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In her early 20s, Ashley Padilla moved from the Bay Area to Los Angeles, hoping to make a living in comedy. She was taking classes at the Groundlings when an acting exercise forever changed her.

“The teacher said, ‘All right, everyone try to get my attention.’ Everyone starts going crazy,” recalls Padilla, imitating the manic movements her classmates incorporated to be as noticeable as possible. “I just stood in the back like a quiet little freak. I didn’t try to do anything. And she went, ‘I’m just staring at Ashley.’”

Padilla, now 33, is sitting in the restaurant at the 1 Hotel on Sunset, dressed in an elegant white blazer and long skirt, a long way both mentally and professionally from that aspiring performer struggling to find her creative voice. But that lesson remains close to her heart.

“I think about it all the time: You don’t have to be so loud. It actually is more powerful if you’re a little slower.”

Currently in her second season as a featured player on “Saturday Night Live,” Padilla, who sports an ebullient manner and warm smile, has become a fan favorite by exploring how much humor (and tension) you can derive from stillness. Her best sketches, including “Mom Confession,” in which a MAGA mother finally, begrudgingly, admits to her liberal kids that maybe Trump hasn’t been a great president, sparkle because of how expertly she builds suspense regarding where the setup is going.

Ashley Padilla, right, with castmates Tommy Brennan and Jane Wickline in the “SNL” sketch “Mom Confession.”

(Will Heath/NBC)

“I really want to be able to stop and take that pause at the beginning [of a sketch], which are the quickest things to cut because you’re trying to save time: ‘Let’s get rid of when you enter,’” she says. “What roots me as an actor is a little breath. Before we get to the jokes, let the audience see me live in it for a second. I think I’ve proven that [those pauses are] not going to suck the air out of the room. It’s actually going to assist in the blowup that we’re waiting for.”

When Padilla lived in L.A., she adored her Los Feliz neighborhood, so on this late April afternoon she confesses to some disorientation at doing press on the Westside. Still, memories keep creeping up unexpectedly. “I’ll see a coffee shop, and you remember how you were feeling: ‘Will I ever make it?’”

There were encouraging moments that kept her going. One dispiriting day, she was on Melrose Avenue walking to the Groundlings. “In my head I went, ‘Will I ever be on television?’ Just then, a car passes with the girl rolling down the window going, ‘I’ve seen you perform! You’re going to be on television!’ It’s literally like someone answered my cry inside and went, ‘Calm down, it’s going to be OK.’”

Optimism came through other channels too, such as her job as Diane Keaton’s assistant, eventually co-creating her 2024 book “Fashion First.” Padilla adored the late actor and filmmaker, grateful for her endless sense of wonder, which inspired Padilla to see the world differently.

“She would stare at a tree: ‘Look at the way the sun goes through the branches,’” Padilla says, marveling. “I have a voicemail that I listen to whenever I’m feeling a little sad or I miss her — she’s just like, ‘Hey, Ash, how are you doing? I’m just checking in.’ And she stops and goes, ‘The blue sky. Wow.’ And I’m just like, ‘You are someone we all want to be around.’ It’s why she is so massive in people’s lives.”

Before ‘SNL,’ Padilla had stints at the Groundlings and as Diane Keaton’s assistant.

(Sela Shiloni / For The Times)

Since girlhood, Padilla has loved to write, which was valuable once she joined the Groundlings, doing seven shows a week. “You don’t get onstage unless you write your own stuff,” she says. Her viral “SNL” sketch “Haircut” — in which Padilla goes to dinner with friends, disturbing them with her atrocious haircut — was created at Groundlings, where it killed. But pitching it at “SNL” revealed the differences between the stage and live television.

“‘Haircut’ started as a ‘[Weekend] Update’ [feature], and I was unwilling to get rid of some stuff in there because I knew it worked at Groundlings,” she recalls. Padilla credits her frequent “SNL” co-writers Alison Gates and Kent Sublette for helping her understand the program’s rhythms. “They made it punchier and snappier. I definitely need the other writers — they make it so much better. At the Groundlings, there’s no camera cuts, there’s no time limit — you can mosey and do behavioral stuff. But [‘SNL’ sketches] need to look good on television. These writers are so good — they’ll say a joke that I go, ‘You’ve just said everything I was trying to do in a whole page.’”

Padilla’s peculiar but grounded characters may make you wait to see what they have in store, but she isn’t wasting any time. Last summer, wanting to distract herself from wondering whether she’d be asked back to “SNL,” Padilla wrote a screenplay, which is now being backed by Oscar-winning “Moonlight” producer Adele Romanski. Padilla won’t say much about the project, but you can bet she included a part for herself.

“It’s like, ‘I want to be on television? OK, write your sketches. I want to be in movies? I wrote a movie,”’ she explains. “I don’t want to wait around for someone to give me a role. I hope I get to work with great people, but I also want to control my own career — and my own happiness as well. I want to be creative all the time.”

Yes, voting centers will be open across Los Angeles this week. And no, you don’t have to cast your ballot by mail.

With days left before the June 2 primary, President Trump made a round of misleading claims about the electoral process, this time falsely suggesting that the city was holding elections only by mail.

Trump’s comments came Saturday during an appearance on Fox News when he was asked by host Lara Trump — the president’s daughter-in-law — about his predictions for the upcoming primary.

“You know, they don’t have voting booths; everything’s by mail,” Trump responded. “I don’t think a Republican can win in California unless you pass the Save America Act — then they’re gonna have to show proof of citizenship, they’re going to have to get rid of mail-in voting.”

The L.A. County registrar-recorder moved to set the record straight in a tweet posted Sunday morning that read “MISINFORMATION ALERT.”

Noting that in-person voting was in fact allowed, the agency announced that it had 646 vote centers across the county — each with multiple voting booths. The centers will be open from 10 a.m. to 7 p.m. on Monday and Tuesday, the agency said in the posting, while tagging Fox News and the White House.

A map of polling locations featured on the agency’s website shows that there are dozens of voter centers available countywide. Mobile vote centers also were made available at various sites in the county. Mobile voting runs for the 10 days before election day and will not be available on June 2, according to the county registrar-recorder.

As of Friday morning, 333,000 mail-in votes had been cast in the June 2 primary for Los Angeles mayor, city attorney, city controller and eight of the 15 City Council seats. This was up from 321,000 at the same time in 2022, according to registrar-recorder.

Registered voters already should have received a ballot in the mail. Those who choose to vote in person can take their mail-in ballot to a vote center and ask to vote in person instead. Residents who haven’t yet registered to vote can still do so by requesting a conditional voter registration application at any voter center and filling out their ballot as they normally would.

Recent polling suggests that, ahead of Tuesday’s primary, incumbent Los Angeles Mayor Karen Bass has what pollsters deem a statistically insignificant lead in her bid for reelection as the city’s top executive. Bass is locked in a tight race with councilmember and former ally Nithya Raman and Spencer Pratt.

Trump has signaled his support for Pratt but hasn’t formally endorsed the former reality TV star and registered Republican. Former Trump advisor Steve Bannon said the president hadn’t done so out of the fear it would hurt Pratt’s chances in Democrat-dominant Los Angeles.

In 2020, during the outbreak of the COVID-19 pandemic, Gov. Gavin Newsom took the unprecedented step of issuing a statewide order for voting by mail for that year’s election in what he described as a necessary step to limit the virus’ spread.

A handful of rural counties had no in-person voting locations that March.

In 1979, the state eliminated the need for an excuse to receive an absentee ballot, and an option to choose permanent absentee voting was created in 2002. In the decades since, Californians have embraced the flexibility that voting away from a polling place offers. In nearly every statewide election since 2008, the majority of votes have not been cast at a traditional polling place.

Fourteen more counties — including Orange, Sacramento and Santa Clara — have adopted the state Voter’s Choice Act, an optional state law that requires them to mail every voter a ballot and to replace traditional neighborhood polling places with multipurpose vote centers. Those in-person locations offer multiple election services for up to 10 days before election day.

Los Angeles, the 15th county to adopt the new state law, was initially given special permission by the Legislature to implement it without mailing every voter a ballot.

Trump has for years repeated baseless claims that the 2020 election was stolen and that undocumented immigrants were swaying elections by voting illegally.

In light of these claims, Trump and some Republicans have pushed for new restrictions on voters. A federal proposal known as the Save America Act — which would require Americans to prove they are U.S. citizens before they register to vote and to show identification at the polls, among other things — cleared the U.S. House but stalled out in the Senate.

In November, California voters will weigh in on a similarly contentious ballot measure pushed by Republicans that would require all voters in future elections to show identification every time they vote in person or provide a special PIN when submitting mail-in ballots.

Under current state law, Californians are required to provide identification when registering to vote and must swear under penalty of perjury, a felony, that they are eligible to vote and are U.S. citizens. They are not required to show or provide identification when casting a ballot in person or by mail.

If passed, the California ballot measure would require voters to present government-issued identification, such as a state driver’s license, every time they vote. Voters mailing ballots would be required to write a four-digit number, essentially a PIN, on their ballot envelopes matching the one generated when they registered to vote.

Critics of California’s voter ID initiative, including many legal scholars, say the ballot measure addresses a problem that does not exist.

In May, a federal judge handed Trump a victory by declining to halt the president’s executive order creating a federal list of eligible voters and then directed the U.S. Postal Service to deliver mail ballots only to those on the list. Observers say the decision opens the door for potential sweeping changes in how American elections are run shortly before this year’s midterm elections.

The Associated Press contributed to this report.

There are some big names that will be on show at London Stadium for Soccer Aid including some famous celebrities and plenty of former international footballers.

England squad in full: Robbie Williams (Manager), Wayne Rooney, Jermain Defoe, Jill Scott, Tom Hiddleston, Danny Dyer, Paddy McGuinness, Olly Murs, Joe Marler (GK), Theo Walcott, Toni Duggan, Steph Houghton, Jordan North, Angry Ginge, GK Barry, Jack Wilshere, Joe Hart, Sam Thompson, Chloe Burrows, Jack Whitehall and Owen Cooper.

World XI squad in full: Usain Bolt (Manager), Edwin van der Sar, Michael Essien, Jordi Alba, Leonardo Bonucci, Dimitar Berbatov, Nemanja Matic, Maisie Adam, Big Zuu, Nabhaan Rizwan, Nitro, Ali Krieger, Jen Beattie, Nicky Byrne, Dermot Kennedy, Chris O’Dowd, Richard Gadd, Nikolaj Coster-Waldau, Tobi Brown and Behzinga.

England head coach Thomas Tuchel advised his World Cup players to go on holiday in United States time zones before the tournament, to help the acclimatisation process.

A total of 21 of England’s 26-man squad will arrive in Florida on Monday for their pre-tournament camp, where they will also face New Zealand and Costa Rica in warm-up matches on 6 and 10 June.

Many players are understood to have spent the off-season in the United States or Caribbean at the behest of the England boss.

The weather is sure to play a major factor in the tournament, with studies indicating that nearly a quarter of all World Cup games are likely to be played in temperatures higher than 26C.

Adapting to the US time zones will also be a factor, with England’s tournament training base in Kansas City, Missouri, six hours behind UK time, which is the same as Dallas, where Tuchel’s men face Croatia in their opening group game on 17 June.

The remaining Group L matches against Ghana and Panama, which will be played in Boston and New Jersey respectively, will be played in a time zone five hours behind the UK.

To ensure England can hit the ground running, Tuchel requested players travelled west for their post-season break before joining up with the squad.

Arsenal quartet Declan Rice, Noni Madueke, Eberechi Eze and Bukayo Saka, and Crystal Palace goalkeeper Dean Henderson – who were all involved in European finals this week – will join the rest of the squad at a later date.

Premier League players Alex Scott, Jason Steele, Rio Ngumoha, Josh King and Ethan Nwaneri will also join the squad for England’s training camp in West Palm Beach, Florida.

When Craig Ferguson left CBS’ “The Late Late Show” in December 2014, fulfilling a pledge made public the previous April, it was assumed by some that it had something to do with not being offered the chair being vacated by his illustrious lead-in, David Letterman. (Stephen Colbert, you may be aware, was named the new “Late Show” host.) Others simply couldn’t believe anyone would just walk away from such a job, which Ferguson had held for two weeks shy of 10 years, because, even in the less prestigious 12:30 time slot it seemed like a prize — but mostly because he was so good at it.

“That’s one of the odd things about that particular genre of television,” he told me in 2016. “The minute I started at 12:30, the question became when and do you want and how are you going to get 11:30? But I never wanted 12:30, never mind 11:30. Why is that a thing?”

Ferguson went on to other things. He’s hosted game shows (currently the CW’s “Scrabble,” with puckish energy); toured as a stand-up (he’s on the road into June); hosted a history-themed panel show, “Craig Ferguson: Join or Die”; launched “Joy, a Podcast,” which is as close as he’s come to the confessional freestyling of “The Late Late Show”; and published “Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations & Observations.”

His latest show, premiering Saturday on CNN, is “American on Purpose,” which shares a title with his first memoir, a reference to the Scottish-born Ferguson becoming an American citizen. Timed generally to the 250th anniversary of the United States, it finds Ferguson in a five-episode crazy quilt of observations, interviews, inquiries, stunts, games and documentary vignettes forming a comical, but not unserious, somewhat wayward look at American ideas and ideals — freedom of speech, capitalism, patriotism, individualism and immigration. It’s a vision wide enough to include monster trucks, lowriders, underground comedy, Miami street art, Texas barbecue and haggis tacos, dreamed up by Ferguson and executed by celebrity chef Marcus Samuelsson.

Ferguson, a Scotsman, having haggis tacos on “American on Purpose.”

(CNN)

“You know me,” Ferguson said when we spoke over video call recently. “Less format is better for me always.”

His caveat to the producers was that he wouldn’t “make an anti-American show. I wouldn’t make a show pointing out everything that’s wrong. I feel that’s a market that’s heavily catered to. I’m not a f—ing idiot, I’m not making propaganda, I won’t make a jingoistic show. But I want to make a show which is celebratory,” Ferguson says. “And I want to be clear that the show I make for CNN will be the same as if I was making it for Fox News. It has to be my point of view, which is upbeat without being dumb — I hope. I feel like we got pretty close.” This conversation has been condensed and edited for clarity.

A good friend of mine, an Englishman, recently became an American citizen and had only wonderful things to say about the naturalization ceremony, the diversity of his fellow new Americans, and the graciousness of the people conducting it. What was your experience?

My ceremony was in Pomona fairgrounds in 2008. And I think it was 2,000 of us; I think it was 1,999 new Mexican Americans and one new Scottish American. And it was f—ing wonderful. And it is moving. I kind of wish it for my friends who are born here, American citizens, because you have to remove your everyday, “Oh my God, did you see the news today” cynicism, and remember what this place is about — freedom, second chances, third chances, escape, representation, individualism, different ideas coexisting in one country, wildly different points of view somehow managing to get along. That is f—ing beautiful. What I still feel as an immigrant American is a certain gratitude that doesn’t leave you. I’m not blind to the faults of the United States. Show me a country that doesn’t have faults. We talk about the bloody past. Show me a country that doesn’t have a bloody past. Humans have a bloody past. I’m not saying there’s nothing wrong, but I’m not looking at that in this show. I’m looking at what makes me feel great about this place, and it is a great place, an aspirational place. To my mind, we are still the big foam finger number one. I don’t think there’s anyone can touch us for … unusualness. We’re really unusual.

It’s a very optimistic show. Is that how you feel personally about the future of the country, and humanity?

Like most people, I have my moods. I got a real boost of optimism [hanging out] with very clever academics who kind of guard the Declaration of Independence in Philadelphia. And you say to them, “People say the country’s never been this divided.” They always laugh. They laugh at the idea it’s never been as bad as this, the rhetoric has never been this hateful. They’re like, “It’s always been like this. It’s always been an argument. The whole point of this place is that it is an argument.” The guys who started this country, some of them hated each other with just as much venom and outrage and indignance as political players hate each other today. I find that quite encouraging. Like I said, I’m not blind to the fact that there are issues and faults and deep things to worry about. But that’s not what this show’s about. It’s as if I was a musician, and I decided to write a happy song. People say, “Why aren’t you sad?” I’m like, “Well, I get that sometimes, but this song is a happy song, this is a rock song. I’ll do a power ballad later on.” It’s not terrible to to do something upbeat every now and again.

What did you discover in the course of making the show?

There were many things, actually. In L.A., I did a kind of run around with the guys who make the lowrider cars, and the community and the story of how that came about are really fascinating, a kind of parallel run of the rise of the automobile in America, but how it was taken on by the Mexican culture. Another that really stuck with me was in the Everglades, when I was with the Gladesman there, finding out that a large percentage of them [were descended from] displaced Scottish peasants, cleared out of the Highlands to make room for sheep for the landowners; they went to Canada, and they drifted all the way down to the southern tip of the United States. These guys there could trace their ancestry back to 100 miles from where I grew up. Americans would be kicked out of most of the countries of the world. So it makes us awesome. I mean, 40% of this country can trace themselves through Ellis Island, through that administration building in New York. That’s insane.

Ferguson at Venice Beach in a segment on the show.

(CNN)

When did you get interested in history?

In Scotland, we’re surrounded by it all the time. There’s a lot of stuff still lying around from a long time ago. American history became interesting to me because it was so attached to Scotland. The Scottish Enlightenment is really kind of the origin story of the Declaration of Independence. Knowing that the philosophy that was coming out of Edinburgh in the 1700s was directly feeding into what these guys were doing, it felt like the continuation of a certain strain of Scottish history. It didn’t end with “Highlander” or “Shrek.”

There’s a road movie element to the series. Do you take trips around the country on your own time?

All the time. I don’t think you can know the United States unless you’ve driven across it at least a couple of times. If you can take a car from New Orleans to Northeastern Maine, Florida to Washington state, it’s worth doing. One of the things that was in the engine for me when I started this [series] was, I’ve seen over the years a lot of — probably more in Britain than in America — lazy kind of pseudo-intellectual documentaries where somebody will say, “Well, you know, the thing about America is…” Well, which America are you talking about? And they will go and get some guy that lives on his boat in Fort Lauderdale with a hat that’s got “Who Farted?” written on it and tell you that’s America. That guy’s there and he’s awesome, but it’s not the whole story. You know what I mean? It’s like saying “Well, you know, Hitler was a vegetarian.” That’s true, he was. But it’s not really the whole f—ing story, is it?

The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.

“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”

The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.

“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”

Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.

The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.

But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.

“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”

(Bella Newman)

Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”

When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”

As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.

“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”

Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.

Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”

By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”

One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.

(Bella Newman)

From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”

It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”

During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”

Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”

Well, I gave him a chance, offering my services.

I was willing to give the young novice a primer on what a mayor can and can’t do, and let him know City Hall is a reality show like no other he’s been on. But Spencer Pratt didn’t call me in response to my column last week.

I did, however, hear from a slew of his most ardent supporters.

Steven C. had this to say: “You’re a left-wing idiot, and … it’s time for you to retire. You’re a joke!!! You always have been!!! God bless Spencer Pratt and the 45th and 47th President of the United States Donald Trump!!!!!”

You may be onto something, Steven!!! I’ve been thinking about retiring!!!! But then a former reality TV star like Pratt comes along and tells Vanity Fair he had a chat with God, who told him He wants Pratt to be mayor of L.A!!!!! With people like this running for office, how can I retire?!!!!!

R.W. wrote to say: “You say Spencer has never done anything in his life…What credentials do you have? From what I’ve read about you, you are a lousy commie journalist who has never accomplished anything in your life!!”

Just recently, R.W., I replaced a broken toilet tank flush valve and I learned two Willie Nelson songs on the guitar. That’s not nothing.

Peter did not mince words: “Your piece on Pratt is a hit piece filled with bull— . You should go f— yourself before someone takes you out, which is the appropriate response to a s—bag like yourself. So please f— off and drop dead, which is exactly what you deserve.”

Peter, I did drop dead once. Cardiac arrest. While on the other side, I saw God, who told me to snap out of it because He was going to tell Spencer Pratt to run for mayor. Who knew God had a defibrillator?

All of these, by the way, were actual emails, and there were many more just like them. But it’s only fair to note that despite the fulminating knucklehead wing of Pratt’s posse, he’s tapped into a justifiable sense of frustration with City Hall, given homelessness, the Palisades inferno and budget issues that squeeze all manner of basic city services.

That’s why Mayor Karen Bass is paddling furiously, trying to keep her political career afloat. In the latest UC Berkeley-L.A. Times poll, Bass is at 26%, Nithya Raman at 25% and Pratt at 22%. That’s so tight, it appears that no one will get the 50% needed to win outright, and if we get a top-two runoff, it’s not clear who will go to the dance.

So as we close out the primary, with the election on Tuesday, five talking points come to mind.

Which candidate knows the city best?

Los Angeles has 114 distinct neighborhoods spread across 470 square miles (that’s 10 times the size of San Francisco), with an estimated 220 languages spoken. Diversity is a defining characteristic, and roughly half the population is Latino, which makes it a shame there’s no Latino candidate for mayor, especially given the raids and roundups by President Trump.

A mayor doesn’t have to speak six languages and know every corner of the city, but residents want to be seen and heard, and feel like they’re understood and represented.

Raman is well-versed on homelessness policy, and she’s spot-on about the need for greater urgency in problem-solving, but as my colleague Noah Goldberg reported, constituents in her district complain that they haven’t seen enough of her.

As I said, Pratt has wisely targeted municipal failure. But in the realm of outsider candidates with Republican credentials, Rick Caruso, who ran against Bass last time, was comfortable whether he was in the Valley, South L.A. or anywhere in between. And he easily connected with people. Would Pratt be a tourist in his own city?

By virtue of her job the last four years, Bass — who raised a blended Black and Latino family — knows the city best, although her unfavorability rating is a big problem.

What about the other candidates?

In the aforementioned poll, minister and housing activist Rae Huang had 9% and former educational technology businessman Adam Miller had 5%. Virtual unknowns, neither had a legit chance of winning, but they could be spoilers for one of the top three candidates.

I spoke to both, and if you’re undecided, you should read up on them before voting. On Huang’s website, the first words are “Homes are for people, not profit.” Miller wants to bring his success in the business world to City Hall, and when you consider his policy agenda along with his nonprofit work with veterans and homelessness, he’s a better candidate than Pratt.

But he wasn’t on a reality TV show.

Democrats ruined L.A. and California, right?

If only I had a nickel for every time a reader suggested that.

By 101 measures, Los Angeles is one of the great cities of the world and California has built the world’s fourth-largest economy while leading on climate change, so apocalyptic diagnoses are a bit off the mark.

Also, local elections are nonpartisan. You don’t run for mayor as a D or an R.

And yet it’s true that Democrats and their policies and sensibilities rule the day, and they have a lot to answer for in Los Angeles and in California.

But would the same critics suggest that in conservative cities like Fresno and Bakersfield, which have their own homelessness and other problems, Republicans are to blame?

When it comes to housing, poverty, healthcare and streets occupied by people who are addicted or mentally ill, the failures go back decades, touch all levels of government, and cross party lines.

Have I given up on Los Angeles?

When I pointed out that Pratt seemed unaware of these complexities, and of the structural limits of mayoral power, readers suggested he was rising to the challenge while I was giving up on L.A.

Not at all. I care about L.A. enough to hold its leaders to a higher accountability, and to scrutinize posers and pretenders who think they can do a better job.

My advice for the next mayor.

Fix what’s broken, celebrate what works and take responsibility for what doesn’t.

Now let me try one more time:

Spencer, give me a call.

You can’t tell us you had a conversation with God about running for mayor and not share more details.

Did God scold you for referring to the mayor as Karen “Basura,” which means trash in Spanish?

Did He say we should pull out of the ‘28 Olympics, or have any advice on how to fill potholes and fix sidewalks?

If you’re having regular conversations about City Hall with the Father, the Son and the Holy Spirit, we’re dying to know:

On homelessness, what would Jesus do?

steve.lopez@latimes.com

Karen Hauer has spoken for the first time in length about her emotional exit from Strictly Come Dancing after 14 years on the BBC show

Karen Hauer’s exit from Strictly Come Dancing after 14 years on the show, in the midst of a dramatic shake-up for the 2026 series, stunned fans. But in an exclusive interview, in which she talks about her shock departure for the first time, she says she’s ready for whatever’s next.

The pro dancer, 44, felt like part of the furniture on the BBC show. She was the longest-serving female professional, having graced the famous dance floor with stars including Mark Wright and Jamie Laing – reaching the final with both – and the late Hairy Biker Dave Myers, who she once said was her most “cherished” partnership. So it’s not surprising that the announcement in March that she was quitting evoked some strong feelings.

“It was very emotional, but it did feel like I was ready to get my teeth stuck into other projects and continue evolving. I learned so much from every single celebrity that I came across,” she tells us, with a warm smile. “It’s always about growth. It was a beautiful decision that came from a good place in my heart.”

The Venezuelan-American, who is a Latin dance specialist and World Mambo Champion, decided to keep her decision quiet from everyone, including her fellow pros, except her very closest pals, as she knew they would try to convince her to stay.

“I didn’t say anything because I know it would have been hard for them to digest and they’d have been like, ‘No, definitely no, not you,” she laughs. “I kept it within my tightest circle. But you know what? When I announced it, I’ve never felt such an outpouring of love. So many people were reaching out to me, and just being so kind.”

Karen’s exit is one of many ahead of the new series, with hosts Tess Daly and Claudia Winkleman stepping down and a string of other pros waving goodbye to the show, including Gorka Márquez, Nadiya Bychkova, Luba Mushtuk and Michelle Tsiakkas. Meanwhile, Emma Willis, Josh Widdicombe and Johannes Radebe are set to shake things up as the show’s new hosts.

Karen, who moved to the countryside near Preston, Lancashire in 2025 for a quieter life, after years of calling London home, believes Strictly will continue to evolve. “Even before I was on the show, when we saw Bruce Forsyth leave and then Len Goodman, it’s always got bigger and better – that’s the beauty of it,” she says. “Now, there’s new energy coming in. The next generation is only going to lift it even more.”

Karen is excited, she says, to see where the dramatically changed team takes the show. “I’ll be watching, 100%. And I know I’ll miss the people – the camera crew, hair and make-up, the costume ladies, our runners, the producers that make the show work.”

She’ll also miss her fellow pros, with whom she admits, she took on a protective, maternal role. “Ah, my professional dancers – my kids!” she says fondly. “I felt like I was a mother goose and everybody was always so beautiful backstage. I’ll miss the dance floor when it was all quiet and there was nobody around and we were all rehearsing with no lights. Just us there.”

She adds, a little wistfully, “Strictly will always be my home, you know? I will always have a deep connection to it, no matter what.”

After so long on one show, no one would blame Karen for wanting to take a break to recharge her batteries. But no, she’s jumping headfirst into a new project – and that’s just the way she likes it.

Karen will be touring the UK this summer in a revival of feel-good comedy Stepping Out, which follows a group of seemingly mismatched amateur tap dancers as they prepare for a charity gala performance. She will play Mavis, the group’s teacher – a role last played in 2017 by Tamzin Outhwaite, and by the legendary Liza Minnelli in the 1991 film version.

When she thinks of all the famous faces she’s put through their dancing paces, Karen says it feels tailor-made for her. “It just fell into my lap at exactly the right time, after closing a massive chapter of my life with Strictly,” she says. “The fact that Mavis is a dance teacher, dealing with so many different personalities and stories just resonated with me so much.”

It’s not the star’s first brush with the stage. Over the years she’s had acclaimed stints in the West End and on Broadway. “I’ve always loved theatre,” she says. “I mean, live TV and stage shows are equally nerve-wracking, but when you’re on TV, it’s a one-hit wonder because you don’t get to repeat, you just have to perform and leave it there. In theatre, you evolve each time within the character.”

“When you’re doing a show like Strictly, there’s a certain part of you that you protect,” she adds. “It’s okay to hold back certain things about yourself, to protect yourself in a way. That’s completely okay. I think that’s how you need to be to be able to function. Acting is a completely different demon.”

Karen clearly has boundless energy as she will also be joining fellow Strictly pro Nikita Kuzmin on his Burn The Floor extravaganza, Supernova. The brainchild of Strictly’s director of choreography Jason Gilkison, she says it will always hold a special place in her heart as she was the principal female dancer in the original Broadway cast and toured the world with the ground-breaking show.

“I turned into the performer I was always meant to be because of Jason and Burn The Floor. He gave me that confidence, that belief in myself,” she tells us. “Nikita’s energy and charisma is just… beyond. I did not see it coming, so it was really nice to be asked. It’s almost like going home again.”

Away from work, Karen – who split from her third husband in 2023 – found love again two years ago with former rugby coach Simon Davidson. Smiling, she says her favourite thing to do when she’s not working is spend quality time with her handsome other half – and their four adorable rescue dogs.

“I have an amazing support network of friends, my family, my dogs, my partner at home,” she says. “He just turned 40, I’m 44, and there’s a different mindset when it comes to that stage of life – the enjoyment of life and making sure we’re taking care of each other.

“Our lives are very chaotic and we both travel a lot, so when we get back together, we have that total peace at home with our dogs. Just enjoying the little things in life is really important for both of us.”

Karen is the first to admit she’s had a rollercoaster love life. She was married to her ex-dance partner Matthew Hauer for nine years and went on to wed Strictly’s Kevin Clifton, who she then split from in 2018. She tied the knot with fitness professional Jordan Wyn-Jones in 2022, but they called it a day just 16 months later.

“I’ve definitely had my ups and downs in relationships,” she says softly. “But I think this one’s definitely an up for me, and for him as well. I think we can sense our emotions and our energy very quickly as well. We’re very aware of what makes the other tick.”

Her relationship advice? “It’s important to communicate with each another on even the smallest things. Life is too good to be hung up on little things.”

A year and a half ago, Karen decided to stop drinking alcohol, which, she says, has been transformative. “It’s completely changed my emotional state and boosted my energy levels. I’ve made so many little tweaks for self-improvement, from the inside.”

Her social media is full of posts about fitness, and Simon is even hoping to convince her to sign up to gruelling fitness competition Hyrox one day.

As for what the future may hold, Karen says, “The world’s my oyster. I don’t want to be afraid to try new things, so anything that comes my way, I’ll go for it. Because what’s the worst thing that can happen?”

With a new chapter beginning, what would Karen tell her 30-year-old self on the first day of her Strictly journey? She flashes a huge grin. “Strap in, put the seat belt on, you’re gonna fly!”

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Instead, he must now reset and recharge to go again at Wimbledon next month.

Given he is a seven-time champion on a grass surface which younger players have struggled to master, Djokovic will always fancy his chances at the All England Club.

Djokovic can never be ruled out of becoming the oldest major men’s singles champion in the Open Era, but Father Time has been sat waiting on his shoulder for a good while.

By rights, he should probably be basking in a post-retirement glow by now.

Coaching a young compatriot away from the public glare like Andy Murray, perhaps. Doing a promotional tour for a new Netflix documentary like Rafael Nadal, maybe.

While his long-time rivals move into the next phase of their lives, Djokovic was retching at the side of a court in an attempt to summon the energy to beat a teenager.

It is a testament to his superpower that he still wants to push himself to such limits against much younger opponents.

As we have seen time and time again, Djokovic’s insatiable appetite for the sport’s biggest prizes will never diminish.

But, having reached at least the semi-finals at the past five Grand Slams, this was the clearest sign yet that the ageing process was finally catching up with him.

Djokovic looked in complete control as he moved two sets ahead, but could not maintain his level as Fonseca proved he is the real deal.

“It would be nice if it was best-of-three,” Djokovic smiled.

“I just ran out of gas, to be honest. I didn’t feel good at all on the court in the next couple of sets.”

Djokovic has always thrived in the best-of-five format of the majors, beating almost anybody who has stood in his way for the best part of two years.

The only exceptions have been Sinner, Alcaraz and the muscle injury which forced him to quit against Zverev at last year’s Australian Open.

Everyone else has not been good enough, or not had the mentality, to see veteran Djokovic off.

Cary Elwes may not have been born in Los Angeles, but it’s probably fair to consider the native Brit an honorary Angeleno. The “Princess Bride” star was born in and spent his formative years kicking around London; he moved to L.A. in 1990, on his brother’s recommendation. He met his wife, photographer Lisa Marie Kurbikoff, at a cookoff in Malibu about a year later and the two married in 2000. A daughter, Dominique, arrived in 2007.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Elwes has spent his years in California not just establishing his family life, but also further enmeshing himself in Hollywood. He’s appeared in everything from “Saw” to “Ella Enchanted,” and played a corrupt government agent in a couple of “Mission Impossible” movies. His latest role is as a former cop turned private detective in Peacock’s new crime thriller, “M.I.A.,” streaming now.

“I’ve been out here for quite a bit now and while [2025’s] fires were pretty devastating — changing a lot of the landscape and people’s lives in ways that none of us could have imagined — I’m hopeful,” Elwes says. “I feel like we’re going to build back stronger and better. Things can seem dark sometimes, but I still have a spark of hope in my heart.”

Here’s how Elwes would spend his perfect, hopeful Sunday in Los Angeles.

This interview has been edited for length and clarity.

10 a.m.: Coffee and a chat

We wake up around 10 a.m., which is kind of late for me. Then we’ll have our coffee. I tend to lean toward Gelson’s beans, which I find have a particular flavor I tend to like. I do like my coffee. It’s probably the only addiction I really have.

Anyway, after I finish up my coffee, I’ll typically ask my wife and daughter what they’d like to do for the day. My daughter is 19, and she’s terrific. I always tell my wife she’s the best production we’ll ever do together.

Noon: Leisurely lunch

My wife is very fond of this Italian restaurant in Woodland Hills called Casaléna. It’s right off Ventura Boulevard and it’s terrific. Even their salads are extraordinary. It’s fairly new, too, but it’s always booked out solid so you really have to make a reservation in advance. Luckily, my wife and daughter are organized, so if they want to go there, they’ll have planned ahead.

2 p.m.: Head to the movies

We like to go see movies at the Imax at Universal CityWalk. The quality of that theater is very, very good and seeing films on the biggest screen possible is important to us.

My wife and I went on a date to see “Michael” in Imax, which was sold out and it was phenomenal. Antoine Fuqua did a great job and our friend Colman [Domingo] was honestly transformative as Joe Jackson. And Jaafar Jackson, who’s Michael’s nephew, is remarkable. It’s an extraordinary film, but sold out with people cheering and dancing? That made it a phenomenon. People were interacting with the movie as it played and it was remarkable.

If we’re not interested in whatever’s playing at the time, we might go for a hike in Tapia Park. I grew up watching “MASH” as a kid and when I realized they filmed there, I thought “How blessed am I to be living just a few miles from where such an iconic series was made?”

It’s a really beautiful park too. If you take a long hike, you’ll see waterfalls and lots of wildlife. On a nice afternoon, taking the dog out there for a walk? You can’t beat it.

There’s so much rich history here. I remember going on the Universal Studio Tour for the first time when I visited L.A. as a kid. They had a thing where they’d pick a couple of tour guests and the guide would put you on camera in front of a blue screen and you’d reenact a scene from a movie. The tour also took you by the “Jaws” shark coming out of the water and through an old western town, and I found out years later that a director friend of mine had been making westerns there when I was a kid and I didn’t even know it.

That tour was fantastic. With parting the sea for “The Ten Commandments” and then the boulders coming down the hill during the rockslide? Absolutely magnificent.

5 p.m.: Pick a Getty, any Getty

Depending on what time our movie ends or if we just end up going for a walk instead, we might go over to the Getty Center. We love it there. Usually we’ll go in the afternoon — maybe we’ll have a late lunch up there — and sometimes we’ll go to the Getty Villa instead, which luckily survived the Palisades fire.

We just love being around art. We’ll walk through the entire collection, plus whatever exhibit they have on at the time. We’ll go to LACMA sometimes, too, or even the Academy Museum to see whatever new exhibits they have.

Culturally, we really try to keep busy. Sometimes we’ll want to sit at home and play Spite and Malice or watch a show on TV, but mostly I try to go out and encourage my family to do the same, especially because we live in such a wonderfully diverse, cultural city.

7 p.m.: Taco time

I always leave meal decisions up to the girls, and sometimes they like to go out and get tacos. We like the fish tacos at Escuela. It’s pretty close to Quentin Tarantino’s movie theater, the New Beverly Cinema, which we like to go to as well. I took my daughter to see “Jaws” there, in fact, which she loved.

9 p.m.: More movies

I’m trying to educate my daughter in the films and TV shows that I watched growing up. She’s taking a film history class in school. She wants to be an actor as well, so I want her to have an understanding of the history of film and history of performance, so I show her the great performances that inspired me as a kid and encourage her in that way.

When I grew up in England, we literally had two channels, both in black and white. Young people can’t quite wrap their heads around that now, but it really did make you pay attention because you had to be sitting in front of the television to catch a show or movie you wanted to watch.

I remember that the BBC, particularly on weekends, would have matinee screenings of movies. We actually had pretty good quality TV in England growing up, but they’d also heavily focus on British films from the ‘40s all the way through to the ‘60s so I got my education from that particular style of films, like the postwar films, ‘50s films, and the Ealing comedies. David Lean and Laurence Olivier, Ralph Richardson … a lot of the films they were in or directed really helped shape who I am today.

Alec Guinness and Peter Sellers had a very strong influence on me as a kid, too, so I really want to try to share with my daughter why these films meant so much to me.

10:30 p.m.: Books in bed

I’m not really a late-night person anymore. I used to be when I was a kid, but now, unless we’re out on a date, my wife and I are homebodies.

Abdul Khan was in nappies when his cousin Amir won the nation’s hearts and a silver medal at the 2004 Athens Olympics.

By the time world champion Amir produced a career-defining performance against Marcos Maidana in 2010, Abdul was a seven-year-old watching wide-eyed in Bolton.

On Saturday, featherweight Abdul faces journeyman Liam Fitzmaurice at Wembley in a watershed moment for British South Asian boxing.

The card is headlined by unbeaten light-welterweight Adam Azim and features prospects Mohammad Bilal Ali, Vijayraj Karia and Saqib Mehmood in the earlier bouts – meaning five south Asian fighters will share billing.

“Seeing Amir reach the heights of the sport only lit the fire in probably the majority of the South Asian kids out there, including me,” Abdul, 23, tells BBC Sport.

Amir rose to prominence after winning silver in Athens aged 17 and went on to capture world titles at light-welterweight, becoming one of Britain’s most high-profile boxers.

Unbeaten in 14 professional fights with three knockouts, Abdul is the first to admit his surname helped carve his path. The family connection even led to him fighting on the undercard of Amir’s final professional bout against Kell Brook.

But after building his record on the small-hall scene and on international cards, the time has come to step out of the familial shade.

“Being known as his cousin was always going to be like that because of what Amir achieved,” Abdul says. “I’m grateful for everything he has done to open the doors – but it is all right getting through the doors, it is how good you are to stay in those rooms.

“It’s been my own hard work and dedication which has kept those doors open. This only gives me more of a push to just get out of the shadow. I think we’re all our own people and I’d love to shrug off that tag of Amir’s cousin.

“My team have always said to build me in the right way and to explode when the time comes – now it’s my time.

“He done so much for me but I don’t want to latch onto anyone else’s name, you only appreciate it more – and get appreciated – if you do it this way.”

Baseball players are superstitious — it comes with the territory.

But not even UCLA coach John Savage, who has coached the Bruins since 2004, has seen something that rivals pitcher Angel Cervantes and his mini toy dinosaur, Jerry.

A two-inch triceratops, Jerry sits behind the 6-foot-2 freshman every time the righty takes the mound, serving as a familiar — albeit tiny — face Cervantes can turn to for reassurance.

“[Cervantes] used the word childish,” Savage recalled. “And I kind of like that because that’s the first thing you think, like, ‘What the hell? Baby dinosaur? What are we doing?’ And so, he got a little chuckle out of it. He doesn’t take himself too serious, and I like that from a young guy. But it’s something that he loves and works off and, you know, good for him.”

Jerry took the world by storm as Cervantes, making his postseason debut Sunday, tossed five scoreless innings in UCLA’s 3-2 11-inning win over Oregon in the Big Ten championship game. The broadcast crew zoomed in on the dino, and the rest remains history.

Cervantes didn’t expect his mini dinosaur to be a hot topic throughout college baseball. The pitcher found it “crazy” to see himself and Jerry showered with love in social media posts shared by ESPN and MLB.

However, as the virality increases, Cervantes has been an open book about Jerry.

“Jerry, he’s a big part of my plan,” he said. “He just keeps me calm.”

The triceratops has been calming Cervantes since his senior year at Downey’s Warren High School.

In George Redfox’s photography class, Cervantes and his classmates were assigned to take pictures of mini dinosaurs on the ground at varying angles. With the longtime teacher’s approval, Cervantes and a friend kept a pair of dinosaurs; one was named Tom, and the other Jerry, inspired by the show Cervantes loved watching with his dad growing up.

Cervantes first placed Jerry behind him on the mound during a game at Angel Stadium and has made it routine ever since.

“I put my hand on my lid, I look down, and I close my eyes,” Cervantes said of his superstition. “And once I open my eyes, I look at Jerry, and that’s when I know it’s time to go. If I’m [ahead] 0-2, I like to slow myself down. I don’t want to think ahead. Or, after a first-pitch strike [or] the beginning of the inning, you know, whatever. Whenever I think the moment’s getting a little big, I want to slow things down.”

Some players pat their gloves. Others chew gum or spit seeds. But Cervantes? He just looks at his little pal.

UCLA pitcher Angel Cervantes holds his good luck toy dinosaur.

(Joaquin Ruiz / For The Times)

As Savage said, the arrangement is unique.

However, what works, works. And the Bruins, when they’re not worrying about stepping on Jerry or watching the tiny-but-mighty dino get obliterated by a grounder up the middle, are all for anything that will empower Cervantes to be his best.

“I remember seeing [Jerry] for the first time in the fall, and I just thought it was funny,” UCLA junior catcher Cashel Dugger said. “I think it’s just his thing, and it keeps him comfortable out there. And if he’s comfortable out there, then I think everybody else is good for it …”

Jerry didn’t just help Cervantes thrive in the biggest game of his life to help the Bruins earn their first Big Ten conference title.

Rather, the dino helped Cervantes evolve from an adapting freshman into a trustworthy arm — that enters the NCAA tournament with a 3.86 ERA with just one run given up over his last five outings — in a rotation that needed a boost, as right-handed ace Logan Reddemann has been out with arm soreness since mid-April.

“He was not ready, three [to] four months ago, to be a weekend starter,” Savage said of Cervantes, who the Pittsburgh Pirates selected with the No. 50 overall pick in the 2025 MLB draft. “In terms of Angel, it’s really been a fun progression. It’s really, I think, the epitome of development, of not rushing a guy with high expectations. I mean, he [was the] 50th pick … you would think [he’d] be plug-in-and-go. But in today’s world of college baseball, being barely 18 years old … he just wasn’t there yet, and he needed to fall.”

Jerry isn’t on UCLA’s roster and probably won’t be sized for championship rings any time soon.

But don’t get it twisted: there’s only one tiny dinosaur Cervantes looks to when he feels the heat, or for a lift when he falls. The two, quite literally, are inseparable.

“He’s in my backpack,” Cervantes said when asked where Jerry goes after games. “So, he’s still with me. I don’t want to keep him in my pocket — maybe I’ll grab my wallet, and he suddenly falls out. I’m always on top of where I keep him.”

Jerry has the trust of everyone in Westwood as UCLA begins its quest for a second national title in program history on Friday against Saint Mary’s.

The Bruins love him. The fans love him. Heck, even umpires can’t help but smile when met with the triceratops.

“Every time they do checks — like, they check my hands and glove — they’re always asking what’s in my pockets or hand, because before they do that, I put Jerry in the pocket. And I just put my hand out, and Jerry’s just right there. ‘Oh, OK, cool. Go get ‘em.’ So they’re always having a smile on their face.”

Cervantes and the Bruins still have a ways to go before they’re champions of the world. But if anything is certain, it’s that Jerry will be there every step of the way, whether on the mound with the freshman or in his backpack.

Oh, and if Cervantes ever gets to make that dream big-league appearance one day, he made it clear: He’d do everything he could to share the experience with Jerry.

“Someone said that if the batter ever gets mad and goes up to the pitcher, that Jerry will be right behind him,” Cervantes said of his favorite social media comment about his mini companion. “And that we should get a helmet for Jerry.”

WASHINGTON — Shrey Parikh felt the pressure of arriving at the Scripps National Spelling Bee as a favorite, but his confidence showed every time he got a word he knew. And when the bee came down to a lightning-round tiebreaker against Ishaan Gupta, Shrey left no doubt.

Shrey turned a tense, high-quality final into a blowout Thursday night, racing through the 90-second “spell-off” and getting 32 words right to be crowned the best young speller in the English language. Ishaan spelled 25 words correctly in the tiebreaker.

A 14-year-old from Rancho Cucamonga, Shrey finished third in 2024 but lost his school bee last year when he was battling a fever. He has dominated the bee circuit since, winning several highly competitive online competitions against many of the same kids he outlasted this week in the nation’s capital.

Ishaan, a 12-year-old seventh-grader from Jersey City, N.J., was a semifinalist this year, outperformed some veteran spellers in the finals, and has another year of eligibility left.

Sarv Dharavane, a 12-year-old sixth-grader from Dunwoody, Ga., finished third for the second consecutive year and has two more years to improve that placement.

For the first time in the bee’s history, second- and third-place finishers from the same year have gone on to win. Faizan Zaki won last year, and two years ago he was the runner-up, just ahead of Shrey.

Sporting a business-casual look with a dark, long-sleeve collared shirt, khakis and sneakers, the lanky Shrey strode to the microphone with a dour, apprehensive expression that instantly vanished when he heard his word from pronouncer Jacques Bailly and nodded vigorously — his tell that, yes, he knew it.

Upon hearing the announcement confirming his victory in the spell-off, Shrey turned and shook his competitor’s hand.

He can credit his victory to intense preparation. Shrey’s coaching team included Sam Evans, who has tutored each of the past three champions, and Sohum Sukhatankar, a co-champion himself in 2019. He competed nonstop against other top spellers, pored through advanced study guides and tried to eliminate the variables that had led to the few unexpected exits of his long spelling career.

Former spellers, coaches and other observers described this group of finalists as unusually strong, and they showed off their skills early by going 18 for 18 to start, breezing through the first spelling and vocabulary rounds. Aiden Meng of Orinda, Calif., ended that streak when he was tripped up by “catometope” to start the second spelling round.

Then the crowd gasped when the bell rung on two thought to be capable of winning it all: Oliver Halkett for “Faesulae” and Zwe Spacetime for “vaesite,” words with tricky combinations of origins and vowel sounds.

The bee’s move to Constitution Hall, a point of contention for spellers and their families because of the inconveniences it caused, helped imbue the event with a lively atmosphere, with more intimate seating and better sight lines bringing the crowd closer to the action.

New television host Mina Kimes of ESPN narrated the action smoothly alongside longtime bee analyst Paul Loeffler.

Nuckols writes for the Associated Press.

A BRAND new aquapark is coming to a UK town just in time for the summer holidays.

Featuring slides, climbing walls and a splash zone, the inflatable waterpark will be open until the autumn.

Located at Hinchingbrooke Country Park in Cambridgeshire, the brand new aquapark will be open to the public from July 18.

The inflatable park promises a day out of full of water-based fun, including slides, balance beams, climbing walls and splash zones.

Aimed at visitors aged six and over, the temporary water attraction will be open in time for the summer holidays and remain in place until September.

Visitors are able to pre-book online now, and the park expects demand to be high throughout the summer.

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Tickets cost £19 per person and include a buoyancy aid, helmet and wetsuit hire.

From mid-July, the aquapark will be open from 10am to 5pm, with each session lasting an hour.

The new inflatable is part of a larger ongoing investment into Hinchingbrooke Country Park, improving its leisure activities and encouraging more visitors to the park’s large natural surroundings.

Executive member for Parks and Countryside, Waste and Street Scene, Cllr Julie Kerr, said: “We’re thrilled to be bringing this exciting new attraction to Hinchingbrooke Country Park.

“It’s a fantastic addition for residents and visitors alike, and part of our ongoing commitment to improving and evolving the park to enhance leisure and outdoor opportunities for users now and in the future.”

Hinchingbrooke Country Park even wants the community to get involved in an important aspect of the opening of the park.

In a post on Facebook, the park called upon residents to submit ideas for a new name for the aquapark, with the winner receiving a free visit for the entire family.

“Think adventurous, fun, family-friendly or inspired by Hinchingbrooke and the local area – we can’t wait to see your ideas,” read the post.

Entries for the competition close on Friday, June 5, and the winner will be announced shortly afterwards.

Some concerns were raised on the Hinchingbrooke Facebook post regarding the local wildlife of the area, but the park revealed they had worked “closely with an independent ecologist to understand how this could impact the wider park”.

An Ecological Impact Assessment was conducted and the park confirmed that their project team is now “working closely” with park rangers to “ensure all recommendations and any appropriate ecological mitigation is completed”.

The park will also be designating specific lake zones purely to wildlife and “adding an additional tern raft”.

The nearby car park is also currently undergoing works, but the park has confirmed this is expected to be complete by the time the aquapark opens.

Mel Fielding, who has more than 26,000 followers on Instagram, shared her first solo break on the social media platform and what she had learned from the experience

While going on holiday with your family or best friends can be a lovely experience, sometimes taking a break by yourself can be exactly what you need. One travel influencer took herself on a 24-hour break to one of the most scenic parts of the UK and documented the experience on Instagram.

Mel Fielding, who has more than 26,000 followers on Instagram, shared her first solo break on the social media platform. She said: “Although I’ve done a few solo trips abroad over the years, and love exploring the UK, I’ve never really been on a solo trip in the UK before, so last week I decided to head to Devon for one night on my own.”

First, she visited Hope Cove, five miles west of Salcombe, where she went for a meal, saying she “felt super self-conscious at first”.

“I knew I wanted to watch the sunset but I had two hours to wait, so I headed down to the beach on my own,” she said. “I read my book and felt myself relaxing as I watched the sun go down. I felt so happy that I’d pushed through the awkwardness and stayed until the sun had set.”

Mel was staying in her van overnight, and had booked into nearby Bolberry House Caravan and Camping Park, which she said “felt really peaceful”. She continued: “I survived my first night along in the van and slept surprisingly well!

“It wasn’t as scary as I thought it would be! Isn’t it funny how things usually feel worse in our minds than they actually are.”

The next morning she visited Salcombe, and the Snapes Point viewpoint. “By this point, I felt like I’d relaxed into the trip so I headed on a solo sea swim,” she said.

“No one else was swimming and I did feel a little self-conscious at first, but knew I’d regret not going for a dip on such a beautiful day. I made coffee on the beach afterwards and realised that, although I’d done a few solo trips before, doing stuff solo is a bit like exercising a muscle. You have to keep using it to keep it strong.

“I consider myself a pretty adventurous person, but I also realised it’s okay to feel nervous before doing things you don’t do that often. I ended up having a really wonderful 24 hours and it was a good reminder to feel the fear and do it anyway. Now I’m already planning my next solo overnight adventure.”

Writing in the video description, she added: “I know that to some people this won’t be a big deal, but I also know that to some, it will, so if you’re in the latter group and would also love to go on a solo break in the UK this year, but feel nervous about it, I hope sharing this helps in some way!”

People in the comments left their own experiences of solo travel. One said: “I have been single for seven years, so I decided a while back to do whatever I wanted to, even by myself. My biggest challenge was camping in my tent in Wales last summer… best thing I ever did.

“I was adopted by a lovely family for drinks around the campfire. You’re never truly alone. But the feeling of accomplishment when you do these things alone, immense! Makes you remember you can conquer anything.”

Another said: “I have never done a solo trip ever. If I ever get better I have promised myself a trip to Florence.

“Not having anyone else dictate where I am going. I always put others first. So it would be an amazing dream. Good on you! More of us need to lead by your example.”

INTERLOCHEN, Mich. — A Michigan summer arts camp and boarding school where Jeffrey Epstein has been accused of meeting at least two of his victims will tear down a lodge that once bore his name.

The Interlochen Center for the Arts said this week that its board of trustees has approved a plan to demolish the Green Lake Lodge, which had been known as Jeffrey E. Epstein Scholarship Lodge until the school cut ties and scrubbed references to the late millionaire sex offender after his first conviction in 2008.

Epstein attended the Interlochen Arts Camp in 1967 as a teenager, and donated more than $400,000 to the school between 1990 to 2003, including $200,000 for the construction of the lodge.

“The lodge has, over time, come to carry associations that are not reflective of who we are as an institution or the values we strive to uphold,” Interlochen said in a statement. “After careful consideration, the Board determined that removing this structure in a safe and timely manner is the right step for Interlochen at this time.”

A world-renowned destination for young artists, actors and musicians, Interlochen’s alumni include Grammy winners Chappell Roan and Norah Jones and Oscar winner Da’Vine Joy Randolph.

At least two of Epstein’s accusers have said they met him at Interlochen in the 1990s.

The school said it was aware of news reports about the women’s claims and said it has invited them to speak with an independent investigator as part of an external investigation into reports of historical misconduct at Interlochen.

A pair of internal reviews, most recently after Epstein’s sex trafficking arrest in 2019, found no reports of misconduct at Interlochen involving Epstein in its records, the school said.

Epstein visited Interlochen periodically, often with his confidante and former girlfriend Ghislaine Maxwell, and stayed in the lodge now marked for demolition.

According to correspondence included in the Justice Department’s recent release of Epstein-related records, he directed that tuition for at least one student be paid out of his donations and once flew violinist Itzhak Perlman to the school on his private jet.

Epstein killed himself in a federal jail in Manhattan in August 2019, a month after being indicted on federal sex trafficking charges. In 2008 and 2009, he served jail time in Florida after pleading guilty to soliciting prostitution from someone under the age of 18.

Maxwell was convicted in 2021 of sex trafficking for helping to recruit some of Epstein’s underage victims, and is serving a 20-year prison sentence.

Bolivia’s president has warned protesters “time is running out” amid a weeks-long standoff over the country’s economic and political crisis. President Rodrigo Paz has secured powers to declare a State of Emergency, but protesters remain unmoved.

Warning: This story contains details some may find distressing

A girl whose teenage rapists were spared custody has told the BBC she wants “freedom” from fear. She and her parents spoke anonymously to BBC Newsnight presenter Victoria Derbyshire.

“I just want to be able to go for a walk without being scared that I’m going to see them,” the girl said of her attackers, whose sentences are to be reviewed.

Her father said the boys who raped her should have custodial sentences, as the attack will have a “lifelong impact” on his daughter.

Two boys, then aged 14, were convicted of rape, while a third, then 13, was found guilty of rape by aiding and abetting the attack. Their sentences are being referred to the Court of Appeal, after an outcry when they were given youth rehabilitation orders.

Read more on this story.

If you have been affected by any of the issues raised in this story, information and support can be found at the BBC Action Line.

Sharyn Alfonsi, the longtime “60 Minutes” correspondent who clashed with CBS News Editor-in-Chief Bari Weiss over a story on Trump White House immigration policies, said Wednesday her contract is not being renewed.

“Over the weekend, my contract with CBS News expired, drawing to a close nearly twenty years with the network, including more than a decade at ’60 Minutes,’” Alfonsi, 54, said in a statement to The Times.

“Following an intense editorial dispute over our CECOT story, repeated attempts by my representation to establish a path forward were met with absolute silence from network executives,” she added. “The message could not be clearer: my time at 60 Minutes is apparently over.”

CBS News declined to comment on Alfonsi’s remarks. Her contract expired this past weekend but she remains employed at the division on an “at will” basis, which means she can be terminated at any time, according to people familiar with the discussions. Producers who worked with Alfonsi have been assigned to other correspondents.

Alfonsi made her comments as the “60 Minutes” staff anticipates significant changes in the coming days, which could include shifting the lineup of correspondents. Anderson Cooper has already announced his departure from the program after 20 seasons.

A scene from the “60 Minutes” report “Inside CECOT.”

(CBS News)

The segment at the center of Alfonsi’s likely exit, “Inside CECOT,” detailed the Trump administration’s treatment of hundreds of Venezuelan migrants who were deported to an El Salvador prison known for its harsh conditions.

“Inside CECOT” was scheduled to run Dec. 22 but was pulled the day before air by Weiss, who believed it needed more reporting, including a direct on-camera response from the administration, which did not participate.

Alfonsi protested the decision to hold the story, calling it politically motivated in an email she sent to colleagues that was shared publicly.

Alfonsi said at the time the story was ready for air after being vetted by the network’s attorneys and the standards and practices department.

“It is factually correct,” Alfonsi wrote. “In my view, pulling it now — after every rigorous internal check has been met is not an editorial decision, it is a political one.”

“Inside CECOT” eventually ran on Jan. 18 without any substantial changes to its tone or reporting. Weiss acknowledged internally that pulling the segment after it had already been promoted was a mistake.

The move created the first public relations fiasco under Weiss’ watch and tarnished the strong journalistic reputation of “60 Minutes.” The matter also added to the narrative that Weiss was installed at CBS News to placate the Trump administration as parent company Skydance Media sought government regulatory approval to buy Paramount and its current deal to merge with Warner Bros. Discovery.

The program has been in turmoil since October 2024 when President Trump filed a $20-billion lawsuit against CBS over an interview conducted with then-Vice President Kamala Harris that was settled to help clear the regulatory path for Skydance Media’s acquisition of Paramount last year.

Weiss joined CBS News in October with a mandate from Paramount Chief Executive David Ellison to pull the division to the political center. The founder of the conservative-friendly digital news site the Free Press, Weiss has wanted to make changes to “60 Minutes” but put them off until after the 2025-26 TV season ended this past weekend.

In her statement, Alfonsi predicted CBS News would try to make her exit an administrative decision not related to her work.

“In the coming days, network leadership may attempt to hide behind corporate euphemisms like ‘modernization’ and ‘restructuring’ to explain away my departure,” Alfonsi said. “Don’t be misled. This was not a routine corporate transition; it was a deliberate choice to penalize a journalist for refusing to sanitize factually accurate reporting, and it sends a chilling message to the entire newsroom.”

Insiders at CBS News are uncertain about the extent of the planned overhaul. Weiss has been advised to limit any disruption to “60 Minutes,” which is coming off a strong season of ratings performance.

Nielsen data showed the program averaged 9.1 million viewers in its Sunday time period, up 9% from the previous year. The program’s views across digital and social media platforms were also up substantially.

A POPULAR aquapark is reopening for the summer – and it’s coming with a brand new attraction.

Families will be able to enjoy the thrill-seeking ride alongside other water activities

Hangloose Adventure Bluewater, based at Bluewater Shopping Centre in Kent, has reopened for the summer season with a new towering attraction – a six-meter mega slide.

Named ‘El Jefe’ – the boss in Spanish- the super slide marks the latest addition to the park’s floating inflatable course.

Families can now navigate over 15 obstacles, climb balance beams, and complete the course on ‘El Jefe’, which will see them soar into the water below.

Described as an ‘exhilarating experience’ by the park, children as young as seven will be able to take part – as long as they reach the minimum height requirement of 1.2 meters.

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Alongside the relaunch of the aqua park, Hangloose Adventure is also introducing a Thursday-only zipline offer.

Those who book a zipline ride will be able to have a second ride for free on the same day, with the promotion running until June 25.

The water park operates for seven days a week during the summer season, from 10am to 5pm.

Located in The Domes, Greenhithe, the park has been highly rated online.

The area also features a host of big attractions, including England’s longest zipline, Europe’s biggest swing, and the UK’s only outdoor indoor skydive tunnel.

For your chance to try out ‘El Jefe’ in person, a day out at the waterpark costs just £67 for a family of four.

Attention screenwriters, producers and agents: The Jonah Jeovany Vasquez story continues this weekend in Clovis, and it’s giving off Disney-like vibes.

The senior at Cathedral High is running in the 1,600 at the CIF state track and field championships on Friday at Buchanan High. He had never stepped on a “squishy” surface, otherwise known as a track, before this season.

“I never even knew what a track felt like,” he said. ”Everything was new to me.”

For three years, he attended Alliance Leichtman-Levine, a small Los Angeles charter school near his home in South Los Angeles. He ran cross country on his own with little coaching.

“They would hire a random coach off the street and we’d play flag football,” he said.

His training was jogging on a treadmill for two miles and maybe getting eight to 10 miles a week.

He finished third at the 2024 City Section Division V finals in 16:48 as the only representative from his school. In the state final, he finished 76th in Division V with a time of 16:58.60. That experience gave Vasquez motivation.

“Seeing so many people pass me bothered me,” he said. “I promised myself I was going to train hard so it wouldn’t happen again. I wanted to prove to myself I could run with the top guys.”

Jonah Jeovany Vasquez of Cathedral is on the podium after finishing second in the Division 3 1,600 at Moorpark.

(Cathedral)

He transferred to Cathedral last May, and coach Martin Farfan aggressively trained him to make up for lost time. Vasquez ran 15:35 on the state championship course in Fresno. But two weeks before the state championships, he was struck by an E-bike during a 10-mile workout running along the L.A. River. He went flying and had a gash on his knee.

“It was traumatic. I was at the peak of my power. I was super fit and faster than I had ever been,” he said.

He iced the knee and stopped training. He still ran in the CIF prelims. “I had no fitness,” he said. “I was like a deer in the headlights.”

Farfan started calling coaches telling them he had a talented runner but the recruiters were unimpressed. They took to the internet and couldn’t find a single track time for Vasquez. Farfan had a ringer about to try track for the first time.

Two weeks ago at the Southern Section divisional championships, he finished second in the Division 3 final in a personal-best 4:08.44.

Vasquez is healthy and eager to be the one passing runners with his late kick on Friday and Saturday night. He also has a scholarship waiting for him at Long Beach State.

“I’ve always had natural endurance,” he said. “I’ve been active since I was little. I honestly believe when I’m in college, I’m going to do some great things. I have that spark in me not every athlete has. I have the drive to be the best I can possibly be. Maybe not by my freshman year, but I will develop. I will not stop until reaching my goal. It’s all I want. When I sleep or do activities with my family, all I think about is running.”

His father immigrated from Nicaragua. His mother has family in Guatemala. They’ve supported Vasquez as running became his passion.

“I honestly believe I have a 4:04 or 4:05 in me,” he said.

Never doubt what can happen when a teenager finds something they love and devotes time and energy to achieving their dreams.