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In the mindbending documentary “You Can See Everything,” comedian Nathan Fielder and professed inventor Elizabeth Holmes sit in her beach house staring at each other like gunslingers. Fielder is the creator of the TV series “The Rehearsal” and “Nathan for You” who constructs discombobulating sham realities that include bogus businesses such as Dumb Starbucks. Holmes is the former billionaire CEO of Theranos who pretended she’d built a revolutionary blood testing machine to squeeze investors for a few dollars more.

Each is an expert in the con. But Fielder is deadpan and cold where Holmes is earnest and warm — and he’s been nominated for Emmys while, in May of 2023 when the film begins, she’s about to serve an 11-year sentence in federal prison. As the camera cuts between close-ups of his narrowed eyes and her big, blue ones, Fielder tries to suss whether he can trust the famous fibber to be honest with him. The showdown is riveting.

“You’re being real right now?” Fielder asks, dubious.

Holmes beams. “I’m always being real,” she swears with a smile.

Her charm hits Fielder in the gut. His face stays neutral yet you can see his own confidence bleed out across the screen.

Co-directed by Fielder and Lance Oppenheim (“Primetime”), “You Can See Everything” is the closest Fielder has come to making a traditional documentary. A thrillingly cringe-tastic interviewer, he blurts out blunt questions like a bungee jumper leaping off a bridge, including asking Holmes’ romantic and business partner Billy Evans, the heir to a San Diego boutique hotel chain, whether it’s possible a woman convicted of fraud might be with him for his money.

At nearly three hours long, “You Can See Everything” won’t bore you for a minute. The hook is right there in the title, Fielder’s challenge to the audience: Here’s how Holmes held up to his scrutiny — do we think she’s telling the truth? But be alert. Fielder remains a trickster. One shot in particular proves you can see everything while being blind to what you’re actually watching.

In the first half of the movie, Holmes and Evans, the father of her two young children, give the small crew complete access to their lives during her last weeks of freedom, including inviting Fielder to sleep in their guest bedroom. It’s an act of “radical transparency,” Evans says. As evidence, there’s a fully nude shot of Evans in the shower, testifying to the intimacy the subjects claim they’re granting the team and the confidence they have that the documentary will make them look great. (Evans also boasts that he’s “excellent” in the sack.)

Holmes maintains both her innocence and her eerie smile, a rictus of empathy. She constantly nods, subliminally snake-charming the listener into a sense of agreement. That assessment might be fair or it might be her reputation making you over-analyze her tics. Doubling down, she even insists she’s never told a lie in her life — a claim that momentarily leaves Fielder at a loss for words.

Yet at times, Holmes really does appear to be sincere. Once she surrenders herself to the Bryan Federal Prison Camp in Texas (where, in an unmentioned coincidence, Epstein collaborator Ghislane Maxwell is also incarcerated), the tone shifts into film noir as Fielder struggles to reconcile Elizabeth Holmes’ dual identities. Is she the sweet-natured scientist, the only version of her he’s ever met, or a femme fatale who may still be running a scam?

“It’s personal,” Fielder says of his fixation. How frustrating that he of all people — the dark prince of pranks — may be Holmes’ latest patsy. Composer Ari Balouzian borrows bits of Bernard Herrmann’s violin score from “Vertigo” while cinematographer David Bolen makes the audience hold its breath by framing an image of Fielder and Holmes like they might kiss.

When the movie’s style gets weird, that’s when Fielder is most in his wheelhouse. Stop reading now if you want to preserve the surprise. Micro-analyzing his encounters with Holmes, he reenacts them with an actor, Amanda Seyfried, whose emotional intensity blows into the film like a gust of fresh air. Seyfried, of course, won an Emmy and a Golden Globe for playing Holmes in the 2022 miniseries “The Dropout.” The twists to come, however, feel as much like last year’s naughty hit “The Housemaid,” the domestic thriller in which Seyfried played a shady wife with a marriage made of lies.

Evans initially seems to think they’re participating in a project closer to Netflix’s glossy portrait of Meghan Markle and Prince Harry. The couple doesn’t know much about humor, pop culture or Fielder himself. Fumbling to figure out what makes him tick, Evans attempts to neg the provocateur as someone who lacks the passion to think differently. (Evans may also be the person who used Holmes’ social media account to write a flattering post calling JD Vance “Lisan al-Gaib,” revealing he’s entirely missed the point of “Dune.”)

But thinking differently is Fielder’s awkward superpower. Sooner or later, all of his projects circle around to his concern that he’s simply wired to be unpleasant. His interactions with Holmes are pure cringe comedy, like when she starts to cry perhaps a bit on cue and he stiffly sputters, “Do you want, like, a tissue?” For the record, he brings her one.

As a viewer, the biggest strike against Holmes is this documentary’s very existence. Whether or not you think she’s guilty of fraud, she is about to be separated from her infant and toddler until they’re in grade school. Who on Earth would genuinely want Fielder, the human equivalent of a skunk, to crash their last moments with their loved ones as he does his darnedest to stink up the place?

Fielder is most comfortable as the film’s villain, shooting himself lurking in the couple’s house like “Halloween’s” Michael Myers. At times, his presence does feel monstrous. In one scene, he needles Evans about whether he thinks his soulmate has ever lied to him while Holmes is on the phone in the next room, tearing up as she asks how often she’ll be able to bathe in prison.

The film doesn’t drill into the technical details of Theranos beyond one dizzying scene where Fielder tries to pin Holmes down on exactly what she meant when she said her machine can run hundreds of different tests. She means it just as I would if I bragged I can benchpress a beer keg — that is, once I strength-train beyond my piddly 5 lb dumbbells.

Instead, it tilts into becoming a caper flick as Seyfried’s commitment to understanding her character’s motivation inspires the actor to invite herself along. The drama they uncover is psychological, as befits an era where Silicon Valley CEOs are closer to cult leaders than engineers, making their cash from being televangelists for their IPOs. And both are attuned to the moments when Evans lets his aggravation slip. One scene is a doozy.

Ultimately, suspicion reigns. “You Can See Everything” is an absorbing study of public presentation and private doubts, a documentary that asks more questions than it answers. I hope Fielder will smile and nod approvingly at me if I say I left the film distrusting him, too, especially Seyfried’s re-staging of a long monologue Holmes delivered in prison where recording devices aren’t allowed. Can we believe that Holmes really did say, “I’m tired of having other people speak for me,” or was that laugh line written by the master manipulator himself? I’m now as paranoid as he is — and what a pleasure.

Other than the missing 23 carats of diamonds, the replica Super Bowl LVI rings fans received on Sunday at SoFi Stadium looked like the real thing.

That’s more than the Rams can claim.

The team that opened the season as the overwhelming favorite to win Super Bowl LXI continued to look like a cheap imitation.

They did not flash. They did not sparkle.

They looked dull. Lifeless for all but parts of two minutes against the Arizona Cardinals.

And when Chad Ryland kicked his sixth field goal as time expired, the Rams lost 18-16 before 72,573.

Rams tight end Colby Parkinson scores a touchdown in front of Cardinals safety Andrew Wingard at SoFi Stadium Sunday.

(Eric Thayer/Los Angeles Times)

First-year Cardinals coach Mike LaFleur, the Rams former offensive coordinator, outcoached and outmaneuvered friend and mentor Sean McVay.

With just more than a third of the season complete, the Rams are 2-4.

The Rams failed to bounce back from their overtime defeat by the powerful Buffalo Bills and lost to a Cardinals team that entered the game having given up at least 31 points in each of its last four.

This from a Rams team that was built to win another Super Bowl at SoFi Stadium.

Only six players from the team that won Super Bowl LVI are still on the roster: Quarterback Matthew Stafford, defensive lineman Aaron Donald, tight end Tyler Higbee, center Coleman Shelton, left tackle Alaric Jackson and receiver Tutu Atwell.

During the offseason they added two players with two Super Bowl rings each: cornerbacks Trent McDuffie and Jaylen Watson.

Rams quarterback Matthew Stafford looks to pass the ball against the Cardinals at Sofi Stadium on Sunday.

(Eric Thayer/Los Angeles Times)

But they have not looked anything like a Super Bowl contender.

An offense that went into the game as the league’s most productive from a yardage standpoint managed only a field goal and two touchdowns.

Stafford completed 25 of 33 passes for 222 yards.

With left tackle Alaric Jackson suspended for the game for punching Bill linebacker Bradley Chubb on the field after the Rams loss, veteran David Quessenberry started for the first time since 2023.

The Cardinals predictably brought pressure and blitzed, sacking Stafford three times and hitting him seven times.

Safety Quentin Lake intercepted a pass for a defense that was without All-Pro cornerback Trent McDuffie because of a groin injury. The defense gave up only field goals and gave the offense multiple opportunities.

And special teams continued to be a disaster.

New kicker Blake Grupe, signed this week after the Rams released struggling Harrison Mevis, kicked a 44-yard field goal in the first quarter. But on the ensuing kickoff, Devin Duvernay returned Grupe’s kick 40 yards before the 5-foot-7, 156-pound Grupe hurled his body to stop him. Grupe suffered a knee injury and did not return.

The Rams managed Grupe’s 44-yard field goal and Corum’s touchdown for a 9-9 tie at halftime.

The Cardinals consumed nearly nine minutes of the third quarter before kicking a field goal for a 12-9 lead.

The loss of Grupe then came into play again late in the third quarter. On a fourth-and-one at the Cardinals’ 27-yard, McVay opted to go for it. Davis Allen lined up in the backfield and took a handoff from Stafford, but the Cardinals stopped him for no gain.

The Cardinals added another field goal with 9:28 left for a 15-9 lead.

The Rams then put together a lively drive, but Higbee fumbled with just under eight minutes left.

They got the ball back with just less than seven minutes remaining. They drove into Cardinals’ territory with about three minutes left but a false-start penalty gave them a fourth-and-eight situation, and Stafford’s pass to running back Kyren Williams fell incomplete.

But the Rams got one more chance when they got the ball with 2:48 left.

Stafford escaped pressure and found Nacua, for a mid-range pass that he turned into a 32-yard gain. Stafford connected again with Nacua for 16 yards to the Cardinals’ 13-yard line.

Stafford’s six-yard touchdown pass to Colby Parkinson tied the score, and punter Ethan Evans came on to kick the extra point to give the Rams the lead.

But the Cardinals came back with the help of a personal-foul penalty after a completed pass. And Ryland’s sixth field goal finished the Rams.

Netflix publicly reported box office results for the first time in its history this weekend as it released its queer drama “La Bola Negra” in U.S. theaters.

The Spanish-language film opened in limited release — just four theaters in Los Angeles and New York — and brought in $277,500 on a reported production budget of $15 million to $17 million. That averaged out to about $69,375 per screen, the second-highest per-screen average for a non-English language film.

Netflix acquired the U.S. rights to the film at Cannes, reportedly for about $5 million.

The Los Gatos-based streaming giant plans to expand the number of locations in the coming weeks to as many as 300 theaters across the country. The film already opened in Spain in late September.

“La Bola Negra” will be available on Netflix on Dec. 2.

Netflix has high hopes for the film, which won six audience awards on the festival circuit and will be Spain’s entry for the Academy Awards.

But the U.S. debut comes at a rocky time for Netflix, which cut 6% of its workforce, or about 1,000 jobs, last week. The layoffs, which are believed to be the largest in company history, included Chief Content Officer Bela Bajaria, who was replaced by former Disney executive Peter Rice.

The move arrives as Netflix’s stock price has tumbled, and the company is under pressure from shareholders to churn out more hit films and TV shows, while increasing engagement on the platform.

Elsewhere at the box office, Paramount Pictures’ video game adaptation “Street Fighter” took the top spot, with a domestic haul of $31 million. It is the first major release from Skydance, the company formed when Paramount completed its $111-billion acquisition of Warner Bros. Discovery earlier this month.

A24’s Elizabeth Holmes documentary, “You Can See Everything,” which opened on only 855 screens, made about $15 million, while Universal Pictures’ “Other Mommy” ($8.3 million), Disney-owned 20th Century Studios’ “Whalefall” ($8 million) and Universal-owned Focus Features’ “Sense and Sensibility” ($7.2 million) rounded out the top five.

Six weeks into the NFL season and Chargers versus the Kansas City Chiefs pits a winless team against an unbeaten one. Last season, when the Chargers swept the Chiefs, feels like a lifetime ago.

This game might not be as lopsided as it appears, considering these teams know each other so well. But these are rough times for the Chargers, who are still missing their two starting tackles and All-Pro safety Derwin James Jr. What’s more, it has been a terrible start for Justin Herbert, who has five touchdowns, seven interceptions, an anemic passer rating of 70.2 and has been sacked 17 times.

Conversely, Chiefs quarterback Patrick Mahomes is on a roll despite returning from last season’s devastating knee injury. He has nine touchdowns, two interceptions, a 106.2 rating and six sacks — almost two-thirds fewer than Herbert.

A big battle for Los Angeles will be on defense, as the Chargers have done a good job against the run and are facing Kansas City’s Kenneth Walker III, who has rushed for 537 yards at an average of 6.2 yards per carry.

A spectacular run that included back-to-back World Series championships and delivered unforgettable memories ended with a whimper for the Los Angeles Dodgers on Thursday.

The Milwaukee Brewers, humiliated by the Dodgers last year in a four-game sweep, returned the favor at Chavez Ravine, defeating L.A., 6-4, in the National League Championship Series. The loss eliminated the Dodgers and ended their run at a vaunted three-peat, or three consecutive titles.

No North American sports franchise can claim such an accomplishment since the Shaq- and Kobe Bryant-led Lakers from 2000 to 2002.

How did a team of All-Stars fall short? Our sports team delivered tremendous coverage that answers that question and many more.

Columnist Bill Plaschke wrote how a team with seemingly every advantage fell short, beat writer Maddie Lee documented what led to the demise, while columnist Bill Shaikin provided updates to several questions on the team’s future. The devoted fans of the Boys in Blue have also had a chance to react.

Let’s sample some of their in-depth reporting.

Shohei Ohtani’s declining health was too much to overcome

Plaschke wrote that the single biggest reason the Dodgers didn’t three-peat centered on the health of designated hitter and pitcher Shohei Ohtani.

The owner of four MVP trophies, Ohtani began the season with a goal of also winning the Cy Young Award. So he focused on pitching, and he pitched well, going 8-2 with a 1.79 ERA in 14 starts.

Then he injured his knee, but he still pitched, long past when he should have been pitching, said Plaschke. He was finally pulled off the mound in early July, but by then he had also injured his elbow and his offense suffered because he was so worried about the pitching. It was at this point the Dodgers should have shut him down entirely, given him a month off to ensure he would be ready for October, according to Plaschke.

But no. Ohtani insisted he was fine even though his plummeting batting numbers said otherwise. When he was finally placed on the injured list in early September, Plaschke said it was too late, and he entered the playoffs as a shell of his former great self.

An autopsy reveals much

Lee agreed with third baseman Max Muncy when he said, “The train finally ran out of steam, I guess.”

A major aspect of the challenge of winning three straight is simply workload. The Dodgers not only have played more games than any other team the last two years, but their schedule has included grueling travel.

The Dodgers started both the 2024 and 2025 seasons early and overseas, playing in the Seoul Series and Tokyo Series in consecutive years. And both years ended with coast-to-coast travel for the World Series, as the Dodgers won titles over the New York Yankees and Toronto Blue Jays.

The team’s collective age — the oldest lineup in the majors this year, according to Baseball Reference, weighted by at-bats and games played — may not have helped.

Cap concerns

Shaikin wrote about a lockout expected this winter as Major League Baseball owners attempt to implement a salary cap, which limits the amount of money a team can spend on player salaries.

The owners initially proposed a salary cap of $245 million for next year. The Dodgers already have $347 million committed to 14 players next year, according to Cot’s Baseball Contracts.

Under a cap, the owners have promised a transition period to account for existing commitments, and an actual negotiated cap could be higher, said Shaikin.

Even if the players do not agree to a cap — and they insist they won’t — whatever economic system emerges from collective bargaining would likely make it painful for the Dodgers to spend so freely, according to Shaikin.

What some Dodgers fans are saying

Most baseball teams create a now well-anticipated “thank you fans” social media post after the conclusion of a season.

Passionate fans use the post as a sounding board for everything that ails them about their favorite teams. Just look at the “thank you fans” X posts from the New York Yankees and Philadelphia Phillies laced with profanities and vitriol fiercer than any East Coast nor’easter.

But on Friday, Dodgers fans were gracious and supportive on the fan appreciation post on X.

“Thank you for the great run over the last three years. Let’s come back stronger,” wrote one user.

“Thank you for the ride,” another tweet noted. “We’ll be back next year!”

The week’s biggest stories

A house burns off Calle Miramar in San Juan Capistrano during the Norte fire on Friday.

(Sandy Huffaker/For The Times)

Southern California wildfires

Olympics and sports news

Crime, courts and protests

More news

Editor’s pick

More picks

Things to do

(Ariana Drehsler / For The Times)

• 🎭The world premiere play “Bobby Robotowitz” brings AI questions into your living room — literally — with performances on the Eastside and Westside.
• 👀 The 10 biggest revelations of Nathan Fielder’s new Elizabeth Holmes documentary, ‘You Can See Everything.’
• 🍽️ For many, like the preservationists pushing to save Santa Monica’s Mel’s Drive-In, the mere thought of demolishing the iconic restaurant is offensive. Eating there was certainly on the bingo card for columnist LZ Granderson when he and his son first drove across the Southwest decades ago, and it continues to be a favorite breakfast spot of theirs.

Today’s recipe

(Stephanie Breijo / Los Angeles Times)

Many meatballs are made with a panade, often a mixture of white bread soaked in milk, which lends moisture to the final meatballs. For these lamb meatballs, cooking editor Cody Reiss decided to make his panade out of ingredients that felt more in-line with the mutabbal he was serving them with. He ended up using a mixture of leftover pita bread and labneh (drained yogurt). The resulting meatballs were moist, herby, spiced, seasoned, spicy and just a joy to eat.

Photo of the day

Volunteers led by guerrilla activist Jonathan Hale paint over the faded crosswalks of an intersection near USC on Sept. 19.

(Etienne Laurent/For the Times)

Games

Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.

Have a great day, from the Essential California team

Jack Dolan, investigative reporter
Hugo Martín, assistant editor, Fast Break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

If you’d like to live near the water along the spectacular California coast at some point in your life, you have a number of options.

You can settle in, say, Culver City, which is several miles inland, and wait for rising tides to arrive.

Or, if you just can’t wait that long, I saw a listing you might be interested in. It’s in Capitola, near Santa Cruz, right next to the wharf. The three bedroom, two bath, 1,850-square-foot condo, one of a string of Venetian, pastel beachfront homes, is listed for $3,995,000.

“The beach is your backyard, the cool ocean is your pool,” says the promo.

Given what’s happening right now along the California coast, you might not have to leave that condo to go for a swim. But UC Santa Cruz oceanographer and geologist Gary Griggs, who has seen the thrashing of that row of homes in previous years, is not going to make an offer.

“I’ve got a number of photos,” he said, “that show waves breaking over the top.”

Someone will buy the place, eventually, despite the chance of it becoming a fish tank. California is flush with dumb money and bad judgment, and an insatiable romance with an epic 1,200-mile shoreline.

But it’s time to rethink the relationship.

Last weekend in Long Beach I said a few words at the 50th anniversary of the California Coastal Act, which has kept our shoreline from looking like Atlantic City or Miami Beach by balancing sensible development with conservation and public access.

“The coast is never saved, it’s always being saved,” I said at the 50th, borrowing as I often do from the late Peter Douglas, hammering home the need for constant stewardship, from one generation to the next.

But in an ironic twist, part of the parking lot was underwater, a tractor had raised a berm to hold back the ocean, and just to the south, homes were being thrashed by waves. The coast wasn’t being saved, it was being reclaimed by the sea.

From there I headed south for a friend’s planned birthday party on the sand in Newport Beach, but city streets had been flooded and beaches were closed. The party was moved indoors.

We have not seen the worst of it, with a fall forecast that includes the possibility of an epic Super El Niño that could coincide with king tides, Kelvin waves and a peak lunar nodal cycle, all of which my colleague Rosanna Xia laid out a couple of days ago.

It’s not going to rain hammerheads and sea horses, I don’t think, but coastal destruction could be dramatic.

“We’re likely going to break a number of water level records,” said Timu Gallien of the UCLA Coastal Flood Lab. “It’s not implausible to see some of the piers wiped out, or breakwaters or jetties.”

“This is a glimpse of our future,” said former California Coastal Commission Director Jack Ainsworth. “This is it. It’s here.”

Some low-lying communities have been warned for years to prepare for rising sea levels, Ainsworth said, but have put off the inevitable.

In some areas, the only sane maneuver is what’s called “managed retreat,” meaning relocation of structures farther inland. But that is fraught with legal and political challenges and resistance.

Look, if you want to live on the sand and can afford to do so, good for you. But the general public should not be on the hook for your losses. Along the entire coast, public infrastructure that we all benefit from is under threat, including roadways, parks and railroad tracks, and that’s where any public investment ought to go.

Among the tools available are sand berms, cobble berms (sand on top of small stones), jetties, dredging and relocating sand, and below-surface breakwaters. Living shorelines, such as those along the Orange and San Diego county coasts, involve piling sand atop boulders or smaller stones and covering the berms with vegetation.

But these projects don’t happen overnight, Gallien said. “Right now we’re seeing reactive responses. OK, let’s throw up some sandbags and plywood.”

Kelsey Ducklow, coastal resilience director for the Coastal Commission, said the agency has awarded millions in grants for local planners to study the threat to their communities and come up with plans. Some locales are further along than others, Ducklow said, but there’s no single strategy that will work everywhere, and one typical response is, “Yeah, we know we need to do something. But where’s the money to do it?”

The three choices we have are mitigation, adaptation and suffering, Griggs said. We’re likely to do some of each, but on the mitigation end of things, sea walls, rock revetments and armored cliffs are temporary fixes.

“In the long run, there’s nothing we can do to hold back the Pacific Ocean,” said Griggs, 83, who has been teaching for 59 years. “Everything we do is a Band-Aid, and comes with different price tags and lifespans.”

Griggs was featured in Xia’s award-winning book “California Against the Sea: Visions for Our Vanishing Coastline,” which explores the impact of sea level rise and community responses that range from denial to respectful intervention.

Precious ecosystems are under threat, Xia wrote, “trapped between rising water on one side, pavement on the other.” And multiple Southern California beaches that are “so deeply tied to the state’s heart and soul” could be lost.

I asked Xia what she thought about the rising threat this year.

“So many people think about the coast as a place — a place that doesn’t move,” she said. “But the coast in reality is a living dynamic process that changes every time a wave crashes ashore. That’s the heart of the issue — we’re fundamentally trying to impose permanence onto a space that is meant to be constantly changing.”

We haven’t been the best stewards of the planet, and maybe what’s happening now is a bit of a reckoning. From the first time I saw the California coast as a young lad on vacation from the hot interior, I think I understood that the truest way to love the sea was to fear and respect it.

I now have more fear and more respect.

And maybe, too, a deeper love.

steve.lopez@latimes.com

Five days. That’s how long President Trump’s latest press secretary, Katie Zacharia, lasted before she was fired Friday.

Her stint, which was about as long as the recommended shelf life for an open can of beans (if refrigerated), broke the previous record set by Anthony Scaramucci.

During Trump’s first term, Scaramucci lasted 11 days as White House communications director — the suggested length of time before a sealed pack of hot dogs expires.

Their minuscule tenures represent an impressive race to the bottom in a once-prestigious role that was created just under a century ago, during the Great Depression.

The press secretary typically stuck in the job for years or entire terms, rather than days or weeks. For reference, Scaramucci’s dizzying 2017 arrival and departure broke a 72-year-old record.

Jonathan Daniels served just 19 days (recommended expiration time for a tub of sour cream) in 1945. He at least had a valid excuse for his short run: President Franklin D. Roosevelt died.

Trump told reporters Friday that Zacharia might continue to work for him “in some form, but maybe a more pleasant form.”

He sowed further confusion when he recounted his conversation with Zacharia, claiming that he told her, “Honestly, if I were you, I’d reconsider” and asked her, “Katie, do you need this? I don’t think you need this.”

With verbal chops like those, who needs an articulate press secretary? Apparently not Trump, judging by his appointment of someone whose debut was anything but professional.

Let’s take a trip down memory lane and recall her first day on the job. It was Monday.

Zacharia appeared wholly unprepared when she took the lectern to address the press corps. She looked down and read nervously from a script, took just three questions and embarrassingly mixed up references to “her husband” and “her president.” She abruptly exited the briefing after just 11 minutes.

Zacharia previously worked as a conservative commentator and senior communications advisor for Trump Media & Technology Group (Truth Social). She monitored the president’s social media posts to discern what was of importance to him, then would go on air to talk about those topics. In essence, she was a press secretary, just not in the White House.

She told the conservative outlet Human Events on Thursday that she had been aiming for a job within the administration, frequently appearing as an expert voice on conservative platforms such as Fox News.

“My philosophy is, I’m on TV enough where if he sees me and he likes me, then I will be recruited for the job,” she said. “I do not believe that lobbying for that job would have been successful, and I wanted to work for it. I wanted to audition for it.”

She succeeded Karoline Leavitt, who served quite a long time — 19 months — before leaving to “spend more time with my family,” then immediately signed on with Fox News as an on-air contributor.

The revolving door of Trump administration press secretaries has at least been entertaining. Most stayed on significantly longer than Zacharia (the bar is low, after all), and at least a few managed to leave a lasting impression.

Sean Spicer kicked off the parade in 2017, scolding journalists his first day on the job when defending the size of Trump’s inauguration crowd. It was record-breaking, he claimed. It was not.

Spicer became the inspiration for one of the best recurring “SNL” sketches ever when Melissa McCarthy transformed into him, embodying the new administration’s disdain toward the press: “I’m not here to be your buddy!” she screamed at befuddled reporters.

McCarthy’s “Spicy” is hard to beat, but a Zacharia parody could come in a close second should it end up as the premise for “SNL’s” cold open this weekend.

When Trump announced her appointment last week in a social media post, he referred to her as “an attorney.” She referred to herself as a lawyer.

But when a reporter asked Trump on Monday where she had passed her bar exam, the president threw the question to Zacharia, who was standing behind him on the South Lawn. She stepped up to the mic and answered, “When I moved to China.”

By Wednesday, reporting surfaced that Zacharia sat for the California bar exam after graduating from Pepperdine University’s law school in 2011, but did not pass. In China, she worked in international transaction law, which didn’t require admission to a state bar.

If history is any indicator, whoever replaces Zacharia as Trump’s press secretary should have a go bag packed and stashed directly behind the lectern.

The once-respected position has been degraded by six years of poor decisions and a volatile president who prefers to communicate with the electorate at 3 a.m. in ALL CAPS via his own social media platform.

Here’s to the next White House press secretary. May you outlast the shelf life of a carton of milk.

A pilot flying an F-22 Raptor fighter has issued commands to a YFQ-44A Fury Collaborative Combat Aircraft (CCA) drone in a first-of-its-kind test. This is an important development for the U.S. Air Force’s CCA program, as its F-22s are set to be the first aerial ‘quarterbacks’ for these uncrewed aircraft once they enter operational service.

The Air Force and Anduril, Fury’s prime contractor, announced the “airborne tactical-control demonstration” today, but it occurred sometime earlier this month. An Anduril spokesperson confirmed directly to TWZ that this was a first for an F-22 and a pre-production YFQ-44A. Last month, the company disclosed tests involving Fury flying in formation with F-35 fighters, but stressed that the latter were not yet issuing commands to the former in mid-air. A Fury drone also launched an AIM-120 Advanced Medium-Range Air-to-Air Missile (AMRAAM) for the first time earlier this year.

The Air Force has orders in now for production of FQ-44As, as well as General Atomics’ FQ-42A Vengeance drones, under the first phase, or Increment 1, of its CCA program. The service is still planning to acquire additional CCAs, which could be of entirely different types, through a follow-on Increment 2. The goal now is to have a fleet of at least 500 Increment 1 CCAs by 2032. The recent test is part of efforts to lay the groundwork for an initial tranche of CCAs to start entering operational service around the end of the decade.

“During the demonstration, an F-22 pilot served as an airborne ‘quarterback,’ issuing high-level tactical directives to a single YFQ-44A,” according to a press release from the Air Force. “The aircraft’s onboard autonomy software interpreted and executed those directives in real time, conducting dynamic flight maneuvers and simulated combat tasks.”

“The event brought together personnel from the 412th Test Wing, 422nd Test and Evaluation Squadron, 309th Software Engineering Group, Experimental Operations Unit, F-22 System Program Office and the CCA Software Autonomy and Teaming Branch,” according to the Air Force release.

The Experimental Operations Unit (EOU) mentioned here is based at Nellis Air Force Base in Nevada and has been leading efforts to pave the way for future Air Force CCA operations.

The “Fury and an F-22 both took off [from] Edwards AFB [Air Force Base in California] and joined up midair,” according to a separate release from Anduril. “While in flight, the Raptor pilot sent an updated mission plan to Fury using a tactical data link, commanding Fury through operationally-relevant maneuvers from the cockpit of the crewed quarterback.”

Neither the Air Force nor Anduril provided further details on how the F-22 was configured for this test. Past Air Force budget documents have mentioned the need to integrate “tablets, cables, and associated materials” onto the Raptor for this purpose. A single Raptor is also expected to be able to manage multiple CCA drones simultaneously.

The Raptor’s prime contractor, Lockheed Martin, has certainly been working with the Air Force to develop the relevant control architectures and user interfaces for that fighter, as well as the F-35. In terms of in-cockpit user interfaces for controlling drones, known work to date has centered largely on the use of touchscreen tablet-like devices, but this is understood to just be a starting point. Though tablet-based interfaces are a workable option, questions and criticisms about increased workload, especially for pilots in single-seat fighters, have been raised in the past.

It is also worth noting here that General Atomics announced a similar demonstration involving a Raptor and an MQ-20 Avenger back in November 2025. General Atomics has been using the MQ-20 as a CCA surrogate in various types of testing. What the plan might be now to demonstrate the F-22’s ability to control an FQ-42A in flight is unclear. General Atomics has previously released a picture of a Vengeance drone flying in formation with, though not being directly controlled by, Air Force fighters.

In addition, Fury and Vengeance are set to make their debut in a large-scale exercise before the end of the year. Bringing the CCAs to the next iteration of Exercise Emerald Flag will give the Air Force further opportunity to test them in a more operationally relevant context alongside crewed fighters.

“We have not yet done a LFE [large-force employment exercise] with these [CCAs], for real. The first one is going to be Emerald Flag. That’s in December,” Lt. Col. Lyndon “OTTO” Bartlett, the EOU’s Director of Operations, said during a panel at the Air & Space Forces Association’s (AFA) 2026 Air, Space & Cyber Conference in September, at which TWZ was in attendance. “That’ll be our first tip [sic] dip of the toe in an actual force integration.”

The EOU, working together with other Air Force elements and industry partners, still has to answer a host of other outstanding questions unrelated to tactical operations. CCAs will be deployed, launched, recovered, supported, and otherwise operated in ways that are distinct from their crewed counterparts, and for which new policies and procedures will need to be developed. Just making sure human pilots have trust in their uncrewed wingmen operating as expected will be critical, underscoring the specific importance of the demonstration disclosed today. All of this applies equally to the U.S. Marine Corps and U.S. Navy CCA programs, which are being run in very close coordination with the Air Force’s efforts.

When it comes to the recent test involving the F-22 and the YFQ-44A, “this achievement demonstrates what is possible when we are aligned with industry on a shared imperative: delivering capability to the warfighter at unprecedented speed,” Secretary of the Air Force Troy Meink said in a statement today. “We are driving urgency into every part of acquisition from rapid integration and flight learning to disciplined assessment, so we can turn promising technology into combat capability at the pace the threat demands.”

“This flight shows the power of crewed-uncrewed teaming and the advantage it provides our warfighters,” Air Force Chief of Staff Gen. Ken Wilsbach also said. “We must test often, learn fast, and give commanders what they need, when they need it.”

“The U.S. Air Force’s CCA program is the fastest moving, most mature CCA program anywhere in the world, and will be the first to field operational aircraft,” Mark Shushnar, Anduril’s Vice President of Autonomous Airpower, said as well. “Getting there demands that Anduril and the U.S. Air Force work together to prove out the capability, define the operational procedures, and build trust between operators and their semi-autonomous wingmen.”

With all this in mind, an F-22 issuing orders to a YFQ-44A in mid-air is an important new sign of what is on the horizon for the U.S. Air Force, though there is still work to be done.

Contact the author: joe@twz.com

NEW YORK — President Trump says he wants voters to pretend that he’s on the ballot in this year’s midterm elections.

His rivals are doing their best to help his case.

Democratic candidates and their allies have spent more than $163 million since Sept. 1 on television advertising that mentions the Republican president, according to an Associated Press analysis of data from AdImpact, which charts media spending.

That includes airing ads that reference Trump on broadcast, cable and streaming nearly 180,000 times, the data shows. Republicans, meanwhile, have run ads that talk about the president just 16,000 times, at an estimated cost of $11 million, over the same period.

It’s a noticeable silence about the party’s dominant yet unpopular leader.

Many of the Democrats’ ads accuse Republican opponents of siding with the president over voters, particularly on issues like tariffs and the Iran war, which they blame for jacking up costs.

The ads include one from the campaign of Georgia Sen. Jon Ossoff, who is running for reelection and has spent nearly $3 million on a Trump-focused ad attacking his rival, Rep. Mike Collins, for his close relationship with the president.

“Mike Collins voted for Trump’s war in Iran, sending gas prices through the roof. He voted for Trump’s tariffs, sending grocery prices soaring. And Mike Collins voted with Trump to double health insurance premiums for more than a million Georgians,” it says. “Mike Collins sides with Donald Trump and makes you pay more.”

Republican National Committee spokesperson Natalie Baldassarre said Democratic messaging reflected the party’s hollowness instead of its strength.

“Democrats are lighting money on fire talking about President Trump because they have no agenda other than investigation, obstruction and impeachment,” she said. “Trump Derangement Syndrome isn’t a policy platform, it’s a $160 million way of saying you have nothing to offer to the American people.”

Democrats link Trump and his allies to economic woes

Another ad from the House Majority PAC, a super PAC dedicated to electing Democrats to the House, opens with a middle-aged woman standing over her kitchen stove and talking about how her family is “barely getting by” before she expresses her disappointment in Pennsylvania Rep. Brian Fitzpatrick, who is one of Republicans’ vulnerable incumbents.

“He used to be independent. But now it seems like he’s in lockstep with Donald Trump. It really bothers me,” she says, adding, “Congressman Fitzpatrick is not for us anymore.”

Indeed, all the Democratic ads that have aired in Pennsylvania’s tightly contested 1st Congressional District since Sept. 1 have mentioned Trump, even though Fitzpatrick voted against Trump’s tariffs and his power to wage war against Iran without congressional approval.

All four of the ads talking about Trump have aired a combined 2,000 times in that period, the AdImpact data shows. Fitzpatrick is being challenged by Democrat Bob Harvie, a county commissioner who is a former social studies teacher.

Democratic strategists say the messaging reflects the sentiment of voters.

“Every single poll and every single focus group shows affordability to be voters’ number one issue, and they specifically point to corrupt politicians as being responsible for driving up prices,” said House Majority PAC spokesperson Katarina Flicker.

Republican ads back away from the president

Out of dozens of issue categories tracked by AdImpact, the analysis found that Trump was the fourth most common issue mentioned by Democrats in House and Senate races’ final stretch. It was topped only by healthcare, taxes and accusations about opponents being beholden to special interests.

For Republicans in the same races, Trump-themed ads clocked in at number 33, by comparison. The top issues in their ads were taxes and crime.

Idaho Republican Senator Jim Risch tells viewers he “fought alongside President Trump to pass the biggest tax cuts for working families in American history.”

Overall in the race’s final stretch since Sept. 1, Democrats have spent or plan to spend $1.8 billion in ads across all federal, state and local elections. Republicans have spent or reserved $2.2 billion nationwide.

Republican strategist Alex Conant said Democrats are banking on Trump motivating their base to vote, an approach they’ve routinely used over the last decade.

“Democrats want this election to be a referendum on Trump. They want to equate a vote for a Republican candidate to a vote for Trump,” he said.

For Conant’s party, it’s a different calculus.

“We have a ton of money and we’re throwing every kind of message on the wall to see what sticks,” he said. “There’s not a cookie-cutter Republican ad this year. Whereas the Democratic ads are pretty obvious.”

Colvin and Kessler write for the Associated Press.

BUS fares are set to soar to a historic high in November, affecting millions of workers.

A single adult bus and tram fare in London will rise by 10p to £1.85 from next month, Transport for London (TfL) has announced.

It means the cost of fare has gone up by 35p alone in the last 10 years, although there has been a freeze on price hikes in place since March 2023.

Those with concession cards, like 16+ Zip Oyster cards or the Jobcentre Plus card, will also have their fares increase by 5p when the new prices come into effect on November 1.

In a blow to millions of people who use London’s bus and tram network every day, the hike will also affect the Hopper fare, which allows travellers to pay a single flat fare for unlimited journeys within an hour.

The daily bus and tram cap will increase to £5.55 from £5.25.

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Originally, London Mayor Sir Sadiq Khan was set to hike prices in July.

But he extended the price freeze until November, after TfL said it was “an emergency cost-of-living measure to support Londoners on the lowest incomes”.

Price caps for tube, rail and Travelcards will remain frozen until March next year, TfL added.

Meanwhile, a new £2 price cap for all single bus tickets in England will come into force from January 1 2027, Prime Minister Andy Burnham announced.

The voluntary scheme will see millions of people across England able to access single bus tickets for £1 less than the current £3 cap – but it won’t apply to every single bus route.

School buses, buses that only run on school days and some other services won’t be subjected to the £2 cap, which will run until December 31, 2027.

Karina Longworth loves Los Angeles for all its quirks and charms.

Born and raised in the San Fernando Valley, the film critic, author and journalist has made a career out of celebrating her city. Her podcast “You Must Remember This,” about “the secret and/or forgotten histories of Hollywood’s first century,” has spent 21 seasons diving into the intricacies of the movie industry, from lauded stars to undersung production designers. (Its new season, “The Bisexuals,” tells the story of singer turned actor Libby Holman, whose love life would later intersect with the now-famously queer screen star Montgomery Clift.)

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

She’s also fiercely loyal to the hangouts and haunts she grew up frequenting.

“Until they closed down three or four years ago, my favorite Indian restaurant was this place in Studio City on Ventura Place called Gangadin,” she says. “That was the only place I would order from, and I have not been able to find an Indian spot that I like since just because I’m comparing it to Gangadin, which probably wasn’t even the most authentic or the best. It’s just what I had been eating for 30 years.”

Here’s how Longworth would spend her perfect Sunday in L.A., from a stroll down Mulholland Drive to grabbing a cup of frozen yogurt with a cinematic spin.

This interview has been lightly edited for length and clarity.

9 a.m.: Get up and grab a latte

I try to sleep as late as possible, but the older I get, the harder it is to actually sleep in. Ideally on a perfect Sunday, I would sleep until 9. It doesn’t always happen, but I try.

My favorite place to get coffee in L.A. is Kings Road Cafe. I’ve been going there since the ‘90s, and I still think they have the best coffee in Los Angeles. It’s very strong and they give you a large portion, and I find that you rarely get both of those things in L.A. (I like a coffee that can last me multiple hours.) I’ll usually get an almond milk latte — iced if it’s warm out, hot if it’s not.

10 a.m.: A Laurel Canyon hike

Probably what I’d do next is go over to Laurel Canyon. I built my recording studio in a tiny house at the end of a cul-de-sac in Laurel Canyon a few years ago, and I really like hiking around there. So I’d drive up, park there, and then walk up Laurel Pass to the Nancy Hoover Pohl Overlook.

The first half of that walk is really tough because it’s just straight uphill until you get to Mulholland, but I like it because it’s not a hiking trail, so it’s not dusty and there aren’t that many people. There’s an element of solitude and quiet to it, and I love that the end of it is all downhill so you can just kind of run down and get it over with.

Growing up in the Valley, I always romanticized Mulholland Drive, which was always quote-unquote “over the hill.” There’s something about manifesting and then realizing my ideal adult life that I can come to understand by standing at the overlook and looking at the other side, remembering when I dreamed of living where I do now.

In the ‘80s and ‘90s, the Valley wasn’t what it is now. There wasn’t an Alfred Coffee or anything like that. It was a few years behind the times compared to Hollywood or Beverly Hills, where all the cool stuff that I wanted to do was usually happening. All the good record stores, all the good bookstores and movie theaters.

I used to go to the Silent Movie Theater when I was a teenager or the Beverly Cinema, which is now the New Beverly. I’d go to the Nuart all the time, too. I saw a lot of important movies at the Sunset Five, which is now called the Landmark Sunset [Hollywood] and isn’t going to be showing the 2026 equivalent of “Gummo.” I think being in the Valley just felt like being in the Los Angeles version of suburbia and so it was like, “I’ve got to get out of here and go to where things are actually happening.”

11:30 a.m.: An old favorite

After that walk, I’ll go back to my place in Laurel Canyon to have a shower and get dressed and then it’s off to Art’s Deli on Ventura Boulevard in Studio City, which is a place that I’ve been going to since 1987. I had friends that worked there in high school, too, so I was there almost every day having matzo ball soup and coffee.

There used to be a lot more really good delis in L.A. My favorite actually was Solley’s in Sherman Oaks, where I used to go with my grandfather. I’ve never had white fish salad that’s better than what they had at Solley’s, but Art’s Deli is good, too. I really like their knishes, or I’ll get a half-sandwich and soup. I’d probably do turkey on rye with mustard, but with coleslaw and Russian dressing on the side so I can add small amounts when I want. That and a cup of split pea soup.

1 p.m.: Sweet treats

Ideally after lunch, I’ll get dessert at Humphrey Yogart. It’s sort of a funny joke that I’ve become this classic movie person and there’s this frozen yogurt place inspired by the name Humphrey Bogart, but I’ve actually been eating Humphrey Yogart since before I knew who Humphrey Bogart was.

They take frozen yogurt — sweet or tart — add mix-ins, and then put it in this crazy blender that’s like a giant drill with a handle that comes down. I like to do sort of a fake Cherry Garcia with cherries and some kind of nut, but they also have an option called Killer Chocolate where they take plain tart yogurt and add a dark chocolate syrup, which I really like. I’ll add orange and espresso to that, and sometimes I’ll have them put sprinkles on top because sprinkles are amazing.

2 p.m.: Movie magic

I love to go to the movies. On Sundays at the Los Feliz Three, they do something called “Sunday Print Edition” where they show a 35mm print and have somebody come and talk about it, which is always cool. Or if there’s a festival happening at the Egyptian or something I wanted to see at Vidiots, maybe I’d do that.

I think the Egyptian is probably my favorite movie theater in L.A. It’s historic, it’s beautiful inside, and I find that the projection and programming are both very good. It’s also close to where I live so that’s convenient and, assuming they’re open, you can go have a drink or food at Musso and Frank after, which is perfect.

4 p.m.: Dodgers and drinks

Usually on Sundays, the Dodgers play at 1 o’clock, but if it’s a nationally broadcast game sometimes it’ll be on at 4 o’clock. If that’s the case, then I’d like to go to Colombo’s to sit at the bar, have a drink, and watch some of the game.

I think I’d have either a vodka martini, a Manhattan on the rocks, or maybe a glass of wine. Colombo’s is my favorite place to watch a Dodger game that’s not a sports bar. I don’t really love sports bars anyway, but if it’s a big World Series game maybe I’d go somewhere in Koreatown that’s more sporty to watch. But for sitting in a dark bar to watch an hour and a half of a game while you have one or two drinks, Colombo’s is perfect.

6 p.m. Dinner at Da Prato

Right now, I really like Da Prato, which is run by this chef Elisa Da Prato, and she’s calling it a supper club. It’s in this strange almost-loft space on 2nd Street downtown, and I’ve been there three times since early July. Each time it’s gotten busier and busier, too, so I think word of mouth is growing.

She just makes very beautiful traditional but artistically done Italian food. Everything is homemade, and it’s very L.A., but at the same time, it feels like you stumbled into some small place in an alleyway in Rome because it’s informal and they only have a small staff. It’s such a great experience, but you have to think of it in a European way because it’s not a place where you’re going to get in and out in 45 minutes. You’re going to have several courses, you’re going to linger over your food, order a couple bottles of wine, and everything’s going to be very relaxed and wonderful.

If I can’t go to Da Prato or if I need a more “special occasion” place, I’d do Jacaranda, which was started by chef Daniel Patterson and his wife, Sarah Lewitinn. I’ve been internet friends with Sarah for 15 to 20 years, so I went a couple times when they were doing it as a pop-up in their house, and now I’ve gone once since they opened the official restaurant. I’m not normally a tasting menu person because some places it can feel like too much food, but Daniel’s cooking is so phenomenal and you can absolutely manage to eat all 12 courses without feeling like you want to die.

10 p.m.: Skincare and sleep

After dinner, I’d head home and maybe take a little walk to burn off dinner a bit. Otherwise, it’s time for my nighttime routine, which is boring middle-aged lady stuff like skincare and taking magnesium. I try to be asleep by 10, but oftentimes the only time I really have to read a novel or to read for pleasure is in the 10 minutes before bed. So I’ll read a physical book or my Kindle or put on a show that I’ve seen 1,000 times if I just need something to fall asleep.

It was already going to be a short week, but Sean McVay navigated unexpected business that affected the start of preparation for Sunday’s game against the Arizona Cardinals.

After Monday night’s defeat by the Buffalo Bills, the Rams on Tuesday released struggling kicker Harrison Mevis, and signed Blake Grupe. Then left tackle Alaric Jackson was suspended by the NFL for punching a Bills player on the field after the game.

“You’re always ready for inevitable things to come up,” the Rams coach said Thursday.

McVay referenced a congratulatory phone call he received from then-Pittsburgh Steelers coach Mike Tomlin after the Rams hired McVay in 2017.

“He says, ‘How’s that tube?’” McVay recalled. “I said, ‘What do you mean?’

“He said, ‘That tube of [s—] that never stops coming down over your head when you’re a head coach.’

“But honestly, it’s part of it.”

The Rams hope that Grupe can clean up the kicking game and relieve criticism of the Rams’ struggling special teams. McVay said this week that he has “a lot of confidence” in special teams coordinator Bubba Ventrone, and that “no changes” are going to be made to that staff position.

“You’re continuing to figure out some of our identity,” McVay said Thursday, adding, “I have seen the intentionality from the group that I’m looking for.”

Grupe was signed off the New York Jets practice squad. Last season, he was released by the New Orleans Saints in late November after he made only 18 of 26 field-goal attempts. The Indianapolis Colts signed Grupe and he made all 11 of his attempts.

“For these last five weeks, I’ve been staying ready, been doing what I need to do to take advantage of an opportunity,” Grupe said.

Veteran David Quessenberry is on track to start in place of Jackson, who was initially suspended for two games without pay for striking Bills linebacker Bradley Chubb in the face after the Rams’ 37-34 overtime defeat. Jackson appealed the suspension and the league reduced it to one game on Wednesday.

Quessenberry, 36, is a ninth-year pro. But he has not started a game since 2023, when he played for the Minnesota Vikings.

Quessenberry played only 18 snaps on offense last season, none this season.

But McVay said Quessenberry was a “consummate pro” who has played “a lot of meaningful snaps” in his career and worked with the Rams’ first-team offense when Jackson has been held out while managing blood-clot issues.

“This is kind of why I’m here, when things like this happen,” Quessenberry said. “So I’m ready to go. This is what I’ve worked for. I’ve played this position my whole life. Go out there on Sunday and play ball. I’m fired up.”

This will be the first game without Jackson since last season’s late December game against the Atlanta Falcons. With D.J. Humphries starting at left tackle, the Falcons swarmed Matthew Stafford. Humphries was called for two crucial penalties, the Falcons sacked Stafford three times and intercepted three passes.

“He’s proven himself in this league,” Stafford said, adding, “ton of trust in what he’s capable of.”

Rookie lineman Keagen Trost practiced Thursday for the first time since he was placed on injured reserve before the season because of a hamstring injury suffered in the preseason opener against the Kansas City Chiefs.

Trost, a third-round draft pick out of Missouri, could be activated to the roster.

“It’s been a little bit of time since he’s played football,” McVay said. “But if he’s feeling good, expect him to be up for the game.

“But not at the expense of putting him in a situation that, if he did have to play, wasn’t good for him.”

Offensive lineman Justin Dedich, who has been on injured reserve because of a hand injury, also is eligible to return. But interior linemen such as guards Kevin Dotson and Steve Avila have remained physically sound.

“We’ll pray that we stay healthy,” McVay said, “but at some point we’ll start his clock and get him in there.”

Los Tigres Del Norte will perform this Saturday at Anaheim’s Honda Center. Ahead of rocking the Pond with its classic hits, the famed norteño band brought its signature sound and activism to NPR’s Tiny Desk Concert. The performance closed out the series’ Hispanic Heritage Month celebration, dubbed as “El Tiny.”

Composed of the Hernández brothers (Jorge, Hernán, Eduardo and Luis) and cousin Óscar Lara, Los Tigres Del Norte was founded in the late 1960s in the Sinaloan town of Rosa Morada and settled in San José. It has sold millions of records worldwide with songs about the drug trade, unrequited love and immigrant life in this country.

That theme of immigrant struggle within the U.S. was top of mind when the group performed at NPR’s Washington, D.C., offices.

The group was recently honored by the city of Minneapolis in September for defending the rights of immigrant communities for decades, and for standing in solidarity with the city following the large-scale immigration enforcement campaign that took place there earlier this year. Minneapolis Mayor Jacob Frey proclaimed Sept. 9 Los Tigres del Norte Day.

“[Following the Immigration and Customs Enforcement raids], they told the people of Minneapolis, the Latino American community that we are one, that we are united and that we’re going to do everything possible for the people that we love,” Frey said in a September news conference.

Los Tigres’ director and lead vocalist Jorge Hernández told The Times the honor came as a surprise to the group, who was in town for the 39th annual Hispanic Heritage Awards to present the people of Minnesota with the Humanitarian Award for their collective acts of solidarity with the immigrant community throughout the ICE raids.

The frontman said he was humbled by the action and was touched to spend time with members of the Minneapolis community who worked on the front lines during the ICE surge.

“There were Latinos present who set an example for how to support people in [a time of chaos],” Hernández said. “Those who were documented brought food to families who were undocumented so that they didn’t have to go outside to face the problems that were made possible due to [the Trump administration]. It’s because of action like those that we showed up for the city.”

Immediately after its time in Minnesota, the band flew out to film the Tiny Desk set.

The performance was a long time coming, according to Hernández.

“It was something beautiful and historic for us which should’ve happened 10 to 15 years ago,” he said, blaming conflicting schedules for the delay.

Though postponed, the 73-year-old musician knew the band’s messages would land with as much timeliness as ever.

In his introduction for Los Tigres Del Norte, NPR’s “Alt.Latino” host and “El Tiny” coordinator Felix Contreras spoke about why he wanted the band to perform as part of Tiny Desk’s month-long celebration of Latinidad.

“Our community is under attack and it’s not the first time … and it takes away our humanity,” Contreras said before Los Tigres kicked off the set with their hit “Somos mas Americanos.” “And for as long as I can remember, these gentlemen have been giving us back our humanity.”

Opening with the 2001 track was notable as the song flips jingoist U.S. narratives about who can call themselves American. The lyrics assert that Mexicans are more American than “gringos” and highlight how a large swath of the U.S. once belonged to Mexico.

Los Tigres let their songs do all the talking as they played straight through a series of tunes from across several decades, including 1995’s “Golpes en el Corazón,” 1997’s “Quiero Volar Contigo,” 1989’s “Ni Parientes Somos” and the 1986’s bittersweet single “La Puerta Negra.”

Hernández said the group wanted to use the platform to bring further awareness to the struggles immigrants continue to face in this country with an audience that notably skews more American than Los Tigres is accustomed to.

“We performed songs that talk about the problematic systems [in the U.S.] that have been around for years, but that are right now worse than ever before,” Hernández said. “The songs we sang [for Tiny Desk] have a lot to do with our society. I hope the wider public can listen to it and translate the songs to English so that they can connect to the lyrics.”

He said he hopes that the band can set an example for younger people that political messaging through music can empower artists, not hinder them.

“We’ve been singing songs since the ’70s about immigration and problems our community faces,” Hernández said. “As an artist, if you see a problem that affects your community, no matter how much you ignore it, you must realize that you are an active participant. You can’t stay quiet, your songs should talk about your problems so that through your work you can connect with and inform people.”

One thing that has continued to surprise and inspire Hernández over the last few years is seeing younger generations of fans celebrate his group’s music.

“They are the future and we sing our songs to them so that they can hear about the problems in our community that have existed and that persist,” he said. “At some point in life you will face big problems and it will be important that you know your history, what you stand for and how to defend yourself. We want to help people know their rights and be prepared to know how to act in difficult times like right now.”

WASHINGTON — New White House press secretary Katie Zacharia defended her legal background and justified her truncated inaugural briefing as she navigates a rocky first week as the president’s chief spokeswoman.

Zacharia sat down for an interview Thursday with the conservative Human Events outlet. In it, she said she did not have time to get fully prepared ahead of her first briefing on Tuesday and that it was always the plan to keep it short because President Trump would field questions from journalists later that morning.

“It was absolutely my goal to keep it short, considering he is his own best spokesperson, and he would love — and does love — gaggling with the media as he goes to Marine One,” Zacharia said. “So I wanted to give ample deference and not barge into his time.”

The initial briefing materials were given to Zacharia on Monday evening, then completed on Tuesday at 8 a.m., less than two hours before she would appear before the White House press corps. She had been up since 3 a.m. preparing, Zacharia said.

“I never had a full briefing beforehand, and I went out and I effectuated the briefing,” she said.

As for her legal background, Zacharia said she was preparing to take the bar exam in California at a time that she had just gotten married and was readying a move to China to join her new husband, who had been working in private equity in Beijing.

“I was obviously incredibly distracted and overwhelmed and excited for finally being married to someone who I’d been long distance from for at least a year,” Zacharia said.

She said the results of the bar exam, which she did not pass, were “somewhat inconsequential” because she would not need to be a barred attorney while living in China.

Zacharia, who has been under scrutiny for calling herself a “lawyer,” said she consulted several legal experts to ensure that title was accurate when offering legal analysis.

“It’s unfortunate that people dub this as some kind of conspiracy or want to put me in a camp. The truth is, I was very careful how I executed this, and I never came across as someone who was an attorney-at-law.”

She will not weigh in on legal matters in her White House capacity, Zacharia said.

She also divulged details of how she went about securing the White House press secretary job. Zacharia stressed that she did not want to be seen as lobbying for the position, left vacant when Karoline Leavitt announced she would depart the administration to spend more time with her family.

Zacharia, who was a communications advisor for the company that runs Truth Social, said she closely monitored the president’s social media posts to determine what was top of mind for him, then would go on air to talk about those topics.

“My philosophy is, I’m on TV enough where if he sees me and he likes me, then I will be recruited for the job. I do not believe that lobbying for that job would have been successful, and I wanted to work for it. I wanted to audition for it.”

Then on Oct. 7, as Zacharia was preparing to take one of her children to a pumpkin patch, she received a phone call from Trump about the press secretary position.

She promptly flew out the next day from her home in California to Washington, met with the president about the job on Friday and formally accepted the position later that day.

Kim writes for the Associated Press.

Los Angeles Times NFL writer Sam Farmer examines the matchups and makes his predictions for Week 6 of the NFL season.

All lines and over/under numbers are according to FanDuel Sportsbook.

Last week, Farmer posted an 11-5 (.688) record. Through the first five weeks of the season, he is 37-27 (.578).

Using point spreads with the scores Farmer predicted, his record against the spread in Week 5 would have been 9-7 (.563). For the season, his record against the spread is 25-39 (.391).

All times are Pacific and TV reflects broadcasts in the Los Angeles area. The Bengals, Dolphins, Lions and Vikings do not play this week.