years

IT’S been five years since Britney Spears was released from her conservatorship following the Free Britney campaign, but insiders say the pop superstar is more lost than ever. 

In recent months alone Britney, 44, has been arrested for a DUI and faced accusations of bizarre behaviour including making barking sounds at a restaurant and brandishing a knife. 

It’s a far cry from the 16-year-old who took over the world in 1998 with her debut single Baby One More Time, which catapulted her to instant worldwide fame. 

She should be living life on her own terms after 14 years under the heavy surveillance of her dad Jamie Spears. But The Sun understands that couldn’t be further from the truth. 

An insider said: “Some people close to Britney can’t help wondering whether she’s actually happier now than she was then.

“The sad reality is that she seems incredibly isolated. She spends most of her time at home and her world has become smaller and smaller over the years. 

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“Those around her would love to see her thriving, but instead they worry she’s become increasingly detached from everyone else.”

In 2023, Britney split from her third husband Sam Asghari – less than a year after tying the knot – and we’re told the break-up had a huge impact on the mum-of-two.

She shares Sean Preston, 20, and Jayden James, 19, with ex-husband Kevin  Federline and has struggled with a strained relationship with her sons for years. 

Our source said: “The divorce hit her hard and she hasn’t appeared to find the stability or companionship she craves and desperately needs. 

“Her relationship with her sons has also been a source of sadness over the years, and those closest to her know how much that weighs on her.

“People are worried rather than reassured, especially when they see her on social media. The videos and posts leave people concerned and scratching their heads, it looks like we’re seeing someone who is still struggling.”

Despite being one of the best-selling music artists of all time, Britney left fans gutted in 2022 when she insisted she’ll “probably never perform again”. 

She said on social media at the time: “I’m pretty traumatized for life and yes I’m p****d as f**k and no I probably won’t perform again just because I’m stubborn and I will make my point.”

And it’s the lack of ambition for performing – something she once thrived on – that has pals seriously concerned and wondering what she’ll do with her life if she doesn’t return to the stage. 

“The overwhelming feeling among those who care about her is sadness,” our insider said. “Nobody is questioning her right to live life on her own terms, but there are fears that she’s still searching for happiness and hasn’t found the peace that everyone hoped freedom would bring. 

“They look at Britney and see a woman who appears deeply lonely, increasingly disconnected and still trying to find her place in the world all these years later.”

WHILE theme parks across the UK are opening back up for the summer, a popular attraction in Japan remains shut after two decades.

The once popular Wild West land closed its gates for the last time in 2007, remaining frozen in time ever since.

Located in Nikko, around two hours drive from Tokyo, Western Village was once home to a bustling arcade and entertainment park, designed to resemble the American Frontier.

However, the once-buzzing family establishment is now only visited by urban explorers.

The park first opened its doors in 1973 as a small attraction called Kinugawa Family Ranch, offering guests a range of outdoor activities including fishing and horse riding.

Just two years later, the site was rebranded as Western Village, attracting tourists from all over the world with its impressive recreating of a 19th Century frontier town.

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The attraction included an old-timey bank, barber shop, sheriff’s office and general store, as well as arcades and animatronic displays.

Live stunt shows also took place at the park, with actors reenacting gunfights between cowboys and outlaws.

There was also a train that took visitors around the park which was often subject to a staged robbery by the park’s resident outlaws.

In 1995, the park added a £20million replica of Mount Rushmore, which measured one-third of the real thing and was even carved into the landscape.

Despite the park’s initial success, it eventually began to lose out to larger, better located competitors such as Universal Studios Japan and Tokyo Disneyland.

In 2007, Western Village shut its doors for the last time, with many sections remaining untouched in the years since.

From arcade machines and eerie animatronics covered in dust to bottles still sitting on tables, the entire park has a creepy abandoned feel to it.

The park has remained a source of fascination for those visiting the area, particularly urban explorers.

According to the website Offbeat Japan, the replica Rushmore is still attracting visitors in 2026.

The outlet reported that tourists “have to come back to check it isn’t a hallucination”, adding that what remains of the park is “now being demolished little by little”.

The classic Chicano film “Zoot Suit” is celebrating its 45th anniversary this year in style.

The Golden Globe-nominated movie, featuring a lead performance by Edward James Olmos, was based on a stage play penned by legendary screenwriter and director Luis Valdez, who drew inspiration from a pamphlet about the 1942 Sleepy Lagoon murder case and the riots that it sparked.

On Thursday it was announced that the flick will be screened at The Ford amphitheater on July 8 to honor its notable benchmark and enduring legacy. The special screening will include a conversation with Valdez, Olmos and actor-educator Cristina Frías, who will discuss the movie’s production, influence and place in the L.A. film canon.

“‘Zoot Suit’ changed the way our stories could be seen on screen,” Olmos said in a statement. “It gave voice to a history that many people had never been taught and showed the beauty, strength and complexity of the Chicano experience. Forty-five years later, the film continues to inspire because it is about more than one moment in time. It is about identity, dignity and the responsibility we have to remember where we come from.”

The screening will also feature a vintage car show put on by the Pachuco Car Club, which will showcase the rides reminiscent of the time period shown in the movie.

In June 1943, L.A. was engulfed in the lawlessness and violence that became known as the Zoot Suit Riots. The name is misleading because it suggests that the zoot suiters — the young Mexican, Black and Filipino men and boys who wore the flamboyant outfits — were the perpetrators.

In fact, they were the victims.

The attacks by servicemen and white Angelenos on zoot suiters, derided as “gamin dandies” in The Times, were driven by prejudice and the anti-immigrant attitudes of the era. The roots of the unrest can be traced to events that occurred more than a year earlier — such as the incarceration of Japanese Americans after Pearl Harbor, as well as the murder of a young man, which was later known as the Sleepy Lagoon murder case.

In his 1981 review of the film, The Times’ former film critic Kevin Thomas praised Valdez’s direction and the strength of the cast.

“Valdez has captured well many of the elements of the era that contributed to the fate of the Sleepy Lagoon defendants — the sensationalist press, the feverish patriotism of wartime and the rampant bigotry directed at all minorities,” Thomas wrote. “At the same time, Valdez makes clear that various people outside the Mexican-American community helped in the struggle to mount an appeal for the Sleepy Lagoon defendants. And he questions the entire validity of the switch-bladed, cynical pachuco mystique as [Daniel Valdez’s] Henry comes to realize that El Pachuco [Olmos] is at once his best friend — and worst enemy.”

The original 1979 Broadway run of the “Zoot Suit” play catapulted Olmos to the national stage and led to him getting a Tony nomination for best featured actor in a play.

“It was a monumental moment in time, and we captured lightning in a bottle,” Olmos told The Times in 2023. “Not only did it change the course of Latinos in theater but it touched the very soul of the culture. It was catching the voice of the pachuco.”

Woody, Buzz Lightyear and Jessie will be back at the box office this weekend, delivering what could be the biggest film debut of the year.

Analysts expect the fifth installment of Disney/Pixar’s “Toy Story” franchise will pull in at least $150 million in the U.S. and Canada, with some predicting as much as $175 million — either of which would set a franchise record, topping the nearly $121-million opening of 2019’s “Toy Story 4.”

A strong showing for “Toy Story 5” will further fuel a recovery of the box office this year from the post-pandemic doldrums.

Domestic ticket sales are up over last year, and Roth Capital Partners forecasts the second quarter will climb 6.5% to $2.8 billion — a post-pandemic high.

“Toy Story 5” is the first of several family tentpoles this summer, ahead of Universal and Illumination’s “Minions & Monsters” and Disney’s live-action “Moana.”

“Right now we’re on pace for the best opening of the year,” said Daniel Loria, editorial director at Box Office Co. “This is a performer.”

The timing also is fortuitous for Walt Disney Co. at a moment when its other once-reliable franchises such as “Star Wars” and Marvel have faltered. The recent “Star Wars: The Mandalorian and Grogu” dropped sharply at the domestic box office after its late-May opening, bested by low-budget horror films “Backrooms” and “Obsession.”

“People love these characters from ‘Toy Story,’ ” said Paul Dergarabedian, head of marketplace trends at Comscore. “It’s just as appealing as ever.”

Indeed, across four films and 30 years, “Toy Story” has grossed more than $3 billion worldwide. It is the most-watched franchise on Disney+, with more than 2 billion hours streamed. Woody, Buzz Lightyear and Jessie have spawned 19 theme park rides, four themed lands, two hotels and roughly $1 billion a year in global retail sales.

The production budget for “Toy Story 5” is about $150 million to $200 million. A crew of about 300 people worked on the film at Pixar’s Emeryville, Calif., headquarters.

For Pixar, the reliance on “Toy Story” reflects a shift away from originals that used to be its lifeblood.

February’s “Hoppers” managed a respectable $372 million worldwide, but the surer money now comes from sequels.

“Inside Out 2” grossed nearly $1.7 billion in 2024, and both “Toy Story 4” and “Toy Story 3” crossed $1 billion globally.

Still, the franchise label is no guarantee: The 2022 spin-off “Lightyear” stalled at $226 million worldwide after straying from the formula, recasting Buzz as an actual sci-fi hero — voiced by Chris Evans rather than Tim Allen — and sidelining Woody and the rest of the gang.

“Toy Story 5” stays closer to home but wades into new territory: the explosion of tech in everyday life. The toys must contend with Lilypad, a tablet that captures the attention of their owner, Bonnie — a premise that grew out of a tech-toy character originally written for “Toy Story 4” and scrapped for time. Disney is betting the underlying tension is universal.

“What parent hasn’t had anxiety over tech versus toys with their kids?” said Andrew Cripps, head of theatrical distribution for Walt Disney Studios.

Disney is betting that this universal concern will drive audiences to the film.

The fifth installment also arrives with an unusually high-wattage assist: Taylor Swift wrote and performed an original song, “I Knew It, I Knew You,” and made a surprise appearance at last week’s premiere, performing it after the credits before joining longtime franchise composer Randy Newman for “You’ve Got a Friend in Me.”

“It means the world to me to be a small part of the universe of these films,” Swift told the crowd.

The expected blockbuster opening for “Toy Story 5” would be a full-circle moment for the long-standing franchise; Pixar animators in 1995 hadn’t even considered the possibility of a sequel while working on the first “Toy Story.”

“There was so much learned on that first film, specifically our iterative process,” Pixar Chief Creative Officer Pete Docter said in a phone call last week from Madrid, shortly before the film’s Spain premiere. “A lot of things that we discovered having worked on that film have just continued to inform every movie that we make.”

“Toy Story” revolutionized the movie business as the first computer-animated feature film. But its enduring appeal was in the bonds between the characters, Docter said.

Docter, who supervised animators and helped with character design and writing on the original “Toy Story,” added: “It certainly had some new technology, but it was really up to the story and characters to carry the audience.”

The franchise’s longevity is also due to its ability to capture generations of fans.

“Having parents now that say, ‘I grew up with “Toy Story,” and now I’m showing my kids,’ has been really gratifying,” Docter said.

The abandoned village was once home to 2,000 people who worked at the nearby Quarry – but in 1927, they were all relocated to a brand new village, leaving their old home to be reclaimed by nature

An entire village was created after all 2,000 of its residents were forced to up sticks and relocate. All that remains of what was once a bustling community are buildings completely reclaimed by nature, smothered in moss and vegetation.

The deserted village of Talysarn, nestled in the Nantlle Valley of Gwynedd, North Wales, is a former settlement that has been slowly swallowed up by the earth as the years have passed. It was once home to workers and industrial buildings serving the nearby Dorothea Quarry slate mine.

Throughout the 19th century, these mines provided a vital source of income for thousands of people across Wales, but as the quarries expanded, the village was forced to grow alongside them. Eventually, when 1927 arrived, the decision was taken to move thousands of residents to a brand new village built from scratch.

By the 1840s, production at Dorothea had climbed to a remarkable 5,000 tonnes annually, but output would soon soar even higher. By the 1870s, that figure had surged to more than 17,000 tonnes — well over three times what had been produced just 30 years earlier.

Despite the quarry’s seemingly promising future, it was plagued by severe flooding problems. This was tragically highlighted in 1884, when several men lost their lives after the pit was overwhelmed by water while they were working on site.

In response, the river was realigned and deepened to better manage the flow, and while this resolved the issue temporarily, it would go on to cause further problems further down the line. To combat the problem, a Cornish beam engine was constructed on the site to replace the waterwheels, and it still stands there to this day.

Indeed, this is one of the abandoned village’s most impressive sights — a towering structure with its original machinery still intact.

Another focal point of the old village is its 18th-century hall, which has remained untouched since 1946 and now stands as an ivy-covered building, heavily daubed with graffiti, its brickwork slowly crumbling away.

The abandoned village as a whole has become a hugely popular destination for avid explorers and walkers eager to unearth its secrets and snap an eerie photograph of the overgrown ruins. Today, the site sits within the UNESCO Slate Landscape of Northwest Wales and is protected as a piece of history, frozen in time.

Wild Guide Wales author Daniel Start wrote about what remains of the site, likening the ruins to a Welsh Angkor Wat. He said: “Only the baboons are missing. It’s a vast, wild site with many fascinating, overgrown ruins, including a Cornish beam engine and the overgrown remains of the chapel at Plas Talysarn.”

The quarry finally closed in 1970 and has since flooded, creating a lake reportedly exceeding 100m in depth in certain areas. This too forms part of the Slate Landscape of Northwest Wales World Heritage Site.

One visitor left spellbound by the village’s remnants is photographer Tony Harnett, who runs the website Gems of Snowdonia. He previously told WalesOnline: “I’d seen photos of Plas Talysarn and knew it was an interesting place, but I thought that’s all there was.

“When I went there, I did not expect to find so many other old buildings in the area. Some I just stumbled across, others I could see in the distance but didn’t have time to visit.

“I arrived late in the day, for the golden hour for photography, so I only had two hours there. But I could easily have stayed for the whole day, there’s so much to explore.”

MUSIC icon Jon Bon Jovi has revealed that he’s “fully recovered” four years after having vocal surgery to fix a damaged cord.

The Livin’ on a Prayer hitmaker, 64, previously said he would quit music if his singing continued to struggle after a vocal injury.

But now the singer has shared that after four years of vocal coaching and exercising his voice, he has “fully recovered”.

Bon Jovi said: “It was longer than I’d ever expected, but it had to be right. We never lost faith.”

He told People: “I’d often joked and said the only thing that’s ever been up my nose was my finger. I never did anything to hurt the cords; I didn’t have any excesses. I’m a trained vocalist. I’ve practiced the craft.

“So when a doctor had to explain to me that one of the cords was literally atrophying, it was confusing.”

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He praised keyboardist David Bryan, percussionist Everett Bradley, bassist Hugh McDonald, guitarist John Shanks, drummer Tico Torres and guitarist Phil X for standing by his side during his recovery.

“They never doubted [me] and never looked for work or decided to retire,” Bon Jovi said.

“The sacrifices that each one of them have made to be there for me is on a whole another level.”

The musician previously said that he would retire from music if his voice never recovered.

In 2024, he shared: “If the singing is not great, if I can’t be the guy I was, I’m done.

“And I’m good with that.”

Bon Jovi added: “There is a big difference between being in a studio and going out on the road.

“We have just recorded a new album. I sing in vocal therapy every day.

“But I want to perform for 2½ hours a night, four nights a week — and put it this way, I don’t ever need to be the fat Elvis.”

Al Jazeera journalist Al-Tahir al-Mardi has been reunited with his family in Khartoum after three years of separation and forced displacement caused by Sudan’s war.

Four years on from his last Test appearance, Matt Fisher returns to the England side in style with a wicket in just his third over as he removes Devon Conway for nine on the opening morning of the second Test against New Zealand at The Oval.

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TINA Daheley’s BBC Radio 2 Breakfast Show replacement has been revealed just a day after she announced she’s quitting.

The newsreader has spent nearly eight years on the programme and was dubbed former host Scott Mills’ “work wife”, but now she’s moving on.

Filling her sizeable shoes is journalist Matt Carter, and he can’t wait to get going.

Writing on Instagram, he said: “Thrilled to finally be able to spill the beans and tell you I’ll be joining a stellar cast of @djsaracox, @theelliebrennan and the fantastic prod team as your newsreader on the NEW breakfast show next month! Big (and very stylish) shoes to fill – wish me luck…

“See you on the 6th!”

The news was well received by listeners and station legends.

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Zoe Ball said: “Fantastic news Matthew [heart].”

While OJ Borg posted: “Mate this is wicked! You were wicked when we did breakfast together.”

Tina, 45, told how the role had been “one of the greatest privileges of my life” and admitted it was “humbling” to “deliver the biggest breakfast show in Europe”.

She then made the reveal she is staying in the Radio 2 fold and on Jeremy Vine‘s 12-2pm show over summer.

In an emotional statement, she wrote: “After more than seven years of early alarm calls on Radio 2, I’m stepping away from Radio 2 breakfast.

“It’s been one of the greatest privileges of my life to wake up with you every morning, and humbling to have been trusted to deliver the news on the biggest breakfast show in Europe.”

Tina went on to reminisce about her time with the BBC and said: “My breakfast run ends on Radio 2 but it all started on 1Xtra where I landed my dream job reading the news on Trevor Nelson’s Breakfast Show.

“From there, I spent a decade broadcasting to one in four young people in the UK on Radio 1.

“After 18 years and six back to back breakfast shows (probably a record) in there somewhere, I am looking forward to a lie in”.

Tina, who began her BBC radio career on Trevor Nelson’s show, reads the early-morning news and contributes to lively discussions.

Earlier this year, she went “missing” amid an “awful week” after being struck down by illness.

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She was absent at the same time as her former co-host Scott was pulled off-air.

It was revealed earlier this year that fan-favourite host Scott, 53, had been fired from his Radio 2 Breakfast Show over allegations surrounding his “personal conduct“.

Scott was dismissed after new information about a police investigation about alleged sex offences with a boy aged under 16 in 2018 came to light at the BBC.

As well as losing his role on Radio 2, Mills was also sacked from working on the BBC’s Eurovision coverage and from a new podcast spin off from Race Across The World, which he won the celebrity series of in 2024.

It was revealed shortly afterwards that Sara Cox would take over the sought after Breakfast Show slot earlier this year, with insiders saying the talented star was seen as the “heir apparent” for the job.

Grammy-nominated rapper Mystikal has been sentenced to 20 years in prison for third-degree rape.

The “Danger” rapper was arrested in the summer of 2022 and booked into the Ascension Parish Jail in Louisiana and charged with first-degree rape, simple robbery, domestic abuse battery–strangulation, false imprisonment and simple criminal damage to property after the victim identified the rapper as the suspect from the hospital where she was being treated for injuries.

According to Baton Rouge-based ABC affiliate WBRZ, the victim told a Louisiana courtroom on Tuesday that Mystikal, real name Michael Tyler, punched and choked her, pulled braids out of her hair and forcibly raped her during the 2022 incident. The victim requested the maximum sentence for the rapper.

“If I did that to you, I deserve the max sentence,” Tyler told the courtroom before he was sentenced to 20 years for third-degree rape, which carries a maximum sentence of 25 years with no chance for early release or probation.

In March, Tyler entered a guilty plea, which knocked his first-degree rape charge down to third-degree. In Louisiana, first-degree rape carries a maximum sentence of life imprisonment. According to WBRZ, the rapper’s attorney filed a motion to withdraw the guilty plea days before Tyler was sentenced, but the motion was tossed.

The New Orleans-born artist was convicted more than two decades ago of sexual battery after pleading guilty to charges in 2003. He served six years in prison and was released in 2010.

The rapper was previously indicted in 2017 on rape and kidnapping charges stemming from allegations in 2016. He spent 18 months in jail before being released in 2019 on a $3-million bond, the Associated Press reported. The Caddo Parish district attorney in Louisiana ultimately dropped those charges in 2020 after a second grand jury declined to bring an indictment.

With his raspy vocal intensity and scream-like musical delivery, Mystikal shot to the top of the charts with Master P’s No Limit Records in the late 1990s. In 2004, the embattled rapper’s original label, Jive Records, released two compilations of his music, “Prince of the South … The Hits” and “Chopped & Screwed.”

Former Times staff writer Nardine Saad contributed to this report.

The court found he had controlled her through threats of violence and security cameras. He was convicted of offences including attempted rape, aggravated pimping, assault and unlawful threats following a trial in Härnösand, on Sweden’s eastern coast.

AN ABANDONED airport in Spain is set to reopen after 14 years.

Nicknamed Spain’s “ghost airport”, the vast airfield boasts one of Europe’s longest runways.

Ciudad Real International Airport will reopen in 2026, despite being abandoned for well over a decade.

Having stood largely empty for the past 14 years and used for long-term aircraft storage, it has now been revealed the airfield will be opening its doors again under a new owner, resuming passenger flights this year.

Managing director of Ciudad Real International Airport, Rafael Gómez Arribas, has said that the site will only operate private flights, mainly from Europe and the US.

Located 235km south of Madrid, the Spanish airport was initially set to be the country’s second largest airport and an alternative to Madrid’s Barajas airport.

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Opening in 2008, the aviation site cost more than €1 billion to build, and included one of Europe’s longest runways.

Measuring 13,451 ft, the strip was constructed to accommodate the Airbus A380, the world’s biggest commercial aircraft.

Despite plans to be a commercial flight hub for around 2.5 million passengers a year, the site struggled financially, mainly down to its remote location miles away from Madrid.

The airport soon went bankrupt and closed just four years later in 2012, earning the nickname of Spain’s “ghost airport”.

In 2015, the abandoned airport was won in a bankruptcy auction by Tanzeen International for just €10,000.

It was eventually converted into a temporary storage facility during the pandemic, and held grounded planes from European airlines while flights were not operating.

After the closure of the airport in 2012, large yellow crosses were painted on the runway as a visual warning to planes flying overhead that the site was no longer operational and the runway was unsuitable for landing.

Jelly Roll has filed for divorce from Bunnie XO.

The country music star filed for divorce from his wife in Tennessee’s Williamson County on May 18, according to court documents obtained by People — TMZ broke the news. The announcement may come as a shock for country fans who have followed the couple through their sappy podcast appearances and gushy acceptance speeches.

Bunnie XO, who hosts the “Dumb Blonde” podcast, met Jelly Roll at one of his Las Vegas Country Saloon concerts in 2015. Then, a year later on a Las Vegas stage, the “Save Me” hitmaker popped the question.

The pair said their “I do’s” at a local courthouse later than night in a secret ceremony.

Jelly Roll and Bunnie XO have been candid on the podcast circuit about the ups and downs of their relationship. In Bunnie’s 2026 memoir, “Stripped Down: Unfiltered and Unapologetic,” she wrote about Jelly Roll’s 10-month affair in 2018 and her subsequent emotional unraveling.

The couple also has been open about their struggle with IVF in recent years.

As recently as February, while accepting his win for contemporary country album for “Beautifully Broken,” Jelly Roll thanked Bunnie XO in his acceptance speech, saying that he wanted to thank his “beautiful wife” and that he’d be dead or in jail without her.

And during a 2023 appearance on “Bussin’ With the Boys” podcast, Jelly Roll was overcome with emotion recounting his early days with Bunnie XO. “When Bunnie comes into my life, I have to sit Bunnie down and go, ‘Look, I have a kid that you know about that I’m fixing to have to get full custody of.’”

According to the Grammy winner, Bunnie had his back from the beginning.

“I don’t have a house, I’m homeless. So she’s like, ‘Well, the first thing we have to do is get you somewhere to live in Nashville.’ I was like, ‘Well, I can’t put it in my name, I’m a felon, I don’t have enough proof of income to get the kind of place we need to get her in the right school district.’

“Bunnie’s like, ‘Let’s just go get a condo, so you have a bedroom for her.’ … So Bunnie comes down, and we’re getting a condo. I’ll never forget, Bunnie looked at me, and, man, it makes me emotional. She said, ‘No matter what happens with us. I’m gonna help you get this little girl.’

“And I was like, man, what character this woman has,” he continued.

Hours before news of the couple’s split broke, Bunnie XO posted a video on Instagram dancing to Nickelback’s “How You Remind Me,” and mouthing the lyrics “I said I love you and I swear I still do.”

Former Wolves and Nottingham Forest striker Rafael Mir has been sentenced to eight-and-a-half years in prison after he was found guilty of sexual assault.

Mir, 28, and his friend Pablo Jara were both arrested in September 2024 after two women accused them of sexual assault at Mir’s home.

Mir’s lawyer said at the time that the intercourse was consensual and that Mir categorically denied the accusations.

In a statement released on Monday, a Valencia court said Mir “sexually assaulted one of the women in the swimming pool and in a bathroom” at his house in Betera after he and Jara met the women at a nightclub in Valencia.

Mir was playing at Valencia on loan from Sevilla at the time of his arrest.

The former Spain Under-23 striker received a seven-year prison sentence for sexual assault and a one-year and six-month sentence for assault causing bodily harm.

Mir, who was also ordered to pay 64,000 euro (£55,000) as compensation for the victim, can appeal the sentence.

“I disagree with the ruling and we will appeal in the coming days. I continue to have faith in the justice system,” Mir posted on Instagram on Monday.

Mir moved to Wolves from Valencia in 2018, but played only four times for the club.

He joined Sevilla in 2021 following loan spells at Nottingham Forest, Las Palmas and Huesca during his time at Wolves, while he was also part of Spain’s team at the Tokyo Olympics.

The forward currently plays for La Liga side Elche, on loan from Sevilla.

In response to Mir’s sentence, Sevilla stated its “utmost respect for judicial proceedings and expresses our firm and unequivocal condemnation of any type of violence, abuse, or sexual assault”.

“Such conduct has no place in our society or in the values promoted by sport,” the club’s statement added.

Jara received a two-year sentence for sexual assault against a second victim and a further six months for an offence against moral integrity, as well as ordering him to pay a 6,280 euro (£5,400) fine.

During the Covid pandemic, the airport served as a temporary storage facility for grounded aircraft

Ciudad Real International Airport, in Spain, opened its doors again earlier this year after being abandoned for 14 years. The airport originally opened in 2008 but shut down after filing for bankruptcy in April 2012, earning itself the title of Spain’s “ghost airport”.

The deserted airfield was subsequently used for long-term aircraft storage until the airport’s operator announced its reopening under new ownership, with passenger flights set to resume in 2026. The managing director of Ciudad Real International Airport, Rafael Gómez Arribas, confirmed that the airport will handle only private flights, mainly from Europe and the United States.

The Spanish airport reportedly cost €1billion (£864million) to build and was originally intended to serve as Madrid’s second-largest airport.

Despite this, Ciudad Real Airport struggled as a commercial hub, largely due to its isolated location, some 150 miles from the capital.

The airport boasts one of Europe’s longest runways, a massive 4,100-metre strip built to handle the world’s biggest commercial aircraft, the Airbus A380.

It was originally named Don Quixote Airport after the beloved fictional hero from the classic Spanish novel Don Quixote.

During the Covid pandemic, the airport served as a temporary storage facility for grounded aircraft from major European airlines.

Following its closure in 2012, large yellow crosses were painted over the airport’s runway — a visual warning to pilots indicating that the airport is no longer operational and that the runway is unfit for landing.

The Mirror has contacted Ciudad Real International Airport for comment.

The Carolina Hurricanes won the NHL’s Stanley Cup for the first time in 20 years after beating the Vegas Golden Knights 3-0 on Sunday in Las Vegas.

The Hurricanes wrapped up the best-of-seven series with a game to spare, winning 4-2 to secure their second crown.

Head coach Rod Brind’Amour, who lifted the Stanley Cup as Carolina’s captain in 2006, led the Hurricanes into the play-offs as the top seed in the Eastern Conference and only lost three matches as they saw off the Ottawa Senators, the Philadelphia Flyers, the Montreal Canadiens and the Golden Knights en route to the title.

“I think it was just our time. We weren’t going to be denied,” Brind’Amour said.

“It’s different, because as a player, I really wanted it for myself. Now, sitting back behind [the bench] watching, I really wanted it for these guys because there’s no harder-working group. It’s just like a proud dad watching his kids go to work.”

Taylor Hall opened the scoring for the Hurricanes after just three minutes and 47 seconds before Jackson Blake doubled their lead midway through the second period.

Nikolaj Ehlers wrapped up the win with 68 seconds remaining on the clock, scoring into an empty net after the Golden Knights had pulled netminder Carter Hart for an extra skater in the final three minutes as they searched for a route back into the match.

The Hurricanes’ rookie goaltender Brandon Bussi made 22 saves in his first career play-off shutout.

Carolina captain Jordan Staal, a two-time Stanley Cup champion after previously winning with the Pittsburgh Penguins in 2009, became the oldest player to win the Conn Smythe Trophy as the most valuable player in the play-offs. The 37-year-old scored eight goals and registered four assists in the Hurricanes’ championship run.

“It’s something I’ve been going after ever since I won the first one. You want to win it again and again and again,” said Staal, whose 17-year gap between titles in the longest in NHL history.

“It’s been such a grind. I just wanted to win so bad.”

The abandoned Pontins resort in Prestatyn seems to have been left to decay since its closure in November 2023

A beloved entertainment hotspot has been left dormant for years and now looks a far cry from its former glory. Pontins in Prestatyn was once a thriving holiday destination, drawing families in droves with its private beach, swimming pools and children’s play areas. Now, the site sits largely deserted and crumbling, with many residents branding it a significant eyesore.

After over half a century of welcoming guests since it first opened its doors in 1971, the resort shut permanently in November 2023. The closure marked the end of a lengthy era in the town’s story, leaving behind a sprawling site that has since become a stark symbol of its deterioration.

Speculation has been rife in the three years since about its future. Rumours range from plans for a rejuvenated tourism venture to suggestions it may be bulldozed to make way for housing.

Images of the location continue to surface online, revealing boarded-up structures, unkempt grounds and clear signs of decay throughout the former holiday park. Once beaming with holidaymakers, large swathes of the resort now look abandoned, with several buildings visibly crumbling.

At the time, the closure of Pontins sent shockwaves through the entire local community. Britannia Hotels, which owns Pontins, had also shut down its Camber Sands resort in East Sussex.

Local residents previously shared their thoughts on the future of the site with North Wales Live. Among those to speak out was Pete Davis, who runs a cleaning firm that once worked with Pontins.

He said: “It ought to be used for something. I think it should be a holiday camp again. The council could issue a compulsory purchase order (to help that happen).”

A fellow resident shared the same view: “It’s empty and I’d rather it was a holiday camp again. We moved here in 1973 and it was never any trouble to us. I don’t want it knocked down for more houses as I don’t feel there are enough doctors’ surgeries and schools, not enough infrastructure to support them.”

A grandmother and grandson described the site as “decrepit” and an “eyesore”, saying: “It’s quite decrepit and an eyesore for the local community. Something needs to be done. It should be reborn as a holiday camp or used for modern apartments. Something needs to be doing to it otherwise it’s going to become a drug den or a place for fly-tippers.”

Residents aren’t the only ones calling for change at the derelict holiday park. Prestatyn’s Mayor, Cllr Adrian West, added his voice to the chorus, stating: “I want to see the site brought back into some form of productive use again.

“For it just to be lying idle is doing nobody any good. I would not want it used for some sort of industry, given that it’s right next to the waterfront.”

Not everybody is mourning the closure of Pontins, however, with one scathing TripAdvisor reviewer writing: “Thank god this rancid filthy cesspit has shutdown. Awful, worn out and really dirty. and it needed knocking down years ago.”

A further disgruntled visitor declared: “As time has gone by all the rooms are filled with mould, vomit, worse than a dog kennel. It looks like a rubbish dump,” while another pulled no punches, stating: “There are no words to describe how awful this place is. A prison cell would be preferable to the chalet.

“The areas outside are overgrown, potholes in the car park, pavements cracked and overgrown. Concrete on stairs broken, support for stairs rotten, nails sticking out.”

SAN ANTONIO — Jalen Brunson and the Comeback Knicks did it again. And now they’re the Champion Knicks.

For the first time in 53 years, New York rules the NBA. Brunson scored 45 points, including 13 straight for New York in the fourth quarter, and the Knicks beat the San Antonio Spurs 94-90 in Game 5 of the NBA Finals on Saturday night.

The Knicks won the series 4-1, rallying from double-digit deficits in all four of those victories. The deficit was 16 on Saturday night. Brunson and the Knicks were never fazed.

“I have no words,” Brunson said during the on-court celebration. “It’s everything I ever dreamed of.”

New York guard Jalen Brunson drives in front of San Antonio center Luke Kornet during the second half of the Knicks’ 94-90 win Saturday.

(Darren Abate / Associated Press)

Brunson, fittingly, closed with a flourish. He set a Knicks record for points in a finals game; it had been 38 by Willis Reed against the Lakers in Game 3 of the 1970 series. It now belongs to the left-handed point guard who changed the franchise’s fortunes when he arrived four years ago.

Mikal Bridges and Josh Hart — the other two parts of the “Nova Knicks” trio that also includes Brunson, three players who were NCAA champions at Villanova and teamed up in New York to try to do the same — combined to score 27 points. Bridges had 14, Hart 13.

“I don’t know what I’m feeling,” Brunson said. “I’m in awe. Whenever someone counted us out, we found a way to come back and do something about it.”

New York Knicks center Karl-Anthony Towns, right, hugs forward Og Anunoby after defeating the San Antonio Spurs for the NBA title on Saturday.

(Darren Abate / Associated Press)

Dylan Harper scored 25 for the Spurs, who got 19 points, 14 rebounds and five blocked shots from Victor Wembanyama.

The Knicks improved to 4-0 in closeout opportunities this season, winning them all on the road. It didn’t feel like the road, though — not with thousands of New York faithful having made the trip to Texas to see a moment 53 years in the making.

New York got to the brink of this title by rallying from 29 points down in Game 4 to win 107-106 on OG Anunoby’s tip-in with 1.2 seconds left on Wednesday night. It was the largest comeback in NBA Finals history and the biggest comeback in any game this season, regular season or playoffs.

By comparison, then, a 16-point rally in this one seemed easy.

The game followed the same script in the opening minutes as all the others in the series, with the Spurs taking a double-digit lead in the first quarter and then frittering most of it away in the second quarter.

The Spurs became the first team in the play-by-play era, which started in the 1996-97 season, to lead five finals games by 10 points or more in first quarters.

The Knicks simply could not make a shot, missing on 16 of their first 18 tries and each of their first 11 two-point attempts. There even was a point in the second quarter when Wembanyama had more blocked shots (five) than the Knicks had made shots (four). San Antonio’s lead was as many as 10 in the first quarter, as many as 16 in the second.

Of course, none of it mattered much. As always, the Knicks came back.

New York Knicks fans react in New York after the team’s title-clinching win over the Spurs on Saturday night.

(Heather Khalifa / Associated Press)

A 22-9 run in the second quarter got New York within three, before Devin Vassell scored just before the halftime buzzer to give San Antonio a 42-37 edge at the break.

And that capped an opening 24 minutes of either offensive ineptitude or defensive prowess, depending on perspective. The 79 combined points in the first half were the lowest in a finals game since Game 7 of Lakers-Celtics in 2010, and the combined 31.8% field goals shooting by the Knicks and Spurs was the lowest in the first half of a finals game in the play-by-play era.

Brunson won NCAA crowns twice with Villanova — both in Texas, the 2016 one in Houston and the 2018 one in San Antonio, just a few miles away from the arena that the Spurs call home.

A Texas three-step of titles, and this one was surely the sweetest of all.

June 12 (Asia Today) — Nam June Paik connected Seoul, Tokyo and New York by satellite in 1986.

His project, “Bye Bye Kipling,” brought Korean traditional dance, American popular music and Japanese avant-garde art together on one screen in real time. The work directly challenged British writer Rudyard Kipling’s famous line that East and West could never meet, presenting instead the possibility of communication across borders and cultures.

That history of encounter and exchange is at the center of “Road movie: Art between Korea and Japan since 1945,” now on view at the National Museum of Modern and Contemporary Art, Korea, in Gwacheon. The exhibition marks the 60th anniversary of normalized diplomatic relations between South Korea and Japan and traces 80 years of artistic exchange since Korea’s liberation in 1945.

The exhibition features about 200 works by 43 artists and artist teams from both countries. It was jointly organized by the Korean museum and the Yokohama Museum of Art. The show first opened in Yokohama late last year and drew about 37,000 visitors before coming to South Korea.

Featured artists include Nam June Paik, Lee Ufan, Lee Bul, Jung Yeondoo, Koki Tanaka, Jiro Takamatsu and Takashi Murakami, along with other major figures in contemporary Korean and Japanese art.

Paik is one of the central figures in the exhibition. He studied aesthetics and art history in Japan in the 1950s and later built close ties with Japan’s avant-garde art scene. It was there that he met Shigeko Kubota, his lifelong partner and artistic collaborator.

Alongside “Bye Bye Kipling,” the exhibition presents Kubota’s video work “Broken Diary: Korean Trip,” which documents Paik’s return to South Korea after 34 years abroad.

The exhibition, however, does not focus only on well-known artists. Its first section, “In Between: Zainichi Koreans’ Gaze,” examines the lives of Korean artists who remained in Japan after liberation. Cho Yanggyu’s “Sealed Warehouse” depicts a dark, enclosed labor site and reflects both the reality faced by Zainichi Koreans and the wounds left by national division.

The exhibition also explores the growth of artistic exchange after South Korea and Japan normalized diplomatic relations in 1965. Works by Lee Ufan, Park Seo-bo, Yun Hyong-keun, Jiro Takamatsu and Kishio Suga show how artists in the two countries influenced one another as modern art movements developed across borders.

Later works by Masato Nakamura, Takashi Murakami and Lee Bul show how artistic exchange expanded in the 1990s from official institutions to personal networks and collaborative relationships.

Lee Bul’s “Cyborg W5” presents a futuristic but incomplete body, questioning boundaries between humans and machines and between male and female identities. The work reflects the shared concerns about technology and identity that shaped Korean and Japanese contemporary art after the 1990s.

The exhibition’s final section shifts from past exchange to present-day solidarity. Koki Tanaka’s “Vulnerable Histories: A Road Movie” links the massacre of Koreans after the 1923 Great Kanto Earthquake to more recent anti-Korean demonstrations in Japan, asking viewers to consider histories of discrimination and exclusion.

Jung Yeondoo’s “Magician’s Walk” reflects on landscapes after the 2011 Great East Japan Earthquake and explores the possibility of empathy and solidarity with the suffering of others.

The exhibition also extends to the museum’s outdoor sculpture park in Gwacheon. Six sculptures by Korean artists based in Japan and Japanese artists, including Duckjun Kwak, Quac Insik and Lee Ufan, highlight the museum’s role as an important site of Korean-Japanese artistic exchange.

Kim Sung-hee, director of the National Museum of Modern and Contemporary Art, Korea, said the exhibition revisits “historical moments experienced by the two countries and the traces of artistic exchange formed within them.”

Kim said she hopes the exhibition will offer visitors a chance to rediscover “the status and possibilities of Korean and Japanese contemporary art.”

The exhibition runs through Sept. 27.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260612010003954

Harry Redknapp has revealed his plans to quit Soccer Aid after almost 20 years, noting that he would rather “bow out” when things are going well rather than waiting for his team to lose

Harry Redknapp has revealed his plans to quit Soccer Aid after almost 20 years. The sports star, 79, has been involved with the annual charity event, which has raised millions for UNICEF UK, since 2008 and after recently leading England to victory against Soccer Aid World XI, has admitted he will take a step back from it all sooner rather than later.

The former I’m A Celebrity…Get Me Out Of Here! star has acted as Manager and Coach for various teams made up of former players and celebrities over the years but would rather quit amid a rather successful period instead of waiting until things start to go wrong for his team.

He told The Sun: “I think I’ll probably retire myself off. I think I’d better get rid of me now, yeah. We won this year so you know, that might be it for me. I’ll bow out. Best to go out at the top rather than being booted out for getting beat again or something.”

This year, Harry, who has managed Tottenham, West Ham, QPR and Birmingham during his mammoth career as a football manager, teamed up with The Chase star Bradley Walsh to choose the England squad, which was eventually made up of actors Chris O’Dowd and Damson Idris along with former England striker Jermain Defoe amongst a host of others.

Speaking about working with Bradley, who has become one of the UK’s most famous television presenters after appearing in Coronation Street in the early 2000s, Harry was full of praise but joked he would have rather been on the inside when it came to the World Cup.

He said: “Me and Bradley were like a dream team. We picked the winning team between us. Bradley was fantastic and just having a few days with Bradley was worth all the money. It would be lovely to be in on the action for the World Cup, but I had Soccer Aid instead!”

This year, the annual charity football match raised a staggering £16.5million for the children’s aid organisation. The match, which was created by Robbie Williams and Jonathan Wilkes in 2006 , aims to raise millions for UNICEF every year but has never raised as much as it did this year. By raising over £16m, the celebs taking part have increased the total ever raised from the event to £137million.

The grand total was revealed in the last few moments before Soccer Aid went off air, in an announcement made by Robbie, who also performed his song Feel for the halftime performance.

Over £1million of the total amount was raised by Olly Murs. The singer had taken on a mammoth challenge that involved cycling, rowing and running the 400km distance from Old Trafford to the London Stadium. Prior to the match beginning, Tom Hiddleston revealed on air that Olly had raised £1,342,214 for the total pot.

The rest of the funds were raised throughout the event, including the build up to kick off. Tom Hanks and Tim Allen came out to the pitch to deliver the football and revealed that before play had even begun, the event had raised over £4.6million. Tim delighted fans as he said his Toy Story character Buzz Lightyear’s catchphrase: “To infinity and beyond!”

Roughly 15 minutes before the teams headed out, GK Barry caught up with Tom Hanks and Tim Allen with the latter catching many off guard courtesy of his comments.

While stood in the tunnel, upon GK Barry asking for their attention, the latter stated: “I’m just just b****ing about penalty shots.” The comment went unacknowledged by ITV, despite airing pre-watershed.

As Americans, the pair aren’t used to European football. Tim continued to say he was going to “try to work out how you win or lose a game on a penalty shot”. Tom, who said he did have some knowledge of the UK game, jokingly hit back: “You cannot use your hands.”

Soccer Aid celebrated its 20th anniversary with a massive showdown at the London Stadium. The fixture occurs every year and its mission is to raise vital funds for UNICEF while bringing together a unique mix of world-class football legends and beloved celebrities.

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Seoul court sentences former leader for sending military drones into North Korea.

South Korea’s ex-President Yoon Suk Yeol has been sentenced to 30 years in prison for sending military drones into North Korea, a move prosecutors argued was aimed at creating a pretext for his disastrous martial law declaration in 2024.

The drone flights, which Pyongyang said included the dropping of propaganda leaflets, triggered a spike in military tensions between the nations in October 2024.

Special prosecutors, who had sought a 30-year prison term for Yoon, said in April that the ex-leader’s effort to “fabricate wartime conditions” with the drones had undermined state security.

Yoon was “given 30 years in jail” for the charges involving the drones, a spokesperson for the Seoul Central District Court told the AFP news agency on Friday, without giving further details.

Yoon had denied wrongdoing.

The ruling adds to a series of judgements against the ousted conservative leader, once South Korea’s top prosecutor, whose martial law order plunged Asia’s fourth-largest economy into its deepest political turmoil in decades.

In February, a South Korean court sentenced Yoon to life in prison after finding him guilty of leading an insurrection linked to the martial law attempt.

He was removed from office last year after the Constitutional Court upheld his impeachment, triggering a snap election that was won by liberal President Lee Jae Myung.

Yoon’s lawyers said he neither ordered nor later approved the drone operation, which they said was unrelated to martial law and instead a response to months of North Korean launches across the border of balloons stuffed with rubbish.

Yoon, who is already in custody, can appeal Friday’s lower court ruling.

Drone flights remain a flashpoint in tensions between the two Koreas, which remain technically at war.

Lee expressed regret earlier this year after an investigation found government officials had sent drones into the nuclear-armed North Korea in January.

North Korean leader Kim Jong Un’s powerful sister called Lee’s statement “wise behaviour”, but hopes for a rapprochement faded after the diplomatically isolated nation returned to calling South Korea its “most hostile” enemy.