time

Bill Cassidy’s roles as a lawmaker, a doctor and a political candidate will collide on Wednesday as he questions Health Secretary Robert F. Kennedy Jr. in two high-stakes Senate hearings.

The Louisiana Republican chairs one of the Senate committees that oversees Kennedy’s department and sits on another, giving him two chances to interrogate the secretary about his plans for an agency responsible for public health programs and research. As a doctor, Cassidy has clashed with Kennedy’s anti-vaccine ideas even though he provided crucial support for the health secretary’s nomination last year.

At the same time, Cassidy is fighting for his political future in next month’s primary in Louisiana, where President Trump has endorsed one of his opponents in an unusual attempt to oust a sitting senator from his own party.

How Cassidy handles the hearings could affect his chances at a pivotal moment of his reelection campaign and set the tone for how Congress oversees the nation’s health agenda at a time of rampant distrust and misinformation.

Cassidy hasn’t faced Kennedy in public since September. In the subsequent months, Kennedy has attempted a dramatic rollback of vaccine recommendations that, if not blocked by an ongoing lawsuit, could undermine protections against diseases like flu, hepatitis B and RSV.

After a backlash, Kennedy has also pivoted to spending more time talking about less controversial topics like healthy eating — albeit with his own spin, including sharing exaggerated claims that various ailments can be cured by diet alone.

Cassidy will have to decide on Wednesday whether to grill Kennedy on vaccines, an issue deeply important to him, or put their differences aside and prioritize loyalty to the Trump administration.

“He’s taken a risk showing any sort of resistance to RFK,” said Claire Leavitt, an assistant professor at Smith College who studies congressional oversight. “He may pay an electoral price for that.”

Cassidy has long advocated for vaccines

Cassidy has spent years walking a political tightrope. He’s one of the few Republican senators who voted to convict Trump during an impeachment trial after the Jan. 6, 2021, attack on the U.S. Capitol.

As a liver doctor, he advocated for babies to receive hepatitis B vaccines shortly after birth, a step that could have prevented the disease in his patients. But when Trump nominated Kennedy, a longtime anti-vaccine activist, Cassidy supported him. He did so after securing various commitments, including that Kennedy would work within the current vaccine approval and safety monitoring system and support the childhood vaccine schedule.

The vote for Kennedy did not appear to mollify Trump. The president endorsed U.S. Rep. Julia Letlow, one of Cassidy’s two primary opponents.

Cassidy also faces opposition from Kennedy’s allies in the “Make America Healthy Again” movement, a group that includes both anti-vaccine activists and a wide variety of other crusaders for health and the environment. The MAHA PAC, aligned with Kennedy, has pledged $1 million to Letlow’s campaign. While the organization hasn’t publicly said so, some have questioned whether the support is partly in retaliation against Cassidy for criticizing Kennedy’s vaccine policy agenda.

“I’m not really sure what MAHA’s beef is,” Cassidy told reporters earlier this month. “Let me point out that I am the reason that Robert F. Kennedy is now the secretary of HHS. He would not have gotten there otherwise.”

Cassidy argues that he has “strongly supported” the MAHA agenda, especially when it comes to the fight against ultraprocessed foods. However, the physician-turned-senator acknowledged that he and MAHA have “disagreed on vaccines.”

“We’ve seen, frankly, that I am right,” Cassidy added, pointing to recent measles-related deaths of children who were not vaccinated.

At a hearing in September, he slammed Kennedy’s decision to slash funding for mRNA vaccine development. He interrogated Kennedy over his attempt to replace members of a vaccine committee, suggesting the new members could have conflicts of interest. He also raised concerns that Kennedy’s vaccine policy decisions could be making it harder for Americans to get COVID-19 shots.

Later that month, Cassidy convened a hearing featuring former U.S. Centers for Disease Control and Prevention Director Susan Monarez, who was ousted by Kennedy less than a month into her tenure after they clashed over vaccine policy, and former CDC Chief Medical Officer Debra Houry, who resigned in August citing an erosion of science at the agency.

“I want to work with the president to fulfill his campaign promise to reform the CDC and Make America Healthy Again. The president says radical transparency is the way to do that,” Cassidy said at the time.

Experts say Cassidy’s vaccine stance might not hurt him

Political consultants said they expect Cassidy’s primary opponents, Letlow and Louisiana Treasurer John Fleming, to seize on any sound bites from Wednesday’s hearings that can make Cassidy seem at odds with the Trump administration.

But Dorit Reiss, a vaccine law expert at UC Law San Francisco, said the political risk of advocating for vaccines may not be as strong among Republicans as some people assume.

“He’s probably not alienating voters by focusing on the issue and calling it out,” she said.

Louisiana political consultant Mary-Patricia Wray said she thinks most diehard MAHA voters already know who they are voting for, and it’s probably not Cassidy.

Instead, she said, he may still be able to appeal to Democrats who switch their party registration to vote in the primary, as well as a wide swath of still-undecided Republican voters who care about the same health care affordability issues he advocates for every day in Congress.

“If I was advising Bill Cassidy, I would tell him your goal here is not to get out unscathed,” Wray said. “Your goal is to prove that your consistency on issues regarding public health is an asset in your campaign, not a detriment.”

Election outcome will shape future oversight of HHS

Also at stake if Cassidy doesn’t make it to November’s general election is what will happen to his responsibility to oversee the massive U.S. Department of Health and Human Services as the chair of the Senate Health, Education, Labor and Pensions committee.

Leavitt, the Smith College professor, said seniority typically plays the most important role in who chairs Senate committees. She said another Republican in today’s increasingly hyperpartisan Congress may not be as willing as Cassidy to check Kennedy’s power.

Reiss, the vaccine law expert, said she wishes Cassidy had done more hearings or introduced legislation to rein in Kennedy. And she said the senator bears the blame for allowing Kennedy to bring unfounded vaccine fears into the government in the first place.

“His original sin, of course, was voting for Kennedy at all,” Reiss said.

Swenson writes for the Associated Press. AP writer Sara Cline contributed to this report.

It’s not only easy to get lost in the Los Angeles County Museum of Art’s new David Geffen Galleries, it’s inevitable, intentional — and one of the best things about the place.

The museum has deconstructed the traditional, boxy narrative of art history and rendered the story itself a matter of curves and continuities. Art in the collection is freed from its departmental silos and put into conversation across genre lines, place and time.

The museum has physically invalidated the binaries of center and periphery, major and minor arts. In a startling and largely gratifying way, LACMA has done what the poet Audre Lorde, alluding to a different but not unrelated aspect of patriarchal dominance, deemed impossible: used the master’s tools to dismantle the master’s house.

The change goes far beyond a remodel. It’s a reinvention, a recalibration, a revisionist fever dream.

The vision conceived by museum director and Chief Executive Michael Govan and architect Peter Zumthor is not perfect, and brings with it a modest set of frustrations, but as a whole, the installation registers as ravishing and bracingly fresh. It thrusts us midstream into the ageless, ceaseless flow of makers worldwide reckoning with life, earth and being.

It prompts us, as we bob about, to reflect on our own proclivities and preconceptions, our patterns of reception and perception.

It compels us to recognize that what matters is not just what we see in the museum but how we see, what pulls us close and why, what private histories we bring to the occasion, what expectations, what tools.

Over two visits to the new building, getting my physical bearings mattered less and less as I surrendered to the generative sensations of not knowing. The museum has produced a dense guidebook to the new galleries, whose title, “Wander,” doubles as invitation and imperative. Even at 430 pages, the book is only minimally useful as an orientation device. For help with that internal navigation, Rebecca Solnit’s moving 2005 book, “A Field Guide to Getting Lost,” proved a better compass.

LACMA’s guidebook to the David Geffen Galleries, called “Wander,” doubles as invitation and imperative.

(Museum Associates / LACMA)

Solnit, citing the cultural critic Walter Benjamin, writes, “to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.” She goes on to recall how roaming freely as a child was key to developing self-reliance, which feels apt to the LACMA strategy. We are put in charge of making our own way, through tapestries and tea sets, past ancient jug and contemporary sphinx, without heavy-handed authoritative direction.

The history of art reads here as one long, free verse poem-in-progress, gorgeous and absorbing. Even so, many of the most memorable moments come in the form of cogent micro-essays, smartly curated ensembles of work bearing a legible, lucid premise. Some of these are contained within four (rectilinear) walls; some occupy less demarcated spaces. “Tonal Variations: Photography and Music,” for instance, gathers images by Paul Caponigro, William Eggleston, Lisette Model and others. These artists were also serious pianists, attuned, no matter which instrument they were using, to the qualities of rhythm, pattern and progression.

Lisette Model, “Window at 5th Avenue,” 1940, Los Angeles County Museum of Art

(Museum Associates / LACMA)

In a section headed “The Global Appeal of Blue-and-White Ceramics,” a long display case houses a timeline articulated sculpturally. The sequence advances from a 9th century bowl made in Iraq to a 13th century vessel from China, a 14th century example from Thailand, another from 15th century Syria, up to work by a 20th century German artist who transformed a functional vessel into personal adornment by cutting a string of beads out of the planar surface of the bowl.

Dish, Turkey, Iznik, c. 1530-35, Los Angeles County Museum of Art

(Museum Associates / LACMA)

On the wall facing this display is a huge vitrine containing an 18th century Talavera jar from Mexico, paired with a 2025/26 color photograph by Brooklyn-based Stephanie H. Shih. In the still-life composition, a cheeky visual lesson on the collision and convergence of cultures, the jar holds flowers, cactus and edible Mexican treats influenced by Chinese and Filipino flavors.

Top, Stephanie H. Shih, 梅國 “(Still life with chamoy and Dirty T Tamarindo),” (2025- 26); bottom, Jar (c. 1700-50)

(Museum Associates / LACMA)

Shih is one of a handful of artists commissioned to create new work using the museum’s collection as muse. L.A.-based Lauren Halsey is another. Her formidable, untitled 2026 sphinx regally commands its space among ancient Egyptian and Roman sculpture, a marvel of the cross-temporal and cross-spatial, spiked with specific references to Black self-determination.

Setting recent works among older ones is an effective element of LACMA’s overall plan to shed outworn hierarchies. It recasts every piece of art by every artist throughout the single-story space as equally relevant. The seamless integration of old and new feels stealthy, and a touch subversive, a doubling-down on the museum’s approach to time as nonlinear, sinuous and delightfully slippery.

Lauren Halsey’s untitled 2026 sphinx.

(Museum Associates / LACMA)

That said, a few words readily available would help connect the dots without undermining the provocation. Text — where and how it appears, or doesn’t — is my only major complaint about the installation of the new galleries.

Text panels announce, in one or two paragraphs, the themes of each given section: “Images of the Divine in South Asia”; “The Evolution of Abstract Painting in Modern Korea”; “Textile Conversations: Africa and Black America.” Individual object labels are kept minimal, containing only basic identification about each work, no commentary. When asked about this decision during my first walkthrough, Govan replied that more time reading means less time looking — “and we have the internet.” Every thematic text panel has a QR code that links to the Bloomberg Connects app, an aggregate guide to museums and other cultural sites that offers selected, augmented entries.

Determining how much didactic information is insightful and sufficient, and how much constitutes excessive artsplaining, is a delicate, ongoing challenge for museums. Where LACMA landed on this contested plain strikes me as unfortunate and counterproductive.

A few lines of explanation or context on a wall label can add perspective for even the most informed visitor, and provides crucial support to those with less foundational exposure and access to art.

You can take or leave text on a wall without breaking your stride, but text accessed via QR code is another matter. (Never mind that connectivity is spotty inside a sprawling concrete shell, and several times when I tried to get information from the app, I couldn’t.) Encouraging us to shift our gaze from the wall to our devices — to assume that accursed downward tilt of the neck when splendors abound before our eyes — is simply detrimental. It breaks the spell of being fruitfully lost in the present, and retethers us to the digital distractions that dominate our days.

Wall text beside Francis Bacon’s “Three Studies of Lucian Freud” (1969), at Los Angeles County Museum of Art.

(Museum Associates / LACMA)

Shouldn’t the imaginative minds that created this space, this opportunity to revel in direct sensual experience, want us to keep our attention where our bodies are? Why this fallback to current convention, when the rest of the experience is about radical reinvention? This feels like a missed opportunity. I’m hoping a more experimental, exploratory approach to providing information, context and interpretation, in keeping with the rest of the enterprise, might yet come.

Does the new structure serve the art? Mostly, very well.

The lighting is varied, treated as another texture in the space, palpable and rich. There’s a generous amount of natural sunlight, but some spots are noticeably dim. Some gallery walls are glazed in deep hues (reddish and eggplant), and the intensity of the color is jarring at first. But neutral, white-box viewing spaces (with even, predictable lighting) can be found elsewhere on LACMA’s campus and pretty much anywhere art is shown. Here, the very irregularity of the interior environment, including the concrete surfaces — richer and more textured than I expected — heightened my alertness. And keener senses tend to make for more consequential experiences.

In deciding how to organize roughly 2,000 works of art across 110,000 square feet of exhibition space, LACMA devised a conceptual schema that isn’t apparent in the galleries themselves. The “Wander” guide maps out the division of the space into four regions correlating to bodies of water: the Indian, Atlantic and Pacific oceans, and the Mediterranean Sea. While the zones and their boundaries aren’t indicated by obvious signage, and I caught one laughable categorization (Ansel Adams’ photographs of the Pacific shoreline landing in the Atlantic section), this schema at least doesn’t get in the way.

And what does work about the propositional structure is its comprehensive realignment. It moves to retire art historical frameworks of the past, dependent on borders between places and times.

Throughout this installation, we are repeatedly reminded of the impact of trade and migration, the fluid movement of resources and belief systems. We’re reminded of porousness and simultaneity, and that all art histories are, in the end, propositional structures.

Here’s a new one, the Geffen Galleries say. Try it out. You might get lost. Indeed, you will get lost. And what wonders await you in the uncertainty and mystery.

Steve Hilton is a former Fox News host who has unexpectedly emerged as a leading candidate in the race for governor with a message that California is a failed state in need of radical reform.

But his sudden rise in California politics comes a decade and a half after he pitched the U.K. Conservative Party with a very different idea: Britain could learn a lot from the Golden State.

Back in 2010, when Hilton was a top strategist during David Cameron’s rise to power as Conservative prime minister, he looked to Silicon Valley’s high-charged ethos of techno-optimism and green innovation for inspiration as he sought to revitalize the ailing Conservative Party and the U.K.

Splitting his time between London and the Bay Area — his wife worked for Google — Hilton was instrumental in getting California companies to invest in the U.K. and persuading Google to open its first wholly owned and designed building outside the U.S. in London. So infatuated was he with California that one British political commentator dubbed the Cameron administration’s philosophy ”Thatcherism on a surfboard.”

But Hilton is now utterly unsparing in his criticism of California.

After moving to the Bay Area full time, teaching at Stanford University and hosting Fox News’ “The Next Revolution,” Hilton is running as a Republican on a platform of “Making California Golden Again.”

To the dismay of many Democrats, the 56-year-old British immigrant, a supporter of President Trump who dubs California “America’s worst-run state,” is ahead in multiple polls in a crowded race with no front-runner.

Even after former Democratic Rep. Eric Swalwell dropped out April 12 after multiple women accused him of sexual assault, Democrats are struggling to unite around one candidate. And Trump’s endorsement of Hilton this month almost seems to guarantee Hilton will secure enough Republican votes to make it past the June primary.

Hilton accuses Democratic leaders of turning the state into the “Wuhan lab of modern leftism.” As Democrats amassed power in Sacramento, seizing control of statewide offices and the Legislature, he argues, California government has become “a massive, bloated, bureaucratic nanny state,” so overregulated and poorly run, it is failing its people.

“We have the highest poverty rate in the country in California, tied with Louisiana, which is shameful, really, for a state that prides itself on being the home of innovation and opportunity,” he told The Times. “We’re ranked by U.S. News and World Report 50 out of 50 for opportunity. The performance of California, when measured against the rest of the country, is really dire.”

Most California voters rank affordability and cost of living as important as they weigh whom to elect as governor. But whether Hilton can persuade them that Democrats are responsible for the state’s problems, or make inroads as a Republican aligned with Trump on immigration and abortion, is unlikely in a state where Democrats outnumber Republicans nearly two to one.

Many Californians who do not watch Fox News know little about Hilton. Even some of Britain’s political observers who followed Hilton for years admit it’s been a struggle at times to make sense of his political odyssey.

Dubbed a “barefoot revolutionary” for his habit of striding around Downing Street without shoes, Hilton was credited with pulling the Conservatives into the 21st century and ushering in a more green, socially liberal strain of British conservatism. He helped turn around their image by highlighting climate change and supporting gay marriage.

Fraser Nelson, a columnist for the Times in London, said Hilton had been seen in Britain as a figure closer to Democratic Gov. Gavin Newsom than to Trump.

“When he popped up on Fox, it was like somebody reborn,” Nelson said. “Somebody who seemed to be on the left of politics was somehow on the Trumpish right. We thought it was like a joke. I’m not saying he is not sincere, just … the political journey of Steve Hilton … to being Newsom’s nemesis is something to behold.”

Born in London to Hungarian refugees who fled their homeland during the 1956 revolution, Hilton grew up in a household without much money.

After studying at Oxford University, a life-changing experience for a son of immigrants, Hilton worked at Conservative Party headquarters and as an ad executive on the Conservatives’ 1997 election campaign. When Labour’s Tony Blair won in a landslide, Hilton co-founded a consulting firm, Good Business, advising corporations on how to make money by investing in social and environmental causes.

In 2001, Hilton voted Green. But he returned to the Conservative fold in 2005 to try to detoxify the Tory brand. As an author of the party’s 2010 manifesto, he came up with Cameron’s “Big Society” agenda, which sought to scale back the state and hand more power to local communities. Critics, however, argued that the focus on local control was a fig leaf for austerity and dismantling the welfare state.

When Cameron won in 2010, Hilton infuriated colleagues in the coalition government, the British press reported, proposing a stream of wacky ideas: scrapping maternity leave, abolishing job centers, even buying cloud-bursting technology so Britain would have more sunshine.

Hilton ultimately became disillusioned with Westminster, deciding U.K. politics was stymied by excessive bureaucracy. In 2012, he moved full time to the Bay Area.

Hilton says he was drawn to California because of its “rebel spirit.”

But what he liked about California was the specific Silicon Valley ethos of disruption that emphasized meritocracy and risk-taking, not the state’s ascendant liberal identity politics.

Hilton settled in California precisely when Democrats were consolidating their political and cultural power. Just months after his move, Democrats gained full control of the Legislature with a two-thirds supermajority.

Meanwhile, populism was rising across the U.S. and Britain.

On the 2016 Brexit referendum on whether the U.K. should leave the European Union, Hilton was firmly pro Leave.

Hilton also disagreed with many fellow conservatives on Trump. In November 2016, George Osborne, chancellor of the exchequer under Cameron, watched the U.S. election on Hilton’s couch in Atherton, Calif. “Steve was the only person in the room who said, ‘I think Donald Trump’s going to win,’” Osborne said. “I think he identifies with Trump, although they’re obviously very different. … The outsider challenging the system.”

After the election, Hilton joined Fox News as a contributor and in 2017 was given his own Sunday night show, “The Next Revolution.” Produced out of Los Angeles, it explored populism in the U.S. and globally.

Like many conservatives, Hilton became agitated in 2020 by the COVID-19 lockdowns and Black Lives Matter protests that swept U.S. cities.

Early in the pandemic, Hilton invited Jay Bhattacharya, a professor of health policy at Stanford, to discuss COVID-19 after his study in Santa Clara County indicated the virus was more widespread and less deadly than initially thought. Bhattacharya argued the best path forward was not a general lockdown, but focused protection of the vulnerable. California leaders went on to impose some of the nation’s most stringent lockdowns.

After Joe Biden defeated Trump in November 2020, Hilton repeated Trump’s false allegations of voter fraud on air and called for an investigation.

Hilton became a U.S. citizen in 2021. Asked how his worldview changed in 2020, Hilton said: “I don’t think it changed. I think it actually enhanced my skepticism of centralized bureaucracy and it made me even more determined to dismantle it in California, because you saw all the worst features of it in California.”

In 2023, Hilton left Fox to launch a supposedly nonpartisan policy group, Golden Together, to develop “common sense” solutions to California’s problems. Two years later, he published “Califailure: Reversing the Ruin of America’s Worst-Run State,” a screed against Democrats. He accused them of spending “their time — and taxpayers’ money — pushing increasingly fringe race, gender, and ‘climate’ extremism instead of attending to the basics of good governance.”

A month later, Hilton announced he was running for governor “to make this beautiful state, that we love so much, truly golden again.”

On the campaign trail, Hilton has pledged to slash taxes, make housing more affordable and bring the cost of gas down to $3 a gallon. But how he plans to achieve some of these goals is controversial.

Hilton advocates scaling back environmental regulations. State agencies such as the California Coastal Commission and the California Air Resources Board, he argues, are a “massive roadblock” to housing development.

To lower gasoline prices, Hilton would ramp up California domestic production of oil and natural gas and reduce regulations on refineries.

Hilton would likely struggle to persuade a majority of voters to roll back environmental protections. According to the Public Policy Institute of California, about 55% of Californians think stricter state environmental regulations are worth the cost, while 43% believe they hurt the economy and jobs market.

Hilton is also at odds with most Californians on major issues from immigration to abortion.

If elected, he would foster more local cooperation with U.S. Immigration and Customs Enforcement and rescind state healthcare to undocumented immigrants. He would work with states such as Louisiana to extradite California doctors accused of prescribing and mailing abortion pills to women in states where abortion is illegal. He would also establish a Covid Accountability Commission to examine officials’ decisions during the pandemic.

Asked if Newsom and other Democrats could face prosecution, Hilton said: “They need to be held accountable for these crimes.”

With Trump in the White House, 2026 is a difficult year to mount a right-wing populist campaign for California governor, said Christian Grose, a professor of political science and public policy at USC.

“That message of ‘Newsom and the Democrats have been a disaster for California,’ that’s like, if you’re running in South Carolina,” Grose said. “It’s a caricature of California. While many California voters think there have been problems and the state is not doing as well, a Fox News presentation for East Coast viewers … that’s not going to win 50%.”

To make inroads past the primary, Grose said, Hilton would need to focus on governance and affordability and ditch the anti-Democratic red meat: “He has to massively soft pedal the kind of Fox News conservative stuff.”

Hilton’s Republican rival in the race, Riverside County Sheriff Chad Bianco, has questioned Hilton’s MAGA credentials, raising his green advocacy in the U.K. to cast him as an unprincipled opportunist.

Hilton, however, said he considers himself a “very strong environmentalist.” The problem, he argued, is the movement has become too narrowly focused on climate change and CO2 reduction. As crude oil production within California has fallen in recent decades and refineries have closed, he questioned California importing the bulk of its oil from as far away as Iraq and Ecuador.

“We are shipping oil halfway across the world in giant supertankers that run on bunker fuel, the most polluting form of transportation you can think of, rather than producing in Kern County and sending it in a nice, clean pipeline to the refineries in Long Beach,” Hilton said. “It’s total insanity. We are increasing carbon emissions in the name of climate change.”

Some political observers in the U.K. argue that Hilton’s questioning of California’s policy isn’t necessarily intellectually inconsistent.

“Perhaps in 2010 we needed more environmental policies,” Nelson said. “Perhaps in 2026 they’re doing more harm than good.”

Nor is it so odd, he argued, that Hilton now views California with a more critical eye.

“Even from a distance, when you look at California, there’s so much going fundamentally wrong,” Nelson said, citing its energy policy, homelessness and the exodus of residents to other states. “I’m not surprised by that, and I think it’s entirely consistent with Steve Hilton in 2010.”

Times staff writer Stephen Battaglio contributed to this report

Xavier Becerra, a former cabinet secretary in President Biden’s administration, appears to be surging in the curiously unsettled California governor’s race.

Until recently, the former U.S. Health and Human Services secretary had been mired in the single digits in polling to replace termed-out Gov. Gavin Newsom and lead the nation’s most populous state.

But after former Rep. Eric Swalwell, (D-Dublin) dropped out of the race earlier this month amid accusations ofsexual assault and other misconduct Becerra has seen a boost in polls, fundraising and endorsements.

On Tuesday, Assembly Speaker Robert Rivas endorsed Becerra alongside 14 Democratic members of the legislative body.

Arguing that Californians are under constant threat from President Trump’s policies, Rivas cited Becerra’s decades-long record in public office, including defending Obamacare and young immigrants, or dreamers, to argue that Becerra is best positioned to lead the state.

“There’s no time to learn on the job — we need a governor who’s ready to fight back on day one,” Rivas said in a statement, noting that Becerra sued the Trump administration 122 times while he was California’s attorney general. “We have a strong Democratic field for governor. But right now, we need someone ready on day one. Xavier Becerra is that leader.”

Becerra said he was honored to receive the legislators’ backing.

“I look forward to working with the Speaker and legislators on Day One to tackle the problems Californians care about most — from the skyrocketing cost of groceries and housing to our unyielding fight against the Trump Administration’s disastrous policies,” he said in a prepared statement. “Californians need an experienced and trusted leader who doesn’t need on-the-job training.”

Despite Becerra’s long tenure in state and federal office, the unflashy politician is not well-known among California voters. He was among the underdogs in the 2026 gubernatorial race. Swalwell, by contrast, was among the leading Democratic candidates.

Amy Thoma, a former Republican strategist who is no longer affiliated with a political party, noted that Becerra’s surge comes at a critical moment in the election, shortly before ballots land in Californians’ mailboxes.

“Voters are starting to tune into the race. Yes, they want someone who will stand up to Trump, but it also seems they want someone with experience who can address the very real issues facing the state,” Thoma said.

She added that Becerra’s life story is “incredibly compelling.”

“The word authentic is overused, but every time he talks about his love for this state, for his family and wanting to make California work for everyone, it comes across incredibly sincere,” Thoma said. “Voters can see through candidates who fake it.”

Becerra was respected by colleagues across the aisle, including former GOP legislative leader and state Republican party chairman Jim Brulte. Both men were elected to the state Assembly in 1990 and though their politics often sharply differed. However, they had a warm relationship.

“He was progressive and I am a conservative,” Brulte said. “We never agreed much on policy, but he is a good man with a great heart.”

The 2026 governor’s race has been unlike any in recent memory, with no clear front-runner in a crowded field of candidates and voters just beginning to pay attention to the contest shortly before the June 2 primary.

There were two prominent Republicans and eight prominent Democrats in the race, leading to fears among Democratic leaders in the state that their party’s candidates could be shut out of the governor’s race in the general election because of California’s unique primary system. The two candidates who win the most votes in the June 2 primary will move onto the November general election, regardless of party affiliation.

Democratic leaders remain concerned that despite California’s sapphire-blue tilt, the number of their party’s candidates in the race could lead to a splintering of Democratic voters that results in two Republicans advancing to the November ballot.

Six prominent Democrats remain in the race, after Swalwell and former state Controller Betty Yee dropped out.

The race — lacking a global superstar such as Arnold Schwarzenegger or the scion of a storied political family and former governor like Jerry Brown — is ephemeral. Anything can happen before the June 2 primary.

But Becerra is having a moment. In addition to the new endorsements, he has seen notable movement in polls, most recently in a survey released Monday by the state Democratic party. Becerra jumped nine points from the party’s last poll, tying with billionaire Tom Steyer at 13%.

While Becerra will never be able to match Steyer’s deep pockets, he raised more than $1 million on ActBlue, the top Democratic fundraising platform, in the week ending on April 18, making him the biggest fundraiser on the site in the nation.

“Ninety-seven percent were first-time donors,” Becerra’s campaign said in a statement. “This is not a donor base being recycled. It is a movement being born.”

Welcome to this week’s Lakers newsletter, where we’re playing chess, not checkers.

The intensity has picked up now that the playoffs have started. The Lakers won Game 1 against the Houston Rockets and now the fun begins. Coaches tinker with their game plans trying to capitalize on every perceived advantage. Players are locked in intense multi-game matchups. For a self-proclaimed basketball sicko such as JJ Redick, it’s almost basketball nirvana.

“Every day I wake up, I’m excited to go to work,” Redick said. “Every day feels exciting.”

Playoff DA

Days before the game, on the day of the game and the day after the Lakers’ playoff opener, Redick fielded different versions of the same question.

How influential will Deandre Ayton be in these playoffs?

“The ceiling for our team is maximized when he’s playing at a high level,” Redick said Monday, one day after Ayton’s 19-point, 11-rebound double-double highlighted the Lakers’ Game 1 win. “I remember saying that three times already in the last week. I don’t know how else to answer that.”

Facing consistent scrutiny as the Lakers’ biggest X factor, Ayton now needs to deliver consistent performances in the playoffs. Just one impressive performance won’t be enough to silence critics.

Ayton sent a solid statement in Game 1. In addition to shooting 80% from the field, Ayton helped hold Rockets All-Star center Alperen Sengun to 19 points on six-of-19 shooting. The Lakers’ defense, anchored by Ayton on the back line, smothered Houston. Playing without Kevin Durant, who was a late scratch with a right knee contusion, the Rockets shot just 37.6% from the field.

“I really tried my best to show [Redick] that I’m here and I’m ready throughout those practices just being super and extremely consistent,” Ayton said after the Lakers’ playoff opening win Saturday. “I couldn’t wait to just beat up on somebody else in the first game.”

In front of a buzzing Crypto.com Arena crowd, Ayton made his presence felt early. He scored the Lakers’ first points with a turnaround floater in the lane. He caught two two lobs for dunks. The Lakers’ crowd erupted each time.

Ayton, after two lost years in Portland, hadn’t experienced that thrill in too long.

“It got my blood boiling a little bit,” Ayton said of not playing in the postseason since 2023.

Ayton’s career was fading in Portland. He became known more for inconsistent play and lagging energy than his soft shooting touch or defensive prowess. He looked at the two-year, $16.6-million contract with a player option from the Lakers as a lifeline. It felt like the last chance for him to prove he could still be that player who started for the Phoenix Suns in the NBA Finals.

Ayton averaged 14.7 points, 12 rebounds and 1.5 blocks on 53.1% shooting in the 2021 Finals series against the Milwuakee Bucks. When speaking of Lakers players with playoff experience, LeBron James always leads the conversation, but Redick, conscious of Ayton’s importance to this team, never leaves out Ayton’s playoff past.

There is still a reason why Ayton was the No. 1 overall pick in 2018, center Jaxson Hayes said.

“When it comes to this serious time of year, like playoffs, he already knows,” Hayes said. “He’s been there, and so he knows what to do. He just came locked in. And I loved it. It was awesome.”

The Lakers were 22-3 in the regular season when Ayton took 10 or more shot attempts and 15-1 in games when he had 11 or rebounds. The trend continued in the playoffs when Ayton made eight of 10 shots in Game 1. He grabbed his 11th rebound in the final seconds.

Ayton’s dominance allowed Hayes to “take a chill day,” the backup center joked. But both big men aren’t resting on one successful game.

“We’re not gonna sit here and take this for granted,” Ayton said. “We have to take care of home court, and that’s our job.”

Gang’s all here

Luka Doncic, left, and Austin Reaves chat as they sit on the bench during Game 1 against Houston.

(Mark J. Terrill / Associated Press)

Each seat in Crypto.com Arena for Game 1 was carefully decorated with a yellow T-shirt featuring every Lakers player and Redick. Each photo, a little black-and-white headshot, was the same size arranged in a grid, symbolizing unity from everyone on the Lakers’ bench. On the free T-shirt and in real life, the Lakers brought the entire band together just in time for the playoffs as Luka Doncic reunited with the team Saturday.

The superstar guard is still out indefinitely while rehabbing a Grade 2 hamstring strain, but his presence on the bench at least offered a timely morale boost.

“I think people don’t know how much impact Luka has, not only on the court, but off the court,” forward Rui Hachimura said. “He’s a guy that always wants to be around with us. We love him just being around, just hanging out, talking. So, yeah, we’re happy that he’s back finally and he’s doing funny things always.”

While continuing treatment for his injury, Doncic’s role at practice was limited to rebounding and passing the ball in shooting drills. He and Reaves helped distract teammates during free-throw shooting drills at the end of practice Monday and engaged in a quick game of rock-paper-scissors while Jarred Vanderbilt was at the free-throw line. After their shared agent Bill Duffy helped Hayes get a Slovenian passport to potentially play internationally together, Doncic has been calling the 7-foot center from Cincinnati “my Slovenian brother.”

Doncic adds his joyful energy to a typically tense time. Maintaining that balance of lightness and focus has been key for the Lakers all season. Like how Redick often describes when Doncic is at his best, the Lakers look their best when they’re having fun too.

In the final seconds of Saturday’s Game 1, when the Lakers were dribbling out the clock, Hachimura was standing dutifully in the corner in front of the Lakers’ bench with his hands up ready for a pass. Doncic playfully smacked his teammate on the head several times.

Hachimura had no recollection of the moment. That’s just life with Doncic.

“I’m used to it,” Hachimura said.

On tap

Tuesday vs. Rockets, 7:30 p.m.

The Lakers have a chance to go up 2-0 in a playoff series for the first time since the 2020 NBA Finals.

Friday at Rockets, 5 p.m. PDT

The Lakers have lost nine consecutive road playoff games. The last postseason win on the road came in Game 1 of the second round in 2023 against Golden State. The Lakers won that series in six and advanced to the Western Conference finals.

Sunday at Rockets, 6:30 p.m. PDT

Maybe the Lakers are going for the sweep Sunday. If not, they will at least get two days’ rest before Game 5 back in L.A.

Status report

Luka Doncic (left hamstring strain)

Doncic is still out indefinitely but at least reunited with the team Saturday after returning from Spain. Redick said Doncic is in good spirits to be back with his teammates, and he sat on the bench for Saturday’s Game 1.

Austin Reaves (left oblique strain)

Reaves is working diligently with hopes of returning this postseason. Like Doncic, he had an initial four- to six-week recovery timeline, which would make April 30 the roughly four-week mark.

Kevin Durant (right knee contusion)

The Rockets superstar missed Game 1 after banging his knee in practice last week. He was a game-time decision Saturday and remains questionable for Tuesday’s Game 2.

Favorite thing I ate this week

Duck tsukune meatballs and wagyu beef tongue skewers from RVR in Venice.

(Thuc Nhi Nguyen / Los Angeles Times)

My friends heard conflicting opinions about RVR — a new izakaya on Abbot Kinney — so, naturally, we had to investigate.

Our verdict is all the thumbs up.

The menu rotates so often that between sitting down and ordering, our server handed us new menus because the kitchen got a different batch of produce from the farmers market that morning.

There were waves of small shareable plates and we started with the duck tsukune meatballs and wagyu beef tongue skewers (pictured). The meatballs are among the most popular dishes on the menu, our server told us. The beef tongue wasn’t popular at all, he said, but they were his favorite. We’re on his side. He said the beef tongue is brined for days in dashi, and the care shows in the beautifully tender pieces; we cut one of the cubes with the skewer that it came on.

We had a seasonal blood orange and fennel salad, pan fried pork rib gyoza that came with a unique yozu kosho sauce, and wagyu beef keema curry. The miso-orange glaze-soaked mochi beignets were the ideal sweet treat.

In case you missed it

Luka Doncic providing Lakers a big playoff boost, even from the bench

Luke Kennard provides a jolt of Luka magic, helping the Lakers beat the Rockets

Plaschke: Can Lakers steal series? Anything is possible after Game 1 win

Nike is denied trademark for Bronny James ‘b9’ logo. Here’s why

Swanson: Can LeBron James pull off his second-greatest playoff feat?

‘He knows the most’: How LeBron James sets the tone for Lakers entering playoffs

L.A.’s Blue Era: How popular are the Dodgers? Even the Lakers look up at them. Way up

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

A legendary NFL coach found linebacker Rod Martin not by scouting him at USC, but almost by accident.

The Oakland Raiders had a throwaway 12th-round pick in the 1977 draft, and then-coach John Madden grew frustrated hearing his personnel executives contemplate using it on a basketball player or track guy. Finally, Madden blurted out that he could find a random kid walking around the USC campus in sandals who could make more of an impact than that.

“Ron Wolf says, ‘All right, smart guy,’” recalled Madden’s son, Mike. “So they were a couple picks away and dad goes, ‘Let me call [USC coach] John Robinson.’”

Robinson had one question: Has Rod Martin been drafted?

Raiders linebacker Rod Martin stands on the field during a game against the Buffalo Bills on Dec. 6, 1987, at the Coliseum.

(Mike Powell / Getty Images)

“Dad goes, ‘What position does he play?’” the younger Madden said. “Robinson tells him Martin is a linebacker, and dad goes, ‘Good. Tough guy we can knock around in training camp. Have him run down on kicks.’ And Robinson says, ‘No, John. Rod Martin will make your team.’”

Martin did a lot more than make the team. He would go on to set a Super Bowl record with three interceptions in one of the most dominant defensive performances in championship history.

Martin, who would play his entire 12-year career with the Oakland then Los Angeles Raiders, is dead at age 72. The Raiders announced his death Monday but did not specify a cause of death.

“The Raiders family is deeply saddened by the passing of Rod Martin, a standout linebacker and key player on two Super Bowl championship teams,” read a team statement.

The franchise called Martin, “a beloved member of the Raiders Family and a favorite of Raiders fans everywhere.”

A two-time Super Bowl winner and a two-time Pro Bowl selection, Martin saved his best game for the biggest stage. In Super Bowl XV at the Louisiana Superdome, he intercepted Philadelphia Eagles quarterback Ron Jaworski three times in a 27-10 Raiders victory.

“What I remember about Rod was his ability to diagnose and react,” Jaworski said by phone Monday. “In the Super Bowl, he makes two phenomenal plays. He has three interceptions, but interceptions one and two — I’d like to say they were bad decisions on my part. They weren’t. I tried to squeeze throws in. He just made a great play. He was a great athlete.”

Three years later, Martin was still a key component to the Raiders’ defense in a Super Bowl victory over Washington. He had a sack of quarterback Joe Theismann, a fumble recovery, and a fourth-and-one stop of John Riggins late in the third quarter of a 38-9 blowout.

Born in Welch, W. Va., the son of a coal miner grew up in Los Angeles and attended Hamilton High before going on to play at Los Angeles City College and USC. The NFL saw him as a tweener, too small for linebacker at 210 pounds and too slow to play safety. Clearly, that was a faulty assessment.

Hall of Fame quarterback Warren Moon was two years behind Martin at Hamilton, and the two remained friends throughout the decades that followed.

“We met when I was a sophomore,” Moon said. “He was a senior — middle linebacker, fullback and center on the basketball team. He was the ultimate athlete. At the time I was there, I looked up to him quite a lot.

“He wasn’t the biggest guy in the world, but he was big enough. He had the strongest hands and the strongest forearms. He could just take a tight end or whoever came to block him, grab his pads, shove him off and go make the play. He was just a real solid player.”

It was those hands that grabbed an opportunity with the Raiders and didn’t let go.

“So dad goes marching into the draft room,” Madden said, “looks at Ron and everybody else and says, ‘We’re going to take Rod Martin, linebacker, USC.’ And they did.”

Kenyan runner John Korir has won the Boston Marathon for the second year in a row — and this time he did it in record-setting fashion.

Korir crossed the finish line Monday morning with a time of 2 hours, 1 minute, 52 seconds, shattering the previous course record of of 2:03:02 set by Geoffrey Mutai in 2011. It’s the fifth fastest marathon of all time.

Mutai was actually bumped down to fourth on the all-time list as all of the top three finishers from the 2026 men’s race beat his previous record time. Tanzania’s Alphonce Felix Simbu came in second (2:02:47) and Kenya’s Benson Kipruto was third (2:02:50).

Korir pulled away from the pack as the group was approaching the Heartbreak Hill area between miles 20 and 21. After the race, he told reporters that he had no idea he had set a new course record until after he crossed the finish line.

“I knew I would defend my title, but I didn’t know I could run my fastest,” Korir said. “So for me, it was just go and defend my title, but the time came, so I’m happy.”

Korir receives $150,000 for winning the race and another $50,000 for setting a new course record.

Kenya’s Sharon Lokedi celebrates after winning the women’s division of the Boston Marathon on April 20.

(Charles Krupa / Associated Press)

Fellow Kenyan Sharon Lokedi also was a repeat winner in the women’s race. Her time of 2:18:51 is the second-fastest in race history, behind her 2025 time of 2:17:22. She was followed across the finish line by three countrywomen. Loice Chemnung stayed close to Lokedi before fading late to finish in second place (2:19:35). Mary Ngugi-Cooper was third (2:20:07) and Mercy Chelangat fourth (2:20:30).

“It feels great,” Lokedi said of defending her title. “I ‘m really happy with it. I feel like this course challenges you so much, and with the help of people and all the cheers of the course, it makes it special, so I’m really grateful.”

Like Korir, Lokedi receives $150,000 for winning the race.

New course records for U.S. runners also were set, as Zouhair Talbi finished the men’s race in 2:03:45 and Jess McClain finished the women’s race in 2:20:49. Both runners placed fifth in their respective races.

“I knew it was going to be tailwind, which is an advantage for us to run a fast time,” Talbi told reporters after the race,” but the pace is determined by the leaders, and at this point you just want to follow the pace. A lot of athletes were pushing the pace early on, and … I was like, ‘Yeah, today’s going to be a fast time.’”

Switzerland’s Marcel Hug won the men’s wheelchair division with a time of 1:16:06. It’s his fourth straight Boston Marathon victory and ninth time overall, bringing him within one victory of tying South African great Ernst van Dyk for most wheelchair division wins in race history.

Britain’s Eden Rainbow-Cooper won the women’s wheelchair division in 1:30:51, two years after winning the race for the first time. She and Hug each receive $50,000 for winning their races.

The Associated Press contributed to this report.

The Sparks worked on building their 2026 roster long before the WNBA’s compressed free agency period tipped off.

Teams have had a little more than a week to prepare their training camp rosters between free agency, the league’s primary draft and an expansion draft. The Sparks have one of the more notable roster transformations in the league, adding Nneka Ogwumike, Erica Wheeler and Ariel Atkins.

On Sunday at the start of training camp in San Diego, Wheeler said Sparks returning guard Kelsey Plum sold her on the vision of the organization, and Ogwumike’s signing cemented it.

“KP played a big role in having me here,” she said, describing a lunch last season when Plum told Wheeler she wanted her to sign with the Sparks. “I think Nneka just was like the tip of the iceberg, like it was a no brainer. Once Nneka decides she wants to come here, because, as you know, president [of the WNBPA], life is always easier around her.

“We want to win the championship.”

Ogwumike’s return to Los Angeles was just one indicator that the Sparks are, as Wheeler put it, “going for gold.”

This year’s Sparks roster looks a lot more intentional than a couple of years ago. General manager Raegan Pebley said Atkins’ addition helps establish a deeper offense, while Rae Burrell playing at the three gives them more versatility.

There are still question marks. They don’t have a ton of ball-handling depth or much true-center play after Cameron Brink.

But Ogwumike has seen the changes internally and from afar, and she thinks the Sparks are ready to compete now.

“I didn’t actually want to leave, but I felt like I needed to, considering the growth that we wanted to see further in the organization, and I really wanted to come back,” she said. “… The timeline of a lot of things [in the offseason] accelerated, me narrowing down certain organizations, but L.A. was in the mix not because, not just because of the time that I’ve had here, but because of the amazing progress that I’ve seen in just the two years in my absence.”

Ogwumike said part of that was the investment in a practice facility, set to debut in 2027, and that the front office, led by Pebley, had a plan to build a winning team.

But the most important thing in bringing in the veteran trio was that the Sparks had a plan on the court, too.

“It’s really exciting when you can be in a place where everybody has the main thing being the main thing,” Atkins said. “And that’s not to say it wasn’t like that in the past, but it’s different when you have older players and vets around you that have done it before, because the way that they walk in, the way that they talk, there’s no uncertainty there, right? It’s like, this is how we need to get through, this is what we need to do, get it done so it really just be on us.”

Wheeler has only played in the WNBA postseason a handful of times between Indiana and Seattle and at 36 years old, she joined the Sparks led by coach Lynne Roberts with the intention of playing for a winner.

“I tell people all the time, I’m a businesswoman,” she said. “I have money. … So money don’t move me, [there] was a lot more money out there for me to go after. But I felt like Lynne is building a championship rock, and I want to be a part of that.”

Atkins was traded from Chicago for Rickea Jackson, a controversial move that shipped one of the best young players in the game away from the Sparks. On draft night, Pebley said the move helped them win games now and she reiterated that on Sunday.

“We were really aware of is that we were missing another counter punch with KP, she needed some support in terms of somebody that can take some pressure off of her, to have to score it, or to have to create for someone else to score it, that was a big reason of why Ariel, we feel, is a great fit,” she said. “And then Erica Wheeler is just a winner, and she’s going to bring some toughness and leadership there. So I think with those three at the one-two spot, we’re super excited about that.”

Atkins adds a defensive layer alongside Ogwumike for a team that was dead last in the WNBA in defensive points per game last season, and that’s one of those intentional, win-now kind of moves that has everyone in the organization excited.

The Sparks finished just two games out of a playoff spot last season. This year, expectations are far more than just finishing as a playoff team, and that messaging brought in one of the most cohesive rosters in the WNBA.

“I always say that the killer combination is investment and engagement, and so I’m seeing both at very high levels, and it permeates every aspect of the organization,” Ogwumike said. “Whether it’s basketball ops, front office, player experience, practice facility, it’s just something that I’ve always believed was our standard, and not only have we matched what our expectations were, but we’re now exceeding it in a timeline that I think is much faster than I ever expected.”

We have just gotten our first full overhead image ever of the B-21 Raider. The photo was taken during the Raider’s initial aerial refueling trials, which TWZ was first to report on. While a head-on slightly elevated image of the B-21 has been released, one showing the entire aircraft from a steep upper perspective has not. The same can be said for any image showing the next generation bomber’s exhaust, which is one of the most sensitive parts of a very low observable aircraft’s design.

The images of the first B-21 airframe, nicknamed Cerberus, undergoing testing in the pre-contact position behind the tanker were included with a release from its manufacturer, Northrop Grumman. It states, in part:

“As the most fuel-efficient bomber ever built, the B-21 consumes a fraction of the fuel used by fourth- and fifth-generation aircraft. This reduces demand for theatre tanker logistics and provides operational commanders with greater flexibility in force packaging. 

With more than $5 billion invested in digital technologies and manufacturing infrastructure for the B-21 program, Northrop Grumman is accelerating its production, with the first aircraft planned to arrive at Ellsworth Air Force Base in 2027.“  

The B-21’s extreme endurance is a key component of the Long-Range Strike Bomber (LRS-B) concept. The aircraft is smaller than a B-2, but will be able to fly farther, relying on a planform design that predated the B-2 Spirit and is optimized for high-altitude, highly-efficient flight. The B-21 likely relies on two engines, based on images showing the aircraft’s contrails and general design cues, not four, as found in its predecessor. The aircraft will also have a smaller weapons payload than the B-2, but will carry an extreme amount of fuel to help it reach farther from a tanker. You can learn more about the evolution of the B-21 and its B-2 roots in this past feature of ours.

The tanker that is seen in the images is Edwards AFB’s ‘Ghost’ tanker, tail number 61-0320. TWZ just spent time with this special aircraft and its crews at Edwards AFB. You can learn all about their unique mission in the feature video below that we posted to YouTube as part of our Special Access video series:

Inside The Air Force’s Elite Ghost Tanker Unit

In this new overhead image, we get a good look at the Raider’s open refueling receptacle and the paint markings around it, which mirror those found on the USAF’s 5th generation stealth fighters, the F-22 and F-35. We also get a great look at the B-21’s deeply-blended air inlets, also one of the most sensitive parts of its stealth design. Above all else, we are shown Raider’s exhausts, which appear very impressive, if not a bit confounding.

We must state that the image very well could have been altered so as to not give certain features of the B-21’s exotic exhausts away. Once again, this is a very sensitive area of the bomber. Regardless, what we see is the deeply-sunk chevron-shaped (inverse direction compared to B-2) low-observable exhausts placed very far forward of the aircraft’s trailing edge to help mask its infrared signature. But what’s missing is any kind of special material that would attenuate the heat generated from the hot gasses and protect the airframe from it.

There also isn’t any planar area for active cooling, as is found on the B-2, or a trough-like section that connects the buried engine’s exhaust ducts with the upper area of the aircraft’s empennage. Exactly how all this is accomplished is unclear, but again, the image could be touched up to conceal parts of this area.

Another feature that we have pointed out since the B-21 was revealed that is really clear in this image is just how small the cockpit windows are. As we originally speculated, their unique design was likely driven by aerial refueling requirements balanced against minimizing the frontal radar cross-section of the aircraft. The B-21’s higher operating altitude should make the cockpit area less of an issue for most aerial and ground based radars, but still, it appears that minimal cockpit glazing was used to keep the Raider hard to detect as possible.

We also got a side view of the aerial refueling formation trial showing the B-21’s trailing its instrumented drogue as it cozies up behind 61-0320. This angle gives an idea of just how short the length of the B-21 is. Likely about the length of an F-15 front to back. Our estimation of its wingspan remains around 145 to 155 feet.

Overall, from what we understand about the still very secretive program is that it’s on schedule and on budget — a remarkable achievement considering the history of its progenitor. You can read all about how the B-2’s unfortunate fiscal ‘death spiral’ likely heavily influenced the B-21’s design in our previous feature linked here.

Regardless, it’s great to see new perspectives of what is the most cutting-edge manned aircraft known to the public and it is a good sign that we will be seeing a lot more imagery of the B-21 as the test program accelerates towards initial operational capability.

UPDATE:

Here is an annotated view of the B-21’s upper fuselage showing some of its main features, minus the conformal antennas and other bits:

Contact the author: Tyler@twz.com

The third season of Apple TV’s “Shrinking” concludes with Jimmy (Jason Segel) being, well, “Jimmy-ed.”

For three seasons, Jimmy, a therapist grieving the loss of his wife, has used unconventional methods —think taking someone with aggression issues to a boxing ring — to get through to his patients. In the last moments of “And That’s Our Time,” Jimmy’s mentor and fellow therapist Paul (Harrison Ford) turns that approach on its namesake, flying across the country to give Jimmy a much needed push to move forward with his life. “Jimmy needed permission and encouragement from someone to say, ‘All right, it’s time,’” Segel says. “This is the end of this story and it’s time to start a new one.”

In the scene, Paul finally tells Jimmy he’s like a son to him. “I found ourselves writing a conversation that if we were lucky enough to have a conversation like that with our own fathers, we’d be grateful,” executive producer Bill Lawrence says. “A lot of my shows have an element of mentorship in them. To see Jimmy’s mentor come through for him in the way that I would always hope he would meant a lot to me.”

Lawrence had always envisioned the three-season arc for Jimmy ending this way. But when they found out the comedy would be returning for a fourth season, he and his fellow executive producers were faced with a dilemma: End the season the way they would have the series or push their original ending out for one more season. After much discussion, they decided to stick the landing.

“It still felt right,” Lawrence says. “This particular story with these characters has been told and you should feel, in a good way, like it’s gonna be OK for Jimmy. Jason is so good at it, watching him play the agony of trying to get through it all and come out on the other side was my favorite kind of journey on the whole show.”

Segel spoke to The Envelope about filming this pivotal scene and bringing the third season to a close.

What did filming this final scene mean to you? To play this part of Jimmy’s journey coming to an end?

I’m always really interested in, “What is the dirty underneath? If we go one level deeper, what is the thing that the person is not saying?” This arc with Jimmy over the three seasons had been building up to Jimmy finally saying the actual thing, which is some version of, “Who’s gonna want me now?”

Paul answers that question by telling Jimmy that his scars are “evidence of a life well–lived.”

I had a therapist I was talking to about having to show up somewhere with people I knew from 25 years ago. I remember having a little bit of apprehension because I’ve had a twisty-turny life. I thought, “God, there’s so much to catch up on and I’m showing up covered in scars.” And this therapist said to me, just matter of fact, “What a shame it would be to show up anywhere at 45 years old not covered in scars.” And I went straight to Bill and [executive producer] Neil [Goldman], this is a year ago, and I said, “This is what Harrison says to Jimmy at the end of this arc.” And we worked it in.

What was the actual day of filming the scene like for you?

It was a difficult day. It was loud that day. There was a little bit of discombobulation on the street. There was construction and they couldn’t hold the cars right. It wasn’t the ideal environment for a scene like this where you would love to hear a pin drop. People were coming into the restaurant asking, “Are you guys open?” It almost felt like we were making a student film. And Harrison and I took a minute and we walked away from the set and we started running the scene, walking up and down the busy street to kind of acclimate ourselves. And I’m walking up and down the street with this man who I idolize and we are at that moment like equals and teammates. We have to go build this scene together. It is a real honor to have that dynamic with him.

Do you think it was important to have such a pivotal scene outdoors?

They’re a good reminder that the show takes place in the real world and that you’re like a representative of reality almost. I think that there’s something vulnerable about all that taking place outside. … There’s other patrons there. It’s surrounded by people, surrounded by life, and Paul is showing up and telling Jimmy, “It’s time to step into it. Look, it’s all around you.”

This season we met Jimmy’s father (played by Jeff Daniels), who never really connected with his son and, in a heartbreaking moment, chooses a fishing trip with his buddies over staying for Alice’s (Lukita Maxwell) high school graduation.

One of the things this show does really well is handle these situations honestly. Whether it’s Parkinson’s or loss or a complicated relationship with a family member. It’s not gonna magically change. None of it. And so the show is very much true to, “How do we get through it with each other?” That’s really the theme of the show. These issues are gonna be there. What are we gonna do with the realities of life? I think the reason they brought Jeff Daniels in is to highlight why Jimmy so desperately wants Paul’s affection. Where is this coming from? Bill is a genius in terms of setting something up in a previous episode so that there’s a payoff in the finale. I think that we understand suddenly how desperate Jimmy is to have somebody say, “You’re my son and I love you.” And he finally gets that at the end from Paul.

The other major event that happens in the finale is that Alice leaves for college.

To me, [Jimmy’s relationship with Alice] has been the heart of the show and the most important storyline. The show started out with Alice parenting a troubled child in her father. And that dynamic slowly, slowly, slowly shifted to being the right direction. Until finally he is able to see her off to college and she feels safe to leave him behind. He is the parent and she is the child and everything is the right size again. I think watching Lukita as an actor and a human being grow up over these past four years, it’s been really the joy of my career. When I met her, she called me Mr. Segel. I realized she grew up with my “Muppet” movie. I have the real honor of being more of a mentor than a contemporary to Lukita. To get to the point where I am being surprised and challenged and blown away and moved to tears in scenes with Lukita is like the coolest thing in the world.

Cobie Smulders and Jason Segel in “Shrinking.”

(Apple TV)

We see Jimmy sit down at the restaurant with his potential love interest Sofi (Cobie Smulders), but we don’t hear their conversation.

It originally ended with a hard cut to black. Then then they did this beautiful cinematic pullback. I think the most important line is, “Hello.”

As the scene ends, Paul tells Jimmy that he can either “stay stuck” or “go make new scars.” Paul advises Jimmy to “choose wisely” and then winks at Jimmy. It’s a subtle nod to the famous “choose wisely” scene from “Indiana Jones and the Last Crusade.”

Harrison is not so secretly one of the funnier people I know. He always knows exactly what he’s doing and we’ve had a few of those throughout the season, some little nods to Harrison’s body of work. It was a perfect way to end that scene. Paul slash Harrison is always just a little smarter than you. One of the great qualities that they have is they’re just a little bit ahead of you, which a great mentor should be, right?

Have you thought about how it will be to play Jimmy in the show’s fourth season now that this particular story arc has come to an end?

I think an equally interesting and complicated and fun area is someone deciding they’re ready to be happy. Because God knows it’s one thing in your house alone in front of the mirror [to say], “Now I’m gonna be happy.” And then you go out and in practice, it’s its own set of complications, right? And so, I’m actually really excited about that idea of someone saying, “OK, I’m ready to take it for a spin.” And then seeing that’s its own thing.

Much of the news dominating the local restaurant scene has focused on sadness.

Two Los Angeles icons, Cole’s French Dip and Echo Park’s Taix restaurant, closed after more than 215 combined years of service.

It’s easy to be down and not necessarily want to go out.

Fortunately, our Food team, led by senior editor Danielle Dorsey, has some amazing recommendations for new favorites and old haunts that will fill your stomach and lift your spirits.

This month’s highlighted selections include locales from Altadena and Echo Park to Malibu and Westwood that the team feels are all worth your time.

Let’s take a look at a few of their selections.

Duke’s (Malibu)

The iconic restaurant along PCH was on the heels of reopening after the Pacific Palisades fire last February when heavy rain caused mudslides that led to flooding and extensive damage.

Fourteen months later, Duke’s Malibu is open with significant renovations and limited lunch and dinner menus featuring Hawaiian-influenced seafood staples such as crispy coconut shrimp, Korean sticky ribs and hula pie.

As the restaurant celebrates 30 years in operation, plans are underway for an anniversary party this summer.

(Kayla Bartkowski/Los Angeles Times)

Golden Leaf Restaurant (San Gabriel)

A Taiwanese restaurant in San Gabriel was forced to remove stinky tofu, a popular, culturally significant dish, from its menu after repeated complaints from residential neighbors and fines from the city.

City officials have encouraged Golden Leaf restaurant to install an expensive filter to address the pungent smell, though owners insist that none of their immediate shopping center neighbors have complained about the odor.

Supporters launched a Change.org petition last summer backing the preparation of the dish.

(Bill Addison / Los Angeles Times )

Hoja Blanca (Palm Springs)

If you’re heading to Coachella today, it’s worth making a detour for this weekly pop-up at a sleek Palm Springs bar.

From married couple Omar Limon and Blanca Flores Torres, with help from Omar’s brother Arnold Limon, Hoja Blanca offers a playful take on modern Mexican food with dishes such as quesabirria tacos, esquites with cauliflower and a tetela topped with pork belly, all served alongside Bryan Jimenez’s classic cocktails.

(Stella Kalinina/For The Times)

Meymuni Cafe (Rancho Park)

As war unfolds in Iran and neighboring countries, L.A.’s Persian community has found comfort and support at restaurants such as Meymuni, a modern Persian cafe that offers free tea and cookies to diners, many of whom stop by after related protests at the nearby Federal Building.

The cafe opened in 2025 with barbari bread and lavash wrap sandwiches, tahini-date shakes and chai lattes, plus a full slate of events aimed at uplifting the local Persian community.

(Stephanie Breijo / Los Angeles Times)

NADC Burger (Westwood)

The rapidly expanding smashburger chain from Pasta Bar and Sushi by Scratch Restaurants chef Phillip Frankland Lee has opened its first L.A. location in Westwood Village, with plans to open additional locations in the city.

The signature burger at NADC — an acronym for “not a damn chance” — features two Wagyu patties, American cheese, grilled onions, jalapeños, pickles and a house sauce, with beef tallow fries and brown butter chocolate chip cookies rounding out the short menu.

(Stephanie Breijo / Los Angeles Times)

Roshona Bilash (Larchmont)

After stepping away from the kitchen for decades, Abul Ibrahim has opened a quick-service restaurant in Melrose Hill that celebrates the Bangladeshi flavors he grew up with.

Roshona Bilash, which translates to “luxurious taste,” features Bengali classics such as bone marrow nihari, rice pilafs and meats and breads cooked in a clay oven, with plans to expand with regional specialties such as seafood dishes popular along the Bangladesh coast.

Check out the full list here.

The week’s biggest stories

(Kyra Saldana/For De Los)

Los Angeles Times Festival of Books

California living

Crime, courts and policing

Entertainment and media news

What else is going on

Must reads

Other meaty reads

For your downtime

(Illustrations by Lindsey Made This; photograph by Frazer Harrison / Getty Images)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

It’s time to reveal memories, laughs and crazy times from Randy Rosenbloom’s 55 years as a TV/radio broadcaster in Los Angeles. He’s hopping in a car next Sunday with his wife, saying goodbye to a North Hollywood house that’s been in his family since 1952 and driving 3,300 miles to his new home in Greenville, S.C.

“When I walk out, I’ll probably break down,” he said.

He graduated from North Hollywood High in 1969. He got his first paid job in 1971 calling Hart basketball games for NBC Cable Newhall for $10 a game. It began an adventure of a lifetime.

“I never knew if I overachieved or underachieved. I just did what I loved,” he said.

Randy Rosenbloom (left) used to work with former UCLA coach John Wooden for TV games.

(Randy Rosenbloom)

John Wooden, Jerry Tarkanian and Jim Harrick were among his expert commentators when he did play by play for college basketball games. He called volleyball at the 1992 and 1996 Olympic Games for NBC and rowing in 2004. He’s worked more than 100 championship high school events. He did play by play for the first and only Reebok Bowl at Angel Stadium in 1994 won by Bishop Amat over Sylmar, 35-14.

“There were about 5,000, 6,000 people there and I remember thinking nobody watched the game. We ended up with a 5.7 TV rating on Channel 13 in Los Angeles, which is higher than most Lakers games.”

He conducted interviews with NFL Hall of Famers Gale Sayers and Johnny Unitas and boxing greats Robert Duran, Thomas Hearn and Sugar Ray Leonard. He’s worked with baseball greats Steve Garvey and Doug DeCinces. He called games with former USC coach Rod Dedeaux. He was in the radio booth for Bret Saberhagen’s 1982 no-hitter in the City Section championship game at Dodger Stadium. He was a nightly sportscaster for KADY in Ventura.

Randy Rosenbloom, left, with his volleyball broadcast partners, Kirk Kilgour and Bill Walton.

(Randy Rosenbloom)

He was the voice of Fresno State football and basketball. He also did Nevada Las Vegas football and basketball games. He called bowl games and Little League games. He was a public address announcer for basketball at the 1984 Olympic Games with Michael Jordan the star and did the P.A. for Toluca Little League.

Nothing was too small or too big for him.

“I loved everything,” he said.

He called at least 10 East L.A. Classic football games between Garfield and Roosevelt. He was there when Narbonne and San Pedro tied 21-21 in the 2008 City championship game at the Coliseum on a San Pedro touchdown with one second left.

Probably his most notable tale came when he was doing radio play-by-play at a 1998 college bowl game in Montgomery, Ala.

“I look down and a giant tarantula is crawling up my pants,” he said. “My color man took all the press notes, wadded them up and hit the tarantula like swinging a bat.”

Did Rosenbloom tell the audience what was happening?

“I stayed calm,” he said.

Then there was the time he was in the press box at Sam Boyd Stadium and a bat flew in and attached itself to the wooden press box right next to him before flying away after he said, “UNLV wins.”

Recently, he’s been putting together high school TV packages for LA36 and calling travel ball basketball games. He’ll still keep doing a radio gambling show from his new home, but he’s cutting ties to Los Angeles to move closer to grandchildren.

“I’m retiring from Los Angeles. I’m leaving the market,” he said.

Hopefully he’ll continue via Zoom to do a weekly podcast with me for The Times.

He’s a true professional who’s versatility and work ethic made him a reliable hire from the age of 18 through his current age of 74.

He’s a member of the City Section Hall of Fame and the Southern California Jewish Sports Hall of Fame. He once threw the shot put 51 feet, 7 1/2 inches, which is his claim to fame at North Hollywood High.

One time an ESPN graphic before a show spelled his name “Rosenbloom” then changed it to “Rosenblum” for postgame. It was worth a good laugh.

He always adjusts, improvises and ad-libs. He expects to enjoy his time in South Carolina, but he better watch out for tarantulas. They seem to like him.

Bulgarians vote to elect a new parliament, after mass protests brought down the previous Conservative-led government in December.

Bulgarians have started voting in the eighth parliamentary election in five years after mass protests brought down the previous Conservative-led government in December.

Polling stations opened at 7am local time (0400 GMT) and are due to close at 1700 GMT, according to AFP journalists.

Sunday’s vote is significant as it could bring to power a left-leaning, pro-Russian former president Rumen Radev – just days after voters in Hungary rejected the authoritarian policies and global far-right movement of Viktor Orban, who cultivated close ties with Russian President Vladimir Putin.

The December protests drew hundreds of thousands of mainly young people to the streets. The protesters called for an independent judiciary to tackle widespread corruption.

Radev, a former air force general, has said he wants to rid the country of its “oligarchic governance model” and backed anti-corruption protests late last year that brought down the conservative-backed government.

He has advocated for renewing ties with Russia and criticised sending military aid to Ukraine. He resigned from the mainly ceremonial presidency in January to launch his bid to lead the government as prime minister.

He leads the newly formed centre-left grouping, Progressive Bulgaria. Opinion polls before Sunday’s vote suggested it could gain 35 percent of votes.

Since 2021, the nation of 6.5 million has struggled with fragmented parliaments that produced weak governments. None managed to survive more than a year before being brought down by street protests or backroom deals in parliament.

Football can teach many life lessons and no one knows that better than Jazmin Gamble, the new varsity head coach at Hawthorne High.

As a woman in a male-dominated profession, one could define her as a trailblazer — and that would be accurate — but while she acknowledges the historical significance of what she is doing, Gamble is not letting it distract her from the task at hand — turning around a program that has fallen on hard times.

“It’s less about proving a point and more about giving all these boys a better experience,” Gamble said. “I’m not downplaying the impact of it, rather I want to leverage the attention in a way that benefits the players and opens doors for them. I’m elated and honored that the district saw my vision and said ‘this girl can do that.’ I have to ask myself how I can use this opportunity to spotlight our team.”

Gamble, who turns 36 in June, is a running back and linebacker for the Los Angeles Legends in the Women’s National Football Conference, a full-contact professional league consisting of 16 franchises across the United States.

Gamble was selected defensive player of the year in 2024 and offensive player of the year in 2025 when she gained a league-leading 549 yards rushing (averaging 11.9 yards per carry) while scoring three touchdowns.

“I tore my ACL my first season and was on injured reserve, but I came back in 2022 and have been playing ever since,” she said. “We made the playoffs last season but lost in the first round. We’re 2-1 right now with three games left. We played our first home game at Long Beach Poly, so the boys got to see their coach in action. We won 23-0 and I scored a touchdown, but it got called back due to holding.”

Hawthorne High football coach Jazmin Gamble calls for her players to huddle during a recent practice.

(Steve Galluzzo / For The Times)

The Legends’ next home game is April 25 against the Utah Falconz at St. Anthony Sports Complex in Lakewood.

“This is my last year playing, but I’ve been wanting to transition more into coaching,” said Gamble, a certified personal trainer and fitness instructor who started a business 10 years ago called the Jazz Standard. “I first heard about the job through my coaching network and it sounded very appealing. I applied, I interviewed and I got it. Football takes up so much of your time and energy. I’ve done enough in this sport. This is a good time for me to stop, and although this is my first crack as a football head coach I’ve been coaching athletes for six or seven years, including some of my teammates, and they got better.”

A Bakersfield native, Gamble was an exceptional all-around athlete. Growing up she was a gymnast and a cheerleader. She played club volleyball, ran track and played basketball while attending four high schools, two in Bakersfield and two in the Bay Area, and graduated from Mt. Diablo High in Concord.

Upon moving to Los Angeles 13 years ago, she was in survival mode.

“I was homeless and slept in the back seat of my car for a couple of months until I got a job in human resources,” she recalled. “I started training and working in the fitness field and after struggling to make it for a few years I decided I wanted to be a business owner and things took off from there. Now I have 33 active clients that I see two to four times a week and even train the No. 2 rusher in the WNFC.”

Gamble lives in Inglewood but her business is in Gardena near Serra High, where she got involved behind the scenes with the flag football team before the sport was officially sanctioned by the CIF in 2023.

“A few of those girls trained with me and I learned to adopt a different schematic approach. Boys are playing football as early as 5 or 6 years old, whereas women are starting at 20 or even their early 30s and their bodies aren’t prepared for it. I didn’t start playing tackle until I was 31.”

Gamble is still assembling a staff but one of her assistants will be her brother, Kenneth Davis, a former receiver at Liberty High in Bakersfield.

Hawthorne does not have a junior varsity team. There were 29 players on the roster last year and nine graduated.

“On Day 1, I had 22 come to the weight room,” Gamble said. “Some players are in track right now, but in May I’ll have ‘em all. My strong suit is development so I’m ready for this. Right now, we’re at ground zero. We’ve only had a handful of practices, mainly conditioning. The boys have been super receptive. I’m just going to be me!”

Hawthorne went 2-8 last season, finishing fourth in the Ocean League and being outscored by 281 points. The Cougars were shut out three times.

“Jazmin’s a breath of fresh air,” said athletic director Mario Romero, who was involved in the hiring process. “She’s brought enthusiasm across the entire school community and I’m excited about where her leadership is going to take us.”

Hawthorne High football coach Jazmin Gamble shows her players how to run a drill during practice.

(Steve Galluzzo / For The Times)

Fifteen players showed up for a one-hour workout Wednesday at HalCap Field. One of them was quarterback Anthony Green, who played in the last two games as a sophomore last year after transferring from King/Drew and is the projected starter next season.

“She made a good impression,” he said. “I like the workouts — they’re very intense — and I like the competition. Coach expects a lot and she pushes us.”

Gamble put her players through a series of drills to test their stamina, quickness and technique. The penalty for walking was push-ups.

“Everything out here is earned … may the best man win!’ she shouted.

“Her practices are intense — she knows what she’s doing,” added junior linebacker Adrian Lopez, who was an All-League first teamer last fall. “She has a home game coming up and I think I’ll go out and watch. My goal for us is to have at least a .500 season and make the playoffs.”

Gamble is not the first female to coach varsity football at Hawthorne. Monique Boone was the varsity defensive line and assistant offensive line coach in 2021 under previous head coach Corey Thedford. However, overseeing the entire program puts Gamble in rarefied air.

What convinced Romero that Gamble was the right person for the job?

“Her background, her skill set and also the fact that she plays the sport herself at a high level,” he said.

MODEL Lottie Moss has revealed she went back on fat jabs despite ending up in hospital and having a seizure the last time she tried them.

The 28-year-old admitted to injecting Mounjaro, but gave it up for being “too expensive”.

Lottie, the younger half-sister of supermodel Kate Moss, said: “I went on Ozempic for a bit and Mounjaro for a bit and then I came off it and I just gained all the weight back because it got really expensive.

“I’m not wasting £300 a month on that s***.”

She weighed only nine stone when she took Ozempic in 2024 and ended up in A&E.

At the time she said: “I felt like I was dying – I’ve never had a seizure before.

“It wasn’t worth it.”

Speaking on her vlog, the former OnlyFans star added: “Weight is something I’ve always struggled with. I wake up in the morning and it’s the first thing I think about.

“I look in the mirror and I’m like, ‘How do I look?’

“Weight’s always been a really big thing for me, especially with modelling, so feeling good in my weight and myself – I know I’m not an unhealthy size – it’s just something I personally want to improve on.”

PHOENIX — Golden State coach Steve Kerr is contemplating his future, the four-time NBA champion coach suggesting after the Warriors’ season ended Friday night that there is a chance he might not be back with the club next season.

“It might still go on. It may not,” Kerr said after the Warriors lost in Phoenix and were eliminated from the play-in tournament.

He shared an embrace with Stephen Curry and Draymond Green, the team’s two constants from the Warriors’ title runs with Kerr, near the team’s bench in the game’s final moments and appeared to mouth the words “thank you.”

Kerr wouldn’t reveal what he said in that moment.

“None of your business,” he said, smiling.

Green and Curry both made clear that they want him back. Kerr’s future has been the subject of speculation for some time, fueled in part by him coaching this year on the final season of his existing contract. The Warriors missed the playoffs this season for the fourth time in the last seven years.

“I want Coach to be happy. I want him to be excited about the job. I want him to believe you know he’s the right guy for the job,” Curry said. “I want him to have an opportunity to again enjoy what he does. So, whatever that means for him, you know, everybody’s plan is their own. And I’m not going to try to tell anybody what to do. He knows how I feel about him. That shouldn’t even need to be said.”

Added Green, when asked if he could even fathom the Warriors without Kerr on the sideline: “I just don’t deal with change well. I don’t love it. So, I don’t want to think about that. I hope that’s not the case, but we’ll see what happens.”

The 60-year-old Kerr just finished his 12th season with the Warriors. He’s 604-353 in that span, led Golden State to the NBA Finals in each of his first five seasons — and once since then as well — plus guided the U.S. to Olympic gold at the Paris Games in 2024.

His playoff record of 104-48 is nearly unmatched; among coaches with at least 100 playoff games in their career, his .684 playoff winning percentage is second only — and barely — to Phil Jackson, who went 229-104 (.688).

Kerr said he’ll meet with Warriors owner Joe Lacob and general manager Mike Dunleavy to chart a path for what’s next. He suggested that might come in a week or two.

“We’ll talk about what’s next for the Warriors, what the plan is this offseason,” Kerr said. “And we will come to a collaborative decision on what’s next. I don’t know what’s going to happen. I still love coaching. But I get it. These jobs all have an expiration date. There’s a run that happens, and when the run ends, sometimes it’s time for new blood and new ideas and all that.

“And, if that’s the case, then I will be just nothing but grateful for the most amazing opportunity any person could have to coach this franchise, in front of our fans in the Bay and to coach Steph Curry, to coach Dray and the whole group.”

Kerr wouldn’t say what some of the factors are that might sway his decision, calling those private.

“If it’s right, it’s right,” Kerr said. “And if it’s not, it’s not.”

There will be talks with Curry as well; the greatest three-point shooter in NBA history, who just finished his 17th season — all with Golden State — said he plans to play for “multiple” seasons after this and would be interested in an extension.

“It’ll be a busy summer for the Warriors,” Curry said, smiling.

The Warriors were 37-45 this season, dealing with injuries the entire way. They rallied Wednesday from a 13-point fourth-quarter deficit to beat the Los Angeles Clippers and move into Friday’s play-in finale, only to fall short against the Suns.

And now, the Warriors wait to see what’s next.

“This was as tough a season as you can have, with the injuries, with all kinds of adversity,” Kerr said. “And they battled, and they battled the entire season. They kept going the other night just to, you know, continue the season, to show that kind of fight. And then tonight, we just didn’t have it. But the competitive desire was there. And I’m proud of the group for finishing the season the right way by continuing to fight and trying to win every game.”

Kerr — who won five championships as a player, to go along with his four rings as a coach — has spoken often of his good fortunes within the game. He played for Lute Olson at Arizona, played with Michael Jordan and Scottie Pippen in Chicago, played with David Robinson and Tim Duncan in San Antonio and played for Jackson and Gregg Popovich as a pro.

And coaching Curry — the greatest face of a franchise he’s ever seen, he said — is another honor, Kerr has insisted.

“The only thing I’ve learned is that I’m the luckiest guy in the NBA’s history,” Kerr said.

I KNEW Efteling theme park had a fairytale garden, but I didn’t realise a stay there would give me such a royal welcome, too.

The lobby of the newly opened Efteling Grand Hotel at this Netherlands attraction feels like its straight out of the classic storybooks my nan used to read me when I was a child.

A sweeping staircase circles an intricate, ­cascading chandelier made from tiny gold keys, candles flicker in the alcove and a 1920s bellhop — a mime-artist in full character — performs a slapstick routine pretending to dust off everyone’s suitcases.

It’s a welcome distraction for the kids, who were itching to bust through the back door and on to the rides. And even as a grown adult, I’m mesmerised.

Efteling first opened in 1952 and its mix of traditional fairground attractions, modern thrill rides and whimsical storytelling now attracts more than five million visitors every year.

Perched dominantly on the edge of the theme park, the Grand Hotel is a a castle-esque chateau that began welcoming guests last summer.

RIDE OFF

Abandoned UK theme park left rotting for 14 years with graffiti-covered walls

PAW-SOME

The UK’s first PAW Patrol land to open in just weeks with four new rides

It’s the first time in Efteling’s ­history that visitors have been able to stay the night within the park gates.

Unlike its other accommodation options — Efteling Wonder Hotel and the holiday villages Bosrijk and Loonsche Land — the Grand Hotel is slightly more premium for those who want some proper R&R — that’s rest and rollercoasters.

It doesn’t feel like a twee theme- park hotel, though.

The arty design was inspired by the park’s history and leans in to the visual style of film director Wes Anderson’s Grand Budapest Hotel.

The 140 plush, modern, yet cosy rooms and suites look more like they belong in a stylish boutique hotel, although there are subtle nods to a princess theme.

Delicate vintage-style decor has been paired with ice-blue walls and brushed gold fittings. Elsewhere, there’s a great swimming pool, spa facilities and two fantastic restaurants.

Guests are also given unlimited, free access to the theme park throughout their stay, including on arrival and departure days and free private parking.

For those who don’t fancy driving, it’s incredibly easy to travel by train.
Eurostar operates direct services from London to Amsterdam, then it’s an easy change on to a local train that will have you at Efteling in less than an hour.

After a very early start, the fluffy linens in my room could have easily tempted me to have a duvet day, but the views of the park from my window were too much to resist.

Within minutes, I was out of the door and approaching my first ride of the day — the quirky and family- friendly Symbolica.

Revered as one of the best attractions at the park, it’s an absolute must-do.

The immersive experience sees visitors sit in floating cars on a modern, magnetic track, journeying through a Gothic palace that features some curious inhabitants.

It’s packed with optical illusions and special effects, perfectly pairing Efteling’s reputation for storytelling with enough excitement to appease the TikTok generation.

There’s plenty for adrenaline junkies too, and for children of all ages.

If you’re travelling with kids, keep your eyes peeled for Hooghmoed.

Set to open on May 1, it features three drop towers and is aimed at younger guests who don’t yet want to take on the white-knuckle rides.

And if you’re not a fan of rides full stop, there’s plenty more to enjoy at Efteling.

The theme park is set around stunning gardens and enchanting woodland, which is used to full effect to play out the fairytale theme.

Granted, parents don’t tend to leave a theme park feeling well rested, but somehow the Efteling Grand Hotel changes that.

The atmosphere feels serene, despite being literally next-door to six roaring rollercoasters and a donkey that poops gold coins (one of the park’s quirkier attractions).

At the end of each tiring day, I was made to feel like a sleeping beauty snuggled in that ridiculously comfy bed.

Although having endured upside-down loops, sudden drops and water rides, I’m not convinced I looked like one.

LIV Golf appears to be dying on the vine but doesn’t want to say so.

Amid several reports that the Saudi-backed Public Investment Fund will cease its abundant funding of LIV Golf after the 2026 season, officials with the four-year-old PGA Tour competitor chose to focus on the fact that the show will go on — at least through August.

During a broadcast interview from the LIV tournament in Mexico City, LIV Chief Executive Scott O’Neil would not say if the league has a funding commitment from the Public Investment Fund, or PIF, beyond this year.

O’Neil responded to a question about golfer Sergio Garcia saying this week that LIV Golf Chairman Yasir Al-Rumayyan “told us at the beginning of the year that he is behind us, that they have a project of many years.”

“It’s just not the way the world works,” O’Neil said. “We have commitments to have this … the reality is you’re funded through the season and then you work like crazy as a business to create a business and a business plan to keep us going.

“But that’s not different from any other private equity-funded business in the history of mankind.”

The interview was pulled from the internet shortly after it was posted.

PIF announced a new five-year strategy Wednesday that will reduce international investments from 30% to 18-20% of the portfolio and place greater emphasis on Saudi domestic initiatives to promote sports. LIV Golf does not fit into that category and was not mentioned.

“PIF will continue to support Saudi Vision 2030 objectives by delivering competitive domestic ecosystems,” Al-Rumayyan said in the announcement. “The 2026-2030 strategy is a natural next step in PIF’s growth journey.”

PIF approved more than $250 million in additional funding for LIV Golf this year, hiking the total investment to more than $5.3 billion since the league was launched four years ago. Documented losses are more than $1 billion from 2022 to 2024, according to Forbes.

LIV Golf executives were rushed from various corners of the planet to a meeting this week in New York where the future of the operation was discussed in private and decisions were made.

A few flew in from Mexico City, where this week’s tournament began Thursday at the Club de Golf Chapultepec. It is one of the highest-altitude golf courses in North America, and LIV golfers took deep breaths before answering press questions about reports that the organization was on the verge of collapse.

“For me, it didn’t make sense to think about it or waste time thinking about,” superstar golfer Jon Rahm said after shooting a first-round 65. “Since everything happened so suddenly and so quickly, I wasn’t very worried about it because normally, before the rumors start, we already know something — there’s always someone within the league who knows something.”

Communication at the tournament was spotty. A power outage at the course Tuesday caused interviews to be canceled, and streaming of the first round Thursday was down for about two hours because of what were described as technical difficulties.

Yet nothing could stop the speculation and growing unease about the future of LIV Golf. Money continues to hemorrhage, as does the roster of big-name golfers.

LIV Golf purses each week are $30 million — 50% more than PGA Tour purses. Enormous signing bonuses were doled out to secure the services of superstar golfers Phil Mickelson, Dustin Johnson, Cameron Smith, Bryson DeChambeau and Rahm. All received bonuses of at least $100 million to defect from the PGA Tour, and Rahm, a relative latecomer to LIV Golf, received a reported $300- to $500-million bonus.

Yet original LIV Golf members Brooks Koepka and Patrick Reed recently returned to the PGA Tour. Others are bound to follow.

Former PGA standout Greg Norman was the LIV Golf chief executive until resigning in August, citing exhaustion. His comments upon exiting might have foreshadowed the current difficulties.

“I knew there were going to be a lot of headwinds,” he told the Australian Golf Digest. “I didn’t anticipate the magnitude of those headwinds because … as time went by, those headwinds were created by misperceptions.”

Norman was replaced by O’Neil, whose internal message to the LIV staff Wednesday attempted to quiet concerns about PIF pulling the plug. He urged the golfers to focus on the season that is already underway.

“We are heading into the heart of our 2026 schedule with the full energy of an organization that is bigger, louder and more influential than ever before,” O’Neil wrote in the message obtained by Sports Illustrated. “The life of a startup movement is often defined by these moments of pressure. We signed up for this because we believe in disrupting the status quo.

“We have faced headwinds since the jump, and we’ve answered every time with resilience and grace. Now we answer by doing what we do best: putting on the most compelling show in sports.”

One of those headwinds is that “a compelling show” can be a relative term. LIV Golf has been popular in golf-starved locales such as Australia and South Africa, but TV ratings are low everywhere and interest in events held in the United States is tepid.

PIF — worth an estimated $1.15 trillion — launched LIV Golf as part of a strategy to transform Saudi Arabia into a global sports hub, using its vast oil revenue to drive economic diversification, create jobs and boost tourism. Initiatives include massive investments in soccer, tennis and esports in addition to golf.

The PGA Tour countered by increasing prize money and creating a series of limited-field “signature events” for top players. Rory McIlroy and Tiger Woods are among the sport’s top stars to steadfastly remain loyal to the PGA Tour, with Woods turning down an offer from LIV Golf of $800 million in 2022.

Mexico City is the sixth stop in the LIV Golf 14-tournament season that concludes in August. The Individual Championship finale is scheduled for Indianapolis from Aug 20–23.

Finding a revolutionary artist during cocktail hour at the opening gala of Los Angeles County Museum of Art’s new David Geffen Galleries was like shooting fish in a barrel.

Gaze over the rim of your glass to notice Jeff Koons and Ed Ruscha talking closely beside the DJ booth. Mark Bradford strides by with a beneficent smile — towering over everyone, including AI art maker Refik Anadol. Todd Gray, whose 27-foot-long photo sculpture “Octavia’s Gaze” graces the hallway near the building’s south entrance, chats with Wim Wenders, who is making a documentary about architect Peter Zumthor’s controversial new $724 million concrete behemoth. Zumthor is there too — in bright red sneakers — talking to LACMA director and chief executive Michael Govan before Govan turns to take a selfie with immersive installation artist Do Ho Suh.

Jeff Koons, left, talks with Ed Ruscha at the opening gala for LACMA’s new David Geffen Galleries on Thursday.

(Jessica Gelt / Los Angeles Times)

Lauren Halsey walks by in her distinctive white shirt, long shorts and ball cap, beset on all sides by friends and admirers.

“It’s beautiful, it’s fantastic,” she said of Zumthor’s creation.

It’s an artist’s world on this breezy evening, as the sun sets golden over the looming gray concrete of the building, and the lights that gird the structure’s underbelly flicker on and twinkle like stars overhead. In this milieu, Hollywood A-listers like Will Ferrell and Sharon Stone, who occupy separate cliques nearby, pale in comparison to the mingling artistic luminaries.

Architect Peter Zumthor, left, and Michael Govan attend LACMA’s opening gala for the David Geffen Galleries. Govan said he hopes the building lasts 500 years.

(Gina Ferazzi / Los Angeles Times)

“It’s ready for us,” Bradford said of the building. “It’s ready for artists. I walked in and I was overwhelmed with a space that was made for us, and I can’t wait for everything I can do.”

“Snazzy. Does the job,” said Ruscha, looking bemused and speaking in short bursts of headline-style phrases like one of his famous paintings.

Gray said he was glad to see his art during “magic hour,” noting how the setting sun shone warm through the building’s glass windows — diffused by textile designer Reiko Sudo’s chromium spattered curtains — to imbue his photo installation with a distinctive warmth.

“I’ve never seen it at dusk,” Gray said with a smile. “It was a totally different experience to see it at that time of day. And [the light was] actually yellow, so the piece changed … and the concrete warmed up because of that warmer light. It was a lovely chromatic experience, which is wonderful because then you’re aware that you’re experiencing something in a very particular space and time.”

James Goldstein, the owner of architect John Lautner’s famed Sheats-Goldstein Residence, which he promised as a gift to LACMA in 2016, agreed with Gray that the gloaming light was lovely.

“If it were up to me the curtains wouldn’t be closed,” Goldstein said, noting that the curtains in his home — which is also made of concrete and glass — are never closed, and that the views from the Geffen Galleries are extraordinary and worth leaning into.

Koons said the building, and the moment in time that defines its unveiling, has the potential to bring the world together.

“It’s an amazing evening for all these people that love and believe in the value of art and humanity to be together and to celebrate architecture,” said Koons, noting that he looks forward to showing his art inside the new galleries. “LACMA is a place that’s here for future generations and Peter’s building is amazing.”

Will Ferrell and Viveca Paulin were among the major Hollywood stars at the gala.

(Gina Ferazzi / Los Angeles Times)

Chatter about the building could be heard in every cluster of guests. One group talked about how striking it was to see ancient Greek sculptures juxtaposed against the rush of traffic along Wilshire Boulevard; another discussed their hope for more landscaping, noting that the concrete ground and concrete building begged for some lush greenery.

Govan basked in the limelight nearby, shaking hands and doling out hugs and back pats. His vision for the building has been 20 years in the making, and he’s faced an enormous amount of pushback, but the structure is here and his enthusiasm for it has not waned.

“I’ve just always imagined people in the building — it’s for people,” Govan said. “And I want it to last 500 years, I want those little drill marks to accumulate, I want change. I want this to be something that generations will care for.”

Zumthor also seemed deeply pleased with the moment, saying, “I’ve always been happy,” and emphasized that working in L.A. taught him to embrace a certain frontier-like lack of refinement.

LACMA’s staff was elated, especially those who have been watching the project develop for decades and absorbing the large amounts of criticism that have accompanied its manifestation.

Stephanie Barron, LACMA’s senior curator and modern art department head, said, “This is the first night with our art world colleagues and donors, and it’s thrilling to see how they are responding, and how they are a little confused, at first, about where to go. Then they realize, that’s the point of this — and they are just going with the flow and they are smiling and happy and looking at the art. It’s a game changer.”

“I’ve been here nearly 20 years and seeing this going from concept to reality has been the greatest thing,” said Tiffany August, associate vice president of LACMA’s people and culture department, which oversees human resources. “So much soul and heart and effort went into this.”

Arun Mathai, budget officer and head of finance, has also been with the museum for 20 years and said it’s exciting to finally be on the other side of the project. “To see it happen in such a beautiful way is very gratifying. The notion of no hierarchy, of wandering around and seeing art from all over the world, from all time periods beautifully juxtaposed, it’s just so enlightening,” Mathai said.

Michael Govan, left, Peter Zumthor, Holly J. Mitchell and Mayor Karen Bass attend the opening gala.

(Gina Ferazzi / Los Angeles Times)

Later, during a four-course meal of broiled oysters, tuna tostadas, braised Wagyu short ribs and berry meringue, various LACMA supporters, including board co-chair Tony Ressler; life trustee and major donor Lynda Resnick; and L.A. County Supervisor Holly J. Mitchell, whose district houses LACMA, took to the stage in a tent set up west of the new building to sing the praises of the Geffen Galleries — and to note that the evening’s dinner raised a record-setting $11.5 million. (The Geffen Galleries’ ongoing fundraising campaign now stands at $869 million.)

“This is a great, great example of what can be achieved when government and philanthropy work hand in hand for the public good,” Ressler said before thanking Govan for “taking bold risks.” “Your legacy is now permanently etched in the stunning galleries that will open to the public very soon.”

Mitchell was full of praise for Govan and Zumthor.

“The Geffen Galleries didn’t come to fruition overnight. And frankly, nothing that changes the status quo ever does,” Mitchell said. “To Michael, Peter, David [Geffen] and our dear Elaine [Wynn], thank you for your patience, because visionaries like yourselves often have to wait for the rest of the world to catch up with you.”

Resnick got a big laugh when she described her first meeting with Govan and his wife 21 years ago.

“An exquisite couple walked into [vice chair of the board] Bobby Kotick’s house. There was Michael Govan, a true intellectual, Zen thinker, movie star handsome, and under consideration to run LACMA. By the end of the evening, I was sitting on his lap feeding him peeled grapes.”

She concluded on a more serious note, calling the Geffen Galleries a “masterpiece of public art.” “Only one person in the world could have done all this with the signature elegance and his provocative style,” she said of Govan. “Generations will cross that bridge and watch the cars stream below, and feel the power of being embraced by art above all the gorgeous chaos of our city.”

After a standing ovation, Govan introduced musicians Sean Watkins, Gabe Witcher and T Bone Burnett, who sang — quite fittingly — “The Times They Are A-Changin.’”

The implosion of Eric Swalwell’s gubernatorial campaign and his once-promising political career has left a great many questions rising from the smoldering wreckage.

Questions about his character, judgment and staggering recklessness.

The question — as misguided as it is inevitable — of why his accusers hadn’t come forward sooner. (My columnizing colleague, Anita Chabria, incisively addressed that one, discussing the nature of suppressed trauma and the believability hurdle that many victims of sexual assault unduly face.)

Then there’s the question of how and why Swalwell’s creepy and allegedly criminal behavior stayed hidden from public view for so long — especially when the impossible-to-miss fixture of cable TV embarked on a high-profile campaign to lead the nation’s most-populous state.

Swalwell, 45 and married, had a widely whispered about reputation for showering inappropriate and unwelcome attention on younger women. Rumors — vague, unsubstantiated — were a source of incessant dirt-dishing among political insiders and also circulated extensively online. (Not, however, the more serious allegations of sexual assault.)

The veil was finally pierced last week when the San Francisco Chronicle published a graphic account of a woman alleging sexual encounters with Swalwell while the Democratic lawmaker was her boss. She said he sexually assaulted her twice when she was too intoxicated to consent.

A few hours later, CNN followed up with a report that three other women had recounted various kinds of sexual misconduct. On Tuesday, yet another alleged victim came forth, saying she was drugged and raped by Swalwell in 2018.

The former congressman has flatly and vigorously denied criminal wrongdoing while acknowledging and apologizing for unspecific “mistakes.”

Those vociferous, flat-out denials had been enough to sway the politicians and union leaders who endorsed Swalwell’s gubernatorial bid, until the weight of evidence made Swalwell’s assertions untenable.

If the allegations are true and Swalwell is, in fact, a liar, lecher and sexual assailant, why wasn’t that widely reported up until now? Was it negligence, or gullibility on the part of the political press corps? The short answer is that a wide gulf exists between rumor and fact and Swalwell lurked in that gray space, living and thriving in the shadows between provability and denial.

It’s not unusual for rumors about financial, sexual or other peccadilloes to attend a campaign. They’re often trafficked by political rivals, which automatically raises suspicion and invites particular skepticism.

Much of the chatter never moves past a relatively small, dishy circle of political gossips because the supposed misdeeds, while titillating, can’t stand up to rigorous scrutiny. Or a legal challenge. That’s the baseline for many news outlets to broadcast or publish a story. Call them what you will — legacy, corporate, mainstream, lamestream — many of the largest, most influential sources of news and information won’t pass along allegations they can’t independently verify and, if necessary, defend in court.

The challenge is verifying all that loose talk.

Politicians don’t wear body cams, or broadcast their lives 24/7. (OK, Beto O’Rourke did livestream from a Texas laundromat during his 2018 Senate bid, holding up a soggy pair of underwear when he addressed the “boxers or briefs” question. But he’s an exception.)

Journalists don’t have subpoena power and can’t force people to tell them what they know. A reporter is only as good as his or her sources, their knowledge, truthfulness and credibility.

Reporting on misdeeds of an intimate nature can be especially difficult and complex. There’s rarely black-and-white documentation, such as a money trail leading to a hotel bedroom. It’s hard to find an eyewitness or reliable third party who can vouch for what took place between people behind closed doors. It takes time and trust to develop sources who can substantiate incidents of sexual misconduct, assault or abuse.

Swalwell apparently did an excellent job deceiving those around him, including some congressional and campaign staffers who’d known him for years and worked closely with the seven-term lawmaker, day in, day out. They were shocked by the statements of his alleged victims; the words “double life” have come up many times.

If Swalwell managed to hoodwink those closest to him, it’s easy to see why journalists had a hard time wrangling the firsthand accounts and other facts they needed to make their findings public.

When it comes to reporting on scandal, there is often the question of timing.

In 2003, The Times was widely criticized for publishing an account of Arnold Schwarzenegger’s misconduct — touching women in a sexual manner without their consent — just days before California’s gubernatorial recall election. Despite the report, which Schwarzenegger did not contest, voters kicked Gray Davis out and replaced him with the Hollywood super-duper star.

In 1992, the Washington Post and Portland Oregonian were widely criticized for their failure to publish accounts of Sen. Bob Packwood’s misconduct — unwanted sexual advances and touching women without their consent — until weeks after he was elected to his fifth term. Packwood resigned in 1995 after the Senate Ethics Commission voted unanimously to expel him.

The allegations against Swalwell were revealed well before the June 2 primary. Not soon enough for those asking how he managed to get away for so long with his predatory behavior. But plenty of time to inform California voters before they weighed in on his candidacy.

Public attention will soon shift. But for Swalwell, the legal and other ramifications are just beginning.

Reese Witherspoon is hyping A.I. again, and American authors have a few thoughts.

The Oscar-winning actor and producer, known for spotlighting women’s voices through her famed book club, television and screen projects, may have been barking up the wrong tree when she told her social media followers that it was time to learn A.I. on Wednesday.

“Well…I’ve decided it’s TIME,” she wrote in the caption of an Instagram reel on Wednesday. “The AI revolution has begun, and I need to learn as much as I possibly can about AI and share it with all of you. Also, FYI: the jobs women hold are 3x more likely to be automated by AI, yet women are using AI at a rate 25% lower than men on average. We don’t want to be left behind. So…do you want to learn with me?”

In the video, which the star shared across social media platforms, Witherspoon said she was with 10 women at a book club this week. “I said to the 10 of them, ‘How many of you guys use AI?’ And only three of them used AI. And then I said, ‘How many of the three of you feel like you really know what you’re doing or using it the right way?’ And there was only one person,” she said.

“So, if three out of 10 women are the only ones using AI, that means 70% of that group is not keeping up. The thing I’ve learned about technology is if you don’t get a little bit of understanding from the very beginning, it just speeds past you. So you have to have little bits of learning just to keep up.”

The “Big Little Lies” star then seemingly put out a feeler for an A.I. learning course saying, “I think we should learn the basics together and learn some really good tools that are going to make our everyday lives easier and better. Do you want me to share what I’m learning with you?”

While there were plenty of comments from fans and stars hyping up Witherspoon’s sentiment — Former co-stars Ali Larter said “Yes yes yes!” and Kerry Washington said “THIS” — many of the replies called the actor out, citing environmental, economic, social, educational and intellectual concerns, among others.

One group that was especially vocal in their opposition to A.I., was the literary community, and writers and authors across the country didn’t hold back when sharing their two cents.

Bestselling “Bad Feminist” author Roxane Gay chimed in on Threads, writing, “Oh Reese. Absolutely not.”

“This is obviously a scripted ad and it’s genuinely infuriating. Notice how AI’s biggest defenders are the ones cashing checks from it,” wrote screenwriter and director Charlene Bagcal on Threads. “AI isn’t inevitable. Technology follows society. If people stop using it, it dies. We still have agency.”

“Jagged Little Pill” author and literary agent Eric Smith weighed in, “As someone who champions authors and books the way you do, this is so disappointing.”

“AI plagiarized all my books. It seems unlikely that I’ll be ‘left behind’ if I don’t use it, given that it’s trained on work I did years ago,” wrote “Get Well Soon” author Jennifer Wright.

Writer and actor Rati Gupta said, “How am *I* the one being “left behind” by not using AI when *my* cognitive function will remain fully intact and uncompromised?”

And Sophia Benoit posted, “There’s something particularly insidious about seeing that women— the group you have built your brand on— have not adopted something and instead of assuming it’s out of wisdom, infantalizing them with ‘we’re falling behind.’”

In 2021, Witherspoon’s company, Hello Sunshine, partnered with World of Women (WoW), an NFT collective, and the actor similarly caught flak from followers for tweeting “In the (near) future, every person will have a parallel digital identity. Avatars, crypto wallets, digital goods will be the norm. Are you planning for this?”

Representatives for Witherspoon have not responded to the Times request for comment.

NEW YORK — Mike Trout hit his fifth homer of the series and the Angels overcame a homer by Aaron Judge in their 11-4 victory over the New York Yankees on Thursday afternoon for a four-game split.

Trout, who recently made a mechanical adjustment, went six for 16 with five homers and nine RBIs in the series. Trout hit his latest homer with one out in the seventh inning when he sent a 2-2 slider from reliever Angel Chivilli about halfway up the left field bleachers for a 7-4 lead.

Trout homered in his fifth straight game at Yankee Stadium and became the fourth to hit five homers in a series against the Yankees. The others were Jimmie Foxx (1933), Darrell Evans (1985) and George Bell (1990), according to MLB researcher Sarah Langs.

Trout’s latest homer contributed to a rare loss for the Yankees when Judge and Giancarlo Stanton homer in the same game. Including the postseason, New York is 53-8 when the duo both connect.

Jo Adell added a grand slam in the eighth for the Angels, who lead the AL with 32 homers.

Judge hit his 89th career first-inning homer and Stanton hit a two-run shot to give the Yankees a 3-2 lead in the fourth before the Angels scored four runs in the sixth off Max Fried (2-1) and Fernando Cruz. Ben Rice also homered in the sixth.

Trout walked three times and scored the tying run in a four-run sixth on a double by former Yankee Oswald Peraza, who also hit a two-run homer in the first.

Vaughn Grissom hit a go-ahead RBI single, and Josh Lowe hit a two-run single for a 6-3 lead.

The Yankees lost for the seventh time in nine games and Fried gave up five runs and three hits in 5 1/3 innings. Manager Aaron Boone was ejected for the first time this season after New York batted in the eighth.

Brent Suter opened the game and went two-plus innings. Sam Aldegheri (1-0) gave up a run in 1 2/3 innings.