show

A hit crime series series that delves into unsolved murders is available to binge

A series that explores real unsolved murders is streaming on ITVX and viewers are “obsessed”.

Cold Justice follows former Texas prosecutor Kelly Siegler and her team of investigators as they look into old cases that nobody ever managed to crack.

Murders they explore include the death of a young journalist and the killing of a family of four on Halloween. Another episode focuses on a young man who discovers his father dead on his front steps.

The show, which first hit screens in 2013, has proved enormously popular with audiences, with many posting messages online saying that while it is “disturbing”, it makes for a “gripping” watch, reports Wales Online.

“Perhaps the best real crime show on TV,” one viewer wrote on IMDb.com. “I enjoy this show best of all the many crime shows I watch.”

Somebody else said they were “obsessed”, as another said: “Love the show… I’ve been hooked since the first episode.”

“Just found this show and I’m so addicted,” one person wrote on X, which was formerly Twitter.

“Kelly and her team plus the officers really care about these cold cases and want to solve them for the families to get their justice. Really feel Kelly has her heart 100% in this show and I’m hooked. Two seasons down in three days!”

“I’m obsessed with Cold Justice,” remarked somebody else. “I am always in absolute awe watching how brilliant @SieglerKelly is. She just seems like a kind, sympathetic, people person who actually wants to bring answers to these poor families.”

One fan said they had “never missed an episode”, adding: “I am beyond obsessed with the closure and hard work @SieglerKelly and her team do to help with these cases. If you haven’t watched Cold Justice you should definitely start.”

“It is the best show out there!” exclaimed another fan.

“It’s the best show on TV and helping so many families,” commented another.

Nine series of Cold Justice have aired since it began 13 years ago, with Kelly and the team helping to secure a number of arrests and convictions as a result of their investigative work.

Cold Justice is available on ITVX.

Fans of the beloved medical sitcom will be seeing some characters leaving

The Scrubs reboot is returning for another outing but there’s been a cast shakeup.

The forthcoming Season 11 of Scrubs, which marks the second outing for the revival series, is bidding farewell to two cast members.

Joel Kim Booster, who plays Dr Park, and X Mayo, who starred as Charge Nurse Raymond won’t be returning, Deadline reported.

Instead, The O.C. star Rachel Bilson will be getting more screen time as Rachel, along with original Scrubs cast member Neil Flynn as The Janitor.

Additionally, Scrubs newcomer Ava Bunn has been promoted to a series regular as intern Sam Tosh.

Scrubs’ beloved trio of John ‘JD’ Dorian (played by Zach Braff), Christopher ‘Turk’ Turk (Donald Faison) and Elliot Reid (Sarah Chalke) will be again leading the series.

HBO’s Rooster star John C. McGinley will be reprising his iconic role as Dr Perry Cox and Judy Reyes returns as Carla Espinosa while also working on ABC’s High Potential.

Meanwhile, the cast playing the newbie interns will be back in the frame, including Jacob Dudman as Asher Green, David Gridley as Blake Lewis, Layla Mohammadi as Amara Hadi, and Amanda Morrow as Dashana Trainor.

ABC renewed the comedy drama not long after the first season of the reboot finished airing in April this year.

The Scrubs revival focuses on JD helping to train up a new group of interns and learning lessons along the way.

The new series holds a 8.3/10 rating on IMDB and has been praised by many Scrubs fans, who feared that the revival wouldn’t match up to the original series and follow a similar path to the disastrous Season 9 which was the last outing before the show got cancelled.

Many have praised the new series on IMDb, with one person posting in their 10/10 review: “I didn’t expect this season to be half as decent as the old seasons, yet, I’m shocked at how well they’ve pulled this off.”

A second top rated review noted: “There are not many shows that were amazing in the original run, then come back after more than a decade with the same magic but Scrubs has pulled it off.”

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A third echoed similar sentiments in their top-tier review: “This reboot has everything you wanted and everything you didn’t know you needed. They captured what we loved about the original cast while introducing new characters in a way that feels natural, not like they’re trying to recreate J. D. and Turk.”

Scrubs is streaming on Disney+ now

A SLEW of Howard Stern Show stars have confirmed they’re still employed just days after a dozen staffers were sacked in a series of layoffs last week.

In a video posted before the World Cup final on Sunday, several employees are seen inside the Stern wing of SiriusXM studios playing a very uncoordinated soccer game.

The Instagram post tagged several staffers, many of whom have played an on-air role on the show.

JD Harmeyer, Jon Hein, Steve Nowicki, Jason Kaplan, Will Murray, Sal Governale, Richard Christy and Mike Pearlman were tagged in the video.

On July 13, at least a dozen Stern Show staffers, including on-air personalities, were shown the door, after it was announced in a Zoom call that Stern would only be doing just one live show a week after his long summer break.

The layoffs included several on-air fan favorites such as Benjy Bronk, Jon Blitt, Memet Walker and Mike Trainor.

OFF THE AIR

Four Howard Stern Show stars FIRED after years of loyalty in staff bloodbath

Insiders are calling the severance packages handed to these longtime staffers downright insulting, especially since some had been with Stern for his entire two-decade run at SiriusXM.

One source revealed that workers received barely more than a single week of pay for each year they put in.

“You would think Stern would have taken care of these guys after decades of loyalty,” the source said.

Every ten years on the job only earned them two months of pay, plus a strict NDA threatening to strip away even that tiny payout.

In the media world, standard severance usually runs closer to two weeks of pay per year worked.

The shocker comes right after the radio host locked in his latest SiriusXM extension in late 2025, after even admitting on air that he was not entirely sure he would sign on again.

During the announcement, he assured listeners the new agreement would give him more free time while keeping him on the airwaves.

Under the 2026 schedule, he was supposed to broadcast live Monday through Wednesday from 7 a.m. to 10 a.m. Eastern.

Back in August 2025, sources indicated that Stern and Sirius management were unlikely to come to terms on his massive $100 million yearly deal, leaving many to believe the legendary show was finally coming to a close.

Although he did end up renewing with the network, this severely reduced broadcast schedule signals that Sirius is no longer throwing around that kind of massive payday.

Waving a Mexican flag with a vaquero sombrero on, El Malilla made history at Coachella last year as the first reggaeton Mexa act on the lineup.

To keep the momentum going, the rising Mexican star had planned for his first U.S. tour to take place last summer. After the Trump administration ramped up the ongoing ICE raids around the same time, El Malilla decided to put the safety of his fans first and postpone the tour.

“With what was happening with Mexicans and immigrants — the big problem being ICE — I decided to pause the tour, because I didn’t feel comfortable exposing my fans to that kind of situation,” El Malilla says over Zoom from his home in Valle de Chalco. “For me, it was important to bring this tour to the U.S., but in a safe way without putting anyone in harm’s way.”

After wrapping up the Mexican leg of his “Tu Maliante Bebé” Tour, El Malilla, who was born Fernando Hernández Flores, is now preparing to bring his show to the states. The 19-show trek will kick off July 24 in Palm Springs, followed by a concert at The Novo in Los Angeles the next day.

Mexican artist El Malilla.

(Joss Andreu)

“The Novo is very important for me because it’s going to be my biggest venue for this U.S. tour,” he admits. “To see how Los Angeles has adopted me, embraced me, and shown me love, I’m going to feel like I’m home.”

Following his Coachella debut, El Malilla has pushed reggaeton from Mexico into the mainstream. He imbues the genre with Mexican swagger, slang and sex appeal in his explosive hits such as “B de Bellako,” “Mami Tú” and “Balenciaga” featuring corrido singer Luis R. Conriquez.

Since then, El Malilla has expanded the scope of reggaeton Mexa following collaborations with Puerto Rican pioneers such as Jowell y Randy and Colombian superstar J Balvin. The perreo heartthrob is also tapping into new genres for his upcoming sophomore album. In an interview with The Times, El Malilla opened up about leading the reggaeton Mexa movement and what to expect from his tour.

How do you feel about representing Mexican culture and reggaeton Mexa with this tour in the U.S.?
I feel very happy to bring a bit of our culture, our slang, our sound and our essence to the U.S. for my fans that haven’t had a chance to see a show of mine. Something that’s very crazy for me is when I performed in Chicago last year, there were people with signs that said they were from different places in Mexico like the State of Mexico. It made me very nostalgic to know that I’m also from the State of Mexico and we’re here. It’s important for me to represent our roots. Get ready, because I’m coming with perreo sucio. [Laughs.]

What do you think when you fans always ask for you to take off your shirt at your concerts?
It makes me laugh because when I sing “Rodillas,” people start screaming for me to take off my shirt. My show lasts like two hours and that’s barely the first song. I enjoy it, because I consider El Malilla to be a showman. I love to be onstage and have fun with my fans. Though some people might see me as a sex symbol, I don’t see myself that way, but to each their own.

What does it mean for you to be breaking down barriers for reggaeton Mexa?
It makes me very happy. I’ve been thinking about that recently. When would you think that an iconic pop star like Danna would collaborate with an iconic chacalón [Mexican slang for “bad boy”] like myself? That never crossed my mind before, but now in 2026, our reggaeton, our essence and our sound has become important in Mexico and even more so on a Latino level. Now everything is possible. There [are] no longer barriers for reggaeton Mexa, or for Mexican singers. Today, your biggest dream is possible.

Who else would you love to collaborate with in the future?
Lately, I’ve spent more time in the U.S. and I’ve been soaking up more English music. I discovered that I really like The Weeknd. A collaboration with him would be crazy! I returned to Coachella this year to sing with Cachirula & Loojan … and to be able to see Justin Bieber live was incredible. I would love to collaborate with him. On the Latin side, I would love to collaborate with Nsqk, De La Ghetto, Ñengo Flow or a reggaeton pioneer like DJ Blass.

What’s the process been like working on your next album?
I spent a year and a half working on this album. I enjoyed that process so much. Music has given me so much that this album is my way of repaying music for all the blessings it’s given me. You’ll be surprised at what I’m capable of. This is a Malilla that’s now 26 and a little more mature. It’s a more experimental and professional Malilla. I had never made a bolero song and I dared to do that this time. I did my research by listening to Luis Miguel, José José and singers and genres that I wasn’t used to listening to. I found love for those genres and singers. It was a very fun and cool way for me to explore different genres.

LONDON — Ewan Mitchell shares few similarities with Aemond Targaryen, his unhinged character on HBO’s “House of the Dragon.” The British actor, 29, is soft-spoken, thoughtful and quick with a “thank you.” His hair is currently brown rather than Targaryen blond, although he says the color is actually left over from filming Justine Triet’s upcoming psychological thriller “Fonda.” Although he is very different from the power-hungry second son he plays on TV, Mitchell understands him.

“I always empathize with that little kid in Season 1,” he says, speaking from London’s 180 House on a sunny day in July. “He was this neglected, bullied boy. He was never given a dragon egg. So from the beginning he recognized that he was on the back foot, and he was bullied for being different. What’s nice about Season 3 is it’s showing Aemond’s true colors.”

Early in Season 3, Aemond asserted his dominance over his mother Alicent (Olivia Cooke) with a gasp-inducing kiss on the mouth, a moment Mitchell compares to Michael Corleone’s iconic kiss on Fredo in “The Godfather Part II.” The disgraced prince regent left King’s Landing for Harrenhal in search of Daemon (Matt Smith), only to murder Ser Simon Strong and his sons instead. His fray with the Strong family was triumphant, but left Aemond with a wound in his side. He begged the castle’s mysterious inhabitant Alys Rivers (Gayle Rankin) to help him before vanishing for the next two episodes.

In Episode 5, Aemond is back. At first, he appears wounded and broken. But he ably defends Alys from a group of invaders, relying on muscle memory and — perhaps — a sense of honor to pay her back for saving his life.

“I liken Harrenhal to the White Lotus of Westeros,” Mitchell says. “It’s a place you go for a retreat. You have all of your toxins drawn out of you. You have to confront them head on. You discover like the darkest, deepest places of yourself. And the general manager of that place is Alys Rivers.”

In Episode 5, Aemond (Mitchell) fights off invaders, saving Alys’ life.

(Theo Whiteman / HBO)

The upcoming episodes will keep Aemond at Harrenhal with Alys and expand on the events of George R.R. Martin’s 2018 book “Fire & Blood,” on which the series is based. Showrunner Ryan Condal wanted to explore what wasn’t in Martin’s fictional history of Westeros.

“We knew from the book that he goes to Harrenhal and effectively disappears, at least from the interactive narrative,” Condal says, speaking later over video call. “It’s thought that he establishes some relationship with Alys Rivers. We had that as a baseline, but the idea was: ‘Where can we take Aemond from here?’”

He adds that there was “a danger of the character becoming an anime villain,” which the writers wanted to undercut. “He looks a certain way,” Condal says. “He has this eye patch. He rides this Godzilla-sized dragon. And he’s done some pretty reprehensible things.”

But the writers wanted to go beyond Aemond’s surface, to “a different place and excavate that trauma and vulnerability.”

Mitchell says Alys is the key to Aemond finding himself. “We know his dragon Vhagar is missing,” he says. “And if Aemond is nothing without his dragon, then does he really deserve her? We’ve got to challenge what we know of the character already … Vhagar was the wind in his sails.”

He compares Aemond with Spider-Man, an oddly aligned character. “With great power comes great responsibility to wield that power,” Mitchell says. “He’s got to be able to show he can control it effectively. That’s what he wanted to prove throughout Season 1 and 2.”

He laughs: “It’s just like ‘Spider-Man 2.’ I find it really interesting building up this character over two seasons to bring him back down.”

“I find it really interesting building up this character over two seasons to bring him back down,” Mitchell says of Aemond, who is facing turbulent times in Season 3.

(Jennifer McCord / For The Times)

Condal adds, “He’s feeling isolated and alone and he possibly has made an enemy of his family. And then this woman saves him. He feels this sudden magnetic draw to her. In the episodes that follow, we will further excavate that relationship. It’s one of the most surprising and engaging and emotional stories we have this season.”

Mitchell first appeared as Aemond, the son of Viserys and Alicent and the brother of Aegon II, in the eighth episode of Season 1. He was originally played by Leo Ashton, who Mitchell says “really set up the character for me.” Production had already begun when Mitchell auditioned, first with a self-tape and then for the producers. Initially, he didn’t know which character he was up for.

“I knew this character was the younger brother and that was like a theme of the first season and going through further seasons,” Mitchell recalls. “The second son out to prove his worth.”

Mitchell’s audition was memorable. “He came into the room in character and he scared all of us,” Condal says. “I remember the first question that I asked [our casting director] after he left was, ‘Is he always like that?’ Because it felt like he had gone to such a dark place just to do the audition. When I spoke to him later, I loved how different the person was on the phone versus the person I met in the room.”

To play Aemond, Mitchell looked at MMA and cage fighters to hone in on the character’s agile, brutal fighting style. He trained physically to make Aemond lean but also strong and imposing. He took inspiration from paintings, including Alexandre Cabanel’s 1847 work “The Fallen Angel,” which depicts the devil after his fall from heaven.

“There’s this tear in his eye and you don’t know if he’s feeling sorry for himself or he’s looking at things to come,” Mitchell says. “Is he thinking about the harm he’s going to inflict in retaliation? That was something I wanted to do in Season 2. It contrasts his muscular physique. It’s a mixture between vulnerability and sheer muscle.”

Season 2 saw Aemond purposefully incinerating his brother, leaving him badly burned, and decimating the Riverlands while on Vhagar. The character was grappling for power, even if it meant brutalizing his own family. Condal hints that a reckoning with Aegon will come.

“In the great tradition of ‘Game of Thrones,’ I feel like that is a fairly safe bet,” he says. “Characters are scattered all over the map and then slowly find themselves being brought back together, but in different forms. That was always something we were talking about doing with Aemond and Aegon.”

To play Aemond, Mitchell looked at MMA and cage fighters to hone in on the character’s agile, brutal fighting style. He also took inspiration from paintings, including Alexandre Cabanel’s 1847 work “The Fallen Angel.” (Jennifer McCord/For The Times)

Mitchell sees Aemond as a product of his circumstances, rather than just a murdering psychopath. He was bullied as a child and coddled by his mother, but never received the unconditional love he craved. He was taken to brothels from an early age. He lost an eye. And he grew up in the midst of a brutal war between the Greens and the Blacks. Now he has to reckon with what he’s done.

“You might not understand all of the things he does,” Mitchell says. “And you might not feel like you’re supposed to understand all the things he does. But you do feel something for him. In the moment he saves Alys, maybe there is a redeemable Aemond in there somewhere.”

Cooke says she loves working opposite Mitchell thanks to his complex approach to the character.

“He has such intensity and helps me as an actor in playing Alicent to feel like I’m completely on the back foot,” she says in a voice memo. “It’s filled with tension trying to guess what he’s going to do. Yet in reality, he is the most gentle, lovely, quiet, beautiful person. He’s a joy to work with and I think he makes such interesting choices outside of ‘House of the Dragon.’”

Between Seasons 2 and 3, Mitchell filmed Emerald Fennell’s “Wuthering Heights.” He had previously worked with the filmmaker on 2023’s “Saltburn,” for which he auditioned using a Harold Pinter monologue. For “Wuthering Heights,” Fennell simply texted Mitchell asking him to play Joseph, a servant in the Earnshaw house, whose sexual depravity electrifies Cathy.

Aemond (Ewan Mitchell) and Alys (Gayle Rankin) share a tender moment in Episode 5.

(Theo Whiteman / HBO)

“I was like, ‘If you asked me to shine your shoes, Emerald, I would do that,’” Mitchell says. “All of her characters are so vibrant and so nuanced, and there is such a vision you see in her films. She’s a one-of-a-kind, singular visionary. I’ve learned so much working with Emerald that I’ve taken forward in my career.”

One of those things was a more playful, loose approach to acting. During his first two seasons of “House of the Dragon,” Mitchell felt locked into a particular performance. “I learned the scripts verbatim,” he says. “Aemond is such a calculating character and everything he does is premeditated. He’s so in control of himself. I found myself offering up the same take every single take.”

After working with Fennell on “Saltburn” and “Wuthering Heights,” Mitchell felt more freedom. She encouraged him to give a range of performances on set, allowing her to find the character during the editing process. He brought that with him to the third season of “House of the Dragon.”

“With Aemond being so unsure of himself, it happened more naturally,” he says. “He’s learning new things about himself. I was really open to finding the scene organically on the day and not coming in with any preconceived choices. And I found so much more enjoyment in it.”

Condal observed Mitchell’s looser approach. “I don’t think Ewan was ever rigid,” Condal says. “But what I saw happen over the seasons was someone learning from their professional experience. As a massive fan of Emerald Fennell’s work, I can see how being in that very different crucible could help him become his best version. We probably demanded the most out of Ewan in Season 3 than any of the other actors.”

Mitchell says working with Emerald Fennell helped him take a looser approach to acting.

(Jennifer McCord / For The Times)

Since wrapping Season 3 last fall, Mitchell has stayed busy. He filmed “The Way of the Runner” in China with first-time filmmaker Yutong Bai, Gareth Evans’ remake of the 1960s Japanese crime film “A Colt Is My Passport” in Wales, Luna Carmoon’s sophomore feature “To Make Ends Meat” in London and Can Aydin’s directorial debut “The Healer” in Budapest. He then flew to France to work with Triet, an experience he loved because she shot on film. “Knowing you’ve only got a limited amount of time, there’s something beautiful about the imperfections of performances,” he says. “There was such a great energy with everyone in the room.”

Mitchell has been attracted to performing for as long as he can remember. Growing up in Derby, England, he admired films like “Citizen Kane” and “Taxi Driver” because they centered on “characters you don’t completely understand.” He appreciates the scope of projects he’s done so far, from the massive scale of production on “House of the Dragon” to smaller art house films.

“I love working as much as I can and learning,” he says. “I’d love to keep working with debut directors. After the recent films I’ve done and seeing ‘Obsession’ and ‘Backrooms,’ it’s really motivating seeing what they can do.”

Although Mitchell looks nothing like Aemond, he is frequently recognized. Someone stopped him on his way here today to ask for a photo. “I think it’s the chin,” he grins. He knows he’s inextricably linked to the character, for better or worse. He can’t give much away about what’s to come in Season 3, but Aemond is certainly not down for the count.

“What makes him so dangerous is that just when you think he has nothing left in the tank, it’s like, ‘Guess again,’” Mitchell says. “It’s not a question of whether he’s going to do evil. It’s inevitable that he will do it. And it will be brutal and it will be fast.”

He pauses, unsure of what he can reveal. “I don’t want to spoil anything,” he says carefully, “but I can’t wait for people to see what Harrenhal has in store for him.”

The first ever FIFA World Cup halftime show attracted a mixed reaction from sports fans – with Wayne Rooney declaring the best part was when it ended, despite Madonna, Justin Bieber and more taking part

The 2026 FIFA World Cup final halftime show has been brutally panned despite including performances from the biggest names in music. On Sunday night, Argentina faced off against Spain to fight for the official World Cup trophy, which was delivered to the pitch at the beginning of the match inside a Louis Vuitton case.

But the footballers were not the only major stars to appear on the pitch as a host of big names lined up to perform during the halftime interval. Anticipation was high as the musicians prepared to take centre stage in the first halftime show of its kind in the FIFA tournament’s history.

Pop music legend Madonna kicked off the celebrations with a lively performance of her 2000 single Music – weaving in elements of her recent hit, Bring Your Love. While Bring Your Love duet partner Sabrina Carpenter was nowhere to be seen during her performance, Madge had other major stars at her side to give her appearance an extra punch.

She sat in a pink jeep with Brazilian football legends Ronaldo and Ronaldinho at the wheel as they drove into the stadium and took a bow after the chart superstar repeated her infectious chorus, “Music brings the people together.” Cameras then cut to members of The Muppets on stage performing an instrumental version of the White Stripes’ classic song “Seven Nation Army,” with help from Gustavo Dudamel.

Korean pop kings BTS then took over the spectacle, belting out their song Dynamite – before cameras cut to Jason Sudeikis and Brendan Hunt in character as Ted Lasso and Coach Beard. The duo then introduced Canadian pop prince Justin Bieber, who took to the field to strum out his single, EVERYTHING HALLELUJAH.

As the halftime show continued, Shakira took to the centre of the stage alongside Burna Boy and an army of backing dancers to belt out Dai Dai – the official song of the 2026 FIFA World Cup. This was then followed by Coldplay and PS22 Chorus, who sang the uplifting track We Believe in Love – before all the performers and dancers took their final bow.

While no one can dispute that the halftime show was packed with major stars, some felt that the show was a disjointed mess – and they made their feelings very clear.

Wayne Rooney was among those to put the boot in. Asked what his favourite part of the show was, he deadpanned: “Mine was when it finished.”

He added: “I like a lot of those artists but I thought it was crap. I did, honestly, it just didn’t get me going, I wanted the football to come back on.” He later explained that he believed Justin Bieber’s performance was “flat”. He fumed: “I liked Burna Boy, I like Bieber, I like Shakira, but that was too flat.”

Liam Gallagher also shared his thoughts, wading in to praise Justin Bieber for his performance of Everything Hallelujah – but hinted he didn’t fully enjoy it. While he said Justin “rules”, he added: “This is like a bad trip… It’s a good job I’ve got my spiritual socks on or that halftime entertainment could have tipped me over the edge.”

However, many fans were thrilled by the halftime show, with one on X, formerly known as Twitter, remarking that the entrance of Madonna alongside Ronaldo and Ronaldinho was “Iconic”.

There was more music before kickoff, with a fun-filled closing ceremony show. IShowSpeed took to the stage to sing their song, Champions. And Post Malone thrilled fans with a trio of hits; Chrome Heartbreaker, Wow., and the song Sunflower – featuring Swae Lee.

As the kick-off grew closer, Jennifer Hudson appeared to give a powerful performance of the United States National Anthem, the Star-Spangled Banner, while Spanish Brass performed La Marcha Real and Maria Becerra belted out the Argentinian national anthem. And amid all the celebrations, there was even time for Robbie Williams to join Laura Pausini and Nicole Scherzinger to sing the Fifa song, Desire.

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A POP clash is thought to have broken out ahead of the World Cup final halftime show between Madonna and Justin Bieber.

Insiders say the upcoming show has turned into a ‘bitter competition’ between the queen of pop and the Canadian singer.

Coldplay singer Chris Martin – who is in charge of organising the historic music event at MetLife Stadium in New Jersey – is said to be trying to ‘figure it out before it gets out of hand’.

While the Yellow singer has put together an impressive lineup featuring Madonna, Bieber, Shakira and BTS, he is reportedly struggling to creatively manage the two headliners.

An insider told The Daily Mail: “Neither wants to walk away feeling like they played second fiddle.

“Their different approaches have created real tension behind the scenes.”

DAZZLING STARS

ITV set to air ‘celeb-packed spectacle’ half-time show for World Cup Final

SHOWTIME

Justin Bieber surprises fans at Fanatics Fest a day before World Cup final

The major comeback opportunity for Justin follows his latest stripped-back performance at Coachella festival.

According to the publication, the Sorry singer wants to keep his appearance ‘straightforward and risk-free’ – with the music ‘clean, controlled and no distractions’.

“His mindset is simple,” the source continued: “Don’t overcomplicate it, don’t take unnecessary risks and absolutely don’t have a performance that becomes a story for all the wrong reasons.”

On the other hand, it’s said that Madonna wants to make a statement on stage and feels the show should be ‘unforgettable – not safe’.

The insider added: “She believes a stage this massive calls for something people will be talking about for years.”

The closing ceremony will also feature Post Malone, Tom Cruise, Nicole Scherzinger, Robbie Williams and YouTuber IShowSpeed.

The Sun has contacted Justin’s rep for comment.

Countryfile viewers were quick to share their excitement on Sunday night over a huge show update

Countryfile favourite John Craven shared a heartwarming show update on Sunday’s episode.

The latest instalment saw presenter Anita Rani continue her east coast road trip, visiting a nature reserve on the Essex coast and also joining a group of fossil hunters on the search for new historical treasures.

However, BBC show veteran John, 85, issued an important show update halfway through the episode as he revealed that the 2026 Countryfile Photographic Competition is now open. This year’s theme is Signs of the Seasons.

Anita, 48, said: “I could take a photograph in any direction and capture a moment in time, a perfect day at a British seaside resort. There’s buckets and spades, there’s ice creams, there’s dogs running around, we’ve got the lot. And if you want to enter our photographic competition in aid of Children In Need, then here’s our John with the details.”

John then appeared in a pre-recorded segment to promote the competition, saying: “From dramatic landscapes to fleeting wildlife moments, there are certain things that really capture the feel of the season and make you want to stop and reach for your camera. And that’s exactly what we want to celebrate in this year’s photographic competition.

“Our theme is Signs of the Seasons. So get out into the summer with your cameras during the next few weeks, but also check through your camera galleries for shots that you might have taken in winter, autumn or spring because we want photographs that really show the beauty of the British countryside right through the year.”

John then explained: “From all the entries received, 12 photographs will be selected to star in the Countryfile calendar for 2027. All in support of BBC Children in Need.

“Once all the entries are in, a panel of judges will choose the winning photos to appear in the Countryfile calendar 2027, sold in aid of BBC Children in Need. And then the overall winning image will be chosen by you, the Countryfile viewers.

“Not only will that picture feature on the cover of the calendar, but the winner will also get a £1,000 gift card to spend on photographic equipment of their choice. And whoever takes the judge’s favourite photo will receive a gift card for £500 to spend on their choice of photographic equipment.”

After explaining the terms and conditions, and how to apply as well as find out more information, John ended his segment with: “So now it’s over to you. The very best of luck, and we can’t wait to see your Signs of the Seasons.”

Taking to social media to respond to the show update, one person said: “Looking forward to entering!” with a hands up emoji to which another account shared heart emojis over the announcement.

Meanwhile, another show watcher quipped: “Blimey! I swear the #Countryfile Calendar competition comes round earlier every year! Better get the sprouts on!” to which a different viewer joked: “Christmas tree up!”

Countryfile airs on Sundays on BBC One and BBC iPlayer

Abandoned as a baby with severely underdeveloped limbs and brought up by nuns in Baghdad, Kelly will be performing at the World Cup final alongside some of the biggest global stars.

Among the headline performers at the first-ever FIFA World Cup half-time show alongside Shakira, BTS, Justin Bieber and Madonna is a man with a remarkable life story – Iraqi-born singer Emmanuel Kelly.

Kelly says he was found abandoned in a box as a baby, and was brought up by nuns at Mother Teresa’s orphanage in Baghdad. Some of his limbs were severely underdeveloped, and at the orphanage he became friends with another boy called Ahmed, who had a similar condition.

In 1998, when Emmanuel was around four years old, the Australian Catholic humanitarian worker Moira Kelly visited the orphanage and witnessed the plight of Emmanuel and Ahmed.

She was determined to bring the boys to Australia for medical treatment, and after two years, she succeeded.

Emmanuel and Ahmed arrived in Australia in 2000, and both underwent multiple surgeries to enable them to wear prosthetic limbs. They were adopted by Moira the same year, and in 2009 they officially became Australian citizens.

In an interview published on the FIFA website in 2025, Emmanuel said the surgery and prostheses enabled him and his brother to be self-reliant for the first time.

“We learned all the basic things I think that humans take for granted sometimes, like walking and feeding themselves and things like that,” he said. “Eventually I decided I wanted to pursue entertainment and music.”

In 2011, at the age of 17, Emmanuel was a contestant in the Australian version of television talent show The X Factor. His rendition of John Lennon’s song Imagine captivated the live audience and was viewed millions of times online. Although he was eliminated relatively early in the series after forgetting the words to a song he was performing, this was the start of his musical career.

His brother Ahmed, meanwhile, became a competitive swimmer, representing Australia multiple times and winning the silver medal in the men’s 150-metre individual medley at the 2020 Tokyo Paralympics.

In 2016, as the band Coldplay were preparing for concerts in Australia, lead singer Chris Martin saw a video of Emmanuel Kelly performing and resolved to meet him. Kelly was invited onto the stage at the Coldplay concert in Melbourne and sang Imagine in a duet with Martin.

The two became friends, and in 2024 Kelly was invited to be the headline opening act for Coldplay for their four concerts in Australia during their Music of the Spheres tour.

“Chris has been my brother, Chris Martin, for eight years or so, and he said to me, ‘Hey, come on tour with me and join me on a stadium tour.’ I did that, and that was pretty epic,” Kelly said in his FIFA interview.

Last year, Martin was asked by FIFA to curate the half-time show at the Club World Cup final at the MetLife Stadium in New Jersey. Kelly was one of the singers Martin asked to take part in the performance. He was described by organisers as “the first differently abled artist to headline a FIFA half-time show”.

Sunday’s World Cup final between Spain and Argentina is taking place in the same stadium. Once again, Martin is curating the musical performance, and Kelly will be one of those on stage for what FIFA hopes will be the most viewed half-time show in history.

“What an exciting opportunity to get to represent true full-scale global unity,” Kelly said in a video on Instagram ahead of the show. “No matter how different you are, you will still be seen.”

The 2026 World Cup final will feature two live performances: one before kickoff and another at half-time.

The match will be played at MetLife Stadium in New Jersey on Sunday, July 19, with some of the world’s biggest musicians taking the stage as part of the celebrations.

Here is what to know:

When is the World Cup 2026 final?

The World Cup final between Spain and Argentina will take place on Sunday, July 19.

Kickoff is scheduled for 3pm local time in East Rutherford, New Jersey, which is 19:00 GMT.

The match will be played at MetLife Stadium, home of the NFL’s New York Giants and New York Jets. During the tournament, the venue has been temporarily renamed New York-New Jersey Stadium.

The multipurpose stadium can hold up to 82,500 spectators for football matches. It also hosted the 2025 FIFA Club World Cup final and both semifinals.

What time does the World Cup closing ceremony start?

The World Cup closing ceremony will begin at 1:30pm local time (17:30 GMT) in New Jersey on Sunday, July 19.

Jennifer Hudson will also perform the United States national anthem before kickoff.

The ceremony will celebrate the 48 teams that competed across the three host countries and 16 host cities during the tournament.

When does the half-time show start?

Unlike the closing ceremony, which takes place before kickoff, the half-time show will be staged during the interval between the first and second halves. With kickoff at 3pm local time (19:00 GMT), it is expected to begin just after 3:45pm local time (19:45 GMT), depending on stoppage time.

The half-time performance is expected to last about 11 minutes, although FIFA has not officially confirmed the length of the interval. Reports suggest the break could be extended beyond the standard 15 minutes to between 20 and 25 minutes to allow time for the stage to be installed and removed.

Under the Laws of the Game set by the International Football Association Board (IFAB), half-time should not exceed 15 minutes. However, competition rules can allow a longer interval with the referee’s approval, and FIFA has not explained how the extended break will be implemented.

Although this will be the first half-time show in a World Cup final, FIFA tested the concept at last year’s Club World Cup final at MetLife Stadium. That performance took place on a stage above the stands and the interval lasted just over 24 minutes.

Unlike the Club World Cup final, Sunday’s stage will be built directly on the pitch before being removed ahead of the second half. Organisers say it has been designed to be assembled and dismantled within minutes.

Longer half-time breaks are not unusual in major sporting events. Shakira’s performance at the 2024 Copa America final delayed the restart by about 26 minutes.

Who is performing at the World Cup closing ceremony?

On Wednesday, football’s governing body said American rapper-singer Post Malone will headline the ceremony.

The World Cup closing ceremony will also feature performances by Italian singer Laura Pausini, American singer Nicole Scherzinger, British pop star Robbie Williams and YouTube creator IShowSpeed. Actor Tom Cruise is also set to make a special appearance.

Produced by Balich Wonder Studio, the ceremony is designed to celebrate the tournament’s defining moments and the global appeal of football after a month of competition across the United States, Canada and Mexico.

FIFA has said additional performers and special guests will be announced closer to the final.

“Echoing the spirit of the opening ceremonies, which welcomed the world to the greatest stage in Canada, Mexico and the US, the closing ceremony will bring the FIFA World Cup 2026 full circle through music, culture and football, before we kick off the highly anticipated match that will crown the champions of this groundbreaking tournament,” said Heimo Schirgi, chief operating officer.

Who is performing at the half-time show?

Justin Bieber will join Madonna, Shakira and BTS as headliners of Sunday’s halftime show.

They will be joined by Nigerian singer Burna Boy, Venezuelan conductor Gustavo Dudamel and New York’s PS22 Chorus, with the performance curated by Coldplay frontman Chris Martin.

The show will support the FIFA Global Citizen Education Fund, which aims to raise $100m to expand access to education for children.

“The FIFA World Cup brings the world together in a way nothing else can,” Bieber said in a statement. “I’m grateful to be part of this half-time show, and even more grateful knowing it’s already helping expand access to education for children around the world.”

Burna Boy, who collaborated with Shakira on the tournament’s official song, Dai Dai, said performing at the final was “a privilege and a responsibility” and an opportunity to represent Africa on the global stage.

How can I watch the World Cup final and shows?

In the US, the match will air in English on FOX and in Spanish on Telemundo and Universo, with streaming available through the FOX Sports app, FOX One and Peacock.

In Canada, viewers can watch on CTV and TSN, while audiences in Mexico can tune in through TelevisaUnivision, TV Azteca and ViX.

Across the Middle East and North Africa, the match will be broadcast live on beIN Sports.

Not many people would even think of getting a chance to come face to face with Madonna, but for singer and activist Emmanuel Kelly, he will be one of the very few sharing the stage with her at the first of its kind World Cup Half Time Show.

Alongside the Confessions singer, Justin Bieber, Shakira, BTS, Burna Boy and more, in a special show curated by Coldplay’s Chris Martin, Emmanuel will join some of his musical heroes for the performance of a lifetime.

As he prepares to meet Madonna – whom he describes as an artist who has created a whole “generation of music” – he just has one question on his mind. “I’m just going to embrace the moment. I’m going to ask every one of them, ‘Hey, listen, can you please just put me on your songs?'” he tells us in an exclusive chat ahead of the Half Time show.

Just four weeks ago, Emmanuel heard from Chris with an offer he couldn’t refuse. The pair have been friends for some time now, with Emmanuel having joined the band of their iconic Music of the Spheres World Tour. He was also part of the Club World Cup Half Time show last year, curated by Chris too – but having starred in the other, he didn’t think there would be any chance of doing this one too.

“About four weeks ago, it wasn’t even gonna happen. I sent Chris a text and said, ‘Hey, congratulations.’ And he wrote back saying, ‘Do you wanna join?’ I didn’t tell anyone but my partner and then suddenly we got this email from FIFA and Global Citizen confirming it all, as if it was planned all along,” he recalls.

Emmanuel’s current predicament is a far cry from the start of his life. He had a devastating and tough childhood, being found as an infant, abandoned on a battlefield in Iraq, before being taken in by those at Mother Teresa Orphanage in Baghdad where he met his now-brother Ahmed. Because of his birth mother’s exposure to chemical warfare, he was born with underdeveloped limbs.

When found by his future adoptive mother, Australian humanitarian Moira Kelly, in 1998, him and Ahmed moved to Australia two years later and following surgery, which allowed him to be fitted with prosthetic limbs, he became a citizen of Australia in 2009.

A viral appearance on Australia’s X Factor in 2011, where he was voted off before getting into the top 24, and it wasn’t long after that he came to meet the Coldplay star. They were introduced several years ago through a mutual friend, with Chris quickly giving Emmanuel the nickname “natural antidepressant”. The pair’s bond has only grown over the years, with Emmanuel describing his friend as more like a “brother”.

“I grew up in Iraq and I was a brother to a lot of people in that orphanage where I had to take care of these kids. I always say the only thing thicker than blood is love,” he tells us,

“In an entertainment industry that sometimes focuses too much on the superficial, Chris was there for me. For the first time in a long time, I was in a very dark place. It was then I met Chris.

“He became a brother to me. He became a mentor. He became a guide. He became the shining light. He feels his purpose is spreading love and happiness and joy and he has been doing that for so many years. He gave love and joy to me in a time of darkness and in a time I really needed it.”

As Emmanuel’s fiancé Joanne so wonderfully puts it: “In Chris’s mind, Emmanuel just has the secret to joy. He values him as someone that, despite everything he’s gone through, he approaches everything from a perspective of joy.”

Summing up the half time show for us in just a few sentences, Emmanuel didn’t want to give anything away but he did tell us the focus was on unity and love.

“There’s more good in this world than there is bad. We see the bad more so we just need to start focusing on the good more. Focus on the good, love yourself and global unity. That’s the message of the show.”

As well as his musical endeavours, Emmanuel co-founded 0utlyer, which has a mission to employ 1,200 differently abled people in the entertainment industry across film and television production and music and live events curation company.

“Our goal as a company is to help the world and reshape the question. It’s not about what this community needs or necessarily what can we do for this community; but it’s how do we repay the favour of what the community’s already done. There’s two billion people that have already done, but done it in the shadows and we need to shine a light of what this community is actually doing,” he says.

Emmanuel has also just released a new song called Hello. “Hello just sends a message about loving yourself. When things are down and out, just smile to yourself. Smile in the mirror. Tell yourself you love yourself.

“Go up to some random individual on the street and just say hello to them. It brings joy. Sometimes the simple thing of just saying hello to somebody, you don’t know what that does to that person.”

*In further news Kelly has now signed with UK-based Champions Speakers the UK and Europe’s leading keynote speaker agency , and will share his story via a series of inspirational public speaking events, bringing his message of resilience and inclusion to audiences across business, education and beyond.

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Roger Hawes and Janey Smith are engaged, three years after they found fame, and love, on the first series of Davina McCall’s hit ITV dating series My Mum Your Dad

Roger Hawes and Janey Smith are engaged. The TV stars found fame when the signed up to appear on My Mum Your Dad, which follows Davina McCall as she oversees two single parents try to find love, have been one of the programme’s biggest success stories and appeared all the way back in the very first series when it aired in 2023.

On Friday, the couple took to Instagram to share the news that they are to wed after Roger popped the question just ahead of the weekend.

Alongside a snap of Janey showing off her ring, Roger wrote: “dreams do come true … x” and then another photo, this time of Roger’s dog, appeared and a message engraved on the pooch’s collar read: “Will you marry my daddy?”

Roger became a widower when he lost his first wife and it was their daughter Jess who sent off his application off for the show, which was axed in early 2025, in the first place. Meanwhile, Janey went on the show with her son Will, and the happy news comes just weeks after Janey was rushed to hospital.

At the time, she explained in an Instagram post: “They did a CT scan straight away and found my appendix had blown and needed surgery asap. I was in hospital for a week as the infection had filled my stomach.”

After their romance blossomed, the pair made a joint appearance on Loose Women together in 2024, where Roger explained: “It didn’t show on the show itself but she just came in and I obviously liked what I saw straight away.”

“We just hit it off; she just said randomly, ‘What am I like?’ and I said, ‘I know what you’re like!’ And everybody else was just looking at us and we were just off in our own little world!”

At the time, Janey also admitted just how emotional it had been to see her love story play out on screen. She said: “When you see it, it’s like ‘oh no, don’t set me off.’ It was a very emotional time. There was anxiety, it was a big thing. It does take you back. It’s an outer body experience really.”

She also recounted the pivotal advice from her father as she explained: “We like Roger, don’t push him away,” which led her to tackle her personal issues head-on during a live TV appearance.

She added: “They said, ‘So why are you here?’ and I could feel it coming, I wasn’t going to say anything but I thought, ‘I’ve got to be honest here,’ I know I’ve pushed people away in the past. There’s some traits in me and adopted people that you carry and never address it.”

Reflecting on her candid moment, she expressed pride: “I felt for the first time in my life, ‘Well done Janey, you’ve just gone and said it on live TV.’ You don’t even tell people you meet but thank goodness I did.”

Janey previously admitted that she never worried Roger would leave her even though her son was concerned he might not be ready for another relationship after losing his wife.

She said: “It’s funny, I didn’t worry about that with him. With Roger what you see is what you get. He’s definitely a one-woman man and just not out to hurt me at all. I remember my son [William] being a bit worried that Roger wasn’t quite ready to date yet, but I think because Roger had gone through his own form of grief, we helped each other.

“The only worry I had early on was similar to my son’s – I didn’t want to be an experiment for someone to dip their toe back in.

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On Monday, more than 40 fake trophies were stacked at the base of a 10-foot-tall “Iran War Participation Trophy” made for President Trump and placed on the National Mall by the anonymous satirical activist group Secret Handshake.

The large golden trophy is part of a growing trove of protest art pieces erected by the group since Trump was reelected to his second term in office. Previous installations, which have all received the necessary permitting for legal display, include one of Trump and convicted sex trafficker Jeffrey Epstein holding hands, and a playable retro video game called “Operation Epic Furious: Strait to Hell.”

The new participation trophy is equipped with a plaque that reads:

“We hereby award President Donald J. Trump this participation trophy for his enthusiastic involvement in the Iran War. While some concern themselves with military strategy, diplomacy, or measurable outcomes, President Trump demonstrated the courage to participate regardless of the final score.

As recipient of this prestigious award, President Trump joins the ranks of children everywhere who receive recognition for simply showing up. We join you in celebrating this remarkable achievement.”

Secret Handshake noted in a letter to The Times that the installation serves as the nation’s first official “Donald Trump Trophy Donation Center, encouraging the public to drop off their own personal trophies, medals, and ribbons at the base of the monument for The President to claim as his own. Together, we hope that if enough trophies are donated he will be perceived as a winner and not feel the need to bomb other countries.”

A representative for Secret Handshake said the dozens of donated awards include certificates, trophies, medals, a wrestling belt and a Kennedy Center sash.

“I’m really thrilled to see people taking an active interest in joining in and bringing their own creativity and having their own voice heard by adding trophies to the base of this instillation,” the representative wrote in an email. “I think it’s exciting and I think when people can take a moment to tangibly express their opinion about this government’s war it helps to create a reminder that we aren’t alone. This isn’t normal. This shouldn’t just be accepted at face value.”

One of the best offerings is titled, “First Place in ‘I Know a Pool guy,’” and reads in part, “Participation trophy for Donald Trump in recognition of his renovation of the nation’s historic reflecting pool to more clearly reflect his efforts to criminalize the touching of a public monument in order to cover up the damage he caused …” The award also recognizes Trump’s “development of American Flag Blue pool liner, which he said was indestructible (unless cut by left wing radical terrorist vandals).”

Secret Handshake has extended an offer to “hand deliver both the participation trophy and all smaller trophies to the Trump Administration for The President’s glowing collection of fake accolades.”

I’m Arts editor Jessica Gelt taking First Place in time wasted mulching my garden in the heat. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

“Etai & Felipe Pantone: Parallel Practices: Tailored Structures & Kinetic Surfaces” at albertz benda.

Etai & Felipe Pantone
“Parallel Practices: Tailored Structures & Kinetic Surfaces” combines Pantone’s wall-based artworks and a series of collaborative design pieces to challenge ideas of use, intimacy and lived experience, placing each work in the interconnected artistic system.
Opening, 6:30–9:30 p.m. Friday; exhibit continues through Aug. 8. albertz benda, 8260 Marmont Ln. albertzbenda.com

New Swan Shakespeare Festival
The Bard is back in the O.C. at the troupe’s open-air, Elizabethan-style portable theater with “The Merry Wives of Windsor Cove,” a musical adaptation set in a 1950s SoCal beach town, in repertory with “Romeo & Juliet,” the classic tragedy reimagined amid the scarcity of the Dust Bowl.
“Merry Wives,” 8 p.m. Friday, Saturday, Thursday and various dates through Aug. 30; “Romeo,” 8 p.m. Sunday, Wednesday and various dates through Aug. 29. New Swan Shakespeare Festival, Inner Ring Road, UC Irvine. newswanshakespeare.com/

SATURDAY

“Cyrano” at the Old Globe, San Diego.

(Ben Wiseman)

Cyrano
An irreverent take on “Cyrano de Bergerac” by Edmond Rostand, adapted by Jason O’Connell and Brenda Withers, directed by Annie Tippe.
Previews, 8 p.m. Saturday; 7 p.m. Sunday, Tuesday and Wednesday; opening night, Thursday, 7 p.m.; continues through Aug. 9. The Old Globe, 1363 Old Globe Way in Balboa Park, San Diego. TheOldGlobe.org

F**king Strangers
The world premiere of a dark comedy about love and loneliness by Erik Patterson, directed by Chris Fields.
Previews, 8 p.m. Friday; 8 p.m. Fridays and Saturdays; 4 p.m. Sundays; through Aug. 24. Echo Theater Company, Atwater Village Theater, 3269 Casitas Ave. echotheatercompany.com

Yoko Ono’s ‘Sky Piece to Jesus Christ’ + ‘Cut Piece’
A six-piece classical music ensemble from the Los Angeles Chamber Orchestra will be gradually wrapped in gauze until the musicians can no longer play their instruments in “Sky Piece,” first presented to the public by Ono at Carnegie Recital Hall in New York in 1965. In “Cut Piece,” performed by artist MPA, the audience will be invited to cut away pieces of the artist’s clothing to take with them while the artist sits silently onstage. The performance was premiered by Ono at Yamaichi Hall in Kyoto in 1964.
6 p.m. Saturday; 2 p.m. Sunday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Marvelous Musicals
Professional and student dancers perform numbers from classic shows to modern favorites.
6:30 p.m. Irvine Barclay Theatre, 4242 Campus Dr. thebarclay.org

Koak, “Portrait of Myself, the Shell,” 2024. Flashe and acrylic on linen; diptych. 74 x 118 inches

(Photo by Chris Grunder. Courtesy of the artist and Perrotin.)

Summerlove Sensation
A group show featuring Isabelle Albuquerque, Alex Anderson, Mustafa Ali Clayton, Gregor Hildebrandt, Susumu Kamijo, Rae Klein, Koak, Asuka Anastacia Ogawa, Katherina Olschbaur, Jean-Michel Othoniel, Andrew J. Park, Gahee Park, Aya Takano, Honor Titus and Pilar Zeta.
Opening, 6-9 p.m. Saturday; exhibition continues through Aug. 28. Perrotin Los Angeles, 5036 W. Pico Blvd. perrotin.com

A Weekend With Robert Rodriguez
The multi-hyphenate filmmaker will be on hand for anniversary screenings of “From Dusk Til Dawn” (1996) and “Spy Kids”(2001) with the filmmaker in person and performing with his musical groups, Chingon Band and The Rodriguez Family Spy Band.
“From Dusk,” 7 p.m. Saturday. “Spy Kids.” 2 p.m. Sunday. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

SUNDAY

Tensions, Personified
Readings of four short plays by John Binder are presented as part of the Odyssey’s Thresholds of Invention series.
4 p.m. Odyssey Ensemble Theatre, 2055 South Sepulveda Blvd. odysseytheatre.com

TUESDAY

Ann Noble, left, and Robin McDonald in “Dead Man.”

(Carolina Rodriguez)

Dead Man
Ann Noble writes, directs and performs in this clown noir murder mystery co-produced by Theatre Ghosts. Co-starring Christian Haines, Jeffrey Johnson and Robin McDonald.
8 p.m. Tuesdays, through Aug. 4. Echo Theater Company at Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.ludus.com

UCBackrooms
A one-night-only immersive, participatory comedy experience turns the Upright Citizens Brigade Theatre into an escape room.
Shows begin every 15 mins., 6-7:30 p.m. Upright Citizens Brigade Theatre, 5919 Franklin Ave. ucbcomedy.com

THURSDAY

Falsettos
The O.C. theater company The Wayward Artist presents William Finn and James Lapine’s Tony Award-winning, sung-through musical set in 1979 and 1981 about a Jewish man who leaves his wife and son for his male lover, and the ensuing upheaval to their lives.
8 p.m. Thursday, July 24-26 and July 30-Aug. 2. Irvine United Congregational Church, 4915 Alton Pkwy. thewaywardartist.org

Arts anywhere

Jason Huber, from left, Scott G. Jackson and Dana Dewes in “The Price” at Pacific Resident Theatre.

(Ian Cardamone)

The Price
The critically acclaimed production of the Arthur Miller drama at Pacific Resident Theater closes this weekend. “‘The Price,’ directed by Elina de Santos, thrives in the intimacy of Pacific Resident Theatre’s main stage,” wrote Times theater critic Charles McNulty when he reviewed it in April. “There’s not a moment in the play that isn’t deeply inhabited by a cast that understands the value of listening.” But don’t worry if you are unable to make it to the Westside. The final two shows will be available from the League of Live Stream Theater for $35, which includes a 24-hour on-demand replay.
2 p.m. Saturday; 3 p.m Sunday. Pacific Resident Theatre, 703 Venice Blvd., Venice; streaming at lolst.org/theprice

— Kevin Crust

Culture news and the SoCal scene

Miller Friedman, Ashley Maimes, Jonathan Blandino and Torianna Turnbow in Shakespeare’s “A Midsummer Night’s Dream” at Will Geer’s Theatricum Botanicum.

(Ian Flanders)

Summer is the ideal time to see theater out of doors (well, maybe not this broiling week, but at other times), and Times theater critic Charles McNulty has compiled this breezy list of “11 enchanting places to see outdoor theater in Southern California.” Spoiler alert: Shakespeare is well-represented, but remember, the Bard’s work was originally staged in an open-air theater.

McNulty also headed to Pasadena Playhouse for the opening of the two-person hip-hop musical “Mexodus,” which tells the little-known story of an Underground Railroad route to Mexico. McNulty was taken with the show, which arrived at the Playhouse after its award-winning off-Broadway run, calling it “hands down the most charming, innovative and warmly embracing new musical I’ve seen in the last year.”

Artist Betye Saar is photographed at her home in Laurel Canyon on Tuesday, June 30, 2026.

(Christina House/Los Angeles Times)

Betye Saar turns 100 on July 30, but the famed artist is still more interested in creating new work than discussing her groundbreaking legacy. Times contributor Tara Anne Dalbow wrote this lovely profile of Saar after a visit to her vibrant home studio in Laurel Canyon. “There are certain people who redefined what was a very narrow definition of American art, and Betye is absolutely one of them,” curator Zoé Whitley told Dalbow.

Los Angeles County Museum of Art this week revealed that artist Vija Celmins and filmmaker Denis Villeneuve will be honored at its upcoming Art + Film Gala, the first to be hosted since the spring opening of LACMA’s new David Geffen Galleries.

Younes and Soraya Nazarian Center for the Performing Arts — better known as the Soraya — on the campus of California State University Northridge.

(The Soraya)

If you’re interested in buying single tickets to shows that are part of the Soraya’s upcoming season, now is the time. The venue just opened up its access from membership presale to the general public. Sutton Foster, Dance Theatre of Harlem and Audra McDonald are all making their Soraya debuts, as is the Los Angeles Philharmonic.

— Jessica Gelt

And last but not least

And you thought making the “Mona Lisa” out of Legos was hard. The company has now paired with Vienna’s Belvedere Museum to release a 4,000-piece Lego set of Gustav Klimt’s “The Kiss.” You can buy the set, beginning Aug. 1, for $299.99.

Hal Williams, a veteran actor known for his roles as a friendly neighborhood police officer on “Sanford and Son” and a hard-working patriarch on “227,” has died. He was 91.

Williams died Wednesday morning at his home in Rancho Mirage, his representative Zna Portlock Houston told The Times in an email on Thursday.

“Hal Williams is legendary for his acting skills, his compassion and his community engagement,” Houston wrote, describing the actor as “an icon and a true professional.” “He never turned away a fan. He was always embraced so warmly, like he was truly their own family, because he was a cultural touchstone who represented an image of Black fatherhood that was loving and steadfast. Offscreen he was a sound advisor, lively debater and devoted friend.”

His death follows a recent trip to Ohio celebrating his work on the NBC sitcom “Sanford and Son,” on which he portrayed Officer “Smitty” Smith from 1972 to 1977.

In one of his final television interviews just days prior to his death, Williams spoke about one of the show’s recurring bits, which saw his character translate his partner Officer “Hoppy” Hopkins’ (Howard Platt) police talk into a vernacular that Fred (Redd Foxx) and Lamont Sanford (Demond Wilson) could understand.

“A lot of the stuff we created ourselves off camera and put it in the script,” Williams said when he appeared with Platt on a morning news show on Cleveland’s Fox 8. “A lot of the times, they didn’t have jokes in the script … because they didn’t know the jargon from the Black community.”

Born Halroy Candis Williams on Dec. 14, 1938, in Columbus, Ohio, Williams was working as a juvenile corrections officer when he decided to pursue his dreams of becoming an actor. He took the plunge and headed to Hollywood in 1968.

“I gave myself three years in California to see what I could do,” Williams told Fox 8. “And at the end of the three years I was on ‘Sanford and Son,’ ‘The Waltons’ and ‘Harry O.’ ”

Williams became a regular television presence, appearing on shows such as “Kung Fu,” “Good Times,” “Roots: The Next Generation,” “The Jeffersons,” “Magnum P.I.” and “The Sinbad Show” over the years.

Besides his breakout role of Officer Smitty in “Sanford and Son,” which he reprised in its follow-up, “Sanford,” Williams is perhaps best known for starring as Lester Jenkins, the husband of Marla Gibbs’ Mary Jenkins, in the NBC sitcom “227.” The show, which aired from 1985 to 1990, was notable for the portrayal of its middle-class Black family.

“ ‘227’ kind of set the bar a little higher because it was a totally intact family,” Williams told the “Today” show in 2020. “It was a mother, father, daughter and they were very positive. There were very few negatives. It addressed all kinds of social issues and it gave oncoming shows the opportunity to explore new avenues and new issues comfortably because the networks and production companies were open to that kind of a pitch idea.”

Gibbs took to social media Thursday to share a tribute to her “TV husband,” who she described as “a generous man who freely gave his time, his talent and his heart to the community.”

“Our journey together began long before 227 came to television,” Gibbs wrote on Instagram. “Hal was part of the original stage production at our Crossroads Theater. … Hal was always there to help. He even secured donated theater seats and helped organize the seating chart because he believed in supporting young artists.”

“When 227 became a television series, I fought to make sure my character had a husband. I’m so glad I did,” she added. “Hal, Regina King and I became a television family that showed the love, strength and stability of a Black family for five wonderful seasons. … Even after the show ended, Hal never stopped checking on me.”

Actor Jackée Harry, who portrayed the Jenkins’ young neighbor Sandra Clark in “227,” was also among those who shared tributes to Williams on social media.

“What a gentleman. Hal always carried himself with grace, and he always had me laughing,” Harry wrote Wednesday on Instagram. “He was also a stand-up guy who believed Black fathers on TV should be loving, present and compassionate. He helped show America what that looked like.”

“For as long as I can remember, Hal has been a steady, comforting presence on our television screens,” Holly Robinson Peete wrote in her Instagram tribute Thursday. “His warm smile, sharp comedic timing, kind spirit and gentle energy made him feel like family to so many of us. … Rest in peace, Hal. … You were one of the greats … a true television legend, but an even greater human being.”

Williams most recently appeared as Autry in a couple episodes of CBS’ “Matlock” reboot.

His survivors include his two children, three grandchildren and three great-grandchildren. Williams was predeceased by one son.

London — It’s a scorching day and the city feels blanketed by the heat. Even the unusually strong air conditioning in a suite at the Raffles hotel is no match for the temperature. Octavia Spencer immediately peels off her jacket after entering the room and realizing there are no cameras present for our interview. Hannah Waddingham, her co-star in “Ride or Die,” kicks off her heels as they settle onto a plush sofa.

“You’ve seen that we look nice,” Spencer says. “So now we can do this.”

There’s a relaxed, familiar vibe between the actors. They didn’t know each other prior to filming the series, now streaming on Prime Video, but they did develop a real-life friendship during production in Prague last year. It was perhaps inevitable considering that “Ride or Die,” created by Tessa Coates, is about two best friends whose relationship is upended when one of them is revealed to be a professional assassin.

Spencer, 56, plays Debbie Claybourne, a lawyer whose career has been put on hold due to her British husband David’s political aspirations. The actor was approached by Skydance, now part of Paramount, as part of a development deal with the studio. She said yes almost immediately, and by happenstance both she and the producers imagined Waddingham, 51, in the role of Judith Burton, a skilled assassin who works for a shady organization run by the Director (Bill Nighy).

“It was always just the two of us for these roles,” says Spencer, who won an Oscar in 2012 for “The Help.” “We did a Zoom and I was sitting there thinking, ‘I hope she says yes.’”

In “Ride or Die,” Spencer plays Debbie, a lawyer and wife of a British politician, who is best friends with secret assassin Judith, played by Waddingham. (Dusan Martincek / Prime)

“It’s Octavia Spencer and I’m thinking, ‘Be cool, be cool,’” Waddingham chimes in. “Octavia and Tessa start telling me the plot and at the end I said, ‘Who the hell are you going to get to play Judith?’ Octavia’s face filled the whole screen and she said, ‘We want to make you Judith, dummy.’”

Each professes to be a fan of the other, but Spencer is particularly effusive. She admits to initially having to remind herself that Waddingham is, in fact, an actual person and not Rebecca Welton, her character on “Ted Lasso.” She turns to her co-star. “We know you’re a brilliant comedian, but you also showed us in ‘Game of Thrones’ this depth,” Spencer tells Waddingham, adding, “With her beauty and that statuesque presence she has, this role was literally written with a woman of her caliber in mind.”

Waddingham turns red. “I’m not good when she does this,” she admits.

“Well, it’s very true,” Spencer responds. “I think it was kismet. I knew it was meant to be when we were at the upfronts for Amazon and we were in the wings with Will Ferrell and Reese Witherspoon, just chatting it up. I’ve always had severe stage fright. They walked out and I got really quiet, centered myself, and then I felt these arms around me. She wrapped me up from behind, and it was like, ‘OK, I’m good.’ That’s what it has felt like this entire process.”

Waddingham’s memory of that day, her second time meeting Spencer after their first call, is slightly different. “Octavia is so established in Hollywood,” she says. “I’m still a newcomer in this town. So I was having the worst impostor syndrome that day. I was thinking, ‘I look like a competition winner.’”

Nerves settled by the time the production started in January 2025. Before joining forces in Prague, Waddingham flew to Ischgl, an Austrian ski town known for its party vibe, to shoot the show’s opening sequence. The James Bond-style scene introduces Judith as talented, serious and a bit of a loner. That perception is quickly upended when the character arrives at Debbie’s home in London for their book club meeting and the duo begin singing along to Salt-N-Pepa’s “Shoop.”

“Octavia is so established in Hollywood,” Waddingham says of meeting her co-star. “I’m still a newcomer in this town.”

(Bexx Francois / For The Times)

“That was our first scene together and we didn’t plan anything or talk about it,” Waddingham says. “But we had an unspoken, organic process.”

“We had a lot of trust,” Spencer adds. “I knew she was going to come in with 1000% and that I was going to too. Some of those things you figure out when you’re on the set and some of those things just happen in the moment.”

Showrunner Matt Miller points to the scene as evidence of the actors’ “instant chemistry.”

“It really feels like this is a friendship that has endured 25 years from the moment they get on screen,” Miller says, speaking with Coates over video call later. “From the second you see them dancing around, you’re like, ‘Oh yeah, these two are best friends.’”

Coates and Miller wanted to ensure that the characters’ history was baked into the scripts. They’ve been friends for decades, so there had to be a shorthand between them that was immediately apparent and they had to be on equal footing. The duo are forced on the run across Europe, dogged by their past, and successfully get themselves out of danger.

“These characters came from a great desire to see women like this on screen,” Coates says. “So many stories suggest aging is the worst thing that could possibly happen to you. But what if getting older seemed really cool and you got wiser and better at your job and gave less of a s— about things?”

Coates adds they wanted both characters to be competent and clever women who happen to be thrown into difficult circumstances.

“Women in their 50s are just as capable, just as beautiful, just as sexy,” Spencer says. “We’re just aging.”

Spencer and Waddingham, both executive producers on the series, never sought top billing over the other. Although the show is ostensibly an action comedy, they wanted to ground it in real emotions. Everything is tethered to this friendship.

“Women in their 50s are just as capable, just as beautiful, just as sexy,” Octavia Spencer says. “We’re just aging.”

(Bexx Francois / For The Times)

“There couldn’t be one more important than the other,” Waddingham says. “The thing they say about relationships is that when one is at 90 and the other is at 10, or one is at 80 and the other is at 20. That’s what this had to be straight away. If you have that pendulum back and forth, you can create magic.”

Although both characters find small romances throughout the story, men are sidelined for the far more important relationship: their own. And it’s not always an easy partnership between them.

“There is a love story at the center of this,” Spencer says. “It’s not a romantic love story, but it is a familial relationship. It’s contentious, and the relationship is fractious at points.”

Waddingham adds, “You have to be able to call each other out, and then get through that storm and let the water settle.”

Still, there is a lot of action in “Ride or Die.” Judith frequently kicks ass, often taking on groups of imposing men. It’s deeply satisfying to watch Waddingham, who did most of her own stunt work, take these men down.

“In theater, I never had an alternate,” she explains. “I’m not usually Method, but with this I thought my exhaustion from fighting and the stunt training would lend itself to Judith’s exhaustion and her frailty. It wasn’t particularly healthy, if I’m honest, but that fractured tiredness really helped play the role.”

She adds, “It’s a real art form. The first stunt work I did was on ‘The Fall Guy’ and learning to stop before you punch someone in the face is hard.”

“That’s why I was terrified for you,” Spencer interjects. “Because I did punch somebody in the face. The only other time that I actually had to do stunts was on ‘Snowpiercer.’ It was so exciting watching you, but then I was like, ‘Somebody could hit her for real.’”

Waddingham felt added pressure knowing Judith’s background. “She’s not just an assassin, she’s a notorious assassin of 30 years,” she says. “If you see her punching someone, like when we’re running out of the gala, that punch can’t be some girly thing. You have to believe she can do it perfectly and effortlessly.”

Waddingham did much of her own stunt work in “Ride or Die.” “It’s a real art form. The first stunt work I did was on ‘The Fall Guy’ and learning to stop before you punch someone in the face is hard.”

(Bexx Francois / For The Times)

Both actors approached the show with complete dedication. Waddingham and Spencer appear in almost every scene, which vacillate between action, comedy and drama. Debbie, named after Coates’ mother, feels betrayed by Judith and her husband, who is involved in shady dealings with an Albanian gang. “There were the rigors of it physically, but there was also the emotional rigor of it,” Waddingham says.

“It might have been the most challenging job that I’ve ever done,” Spencer agrees. “The most challenging, but also the most gratifying. I knew I would not be called upon to do any stunt sequences, but I did have physical stuff I needed to do. And then dealing with the emotional weight of Debbie discovering that two very important relationships are not at all what she thought they were was a lot.”

She pauses. “But you know what, why not?” she continues. “We don’t want to be in a comfortable place all the time. You want to know you completed something that was very difficult to do. I feel very proud now, looking back.”

“We couldn’t have left our hearts and our bodies and our brains on it any more than we did,” Waddingham agrees. “It is splattered with us. I’ve been very privileged to go from ‘Ted Lasso’ to this, because ‘Ted’ is a very hard act to follow in terms of that constant and emotional push and pull. This has that as well.”

While filming “Ride or Die,” Waddingham found out Apple TV had greenlit a fourth season of “Ted Lasso,” which premieres Aug. 5. She wasn’t expecting to be pulled back to her Emmy-winning role of Rebecca after the series ostensibly concluded in 2023. “I didn’t know anything about it,” she says. “No clue.”

“We found that out together,” Spencer says.

Waddingham had only two weeks off after wrapping “Ride or Die” before flying to Kansas to film the first episode of Season 4, which sees Rebecca attempting to lure Jason Sudeikis’ Ted back to London to coach Richmond’s women’s soccer team. The rest of the series then shot in England. The new episodes keep Rebecca as one of the emotional cores of the show.

“I haven’t really stopped since then,” Waddingham says. “When I’m older, I’m going to have a little sleep. But this is what you wait for in your life.”

For Spencer, “Ride or Die” has raised the bar on what type of project she wants to do as a producer and as an actor.

“It is hard to get things made,” Spencer says. “I don’t have time to do things just for a paycheck. It has to resonate with me because your time and health are your most valuable commodities, and time is something that you have no control over. As an artist, I want to be fulfilled and when you get a project like this now everything has to compare. I’ve learned to be very discerning.”

She gestures to Waddingham. “Don’t you want to be excited about things?” she asks.

“Yes,” Waddingham agrees. “And it just doesn’t happen very often. But this was remarkable from the beginning. To be able to spend a couple of days together right now and regroup, it’s almost like a therapy session. We’ve had distance to reflect on all the good and all the exhausting, and on what we have created together. I know that neither of us will ever forget this.”

Spencer nods. “It is a dream. I feel very fortunate that we get to look for projects like this for ourselves and have an active voice in procuring those things for ourselves and for other people. But you dream it, and then you get something like this, and it surpasses everything you ever thought you could want.”

Scott Bryce, the actor best known for originating the role of Craig Montgomery on the soap opera “As the World Turns,” has died. He was 68.

Bryce died Sunday evening “surrounded by his loving wife Jodi Stevens-Bryce and loving son Jackson Bryce,” his agent Ken Melamed told The Times by email on Tuesday. “He was beloved by all!”

The actor revealed last year that he had been diagnosed with Stage 3 esophageal and stomach cancer in 2024.

“This evening my father lost his long-fought battle with cancer. What began as stage three esophageal cancer eventually spread and became brain tumors that took his life away from him,” Bryce’s son, Jackson, wrote in a tribute posted Sunday to Instagram. He said his father approached his treatments with “pride and courage, and an unshakable belief that somehow, everything would work out.”

“May his strength and relentless belief forever live within me,” he added. “He fought the hardest and most honorable fight I have ever witnessed.”

Born Jan. 6, 1958, in New York, Bryce followed in the footsteps of his actor parents. His father, Ed, portrayed Bill Bauer on the daytime drama “Guiding Light” for years, while his mother, Dorothy, was known for her role on the hospital soap “The Doctors.”

Bryce made his television debut as Craig Montgomery on CBS’ long-running soap “As the World Turns” in 1982. He received two Daytime Emmy nominations for his portrayal of the charming but ruthless businessman, whom he portrayed off and on from 1982 to 2008. The character was known for his ambition and mysterious business dealings but also had a reputation for being unlucky in love. One early romantic interest was Betsy Stewart, who was portrayed by Meg Ryan from 1982 to 1984.

Finn Carter, who played Montgomery’s wife, Sierra Esteban, on the show, shared a tribute to Bryce on Instagram Monday.

“My sadness knows no bounds. My gratitude for Scott knows even fewer,” Carter wrote. “Scott was the best husband a woman could ask for. As an actor he was fearless, kind, generous and forever looking for ways to grow. And what a sense of humor!”

Over the course of his decades-long career, Bryce appeared on shows such as “The Facts of Life,” “The Golden Girls,” “Murphy Brown,” “L.A. Law,” “The Good Fight,” “Law & Order” and “Law & Order: Special Victims Unit.”

He also portrayed Mike McQueen, the father of a cheerleader (Leslie Bibb) on the millennial teen drama “Popular.” McQueen marries the mother of his daughter’s high school rival (Carly Pope) in the series, which ended on a cliffhanger in 2001 after its cancellation.

“When asked what he wanted people to remember about him, he said, ‘I was a one-take actor. Two takes, max,’” Jackson Bryce wrote in his tribute. “In working with Dick Wolf on NBC, directors would schedule him at the end of the day because they knew it wouldn’t take long.”

In addition to his onscreen work, Scott Bryce was a theater actor as well as a director and a producer, with credits including the 2010 television movie “Frederick Douglass, From Slavery to Freedom” and the satirical web series “Steamboat.”

“My dad also made sure I knew his greatest accomplishment that came at 50 years old, becoming a Dad,” son Jackson said in his tribute. “He is a part of everything I’ve done and everything I will do.”

Jack White stepped in when Charley Crockett accidentally hired, then fired, a satanic doo-wop duo. Happens to everyone, right?

The outlaw country singer apparently thought the husband-and-wife duo known as Twin Temple were like Black Sabbath when he invited them to open two shows for him this week, a July 14 date in Troutdale, Ore., and another on July 18 in Paso Robles. With songs including “Satan’s a Woman,” “Lucifer, My Love,” “Let’s Have a Satanic Orgy” and “Burn Your Bible,” it’s anyone’s guess how Crockett missed the duo’s shtick.

“Today we were informed that Charley Crockett has decided to remove Twin Temple from his upcoming shows next week due to our Satanic imagery,” the musicians wrote on Instagram last week.

“Unfortunately, that means we will not be able to perform for you next week as planned. We are really disappointed as we were looking forward to getting back out and seeing you, and also what it meant as far as bringing different types of people and music lovers together. We are sorry to everyone who was planning to see us.

“We’re grateful for your support, not only of Twin Temple, but more importantly of artistic freedom. HAIL SATAN! 93/93”

Crockett, who dropped his 16th studio album, “Age of the Ram,” in April, posted his own since-deleted message on social media, writing, “Hail Satan? Not me Jack.”

Twin Temple, composed of married couple Alexandra and Zachary James, weren’t out of work for long. White, the former White Stripes frontman, who happened to be kicking off a world tour in support of his new album, “Frozen Charlotte,” caught wind of the debacle and stepped in.

“Twin Temple, Would you like to open my show in L.A. on September 29th at the Hollywood Palladium? Let me know,” White posted on Friday, adding, “Get in front of me Satan!”

The duo was quick to accept, commenting on White’s invite, “Unholy hell…. Sir Jack, you have no idea what this means to us. Lifelong fans- dead leaves on the dirty ground was one of the first songs I (Alex) ever learned on guitar. We were actually planning on coming to this show. It would be a most infernal pleasure to play the devils music with you.”

On Tuesday, Twin Temple announced their third record, “Doomed Lovers,” produced by Shooter Jennings (who also produced Crockett’s “Age of the Ram” and other recent albums). The album will drop Oct. 9 via their own Pentagrammaton Records. The duo told Rolling Stone on Tuesday that they were sad about the turn of events with Crockett but confirmed that their swanky Satan-loving doo-wop isn’t a sham.

“Satan’s the original outlaw, right? He’s a rebel angel,” Alexandra told the outlet. “He’s the one who questioned authority, fought for himself, refused to bow down or conform, and was like non serviam. That was a metaphor that resonated very strongly with me.”

She added, “It’s really fun to go shopping for a human skull and a Ronettes record in the same day, and we get to do that with our band.”

While Twin Temple has been booking shows and working on the album announcement, Crockett has continued to post about the drama from the road. “Well, now I know how it feels when they try to cancel you on the right AND the left,” he wrote on Facebook on Monday. “The thing is, I never subscribed. America can be a One Eyed Jack, but I’ve seen your other side.”

Thinking back on the last two years of his life full of album releases, filming schedules and tour dates, Finn Wolfhard requires squint-inducing concentration to keep it all straight.

“Jesus, a lot has happened,” he says, looking surprised. That’s an understatement.

In that time, the 23-year-old not only finished filming the Netflix hit show “Stranger Things,” which catapulted him to global stardom, and promoted the final season upon its premiere. He also released his feature film directorial debut (“Hell of a Summer,” co-directed with Billy Bryk, which hit theaters in April 2025). Then, he starred in another movie (A24’s creature feature “The Legend of Ochi”), directed a posthumous George Harrison stop-motion music video, wrote, recorded and put out his first solo album (“Happy Birthday”), and embarked on a 22-date tour before recording a new album.

On a video call from his family home in Vancouver, Canada, where he lives with his parents and older brother, he’s chatting about the release of that record, the eclectic, guitar-driven “Fire From the Hip,” which dropped Friday.

“I think it’s a nice day?” he offers when I ask what’s happening in Vancouver. “I don’t know. I’ve been in my basement studio all day, so I don’t … I think it’s nice.”

He’s been down in the basement doing press calls like this, he explains, undoubtedly a familiar routine after so many years in the limelight. He wears a baseball cap and an oversize brown sweater, tugging on the sleeves while he ponders.

Even if Wolfhard is exhausted by the press marathon, he doesn’t show it. He’s excited for the chance to be known on his own terms. He never fails to express gratitude for the projects that afforded him recognition and opportunity, but he’s ready to “take control of the narrative.”

“I spent my whole childhood standing on marks that other people told me to stand on and saying lines that other people told me to say,” he says. “Why wouldn’t I want to make my own stuff?”

Being in control also means being the face of the operation. Before “Happy Birthday” and “Fire From the Hip,” Wolfhard released a total of two records and an EP, plus a whole bunch of singles, with his previous bands, Calpurnia and the Aubreys. Being in a band was a natural fit for Wolfhard, who thrives in an ensemble where he can “hide behind the band name.”

Touring last year was his first time seeing his own name on the marquee.

“It’s just straight up me, and if I suck, I suck,” he laughs. “It’s not like I can be like, ‘Oh, man, we’re having disagreements in the band.’ It’s like, no, that’s you. So there was a little more pressure early on.”

Finn Wolfhard released “Fire From the Hip” on Friday.

(Victoria Stevens)

Stepping into the spotlight required Wolfhard, who admits he shies away from conflict, to own both the pressure and the power of being the one audiences came to hear.

When he got sick and had to cancel a show in Portland, Ore., he remembers feeling crushingly sad “letting down” his fans and bandmates — who, of course, assured him it was outside of his control and urged him not to be so hard on himself.

Wolfhard introduced many of the songs that ended up becoming “Fire From the Hip” to his bandmates while they were still on tour, and he says playing them live “cultivated the spirit” of the eventual recordings. Despite his collaborative ethos, there was a moment during the process where he had to learn how to put his foot down in real time.

“I remember suggesting something and people being like, ‘Ah, I don’t know if I want to do that.’ And I was like, ‘No, you don’t get to do that to me. It’s my record,’” he remembers. “It was very innocent — I don’t think there was much ego on either side. But I think I maybe set up too collaborative of an experience that day.”

“I think I sometimes make it feel like a democracy, which it is in a lot of ways,” he adds. “But also, in the end, it is up to me.”

That thought is echoed in the album’s cover art, an image of two miniature Finn Wolfhards facing off, donning colonial garb and brandishing weapons. It’s meant to represent dueling impulses inside of him, he explains.

Wolfhard, a true-blue music nerd, has been described online as an archetypical example of the “child of a Gen X cool dad,” in the same vein as Olivia Rodrigo. (His dad, a former screenwriter turned lawyer and Indigenous rights researcher, does sound cool, but it was his mom who first introduced him to the Beatles. His parents apparently met over a Stone Roses record.)

That sensibility is evident in his musical influences — “I wanted everything [on drums] to sound like the first two Wilco records,” he says — and in his approach to recording. “Happy Birthday” was recorded almost entirely on four-track cassette tapes, while “Fire From the Hip” uses 24-track reel-to-reel.

The album runs the gamut from its cheeky, surf-rock opener “I’ll Let You Finish” (yes, that is a reference to Kanye West’s infamous speech at the 2009 VMAs) to more ’90s alt-inspired tunes to a surprising dose of straightforward country-folk.

Lyrically, Wolfhard divides his songs into two categories: the “very personal” and the story songs written around books he was reading (“Knockemstiff” by Donald Ray Pollock) or quotes that made him laugh. The personal themes he explores are exactly what you would expect from an early-20s rocker raised in the public eye — namely, relationship expectations and existential fears about the future.

On the nostalgic piano ballad “Good Morning,” he imagines what it might be like to settle down somewhere “with a dog and a wife.”

“I haven’t lived that part of my life yet,” he says now. “So I can really easily get lost in thinking about what that looks like.”

When it comes to sharing his music, especially the more vulnerable tracks, Wolfhard knows his “Stranger Things” fame is the elephant in the room. Anything he sings can and might be used against him in the court of public opinion.

“I could either kind of say nothing and be totally private, because it is scary knowing that everything I say, at least one person will take it a certain way that I wouldn’t want them to. But I just don’t have the control,” he says.

“So if I don’t have the control, then there’s nothing really that I can do, other than try to be as truthful and passionate and well-meaning as I possibly can, you know?”

The double-edged sword of fandom hasn’t stopped Wolfhard or his musically-inclined “Stranger Things” co-stars from pursuing this path. Fellow Hawkins alums Joe Keery (who releases music under the moniker Djo) and Maya Hawke are indie darlings in their own right, and Wolfhard has previously referred to Keery as a mentor. None of them face the unique challenge of relatability in quite the same way, however.

“I’m aware that my specific problems are maybe not as relatable because of how specific of a life I have,” he said. “The only thing I can hope for is that some other person out there listens to it and relates to the same things that I do.”

Sometimes an air of wistfulness accompanies these admissions. When asked about how he feels about Los Angeles, he tells me that it’s complicated: “I think if I wasn’t a young actor, it would be a very different situation.” His favorite parts of the city are its repertory cinemas and lush neighborhoods like Mount Washington, where his godfather resides, because they look the most like Vancouver.

That said, he’s not through with Hollywood. He’ll be back in L.A. for an Oct. 13 show at the Fonda Theatre, and acting and directing are still on the agenda. He would like his next film project — other than the Matt Johnson and Bong Joon Ho projects he’s already committed to, of course — to be something more “personal.”

For now, though, the focus is music. Wolfhard launches a new tour this month, and he’s most looking forward to “doing dumb s—” with his friends.

He tells a quick story to illustrate: When he and the band last toured in Glasgow, Scotland, he was trying to leave the venue without being noticed. (“I have a hard time dealing with fan interaction,” he says.)

“We kind of made it into this joke thing, knowing it wouldn’t work, where me and Rand, my guitarist, were like, ‘let’s switch clothes.’ Rand pretended to be me and I pretended to be Rand,” he says. Miraculously, it worked up until the “very last second” before they stepped on the bus.

“I couldn’t help myself,” he says: He instinctively made eye contact with someone in the crowd. “They did a double take, like, ‘Wait, what?’”

It sounds like a scene straight out of “A Hard Day’s Night” — or maybe inspiration for his next film.

“I’m pretty in my head about things and want them to be a certain way,” he says. “The thing that I have to remind myself all the time is that, like, dude, you’re with your friends, you’re playing music — it’s the best.”

The FIFA World Cup 2026 Final Halftime Show is expected to have one more surprise performer not yet formally announced

The FIFA World Cup 2026 Final Halftime Show will feature some of the biggest performers in the world – but there’s one more surprise on the way for fans.

Some huge names will take part in a special show curated by Chris Martin from Coldplay including Madonna and Justin Bieber as well as Shakira and Burna Boy, Gustavo Dudamel and BTS.

The famous faces will all co-headline a special show, which similar to the Superbowl Halftime show, will take place on Sunday, 19 July 2026, at New York New Jersey Stadium when the final two teams take on one another.

Currently, it is between the four semi finalists, with either France or Spain taking on either England or Argentina in the competition. By Wednesday night, following the second semi-final, we will know who will play against one another in the final.

The show will last 11 minutes, and will support the Fifa Global Citizen Education Fund. Shakira and Burna Boy are likely to perform their song Dai Dai, which is the official anthem for the 2026 World Cup.

However, there is one performer yet to formally be announced. It has been reported that Italian popstar Laura Pausini will be joined by none other than Robbie Williams for a performance of their official FIFA anthem, Desire.

“Robbie loves football and is excited to play at this momentous gig. Of course, he hopes England will be one of the teams in the final,” a source told The Sun of the Angels singer’s inclusion in the festivities.

Robbie and Laura were also on hand to perform during the the FIFA Club World Cup 2025 final match between Chelsea FC and Paris Saint-Germain in July last year, where they wowed with their song.

Oasis star Noel Gallagher is less than impressed by the changes to have a half-time show.

“I’m doing the half-time raffle for a leg of lamb,” he quipped to TalkSport, before adding: “I don’t like changes in football. I’m looking forward to these new rules about corners and time-wasting, that might be a good thing for the game, but I don’t like the razzmatazz of football; it’s been functioning perfectly for hundreds of years.” Noel also questioned whether any of the performers had any links to football and why they had been chosen specifically.

During the big announcement, Chris Martin appeared with Sesame Street characters including Elmo. He said: “Well, this year for the first time, there’s a halftime show at the World Cup Final! It’s where people get together and there’s singing, and there’s dancing, and there’s music. It’s a chance to show how amazing all different kinds of humans are. And monsters, aliens – it’s one big family, really.”

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Josh Grisetti, the Broadway actor who charmed audiences with roles in “Something Rotten!” and TV’s “The Marvelous Mrs. Maisel,” has died, a family member confirmed to The Times on Monday. He was 44.

Grisetti died by suicide Friday, his “Something Rotten!” co-star Rob McClure first announced Sunday on Instagram, adding he is heartbroken and “not ready to even attempt to understand.” McClure also expressed his condolences to Grisetti’s wife and family. The Instagram post included photos of Grisetti and McClure over the years, including at Grisetti’s wedding. The actor married Mackenzie Perpich in 2020.

“Communities around the world will never be the same without him. We love you Josh,” McClure wrote in his caption. “Just a cataclysmic loss.”

On Broadway, Grisetti was best known for starring as Bottom brother Nigel alongside McClure’s Nick. The play follows the pair of brothers as they strive for success in the theatrical world amid William Shakespeare’s unstoppable rise. Grisetti portrayed Nigel Bottom from 2017 to 2018 for the show’s national tour. Grisetti also starred in musical comedies “It Shoulda Been You” and “Broadway Bound.” He appeared in award-winning off-Broadway productions including “Rent,” “Peter and the Starcatcher” and “Enter Laughing,” among others.

Grisetti’s regional credits also include “Spamalot” in Las Vegas, “How to Succeed in Business Without Really Trying” at the Reprise Theatre, “Beauty & the Beast” and “Peter Pan Goes Wrong” in La Mirada.

“Thank you, Josh, for sharing your beautiful energy and immense talent with us,” the La Mirada Theatre said on Instagram.

The actor, in what would be his final Instagram post, announced he departed a production of “Legally Blonde” at the Trentino Music Festival for “personal reasons” before the show’s opening.

The festival also mourned Grisetti in an Instagram post Monday: “Josh was a loving and caring person who was deeply dedicated to his friends, his students, and his colleagues. He was beloved by all who knew him, and he will be deeply missed by our students, faculty, and staff.”

Grisetti, born in December 1981 in Roanoke, Va., acted throughout childhood and performed in a variety of productions, including a kindergarten production of “Peter Rabbit” and high school productions of “Anything Goes” and “Flowers for Algernon.” He officially earned his Actors’ Equity card in 2004 for a production of “Where’s Charley?” at the Goodspeed Opera House, he told Playbill in 2009.

He also pursued a career in TV and film, most notably appearing in the Emmy-winning series “The Marvelous Mrs. Maisel.” He appeared as comedy writer Ralph Emerson in the series’ fifth season. He also had roles in shows “The Knights of Prosperity,” “Nurse Jackie” and “The Good Fight.”

He appeared in the film adaptation of Jhumpa Lahiri’s “The Namesake,” “The Immigrant,” “The Revolutionary Road” and “Men in Black 3,” among other movies, according to IMDb.

Grisetti, who also directed various musical productions, notably brought his talent and experience to Cal State Fullerton and Loyola Marymount University, teaching acting, musical theater and business. He also authored “God in My Head” in 2016, an “irreverent spiritual memoir” that details his accidental meeting with God through a “hallucinogenic journey.”

During his time on “Price of Broadway” in 2015, Grisetti reflected on luck and breaking into the industry. “Luck is required to kind of spark some things in this business a lot of the time, but then talent is what keeps you there,” he told Playbill.

“You start making your own luck, you start forging your own connections and making it happen.”

Last March, the L.A. Times had proclaimed that Nathy Peluso had found her musical language. Later that year, the Argentine singer decided to mix things up by releasing her 2025 EP, “Malportada.”

In a departure from her urbano and alternative leanings blended with notes of R&B, the six-song EP was a straightforward, traditional salsa offering that featured a collaboration with Venezuelan salsa hybrid band Rawayana on the title track.

“My experience being a woman and making music has always been to talk about my freedom [and] how I feel,” she told The Times in a recent interview inside the famous Amoeba Music record store in Hollywood. “Salsa seems to me like a stage that invites one to express themselves fully, speak loudly, dance freely and feel powerful.”

Peluso had previously dabbled in the salsa genre with tracks like 2020’s “Puro Veneno,” 2021’s “Mafiosa” and the 2025 salsa erótica tune “Erotika,” but had never dedicated an entire project to the Caribbean musical styling.

The pivot by the 31-year-old artist was especially bold as she had previously been accused of cultural appropriation for recording salsa tunes.

“It’s [my] function in society,” Peluso previously told The Times in a 2025 interview when asked about the criticism of her salsa jams. “I’m not the kind of artist who’s complacent or politically correct. I don’t do anything with the intention of pleasing others. I chose the mission of bringing salsa back to the present because I’m passionate about it. If a genre gives me so many wonderful sensations, I want everybody else to feel them as well. As long as people argue, they will have to listen to the songs — and as a result, they will listen to salsa.”

Peluso’s gamble paid off — as “Malportada” was so well-received by critics, fans and the wider salsa community that she managed to get herself booked as the co-headliner for the Hollywood Bowl’s upcoming Salsa Spectacular on Wednesday.

Over the last few years, salsa music has enjoyed a bit of a renaissance — thanks in part to the success of Bad Bunny’s universally acclaimed album “Debí Tirar Más Fotos” — which featured the salsa fusion hits “Baile Inolvidable” and “Nuevayol” — and Rauw Alejandro’s 2024 LP “Cosa Nuestra.”

But for Peluso, her integration into the salsa world was a long time coming.

“I grew up listening to Gloria Estefan, I fell in love with [the 2000 album] ‘Alma Caribeña,’ I fell in love with the richness of that music,” said Peluso. “I’ve had a strong relationship with salsa music since I was young, even though I didn’t grew up in a place that was a cradle for that genre.”

Peluso was born in the Argentine city of Luján and lived there until she was 9, when her family moved to Spain, eventually settling in the southeastern city of Alicante.

In addition to Estefan, she cited inspiration from Nuyorican percussionist Ray Barretto, Puerto Rican salsa orchestra El Gran Combo de Puerto Rico and genre icons Héctor Lavoe and Willie Colón.

(Ronaldo Bolanos / Los Angeles Times)

“Throughout my career, I’ve always flirted with the genre,” Peluso said. “After doing the press for [the 2024 album] ‘Grasa’ there reached a point where I realized I was ready to make my salsa record, and it just happened to coincide with the current salsa boom.”

While paying respect to the musical tradition, Peluso also imbued her spin on the genre with some of the swaggering feminine energy often found in urbano music — as is evidenced in the “Malportada” track “A Caballo.”

“I grew up listening to a lot of masculine salsa and I thought it would be interesting to approach that type of energy from a woman’s perspective,” she explained. “[To take] all these stories of danger and sex and desire that the genre is known for, but give them a feminine spin.”

Peluso further bolstered her salsa bona fides when she teamed up with a pair of Caribbean music legends over the last year.

In September, she collaborated with her idol Estefan for a remix of the 1993 track “Chirriqui Chirri.” The duo performed the explosive song at the 2025 Latin Grammy Awards show. In February, Peluso jumped in the studio with Puerto Rican salsero Marc Anthony to record the original track “Como en el Idilio.”

“It was so awesome to sing with [Anthony] because he is one of the all-time legends we have in salsa who expanded the genre worldwide,” Peluso said. “It was a blessing to sing with Marc and Gloria in this moment of my career in which I’ve decided to represent salsa from my point of view.”

For her Hollywood Bowl gig, Peluso will be accompanied by the Colombian salsa collective Grupo Niche, a Grammy- and Latin Grammy-winning group that has been around since the late ’70s.

“I’ve admired Grupo Niche for years,” Peluso said. “We met at the Latin Grammys a few years ago and really hit it off. A little while back, when I was offered to do the Hollywood Bowl show alongside them, it was a no-brainer.”

But the biggest honor that Peluso is looking forward to is playing the hallowed stage of the Hollywood Bowl.

“It’s like playing in a palace for me,” she said of the historic venue. “The last time I was in L.A. for the ‘Grasa’ tour, I left wanting more. I knew I’d have to waiting until my next tour to try it, but I didn’t expect my next tour to come so quickly. It’s such a mythical place, it’s such a luxury.”

Emmy nominations arrived Wednesday and if you made the cut, it was a magical morning, like you were invited to Taylor Swift and Travis Kelce’s wedding and danced to “I Want to Hold Your Hand” and ate your fill of lobster, sushi and Krispy Kreme donuts, a combination that I’m sure goes well together provided you’ve fortified yourself with a steady stream of the couple’s signature tequila cocktails throughout the day.

And if you didn’t hear your name called, well, you’re feeling like you’re out there on the street behind the police barricade, hot and sweaty, wondering what happened to your dragons and how in this underwhelming Emmy season things could go so wrong.

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With Emmy submissions still down this year, there aren’t as many slots available to salute all the worthy work, leading to some sad omissions — which, for the sake of alliteration and search engine optimization, we’ll call “snubs.” There were also some surprises, some worthy, some about as welcome as the aftermath of a hot dog-eating contest on the Fourth of July.

Now that I’ve whetted your appetite, grab a donut (or a footlong) while I run down the morning’s notables.

SURPRISE: “The Bear” (comedy series)

OK, not that huge a surprise when a series nominated for its first three seasons, and winning for its first, snags another nod. But given the number of people complaining about the show’s pokey plotting, it was fair to wonder if “The Bear” would again make the cut for Season 4. The show dropped its final season three days after nominations voting ended and because things actually happened during this crowd-pleasing conclusion, it’s possible we might be seeing it again here next year too.

SNUB: Jeremy Allen White, “The Bear” (comedy lead actor)

While “The Bear” made the cut for series, the only cast member to join the party was Ayo Edebiri. Past winners White, Liza Colon-Zayas and Ebon Moss-Bacharach were left out, though all will have a shot at returning next year. Whether they will is open to question. Voters seem to have had their fill of the show.

Jeremy Allen White and Ayo Edebiri in “The Bear.”

(FX)

SURPRISE: “Your Friends and Neighbors” (drama series)

The Jon Hamm-led Apple crime drama failed to land any nominations for its first season outside a nod for main title music. Now moved from limited series to drama, it inexplicably landed a single nomination for its enjoyable-enough follow-up season — for the big prize, drama series. No other noms. Nothing for Emmy favorite Hamm. It’s almost as confusing as some of the plotting in the show.

SNUB: “Half Man” (limited series)

Richard Gadd’s limited series was provocative with its brutally violent look at male rage and unresolved trauma. But some voters I talked with found it so off-putting that they never made it past the first episode. Could be we’ve had our fill of toxic male behavior in the news without having to endure it on our down time too.

SURPRISE: Riz Ahmed, “Bait” (limited series / TV movie lead actor)

Ahmed created, wrote and produced this limited series about a struggling actor whose life is upended when rumors circulate he might be the next James Bond. His sharp comic timing and affecting vulnerability landed with voters.

SNUB: Cailee Spaeny, “Beef” (limited series / TV movie supporting actress)

OK, you didn’t like her character and you’re still afraid to drink orange juice after watching the show. But to nominate everyone else from the series and omit Spaeny? That feels like a case of Millennials and Boomers taking out their grievances on Gen Z.

Cailee Spaeny, left, with Carey Mulligan and Charles Melton in “Beef.”

(Netflix)

SURPRISE: Richard Jenkins and Joy Sunday (limited series / TV movie supporting actor and actress)

The weird and unpredictable “DTF St. Louis” had one last surprise for us, as voters indicated their enthusiasm for it by nominating not just David Harbour, Jason Bateman and Linda Cardellini, but also Richard Jenkins and Joy Sunday, who were terrific as the mismatched law enforcement partners. “DTF,” not “Beef,” might now be the limited series to beat at the Emmys.

SNUB: “Stranger Things” (drama series)

Nostalgia, it would seem, has its limits.

SURPRISE: Rufus Sewell, “The Diplomat” (drama lead actor)

He’s overly involved on the show, so why not at the Emmys, too?

SNUB: Kathy Bates, “Matlock” (drama lead actress)

Dirty birdies.

Chase Infiniti in “The Testaments.”

(Disney)

SURPRISE: Chase Infiniti, “The Testaments” (drama lead actress)

Infiniti was overlooked at the Oscars for her lead turn in “One Battle After Another,” but Emmy voters did right by her, nominating her formidable work in the sequel to “The Handmaid’s Tale.”

SNUB: Adam Brody and Kristen Bell, “Nobody Wants This” (comedy lead actor and actress)

Though Netflix’s rom-com nabbed a comedy series nomination, voters took the title to heart regarding its two leads, both of whom were nominated for its first season.

SURPRISE: Yahya Abdul-Mateen II, “Wonder Man” (comedy lead actor)

A show about a struggling actor navigating the indignities of auditions? No doubt voters found it relatable and Abdul-Mateen II made his anxieties and aspirations vivid.

SNUB: Jenna Ortega, “Wednesday” (comedy lead actress)

Wednesday’s child is full of woe.

Megan Stalter, left, with Robby Hoffman and Paul W. Downs in “Hacks.”

(HBO Max)

SURPRISE: Megan Stalter, “Hacks” (comedy supporting actress)

Stalter’s loud, boundary-pushing nepo baby Kayla on “Hacks” was divisive, but she coasted to her first nomination on the wave of goodwill surrounding the show’s final season. Cringe comedy enthusiasts are celebrating. Now we await a reprise of her jeans and white T-shirt red carpet look from last year.

SNUB: “Saturday Night Live” cast members (comedy supporting actor and actress)

Admittedly it’s a low bar, but “Saturday Night Live” was better this year, not that voters seem to have noticed. Bowen Yang failed to earn a nomination for his farewell season, ending a four-year streak. And breakout cast member Ashley Padilla was overlooked too, her comic timing apparently too absurd for voters’ tastes.

SURPRISE: Dale Dickey, “Widow’s Bay” (comedy supporting actress)

Hopes were high for “Widow’s Bay,” television’s best new comedy, which arrived late in the Emmy season — so late that its last three episodes weren’t eligible for consideration. But that didn’t stop voters from embracing it, giving the show 19 nominations, including one for Dickey’s turn as the gruff town hall worker who is the Spielberg of overhead projector presentations.

SURPRISE: Connor Storrie (comedy series guest actor)

HBO Max’s hockey romance drama “Heated Rivalry” wasn’t eligible for the Emmys because it’s a production of the Canadian TV network Crave, and the television academy requires the U.S.A. be part of a show’s funding to make the ballot. But star Storrie still received an Emmy invite thanks to his impressive comic turn hosting “Saturday Night Live” in February. The guest actor trophies are handed out during the Creative Arts Emmys, a week before the primetime show, but we’ll likely see Storrie and “Heated Rivalry” co-star Hudson Williams show up to present something during the main telecast. They do want people to watch, right?