tour

There are few things a Los Angeles local is less likely to do than take a Hollywood sightseeing tour on a big, garish bus. Only rush-hour traffic and $20 tacos inspire the same level of dread.

Yet nearly everyone aboard the open-air bus for a Tuesday night production of “California Gothic: A Bus Tour” was an L.A. resident. The show, which is produced by the aggressively hip New Theater Hollywood, recently wrapped its third “season” after debuting in February and returning for an April encore. Set on a moving bus, the 1.5-hour-long experience is part esoteric Tinseltown history lesson, part immersive theater. The narrative conjures meaning from the Los Angeles cityscape by fusing a hodgepodge of textbook theories about the sprawling metropolis onto the gritty reality of daily life.

“We originally organized this thinking there would be more people coming who aren’t from here,” said Oliver Misraje, the show’s writer and primary tour guide, as the bus pulled away from the curb at Santa Monica and Wilcox. “But this just goes to show how much people love the city and are from here, contrary to popular belief.”

In lieu of celebrity-hungry tourists, “California Gothic” has been packing its bus twice a night with rowdy young scenesters and in-the-know locals eager to absorb its heady mix of California history, public intellectualism and performance artistry.

While the show wrapped its latest run in mid-June, it will reopen its automated doors during the last week of October for a special “ghost tour” edition co-written by Misraje and New York it girl Ruby McCollister.

The bus arrives for New Theater Hollywood’s “California Gothic: A Bus Tour.”

My tour was far less steeped in irony than I feared. As the bus wound its way through the streets of Hollywood, starting at the New Theater’s doorstep before eventually circling the Hollywood Walk of Fame, Misraje led the audience through his take on the death of the “California dream” and the rotting carcasses of empty buildings and broken promises left in its wake. Along the way, we encountered a haunted-eyed Marilyn Monroe impersonator (Brooks Ginnan), a masked Hollywood legend known as the Duchess of Argyle (Shauna Frente) and a singing, swaggering “Rat Czar” with a lot to say about real estate developers (Loren Kramar).

Yes, it’s whimsical, and yes, it references Mike Davis’ “City of Quartz” more than any of the TMZ-type excursions it gently parodies, but it’s still, at its heart, a bus tour.

In a nod to classic Hollywood tour advertisements, the show’s winkingly all-caps poster declares, “You Will See: The Hollywood Sign, Marilyn Monroe, the Schizo City State.” There is also a stash of BuzzBallz ready-to-drink cocktails for trivia winners, but Misraje and his cast do not deliver their performances with smirks or smarm. They commit full-throatedly to playing out Misraje’s vision of a Hollywood haunted by the dreamers it’s wronged and the secrets it’s plastered over.

“Ultimately, we are trying to pay homage to the bus tour format, which is intrinsically ‘carny,’” Misraje said, likening himself to a carnival barker espousing aesthetic philosophy aboard an ever-changing “Ship of Theseus.”

Before the performers infiltrate the ship, “I’m trying to intentionally set up audience expectations to think they’re going to get this run-of-the-mill Hollywood death tour,” he explained. “I consider myself a kind of impish person, but still fundamentally sincere.”

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1. Tour guide Oliver Misraje begins the show. 2. Rat Czar, portrayed by Loren Kramar, performs during the bus tour. 3. Guests board the bus.

Given the show’s monologue-heavy format and bevy of literary references, it’s no surprise that the concept began as an essay. Misraje, a 27-year-old writer and self-described “Hollywood hustler” raised primarily in the Inland Empire, was inspired after the 2025 Palisades and Eaton fires to stage a piece he had written bridging his love of Gothic literature with his “welfare class” upbringing in a family of seven raised by a single mother, which he considered gothic in its own right.

“We were in the Inland Empire and it was the 2008 financial crisis,” he said. “There was all this imagery of things famously California-coded, like the suburban house, the pool, the strip mall, and when we were there, it was just, like, destroyed. There were abandoned housing subdivisions rotting in the sun.”

The perfect setting, he explained, for the kind of “literature that emerges after the failure of a historical project.”

After reaching out to New Theater co-owner Calla Henkel and conceiving the project, Misraje and his producers elected to turn the funhouse mirror onto Hollywood, framing the neighborhood with historical context and Freudian theory but ultimately letting it speak for itself.

The bus passes the TCL Chinese Theatre.

The highly mutable nature of street life and the participatory character of the show means its tone can shift drastically from tour to tour, even within the same night. Sometimes, the streets appear glittering; other times, seedy and dangerous. Once, there was a showdown with another tour bus — one presumably not carrying theatergoers. At a different show, a drunk pedestrian tried to board the bus during faux-Monroe’s speech. One particularly harrowing night, someone circled the bus on an electric scooter, shouting homophobic slurs at the all-queer cast.

“It’s almost like surfing,” Misraje said. “There’s so much chaos you’re confronting, and you have to find a way to ride it and let it be a part of the show.”

The show’s high production costs make bringing in a profit difficult, but Misraje said he and the New Theater Hollywood team plan to revive it periodically, with an evolving story and cast of characters.

On my tour, no performer better represented the blurred line between theater and street life than the Duchess of Argyle, a.k.a. the Mysterious Masked Lady of Hollywoodland, a.k.a. Shauna Frente, a busty Blanche DuBois figure in an eyeless flapper mask and gartered stockings. Just three days before, she had been evicted from a home on Argyle Avenue that once allegedly belonged to Cecil B. DeMille. This happened after a lengthy legal battle, during which the show helped raise money for temporary housing.

As the Duchess spilled neighborhood secrets, our bus repeatedly passed an Extra Space Storage facility painted with images of old Hollywood behemoths: Lucille Ball, Groucho Marx and the like. The intermingling smells of sizzling hot dogs, urine and marijuana wafted through the open windows.

Hollywood may be ghostly, the Duchess told us, but it was hers to haunt.

Duchess of Argyle (Shauna Frente) tells Hollywood stories during the tour.

(Carlin Stiehl / For The Times)

Sitting in the control room of their home studio known as the Centre of Mental Arts (COMA for short), Long Beach husband-and-wife duo Scott Montoya and Julia Kugel smile as they discuss new music they recorded for their band Soft Palms. Their new album, titled “In Echo,” has been in the works for over five years. The 10-song album, out Friday on Everloving Records, was inspired by their frustration about how they feel the world has devolved since 2020.

“The first record I was like, ‘I want to give the world a hug,’” Kugel says. “And then this one I was like, f— this world.”

For Kugel and Montoya, the album serves as the latest chapter of their creative and personal journey. The pair met in 2012 at a music festival in Dallas (“The most romantic city,” Kugel quips), while playing in the Atlanta-based band the Coathangers and Orange County’s the Growlers, respectively. They bonded over a shared disgust at gladiator shoes, and soon thereafter, were in a relationship.

By 2017, they were married and settled in Long Beach. Despite Kugel’s role in the Coathangers at the time (Montoya left the Growlers in 2016), the couple wanted to form a band. Previously, they recorded a pair of songs that constituted Kugel’s second solo seven-inch single. That experience made them comfortable knowing they could balance their professional and personal lives.

“He’s super easy to work with,” Kugel says of Montoya, who sits beside her, trying to hide a smile. She looks at him and continues, “he’s very talented and very patient.”

“When we were in our other bands, we used to meet up on tour,” Montoya, who also produces and engineers for other artists, says. ”You see the absolute worst of people on tour … so this is nothing.”

To kickstart Soft Palms, Kugel drew from a batch of songs she had previously written that had no home. Being able to record in their own studio allowed the pair to craft songs without feeling any pressure to meet a deadline.

By late 2019, the pair put the finishing touches on their self-titled debut. When the record was released in July 2020, the pandemic was still in full force. The pair were disappointed and upset by the state of the world, and after a few years of stewing, Kugel and Montoya got started on a second album.

Don’t be fooled by its breezy ’60s-analog vintage pop sound. Soft Palms are angry, and that informs the spirit of “In Echo.”

The pair points to “Radio” as the album’s bellwether. First released in 2025, the song rails against how, over the past handful of years, people have fought for the sake of fighting, with no end in sight.

More strikingly, on the biting “Nervous as Hell,” Montoya points to Fox News as “infecting everyone’s parents.”

“I did some digging because I couldn’t believe something that hateful existed,” he says of the network, specifically its landmark $787-million settlement with Dominion Voting Systems. “It turned it from this horrible thing into this s— business that has taken advantage of the elderly and destroyed families.”

That anger continues on the angsty rocker “The Wedding Song.” Kugel points to attending a wedding where a family member married a “total raging maniac,” and how they dealt with the buildup of delicately balancing being cordial yet firm.

“He [the family member] goes, ‘I just want you to show up and shut up!” she says. “I was like, ‘Well, firstly, f— you. Then secondly, this is a song — you just handed me gold.”

Since settling in Long Beach, for the last 10 years Kugel and Montoya took it upon themselves to help foster a positive, artistic community. It’s that mindset that pushed them to found and operate their 501(c)(3) nonprofit called Studios for Schools with the goal of providing recording equipment to underprivileged schools.

Their DIY work ethic in entertainment was also the driving force behind Happy Sundays, a free Long Beach-based music festival. Running for 10 years, the fest created a block party in the city’s Zaferia neighborhood that eventually expanded into a full weekend of shows across stages set up at local businesses to host a diverse lineup of veteran and up-and-coming area bands. Though the event was paused this year so they can focus on the new album and book, the couple plan to bring it back in 2027.

“It was like a statement in that way of like f— these giant prices, VIP experiences and all of that stuff,” Kugel says. “It’s the anti-music festival and a celebration of community.”

Keeping with that spirit, and drawing from the experiences of their two-decade careers, last month the pair released a book titled “How to Be Self-Reliant in the Music Business.” The genesis of this self-published guidebook occurred when the pair realized they were not receiving a portion of a royalty stream they were owed. They knew that if they were in the dark on the issues they thought they knew, others likely were as well.

“We decided to turn it into a book because we realized there’s so much stuff that few artists know about on their own,” Montoya says. “I want people to understand the scope of what they’re actually getting into, and the reality of their situations.”

“It’s a very thorough overview,” Kugel adds.

The book includes information beyond what one would find in Donald S. Passman’s longstanding industry bible “All You Need to Know About the Music Business.” With assistance from a lawyer friend and a CPA family member, the pair addresses topics ranging from backstage etiquette to managing social media to dealing with record labels and publishing companies. They hope that it will provide a blueprint for bands old and new to better navigate music’s notoriously choppy waters. Their accessible, snack-size chapters move fluidly as they explain the realities artists face in 2026.

Battling through the disappointment of the first part of the decade allowed Kugel and Montoya to find their creative way. Armed with this infusion of activity across various disciplines, the couple is inspired to continue to shake their way out of the past. Though focused on their impending U.S. and European tour, the duo promise that the next Soft Palms album won’t take as long and are mulling over their next music-industry book project. For now.

“It’s a lot to keep up with all of these projects,” Montoya says. “We work all day, every day. And it’s been cool to see signs that it’s paying off.”

JAMES Bourne is made of sterner stuff. The Busted rocker stepped back from the public eye in September after falling ill and ten weeks ago told his fans was awaiting major surgery to extend his life.

And now, James tells me he’s used his time to finish a project which has been 13 years in the offing – and on July 1 will release new album Murder At The Gates, which he created for a brand new musical with legendary American playwright Steven Sater.

“I didn’t want my health to stop me from promoting this project because I’ve put 13 years of my life into it,” James tells me from his home in the UK.

“There was a fear of not finishing it. But I knew I had to finish it and give this to the people. “There’s like a few people that have been waiting for it. There are hardcore fans who show to up for everything – and I have been speaking about this for a long time.

“It feels so good to now have this as a finished product. And it’s the first album I’ve ever produced. So I’m proud of it.”

James, who has racked up eight top ten singles including four No1s with Busted, pulled out of the McFly V Busted tour last September citing his health.

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But rather than wallowing, James threw himself into the 13-track album – which features big name screen stars, including Stranger Things actor Gaten Matarazzo, on vocals.

“This album definitely has a different feeling to all the others,” James explains.

“With everything going on with my health, I have been given the gift of time.

“I was given a lot of time back when I wasn’t touring. It was like turning a negative into a positive. It was such a shame to have to drop out from the tour, because I love touring so much.

“But  you have to turn negative into positive. They’re the conversations I’ve had with my closest friends.

“I wanted to take the time I’d been given and deliver this album.”

James’s last musical, Loserville, earned an Olivier nomination back in 2013 and when he was tapped up by Steven, who earned a Grammy and a Tony award for his cult-hit musical Spring Awakening, he jumped at the chance to get involved.

“Musicals are a very difficult thing to do well and to do properly and to develop properly,” James explains.

“And this one’s been developed on the highest level with the most talented people.

“Steven was looking for a composer and that is when Loserville was in the West End.

“He invited me to his place and I knew immediately how I would do it.

“I’d never done a project where someone else did the words because he’s a lyricist.

“But as I was reading the lyrics, I could hear the music. And we partnered on the project.

“To work on this with someone on Steven’s level has been a dream.”

Of the score he’s created, James adds: “I knew I wanted it to be a very solid piano vocal score to begin with and I knew I wanted it to be orchestral but with a rock band at the heart of it.

“But I don’t think it is a rock musical in the way that rock musicals are presented.

“Rock musicals like We Will Rock You or Rock of Ages tend to veer more towards classic rock and this isn’t what Murder At The Gates is.

“I think a big part of what sold Steven’s show Spring Awakening so well was how contemporary the score was.

“The music is very customised. This is tailormade for Steven’s words and the world that he imagined and the characters that he imagined

“The score had to represent that world, you know.”

James adds: “We wrote about 50 songs for the show and whittled it down to 13.

“Some are old, some have been rewritten, some are completely new.

“It’s a long process that you can’t complete unless there’s a lot of passion involved.

“With songwriting in the pop world, you can blag it. Go into the room with a producer you’ve never met before and come out with something amazing.

“But if you don’t get anything great, you’ve not lost much. With a project like this, it’s a life commitment.”

James admits all of his spare time since 2013 has been dedicated to this project, with him missing dates on the McBusted tours with One Direction in 2014 and 2015 to get his teeth into it.

After stepping back from their tour last September, James was able to focus fully on getting the project finished – and spent time flying from his home in the US to New York to record the tracks.

“We’ve got amazing people like Gaten on board, he was definitely one of the top people on our list,” James explains.

“It was a total cherry picking situation. Steven has so much recognition from Spring Awakening – he’s like a rock star in his own right. He is a genius.

“All of the people who sang on it were busy, many of them were on Broadway so I would fly to New York for each vocal.”

And like all the best projects, James had kept his cards close to his chest – with not even his Busted bandmates Matt Willis and Charlie Simpson hearing the finished product.

“They might have heard something a very long time ago when we were doing promo for one of our tours,” James explains. “But apart from that, I haven’t played it for anyone.

“Even the actors who have done workshops with us over the past decade haven’t heard it.”

Once the record is released, Steven will get to work with James in getting the production green lit.

And James admits he is excited to see what comes of the project.

“We don’t have an opening night yet for the show but we’ve got the album and we’re saying, ‘This is a great representative of what the show is,’”James explains.

“There are still some bonus tracks to come later on. I’m just incredibly proud of it.

“When you do these projects, you strive to create things that can be timeless in a way.

“Classic musicals go on for years and years, and we’ve definitely been really striving to create something amazing.

“When I make albums with Busted, you’re making music for yourself to perform.

“With a project like this, you’re giving something to the community. This show is original, memorable and I don’t think there’s another show like it.

“I just can’t wait for people to hear it, then see it.”

Somaliland’s President Abdirahman Mohamed Abdullahi is on a ‘historic’ tour of Israel, where he’s opened an embassy and visited the Knesset. The landmark trip comes months after Israel became the first country to recognise Somaliland as an independent nation.

Klugman first rose to prominence when she won the prestigious Orange Bowl junior championships in Florida as a 13-year-old. Past winners include world number seven Coco Gauff and 18-time major singles winner Chris Evert.

In 2025, she became the first Briton in almost 50 years to reach the French Open girls’ final, losing in straight sets to Lili Tagger.

She has also contested two Grand Slam girls’ doubles finals at Wimbledon in 2023 and the 2025 Australian Open.

She made her WTA Tour main-draw debut in Nottingham last year and made her first Wimbledon appearance a few weeks later, losing both singles matches.

Klugman’s serve was particularly impressive against Dart, with the teenager hitting six aces to zero double faults and winning 77% of first-serve points.

After a strong first set, Klugman found herself 4-2 down in the second, but reeled off four games in a row to secure victory.

The only Briton to make the second round in Nottingham, Klugman will face fourth seed Marie Bouzkova next.

Fellow Briton Alicia Dudeney, who also received a Wimbledon main-draw wildcard, lost 6-4 7-6 (7-2) to Ukraine’s Dayana Yastremska.

The U.S. Air Force Weapons School at Nellis Air Force Base, in Nevada, recently completed its final weapons instructor course for the A-10 Warthog. Despite an extension in service for three A-10 squadrons to 2030, and recent combat operations in the Middle East, the Weapons School has shuttered its elite training course in line with USAF divestment plans for the type, which were previously set for the end of 2026.

TWZ’s Jamie Hunter recently visited the 66th Weapons Squadron (WPS) and got a detailed cockpit and walk-around tour of an A-10C with “Trippin,” an experienced instructor pilot attached to the unit.

A full episode that goes in-depth with the A-10 Weapons School will kick-off TWZ’s first season of Special Access on YouTube soon, so stay tuned!

A-10 Cockpit And Walk-Around Tour With A Warthog Weapons Instructor

Teenage batting sensation Vaibhav Sooryavanshi has received his first international call-up by making the India T20 squad to tour England and Ireland.

If he plays, the 15-year-old would break Sachin Tendulkar’s record as the youngest man to play for India. Tendulkar was 16 years and 205 days when he played a one-day international against Pakistan in 1989.

The call-up comes on the back of Sooryavanshi ‘s stunning Indian Premier League campaign, where he scored 776 runs in 16 innings at a strike rate of 237.30 for the Rajasthan Royals.

The left-hander was named the IPL’s Most Valuable Player and also picked up the emerging player award and the Orange Cap, given to the highest run-scorer.

He also scored 175 in February as India beat England in the final of the Under-19 World Cup.

“We’ve seen what he can do, almost single-handedly carrying Rajasthan Royals towards the play-offs,” said selection panel chairman Ajit Agarkar.

“He had a great start and backed it up in a competition that is as competitive and high-pressure. He’s a game-changer. We’ve got high hopes of him. He has picked himself.”

India play two matches in Ireland later this month, then five T20s in England in July.

Meanwhile, Shreyas Iyer has been named as the new captain, replacing Suryakumar Yadav, who has been dropped from the squad.

Suryakumar led India to victory at the T20 World Cup in March but the 35-year-old struggled with the bat at the tournament and at the recent IPL.

“It’s a tough one, having just won the World Cup, but as happens after most World Cups, you try to reassess what your best way forward is,” Agarkar said explaining Yadav’s omission.

“We thought this was the best way forward.”

Shreyas has not played a T20 international since 2023 but he led the Kolkata Knight Riders to the IPL title in 2024 and captained Punjab Kings to a runners-up finish in 2025.

Fast bowler Jasprit Bumrah and all-rounder Hardik Pandya have been rested, with uncapped fast bowler Prince Yadav called up.

Full squad

Shreyas Iyer (captain), Abhishek Sharma, Sanju Samson, Ishan Kishan, Shivam Dube, Tilak Varma, Nitish Reddy, Axar Patel, Washington Sundar, Varun Chakravarthy, Mohammed Siraj, Arshdeep Singh, Prince Yadav, Vaibhav Sooryavanshi

Start sending out “Smoke Signals.” Phoebe Bridgers finally announced her upcoming phone-free arena tour, and it includes two spooky nights in the Los Angeles area.

Bridgers shared details about the Lost Tour on Friday morning, following a sold-out show the previous night at Madison Square Garden in New York City and a series of secret pop-up shows across the United States.

The tour will kick off in Indianapolis in September and cap off the North American run with back-to-back shows at Inglewood’s Intuit Dome on Oct. 30 and 31, fitting dates for the skeleton suit-wearing singer-songwriter. A European leg will follow in November.

All tickets for Bridgers’ surprise acoustic show at Madison Square Garden were sold for $20 or under, and proceeds were donated to the Community Justice Exchange’s Immigration Bond Freedom Fund, which provides bail support to ICE detainees. For the Lost Tour, Bridgers will donate $1 from every ticket sold for North American concerts to RAINN, the nation’s largest anti-sexual violence organization and operator of the National Sexual Assault Hotline.

A phone ban was also instituted at the MSG show and Bridgers’ previous pop-up sets, with attendees storing their devices in Yondr bags, which physically lock using magnets. The same policy will be in effect throughout the upcoming tour.

At the Intuit Dome, home of the Los Angeles Clippers, guests may not need their phones at all to access tickets or purchase concessions, since the arena is equipped with “GameFace ID” facial recognition technology.

The Lost Tour is Bridgers’ first full-band solo tour since Reunion Tour in support of her 2020 album “Punisher” wrapped in April 2023, though she has since toured as a member of the supergroup Boygenius. “Punisher” is her latest solo album, and her debut album with Boygenius, “The Record,” came out in 2023.

Though she debuted eight new songs at Thursday’s MSG show, she has yet to announce a new album.

Singer-songwriter Alex G will provide support on the tour’s North American leg, including the Inglewood dates, while former Black Country, New Road frontman Isaac Wood will support in Europe. The tour’s eerie imagery was created in collaboration with fine art photographer Gregory Crewdson.

In an effort to get tickets in the hands of fans, rather than scalpers or bots, there will be two days of presales before the general sale. Fans can register from now until midnight Sunday for lottery access to the Day 1 presale taking place Tuesday. There will be another presale Wednesday. Tickets go on sale to the general public June 12.

Bridgers last played in L.A. as part of a secret show at all-ages venue the Smell in February 2024, where Boygenius announced its hiatus.

In addition to touring, Bridgers has a role in the upcoming A24 feature “Primetime,” directed by Lance Oppenheim, which hits theaters in September.

Bridgers, who grew up in Pasadena and attended the Los Angeles County High School for the Arts, told The Times in 2022 that her music taste was shaped in part by her upbringing in L.A., where she attended massive music festivals and local Día de los Muertos celebrations alike.

“I learned that there can be fun in the darkness,” she said.

Serena Williams has added another stop to her comeback tour: the Berlin Tennis Open.

Just a day after announcing her return to professional tennis, the 23-time Grand Slam singles champion has been added to the 16-team doubles field at Germany’s WTA 500 event.

“Every tournament I add to my schedule right now feels special, and Berlin is no exception,” Williams said in a statement shared by the event on Tuesday. “I’m excited to compete in front of the German fans and continue building momentum throughout the grass-court season.”

Williams is set to play in the doubles tournament at the HSBC Championships at London’s Queen’s Club, which kicks off June 8. On Thursday, 19-year-old Canadian rising star Victoria Mboko confirmed on Instagram that she’ll be Williams’ partner at the event. The Berlin Tennis Open will begin June 13 and Williams’ partner has yet to be named.

The 44-year old tennis great is returning to the sport after almost four years away from competition. She firmly denied rumors of her return on social media just last year.

Williams appeared to poke fun at her own turnaround with a short ad video posted to X on Thursday captioned “I changed my mind.”

Despite prior rumors, Williams’ sister Venus seemed just as surprised as everyone else that Serena was returning to the competitive circuit.

“I think she hits every now and then,” Venus Williams, who also still competes professionally, said during a recent interview at Roland-Garros. “I never see her on the court that often, so I don’t know when she’s been practicing, honestly.”

Despite not having seen her practice first-hand, Venus Williams is not worried about how Serena will play at the upcoming competitions.

“She’s, I think, a little bit of a natural,” she said with a laugh. “She has a pretty good record. She knows what she’s doing. She’s very tenacious. I’m not worried about how she’s going to play, even though I really haven’t seen her play. It’s so crazy.”

BUSTED star James Bourne has become centre to quite the mystery as it’s been revealed his Instagram account has disappeared.

This comes just six months after he pulled out of the band’s huge tour with a serious illness.

When fans click through to scroll his profile, it’s completely gone.

It shows a blank white page with the words, “Sorry this page isn’t available.

“The link you followed may be broken, or the page may have been removed.”

This message usually pops up when Instagram has removed the account or the account holder has deleted their page.

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James pulled out of the group’s tour alongside their pals McFly last September, just hours before they were due on stage.

The 42-year-old confessed he would not be tearing up the stage with the rest of his band –  Charlie Simpson and Matt Willis.

He cited the reason for pulling out as “health” problems and said he “hoped to come back further down the line”.

James said in his statement: “The VS tour kicks off tomorrow night in Birmingham and as excited as I’ve been all year for this tour to begin, I’m really sorry to say that over the last 8 days it has become clear that I am not in good enough health to play these shows.

“There’s a lot of information I still don’t have about my condition but my bandmates, management and I are unanimous in deciding that I should focus on medical stuff for now.”

None of the boys wanted to let fans down and so they decided to push ahead with a replacement on guitar.

Bassist Matt told the Birmingham crowd: “You may have noticed our best friend is not here tonight. James Bourne is really f***ing sick and we love him and we miss him.

“This is the first show we’ve ever played without him and it’s really weird but we’re going to do the best we can.

“This happened really fast, y’know, health is wealth.”

The remaining Busted stars explained to their fans that they’d asked James if they should continue and he agreed saying, “you totally should.”

Back in April James opened up to Busted fans, sharing he was having a major surgery in the hopes it would extend his life expectancy.

“Hopefully [the surgery will] make me well enough to come back to what I love the most which is touring and making music. It really sucks to be out of the game,” admitted James on his Instagram story.

The singer, who shot to fame when Busted arrived on the pop scene in 2002 with What I Go To School For, is yet to reveal what illness he is battling.

Busted confirmed their split in an emotional press conference on January 13, 2005.

However they thrilled fans when they got back together ten years later, and have been going strong ever since.

The group have continued to rack up hit after hit.

MUSIC star Frankie Valli has sadly cancelled his upcoming 2026 tour dates amid ongoing health issues. 

The Four Seasons frontman, 92, made the decision to end his highly anticipated farewell tour early, leaving fans devastated. 

The singer, who had been embarking on his tour The Last Encores, took to his Instagram to reveal that he would now be ‘focusing on health’ before performing again.

In a touching statement alongside a photo of him onstage, he penned: “I’m so sorry to disappoint the folks who have purchased tickets to my shows.

“But I have decided to take the rest of the year off from touring to focus on my health.”

He went on to reveal that he would hopefully will be back once his health returns. 

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“I’m looking forward to getting healthy and seeing you all again soon. Thank you for all your good wishes,” he added.

The music legend was met with floods of comments from fans sending him well wishes. 

One user said: “Stay healthy! We will work around whatever schedule keeps you going! You are a treasure.”

Another added: “Thank you for all these years of fabulous music. It’s been wonderful. Sending prayers that we will once again see you in concert next year!”

“No need to apologize. You’ve given us some of the greatest songs ever written. Take care of yourself,” wrote a third.

With a fourth commenting: “We love you, Frankie! (heart emoji)”

Valli is known as one of the founding members of the 60’s group The Four Seasons. 

The group dominated the music industry and delivered classics such as Can’t Take My Eyes Off You, December, 1963 (Oh, What a Night) and Sherry.

Valli’s rep Victoria Varela in a statement to Variety revealed the decision was made to keep fans out of ‘limbo’, as the star continues to regain his health.

She said: “Promoters want to prolong things and not give people their money back, but he needs to not keep rescheduling these shows. 

“He realized he needed to take a break and get his health in order, and that is the true issue – he wants to get better without prolonging, through the rescheduling process, the pain of people who’ve bought these tickets.” 

She also confirmed that throughout the next six months Valli will be spending time getting well and may well consider touring again in 2027.

THEY are set to release their new album Foreign Tongues in July — and it seems The Rolling Stones could also be heading to foreign shores.

After abandoning plans to hit the road on a UK and European tour this summer, I can reveal that Start Me Up hitmakers Mick Jagger, Keith Richards and Ronnie Wood are now looking into playing five nights in Buenos Aires, Argentina, next year.

A source told me: “The band are discussing options for a residency.

“They love the thrill of doing a huge stadium tour around the globe, but the physical demands are immense.

“A residency would mean they can still bring their best to the fans, without the toll that comes with travelling.”

This summer would have been the rockers’ first string of live performances since their Hackney Diamonds tour in the States in 2024 — which sold almost one million tickets.

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A US music critic has said that Keith told bandmates Mick and Ronnie he couldn’t commit to their UK and European trek’s planned shows.

The band will release their new 14-track album on July 10 after recording it at Metropolis Studios in Chiswick, West London, over four intense weeks.

It features a cover of the song You Know I’m No Good by Amy Winehouse, who Mick performed with at the Isle of Wight Festival in 2007, four years before she died aged 27.

The track Hit Me In The Head includes old recordings in LA with the late Stones drummer Charlie Watts, who died in 2021, aged 80.

In April, the band released album track Rough And Twisted on vinyl under pseudonym, The Cockroaches.

Earlier this month, at the launch in New York, Mick confirmed the newrecord spans a number of genres, saying: “We have the ability to do ballads, country and dance music.”

He added: “It’s not stuck in one ­particular style.”

I can’t wait to hear it.

FROM 10 TO THE ONE

DECEMBER 10 are the latest Gen-Z heartthrobs ­– but Danny Bretherton is set to break fans’ hearts, as I can reveal he is dating influencer Tallulah Metcalfe.

The singer has even introduced her to his family in Chorley, Lancs.

A source said: “Danny has been spending lots of time with Tallulah. He is very family-orientated so taking her to meet his family was a big deal.”

This month, Tallulah shared a TikTok of her and Danny dancing in the street to his band’s song Infinity (123), captioned: “Look who I bumped into.”

Seems Danny has a new No1.

BIOPIC BOYLE

SUSAN BOYLE is working on a biopic, I have heard.

The film will chart her rise to global fame from her humble beginnings in Scotland to appearing on Britain’s Got Talent in 2009.

It comes as the singer is planning a comeback with new music.

A source confirmed: “Susan is working on a film and is hoping that a streamer will snap it up.”

I wonder who SuBo, above, has in mind to play her?

Raising awareness

ROXY HORNER is turning her hand to documentaries.

The model, who married comic Jack Whitehall last month, is believed to be in talks with a company to make a film about living with Type 1 diabetes, which she was diagnosed with in 2021.

A source said: “Roxy has been amazing at raising awareness of living with the chronic condition.

“She now wants to delve deeper and speak to experts.”

Shakira’s miami mini break

SHAKIRA looked her very zest as she stepped out in a bright orange outfit.

The Colombian singer flaunted her toned legs in a mini dress at Miami Swim Week.

She was attending an event on Thursday for her haircare brand Isima.

We’ll soon be humming Shakira’s track Dai Dai, the official anthem for the 2026 Fifa World Cup that she made with Burna Boy.

KELLY SET FOR MIGHTY COMEBACK

KELLY OSBOURNE is preparing for her first performance since dad Ozzy died last year.

The TV presenter and singer will join headliners Scissor Sisters at Mighty Hoopla festival in South London’s Brockwell Park today.

A source said: “Kelly is excited to get back on stage and doing it with the Scissor Sisters is a huge honour.”

Black Sabbath legend Ozzy passed away last July, with Kelly and her mum Sharon Osbourne honouring him at The Brit Awards.

Kelly and Sharon accepted the Lifetime Achievement gong for Ozzy at Manchester’s Co-Op Live arena in February.

Speaking to Biz on Sunday’s Emily at the ceremony, Kelly said: “A Lifetime Achievement award is such an honour, I couldn’t think of anyone else more deserving.

“It’s bittersweet.”

I am sure Ozzy would be proud of Kelly today.

Heidi hi, Nat & Nic

HALF of All Saints performed as Appleton at the Mighty Hoopla yesterday.

Nicole and Natalie Appleton took to the stage at the festival in Brockwell Park, South East London, in their typical cool girl style of tracksuits.

Nicole said: “Guys, you have to realise it’s been quite a long time that Nat and I have sung as Appleton.

“But we are so emotional that it’s our first festival.”

Nicole, left, and Natalie, right, were joined by their pal and ex-Sugababes member Heidi Range, centre, for a surprise performance.

Gene, Nicole’s son with ex Liam Gallagher, watched from the side of the stage along with Nat’s hubby, Liam Howlett from The Prodigy.

The duo release Ready To Begin next month, and their Appleton EP will be out in September.

Welcome back, ladies.

It’s go for pro with ex

HE failed to find The One on Channel 4’s Celebs Go Dating, but it seems Professor Green is back with his ex Karima McAdams.

I am told the couple who have five-year-old son Slimane, have been taking things slowly after their split in 2024.

Karima shared an Instagram snap of the lad with Pro Green – real name Stephen Manderson – referring to the chart star as her “partner”.

Explaining her little boy had a suspected wrist fracture after falling from a zipwire, she said: “Son is coming back in plaster and partner medium rare.”
Looks like the rapper is back in the game . . . 

The prodigal “Daughter From Hell” returns: Gracie Abrams just announced her upcoming tour, and it includes four nights in her hometown of Los Angeles.

The 64-date Look at My Life tour hits arenas across North America and Europe starting Dec. 2 in Denver, before the singer lands in L.A. later that month. Abrams will take the stage at Inglewood’s Kia Forum for four nights: Dec. 14, 18, 19 and 20. The North American leg of the tour concludes in Brooklyn in March, and she kicks off the European leg in April.

The tour will follow the release of Abrams’ third studio album, “Daughter From Hell,” which drops July 17 via Interscope Records. Abrams took to Instagram to share her upcoming tour dates, teasing fans with the caption, “we’re baaaaaack.”

At the Kia Forum, Abrams will be supported by openers Rachel Chinouriri and Holly Humberstone, both popular British singer-songwriters. Fans can sign up on Abrams’ website for access to the June 2 pre-sale for all dates before tickets go on sale to the general public June 5.

Abrams most recently played in L.A. as part of a three-night residency at the Kia Forum in August 2025 for the Secret of Us Deluxe tour. There, she brought out surprise guest Audrey Hobert, Abrams’ longtime best friend and collaborator. Abrams’ other frequent collaborator, musician and producer Aaron Dessner, co-wrote and produced her latest single, “Hit the Wall,” which dropped in mid-May in advance of her new album.

“There’s nothing I wouldn’t tell either of them, so it makes it easy to be completely open when writing,” Abrams told The Times of Hobart and Dessner in 2024.

Her September 2024 shows at L.A.’s Greek Theater sold out so quickly that the singer-songwriter had to add two additional dates to meet demand. At the time, Abrams told The Times that she would keep performing if the fan support continued.

“As long as they’ll have me, I’ll do this,” she said.

A HUGE British band has been forced to cancel their UK tour after one of the member’s revealed a devastating diagnosis.

Popular indie duo Seafret have scrapped the remainder of their current UK tour after the band’s lead guitarist Harry Draper was diagnosed with a debilitating eye disease that will eventually cause him to go blind.

The band, who consist of Harry alongside frontman Jack Sedman and first formed in 2011, shared the news in a statement on the band’s social media on Tuesday afternoon.

Harry explained he had been diagnosed with Stargardt, which is a rare genetic eye condition that causes progressive central vision loss.

The post read: “Hey everyone, I’m so sorry to have to do this, but I’m afraid I’m going to have to cancel the remainder of the tour.

“I’m going to be totally honest with you, I’m struggling. I’ve recently been diagnosed with an eye disease called Stargardt, which will sadly mean I’m going to go blind.”

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The musician said he was going to take some time out but thanked his fans for their support and insisted “I won’t let this stop me”.

“It’s been so much to get my head around, and I’ve really struggled to see last few nights on stage,” the statement continued.

“I just need to take a bit of time out to get my head around all of this.

“I won’t let this stop me, but I do just need a little time.

“I know you’ll understand, you’re the best fans in the world. From the bottom of my heart, I’m so sorry. Harry xx.”

The band’s fans rushed to show their support for the musician following his statement regarding his diagnosis. 

The duo kicked off their huge UK and European tour last week and were due to visit a number of cities around the UK before heading over to Europe next month. 

The band first achieved chart success in 2016 when their debut album charted on the official album charts.

They then went on to release a number of singles and EPs. Their biggest success came in 2022, when a sped-up version of their song “Atlantis” went viral on TikTok.

Following this, they released an official version of the song, leading it to chart all across Europe and pass over 400 million streams on Spotify.

While their monthly listeners on the platform increased to over 13 million.

Sandringham’s Royal Safari attracts history lovers and bird watchers alike, but it’s those who know the stories behind palace walls who really bring the sweeping Victorian estate to life

As we hop aboard one of Prince Philip’s iconic green Land Rovers, our Sandringham safari guide paints a rip-roaring portrait of how the late Duke of Edinburgh would kick off a drive – complete with plenty of sharp banter over who in the family was the worst shot.

It’s the first of many fond anecdotes about the Royal Family, the undisputed “bosses” of the tight-knit Norfolk community. Here, the quaint tenant cottages with their duck-egg blue front doors are just as quintessentially Sandringham as the extraordinary country house, where The Firm gathers for Christmas lunch – a tradition that, year after year, wins out against gossip, scandal, and in recent times, utter mortification.

It is the loyal staff members, chatting cheerfully around the vast, beautiful estate, who know what really goes on behind palace walls. It is they who sit at the back of the ornate ballroom turned family cinema room during cosy movie nights, and who learned to keep well out of the way when the elderly Prince Philip would come charging down the bumpy country roads in his carriage.

As our good-humoured guide puts it, with a slight twinkle in her eye: “They know more than the history books.”

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Our jeep zips along the lanes of Wolferton, passing by Park House – the turbulent childhood home of Princess Diana – which was once used as a sanctuary for unmarried women to avoid any “shenanigans” between the sexes. Its male counterpart, situated much closer to the main house, is York Cottage, historically known as the ‘Bachelor’s Cottage.’ Built as an overflow for shooting guests, it was a clever way for the family to keep a watchful eye on energetic, scandal-prone singletons.

Royal scandal is baked into the very soil here. Wolferton boasts an old-world charm straight out of an Enid Blyton book, but it was also the historic site where Queen Victoria’s caddish son – the future King Edward VII, then known as ‘Dirty Bertie’ – would smuggle mistresses and actresses over from London, by way of the now closed but perfectly preserved Wolferton Royal Station.

Dismayed by her eldest son’s playboy reputation, Victoria had hoped that building a home for Bertie and his wife, Princess Alexandra of Denmark, would curtail his brothel frequenting. Unfortunately, the wild house parties that ensued became infamous. Victoria would later blame Bertie’s indiscreet behaviour for heaping too much stress on Prince Albert, resulting in his tragic death at 42. As our guide later shrugged beside a decidedly unamused portrait of Victoria: “Families!”

While Sandringham House was famously despised by the late Princess Diana, who told biographer Andrew Morton that festive breaks there were “highly fraught” and “terrifying”, in May, it makes for an undeniably gorgeous drive. The intense green of the estate is broken by vivid purple splashes of rhododendron.

Unlike his mother before him, the green-fingered King Charles III cannot bear to cut back the pretty hedgerows, which are home to everything from the waddling red-legged partridge to the swooping Marsh Harrier. Sandringham’s teeming wildlife attracts keen bird watchers, and there is plenty of happy chatter and exclamations from our jeep.

Much of the unfolding story of Sandringham lies in the estate’s array of residences and their ever-changing purposes. At one point in our tour, the guide stops to direct our gaze across the fields to the secluded Wood Farm. Although not visible from the road, the location illustrates just how private this family “bolthole” actually is. For King Charles, the first monarch to earn a degree, it holds carefree student memories of weekends off from Cambridge, offering the young prince and his pals a peaceful retreat from campus life.

A delicious afternoon tea follows the three-hour tour at the relaxed and airy Sandringham Courtyard Restaurant. Here, we enjoy an array of savoury finger sandwiches – my personal favourite is the Isle of Skye smoked salmon. Warm scones with jam and cream followed, after which I still find room for a bit of cake. Don’t sleep on the excellent lemon drizzle, which was the perfect palate cleanser on a warm spring day.

All this is washed down by, as you’d expect, a very decent cup of tea. The quality of the ingredients here really is superb, with many of the seasonal produce sourced straight from the estate itself, including Sandringham’s signature honey, with its floral notes reflecting the sweet-smelling local wildflowers, and famed avenues of zesty lime trees.

You’ll be pleased to know you can pick up a pot from the marvellous gift shop, which also sells bottles of gin, replica royal wedding rings, and a bucketload of cuddly toy corgis.

I walk off my lunch with a stroll around some of the house’s ground-floor rooms. While the outer edges of Sandringham feel much like any other accessible outdoorsy attraction, the area surrounding the main house is guarded by an ironclad, around-the-clock security presence.

Regardless of safety precautions, Sandringham House doesn’t feel like a fortress, and neither does it feel like a museum frozen in time. Under the King’s guidance. Sandringham House offers a glimpse into the Windsors’ domestic life, with family photos, chocolate boxes, half-finished jigsaws and board game stacks, alongside Goya artworks and priceless china.

Festive menus are set out in the dining room, set out with candles and roses just as it was at the King’s New Year’s Dinner, where guests included the King of New Year’s himself, Jools Holland, who, of course, dashed out a tune or two on the piano. While it’s perhaps not the most relatable family home, it does have a lived-in feel.

Romantic souls will also be pleased to know that you can can a turn in the lavish ballroom, where glittering chandeliers sparkle overhead. While it may not be as lively as in Bertie’s day, it doesn’t take much imagination to imagine the orchestra striking the first note of the evening, or the rustle of fabric against the dancefloor. But it’s the little conversational details that bring Sandringham to life. Staff are on hand throughout to share fascinating historical facts and personal memories alike, reminiscing over how the late Queen, as a young mother, would dress the tree in the drawing room with her children, and how, while not a “disco girl”, she was a dab hand when it came to a traditional Scottish jig.

This is the family that those who’ve worked for the royals truly know. Some staff members, whose parents lived here before them, would even play with Prince Edward and Andrew as children, childhoods intertwined. There is genuine affection here for the bosses and their various eccentricities. But as with all families, certain rooms are strictly off-limits to guests.

Do you have a story to share? Email me at julia.banim@reachplc.com

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One by one, the visitors descend through a tight tunnel cut through volcanic rock into the damp foundations of the Teatro Romano buried beneath Herculaneum, with the weight of 2,000 years of city above them. “This is a time machine,” the guide says, “and we are going back.” It is pitch black as film-maker Gianfranco Rosi’s camera finds torchlight catching the tourists’ transparent waterproof capes, making them appear like ghosts.

Released on the streaming platform Mubi this March, Rosi’s documentary Pompei: Below the Clouds threads a needle from classical antiquity to the present day. Presented in ashen black and white, without narration or interviews, it places the viewer inside the region surrounding Naples and leaves us there, each scene presenting a place and a moment in the area’s long history.

Naples is one of the oldest continuously inhabited cities in the world, and most visitors see only a fraction of it before boarding the Circumvesuviana at Porta Nolana and riding the narrow-gauge railway east to Pompei or Herculaneum. In Below the Clouds, Rosi does not alight there. He stays on the train, camera in hand, and traverses this seismic landscape – from the Sorrentine peninsula, crowned by Vesuvius in the east, to the lesser-known craters of the Phlegraean Fields in the west. The train, Rosi says, is “my time machine”. His lens draws us into the Naples most visitors never see.

As a film-maker myself, who has lived and worked in Naples for the past 15 years, I was inspired by Below the Clouds to make my own pilgrimage, and boarded the overcrowded, noisy trains I usually avoid.

Before the Circumvesuviana reaches the archaeological site of Pompei, it skirts the Bay of Naples, passing through a number of overlooked towns characterised by a stratification of history visible in the architecture. Drawing into the station of Torre Annunziata, Rosi holds the camera on the visible layers of the town’s history: diamond-patterned Roman brickwork cut from nearby volcanic quarries, Doric columns from an excavated Roman villa, and the still-lived-in mid-century housing blocks rising above them. That Roman villa is worth stopping for. Believed to have been built for Poppaea Sabina, the second wife of Emperor Nero, Villa Oplontis feels like a secret discovery. Its frescoes are almost untouched, its colonnade pristine, and on this day, as always, there was scarcely another soul in sight.

Back on the Circumvesuviana, I head east to Somma Vesuviana. A team from the University of Tokyo has been excavating here for decades, slowly uncovering the Villa Augustea, the imperial estate where the Emperor Augustus is believed to have died in AD14. It was not the great eruption of AD79 that buried the villa, but a later one in AD472. The archaeological treasures still buried across the region are so numerous that tomb raiders have long burrowed into the soft volcanic stone looking for loot to sell on.

A second train line, the Cumana, runs in the opposite direction. It departs from Montesanto station in central Naples and heads west, reaching Pozzuoli in 25 minutes. At the end of the line lies a working port city of 75,000 people living in the basin of one of the world’s most geologically active calderas (volcanic craters). The lore surrounding Vesuvius has long overshadowed the dangers posed by the Phlegraean Fields, which rumble daily beneath the city’s foundations.

Stepping off the train at Pozzuoli, I was hit by the pungent sulphuric smoke drifting over the port. I had timed my arrival for a simple lunch at Abbascio ù Mare (a local favourite serving fish landed from the boats that morning) before visiting the Macellum of Pozzuoli, a 2nd-century Roman market near the harbour. Here, I found the clearest record of what is known as bradyseism, the movement of magmatic fluid and gas beneath the surface of the Earth that lifts and lowers the land, sinking entire towns and raising them again centuries later. Halfway up the ancient columns, I spotted bands of small holes in the stone. These were bored by molluscs when the columns once stood metres below the bay. Rosi’s camera follows the phenomenon underwater, descending into the submerged ruins of nearby Baia, where robed marble figures stand upright on the seabed as shoals of fish drift over mosaics and between their feet.

Between east and west, at the intersection of the Circumvesuviana and the Cumana, lies Naples – known to the Greco-Romans as Neapolis (the new town) because it was new compared with Pompei and Baia. In the centre of the city, at the Museo Archeologico Nazionale di Napoli, Rosi films Maria, the museum’s archaeologist, deep in the storage vaults. This is what he calls the casaforte (the safe of memory) – shelf upon shelf of fragmented marble torsos, legs and busts, the overflow of 2,000 years of excavation. These artefacts are down here, Maria says, until it is their turn to return to the museum floor above – a mirror, Rosi suggests to me when we speak, of society’s own hierarchies. Like Rosi, I am obsessed with these perfectly formed marble figures, the survivors of catastrophe, that live in the galleries of the museum upstairs among the frescoes and bronzes, pulled from the same volcanic earth that buried thousands of people under Vesuvius.

Rosi juxtaposes the marble torsos with shots of dismembered ex-voto, small metal plates shaped like individual body parts. These are offerings, often left in churches or street shrines along with prayers to saints in exchange for bodily cures.

At the small church of Santa Maria Francesca delle Cinque Piaghe in the Quartieri Spagnoli, one of my favourite corners of the city, hundreds of ex-votos in the shape of pregnant women have been left for the saint of fertility. These practices, still very much alive today, speak to the Neapolitan impulse to marry the sacred and the profane.

Rosi’s film ends in an abandoned cinema somewhere along the train line, its seats destroyed, its screen partly intact. Into this ruin, Rosi projects clips from Roberto Rossellini’s Journey to Italy, a film about the past, playing in a ruin, in a city built on ruins, above a city that was itself once buried. Like a Chronovisor (a mythical 1950s invention that supposedly broadcast actual historical events), the cinema is where the present tense becomes the past even as you watch it. Just like Naples. Just like Below the Clouds.

By the end of the film’s nearly two-hour runtime, the viewer has made the same journey as those visitors descending into the foundations of the Teatro Romano in Herculaneum to behold and reflect on a civilisation buried mid-sentence. Below the Clouds insists, however, that this confrontation does not require a museum ticket. “We are already living inside the catastrophe,” says Rosi.

Pompei: Below the Clouds is available on Mubi. Herculaneum, Pompei, Villa Oplontis, Museo Archeologico Nazionale di Napoli are open to visitors. The Circumvesuviana runs from Napoli Porta Nolana east to Pompei and Herculaneum. The Cumana line runs from Montesanto station west to Pozzuoli. Sophia Seymour offers bespoke city walks and itineraries through Looking for Lila

JASON ISBELL is a song writer’s song writer. You can tell by the company he keeps.

He’ll never forget the moment some years ago when he heard a certain person singing one of his choruses back to him in unmistakeable tones.

“I’ve grown tired of travelling alone. Won’t you ride with me? Won’t you ride? Won’t you ride? ”

Isbell recalls: “At first, I thought it was somebody doing a Bruce Springsteen impersonation of singing my song. And then I realised, ‘No, that’s actually him!’

“It was a huge deal for me to meet Bruce, and for him to know who I was.”

Turned out that one of Springsteen’s sons had brought to his dad’s attention Isbell’s breakthrough 2013 solo album Southeastern, complete with the track Traveling Alone.

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To the 47-year-old born in northern Alabama, two miles from the Tennessee state line, it was validation — just like his six Grammys and the fact that Southeastern appears in Rolling Stone magazine’s list of greatest albums of all time.

“I’m a punk but I’m not that big of a punk to pretend something’s not an honour,” the one-time member of Drive-By Truckers decides in his Southern drawl.

“I met Randy Newman and it was the same kind of thing,” he continues, casting his mind back to the 2021 Newport Folk Festival when both artists were on the same bill.

“I was so nervous to talk to Randy but I said to him, ‘Man, your songs are very important to me as a musician, as a human being’ — and he leaned in and said, ‘I like your songs, too’.

“I knew Randy was probably not the sort of person to bulls**t you.”

I’m speaking to Isbell as he prepares to hit these shores with his ace band, The 400 Unit, for a tour of the UK and Ireland which culminates with a night at London’s hallowed Royal Albert Hall on June 11.

But on this day, the hard- working singer is in Dallas for a solo acoustic show, showcasing last year’s captivating, intimate Foxes In The Snow album, when we’re connected via video call.

“My flight was cancelled last night because of bad weather so I drove here — took me nine and a half hours,” he reports from his hotel.

It’s 10am US Central Time and 4pm UK time and, despite the previous day’s exertions, Isbell seems fresh and focused for a deep dive into his life in music — and the songs that define him.

It’s clear from talking to this thoughtful soul that his career can be divided into two distinct categories — before and after he got sober — which he describes in depth later.

But first, we go back to his early life as the son of teenage parents, the subject of his song Children Of Children, and his early introduction to music.

Mom Angela was 17 and dad Mike was 19 when he was born so “I got to spend a lot of time with my grandad, who preached in a Pentecostal church in Alabama, and played guitar, mandolin, fiddle, banjo.

“And my uncle, my dad’s little brother, played guitar in a rock band.

“When I was around four, my parents would take me to band practice in his friend’s garage, and I would fall asleep, usually when they did Neil Young’s Like A ­Hurricane.

“Though my dad and mom didn’t play music, pretty much everybody else in my family did, at least as a hobby. It was seen as a birthright thing.

“I know this sounds like down-home Southern horses**t, but my grandad would make me play gospel music with him for a ­couple of hours a day.

“Then if I could get through it without getting lazy, I could play rhythm guitar. The guitar was huge, and I was small, and it would take a lot of work.”

Isbell became “obsessed” with blues after hearing Robert Johnson’s recordings and “this little white kid from a hillbilly town” would bombard his music teacher with questions about the Mississippi Delta pioneers.

“My teacher was a big rock and roll guy who had a different Rolling Stones T-shirt for every day of the week,” he says.

“He would call me out of class on the loudspeaker in a really gruff voice, so it sounded like I was in trouble. But I knew that he had made me a mixtape.

“There were a lot of people who took an interest in me early on. I got very lucky that way.”

As a teenager in the Eighties, “radio was huge” for Isbell, who singles out Crowded House and Elvis Costello in particular.

“As my parents were not much older than me, we listened to a lot of the same music,” he says.

“In those days, it was big arena bands like Journey and Foreigner, My dad liked country music, too, so he had Merle Haggard and Hank Williams records.”

At this time, Isbell started playing bars in the Southern music mecca of Florence and Muscle Shoals, which, “because of the liquor laws”, also had to sell food.

He says: “They would check the receipts to make sure you sold more food than alcohol, which was terrible for any kind of music scene — but really good for a 15-year-old kid because they couldn’t kick me out!”

In these places, he got to see legendary session men like Spooner Oldham, Donnie Fritts and, crucially, bass player and trombonist David Hood, father of Drive-By Truckers frontman Patterson Hood.

In 2001, Isbell joined the Truckers and hit the ground running by contributing two outstanding songs to their 2003 album Decoration Day, the title track and Outfit.

He says: “I liked playing guitar and singing background vocals, but I had a lot to prove.”

He describes how his dark, Southern gothic magnum opus about a multi-generational family feud came into being: “I wrote Decoration Day on the road, in Carbondale, Illinois, I think.

“We were staying at a friend’s and everybody else was asleep in the house.

“One person always had to sleep in the van to stop people stealing our gear. That night, it was me.

“I woke up early — around eight o’clock in the morning. So I had a couple of hours before everybody else started moving and I came up with Decoration Day.”

Another memorable Drive-By Truckers effort by Isbell is Danko/Manuel, his tribute to roots rock icons The Band, which appeared on the 2004 album The Dirty South.

He says: “At the time, Rick Danko and Richard Manuel were the only two not still alive. Now, none of them are.

“I was reading [drummer] Levon Helm’s book, This Wheel’s On Fire. He talked about having to siphon gas out of cars in parking lots while the rest of them were on stage. They were a bunch of feral kids in the early days.”

In 2007, largely thanks to heavy drinking and unreliable behaviour, Isbell left the Truckers and went solo.

It’s good to report that he’s on friendly terms with his old bandmates these days and joined them on stage last year for Stephen Colbert’s The Late Show.

He says: “We were very close at one point. It’s not easy to make friends in general so I try to keep the ones that I can.

“Even after I got sober, I didn’t quite know why I’d had drinking problems to start with.

“At first, you’re just hanging on for dear life and trying to stay sober. Eventually, if you do it right, you do repair the parts of yourself that you were ignoring.

“Once that happened for me, I was able to reconnect with those guys. We were able to be friends again and they’ve continued to make really valuable music.”

When it came to Isbell making his first solo album, Sirens Of The Ditch in 2007, highlighted by a couple of fan favourites, Dress Blues and The Magician, he had a lot to learn — and fast.

“I didn’t know what the hell I was doing,” he sighs. “I know I had to argue a lot, which actually turned out to be a good thing.”

A big moment for him arrived with a yearning composition on his third album, Here We Rest (2011), his second with his band The 400 Unit and the last before he went into rehab for ­alcohol addiction.

To this day, Alabama Pines is one of his most performed live songs.

“When I wrote it, everything else in my life sucked,” he says. “It was a very dark time. I was in physical and psychological pain. Working on it was the most relief I got.”

He adds: “The complication in that song adds a lot of value to it — the fact that you’re yearning for a place that isn’t perfect.

“It’s a dynamic that finds its way into a lot of Drive-By Truckers’ work and a lot of my own. It’s very possible to miss a place that wasn’t necessarily all that good to you.

“That song doesn’t have a chorus, it never gets huge so it’s not an anthem. But it stands out in my solo work and I still like it. It has never let me down.”

Everything changed for Isbell after rehab and first notice of his sober approach is 2013’s breathtaking Southeastern with its enduring keepers, Cover Me Up, Stockholm, Elephant and the aforementioned Traveling Alone.

“I wasn’t in the same type of pain,” he says. “Recovering from addiction heavily involved dealing with myself — my life, my emotions, my situation — not postponing it.

“When I was drinking, I would write until the sun went down and then I’d think, ‘I need a drink’.

“With Southeastern, I would stay working for hours and hours at a time because I didn’t have anything else to do. It’s not like I was going to the bar.”

The record proved a big commercial success even if a song like Cover Me Up, recently covered by Morgan Wallen, is about recovering from addiction and the healing power of love, while Elephant is an unflinching study of mortality and the impact of cancer.

Today, Isbell performs such tracks from a slightly different perspective.

“With a room full of people cheering for these songs, we get to celebrate the fact that these horribly sad songs exist,” he smiles.

Next, we rattle through a few more Isbell staples like 24 Frames from 2015’s Something More Than Free with its sparkling electric ­guitar passages.

“I may have doubled up two exact same slide-guitar parts on that. It’s the old George Harrison trick from My Sweet Lord and it works every f***ing time.”

He sees guitar playing as his “hobby”. “My girlfriend paints very seriously and that’s her work,” he says by way of example.

“Lately she started working with miniatures and building doll houses, and that’s her hobby. It’s very close to painting but it’s not a commercialised part of her life.

“That’s how I look at guitar playing. Singing, songwriting, touring — that’s my job. If left alone for a couple of hours, I just sit and play guitar — that’s my hobby.”

There’s a profound Isbell song on 2017’s The Nashville Sound, If We Were Vampires, a big favourite of his friend, the late, great singer John Prine, who he describes as “thoughtful, witty, highly intelligent and emotionally open”.

“There’s some magic in that song,” he says. “Everything else on the album was written when I thought, ‘There’s so many f***ing love songs, why would I bother to do another one?’

“By the time I got to the chorus of If We Were Vampires, something hit me — the reason you love somebody, go through all that effort and pain, is because you’re going to die.

“Without death, we wouldn’t be motivated to live. It was one of those moments where I was like, ‘Wow! Thank God I weaved my way to that path’.”

A telling Isbell insight is revealed by It Gets Easier with its line, “it gets easier, but it never gets easy”, from the 2020 album Reunions.

It addresses his sobriety and brings this reflection: “I don’t think about drinking as much as I used to, but I do sometimes, not necessarily when things are bad.

“When it is going badly, the first thing you do is you make a plan – talk to friends, talk to a therapist, go to a meeting.

“For quite a few years, the hardest times have been to not think about drinking when things are going really well.”

Isbell’s consistently fine recorded output includes 2023’s Weathervanes, with standouts like reflective acoustic ballad Cast Iron Skillet and gritty rocker King Of Oklahoma, about the downward spiral of a blue-collar worker who turns to prescription meds.

Mention of them is cue for him to offer a warning to those attending his upcoming shows.

“When I’m writing a record, I think, ‘How am I going to make these people hold their pee for four more minutes?’

“Because when the new material comes out, that’s usually when everybody heads to the bar!”

• Jason Isbell & The 400 Unit play Belfast June 2, Dublin June 3, Bristol June 5, Gateshead June 6, Glasgow June 7, Manchester June 8, Birmingham June 10 and London’s Royal Albert Hall June 11

HER last tour in 2020 was cut short thanks to the Covid pandemic but now Louise is gearing up to go back on the road.

The Borderline singer will play five live shows as part of her Naked/Confessions tour next April, taking in cities including London, Birmingham and Manchester, with tickets on sale today.

And in an exclusive interview to celebrate the announcement, ex-Eternal star Louise says she’s never felt so inspired after her last album Confessions became her fourth top ten record.

“I’m so proud of that album,” Louise tells me.

“That’s really what spurred me on to carry on writing.

“It taught me that it’s OK not to please everybody.

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“I’m enjoying the creative process of not worrying about if people might hate on it.

“Knowing that you just can’t please everyone.

“It’s all about the mindset and the confidence.

“I do think that comes with age as well.”

After saying yes to going back on the road, Louise reveals she’s learned the power of saying no — and was inspired by pop royalty Madonna.

“I am a big fan, I loved the show she did with Sabrina Carpenter. As a woman, for me, it’s about celebrating people and their achievements,” Louise says.

“I hated reading anything negative about that because for me, she is a genius. I’m at that stage where I’m trying to embrace everything and go with it, but I am also saying no.

“I just wrote a song about saying no and I love it.

“The basis of the song is when you finally learn to say, ‘That’s not for me.’

“We all live in a world where we don’t want to say no to anything for a multitude of reasons.”

The tour, which kids off in Sunderland on April 8 next year, will see Louise picking her favourite tracks from her debut album Naked — which turns 30 in 2027 — and from Confessions for the set list.

And Louise — who will play The Mighty Hoopla festival in London next weekend — has promised to throw in some brand new tunes too.

Louise, who has scored nine Top Ten solo singles including 2 Faced and Pandora’s Kiss, adds: “I get that people will want the hits. It’s about celebrating Naked and Confessions — but I definitely will do new stuff on the tour.

“I don’t want to play it particularly safe.

“The one thing I have learned in this industry is that you have to keep changing.

“You have to keep finding new ways to motivate yourself. Whether that be music, what you’re wearing, the lyrics you’re writing.

“Now I know the lane that I’m in and I know what I want to do.”

Girls single minded

THEY have been together for over a decade, represented the UK at Eurovision and performed at Wembley Stadium.

Now, British girl group Remember Monday have given Bizarre’s Howell the exclusive that they’ve just completed work on their debut album in Prague – and have today dropped the first single, Delusional.

The trio, made up of Lauren Byrne, Charlotte Steele and Holly-Anne Hull first started work on the track two years ago, but only finished it last summer with the help of McFly’s Danny Jones and Dougie Poynter, after being introduced to them at the Capital Summertime Ball.

Lauren, who posed with her bandmates for the single artwork, said: “It feels like it was the first song that started the whole new era.

“After that session, it was like, this is the kind of music that we want to be working on now.”

Holly continued: “We just wanted to kind of hone in on our sound, really solidify what we want to say moving forward.

“I don’t know if we can say, but . . . well, we’re releasing an album.

“The sound that we’re going down is quite nostalgic. Like, we really love the Nineties rom-com energy of music.”

The group will support McFly on tour this summer.

They admit their path is not always easy given that they are independent artists without the financial backing of a major record label.

Referencing the title of their single, Charlotte said: “Our whole band is run and fuelled by delusion.”

Lauren added: “It’s weird to be around. But we do just talk about things as if they are happening regardless of whether we have the funds or contacts. We just speak it into existence.

“And it actually has worked. I don’t even know how we’ve got to this stage.”

It’s working so far ladies.

Good for you.

Too pretty for this ditty

SONGWRITER Linda Perry has revealed she almost turned down Christina Aguilera’s request for her song Beautiful after admitting she thought she was too pretty to sing it.

Linda wrote the track which ended up being one of Christina’s most enduring songs from her 2002 album Stripped.

Appearing on the Zach Sang Show, Linda said she played American star Christina, pictured at the Abbey’s 35th anniversary party in Hollywood, the track and explained: “She was like, ‘ I want that.’

“And I’m thinking, ‘No, you’re like, a hot chick. I’m not giving you this song. No way. Are you kidding me?”

It was only after Christina sang the track for Linda that she changed her mind, adding: “It broke the ice between the both of us when I saw that.

“That’s when I discovered beautiful people are actually insecure and just as damaged as I am.”

Sphere come all the Girls?

THE SPICE GIRLS might fancy zig-a-zig-ah-ing their way into a Las Vegas residency, but I’m told bosses at the Sphere aren’t interested in a quick nostalgia cash-in.

Insiders have confirmed bosses will only give the green light if Victoria Beckham, Melanie C, Melanie B, Geri Horner and Emma Bunton are all on board.

My Sphere insider said: “The Spice Girls would be a massive draw, but this couldn’t be done as a one-off or a short residency.

“The costs involved in creating a Sphere show are enormous. There’s special cameras, bespoke visuals and millions of dollars in production costs before a ticket is sold.

“They’d need all five on board and would want 40 to 60 shows.”

Last month Posh Spice teased that she was keen for the shows to go ahead, saying: “How good would the Spice Girls be at the Sphere? I love the idea of it.”

The venue, which has mind-blowing wraparound screens, has already hosted U2, The Eagles and No Doubt.

TREVOR NELSON was handed a top gong at last night’s Audio Academy Arias.

Rylan Clark hosted the bash at The Roundhouse in North London, which saw Radio 2 legend Trevor honoured with a Special Recognition Award.

He was handed the gong by my pal Craig David, who spoke about Trevor’s impact on the British music scene.

It was a great night for Radio 1 DJ Greg James too, with his Breakfast show landing the top prize in its category, while BBC Radio 6 Music’s Beth Ditto was handed Best New Presenter.

LOUIS TOMLINSON reckons there’s one man who could tempt him into a collaboration – fellow Doncaster star Yungblud.

Ex-One Direction singer Louis admitted he’s not keen on teaming up with artists for the sake of it, but working with the rock wild man would feel different.

Louis explained: “I really like his music and he’s from Doncaster, my hometown, I think that would make it even more interesting.”

But he joked that their might be a slight age gap issue.

Louis laughed: “I’d be the senior one in that conversation.”

Doncaster might be running the UK music scene soon . . . 

MY fellow Spurs fan AJ Tracey has joined talkSPORT as a World Cup pundit.

The Thiago Silva rapper will join footballer-turned-Strictly star Jimmy Floyd Hasselbaink and Burnley ace Kyle Walker on the station’s line-up for the big event this summer.

CRUZ BECKHAM And The Breakers lead the new music releases today with their catchy new single, Yeah, Yeah, Yeah.

DJ Sonny Fodera also drops his new tune, Let Me Be In Your Arms, ahead of his performance at Radio 1’s Big Weekend tonight.

LEGENDARY recording studio Abbey Road has announced its fifth annual Music Photography Awards.

This year’s judging panel is packed with music industry royalty, including Raye and Nile Rodgers.

Photographer to the stars, Rankin, is also on the panel ahead of the VIP ceremony on September 24.

Rankin said: “With another stellar judging panel joining us, I can’t wait to get stuck in and review the 2026 submissions. What are you waiting for?”
Submissions are open now.

A group of Israeli settlers attacked Israeli rights activists as they were conducting a tour near illegal settlements in the occupied West Bank. Israeli security forces arrested the activists.

AKON and Ne-Yo have been the soundtrack of our lives for the past two decades.

Between them, they have sold more than 55million records worldwide, thanks to a series of high-profile collaborations including Rihanna, Mariah Carey, Gewn Stefani and David Guetta.

In 2008, Akon teamed up with Michael Jackson to rework the King of Pop’s 1982 smash Wanna Be Startin’ Somethin’.

Now he tells Bizarre that he’s got his sights on teaming up with Princess of Pop Britney Spears.

Speaking to Bizarre’s Jack backstage at The O2 as he and Ne-Yo team up for a massive UK arena tour, Akon said: “Yeah, I would f***ing kill that record with Britney. I’m obsessed with her.

“I have some songs lined up, but I can’t even explain it. As for the sound, I think it needs to reflect where she’s at in her life.”

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He added: “That thing is beyond Britney. I can’t think of anyone that I haven’t worked with.

“So this is why I do a lot of collaborations with new artists, because that is what inspires me now.”

The duo have played just about every big arena in the country, including multiple nights at Manchester’s Co-Op Live Arena and four nights at London’s O2.

And fans there for their last night at the capital’s venue this Thursday are in for a treat as the show is nothing short of bonkers in the best way, with Akon crowd-surfing on a pimped-out table.

The hitmaker had kicked off the tour Zorbing over the crowd — but UK health and safety rules forced him to rethink his plans.

Akon said: “Yeah, the inflatable ball was my idea. I’ve been doing it at other places since about 2008, but the UK has got too many restrictions.”

Videos of Akon crowd-surfing have gone viral on social media, with overjoyed fans baffled and stunned at the singer’s ­daring display.

In one clip, the superstar can be heard telling ­security not to worry and to get out of the way, as his fans love him and won’t hurt him.

Admitting he has zero fears when it comes to entering the crowd, Akon said: “No, I’m not nervous about falling off at all.

“You have got to have balance, though.”

After we tell him we would need a vodka before hitting the stage, the teetotal star laughs: “That’s why you could never do it. You couldn’t balance on there.

“You would be wobbly the moment you get on top.”

In fact, the sober star says all he needs is a can of Coca-Cola and some jelly beans to get him pumped up for the two-and-a-half-hour show.

Akon said: “Back in the day I used to work out before a show, but now it comes so second nature, I just chill and relax until it’s time for me to get on. I literally have no rituals.

“I love jelly beans. I have them before my show every day. I like Coke as a nice refreshing drink, and I make fruit juices as well. Just the basic stuff — ginger and lemon teas.

“But for the show itself, it’s totally different. I turn into the Incredible Hulk. I just change when the lights come on. I turn into somebody totally different.

“I’m not exhausted by the end. I’m fully energised and ready to go again.”

While Akon is powered by jelly beans, it seems his co-headliner Ne-Yo gets his energy from Scampi Fries.

Bizarre are led through the rabbit warren of corridors in The O2, passing racks of diamond- encrusted clothes to meet the star ahead of the gig.

And when he emerges from his dressing room, he holds up two packs of the savoury snack, which can be found in most old boozers.

Clearly impressed and baffled by the quintessentially British treat, Ne-Yo says: “I’ve just discovered scampi snacks — I love them.”

Rather than bringing them with him on the road, bosses at The O2 have stocked his dressing room minibar with a ­plentiful supply.

We tell Ne-Yo that if he pops to the pub for a post-show pint, he will be able to ask for a bag of Scampi Fries alongside his Stella.

Ne-Yo, who has clocked up 20 UK Top 40 singles and five UK No1s, jokingly replies: “I’m going to invest in the company.”

Judging by their high-energy set, it seems jelly beans and Scampi Fries really are the way forward.

ZENDAYA: MY BALANCING  ACT

THEY are two of the biggest showbiz names on the planet.

But despite regularly being seen out and about together, Tom Holland and Zendaya are notoriously private when it comes to their relationship.

Now the Dune actress has revealed why she holds things back from fans – describing how she is locked in a daily battle over how much of her private life to share.

Zendaya said: “It’s a complex thing. It’s a balance of how to figure out how much to give of yourself, because I wouldn’t be in this position without the people who support me, and I want to be able to show them how thankful I am for their support.

“But then on the flip side, it is important to pour into yourself as well and hold things sacred to yourself and to your loved ones – to have those moments too and create that little healthy boundary.”

Zendaya and Tom married in secret this year after meeting on the set of Spider-Man: Homecoming in 2016.

She added: “At the end of the day, you have to fill your cup too.

“I try to find that balance. There’s really no blueprint. There’s no road map.

“We don’t know what we’re doing. We’re just figuring this out every day.”

A $570m JACKO THRILLER

THE MICHAEL JACKSON biopic, Michael, has only been out for three weeks but is already breaking records.

The film has surpassed $570million (£420m) at the global box office – making it the No1 music biopic of all time in North America.

It is only the second music biopic ever to earn more than $500million at the box office, following in the footsteps of Bohemian Rhapsody.

Released in 2018, that film saw Rami Malek play the late Freddie Mercury, while former EastEnders actor turned X-Men hunk Ben Hardy played drummer Roger Taylor.

Meanwhile, in Michael, the late King of Pop is played by his real-life nephew, Jaafar Jackson.

Michael’s daughter, Paris Jackson, has distanced herself from the project, accusing bosses of creating a “fantasy” with “full-blown lies”.

ARIANA: NEW LIFE BUDS IN PETALS

ARIANA GRANDE has continued to tease her upcoming eighth album, Petal.

The We Can’t Be Friends singer has insisted the new collection isn’t like her X-rated 2021 record Positions – despite previously referring to it as “a bit feral”.

Asked if the records will be similar, Ari simply replied: “No, but I love her [Positions] . . . I just enjoy evolving.”

The album’s lead ­single, Hate That I Made You Love Me, drops in just over a fortnight, with Petal released on July 31.

Ari’s previous album, 2024’s Eternal ­Sunshine, was all about her split from ­Dalton Gomez after three years of ­marriage, and finding love once more with her Wicked co-star Ethan Slater.

Insisting Petal will be far more uplifting than her last offering, Ariana added: “Basically, it’s about something that is full of life growing through the cracks of something cold and hard and challenging.”

Doja’s frilled to hit  town  

LOOKS like less is more for Doja Cat.

The Paint The Town Red rapper clearly doesn’t feel the cold as she steps out in New York in this tiny outfit.

Looking ready to party into the night, Doja opted for a purple metallic crop-top and a tiny frilly brown skirt – which barely measures more than some of the belts I own.

Doja completed her look with an equally minuscule pink handbag, which looks like it would only be able to fit an iPhone and a ­single lighter.

She may be from Los ­Angeles, but Doja clearly has some northern grit in her.

HELLO JAMES – WHO’S THE LITTLE GUY ON YOUR KNEE?

I’VE posed for my fair share of unflattering pictures with stars over the years.

But James Martin may have just taken the crown when it comes to photographic oddities.

The TV chef shared this picture of himself with presenter Guy Martin after he appeared on James Martin’s Saturday Morning cookery show.

Due to the angle, James appears five times the size of Guy, who is perched next to him like a ­ventriloquist’s dummy.

The Instagram comments section was ­immediately filled with fans of the duo giving them a good old-fashioned ribbing.

One wrote: “Did you have him on a boil wash?” Another added: “Love Guy. I didn’t realise he was only 2ft tall though.”

A third teased: “Faith in the British sense of humour restored by reading this ­comment section.”

Seemingly oblivious to the epic fail, James gushed over his bromance with Guy, with the caption: “I’ve interviewed many people but Guy was a top one . . .fascinating man and a massive eater. Top show – hope you liked it.”

DANCEFLOOR legend Martin Garrix has confirmed my tale that his single with Ed Sheeran is just around the corner.

Over the weekend, a billboard with a message from Martin popped up in the Dominican Republic, where Shape Of You singer Ed has just played a show.

It read: “Hi Ed. Can we please release our song? Xx Marty.”

I told last month how the duo will be releasing Repeat It.

Show support

LEWIS CAPALDI has added some huge support acts to his BST Hyde Park shows in London.

The singer will be supported by a string of top names including The Vaccines for his July 11 gig and Alessi Rose for his July 12 date.

Before he reaches the capital, Lewis will also play the brand-new Roundhay Festival in Leeds on July 4.

Jessie Murph, Kerr Mercer and Nieve Ella have all been announced to support him at the show.

Going all out

WE can always count on Rita Ora to go all out when it comes to weird and wonderful outfit choices.

The singer and actress looks like she stepped straight off the runway in this quirky blue-striped co-ord on Sunday in London.

Rita was in high spirits as she headed to the Royal Albert Hall to rehearse for tonight’s special King’s Trust Celebration concert there.

Bizarre will be backstage to bring you all the gossip from the VIP-packed night.

Alex Fitzpatrick hit a sparkling seven-under-par 64 to seize a one-shot lead heading into the final round of the Truist Championship at Quail Hollow.

The 27-year-old younger brother of former US Open champion Matt Fitzpatrick produced an inspired display, carding eight birdies to move to 14 under par and put himself in pole position for a maiden individual PGA Tour title.

Fitzpatrick leads Norway’s Kristoffer Reitan, who also posted a 64, by a single stroke.

It is just a fortnight since the Fitzpatrick brothers won the Zurich Classic of New Orleans pairs event, which secured a two-year tour card for Alex, who is ranked 120th in the world.

World number two Rory McIlroy, a four-time winner at this venue, suffered a frustrating Saturday, carding a four-over-par 75 to fall out of contention.

Starting the day two shots off the lead, Fitzpatrick surged forward with five birdies on the front nine.

Despite a stumble with a bogey at the 16th, he responded immediately by sinking an eight-foot putt for birdie at the par-three 17th to regain his narrow advantage.

“The one thing that I kind of did a really good job today was embracing everything that’s going on,” Fitzpatrick said.

“I had so much support out there, which was amazing.

“I would love to win. I would give a lot to win. But also if winning doesn’t happen, I would hope it would happen at some point. As long as I can go out and enjoy it, that’s all I can do.”

In contrast, McIlroy’s bid for another victory – following his triumph at The Masters last month – collapsed on a difficult afternoon in Charlotte for the man from Northern Ireland.

Six bogeys meant he slid down the leaderboard to one under par, leaving him 13 shots adrift of the leader.

American Cameron Young carded the lowest round of the day, a sensational eight-under 63, to sit alone in third at 12 under. Young, who won last week’s Cadillac Championship, had his only dropped shot at 18, where a wayward tee shot proved costly.

South Korea’s Sungjae Im, the halfway leader, sits at 10 under after a 70, alongside Denmark’s Nicolai Hojgaard whose 67 put him firmly in contention.

England’s Tommy Fleetwood remains in the hunt after a 70, sitting in a tie for sixth at nine under par alongside two-time major winner Justin Thomas.

Emma Raducanu is targeting a return to the WTA Tour in Strasbourg in two weeks’ time following her withdrawal from the Italian Open on health grounds.

The British number one is, however, reliant on a wildcard having missed the entry deadline.

Raducanu, 23, was granted a wildcard for last year’s WTA 500 event and beat top 20 player Daria Kasatkina, before losing to American Danielle Collins.

The tournament, which starts on 17 May, has not yet confirmed whether a wildcard will be forthcoming.