It’s never too late to go back to school. But after years of deferred admission, can a new generation of students at Hillman College score high at delivering a compelling, modern take on the groundbreaking sitcom “A Different World”?
The foundation for an updated version of the popular sitcom set at a historically Black college was set three decades ago. In the 1993 series finale, the show’s central couple — smart, bespeckled math whiz Dwayne Wayne (Kadeem Hardison) and high-maintenance Southern belle Whitley Gilbert-Wayne (Jasmine Guy) — were embarking on their next chapter as newlyweds, relocating to Japan and expecting their first child. Before their departure, a professor jokingly quips to Dwayne: “I can’t wait to have your child in my class in the year 2014.”
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But plans for a revival — the original series itself was a spinoff of “The Cosby Show,” centered on the Huxtables’ free-spirited daughter Denise (Lisa Bonet) — to suit that time frame were in limbo for years. Producer and director Debbie Allen, who joined the original series in its second season to help it better reflect the HBCU experience, actively pitched and tried to relaunch “A Different World” in the early 2010s, but those efforts were derailed by the highly publicized sexual assault allegations against the show’s creator, Bill Cosby.
“It’s very difficult,” Allen told The Times. “The biggest difficulty, just being totally transparent, was people’s hesitation to work with Mr. Cosby; to have anything to do with him. [But] we were so independent. He kind of put us on a boat and said, ‘Go.’ And that’s what we did. And he was happy to know that we were going on our way.”
In early 2023, another push began to revive the series while also distancing itself from Cosby. Now, its decades-long gap year finally complete, a new incarnation of “A Different World” is starting up classes this fall at Netflix. And it hopes to carry on the legacy of its predecessor, which was celebrated for its depiction of Black culture and life in a higher education setting during its six-season run on NBC, from 1987 to 1993, bringing HBCUs into the mainstream.
Rashida (Alijah Kai), left, Deborah (Maleah Joi Moon) and Hazel (Kennedi Reece) in Netflix’s “A Different World.” After years of trying to tell the story of a new class at fictional Hillman College, Debbie Allen, who returns as an executive producer and director, says the sequel arrives at the right moment: “If there’s any voice we need to hear from right now, it’s young people.”
(Daniel Delgado Jr. / Netflix)
Billed as a sequel series premiering Sept. 24, a Wayne offspring is our anchor for the freshman class at Hillman College, the show’s fictional historically Black college based in Virginia. Deborah Wayne (Maleah Joi Moon) is an aspiring artist forced to attend her parents’ alma mater on academic probation after her NYU acceptance is rescinded. As the youngest Wayne child, she continues the family’s legacy at the school: her older sister — the child Whitley was pregnant with at the end of the original series — and an older brother are both alums.
She’s joined by a mix of first-gen and legacy students: star quarterback Shaquille Johnson (Cornell Young IV), who is the only child of original character Ron Johnson (Darryl M. Bell); criminal justice major Rashida Duvall (Alijah Kai); psych major Amir Rodale (Jordan Aaron Hall); Ghanaian-Nigerian fashion merchandising student Kojo Achebe (Chibuikem Uche); and small-town pastor’s daughter Hazel Henry (Kennedi Reece).
Some of the show’s original creative team join Allen as executive producers, including Tom Werner, and original series writers Reggie Rock Bythewood and Gina Prince-Bythewood. (Mandy Summers of “That ’90s Show” is also an executive producer.) To shepherd this reimagined version of the sitcom, Allen enlisted her former “Grey’s Anatomy” colleague Felicia Pride, who was most recently part of the writing staff on “Bel-Air,” the dramatic reboot of ’90s comedy “The Fresh Prince of Bel-Air.” It was a dream call for Pride, who as a kid living in Baltimore recorded and rewatched episodes — namely, the one involving a step competition that she obsessively watched after school to learn the routine. But she was reluctant.
“I love the show so much,” Pride said, seated next to Allen inside a Netflix conference room in Los Angeles on a recent day. “I was like, ‘I don’t want to be the one to mess it up.’ But she [Debbie] was so adamant that the time was now to hear from young Black America — and that, I could get with.”
Allen remembers it this way: “I don’t have an ego. I begged her. It’s the truth. To get this show back up, we’ve tried for years. But this is the time that’s right … We had inspired all these kids, not just Black kids, all young people to go to college. This was a peep into college that had never happened before, where you saw young people being responsible and living their lives and being crazy, but still dealing with what is happening in this world. If the young people in the country don’t have a voice, that country is dead. And if there’s any voice we need to hear from right now, it’s young people.”
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1.The original “A Different World”: Dwayne (Kadeem Hardison), left, and Ron (Darryl M. Bell).2.Jaleesa (Dawnn Lewis), left, Freddie (Cree Summer) and Whitley (Jasmine Guy). With Netflix’s modern take, showrunner Felicia Pride wanted the series to be intergenerational: “That’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart.”(NBCUniversal via Getty Images)
The show has been credited with boosting enrollment at HBCUs. While overall HBCU enrollment rose by 26% between 1976 and 1994, according to the National Center for Education Statistics, much of that increase occurred during the stretch of the show’s run.
Pride said she rewatched the original series, paying particular attention to the shift that materialized in Season 2 when Allen was brought on to overhaul it, as a starting point. Allen had a document of ideas detailing the types of characters she wanted to see depicted, including a star athlete, the first out queer character in the show’s universe and an African student. One major detail was a nonnegotiable: Allen wanted the show to revolve around Dwayne and Whitley’s daughter. (How they arrived at the character’s name — Deborah (pronounced Deb-OR-ah), which also happens to be Allen’s first name — is fuzzy. Pride remembers the name already being set by Allen; Allen recalls being amused upon seeing it on the page, thinking Pride had chosen the name.)
And just as in college, legacy matters on TV.
“I wanted the show to feel of now,” Pride said. “I also wanted it to be intergenerational. That was important to me, and that’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart … These [characters] were like my friends. I felt comfort in them. I felt like I could be them. It was also culture in a way that I hadn’t seen before, represented by people who look like me.”
Several familiar faces from the original make their way into the sequel, some taking on the mentor role of the older characters from the original, others representing how one gives back to the community that shaped them. Hardison and Guy lead the cast from the original series who reprise their characters, along with Bell, Cree Summer as Freddie Brooks, Charnele Brown as Kimberly Reese Boyer, Ajai Sanders as Gina Deveaux, Karen Malina White as Charmaine Brown, Jada Pinkett Smith as Lena James, Jenifer Lewis as Dorothy Dandridge Davenport and Allen as Dr. Langhorne.
Several original “A Different World” cast members reprise their roles in the new version of the series, including Charnele Brown, left, Jasmine Guy, Kadeem Hardison, Darryl M. Bell and Cree Summer.
(Quantrell Colbert / Netflix)
“They were so happy to be back,” Allen said. “There was a day they were all together —”
“That was the day where I felt like, ‘Oh, this is history,’” Pride added.
“In between takes, it was just chaos,” Allen continued. “They just laughed and acted up. It was just wonderful.”
To make the new characters and their stories resonate in a deeper, more contemporary way required as large a commitment to reflecting HBCU life as the original had under Allen’s guidance. The creative team assembled two paid student councils from various HBCUs — one to advise the writers’ room on storylines and campus issues; the other worked on the show’s Atlanta set, with students hired as production assistants that had working schedules tailored to their classes. The background performers filling up scenes in the quads, classrooms and parties feature 59% HBCU students and grads. And some key characters are portrayed by HBCU alumni who bring their lived experience to the screen, including Reece, who went to Howard University.
The freshman season will explore issues that Gen Z is grappling with such as financial insecurity, learning struggles, activism in the age of social media and matters of mental health, as well as bigger systemic issues like uncertainty around funding for HBCUs and immigration enforcement. The series also doesn’t shy away from its real-world backdrop — while it doesn’t explicitly mention President Trump by name, there is reference to the state of affairs under his administration.
Actors Jordan Aaron Hall, left, Cornell Young IV, Chibuikem Uche and Dasan Frazier are part of the new class of students at Hillman College in “A Different World.”
(Eli Joshua Ade / Netflix)
But this version of “A Different World” departs from its source material in its narrative format and tone. The original series was a multi-camera sitcom taped in front of a studio audience — and Allen initially thought any sequel of it would follow that same blueprint. But when the new series found its home at Netflix, it became a 10-episode single-camera dramedy. (Allen directed three episodes in the season, including the premiere, which set the cinematic style of the series.) As if to signal this iteration hasn’t completely deviated from its roots, in the show’s opening moments, Deborah Wayne coolly flicks the iconic flip-up frames made famous by Hardison’s Dwayne. And its memorable theme song that had versions from Phoebe Snow, Aretha Franklin and Boyz II Men hasn’t gone anywhere: Brandy was tapped to give a fresh spin on it that helps straddle the line between generations.
Now, Allen and Pride are on the cusp of seeing how this long-gestating idea will fare in the streaming world.
“You play the cards you’re dealt,” Allen said. “It took a while, but it was right for it not to happen until now. Right now is when we need it. Young people are struggling to find hope and inspiration and guidance, connection …”
Allen’s hope is that the show will have enough seasons to let the characters evolve: “On Netflix, not too many shows go past three, maybe four [seasons],” Allen said. What’s the goal? “At least three.”
Pride isn’t thinking ahead to graduation just yet. She’s still thinking about surviving the first day of school with this different (but familiar) show made for a different world.
“I came to understand we can never re-create the original show, and … even trying to pursue that is just not the thing to do,” Pride said. “It was a different time. It was a different everything, and it should stand on its own. What I wanted to do, personally, was just [focus on]: How can we capture that spirit and hopefully have a show that young people today can see themselves in, and that people [who watched the original] can also enjoy and be proud of?”
Inside the Universalist Unitarian Church of Riverside, a line of masked people filed into the red-lighted chapel, one by one, to take part in the rite of confession.
The private booth was framed in flowers, and rather than a priest listening inside, it was a microphone recording their confessions, to be played at an upcoming art exhibition. The brick triangle-roofed church that held the booth has stood since opening in 1892; that night, it was the site of a masquerade, or as Riverside artist Perry Picasshoe called it, the “Masqueerade.”
Picasshoe, whose real name is Neveah Marquez, hosted the event, which had an entirely LGBTQ+ guest list and one requirement: Bring a mask, whatever that looks like to you.
Marquez, a 26-year-old transgender woman robed entirely in red, stood at the pews and danced to the experimental electronic DJ sets and drag performances as guests entered in masks that ranged from papier-mâché deer antlers to collaged photos of eyes and lips.
The event came as a celebration ahead of the Riverside native’s first solo exhibition, “SagradX,” which will open Saturday at Riverside Art Museum and remain through Jan. 31.
The recorded confessions, layered over one another until they become an unintelligible cacophony, represent just one piece of the 25 paintings, photographs and interactive displays in the exhibition. The show explores the meaning of “sacred” as Marquez documents her most private places and experiences, and asks viewers to consider what they hold sacred.
The exhibition, she says, began with heartbreak.
Neveah Marquez (Perry Picasshoe), 26, sits inside the Riverside Art Museum.
(Carlin Stiehl / For De Los)
“The first time I started thinking about sacredness … was when my ex-partner brought somebody into our bed,” said Marquez.
“I was crying, distraught, and drove over to these hills over Lake Mathews [in Riverside] and I realized: The bedroom was sacred to me. That’s why it hurt so much. And I started thinking, if it wasn’t sacred to them, how do we decide what is sacred to each of us?”
The very headboard of that bed sits in the exhibition; on it, Marquez painted fairy-tale creatures representing the lovers gallivanting across the woods.
While Marquez’s experience with betrayal sparked the idea, the exhibition explores sanctity in many different scenarios: In one, the artist plays with the concept of the digital safe space by inviting guests to look through her phone as she is tied on a handmade iron-wrought cross. Inside the exhibition space, she uses a small painter’s brush to slowly paint the white walls red over the course of the show.
In curating the exhibition, Marquez began to look inward, painting and photographing herself in ways she never had before: through the lens of femininity. She lived the previous 26 years of her life as a man, growing up religious to the point that she once considered becoming a priest. The paintings serve as portals into a part of her that she long held inside.
“I describe it like having blurry vision your whole life and not realizing how clearly you can see, until you put glasses on,” Marquez said. “That’s how painting myself as a woman felt.”
Neveah Marquez (Perry Picasshoe) considers what is sacred.
(Carlin Stiehl / For De Los)
Though she initially identified with her male birth name, the more she painted herself in Venus-like, feminine poses and with longer hair, her understanding of her identity shifted. Illuminated by her signature scarlet red clothing and tastefully shrouded in sheets, the soft expression on her face was inspired by Raphael’s “La Fornarina.”
“I wasn’t thinking much of it in the moment, but as I kept painting these portraits, I was thinking a lot about myself and thinking about gender and my identity,” Marquez said. “Through my art process, I realized: ‘Maybe I would be a pretty woman.’ That’s what scared me the most from transitioning, was not feeling like I would be beautiful enough.”
In “SagradX,” Marquez’s body is documented vulnerably; easing into her own identity becoming a painfully honest artistic process, which the audience is now invited to watch.
“I feel like I don’t paint very often because when I do, it’s just so emotionally intense. Like when Olivia Rodrigo wrote that she’s scared of her guitar because she couldn’t lie to it, that’s how I feel about painting,” Marquez said. “I can’t lie to my painting.”
Neveah Marquez (Perry Picasshoe) wears long, flowing red clothes.
(Carlin Stiehl / For De Los)
Aside from her self-portraits, Marquez includes photographs of her ice blocks project, in which she placed 25-pound blocks where immigration enforcement raids took place in the Inland Empire last year. These were once safe places that she says have been “desecrated with fear.”
Marquez’s personal journal, which documented her inner joys and struggles over the last year, is also open on a table in the exhibition for guests to read through, draw over, or tear. For Marquez, “SagradX” was the catalyst to “let everything out.”
“If the show is about vulnerability, I need to practice that for myself as well. Otherwise, you would see in the work that there’s a blockage, you can sense when artists aren’t fully honest,” Marquez said. “I want people to question, ‘What is sacred to you?’ If I give you access to something sacred to me, what will you do with that?”
A second celebrity has been eliminated from ITV’s The Box, after losing a duel on Gary Lineker’s new celebrity game show.
Another contestant has been eliminated from The Box (Image: ITV)
A contestant on The Box has spoken out after their exit from the gameshow, as they became the second star to be eliminated.
The ITV series, which premiered on Saturday (September 5), sees 10 celebrities take part in a variety of challenges. Fronted by former Match of the Day presenter Gary Lineker, the cast includes Danny Aarons, Ranvir Singh, Joey Essex, Ellie Taylor, JB Gill, Jenny Ryan, John Bercow, Sara Davies and Shakira Khan. During Saturday night’s debut episode, Graeme Souness became the first star to be eliminated, and now a second celebrity has been sent packing.
After losing out on The Duel, a head-to-head game after the main challenge, Sara Davies was confirmed to be going home. She shared how much she enjoyed her experience, adding that she was “dead proud” of putting herself through challenges, reports the Express.
She went on: “Where I’ve played this wrong is, I’ve shown my true colours a little bit. They’ve seen that actually, she’s playing this to win. And I think that’s what’s been my downfall.”
Sara continued by saying how much she’d enjoyed her time taking part in the show, adding: “I’d do it again in a heartbeat.” Each episode of the show sees a celebrity get enclosed in a yellow box, before finding themselves in mystery locations across the country.
“They will never know where they are, or what challenge is facing them on the other side. The challenges could be physical, mental, logical, funny, a bit daunting, or all of those at once,” the synopsis adds. “With minimal or no instruction, they must decipher and work out what to do. At the end of each episode, two players will battle it out in The Duel, a high-stakes head-to-head game to avoid elimination.”
Just a day earlier, when The Box premiered, Sara shared a message about filming the programme on social media. She shared: “So around this time last year, I was asked to take part in a brand new and totally different show for ITV called ‘The Box’.
“I received a phone call asking if I would take part and, because the show had never been made before, I didn’t really fully understand what I was letting myself in for. I just knew I was going to be put into a big yellow shipping container, transported SOMEWHERE, and then I’d have to work out what the hell was going on and what I needed to do about it the split second the box doors opened!
“What they did promise was that it would be a challenge, it would be unexpected, I’d be pushed well out of my comfort zone, and I’d have to challenge myself in ways I could never have imagined. Well, they weren’t wrong and I can’t wait to hear what you all think of it!”
She went on to say that unfortunately she’d be missing the show airing as she was walking the Great Wall of China with breast cancer charity CoppaFeel, but she wanted to share the “truly memorable experience” with her followers with some behind-the-scenes pictures.
Sara was widely supported from fans after her post, with one writing: “Love this can’t wait to watch.” Another said: “Just watched 1 and 2 episodes big love from another Northern Gal.” Someone else wrote: “I’m watching the second episode now and it’s brill xx.”
Sara’s exit from The Box comes after she quit Dragons’ Den last year. She had become the youngest ever female Dragon when she joined in 2019.
She shared at the time: “Little update from me… As this last run of Dragons’ comes to an end I have to say l’ve loved every minute of this series so far and I’m so proud of the businesses l’ve invested in this year!
“As a lot of you will know, l’ve taken up my position again as CEO of Crafter’s Companion and my business is my big priority this year. And when I commit to a business, I really commit, which is why I find Dragons’ Den such a rewarding role.
“As well as filming an incredible show, being a Dragon requires so much dedication and time behind the scenes as you join the life of each business you invest in. It means seeing through your investment and committing to your part in that organisation. It’s so much more than a TV show.
“That’s why l’ve taken the decision to step away from the Den for now, to focus on my own business, which was my first baby! So I won’t be filming with the team this year for the next series.
“Sending so much love to my fellow Dragons and the amazing team behind it all. In the meantime, you can still catch me in the second half of this series of Dragons’ Den later in the year – it will not disappoint!”
It’s been a remarkable year for Bad Bunny, one of pop music’s biggest stars. After winning multiple trophies earlier this year at the Grammys, including album of the year for “Débi Tirar Más Fotos,” he can add another accolade: Emmy winner.
The Puerto Rican rapper and singer, also known as Benito Antonio Martínez Ocasio, won his first Emmy for variety special (live) on Saturday for his historic Super Bowl halftime show. It was the first Spanish-language halftime show, a 13-minute spectacle that transformed a football field into a variety of scenes including a sugar cane field, bodega, wedding party and casita, like the one in his 2025 San Juan residency. It also featured performances by Lady Gaga and Ricky Martin. Mikael Wood, The Times’ pop music critic, called it “a busy and colorful performance that drew lines between the traditional folk forms of his native island and the throbbing reggaeton beats that have made him an icon to young people around the globe.”
Bad Bunny served as a producer on the show. It won seven Emmys overall, including for directing for a variety special and music direction.
Also honored at Saturday’s ceremony was Mariska Hargitay for her documentary “My Mom Jayne,” about her mother Jayne Mansfield, a Hollywood actor who died in a car accident when Hargitay was 3 years old. Hargitay also received an Emmy for directing the film and Tony Hardmon won for cinematography. The movie, which premiered at the Cannes Film Festival last year, had a limited theatrical run before being released on HBO in June 2025. Hargitay won an Emmy in 2006 for lead actress in a drama for playing Det. Olivia Benson in “Law & Order: Special Victims Unit.”
In an interview with The Times last year, Hargitay said, “Making this film has been so extraordinary to me and totally reframed the narrative for me,” about Mansfield and the struggles she encountered over her brief but celebrated career. The film also revealed that Hargitay’s biological father was Nelson Sardelli, a former entertainer, and not Mickey Hargitay, the man who raised her and Mansfield’s second husband.
The first pair of Emmy ceremonies, formerly called the Creative Arts Emmys, are held over two nights, two weekends before the Primetime Emmy Awards, and honor many of the behind-the-scenes workers and craftspeople in television. An abridged version of the ceremonies will be broadcast Sept. 12 on FXX and stream on Hulu the following day.
Here is a list of winners from Saturday’s ceremony:
City clung on to a nervy victory against the Sky Blues to maintain their 100% winning start to the season, but managed to get the job done courtesy of a string of saves from goalkeeper Gianluigi Donnarumma.
Haaland continued his fine start to the season by converting his third goal in as many games from Antoine Semenyo’s deep cross, which came after Fernandez played through a slide-rule pass to the Ghanaian.
Playing in the number eight role, Argentina international Fernandez was given licence to roam and make late bursts into the box – he touched the ball six times in the opposition area, with only Haaland managing more with 11.
Fernandez could have had a dream debut but saw two shots blocked, before being replaced after 76 minutes by fellow summer signing Ayyoub Bouaddi.
The 18-year-old Morocco international was part of City’s midfield rebuild and highlights the options available to Maresca despite the departures of Bernardo Silva, Rodri, Tijjani Reijnders and Nico Gonzalez.
Ndiaye, meanwhile, became the first Senegalese player to represent City and is bound to give opposition defenders with his trickery and pace. No player attempted more dribbles in the match than his eight.
Maresca said: “Enzo and Iliman [played their] first game with us and then Ayyoub and Ryan [McAidoo] their first game in front of our fans.
“That is why I said there are many reasons I am happy about our win. I think they were all good.
“Ili just had two sessions with us. He needs to understand how to move. Most of the time he was moving in the wrong way, wrong position, but he needs to learn and for sure he is going to learn.”
Asked to elaborate on Ndiaye’s performance, Maresca said: “When Marc Guehi has the ball and he was dropping a lot and we don’t need that.
“We need him in the last third so he can be a little bit more higher. That space was more for Josko Gvardiol.
“It is the same thing in this [other] side. But it is normal and with time they will learn the way we want them to play.”
Fans had travelled from across the UK and the world to see the rapper, including Prince Dean Sithole, who hailed Jay-Z as one of his role models.
“I think he’s very impacting, especially for us black people because we don’t get a lot of recognition,” the 19-year-old from Leeds told BBC Newsbeat.
“Seeing him today shows that dreams are possible and you can be that person that you want to be.”
Jay-Z, real name Shawn Carter, broke through with his 1996 debut album, but it was his third record, Vol. 2: Hard Knock Life, in 1998 which landed him the top spot in the US charts for the first time and a best rap album Grammy.
He went on to establish himself as one of the most influential figures in hip-hop, releasing 13 solo studio albums and several collaboration records, which have secured him 25 Grammy Awards.
He was also the first rapper inducted into the Songwriters Hall of Fame in 2017, as well being inducted into the Rock & Roll Hall of Fame in 2021.
Over the years, he has also become one of the most prominent music mogul’s in the world, with his company Roc Nation representing a host of top talent and, in recent years, it has been behind the Super Bowl half-time show.
In 2019, he was declared hip hop’s first billionaire by Forbes, having built an empire based on music, property, fashion and investments alongside his wife Beyoncé.
The power couple have three children, daughter Blue Ivy, 14, and 9-year-old twins, Rumi and Sir.
