Ready to sing along from your couch? The Amazon Music Stagecoach Saturday livestream has you covered. For a heartfelt ballad, you’ll be able to tune in as Teddy Swims and Lainey Wilson take the Stagecoach stage. Take a trip back in time to watch Bush perform, then end the night tuning into Mr. Worldwide taking over the desert as Pitbull closes out the Saturday performances.
The festival will be livestreamed on Amazon Music, Prime Video and Twitch. On Sirius XM’s the Highway (channel 56), you can listen to exclusive interviews and live performances. Their station Y’allternative will also be covering the festival on Saturday.
Here are updated set times for the Stagecoach livestream Saturday performances (times presented in PDT):
Channel 1
3:10 p.m. Kevin Smiley; 3:30 p.m. Braxton Keith; 4:05 p.m. Redferrin; 4:40 p.m. Corey Kent; 5:35 p.m. Teddy Swims; 6:20 p.m. Treaty Oak Revival; 7:20 p.m. Little Big Town; 8:20 p.m. Riley Green; 9:30 p.m. Lainey Wilson; 11 p.m. Pitbull
Channel 2
3:10 p.m. S.G. Goodman; 3:30 p.m. Lane Pittman; 4:05 p.m. Benjamin Tod; 4:40 p.m. Michael Marcagi; 5:20 p.m. Willow Avalon; 5:55 p.m. Billy Bob Thornton & the Boxmasters; 6:40 p.m. Chase Matthew; 7:20 p.m. Charles Wesley Godwin; 8:10 p.m. Bush; 9:10 p.m. Gavin Adcock; 10:20 p.m. Two Friends
Sirius XM The Highway
4 p.m. Corey Kent; 6:30 p.m. Little Big Town; 7:50 p.m. Riley Green; 9 p.m. Lainey Wilson
Sirius XM Y’allternative
9 a.m. the Red Clay Strays; 11 a.m. Larkin Poe; 12 p.m. Ole 60; 1 p.m. Sam Barber; 2 p.m. the Marcus King Band; 6 p.m. S.G. Goodman; 8 p.m. Treaty Oak Revival
Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.
The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.
Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):
A 10-year-old girl who found an endangered Mexican axolotl while on holiday in Wales has told the BBC about the moment she found and caught the amphibian.
It is the first documented discovery of an axolotl in the wild in the UK, with only 50 to 1,000 left globally, according to experts.
Evie was playing in the shallows of the River Ogmore in Bridgend when she spotted the axolotl nestled in the rocks.
The family decided to cut their trip short to take the animal back to their home in Leicester, naming it Dippy as a tribute to where Evie found it.
“I think it’s a really nice change to the family,” Evie said about having Dippy.
Chris Newman, the National Centre for Reptile Welfare (NCRW) director, said the manner in which Dippy was found suggested its previous owner had released it due to a “change in circumstances”.
Kudus is awaiting further assessment on a quad injury that could require surgery. Ghana risk losing their key creative figure if recovery takes longer than expected. His availability remains uncertain as crucial decisions loom. The Ghana international has been out for more than three months after limping out of Spurs’ 1-1 draw with Sunderland on 4 January.
Eder Militao (Real Madrid and Brazil)
Militao has been ruled out for the rest of Real Madrid’s season after suffering a hamstring tear. The 28-year-old centre-back is targeting a return for the World Cup, but Brazil’s medical staff are cautious given his recent history of muscle injuries.
Reece James (Chelsea and England)
England defender James is once again dealing with hamstring issues while sidelined at Chelsea. Having missed the past two major tournaments, his hopes depend on avoiding further setbacks. The 26-year-old sustained the injury in a 1-0 Premier League defeat by Newcastle in March. Any delay in recovery would put his place in serious doubt.
Alphonso Davies (Bayern Munich and Canada)
Canada’s talisman is once again struggling with the recurring muscle issues that have plagued his recent seasons at Bayern Munich. His explosive pace is central to Canada’s threat, but his body seems to be pushing back at the worst possible moment. If he is not fully fit, Canada’s chances take a massive hit.
Britain’s Got Talent viewers complained about one act tonight, calling it inappropriate for family viewing
BGT viewers issued a demand to ITV bosses (Image: ITV)
Britain’s Got Talent viewers have voiced the same grievance, urging ITV bosses to “do better” following an “utterly inappropriate” act.
The beloved ITV talent programme has returned to screens once again with a brand new series, featuring BGT judges Simon Cowell, Amanda Holden, Alesha Dixon and KSI, alongside legendary hosts Ant and Dec.
Tonight (April 18) marked the final round of auditions, but one particular act left viewers at home feeling “sick” and outraged. Fakir Testa, 45, was welcomed onto the stage, leaving both the audience and judges curious about what his performance might involve – and no-one could have guessed.
Viewers at home were quickly horrified to witness him standing on blades while having them pressed against his neck, prompting ITV to issue a ‘do not try at home’ warning.
Admitting she was “stressed”, judge Alesha pressed her red button, joined by Simon, who appeared distinctly unimpressed by the performance, reports Wales Online.
Members of the audience were also spotted turning away and peeking through their fingers, while judge Amanda buried her face in her hands.
Nevertheless, Fakir proceeded to invite Simon onto the stage, requesting he take a seat in a waiting car, before hauling it with a blade pressed against his neck.
The audience seemed to watch on in sheer horror, yet the act proved popular with the Blackpool crowd, as KSI was overheard exclaiming: “You madman, you crazy madman.”
However, viewers at home remained thoroughly unimpressed, as they directed their frustration squarely at ITV bosses. Taking to X, one person wrote: “WHAT THE ACTUAL HECK IS THIS? #BGT.” Another said: “This is NOT a family show #bgt.”
A third fumed: “F***s sake. This is on pre watershed. Do better #itv.” A fourth commented: “This is NOT talent! This is f***** lunacy.”
A fifth echoed: “I can’t watch! Why are they showing this for family entertainment #BGT ?!!?”
One viewer admitted they felt “sick” while another confessed they “can’t watch”. One person labelled it as “utterly inappropriate” as another added: “There are far too many of these Don’t try this at home stunts on #bgt . How about don’t show them on the Tele?”
However, one impressed viewer enthused: “Faki Testa – oh my days that was strange so hard to watch but b****y brilliant entertainment.”
Another offered an explanation: “The blade has to move sideways to cut or use a large amount of energy to chop My Kung Fu teacher had us do this, including spears in our throats, back in the day #BGT.”
Judge Alesha also appeared to reverse her earlier red buzzer decision as Fakir successfully made it through his audition.
Reporting from Sacramento — — Two days after he was finally sworn in as California’s lieutenant governor after a grueling partisan battle, Republican Abel Maldonado appeared on national TV with political comedian Stephen Colbert to discuss his signature issue, a primary election designed to reduce the influence of party hardliners in the Legislature.
“Why on Earth would you want to destroy the two-party system?” demanded Colbert, who parodies a right-wing cable news host.
Leaders from both major parties in California, who vehemently oppose the open-primary measure, are asking essentially the same question, only they don’t see it as a laughing matter.
Proposition 14, which appears on the June 8 ballot, would put all candidates for statewide, congressional and legislative offices on the same primary ballot and allow voters to choose from the full list. The top two vote-getters for each office — regardless of party — would face each other in a runoff.
A poll released Wednesday by the nonpartisan Public Policy Institute of California showed 60% of respondents in favor of the measure, 27% opposed and 13% undecided.
Backers, including Gov. Arnold Schwarzenegger, say the system would free candidates from the need to court the radical wings of their parties to win nomination to the November ballot. That, in turn, would lead to the election of more moderate lawmakers and more cooperation on tough issues like fixing California’s $19.1–billion budget deficit.
Under the current system, Republicans vote on one ballot in a primary election and Democrats on another. Independents, who now represent a record 20% of the California electorate, are allowed to choose either ballot. But few do, so their influence in a primary is minimal, and candidates for November are generally chosen by hard-core party loyalists.
About a third of California congressional and legislative districts are dominated by a single party, according to a recent report by the nonpartisan Center for Governmental Studies in Los Angeles. Almost all are Democratic strongholds. In some, Democrats have such an advantage that the two top primary vote-getters might both be Democrats.
In those cases, Proposition 14 supporters said, they hope the more moderate candidate could win by appealing to Republicans and independents.
As of Friday, Schwarzenegger and the California Chamber of Commerce had helped raise more than $4.7 million for a Yes on 14 campaign, which has started airing a radio ad that claims the measure would reduce “the influence of the major parties which are now under the control of the special interests.”
In a display of harmony that would seem unthinkable on other issues, leading state Democrats and Republicans announced a joint campaign to defeat the measure. They had raised $200,000 as of Friday.
“Both political parties in California hate this measure,” said Tony Quinn, co-editor of the nonpartisan California Target Book, which tracks state political races. “They like having these little private clubs. But the voters don’t.”
Party leaders say passage of Proposition 14 would invite a slew of unintended consequences, including higher campaign costs and political skullduggery.
“It allows for mischief where Democrats could go and choose the Republican nominee,” said John Burton, chairman of the state Democratic Party.
He said there are Democrats in safe districts who might try to help their party by casting their primary votes for hard-line Republicans who are “so far out” that they could not win a general election.
Under the current system, primary campaigns are less expensive than general elections because candidates have to woo only voters registered in their own party. With an open system, candidates would need to appeal to all voters, sending out a lot more mail and potentially buying expensive air time on radio and TV. The increased costs could drive them deeper into the arms of well-heeled special interests, party leaders say.
Those leaders also take issue with the underlying notion that they are a source of unhealthy division.
“Broad-based political parties are an essential part of our democracy,” said California Republican Party Chairman Ron Nehring. “The alternative is to have voters divided by … region, or ethnicity or religion.”
Burton, whose Democrats control both chambers of the Legislature, scoffed at the notion that he can call the shots for lawmakers.
“If I had power, this wouldn’t even be on the ballot, because I urged the [Senate president] pro tem and the Assembly speaker not to do it,” he said.
In fact, it was the Legislature that put the measure on the ballot after one lone moderate broke last year’s budget stalemate. Maldonado, then a state senator, agreed to vote for tax increases after legislative leaders agreed to put the open-primary measure before voters.
But the Legislature’s leaders don’t want the measure to pass and are now opposing it. The move won Maldonado a friend in Schwarzenegger, however, and the governor nominated him for the vacant lieutenant governor post.
The confirmation process quickly descended into a partisan fight.
“They came at me from all sides, and it was all driven by the party bosses,” Maldonado said of the roughly 150 days he spent in limbo, waiting for confirmation. “But with the open primary initiative, you would only be accountable to the people.”
While politicians debate the measure’s possible effect, many academics wonder if it would have any noticeable effect. Bruce Cain, a professor of political science at UC Berkeley, said he expected the major parties and big donors would adapt quickly and make sure they have only one credible candidate in each primary.
“As a social scientist, I’m glad that California wants to do another experiment; it generates more papers and more studies,” Cain said. “But I share the prevailing skepticism of my profession that any significant change will come about.”
US Vice President JD Vance is leaving Pakistan after 21 hours of talks with Iran, saying Tehran chose not to accept their ‘final and best offer’. Here’s his full press conference in Islamabad.
Coachella’s got you all in your head? Think you’d rather watch Bieber while you’re in your bed?
Then you’re in luck! Hot off the success of both“Swag” albums and a (literally) stripped down Grammys performance, Beliebers will be able to watch Justin Bieber’s day 2 headlining set at 11:25 p.m. on the Coachella YouTube livestream.
Before Bieber takes the Main Stage, viewers at home will be able to catch The Strokes, Labrinth and David Byrne at the Outdoor Theatre, PinkPantheress at the Mojave and more.
There’s been a delay on the livestream during previous festivals, so don’t worry if Bieber, The Strokes or another one of your favorite artists starts a little later than their posted time.
Saint-Pierre is finally coming to UK screens on U&Alibi this April, a year after its Canadian debut, and fans are already ‘obsessed’
Angie Quinn Screen Time Reporter
22:51, 11 Apr 2026Updated 22:52, 11 Apr 2026
Saint Pierre stars Joséphine Jobert and Allan Hawco(Image: CBC)
Death in Paradise actress Joséphine Jobert’s crime thriller Saint-Pierre is set to finally arrive on British screens a full year after its debut on Canadian broadcaster CBC.
The show, which also features Allan Hawco, known for his role in the Amazon Prime series Jack Ryan, will launch on U&Alibi on Thursday, 23 April at 8pm.
While Saint-Pierre has already completed two seasons in Canada, UK audiences will be starting from scratch, with the opening episode introducing viewers to the lead characters, Donny ‘Fitz’ Fitzpatrick, portrayed by Hawco, and Deputy Chief Geneviève ‘Arch’ Archambault, portrayed by Jobert.
The crime series has already been hailed by audiences on IMDb as a “must-watch” show, with the episode entitled ‘Kill Lil’ receiving particular acclaim as one that “hits all the right notes”.
One devoted fan confirmed they are “Obsessed” with the series, while another enthused: “We love this show so much!”, reports the Express.
The official synopsis for Saint-Pierre reveals: “After the Royal Newfoundland Constabulary Inspector, Donny Fitzpatrick (Fitz), digs too deeply into a local politician’s nefarious activity, he is exiled to work in Saint-Pierre et Miquelon – the French Territory nestled in the Atlantic Ocean.
“Fitz’s arrival disrupts the life of Deputy Chief Genevieve Archambault (Arch), a Parisian transplant who is in Saint-Pierre for her own intriguing reasons.”
It goes on: “As if by fate, these two seasoned officers – with very different policing skills and approaches – are forced together to solve unique and exciting crimes.
“Although the islands seem like a quaint tourist destination, the idyllic facade conceals the worst kind of criminal activity, which tends to wash up on beautiful shores. At first, at odds and suspicious of each other, Arch and Fitz soon discover that they are better together.”
The Saint-Pierre ensemble also features Benz Antoine, Erika Prevost, Jean-Michel Le Gal, Tamara Podemski, James Purefoy, Maxim Roy, and Tim Rozon.
While lead star Joséphine Jobert originally appeared in Death in Paradise as Detective Sergeant Florence Cassell from 2015 to 2019, before making a comeback to the BBC program for series 10 and 11, spanning 2021 to 2022.
The performer returned in 2024 for series 13, with her character Florence last glimpsed departing into the sunset alongside Neville, portrayed by Ralf Little, who similarly left the show.
Saint-Pierre airs on U&Alibi from 9pm on Thursday, 23 April 2026
Sabrina Carpenter famously works late, so it might come as a surprise to some that “Espresso” songstress’ headlining set at Coachella 2026 is comparatively early in the night at 9 p.m.
“Couchella,” as it’s affectionately called, is back this year to beam some of the biggest performances, including Sabrina Carpenter and Anyma on the Main Stage, Dijon, Turnstile and Disclosure at the Outdoor Theatre, and Bini, Devo and Blood Orange at the Mojave.
When the first two seasons of HBO’s teen drama “Euphoria” aired on Sunday nights, 25-year-old actor and singer Al-akhir Fletcher remembers racing online the second each episode ended, toggling between X (then Twitter) and FaceTime just to keep up with the collective reaction.
“I felt like I had to watch because I didn’t want any spoilers,” he recalled. “I didn’t want anyone to tell me about it. There was maybe one week I tried to wait to binge-watch it, and I couldn’t. Everybody was talking about it.”
That anticipation for Season 3, premiering Sunday, still lingers for Fletcher, though it’s tempered now by doubt and distance, thanks to a four-year gap between seasons. Nevertheless, Fletcher said he’ll finish the show.
“Only because I feel like I’ve invested so much already into the show and into the characters and in their stories,” he said. “So I do want to see it through. I want to know what happens, but there is a little bit of hesitation, especially with hearing about all of the politics and the behind-the-scenes drama of what’s happened with the show.”
When Euphoria last aired in 2022, it turned Maddy Perez’s cutout dresses into a going-out uniform, transformed Cassie Howard’s unraveling into a meme with a saying that everyone understood (“I have never, ever been happier”), and sent Labrinth’s score ricocheting across TikTok in slow-motion edits and tear-streaked montages. It also made bona fide stars out of its cast: Zendaya became an Emmy winner, in-demand actor and fashion icon; similarly, Sydney Sweeney has become an onscreen mainstay, and Jacob Elordi, an Oscar nominee this year.
And, crucially, for a stretch, “Euphoria” made HBO feel like a destination again, with episodes that demanded to be seen in real time and dissected instantly before the night was over.
In the four years since its previous season, though, Hollywood has endured dual labor strikes, streamers have tightened budgets and audiences have fractured into increasingly niche viewing habits. The monoculture that once lifted “Euphoria” has thinned, if it even exists at all.
So as the show returns after an unusually long hiatus, the question isn’t just what happens next for Rue and the gang, but whether “Euphoria” can still hit the way it once did. What we do know is the series isn’t picking up where it left off. Season 3 leaps forward five years, aging its characters out of high school and into a much murkier version of adulthood. Maddy (Alexa Demie) is working for a talent agent and navigating the blurry line between managing actors, influencers and potentially sex work-adjacent clients. Cassie (Sweeney) and Nate (Elordi) are set to marry, all while Cassie is attempting to start an OnlyFans account. And then there’s Rue (Zendaya), whose story can’t outrun the looming debt she owes a drug dealer.
“Euphoria’s” Season 3 returning cast, clockwise from left: Jacob Elordi, Alexa Demie and Sydney Sweeney.(Partick Wymore / HBO)(Jeremy Colegrove / HBO)(HBO)
Can a series disappear for four years and reclaim its choke hold on the culture?
Interviews with fans and media experts suggest there’s no consensus on whether viewers will flock back like before. Some see “Euphoria” as too big to fail, a brand with enough residual heat to dominate conversation on arrival. Others aren’t so sure, pointing to the long hiatus, the off-screen turmoil and a television landscape that no longer moves in lockstep.
What made the show a breakout hit
Part of what makes questions around the show so difficult to answer is how singular “Euphoria” felt when it first arrived in 2019. At the time, HBO wasn’t in the business of teen dramas. The network had long built its identity on adult prestige — crime sagas, antiheroes and sprawling family epics — not stories centered on high schoolers. “Euphoria” marked a strategic shift, one that aimed to pull in younger viewers without diluting the network’s edge.
“I think this was supposed to be their first foray into quote-unquote young adult programming,” said Michel Ghanem, who writes about television. “They were interested in capturing a younger viewership who maybe hadn’t watched that much HBO up until then.”
What emerged didn’t resemble the traditional teen drama playbook. “Euphoria” was moodier and leaned into storylines rooted in addiction, sex and emotional volatility. HBO began experimenting more broadly with shows like “The Sex Lives of College Girls” and “Generation,” but “Euphoria” stood apart in both tone and ambition. The risk paid off.
“It grabbed on to an audience that loved the cast and the performances and the soundtrack and the cinematography,” Ghanem said. “So I think all of those elements together sort of made it into appointment television.”
Hunter Schafer, left, and Zendaya in Season 1 of “Euphoria.” The show premiered in 2019, becoming a hit for HBO.
(Eddy Chen / HBO)
Beneath the glitter and surreal visuals, some viewers saw versions of people and situations they already knew.
“I found a lot of familiarity in it because of being from L.A.,” said Darryl McCrary, a creative artist who is based here. “I felt like I knew the teenagers. I knew the secret drug addict and the out drug addict and the drug dealers. It felt very familiar. It felt like home in a way.”
Aspiring actor and “Euphoria” fan Cheyenne Washington, who grew up in a small town in Connecticut, also recognized the characters. “I went to high school with people like this. My high school isn’t like how it is on Disney Channel. My high school was ‘Euphoria.’”
By its second season, “Euphoria” had become one of HBO’s most-watched series, with episodes drawing millions of viewers. The Season 2 finale pulled in more than 6 million viewers across platforms, cementing the show as a crossover hit.
“That was the show that my students were talking about,” said Jason Mittell, professor of film and media culture at Middlebury College. “‘Euphoria’ is the buzz show amongst younger people, amongst people who were sort of hyper-online, amongst critics; it was something that was really talked about. That’s the thing that sort of raises it up.”
Why production stalled
While the dual Hollywood strikes were one factor in the delay in production, “Euphoria” was also affected by the sudden deaths of actor Angus Cloud, who played Fezco, and executive producer Kevin Turen, who was considered a key force in the show. There were reports of creative tension between Zendaya and Levinson. At the same time, its young cast had transformed into a roster of in-demand movie stars, with schedules and expectations that look very different from when the show began.
“This new season has to kind of do something new and really break new ground to gain the buzz,” Mittell said. “There is a scenario, depending on how they market it, that it actually could get pretty good viewership. But I think that it’s also just ripe for disappointment. Can you just imagine all the takes that are being written right now? Like, ‘Why “Euphoria” shouldn’t have come back.’ There’s so many people eager to write that.”
And yet, the show’s scale and the fame of the people in it may insulate it from outright failure. “Jacob Elordi, Sydney Sweeney — these are some of the biggest actors on the planet now,” Ghanem said. “Even if the show ends up being a creative flop, I think we’re all going to tune in because we want to see those actors together again and see what storyline Sam Levinson will come up with. There’s no possible world where this third season isn’t a massive hit. There’s just no way.”
Angus Cloud, who played Fezco in “Euphoria,” died in 2023 after an overdose. (Evan Agostini / Invision / AP)
“Euphoria” executive producer Kevin Turen also died in 2023. (Jack Plunkett / Invision / Associated Press)
What has shifted more dramatically is how the show and its creator are perceived, experts and fans said. Since “Euphoria” first aired in 2019, Levinson’s profile has evolved, particularly following the backlash to his HBO series “The Idol,” which was widely panned by critics and plagued by reports of behind-the-scenes turmoil. That scrutiny has extended back to “Euphoria,” with renewed criticism around its portrayal of sex, nudity and teenage characters.
“Since 2019, when the first season aired, there have been a lot of conversations around what Gen Z really wants to see on screen,” Ghanem said. “The show’s reputation isn’t unscathed. And I think people are more critical of Sam Levinson’s work.”
That shift may be especially pronounced among younger viewers, who may have been turned off by “The Idol’s” gratuitousness.
“We’ve had all of these recent studies about younger people who don’t necessarily want to see sexually explicit material anymore,” said Brandy Monk-Payton, assistant professor at Fordham University. “They want to see more development of platonic relationships and asexual connections.”
Can a time gap still lead to success?
Long breaks aren’t unheard of on TV, but they’re rarely this long for a show that’s still trying to hold on to cultural urgency. And history suggests that returning is one thing, but recapturing the same intensity of viewership and fandom is another.
Several recent dramas have tested that gap. “Stranger Things” stretched years between seasons as its young cast aged into adulthood, returning to massive viewership, but, some critics and fans argued, with an ending that felt obligatory.
“They weren’t reckless enough with their characters,” McCrary said.
“The Handmaid’s Tale,” once a defining show of the late 2010s, continued after extended pauses but struggled to maintain the cultural grip it once held.
“I think because of the social and political climate of that show, the interest in it waned,” Monk-Payton said. “We didn’t want to be in the world of Gilead anymore. So do fans want to reenter the world that is ‘Euphoria,’ that sensational world of drug addiction and sex and violence?”
Even “Severance,” which earned critical acclaim and awards recognition after its long-awaited second season, sparked debate among viewers about whether it matched the precision and novelty of its first. The pattern, experts say, is less about whether the audience comes back and more about what they come back expecting.
For Monk-Payton, that expectation functions almost like an unwritten agreement between a show and its viewers.
“It has to retain its contract with the audience,” she said, pointing to the balance between continuity and change. “There has to be some kind of familiarity in the characters and relationships, but also growth — something new that justifies coming back.”
That balance, she argues, is where many returning shows falter. Monk-Payton said in the case of “Severance,” what began as a sharply observed workplace sci-fi story expanded into denser mythology in its second season. Though Apple TV announced that “Severance” had become its No. 1 series, she said the show’s evolution didn’t land the same way for all viewers.
“When shows come back after a gap, they can misread what audiences connected to in the first place,” she said.
The risk for “Euphoria” is similar. If its return leans too far away from the emotional core that defined it, or reshapes its characters beyond recognition, it could strain the connection.
“If we don’t recognize Rue or the others in some fundamental way, that’s risky,” Monk-Payton said. “Some viewers will keep watching to see how it ends because they’re completionists. But others may feel that disconnect.”
The series first aired a decade ago and gained a loyal fan following.
09:00, 09 Apr 2026Updated 09:02, 09 Apr 2026
The 2016 series is hailed a ‘hidden-gem masterpiece’ (Image: ITV)
A “gritty” crime drama that fans have hailed as “underrated” is free to binge on ITVX.
StartUp is an American TV series that first aired back in 2016, with an A-list cast including Adam Brody, Martin Freeman, Edi Gathegi, Otmara Marrero, Ron Perlman and Mira Sorvino.
The series ran for three seasons before coming to an end in 2018, but all three are available to watch on the free streaming service.
The crime drama follows the emergence of a new tech idea that sparks controversy, GenCoin, a digital currency.
When three unlikely people come together for the new business, but find themselves plunged into the dark underworld of organised crime, they must avoid a crooked FBI agent working to take them down.
The synopsis on ITVX teases: “Martin Freeman and Adam Brody shine in this gritty drama. A banker, hacker and gang lord unite in a plan to launder millions, as a crooked agent goes to extremes to take them down.”
Fans have been left begging for a fourth season for a decade, as one wrote: “This series is just something unlike any other other show… I’ve never felt so immersed into a show before. Went through all 3 seasons in about 2 days, it was that good.”
Someone else said: “Couldn’t turn it off, Binge watched the series in a few days,” while another called it an “excellent hidden gem”.
Yet another fan wrote that they were “yearning for more”, adding: “This is a cracker of a series. So full of twists and turns. Great characters, script, direction and cinematography. I can’t believe that it ended. OMG. This was one of the more bingeworthy series I have seen. Relentless drama. I loved the characters and their interrelationships. Powerful stuff.”
One devoted viewer said it was “a crazy underrated show that’s totally binge-worthy,” while someone else said: “This got me hooked from the first episode.”
Another called it “a true diamond in the rough,” while someone else wrote: “This is probably the most underrated TV show I’ve ever seen in my life.”
One fan echoed: “This masterpiece deserves at least a 9. It is so well done and leaves you held in aesthetic arrest. The build up to the various climaxes induces full on catharsis.”
Fans were left gutted when the show came to an end, with no plans for season four, as Spanish film director Luis Prieto, who worked on four episodes of the original season, told Express.co.uk: “This, I really don’t know. It was a Crackle show and from the story, it was working very well.
“I think people were aware it was connecting with the audience but I’m not sure what happened.
“Sometimes things just stop and sometimes it’s for the best. I’m sure Ben Ketai would be extremely excited to continue the adventure.”
Meanwhile, Olly Blackburn, another director who worked on the programme, said he “never guessed” the show would be as big as it was, saying: “If you make something big that connects with people, the audience will find it eventually, and all around the world too.”
Ross Stewart capitalises on a “misjudgement” by Ben White to give Southampton a shock lead against Premier League leaders Arsenal in the quarter-finals of the FA Cup.
The series, which arrived on Netflix on March 26, focuses on a troubled Oslo police detective (portrayed by Tobias Santelmann), who must grapple with both a horrific serial killer and his corrupt colleague.
“Created by one of the greatest storytellers in crime fiction, Jo Nesbø’s Detective Hole is a whodunnit serial killer mystery led by famed anti-hero Harry Hole,” the official synopsis teases.
“Underneath the surface, this series is a nuanced character drama about two police officers – and supposed colleagues – operating on opposite sides of the law. Throughout the season, Harry goes head-to-head with his long-time adversary and corrupt detective Tom Waaler,” reports the Express.
The description concludes: “Harry is a brilliant but tormented homicide detective who struggles with his demons. As the two navigate the blurred ethical lines of the criminal justice system, Harry must do all he can to catch a serial killer and bring Waaler to justice before it is too late.”
Joel Kinnaman portrays Tom, alongside Tobias Santelmann as Harry. Pia Tjelta, Peter Stormare, Anders Baasmo Christiansen, Ellen Helinder, Simon J. Berger, and Ingrid Bolsø Berdal also star.
Jo Nesbø has a devoted following, with his novels selling 60 million copies globally, including 5.6 million in Norway – exceeding the nation’s total population. It appears the series has proved to be just as successful as the books, with Detective Hole climbing the Netflix UK rankings just one week after arriving on the streaming service. It currently sits as the fifth most-watched TV programme, and presently maintains a 90% score on review aggregator Rotten Tomatoes.
Critics have lavished praise upon the series, with Collider stating: “A roundhouse-kick of a thrill ride that lives up to the promises baked into the thriller subgenre’s name, Jo Nesbø’s Detective Hole delivers virtually everywhere it should – which is nothing less than what a modern legend deserves.”
FandomWire contributed: “Stylish, gritty, and suspenseful, Jo Nesbø’s Detective Hole is a knockout and Nordic noir done right,” while The Times remarked: “So much plot, so much incident, plus heatwaves, tropical thunder and sweat. As rides go, it’s certainly rollicking.”
Fans have also expressed their enthusiasm, with many devouring all nine episodes in one go. One individual posted on IMDb: “Excellent adaptation of Jo Nesbø’s The Devil’s Star. As an avid reader of the books, I found this to be absolutely spot on with its recreation and casting of the Harry Hole universe. So atmospheric, capturing the style and tone of Jo Nesbø’s writing. Excellent acting and riveting storyline, this was an easy binge. I sincerely hope there will be more seasons as there is a wealth of material to tap into.”
Another chimed in: “A gripping Norwegian masterpiece that stays with you. Just finished bingeing the new Norwegian Netflix series Jo Nesbø’s Detective Hole (based on the Harry Hole novels), and wow – what an intense, atmospheric ride… By the finale, I was emotionally drained in the best way.”
They went on to say: “If you love smart, character-driven crime dramas with heart and moral weight (think The Killing or The Bridge but with Jo Nesbø’s signature edge), drop everything and watch Jo Nesbø’s Detective Hole. It’s binge-worthy perfection. 10/10 from this amateur reviewer – easily one of the best new international series I’ve seen in a while.”
A third viewer described the series as “absolute perfection,” while a fourth fan likewise commented: “Detective Hole is a gripping, unforgettable series that captures the raw brilliance and dark originality of Jo Nesbø. With its intense atmosphere and a deeply flawed yet magnetic protagonist, it pulls you straight into a world where crime, emotion, and truth collide.”
Jo Nesbø’s Detective Hole is available to stream on Netflix
Viewers of the BBC documentary were left in tears after watching paramedics battle to save a 67-year-old man
23:02, 25 Mar 2026Updated 23:09, 25 Mar 2026
Ambulance left viewers in tears(Image: BBC screengrab)
Viewers were left emotional after a man tragically died during TV show Ambulance on Wednesday’s episode.
The most recent instalment of the BBC series, which follows ambulance crews in Yorkshire, saw an emergency team respond after receiving a call reporting that 67-year-old Steve had stopped breathing.
Critical care paramedic John was amongst those who raced to the location. As the team began CPR, John informed Steve’s partner Penny: “At the moment, the heart rhythm, Steve’s heart, there’s no electrical activity at all. It’s really not good I’m afraid.”
“I think you need to prepare yourself,” he continued. Penny mentioned that Steve was “quite stubborn”, with John responding: “So maybe, maybe he’ll prove me wrong. We’re not there yet.”
However, following 32 minutes of CPR, the decision was taken to stop and John had to deliver the devastating news to Penny, reports Yorkshire Live.
“Penny we’ve stopped,” he informed her. “I am really sorry.”
As they discussed what had happened, John reassured her: “Don’t second guess it. It wouldn’t have changed anything. Nothing you could have done, would have stopped that from happening.”
Penny recalled that there had been an “incredible sunset” that week, saying: “At least he saw that.”
Audiences were left devastated by the scenes, with one sharing on social media: “Sobbing for Steve and Penny. So glad he saw the beautiful sunset. With love.”
“I can’t deal with cardiac arrests,” one viewer wrote on X, including a crying emoji.
“This is brutal,” another individual commented on the platform. “This programme never fails to have me in tears,” admitted one viewer. “So much respect for the call handlers and paramedics.
“Awww wee Penny xxx, bless that paramedic man for his words of comfort,” wrote another, as a fellow viewer remarked: “Oh my goodness this programme Ambulance is so hard to watch.”
“Poor Penny,” said another moved viewer, while one more observed: “Such a dignified response from this lady to her partner just dying. Bless her heart.”
Ambulance airs on BBC One and BBC iPlayer on Wednesdays at 9pm.
Molly-Mae was left shocked by a cheeky comment made by Tommy FuryCredit: YouTube / Tommy FuryThe saucy star made the comment with Bambi in the backseatCredit: YouTube / Tommy FuryMolly called Tommy ‘terrible’ after his commentCredit: YouTube / Tommy Fury
Opening up about the future, she revealed: “All I want in this life is to be with him, and to have another baby with him, and to grow old as a family.
“And to live in a nice house together and have a nice life together. That’s all I want.”
Molly-Mae revealed she was expecting her second child in a sweet video last monthCredit: InstagramThe proud mum has been showing off her baby bumpCredit: Instagram
Molly also dropped various clues about her pregnancy before announcing her joyous news, which is said to have strengthened her relationship with boxer Tommy.
A source told The Sun: “Finding out Molly is pregnant has really helped bring them close together again.
“Tommy is determined to do things right this time he has cancelled all of his summer trips with his friends, as he wants to stand by Molly every step of the way.
“Their new home is in a better place for both of them and has more than enough space for two children.”
Power: The Downfall Of Huw Edwards tells the story of the presenter’s fall from grace
Martin Clunes plays Huw Edwards in the drama(Image: PA)
Channel 5 viewers have called a new programme about former BBC newsreader Huw Edwards a “hard watch”.
Power: The Downfall Of Huw Edwards – starring Martin Clunes in the main role – chronicles the events leading to the presenter’s conviction for making indecent images of children. He was found guilty in 2024, and received a six-month prison sentence, which was suspended for two years.
The drama aired on Channel 5 on Tuesday (March 24), centring on Edwards’ alleged interaction with a 17-year-old. The teen, given the fictional name ‘Ryan’, is portrayed by Welsh actor Osian Morgan.
Moments after it began, viewers started posting comments on social media stating that it made for “uncomfortable” viewing, reports Wales Online.
“5 minutes in and can already tell this will be a thoroughly uncomfortable watch,” one viewer posted on X. Another individual admitted they were “already creeped out”.
“Not even halfway and I feel nauseous,” another person shared on the platform, formerly known as Twitter.
“Already creeped out when he calls him ‘baby’,” commented another viewer, whilst someone else confessed they were “speechless” watching the story unfold.
“I’m normally quite hardened to these sorts of dramas but honestly this Huw Edwards programme on 5 is a heck of an uncomfortable watch,” another viewer expressed.
“It’s a hard watch,” concurred another, as one viewer admitted they were turning off.
“I tried watching Power but it’s so grim that I’ve switched over to a repeat of Simon Schama’s History of Britain,” they shared.
“That’s it I have had to turn off this Huw Edwards programme,” said someone else.
Another viewer described the programme as feeling “dark and ominous”.
Numerous viewers also commented on Martin’s depiction of the former newsreader, saying he “nailed it”.
“Clunes is playing a blinder as Huw Edwards,” one individual remarked, whilst another added: “Martin Clunes is giving a career-defining performance. A disturbing, but compelling, portrayal of Huw Edwards.”
“Clunes is really pulling this off,” observed another, with someone else stating that the Doc Martin star’s performance was an “absolute tour de force”.
“Martin Clunes is formidable in his portrayal of Huw Edwards,” praised another impressed viewer.
Power: The Downfall Of Huw Edwards airs on Channel 5.
Some viewers have dubbed the new documentary a ‘wake up call’
Samantha King Content Editor
18:25, 18 Mar 2026
The documentary only arrived on Netflix on Monday (March 16)(Image: Netflix)
A brand new documentary just added to Netflix has been dubbed a “wake up call” by terrified viewers.
The Plastic Detox arrived on the streaming service just this week, exploring the impact of exposure to everyday plastic items such as clothing fibres, cosmetics and kitchen tools on human health and fertility.
The feature-length film centres around six couples who are all trying for a baby. They all have one thing in common: they have been unable to conceive, with some of the pairs having spent years trying unsuccessfully to make it happen.
They are tasked with lowering their exposure to plastics over the course of three months supported by scientists and researchers to see if doing so can turn their fortunes around.
Netflix’s official synopsis reads: “Strange symptoms. Unexplained infertility. Human extinction? Six couples cut back on plastics while trying to conceive in this absorbing documentary.” The film is directed by Louie Psihoyos who was behind 2024 Netflix documentary, You Are What You Eat: A Twin Experiment.
Viewers have been quick to flood social media with their first thoughts about the documentary, with one warning fellow viewers: “I was not prepared to be so enraged and also disgusted. So many chemicals. In everything. All the time. Just watch at your own risk.”
A second said: “Everyone needs to watch this. It’s a wake-up call,” as a third remarked: “I just made the grave mistake of watching The Plastic Detox on Netflix and that was a mistake. I mean, it wasn’t, but it was. I would not recommend if you’re a spiraller… because, wow.”
Environmental and reproductive epidemiologist Dr Shanna Swan who appears in the documentary, told Netflix’s Tudum: “I think it empowers people to know that they can do things to protect themselves, at least if not completely, to a large extent.
“And that’s what the film really shows — when these couples took action and reduced their exposure, they saw differences.”
At time of writing, it has been revealed that three of the six couples that took part in the experiment have since gone on to become pregnant. One of the couples, Monique and Bruno, are actually expecting their second baby at the end of this month.
As well as seeing a difference in fertility, the couple shared that they had seen a huge impact in their overall health too. They shared with Tudum: “We sleep better, our skin is less dry, and Bruno’s extreme eczema has decreased considerably.”
The Plastic Detox is now available to stream on Netflix.
Other money-saving tips include leaving jewellery and laptops in the UK
12:02, 17 Mar 2026Updated 12:03, 17 Mar 2026
Britons urged to ‘leave watch at home’ this summer to save hundreds
Specialists at travel insurance firm Staysure have revealed the key factors that determine insurance prices and provided guidance on cutting costs when arranging your travel cover this summer. Travel insurance premiums can vary considerably depending on numerous factors, including existing medical conditions, age and your chosen destination.
Luckily, holidaymakers can slash costs by avoiding travelling with expensive valuables. The travel specialists recommended always “leave expensive valuables such as laptops, watches and jewellery at home”.
This is because “adding protection for valuable items, such as cameras or precious watches and jewellery, will push premiums higher”.
“If you need to insure expensive gadgets like cameras or valuables like watches and jewellery, your premium will be higher as there are pricier sums involved.
“Travelling without these items can help to lower the cost of your travel insurance policy and means you are at less risk of losing them,” reports the Express.
Premiums increase with age due to higher illness risk, especially for those aged over 65. Existing medical conditions are equally important as they raise the probability of needing emergency medical care abroad.
The specialists emphasised it is vital to consistently “declare all of your pre-existing medical conditions to ensure your policy is valid, should you need to make a claim”. Trip length and location also affect insurance costs, as extended holidays raise the chances that travellers might need emergency medical care.
Cover works out cheaper for countries deemed low risk, such as Spain, whilst high-risk destinations such as Sri Lanka may attract higher premiums due to repatriation costs.
The experts recommended opting for a lower-risk destination to cut expenses. “A change of country could save you hundreds. For example, a holiday to Paris will usually cost you less in insurance premiums than a trip to New York.
“It’s also important to check the country you are travelling to will be covered by your travel insurer. Some places in the world are considered too high risk.”
