tour

YOU’VE probably strolled past the Tower of London at least once – but did you know it’s the city’s oldest tourist attraction?

Parts of it have been open to the public since 1661, and it’s just started a new tour to meet eight of its feathery residents.

Called the Ravens Experience, the new early morning tour gives visitors a chance to meet all eight permanent residents, and early access to the tower itself.

The ravens are very important to the Tower of London as the legend is that if the birds ever leave, the country will fall to ruin.

Dubbed a ‘truly unique early mornings experience’, the new tour starts at 8.15am.

It begins with a 45-minute talk from a Yeoman Warder (a guardian of the Tower of London) about the ravens – before the cage is opened.

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Visitors can learn more about the ravens named Harris, Jubilee, Poppy, Edgar, Georgie, Chaos, Henry and Poe.

There’s a chance to take pictures and see them being released into the tower too.

The ticket also includes early entry to the Tower which means you skip the admission queue and are first in line as the Crown Jewels exhibition opens

And ticket holders get access to all public areas of the Tower of London.

Tickets for adults are £90, children between 5-16 are £50.00, concession tickets are £70 and under 5s go free – you have to book the tour in advance.

Building work first started work in 1078, so the historical attraction has been standing for almost 950 years.

Parts of it were first accessible since 1661 when the Crown Jewels were first put on display.

Other events at the Tower of London include Halloween special when the past will ‘creep back to life’.

There will be special visits from the ghostly past residents including a poet, pirate a queen, an astronomer – even a bear.

The Halloween trail is more family-friendly than scary and will take place between October 24 and November 1.

For those on Universal Credit, general admission tickets cost £1 each.

It was recently announced that the Tower of London will undergo a £70million project as it opens community spaces and learning centres.

‘I don’t eat mozzarella outside Puglia,” says our friend Savio. “It’s not the same.” Savio is a very opinionated foodie, so I take his words with a pinch of good Puglian sea salt (see below). He was adamant about the superiority of the stretched-curd cheese from his home turf.

Puglia is also the birthplace of ingredient du jour burrata, which originated in Andria, a few miles from Savio’s home town of Barletta. Andria forms one part of the triangular Barletta-Andria-Trani (BAT) province, often passed over for better-known parts of Puglia, despite the cheese connection and Barletta having miles of palm-backed, sandy beaches.

About a century ago, in the hills outside Andria, farmer Lorenzo Bianchino was snowed in and couldn’t get his milk to market. To save what he could, he revived an old technique for preserving butter (burro, hence burrata), stuffing cream mixed with mozzarella scraps (stracciatella) in a casing of the stretched-curd cheese.

There are now several burrata makers in Andria, the most famous being Caseificio Olanda, which offers demos, tastings and a museum. Late one morning, we watch Riccardo “Dino” Olanda, son of the founders, work his magic. He adds almost-boiling water to the curds, then mixes with hands red from doing this every day. As he stretches and massages the curds, a smooth velvety mass forms. “See how it’s shiny?” he says. “Means it’s ready.” Working quickly, he squeezes out round lumps between thumb and forefinger into the familiar mozzarella balls. This action is mozzare, hence the name.

He also makes little knots and plaits before moving on to burrata. Taking a warm mozzarella ball, he works it into a hollow bag with his fingers then fills it with cream and stracciatella before tying the top with string.

Afterwards, a dairy-heavy meal totally worth the cholesterol and calories: mozzarella and burrata to start, then bread with chunks of caciocavallo (a stretched-curd cheese), and a dessert of heart-shaped fresh ricotta with strawberry jam or cocoa.

And, I have to say, Savio is right. The mozzarella and burrata have a juicy, elastic texture and a gorgeous cheesy, umami flavour; the salt and flavour leached out by the whey the cheeses later sit in. How will I ever settle for Tesco Finest after this?

Over the next few days, eating our way around the province’s restaurants and food producers, I wonder whether it’s because the ingredients are so good that this area has so many food obsessives, or the other way round.

Barletta sees few foreign tourists, but it is full of Italian life. There are lots of independent shops, a Norman castle and cathedral to visit, and every evening people pour into the bars, clubs and gelaterie of the sette strade, seven parallel streets in the old town.

Down the coast, Trani, with its sea-facing romanesque cathedral and pretty harbour, attracts some tourists, but they are not in evidence at 7am when the fishing boats return. The men complain of rough seas and a poor catch, but from the back of the boats they’re soon selling mullet, octopus, skate, fat sea snails, monkfish and palombo (small shark) to restaurateurs and fishmongers. Thirtysomething Nicola says he went out at midday and got back at 3am. When does he sleep? “Never.” A fifth-generation fisher, he began helping on the boats aged six.

We’ll eat fish later, but today is for pizza. Portento in Barletta is run by food nut Luigi Lacerenza. He has us try so many local products as antipasti – caprino goat’s cheese tasting of green mountains, grilled caciocavallo from an old couple who make just six a week and small-batch salami – that we’re almost too full for pizzas. But they are wonderful: one with sausage, olives, oyster mushrooms and yellow tomatoes; another with aubergines and grated cacioricotta.

In Cerignola, west of Barletta, Rosario Didonna used the money he won on a TV standup competition to turn his family’s deli into a cosy, wood- panelled restaurant, U’ Vulèsce (dialect for “peckish”). Rosario knows fishers by name, works with small farmers and wine producers, and invites nonne from all over southern Italy to demonstrate recipes in his kitchens.

We start with tasty goat prosciutto and plum-sized local olives called bella di Cerignola. Then an unforgettable prawn tartare served in sea urchin shells, hairy crab spaghetti (“the juice is better than lobster”), octopus with bean puree, and sea bass with orange mayo. He waves away our thanks: “I’m doing the best job in the world!”

Nicola Barbera at Masseria Barbera, a farm restaurant in the Alta Murgia national park, is equally inspired, but rather by what grows on the estate founded by his great-great-great-great-grandfather Riccardo, who fought with Garibaldi. Exuberantly bouncing us around the farm – it produces 90% of what the 100-cover restaurant needs – he shows us olives and vines, but also the “weeds” growing around them. “They’re eatable,” he says, grabbing handfuls of peppery rocket, and bitter but delicate wild chicory. From the abundant kitchen garden, he makes eight varieties of tomato sauce.

We tuck into a lot of this for lunch: a pie with white onions, anchovy and sultanas; courgettes with mint and garlic; spaghetti with yellow tomatoes. (“I call it bastard sauce,” says Nicola. “Those tomatoes take three times as long to pick.”) Then, something I never thought I’d eat: grilled donkey fillet. I feel bad about the patient, mild-tempered beasts, but this is healthy, low-fat food, never intensively farmed. It’s also the best meat I’ve ever tasted.

Good food is made better by good olive oil, and producers here include Muraglia, known for organic oil in hand-painted, rainbow-stripe ceramic bottles, and Sabino Leone, offering tours of its ancient groves and oil mill for €15, plus tastings.

This area also offers plenty to do between meals. Barletta was the home of Italian painter Giuseppe De Nittis, who hung out with Degas and Manet, and took part in the first impressionist exhibition in Paris, in 1874. Over 200 of his works are now displayed in the 16th-century Palazzo della Marra (€6).

At Europe’s biggest salt pan, Salina Margherita di Savoia, there’s an expanse of peaceful ponds with a snow-white salt mountain to climb. Another day, an exhilarating ebike ride in the Alta Murgia with Filippo Tito of Cycling ’n’ Trek, through dense forest to peer with awe into an old bauxite mine that resembles a mini grand canyon. We get back ravenous, but in this corner of northern Puglia, that’s a blessing.

Where to stay

Until this century, Barletta had little tourist accommodation. Pick of the few B&Bs is Antica Dimora (doubles from €97), a restored 17th-century palazzo run by Lilly and Riccardo Manna. There are three smart bedrooms with lots of plants and breakfast features different local specialities each day.

Lama di Luna (doubles from €230) is an organic farm in deep countryside, with six rooms set around an 18th-century stone courtyard. A well and solar panels make it energy and water self-sufficient; half of its 200 hectares are left wild, the rest are planted with olives, vines, almonds and cherries. There’s a cinema, a library and a large pool shaded by 600-year-old olive trees.

Where (else) to eat

Barletta’s 60-year-old Mosé bakery is revered for its krapfen filled doughnuts and sourdough croissants. There are also chocolates, ice-cream and cakes, all housemade, and great coffee.

Puglia has hundreds of gelaterie but experts rate Scoop in Canosa (which is called Puglia’s “Little Rome” for its catacombs, temple ruins and Roman bridge). Francesco Di Nunno makes ice-cream with local seasonal ingredients: raspberry and strawberry sorbets are available only in early summer; percoca yellow peach until mid-August.

There’s affordable fine dining at chef Luciano Matera’s Il Turracciolo in central Andria. Highlights for me are broad bean and chicory “meatballs”, bright green inside; a “hidden mushroom” under baked eggy topping; and pasta discs with whole and pureed green beans and peas.

At A Sud dell’Anima, chef Nadia Tamburrano uses modern techniques and hyper-local ingredients to make food of astonishing quality for a small hilltop town (Minervino, population under 8,000). Her antipasti explode with flavour thanks to house-cured capers and homemade mustard, syrups and purees. A main of sweetbreads wrapped in intestines feels a bit out-there, but is delicious, the intestines crispy as crackling.

The trip was organised by Unexpected Italy, which offers personalised itineraries for Barletta and the surrounding area

OASIS have launched a countdown to a major announcement with a drone display above their beloved Manchester City’s home ground.

Over the past few weeks, Liam, 53 and Noel Gallagher, 59, have dropped a string of cryptic clues about their next world tour, and last night they continued to hype up the buzz.

Oasis reformed two years ago, after the long-feuding brothers caused the band to split-up in 2009.

Now after their successful run of gigs last year, they have appeared to confirm they will be making another tour announcement on Monday (September 14).

Oasis teased the news with a huge drone display flying above the Etihad Stadium last night.

The display saw the band’s iconic black and white logo light up the sky at 11pm.

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The incredible light show, which was 120m-long, then revealed a date which read “14.9.26”.

Onlookers got to watch the drone display in the sky for ten minutes before it disappeared.

Oasis have been dropping clues left, right and centre.

Yesterday, they appeared to confirm the tour locations with a new video which left viewers scrambling to decode where the gigs will take place.

And on Tuesday, Liam and Noel teased another upcoming tour location with a subtle nod to a moment around the time the group split.

Meanwhile, The Sun exclusively revealed that Oasis will be returning to the stage next year.

They will perform a record-breaking run of six concerts at Knebworth and a 12-date residency at the Etihad Stadium in Manchester.

ROCKERS Liam and Noel Gallagher have teased yet another tour location in a cryptic new video – and fans are convinced they’ve guessed it.

But, can you guess where too?

The legendary band, Oasis, reformed in 2024 after the long-feuding brothers split up in 2009.

Over the past few weeks, Liam and Noel, 59, have dropped a string of cryptic videos, leaving fans scratching their heads.

The clips have confirmed another tour is coming in 2027 and left viewers scrambling to decode the gig locations after their reunion success last year.

Taking to X, the brothers shared a short clip of a European-looking side street.

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Two girls on a red Vespa then come zooming down the alley and it’s once again left silent.

Of course, fans immediately began dissecting the video in the comments and most came to the same conclusion – Rome.

One fan wrote: ” Rome. The area looks like Trastevere. Other clues: Red scooter and yellow headlight = AS Roma colours.

“Rider 1 in light blue & blue helmet = Lazio colours. Rider 2 in the Italian flag helmet.”

Sharing a snap that looked very similar to the video location, another fan said: “Stayed in Trastevere in Rome last week and it looks like the same area.”

A third fan added: “Pretty sure I’ve walked down that exact street in Rome.”

Just yesterday, Liam, 53 and Noel, teased another upcoming tour location with a subtle nod to a moment that happened around the group’s original split.

In the clip, a man wearing a leather jacket took out a plum from a paper bag and began eating it.

Soon after this, he lobbed the plum away somewhere off camera, into the distance.

It cheekily references Noel previously telling how – during a heated 2009 argument at the Rock en Seine Festival in Paris the time of his Oasis departure – Liam threw a plum at him.

Fans were convinced the clip hinted at a France tour date – with references to “Rock en Seine” and “Au Marché” visible.

Back in June, The Sun exclusively revealed that Oasis will returning to the stage next year with a record-breaking run of six concerts at Knebworth and a 12-date residency at the Etihad Stadium in Manchester.

Folk singer Ray LaMontange was treated for heat-related dehydration after collapsing onstage during a weekend performance amid triple-digit heat in Nashville.

On Saturday, the 53-year-old toppled to the side while performing his popular track “Jolene” in front of a sold-out,crowd at Ryman Auditorium, according to recorded fan footage.

There were reports that LaMontagne had lost his place earlier in his set when performing “Hannah,” per Consequence. According to the National Weather Service, temperatures in the Nashville area reached a high of 101 degrees.

Later that night, LaMontagne’s management released a statement through his Instagram stories, sharing that the Grammy winner was in “good hands with local EMS” and that he was being treated for “heat-related dehydration.”

LaMontagne returned to the stage the following night, performing at the Louisville Palace in Kentucky, where he made no mention of the incident.

Last month, the Americana singer — best known for tracks “You Are the Best Thing” and “Hold You in My Arms” — had kicked off his 20th anniversary tour.

The tour is named after his 2004 debut album, “Trouble,” which is platinum certified in both the United States and United Kingdom; though the album reached only No. 164 on the Billboard 200 chart, it hit No. 5 on the U.K. Albums chart.

Known for his gruff vocals, LaMontagne first came to the scene in the early aughts as a timid troubadour. The New Hampshire-born, Utah-raised artist was once a former shoe factory worker from Maine whose singer-songwriter journey began when he woke up one morning to Stephen Stills’ “Treetop Flyer” on his clock radio.

All nine of LaMontagne’s albums — with the exception of his independently released 2024 LP, “Long Way Home” — have charted in the Billboard 200.

LaMontagne will continue on with his Trouble tour — which features special guest the Weather Station — through Oct. 3, closing out at New York City’s Beacon Theatre.

A NEW teaser video from Oasis ‘confirms’ an upcoming tour location – with a subtle nod to a moment that happened around the group’s original split.

The legendary rock band – led by brothers Liam Gallagher and Noel Gallagher – reformed in 2024 after breaking up in 2009.

It saw the pair overcome their 15-year feud as they embarked on a reunion tour in summer 2025.

The band have now posted a cryptic clip online, with fans certain they sussed out an upcoming tour location.

Fans were convinced the clip hinted at a France tour date – with references to “Rock en Seine” and “Au Marché” visible.

One person commented: “A French date for next year’s tour I see! Possibly for the 7th of July?? Interesting…”

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Another added: “Hey Oasis, you owe me a gig in Paris!!! I was there that night in 2009. F*****g night. So VIVE LA FRANCE!!”

In addition to this, the video also includes a reference to an infamous moment in Oasis history.

A viewer remarked: “Please tell me that was a plum he threw. Genius.”

While a second person said: “OMG ITS LIAM THROWING A PLUM AT NOEL !!!!!”

In the clip, a man wearing a leather jacket took out a plum from a paper bag and began eating it.

Soon after this, he lobbed the plum away somewhere off camera, into the distance.

It references Noel previously telling how – during a heated 2009 argument at the Rock en Seine Festival in Paris the time of his Oasis departure – Liam threw a plum at him.

In 2011, he said at a press conference for solo album Noel Gallagher’s High Flying Birds: “He storms out of the dressing room and on the way out, he picked up a plum and threw it across the dressing room and it smashes against the wall.”

Noel added: “Part of me wishes it did end like that – “plum throws plum.”

OASIS have teased more huge gigs with a cheeky nod to their chaotic first tour that saw Liam Gallagher deported from Holland.

The band have been drip-feeding fans cryptic videos hinting at 2027 shows in the UK and Europe ahead of an official announcement.

So far sleuthing supporters have decoded gigs at the Etihad Stadium, Celtic Park and Munich’s Allianz Arena.

Now they’re convinced the band is heading to Amsterdam — two days after The Sun exclusively revealed the band will play shows at the Johan Cruyff Stadium as part of an extended world tour.

Back in 1994, the boozed-up band set sail for the Dutch city’s Paradiso Club only to clash with rowdy West Ham fans on the ferry.

All hell broke loose and Liam famously ran from police in scenes reminiscent of a Benny Hill sketch.

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Noel Gallagher wasn’t involved in the fracas, having headed to his cabin early, however, the damage was done and he joined Liam and the rest of the band on the next ferry home, with the scheduled gig cancelled.

The new clip sees two plucky young lads sprinting through a shipping yard, stopping to stick their fingers up at police officers in pursuit.

One fan commented on X: “I instantly thought of Liam getting arrested on the ferry in Amsterdam!!!”

Another said: “Ferry containers, running from the police, it’s Amsterdam just like they were deported by the police in Amsterdam in 1994.”

A third said: “Fighting on the ferry to Amsterdam?”

The Gallaghers have been promoting the band’s new Don’t Look Back In Anger documentary this week that documents last year’s comeback tour after the brothers ended their 16 year feud.

Today, directors Will Lovelace and Dylan Southern revealed on Radio X the lengths they went to to ensure they didn’t jeopardise the brothers’ fragile relationship.

Will said: “Day one of shooting was day one of their rehearsals which they hadn’t done before. No one had ever filmed; they hadn’t allowed cameras into rehearsals. The first day of filming was them getting in a room together.

Dylan continued: “Genuinely, other than the photograph to launch this whole tour, it was the first time they’d spent time together in 15 years, so we didn’t want to be the people to ruin this for everybody, so our whole approach was to be invisible.

“We rigged cameras in the room – 12-14 cameras and just left them to film and we had to hide in a portacabin for the whole summer which had no air conditioning during a heat wave.

“We were like CCTV security guards, but we had to be watching the preparation for the biggest rock and roll comeback ever.”

Pakistan have begun an inquiry into “discipline and conduct” in the latest twist on a turbulent tour of England.

Already 2-0 down in the three-match Test series, Pakistan last week sent seven players home, called up seven more and replaced head coach Sarfaraz Ahmed with New Zealander Mike Hesson.

During the second Test at Lord’s, the tourists also threatened to cancel the remainder of the match and the tour over an interview broadcast by Sky with the imprisoned former Pakistan prime minister and captain Imran Khan.

In a statement released on Monday morning, the Pakistan Cricket Board (PCB) said: “The Pakistan Cricket Board has initiated an internal disciplinary inquiry following media reports concerning discipline and conduct, which are currently being reviewed internally.

“The PCB handles such matters in accordance with its standard procedures. The process is being conducted under PCB regulations, ensuring that all concerned individuals are given due consideration.”

The statement refers to “speculative reports” from “hostile external sources”.

Last week, Hesson responded to reports Salman Ali Agha – one of the seven dropped players – refused to attend a meeting with King Charles at Clarence House.

Hesson also refuted suggestions that Mohammad Imran and Mohammad Imran Jr were both called up as replacements because the PCB was confused by their names.

The statement continued: “At this stage, any speculative reports or unverified claims circulating on certain platforms, particularly those originating from hostile external sources, should not be regarded as credible.

“The PCB will not comment further at this time. The Board advises stakeholders and the public to rely on official PCB communications.”

Beau Greaves made darts history by becoming the first woman to win a match on the European Tour.

The 22-year-old, who was edged out 6-5 by Rob Cross on her European Tour debut in Hungary last week, beat Daryl Gurney 6-4 in the Czech Open.

Gurney beat Greaves in a deciding set in their first-round match at the PDC World Championship in December and he moved into a 3-1 lead in Prague.

However, Greaves reeled off three straight legs with 14, 13 and 11-dart finishes to go 4-3 in front and, even though Gurney levelled at 4-4, she went on to take victory and become the first female winner in the European Tour’s 15-year history.

“It feels amazing,” said Greaves, who will play world number two Luke Humphries in the second round on Saturday.

“It’s just so nice to win a game, I was so nervous at the start, I don’t know why. It took me so long to get settled, but luckily I did enough to win the game.

“It means loads to me, the crowd’s fantastic. It’s such a tight stage and you feel so much from the crowd. I’m really enjoying it and loving the experience.”

It is the latest in a list of achievements for Doncaster’s Greaves which include her becoming the first woman to win a PDC ranking title when she beat Michael Smith in April.

She is also the first woman to hit a nine-dart finish on the PDC ProTour, having done so in a win against Mensur Suljovic in February.

Greaves also won the Women’s World Matchplay for the third time when she beat Fallon Sherrock in July.

On facing Humphries, she added: “I’ve played Luke on the big stage before so I know what to expect, he’s world class so I’m going to have to play a lot better than I did tonight.

“What more do you want than on a Euro Tour to play one of the best players in the world? I’ll look forward to it and I’ll be ready.”

Viewers tuning in to the new series of The Grand Tour have been left curious about the title card

The Grand Tour fans have been left intrigued by a title card featured in one episode.

The six-part series premiered on Prime Video today (September 4) with a fresh set of hosts: Francis Bourgeois, James Engelsman and Thomas Holland. The trio replace veteran stars Jeremy Clarkson, James May and Richard Hammond, who gladly handed over the baton to the newbies.

The new series of The Grand Tour even saw the former Top Gear trio make appearances throughout the episodes. Jeremy appeared in the opening episode as he gave some blunt advice to the newbies, while Richard helped to judge a competition to find the toughest car, and James hosted the line-up in his pub.

Episode five of The Grand Tour featured an exciting race between Thomas in a hypercar against Francis and James on a train as they tried to get from the UK to the Belgian Grand Prix. The instalment titled A Relaxing Spa Weekend also featured James delving into the incredible history of the BMW Isetta and its Cold War history.

The episode ended with a title card which featured two images of Klaus-Günter Jacobi, who built the smallest-ever escape car used to cross the border between East and West Berlin during the Cold War. Many are curious about the figure mentioned in the title card. Here’s what you need to know.

Who is Klaus-Gunter Jacobi?

Klaus-Günter Jacobi was a mechanic who helped his best friend escape from East Berlin into West Berlin, crossing the heavily guarded border crossing of Checkpoint Charlie. He hid his best friend Manfred Koster in a tiny and concealed compartment in the BMW Isetta.

Manfred was trying to escape East Germany as he was set to be drafted into the army. Thankfully, his friend Klaus came up with the cunning plan.

Klaus-Günter modified the Isetta, reduced the fuel tank to a bare minimum and managed to build in the hiding space. He had also removed other unnecessary components and provided heat protection.

However, they only had an hour to cross the border before it closed for the night. The men were delayed and almost didn’t make it, with sniffer dogs checking for anything suspicious.

If they had been caught, the pair might have paid with their lives for trying to leave. The guards inspected the vehicle thoroughly and let Klaus through without suspecting what he was carrying.

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Klaus’ story was immortalised in the mini-film The Small Escape, which was produced by the BMW Group. After word spread of the escape, the Isetta was used by other defectors to escape East Berlin.

The BMW Isetta was conceived post-WWII by Italian refridgerator company boss Renzo Rivolta and his company Iso Spa. The car essentially had the engine of a scooter, the door of a fridge and seating for two people. BMW was on the verge of bankruptcy when they licensed the design from Iso Spa and set about making it more into one of their cars, thus saving the firm from ruin.

After sharing the unbelievable true story, James then asked Thomas to try and get into a similar-sized space. Despite his best efforts to assume a foetal position, Thomas was unable to get into the space and this illustrated just how tiny this compartment was.

Later in the episode, the two men stopped at a pedestrian crossing as Klaus walked across and waved at them. He now serves as a tourist guide at the Berlin Wall Museum in Friedrichstrasse.

The Grand Tour is streaming on Prime Video now

In the opening moments of the first episode, the trio were seen paying a visit to a familiar farm.

The new Grand Tour hosts witnessed Jeremy Clarkson in action behind the meat counter at Diddly Squat Farm.

The Grand Tour is back on Prime Video with three new hosts taking the wheel – train enthusiast and social media star Francis Bourgeois, and YouTube hosts James Engelsman and Thomas Holland. The streamer announced the new series would feature cameos from the original trio, but the extent of Jeremy Clarkson, James May and Richard Hammond’s involvement was kept under wraps.

Now, it has been revealed that the new hosts visited Clarkson’s Diddly Squat Farm, featured on the hit Clarkson’s Farm, to get Clarkson’s seal of approval. Speaking exclusively to The Mirror, host Holland said it was a “weird experience”. He shared: “About two years earlier, I went to the farm as a tourist, just for fun, I just happened to be here.

“I went into the tent and had a beer and did whatever you do when you are there, and the next time I was back there it was to talk to Jeremy Clarkson, so that was a bit weird.” Engelsman enlightened viewers by revealing “Jeremy does 9-5 shifts behind that [meat] counter”. While many fans already know Clarkson had warned the new trio “don’t f*** it up”, it was actually another part of his testimony that resonated most with the new hosts.

Engelsman explained: “It was strange, we have seen the footage now and after we left, he delivered that message to camera. That slightly longer, more sincere message, I think, for me at least, it resonated a lot harder than just the brief piece of advice.” What Clarkson had told viewers once the trio had walked away was: “I have got to be honest with you, I have actually been watching what they have been up to for the last year and a half, and they are very, very good, I think you are going to love it.”

Holland expressed to The Mirror: “We didn’t see that in the moment, we didn’t know that happened until much later on, so seeing that played back was like ‘Oh, that’s nice’.” Bourgeois agreed, adding: “It means a huge amount to us and also gives us quite the superpower, to have his blessing is just a phenomenal start for us.”

In the opening moments of the first episode, the trio were seen driving through the English countryside when they pulled into Diddly Squat Farm. They paid a visit to The Farmer’s Dog, which featured the original Grant Tour sign hanging from the tent ceiling.

Nervously, they approached Clarkson, who was behind the butcher’s counter. “Hey, how’s things?” he said with a smile. “So, how can I help?” Francis joked: “We have come to ask, please may we use the tent for our studio?”

Clarkson looked at the three blankly before saying: “Not really. I mean, you could, but it’s got a butcher’s in it now, and a bar, and a shop, and an off-licence. It’s usually quite busy as well, so it wouldn’t be an audience so much as customers. I want to help, but look, it’s been repurposed.”

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The joke referred to a Clarkson’s Farm moment when Jeremy called on the help of his old Grand Tour boss to supply a tent to house various projects like the farm shop and butcher’s counter. Following the skit, Clarkson got serious, saying: “Listen guys, seriously, have fun with this. I mean it, good luck, and don’t f*** it up.”

Speaking directly to viewers, it was then that Clarkson gave his heartfelt speech that resonated with the new hosts, who had been totally unaware of his kind words.

The Grand Tour is streaming on Prime Video

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‘If it ain’t broke, don’t fix it’ the old adage goes, and that’s certainly what they’ve gone for with The Grand Tour.

Perhaps you can’t blame them. Jeremy Clarkson, James May and Richard Hammond proved enormously popular after they de-camped from the BBC’s Top Gear and so having three white blokes is a tried and tested formula that no one can argue with.

Testosterone-fuelled petrolheads is what we are used to, and what we are getting.

Andy Wilman says it’s ‘comfort food’ for the audience. But progressive? It certainly isn’t. And the notion that sticking a female car expert into the mix would somehow turn the show into a box-ticking exercise does rankle. What is this, the 1990s?

On the question of whether a male presenter could have infiltrated the fashion world formerly occupied by Trinny Woodall and Susannah Constantine (20 years ago!) I’m going to say, yes, he could. Let’s ask Gok Wan what he thinks.

This whole gender-based stereotyping is just incredibly tedious and without anyone ever pushing back, will never change.

But when it comes to the trio they have chosen, Wilman is not wrong when he says they are likeable. They really are.

Between them, James, Francis and Canadian Thomas have about a trillion followers across every platform imaginable. They eat, breathe, and sleep the one same thing: cars.

Watching the first episode as they race around in motors worth more than some people’s houses, you can feel the passion oozing out of them. Their interaction with guest driver Jenson Button is also very funny.

None of them can hide their glee at being let loose on some of the fastest vehicles on the planet. But they show just as much enthusiasm when it comes to winning races in clapped out old bangers worth £100.

The secret to their imminent TV success is their authentic joy for what they are doing, which is contagious for the viewers. After a few minutes of watching, everyone at home will have adrenaline levels that are sky high, to match theirs. Also, they look so damn happy, you can’t watch without getting a bit of that feel-good glow.

Of course, a woman would be capable of all this too.

When it comes to moving forwards, this show is stuck in a rut. But will it be a car-crash? Absolutely not.

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For more than three decades, Liz Phair and Sleater-Kinney existed in parallel without ever quite meeting. They admired one another from afar, brushed shoulders only in passing, and, in some ways, represented opposing ways of challenging the limits placed on women in indie rock. Phair, who found novel and peerlessly smart ways to write about heterosexual skirmishes, used her ambitions to edge closer to the mainstream; Sleater-Kinney, one of the great duos of American rock, have succeeded in becoming the last band standing from the underground scene in which they emerged.

Both acts are about to share the stage for the first time, co-headlining a tour they’ve cheekily and earnestly named the Flannel and the Fury, with stops across the country, from El Cajon, Calif., to Ocean City, Md., and a night at Los Angeles’ Greek Theatre on Tuesday.

Yet, despite having spent more than 30 years orbiting the same world, they have had surprisingly little time together. This interview is one of a few substantial conversations they’ve ever had. It is, at first, slightly stilted. Carrie Brownstein and Corin Tucker (Sleater-Kinney) are in sync as always; Phair is clearly excited, but seemingly unsure of where to place herself in the dynamic. Now all in their 50s, the women have been asking similar questions of the same culture, and are only now getting the chance to compare answers.

“Sorry, I know you’re like, ‘Why aren’t you better friends?’ For me, that’s the point. I’m trying to be better friends,” says Brownstein. “Yeah, talk to us again when tour’s over,” Tucker adds.

Brownstein is sitting in a parking lot in Los Angeles, wearing a cardigan and glasses, people walking past her window, unaware of who’s inside. Tucker calls from her home, a blurred background behind her, wearing a white blouse and lipstick. Phair is at home too, makeup on and hair straightened, various musical instruments on the wall behind her. It’s a few weeks before their co-headlining tour, and Tucker has already loaded up all the equipment. She’s packed her suitcase too, full of socks she’ll throw away by the end of tour, and a wardrobe almost entirely of black.

“This is news to me,” says Brownstein. “I was thinking more of a chocolate brown. I will be all brown town.”

Phair is going for wine-like jewel tones. “A Cab Sav,” to be specific.

Phair, who’s had an on-and-off relationship with touring, is noticeably more nervous than Brownstein and Tucker. “It takes me two or three shows to get into it. At first I’m like, why are you all staring at me?”

Phair had been sitting on the idea of a co-headlining tour with Sleater-Kinney for a few years. She sheepishly says that she didn’t reach out herself, but got her manager to do it while she was working on the second half of her memoir. She’s been keen to share a bill with Sleater-Kinney ever since she heard their 1996 album “Call the Doctor.”

“By then, I’d started to pull back from indie rock,” says Phair. “I had gotten married, and I didn’t know I was pregnant at the time, but I was starting to drift out of this scene, and then they put out this kick-ass record, and I just remember thinking, I kind of want to be back in the game. It inspired me. It stuck with me.”

Phair felt she was atomized from the female coalitions of the ’90s, and that this co-bill might be a way to rectify that. “I’d love to be able to go back and sew it together again,” she says. “Here’s a band I was a fan of that meant something to me and now I can play with them.”

For Sleater-Kinney, Phair has long been more than a neighboring act. Tucker and Brownstein describe her as one of their “biggest inspirations.” Both have the same Phair favorite song: “Divorce Song.” “It’s a perfect song,” says Tucker. “I think I’ve put it on every mixtape I’ve ever made,” Brownstein adds.

By the time Phair released her debut album, “Exile in Guyville,” in 1993, she was the one of the two acts edging toward the mainstream. Within a year, she was on the cover of Rolling Stone.

“I still have a copy of the magazine,” says Brownstein. “We were all so excited. Like, an actual artist made the cover.”

Nirvana had made this small corporate alliance permissible a couple of years earlier, finding a loophole as Cobain wore a T-shirt that read “Corporate Magazines Still Suck” on their Rolling Stone cover. It was a time when an antiauthoritarian stance was the only artistically credible one. Before we started calling one another “performative,” Tucker, Brownstein and Phair came from a time when “poser” was the worst insult and sin. They came from a scene of ideological puritanism.

“You know when people die their life flashes before their eyes, sometimes, it’s like that when I do a deep dive, and I’m like, God, there were a lot of rules. There was a lot of fear. And I don’t think anyone who wasn’t there would be able to picture it,” says Brownstein. “It took us a long time to get over it.”

“OK, can I ask the question? Can I get right in here? Because I want to know,” Phair chimes. “Do you think that’s because there weren’t enough women? You think women would have brought the inclusivity to inclusivity?”

“Unfortunately, no,” replies Tucker.

“We had these all-female festivals in Olympia, and we had our own publicist, and they were like, how dare we?” says Brownstein. “You know, it was just gatekeeping, that now seems sort of repugnant. But it was also a way to establish yourself in opposition to what felt like the only way to be.”

It’s part of why Sleater-Kinney declined an invite to play Lilith Fair, the mainstream precedent for so-called female solidarity in music. One of history’s most famous traveling all-female festivals, Lilith Fair was considered by many in the Riot Grrrl movement to be an early symbol of the commodification of “girl power,” female solidarity aligned with corporate ideals.

Sleater Kinney

(Robin Laananen)

“It seems like they haven’t really given credit to women in an independent milieu who have organized a lot of female-only shows for years,” Brownstein told the Dallas Observer in 1998.

“I think at the time we thought we were too cool to play Lilith,” Tucker reflects.

“I’ll just leave your answer,” says Brownstein.

Then she changes her mind four seconds later.

“I saw the Lilith Fair documentary last year and got FOMO, I kind of regretted not playing” she says. “But at the same time we had a handicap from a small indie punk community that was kind of didactic, there was a real rigidity to what you were and weren’t allowed to do. Even us signing with Matador in the U.K. was considered too big.”

Selling out, they all conclude, is no longer a concern for anyone. Phair’s son, who is Gen Z, often says the phrase “it’s time to get the bag.”

“You know, every artist has the right to get their bag,” says Phair. “I always felt that way and I was especially vilified for it.”

That vilification reached its apex when she released her mainstream-aspiring self-titled album in 2003, an album Sleater-Kinney said they hated in an interview with Rolling Stone that year, and which Pitchfork gave a rare 0.0 score in one of its most notorious reviews.

“I’d be on tour doing 10 interviews a day back-to-back, and I almost had to give these interviewers therapy, because they were so sad about my turn from indie rock,” says Phair.

Phair is adamant she made her mark on “every one of those songs, except maybe ‘Favorite,’” she says, referencing the chintzy, awkwardly phrased track where she sings about her underwear. Maybe it’s a metaphor, but more likely, it is just a song about her underwear. Safe to say it won’t be on the show’s setlist: “I will never play it live.”

The old argument about selling out now sits inside a very different touring economy. Sleater-Kinney and Phair’s co-headlining tour happens to follow a flood of co-headlining tours this year, from indie acts like Waxahatchee and MJ Lenderman to big marquee names like Usher and Chris Brown. With higher ticket prices and more competition — not only with other touring bands but with the allures of home comforts — audiences need a bigger draw. Artists want an opportunity to play to big audiences, as well as a better chance of “getting the bag.”

All three artists insist they won’t necessarily bring home the bag, nor is that why they’re doing this.

“All our budget’s gone on to the lighting designer,” jokes Brownstein.

“When I do these interviews with you guys, I get kind of excited and nervous because I feel challenged in the best way,” says Phair. “I think co-headlining bills, it does let you go into bigger venues than you could by yourself. But it also, for me, gives me creative food, like nutrition. It makes me grow.”

Jeremy Clarkson has reunited with Richard Hammond and James May at the premiere of the latest series of The Grand Tour after qutting the long-running programme two years ago

Jeremy Clarkson has reunited with Richard Hammond and James May at the premiere of the latest series of The Grand Tour. The TV star, 66, famously fronted the motoring series with Richard and James in the years after they found fame fronting Top Gear.

The trio decided to step down in 2024 after eight years at the helm of the hit Amazon Prime series and it was then announced that Francis Bourgeois, along with YouTube stars Thomas Holland and James Engelsman were stepping into their shoes.

But Jeremy, James and Richard were still out in full force at the launch of the world premiere of the new series of The Grand Tour as it all took place in London on Wednesday night. The guys all looked in good spirits as they walked the red carpet and greeted their successors.

In the first series, the team will tackle some big motoring questions, such as what’s the most unbreakable car in history and can you travel across Colorado undetected in a trio of Japanese microcars.

F1 World Champion Jenson Button also makes a special appearance in the trailer, whilst it also shows the trio head to Malaysia to see all about the country’s rich car culture as well as how little someone can spend on a sports car without it immediately blowing up.

In the new series, they travel through Angola in track-cars, which are quite unsuited for the job. They even test out the greatest American cars including the the Ford Mustang GTD, Chevrolet Corvette ZR1, and $2.75m, 2000-horsepower Hennessey Venom F5 Revolution Evolution against a bunch of fighter jets.

Francis Bourgeois said of joining the show: “Since completing the filming of the series, I haven’t stopped replaying every moment in my head. It has made me laugh, made my heart race and my stomach turn…remembering the tent

“I shared with Thomas and James filled with sulphuric farts whilst Angolan jackals snooped around outside. It feels as though it was a dream but knowing we will get to share our adventures soon makes me so incredibly excited!”

James Engelsman added: “We took on the West African Desert. We contended with fighter pilots. We even decided to challenge an entire nation’s legal system by protesting from the mountain tops. In doing so, the three of us learned our true strength: How to accept defeat gracefully.”

Thomas Holland shared: “I figured someone would be there to hold our hand the whole time. Nope. We were on our own in some absolutely wild environments in very, VERY questionable cars. What did we learn from this experience? Only that we have very poor decision-making skills. When you watch in September, expect a good laugh. And maybe a few butt clenches…”

The Grand Tour will launch all six episodes exclusively on Prime Video on Friday 4th September.

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‘The wind is in from Africa / Last night I couldn’t sleep.” Joni Mitchell has ear-wormed her way into my head as my wife and I step out from Zahara de la Sierra into the mountains of Sierra de Grazalema natural park. The Africa bit probably comes from yesterday’s visit to Zahara’s castle museum. Here, high above the tiled terracotta mosaic of village rooftops, we learned how the recapture of this picturesque hill town was a turning point in the Reconquista – the military campaign of the 1400s that saw the Catholics retake southern Spain after seven centuries of Moorish control. As for sleep deprivation, I may just have overdone it on last night’s tapas.

Either way, Africa feels present as we tramp through the countryside of Andalucía, if only in the wildlife. The painted lady butterflies drifting over the flower-spangled verges, the turtle doves purring from the olive groves and the booted eagle drifting overhead: all are summer visitors recently blown in from the great continent to our south.

It’s day two of our White Villages of the Ronda Mountains walking tour, a self-guided seven-day route from On Foot Holidays that explores this alluring corner of southern Spain. We arrived yesterday by bus from Málaga, winding up through the mountains until the whitewashed dwellings of Zahara appeared like teeth in the hillside ahead. This was the first of the week’s four pueblos blancos, all tucked picturesquely into the natural park’s rugged 51,695 hectares (127,740 acres) of limestone peaks and serpentine river valleys.

I’ve walked with On Foot before, so the routine is familiar: water bottles and packed lunches stashed in daypacks, laminated map around neck on lanyard and route app open on phone (belt-and-braces navigation). Best of all, our luggage is already wending its way by taxi to the next destination.

The conditions couldn’t be more perfect. The hillsides burst with blossom and birdsong, the May temperature is a pleasant mid-20s (midsummer out here would be punishing), and the peaks stand proud against the clear blue sky. It’s hard to believe February brought such heavy rains that much of our route was then impassable – and some areas of the park were affected by wildfires later in the summer.

But each month here has its own character. September/October – also prime walking season – sees the chestnuts and cork oak forests turn russet and gold, and the spring irises and orchids replaced by the post-summer bloom of wild asparagus and autumn crocus. Overhead, those booted eagles will be massing for their return journey – along with bee-eaters, honey buzzards and other winged voyagers – back to Africa.

Today’s hike takes us south towards Grazalema: pueblo blanco number two. We skirt a reservoir then wind along a lush river valley, nightingales serenading us from the oleander thickets, and by late morning are rising into the mountains, the vista gaining grandeur as we gain height.

Lunch is in a high meadow, where we unwrap our bocadillos while bees buzz and butterflies busy themselves among the blooms. Afternoon brings a long uphill slog, then finally a cool descent through shady pines to sleepy Grazalema. Another 11 miles (18km) under our belts.

We stay two nights in Grazalema at the Hotel la Mejorana, meeting wild ibex on a mountain circuit high above town, and eating at the cosy Cádiz el Chico restaurant, where a menu featuring partridge and wild boar (though, thankfully, not ibex) reflects the region’s hunting traditions. At night, the cobbled streets are quiet beneath a canopy of stars.

Benaoján, the third of our pueblos blancos, lies about 16 miles to the south-east. We exit Grazalema early in the morning, beneath the Los Peñascos mirador. Roosting griffon vultures line the cliffs like pterodactyls, warming up in the morning sun before, one at a time, flapping off on table-top wings for another day combing the plains.

Our route leads down through the oak woods before rising again into the hills. Here we enter a limestone wonderland, the karst formations sculpted by wind and rain into Henry Moore-like statues. Bee-eaters dart overhead, their liquid chirrups audible long before we lay eyes on them. A passing walker greets us with a cheery “Buen camino!” He’s returning with his father to see the farmhouse where they grew up. We find Dad sitting on a nearby rock, devouring an empanada. They’re the only other walkers we meet all day.

Our hideaway at Benaoján is the Molino del Santo hotel, where we dine beside a chuckling stream on a terrace crowded with potted geraniums. From here, it takes us two hours to hike to the Cueva de la Pileta, an immense cave system discovered in 1905 when a local farmer spotted bats streaming from a fissure in the hillside.

Local guide Ainhoa Bullón leads us down cool, narrow passages into measureless caverns, her thin torch beam illuminating flowstone formations as enormous and elaborate as a Gaudí cathedral – formed, she explains, by the drip-drip of lime at the rate of 1cm every 400 years. The farthest recesses hold exquisite shamanic rock art, some more than 25,000 years old. Ainhoa overflows with information, talking us through the cave’s successive ages of antiquity, from Neanderthal to Neolithic. Most important, she delivers us safely back to the blazing sunshine outside.

Our week ends at Ronda, perched atop the precipitous El Tajo gorge. The celebrated clifftop town seems to beckon us onward like some mythical sky citadel as we tramp our final kilometres towards it. Below the cliffs, we find ourselves back in tourist land, sharing the steep climb to the top with a gaggle of selfie-snapping day trippers.

We make it, slumping at the first available cafe table to lever off boots, fold away the map and order a celebratory cold cerveza. Tomorrow, we catch our bus back to Málaga. For now, a final night lies ahead, with a stirring panorama from our room at the Parador de Ronda and the promise of a slap-up meal down in the old town. Our beers arrive, and any lingering strains of Joni are soon lost to a busker’s volley of flamenco guitar.

The trip was provided by On Foot Holidays. It costs from £985pp for a seven-night self-guided route in Grazalema natural park, ending in Ronda; five-, six- and eight-night routes also available. The walking season is February-May and September-December (April, May, September and October being optimum)

DID you know that Buckingham Palace has its own cinema, post office and even a mini bank?

I didn’t. Nor did the handful of punters and their kids behind me, who were now all gawping with fascination at the extravagant building from their shiny bus seats.

Claim 25% off children’s tickets for the The Original London Kids Tour

The royal premises is certainly a spectacular sight to behold with its grand curved arches and towering bronze statue.

And we’ve got one of the best views in town: from the upper deck of an open-roofed London bus.

The Original’s London Kids Bus Tour may be aimed at youngsters, but there are enough juicy facts in there to keep adults hooked on their guide’s every word as they tour the capital’s most recognisable landmarks.

And right now Sun readers can save 25% on children’s tickets by clicking here, with ages two and under going free.

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SAIL ON

I tried the Thames dining cruise with two courses & London’s top landmarks for £38

In just under an hour, my niece and I had ticked off Big Ben, Downing Street, the London Eye, and of course the residence of King Charles. 

His Majesty wasn’t at home, though. “You can tell from the flag’s position,” our guide explains. “If it’s flying high, he’s in the building.”

That’s one fact I did know.

We also learned the stories behind the four grand lion statues in Trafalgar square and how Nelson’s Column was built to commemorate the Battle of Trafalgar, hundreds of years ago.

Facts were cleverly sandwiched between fun sightseeing tasks for kids, like spotting the golden pineapples on top of Lambeth Bridge.

Kids had to use their noggins, too, to answer age-appropriate quiz questions such as: “What’s the name of that big clock over there?”

Claim 25% off children’s tickets for the The Original London Kids Tour

I’ll give you one guess as to where our guide was pointing. 

And just as we were gazing up at the mighty Big Ben he roared into action, bellowing his tuneful chime. 

That’s the other brilliant thing about these tours, each one is perfectly-timed to include key moments like this.

On top of Big Ben’s gong, we heard the merry jingle from Fortnum & Mason’s grand clock on Piccadilly and watched from a distance as visitors piled into pods on the mighty London Eye.

“That is SO high,” my niece squealed, pointing excitedly at the big wheel.

This monument is actually taller than Big Ben, our guide highlights. Those trivia facts just keep on coming.

When we clamber off after an exhilarating hour, a free activity booklet will keep kids faces from going sour.

It’s loaded with mini tasks like spot the difference, word searches and dot-to-dots, all leaning on their new-found knowledge of the capital.

Something to keep them busy while parents grab a coffee.

I can’t think of a better way to see the sights, either, than from the comfort of a classic red double-decker (don’t panic, the upper deck is partially roofed for when the weather takes a turn).

There’s plenty of space on board, too.

We were visiting on a maximum-capacity day and there were still lots of free seats scattered around.

At £24pp it’s cracking value, too. And now you can bag yourself an even bigger discount, with 25% off children’s tickets.

The best part? You can also claim seven other freebies as part of the offer.

Your ticket for The Original Tour also includes a Hop-On Hop-Off River Thames cruise, where you can soak up the sights from the water.

Plus you’ll get access to six self-guided walking tours via The Original Tour’s partner app.

That’s three ways to see London for the price of one – all of which are child-friendly, hassle-free and put together by experts.

Claim 25% off children’s tickets for the The Original London Kids Tour

Prices correct at the time of publication.

ATLANTA — Tiger Woods was going for his seventh straight PGA Tour victory when he tied for second at Torrey Pines. He earned $264,000 that day to move to No. 1 in career tour earnings.

That was Feb. 13, 2000, and Woods stayed there ever since — until Sunday.

Scottie Scheffler won the Tour Championship to capture his second FedEx Cup title and the $10 million prize — now considered official money — to raise his career total to $130,390,661.

Woods had been at $120,999,166 since he made his last cut on the PGA Tour at the 2024 Masters.

This is an entirely different era of golf, and Scheffler finally topping Woods in career earnings was inevitable. That it happened so quickly is a testament to Scheffler’s dominance. He has been No. 1 in the world since May 2023.

The popularity and momentum Woods brought to the sport 30 years ago generated enormous spikes in prize money. And then with the arrival of Saudi-funded LIV Golf in 2022, the PGA Tour responded with even greater increases to keep more players from defecting.

There were 15 prize funds of $20 million or more this season on the PGA Tour schedule. Woods never played for a $10 million purse during his peak years from 1997 through 2009.

Woods won the FedEx Cup twice when it was worth $10 million, all in bonus money. Scheffler earned $23 million in bonus money last week by leading the FedEx Cup in points. The FedEx Cup finale has counted as official the last two years.

Most telling about the rapid increase in money was the 2024 Masters. Woods, at age 48 and trying to recover from multiple back surgeries and a 2023 car crash that shattered his right leg and ankle, finished in last place and made $44,000.

Scheffler won the Masters that year and moved to No. 12 on the career earnings list at $57,658,464. He has earned just over $72.7 million in his last 50 tournaments over two years and four months.

It was a matter of time, and it really doesn’t matter to Scheffler.

“The reason our purses are so large today is because of the influence and impact that Tiger had on the game,” Scheffler said before the Tour Championship started. “I wouldn’t really consider that a Tiger record being broken. I think it just shows one of the many effects he had on the game of golf in a positive way.”

Scheffler indicated last week in St. Louis the Tiger number he cares about his victories. Scheffler won for the 22nd time Sunday at East Lake. Woods shares the PGA Tour record at 82 victories.

Ferguson writes for the Associated Press.

Tour Championship – round three

-15 V Hovland (Nor); -14 R Gerard (US); -12 A Scott (Aus), L Aberg (Swe), S Scheffler, C Gotterup (US)

Selected: -10 R McIlroy (NI), C Young (US); -8 J Rose (Eng), M Fitzpatrick (Eng); -7 T Fleetwood (Eng), A Fitzpatrick (Eng); -4 R MacIntyre (Sco)

Full leaderboard

Viktor Hovland will head into the final round of the PGA Tour’s $40m Tour Championship in Atlanta on Sunday with a one-stroke lead.

The season-ending event will also crown the FedEx Cup champion, which was won by Hovland in 2023.

The Norwegian, who came into the third round tied for the lead on 10 under with American Ryan Gerard, birdied the 17th and 18th holes to post a five-under-par 65 to improve to 15 under.

Gerard also birdied the final hole to finish one back on 14 under after a round of 66.

Lurking in the chasing pack are the world’s top two players, with number one Scottie Scheffler, the 2024 champion, producing a serene bogey-free round of 66 to finish three adrift on 12 under.

Back-to-back Masters champion Rory McIlroy – a record three-time FedEx Cup winner in 2016, 2019 and 2022 – catapulted himself into contention with a hugely impressive 63 to sit five shots off the lead.

The 37-year-old found form with his putter as he holed nine birdies, including three in a row on 15, 16 and 17 to post the joint lowest round of the day.

“I just left myself in better spots on the greens,” said McIlroy.

“I gave myself easier putts, putts that didn’t break two ways. When I got it rolling there on the back nine, every putt was like a cup right or a cup left.”

Australia’s Adam Scott, 46, who won the Tour Championship 20 years ago is alongside Scheffler after also carding a 66, while Sweden’s Ludvig Aberg posted a 65 to also finish on 12 under.

McIlroy is joined on 10 under by Players Championship winner Cameron Young.

England’s Justin Rose and Matt Fitzpatrick are probably too far back to challenge or the title at eight under par.

Defending champion Tommy Fleetwood and fellow Englishman Alex Fitzpatrick are a shot further adrift after both signed for 67s.

Scotland’s Robert MacIntyre, first out and playing on his own in the 29-man field (reduced from 30 because JJ Spaun pulled out injured during round one) whipped round in 63 shots to improve to joint 25th on four under par.

Kehlani has rescheduled the two concerts she had to postpone because of illness.

On Thursday, the “Folded” singer announced new dates for her Camden, N.J., and Columbia, Md., shows on Instagram. The Camden show, which was originally scheduled for Aug. 26, will now happen on Sept. 5. The Columbia show will follow on Sept. 6. The latter had previously been scheduled for Aug. 27.

The two stops on Kehlani’s self-titled world tour had to be postponed after the two-time Grammy winner needed to seek treatment at a hospital for pain that prevented her from being able to swallow.

“[A]fter two off days feeling completely normal.. ive been up all night unable to swallow & in so much pain,” Kehlani wrote in a social media post Wednesday. “[I] just left the hospital & am not cleared to sing for the next two shows. i’m so sorry.”

In the since-deleted Instagram post (which is still available on Facebook), the “Nights Like This” singer expressed her frustration that she wasn’t able to perform as planned.

It “breaks my heart to have to ever do this,” Kehlani wrote. “i do everything i’m supposed to do to ensure my health stays up to par & it still isn’t guaranteed.”

The “After Hours” singer kicked off the North American leg of her world tour in support of her self-titled album in Minneapolis earlier this month. She is scheduled for back-to-back Southern California stops at the Viejas Arena in San Diego and the Intuit Dome in Inglewood on Sept. 23 and 24, respectively.

Tour Championship – first round

-8 MW Lee (Aus); -6 V Hovland (Nor), C Morikawa (US), C Gotterup (US); -5 R Gerard (US), A Bhatia (US), L Aberg (Swe), S Scheffler (US)

Selected others: -4 T Fleetwood (Eng), M Fitzpatrick (Eng), R Fox (NZ); -3 R MacIntyre (Sco), W Clark (US); -2 J Rose (Eng), A Fitzpatrick (Eng), R McIlroy (NI)

Full leaderboard

Defending champion Tommy Fleetwood shot a four-under 66 to put himself in contention, four strokes off first-round leader Min Woo Lee at the Tour Championship in Atlanta.

However, Northern Ireland’s Rory McIlroy endured a mixed start in his bid to win a record-extending fourth Fedex Cup, bogeying two of the first four holes before fighting back on the back nine to sign for a 68.

Lee, who won last month’s Scottish Open, carded a bogey-free 62 to set the pace at eight under as he equalled his best ever round on the PGA Tour in its season-ending event at East Lake.

Australia’s Lee is two strokes clear of Norway’s Viktor Hovland, who triumphed in 2023, and American duo Collin Morikawa and Chris Gotterup.

It was a fine display from Lee, who was second from last in the BMW Championship a week ago and found himself without a partner for most of the day, with JJ Spaun withdrawing through injury after four holes.

“It was a little strange at first, just like looking for a playing partner and you’re just there by yourself,” said Lee.

“It was more just maintaining speeds and not rushing because I would just catch the group in front and wait. So I had to just slow down a little bit. It worked out.”

Ominously, world number one Scottie Scheffler ended his round with a birdie on the 18th to sit at five under, with England’s Matt Fitzpatrick in the mix at four under after also making a birdie four on the concluding hole.

Scotland’s Robert MacIntyre is at three under, with the highlight of his day arriving on the sixth hole when he rolled in a putt from over 30 feet for an eagle.

England’s Justin Rose and Alex Fitzpatrick both signed for rounds of 68 on a day when none of the 29 players in the field to complete the round went over par.

The winner on Sunday will take home the Fedex Cup and a $10m (£7.4m) prize.

Sir Nick Faldo says LIV golfers seeking a return to the DP World Tour may have to “eat a bit of humble pie” before regaining eligibility for the European-based circuit.

LIV’s 2026 season ended last Sunday in Indianapolis after this week’s cancellation of the breakaway tour’s Team Championship in Michigan.

Tyrrell Hatton, Tom McKibbin and Adrian Meronk are competing instead at the Husqvarna British Masters starting on Thursday.

Six-time major champion Faldo is promoting the Belfry tournament while LIV’s boss Scott O’Neil continues his quest to replace Saudi Arabian funding. He wants $350m (£258m) investment to keep the league operating next year.

“I’m hearing there are more players wanting to leave LIV than want to stay,” Faldo told BBC Sport.

“So it doesn’t sound good for them for the future.”

Hatton, McKibbin and Meronk are able to compete as DP World Tour members after accepting a deal that allowed them to play both tours without sanction this year.

For his walk on music at the Indianapolis tournament last week, Hatton chose Queen’s I Want to Break Free, interpreted as a firm signal that the Englishman wants to leave the tour that began in 2022.

Hatton has recent tournament wins that protect his DP World status. Two-time major champion Jon Rahm also has exemptions that would qualify him for the tour should he quit the previously Saudi Arabia-funded outfit.

But Faldo is clear that it should not be overly easy for LIV players to walk straight back onto the DP World Tour.

“How do they actually give them a route back?” Faldo added.

“You know, given the way they’ve disrupted – go and start again. Go back to tour school.

“Hey, you might have to eat a bit of humble pie and say, well, I want to be a proper golfer again, and so I’ve got to start back where I’m meant to be and I’ll work my way up the good old way with my skills and my scoring.”