years

DOTHAN, Ala. — People crowded shoulder to shoulder upstairs in a south Alabama coffee shop, in a region sometimes called the reddest in the heavily conservative state.

They were there to hear Doug Jones, the Democratic nominee for governor and the last Democrat to hold statewide office in Alabama.

“Alabama has been under Republican control for almost two decades. We’re not getting any better,” said Jeff Scroggins, 61, a government contractor from Slocomb who was part of the crowd that came to Mural City Coffee Company and said he is voting for the Democrat.

Scroggins, who usually votes Democratic, called himself the “black sheep of the family” in supporting Jones this fall against Republican U.S. Sen. Tommy Tuberville, but said there are more Democrats and “stubborn independents” in the state than people realize.

Jones and other Democrats running in Alabama and neighboring states are banking on it.

“People want change,” Jones said after an hour of talking with people who came to see him. “That is the real key. People are not satisfied with their government of Alabama.”

Democrats sense a shift among voters

Deep South Democrats, largely absent from statewide offices, are aiming for a comeback this year. They are seeking to mobilize Black voters who are angered about the Republican moves to dismantle minority congressional districts, as well as voters who are frustrated with high gas prices, the Iran war, data centers and other issues.

Jones is trying to win a rematch with Tuberville after the Republican ousted him in a 2020 Senate race. Jones would be the first Democrat since 1998 to win an Alabama governor’s race.

In Mississippi, prosecutor Scott Colom is trying to unseat Republican Cindy Hyde-Smith and become the state’s first newly elected U.S. senator since 1946. In Georgia, former Atlanta Mayor Keisha Lance Bottoms is trying to reverse a losing streak in races for governor that began for Democrats in 2002. Elsewhere, Democrats are trying to pull off U.S. Senate upsets in Louisiana and South Carolina.

In Alabama, Jones’ town halls have attracted hopeful Democrats, some independents and even a few Republicans. Their concerns mirror those of voters nationwide: the rising cost of living, worries over data centers and the affordability of healthcare, issues they say have gone unaddressed by the Republicans who control the state.

Some said state policies, including an abortion ban that makes no exemption for rape, have been too extreme. Others said some comments by Tuberville, such as calling Islam “a cult,” are embarrassing to the state.

Still, the math across the Deep South has been difficult for Democrats. Other than Jones’ victory in the special U.S. Senate election, the last Democrat holding statewide office in Alabama was defeated in 2012. Statewide Democratic candidates have hit a ceiling of around 40% of the vote in recent elections.

The results are similar in most other Deep South states. In Georgia, U.S. Sens. Raphael Warnock and Jon Ossoff, who is seeking reelection this year, offer a bright spot for Democrats.

Jones noted that Alabama saw a surge in the number of people voting in the Democratic primary. While about 58% of primary voters were Republican, the Democratic primary vote doubled since 2022. Some counties, including a tech hub in north Alabama, saw more Democratic votes than Republican.

Optimistic about their chances, Democrats are running candidates in all major state races for the first time in years.

“The numbers are there,” Jones said. “It’s a question of getting those voters out.”

Republican gerrymandering creates a backlash

In nearby Troy, a crowd gathered on the campus of Troy University to hear Jones speak alongside Shomari Figures, one of Alabama’s two Black U.S. House members. The district was substantially redrawn by Republicans after the U.S. Supreme Court earlier this year gutted the Voting Rights Act.

Figures said there is an excitement he has not felt since Jones’ 2017 Senate victory. Figures won election two years ago after a federal court ruled that Alabama had been illegally diluting the voting power of Black Alabamians and ordered new district lines. The Supreme Court’s reversal this year allowed state Republicans to reshape the district and substantially reduce the percentage of Black voters who align with Democrats.

Figures said the goal of the redraw was obvious: to reduce Black representation.

“But we are going to win it in November,” he said.

Figures has often emphasized the economic needs of the district at a time when affordability is one of the main topics of the midterms. He noted that the individual median income in Alabama is $34,000.

“Let that sink in — $34,000 before taxes, before rent, before water, before lights, before gas, before cellphone, before health insurance, before car insurance, before childcare, before food,” he said.

Alabama is one of 10 states that did not expand Medicaid under the Affordable Care Act, a decision that Jones and Figures said leaves thousands of working people without access to healthcare coverage.

Figures faces Trump-endorsed Republican Rhett Marques, a state lawmaker. Marques framed the race as “common sense” versus “craziness.” Both have raised about $1.3 million so far.

In Mississippi, Colom looks to make history

Colom echoes many of Jones’ and Figures’ arguments in his bid against Hyde-Smith.

“We’ve been gifted an opportunity,” he said, pointing to Mississippi’s large base of Black Democratic voters, Hyde-Smith’s relatively low profile in her first full Senate term and voters’ frustrations over the economy.

With the largest share of Black voters of any state, Mississippi’s general elections have been closer for years than its immediate Southern neighbors. Trump won by double digits in each of his three presidential contests, but in 2023 Republican Gov. Tate Reeves managed to win reelection by a margin of just 3 percentage points.

Colom insists he can close the gap by increasing Black turnout and peeling off enough disenchanted white voters from Republicans. It is the same kind of electoral math that propelled Ossoff and Warnock in Georgia.

“For me, it can’t be just about getting a Senate majority,” Colom said. “It’s got to be about having a party that represents rural America again, suburban America, urban America — a party that makes sure we actually deliver for voters in ways that make their lives better, and we don’t come up with excuses as to why we can’t do it.”

Republicans say they aren’t worried

Alabama’s Republican Party chairman, Scott Stadthagen, said Democratic priorities, in his opinion, “are far outside the views of conservative Alabamians.” He said there has been previous chatter of a Democratic resurgence, and “each election cycle, we remain the brightest red state in the decidedly conservative southeastern United States.”

Tuberville has declined Jones’ challenge to debate. Expressing confidence about November, Tuberville said he is running “against an ideology that’s not very compatible with the people of Alabama.” He will appear with Trump at a rally in Mobile next week.

“I’ve been representing Alabama for six years, and we’ll turn it over to the voters here in about six, seven weeks and see what they say,” Tuberville told reporters.

As the November election draws closer, Democratic candidates are attracting impressive crowds.

To Sam Phillips, who attended the rallies in Dothan and Troy, the crowds and energy felt different from previous election years.

“It doesn’t get any redder than here, and there was a whole lot of excitement in both places,” the 67-year-old said. “So I feel optimistic.”

Gwendolyn Davis, a 67-year-old retired special education teacher, left the town hall in Troy with an armful of yard signs for Figures and Jones. She said she is determined to reach people who have been sitting out elections.

“If we don’t get people out to vote, it will be kind of heartbreaking,” she said.

Chandler and Barrow write for the Associated Press. Barrow reported from Atlanta.

Brandon McNulty became the first American winner of the men’s road race world title in 33 years with a stunning victory in Montreal.

The 28-year-old put his hands on his head in disbelief as he crossed the line 13 seconds clear of the chasing pack, completing the gruelling 273.4km course in six hours and 17 minutes.

Australian Michael Matthews was second, with former winner Mathieu van der Poel, of the Netherlands, in third.

The last American winner of the race was Lance Armstrong in 1993.

“Until the last 800m I didn’t believe, I was so tired,” said McNulty.

“I’m at a loss for words. I knew something could happen but it would take a miracle and I guess today a miracle happened”.

He launched an attack going into the final 30km and was 50 seconds clear going into the last lap.

McNulty visibly began to tire on the final climb and his lead was cut to just 10 seconds, but the chasing pack were unable to reel him in.

Britain’s Tom Pidcock finished seventh, with Ireland’s Ben Healy 10th and Remco Evenepoel of Belgium in 12th place.

JOEY Essex’s most explosive TOWIE brawl has resurfaced 14 years on as he prepares to step back into the boxing ring.

Back in 2012, the reality star was filmed grappling with co-star Ricky Rayment in the street as their castmates screamed for them to stop.

Footage of the showdown has recently gone viral, with one fan posting it alongside the words: “The moment Joey Essex lost his head on TV.”

The row erupted at the relaunch of Lauren Goodger’s salon after Joey became convinced Ricky had been talking about him behind his back.

Confronting his co-star, Joey snapped: “You’re chatting s**t behind my back mate.”

Ricky insisted he had been “off his nut” and tried to apologise, but the argument continued.

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Joey’s sister Frankie Essex stepped in, only for Ricky to tell her: “No one’s talking about you and no one ever will talk about you.”

The pair then headed outside, where cameras caught them grappling and throwing punches as the women shouted for them to stop.

The fan who shared the clip wrote: “This was crazy.”

Another commented: “Even celebs who are meant to be cut crease perfect lose their cool sometimes.”

A third said: “I’ve never seen this before. Respect to Joey for sticking up for his relatives.”

The explosive showdown can still be watched on ITVX in series four, episode nine of The Only Way Is Essex.

It comes as Joey, 36, is now preparing to headline a Misfits Boxing show against controversial comic Dapper Laughs, whose real name is Daniel O’Reilly.

The pair will meet at London’s Copper Box Arena on Saturday, October 10.

It will be Joey’s second bout for Misfits after he beat Portuguese influencer Numeiro on points in Manchester last August.

Misfits have confirmed that Joey has three fights planned with the promotion, making the Dapper Laughs clash the next step in his boxing run.

THEY are marking 25 years with a record-breaking anniversary tour.

But despite celebrating a quarter of a century together, Westlife say they have never felt younger — thanks to fans still throwing their bras onto the stage.

Kian Egan, Shane Filan and Nicky Byrne have been inundated with fans throwing their undergarments on to the stage during their gigs at Dublin’s 3Arena.

Speaking to Biz on Sunday’s Emily backstage on Friday night, Kian said: “We have a B-stage where we get quite close to the audience. One bra got thrown up, and before we knew [it], it started growing to ten, 14 . . .  It is a bit of fun, and nostalgic.”

Shane added: “We aren’t leaning into it too much or the stage would be covered!”

The Irish hitmakers are on track to surpass 150 dates on their 25th Anniversary World Tour and completed a record-breaking 13-show residency at the 3Arena last night.

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They head to Aberdeen on Tuesday before playing dates across England, Wales and Scotland for their diehard fans.

Shane said: “We have 150 dates and it is growing. We don’t know how many it is going to be, but it is going to be more than 150 for sure.

“You keep yourself fit, you go to the gym, go for a run or surf — you just want to be in good shape for it. It is a very physical show.

“We aren’t out drinking every night, but we still get to enjoy it. We came off stage on the first night with a few pints of Guinness together. It was a lovely moment.”

The boys were fresh-faced twenty-somethings when they embarked on their first tour, East Meets Westlife, in 2000.

Asked if they feel fitter now, Shane said: “Without a doubt. We are getting older but we feel the same on stage.”

Now on their 15th tour, the band have made sure their hits World Of Our Own and Flying Without Wings still form part of their two-hour set.

“All these people have been with us since day one and now they get to relive these 25 years in one show for two hours,” Shane said.

The band are also keen to get former One Direction singer Niall Horan up on stage with them.

Kian said: “It has never been discussed, but you never know.”

Niall, over to you . . . 

NEW LOOK IS A CARDI BY GUCCI

CARDI B looked ready for winter in her furry white jacket at Milan Fashion Week on Friday.

The American rapper was spotted out in the Italian city, where she proved she’s quite the fashion queen herself.

Cardi teamed the Gucci coat with tights from the same Italian luxury fashion house.

And she shared snaps of her look to her 160million online followers, captioning them: “Lord that new Gucci collection.

“So clean, sickening, sexy and detailed.

“Go ahead, just take my whole wallet.”

If I had Cardi’s money, I’d do the same.

ENGLAND rugby legend James Haskell would love to follow ex-footballer Vinnie Jones into acting in a gangster drama, like Guy Ritchie’s hit Netflix series The Gentlemen.

He told me: “I met Guy once. We didn’t talk about roles but if there was ever the opportunity, I’d 100 per cent do it.”

SINGER TALIA MAR has released her video for track Pyscho On A Couch.

The Stay The Night hitmaker stars in the video as herself and a therapist as she explains her troubles.

Fans can catch Talia at Koko in London on October 6.

If this video is anything to go by, Talia will certainly put on a show.

PALOMA HAS FAITH IN VOICE

PALOMA FAITH is ready to teach contestants on The Voice how to make their own kind of music.

The singer will join Sir Tom Jones as one of the guest mentors as the ITV show’s Battles – in which teammates duet – kick off on October 10.

Delta Goodrem joins Kelly Rowland’s group; Cheryl Tweedy works with WILL.I.AM’s team; and McFly’s Dougie Poynter and Harry Judd assist bandmates Danny Jones and Tom Fletcher.

Next Saturday, viewers get a glimpse of the guests at London’s Alexandra Palace, discussing which acts should make the semi-finals.

A source said: “Watching Cheryl’s return to TV and a glimpse of her role as a coach next series will give fans plenty to look forward to.

“Alongside the experience brought by Paloma, Delta, Dougie and Harry, the Battles will be a series highlight.”

HEATHROW Airport bosses have warned plans for a third runway could be delayed by four years due to major planning rows.

The Government’s ambition had been to see flights take off from a new runway in London by 2035.

But airport bosses are believed to have told ministers that the deadline is not possible and won’t be ready until 2039, reports The Times.

The initial target had been set by then-Chancellor Rachel Reeves in January 2025 – but it was considered an ambitious goal at the time.

Ms Reeves used a major speech on infrastructure to announce the Government would be supporting the third runway project as a means of growing the economy, and also said it would create 100,000 jobs.

But London Heathrow has said they aim to “secure planning permission” by 2029 and “once achieved, the runway will be open within a decade”.

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Its bosses believe it could be delivered more quickly, but that this may require further regulatory red tape to be removed beyond reforms that the Government has already made to planning law.

A spokesperson said: “It’s right that ambitious targets were set; the sooner expansion begins, the sooner the whole UK will benefit. Our focus has always been to secure planning permission by 2029.

“Once achieved, the runway will be open within a decade – and the benefits of expansion can be felt from today. At least 108,000 new jobs and billions invested in supply chains in every part of the country.

“This is a national project, 100% privately financed, which will support growth today and secure the UK’s position in the global economy once the runway opens.”

Meanwhile, the Department for Transport said the timeline for the plans “has always been ambitious”.

Gary Smith, General Secretary of GMB, said: “This is a deliverable, workable and practical timeline for Heathrow expansion that unlocks over 100,000 jobs.

“We need to put an end to decades of talk and lost benefits for working people across the country and get cracking.”

Transport Secretary Heidi Alexander insisted the project could go ahead in a way that would not fall foul of climate change commitments.

The Climate Change Committee, the expert panel that advises the Government, said earlier this month the expansion of Heathrow airport cannot go ahead unless the aviation industry is forced to clean up its emissions.

The cost of international flights might have to increase by hundreds of pounds by 2050 to pay for measures that will help the airline sector cut its carbon pollution to zero overall, known as net zero, the committee said.

Ms Alexander told the Daily Telegraph the committee had set out “one view” but there was “more than one pathway to meeting our climate mate change obligations”.

“We do remain committed to net zero, and we’re updating some of our wider decarbonisation plans in transport as well,” she said.

“But the UK’s climate change targets are ultimately economy-wide targets, and we really need to look holistically at how emissions are reduced across the economy as a whole.”

She said an expanded Heathrow could be “the country’s front door” to tourists from China and India.

The Heathrow proposals involve building a 3,500-metre runway and requires a new M25 tunnel and bridges to be built 130 metres west of the existing motorway.

It is estimated to cost £33 billion, including £1.5 billion on re-routing the motorway which would also see nearby villages demolished.

The government had previously rejected a proposal from Arora Group, led by hotel tycoon Surinder Arora, to build the third runway.

The Arora plan had proposed a shorter, 2,800-metre runway that would not require diverting the M25.

The new 3,500 metre runway will be in the northwest of the airport, and will eventually welcome up to 276,000 new flights a year.

This takes the annual flights from 480,000 to 756,000, with as many as 30 new flight routes a day.

A Department for Transport spokesperson said: “There is currently no live planning application for a third runway, and we cannot comment on ongoing consultation processes or prejudice them in a way that will only delay progress.

“The timeline has always been ambitious.

A “heartbroken” TOWIE star has split from her husband after they married in secret seven years ago.

Maria Fowler tied the knot with a motocross racer in an intimate ceremony in Cheshire surrounded by their nearest and dearest, back in 2019.

Maria and Kelvin Batey described the event as the “happiest day of our lives,” as she showed off her huge sparkler.

Now, it’s been revealed that the pair have gone their separate ways with Maria questioning “how it all went so wrong.”

A source close to Maria told The Sun: “Maria and Kelvin decided to call it quits at the start of the summer.

“It was a really tough decision but Maria ultimately felt like she wanted more.”

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It seems Maria had big plans for her future but didn’t quite see how Kelvin would fit into them.

The source continued: “She has been really successful in business recently and it made her realise she could cope without him.

“It hasn’t been the easiest of transitions but they are getting there. Maria has been incredibly emotional, but has thrown herself into work.

“It’s when she’s not working that she is struggling and questioning how it went so wrong.”

The mum-of-two, who has taken a step back from the limelight in recent years, got engaged to Kelvin in 2017.

They wed at the Nunsmere Hall Hotel and went on to enjoy a minimoon in Bowness Bay Marina, Windermere.

Maria said at the time: “So this happened yesterday… we got married!

“The happiest day of our lives. What an absolutely incredible day surrounded by Incredible people.

“We had an intimate ceremony which was full of tears, laughs and sentiment.”

The former couple share two children – Evie, nine, and Nellie, five.

Maria, 40, shot to fame after appearing on TOWIE in 2010 – when the show first launched.

The ruling seals six years of legal battles after Weinstein’s initial conviction for sexually assaulting TV assistant.

Harvey Weinstein, the disgraced movie mogul, has been sentenced in Manhattan to 15 years in prison for a felony sex crime in another #MeToo reckoning.

Weinstein’s sentencing on Wednesday for sexually assaulting one-time TV production assistant Miriam Haley followed a legal odyssey spanning more than six years, when New York’s highest court overturned his 2020 conviction. A second jury found Weinstein guilty again at a retrial last year.

Once among the most powerful figures in the entertainment industry, Weinstein was an Oscar-winning producer whose hits included “Shakespeare in Love,” “Pulp Fiction” and “Chocolat.” But his downfall came quickly after sexual assault allegations in 2017 set off the #MeToo movement.

Weinstein, 74, is expected to appeal and maintains that he never raped or sexually assaulted anyone. He is now likely to remain behind bars well into his 80s. Seated in a wheelchair, he was quickly moved out of the courtroom after the sentencing, while some of his accusers hugged and brushed away tears.

Haley, 49, appeared in court on Wednesday morning and delivered a victim impact statement in which she talked about enduring seven years of public smear campaigns and humiliation orchestrated by Weinstein, his legal team and allegedly paid podcasters aiming to sour her image.

Haley added that her experience following the assault had “already been a life sentence” for her, and implored the judge to take all of this into consideration.

Owing to a cycle of retrials, appeals and judicial proceedings, Weinstein has remained incarcerated since his 2018 arrest and is now serving time in a prison medical ward.

Weinstein, first publicly accused of wrongdoing in 2017, was detained a year later. In 2024, New York’s highest court overturned the original 2020 conviction that had sentenced the former Hollywood producer to 23 years in prison, ruling that the inclusion of extraneous, non-indicted testimony had compromised the equity of the trial.

Prosecutors attempted to retry the case last June, but it ended in a split verdict after the jury foreperson refused to return to deliberate amid a jury room feud. Weinstein was convicted of a first-degree criminal sex act on a separate count at the time, again.

Weinstein is also awaiting resentencing in a separate rape case in Los Angeles.

BRITAIN’S oldest Lido has vowed to “definitely reopen” after being left to rot.

The historic swimming facility has been closed for over two years, despite receiving a £9.3million makeover.

Cleveland Baths, first opened in 1815 and is the oldest of its kind to exist in the UK, but closed in 1984.

A huge campaign and a mulit-million pound refurbishment saw it reopen for just four months in 2023 before it was forced to close again due to flood damage.

But now trustees have promised to reopen the 200-year old pool, telling the BBC it is “moving as quickly and responsibly” as possible

It’s definitely going to happen,” Peter Askew, chair of Cleveland Pools Trust, told the outlet.

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The trust has set out a timetable that includes a consultation and more fundraising, with repair works restarting in 2028.

In January 2024, the River Avon burst its banks and destroyed the facility.

A subsequent investigation revealed mechanical and structural damage.

“The first is that floodwater entered the door of the plant room.

“And then, secondly, in the process of emptying the pool of floodwater, the groundwater level wasn’t properly managed, and that led to further damage,” Peter explained.

It comes as just a few weeks back, the lido welcomed visitors to the grounds to take a rake peak at pool.

At the time, visitors were able to meet the trustees and volunteers to hear about their vision for the site, but could not swim.

Sept. 22, 2026 3:02 AM PT

A few years ago, I received a call I’ll never forget. Jeanette Epps, an astronaut aboard the International Space Station, Zoomed into my living room from 250 miles above Earth. During our conversation, she told me that one of the reasons she chose her career was a television show my father created in 1966.

She wasn’t alone. I’ve heard versions of that same story from countless people over the years. Engineers. Scientists. Astronauts. People who saw possibility on a television screen before they ever saw it in the real world.

They credit “Star Trek” for showing them a future they wanted to help build. That’s an extraordinary thing for a television series to accomplish. It didn’t just entertain millions of people. It gave many of them a direction.

And I don’t think that was because of the ships, the gadgets or the aliens. It was because, underneath all of it, was a profoundly human belief that we are capable of becoming something better.

There was a time when science fiction made a bet on humanity. A bet that humanity was worth rooting for. We need storytellers willing to make that bet again.

I don’t think we have an innovation problem. We have an inspiration problem.

We talk a lot about what we’re leaving the next generation. The debt. The climate. The geopolitical mess. But there’s another inheritance we don’t talk about enough: what we show them is possible.

Today, many visions of the future are dominated by collapse, dystopia and fear. Those stories can have value. But conflict doesn’t always have to come from destruction. It can come from discovery. Two minds encountering an idea neither had considered. A crew facing the unknown with curiosity instead of fear. That kind of conflict doesn’t leave you feeling like the world is ending. It leaves you feeling like it’s just beginning.

Most storytelling holds a mirror up to who we are. Our flaws, our failures, our contradictions. But there is another kind. Stories built around characters a step or two ahead of where humanity is. Not perfect. But people who have learned how to cooperate, how to lead, how to stay curious and how to put something larger than themselves first. Characters you don’t just recognize. Characters you want to become one day.

That distinction changes what a story asks of you. And what you walk away believing is possible.

This year, “Star Trek” celebrates its 60th anniversary.

That’s not a milestone you reach by accident. Franchises built on spectacle fade. Ones built on something people actually needed tend to stick around.

The engineers who built Silicon Valley, the astronauts who went to space, the scientists pushing the edges of medicine and artificial intelligence — many of them trace a line back to this show. That wasn’t the plan. Nobody set out to build an innovation pipeline out of a television series. But that’s exactly what happened. When you give people a future worth believing in, they go build it — or sometimes they get inspired to imagine other hopeful destinations and lead us toward them. That’s not nostalgia. That’s a model.

One thing my dad understood that I think gets overlooked: “Star Trek” wasn’t going out into the galaxy to find aliens that looked different. It was going out to find aliens that thought different.

Diversity of perspective is how a species grows. My father gave that idea a name: IDIC. Infinite Diversity from Infinite Combinations. It didn’t mean you had to abandon your own point of view. It meant staying open to someone else’s. Because that’s how you grow. That idea has never been more relevant. And it has never been more achievable.

For the first time in history, a creator anywhere in the world can tell a story that reaches everyone, and now it can come from anywhere. The future belongs to everyone. The stories that shape it should too.

That astronaut who called me from space didn’t just watch a television show. She saw a future worth dedicating her life to.

Every generation needed something to build toward before they ever picked up a tool. A vision. A direction. A story that made the future feel worth the work. And right now, we’re not building enough of that.

We need stories that don’t just entertain us, but also become our compass. We need the kind of storytelling that doesn’t ask what could go wrong, but asks what could go right.

Rod Roddenberry, founder of the Roddenberry Foundation and son of “Star Trek” creator Gene Roddenberry and actor Majel Barrett Roddenberry, is an executive producer on current “Star Trek” television shows.

A MUCH-LOVED BBC radio star has quit after 45 years on air.

Roy Noble, 83, revealed he would be hanging up his mic as he shared an emotional statement with his listeners about “hiccups in his health“.

The Welsh-native is stepping down from his job at BBC Radio Wales, where he has been broadcasting since the 80s.

Roy also revealed when his last day on air would be, in an emotional post to fans called “A Letter from Roy Noble”, that was shared on social media.

“My dear friends, compatriots and fellow travellers,” the veteran broadcaster penned.

“After a great deal of thought, I’ve decided that next year will be the right time for me to step away from my Sunday programme on BBC Radio Wales.

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“By the time I present my final show in March 2027, I will have spent 46 wonderful years with BBC Wales. It’s been the privilege of a lifetime.”

Continuing, Roy said: “Radio has changed enormously over the years. Wales has changed too. But one thing has remained constant and that’s the privilege of being welcomed into your homes and lives.

“The signs that retirement was approaching may have included my growing suspicion that ‘apps‘ were invented purely to confuse me. The odd hiccup in health has sent signals too.

“But the truth is I’ve simply reached a point where it feels right to begin a new chapter.

“After all, November will mark 84 of my years of yore. Apparently, 63 is the sweet spot or happiest age to retire so I’ve added a few furlongs to that.”

Roy ended by saying: “But for now, I simply want to say a heartfelt thanks to you all. It’s been an honour.”

Before finding fame on the airwaves in the early 80s, Roy was a teacher, but he left to pursue his passion for radio.

The presenter was an instant hit, and over the years hosted a number of different shows for BBC Radio Wales.

With a boisterous laugh, Giselle Bonilla recalls her introduction to Hollywood at the age of 12: on the set of “Freedom Writers,” the 2007 drama about at-risk high school students in Long Beach. She played a young version of Eva, one of the film’s main characters.

“I remember the first thing we shot was an initiation scene where I get the s— beat out of me,” she tells De Los, sitting at a coffee shop in Silver Lake on Sept. 11 (more on this date later). “They put this candy blood in my mouth, and I thought it was so fun.”

In retrospect, Bonilla, 31, finds great irony in how that initial foray into professional acting fictionally materialized her Mexican immigrant parents’ worst nightmare.

“We don’t come from money. They hustled all their lives and put my sister and I in private education, because they had this irrational fear that I would join a gang … then the first thing I ended up booking as an actor was getting initiated into a gang,” she says grinning.

Since that unique formative experience, Bonilla has traveled a winding path in and out of the industry, which ultimately led her to direct her first feature: the dark comedy “The Musical,” in theaters Friday.

The movie’s antihero, Doug (Will Brill), is a middle school theater teacher plotting his revenge against his ex-girlfriend Abigail (Gillian Jacobs), also a teacher — and her new boyfriend, the more charming Principal Brady (Rob Lowe).

Doug’s plan? To secretly persuade his young students to put on a musical about the horrors of 9/11 and its aftermath that’s certain to cause controversy and get the principal in trouble.

“I feel like you can be more honest with comedy,” says Bonilla about why this genre appeals to her. “You can get away with everything that you’re angry about and want to yell about. If you make them laugh first, people tend to listen.”

Left to right, back row: Alex Heller (screenwriter), Will Brill (center row) Gillian Jacobs, Giselle Bonilla (director) and Rob Lowe (on the floor) from “The Musical” at the Los Angeles Times 2026 Sundance Film Festival studio presented by Chase Sapphire in Park City, Utah on Jan. 24.

(Christina House / Los Angeles Times)

Though the actual show is only a small element of the narrative, it turned off distributors, who argued they wouldn’t be able to market a comedy that involved such a delicate subject.

Still, “The Musical” is making it to the big screen as a self-released title thanks to its executive producers, who believed in the film enough to put in more money for a release.

“I’m going to make sure people watch it regardless,” Bonilla says about being very involved in the marketing. “Even though it didn’t sell at Sundance, we still found a way, which is how we made the whole movie. It was nonstop fighting against the universe just to make a comedy.”

Less than a week before production started, Bonilla lost the actors who were originally playing Principal Brady and Abigail. As her film fell apart, she reached out to the industry contacts she had made after working as an assistant for a few years. Miraculously, the screenplay piqued Lowe’s interest. He came on board, essentially saving the project.

Will Brill and Rob Lowe star in “The Musical.”

(Blue Harbor Entertainment)

As a student at the AFI Conservatory, Bonilla had directed a short film version of “The Musical” that writer Alexander Heller, aware of her affinity for comedy, had conceived for Bonilla to direct. The core group of artists who made the short also worked on the feature.

And though she has always pushed for diversity on screen — including in her short films “Virgencita” and “Bullfighter” — for “The Musical,” Bonilla believed the adults had to be white.

“It would be way more damaging if I had pinned a brown person to be behind the staging of a musical about 9/11,” she explains. “It was very clear to me that this was a comedy about white liberalism and how people weaponize tragedy for their own agenda.”

When it came to the kids in Doug’s class, Bonilla wanted to reflect the multicultural mosaic that is the Los Angeles Unified School District. To be able to see herself in “The Musical,” Bonilla wanted a Latina girl as the child with the most ambition to succeed in the arts. That character became Lata: played in the feature by Melanie Herrera in her first acting credit.

“She’s a dancer. But she’s very precocious and has a really confident, type-A personality,” Bonilla says of the young actor. “Melanie gives Reese Witherspoon in ‘Election,’ like, ‘I will do whatever I have to do for the part,’ and I recognized that in myself as a kid.”

Filmmaker Giselle Bonilla on the set of “The Musical.”

(Peter McCollough)

An L.A. native raised in North Hollywood, Bonilla started doing improv at a young age encouraged by her father, Art Bonilla, who grew up in Tijuana and has worked as an actor in the U.S. for over 40 years.

Her mother, originally from Sinaloa, does workers’ compensation insurance, which provided a stable income and allowed her partner to pursue acting.

“It was tough seeing him struggle and not have any agency over work,” Bonilla says of her father. “He’s such a great actor and he’s really funny, but he’s always getting cast in these very small bit parts as a gardener or an immigrant crossing on the border.”

Unsurprisingly, when Bonilla began auditioning for roles as a teenager, similarly one-dimensional and stereotypical characters from a “troubling perspective” came her way.

“They always make the main character in those stories a white person,” she says. “And then we’re painted as these puppies that just keep getting beat up. I didn’t want to contribute to that.”

Bonilla’s interest in being on the other side of the camera solidified after playing an illiterate South Central high school student in the Byron Allen sitcom “Mr. Box Office.” She attended Pasadena City College, where she studied film production, then used the residuals from the show to help pay for her tuition at NYU Tisch School of the Arts.

Attending film school on the East Coast was, as she puts it, a necessary experience, because she grew up rather sheltered.

“I’m a first-gen Mexican American woman and I was supposed to live at home until I get married,” she explains; but it also exposed her to the concept of impostor syndrome.

“I always had this impostor syndrome at NYU, because that was where I first really confronted wealthy people,” she explains. “I had never been in a predominantly white institution before. And that was really eye-opening.”

It was only when COVID restrictions were lifted that Bonilla decided to apply to the AFI Conservatory, where she regained her confidence and met her now close collaborators.

She has, however, never forgotten her biggest and earliest supporters. Since she started directing, Bonilla has cast her father in many of her short films. And in “The Musical,” you can see both of her parents in the audience during the culminating school show.

“My dad is the one that yells at Rob Lowe at the end in slow motion. He’s pissed that I cut his line, but it was a union film, and we couldn’t afford to give my dad a line,” she says. “But he will be the first one to tell you that he’s not an extra. He did a ‘cameo!’”

“The Musical” director Gisella Bonilla poses at the Los Angeles Times 2026 Sundance Film Festival studio presented by Chase Sapphire in Park City, Utah, on Jan. 24.

(Christina House / Los Angeles Times)

Bonilla’s next project takes inspiration from her memories attending a Catholic school run by nuns in Sun Valley, where a teacher was discovered to be a pedophile. She describes it as “an erotic thriller told from the perspective of virgins.”

Once again, she’ll tackle an unsavory topic and figure out how to bring it to fruition; then distribute it come what may, because she refuses to be boxed in by the industry’s expectations.

“Identity stories are very important. If someone wants to do that, they should be able to do that,” Bonilla says. “But I don’t think our opportunity as Latinos should be limited to painting ourselves as victims against the supremacists.”

LOOKING for your next big holiday? Look no further as British Airways has revealed a major update to its summer 2027 schedule with flights to TWO East African destinations.

British Airways (BA) has announced that it will be launching new flights to Tanzania from May 29, 2027 – which last took off 14 years ago.

The flights will take off from London Gatwick Airport and head to Kilimanjaro before heading onto Zanzibar.

The flights will then continue for the season, until October 31.

In Kilimanjaro, you can obviously visit the famous mountain, which is Africa’s highest peak and the world’s highest free-standing mountain.

It takes about 45 minutes from the airport to reach Moshi – the gateway town.

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The National Park is home to rainforest, as well as an arctic summit.

In the region, there’s also Tanzania’s loved Northern Safari Circuit to explore, which is one of the continent’s most famous wildlife routes.

It includes the Serengeti Wildlife Park, where the Great Migration is found, as well as UNESCO World Heritage Ngorongoro Crater, which is home to the Big 5.

Or head to Tarangire National Park as well, which is well-known for its elephant herds.

Meanwhile, Zanzibar is famous for its white, sandy coast that’s home to an abundance of marine life including dolphins and sea turtles.

There’s also the UNESCO-listed streets of Stone Town to explore, with hand-carved wooden doors and coral-stone buildings.

Across the island, there are a number of spice plantations, giving visitors the chance to sample fresh vanilla, cinnamon and nutmeg.

Flights will take off three times a week from London Gatwick, landing in Kilimanjaro, before going on to Zanzibar.

Flights from London Gatwick to Kilimanjaro International Airport and then onwards to Zanzibar, will take off on Mondays, Thursdays and Saturdays.

The flights will depart at 9:05am and land in Kilimanjaro at 8:20pm,before then taking off to Zanzibar at 9:20pm and landing there at 10:25pm.

Return flights from Zanzibar back to London Gatwick, will take place on Tuesdays, Fridays and Sundays, departing at 12:25am and landing at 7:55am.

Flights will cost from £849 return.

Neil Chernoff, British Airways’ Chief Planning and Strategy Officer said: “We’re excited to be launching flights to two exceptional new destinations that showcase the very best of Tanzania.

“From the vast plains of the Serengeti and the foothills of Mount Kilimanjaro to the turquoise waters and white-sand beaches of Zanzibar, these new routes strengthen our footprint in East Africa and open the door to some of the world’s most extraordinary travel experiences.

“Alongside these new routes, we are strengthening our wider long-haul network, adding capacity to a number of popular destinations across Africa, the Americas and the Caribbean.

“By increasing frequencies and extending seasonal services, we’re giving customers more choice and flexibility, while deepening London’s connectivity to key destinations around the world.”

In addition to the Tanzania flights, BA is increasing its capacity to Latin America by 25 per cent.

There will also be new non-stop flights to Buenos Aires, Argentina and onward service to Santiago, Chile.

Additional seats have been added to Rio de Janeiro, Brazil as well, and flights to San José, Costa Rica, will become year-round.

Las Vegas in America and Cape Town in South Africa will also gain additional flights.

Former Syrian official sentenced to 60 years in US prison for torturing prisoners under al-Assad’s regime.

A former Syrian military official convicted of torturing prisoners during the rule of former President Bashar al-Assad has been sentenced to 60 years in a United States prison.

A federal judge in Los Angeles sentenced Samir Ousman Alsheikh on Thursday. A jury found him guilty in March of one count of conspiracy to commit torture and three counts of torture while in charge of Syria‘s infamous Adra Prison from roughly 2005 to 2008.

“The conduct was heinous, unimaginably cruel, and almost unspeakably violent and brutal,” the judge said before announcing the sentence.

Human rights groups and the United Nations have accused the Syrian government officials of widespread abuses in detention facilities, including torture and arbitrary detention of thousands of people, in many cases without informing their families.

US prosecutors said Alsheikh, seeking to quash political dissent, sent certain prisoners to a wing of Adra where they were held in small isolation cells and tortured.

At the two-week trial, three victims recounted beatings while suspended from pipes on the ceiling for hours or days and the use of a device that folded their bodies in half at the waist, according to a press release from the US Department of Justice. One person testified that Alsheikh stomped on the device with his foot, according to the department.

“Defendant knew that what he was doing was wrong,” Justice Department prosecutors said in a sentencing memo filed this month. “Nonetheless, he ordered and participated in the torture of his victims because he had the power to do so and because he thought he would never be held accountable.”

The memo included statements from several victims, one of whom, Nidal Shikhani, said he can “still hear the screams of others begging for mercy, repeating, ‘Leave me, leave me.’”

The prosecutors asked US District Judge Hernan D Vera for a minimum sentence of 80 years. Alsheikh’s lawyers, Nina Marino and Collin Cate, called for a five-year sentence, noting that he is 74 years old and has “significant medical and cognitive conditions”. They also said he was willing to be deported to Syria, where a new government has sought to hold Assad-era security officials accountable.

“Whatever moral weight this case carries in the broader arc of history — however much the world, or the victims, or the public might wish the sentence to ‘send a message’ — that desire cannot be the foundation of a just sentence,” Marino and Cate wrote in their September 3 memo.

Alsheikh came to the US in 2020 and applied for citizenship, but the Justice Department said he lied about his past. Federal authorities arrested him at Los Angeles international airport in July 2024.

Jurors also convicted him in March of lying to US immigration authorities and fraudulently obtaining a green card and attempting to naturalise as a US citizen.

“The acts Alsheikh ordered and directly participated in are gruesome and disturbing. We would like to offer our gratitude to the brave victims who testified leading to today’s sentencing,” Heith Janke, assistant director of the FBI’s criminal division, said in a press release Thursday.

Al-Assad was ousted in a lightning rebel offensive in December 2024, bringing a 14-year civil war to an end, but the country has continued to suffer from sporadic outbreaks of violence.

In March 2025, armed groups aligned with al-Assad ambushed the new government’s security forces on Syria’s coast. A government counteroffensive then spiralled into sectarian revenge attacks and the massacre of hundreds of civilians from the Alawite religious minority, to which al-Assad belongs.

On Thursday, three people were sentenced in the Syrian city of Aleppo in connection with the violence. One member of the pro-Assad groups was sentenced to death and another to life in prison, while a member of the government security forces who took part in the revenge attacks was convicted of murder and sentenced to 20 years in prison.

Just 15 days after the SLB season tips off, SLBW will do the same.

Cardiff Met Archers host B Braun Sheffield Hatters, the defending championship and play-off winners, in the opening match on Saturday, 3 October.

At Cardiff, four players are salaried while also studying masters degrees at the university.

The rest of the team are made up of players on scholarships, postgraduate and undergraduate students and others that are balancing a career in basketball with full-time work.

“I think there’s an opportunity to build something that people genuinely want to watch and follow,” Archers head coach Stef Collins, a member of Great Britain’s 2012 Olympic squad, told BBC Sport.

“Women’s basketball has shown what is possible internationally, particularly with the growth we’re seeing in leagues like the WNBA, NCAA College Basketball.”

Collins wants SLBW to build on the recent Women’s World Cup in Berlin, at which the United States earned a fifth successive title, beating France in the final.

“It was the most-attended World Cup in the modern era with over 230,000 fans in attendance,” she said.

“For me, it’s also about telling the stories of the players. They’re not just basketball players – they’re students, they’re professionals, they’re international athletes, they’re role models. If we can showcase that properly, I think there’s an exciting future for the Super league.”

The WNBA, the independent women’s equivalent of North America’s NBA, has been among the pioneers in women’s sports leagues across the globe.

In 2025, WNBA clips gained more than one billion views on Instagram, making it the most-followed women’s sports league on that platform, which Collins feels can help SLBW on its path for development.

“The WNBA is a really good example of what happens when you give women’s basketball a platform and make the players and their stories visible,” she said.

“But I think there’s also a lesson beyond the basketball itself. Women’s sport has shown that fans want to connect with the athletes, their personalities and their stories.

“We shouldn’t be afraid to market women’s basketball differently and allow our players to be themselves.”

We all want to experience those additional delightful perks when staying at a hotel, and there’s one sure way to bag a late check-out for free, and it’s all about timing

Checking into a hotel is a little slice of luxury, whether it’s for a quick city break or a rural escape in the countryside. So it’s no wonder that we want to make the most of every moment in our boutique abode or lavish room and take advantage of a late check-out, something you can often get for free. That’s if you know what to do, and believe it or not, timing is everything.

For several years, I worked as a hotel receptionist, managing room upgrades, check-ins, dinner reservations, special occasions, check-outs, and all the other guest perks that we could provide for free. One of which was a late check-out, and it became a frequent request. Even more so when guests have enjoyed cocktails in the hotel bar and need to vacate their rooms by 10am the following morning. But we wouldn’t and couldn’t hand out a free room update to everyone.

The housekeeping staff needs to access the rooms promptly so they can clean them all thoroughly before the next batch of guests arrives at 3pm, with time of the essence, particularly for Friday arrivals. This meant that we’d only allow a handful of late room check-outs each day, and there was a specific time to ask for the best chances of scooping one of these coveted perks.

Most guests would assume that asking for a late check-out on the morning of their departure was the best option. I can recall countless times when I’d receive a call from a guest at 9.55am asking for a late check-out, and most of the time my answer would be no. For one, it’s too last-minute, and there could be a guest checking into that specific room later that day. Secondly, by this time, I could have already dished out a few late check-outs to other guests, with no more wiggle room for any more, considering housekeeping time constraints.

So you need to plan ahead, and I don’t mean asking before you’ve even arrived. Instead, swing past reception on your way to dinner or afterwards on the way back to your room, the night before you check out. If you’re staying for a few days, wait until your last evening to ask for the request. This would always be the best time to hand out late check-outs, and I’ll explain why.

Typically, the reception desk is quieter in the evening, so staff have more time to handle requests and check the system to see how a late check-out can work in favour of the next day’s arrivals. They can check whether the room the guest has asked for a late check-out in has an arrival the next day; if not, a late check-out is super easy to offer. They can also check for any late arrivals into that room for the following day, move rooms around for the next arrivals, or simply check how many they’ve already dished out.

As mentioned, we would only offer a handful at a time, and the earliest we’d agree to a late check-out would be the night before their departure. Plus, room keys were not programmed until the morning of arrivals, so there’s a lot more flexibility in the evenings to move things around. It’s also worth noting that many hotels will prioritise requests from those celebrating a special occasion, so tick that box!

The worst time to ask for a late check-out is before you’ve even arrived at the hotel or checked into the room. There can be countless changes at hotels: reservations can be cancelled, people can switch rooms, and issues can arise, so it’s hard to predict what pressures the hotel might face to turn rooms around in time for the next arrivals. So always ask the night before you check out.

If you want to try your luck, you could politely request a late check-out on your booking notes. This way, the hotel will read it and deal with it appropriately and in their own time, most probably the night before. We would always do our best to meet requests, but sometimes our hands were tied. Just don’t ask when you check in, it’s the last thing on our mind to sort.

Do you have a travel story to share? Email webtravel@reachplc.com

It appears Judge Judy has kicked off her retirement tour.

“Judy Justice” star Judy Sheindlin appeared with her son Adam Levy on “Good Morning America” on Wednesday to celebrate her 30th anniversary on TV, and to the hosts’ dismay, she confirmed she was “retiring from [the] in-front-of-the-camera TV bench.”

When asked why she felt now was the right time for her to conclude that chapter of her career, Sheindlin replied that there were a couple of factors.

“First of all, he was ready,” Sheindlin said, nodding toward Levy.

Levy’s syndicated courtroom TV show, “Adam’s Law,” which Sheindlin created and executive produces, premiered Monday.

“I’ve aged pretty well over the years,” she continued. “Reasonably. I look better than my grandmother did at my age, which didn’t take a lot. But it’s time for me to. I’m still going to be creative…. I’m just going to take the message and put it in a little bit of a different form. I’m going to become the Benjamin Button of court.”

Sheindlin previously mentioned that she now plans to focus on other endeavors, such as developing “Judyverse,” an adult animated series based on the viral “Baby Judge Judy” videos made with AI.

“I want to steal Baby Judge Judy back from AI,” Sheindlin told Amy Poehler on an episode of the “Good Hang” podcast last year. “I want to get more people involved with this character. Speaking through Baby Judge Judy would be a whole lot of fun, but you need the right writer.”

Sheindlin, 83, became one of the most recognized TV judges through her time on “Judge Judy.” The arbitration-based courtroom show premiered in 1995 and aired for 25 seasons before concluding in 2021. The streaming series, “Judy Justice,” launched shortly after in the same year and will wrap with its fourth season.

A CLOSED-off part of a major London landmark is opening to the public today after being shut for almost a century.

The Natural History Museum is letting visitors inside a hidden gallery that has been closed since World War II.

Previously, it was used as a skeleton gallery, then closed in order to store a surviving botanical collection after the museum’s original herbarium was damaged during the war.

It completely closed in 1943 but reopened to the public earlier today.

The new gallery is called ‘Nature and Us’ and on display are 50 specimens and objects all to do with humans’ relationship with the natural world.

This includes a miniature model of a Crystal Palace dinosaur, a Victorian skeleton of a monk seal and visitors can touch a replica jaw of one of Britain’s very first domesticated dogs.

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There’s also a 400,000-year-old handaxe and a bryozoan-encrusted Star Wars toy.

Visitors will still be able to see the room’s original wooden cabinets from when it was used as a herbarium.

The gallery will remain open for 18 months, with some objects being moved to a permanent space in 2029. Those chosen will be based on visitor feedback.

Dr Doug Gurr, director of the museum, said: “It’s a wonderful space with a fascinating history, and we’re excited for visitors to discover it for themselves.

“Opening the doors is a really special moment for everyone involved in bringing this space back to life, and we can’t wait to see visitors exploring it for the first time.”

If you want to see the gallery, you’ll find it on the second floor of the South Kensington’s Waterhouse Building.

The reopening of the gallery is part of the NHM150 campaign which includes opening a new or revitalised gallery each year until 2031.

Another new attraction coming in 2027 will be a new permanent  gallery specifically for young children.

It will be designed for four to seven-year-olds with lots of hands-on interactive experiences about the natural world.

The Natural History Museum is completely free to enter – if you want to guarantee entry at a certain time then make sure to book in advance.

NOUGHTIES pop singer La Roux has said “she’s back” after disappearing from the spotlight – revealing a “nervous breakdown” ended her career.  

La Roux – real name Elly Jackson – shot to fame in 2009 and is known for her number one single Bulletproof. 

But it’s been a long time since La Roux released a new album and, ahead of her upcoming LP Old Flames, she posted on TikTok to tell fans she’s back. 

She wrote: “You think you can hurt me?

“I literally wrote and sung this song, lost my voice, had a nervous breakdown and disappeared for 10 years.” 

Speaking about releasing new music, La Roux told Another: “It’s been a long time coming, so I’m very eager to get back out there. 

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“Supervision [my third album] being totally marred by the [Covid-19] pandemic wasn’t ideal, so I’m very excited.”

She added: “I’d only just finished my last album when the pandemic hit, so I wasn’t ready to start making a new record instantly. You need a gap before you make new work. 

“I started f***ing around with new sounds and new ideas. It took a couple of years to know if I even wanted to make another record or if there was any point.”

La Roux’s mum is actress Trudie Goodwin, who drama fans will know best for playing Sergeant June Ackland in ITV’s The Bill.

She previously shared the advice Trudie, 74, gave her on dealing with fame. 

La Roux said: “She’s really good at saying things like, ‘Never have a drink when you do an interview’ – which I don’t always take notice of! And ‘Only give away what you need to give away’.

“And she says that if there’s paparazzi, just give them a picture and they’ll f**k off.”

Amanda Seyfried and Thomas Sadoski are calling it quits.

The former couple, who tied the knot in March 2017, told People that they had been separated for some time.

“We have been separated for a while, and it’s proven to be the right move for us and our family unit. We’ve got each other forever — and it’s GOOD,” Seyfried and Sadoski told the outlet.

On Tuesday, Seyfried shared a piece of prose by poet and author Bianca Sparacino on her Instagram stories that read:

“Maybe in another lifetime.”

“No.

“This is all you get. So please, just fight for the things that crack light into your life, fight for the things that soften you. Protect the people you love, leave them better than you found them. Defend your heart, do whatever it takes to keep it open despite what it has been through. Forgive, not just others, but yourself, as well. Slow down. Taste, and touch, and feel and care. Create the things you want to see in this world, stay as curious as possible. Honour your joy, do not shy away from the good that is trying to reach you, do not convince yourself that you are unworthy of it. Be strong enough to be gentle. Be brave enough to break. Be all that you are. Be all that you are.”

The pair met back in 2015 while starring in “The Way We Get By,” a two-person off-Broadway play that explores love and lust and takes place the morning after a drunken hookup. It was Seyfried’s stage debut. “I feel like the luckiest guy in New York right now, to be honest with you,” Sadoski told Backstage on Broadway at the time. “I mean, I get one of the great American playwrights, one of the great American directors, and a perfect scene partner, I’m a pretty happy guy.”

The two teamed up again the same year to play love interests once more in “The Last Word.”

After spending a good portion of the year pretending to be in love with Seyfried on stage and screen, in October 2015, Sadoski split from his wife of eight years, studio casting executive Kimberly “Becky” Hope. By March 2016, the “Newsroom” actor was romantically linked to the “Mamma Mia!” star.

Seyfried, 40, and Sadoski, 50, tied the knot in a private countryside ceremony in 2017. There were no family or friends on the guest list, just their officiant and Seyfried’s dog, Finn. Shortly after the nuptials, the pair welcomed a baby girl, Nina. In 2020, they had a son, Thomas Jr.

The couple have raised their family on a farm in the Catskill Mountains of upstate New York, a property the “Mean Girls” star bought in 2013, while also maintaining properties in Los Angeles and Manhattan. But last month, Seyfried listed her 2,700-square-foot Los Angeles residence for about $3.2 million.

AMANDA Seyfried and her husband, Thomas Sadoski, have split after nine years of marriage.

The couple revealed in a statement to People on Tuesday that they’re going their separate ways.

“We have been separated for a while, and it’s proven to be the right move for us and our family unit. We’ve got each other forever—and it’s GOOD,” their joint statement read.

Amanda, 40, and Thomas, 50, first connected in 2015 while starring in the off-Broadway production of The Way We Get By.

The actors reunited months later as love interests in The Last Word and began dating in March 2016.

Their love story quickly blossomed as they got engaged later that year and quietly eloped in March 2017.

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“We eloped. We just took off into the country with an officiant and just the two of us, and we did our thing,” Thomas revealed at the time about their secret wedding.

“It was beautiful. It was everything that it should be. It was just the two of us talking to each other.”

Their daughter Nina arrived just days after they said, “I do,” followed by their son, Thomas Jr., in September 2020.

The pair had kept their relationship relatively out of the public eye while living on a farm in upstate New York.

They’ve each made brief remarks about their romance in the past, with Thomas gushing in 2017 that Amanda was “the person that I love, admire, respect most in the world.”

Amanda also boasted about her husband, saying in 2023 that their relationship was like “yin and yang.”

They certainly shared a passion for the cameras, as both have had successful acting careers for decades.

Amanda most recently starred in The Housemaid alongside Sydney Sweeney and The Testament of Ann Lee.

She’s preparing for the release of her newest film, The Life and Deaths of Wilson Shedd, next month.

Thomas is best known for playing Don Keefer in the HBO series The Newsroom.

His acting career began when he landed the role of Mark Ruffalo’s understudy in the Off-Broadway play This Is Our Youth.

The Connecticut native made his film debut in 2000, starring as Chris in Loser.

Kids’ favourite TV character Bob the Builder – complete with a voice over by actor Neil Morrissey – has been hired to encourage more people to learn green energy skills

Much-loved cartoon character Bob the Builder is making a return in his original form after 15 years – to plug green energy.

The kids TV favourite, voiced by Men Behaving Badly actor Neil Morrissey, appears in a new advert from energy giant E.on.

And he also reveals what he has been doing since the original stop motion version of the show ended in 2011, including taking up yoga, bird watching and travelling to Australia.

It is Down Under, so the new story goes, that Britain’s best known tradesman twigs the importance of green energy, such as solar panels and home batteries. On returning home, he decides to learn the skills needed to fit the new kit, with the advert ending with his famous catchphrase: “Can we fix it? Yes we can.”

The 90 second piece, which will run across E.ON UK’s social media channels, is designed to encourage many more people to learn the same type of skills.

It comes as new research commissioned by the company found that around one third of professionals in the UK energy sector believe the workforce is not yet fully equipped to install the technologies needed for the transition to green energy.

At the same time, 89% agree that greater investment and closer collaboration between government and industry are needed. And the vast majority say that upskilling the existing workforce will be just as important as attracting new talent to meet future demand.

Helen Bradbury, chief people officer at E.ON UK, said: “Bob the Builder has always inspired people to solve problems and build things that matter. Today, those same qualities are needed to help deliver the UK’s transition to clean power.

“By embracing green skills and fronting this campaign, he’s a shining example of how we can make new energy work for everyone.

“If we invest in people’s homes, we can build a new energy system from the ground up. One that uses low-carbon, connected technologies like solar panels and batteries to put customers back in control of their energy use and lower their bills.”