomping ground of St Albans, so I went to see where it all began – and you can still buy a classic bun now.

In trying times, nothing quite provides comfort like a freshly-baked bun.

That was certainly Brother Thomas Rocliffe’s thinking when he handed
out his humble creation to the poor and disgruntled townspeople of St.
Albans back in 1361, a couple of decades before the Peasant Revolt.

The 14th century monk had just invented a treat that would become a
symbol of Easter for hundreds of years to come: the hot cross bun.

Back then, it was known as the Alban bun.

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The original recipe relied on a traditional bread dough, laced with exotic spices and dried fruit, which was then rolled into balls and scored with a cross symbol ahead of baking.

Today, the buns we see in supermarkets feature a piped cross, not
scored, and they are a little more sweet and cake-like in flavour,
relying primarily on cinnamon for spice.

If you’re keen to sample the traditional version, though, Brother
Thomas’ original recipe is still being baked today within the same
centuries-old walls of St Albans Cathedral, where it was first
concocted.

The ingredients are a secret, of course, but those heading down this
Easter may be lucky enough to uncover them with the help of one of the
cathedral’s expertly knowledgeable guides.

“How much did Rocliffe charge?” my guide asks me. “One a penny? Two a penny?”

The answer is still unknown – but just shy of a fiver seems more apt in these times, I tell him.

These buns weren’t just for Easter in Rocliffe’s era. In fact, in the
mid-1500s they became an emblem of protection and soared in
popularity.

Everyday folk would buy them year round and nail them to
their doors under the belief that it would stop their houses from
burning down.

Queen Elizabeth I was not amused by such superstitions, though, so
banned the sale of the hot cross bun (it’s colloquial name by this
point) on all dates except for Christmas, funerals and, of course,
Good Friday.

Traditions change over time and now most of the local bakeries in St
Albans sell the treat at Easter only, including the cathedral’s
Abbot’s Kitchen.

Head baker Graca whips up a whopping 120 of these buns a day at this
time of year and locals will order in batches – a sign that they’re
still adored in these parts.

Round, fluffy and fresh out of the oven, the original Alban Bun is definitely a massive step above the supermarket variations.

I love its breadlike flavour and whack of cardamom. The
fact that it’s not overly sweet means you can eat three in a row –
what a win.

After tucking into them, make sure to explore the rest of the cathedral.

Daily tours are thoroughly fascinating – and completely free, although
donations are heavily relied upon, so don’t forget to pop some cash in
the box on your way out.

If you’re looking for even more historic fun to sink your teeth into,
the city’s Verulamium Park is brimming with Roman history and the
remains of old, slightly battered walls can still be seen as you
wander among the greenery.

Make sure to detour for a stroll along the River Ver, too, one of few
remaining chalk rivers in the UK.

Then you can reward your efforts with a pint at one of the many cute and quirky pubs.

St Albans is reportedly home to more pubs per square mile than any other city in the UK, so it would be rude not to sample its tipples.

The Boot, in the city centre serves proper ales alongside its Mexican
themed food menu, meanwhile Ye Olde Fighting Cocks, at the foot of the
cathedral’s hill, claims to be one of the oldest boozers in the
country and has a lovely pub terrace.

I wonder if Brother Thomas ever sunk a few in here.

Here’s where you’ll find the best buns in St Albans…

St. Albans is not short of excellent bakeries and in the name of good
journalism I made sure to try them all.

Here’s two of my other picks.

Proto Artisan Bakery
Sticky on the outside, with a glossy glaze, and fluffy on the inside, these buns look more akin to the ones you see in the shops, but are ten times more flavourful.

Baked fresh everyday, they are crammed with a great amount and variety of dried fruit and soft and light in texture, it needs nothing more than a slab of butter.

Glaze Bakery
A minutes’ walk from the cathedral’s entrance, this bun
is as delicious as the above.

The cross is not piped, but made from laminated dough that puffs up in the oven. The shiny crust is sprinkled with sugar crystals. Owner Oli recommends toasting it and eating with Marmite.
BLOB: See enjoystalbans.com or visit @enjoystalbans on social media.

For more on Hertfordshire, this beautiful English village is home to one of Britain’s best pubs.

And here are our favourite British beer gardens with some in cosy villages, and Cotswolds pubs.

March 30 (UPI) — The chancellor of Germany and president of Syria on Monday said that their goal is for 80% of Syrian refugees who have fled there to return home in the next three years.

With few details offered, Chancellor Friedrich Merz and President Ahmed al-Sharaa set an ambitious goal for the majority of the roughly one million people there who sought asylum from the bloody civil war in Syria, The BBC reported.

Merz and Sharaa met Monday to discuss the return of Syrian refugees, while noting they have been a boon to Germany and are not being kicked out.

“Looking ahead over the next three years — as Sharaa has expressed his hope — around 80% of Syrians currently residing in Germany are expected to return to their home country,” Merz said during a press conference.

Sharaa thanked Merz and the country for welcoming Syrians during the civil war and said the country is “proud that Syrians have learned very quickly how to contribute to society.”

He said that his government is working with the German government to “establish a ‘circular’ migration model” that would allow Syrians to contribute to the reconstruction of Syria without abandoning the lives they have build in Germany.

Sharaa led forces that pushed former Syrian dictator Bashar al-Assd to flee the country in late 2024 after they captured Damascus. His administration is now working to reconstruct and unify the country after 14 years of civil war there.

At the press conference, Merz and Sharaa said that overall conditions in Syria have “fundamentally improved,” a point which German politicians have been debating since the new Syrian president took over, Deutche Weille reported.