show

A broadcaster has confirmed during BBC Breakfast that a schedule shake-up is happening soon on the long-running programme

A major schedule shake-up has been announced on BBC Breakfast and fans will not be best pleased about it.

The long-running morning show returned to TV screens on Saturday (March 28) for another instalment. Naga Munchetty and Ben Thompson were back at the helm, to discuss some of the biggest stories hitting the headlines from around the globe.

During the broadcast, Ben and Naga passed over like normal, to Newswatch host Samira Ahmed, who delved into viewers’ thoughts on recent BBC News coverage.

BBC Newswatch is a weekly show offering viewers and listeners the opportunity to respond to BBC News.

The segment sees Samira presenting viewer feedback on the BBC’s reporting of major stories, with audiences either praising or critiquing the coverage. The programme airs on Saturday mornings at 7:45am on BBC One during BBC Breakfast, or can be watched online.

However, at the end of the latest segment, Samira announced that Newswatch would be off air for several weeks, but reassured viewers that it would return to screens.

“We are off air next weekend over Easter but we will be back to hear more of your thoughts about how the BBC covers the news, in a fortnight,” Samira told viewers.

This is not the first time Newswatch has taken a break from screens. Last year in September, Samira announced the show would be off air for several weeks.

And viewers at the time were not too happy and voiced their opinions on X, regarding the hiatus, with some expressing dissatisfaction with the content of the programme. One viewer commented: “Well, that was a waste of 10 minutes,” while another said: “Disappointing….and last one too.”

A third remarked: “Not this again,” and yet another echoed the sentiment, stating: “Newswatch spending way too long on one little whinge.”

Journalist and broadcaster Samira has 20 years’ experience in print and broadcast and has hosted Newswatch since 2012. In 2020, Samira was named British Broadcasting Press Guild audio presenter of the year.

She has presented many news and arts programmes over the years for BBC TV and radio, including The World Tonight, PM, Sunday Morning Live on BBC One, Night Waves on Radio 3 and The Proms on BBC Four.

BBC Breakfast airs Monday to Friday at 6am on BBC One.

More than a century after the Gilded Age, we have entered another: The gilded age of Trump.

A little over a year after President Trump was sworn into office for the second time, the country has borne witness to a striking aesthetic makeover of the White House and Washington, D.C. A week ago, when the Trump-packed Commission of Fine Arts approved a 24-karat commemorative coin stamped with Trump’s image, that makeover ascended to staggering new heights.

The coin, which breaks with the country’s longstanding tradition of not featuring a living person on its currency, joins a swiftly growing list of other Trumpian imprints on arts and culture, including architectural choices deemed gaudy and garish by experts and laypeople alike.

These include the conspicuous gilding of the Oval Office; the paved-over Rose Garden; the so-called Presidential Walk of Fame along the White House West Colonnade; the bulldozing of the East Wing and the plans for a $400 million, 90,000-square-foot ballroom that will dwarf the original building; a proposed 250-foot-tall “Triumphal Arch” to be constructed in Washington, D.C., on a roundabout near the Lincoln Memorial and Arlington National Cemetery; a desire to paint the Eisenhower Executive Office Building a glaring shade of white; the imminent creation of a Garden of American Heroes populated with more than 250 life-size statues of historical figures including pop-culture icons like Alex Trebek; the addition of Trump’s name to the John F. Kennedy Center for Performing Arts and the decision to close the beloved venue for a remodel that many fear will rival that of the East Wing.

That’s not to mention his crusade to erase a “woke” mentality from the Smithsonian Institution’s 21 museums by policing what kind of art can and cannot be displayed; his efforts to eradicate mentions of slavery in exhibits staged by the National Park Service; his face alongside George Washington’s on National Park Passes; and the many other places his face is draped on giant banners throughout the Capitol city.

Plenty of people are on guard against these changes. This week a coalition of eight cultural heritage and architectural organizations, including the National Trust for Historic Preservation and the American Institute of Architects, filed a lawsuit to require the Trump administration to comply with historic preservation laws and get congressional authorization before making any changes to the Kennedy Center.

“The Kennedy Center is not a personal project of any president. It is a national cultural monument built to honor John F. Kennedy and to serve the American people. Federal law requires transparency, expert review, and public participation before it can be fundamentally altered,” Rebecca Miller, executive director of the DC Preservation League, said in a statement.

The same could be said of the White House, the Smithsonian, the NPS and the United States Mint. But Trump doesn’t care about due process, congressional approval or the courts. Time and again he has shown his willingness to go it alone when making big decisions that affect not only America but the world. This includes his actions in Venezuela and Iran. But if he decides he wants to take the Kennedy Center “down to the steel,” as he once threatened, there isn’t really anything that can stop him.

The gilded age of Trump proves that the look of things really does affect how the country sees itself — and how it acts as a result of its new self-image. Golden gaudiness conjures thoughts of empire and imperial rule, but it is also unserious and incidental, bombastic and self-centered. The Trump aesthetic screams, “Me, me, mine!” A willingness to tear down historic structures without care for their symbolic meaning reveals an inability to learn from the past, a tendency that has proved frighteningly perilous.

Will the leader who rises after Trump tear down all that Trump has built? And even if they do, can the damage really be undone?

I’m Arts editor Jessica Gelt, keeping it small and simple for posterity. Here’s your arts and culture news for the week.

FRIDAY

Laura Aguilar
The late trailblazing photographer’s exploration of her queer Chicana identity against the natural backdrops of Southern California and the Southwest is on display in the exhibition “Body and Landscape.” More of the artist’s work will be on display starting Sept. 20 in “Laura Aguilar: Day of the Dead.”
Through Sept. 7. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Cassandra Kulukundis holds the first-ever Oscar for casting for her work on “One Battle After Another” during the Academy Awards, March 15, 2026.

(Robert Gauthier/Los Angeles Times)

The Art of Casting
With Cassandra Kulukundis recently winning the first Oscar in the category for her work on Paul Thomas Anderson’s “One Battle After Another,” what better time to learn more about the subject? The academy’s video presentation goes inside the casting process with casting directors discussing their craft and includes previously unseen auditions and screen tests.
Through July 6. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Brahms & Beethoven
Uzbek pianist Behzod Abduraimov performs Beethoven’s “Piano Concerto No. 3” as Paavo Järvi conducts the L.A. Phil in Brahms’ “Second Symphony” and Schumann’s “Overture, Scherzo and Finale.”
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

A performance of “Escape.”

(Traj George Simian)

Escape
Diavolo reprises this production featuring its trademark blend of dance, movement and storytelling as 22 artists challenge their abilities against a variety of architectural structures.
8 p.m. Fridays and Saturdays; 6 p.m. Sundays, through June 14. L’Espace Diavolo, 616 Moulton Ave. diavolo.org

Arshile Gorky: Horizon West
In the summer of 1941, the Armenian immigrant artist, his soon-to-be wife Agnes “Mougouch” Magruder and the artist and furniture designer Isamu Noguchi drove from New York City to L.A. Gorky was emerging as one of the most important figures in the nascent Abstract Expressionism movement, and his cross-country adventures had an enormous impact on his art, which is explored in depth in this exhibit. A selection of landscapes include Gorky’s rich, surrealistic paintings and drawings from before, during and after the life-changing trip. (Jessica Gelt)
Through April 25. Hauser & Wirth West Hollywood, 8980 Santa Monica Blvd. hauserwirth.com

A New Song: Langston Hughes in the West
The exhibition reveals Hughes’ time spent in California, Nevada and Mexico during the Great Depression, World War II and into the 1950s, when he produced significant work, including lectures, film scripts, plays and his first book of short stories.
Through Sept. 13. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

The White Album
Arthur Jafa’s 2018 30-minute experimental film, a social critique of whiteness, uses found and produced footage to demonstrate how the creative work of Black Americans has been co-opted by white culture throughout history.
Through Aug 30. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

SATURDAY

Akira Kurosawa’s “Seven Samurai,”starring Takashi Shimura, from left, Toshiro Mifune and Yoshio Inaba.

(Janus Films)

Darkness and Humanity: The Complete Akira Kurosawa
The 1954 classic “Seven Samurai,” starring Toshiro Mifune, kicks off this comprehensive retrospective of the great Japanese filmmaker’s work.
6 p.m. Saturday; series continues through May 30. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

from rock to rock… aka how magnolia was taken for granite
Choreographer Jeremy Nedd’s exploration of the hidden poetry, virtuosic freedom and ownership features five performers examining “the Milly Rock,” a viral dance move.
8 p.m. UCLA Macgowan Hall, Freud Playhouse, 245 Charles E. Young Drive East. cap.ucla.edu

A Queer Arcana: Art, Magic, and Spirit On
The exhibition collects an intergenerational group of Queer artists whose work examines hidden and mystical knowledge to find sources of connection and transformation.
Through Oct. 18. Palm Springs Art Museum, 101 Museum Drive psmuseum.org

Ralph Steadman
More than 140 original artworks and ephemera, including sketchbooks, handwritten notes and personal photographs are included in “And Another Thing,” a traveling exhibition tracing six decades of the artist and illustrator’s career.
Through May 9 Torrance Art Museum, 3320 Civic Center Drive torranceartmuseum.com

Tonality
The vocal ensemble performs “Refuge/Requiem,” a program that includes Caroline Shaw’s 17th-century-influenced contemporary work “To the Hands,” and “1605 Requiem,” composed for the funeral rites of Empress María by Tomás Luis de Victoria. Presented with the Wallis.
7:30 p.m. All Saints’ Beverly Hills, 504 N. Camden Drive thewallis.org

SUNDAY
To Sleep With Anger
Written and directed by the protean Charles Burnett, this film does more than vividly illuminate South-Central’s rarely portrayed Black middle class. A deft domestic horror story, it’s a contemporary tale with a folkloric twist that has old friend Harry (Danny Glover) visiting a married couple and gradually revealing himself to be a trickster with trouble on his mind. With a terrific ensemble headed by Mary Alice and Paul Butler as the couple in question. (Kenneth Turan)
7 p.m. The 35mm screening includes a Q&A with the filmmaker and Ashley Clark, author of “The World of Black Film: A Journey Through Cinematic Blackness in 100 Films.” Beginning at 6 p.m. Clark will sign copies of the book. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

TUESDAY
Philip Glass’ Cocteau Trilogy
Pianists and siblings Katia and Marielle Labèque perform the composer’s triptych inspired by the films of Jean Cocteau. Part of the LA Phil’s “Body and Sound” festival.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Mary Halvorson
The contemporary jazz musician, guitarist and composer and new quartet project Canis Major — featuring Dave Adewumi on trumpet, Henry Fraser on bass and Tomas Fujiwara on drums — perform an evening of music designed for deep listening and total immersion.
7 p.m. Getty Center, Harold M. Williams Auditorium, 1200 Getty Center Drive, L.A. getty.edu

Arts anywhere

New releases of arts-related media.

Album cover for “Evening Light: Raga Cycle I.”

(Cantaloupe Music)

Evening Light: Raga Cycle I
The first release of an eight-album series in which American composer and pianist Michael Harrison collaborates with a global assortment of artists combining Eastern and Western musical traditions. Each chapter represents three hours of day or night following the Indian raga time cycle. For “Evening Light,” Quebec-based Brazilian vocalist Ina Filip co-composed the music with Harrison. Also appearing on the album are American composer Elliot Cole on synthesizer, French composer Benoit Rolland on electro-acoustics and Bangladeshi tabla virtuoso Mir Naqibul Islam. Cantaloupe Music: download ($10).

Book jacket for “Stephen Sondheim: Art Isn’t Easy” by Daniel Okrent.

(Yale University Press)

Stephen Sondheim: Art Isn’t Easy
Part of Yale University Press’ Jewish Lives series, Daniel Okrent’s new biography of the award-winning composer-lyricist who took Broadway musicals to new heights “is a brisk, engaging read that avoids hagiography,” writes Julia M. Klein in a review for The Times. “Okrent highlights the emotional frailties that coexisted with the brilliance and generosity. He seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements. That’s a tall order for a compact book, especially given its subject’s long, complicated life. Okrent’s failings are, unsurprisingly, primarily those of omission.” Yale University Press: 320 pages, $35

Martha Graham Dance Company: We Are Our Times
A two-part documentary goes behind the scenes with the troupe as it prepares for its 100th anniversary celebration. Producer-directors Peter Schnall and Cyndee Readdean followed the dancers from rehearsal to premiere on a global tour, capturing their artistic routines and everyday lives.
Episode 1, “American Spirit,” 9 p.m. Friday; Episode 2, ““Athletes of God,” 9 p.m. April 3 on PBS. Streaming at pbs.org and on the PBS app.

Culture news and the SoCal scene

Pritzker Prize-winning architect Frank Gehry is photographed in May 2019 with a model of the Grand Avenue Project at his L.A. offices.

(Jay L. Clendenin / Los Angeles Times)

Can downtown L.A. still benefit from the vision of late-great architect Frank Gehry, who put so much time and energy into lifting the area up? Times classical music critic Mark Swed says yes in an optimistic column noting that, “So many plans Frank Gehry imagined for L.A. still remain. Gehry bequeathed blueprints and models, sketches and concepts, for his large and devoted team of younger architects and next-generation visionaries equipped to fabricate our way out of angst.” The time to build, Swed writes, is now.

Freelance writer Jane Horowitz got the skinny on the fifth edition of High Desert Art Fair, which arrives in Pioneertown this weekend, transforming “the rooms of the historic Pioneertown Motel into exhibition spaces for 20 galleries and publishers, while expanding into a broader mix of programming — something akin to a mini Coachella Valley Music & Arts Festival. This year’s edition includes an opening night party with a DJ set by street artist Shepard Fairey, panel discussions, guided meditation and even a sound bath.”

Monty Python” alum Eric Idle poses for a portrait at the Hollywood Pantages.

(Jason Armond / Los Angeles Times)

Malia Mendez sat down with British comedy legend Eric Idle to talk about his spoof musical “Spamalot,” which arrives at the Pantages more than a decade after its last stop at the stage. Over a margarita with a side of chef olives, Idle opened up to Mendez about “his earliest forays into comedy, his legendary run and subsequent break with his former ‘Monty Python’ castmates, and why ‘Spamalot’ arrives in L.A. at the perfect time.”

Times theater critic Charles McNulty headed to the Matrix Theatre to watch Rogue Machine’s production of Jackie Sibblies Drury’s Pulitzer Prize-winning 2018 drama “Fairview.” He writes that the play is “a shape-shifting work that eludes an audience’s assumptions at every turn,” and concludes that the new production “may struggle with the slipperiness of Drury’s writing.” The dramatic construction, however, is solid enough to withstand some of the overly broad strokes of the staging.”

Richard Neutra imagined his first Los Angeles project, the Jardinette Apartments, as a prototype for future garden apartment buildings.

(Myung J. Chun / Los Angeles Times)

Sam Lubell wrote a fascinating story about the painstaking rehabilitation of Modernist architect Richard Neutra’s first L.A. commission: the Jardinette Apartments in Hollywood. The building was hailed a structural and technical breakthrough when it opened in 1928, but it soon dropped from public view and sank into disrepair. The new owner spent more than $5 million on the historic preservation project and the complex may soon go on the market.

The Hammer Museum Gala on Oct. 8, 2022, in Los Angeles.

(Michelle Groskopf / For The Times)

The Hammer Museum has announced the honorees for its annual gala. They are artist Betye Saar and television creator Darren Star. The highly anticipated event, set to take place in the Hammer’s garden courtyard on May 2, aims to honor impactful artists while raising funds to support the museum’s exhibitions and public programs.

The 80th Ojai Music Festival, set to take place June 11-14, recently announced this season’s programming and artistic collaborators. Much of this year’s event will be devoted to unpacking and performing works that have been central to the 2026 festival’s music director‘s artistic life. “Esa-Pekka Salonen is one of the most vibrant and adventurous creative forces in our musical world,” said Executive Director Ara Guzelimian in a statement. “It has been an absolute joy to dream up programs together that focus on numerous personal dimensions — his work as composer and conductor, his rich associations with and remarkable history in Los Angeles, the formative influence of his teachers and the giant musical figures of 20th century music, his deep friendships with many peer composers, and his championing of a new generation of composers.”

Washington National Opera Artistic Director Francesca Zambello, who was instrumental in the company’s decision to leave the Kennedy Center after Trump’s takeover, was inducted into the Opera Hall of Fame at the OPERA America Salutes Awards Dinner on March 20, at the Plaza Hotel in New York City.

— Jessica Gelt

And last but not least

Stop the presses: That notorious Chevron gas station in Chinatown is charging $8.71 per gallon!

WASHINGTON — A lead attorney for the Department of Homeland Security suggested that federal agents should have “just started hitting the rioters and arresting everyone that couldn’t get away” during an anti-ICE protest in Los Angeles last June, internal emails show.

The note was in an email chain obtained by the nonprofit watchdog group American Oversight through the Freedom of Information Act and shared exclusively with The Times.

In it, attorneys for Homeland Security appear to be discussing the June 9 lawsuit filed by California Gov. Gavin Newsom over President Trump’s deployment of thousands of California National Guard troops to Los Angeles.

Under the subject line “California DOD Lawsuit,” officials coordinated legal filings defending the Trump administration and included a draft declaration by the Los Angeles field office director of Immigration and Customs Enforcement supporting the deployment of military forces.

The final email in the thread was from Joseph Mazzara, then-acting DHS general counsel, and he appears to be referring to an incident in which protesters tried to breach a protective line at a federal building.

On June 11, he wrote: “Every time I read about the battering ram incident I’m just floored at how wild that is.”

Referring to law enforcement as “they,” he continued: “They should have, when they brought the line in, just started hitting the rioters and arresting everyone that couldn’t get away from them. No one likes being hit by a stick, and people tend to run when that starts happening in earnest.”

The Department of Homeland Security didn’t respond to requests for comment.

Mazzara was later appointed deputy commissioner of U.S. Customs and Border Protection.

Politico reported that Mazzara is among 10 staffers who followed former Homeland Security Secretary Kristi Noem to the State Department after she was fired this month from DHS and given a new role as special envoy for the Shield of the Americas.

The battering ram incident Mazzara referred to is detailed in court documents for the lawsuit.

A June 19 order from a panel judges from the 9th Circuit Court of Appeals states that Trump administration attorneys presented evidence of protesters interfering with federal officers. The protesters threw objects at ICE vehicles, “pinned down” several Federal Protective Service officers and threw “concrete chunks, bottles of liquid, and other objects,” the order said.

Protesters also “used ‘large rolling commercial dumpsters as a battering ram’ in an attempt to breach the parking garage of a federal building,” the order states.

Mazzara’s comment in the email thread with other Homeland Security attorneys was given to American Oversight with a watermark showing the agency had intended to withhold it. American Oversight also received a version of the documents with that statement redacted.

Chioma Chukwu, executive director of American Oversight, said it’s no wonder the administration wanted to keep Mazzara’s comments hidden.

“They reveal a level of hostility toward protesters that is deeply at odds with the government’s obligation to protect civil liberties — and there’s no FOIA exemption that justifies hiding them,” she said.

Kerry Doyle, the former top ICE attorney during the Biden administration, said Mazzara’s comments show a shocking carelessness about the potential for harm against both the general public and the officers he was employed to protect.

The email, she said, “seems to encourage, or, at the very least, support constitutional violations by the operators that are supposed to be getting legal counsel from him to avoid violating the law.” Plus, commenting on operational strategy is outside the scope of his responsibilities, she said.

“He’s doing a disservice to the people that are on the front line, that rely on him and his colleagues to give them the parameters of what they can and can’t do,” Doyle added. “If you give them bad legal advice, you are setting them up for liability.”

Noem’s removal came amid backlash against an escalation of violence during Trump’s crackdown on immigration, including the shooting deaths of U.S. citizen protesters by immigration agents.

Doyle said part of the secretary’s job is to set the tone for the agency so the rank and file know what is expected of them. Mazzara’s comments, she said, show how that tone has permeated all facets of the agency.

After the U.S. Supreme Court cast doubt on the Trump administration’s legal theory for using troops in domestic law enforcement operations, the president in December began removing the National Guard from Los Angeles and other Democratic-led cities.

The protests last summer caused significant property damage in a small section of downtown Los Angeles. But grand juries refused to indict many demonstrators accused by federal prosecutors of attacking agents, and a Times review of alleged assaults found that most incidents resulted in no injuries.

“What happened to my dreams? Simply put: they changed,” reads Phil Augusta Jackson aloud to a crowd in a furniture store. Tonight’s theme is change. From a podium, the television writer reflects on the long, thorny odyssey of his career. A pinball machine blinks in the background. Behind him, dreamy abstract prints hang on the wall, their shapes seeming to melt in the unseasonable spring heat.

Alongside mid-century furnishings and art in Echo Park, siblings Madeline Walter and Evan Walter host their wildly popular reading series, Essays. It’s a warm spring night. In a tender essay, Evan considers what he’s inherited from his idiosyncratic father. “I scream-sneeze like him now,” he reads. “It feels like a mess figuring out what parts of your parents you’re going to keep.”

In March 2024, the Walter siblings began the reading series in a friend’s backyard. “It was cold and wet, and we were so nervous nobody would come,” says Madeline. Since then, the show has moved through a series of venues before settling into a home at The Hunt Vintage. In just two years, it has grown into a local phenomenon, regularly drawing crowds of more than 150 people into the singular space.

The idea for Essays took shape during a conversation about creative constraints. Both writers and comedians, the siblings wanted to host a show that pushed beyond snappy punchlines and polished half-truths. “The objective is different from just being funny,” Madeline says. “It’s to tell me about yourself. Tell me something you’re thinking about.”

Siblings Madeline and Evan Walter host a popular monthly reading series called Essays at Echo Park’s Hunt Vintage.

(Ryan Wall )

Like many readings across Los Angeles, Essays taps into a growing appetite for sincerity. “People are really craving a space where you can be funny, be vulnerable, laugh at yourself — and where there’s an earnestness,” Evan says. That sensibility feels familiar to them. They grew up in what Madeline describes as a “very NPR-coded household that loved David Sedaris-style stuff.” She adds: “Doing something in the essay space feels like a surprising return to form.”

“One of my roommates describes it as a church-like experience, because everything is just so emotionally0driven and connective,” says Kaitlyn Kilmer, a longtime attendee.

The legacy of the series has begun to ripple outward. Their reading series has created a complementary Substack. Kilmer is now hosting a reading in her living room among friends.“We decided that we wanted to do our own, so I gathered a few friends who had been fans of the Essays show,” she says.

Essays exists in a larger network of reading series that make up Los Angeles’ diverse and ever-evolving literary scene. “There are so many readings now,” explains non-fiction writer Diana Ruzova, who frequently attends readings. “I’m not mad at it, though, mostly grateful that L.A. has a thriving literary community.”

In Los Feliz, Skylight Books continues to host intimate book launches for some of the most anticipated literary releases, drawing local favorites and celebrities.

“Our vibe is cozy,” says Mary Williams, general manager of Skylight Books. “We set up chairs under the big tree that grows in the middle of the store, and we hope this is a go-to place for our community to see their favorite authors while mingling with other book lovers.”

Elsewhere, at Heavy Manners Library, the tone of literary events leans more toward the experimental. “Experimental, unpolished writing can be shared and reflected on in an accessible, communal setting,” says program assistant Jane Shin.

This spring, literary events across the city run the gamut — from independent book fairs to poetry workshops, from the bizarre to the deeply vulnerable — welcoming everyone from curious newcomers to die-hard bookworms.

Thursday’s episode of Channel 5’s The Hotel Inspector saw two friends in Bramber, East Sussex, attempt to turn their hotel and pub around

The Hotel Inspector followed best friends Jack and Danny on Thursday’s episode as they attempted to save their hotel and pub.

The two pals, who had been best friends since meeting on a ski season in 2010, had decided to go into business together, gambling everything to run the 16th-century Castle Inn, a 20-bedroom pub and restaurant in the charming village of Bramber, East Sussex.

However, after six months, the two pals were struggling as occupancy had plummeted with Jack having to dip into his wedding funds and Danny uprooting his young family from Birmingham to East Sussex to make the business venture work.

Thankfully, British hotelier, businesswoman and The Hotel Inspector host Alex Polizzi was on hand to help the duo turn things around. Alex, 54, was unimpressed with the hotel’s bare and dated decor, including fake flowers and all white decoration everywhere.

Alex even admitted she was “horrified” by the “ghastly” sitting area, saying there was no charm at all in the hotel, even likening the space to a canteen.

As part of her plan to combat some negative online reviews, Alex invited three different duos to come and stay. However, the next morning, the hotel guests didn’t hold back their words as they provided honest and brutal feedback.

One guest said of the dining space and “wedding like” white padded chairs used: “We use these [the chairs] in mental health hospitals because then people can’t throw them at you…” to which Alex pointed out: “That’s a new low!”

It was then revealed that the guests would be invited back, where they could see the changes made at the hotel and then provide a review for the hotel.

Talking about the brutal feedback, one of the owners said: “Luckily we’ve actually got each other through this because otherwise I don’t think I could have gone through that complete pounding alone.”

After gathering a £5,000 makeover budget, the team got to work modernising the dining area into a contemporary and clean space with green panelling walls, as well as stylish new furniture. The team also made some changes to the bedrooms, providing luggage racks, stylish lamps and removing unnecesary furniture.

Alex advised the duo to invite all the locals over for a ‘meet the owners’ evening, which was a roaring success and the guests who had previously stayed there loved the new features, saying they’d be happy to stay again.

At the end of the show, after Alex’s work and advice was done, the duo provided an update four weeks later. They revealed: “Hi Alex, hope you’re well…

“Just wanted to say, thank you very much for everything you and your team have done here. The locals have been raving about the changes, the food offerings, and the new decor. The vibes around the village are great!

“We’ve noticed a strong traction in repeat customers and new ones. Thank you very much for your support, hopefully see you soon!”

The Hotel Inspector continues on Thursdays at 9pm on Channel 5.

• The shift to L.A. Live will place the ceremony within a larger, campus-style complex, allowing the red carpet, show, press operations and post-show events to be staged in a more centralized footprint with increased capacity.

• The move will coincide with the Oscars’ shift to YouTube, part of a broader reset for the ceremony as it looks to expand its global reach after years of declining television viewership.

The Oscars are leaving Hollywood — or at least Hollywood Boulevard.

Beginning in 2029, the Academy Awards will move from the Dolby Theatre, their home for nearly a quarter century, to L.A. Live in downtown Los Angeles, the Academy of Motion Picture Arts and Sciences and AEG announced on Thursday. The ceremony will be held in the theater currently known as the Peacock Theater, which is expected to be renamed before the Oscars arrive as part of a new naming rights deal.

The new agreement runs through 2039. Discussions about the move have been underway for the last couple of years, according to people familiar with the planning who were not authorized to speak publicly.

The change in venue comes as the Oscars are also moving away from their traditional home on broadcast television. Earlier this year, the Academy announced that the ceremony will begin streaming live worldwide on YouTube in 2029, ending a five-decade run on ABC.

Since 2002, the show has been closely associated with Hollywood Boulevard, where the red carpet runs alongside the Walk of Fame and, for one night a year, the area becomes the symbolic center of the film industry. The Dolby Theatre sits at the corner of Hollywood and Highland, inside a retail and entertainment center near the TCL Chinese Theatre and the El Capitan.

L.A. Live offers a more centralized, campus-style setting, with venues and event spaces clustered together. The complex is adjacent to Crypto.com Arena and the Los Angeles Convention Center and is part of a larger sports and entertainment district developed and operated by AEG that regularly hosts concerts, sporting events and awards shows, including the Emmys and the Grammys. AEG has recently proposed adding a new hotel, residences and additional entertainment space to the complex, part of a longer-term expansion of the site.

In some ways, the move out of the Dolby is less a break than a return: The ceremony was staged for years in downtown L.A. at the Dorothy Chandler Pavilion and at the Shrine Auditorium before settling at the Dolby.

At the Oscars’ new home, the red carpet, ceremony, press operations and post-show events can all be staged within a compact footprint that includes the adjacent JW Marriott hotel and its ballroom. The theater itself is expected to undergo upgrades to its stage, sound and lighting systems, allowing it to be configured more specifically around the show. The move is also expected to increase capacity, a growing consideration as the academy’s ranks have expanded significantly in recent years, now numbering more than 11,000 members.

At the Dolby, space has long been tight. Each year, multiple blocks of Hollywood Boulevard are shut down for days at a time, rerouting traffic and turning the area into a heavily secured zone — conditions that were even more restrictive this year with security tightened further amid the war in Iran, including a one-mile police buffer around the theater.

The Academy had been looking for a venue that offered greater control over how the show is staged, including how the audience is arranged and how the room is used for both the broadcast and the live event. The new venue is expected to provide more room for press areas, green rooms and backstage operations, along with upgraded technical infrastructure for staging the ceremony.

Early design renderings released by the academy suggest that, for viewers at home, the Oscars may not look all that different. The stage retains the sweeping, curved proscenium that has defined the Dolby Theatre era, suggesting a similar visual approach at a larger scale, with expanded screen space and a more immersive ceiling design.

For both the academy and AEG, which owns and operates the complex, the appeal is in keeping everything in one place — arrivals, ceremony, the Governors Ball and afterparties — rather than spreading events across multiple locations. The setup also creates new opportunities for hospitality and sponsorship tied to the broader campus.

“L.A. Live was built to host the moments that define culture and there is no greater global stage than the Oscars,” said Todd Goldstein, AEG’s chief revenue officer. “Together, we will create an environment that celebrates creativity, honors excellence and delivers an unforgettable experience for movie fans everywhere.”

Taken together, the changes amount to a significant reset for the Oscars, which have seen their audience decline from more than 40 million viewers in the late 1990s to 17.9 million this year, down 9% from the previous year. Moving to YouTube offers a way to reach a broader, more global audience at a time when traditional television viewership has declined.

The Oscars will remain at the Dolby through the 100th ceremony in 2028 before making the transition the following year.

“For the 101st Oscars and beyond, the Academy looks forward to closely collaborating with AEG to make L.A. Live the perfect backdrop for our global celebration of cinema,” Academy Chief Executive Bill Kramer and President Lynette Howell Taylor said in a statement.

When you think of your earliest memory of reality television, what comes to mind? Is it “The Real World,” “Survivor” or “The Bachelor”? Perhaps it’s other fare like “Project Runway” or one of the “Real Housewives” franchises.

Growing up in the ‘90s and early aughts, my first exposure to reality programming was MTV’s slate of shows like “Real World” and “Road Rules” — thanks to being the youngest of four siblings, I was exposed to shows that were, in hindsight, too risque for me at too young an age. But they left an indelible mark. I saw Irene McGee of “Real World: Seattle” get slapped by her roommate Stephen Williams, a moment that at the time sent shock waves. Genesis Moss, of the Boston cast, was one of my earliest exposures to a gay person on TV. And Melissa Howard of the New Orleans season showed me how you can be 5-foot-2 and unapologetically feisty — as someone with a similar build and demeanor, I took that to heart.

Over the years, I’ve sometimes dismissed reality TV because it felt a little too personal or a little too competitive. I often wonder about the psychological effect on participants as their lives are laid bare for all to see. However, I can’t deny their appeal and why fans have continued to gravitate toward these shows season after season. They make for excellent watercooler talk; in recent weeks, my co-workers and I have spoken endlessly about “The Bachelorette” and Taylor Frankie Paul, and who did or didn’t stay married from Season 10 of “Love Is Blind.”

Few of us knew in the early days what effect reality television would have on the culture or how it would create a new type of star. Reality TV personalities have become influencers, pop culture icons and even political figures. One is the president.

And many shows have not only endured, they’ve spawned universes, international adaptations and spinoffs. Bravo, a TV channel that used to focus on the performing arts, is now an unscripted powerhouse that even has its own convention, BravoCon, where its various universes come together in service of fans.

What does that say about us as viewers? There’s always been a fascination with peering into the lives of others, seeing how they react to everyday problems under the glare of a camera. Perhaps it is a way to deflect from the reality of our own lives, which under the guise of normalcy is straining with the weight of political upheaval and economic turmoil, not to mention personal strife. Seeing someone else onscreen deal with their reality is sometimes the best escape.

So like it or not, reality television is here to stay.

The new Harry Potter series is being filmed in locations across the UK, including at a pretty market town that has been named ‘one of the happiest places to live’

The trailer for the new Harry Potter TV series has been released, prompting excitement among wizards and muggles. The HBO series is being filmed in locations across the UK, including in a picturesque market town that has been ranked as ‘one of the happiest places to live’ in Great Britain.

The highly anticipated Harry Potter series, based on the beloved books by J.K Rowling, will launch onto our screens in Christmas 2026, with the first trailer released this week. Ahead of its arrival, film crews have been spotted in various locations around the UK, as we get ready to welcome a new cast in the hugely popular Harry Potter franchise and watch the magic unfold all over again.

READ MORE: When is the Harry Potter series coming out?READ MORE: Beautiful seaside city is ‘best kept secret’ in Spain with £20 flights from the UK

Among the UK destinations set to be featured in the HBO series are London, Hertfordshire, Devon, and Cornwall. However, it came as a surprise to the residents of Skipton, in North Yorkshire, when Harry Potter film crews were spotted in the charming market town.

Skipton has often been dubbed the ‘Gateway to the Dales’, thanks to its position as the southern entrance to the Yorkshire Dales National Park, with its lush valleys and heather moorlands that stretch across more than 2,100 square kilometres. The market town is steeped in rich heritage, with a preserved 900-year-old medieval castle, so it’s no wonder it’s been used as a filming location for Harry Potter.

At the end of last year, Harry Potter film crews were spotted in Skipton, as an actor performed a spell with his wand on top of a rooftop along a terraced street. While various areas in Yorkshire have previously been used as filming locations, residents were thrilled that the Harry Potter production had arrived in the small town of Skipton.

One resident told the BBC: “We’ve had bits of filming before, but I was surprised that they’ve picked it for something as colossal as this, so I’ll be very excited to see the end result.”

The filming reportedly took place on Westmoreland Street in Skipton, but it’s unclear if any further filming was done in the area. Another local told the publication: “It’s always exciting to have film crews hanging around and maybe put Skipton a little bit more on the map than what it already is.”

While we’ll have to wait a little longer to see just how much of Skipton is featured in the series, with producers remaining tight-lipped about locations, the town is certainly worth a visit in its own right. The high street is packed with independent retailers and delightful cafés, while the town’s location along the Leeds and Liverpool canal provides picturesque walks for an idyllic day out.

The cobbled high street leads up to the historic Skipton Castle, and there are numerous eateries in the town, including Phoebe’s restaurant, The Cock & Bottle pub, and The Clubhouse café. But one of the town’s highlights is the award-winning Skipton Market, which is believed to be one of the oldest in the country.

The outdoor market has been running since medieval times and has earned considerable recognition as the ‘best small outdoor market’ in the national Great British Market Awards. Found on the High Street, Skipton Market takes place every Monday, Wednesday, Friday and Saturday from 10am to 4pm, selling everything from food and produce to fashion and arts and crafts from local traders.

Yet it’s the residents who truly benefit from the charming town, as Skipton was named the ‘happiest place to live in Great Britain’ by Rightmove in their annual Happy at Home Index at the end of last year. Its convenient access to nature and green spaces was ranked as the top factor by Skipton residents, and there’s no shortage of landscapes to explore.

Beyond the nearby Yorkshire Dales National Park, there’s Aireville Park, a nature reserve, Castle Woods, and breathtaking Skipton Moor. With its undeniable charm and status as a film set, Skipton is well worth a visit, whether that’s for a weekend break or a day out, and is conveniently located just an hour’s drive from Leeds.

Do you have a travel story to share? Email webtravel@reachplc.com

Perhaps it was predictable that reality TV would become a pipeline into American politics. After all, political theater was the ultimate unscripted spectacle before reality TV became a genre unto itself.

Consider the raw drama of the first televised presidential debate, where a sweaty Richard Nixon and confident John F. Kennedy traded barbs. Or Anita Hill’s should-have-been-damning testimony against then-Supreme Court justice candidate Clarence Thomas during Senate Judiciary Committee hearings in 1991. Or President George W. Bush’s 2003 “mission accomplished” speech from a carrier off the coast of California, mere weeks into a war in Iraq that lasted years.

Modern programmed reality TV isn’t political theater, but it has become a springboard into modern politics for some stars of the genre. From President Trump to Dr. Oz, Caitlyn Jenner to Sean Duffy, campaigns and political offices are littered with the names of former cast members from reality series. Here’s a list of the most memorable jumps from trash TV to the smoldering dumpster of 21st century politics.

Donald Trump, president of the United States, ’The Apprentice’

Before he was a two-time president of the United States, Trump was one of America’s most recognizable make-believe bosses thanks to his 14-season run on NBC’s reality competition “The Apprentice,” created by reality TV kingmaker Mark Burnett. With his practiced executive scowl and scripted boardroom catchphrase, “You’re fired!,” the show burnished his image as a decisive billionaire dealmaker, even as his real-life business results were far less impressive. Off camera, Trump’s businesses filed for Chapter 11 bankruptcy protection six times between 1991 and 2014. Never mind. It was his knack for showmanship, and his undying need for attention, that proved the perfect entry into post-decorum politics. How does pretending to be in charge on a middling reality competition qualify anyone to safely and successfully run the most powerful nation on Earth? It doesn’t. Sleep tight.

Sean Duffy, Transportation secretary, ’The Real World’ and ‘Road Rules: All Stars’

Sean Duffy first appeared on MTV’s “The Real World: Boston,” where he was introduced as a flirtatious, conservative lumberjack/student hybrid. In short, he was a casting director’s dream. He later joined “Road Rules: All Stars,” where he met his future wife Rachel Campos-Duffy. Trading hot tub confessionals for courtrooms, Duffy became a Wisconsin district attorney and then a congressman. By 2025, he’d risen to secretary of Transportation under Trump, completing a career arc from staged arguments with pretend roommates to heated exchanges with the press about the effects of a government shutdown on airport safety. Dude.

Markwayne Mullin, Homeland Security secretary, MMA fighter

After a fiery confirmation hearing, Mullin is now Trump’s second secretary of Homeland Security in the 2.0 administration, following the disastrous tenure of wannabe reality show star Kristi Noem. Mullin was not a reality star per se, but in his role as a professional mixed martial arts (MMA) fighter he performed in cages for live, streaming and pay-per-view cable audiences. As an early 2000s champ in the sport, Mullin boasted an undefeated 5-0 record and the Oklahoma chapter of the National Wrestling Hall of Fame inducted him in 2016. How do these MMA skills, or his former life running the family plumbing business qualify him to protect the national security of this great nation? It’s unclear, but his fighting instincts have already resulted in a viral moment out of a 2023 Senate hearing, when he challenged Teamsters President Sean O’Brien to a physical fight, offering to “finish it here.” Now he’ll be running the DHS. What could go wrong?

Omarosa Manigault Newman, former assistant to Trump and director of communications for the office of public liaison, ‘The Apprentice’

Newman became one of reality television’s more memorable villains thanks to her run on “The Apprentice,” where her Machiavellian ways and unapologetic ambition revolted viewers and impressed her fake boss. She would eventually parlay that dubious notoriety into more than one role in the first Trump White House. Her tenure was brief, ending in a high-profile departure and her accusation that Trump is a “racist, a bigot and a misogynist.” She then wrote a book, “Unhinged: An Insider‘s Account of the Trump White House.” Perhaps she’ll adapt her written account into a reality show, only to reignite her fame and win the White House. From there? She’d hire Trump, of course, then swiftly end his run on the show with two simple words: “You’re Fired!”

Spencer Pratt, Los Angeles mayoral candidate, ‘The Hills’

Best known as one-half of reality TV’s most polarizing couple on “The Hills,” Pratt built a reputation as a needling instigator, often leaning into the role of villain with annoying enthusiasm. After stints on other reality shows such as “Big Brother U.K.,” he began speaking out about local California issues, including wildfire recovery and environmental policy. Earlier this year Pratt, a Republican, announced that he would be running for mayor of Los Angeles in the upcoming mayoral election, challenging incumbent Karen Bass. Does he really want to govern the Left Coast, or is his candidacy a ploy for a new reality show? Let’s hope it’s the latter.

Caitlyn Jenner, California gubernatorial candidate, ‘Keeping Up With the Kardashians’

An Olympic gold medalist long before reality TV fame, Jenner reentered public consciousness through a show about nothing. The hit series relaunched her into the spotlight as a member of one of America’s most visible families. Using that fame, she ran as a Republican in 2021 in California’s gubernatorial recall election, positioning herself as a political outsider. Her campaign leaned heavily on her life story — from her athletic achievement to her personal reinvention — but she failed to keep up with the competition.

Clay Aiken, U.S. congressional candidate, ‘American Idol’

Aiken rose to fame as the earnest, vocally gifted runner-up on “American Idol” circa 2003. His polite demeanor, impressive vocal range and dramatic rendition of “Bridge Over Troubled Water” earned him a devoted fanbase known as the “Claymates.” Aiken went on to have a semi-successful music career before running for Congress in North Carolina as a Democrat in 2014. Aiken made the mistake of leaning into his strengths as a thoughtful, policy-oriented candidate rather than relying on his past achievement as a vapid reality show contestant. He lost, of course.

Jim Bob Duggar, Arkansas state House representative and state Senate candidate, ’19 Kids and Counting’

As the patriarch of TLC’s “19 Kids and Counting,” Jim Bob Duggar became synonymous with a conservative Christian lifestyle when the show aired in 2008; it garnered high ratings and ran for 10 seasons. He espoused many of the same ideals as an elected official in the Arkansas House of Representatives from 1999 to 2003, before leaving the political stage for reality TV. But the show was canceled in 2015 when the Duggars’ eldest son, Josh, admitted to molesting several girls, some of whom were his sisters. A conviction on child pornography charges followed. (More recently, his brother Joseph was charged with child sex abuse.) Jim Bob Duggar attempted a political comeback in 2021 when he ran for a vacated seat in the Arkansas state Senate, leaning on what he believed was his reputation as an upstanding family man. Reality bit back, and he lost.

Mehmet Oz, U.S. Senate candidate and administrator of Centers for Medicare & Medicaid Services, ‘The Dr. Oz Show’

Like so many questionable figures Americans came to trust in the 2000s, Dr. Oz got his start as a frequent guest on “The Oprah Winfrey Show.” He went on to launch “The Dr. Oz Show,” where he dispensed health advice to millions of viewers. His blend of seemingly measured medical guidance and on-camera charisma appealed to viewers who were tired of looking at egg-headed doctors, like the kind who practice real medicine off screen. He announced his candidacy for the U.S. Senate in Pennsylvania as a Republican in 2021, focusing on an anti-establishment platform. He lost the general election to Democrat John Fetterman, but the doctor is still in. Trump appointed him administrator of the Centers for Medicare & Medicaid Services.

Sarah Palin, former Alaska governor and vice presidential nominee, ‘Sarah Palin’s Alaska’

File this under “Folks who tried to reinvent themselves on reality TV after tanking in politics.” Sarah Palin served as the ninth governor of Alaska before being selected as Sen. John McCain‘s running mate ahead of the 2008 presidential election. After losing to Barack Obama and Joe Biden, she veered away from politics, a decision that probably had nothing to do with an ethics scandal dubbed Troopergate that involved Palin. Burnett saw an opportunity, producing the 2010 TLC reality series “Sarah Palin’s Alaska.” It followed the Palin family engaging in activities such as fishing, prospecting for gold and camping in the region. In short, it looked like a tourism ad for Alaska and was canceled after one season. It also failed to kickstart her political career. She lost her 2022 bid for Alaska’s U.S. House seat, failing in both a special election and her general election comeback attempt. Apparently it isn’t Sarah Palin’s Alaska, after all.

Viewers of the BBC documentary were left in tears after watching paramedics battle to save a 67-year-old man

Viewers were left emotional after a man tragically died during TV show Ambulance on Wednesday’s episode.

The most recent instalment of the BBC series, which follows ambulance crews in Yorkshire, saw an emergency team respond after receiving a call reporting that 67-year-old Steve had stopped breathing.

Critical care paramedic John was amongst those who raced to the location. As the team began CPR, John informed Steve’s partner Penny: “At the moment, the heart rhythm, Steve’s heart, there’s no electrical activity at all. It’s really not good I’m afraid.”

“I think you need to prepare yourself,” he continued. Penny mentioned that Steve was “quite stubborn”, with John responding: “So maybe, maybe he’ll prove me wrong. We’re not there yet.”

However, following 32 minutes of CPR, the decision was taken to stop and John had to deliver the devastating news to Penny, reports Yorkshire Live.

“Penny we’ve stopped,” he informed her. “I am really sorry.”

As they discussed what had happened, John reassured her: “Don’t second guess it. It wouldn’t have changed anything. Nothing you could have done, would have stopped that from happening.”

Penny recalled that there had been an “incredible sunset” that week, saying: “At least he saw that.”

Audiences were left devastated by the scenes, with one sharing on social media: “Sobbing for Steve and Penny. So glad he saw the beautiful sunset. With love.”

“I can’t deal with cardiac arrests,” one viewer wrote on X, including a crying emoji.

“This is brutal,” another individual commented on the platform. “This programme never fails to have me in tears,” admitted one viewer. “So much respect for the call handlers and paramedics.

“Awww wee Penny xxx, bless that paramedic man for his words of comfort,” wrote another, as a fellow viewer remarked: “Oh my goodness this programme Ambulance is so hard to watch.”

“Poor Penny,” said another moved viewer, while one more observed: “Such a dignified response from this lady to her partner just dying. Bless her heart.”

Ambulance airs on BBC One and BBC iPlayer on Wednesdays at 9pm.

Netflix has confirmed the third season of one of their most popular shows is now in production

Netflix has announced the third series of popular rom-com Nobody Wants This is presently in production.

Featuring Adam Brody as rabbi Noah and Kristen Bell as agnostic podcast presenter Joanne, the programme chronicles the duo as they begin an unexpected romance.

The second series wrapped up with Joanne choosing to convert to Judaism while Noah comes to terms with wanting to be with her regardless.

Series three is consequently expected to commence with their relationship more solid than ever, though there will inevitably be additional drama to unfold with Joanne’s sister, Morgan (portrayed by Justine Lupe) and Noah’s brother, Sasha (Timothy Simons), and sister-in-law, Esther (Jackie Tohn).

Showrunners Jenni Konner and Bruce Eric Kaplan informed Netflix: “We are so grateful to Netflix and 20th for giving us another season of Nobody Wants This”, reports the Express.

They continued: “This job is criminally fun. Working with the uniquely gifted Erin Foster [creator], this unbelievable cast of talented, hilarious pros, amazing writers, and incredible crew has been a truly great experience.”

Foster shared with the streamer when the third series was originally announced: “I couldn’t be more excited to head into a third season of this show.”

She added: “It is a privilege to be able to write about my favourite couple on a scale like this. As long as it doesn’t take too much time away from me watching reality TV at night, I’ll do it for as long as they want me to!”

The second season of Nobody Wants This demonstrated even greater triumph than the first, accumulating 18 million views within its initial 11 days and securing a position in Netflix’s Top 10 chart across 82 countries.

Netflix and lead actress Bell ignited excitement amongst devotees with a collection of behind-the-scenes photographs as production commences in Los Angeles, California.

“Can’t wait to see them be silly and cute on my screen again,” responded one user beneath Bell’s Instagram post.

Someone else declared: “Hurry!!! We can’t wait for season 3.” Another stated: “Best series in the world ever.”

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And a final fan enthused: “Finallyyyyyy!!! We have been waiting for this!!”

Season two featured numerous thrilling guest stars, including Seth Rogen, Kate Berlant, and Leighton Meester, so devotees are anticipating further major names could participate in the entertainment for season three.

A launch date for the third season remains unconfirmed, but as the previous instalment commenced filming in March 2025 and was released later that same year, viewers could anticipate the series to return in October or November 2026.

Nobody Wants This is available to stream on Netflix.

After 50 years of being practically synonymous with New York City, “Saturday Night Live” has opened the door to London with “Saturday Night Live UK,” following in the steps of “Law & Order UK” and possibly nothing else. Of all the cities in the world that might conceivably replicate the spirit of the NBC original, the British capital, with its urban dynamism, media concentration and 20,000 comedians, feels like the obvious, and perhaps only, choice. (“Saturday Night Live Italia” might prove me wrong, if that day ever comes.) And, of course, we’ve been in a reciprocal comedy arrangement with Britain — or at least we have been nicking their ideas for shows — for years.

The show premiered in the U.K. this past Saturday on Sky One and NOW, and began streaming stateside Sunday on Peacock, with our own Tina Fey as the first guest host. (“It’s an absolute honor and kind of historic,” she said to studio audience. “Guys, I am the youngest person to ever host ‘SNL UK!’”)

As a “Saturday Night Live” star, writer and head writer; and the co-creator of “30 Rock” — her show about a sketch show set in the very same building as “SNL” — they couldn’t have appointed a better ambassador. Lorne Michaels doubtless has her on speed dial.

Here’s the short review: In the course of a single episode, “SNL UK” managed to feel very much like its parent show — which is to say, some of it worked well and some of it worked less well, but very little of it didn’t work at all. There were sketches that ran too long, or ended weakly, but were generally redeemed by a young(ish), confident 11-member cast that made the most of them. Some will already be recognizable to British viewers. Many have had notable, or anyway noticed, careers in stand-up; in the sort of stand-up that amounts to theater; in straight theater (including Shakespeare, naturally) and/or in television and film. Fey promised to “stay out of their way as much as possible,” but she came to play, and appeared in most every sketch.

The evening followed established protocol. Cold open. (Prime Minister Keir Starmer, played by George Fouracres, is afraid to tell President Trump, whom he regards as a sort of bad boyfriend, that he’ll send no more ships to the Strait of Hormuz: “I know how badly you want to start World War III, and that’s great. You absolutely do that but we can’t be part of it.”) Hammed Animashaun and Jack Shep accompanied Fouracres in the sketch and shared the glory of shouting, “Live from London, it’s ‘Saturday Night!’” They would continue to dominate the episode.

Jack Shep, George Fouracres and Hammed Animashaun in the “SNL UK” cold open, set at 10 Downing Street, in the prime minister’s office.

(NBCUniversal)

Next: Opening credits featuring the cast members out and about in the city. Monologue, with guest appearances from Nicola Coughlan, Michael Cera and Graham Norton. (The set is very much in the style of various American iterations over the years, clock included, with the band onstage.) Film bits and sketches. Musical guest. (Wet Leg, surly.) “Weekend Update.” More skits. Musical guest returns. More comedy. Whole cast onstage at the end, ready to party.

Among other things: A Shakespeare skit found the Bard (Fouracres again) returning to Stratford from London between plays, each time more affected, beginning with an earring and finishing with an electric scooter, sunglasses and a bag of ketamine. A Paddington Bear immersive experience, with an actual bear, turns bloody, recalling Dan Aykroyd’s 1978 classic Julia Child sketch. As a bra salesperson giving an ego boost to Fey‘s customer, Emma Sidi was funnier than the sketch she was in. (It did include a cameo by Regé-Jean Page, from “Bridgerton.”) In another, David Attenborough (Fouracres again, again), using “Jurassic Park” technology, hosts a “last supper” featuring great dead Britons including Winston Churchill, Isaac Newton, Agatha Christie (Fey), “Freddie Mercury, from Queen, Elizabeth the First, from being the Queen,” and Shep’s Princess Diana, pulling focus at Attenborough’s right shoulder; all they manage to discuss is how many starters to get for the table. It had the added bonus of getting the entire cast, and guest host, onstage.

The film bits were first-rate. (Not being live has its advantages.) One advertised an anti-aging cream — Undérage, with a soft “g” — “that works so well everyone will think your man is a nonce.” (That is, a pedophile.) “My skin looks so fresh,” says a happy customer, “my husband can’t go anywhere without being hunted by right-wing pedophile-catching militias.” “My husband lost his record deal and, some, but not all of his fans.” Another concerned a sort of command center where workers labored “to make the internet as bad as we can possibly get it.”

There are, to be sure, tonal differences to British and American comedy; just compare the respective versions of “The Office,” or “Ghosts,” or “Doc Martin” with its domestic remake, “Best Medicine”; the former tends to be darker, more cutting, more absurd. (A “Weekend Update” joke about the former Prince Andrew’s new home, Marsh Fair, “of course named after the nearby marsh where his body will be found.”) Despite that, and the old saw that Britain and America are two countries separated by a common language, the show translated well transatlantically. Apart from some local topical and cultural references, and an occasional unfamiliar word whose meaning was in any case obvious from context, and some swearing, most of it could have been played with few adjustments by the American cast.

“While we may not agree with everything America does,” Fouracres’ prime minister says at the end of the cold open, “we can still be civil and embrace their wonderful, unproblematic culture.” Back at you, buddy!

The season has been extended to eight episodes from the originally ordered six. (Riz Ahmed and Jamie Dornan are scheduled to host.) Why not 10?

Comedians Jo Koy and Gabriel “Fluffy” Iglesias are used to delivering big laughs on large stages. But in the world of major L.A. venues, there’s big, there’s massive, and then there’s SoFi Stadium.

The show starring both comedians was billed as a record-breaking feat for stand-up when they sold out the 70,000-seater. Though the pressure to fill up the stadium was off, it still remained to be seen how the two comics would make their most dedicated fans laugh from more than a football field away. By that criteria, Saturday night was definitely a win.

Kicking off the early portion of the show at 7 p.m., fans were already filling the seats as opening acts from Iglesias’ camp, including Matt Golightly, Joey Guila, Alfred Robles, Martin Moreno (who celebrated his 58th birthday on stage) and ventriloquist funnyman Jeff Dunham got the crowd warmed up for about an hour before Iglesias took the stage first.

Comedians Jo Koy and Fluffy perform Saturday at SoFi Stadium.

(Christina House / Los Angeles Times)

It was almost 8 p.m. when Iglesias emerged following a video skit playing on the jumbo screens and the stadium’s massive halo scoreboard with his funny misadventures of a routine doughnut run at Randy’s Donuts that turned into the plot of “Sons of Anarchy” spinoff “Mayans M.C.” featuring lead actors Emilio Rivera, a.k.a. Miguel Golindo, and Clayton Cardenas, known for playing Angel Reyes. Reyes caused the first major eruption of noise in the crowd by pressing a detonation device that triggered columns of smoke that filled the stage as Fluffy made his entrance in a white flat cap and custom Los Angeles button-up to greet the sold-out stadium.

“Thank you for being here, all I have to say is we did it!” Iglesias proclaimed as the crowd cheered.

Pointing and waving to fans in the nosebleeds, he took time to embrace the moment that topped his previous triumph of performing at Dodger Stadium.

Fluffy takes the stage at SoFi Stadium in Inglewood.

(Christina House / Los Angeles Times)

Though the stage couldn’t have been bigger, both comedians used their ability to make a large event feel intimate by drawing the crowd in through storytelling and making them feel like they were part of a conversation. Iglesias set the tone of his set right away by telling us about the chisme (a.k.a. salacious gossip) surrounding his newly married stepson that weaved into stories about his travels all over the world including his controversial stop at the Riyadh Comedy Festival.

Iglesias also took a pause to relate one other historic fact about the two stadiums in L.A. he’s now been able to sell out.

Santino Villalovos of Tracy, Calif., shows his Fluffy tattoo during the Jo Koy and Fluffy show at SoFi Stadium.

(Christina House / Los Angeles Times)

“The two biggest shows in comedy were Dodger Stadium and SoFi Stadium. … And what did they both have in common? They both featured a Mexican,” he said.

Even though he thought about retiring as a comedian after filling up Dodger Stadium (twice) to film his special “Stadium Fluffy,” Iglesias said the SoFi show inspired him to keep pushing himself. And alongside Koy he knew they could do it.

Fans react to special guest Jamie Foxx during Jo Koy’s performance at SoFi Stadium in Inglewood on Saturday.

(Christina House / Los Angeles Times)

“Jo I know you’re in the back, thank you for trusting me man, we did it brother. And I’ll say it in front of an entire stadium, love you. Things like this for me is a huge deal because it inspired me and gave me another reason to keep doing what I love to do. And tomorrow I’m gonna be in the same situation I was after Dodger Stadium — what am I gonna do now? But until then I’m enjoy the hell outta tonight and I still have more stories to share with you.”

Fluffy’s most controversial (and true) bit of the night was breaking the news to his fans that his name is mentioned in the Epstein files, which sent collective shock through the stands.

“I’ve never been to the island, I’ve never been on the plane and I have never met Jeffrey Epstein,” he clarified.

Fans light up SoFi Stadium during Fluffy’s set on Saturday.

(Christina House / Los Angeles Times)

The comedian said that according to reports in the Epstein files, the late convicted pedophile apparently tried to buy tickets to his show at an Improv in West Palm Beach, Fla., in 2014 but was told by his assistant via email that both his shows were sold out.

“Jeffrey Epstein, one of the most diabolical human beings to ever walk the face of the earth. Had the ability to connect with politicians, with influencers, with celebrities. He put people in very compromising positions. He got people on planes. He put people on islands. He was involved in trafficking. He was able to accomplish all these evil, crazy things, but at the end of the day, he still couldn’t get tickets to see my show,” Iglesias said.

Jo Koy reveals himself with the Jabbawockeez at SoFi Stadium.

(Christina House / Los Angeles Times)

After a brief intermission, things transitioned to Jo Koy’s portion of the show featuring warm-up sets from TikTok skitmaster King Bach and longtime friend and stand-up star Tiffany Haddish, who came to the stage looking ready for the red carpet with a flowing silk dress, hair blowing in the man-made wind to deliver her brand of high-energy stories about becoming a real estate tycoon in South-Central.

When it was Koy’s turn to enter the stadium, he slipped in undercover, dressed as one of the Jabbawockeez — the legendary masked hip-hop dance troupe that danced onstage to a medley of West Coast hip-hop dressed in red with acrobatic swagger. At the end of a brief routine, Koy unmasked himself as one of the dancers, eliciting cheers from the crowd as his son helped him change onstage into his regular attire, Dodgers hat and a jean jacket.

Jo Koy performs at SoFi Stadium in Inglewood on Saturday.

(Christina House / Los Angeles Times)

Always a man of the people, his set also reminded us that he’s also a man of the pets, specifically dogs, launching into a long bit that felt worthy of a slightly more adult version of a Pixar movie. But beyond jokes and stories, Koy kept coming back to the idea that laughter, more than fame, marketing or money, is what helped the comedians’ big plans for SoFi come together.

“This place is full, all the way to the top, people laughing and having a good time. I know there’s a lotta s— going happening in the world right now but guess what, we don’t wanna hear it right now. We came to have a good f— time. I’m not here to debate s—, everybody’s in here, everything they said wasn’t supposed to happen happened. Look around, every f— color of the rainbow is in SoFi Stadium tonight.”

Jamie Foxx, left, sings with Jo Koy at SoFi Stadium.

(Christina House / Los Angeles Times)

The vibe of the set was all about escaping the problems of everyday life. For most of the night that was taken care of by comedy. And sometimes that escapism was aided by the power of R&B. Twice during the night Koy shocked the crowd with special guest sing-alongs, first with Babyface coming out to serenade the crowd with a brief yet un-relenting hit fest he wrote and/or sang including “Can We Talk,” the ‘90s hit he wrote for Tevin Campbell, and the Boyz II Men anthems “I’ll Make Love to You” and “End of the Road.”

The second surprise came courtesy of Jamie Foxx, who popped out in shades and 10-gallon hat to sing the Ray Charles homage-driven hook of Kanye West’s “Gold Digger.”

Aside from any historic accolades, Saturday night was the culmination of a show that was a year in the making and a victory lap for the careers of two comics who’ve been in the game for decades. It was also a moment where comedy’s past met its stadium-size future in the L.A. comedy world. Though it’s hard to say when the next big comedian will have enough fans to fill a stadium in L.A., Saturday didn’t feel like it was the last time comedy fans will show up to fill SoFi for a pair of comedians who put in the work to make themselves a team worth rooting for.

In the summer of 2025, Walt Disney Co. executives placed a big bet on a reality TV star prone to high drama: messy personal relationships and allegations of domestic violence.

Now, Disney’s ABC network could lose at least $70 million with a nearly finished season of “The Bachelorette” sitting on the shelf.

Last week, ABC yanked this season of “The Bachelorette,” which features 31-year-old Taylor Frankie Paul, just three days before the premiere episode was set to air Sunday night. Disney pulled the plug after the emergence of a three-year-old video that showed Paul — the protagonist of Hulu’s massive hit series, “The Secret Lives of Mormon Wives” — physically attacking her ex-partner.

Paul can be seen screaming and throwing metal chairs, one of which apparently struck one of her children who witnessed the altercation. Her onetime partner, Dakota Mortensen, recorded the video of the attack on his cellphone.

Trouble has been brewing around “The Bachelorette” for weeks as Paul was doing publicity for the show.

Draper City, Utah, police have separately confirmed an investigation into a subsequent domestic violence incident in February between Mortensen and Paul. As part of that inquiry, Paul, 31, has temporarily lost custody of the couple’s son, Ever, who turned 2 last week — the day the troubling video came out.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security. After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm,” said a spokesperson.

Representatives of Mortensen could not immediately be reached for comment. In a statement to People magazine, a representative for Mortensen said that “his number one priority here is protecting” his son, Ever.

Last month, Disney requested an investigation to sort out Paul’s and Mortensen’s differing accounts of the February incident, according to people close to the situation who were not authorized to speak publicly about the sensitive situation.

The scandal has become the first big test for Dana Walden, who last week was installed as Disney’s president and chief creative officer — the day before the video showing a violent Paul was leaked to TMZ.

The episode has raised uncomfortable questions about why Disney made Paul the face of one of ABC’s marquee franchises.

It also has shined a light on the decision-making of Walden’s newly anointed ABC team: Debra OConnell, the chair of Disney Entertainment Television; Disney Television Group President Craig Erwich; and Rob Mills, Disney TV’s executive vice president of unscripted and alternative entertainment.

Disney declined to comment.

The network has not said whether it plans to eventually air Paul’s season of “The Bachelorette.”

But the network made a huge investment, paying a license fee of about $5 million an episode for the season to Warner Bros., said sources familiar with the matter. The season includes nine episodes and other programming elements, including a special that ran immediately after ABC’s Oscar telecast this month, which attracted 5.5 million viewers, according to Nielsen.

Dakota Mortensen, left, and Taylor Frankie Paul are stars of “The Secret Lives of Mormon Wives.”

(Fred Hayes / Disney)

ABC also orchestrated a huge marketing blitz — billboards for the show had sprouted around the country, social media channels were crackling and Paul appeared on ABC’s stalwart “Good Morning America,” where she discussed her role on “The Bachelorette,” where she dated nearly two dozen men in search of her soulmate.

She also acknowledged simultaneously facing domestic abuse allegations, which she called a “heavy time.”

“For me, dating as a mom of three is extremely difficult,” Paul told ABC anchor Lara Spencer. “I was like, I get to go out, get away from my toxic cycle here in Utah, go date, and also have my kids come out and visit me. That to me seemed like, why not?”

Advertisers, including Cinnabon, have also pulled back in light of the controversy.

Viewers have long been fascinated by Paul, who earned notoriety on TikTok and formed a community there called MomTok. Her combative relationships added to the intrigue.

Hulu’s “The Secret Lives of Mormon Wives” has been a massive hit, developing a loyal following and an alternative to the “Real Housewives” franchise on the rival network, Bravo. A clip from the show was included in a Disney video montage of movies, TV shows and other headlining attractions shown to investors last week.

Mills and other Disney executives who oversee ABC and Hulu programming had been looking for ways to reinvigorate “The Bachelor” franchise, and they had taken notice after fans latched on to a playful video that Paul had posted on TikTok, expressing her desire to join the long-running ABC show, which is produced by Warner Horizon.

Comments posted about Paul’s video were intriguing, particularly for viewers who said that they would return to watch “The Bachelorette,” if it featured her.

“I flew out to Utah and met with her and she was serious [about joining],” Mills told The Times two weeks before the controversy. “Then I sent her roses the next day and said, “Would you be ‘The Bachelorette’ and the rest is history.”

Disney recognized that Paul’s relationship with Mortensen was messy.

Disney executives were aware of the altercation in 2023 and briefly debated internally whether to move forward with Paul in a prominent role in “Mormon Wives,” according to a source close to the situation but not authorized to comment. Paul is an executive producer on that show.

The first episode of the first season of “Mormon Wives,” which debuted in September 2024, featured Utah police bodycam footage from the February 2023 fight that was the subject of the just-released video.

The final moments of the most recent season ended with Paul and Mortensen sleeping together again, the night before she was scheduled to fly to L.A. to begin filming “The Bachelorette.” She missed her initial flight, but took a later flight.

Disney also has paused filming on “Mormon Wives” during production of its fifth season.

Over the show’s four-season run, there have been tensions among the castmates, which accelerated as Paul and the other wives pursued fame in other venues, including on ABC’s “Dancing with the Stars.”

When the recent allegations of domestic violence surfaced, castmates expressed concerns about working with her, which contributed to the decision to hire an outside law firm to investigate.

The firm was hired, at Disney’s request, by the show’s production firm, Jeff Jenkins Productions, based in Sherman Oaks.

Times Staff Writer Yvonne Villarreal contributed to this report.

THRILLING stunts, tough challenges, eager contestants and the stars of the ITV show themselves, the Gladiators Live Tour is returning.

Tickets go on sale in a matter of days for the 28 brand-new shows across the country.

Based on the popular TV show on ITV, Gladiators Live will be making a return to the stage this year after making its debut in 2025.

The show originally launched back in the 90s and is currently in its third revival.

On the show, contenders compete against Gladiators in a series of challenges to earn points – and soon, you’ll be able to watch it live.

There will be 28 shows across the UK at various venues from Aberdeen, to Glasgow, London, Manchester, Newcastle, Liverpool and Birmingham.

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Legendary Gladiators will storm back into the arena to face fearless contenders from previous seasons.

Fan-favourite challenges that are likely to take place during the live shows are Duel, Hang Tough, The Wall and The Eliminator.

The description of the event teases “iconic fan-favourite events, breathtaking stunts, epic head-to-head battles and the unforgettable Eliminator finale.

“With non-stop action, heroic showdowns and moments guaranteed to have the entire arena on its feet, Gladiators Live delivers edge-of-your-seat entertainment for the whole family.

“Audiences can expect a truly immersive, high-octane experience, as arenas are transformed into modern gladiatorial battlegrounds complete with purpose-built sets, spectacular lighting and cinematic staging.”

One reviewer to last year’s live tour called it ‘ultimate family entertainment’ and an audience member added “it was a great show! Felt like I was inside the tv.”

Another said it took them to being a “kid back in the 90s”.

The presale kicks off on March 26 at 9am with general sale on March 27, 2026.

Prices are yet to be confirmed, but tickets for the Liverpool show start from £48.45.

If you want even more of a Gladiators experience and would rather step up to the challenge yourself – you can.

The Gladiators Experience in Birmingham opens on May 2, 2026.

It will essentially become a gladiator training facility with all the classic challenges you’d expect plus some extras.

In the Vault, visitors will be able to see behind the scenes of the TV show.

There’s also a shop where fans can buy exclusive merchandise.

Dom Bird, senior vice president at MGM Alternative Television said: “Now, fans young and old will get one step closer to walking in the footsteps of their heroes, as we announce our brand new Gladiators Experience.

“Based at the NEC Birmingham, everyone finally has the chance to test their skills on the iconic games – from Duel and Hang Tough, to The Wall, and of course the legendary Travelator.

“Come and see if you’ve got what it takes!”

There are separate tickets depending on if you want to have a go or not.

For contenders, tickets start from £39.50, and spectators from £17.50.

For more on what to do with children, the UK’s strangest (and coolest) theme park launches new ‘crazy trikes’ attraction for 2026.

And London’s best family attraction that ‘feels like it was created for kids’ to get huge new nature playground.

It’s not the first time the comedian has spoken out about his friendship with Britain’s Got Talent judge Amanda Holden, after fans raised the same question

Amanda Holden‘s co-star and friend Alan Carr has set the record straight about their on-screen chemistry. The duo front a BBC travel series, in which they help renovate properties across Greece, Italy, and Spain. Along with their hard work, viewers have warmed to the pair’s humorous ways and heartfelt conversations – including a recent sad discussion about Amanda’s stillborn son Theo.

Joining Alan on the latest edition of his podcast, Life Is A Beach, Bob Mortimer discussed what it was like working with his co-star Paul Whitehouse on their series Mortimer and Whitehouse: Gone Fishing.

After admitting that they couldn’t present in a traditional way, he said the duo decided to take a more natural approach – one that has worked well over the years. “They just like it when we’re chatting,” he told Alan, to which he agreed.

“Yes, that’s true – it’s the chemistry people want, and you can’t fake that,” he went on to say.

Alan added that he’s often asked whether he genuinely likes Amanda, despite their obvious camaraderie on TV. “I mean, people go, ‘Do you really like Amanda?’ I couldn’t be in 40-degree heat in Greece knocking down a partition wall with someone I hate.

“Why would I sign up for that? You have to actually like the person, more than like, you have to really go, ‘Oh hello Amanda, right let’s have a laugh, what have you been up to?’ And I think you can’t actually fake that,” he clarified.

This isn’t the first time Alan has addressed questions about their friendship. On a previous episode of the show, Amanda was surprised that fans had doubted their chemistry.

Alan joked that viewers often comment on her distinctive laugh and ask how he “puts up” with it, to which she quipped: “This is an outrage!”.

Clarifying any lingering doubts, Alan added: “No, no, no. We couldn’t do this job if we didn’t like each other – it would be hell.” Amanda added: “There’s not a single other person I could do it with,” to which he replied: “No, it would have to be you.”

While the pair have enjoyed a successful run on the BBC show, they recently snubbed the idea of presenting Strictly Come Dancing together.

Amid speculation that they might replace Tess Daly and Claudia Winkleman, Amanda confirmed on her Heart Radio Breakfast Show with Jamie Theakston: “I want to say now that me and Alan are 100 per cent not doing Strictly. We’re so flattered to be in that mix, but we both are not doing it.”

Speaking to The Daily Mail, the Britain’s Got Talent judge insisted she also wouldn’t be able to fit the role into her already busy schedule juggling family life and her career.

“You see, I am already part of a big show, and I’ll happily carry on watching Strictly from the comfort of my lounge, but it takes up too many weekends, I’ve got to remember that I have children and a husband,” she revealed.

“But I just hope that they still have two females doing it, that’s my big thing. They need somebody super funny, and somebody that you wouldn’t expect.”

Putting forward who she believes could be good for the positions, she suggested The One Show’s Alex Jones, BBC Radio star Zoe Ball and comedians Katherine Ryan and Daisy May Cooper.

If you’re looking for something to watch that not only will make you laugh, but will also leave you on the edge of your seat with plot twists, TV fans recommend one particular four-series show

Television viewers have been busy debating which programme has the “biggest plot twist” and it appears there’s one show that stands out from the rest. The question was posed in Reddit’s ‘Watchever’ community after a user looked for inspiration as to what shows they should check out next.

“What TV show had the biggest plot twist you never saw coming?” they asked. “What’s a TV show that completely shocked you with a plot twist you didn’t expect at all?” The Reddit user elaborated: “The kind that makes you pause and think, ‘Wait… what just happened?’ For many people, shows like Mr. Robot or Westworld had moments like that. Which one got you the most?”

It prompted several people to point out a four-series sitcom that first aired in 2016 and is currently available to stream on Netflix.

“This is as good of a place as any for my regular reminder for people who haven’t seen The Good Place to give it a try,” one person declared.

“The concept seems a little cheesy at first, until you realise that it’s actually about way more than what it seems like in the first season. And aside from the deeper philosophical stuff, it’s really f***ing funny.”

A second agreed, joking: “The Good Place… then The Good Place… then The Good Place again.”

A third fan suggested: “You need to go on the journey the characters go on. That’s the great thing about The Good Place; the show doesn’t give the characters the answers, they figure them out.

“And as a result it isn’t preachy about the philosophical stuff, even though the show definitely has a point that they wanted to get across about mortality.”

Whilst a fourth Reddit user praised: “It’s a sitcom structured like a mystery box drama, ending each episode with a cliffhanger. It’s easy to binge because of this. And unlike dramatic mystery box shows, the ending is amazing.”

However, a fifth who was sceptical at first confessed: “I didn’t watch The Good Place until it was on Netflix and from the first episode I thought something was off and kept looking for little hints here and there but never really anything that really stuck out on the first watch.

“Now on the second watching… I have noticed a lot more.”

The comedy stars Kristen Bell as Eleanor Shellstrop, Ted Danson as Michael and William Jackson Harper as Chidi Anagonye.

Netflix’s synopsis states: “Due to an error, self-absorbed Eleanor Shellstrop arrives at the Good Place after her death. Determined to stay, she tries to become a better person.”

On IMDb, meanwhile, the show boasts a very impressive score of 8.2 out of 10 following 219,000 reviews.

ITV viewers were left saying the same thing as a new reality show debuted on Saturday night.

ITV viewers were not impressed as new reality show, Celebrity Sabotage, premiered.

The new series sees Joel Dommett, Judi Love, Sam Thompson and GK Barry sabotage ordinary people who think they are taking part in various reality shows, with the aim of winning them money.

In each episode, a fresh set of unsuspecting contestants will arrive, believing they’re participating in a brand-new ITV show. But what they don’t know is that hidden away in their very own high-tech Mission HQ are celebrity saboteurs, who are secretly watching the contestants’ every move and are being set their own sabotage missions.

Hosting the fake shows are a string of stars, including Emma and Matt Willis, Sara Davies and Clare Balding, while celebrities will also join Joel, Judi, Sam and GK to help with the sabotaging.

The first episode aired on Saturday (March 21), with a group of business enthusiasts embarking on a set of challenges under the watchful eye of entrepreneur and Dragons’ Den star Sara Davies.

The celebrity saboteurs were joined by comedian Jo Brand as they set about disrupting wedding video filming, deleting the contestant’s filmed footage, and sabotaging a wellness away-day face mask activity by using lashings of green food colouring.

After watching the first episode, several ITV viewers shared their complaints about the show’s premise.

“#CelebritySabotage This is as much fun as having a toothache, @ITV churns out some rubbish & this one is right up there. It’s a waste of our time, it makes you look forward to seeing the adverts! I’m going to sit outside & watch the car electric battery top up, a lot more fun!” one person wrote on X (formerly Twitter).

Another added: “How do programmes like these ever get commissioned. Utter rubbish,” while a third said: “What a s*** show.”

A fourth fan echoed the sentiment, saying: “This is a kids TV show that got mixed up in the schedule surely. Utterly dreadful hate watch,” with another similarly sharing: “This is appallingly bad even for ITV. How long before it’s shunted to 4.30 Sunday afternoon?”

Meanwhile, other viewers enjoyed the silliness of the show, with one person writing: “Honestly I knew I was going to like #CelebritySabotage, it’s a great show with a great cast and I really like how the fake shows are rip offs of others. Definitely will be watching next week.”