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In the beginning of 2025, Taylor Olin had decided she’d seen enough of Echo Park and decided to relocate to a cozy ranch up in Altadena. There, she’d begun to plant her roots in an artistic community, spending most of the last year and some change nestled in with her new flock of bohemian neighbors.

It would be the perfect sanctuary for the Something Specials frontwoman, that doubled as a creative space.

By the first week of January, she moved her belongings into a rented stationary camper situated on a ranch owner’s sprawling land, that they’d lived on for more than 25 years. In the shadow of the San Gabriel Mountains, her L.A. chronicle would continue, as dreamed.

But within a week of settling down, she’d receive a knock on her door, step out of her home, and see flames burning a nearby hillside. When she saw the fire she knew to leave, packing as much as she could before making a run for it.

“Every successive update we would get from her was just unbelievably surreal,” said Josh Augustin, who plays drums and keys and does production for the band.

She didn’t know it yet, but all that was left of her camper was its frame; it’s burned, twisted metal was another casualty of the L.A. wildfires. For the next couple of weeks, she’d couch surf until ultimately sleeping in her van, waking up early to wait tables at an oyster bar on Sunset Boulevard.

The remains of Olin’s rented camper.

(Taylor Olin)

“From there, I went back to Florida, and I put on a benefit show for some specific people in Altadena that I wanted to give some funds to,” Olin said.

She’d then relocate to Europe and start fresh with aid from a GoFundMe created by a friend. Roughly a year and a half later, she’s still there and has had time to reflect on the experience.

“As much as I was directly affected, I really have held the space in my heart for those who have been there for their entire lives,” she said.

“My commitment to the community had only been a year … whereas they had invested so much and lost so much.”

But something fascinating was happening behind the scenes, coinciding with the disaster that had sent Olin overseas and left her bandmates, Augustin and Nathan Slone — located in New York City — shocked.

One year earlier, the band had released “Love,” a pleasantly sweet, folky, country-adjacent tune that melts easily into eardrums. Though it hadn’t received much attention at the time, it began to gain some traction on social media right after Olin settled down in Europe, frequently appearing in short-form videos across Instagram.

“We had no idea where we were getting it from,” she said of the new listeners. “It was picked algorithmically and put at the top of recommended songs on stories and reels, and so we started seeing thousands of reels being used with its intro.”

The band unwittingly stumbled into virality.

“We would get maybe a few hundred listeners in a day across our entire discography,” Slone, guitarist and bassist, said. “It’s … come to life, die, come back to life, and died. Now our whole discography seems to be in a ‘high tide lifts all ships’ moment.”

At that time, “Love” was floating around 1 million listeners on Spotify. Today, it sits at nearly 20 million, with the band’s average monthly listeners at 1.2 million. Small highlights include being featured in a Reese Witherspoon carousel and Ashley Tisdale French gardening video on Instagram, the latter containing their other hit, “Aces.”

Now, the trio is gearing up to release its debut album, “Somewhere Up There,” on Friday. At just shy of an hour, the project is split almost evenly between new music and previously released tunes.

Album art for “Somewhere Up There.”

(Taylor Olin / The Something Specials)

Impressively, the band has met in person only three times, one of which was when they first agreed to work together. Better yet, when Olin and Slone first met, it was shaking hands on stage at the Echoplex before the band’s first show.

They’re all skilled musicians, having done their due diligence in different music groups, but nothing has clicked like the parasocial success that is the Something Specials.

“We need each other all the way through — we each bring a different thing to the project,” Slone said.

“I’ll go and write the bass of the song, and a riff if there’s a riff. Josh helps with keyboards and drums. We refine it a little bit together. We send it to Taylor. Taylor records over it. We get it back. We might add a part or two. We mix it. All say yes. Send it for mastering and upload it.”

In a modern world, it’s not unusual to hear of music production being done in such a way, but it’s the group’s limited personal relationship that makes it shine.

The plan is to keep being nonchalant about the whole thing, and hopefully their fan base will continue to grow. On Oct. 28, they’ll play the Sultan Room in New York City, their third time together as a band.

“It’s bizarrely easy,” Slone adds.

“With very few exceptions, if things are flowing well, we can wrap something up in a week or two,” Augustin adds about the outfit’s remote recording process.

They’re still winging it at this point, unsigned and with no representation, but “winging it has served us well,” Olin said.

“We’ve been approached many times [by labels],” Slone continues. “But we do pretty darn well on our own, and record labels don’t really have much to offer us, frankly.”

Olin says that in a time where the use of artificial intelligence is so prevalent, and particularly in creative spaces, doing things “DIY” is the best approach. They’re starting with an initial run of around 500 vinyl records, with plans to release the album on CD and cassette later down the line.

“With this kind of band — with our sound, with our aesthetic— I think that as old-school as possible feels best,” she said.

Lots of broken-up bands reconvene for a tour, as the Black Crowes did in 2019, half a decade after brothers Chris and Rich Robinson dissolved the Southern rock group they’d formed in Atlanta in the mid-1980s. Some even stay together long enough to make a new record, as the Crowes managed to do with 2024’s well-received “Happiness Bastards.” What’s relatively rare in music is for a reunited band to quickly follow up a comeback album with a second one. Yet that’s what the Robinsons did this year when they dropped “A Pound of Feathers,” the Crowes’ 10th studio LP, behind which they’ll touch down Monday night at the Hollywood Bowl. Ahead of the show, Chris Robinson, 59, called from the road to tell the stories behind five of the band’s songs.

‘Hard to Handle’ (1990)

The Black Crowes broke out with a frisky cover of this Otis Redding tune just as hair metal was giving way to grunge. A hit on MTV, the song drove sales of the band’s debut, “Shake Your Money Maker,” to sales of more than 5 million copies.

There are some songs of Otis’ that I couldn’t do justice. As a 21-year-old kid starting my career — well, we didn’t even know we were gonna have careers — but what am I gonna sing? “I’ve Been Loving You Too Long”? “Hard to Handle,” it’s cheeky, it’s lighthearted. And I loved the break: “Pretty little thing, let me light your candle…” So I took it to George Drakoulias, our producer, and I said, “I think we could do this.” George is the one who turned it into “Walk This Way” — he put it in the same rhythmic space. Otis’ version swings, but we really couldn’t swing at the time.

So “Hard to Handle” wasn’t something you were playing live early on?
No, we brought it in for the record. Being from Georgia and Otis being from Georgia, it was important to us that people knew this is where we’re coming from. Two autumns ago, Zelma Redding and her family invited us to their big old ranch outside Macon, and we had an afternoon in the great man’s study. They have all his awards and guitars and stuff and the velvet slippers he had on when the plane crashed. At certain times in our career, we’ve been like, “F—, do we have to play ‘Hard to Handle’ again?’” We’d jam at the end or try all these things to make it sound different. But as the years have gone by, we just play it the way it’s supposed to be.

George’s engineer, Brendan O’Brien, played the guitar solo in “Hard to Handle.” Why?
We had Jeff Cease, but he’d split and gone back to Nashville. And Rich didn’t play solos back then. That changed, but at the time he was the rhythm guitar player. So it was out of necessity. We needed that meat-and-potatoes solo, and Brendan could rip it. I saw him on some podcast saying we were in L.A. and we were gonna call Slash. I’m like, “No we weren’t — you did the solo in Atlanta on Rich’s Les Paul.”

“Shake Your Money Maker” came out on Rick Rubin’s Def American label, and he’s credited as executive producer. Did Rick do anything on the album?
No.

All righty.
I’m just being honest. George and I lived in Rick’s house — I was in the basement — but the most I saw of him at the time was him leaving to go get lunch at Canter’s with Glenn Danzig. He did come to a session once with Andrew Dice Clay. We were called Mr. Crowe’s Garden at the time — we weren’t yet the Black Crowes. Rick and George were like, “You guys probably need to change your name,” and Andrew Dice Clay goes, “You should change it to Sticky Paste.” I said, “Why don’t you stick to the cigarette over your head, and I’ll handle this?”

‘She Talks to Angels’ (1990)

For “Money Maker’s” fourth single, the band released this darkly poetic ballad about a woman struggling with a drug addiction.

Were you nervous to reveal a softer side?
The only trepidation would’ve been because this was the power-ballad era of all the hair-metal bands.

Poison with “Every Rose Has Its Thorn” and so on.
Every band had one. There were hair-metal bands that only had power ballads — Firehouse or some band with 17th century French aristocrat hair.

Everything but the lace cravat.
Everything but sincere songwriting. Look, they’re people too — I get it. But we wrote a ballad out of the sincerity of how we were feeling, you know? We were reaching for “Wild Horses” or “Dark End of the Street” or “Astral Weeks.” The power ballad was a device for rock bands, but we didn’t use it as that. We used it as pure expression.

Tell me about the story the song tells.
My interest in writing and literature revolved around darker themes, whether it was the Beats or Paul Bowles or whatever. There’s drugs and madness and pain but also glory and redemption and the true heartbeat of life. So the song is a sad story but it’s romantic. There’s no moral gotcha — no resentment toward the character or the predicament they find themselves in.

How’d you come by that approach?
Reading. My mother, who just passed away a few weeks ago, she gave me a great gift: I’m dyslexic, and my mom in the early ’70s in the Deep South, she knew something was up with me. I went to school three times a week after school for years to learn how to read. And when that clicked, that was everything. My life now, it’s horribly boring. Rick Rubin with Danzig at Canter’s sounds exciting compared to Chris Robinson and the used bookstores of my life.

“Angels” is full of vivid details: the lock of hair in the woman’s pocket, for instance. Who were the songwriters that taught you how to create an image?
It all starts with Bob: “Jewels and binoculars hang from the head of the mule” — like, what?! But I’m a funny Dylan fan because I like the weird lyrics he does, like “Clothes Line Saga” from “The Basement Tapes.” Alex Chilton was really big. The first Big Star record I could get my hands on in the early ’80s was “3rd.” As a matter of fact, the first show we ever did, Rich and I played “Nightime” from that record.

On the strength of “Money Maker,” the Crowes were nominated for best new artist at the Grammys in 1991. You didn’t win —
A theme that continues today.

You remember who did?
It was Mariah Carey, I think.

Correct.
Good for her. Rich and I flew in from some tour date for one night, and I remember MC Hammer winning and doing something with Pepsi. I met MC Hammer a couple years ago. Amazingly cool guy.

What put you and Hammer in the same room?
I’m not allowed to talk about that.

Sure.
No, I’m serious — I can’t talk about it.

‘Remedy’ (1992)

The Crowes’ sophomore album, “The Southern Harmony and Musical Companion,” was led by this swaggering soul-rock jam, which Robinson opened with a memorable couplet: “Baby, baby, why can’t you sit still? / Who killed that bird out on your windowsill?”

I was in Philly a few weeks ago, in Rittenhouse Square, and I said to my friend, “That’s the hotel that I opened my window one gray day on tour, and there was a dead bird.” The room was on the 15th floor or something, and I guess the bird had flown into the glass. I was in a series of early failed rock and roll relationships, so my imagination was: Who killed that bird? Oh, she did it. The rest of it’s made up, but I had to see the dead bird that morning to kick off the thought.

There’s some great interplay here between you and your background singers — really draws out the R&B in the band’s sound.
For us, it’s instinctive. I’ve ingested a lot of Funkadelic, a lot of Prince, a lot of the Gap Band. One of my first concerts was Cameo on the “Alligator Woman” tour — mind-blowing. My singing is far more rhythmic than it is melodic a lot of the time. When I was playing with Joe Perry last summer, Steven Tyler came down to the Hollywood Bowl to do “Train Kept A-Rollin’.” He was like, “What key’s it in?” I said, “I don’t know.” He’s like, “You’ve been out with Joe for three weeks, and you don’t know what key the song’s in?” I said, “Steven, are you ready? I’ve never known what key a song is in.”

“Remedy” spent 11 straight weeks at No. 1 on Billboard’s rock radio chart. One of the songs stuck behind it was the Red Hot Chili Peppers’ “Under the Bridge.”
And just think — I never took my shirt off.

‘Sting Me’ (1992)

The tune that eventually knocked “Remedy” from the top spot? The Crowes’ second single from “Southern Harmony.”

It’s as close to a protest song as we ever got. Concerts in the ’90s were wild, man — we were seeing security guards beating on kids. But we were also seeing this blind patriotism toward ideals and philosophies that you’ve never even really looked at with any depth. So: “If you feel like a riot / Then don’t you deny it.”

There’s something slippery about the riff — it takes a second to figure out where the one is.
It fights itself — it’s funky in there. “Shake Your Money Maker” was very straight — click tracks to put the drum track together, now play the bass over that, blah blah blah. We just weren’t great at that point. By the time we’re in the studio with “Sting Me,” though, that’s one take live on the floor. We made “Southern Harmony” in eight days.

You can hear the effect of having played a few hundred gigs.
I’m glad you say that. Now bands are like, “I don’t want to go on the road — I’m gonna take a mental health break.” Can you imagine in 1992, you’re in one of the biggest bands in the world, and you’re like, “Hey man, I gotta chill out”? Get the f— out of here.

The “Sting Me” video was filmed at the Great Atlanta Pot Festival in 1992, which the band played as part of your activism around legalizing weed. What’s it been like to see those efforts succeed to some degree?
My main victory within that, if my voice was a part of it, is that we’re in a more gentle place — that it won’t ruin your life now if the police pull you over and there’s a roach in your ashtray. You have to realize: Being arrested isn’t just about the inconvenience of being incarcerated — it’s that now you’re in the system. I mean, ask any marginalized community — those drug laws were put on the books to keep you down.

‘Pharmacy Chronicles’ (2026)

Over a shuffling country-blues groove, Robinson sings about “perfume, Champagne and sin” in this standout from “A Pound of Feathers.”

Would you have foreseen that, after you got back together, you and Rich would release two albums in less than two years?
I don’t know about that. But leave Rich and I to our own devices, and that’s what we do. Our whole entrée into this world wasn’t because I could sing or he was a great guitarist — we wanted to write songs. I’ve written a lot of songs by myself, and probably out of those songs, there’s a few that I’m proud of. And I think Rich would say the same thing for himself. But there’s just something about the inspiration I get from Rich’s playing that makes us a successful songwriting team.

“Pharmacy Chronicles” has some bedraggled wisdom to it. I’m not sure you could have written it as a younger man.
I wasn’t that cynical then. It’s making fun of yourself in a way — like some old Victorian actor in the bowels of the theater taking his makeup off and wondering what it all means.

Do you think your voice has changed along with your perspective?
Of course my voice has changed — through age and, in the ’90s, through abuse. I can’t hit the super-highest notes I could as a young person. But we still sing the old songs in the original keys. Not that I know what those keys are.

Christy Knowings, an actor best known for the Nickelodeon sketch comedy series “All That,” has died. She was 46.

According to her father, Charles Dunn, Knowings died Tuesday in Long Beach after she suffered a severe asthma attack on Aug. 7 and went into cardiac arrest. The actor had been on life support for several days.

Knowings joined Nickelodeon’s sketch show for kids and teens, “All That,” in 1997 when she was a teenager trying to break into the business. She impressed casting directors with a repertoire of characters and accents she’d been perfecting since she was 4 years old.

“I filmed a bunch of different characters, and then a week after that, producers and writers from ‘All That’ flew out from Hollywood to come see me in New York, and that’s all she wrote,” Knowings said during a 2019 interview. “Five minutes later, I was asked if I wanted to move to California.”

On “All That,” Knowings joined an all-star cast that included Kenan Thompson, Amanda Bynes, Kel Mitchell, Nick Cannon and Gabriel Iglesias, to name a few. She stayed with the sketch show for three seasons, departing in 2000.

Following “All That,” she appeared on “Sesame Street” across three episodes in twin-themed sketches.

“Sesame Street” posted a tribute for the actor on social media, writing, “Sesame Workshop mourns the loss of Christy Knowings, who appeared on Sesame Street alongside her brother, cast member Chris Knowings. Our deepest condolences go out to Chris and his family.”

Christy Lorraine Knowings was born Feb. 25, 1980, in the Bronx. She attended Manhattan’s Professional Performing Arts School and started honing her skills as a character actor from an early age.

“I did impersonations, but my thing was really creating new characters, and the characters would stem from different dialects,” she told the Pop Culture With Pat podcast.

“I was pretty good … Even if I had a small role playing a judge at a science fair, I would still try and make that character stand out by using a different accent or doing something a little dangerous. Didn’t always work! But most of the time it did.”

In 2019, ahead of the 25th anniversary of “All That,” Knowings spoke with Bustle about the way the show was ahead of its time. The Native American Afro-Latina actor said the cultural nuances brought by the diverse cast were celebrated.

“People tell me, especially Black ‘90s kids who were watching for my seasons, they’re like, ‘We really paid attention to you because you were the only Black girl!’ I was there to represent them in a way and I didn’t even realize it at the time because social media was not a thing,” she said.

“‘All That’ showcased the unity that we all wanted, needed and still need in a very humorous way. We brought each other together in a very lighthearted way. With Amanda and I doing ‘Whateverrr!’ you didn’t see a Black girl and a white girl, you just saw these two insane girls who loved the same guys. We both loved Leonardo DiCaprio and we both loved Kobe Bryant! I think we pushed a lot of boundaries.”

Knowings’ “All That” castmates posted tributes to her on social media.

Thompson, now a “Saturday Night Live” star, wrote alongside a photo of Knowings, “Man this one hit hard!!! Rest well Christy!!! Never could have imagined this day!! Sending so much love to her family!! She was a real one and one of the funniest people out here!!! Gonna miss you buddy!!!”

Alisa Reyes wrote that Christy was “not only an immensely talented actress, singer, and artist, but she was also a star seed, a light worker, and a true uplifter of humanity … Her frequency and vibration are now soaring into the ethers, and I can already feel her magic sprinkling upon us like stardust.”

Lisa Foiles posted a tribute on Facebook, writing, “It doesn’t feel fair when we lose one of our own. Christy was mesmerizing to me on ‘All That.’ I studied her facial expressions, her commitment to a bit, her talent for comedy way beyond her years. I dreamed of being in her shoes — and even when I joined the show, I knew they were impossibly big shoes to fill. She was a comedic icon to me, and when I finally got to meet her, her kindness matched her talent. Take some time to let her make you laugh today. RIP Christy Knowings.”

Knowings is survived by her father, twin brother, mother Rénee Knowings Dunn and siblings Charles Dunn Jr., Ashley Dunn Ledger, Yavonka Vega, Tamea Dunn and Lee Elder.

Netflix said it is in the process of closing two of its gaming studios, as the division is making another round of organizational changes.

The Los Gatos, Calif., streamer said it closed the Hollywood-based gaming studio Night School, the maker of narrative games like “Oxenfree,” on Thursday and has proposed to close Helsinki, Finland-based gaming studio Moonloot. Night School was the first game developer Netflix purchased in 2021 as it expanded into gaming. At the time, the streamer was under pressure by investors to diversify its content to attract more customers, after experiencing two quarters of subscriber losses in 2022.

Night School viewed the acquisition at the time as “such a natural pairing” as the gaming studio wanted to stretch its narrative aspirations on original games and Netflix has a reputation of giving TV and film creators an “unprecedented canvas” to bring entertainment to millions of people, according to a blog post on its website.

In an email, a Netflix spokesperson said it is eliminating roles because the company believes it can operate more strategically and efficiently in its games business. The spokesperson declined to provide the number of workers affected.

Last year, the company shut down Boss Fight Entertainment, one of the gaming studios it acquired in 2022.

Games on Netflix have had mixed results. At the end of 2024, Epic Games executive Alain Tascan joined Netflix as president of the division and under his leadership, it has focused on key areas including kids, party games like “Netflix Minigolf,” narrative games and mainstream games like “FIFA World Cup: Launch Edition.” The company also removed games in part because they did not have high engagement from its library.

Last year, Netflix unveiled several party games including “Boggle Party” and “Pictionary: Game Night.”

In June, Netflix released a narrative game made by Night School called “Unhinged” about a woman who is trapped inside her apartment during a hurricane and is trying to find safety. Voice actors in the game include Zoë Kravitz and Sadie Sink.

In a July earnings presentation, Co-CEO Greg Peters reminded analysts of the market opportunity for games, with $150 billion in consumer spending not including ad revenue or markets in China and Russia. He said the streamer is seeing solid numbers from its cloud games such as FIFA and “Unhinged” and higher adoption and retention in the cloud games than mobile games. He also said there has been strong engagement and growth from kid games.

“We’re just getting started here,” Peters said. “We’re scratching the surface in terms of what we think the total potential of the space offers for us.”

The layoffs come as Netflix stock has declined 37% from a year ago. Investors are concerned about how much time people are spending on Netflix compared to rivals like YouTube. YouTube represents about 14% of streaming-watch time by U.S. viewers on TVs, compared to Netflix’s 8% in May, according to Nielsen.

In addition to games, Netflix has added other types of content to its streaming service over the years including live events like NFL football games and video podcasts.

Fresh off a two-month stint filming the eighth season of Peacock’s “Love Island USA” in Fiji, Ariana Madix is happy to be back in her own space.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“I’ve been back and forth and all over the place so much lately,” says Madix from her Los Angeles home. “I’m very excited about all the things that I’m doing with my house. Just little things like I got a new front door. I’m in a nesting phase, I guess, because I’ve been gone for so long.”

The television personality and actor, who made her Broadway debut in “Chicago” in 2024 after capturing attention on Bravo’s “Vanderpump Rules,” recently scored her first Emmy for hosting the wildly popular dating competition show “Love Island USA.” She finds that her summers in Fiji, the show’s filming location, always leave her with a fresh perspective.

“Going back multiple seasons, I see people who are so much younger than me be able to be so honest and forthright with how they feel and what they want,” says Madix. “I just think about back when I was their age, how scared I was all the time to make people mad. I admire them so much for that because it’s hard. I think that they are really brave and it inspires me to be brave.”

With the “Love Island USA” reunion set to air Aug. 31 on Peacock, Madix is enjoying every minute of her downtime. Back in Los Angeles where she’s lived for nearly two decades, her perfect Sunday involves a trip to the barn to ride horses, strolling through the neighborhood she first called home and hitting a club where people actually dance.

10 a.m.: Make a quick breakfast at home

I’m a sleepy person. I can sleep forever, so I have to set a time and be like, we’re going to do something. So I’m getting up at 10 a.m. I feel like that still gives me time to sleep in and feel like I’m still having a relaxing day, but it’s still early enough to do stuff. My breakfast is pretty boring. I just make egg whites at the house. I enjoy breakfast food a lot, but if I want to have an eventful fun day, I need to just get the breakfast out of the way and get some caffeine in me. Because if I dillydally for too long, I’m here all day. I’ll either make an iced Americano with a little bit of almond milk or a cold brew. I don’t do anything hot. It’s against my religion that I made up [laughs].

11 a.m.: Head to the barn to ride horses

I’d get out to the barn in Burbank to go horseback riding. Doing something outdoors, whether it’s riding, going on a hike or literally just touching grass, is a good way to start your day, I feel. Especially in L.A. where we’re spoiled with beautiful weather all the time. I’ve been riding since I was 6 years old. When I lived in New York, it wasn’t something that I really had access to or the funds for, so there was a period of time where I wasn’t riding and I felt like I was really missing that part of myself.

We’re really blessed to have access to riding in L.A. I had my own horse, but he recently retired so he lives in the mountains now, living his best life. So if my trainer has horses that need to be ridden for their own exercise, they’ll put me on one of those.

1 p.m.: Visit my old stomping grounds in Los Feliz

After that, I gotta go home, shower, change and then I gotta eat. I’d go to Los Feliz for some tacos and go for a walk. This is going to sound corny, but I recently tried Guac Daddy with my boyfriend, Dan. We each got like two or three tacos, so we could try a bunch and it was good. Afterward, we’re definitely going to Skylight [Books]. I love the section of the store that has all of the big photography books. I could flip through so many of them, so that’s where I’m going to post up for a little bit, hopefully with an iced coffee in hand. I saw something on TikTok where someone said our need for a walk-around beverage is emotionally regulating, so I think that’s a key part of this whole experience.

5 p.m.: Take a power nap before grabbing drinks at a rooftop

I think this is about the time where I need a nap, especially if I’m going to continue doing other things. If I can get a good power nap in, I’m ready to transition into more nighttime vibes. I want to try to be out of the house having a little sunset drink and I want to be somewhere with a good view of the sunset. There are some really cute rooftop spots in the Beverly Hills area. Gemma at the Waldorf Astoria has a really cute rooftop. That’s a good place to have a nice mezcal margarita and watch the sunset. My best friend, Logan, and I like to go somewhere where we say we’re gonna “eat with a fork.” There’s different levels to this. We might get an order of Parmesan fries or have a fish moment like crudo or a fish taco. Something that feels fresh that goes along with the vibe. I’d be here for a couple of hours with Dan and my friends Logan [Cochran], Dayna [Kathan] and Katie [Maloney].

7:30 p.m.: Play old-school games at the Neon Retro Arcade

Dan and I recently had a Sunday Funday in Pasadena. We went to this arcade bar called Neon Retro. I love a good pinball machine. They have all these old-school games like the old NBA game and old shooting games. Now that we’re adults and we can get unlimited [tokens], you actually can play long enough to beat some of these games. [Laughs] It’s a lot more satisfying than when we were kids and you’d play once, you’d die and then that’s it. We might get some candy to really feel the arcade vibes. It’s definitely a beer moment though.

10 p.m.: Dance at Club Tee Gee ‘til they kick us out

This is where things diverge because I’d maybe go catch a movie at CityWalk. Or if we’re feeling freaky, we could go to Club Tee Gee in Atwater for some dancing, to really have fun and feel like tomorrow’s not Monday. They always have really good music. I actually celebrated my birthday there a few years ago, which was really fun. They have glitter on the ceiling, which sets the tone immediately, and a lot of big-name DJs who will do secret sets there. It’s a place where people actually go to dance, which I enjoy. It’s not just standing around and looking at people.

2:30 a.m.: Order food off Postmates, then pass out

We’re staying at Club Tee Gee till close, till they kick us out. Then we’re catching a Lyft home and potentially ordering some food off Postmates. I’ve said tacos throughout the day, but I still want them [again] regardless. I think we’re spoiled in L.A. and there’s so many good ones, so I don’t have a favorite. I kind of just go everywhere. If not tacos, I’ll maybe be craving some Thai food. Then I’m passing out right afterward.

The U.S. Department of Justice and Los Angeles County Sheriff’s Department have agreed to settle a lawsuit over what federal prosecutors alleged last year was a pattern of delaying applications for permits to carry concealed firearms for “unreasonable” lengths of time.

The Sheriff’s Department will “bring its procedures in line with the Supreme Court’s landmark Bruen decision,” the DOJ said in a statement Thursday, referring to a 2022 high court decision affirming a constitutional right to carry a handgun in public for self-defense.

Excessively delaying applications for concealed carry permits, the DOJ had alleged, effectively violated the applicants’ constitutional rights.

In response to its lawsuit, the DOJ’s statement said, the Sheriff’s Department “drastically cut those waiting times and is now in compliance with statutory deadlines.” The development is “a huge win for the residents of Los Angeles County and for the Second Amendment,” the federal agency added.

“The Justice Department supports our law enforcement partners.” Assistant Atty. Gen. Harmeet K. Dhillon of the Justice Department’s Civil Rights Division, said in the statement. “The sheriff acknowledged the problem and devoted substantial additional resources, including new processing software and additional personnel, to cutting waiting times dramatically.”

The Sheriff’s Department did not immediately provide comment on the settlement.

In its complaint filed in federal district court in L.A. in September, the DOJ claimed that the Sheriff’s Department had “systematically denied thousands of law-abiding Californians their fundamental Second Amendment right to bear arms outside the home — not through outright refusal, but through a deliberate pattern of unconscionable delay.”

The complaint stated that between Jan. 2, 2024, and March 31, 2025, the Sheriff’s Department received almost 4,000 applications for new concealed carry licenses, but issued only two. Two others were denied and the rest were either withdrawn or were still pending, according to the DOJ.

The DOJ complaint also cited Sheriff’s Department data that showed that over those 15 months, it took an average of nearly 300 days for the department to advance the more than 8,000 new permit applications and renewals it received.

The Sheriff’s Department said in September that Sheriff Robert Luna, who was also listed by name as a defendant in the original federal complaint, “inherited a dysfunctional system” when he took office in 2022, and that he had only 13 people to manage the avalanche of applications for concealed carry permits filed each year in L.A. County.

The department also said in September that since December 2022, it had reduced “the backlog” of applications for concealed carry licenses from about 10,000 to about 3,200, and that more than 19,000 such applications had been “successfully approved” since 2020.

The Russian River was running low and slowly. A few miles outside Guerneville at Steelhead Beach, several men stepped into the water, laden with flotation devices. A duck, a flamingo, a unicorn …

“Don’t you know?” asked Anna Deurloo, standing by me on the shore. “It’s Lazy Bear Week! That’s why the river is full of bears: big hairy men with beards. And Speedos.”

Deurloo, who lives in Guerneville, had made glittery bandannas for her crew of bears to wear at the annual celebration. Out on the water, Joe Souza of Long Beach adjusted his blinged-out headgear, hollering that he’d been coming to Guerneville every summer for more than 20 years.

“It’s a nice place to meet our friends from all over the country,” Souza said, “and get tricked into this river.”

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1. Steelhead Beach is a popular starting place for warm-weather floats down the Russian River. 2. Families play in the Russian River near Johnson’s Beach. 3. The view from Korbel Winery includes vineyards and forest along the Russian River. (Photographs by Christopher Reynolds / Los Angeles Times)

When the weather is warm, the Russian River draws dawdlers of all kinds, including LGBTQ+ vacationers, longtime locals and Bay Area families. On summer weekends, thousands show up in Guerneville with kayaks, canoes, inner tubes — just about anything that will float, preferably with a cooler attached. Then they spend hours gliding downstream past scenery that might as well be a Northern California highlight reel: vineyards, redwood forests and eventually a beach scene full of driftwood and sea stacks.

They know that time is of the essence. Many places on the river in and around Guerneville shut down November through early May because it gets cold and rainy and the river can run high and fast.

But for now through early October, with little rain and seasonal dams controlling the water’s flow, this might be California’s laziest river.

Still, for plenty of Californians, including me, this corner of Sonoma County is little-known territory. I’ve just gotten my first good look at the area, which is about 85 miles north of San Francisco, and I’m glad I arrived when I did.

For years, as Sonoma County’s wine country has grown ever more pricey and elegant, the communities of the lower Russian River have clung to their rustic, quirky and more affordable ways, in part because of the area’s vulnerability to changing seasons.

But the riverside scene is evolving. Since the pandemic, several new or revamped lodgings have boosted glamping and other upscale elements in a territory once better known for old cabins. At privately owned Johnson’s Beach in Guerneville, where parking was free in the old days, the fee is up to $10 a day. In the Johnson’s Beach lodgings, long known for summer-camp vibes, some rooms now come equipped with luxury linens and a French press. On the menu at the River Electric, there’s a “high-low dog” — a hot dog with black caviar — for $40. In other words, the lower Russian River is edging up-market.

“There’s a lot more new blood up here. A lot of new people in the last five years,” said Robert Baba, who runs Ideal Hardware in Forestville.

“Prices are going up and hotels are getting more posh,” said Michael Rex, owner of Guerneville’s Russian River Bookstore. But still, he said, “there’s a lot to do here where you don’t have to spend a dime.”

Here’s what I found in four days as a Russian River rookie.

River guide Keith Chandler prepares to kayak at the Russian River estuary at Jenner on the Sonoma County coast.

(Christopher Reynolds / Los Angeles Times)

Forestville: Stepping into the river

If you want to imagine time standing still, start at Burke’s Canoe Trips, which has been renting canoes and kayaks for decades. At Burke’s, which sits at the edge of Forestville (population: about 3,300), most customers rent a watercraft ($95 per canoe, $60 per kayak) before noon, drift 10 miles down river to Guerneville, then catch a Burke’s bus back to where they began.

The river water is shallow, often 3 to 5 feet deep. The beaches are pebbly. The redwood groves begin within stone-skipping distance of the Burke’s property and follow the river downstream. Drinking water and sunblock are vital. Sightings of blue heron, egrets and river otters are common. (Burke’s also has camping with hot showers and fire rings, at $20 per person per night.)

Canoes await paddlers at Burke’s Canoe Trips in Forestville along the Russian River.

(Christopher Reynolds / Los Angeles Times)

A cat sleeps alongside a Jesus statue and beach gear at Burke’s Canoe Trips in Forestville along the Russian River.

(Christopher Reynolds / Los Angeles Times)

“People know that no matter how the world is doing, when they come to the river, it’s going to be like it used to be,” said Linda Burke, second-generation owner of the business.

“It could be 1946 when you’re paddling,” said Ted Schroeder, longtime manager at Burke’s.

But even at Burke’s, things change: Demand is up for kayaks, down for the metal canoes, which are heavier.

Along Front Street, Forestville’s tiny commercial core, you could get a corn dog for $3.30 at Carr’s Drive-Inn, which looks like a time capsule from 1979. Or you could get some wood-fired pizza on the big, bright patio of Sonoma Pizza Co., which opened in 2022; or maybe a cup of organic ice cream at Angela’s (since 2023).

If you want to go luxe, you can eat or sleep at the Farmhouse Inn, a 6-acre property on River Road that includes 18 rooms and cottages, a pool and some spa services amid lushly landscaped grounds. Its restaurant occupies an 1873 farmhouse. (Nightly rates start around $440.)

For a lot of people, however, Forestville is just a place to slip into the lazy river — often at Steelhead Beach, half a mile downriver from Burke’s.

Glamping tents are a central part of Dawn Ranch, near the Russian River in Guerneville, Calif.

(Christopher Reynolds / Los Angeles Times)

As glampers arrive, Guerneville gets fancier

Guerneville (population: about 4,500) is the hub of human activity on the Lower Russian River. River Road becomes Main Street there, and in summer its shops and restaurants buzz with people. Riverfront recreation at Johnson’s Beach is a block away. A network of redwood forest trails awaits 2 miles up the road in Armstrong Redwoods State Natural Preserve.

Be warned, however, that on weekends, Guerneville is often short on parking. Consider parking for the day ($10) in the big dirt lot at Johnson’s Beach, which has food, drinks, rental kayaks, canoes and inner tubes, campsites, historic bungalows, modern tiny cabins, canvas cabanas and a four-bedroom lodge. There are about 35 units in all, open mid-April through October. (The bare campsites start at $55, historic bungalows at $165.)

“It’s a lazy river and walkable to town, so we can camp and eat at restaurants,” said Kim Loda of Oakland as her son, Axel, 10, showed off his juggling skills near the Johnson’s Beach snack bar. “I don’t know why my family didn’t bring me here growing up.”

The River Electric, a resort along the Russian River in Guerneville, Calif., includes glamping tents.

(Christopher Reynolds / Los Angeles Times)

Guerneville grew up as a 19th century logging settlement, prospered as a weekend getaway for San Franciscans arriving by ferry and train in the 1920s, slumped in the ‘30s and suffered extensive flooding in the 1960s. It entered a new chapter in the late 1970s, when a handful of gay entrepreneurs began buying up and revamping rustic resorts and bars.

First, in 1978, was a riverside getaway called Fife’s. Another early gay-owned venture was the Rainbow Cattle Company bar, still in business on River Road, a.k.a. Main Street. (Every week on Give Back Tuesday, the bar stages raffles, offers $5 dinners and earmarks 10% of revenue for charities.)

When the 1980s and 1990s arrived, Guerneville suffered deeply — from the AIDS epidemic and from repeated floods.

Nimble & Finn’s sells ice cream inside the Guerneville Bank Club building in Guerneville, Calif.

(Christopher Reynolds / Los Angeles Times)

Yet a generation later, the community has gained ground.

Since 2008, entrepreneur Crista Luedtke has built a series of businesses, including Boon Eat+Drink and Boon Hotel+Spa. The Guerneville Social Club, “Russian River’s First Queer-Owned Social Club,” is due to open with a restaurant, bar and shop in 2027. Lazy Bear gatherings have been staged every July since 1996 by the nonprofit Lazy Bear Fund to raise money toward LGBTQ+ community health. There’s also a Russian River Pride parade Sept. 19.

Cars park along Main Street on July 30 in Guerneville.

(Christopher Reynolds / Los Angeles Times)

Timing my visit to avoid weekend crowds, I ate a dinner of chicken in tasty mole negro at Three Cultures Kitchen, which opened last year. I got ice cream at Nimble & Finn’s, lunch at Coffee Bazaar and a $15 sandwich to go at the Korbel Winery, which offers a deli, tasting room, wine shop and free tours at its scenic site about 3 miles west of Guerneville. I also browsed at Russian River Books & Letters.

“I ended up here because of the pandemic. It just went on and on, so I decided to open the bookstore,” said bookshop owner Michael Rex. Since that time, Rex said, he’s seen a growing number of remote workers.

Most notable among the new and renovated Guerneville resorts: Dawn Ranch and the River Electric, both with a glamping focus, both with docks on the river.

Dawn Ranch, dramatically upgraded in 2023, is a 22-acre, all-ages property that once held the Fife’s resort. The verdant grounds feature 86 cabins, cottages, chalets and glamping tents (open year-round) that share bathrooms and showers. There’s an upstairs restaurant, spa services, a pool and boathouse bar, along with a dock and private beach at the end of the short trail that feels like a secret path.

The tents, which start at about $300 nightly, have furniture, electricity and Wi-Fi, but if you show up on a 93-degree afternoon, as I did, your un-air-conditioned tent will be about the same temperature. That’s when it’s time to jump in the pool or river.

The Russian River runs past a dock at Dawn Ranch in Guerneville, Calif.

(Christopher Reynolds / Los Angeles Times)

The River Electric is sited on long-idle, flood-prone 12-acre expanse of riverside land that old-timers remember as the site of J’s Amusement Park in the ‘70s, ‘80s and ‘90s. In 2025, the current owners unveiled a newfangled resort with a restaurant, two pools (one of them round) and 46 furnished, electrified tent units, which start at about $260 nightly.

The resort stays open until Oct. 31. Then, by design, most of the resort will be carted away or submerged when the river rises.

“Everything except the concrete, we take off-site, Which is wild,” said River Electric’s Jessica Baker, who gave me a tour. The resort also sells day passes for $38 and hosts many weddings and special events.

Yet another glamping option is Guerneville’s Autocamp Sonoma, which opened in 2016. It doesn’t have river frontage, but it includes 25 Airstream trailers and 10 glamping tents in the shadow of a redwood grove.

Stand-up paddle-boarders are common at the Russian River estuary, next to Jenner on the Sonoma County coast.

(Christopher Reynolds / Los Angeles Times)

This is how the river ends: with roaring wind on an empty beach

Heading west from Guerneville, you roll through Monte Rio, seeing more redwoods, cabins and glimpses of river.

You might spot the 11-room Inn on the Russian River, a recently upgraded property whose riverside perch includes a private dock and summer rates of roughly $260 to $430 nightly.

Kayakers often come across harbor seals in the Russian River estuary at Jenner on the Sonoma County coast.

(Christopher Reynolds / Los Angeles Times)

What you’ll need to imagine is the Bohemian Grove, which hides in the nearby forest, serving as a haven for the rich, powerful, famous and all-male members of the Bohemian Club since the 19th century.

Gathering every July at that 2,700-acre compound, club members, who have included Ronald Reagan, Richard Nixon and Bob Weir, are said to stage a ritual “cremation of care,” burning an effigy of “care” in front of a 40-foot owl statue. (Suddenly, Burning Man seems a little less original.)

Anyway, a casual tuber or kayaker can’t float all the way to the Pacific from Forestville. (Obstacles include seasonal dams at Johnson’s Beach and Vacation Beach.) But if you drive the river road past Monte Rio and the historic but touristy shops at Duncans Mills, you reach the coastal hamlet of Jenner. That’s where the water flows into the Pacific, where the Russian River goes from mild (in summer) to wild.

To see the converging waters and feel the roaring wind, you can drive to Goat Rock Road and Goat Rock Beach. Or you could stop for a snack at Cafe Aquatica, whose patio fronts the water’s edge.

Or you could do both, followed by a night at River’s End, where a restaurant and five woodsy guest rooms enjoy sweeping views of the river, sea and sea stacks.

Kayakers paddle through sunset on the Russian River estuary, which looks out at the sea and sea stacks near Jenner.

(Christopher Reynolds / Los Angeles Times)

I did that. And on my last morning along the river, I got up early and met Keith Chandler of Jenner-based Watertreks Ecotours at water’s edge. Then we paddled around the estuary on a pre-breakfast kayak tour.

“I never get tired of this,” Chandler told me.

Some tours go out by night, focusing on bioluminescent plankton. We skirted Penny Island, where native Pomo people lived and farmed for generations before immigrants from Europe arrived. In fact, Chandler’s boss, Suki Waters, is part Pomo. Jenner might be small, but river, sea, natives and newcomers all converge there.

For a good chunk of this morning, however, there was just two of us in a kayak, sidling up to egrets, cormorants and harbor seals, watching pelicans glide in formation over the long, empty beach where the Russian River ends.

European shares have started August 2026 in almost the opposite way to what their seasonal reputation would suggest.

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The EURO STOXX 50 and DAX are hovering near record highs, while the CAC 40 remains close to its peak. Yet August has historically been one of Europe’s weakest months.

That contradiction raises a more interesting question than whether investors should simply “sell in August”.

The data suggests August is not consistently a bad month. Instead, its poor reputation has been shaped by a small number of extraordinary market shocks.

European markets are defy ‘August curse’

European shares have started August 2026 in almost the opposite way to what their seasonal reputation would suggest.

The EURO STOXX 50 and DAX are hovering near record highs, while the CAC 40 remains close to its peak. Yet August has historically been one of Europe’s weakest months.

That contradiction raises a more interesting question than whether investors should simply “sell in August”.

The data suggests August is not consistently a bad month. Instead, its poor reputation has been shaped by a small number of extraordinary market shocks.

Germany’s DAX, which tracks the 40 largest companies on the Frankfurt exchange, tells the same story going back to 1970.

August has averaged a loss of 1.03%. September has averaged a loss of 1.64%.

France’s CAC 40, which tracks the 40 biggest companies in Paris, has data going back to 1988. August has averaged a loss of 1.22%. September has averaged a loss of 1.38%.

Three different countries, three different stretches of history — and exactly the same ranking. September worst, August second.

Yet August 2026 has looked nothing like that.

On 11 August, the EURO STOXX 50 closed at an all-time high above 6,560 points, up roughly 13% since the start of the year. The DAX moved above 26,450 for the first time, while the CAC 40 finished around 8,740 points.

So who is right — the calendar or the market?

The short answer: the calendar has a much weaker case than it appears.

The average August is not the typical August

An average is only useful when the numbers around it are relatively similar.

Picture five people walking into a room. Four earn €30,000 a year, one earns €1 million. The average income in that room suddenly looks far higher than what most people actually take home.

August equity returns have a similar problem. A handful of extreme crashes drag the long-term average sharply lower.

That is where the median becomes useful. It is simply the middle observation once every August return is ranked from worst to best, so half the years sit below it and half above — a better guide to what a typical August actually looks like.

For the EURO STOXX 50, the median August return is -0.19%, a very different picture from the -1.42% average. The typical August has been close to flat.

Five Augusts explain the damage

Most of the damage comes from five extraordinary episodes.

In August 1998, the EURO STOXX index fell 14.44% as Russia defaulted on domestic debt and devalued the rouble.

In August 1990, it dropped 13.82% after Iraq invaded Kuwait. August 2011 brought a 13.79% fall as the eurozone debt crisis intensified around Italy and Spain. In August 1997, the index lost 9.99% as the Asian financial crisis spread across the region, and in August 2015 it fell 9.19% when China devalued the yuan.

These were not ordinary corrections. They were global shocks that happened to land in August.

Strip out those five years and the EURO STOXX 50’s average August return flips from -1.42% to +0.17%. Five years out of 39 turn a seemingly weak month into a slightly positive one.

Why can August amplify a shock?

The explanation may have less to do with the month itself than with how markets function during the summer.

Europe effectively goes on holiday in August. Trading desks thin out and fewer investors are actively setting prices. That does not cause a sell-off on its own, but it can make markets more sensitive once one begins.

There are also fewer scheduled monetary-policy decisions. The European Central Bank’s latest meeting was in July, with its next scheduled decision not due until September.

The US Federal Reserve follows a similar summer gap, leaving markets with fewer major policy events to anchor expectations at precisely the moment liquidity is thinnest.

Then there is Jackson Hole. The Federal Reserve’s annual conference in Wyoming, held later in August, can become a major market event in its own right, particularly when investors are hunting for clues on interest rates.

This year’s gathering carries extra weight: it is Kevin Warsh’s first Jackson Hole address as Fed chair.

August therefore combines three potentially volatile ingredients: thinner liquidity, fewer scheduled policy events, and the possibility of a significant central bank signal arriving late in the month.

What makes August 2026 different?

The historical pattern is only useful if investors understand what has changed.

European equities entered August at or near record highs, underpinned by strong earnings expectations. Reuters reported that analysts had raised expectations for second-quarter earnings growth across the STOXX 600 to almost 21%, up from 12.5% in May — giving markets a fundamentally stronger backdrop than the historical average would suggest.

But there is another side to the ledger. The Middle East energy shock remains a risk for Europe: higher energy prices could push inflation back up while squeezing consumers and corporate margins at the same time.

Eurozone inflation eased to 2.8% in June, down from 3.2% in May, though a fresh energy shock could complicate the path back to the European Central Bank’s 2% target.

That leaves an unusual setup heading into the rest of the month.

So should investors fear August?

The historical record does not say European stocks must fall this month. In fact, the EURO STOXX 50 and DAX have both finished August higher almost half the time.

What history does show is more subtle: August is not necessarily Europe’s seasonal crash month. It is a month in which rare shocks have historically produced unusually large losses. That distinction matters in 2026.

Investors do not need to predict whether August will end higher or lower. The more useful question is whether markets, having just reached record highs, are sufficiently prepared for an unexpected shock arriving while liquidity is thin.

That is what the August pattern is really warning about — not a calendar effect, but a vulnerability.

Brad Pitt has revealed that he’s back on the sauce.

During a vulnerable interview published in Esquire on Monday, Pitt said he’d started drinking again, in moderation. “I was sober for seven years,” he said. “And then I got back off the wagon.”

The be-all and end-all of movie stars, Pitt had a messy, highly publicized (and litigated) divorce from fellow crème de la crème star Angelina Jolie that stretched from 2016 to 2024. Jolie filed to end the power couple’s two-year marriage after an alleged alcohol-fueled incident on a private plane. The fallout has been consequential for both stars, and served as the catalyst for Pitt seeking help through Alcoholics Anonymous.

Now, maybe after a seven-year itch, Pitt is trying to rework his relationship with alcohol, this time “in a more restrained manner.”

“I got overconfident a couple times, went, ‘Yep, nope, not good for me. Not in big quantities,’” he told Esquire.

When it comes to wine, Pitt says, “Well  . . .  I can have a few. But I can’t have a lot. I have to be professional about it.”

The “Heart of the Beast” star has been candid about his sober-curious journey in recent years and publicly thanked actor (and sponsor to the stars) Bradley Cooper for helping him get sober. “I got sober because of this guy,” he said during a 2020 acceptance speech at the National Board of Review’s annual awards gala. “And every day has been happier since.”

And last June, the Oscar winner sat down with Dax Shepard for an episode of “Armchair Expert” and opened up about the positive experience he’d had in the 12-step program. “I am a stubborn f—, but when I’ve stepped in s—, I’m pretty good at taking responsibility for it and owning up to it,” he told Shepard. “And now it’s a quest to … make sure it doesn’t happen again.”

In the Esquire story, Pitt admitted that, during the darkest period of grappling with what he referred to as “family stuff,” he could see how suicide might feel like relief — but that his survival instinct kicked in. He discussed feeling immense grief and how that grief can leave a gaping hole. Rather than climbing out of it, Pitt said he thought of it as “going through it.”

“And trying and trying and trying and trying to the point of exhaustion and then trying again,” he told the magazine. “I don’t want to ignore the place where you run up against the wall. But I just one day woke up, and it just felt a little sunnier and the air felt a little sweeter. Just microdoses of it.”

Two outcomes that scream failure on a baseball diamond are striking out and making an error. Jacob Wilson avoids both.

The third-year Athletics shortstop played his 111th consecutive game without an error Sunday, setting a major league record at his position.

Wilson, 24, also ranks among the top 5% of MLB players most difficult to strike out, making contact in more than 90% of his at-bats during his three-year career. The shortstop was a first-round draft pick out of Grand Canyon University in 2023 and played for Thousand Oaks High.

Failure is even more infrequent when he puts on his glove. Wilson surpassed Mike Bordick’s 2002 mark with the Baltimore Orioles for consecutive games played at shortstop without an error.

No wonder the A’s signed him to a seven-year, $70 million contract before the season.

Wilson, whose last error occurred July 6, 2025, credits his dad with prioritizing defense. Jack Wilson was a shortstop with elite range and a powerful arm during a 12-year MLB career from 2001-12, yet he never played a full season with fewer than 10 errors.

“He’s a very defensive-first guy for me growing up by teaching me defense first before the hitting side of things and making sure you’re always prepared to play defense every day,” Wilson told reporters after the Athletics beat the Boston Red Sox 4-3 on Sunday at Fenway Park.

Based on advanced metrics, Jacob doesn’t have the range of his father, but so far he has been more consistent. He made only eight errors in 124 games last season and none in 27 games after being called up from the minors in 2024. That’s a total of eight errors in 216 career games and 1,899 innings at shortstop.

“He definitely has the consistency side of things down pat,” fellow A’s infielder Tommy White told reporters. “The stats don’t lie. He really takes in the second half of the play. Everyone sees the glove, but it’s the accuracy of the arm.”

Putting the bat on the ball is also a Wilson trademark. He was the toughest player to strike out in NCAA Division I, whiffing just 12 times in 438 at-bats as a Grand Canyon sophomore and junior. At Thousand Oaks High, where his dad was head coach, Jacob struck out a mere five times in 343 plate appearances.

Likely out of reach is the MLB record for consecutive games without an error at any position, held by outfielder Robbie Grossman at 440 games, a streak that ended in 2022.

Meanwhile, Wilson plans to focus on staying healthy: He missed a month earlier this season with a dislocated left shoulder after diving for a ball, and missed a few more games when the shoulder flared up again in late June.

Making plays and putting the bat on the ball should continue as long as he’s on the field. Wilson was an American League All-Star last season and finished second in voting for Rookie of the Year to teammate Nick Kurtz after batting .311 and striking out only 39 times in 523 plate appearances.

Before this season, Wilson told Foul Territory that his focus was on improving areas he considered deficient — a quicker first step toward the ball on defense and putting on 10 pounds of muscle to increase his power at the plate.

As for avoiding errors and strikeouts, that should continue to come naturally.

“I know how to stay in my lane, do what I do and help this team win,” he said.

Welcome back to the Times of Troy newsletter, where we are just deep enough into USC’s fall football camp to ask the same question we ask every year around this time:

Might this be the year that Lincoln Riley actually fields a good defense at USC?

Under D’Anton Lynn, the Trojans had unequivocally improved on that side of the ball. Lynn took the disaster that was USC’s defense under Alex Grinch and turned it into a respectable outfit, albeit one with limitations. There was no dominant, or even consistent, pass rusher. The run defense was regularly run over by good teams. And too often, in the biggest moments, there were mental lapses or self-inflicted mistakes on the back end of Lynn’s defense.

At the time, he pointed to the team’s youth as the problem.

“This team is more talented, but they’re just young,” Lynn said last November. “It’s just guys who haven’t played before. There are certain mistakes you have to live through.”

Almost a year later, USC has a new defensive coordinator. And kind of the same problem.

There are two things I think we can safely assume about this defense, compared to its 2025 counterpart: That Gary Patterson, as a newly minted College Football Hall of Famer, should be a significant upgrade from Lynn. And that the influx of five-star talent on USC’s defense should be too.

Because the hard truth, from the past four seasons, is that the Trojans just haven’t had enough talent on defense. Say what you will about the defensive coaching — and it has ranged from above average to horrendous during Riley’s tenure — but outside of Tuli Tuipulotu, who was only with Riley in 2022, USC just hasn’t had any true difference-makers capable of blowing up drives or taking over games on that end.

That’s beginning to change. The 2025 class had one defensive player I believe to be truly special in defensive tackle Jahkeem Stewart, plus a couple others who have flashed some potential, such as defensive back Alex Graham and defensive tackle Floyd Boucard.

The 2026 class could be a different animal, if early reviews are to be believed. Five-star Luke Wafle already looks the part of a dominant defensive end and doesn’t have much standing in his way if he decides to take over this season. Elbert “Rock” Hill should be a starting cornerback in short order, either this season or next, and guys such as linebacker Talanoa Ili and defensive tackles Tomuhini Topui and Jaimeon Winfield look like future starters too.

But are any of those players poised to make a difference this season? They may have to, if USC has any hope of taking a real step forward on that side of the ball.

Otherwise, the Trojans are going to need some other defenders to make the leap in their second or third seasons, guys such as linebacker Desman Stephens or defensive linemen Jide Abasiri and Kameryn Crawford who have the potential but have never delivered on it consistently. They’re also going to need the secondary to stay healthy and top corners Jontez Williams and Chasen Johnson to live up to their billing from the portal.

But while all that might seem like reason to believe USC’s defense won’t be better in 2026, I actually think there are more such reasons than in recent years.

The front is clearly deeper, and if Wafle and Stewart can break through, USC could have two difference-makers along the defensive line for the first time in years. The secondary has two possible shutdown corners for the first time too.

The main cause for concern comes at linebacker, where USC still doesn’t have much in the way of high-level options. But if Stephens and Jadyn Walker can stand up better against the run in their third seasons, which Patterson seems convinced they can do, then those long standing problems could be at least somewhat mitigated this season.

The truth is there’s no real way of knowing how USC’s defense will look when it rolls out later this month. Patterson hasn’t coached since 2021. He has told us on several occasions that his defense will look different, blending concepts from other schools he observed and from USC’s previous defense.

But on paper, at least, the potential is at least there for Patterson to put together the best defense Riley has had as USC’s coach, complete with difference-makers in the defensive front and defensive backfield. Which, when paired with a top-10 offense, could be a pretty powerful thing.

The USC Bloom Football Performance Center.

(Allen Schaben / Los Angeles Times)

It’s extremely … functional. I know that’s not the sexiest answer. But it’s not the sexiest building.

And I mean that as a compliment!

It’s clear how much the design reflects the input of Riley and his staff, as well as others who understand what USC has been dealing with for years at the John McKay Center. Eighty percent of that facility was underground. So it’s notable when you see the natural light pouring in through the atrium from the ground floor or the 30-foot garage doors opening from the weight room to the practice field.

Amenities such as pickleball courts or infrared saunas or sensory deprivation tanks are cool, but I was more impressed by the heavy emphasis put on player recovery. Which was something else that Riley trumpeted in talking with reporters after our tour. The players themselves said that their favorite part so far was the zero-gravity recliners at their lockers.

The most impressive part, to me, is how everything withing Bloom feels so big, even as space had for so long been seen as a major problem on USC’s campus. For years, administrators told me and other reporters that they’d never be able to build a new facility on campus. But Bloom checked in at three floors and 163,000-square feet and at no point does any of it feel cramped.

In fact, there’s extra space in the building. Designed for the program to have room to grow.

“My goal with this building,” Riley said Thursday, “is I hope 50 years from now, when I’m really, really, really old, that whoever is in this thing, it’s still one of the top facilities and still is the home of USC football and still gives this program every possible advantage it could.”

USC’s starting center from 2025 is out for the season. What now?

Fifth-year senior Kilian O’Connor went down with a non-contact injury last Wednesday, ending his season and presumably his tenure with the Trojans. On an emotional level, it’s a tough pill for the team to swallow.

“[He’s] certainly one of the leaders and kind of heartbeats of this program,” Riley said Thursday of the former walk-on.

But from a football standpoint, the offensive line is one of the few places where USC may actually be able to weather a loss such as O’Connor. It’s possible that he might not have started the whole season at center, anyway.

With O’Connor out, Tobias Raymond, who took reps at center in the spring, could shift there full time. That would open up another spot at guard, where the best combination of Alani Noa, Hayden Treter, Breck Kolojay or even Justin Tauanuu could fit in.

There are options. Which is not a luxury USC has at a lot of other positions. It has offensive line coach Zach Hanson to thank for that.

—USC transfer center Eric Reibe is out for the foreseeable future after foot surgery. A Trojan transfer with high expectations got hurt before playing a single game at USC? You don’t say? Once again, USC starts a season stricken with the worst injury luck. It wasn’t clear yet this week how long Reibe will be out, but I expect it’ll be a while. The Trojans have already been in the mix for former Villanova center Duke Brennan, who got an extra, fifth year of eligibility after the NCAA changed its rules, and they could go after others if he goes elsewhere. USC only has one other true center on the roster, freshman Darius Ratliff. And while he — and his brother — are very talented, the ideal trajectory for both would’ve been to bring them along slowly behind more established players.

—Alani Noa was away from the team last bowl season “to deal with some personal stuff” at home. But the Trojans incumbent starting guard said last week that “there was never a question whether I was going to play at USC” and that the staff was totally supportive at the time. Whether Noa is able to return his starting spot at guard may be another story. As noted above, he’ll have a lot of worthy competition.

—Lincoln Riley has offered a quarterback from the 2028 class. Riley doesn’t usually offer more than one, meaning his choice for 2028 is Lone Star (Texas) High dual threat Trey Wright. Wright is 5 foot 11, 180 pounds as a sophomore and already has offers from the likes of Oregon, Oklahoma and Michigan, among several others.

What I’m Watching This Week

Robert Pattinson and Zendaya in a scene from “The Drama.”

(A24)

Robert Pattinson is on a truly epic run this year, and after recommending one of his films last week (“The Odyssey”), I’m bringing us back to the Pattinson well this week with a very, very different movie and very, very different role for the long-ago Twilight vampire.

“The Drama” stars Pattinson and Zendaya as a couple on the verge of getting married, who decide, one night, to confess with their two closest friends the worst thing they’d done in their lives. One of their answers, let’s just say, isn’t received all that well. And what follows is a cringy, funny, tense, propulsive roller coaster that’s definitely worth your time. Especially since it’s now available on HBO Max.

In case you missed it

USC’s Gary Patterson out to prove college football hasn’t passed him by

From napkin sketch to crown jewel: Inside USC’s ‘magical’ football training center

New NCAA eligibility rules should help USC — and its No. 1 freshman class — flourish

USC, Notre Dame rivalry series renewed with key detail Trojans would not compromise

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

EXPLAINER

As the winners of the Champions League and Europa League face off, here is everything to know on the venue, history, quotes from the coaches and more.

The UEFA Super Cup is the annual game between the winners of European football’s top two competitions – the Champions League and the Europa League – and is seen as a curtain-raiser to the new season in Europe.

This year the French champions and Champions League winners Paris Saint-Germain (PSG) will take on English Premier League side Aston Villa, who are Europa League champions.

Here’s everything you need to know about the game.

When is the game being held?

The match kicks off at 19:00 GMT on Wednesday, August 12.

Where is the UEFA Super Cup being played?

Salzburg’s Red Bull Arena in Austria will host the final.

The 30,000-capacity stadium, which is referred to as Stadion Salzburg during UEFA matches, is usually home to Austrian Bundesliga team RB Salzburg.

How did PSG reach the UEFA Super Cup?

Paris Saint-Germain held their nerve in a cagey Champions League ⁠final in May to retain the title by beating ⁠Arsenal 4-3 on penalties as a tense showdown ended 1-1 after extra time, cementing the French side’s status among Europe’s modern greats.

Arsenal defender Gabriel blasted his spot kick over the bar at the Puskas Arena in Budapest, his miss confirming PSG as the first club to retain the trophy since Real Madrid completed their ⁠three-year reign from 2016 to 2018.

How did Aston Villa reach the UEFA Super Cup?

Aston Villa ended their 30-year trophy drought in style as spectacular goals from Youri Tielemans and Emiliano Buendia inspired a 3-0 win over Freiburg in the Europa League final in Istanbul in May.

Unai Emery’s side took the lead late in the first half through Tielemans’ thunderous volley, before Buendia increased Villa’s advantage with a sublime curler seconds from the half-time whistle.

Morgan Rogers’ second-half goal finished off the outclassed Germans, sealing Villa’s first silverware since the 1996 League Cup and their first major European prize for 44 years.

Who is predicted to win the match?

According to Polymarket, PSG are the clear favourites with a 55-percent chance of winning in regulation time, with the likelihood of a draw at full time estimated at 25 percent and an Aston Villa win at 22 percent.

What is the history of the UEFA Super Cup?

It was officially introduced in 1973, with the European Cup/Champions League winners playing the Cup Winners Cup champions.

After the Cup Winners Cup was abolished in 1999, the winners of the UEFA Cup (subsequently rebranded as the Europa League) played the Champions League winners.

Who are the previous winners of the UEFA Super Cup?

Real Madrid are the most successful side in the fixture, having won six Super Cups. Barcelona and AC Milan have won five, while Liverpool have won four.

PSG are the reigning Super Cup holders after they beat Tottenham 4-3 on penalties following a 2-2 draw in last season’s tie.

Last 10 winners:

• 2025 – Paris St-Germain
• 2024 – Real Madrid
• 2023 – Manchester City
• 2022 – Real Madrid
• 2021 – Chelsea
• 2020 – Bayern Munich
• 2019 – Liverpool
• 2018 – Atletico Madrid
• 2017 – Real Madrid
• 2016 – Real Madrid

How to watch the UEFA Super Cup?

In the United Kingdom, the game will be broadcast live on TNT Sports.

In the United States, the game will be shown on CBC Sports.

The full list of global broadcasters can be found here.

What happens if the game ends in a draw?

If the scores are level after regulation time, the match will go straight to a penalty shootout with no extra time to be played.

Who is the referee?

Somali referee Omar Artan, who was controversially denied entry to the US for the FIFA World Cup, will officiate the Super Cup.

PSG vs Aston Villa: Head-to-head

The two clubs have met twice in recent years, both in the 2024-25 Champions League quarterfinals.

PSG won the first leg 3-1 at Parc des Princes on April 9, 2025, while Aston Villa won the second leg 3-2 at home a week later – with PSG progressing 5-4 on aggregate.

What have the coaches said about the Super Cup?

PSG coach Luis Enrique:

“There are no doubts in my mind that it’s [the Super Cup] a really important trophy and Villa will be really competitive. If we look at the Premier League, there are five or maybe six Spanish coaches at the best teams.

“I think that Spanish football is at the top of world football in every regard, be it players, coaches or directors. Our game stands for a fun way of playing football, in that we seek out the ball, having it is our priority, and we adapt through possession to being solid defensively. I think it’s a great moment for Spanish football in a worldwide context and we should be proud of that.”

Aston Villa coach Unai Emery:

“We’re trying to be successful through, firstly, [building] a winning team, and then aiming for the positive consequences after it: winning trophies.

“To play the UEFA Super Cup is another opportunity to be there, the opportunity to win a trophy, to play against Paris Saint-Germain – the [best] team in the world now and another team we can compare [ourselves] with.”

Jessica Williams always goes to bed laughing.

“Everything’s so sad,” the actor explains. “Not taking yourself seriously is the only way, because otherwise I would just be upset, especially as a Black woman in the year 2026. I hate when people are on ‘The Bachelor’ and they’re like, ‘I love laughing,’ but it’s true. I really love it.”

Williams, 37, knows a thing or two about making others laugh. A three-time Emmy nominee for supporting actress in a comedy series for her work on “Shrinking,” she’s made an art of it. On a show about grief and mental health, Williams is often on hand to bring the funny.

Curled up in a chair on the top floor of The Times’ offices in El Segundo, looking down on the runways of LAX boiling in the late July sun, Williams gives runway fierceness against the beige office walls. She is just like the pop of bubblegum pink polish on her toenails as she strikes a pose in a chic all-black linen ensemble — a delightful burst of cheer in a subdued environment, something effervescent amid so much inoffensive sameness. She’s always been that way.

I would know; I’ve known her since we were 12 years old, awkward adolescents in Marcia Barryte’s Dodson Middle School drama class. As we catch up, I remind her of a PG-13 scene she caused in eighth grade science class during an earthquake drill. (To be fair, the drama students were asked to play standardized patients, and she was assigned “hysteria.”) While the class collected our backpacks, she broke into an award-worthy performance, wailing about not wanting to die a virgin.

“No!” she gasps, covering her mouth but unable to hide the mischievous grin that’s broken across her face at the memory. “That’s very inappropriate. I love that.”

Under slightly different circumstances, it’s a storyline that could belong to her “Shrinking” character, Gaby Evans, a therapist who brings her sunny demeanor, audacious sense of humor and enviable stores of energy into every room. That’s partly because so much of who Gaby is has been carefully honed by the writers and Williams to align with the actor’s voice.

“We can write almost anything and Jessica can make it sound like it has stemmed from Gaby,” says series co-creator Bill Lawrence. “She’s in charge of Gaby’s voice — and it’s a tremendous safety net for us as a writing staff.”

Jessica Williams in “Shrinking.”

(Apple TV)

Williams agrees this has been her experience, one she’s grateful for in an industry often dead set on ignoring perspectives like hers. “At the end of the day, white guys are in charge of this business,” she says. “Progress in film and TV requires them to go to bat for us. I feel really lucky to be on a show where Bill pulled me aside and was like, ‘If I’m doing my job right, the first couple episodes, we write these stories, and then, there’s a moment where it switches to being your character and you are the shepherd of her.’ It made it really collaborative and a safe space for me to play.”

Three seasons in, the set has become the world’s best playground. For instance, the writers gave Williams ample runway in a scene where Gaby turns the tables and proposes to her boyfriend, Derek (Damon Wayans Jr.), after discovering an engagement ring in a desk drawer (and getting it stuck on her finger). “Look, if you’re a television writer and you have a proposal scene and you don’t let Jessica Williams run with it, you’re cheating yourself,” quips Lawrence.

That mutual trust doesn’t mean that Gaby and Williams are the same person — just that Williams’ lived experience has shaped who Gaby is. “The point of a scene is we don’t know what it’s going to be,” she says. “We learned our lines. We’re going to show up. The director’s here. They have an idea. We’re going to make this thing together. We’re going to ‘Yes, and?’ until we get the scene up.”

Her ability to take the ball and run with it is what caught Lawrence’s eye in the first place, discovering Williams as a correspondent on “The Daily Show.” “She works very hard at making it seem like it’s off the cuff,” he emphasizes. “She is quick to call the writing staff with questions and is always looking to improve things. That’s not always the truth with everybody. She works her ass off.”

Jessica Williams. (Ryan Pfluger / For The Times)

That work ethic was essential for her Season 3 arc, which found Williams facing some of the toughest acting challenges of her career. Gaby bonds with a new, albeit reluctant, patient, Maya (Sherry Cola), only to be devastated when Maya takes her own life. It’s the heaviest storyline of the season — and a heartbreaking look at the realities of suicide, loss and trauma in the lives of mental health professionals.

One of the show’s consultants had experienced a similar loss, and their insights helped the writing staff find dramatic resonance. For Williams, it was a chance to showcase what she always believed she was capable of. “For women, people of color, queer people, any minorities, we just want the opportunity to show what we can do,” Williams says. “I was rubbing my hands together. Like, ‘F— yeah. Let’s go.’ But I was also really nervous. Sometimes when I get scenes that are a bit more difficult, I wake up and I wonder if I can do it. Every single time it’s proving to myself that I can. It felt like I didn’t get to rest last season in a way that was really nice. Most times I feel like I’m just goofing, but that felt like, ‘Oh, I’m an actor.’”

That’s an inevitable side effect of appearing on a Bill Lawrence show. His blend of humor and pathos demands a high-wire act from his ensembles. “With Bill, you have to have the acting chops to be able to do the drama, but then be able to turn a joke very quickly,” says Christa Miller, who’s been married to Lawrence since 1999 and played major roles on “Scrubs” and “Cougar Town” before “Shrinking,” in which she stars as Liz. “You really have to be able to do it on a dime.”

Lawrence clocked early on that Williams had the chops to hold her own against heavyweights like Harrison Ford. “We knew comedically she would crush it. The only question mark was about who she was as an actress,” says Lawrence. “But she was great from the second she set foot onstage. It would’ve been a massive mistake not to let her showcase that stuff.”

The storyline also pushed Williams to reopen an old wound. In 2019, she lost her longtime boyfriend to a heroin overdose. “He had a therapist who had come recommended from my therapist,” she says. “I don’t remember that time that much because it was so intense and traumatic. I do remember my therapist was helping me work through it, but she was also like, ‘I’d like to check in with his therapist and see how he’s doing.’ That was the first place I went when they told me about that storyline. It was a good opportunity to work through that a little bit.”

Even though her grief was readily accessible, it also churned up emotions that Williams often tries to quiet. “There’s always something when someone dies, whether it’s suicide or an accident, where you feel guilt,” she reflects. “‘What could I have done?’ It was something that I’ve processed and am still processing, and it was easy to transfer that into Season 3. Grief is so ongoing. It’s a wound that I have forever, and I would give anything to not have it. But now I have it, and I live with it. It’s like an old friend.”

Williams describes the days filming those scenes as different for her, harder to shake. Driving home from the set in Burbank, she’d often take side streets back to her house in Eagle Rock, getting lost in music and her environment. “It felt like trying to shed it,” she explains. “I really felt it. But so many people responded to it in a way that was what I wanted. It’s such an intimate thing, this job, and to be able to portray something [that resonates], that’s the whole point.”

One emotion the work generated that she wasn’t expecting? Embarrassment. “I’m usually not embarrassed doing comedy,” she says. “I’m like, ‘There’s no rules. We can try anything.’ It doesn’t feel as vulnerable, whereas acting, there’s something fundamentally so indulgent about it.”

It’s a surprising admission; though I haven’t spent substantial time with Williams in years, she always seemed fearless to me. Willing to do whatever it took to get a laugh. It’s why our drama teacher invented an entirely new role for her in our spring musical, to showcase her generational comedic talent.

Williams agrees she was a cutup in class, but she never got the chance to do any capital-A acting in middle school. “I would get a part, and then I wouldn’t be able to do it,” she recounts. “Mrs. Barryte would have to call my parents and be like, ‘She did not do her homework. She has bad grades. She can’t do the play.’ I let people down. I remember feeling really sad about it.

“That taught me I’m a part of a team,” she reflects. “I have to be professional. I have to be ready. But I’m glad I don’t have to do my math homework to be able to perform. Public school’s tough — you had to be an awkward Black girl and get good grades to do the musical.”

That all changed when Williams found improv, joining the ComedySportz team at Harbor City’s Narbonne High (she continued on the college team while she was a student at Cal State Long Beach). “I cared about improv so much that I wasn’t not going to do my homework,” she says. “It just affected my life profoundly. I’m getting misty thinking about these programs that are underfunded, that s— really matters.”

Williams has also found reassurance in the response to her character. “She makes me more confident,” she admits. “Just seeing the response to Gaby. A lot of that is amazing writing, directing and an amazing crew, but it’s also my instincts.”

“The first time I was like, ‘Whoa, what the f—?’” she says of her three Emmy nominations for the role. “Second time, it was like, ‘OK, it wasn’t a fluke.’ And then the third time you’re like, ‘Oh s—!’ All the actresses that I admire are in this category, so I’m honored. But these are my peers too. So it’s like, ‘Oh, they see me.’ Gaby means something to people, it feels like — and that’s really nice. It encourages me to keep going.”

As for what that future will hold, besides at least one more season of “Shrinking,” Williams is hungry to do a play on Broadway, having not done theater since high school. Somewhere in there she’d like to capitalize on her tendency to play erudite characters and embody a detective in a thriller (preferably a paranormal one like her childhood faves “So Weird” and “The X-Files”).

Mostly, though, she just wants to keep doing what she’s been striving for since we were kids — “I want, when you watch me, for you to feel like you’ve seen something magic happen.”

Well, abracadabra.

As an aspiring young quarterback at Muleshoe High in the early 2000s, Lincoln Riley attended a football camp at Texas Christian University, run by a coach known even then as a mastermind of defense, a man whose ideas and 4-2-5 scheme would one day be disseminated across college football.

Gary Patterson had just been elevated from defensive coordinator to head coach at TCU, a job he would occupy for the next two decades. Around the same time, his staff saw something in Riley. They talked briefly about giving him a shot at safety on Patterson’s vaunted TCU defense.

“Needless to say,” Riley told The Oklahoman in 2018, “it didn’t turn out.”

But a quarter-century after first crossing paths at that camp, it’s now the young quarterback giving the old ball coach a chance to prove himself.

When USC announced it was hiring Patterson as Riley’s defensive coordinator in January, ears perked up across college football. On one hand, Patterson, 66, is a freshly minted College Football Hall of Famer and one of the great defensive minds of the modern era. On the other hand, he hasn’t led a college football team since 2021, when he was forced out at TCU, and a lot has changed in the sport since. Not to mention it’s been more than 25 years since Patterson last served as a coordinator.

Those were fair concerns, considering all that’s riding on Riley getting it right with Patterson, his third defensive coordinator in five seasons. But after seven months with him on the job, you won’t find anyone at USC — players, coaches or administrators alike — with an ounce of distress over Patterson’s stamina.

“I think I would have had more reservations had I not known him,” Riley said. “But that fire still burns very, very hot.”

That much was obvious in the spring when Patterson jumped into the middle of a tackling circuit to teach proper technique, and ended up running through the whole drill. He even delivered a blow at the end.

“He knocked the guy back,” said safeties coach Paul Gonzales, who coached with Patterson for a decade at TCU. “For a 60-year old guy, he still got some pop.”

USC defensive coordinator Gary Patterson watches practice in March.

(Robert Gauthier / Los Angeles Times)

Riley is betting big on that translating to the Trojans’ defense this fall. Over his four seasons as USC’s coach, there’s no mistaking what’s held Riley back from reaching the same heights at USC as he had at Oklahoma. The Trojans finished 124th, 104th, 87th and 65th in yards allowed per play during those years.

At TCU, Patterson’s defenses finished No. 1 in yards allowed five times during a 10-year stretch. Yet in the second half of his tenure at TCU, there was a noticeable decline, as his defenses finished in the top 25 of that same category just twice.

It was during that time that Riley’s offense went toe-to-toe with Patterson’s defense on numerous occasions. Riley, who was in his first head coaching job at Oklahoma, got the better of Patterson in each of their four meetings, piling up at least 498 total yards each time out.

“There was never anyone who was more of a pain to gameplan for or try to move the ball against than this guy,” Riley said.

During his five years away from coaching, Patterson said he actually spent more time studying the game than he had at TCU, where he was often consumed with other responsibilities. After consulting briefly at Texas and Baylor, Patterson took a job with an Amazon college football show, he says, primarily for the subscription service that came with it. Every Sunday morning, he’d watch whatever college game he wanted, just to stay fresh.

When he did return to coaching, Patterson didn’t just want to install the same scheme he used at TCU. So he closely studied Ohio State and Indiana’s defenses, which gave up a combined 32 touchdowns last season — seven fewer than USC’s defense (39). He took cues on how both clamped down better than anyone else in the red zone, where they each allowed opponents to convert touchdowns just 37% of the time.

“All I did was do football,” Patterson said. “I mean, it’s like getting married. I mean, it’s like I got nothing else. I wasn’t doing anything else.”

Those habits haven’t changed at USC. When other assistants took time for vacation this summer, Patterson stayed in the facility. He wanted to hone in on how to install his defense for a second time this fall. So he came in every day before 7 a.m., in a mostly empty office — just to beat the traffic.

“You want to change things, it’s a full-time job,” Patterson said. “It’s not one of those things that you do 70 or 80% of your time.”

It also gave him time to get to know his new players, each of whom have been summarily stunned by their veteran coach’s vitality.

“I don’t know how old he is, but he‘s out there like he’s 30,” linebacker Desman Stephens said. “He‘s still being active with us. He’s showing us drills. Like, if he want it done right, he gonna show you the exact way how to do it.”

So far, at USC, Patterson has had his hands on just about every detail of the defense. Which is precisely what Riley envisioned after watching him coach at TCU — and why he wasn’t worried about the game passing Patterson by.

“He was such a hands-on head coach,” Riley said. “He wasn’t a head coach just kind of doing a practice schedule, doing the speech, getting out early. He didn’t just straight CEO this thing, right? He was still calling defense, still game planning. He was very involved in every aspect of that program through all those years.”

USC defensive coordinator Gary Patterson fist bumps linebacker Desman Stephens during practice on Aug. 5.

(Eric Thayer / Los Angeles Times)

He won’t have to do that at USC. And Patterson seems perfectly fine with that.

But while others still wonder if he can make a successful return to college football, with a scheme that hasn’t been tested since 2021, Patterson is pretty confident his decades of experience count for something, too.

“It’s an advantage for me compared to somebody that’s 30 years old and doesn’t have kids, never been married, doesn’t know what it’s like to grow somebody up and raise a family and do things,” Patterson said.

“This is, I think, my 45th season. … “There’s not a lot of guys in this profession of the age where you can go back to all the things that I’ve learned through all the years.”

Scott Lay, an attorney by training, a fierce advocate for community colleges and the author of a must-read newsletter in the state Capitol, has died at 48.

His death prompted an outpouring of grief in Sacramento, from those who knew Lay as a lobbyist to subscribers of the Nooner, Lay’s daily email roundup of political news, legislative activity, job openings and policy, all laced with insider gossip and observations.

“He was so committed to his community, whether that was his neighborhood, whether that was the community college world, whether it was a political party,” said Lisa Ortega, Lay’s sister. “He was always trying to build bridges and make the world better.”

Lay’s final newsletter was sent on Sept. 8; he was found dead at his Sacramento home on Sept. 13. The coroner has not determined a cause of death.

Born in Portland, Ore., Lay grew up in Placentia. His family frequently talked politics at the dinner table, and the extended family had lively political debates at gatherings.

Lay had severe asthma as a child, which led to frequent hospitalizations at the Children’s Hospital of Orange County. His health issues prevented him from graduating from high school, but Lay earned his GED at 17 and enrolled at Orange Coast College in Costa Mesa.

That’s where in 1991 Lay met Paul Mitchell, now a Democratic redistricting expert. They were in a speech class together; Lay would sometimes show up in scrubs after volunteer shifts at the children’s hospital. They cofounded a College Democrats chapter and served in student government and on the California Student Assn. of Community Colleges together.

“Getting into student government and getting into politics gave him a mission outside of himself,” Mitchell said, noting that when they first met, Lay volunteered escorting women into abortion clinics in the face of protesters. “Having that drive made him able to overcome a lot of his earlier health problems because he just had this focus and mission.”

Lay would go onto get a law degree from UC Davis, but his experience at Orange Coast was pivotal. He started working for the Community College League of California in 1995 and became its president and CEO in 2006.

“He was really passionate about the system and the access community colleges provided,” Mitchell said. “He saw in the system his story — a kid who doesn’t graduate high school growing up to become a CEO.”

Lay started working in Sacramento at a time of great turnover in the state Capitol because of term limits. Lay was among the new young lobbyists when he met Anthony York, then a cub reporter who now works in political communications, mostly for the California Medical Assn.

York and Lay became friends, and in 2004 the pair cofounded a daily email newsletter about politics called the Roundup, a precursor of the Nooner.

“Stuff like this was popping up in Washington. There was nothing like that in Sacramento,” York said. “Scott had the technical ability to make this stuff happen. He hand-coded it.”

(Lay also used his tech skills to create a legislative tracking and a campaign contribution database.)

The other blogs and emails at the time were largely simple aggregators of news stories; the Roundup and later the Nooner had personality, gossip, observations and quips. It was Politico before Politico. That’s why Lay’s loss was being mourned by many, said York, who worked for the Los Angeles Times from 2010 to 2014.

“Through his email, he had a very specific voice and type of coverage you normally don’t get. I think it really bred a familiarity with this kind of niche audience,” York said. “It’s written about insidery stuff for insidery types with a very personal tone and touch. I think it’s reflected in the reaction to the news of his death. You can sense a real void without that voice.”

Lay’s relationships crossed party lines. Another of his close friends going back to his college days is GOP strategist Mike Madrid, who was at Moorpark College at the time Lay was at Orange Coast.

“The band of us met and we differed a lot on policies, but we fell in love like brothers, and just kind of came up through the system together,” Madrid said.

Lay put on a sunny face on social media, posting about his latest haul from the farmers market and his trips to his favorite taco stand. But he also acknowledged struggles with alcoholism, and was in failing health in recent years.

His friends say that while he was publicly forging relations with so many people through his newsletter and on social media, he began isolating himself from his personal relationships.

“He was the first of our generation to go, and to go that way, and to have him slip through our fingers is just heartbreaking,” Madrid said. “He was extremely talented, not just on policy, not just on politics, but on both. And he loved being part of the Capitol community.”

In addition to Ortega, Lay is survived by his father, Roy Lay, and his mother, Linda James.

Lay and Mehta both served on the board of directors for the nonprofit Open California.

ROD Stewart has become a grandfather for the sixth time as his daughter Ruby has welcomed her second child with fiance Jake Kalick.

She took to Instagram to share the special news alongside a series of pictures of her newborn son.

Ruby posted adorable pictures of her older son Otis meeting his sibling for the very first time.

She captioned it: “We welcomed our little (big) Levi Rhodes Kalick at 6:58pm on 8/4/26 at 9lbs 20inches….

“His name Levi means My Heart and his arrival has grown our hearts to 10 times the size… seeing Otis and Levi meet for the first time might have been the greatest experience of my life so far…

“Otis is already the best big brother and we are already so in love with this sweet boy… Welcome sweet Levi!”

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In one snap, Ruby’s mum Kelly Emberg could be seen smiling as she held her newborn grandson along with Levi’s paternal grandmother.

Rod has eight children in total with five different women.

He shares daughter Sarah with ex Susannah Boffey, who he dated for one year back in the 60s.

The pair put her up for adoption and she was raised by her adoptive parents.

She reconnected with Rod later in life and works in the health and care sector.

He’s also dad to Kimberly and Sean, from his marriage to Alana Collins, from 1979 to 1984.

He and ex-girlfriend Kelly Emberg are parents to daughter Ruby while his second wife Rachel Hunter and he share daughter Renee and son Liam.

Finally, Rod is a father to his two sons Alastair and Aiden, from his third and current marriage to Loose Women star Penny Lancaster.

He and Penny, 55, met back in 1999 at The Dorchester Hotel in London when a friend dared her to go up to him and ask for an autograph.

They dated for several years before tying the knot in a lavish ceremony in Italy in 2007.

Aside from Ruby’s sons Otis and Levi, the singer is also a granddad to Delilah, Louie, Elsie and another one of his daughter Kimberly’s children, whose name she hasn’t disclosed publicly.

Despite some of his eight children having different mothers, he has successfully cultivated a large, blended family.

He has a good relationship with his former girlfriends and ex-wives, with the huge clan often posing together at family celebrations.

Gillian Anderson was once a young person experimenting.

“I don’t even know if I was questioning my sexuality but there were a couple of moments during my teen years where I was with women,” Anderson tells me candidly on a recent afternoon at a Beverly Hills hotel. “I haven’t really spoken about that very much.”

Though she won’t go into details about those early interactions, she remembers the isolation that plagued her. “In interviews, I’ve alluded to a relationship that I had later in my post-college life, but not about that particular time and how not even confused, but just alone I felt and how different I felt to the rest of the kids in my high school,” she adds.

For some time now, the once and forever “X-Files” star has leaned into episodic television (Netflix, she says, has become a great partner). She earned her second Emmy in 2021 for her blistering turn as polarizing British Prime Minister Margaret Thatcher in “The Crown.” Yet a major shade of her public persona has become her activism around sex positivity, encouraging women to open up about their needs and wants, both in the bedroom and as individuals in every aspect of their lives.

“It seems to still be an important topic for women to hear other women speak about,” she says. “I have come to love talking about it in the context of women’s empowerment, finding ways to embrace their own integral agency.”

Clad in a sleeveless bright green dress, Anderson, 57, radiates an ageless grace, undeniably sophisticated yet unpretentious in her demeanor. Her hair in a braid evokes the look of a figure from ancient Rome. When speaking in her unmistakable throaty voice, her expressive body language (hand movements often complement her sentences) reveals her assertiveness. That confidence makes it difficult to imagine she ever was a fragile teen.

Hannah Einbinder and Gillian Anderson in the movie “Teenage Sex and Death at Camp Miasma.”

(Mubi)

In Anderson’s latest movie, the horror-tinged, dreamlike “Teenage Sex and Death at Camp Miasma” (in theaters Friday), Anderson plays Billy Presley, a reclusive former scream queen who was one of those “final girls” from a popular 1980s slasher horror franchise in which the killer was aptly called Little Death (a nickname for an orgasm, derived from a French phrase). Now Billy spends her days alone living in the woodsy location where her breakout movie was filmed long ago.

That is until auspicious indie filmmaker Kris (“Hacks” star Hannah Einbinder) comes to visit Billy with the intention of persuading her to act in a reboot. The two develop a friendship that empowers Kris to dive into her unspoken sexual yearnings — desires drenched in fear, violence and curiosity — with Billy as her mentor and, eventually, patient lover.

On top of her ability with accents (she does a Southern one here), Anderson physically commands the screen from the moment she makes an entrance worthy of a timeless diva. Her regal aura contrasts with the grotesque sensuality of a scene where fried chicken and dipping sauces take on an almost pornographic lure. Her Billy, a woman who can fluctuate between a loud cackle and an introspective speech about the lust-inducing “flesh and fluids” of horror movies, feels equal parts otherworldly and tethered to earthly urges.

“I knew on a deep level that I wanted to be a part of it, but it’s only in retrospect that I completely understand why it was so meaningful to me,” Anderson says. “It feels like such a salve for so many.”

“She put everyone at ease during those moments in a really beautiful way,” says director Jane Schoenbrun of Anderson’s work with Einbinder on their most daring scenes. “She is so physically tapped into her own abilities.”

(Mubi)

Einbinder, with whom Anderson shares scenes of blood-soaked eroticism, describes the veteran star as meticulous and diligent while also having a “lot of access to spontaneity.”

“I was a fan of her from, of course, ‘The X Files’ and a lot of her other work, so she just held this significance to me as an artist,” Einbinder tells me over the phone, “but meeting her, my expectations were surpassed because she’s really cool.”

“I didn’t want Billy to come across as a predator,” Anderson says. “I didn’t want her to be creepy or too maternal and so there were moments where she shows care, and it was a really fine line of how to play those beats. Even our first kiss and our sex scenes were very specific so that it didn’t feel not OK to be witnessing or representing.”

To Jane Schoenbrun, the movie’s writer and director, Anderson has the “elegance of old Hollywood, a classic mystique.” The filmmaker describes meeting her as a “strange coming home feeling,” since her “X-Files” character Scully held a special place in Schoenbrun’s formative years. “I spent as much time with her as I did with my siblings,” they add.

Schoenbrun credits Anderson as a “calming and nurturing presence” during the sex scenes between her and Einbinder — the first sex scenes the filmmaker had ever directed.

“Gillian had such an elegant, serious, professional but also caring perspective on how to talk about it and how to guide through it in a way that felt like it was going to be very present and alive on screen,” Schoenbrun recalls. “She put everyone at ease during those moments in a really beautiful way. She is so physically tapped into her own abilities.”

Anderson, seated with director Schoenbrun on the set of “Teenage Sex and Death at Camp Miasma.”

(David Astorga / Mubi)

Anderson found her way into playing Billy through the character’s distinct accent. Having played the tragically romantic Blanche DuBois from “A Streetcar Named Desire” on stage in the past, she aimed for a different version of Southern. “What I liked about it was this particular pitch that holds strength and vulnerability in it, which I think is very much where Billy lives at all times, from minute to minute,” she says.

Other recent TV roles have steered Anderson in the direction of an unabashedly queer storyteller like Schoenbrun. Jean Milburn, Anderson’s humorously matter-of-fact sex therapist from the series “Sex Education,” represented a watershed beginning in 2019.

It was because of the success of that show that she was approached to write “Want,” a 2024 book that collected the sexual fantasies of anonymous women (a follow-up, “More,” is out in September from Abrams Press).

“Sex Education” also inspired Anderson to launch her own brand of soft drinks cheekily called G Spot (they are caffeine-free and infused with vitamins and minerals). Some retailers, she says, have refused to use the drink’s name. “We’ve had so much pushback on the name and I refuse to be cowed, to be shut down, to be told that it’s a dirty word or that it shouldn’t be in public spaces,” she says.

“The strange thing is I don’t identify with Scully in the same way I do with other characters that I played for much less time,” Anderson says. “Part of that is because of how square she was. I have such an intrinsically rebellious nature.”

(Ian Spanier / For The Times)

For Anderson, humor is an important component of the conversations she wants people to have about sex and sexuality. During her time on “Sex Education,” she started posting pictures on Instagram of props on set that resembled both male and female genitalia. Some of her posts kept getting blocked.

“There were all these amazing things, from chess pieces that were phallic to a soap holder that was a yoni,” she says, smiling. “We started to call them ‘penis or yoni of the day.’ Then fans started posting back to me pictures of penises or yonis of the day they would see in nature.”

Anderson doesn’t quite understand the swath of Gen Zers who deride sex in movies and is, in general, uncomfortable with the subject of physical connection.

“For my younger kids, who are late-teens, the thought of picking up a phone to [call] somebody that they’re interested in feels so intimate,” Anderson says. “If a phone call is intimate and your conversations on a regular basis are snapshots of your face making funny images, then the idea of going into deep intimacy must be absolutely terrifying.”

She’s hopeful that young people might start to turn toward in-person activities to bond. But while the subjects of pleasure and open-mindedness captivate her, on screen Anderson is not letting the industry pigeonhole her.

Anderson’s recent output includes playing a shadowy operative with icy conviction in the thriller “Animals” opposite Ben Affleck, and a Nazi guard in the limited series “The Boys From Brazil,” both coming to Netflix in the near future. And in last year’s “Trespasses,” another TV show, she became a Northern Irish alcoholic mother. “I wouldn’t have guessed that at my age I would be having so many different and varied opportunities,” Anderson says.

In the aftermath of her time on “The X Files,” Anderson moved to London, both because she longed for the city where she partially grew up and for a chance at reinventing herself professionally.

“I’d never had my own publicist before that,” she says. “Had I had one, they probably would’ve tried to convince me that moving to London was the worst thing I could do for my career.”

For a long time, Anderson’s relationship with Dana Scully was complicated. “I felt like everything that I did was in an effort to get away from Scully,” Anderson admits. “Then when people would bring it up or I would do a 45-minute interview and they would ask one question about ‘The X-Files,’ they would use my refusing to talk about it as an excuse to make it the headline.”

It made it challenging for her to be considered for film roles and even for TV projects of a different vein.

“Now you have A-list actors, the Nicole Kidmans, moving between TV and film,” she says, “but back during ‘The X-Files,’ if you were on telly, it was the B, if not C version of what an actor’s life could be.”

In England, though, the likes of Judi Dench, Maggie Smith or Glenda Jackson had always navigated effortlessly between the big and small screen and the stage. “That’s the life that I wanted,” Anderson adds. “The minute I moved there, the quality of the stuff and also the range of characters that I was being offered was so different from what I’d been doing for almost 10 years as Scully.”

“The House of Mirth,” Terence Davies’ 2000 period drama based on the satirical 1905 novel by Edith Wharton, represented a breakthrough. “At the very beginning, I remember I was so surprised that there were other people who thought that I might be able to do something else other than Scully.” (When I tell her how extraordinary she is in “Mirth” as a socialite caught between stability and something more passionate, Anderson replies with a bashful, whispered “Thank you.”)

And while she can now think of “The X Files” as the “blessing” that it signified in her career, Anderson is clear that she has more often seen herself reflected in other women she’s inhabited, such as Blanche or Stella Gibson, the detective she played in the series “The Fall” starting in 2013.

“The strange thing is I don’t identify with Scully in the same way I do with other characters that I played for much less time,” Anderson confesses. “Part of that is because of how square she was. I have such an intrinsically rebellious nature. I can, obviously, play square, but I think because of that, she didn’t necessarily get her hooks inside me in the way that some of these other characters that really push against the establishment did.”

Anderson is not entirely opposed to appearing on Ryan Coogler’s just-announced “X-Files” reboot, but she is far more excited about several sci-fi projects she is currently developing (one of them she describes as “huge” in scale). They will bring her back to similar territory, but this time on her own terms.

“It’s the first time that I’m properly going into the genre and embracing it and instigating that work,” Anderson says. “I’m very excited about those but no doubt when it comes time to do press around them, there’s going to be a lot of ‘X Files’ talk, inevitably.”

She’ll be ready for it. At once pragmatic and playful, Anderson seems to be taking on the world these days like someone who’s unraveled a deeper mystery.

Rodrick Pleasant grew up with built-in role models.

His two older brothers were both Division I athletes with Dominic Davis playing football and running track at USC and Diab Davis running track at California.

For a dual-sport athlete with big dreams like Pleasant, having mentors in his two brothers to lean on and gain advice from was everything he ever needed.

But once the four-star Gardena Serra product made it to Oregon for his first year of college football, he struggled to adapt and get situated in Eugene, Ore., — he needed another older brother.

Defensive back Rodrick Pleasant signals downfield during a UCLA football preseason practice.

(Isabella Serafini/UCLA Athletics)

And it was former Oregon and Chargers cornerback Nikko Reed who stepped up to the plate and guided Pleasant through his first two years of Power Four football.

Reed’s impact on Pleasant was so profound that the UCLA cornerback promised himself that he would be the Reed to other younger players.

And now it is the senior’s time to pay it forward.

“That’s what I’ve taken pride in in the spring, being a leader, being a guy that can talk too, being the guy that I needed when I was a young kid,” Pleasant said on the second day of UCLA preseason camp. “I’ve had great leaders for me when I was at another place, and that’s what I’ve been trying to work on and be there for the guys because I know I’ve dealt with stuff that they’re going through, so that’s what’s been the biggest thing for me.”

Pleasant got his first taste of leadership throughout spring practices. He was recovering from a shoulder injury suffered at the tail end of the 2025 season and had to sit out of team and contact drills.

On the sideline, Pleasant had to learn to impact the game and the players around him without stepping onto the field.

The 2025 All-Big Ten honorable mention honoree quickly found out that by coaching others, he could also help himself.

“Being out there and being able to coach the guys and help the guys. If you can coach it, you can play it,” Pleasant said. “It wasn’t a frustration. I believe in the staff. I believe in what we’re doing here and they had me limited … for a certain reason. I trust the process.”

Pleasant’s belief in the process stemmed from his confidence in the culture head coach Bob Chesney is creating.

The Gardena native could have entered the transfer portal after head coach DeShaun Foster was fired three games into the 2025 season. And he had another chance after the season ended with his position coach Demetrice Martin left for Arizona State.

But the Bruins new coaching staff left a lasting impression on Pleasant.

“It’s a family-oriented place. You see, their families running around here, their kids. They’re people at the end of the day, and being around them is special,” Pleasant said. “So knowing that they treat their families like that, and have their families around us, I appreciate it.”

And no one left a stronger imprint then Chesney, who Pleasant said has been the same guy ever since their meeting.

Despite five new cornerbacks joining the team through the transfer portal and 2026 recruiting class, the comfort induced by the family-oriented coaching staff has allowed Pleasant’s leadership to flourish, supporting one of the deepest position groups on the team.

“We’ve been jelling. . We’ve been practicing for a very long time together and the chemistry is there,” Pleasant said. “It’s exciting. A lot of dudes are on the same page together, so that’s what I’m really excited about.”

Pleasant is determined to be a leader among the defensive back group and in the locker room, being the person Reed was to him.

And one of the first players he took under his wing was sophomore cornerback Osiris Gilbert, a UConn transfer.

“That’s my guy. He’s a young guy. He’s going to be special,” Pleasant said of Gilbert. “He has talent. He’s a competitor, and I’m excited about this season for him. He has a lot to give out to us, and he’s going to bring a lot out of us.”

Rodrick Pleasant, center, of Gardena Serra wins the 100 meters state championship in 10.20 seconds in 2023. Jaelon Barbarin, left, of Simi Valley finished sixth and Anthony Flowers of South Torrance was fourth.

(Nick Koza)

While Pleasant’s leadership is centered around UCLA football, it does not end there.

The defensive back and former 100-meter sprinter who broke the California state record in the 100-meter dash with a time of 10.14 at the CIF Southern Section Masters Meet in 2023 is also supporting the Los Angeles Jets Track Club.

“I went to the [USA Track and Field] Junior Olympics this past weekend and it’s just great seeing the young kids,” Pleasant said. “I’m a Jet at heart, and being out there and watching them run, it brings back memories. I’ve done it and the youth is a special place. Being somebody that they can see has done it before is like no other. So that’s why I wanted to get back. I like to be there because I know I needed somebody.”

Don Nelson, the second-winningest coach in NBA history who won five championships as a player with the Boston Celtics, died Sunday. He was 86.

Nelson’s death was announced by the Golden State Warriors, one of the teams he coached. They did not release details.

Nelson is one of two coaches in NBA history to have at least 250 wins with three different franchises — Milwaukee, Dallas and Golden State — also serving as general manager for all three franchises. He was a three-time coach of the year and made the playoffs 18 times in 31 seasons. He went to the conference finals three times with the Bucks and once with the Mavericks, never winning a title.

Nelson introduced what is now known as the point forward, and his up-tempo style of offense created a buzz. He said the idea of shifting from the dominant big men of the 1970s to an offense focused on speed and the fast break came from his playing days under Hall of Fame Celtics coach Red Auerbach.

The Celtics’ Don Nelson drives to the basket under pressure from Milwaukee’s Cornell Warner on May 12, 1974, in Milwaukee.

(Associated Press)

“The league really hadn’t seen an offense like the one we were running, and the results were undeniable,” Nelson wrote in 2016 in the Players’ Tribune.

Nelson said that “without Red Auerbach teaching me the mechanics of running the fast break, none of it would have been possible. He deserves all the credit for Nellie Ball, and for how fast the game of basketball is played today.”

Nelson played 11 of his 14 seasons in Boston and was on five Celtics championship teams under four different coaches. He became an assistant coach in Milwaukee after retiring as a player, then took over after coach Larry Costello resigned 18 games into the 1976-77 season. Nelson coached the Bucks for 11 seasons starting in 1976 and won seven straight division titles.

In Nelson’s second season, Milwaukee overcame a 29-point fourth quarter deficit to beat Atlanta 117-115 in regulation.

“I coached the team as though I was still playing for the Celtics, while implementing a few of my own strategies,” Nelson wrote. “I knew I wanted to play unconventional basketball and use speed to my advantage.”

His fast-paced offenses were probably best on display with Golden State in the “Run TMC” era featuring future Hall of Famers Tim Hardaway, Mitch Richmond and Chris Mullin. Nelson said he wanted them on the court at the same time.

Nelson spent 11 seasons over two stints with Golden State. The first one was punctuated by a rift with rookie star Chris Webber, who was traded away a month into his second season. Nelson, demoralized by the trade, missed nine games that season because of illness and resigned under pressure three months later in February 1995.

In between, Nelson was fired after less than one season in New York in 1995-96, then coached in Dallas for eight seasons, missing 21 games with the Mavericks starting in December 2000 to recuperate from prostate cancer surgery.

Nelson’s son, Donnie, joined his father as an assistant coach with the Mavericks in 1998, later became general manager and remained with the organization until 2021. Together they persuaded 20-year-old German star Dirk Nowitzki to pass up European basketball and join the Mavericks. Don Nelson also developed Steve Nash into one of the NBA’s top point guards before Nash went on to win back-to-back MVPs with the Phoenix Suns in 2005 and 2006.

Golden State Warriors coach Don Nelson celebrates with his team after breaking the record for NBA career coaching victories with a victory over the Minnesota Timberwolves on April 7, 2010, in Minneapolis. It was Nelson’s 1,333rd win.

(Paul Battaglia / Associated Press)

“Don Nelson was a true innovator whose influence on the game of basketball is still felt today,” current Warriors coach Steve Kerr said. “He consistently challenged conventional thinking, experimented with different lineups and styles of play and saw possibilities in the game that others often did not. So much of what is now commonplace in the modern NBA can be traced back to the way Nellie approached the game.”

At Golden State, Nelson’s “We Believe” Warriors led by Baron Davis upset Nowitzki and the top-seeded Mavericks in the first round of the 2007 playoffs in one of the biggest shockers in NBA history. In his final season as a coach, Nelson mentored rookie Stephen Curry in 2009-10.

“One of the big reasons I was drafted by the Warriors was because of Don Nelson. The story is he never liked rookies, but from Day 1 he challenged me and gave me an opportunity to be my best self on the court,” Curry said in a statement released by the Warriors. “He taught me a lot during our one season together and I’ll never forget the night he became the winningest coach in NBA history in Minnesota. We were so happy for him. He had an immeasurable impact on the sport and will go down as one of the greatest minds in the history of the game.”

Davis added: “When I think of Nellie, I’ll always think of the ‘We Believe’ team and our incredible run in 2007. He understood what made us go and made us believe we could beat anybody, ultimately helping us make history as the first No. 8 seed to defeat a No. 1 seed in a seven-game series. That time in my life and career was truly special, and Nellie was a huge part of making it possible.”

Don Nelson laughs while receiving the Chuck Daly Lifetime Achievement Award during a news conference on June 8, 2025, in Oklahoma City.

(Kyle Phillips / Associated Press)

Nelson retired as the NBA’s career coaching wins leader with 1,335, just ahead of Lenny Wilkens’ 1,332. Nelson kept that top spot for nearly 12 years before close friend and now-retired San Antonio coach Gregg Popovich passed him in March 2022.

Nelson was inducted into the Naismith Memorial Basketball Hall of Fame in 2012. In 2025 he received the Chuck Daly Lifetime Achievement Award, presented by the National Basketball Coaches Assn. Miffed that the Mavericks sent Luka Doncic to the Lakers in a blockbuster trade, Nelson wore a pair of Doncic’s signature Jordan Brand sneakers to the awards ceremony. He called the trade a “tremendous mistake.”

Born in Muskegon, Mich., Nelson attended high school in Rock Island, Ill., and averaged a double-double in college at Iowa. He spent his retirement years living on the Hawaiian island of Maui and owned several short-term rentals on the island.

NICE, France — Dutch rider Demi Vollering won the Women’s Tour de France for the second time and in style by winning Sunday’s ninth and final stage to extend her overall margin of victory.

The 2023 champion raised her bike in the air moments after crossing the finish line in Nice comfortably ahead of Polish rider Katarzyna Niewiadoma-Phinney, the 2024 champion. Niewiadoma-Phinney started Sunday’s stage eight seconds behind Vollering, who got a time bonus for winning the stage.

Knowing that she was well clear of her rival, Vollering began to celebrate as the line approached, raising her arm in triumph and then tapping her head with her finger to show her mental strength.

She finished the stage 1 minute, 4 seconds ahead of Spaniard Paula Blasi Cairol and Niewiadoma-Phinney and, after collecting the time bonus, ended up 1:18 clear of Niewiadoma-Phinney overall.

Former Giro d’Italia champion Elisa Longo Borghini of Italy was third overall in the Tour — 4:29 behind — after Marlen Reusser lost valuable time after crashing going downhill after the second of the day’s four climbs.

Niewiadoma-Phinney had it all to do on the final climb, especially with her rival sitting on her wheel, and was unable to pressure Vollering.

Vollering attacked about 800 meters from the top and dropped Niewiadoma-Phinney — as she did when winning Saturday’s eighth stage to take the overall lead from her rival.

Two years ago, Vollering missed out on Tour victory after finishing an agonizing four seconds behind Niewiadoma-Phinney on the last stage.

She made full amends this time.

The 29-year-old Vollering has now won five Grand Tours, including two Spanish Vuelta titles and the Giro d’Italia secured in June to join countrywoman Annemiek van Vleuten as the only other female cyclist to have won all three Grand Tours.

Four climbs

Each of the first three climbs on Sunday was 7.7 kilometers long with a 5.9% average gradient. But the final ascent branched off onto a slightly different route which, even though it was shorter at 6 kilometers, had a steeper average gradient of 7.6% with one portion stretching to a grueling 12%.

It made little difference.

After winning Friday’s seventh stage with an impressive solo attack of her own up the iconic Mont Ventoux, Niewiadoma-Phinney seemed short of energy and Vollering’s lead was never under threat.

FLORENCE, S.C. — Few people have anything bad to say about Darline Graham, who was catapulted from obscurity last month when she was appointed to replace her late brother Lindsey Graham in the U.S. Senate.

“I think Darline’s wonderful,” said Kathy Bustos of Mount Pleasant after attending a Republican forum recently.

But that doesn’t mean Bustos wants to vote for her in the state’s special primary Tuesday.

“I think it’s a very nice gesture for her to have the rest of his term to complete, but I’m not sure that she’s really qualified or ready to be elected to the Senate,” she said.

It’s a common sentiment among Republican voters pondering an unexpected decision about replacing Lindsey Graham, who was nominated for a fifth term before he died last month from a tear in his aorta. Darline Graham was often by his side throughout his career, but she remains largely unknown in South Carolina’s clubby political circles.

President Trump has endorsed her, and she’s backed by the National Republican Senatorial Committee, which is running television advertising to support her candidacy.

However, Graham has been largely absent from the campaign trail, spending most of her time in Washington as an interim senator. Her appointment to the role, instead of giving her a leg up over the competition, may ultimately hold her back by preventing her from getting to know voters during a weeks-long sprint to Tuesday.

A crowded field

She is up against several well-known Republicans, including Reps. Russell Fry and Ralph Norman, as well as former Gov. Mark Sanford. The crowded field makes a runoff more likely, and it would be held Aug. 25.

All of them spoke at a Friday meeting of the Fourth District Republican Club in Greenville, but Graham sent a video message, saying she was “in Washington working hard for you.” She promised to be “a great friend and ally” to Trump and that she wanted to “earn your vote.”

And at a candidates event in Florence on Saturday, where Graham spoke, some of her supporters said they backed the interim senator’s decision to stay in Washington, even if it meant not campaigning.

“She committed to not missing votes or not being there to push forward with those bills,” said Teresa Castrinos, who made the hours-long drive from Bluffton to see Graham. “I feel like she’s putting South Carolina first. She’s wanting to fulfill her time as a senator right now, so I really admire her for that.”

A low profile

While Lindsey Graham was single and well-known around the world, his sister lived a relatively quiet life with her husband and daughters in Lexington, S.C. She spent years in state government, working with people with disabilities and as an agency head of the South Carolina Commission for the Blind.

Before participating in Saturday’s event in Florence, her only public campaign event had been a candidates forum in Lexington. Charles Brentnell of Greenville County, who said he was still considering whom to vote for, liked her decision to stay in Washington when the Senate was in session.

“Let’s keep the Senate at the Senate instead of taking a month off for no good reason,” he said.

Appearing alongside other contenders Saturday, Graham apologized for reading from notes from a lectern, pointing to the Senate votes that kept her in Washington until just hours before she headed to meet voters in South Carolina.

“Yes, I have some notes. You know why? Because I haven’t slept in two days, so I’m going to keep my thoughts straight,” Graham said, adding that she opposed Senate recess but lost out to others who wanted to end votes and go home. “I wanted to stay there, and I wanted to get things done.”

Graham also participated in one of two televised debates, where she backed Trump’s plan to change filibuster rules to make it easier to pass the president’s bill for strict voter ID requirements.

While other candidates came to speak to the media gathered afterward, Graham skipped the session and merely gave a thumbs-up outside when asked how she felt the debate had gone.

In contrast to her loquacious late brother, Graham has not spoken with reporters in Capitol Hill hallways or fielded questions on the stump.

She’s spoken at length to Fox News personalities Sean Hannity and Trey Gowdy, both of whom eulogized Lindsey Graham at memorial services last month, and granted two interviews to local news outlets.

On Saturday, in her first gaggle with reporters, Graham addressed some of voters’ concerns, reiterating her commitment to do Senate work when the chamber is in session.

“I feel like my job is to be in D.C. working for everyone right now. I hate that I can’t be here. I want to be here,” she said. “That’s why I left and didn’t sleep at all last night, so I could attend today’s event.”

As to the skepticism in sending her to Washington for six years, Graham cited her state government experience, plus the last several weeks she’s had serving as interim senator.

“Trust me, I have learned a lot already, so I think I have experience,” she said.

A second debate took place while Graham was in Washington on Tuesday, a date her campaign pointed out had been scheduled despite the senator’s conflict.

Gigi Bray of Charleston said the idea of Darline Graham serving in the interim makes sense, but electing her to a full term does not.

“I think it’s a great honor for her to hold her brother’s spot till November, but it’s time for a change,” said Bray, who backs Sanford. “I don’t think she has a lot of government experience, and I think right now, with the state of our country, I think it’s very important that somebody has experience.”

Kinnard writes for the Associated Press.

Abigail Aguirre has been sleeping terribly.

Too many times, she said, residents of a nearby homeless encampment have partied late into the night — sometimes yelling, sometimes blasting music. The noise is especially hard on her husband, who frequently leaves for his job before 5 a.m.

“Oh my God, they don’t let us sleep,” said Aguirre, whose home sits just east of the 110 Freeway in South Los Angeles. “They do drugs in there. They play the loud music. They don’t care.”

Three years ago, workers with Mayor Karen Bass’ Inside Safe program moved dozens of homeless people from Aguirre’s neighborhood into nearby hotels and motels. Sanitation crews cleared the streets and sidewalks of trash.

But more people, and their tents, kept arriving, not just near Aguirre’s home but on many of the east-west streets that pass over the 110 south of downtown: 43rd, 49th, 51st and Vernon Avenue, to name a few.

Unsheltered homelessness — people living on the street or in their vehicles — went up nearly 8% citywide in this year’s homeless count, dealing a setback to Bass, who is running for reelection and has made homelessness a core part of her agenda.

The streets that line the 110 Freeway between 42nd and 58th are a potent symbol of the challenges facing Bass and her program. According to records obtained by The Times, outreach workers carried out Inside Safe operations 25 times on that one-mile stretch during her first three years as mayor, returning again and again to bring people indoors.

Frank Gordon, 51, has been living on Cahuenga Boulevard at the 101 Freeway in Hollywood. Mayor Karen Bass’ Inside Safe program has moved people indoors from that location several times since 2022.

During one operation, Inside Safe brought 42 people inside. A month later, 54 more people came indoors. On other occasions, progress was measured in single digits: two people during one visit, five on another, eight on the next.

Despite those efforts, many of the overpasses and side streets still have encampments. Things have been especially grim on the 51st Street overpass, where tents, makeshift structures and huge mounds of trash lined the sidewalks. In the street, a refrigerator missing a door was on its back, overflowing with garbage.

Joel Galarza, who lives in a house nearby, said the encampment has brought crime, fires, prostitution, open-air drug use and other problems. In May, a man was found stabbed on the overpass.

Galarza said his family has called the city and the LAPD many times, only to see the situation get worse.

“It feels like there’s no more hope, that your voice doesn’t matter,” he said.

Since taking office, Bass has made the removal of street encampments a top priority, arguing that they are unsafe both for unhoused residents and for the neighbors. She said early on that Angelenos will not view her work as a success until their communities are free of tents.

Inside Safe, her signature homeless program, has moved more than 6,200 people into hotels, motels and other interim housing. But by June 30, 43% of them were back on the street, with some getting kicked out and others walking away.

Los Angeles City Councilmember Traci Park, left, and residents of Venice thank Mayor Karen Bass in 2023 for overseeing efforts to move more than 100 people into temporary housing from sidewalks in Venice.

Bass, in an interview, said she understands the frustration of people who live near the encampments. She said she hopes to overhaul the city’s approach to the crisis in the coming months by securing greater control over services such as medical care, addiction treatment and case management.

At the same time, she contends that her administration has made major strides, keeping about 80% of the locations visited by Inside Safe free of tents in recent weeks.

“Inside Safe has been a success in terms of getting people off the streets and clearing encampments,” Bass said. “What Inside Safe has not been able to do is reach the scale that is needed.”

Bass said Inside Safe has conducted 137 encampment operations so far, when many more are needed. To expand the program’s reach, the city will need to move away from expensive hotels and motels and toward high-quality homeless shelters, the mayor said.

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1. A man sits with his belongings on Cahuenga Boulevard under the 101 freeway in Hollywood. (Genaro Molina/Los Angeles Times) 2. A torn copy of a notice announcing a cleanup of homeless encampments hangs from a stop sign along Grand Avenue at 51st Street in South Los Angeles. (Genaro Molina/Los Angeles Times)

The repopulation issues have not been limited to the 110 corridor. By December, the end of Bass’ third year, 23 Inside Safe areas across the city — about a fifth of the total at that time — had received at least five visits from the mayor’s outreach team, records show.

Inside Safe went to a handful of streets just east of MacArthur Park 10 times over two years. In Hollywood, around Franklin and Argyle avenues, the program conducted eight operations over 18 months.

By the fourth quarter of 2025, 80% of Inside Safe encampment operations — 36 out of 45 — involved areas that had repopulated, records show. Nine were new to the program.

City Councilmember Nithya Raman, who is running for mayor against Bass, said Inside Safe is ineffective and too expensive, forcing taxpayers to pay a premium to “shuffle people around rather than get them housed for good.”

“When 40% of the people who participated in the program return to homelessness, and some locations need repeat outreach visits five, 10, even 25 times, it tells us that something is wrong,” she said in a statement.

Bass and her team said many of the most problem-plagued Inside Safe locations are at freeway overpasses, which are attractive to homeless people because they provide shelter from scorching summer sun and the winter’s pouring rain. Freeways and industrial areas are also popular because they provide some degree of privacy, they said.

In some cases, people move to an Inside Safe location hoping to be offered housing, just as previous residents were, Bass said.

In other cases, she said, people have returned to the street because they need intensive care, such as a psychiatric bed. Those beds, which are provided by L.A. County, are not always available, Bass said.

Estela Lopez, head of the Downtown Industrial Business Improvement District, which represents businesses in Skid Row, said repopulation happens for a simple reason: a lack of enforcement. Once an encampment is cleared and people are moved indoors, police should be allowed to enforce city laws and make sure an area stays clear, she said.

A pedestrian walks into the street to get around a homeless encampment on Alameda Street. The Inside Safe program went to that area 12 times over a single year.

Lopez said she regularly receives complaints about a row of encampments on Alameda Street between 4th and 6th streets. Inside Safe visited that two-block stretch 12 times last year, records show.

Last month, the area had about a dozen tents, which forced pedestrians to leave the sidewalk and walk on Alameda, where large trucks travel to and from nearby industrial businesses.

Lopez offered another reason that homeless people keep coming back.

“That’s where the drugs are,” she said. “It’s Skid Row, and Skid Row is where the drugs are, and has the fewest consequences for open-air drug use and sales.”

Bass’ first Inside Safe operation, more than three years ago, hit a stretch of Cahuenga Boulevard under the 101 Freeway in Hollywood, an area represented by Raman.

Inside Safe went to Cahuenga and the 101 six times over 18 months, according to the city’s records. Two blocks south, the program made five separate visits to Franklin and Cahuenga.

Frank Gordon said that he and his girlfriend lived in an RV on Cahuenga next to the 101 during the COVID era, when the streets were lined with encampments. Outreach workers eventually moved them into the Stuart Hotel in Westlake, he said.

From there, the couple relocated to the Highland Gardens, a hotel in Raman’s district converted into homeless housing. Gordon said they left the facility after one of their rooms was destroyed in a fire, going to yet another interim housing site.

Last month, they were back at Cahuenga and the 101. He called it “familiar ground.”

Sanitation crews remove belongings from a homeless encampment during an Inside Safe operation on Laurel Canyon Blvd. in North Hollywood in March.

Kevin Paz, who has been sleeping on the 51st Street overpass in South L.A., said he used to live a few blocks away. He still has friends in the area, including high school classmates.

“It made more sense to stay here than to live anywhere else,” he said.

Seated on the overpass on a swelteringly hot day, the 32-year-old said he picked his particular strip of sidewalk for the shade it gets from the elevated 110 Freeway carpool lane. He said he would accept a motel room if offered one.

“Honestly, nobody wakes up in the morning and says, ‘Hey, I wanna go live on that street,’” he said.

Bass’ team has highlighted the scores of locations where encampments have not returned. They pointed to the success of an Inside Safe operation at 6th and Fairfax, where the sidewalk was later narrowed and new landscaping was planted, making it difficult to camp there.

West of downtown, streets and sidewalks also remain clear around Angelus Rosedale Cemetery, where 48 people were brought indoors in April 2025. To keep people from living in their cars at that location, city crews turned a stretch of Washington Boulevard into a no-parking zone, Bass’ team said.

Even some places that had severe repopulation issues are now clear of tents.

In Harbor City, Inside Safe went to the same intersection a dozen times between 2023 and 2025. That location has been free of encampments for 17 months, said Councilmember Tim McOsker, who represents the area.

McOsker credited the mayor’s team, as well as his staff, for going to the location over and over to offer interim housing to new arrivals. He also asked a group that delivers glass pipes and clean hypodermic needles to relocate, saying the service was attracting newcomers to an area that had been cleared.

In Baldwin Hills, Inside Safe workers went to Jim Gilliam Park 14 times over three years. Last week, encampments no longer occupied the grassy area around the tennis courts on La Brea Avenue or the sidewalks along the nearby Michelle and Barack Obama Sports Complex.

Johnnie Raines III, who serves on the local neighborhood council, knows some of the people Inside Safe brought indoors. He said the program has been “life-changing” for them.

Still, Raines, 79, has no illusions about the challenges the city faces.

“If you house these three people that are in this space today, three more will show up,” he said. “That doesn’t mean that you were not successful in housing the first three people. That just means that three more people come.”

Elmer Roldan, who lives in South Los Angeles, points out the spot where an encampment burned on Grand Avenue near 54th Street.

In the neighborhoods that abut the 110 in South L.A., some residents have lost patience.

Elmer Roldan, who lives on 55th Street, said some of his homeless neighbors have been causing fires — sometimes by accident, sometimes on purpose. Earlier this year, he called 911 after seeing a man set fire to vines hanging from the freeway’s sound wall.

Roldan, who ran unsuccessfully for City Council in June, said he sees plenty of people living in their vehicles, but fewer tents. Still, he said, it’s been demoralizing to have so many come back.

“I certainly don’t want it to get worse,” he said.

Times staff writer Doug Smith contributed to this report.