American rookie Jackson Koivun held his nerve to beat Scottie Scheffler by three strokes and claim his first PGA Tour win at the 3M Open on Sunday.
Playing in just his third tournament since turning professional, Koivun surged into a three-shot lead on Saturday during a round of 10-under 61.
The 21-year-old then stretched his lead to five in the final round at TPC Twin Cities in Minnesota, before world number one Scheffler applied pressure.
The four-time major winner began the back nine with three straight birdies, then claimed two more in the final three holes to finish with an eight-under 63 and trail compatriot Koivun by two strokes.
Former world amateur number one Koivun could have wobbled at that point, with holes left to play, but instead he made his fifth birdie of the day at 16 before wrapping up a five-under 66 to finish on 25 under par overall.
“I had some nerves coming down 18,” said Koivun. “All throughout the crowd I kept hearing ‘Scottie’s coming, Scottie’s coming’.
“I just tried to tune that out and keep playing the golf I knew I could and was able to find some good putts coming down the stretch.”
American trio Denny McCarthy, Brian Harman and Chandler Phillips finished five strokes behind Koivun, in a tie for third with Japan’s Hideki Matsuyama.
PARIS — Tadej Pogacar confirmed his status as one of cycling’s all-time greats after winning a record-equaling fifth Tour de France title in emphatic style.
Daring mountain attacks from deep, multiple stage wins and an ice-cool temperament all helped the 27-year-old Slovenian seal his victory on Sunday. He joined Belgian Eddy Merckx, Spaniard Miguel Indurain and Frenchmen Jacques Anquetil and Bernard Hinault as the only riders to win five Tours.
“I’m speechless. It’s an incredible day, there was an incredible atmosphere,” Pogacar said. “I’ve ridden seven Tours already and I’ve always finished on the podium. You might think this is a fairy tale, it’s incredible for me too.”
After competing strongly in Sunday’s 21st and exciting final stage in Paris, Pogacar finished 6 minutes, 26 seconds ahead of Belgian rider Remco Evenepoel in the overall standings.
Two-time Tour champion Jonas Vingegaard was Pogacar’s main rival heading into the race but the Dane crashed out on the 15th stage.
“Shame that Jonas and others crashed out of this Tour,” Pogacar said. “I hope we can all fight again next year.”
Pogacar’s UAE Team Emirates XRG teammate Isaac Del Toro, a 22-year-old Mexican making his Tour debut, was third at 9:42 back from Pogacar, who smiled and held up his hand to signify his wins. His teammates then joined him as they stood proudly on the Champs-Élysées.
“I don’t know how I do it,” Pogacar said. “I now have to find a new goal to chase. Which goal? Let’s just not jump ahead of ourselves, and enjoy this moment.”
Pogacar won the Giro d’Italia in 2024 but has not won the Spanish Vuelta, which starts on Aug. 22.
“Will I be at La Vuelta in a few weeks?” he said. “Let’s see.”
Peerless Pogacar
Pogacar won five stages at this year’s race to take his impressive tally to 26 overall.
He tried to win on Sunday, too, but victory ultimately went to Dutchman Mathieu van der Poel, who just held off the chasing pack on the home straight for his second stage win at this year’s race and fourth overall.
Sunday’s 55-mile stage looped around Paris and was mostly processional, although less so than in previous years, which were usually entirely flat stages for sprinters and not for the rest of the peloton.
The stage was shortened and its starting point in Thoiry, west of the capital, was changed to Paris so as to reduce pressure on emergency services combating wildfires in the southwest. Some security forces initially mobilized for Paris were redeployed to help response efforts.
For the second straight year the stage featured the hugely popular uphill climb through the Montmartre district, a sharp 0.62-mile dash which riders tackled three times before finishing on the Champs-Élysées.
It proved even too much for Pogacar, who could not match Van der Poel’s raw power in the closing stages.
Shortly before 6 p.m. local time, Pogacar shook hands at the start line with Evenepoel and Ecuadorian veteran Richard Carapaz, wearing the polka-dot jersey for the best climber.
“I battled hard to win this jersey, it was a great fight,” the 33-year-old Carapaz said. “It’s the best feeling to win it.”
Exciting finale
Van der Poel and Dane Mads Pedersen, the green jersey winner as best sprinter, were among the expected contenders for the stage win.
Crowds roared as the riders began the first climb up Rue Lepic in Montmartre, with the famed Sacré-Coeur basilica looming over them.
Pogacar moved ahead after the second ascension of Montmartre, with Van der Poel, Evenepoel and Pedersen alongside him.
Van der Poel attacked on the third and final climb with Pogacar responding well, and the one-day classics rivals surged ahead.
But they were caught with 700 meters left and, after Pogacar faded, the 31-year-old Van der Poel still had work to do.
He got his bike just over the line ahead of Belgian Jasper Philipsen, his Alpecin-Premier Tech teammate, and Pedersen. Pogacar eased up and finished 30th.
“I thought the sprinters would catch us up so I launched [my attack] from very far away,” Van der Poel said. “I gave everything I had left in my legs and it was just enough.”
Cycling pedigree
Van der Poel is widely considered one of the best cyclists in the world. He has multiple victories in one-day classics and Cyclo-cross world championship titles, and is also a former world road race champion.
His father Adri van der Poel won two stages on the Tour in the late 1980s.
His maternal grandfather was French cyclist Raymond Poulidor, who raced in the 1960s and ’70s, finishing second on the Tour three times and third five times. Nicknamed “Poupou” and “The Eternal Runner-up,” he was adored by French fans.
Women’s Tour
The nine-stage women’s Tour starts in the Swiss city of Lausanne on Aug. 1 and finishes in Nice on Aug 9.
Frenchwoman Pauline Ferrand-Prévôt won on debut last year.
One of the most entertaining riders in the race was Ecuador’s Richard Carapaz of EF Education-Easypost. He toiled earlier in the race before coming into great form to claim the king of the mountains’ polka dot jersey.
He won stage 18 and Saturday’s stage 20 after topping the race’s highest point first and after 5,450km of climbing.
The green points jersey was awarded to Pedersen of Lidl-Trek, after tenacious riding on climbs he is not typically strong on to hoover up mid-stage points, alongside winning stage four.
He beat a number of sprinters to the jersey, including Japser Philipsen of Alpecin-Premier Tech. Philipsen won stage 17 and fellow Belgian Tim Merlier of Soudal-Quick Step won three bunch sprint stages.
Tour de France stage 21 results
1. Mathieu van der Poel (Ned/Alpecin-Premier Tech) 1hr 58mins 49secs
2. Jasper Philipsen (Bel/Alpecin-Premier Tech) same time
3. Mads Pedersen (Den/Lidl-Trek)
4. Max Kanter (Ger/XDS-Astana)
5. Olav Kooij (Ned/Decathlon-CMA CGM)
6. Matej Mohoric (Slo/Bahrain-Victorious)
7. Rick Pluimers (Ned/Tudor Pro-cycling)
8. Anthony Turgis (Fra/Total Energies)
9. Milan Fretin (Bel/Cofidis)
10. Clement Russo (Fra/Groupama-FDJ United)
Tour de France general classification after stage 21
1. Tadej Pogacar (Slo/UAE Team Emirates-XRG) 73hrs 56mins 26secs
On Saturday at Dodger Stadium, as the sun dipped below the horizon, Fuerza Regida took center stage for a career-defining show, delivering cinematic time-travel segments and hints of off-stage controversy.
The Mexican American band joined an illustrious list of legendary acts — Elton John, the Beatles, Michael Jackson and Beyoncé to name a few — to perform at the iconic venue built on Chavez Ravine, the shallow canyon that served as home to thousands of Mexican American families forcibly displaced in the 1950s for the sake of progress.
In June, the San Bernardino quintet kicked off its This Is Our Dream stadium tour across nine U.S. cities to close out its manifestation project “111xpantia.” The 2025 LP peaked at No. 2 on the Billboard 200 inMay 2025, becoming the highest-charting Spanish language album by a duo of band ever. It also comes a year after the band sold out the Madison Square Garden and the Hollywood Bowl in consecutive nights.
But the stadium tour — which will end Aug. 7 in New York’s Citi Field — does more than showcase the band’s recent mainstream success. It honors the years of grit it took to get there.
“It’s proof that dreams are worth chasing, fighting for, even when it feels hard or impossible,” said Khrystian Ramos, the band’s rhythm guitarist.
As part of the set design, a massive prop car stereo was affixed atop the stage. Inspired by the 1985 film “Back to the Future,” it doubled as a time traveling machine. But instead of a DeLorean, the band opted for a Chevrolet 454 SS pickup truck, a car that symbolizes the American dream for lead singerJesús Ortiz Paz, better known as JOP, and is largely associated with the group’s corrido forefather, the late Chalino Sanchez.
The first stop in Fuerza Regida‘s journey to the past was 2018, as the band performed its breakthrough hit, “Radicamos En South Central,” a song about gradually building a drug empire that went viral on YouTube. Shortly after its release, the band signed with independent label Rancho Humilde and followed up with “Sigo Chambeando,” a bouncy corrido that embodies the band’s “never stop hustling” ethos.
It’s a mindset that has served them well.
The more than a decade-long road to selling out Dodger Stadium certainly wasn’t easy for the corrido tumbado band, which formed in 2015 and first built a fan base by performing cover songs at local parties across the Inland Empire. .
Jose “Pelon” Garcia, left, Jesus Ortiz Paz and Khrystian Ramos of Fuerza Regida perform during their This Is Our Dream Stadium tour at Dodger Stadium on July 18 in Los Angeles.
(Carlin Stiehl/For De Los)
“We got kicked out of a gig one time. The guy literally told us that he didn’t like our music,” said Ramos. “That drive home was a key moment in our career. It showed us that it’s not all stars and rainbows.”
Ramos started the band alongside the band’s 12-string guitarist, Samuel Jáimez. The two met at martial arts school as kids and kept in touch in the years that followed, jamming out together after their 9 to 5 .
The band’s name was originally Raimez — a portmanteau of Ramos and Jáimez— but was later changed to accomodate the arrival of lead singer JOP.
“I remember exactly [where we came up with the name]. We’re driving down the 10 passing Mount Vernon Avenue,” said Ramos. “Fuerza Regida, a governing force. Wherever you step, the presence is felt.”
That certainly was the case on that warm July evening as the more than 56,000 fans in attendance chanted the band’s name in unison.
“Not in a thousand years, I didn’t see it until it crept up. It was like alcohol,” said Jáimez about the band’s global success.
Sousaphone player José García, also known as Pelon, never imagined that leaving behind a steady job to pursue his musical dreams would pan out like this.
“I worked in construction Monday through Friday and we had gigs with Fuerza Thursday, Friday, Saturday and Sunday. I practically had two jobs,” said García. “I had life insurance. I had benefits, 401(k), all that. So I left a really good job so I could join Fuerza Regida.”
In 2022, the band added its fifth member, Moisés López, who plays thetololoche — a small upright bass. López, who contributed to the 2020 track “Vamos Bien” as a bass player, said that JOP had asked him to learn the instrument if he wanted to stay with the group. “He bought me it. I picked it up real quick and from there it’s history.”
Jesus Ortiz Paz, left, and Moises Lopez of Fuerza Regida perform during their This Is Our Dream stadium tour at Dodger Stadium on July 18 in Los Angeles.
(Carlin Stiehl/For De Los)
At the concert, the time machine took attendees back to 2022, Fuerza Regida’s bélico era marked by the corridos “Billete Grande” and “Igualito A Mi Apá” as well as its gentler viral hit “Bebe Dame,” the first Fuerza Regida song to reach the Billboard 100, peaking at No. 25.
“We went from clubs to theaters to arenas. I’ve never thought we would get this far,” said López. “We’ve always said hard work beats talent.”
But it isn’t just drive that has shaped Fuerza Regida’s career — time and time again, the band has proved to be adaptable and experimental, always evolving its sound and drawing from a wide range of influences.
2023 saw the release of “Pa Las Baby’s y Belikeada,” a party record that fuses trap, pop and EDM, and features the player anthems “TQM” and “Sabor Fresa”; to complement the womanizer themes of the record, there was a baddie camera on stage, which panned to women in the audience.
As the band sang its 2023 ballad “Una Cerveza” — a song about getting drunk to forget a lost love— a girl across my way called her ex and lifted her phone up in the air so that he could hear its heartbreaking lyrics. Then she hung up.
The Dodger Stadium show felt like a massive celebration, not just for the band but for música mexicana as a whole. Special guest performances throughout the night included Los Gemelos de Sinaloa, Calle 24, Chino Pacas, Clave Especial and Chuyin — acts that have helped fuel the meteoric rise of the genre.
“I’m proud and grateful that la raza is finally doing it. We’re here to stay,” Jaimez said.
Though the show focused on Fuerza Regida’s past, there were also hints of what’s to come. The band’s relationship with its record label Rancho Humilde has become acrimonious and litigious. In recent months, JOP has repeatedly accused founder Jimmy Humilde of withholding royalties and sabotaging the band. In turn, the record mogul has claimed that the band is not fulfilling its contractual obligations. A bitter divorce feels imminent.
“The internet tells a lot of lies. False news. That supposedly someone won a lawsuit. But that lawsuit is still underway and we know who will win,” JOP told the audience before singing “Triston,” a track released at the start of 2026 that was immediately pulled from the streamers. “They took this song off the platform but they can’t stop us from singing the song here.”
If we take it as read that the better the view, the worse the cooking, then by rights south Wales’s Gower peninsula should be a culinary desert. The first time I visited almost 15 years ago, I was unprepared for its loveliness – back in 1956, Gower (never the Gower, as locals were quick to correct me) was the first place in the UK to be designated an area of outstanding natural beauty, and though the peninsula abuts the country’s second city, Swansea, it still feels profoundly rural. Crisscrossed by narrow lanes flanked by towering hedges and ancient churches, it’s a great place to cycle, to drive, and above all to walk up an appetite.
Indeed, it’s been a long-held ambition of mine to hike the 43 miles of the Welsh Coast Path from Mumbles to Loughor. Sadly, it remains just that because on this latest trip I spent considerably more time chomping than yomping … though in fairness I was on a research mission for a walking trip with a friend here later in the summer, because as a food writer and semi-professional glutton, I never like to head anywhere unprepared.
With this in mind, and another friend on hand as a chauffeur, Wilf the dog and I began our investigations in Mumbles, where Swansea thins into a pretty seaside village of colourful Victorian villas culminating in a magnificent, privately owned pier. (A few years ago, a visiting Prince William observed to owner Bert Bollom, the third generation of his family to run it, that this was an unusual career choice. Bert shrugged that he’d inherited the job from his dad. “Tell me about it,” he recalls the prince sighing.)
Though the pier is undergoing restoration work, there’s a good view of the “crown of the Bristol Channel” from another Bollom enterprise, On the Rocks, a steak restaurant with a terrace jutting over the foreshore that’s no doubt a terrific place for a sundowner. But, I tell myself sternly, when you’re starting a walk you need to put one foot in front of the other, not sit around drinking, especially as the friend I plan to come back with later in the summer is happily, if rather inconveniently, pregnant.
Crab sandwich at the Gower Seafood Hut in Mumbles.
There’s thus not much point in returning to the Gower Brewery Taproom, despite the warm welcome and dog biscuits we receive on this occasion – I’ll probably suggest we stop instead at Joe’s, the local cult masquerading as an ice-cream parlour. (Vanilla, freshly churned in-house daily, is the only move here. Unless you’re under the age of 10, do not waste your time on other flavours.) Thankfully, the expectant one is past the nauseous stage, so I can also steer her in the direction of the crab sandwiches (local sourdough and deliciously salty Shirgar butter) at the Gower Seafood Hut with a clear conscience – depending on the time of day, it might also feel appropriate to fortify ourselves with a helping of fried whitebait or cockle popcorn before joining the coast path, particularly as Chris Price, who mans the stoves, has, according to co-owner Sarah Kift, already walked much of it himself.
That said, I reckon I’ve got the fuelling part of the route covered; for a start, there’s another ice-cream parlour, Fortes, just round the headland in Limeslade Bay. From the neat beach huts of Langland to the golden sands of Three Cliffs Bay, however, the sites are more prehistoric than edible (tasty as the Bacon Hole cave sounds, the nearest it gets to cured meat is its hoard of ancient narrow-nosed rhinoceros and straight-tusked elephant bones, now 200 miles away in the British Museum). Take a brief detour into the village of Southgate though, and you’ll happen upon a brilliant Greek cafe – I didn’t anticipate tucking into a sugar-dusted bougatsa custard pie and a punchy little coffee in The Gower Deli, but this place is full of surprises.
Sometimes they come too thick and fast even for my boundless appetite: just 20 minutes inland from Three Cliffs, if you follow the lazy meandering waters of the Pennard Pill past the ruins of a Norman castle, sits the Gower Heritage Centre. Clustered around a 12th-century water mill, it boasts a cider press, organic community agriculture project, sauerkraut producer, jewellery designer and bike shop plus – and the jewel in its crown as far as I’m concerned – the superb Little Valley bakery, whose traditional Gower loaf is produced using the mill’s barley flour. They also make ridiculously flaky pasties, focaccia sandwiches, huge cookies and excellent viennoiserie – in short, a rambler’s dream.
The Beach House restaurant in Oxwich on the Gower.
From Three Cliffs, it’s about another five miles along the coast to Oxwich. If you make one reservation for your Gower trip, make it at the Beach House there. Admittedly, given its Michelin star, one might not want to wander in directly from the path in quick-dry hiking sandals, but our welcome couldn’t be warmer, despite Wilf’s rather over-effusive manner (the terrace is dog-friendly, as is one table inside, which you can bet your boots I will be booking well in advance).
A Michelin-star dish at the Beach House restaurant in Oxwich.
From our seats, we can see the two boats that supply the restaurant with lobster. “They belong to Paul and Jim,” says chef Hywel Griffith. “Every morning, I text them what we need that day.” The lamb is from the North Gower salt marsh; the seaweed in the laverbread rolls (a clever play on the traditional puree) from Selwyn’s in Pen-clawdd; and the dessert, a malted mousse with wood sorrel and fermented pine syrup, is the single most delicious thing I’ve eaten since Sarah Kift’s crab sandwich.
Five more miles brings us to Port Eynon, whose chief attraction on this visit is the tiny, genuinely artisan Gower Gin Company – having enjoyed one solo guided tasting with my designated driver and the teetotal terrier, I’ll pass on another with a reluctant abstainer. It’s six more miles to Rhossili, once, somewhat absurdly, declared the “ninth best beach in the world” by TripAdvisor. What’s not up for debate is that it’s 3 miles long and stunning.
Sunrise over Mumbles lighthouse and privately owned pier. Photograph: leighcol/Getty Images
Thanks to the National Trust, it’s also untouched by the grubby hand of commercialism, so should you be peckish, pause at the aptly named View cafe before you descend the cliff. Offering colourful vegan “power bowls” (popular with the surfing crowd apparently) and homemade falafel alongside the rarebit and bara brith, the only packaged food in sight is a bag of locally produced dog treats I’m bullied into buying for my elderly companion who, despite a brisk trot down to the Worms Head Coastwatch station beforehand, is in no mood to obey the house rule that “shouting is not permitted”.
Turn the corner on to the north coast, and you’re faced with Whiteford Sands, yet another broad expanse of golden gorgeousness with great cooking attached in the form of the Britannia Inn in Llanmadoc, where the salt marsh lamb croquettes at the bar drive the tiny diner under the table to distraction.
Fortunately, I don’t have to test Wilf’s restraint on the living, bleating thing on this occasion, as the remaining seven miles of the route – through the marshes to Pen-clawdd, – will have to wait till next month. When we finally get there, however, I will insist on stopping at the Gower Brewery to toast our achievement. I’ve even road-tested their Zero beer in preparation. As I said, I like to plan ahead.
Jon Bon Jovi’s “Forever” tour stop was cut short after the singer said he needed to cool it.
Nearing the end of his nine-show residency at Madison Square Garden on Thursday, the 64-year-old rock icon apologized to fans when he had to pull the plug nearly an hour early.
Just before launching into “Livin’ on a Prayer,” he told the audience in a raspy voice, “I am the most grateful man in the world right now because I know I’m letting you down, and it’s not like me to do that. I feel f— great, but I’m gonna do one more song. I’m gonna need your help. I might have to cool it because I’m f— hurt.”
He performed the 1986 megahit, with the audience belting the chorus in his place toward the end. Bon Jovi then said, “I’m sorry, I’ve got to go. Stay tuned.”
“I’ve got to cool it,” he continued. “It’s just not going to get any better. Don’t throw away your ticket stubs. I’m gonna figure something out, OK? Just hold onto it, we’ll figure out how to reschedule.”
Bon Jovi embraced his band mates in a group hug before heading off stage.
Representatives for the “Bad Medicine” rocker told The Times that the concert ran for 90 minutes before ending.
“Jon Bon Jovi spoke from stage and told fans he has been battling a sinus infection, which led to the show’s early ending,” the statement continued. “As part of the Bon Jovi residency at Madison Square Garden, Jon has said numerous times that it has been a joy to return to live shows for the band.”
Bon Jovi’s “Forever” tour is the first since the namesake frontman had surgery to repair a vocal cord injury in 2022.
The tour kicked off July 7 at the New York City venue and then will head overseas for a series of international stadium dates, including stops at Scottish Gas Murrayfield Stadium in Edinburgh on Aug. 28, Croke Park in Dublin on Aug. 30, and a three-night stand at Wembley Stadium in London on Sept. 4, 6 and 9.
In 2024, Bon Jovi spoke on a Hulu panel in support of his docuseries “Thank You, Goodnight” and revealed that one of his vocal cords was “atrophying.”
“I pride myself on having been a true vocalist,” the musician said. “I’ve sung with Pavarotti. I know how to sing. I’ve studied the craft for 40 years. I’m not a stylist who just barks and howls. I know how to sing.”
“So when God was taking away my ability, and I couldn’t understand why — I jokingly have said the only thing that’s ever been up my nose is my finger — you know, so there’s no reason for any of this,” he added.
The same year, he told The Times that his voice was a “work in progress.”
“I’m an athlete coming back from an injury — Kobe Bryant with his Achilles torn off. Before I got on the plane this morning, I was at vocal therapy. The goal is 2½ hours a night, four nights a week,” he said.
In June, he told People that he was fully recovered. “It was longer than I’d ever expected, but it had to be right. We never lost faith.”
Kevin Lyman has always lived life on the move. For years it was a symptom of working to keep up with Warped Tour, a punk rock circus on wheels. Since bringing the festival back last year to celebrate its 30-year anniversary, he’s switched his mode of transport from buses to planes. What started as a two-month tour across the U.S. and parts of Canada is now a strategically placed, five-date extravaganza starting this weekend in Long Beach. With stops in Montreal, Mexico City, Orlando and Washington, the tour has gotten bigger with the partnership of EDM promoter Insomniac but Lyman insists that the soul of it remains the same.
Thriving on a mix of punk, emo, ska, hardcore, metal and action sports, Warped has become an entry point to festival culture for a new generation of fans, requiring Lyman to always move forward in his musical tastes while still trying to stay true to the essence of what made Warped more of a community than just an annual event.
Recently he chatted with The Times to discuss the process of continuing the fest’s revival and why it’s still a vital part of the summer festival ecosystem.
What were your initial thoughts after Warped Tour’s big comeback in Long Beach last year?
I was really nervous. To be honest, I knew I had one shot at getting it right. I knew there were going to be bigger stages, we were going to have video and lights, but I also knew that I had to make it feel like Warped Tour between the performances. So that little bit of controlled chaos we had between the stages — the merch tents, all the sponsorship booths, the skate ramps, the surprises we threw out each day — I think it was mission accomplished. The feedback overall has been fantastic from the fans. For some people closer to my age demo, maybe it was a little too much — their feet hurt. But Warped came back strong, we went back on sale [for 2026] fairly quickly, and to still have 50% of the people buy the tickets right away without knowing a band on the bill yet was great.
Jimmy Eat World is doing like their 25th anniversary of “Bleed American” at the fest this year. What does it mean to you to have some of those early Warped Tour bands like that on the bill again?
It felt good to have a lot of those bands. For me, one of the more emotional ones last year was Rise Against. They had such a big moment. They were such a part of Warped Tour, and you get them to come back and then watch that crowd, every phone went up in the crowd, and probably 50% of the people there had never seen them before.
“I’ve been a disruptor, and the disruption I’ve caused has attracted enough people. Now we’re a niche of people,” Lyman says. “Warped is a great niche.”
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You’ve always had your own way of doing things that created the culture of Warped Tour. Why do you feel it is still so vital in the festival ecosystem today?
I had to carve a niche out for myself in the industry. I was never going to really quite conform. I kind of came from that rebellious spirit that Goldenvoice instilled in me back in the ‘80s when I worked for them, and Gary Tovar was rebellious. So I’ve always kind of had that mentality of, “Hey, let’s go against the norm. Let’s make it something our own.” And even when I’m teaching at USC now, I say you have to learn the foundations of every business. And those foundations, to me, were working 12 years in the clubs of L.A., 320 nights a year, and then you have to make something your own. I always say when you decide to go for it — go for it. And I did, and it seemed to connect with enough people and resonated with enough people that I’d been around that said, “Wow, this is different. He needs to work on it. But instead of knocking him down, let’s support him.”… I’ve been a disruptor, and the disruption I’ve caused has attracted enough people. Now we’re a niche of people. Warped is a great niche.
How did you keep Warped on people’s minds year-round while you were planning it out this year?
That was a challenge because before we used to have the two-month tour, so we were able to build community to keep the conversation going. Community is a big driver for me. Everything we’re doing now is investing in the community, and I think it’s working. [In January] we had a downtown Long Beach event with the band Holy Wars, we had an event in Orlando. We had one event in a fraternity house backyard in Virginia, we had events in Mexico City and Montreal … canned food drives, blood drives or, you know, register to vote. We’ll drop those kind of events so we’re constantly in everyone’s mindset. And it’s not about monetizing. I think people are always asking “How do you monetize the superfan?” I’m like, “How do you reward them?” Giving people a free Sunday afternoon event in Long Beach, that’s a thank you. Those are the people that are going to spread the word when you post a video, they’re going to share it with all their friends, and then they’re going to be telling kids at their schools. A third of the people going to Warped had never been to a festival or even a concert before, so we need to engage them in a different way.
What are your ways of scouting out bands you want to take a chance on when booking the festival?
Well, I have a great booker named Amanda Phelan. She books with me, so she’s kind of that on the ground talking to the agents and things. I don’t necessarily do that much anymore. I talk to them, but my part is more like, “Oh, I want to see what bands other bands are talking about, or young people are talking about.” And then I’m also talking to lots of the independent promoters out there that you know I used to work with.
Why do you think younger generation of fest goers will keep discovering Warped Tour?
We used to be that festival where you know it was over by sunset, your mom could pick you up at the curb or you could get home by dark, and then you went off to other festivals. We were your entry point to festivals. We may be that entry point again, but a lot of it now will come down to price point. We know the economics of Warped Tour are conducive for people that want to go on two levels: ones that want to come and explore a festival, and other ones, maybe some of your peers, who don’t get to go out every night and see bands anymore because they all have real jobs and things. But they can go for one for two days and catch up on all music, which makes you feel like you’re staying young.
On stage at Red Rocks Amphitheatre in Colorado, a far cry from the sweaty basement punk shows of the band’s early days, Jimmy Eat World played breakthrough power pop hit “The Middle” as the sold-out crowd sang along with the final chorus that “everything will be all right, all right.”
“It really is incredible to us to think about everyone who bothered to spend time with this record and made something of it for themselves over 25 years. This is your guys’ record as much as it’s ours, really,” singer-guitarist Jim Adkins said from the stage.
The band, which has generally shied away from nostalgia plays over its 30-plus year career, is performing the platinum-selling “Bleed American” album in its entirety on tour this summer, including a stop at Warped Tour in Long Beach on Saturday, a matching bookend to the band’s original promotion of the album.
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“It solidified us as, ‘This is what we do. Let the day job go.’ It turned into full-time rock and roll. And that moment only happens once, so it felt appropriate to honor it at 25,” bassist Rick Burch said backstage before the band’s Brooklyn tour stop in June.
Released on July 24, 2001, “Bleed American” was one of the last great rock records of the monoculture, arriving months before Apple’s iPod launched and made shuffle the default and 15 years before streaming became the dominant way to consume music.
“When ‘Bleed American’ took off it was right at the transition of the internet,” says Jim Adkins.
(Evelyn Freja / For The Times)
A hit with Hollywood roots
Just over a quarter of a century ago, four guys from Mesa, Ariz., came to L.A. to record their fourth album.
Jimmy Eat World’s Adkins, Burch, drummer Zach Lind and guitarist Tom Linton earned recording money between tours by working construction, driving around car dealership customers and selling art supplies and auto parts.
The band had cut ties with Capitol Records after 1999’s “Clarity” — a sweeping, lush and highly influential work highly regarded by their contemporaries that would inspire third-wave emo superstars including My Chemical Romance, Fall Out Boy and Paramore — that the major label had no idea how to market, even after “Lucky Denver Mint” got pickup on L.A.’s alt rock tastemaker KROQ-FM.
“If that song would have been on ‘Bleed American,’ that would have been a No. 1 song,” said Jim Suptic, of Kansas-based second-wave emo band the Get Up Kids, who have been on the “Bleed American” anniversary run. Suptic said that he was inspired to start the band after seeing Jimmy Eat World live in the mid-’90s.
With the band’s tight budget, producer Mark Trombino, who produced “Clarity” and predecessor “Static Prevails,” worked with the band for free in L.A., banking on the future success of the album. After recording drums at Cherokee Studios, the band relocated to Harddrive Analog & Digital Recording in North Hollywood to make the bulk of “Bleed American.”
“The studio was so small, it didn’t have a lounge,” Lind recalled.
But there was a bus stop outside they used instead, where they would hang out with “an assortment of characters,” Adkins said.
He and Lind commuted to the Valley from Redondo Beach, where they crashed on the floor of Lind’s brother’s place. Linton fondly remembers the great food in the city and hanging out with friends in other bands while Burch spent downtime skateboarding in L.A.
Even without the cash or support from a label, recording “Bleed American” didn’t feel like a do-or-die moment for the band’s future.
“We just kind of figured we might have to go out and just release this ourselves. Let’s just do the best job we can, and be happy with what we put out,” Linton said.
But with the buzz growing around the new music, record labels came calling.
‘The Middle’ meets the moment
By the time the album dropped in July 2001, the guitar-heavy snarling title track of “Bleed American” had already been in regular rotation on alt-rock stations for a month.
After a stint on the Warped Tour, Jimmy Eat World set out on a U.S. headlining tour in the fall, with Hey Mercedes opening.
“I remember that tour in particular, them sort of really finding their confidence in their voice and their shows and their performance and the whole package. And this was before ‘The Middle’ really broke, but I could tell that they were really firing on all cylinders,” said Hey Mercedes singer-guitarist Bob Nanna, whose influential emo group Braid first played with Jimmy Eat World in 1998.
The album landed on the Billboard charts three weeks after its release, and while its peak position was 31, it remained on the chart for 70 weeks. (A couple of months after the Sept. 11, 2001, attacks, the name of the album was changed to “Jimmy Eat World” on pressings before reverting to the original title in 2008.)
“When ‘Bleed American’ took off it was right at the transition of the internet,” Adkins said.
By 2002, “Bleed American” was taking off due to the popularity of the song “The Middle.”
(Scott Gries / Getty Images)
The media landscape hadn’t yet transformed. Rock music magazines like Spin, NME, Alternative Press and Kerrang! were thriving. The band made the rounds on the late-night talk shows as “The Middle” video clip played on MTV’s popular show “Total Request Live.”
“Things hadn’t splintered out into a zillion niche locations just quite yet,” Adkins said.
By March 2002, “The Middle” had hit the Billboard charts, where it climbed to No. 5 by the summer and spent 33 weeks on the Hot 100.
“They were a real band that had a radio hit, and not a radio band reverse engineered,” the Get Up Kids’ Suptic said.
The success was surreal for the band members as they heard the song on the radio, in restaurants and the gym. Today, you can still summon an entire generation with the opening guitar melody.
“I understand why that song has resonated,” Lind said. “I think there’s a few themes in the album that resonate with people in times when things are going tough. You know, ‘The Middle’ is definitely one of those songs that so many people have found encouragement from, whether they’re dealing with a breakup or going through cancer.”
“It seems like one of those songs that people have used to feel better and I think that’s obviously really powerful.”
“It solidified us as, ‘This is what we do. Let the day job go.’ It turned into full-time rock and roll,” says bassist Rick Burch about the success of “Bleed American.”
(Evelyn Freja / For The Times)
Here we are now
But the fans selling out the tour dates around the U.S. know much more than the hits, singing along to the deep cuts after traveling hundreds of miles to get to the show, in some cases.
Fans traveled from states like Michigan and Texas for the tour kickoff at Red Rocks in Colorado.
Robie O’Donnell took the train up to New York from the Washington, D.C., area to take his 12-year-old daughter to her first Jimmy Eat World show. The Brooklyn show was his 25th after he discovered them in the late ‘90s from a recommendation on the Get Up Kids’ website.
Behind him in line hours before doors opened was Jane Kung, who was only 8 when “Bleed American” was released and got into it when she was in high school. She didn’t want to miss the chance to hear it live.
“The fact that so many people wanted to come see this is something I didn’t expect,” Adkins said about the tour.
The fans get a chance to geek out over the rarely-played deep cuts from the album, like “Your House,” which required a revamp because of the studio work on the song, and the live debut of “(Splash) Turn Twist,” which was on the Japanese import of the album. Even louder than the sing-along to “The Middle” is the call and response from the crowd on the album’s second-biggest hit, “Sweetness.”
“Having this piece that we’ve created be embraced by so many is a very accomplished feeling,” Burch said.
Nanna even ventured into the crowd after Hey Mercedes opened the Brooklyn show, singing along to “A Praise Chorus,” the band’s crunchy guitar-filled love letter to rock music, among others.
“The world is a tough, s— place now and to have these moments where everybody can sing along to something that’s just pure joy was really soul enriching,” he said.
A CONTROVERSIAL US rock star has cancelled his European tour after revealing he’s “wildly sick”.
Singer Ryan Adams, 51, also shared that he is selling all of his prized possessions after falling on hard times
Singer Ryan Adams has cancelled his European tour as he is ‘wildly sick’Credit: Getty – ContributorThe star is also selling off his belongings as he is ‘broke’Credit: Getty – Contributor
Announcing the news that the star had pulled out of his tour dates, his promoter posted: “Due to circumstances beyond our control, the upcoming Ryan Adams European Tour has been cancelled.
“We apologize to all those who bought tickets and were excited for these shows.
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“Refunds will be processed automatically and if you have any questions please contact your point of purchase.
“Ryan is doing ok and working hard to finish the new album trilogy. New music on the way.”
Ryan re-posted the statement and wrote: “Tough times. Been sick. Fall tour cancelled.”
Shortly before he revealed that his tour was cancelled, Ryan also shared a post on Instagram where he revealed he was selling his belongings, as he was “broke”.
The singer announced he was putting guitars, studio equipment, and a Cadillac up for sale, among other things,
The emotional statement read: “I’m broke and sick and tired and defeated but my heart is blasting with hope and love and riff optimism and I appreciate anybody who can give these treasured things a new life.
“I’m proud that I did this. That I remain transparent. This business is vile and full of snakes.
“But I’m proud to call it and man up to this. I’ll keep making records as long as I can afford to.
“Now I’m going to go sit in the sunlight with my cats and cry because I need to and I’m not sure how many more times I can hit this wall. When is it enough?”
Ryan has released 30 albums and sold millions of records worldwide.
But despite his fame, he has often hit the headlines for the wrong reasons.
In 2019, seven women came forward, including his ex wife, actress Mandy Moore, with accusations of inappropriate behaviour from him.
At first he denied the allegations, however, the following year he issued a statement where he apologised.
Welsh rider Zoe Backstedt has retained the 2026 Baloise Ladies Tour title a year after becoming the youngest winner of the race.
The 21-year-old’s performance included a time trial win on stage 3A on Saturday, and she finished with a provisional overall time of 11 hours, 27.08 minutes.
Only one second overall separated the Netherlands’ Nienke Veenhoven – who won the final stage – and Felicity Wilson-Haffenden of Australia. They finished 22 and 23 seconds respectively behind Backstedt.
English competitor Millie Couzens finished fifth behind the Netherlands’ Charlotte Kool.
Lily Allen legs it backstage during her recent concert tour in a range of eye-popping lingerieCredit: IntimissimiLily wore off a pale blue body suit and matching fur trimmed negligeCredit: Intimissimi
The mother-of-two is a brand ambassador and wore the outfit during her recent West End Girl tour described as a highly personal piece of musical theatre.
The stage show was inspired by her acrimonious split with American actor husband David Harbour in 2025 also documented in her hit album of the same name.
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The bodysuit inspired by Intimissimi’s Pretty Flowers Collection, the Italian’s brand core fashion lingerie offering.
Lily finished the UK run earlier this month with sell out shows at London’s O2 arena.
She was later snapped riding an electric hire bike in London depsite owning a £120,000 Porsche.
Lily hasn’t been seen driving the German sports car since she said a a truck ran it off the road back in January.
A winess said: “She probably thinks pedal power is the way to go around London’s crowded roads.”
Lily has defended herself against complaints that the setlist of her West End Girl Tour is “too short”.
Lily is a brand ambassador and wore the outfit during her recent West End Girl tourCredit: IntimissimiLily was snapped riding an electric hire bike in London despite owning a £120,000 PorscheCredit: TillenDove
The singer released the album in October of last year and it features 14 songs.
The album in its entirety is only 45 minutes, which has led some to question if the £86 ticket fee is value for money.
Jennifer Finch, the bassist for veteran LA rock act L7, has brain cancer and will not perform with the band on its farewell tour this year.
“Our beloved bandmate, sister and friend Jennifer Finch has been diagnosed with an aggressive form of brain cancer,” the band wrote in a statement on its Instagram on Monday. “Following multiple surgeries and serious complications, Jennifer now requires extensive medical care, rehabilitation and professional in-home support.”
The group said that its final tour, scheduled for fall, “was planned along with Jennifer when all four of us were in good health and spirits.” Finch asked the band to continue with these performances, according to the statement.
“We will honor her request while making her care and well-being our immediate priority,” the band wrote. “We love her, and we want her to feel the full strength of the community that has loved and supported her for so many years.”
L7, a hugely influential act in the alt-rock wave of the ‘90s, was formed in 1985 by guitarists and singers Suzi Gardner and Donita Sparks, drummer Dee Plakas and Finch. Its firey singles “Pretend We’re Dead” and “Wargasm” helped kick off the riot grrl movement of the era, until they went on hiatus in 2001. The band reunited in 2014, and will begin The Last Hurrah tour in San Diego on Oct. 6.
The band also posted a GoFundMe for donations to help with her medical care . “The level of care Jennifer needs has gone beyond what friends and family can safely provide around the clock,” the band wrote. “As we face the difficult reality that Jennifer may have more good days behind her than ahead, we are asking for help to make the time she has with her friends, family, and fans as comfortable, meaningful, and full of love as possible.”
The Grand Tour is back for its seventh series, but it has a brand new trio of presenters – and one you might recognise as a famous trainspotter from Instagram
Jeremy Clarkson, James May and Richard Hammond retired from the show in 2024(Image: Getty Images)
The Grand Tour will return to screens later this year, it has been confirmed. But there are three new hosts replacing Jeremy Clarkson, Richard Hammond and James May.
In a huge shake up to the presenting line-up, fans might be surprised to know that all the new stars are online influencers – and one of them isn’t even known for his content about cars.
Taking over the reigns from Clarkson and his clan are James Engelsman and Thomas Holland, creators of the YouTube phenomenon Throttle House, which sees the pair take on track tests, car reviews and go on epic adventures.
But one face fans might be a little surprised to see – as his car knowledge is yet to be tested – is trainspotting Instagram icon Francis Bourgeois.
Though 26-year-old Francis has won legions of fans on social media with his hilarious go-pro videos when trains go past and boasts 2.7million followers on Instagram alone, he’s only recently began to post the odd bit of car content.
Though in a hilarious post on Tuesday, the self-professed railway enthusiast and mechanical engineer posted a photo of his head on a gear stick and captioned it: “Same show. New knobs,” in a promo for the new Grand Tour show, which is set to air on Amazon Prime from September 4.
The new line-up has divided fans who are yet to tune into the new six-part series. One wrote: “Hoping they do a sort of ‘passing the torch’ episode. I’ll give the new show a shot. Love the train dude lol.”
Another said: “The throttle guys are awesome too. They may have actually cooked with this trio.” A follower joked: “They should film the segments around Chipping Norton and have Clarkson kicking off at them in his tractor!”
But other fans were less convinced, with one saying: “Thanks, I’ll continue to rewatch Hammond, Clarkson and May on my Plex server.” a social media user chimed in: “No one is going to be better than Clarkson, Hammond and May… No chance.”
“It’s not Top Gear or The Grand Tour without Clarkson, Hammond and May. Stop trying to reinvent the wheel. The format isn’t the show, those three ARE the show,” said a third. While a fourth added: “Yes, they should never make The Grand Tour or Top Gear again. Make something else.”
Speaking in 2024, when all three previous presenters retired from the show, Clarkson – who is now 66 – said: “My advice to Amazon would be – and I’ve given this to them already – for heaven’s sake, do not get well known people who ‘like’ cars. Because when you do that show it has to be your life.”
The Clarkson’s Farm star added: “I would get three complete unknowns. Start small, like we did. They’ve got to be absolute petrolheads.
“I’ve got to be able to show them a picture of a quarter of a door mirror from any car ever made, and they’ve got to know what it is. I’d go to motoring journalists. James, Richard and I are all motoring journalists. That would be my advice if you want to continue with it, and I would hope that Amazon do continue with it.” And it seems Amazon may well have listened…
*The Grand Tour returns to Amazon Prime on September 4
Thinking back on the last two years of his life full of album releases, filming schedules and tour dates, Finn Wolfhard requires squint-inducing concentration to keep it all straight.
“Jesus, a lot has happened,” he says, looking surprised. That’s an understatement.
In that time, the 23-year-old not only finished filming the Netflix hit show “Stranger Things,” which catapulted him to global stardom, and promoted the final season upon its premiere. He also released his feature film directorial debut (“Hell of a Summer,” co-directed with Billy Bryk, which hit theaters in April 2025). Then, he starred in another movie (A24’s creature feature “The Legend of Ochi”), directed a posthumous George Harrison stop-motion music video, wrote, recorded and put out his first solo album (“Happy Birthday”), and embarked on a 22-date tour before recording a new album.
On a video call from his family home in Vancouver, Canada, where he lives with his parents and older brother, he’s chatting about the release of that record, the eclectic, guitar-driven “Fire From the Hip,” which dropped Friday.
“I think it’s a nice day?” he offers when I ask what’s happening in Vancouver. “I don’t know. I’ve been in my basement studio all day, so I don’t … I think it’s nice.”
He’s been down in the basement doing press calls like this, he explains, undoubtedly a familiar routine after so many years in the limelight. He wears a baseball cap and an oversize brown sweater, tugging on the sleeves while he ponders.
Even if Wolfhard is exhausted by the press marathon, he doesn’t show it. He’s excited for the chance to be known on his own terms. He never fails to express gratitude for the projects that afforded him recognition and opportunity, but he’s ready to “take control of the narrative.”
“I spent my whole childhood standing on marks that other people told me to stand on and saying lines that other people told me to say,” he says. “Why wouldn’t I want to make my own stuff?”
Being in control also means being the face of the operation. Before “Happy Birthday” and “Fire From the Hip,” Wolfhard released a total of two records and an EP, plus a whole bunch of singles, with his previous bands, Calpurnia and the Aubreys. Being in a band was a natural fit for Wolfhard, who thrives in an ensemble where he can “hide behind the band name.”
Touring last year was his first time seeing his own name on the marquee.
“It’s just straight up me, and if I suck, I suck,” he laughs. “It’s not like I can be like, ‘Oh, man, we’re having disagreements in the band.’ It’s like, no, that’s you. So there was a little more pressure early on.”
Finn Wolfhard released “Fire From the Hip” on Friday.
(Victoria Stevens)
Stepping into the spotlight required Wolfhard, who admits he shies away from conflict, to own both the pressure and the power of being the one audiences came to hear.
When he got sick and had to cancel a show in Portland, Ore., he remembers feeling crushingly sad “letting down” his fans and bandmates — who, of course, assured him it was outside of his control and urged him not to be so hard on himself.
Wolfhard introduced many of the songs that ended up becoming “Fire From the Hip” to his bandmates while they were still on tour, and he says playing them live “cultivated the spirit” of the eventual recordings. Despite his collaborative ethos, there was a moment during the process where he had to learn how to put his foot down in real time.
“I remember suggesting something and people being like, ‘Ah, I don’t know if I want to do that.’ And I was like, ‘No, you don’t get to do that to me. It’s my record,’” he remembers. “It was very innocent — I don’t think there was much ego on either side. But I think I maybe set up too collaborative of an experience that day.”
“I think I sometimes make it feel like a democracy, which it is in a lot of ways,” he adds. “But also, in the end, it is up to me.”
That thought is echoed in the album’s cover art, an image of two miniature Finn Wolfhards facing off, donning colonial garb and brandishing weapons. It’s meant to represent dueling impulses inside of him, he explains.
Wolfhard, a true-blue music nerd, has been described online as an archetypical example of the “child of a Gen X cool dad,” in the same vein as Olivia Rodrigo. (His dad, a former screenwriter turned lawyer and Indigenous rights researcher, does sound cool, but it was his mom who first introduced him to the Beatles. His parents apparently met over a Stone Roses record.)
That sensibility is evident in his musical influences — “I wanted everything [on drums] to sound like the first two Wilco records,” he says — and in his approach to recording. “Happy Birthday” was recorded almost entirely on four-track cassette tapes, while “Fire From the Hip” uses 24-track reel-to-reel.
The album runs the gamut from its cheeky, surf-rock opener “I’ll Let You Finish” (yes, that is a reference to Kanye West’s infamous speech at the 2009 VMAs) to more ’90s alt-inspired tunes to a surprising dose of straightforward country-folk.
Lyrically, Wolfhard divides his songs into two categories: the “very personal” and the story songs written around books he was reading (“Knockemstiff” by Donald Ray Pollock) or quotes that made him laugh. The personal themes he explores are exactly what you would expect from an early-20s rocker raised in the public eye — namely, relationship expectations and existential fears about the future.
On the nostalgic piano ballad “Good Morning,” he imagines what it might be like to settle down somewhere “with a dog and a wife.”
“I haven’t lived that part of my life yet,” he says now. “So I can really easily get lost in thinking about what that looks like.”
When it comes to sharing his music, especially the more vulnerable tracks, Wolfhard knows his “Stranger Things” fame is the elephant in the room. Anything he sings can and might be used against him in the court of public opinion.
“I could either kind of say nothing and be totally private, because it is scary knowing that everything I say, at least one person will take it a certain way that I wouldn’t want them to. But I just don’t have the control,” he says.
“So if I don’t have the control, then there’s nothing really that I can do, other than try to be as truthful and passionate and well-meaning as I possibly can, you know?”
The double-edged sword of fandom hasn’t stopped Wolfhard or his musically-inclined “Stranger Things” co-stars from pursuing this path. Fellow Hawkins alums Joe Keery (who releases music under the moniker Djo) and Maya Hawke are indie darlings in their own right, and Wolfhard has previously referred to Keery as a mentor. None of them face the unique challenge of relatability in quite the same way, however.
“I’m aware that my specific problems are maybe not as relatable because of how specific of a life I have,” he said. “The only thing I can hope for is that some other person out there listens to it and relates to the same things that I do.”
Sometimes an air of wistfulness accompanies these admissions. When asked about how he feels about Los Angeles, he tells me that it’s complicated: “I think if I wasn’t a young actor, it would be a very different situation.” His favorite parts of the city are its repertory cinemas and lush neighborhoods like Mount Washington, where his godfather resides, because they look the most like Vancouver.
That said, he’s not through with Hollywood. He’ll be back in L.A. for an Oct. 13 show at the Fonda Theatre, and acting and directing are still on the agenda. He would like his next film project — other than the Matt Johnson and Bong Joon Ho projects he’s already committed to, of course — to be something more “personal.”
For now, though, the focus is music. Wolfhard launches a new tour this month, and he’s most looking forward to “doing dumb s—” with his friends.
He tells a quick story to illustrate: When he and the band last toured in Glasgow, Scotland, he was trying to leave the venue without being noticed. (“I have a hard time dealing with fan interaction,” he says.)
“We kind of made it into this joke thing, knowing it wouldn’t work, where me and Rand, my guitarist, were like, ‘let’s switch clothes.’ Rand pretended to be me and I pretended to be Rand,” he says. Miraculously, it worked up until the “very last second” before they stepped on the bus.
“I couldn’t help myself,” he says: He instinctively made eye contact with someone in the crowd. “They did a double take, like, ‘Wait, what?’”
It sounds like a scene straight out of “A Hard Day’s Night” — or maybe inspiration for his next film.
“I’m pretty in my head about things and want them to be a certain way,” he says. “The thing that I have to remind myself all the time is that, like, dude, you’re with your friends, you’re playing music — it’s the best.”
NORTH West has flashed a massive new face tattoo and lip rings ahead of her tour across the US.
Kim Kardashian and Kanye West’s eldest daughter, who recently showcased two fresh body piercings, debuted her dramatic look on Instagram.
North West, 13, has showed off a massive new face tattoo and lip ringsCredit: Instagram/lillarpsuchan5It comes ahead of the teen’s 14 gig tour across the USCredit: Instagram/northwest
She pulled up her striking blue hair into an up-do so her face art could be showcased to full effect.
After applying pink eyeshadow and black false lashes, North finished off her look with the writing on her right cheek which read: “Are you ready for the Kimokawaii tour?”
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The tour – which spans 14 dates across the US – sees the budding songstress team up with Molly Santana for the shows.
The gigs come after North penned a huge deal with Mariah Carey’s record label and was confirmed to be “recording music”.
The eldest daughter of Kim Kardashian and Kanye West is known for her striking lookCredit: TikTok/kimandnorthShe has previously showcased her quadruple finger piercingsCredit: Instagram/Northwest
While her face tatt – which is likely to be fake or temporary – took centre stage, North made sure her lip and ear bling was on point for the sassy snap.
In her caption, she put two question marks, but fans were quick to reply to the question posed by her body art.
One wrote: “Ohhh yesssss”.
Another confirmed: “Yess can’t wait”.
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She recently signed to Mariah Carey’s record labelCredit: TikTok/kimandnorthPreviously, her mom Kim was slammed for allowing her to get more dangerous piercingsCredit: TikTok/kimandnorth
A third then put: “So pretty omg”.
North is no stranger to vamping up her look.
In another Instagram snap she showcased two piercings on her pointer and middle fingers, whichshe debuted in November.
Over the last few months, North has flaunted numerous body andface piercings, tattoos, heavy makeup, and drastic hair transformations.
Her followers expect to see even more shocking makeovers now that she’s branched out from posting on a joint-TikTok account with her mother to her own Instagram page.
North shared her first post on the platform on December 19th, sending social media into a frenzy.
Many fans have criticized her mom Kim for allowing her daughter to “grow up fast” and not act her age.
Kanye, 48, has shared the same thoughts, publicly calling out his ex-wife numerous times in the past for letting North be on social media and to dress in a mature way.
The former couple is also parents to a daughter, Chicago, 7, and sons, Saint, 10, and Psalm, 6.
All of their children are primarily in Kim’s care, despite their 2022 divorce settlement granting them joint legal and physical custody.
Ricky Gervais made a whopping £16.2million from his Mortality tourCredit: Getty Images – GettyBrit comedy star Gervais earned £311,500 a week for the sell-out tourCredit: Netflix
It meant the 2025-26 financial year was his best earner to date.
His firm, Red Lion 99, has £17.9million in assets and he has another £33.9million in his TV and film firms listed on Companies House.
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Gervais will earn even more from a new nationwide tour, Legend, which starts this autumn.
On Friday, a group of retired judges stepped off a tour bus in a ritzy Michigan suburb after three days of barnstorming through corn fields, cities and coal towns in Ohio and Pennsylvania. They carried with them a message.
In courthouses and public squares, they marked the nation’s 250th anniversary with a dire warning: The rule of law in America is in grave danger. They delivered a similar message at a library in Grosse Pointe just outside Detroit — the last stop on an extraordinary tour to defend judicial independence and bolster trust in courts.
Americans’ confidence in the court system and democracy has dipped in recent years. The country is more polarized, and President Trump has repeatedly cast doubt on the fairness of the judicial system.
Some judges on the tour said in phone interviews this week that the United States was at a precipice.
“Looking back in history, we have teetered,” former Ohio Supreme Court Justice Michael Donnelly said. “This is a moment where we can decide to reinstill those beliefs that we are a country of laws and not of men.”
Judges step off the bench
The four-day tour through the Rust Belt is a sharp departure for a typically reserved and insular branch of government. Federal judges in particular largely limit their comments to the courtroom and written decisions, focusing on the facts of individual cases.
But that restraint is loosening amid a barrage of attacks by Trump and other White House officials, the administration’s rampant defiance of U.S. district court orders and its expansive view of executive power. Trump has called a district judge who ruled against one of his immigration moves “crooked” and suggested with no evidence that Supreme Court justices who struck down his tariffs were motivated by foreign interests.
More federal judges have recently begun talking about receiving death threats and profane messages, though they have not blamed Trump or any other officials. Some have blasted administration policies in sharply worded opinions that strayed beyond the legal dispute before them. Even U.S. Supreme Court Chief Justice John G. Roberts Jr. has weighed in.
In an appearance in March, Roberts said personal criticism of federal judges was dangerous and had to stop. The rare rebuke from the head of the nation’s top court came two days after Trump’s remark about a “crooked” judge, though Roberts didn’t mention Trump or anyone else by name.
The U.S. Marshals Service reported 564 threats against federal judges in the government fiscal year that ended in September, up from 509 the year before.
“I don’t want to say we have moved into an era of lawlessness, but it sometimes feels that way,” said former U.S. District Court Judge Victoria Roberts, who joined the bus tour in Michigan.
Timothy Lewis, another former federal judge on the tour, said his concerns about the politicization of the judicial branch reached a tipping point a decade ago, when Senate Republicans thwarted President Obama’s nomination of Merrick Garland to the Supreme Court. Today, the rule of law is facing an “existential threat” from an ongoing breakdown of norms, according to Lewis, who spent seven years on the 3rd U.S. Circuit Court of Appeals.
“I have fundamental concerns,” he said, “about where we are headed as a nation.”
Their route has been varied
The tour started Tuesday in the western Pennsylvania town of Greensburg — once the hub of a thriving coal industry that now lures visitors from nearby Pittsburgh for highland recreation and a historic downtown.
Judges mingled with customers at a coffee shop before speaking at the domed, ornate Westmoreland County Courthouse. Then it was off to Washington, also in western Pennsylvania. The town of 13,000 people, where about 15% of the population is Black, was a key stop on the Underground Railroad and a regional base for the civil rights movement.
From there, the bus headed west for events Wednesday in Columbus, Ohio, and the city of Wooster in Amish country. The judges stopped at a Cracker Barrel restaurant on the way. They spent Thursday in Cleveland before circling Lake Erie north to Michigan.
The two groups that planned the tour — dubbed “Justice in Motion” — say they were inspired by a similar campaign in Poland in 2021 after that country’s governing party took control of key judicial institutions.
Independent Polish judges visited scores of towns to promote the rule of law and teach voters about the country’s constitution. The U.S. tour also aims to educate people.
An effort to combat misinformation about what they do
Maureen O’Connor, a former chief justice of the Ohio Supreme Court, said judges risk ceding the narrative about their roles and motives to “voices of misinformation” if they don’t speak up.
A letter she received years ago, and still keeps, reminds her of that danger. The writer accused O’Connor, a Republican, of betraying her party when she repeatedly struck down Republican-drawn legislative maps as illegal gerrymanders. “There was just a basic misunderstanding of what my role was as a judge,” O’Connor said.
O’Connor is among roughly 30 judges, including two former federal judges and two current federal judges, who participated in the tour. One of the federal judges was nominated by a Democrat, the other three by Republicans. The state judges, some of whom are also still on the bench, represented both parties.
They were joined by former Pennsylvania Gov. Tom Corbett, former Ohio attorneys general and a few lawyers. The event was put together by the Democracy Rising Collaborative and Keep Our Republic, nonpartisan advocacy groups.
Organizers say they chose stops that would get the judges in front of as many people as possible to build connections and trust. The judges embraced that mission.
“The lifeblood of the judiciary is public confidence,” Donnelly, the former Ohio Supreme Court justice, said. “If you lose that, it’s very difficult to get it back.”
Chunky platform sandals, fitted baby tees, butterfly clips on perfectly crimped hair, brightly patterned skirts and tons of sparkles. Pure Y2K-fueled nostalgia filled the Kia Forum on Wednesday night in celebration of all things Hilary Duff.
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Duff graced the stage at the Inglewood venue as part of her Lucky Me tour, her first global headlining tour in nearly two decades. And her fans couldn’t have been more thrilled. The pop singer and actor, who released her sixth studio album “Luck… or Something” in February, performed two back-to-back sold-out shows.
Before the final L.A. show, we caught up with fans to talk about their outfits (many of which were inspired by Duff’s most famous roles such as Sam in “A Cinderella Story” and the title role in “The Lizzie McGuire Movie”), the memories her music brings up for them and why her work still resonates with them. Here’s what they had to say.
(Kayla Bartkowski/Los Angeles Times)
Tristan Hallam, 36, of Chicago
Tell us about your outfit.
This is my wedding dress that I had stuffed in a suitcase. She’s been in a suitcase for 10 years, and I still fit into her, which is nice. People ask me why I keep stuff and this is exactly why: You might get divorced and use it as a costume. My outfit is inspired by “A Cinderella Story.” It’s my favorite Hilary Duff movie. She plays diner girl Cinderella. She disguises herself with a mask and a L.A. Dodgers cap. I did have a tiara, but I didn’t bring it because I didn’t want to be too much. So I figured, you know what, why not buy an apron and a little black crop top, and rep L.A.
I have a tattoo of her signature. It’s a little faded because it’s like 10 years old, maybe older than that now. It was at a book signing at Barnes and Noble at like the Grove or something. I asked her if she would initial my wrist, and I got it tattooed the same night. I literally drove to the tattoo shop on Hollywood Boulevard with my arm out the window because I’m so clumsy and I didn’t want to smudge it. Then the next time I saw her, she asked me, what did your parents say? I said, “My mom asked me how long I kept the Sharpie on so long.”
How long have you been a fan?
I think I was like 8 or 9 years old when I saw “Casper Meets Wendy” for the first time. My grandma took me to like a K-Mart or something, and told me that I could get any movie that I wanted. Then I was into “Lizzie McGuire,” but as soon as Hilary started doing all her like movies and independent work, obviously the music is great. I used to live in L.A., so I went to a bunch of her book signings. I’ve done a lot of meet and greets for her concerts, and right now I’m traveling around. I’m going to 18, technically 19 shows now, and I’m gonna see her in New Zealand, Australia and some other places. I’m actually really excited because one of my friends, I met her in a Hilary Duff fan club chat room in 2005 on MSN Messenger, and we are still friends, so we are going to a ton of shows together.
Why does her work still resonate with you today?
The fact that we’re around the same age, there’s been a lot of relationship similarities. I don’t have any kids, but the struggles with family, with your dad, with your siblings. She’s got some songs that are more mature and relatable for people our age. People who have gone through ups and downs in relationships, struggles with family and figuring out who your real family is, not just by blood but who your chosen family is. I think that’s really important.
(Kayla Bartkowski / Los Angeles Times)
Leilanie Martinez, 30, of South Gate
Tell us about your outfit and the inspiration behind it?
It’s my quinceañera dress. It’s supposedly very traditional to wear a white dress, like young women coming of age. For mine, I wanted to wear something that I didn’t see a lot of people wearing and I was very firm that if I didn’t find the love of my life, I was going to wear a white dress and this was my moment. My quinceañera was such a precious time. It really was a labor of love, and I think it’s one those memories I hold very near and dear. I think it’s an ode to her history, her legacy.
How long have you been a fan?
I remember I was 5 and I was running around in my neighborhood, playing with Barbies and watching “Lizzie McGuire.” I’m here today with my neighborhood and childhood friends. We used to watch it together and now we’re reliving our nostalgia and childhood.
Thinking back on when you first fell in love with her work, why does it still resonate with you today?
There’s a lot of power in her being a woman and she’s going through so many milestones that a lot of people my age are going through like having children and growing her career. Sometimes I think people “wash out” and I think it’s wonderful how she’s combating that narrative in so many ways, and that people are out here supporting her. I think there’s a lot of beauty in being able to be together as young women and relive some of these memories, but also cheer her on as she continues developing further.
(Kayla Bartkowski / Los Angeles Times)
Crystal Chesher, 33, of Mar Vista and Isabella Sanchez, 33, of Culver City
Tell us about your outfit.
Sanchez: We’re channeling “The Lizzie McGuire Movie.” My actual name is Isabella. She gives more Lizzie vibes and I give more Isabella vibes. It’s funny because I’ve literally saved [looks] of Isabella and Lizzie on my Pinterest board and I’ve always wanted to dress up like this. It’s not 100% of what I wanted, but it’s giving what it’s supposed to.
How long have you been a fan?
Chesher: Since I was little. I remember watching “Lizzie McGuire” since the age of 10 at the very least so I’ve been growing up with her movies and shows. She’s definitely my idol.
Sanchez: Same. Growing up, I was bullied so she was a very big part of me being more positive about myself. I can relate to her and she really helped me. It just feels full circle to be able to see her at 33 when I wanted to see her when I was like 10.
Thinking back on when you first fell in love with her work, why does it still resonate with you today?
Chesher: She has a heavy influence in the LGBT community as well especially with the [anti-gay speech campaign]. I loved that. With her movies and her music, it’s all relatable and it resonates with you, the lyrics, the storyline and even her new album that just came out.
Sanchez: She’s just that girl. I’ve never even met her, but I feel like she’s so genuine and real and she’s always stayed consistent with who she is. She’s not like your typical celebrity. She’s just awesome. I’m literally probably going to tear up seeing her on stage.
(Kayla Bartkowski / Los Angeles Times)
Lucca Petrucci, 33, of Santa Monica
Tell us about your outfit.
This is a last-minute choice. It’s very like ’70s or retro. I feel like I’ve seen her wear something like this. I’m wearing wide-legged pants, Doc Martens, platform, new haircut, facial. The inspiration for this fit was elegant pop star like confidence, grounded, a baddie. I’m a baddie who knows my worth and that’s what I wanted to embrace. I feel like she’s like doing that. She has a lyric that’s like ‘I look in the mirror, like I’m a bad b—.”
How long have you been a fan?
Since third grade. I thought she was my crush, but I think I just wanted to be her. So many of my core childhood memories are with her.
Why was tonight a non-negotiable for you?
I wanted to experience with my bestie and her sister. I feel like as a kid I didn’t allow myself to fully embrace it because it would be too girly, too much, too gay. So I feel like as a 33-year-old, I’m reclaiming that experience. I’m so excited just to hear everybody in the Forum sing “So Yesterday” and “Come Clean.” She has always been my number one pop star, to this day, and I’ve never seen her perform.
Why does her work still resonate with you today?
I feel like, especially when she was on “Lizzie McGuire,” she was figuring out who she was, but was open to being her authentic self. So I think that just like hit me when I was like in third and fourth grade, like figuring out myself. I felt so seen by her, and her music just brings back like such good feelings. Younger version of me, life wasn’t always great, but, I don’t know, she made things better.
(Kayla Bartkowski/Los Angeles Times)
Liv Guardado, 8, Priscilla Cruz, 38, Ava Guardado, 10 and Jezelle Velasco of Costa Mesa
Tell us about your outfit.
Cruz: We went thrifting for the first time for this. I’m plus-size, so thrifting is not easy in my size, so we did what we could. We got some overalls from Goodwill. And then we got some cowboy boots because we just wanted to be comfy.
Velasco: I probably stressed the most. I ordered so many pieces and it just kind of came together. I think the nails took the longest. One of my friends did my nails. It took some time but we got it done.
How long have you been a fan?
Velasco: Probably since I was their age. I never got to go to a concert, so this is my first time seeing her live.
Cruz: I definitely got inspired around middle school. I had a friend who was like Lizzie, and I was the best friend, Miranda. People would always say I was Miranda. I was a little older than [my girls], but I definitely have kept tabs on her life, and we love her.
Why does her work still resonate with you today?
Cruz: It definitely feels like memories and home when you think of her music from back then. And now she’s obviously stepped into a different phase of her life, and it matches where we’re at in our phase too so it’s nice.
Velasco: It just brings back the nostalgia from back when we were younger and now being parents, and being able to relate to her and her new music.
(Kayla Bartkowski/Los Angeles Times)
Paige Beard, 34, and Tayler Nelson, 27, of Bakersfield
Tell us about your outfits.
Beard: I was supposed to be wearing purple and she was going to wear green, and we were going to do the Isabella and Lizzie look at the end of “The Lizzie McGuire Movie.” It turned out more pink, but we ran with it.
Nelson: I was all about that performance, so I was like green. Gotta go green. We’ve been planning for a while, like two months.
How long have you been a fan?
Beard: I’ve been a fan for a long, long time, probably since “Casper Meets Wendy.” I was also a really big “Lizzie McGuire” fan, so I got into her acting as well as her music.
Nelson: Same. I was all about the Cinderella movie though, so it’s probably been 10 years for me.
Why does her work still resonate with you today?
Beard: I was telling my sister that I really liked “Lizzie McGuire” because it was one of the first times I saw somebody’s inner dialogue acted out in cartoon form. It showed me that I’m not too much. She’s a little bit older than me and I see her crying on stage and I’m like “OK, it’s OK.”
Nelson: “The Lizzie McGuire Movie” was a big turning point for me. I just loved how she expressed herself with what she wore and how she acted. I feel like I understood her in different ways. I enjoyed the dancing and the singing for sure. She felt free and I’m like, “Dang, I want that.”
(Kayla Bartkowski/Los Angeles Times)
Freddy Lopez, 38, and Raymond Lockwood, 36, of San Bernardino
Tell us about your outfits.
Lopez: Just a ’90s vibe. I guess a little old-school.
Lockwood: The outfits are a little last-minute because we were like we should’ve done diner girl [from “A Cinderella Story”] or one of her other movies, but we chose the little cartoon character from the show.
How long have you been a fan?
Lopez: I’ve been a fan since “Lizzie McGuire” and her movies.
Lockwood: For the past 20 something years. We grew up watching “Lizzie McGuire” and got introduced to Hilary Duff when she started singing.
Why was tonight a non-negotiable for you?
Lopez: We don’t know if she’s going to come back after this, so you’ve gotta take every opportunity. There’s other artists who cannot come back to perform right now. So when she said I’m coming back, we had to.
Lockwood: We’re healing our inner child. As a kid, we didn’t know she was having tours or we couldn’t afford to come out. Now, we’re like we don’t have to ask our mom and dad for anything.
Why does her work still resonate with you today?
Lockwood: For me, it’s being a teenager, watching the “Lizzie McGuire” show and watching the movie and then learning her songs. My favorite song is from the movie, “What Dreams Are Made Of.” It’s just us getting to live back in the past and kind of understanding it a little bit more. As a kid, our dreams are not what they realistically are today. I ended up becoming a nurse. As a kid, I didn’t sit on the couch like “Oh, I’m going to be a nurse,” but that’s what my dream ended up being.
(Kayla Bartkowski/Los Angeles Times)
Stephanie Rodriguez, 32, High Desert
Tell us about your outfit.
If you ask my fiancé, I was hunting for outfits and last-minute I was like, “I’m just gonna order something on Amazon.” When I saw this, I was like, “That’s it.” Total nostalgia with “13 Going on 30.” We went shoe shopping at the South Coast Plaza over the weekend. The metallic is pulling it all together and the butterfly clips.
How long have you been a fan?
Probably since I was like 8 or younger, pretty much very much obsessed. All of my holiday gifts were Hilary Duff. I had her K-Mart home products. Any magazines she was in, I got. Any outfits that I could try and replicate, I would. My first Hilary show was either Wango Tango or a Jingle Ball with KIIS-FM, so it was just a festival with a bunch of different artists but I went specifically for her.
Why does her work still resonate with you today?
I think a lot of us feel like we grew up with Hilary, so all of her music resonated with us then, and now, now that we’re older, through relationships or divorces or motherhood. It’s pretty cool to see just how we’re all kind of growing up together. The first time I think I found out about her was at the Glendale Galleria. I was recently telling my fiancé that my dad had me on his shoulders because she did a meet and greet and the entire mall was packed.
(Kayla Bartkowski/Los Angeles Times)
Kelsie Wagner, 35, of Temecula and Tyler Walsh, 35, of Long Beach
Tell us about your outfit.
Wagner: I’m channeling Lizzie McGuire. My favorite part is the butterfly clips.
Walsh: This is from Company D, which is a discount store for Disneyland. I was like let me get the biggest shirt and make it into a dress, but I’m wearing shorts — it’s still appropriate. I have like six authentic Disney pins here. This is about $200 on my hat. I was like I have to do something that represents. It’s a big hobby, pin trading, that I picked up in 2023. Then I wore my Lisa Franks. I figured I would channel everything from the ’90s and 2000s.
How long have you been a fan?
Wagner: Whenever the “Lizzie McGuire” show came out.
Walsh: I remember going to sleepovers with all of my friends and we would do Lizzie nights. I was on a soccer team and on Saturday nights, we’d go watch the newest episode. It was just so fun because I feel like I had a little clan that loved Lizzie. We went to her concert at the Grove together and it was back when you paid $50 to get in. We were front row and we like smelled her. It was wonderful.
Why does her work still resonate with you today?
Wagner: For me, especially her new album, she talks about marriage, relationships, motherhood, so it’s still relatable in that sense of that stage of life that we’re in.
Walsh: For me, it’s just nostalgia, because I’m not married, I have no kids, like I’m that fun aunt. And I will say, like, because she goes to Disneyland a lot, so I luckily got to meet her too. I asked her for a picture, and she’s like “Yeah, of course, honey.” It’s the most embarrassing photo of me ever though.
Wagner: I told her she should get it printed and wear it to the concert.
Sixpence None The Richer have cancelled their tour following Justin’s (right) deathCredit: GettyThe band won’t be going on tour as plannedCredit: Getty
They confirmed online that they had decided to take some time out to “grieve” following the saddening news and and as such would not continue with their current touring plans.
The band said in a post online: “We are completely heartbroken over the tragic and untimely loss of our bandmate, brother-in-arms, and friend for 30 years, Justin Cary.
“The past three years had been full of international tours, recording new music, and an even further deepening of the joy of making music together.
“We were looking forward to connecting with new and old fans around the world this summer and fall, but for now we need time to be still and grieve.
Taylor Swift has yet another new thing to celebrate.
Now in her newlywed era, the pop superstar’s concert film, “The Eras Tour: The Final Show,” earned five Emmy nominations Wednesday. This includes nods for variety special (pre-recorded), sound mixing for a variety series or special, directing for a variety special, picture editing for variety programming, and technical direction and camerawork for a special.
The nomination for variety special (pre-recorded) means Swift herself is a nominee as the performer and a producer of the concert film, which showcased the final performance of her record-breaking tour. This marks the “The Life of a Showgirl” singer-songwriter’s second career Emmy nomination. She previously won in 2015 in the category of creative achievement in interactive media — original interactive program, as the executive producer of the mobile app AMEX Unstaged: Taylor Swift Experience.
The accolades come just five days after Swift married beau Travis Kelce in an extravagant — yet secretive — Manhattan affair at Madison Square Garden. The Kansas City Chiefs tight end has spoken about his failed attempt to slide Swift his phone number (via friendship bracelet) when he attended an Eras tour concert in 2023.
The Emmy nominations follow her latest legal win. On Monday, a federal judge in Florida dismissed with prejudice a copyright lawsuit that accused Swift of plagiarizing a self-published poet.
In February 2025, Kimberly Marasco, representing herself, filed a lawsuit that alleged Swift copied “unique expressions” such as short phrases and specific words from her poetry in numerous songs, including “The Man,” “Down Bad,” “I Can Do It With a Broken Heart,” “Hoax,” “Guilty as Sin?” and “It’s Time to Go.” A similar lawsuit Marasco filed against Swift and other named defendants was dismissed by the same judge last September.
Swift’s lawyers called the lawsuit “absurd and legally baseless” in their filings. “For instance, the concept of betrayal or the words ‘fire’ or ‘love’ cannot be owned by one person, as basic themes or words are not protectable by copyright law,” reads the motion to dismiss submitted by attorneys James Douglas Baldridge and Katherine Wright Morrone, who also represented co-defendants Republic Records and Universal Music Group.
In her order granting Swift and her record label’s motion, U.S. District Judge Aileen Cannon agreed, reiterating that “the allegedly infringed material — basic ideas, themes, metaphors, isolated words, and short phrases — is not protected expression and cannot be infringed.”
Cannon mentioned these allegedly plagiarized words and phrases included “tears,” “running,” “fire,” “rain,” “sky,” “love,” “invisible,” “caged me,” “flesh and blood” and “it’s time to go.”
Even if they were protected expressions, “the works are not even substantially similar — a point Plaintiff effectively concedes by characterizing the alleged copying as ‘paraphrase[s],’ ‘rephrase[s],’ and copying with ‘minor word substitutions,’” Cannon wrote.
But it appears Swift has not completely shaken off Marasco’s copyright lawsuit. The Florida poet has already filed an appeal.
Lionel Richie appears to be on the mend from the unspecified health issue that prompted him to cancel a pair of concerts in June.
The 77-year-old Grammy-winning “Hello” and “All Night Long” singer on Sunday thanked fans for “every message, every kind word and for all your love” on Instagram, sharing photos from recent concerts. He also seemingly addressed his health, writing, “I’m doing well, and I’m grateful for all of you.”
In late June, Richie unexpectedly hit pause on his concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times while performing “Dancing on the Ceiling.” According to videos shared on social media, the singer told his audience that he felt “dizzy.” Later in the evening saxophonist Dino Soldo told concert attendees that Richie was “not feeling well” and would not continue the show.
TMZ reported at the time that the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution. Richie then postponed his following concerts at Chicago’s United Center and the Schottenstein Center in Columbus, Ohio. He returned to the stage June 30 for his show in Pittsburgh.
“Pittsburgh and Detroit were an absolute joy,” Richie said Sunday of his recent concerts. “The energy, the dancing, the faces in the crowd … we made real memories together.” The singer also performed in Toronto on Saturday and in Montreal on Sunday. He is next set to perform in Boston on Wednesday.
Live Nation unveiled Richie and Earth, Wind & Fire’s joint tour in January, revealing a 26-city lineup with concerts in Chicago, Orlando, Fla., San Francisco and Los Angeles. Richie and the group are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin, Texas.
Tour de France fans have been urged not to attend the end of the third stage because of wildfires in the south of France.
Monday’s mountain stage will begin in Granollers, Spain, and conclude within 60 kilometres (37.3 miles) of some of the worst of the fires across the border in Les Angles.
While the 195.9km route is not expected to change, Tour organisers have asked fans and unessential personnel to stay away from the final 40km.
“An exceptional fire calls for exceptional measures for the Tour,” said race director Christian Prudhomme.
“We invite the public not to come to the edge of the race or to the finish site.”
The fire that has affected the Tour is currently being contained within the Pyrenees-Orientales region, where aircraft have been deployed to battle the blaze.
A key stretch of the mountain pass providing access to the race will be closed.
Nearly 3,000 people were evacuated after a wildfire ignited near Perpignan on Thursday.
“We obviously think first of all of the populations who are affected by the fire, of all those who have to move, and then we also think about the people who would be here to host the Tour,” added Prudhomme.
Jonas Vingegaard holds a narrow lead over reigning champion Tadej Pogacar in the general classification standings after Isaac del Toro won stage two on Sunday.
