show biz

‘Midwinter Break’ review: Ciarán Hinds and Lesley Manville on tense vacation

We used to have more films like “Midwinter Break,” in which the combination of a couple of great actors, a gifted writer and the unfussy shepherding of a thorny, intimate scenario gave discerning moviegoers their recommended weekly allowance of adult drama about the human condition.

That’s no longer the case, so you would be forgiven for attaching more importance to the small-scale appeal of this adaptation of Irish author Bernard MacLaverty’s 2017 novel. Without gimmicks or pomp (save a picturesque setting) and through the supreme talents of Lesley Manville and Ciarán Hinds, it offers up an affecting two-hander about a couple on the brink who’ve never really acknowledged said precipice. As directed with low-key confidence by Polly Findlay, the movie is both good and, in a certain way, good enough.

Should a marriage be merely good enough? Because hiding in the 40-year togetherness of retired teacher Stella (Manville) and ex-architect Gerry (Hinds) is an unmistakable chasm. It’s a divide with roots in the turbulent Belfast of their youth, which necessitated starting their family in Glasgow. It manifests now in a brittleness that tints their everyday exchanges as ossifying empty nesters.

Stella’s restless energy in wanting to fix things spurs her to arrange an impromptu trip for them to Amsterdam. Initially they rekindle a genial intimacy over art, meals and the city’s beauty. She eases off her intolerance for his drinking by tagging along to bars, while he accompanies his faith-driven wife to the Begijnhof, a historical religious site of dwellings initially intended to house a sisterhood of single Catholic women. We gather her keen interest isn’t entirely touristy but also, because Hinds is so good, that his wisecracks about religion — which she bristles at — have a basis in something personal, too.

We eventually learn what it is that has kept Stella and Gerry in a state of deepening apartness. But these expected revelations aren’t as cathartic as one might hope, probably because what “Midwinter Break” had going for it was a gathering totality of unhurried observance, as if we, too, were stumbling in the dark along with these nervous dancers, who once knew each other so well yet had lost the ability to turn knowing into understanding.

Still, the chance to see Manville and Hinds give heart, soul and edge to a cracked marriage is a display of nuanced skill that no screenwriting choice (even if true to the source material) can fully hamper. Manville, one of our greatest actors, is achingly real, giving Stella the protective bearing of a wounded soldier. Hinds, meanwhile, masterfully shows an affable partner’s emotional immobility.

Findlay knows to stay out of the way when her actors are deep inside what’s lived-in about their situation, or when grace notes — especially the story’s real ties to the Troubles — needn’t be overstruck. Modest to a fault, “Midwinter Break” seems to float like something cautious and wishful, hoping along with the audience that this union’s individual strains will fall into harmony once more.

‘Midwinter Break’

Rated: PG-13, for thematic material involving alcoholism, some strong language, bloody images and suggestive material

Running time: 1 hour, 30 minutes

Playing: Opens Friday, Feb. 20 in wide release

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Wildlife Filmmakers reveal secrets to come from new series of Big Cats 24/7

The new series of Big Cats 24/7 is back in the Okavango Delta following the lives of lions and leopards

Having only been away from the Okavango Delta in Botswana for six months since filming the first series, the BBC ’s wildlife filmmakers might have worried there would not be enough new things happening amongst the big cats there. But if anything, the dramatic lives of Africa’s lions, cheetahs and leopards had more shocks and surprises than the first time around.

Following them across six vital months from June to November we see the cats – and humans – battle punishing seasonal change, from flood to extreme drought. The Xudum lion pride, now the largest in the world, grapples with the challenges of this newfound status. When we rejoin them, dominant males Big Toe and Madumo are missing so the pride females, deserted by their leaders, are forced to battle intruders alone and also find enough food to feed 40 lions. There is an influx of aggressive male leopards and a new female, Lediba. And cheetah Pobe surprises the team with two young cubs of her own – but her challenge now is to keep them safe.

Cinematographer and wildlife presenter Gordon Buchanan says: “I think my slight concern was that we’re going back to the same place. We’re going back to the same cats. Are we going to go back to the same stories? And no, absolutely not. I mean I was startled at how things that were quite common in the first year, we see all the time, you didn’t see you didn’t see again,

“This series is a drama. And I suppose our job is just to capture that. This second series is a bit like The White Lotus[TV Drama}. There’s some similar characters, and there’s similar themes, but the stories are completely different.”

For Gordon, returning to cover the Lion pride was the highlight and he adds: “Filming 24/7 means surrendering to their world, working on their terms. The hours are long, the terrain unforgiving – deep sand, floodwaters, freezing cold nights or searing midday heat. You chase fleeting glimpses across vast landscapes and are often driven by nothing more than instinct. It’s physically and mentally gruelling. But when you finally catch ‘the’ moment, it makes everything worth it.

“Many lions don’t even make it to their second birthday so to see a lion you met as a vulnerable cub stride successfully and confidently towards adulthood is the most wonderful thing of all. There’s is nothing more beautiful than a lion cub giving life its best shot.”

This extraordinary, exclusive access to the cats’ lives is supported by the use of cutting-edge filming equipment: state-of-the-art thermal cameras, and the latest in drone technology, meaning the team can film the cats from the ground, the air and, uniquely, through the night. By following the cats around the clock, the team reveals yet more brand-new insights into their lives.

But fellow filmmaker Anna Dimitriadis didn’t wait long to be reunited with her beloved cheetah pal Pobe. “It’s every wildlife cinematographer’s dream to be able to go back to the same place and see characters that you filmed with before. But seeing her on the first day, it was like she was coming back to welcome us. It really felt like Pobe knew we’d arrived, and it felt like she was showing off because she had her two lovely little cubs as well. It basically felt like just seeing an old friend that I got to know really well. I mean, I got to know her very well. She’s actually tattooed on my arm now so she’s with me forever.”

Anna and Gordon worked alongside a team that also included Brad Bestelink who grew up in the Delta and Botswana born Tristen Woodward in the heart of big cat territory. And by the end of series two, Anna feels even closer to the cat and her routines which we will witness.

“I just know so much about her, and I could really predict her behaviour by the end, like I knew the exact kind of hunting style she was going to do. And I could predict exactly what we were going to see. It was really cool, when you start having that connection with an animal.

“This time, we saw another side. She was playful, tender and at times extremely vulnerable. Our time with her this year was a powerful reminder of how hard life is for a solitary cat. At every stage – whether still learning or in her prime – survival is a constant battle and every success is hard won.”

Meet some of the stars of the Delta…

POBE A smart, experienced and streetwise female cheetah; charismatic Pobe, now seven-years-old has a new family! She has two young cubs to take care of and though she is an experienced mother and superb huntress – already seen one cub, Neelo, to independence – the odds are stacked against her. Navigating Xudum island – now home to the largest lion pride in the world, and leopards round every tree – is no easy task. She knows when to run and hide and avoid danger, but with two innocent cubs in tow, she’s more exposed than ever.

XUDUM A remarkably relaxed and an impressive leopard; Xudum can confidently catch a meal leaping through the air (jumping from trees) or stalking on the ground. She is the resident female leopard followed by the team in Series 1, is now six years old and should have started a family. Unfortunately, after her tragedy witnessed by the team in 2023, Xudum is still to rear a cub successfully. Surrounded by dangerous male leopards (who will kill any cubs that do not belong to them), in series two Xudum must find a new, safer territory in which to make her home and become a mother.

BIG TOE & MADUMO So named due to a prominent digit on his paw, Big Toe is now eleven years old, ruling the Xudum pride alongside his sibling, Madumo, for the last six years. He’s a formidable lion, slightly leaner and wirier than Madumo, but no less formidable. Though he’s undeniably the more handsome of the two, he’s no pretty-boy; usually the first to get into a scuffle with intruders, or younger males in the pride.

Madumo – meaning “to roar” – is the other dominant male lions of the Xudum pride. Though he is bigger and heavier set, Madumo is the brains of the operation, while his coalition partner Big Toe is the ‘grafter’. But when required, Madumo has the muscle to be a powerful and commanding leader. He and Big Toe remain extremely close; most likely brothers from the same cohort of cubs, they make a strong and formidable partnership and over the past 6-years he and Big Toe have successfully protected the Xudum pride.

But as we start season two, both are now absent, where they are is unclear; and without their combined strength and new male lions circling, the Xudum pride’s females are under more pressure to protect their family than ever before.

MATHATA Trouble by name, trouble by nature! Mathata is the oldest cub in the Xudum pride – 18 months in age – and the rest of the youngsters seem to look to Mathata for leadership. But as Mathata (Magogo’s son) grows, will he cause trouble for his siblings, or will he rally them to make trouble for their enemies, and prey?

He is now ready to join his mother and aunts as they hunt and feed their family, but he has a lot to learn before he will start being a useful addition – his inexperience could be a hindrance.

LEDIBA The queen of stealth! Lediba is a small and subtle female leopard. She shows more patience in her stalking and variety to her diet, than any other leopard the team has seen on Xudum island. Lediba (10 years old) is also an experienced mother; previously raising cubs to adulthood and has two young cubs to provide for in series two. She will have to work hard to keep them safe from scavenging lions and unpredictable male leopards. For the team, getting to know Lediba’s character will take as much patience as she shows during each hunt!

MAGOGO At more than eleven years old, Magogo is likely the oldest female in the Xudum pride. She is an experienced, wise and powerful lioness and has successfully reared multiple generations of cubs, showing her skill as a mother. His son, Mathata, is the eldest cub in the Xudum pride, and a future pride male. Despite being eighteen months old, Mathata still relies on Magogo for food and protection against any intruding male lions – so Magogo still has her work cut-out to support him.

* Series Two of Big Cats 24/7 starts on BBC2 and BBC iPlayer on Friday February 27 at 9pm.

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Vernon Kay issues apology after ‘getting emotional’ over family update live on-air

BBC Radio 2 presenter Vernon Kay apologised to listeners after getting emotional while discussing his family life, before accidentally saying the wrong thing on air

BBC presenter Vernon Kay, who shares two daughters with wife Tess Daly, has issued an apology for using language his mum wouldn’t be pleased with, during a discussion about vintage technology that prompted him to share personal family memories.

The TV and radio presenter, 51, explored how technology has evolved by referencing his Sony Walkman. Vernon explained: “Earlier this week I was talking about finding my old [Sony] Walkman in the loft, played some old mixtapes from various clubs in the north west.

“It’s interesting, we were talking in the studio how the evolution of playing music whilst you’re on the go, whilst you’re mobile, has changed so much through the years. I was fascinated, I lifted the lid and just watched the tape go round.

“I was in a trance, thinking wow it’s so mechanical, it’s so raw, it’s there, you can see the engineering in it and these days you just press play and music plays in your ear.

“There was something so stunning about watching a tape go round knowing that back in the day, it was the opposite, you hated winding it on with a pencil and then mixtapes. So there have been many advances in personal listening technology, some of which took off, others not so much.”

Vernon subsequently played a segment from Tomorrow’s World showcasing the Dataplay, a device that never gained traction.

Later during the BBC programme, he turned to video recordings and revealed how his dad would accompany his grandad on lorry trips throughout Europe, before inadvertently uttering the word “Jesus”, then recalling his mother’s disapproval of taking the Lord’s name in vain.

He explained: “My mum in particular, has some footage somewhere of my grandad from way back when, because when my dad used to do international lorry driving he used to take my mum’s dad with him in his truck.

“So they’d go down to the south of Spain, Africa, all that kind of stuff. I think they’ve got some old cine-reel footage of them both trucking together.

“Trucks in them days weren’t as comfy as they are now….I was emotional then, I was getting quite emotional then.”

He then remarked to radio producer Phil: “You’re like a big full stop. He’d be a rubbish therapist, move on, your time’s up son, get out. Go on. Jesus.”

Suddenly realising his slip-up, he quickly added: “Sorry for swearing, do beg your pardon…You just feel so relaxed and then you forget that seven million people are listening.

“I’m so sorry. Gladys, she hates me using the Lord’s name in vain…so sorry.”

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A killer’s chilling admission is set to air in harrowing new true crime documentary

Chasing a Killer: Gary Allen is set to premier on Prime Video this weekend.

Chasing A Killer: Gary Allen – Killer’s chilling confession

A killer’s harrowing admission is set to be heard in a brand new true crime documentary premiering this weekend.

Chasing a Killer: Gary Allen will be released on Prime Video in a matter of days, on Sunday, February 22 spanning across two episodes, each 45 minutes long.

Plunging viewers into the chilling investigation into the suspect who was “known for decades as the man who got away with murder”, fans will see how the investigation unfolded.

The series follows the long pursuit of murderer Gary Allen by detectives determined not to let the case go cold, featuring firsthand accounts from investigators, journalists, and survivors.

Prime Video teases: “In February 2000, Gary Allen walks free from Sheffield Crown Court, acquitted of murdering 29-year-old Samantha Class. But detectives are convinced it’s only a matter of time before he strikes again.

“What follows is a two-decade pursuit by detectives who refuse to let the case go cold. A change in UK law, a covert operation, and the tragic murder of another woman lead detectives to hope they will finally bring Allen to justice – ‘You can’t get away with murder twice, surely?’ journalist Lisa Welton asks.”

Following another murder investigation in 2018, the streaming platform adds: “Featuring firsthand accounts from detectives, journalists, and survivors, this two-part documentary highlights the tireless efforts of South Yorkshire and Humberside Police to bring down Gary Allen, a man who believed he was above the law.

“Known for decades as the man who got away with murder, will he finally be brought to justice?”

In an exclusive first look ahead of the Prime Video release, a chilling confession can be heard.

The short clip hears from Chris Calvert who reads out part of a probation report revealing some of Allen’s troubling behaviour and disturbing thoughts, with Chris later branding him as a “psychopath”.

She says: “The extract I’m about to read is from the report that I found in one of the boxes from the probation officers who interviewed Gary Allen in 2003.”

Reading from the report, Chris added: “In the report they write he spoke openly about his strong dislike of prostitutes.

“Gary admitted to me that he planned and subsequently committed the attacks on the prostitutes in Plymouth he stated that the pleasure of hurting builds from the planning stage.

“Prostitutes are easy targets, I just want to hurt people, I enjoy thinking about it, I get pleasure from thinking. I just really enjoy different types of violence.”

After reading the extract, Chris continued: “It’s the words of a psychopath isn’t it.”

Chasing a Killer: Gary Allen is available to stream on Prime Video from February 22.

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Toy Story fans horrified as Woody has a BALD SPOT in trailer for fifth movie saying ‘we’re all getting OLD’

TOY STORY fans have been left horrified after noticing that Woody has a bald spot in the trailer for the fifth movie.

The first trailer for the high-anticipated fifth instalment was released yesterday and it looks like fans of the franchise are in for a treat.

Woody has been given a bald spot in the trailer for the fifth Toy Story filmCredit: YouTube
Fans have been left horrified by the momentCredit: YouTube

But loyal Disney enthusiasts have been left saddened by one part of the teaser as signs of aging have creeped up on the toys they know and love.

At one point in the first-look, Woody takes off his cowboy hat and a bald patch can be seen on his head.

A flash of light shines on the spot and blinds the other toys as Trixie the dinosaur cheekily says: “Someone needs a brown marker.”

Lily the Tablet asks: “What are you? Some sort of old man toy?”

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Trixie responds: “She thinks you’re old because you’re bald, Woody!”

The moment didn’t go unnoticed as one viewer commented: “If he is getting old, what does that mean about me?”

Another person said on X: “There was absolutely no reason to give Woody a bald spot.”

Somebody else commented: “Sad to see Woody is going bald.”

Yet another penned: “Woody having a lil bald spot is making me sad.”

While a fifth added: “It’s okay Woody. We all understand and sympathise. I too have a bald spot back there that is slowly turning into a tropical hurricane.”

The synopsis of the film reads: “The toys are back and this time, Buzz Lightyear, Woody, Jessie and the rest of the gang’s jobs are challenged when they come face-to-face with Lilypad (voice of Greta Lee), a brand-new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie. Will playtime ever be the same?”

The fifth film was first announced back in 2023 along with sequels for Frozen and Zootopia.

Disney’s CEO, Bob Iger expressed: “I’m so pleased to announce that we have sequels in the works from our animation studios to some of our most popular franchises – Toy Story, Frozen and Zootopia.

“We’ll have more to share about these productions soon, but this is a great example of how we’re leaning into our unrivalled brands and franchises.”

Several stars from the first films are back, including Tom Hanks as Woody, Tim Allen as Buzz, John Ratzenberger as Hamm, Wallace Shawn as Rex, Blake Clark as Slinky Dog, Annie Potts as Bo Peep and Joan Cusack as Jessie.

Among the newcomers are Scarlett Spears as the new voice of Bonnie, Craig Robinson as GPS hippo toy Atlas, Shelby Rabara as excitable camera toy Snappy, Mykal-Michelle Harris as Blaze, Conan O’Brien as Smarty Pants, and Matty Matheson as tech-fearing toy Dr Nutcase.

The first Pixar film released back in 1995, followed by Toy Story 2 in 1999 and Toy Story 3 in 2010.

The fourth instalment came out in 2010 and a spin-off of Buzz Lightyear’s character was released in 2022.

Toy Story 5 releases in cinemas on June 19

The gang are back yet again for even more mischiefCredit: Alamy

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Paul McCartney makes heartbreaking admission as he says ‘I tend to agree’

Sir Paul McCartney has been opening up about his career and personal life as a new documentary about him nears release, and a biopic about The Beatles begins filming

Musician Sir Paul McCartney has made a heartbreaking admission about his time in the spotlight. For around six decades, Paul McCartney has been beloved worldwide thanks to his work as part of The Beatles, as a solo artist, and with his former band, Wings.

Reflecting on his career in an interview with director Morgan Neville Paul, 83, spoke about how he feels when criticised by people.

Making the comments in a new documentary about the musician called Man On The Run, Sir Paul talked about how he bought into some of the criticism.

He remarked: “Whenever I hear someone damning Paul McCartney, I tend to agree with them. So when everyone was saying I broke up the Beatles and I was just overbearing and all of that, I kind of bought into it.”

This isn’t the only time Sir Paul has become emotional when talking about the documentary, as he admitted he felt “emotional” upon seeing his late wife Linda McCartney in the programme.

Linda, who died in 1998, shared four children with Sir Paul including Heather, 63, who was adopted, Mary, 56, Stella, 53, and James, 48.

At a screening of the documentary at London’s Ham Yard Hotel, Sir Paul said the film triggered some powerful memories of Linda, who Sir Paul said helped him deal with the tumultuous time he faced following the break up of The Beatles.

He said: “Seeing me and Linda interacting is very special because, you know, she is not here anymore. Me and Linda, the kids. The music. Me and John [Lennon].

“These memories, it is like a life flashing in front of you. There are so many cool things. Even though there are some embarrassing moments, I come out of it thinking, ‘Yeah, I’m OK’.

“All the stuff with the kids and Linda is lovely to see. Obviously it’s emotional because she looks so beautiful. She’s so cool.”

Sir Paul also has another daughter, 23-year-old Beatrice, with his second wife Heather Mills, who he was married to between 2002 and 2008 when their divorce was finalised.

Sir Paul is currently married to Nancy Shevell, with the pair tying the knot in 2011.

The documentary is set to be released on February 27 as filming continues on four individual biopics about each member of the Beatles, in which Paul Mescal, 30, will play Sir Paul. The films will be directed by Sir Sam Mendes.

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Eric Dane dies: Celebs express grief, pride in his ‘heroic’ battle

News of Eric Dane’s death Thursday was met with an outpouring of grief by celebrities, who expressed their admiration for the TV star’s mischievous on-screen charisma and his advocacy efforts during his battle against ALS.

Dane is best known for his role as Dr. Mark Sloan, or “McSteamy,” on “Grey’s Anatomy” and recently portrayed the dark and secretive father Cal Jacobs in HBO’s “Euphoria.” He died at age 53, less than a year after publicly announcing his diagnosis with the neurodegenerative disease.

Alyssa Milano, who was Dane’s romantic co-star on “Charmed,” shared a heartfelt message on Instagram praising his cheeky, yet tender spirit and deep love for his daughters.

“I can’t stop seeing that spark in Eric’s eye right before he’d say something that would either make you spit out your drink or rethink your entire perspective,” said Milano. “He had a razor-sharp sense of humor. He loved the absurdity of things.”

HBO Max shared a statement on Instagram, lauding Dane’s talent and saying the network was “fortunate to have worked with him on three seasons of Euphoria.” The show’s creator, Sam Levinson, shared a statement with Variety saying he’s heartbroken by the loss of a dear friend.

“Working with him was an honor,” Levinson said. “Being his friend was a gift. Eric’s family is in our prayers. May his memory be for a blessing.”

Former “Grey’s Anatomy” showrunner Krista Vernoff shared an Instagram post fondly reminiscing about when Dane returned to the set in 2021 to film a dream sequence featuring his character, who died in Season 9. Although it was shot during the pandemic, he “broke the rules” and gave her a huge hug.

“The thing I will remember most about Eric Dane are his hugs,” Vernoff wrote. “The best hugs. Oh my friend. I wish you peace.”

Dane was preparing to publish his memoir, “Book of Days: A Memoir in Moments,” later this year with Maria Shriver’s publishing imprint, the Open Field.

Shriver said Dane was heroic in the way he handled his disease and used his platform to raise awareness about ALS.

“He told me he wanted his family to know how much he loved them, and he wanted to leave them a story they could be proud of,” she said in a statement on X. “My love goes out to his family, and to all those battling this cruel disease, as well as all those caring for someone battling it.”

In 2025, Dane drew on his personal experiences with the condition to portray a firefighter living with ALS on “Brilliant Minds” and advocated for legislation to provide funding for ALS research and give patients early access to treatments.

He worked closely with the nonprofit organization I Am ALS to raise money to research new treatments for the disease, which currently has no cure.

“Eric brought humility, humor, and visibility to ALS and reminded the world that progress is possible when we refuse to remain silent,” the organization said in a statement. “Eric was more than a supporter of our mission — he was part of our family.”

ALS, also known as Lou Gehrig’s disease, is a progressive disease that damages nerve cells controlling voluntary muscles, typically causing death two to five years after diagnosis.

Nina Dobrev, Dane’s co-star in the western romance movie “Redeeming Love,” wrote on her Instagram story that she was heartbroken by his death.

“He was warm, generous, prepared, and so passionate about what he did,” she said. “He led with kindness and made everyone on our set feel seen.”

Times staff writer Alexandra Del Rosario contributed to this report



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Is the Brat credit card from Charli XCX’s The Moment real?

Is the Brat credit card from Charli XCX’s The Moment real? – The Mirror


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Ruth Langsford says Eamonn split was ‘huge shock’ and left her ‘devastated’ saying ‘I thought I had a happy marriage’

RUTH LANGSFORD has said her split from husband Eamonn Holmes was a “huge shock” and left her “devastated”.

The much-loved telly couple announced their separation in May 2024 after 14 years of marriage and 27 years of being together.

'This Morning' TV show, London, UK - 26 Aug 2021
Ruth Langsford has opened up about her split from Eamonn HolmesCredit: Rex

Opening up about the split, she told Daily Mail: “I had a very happy marriage. Of course you question yourself, ‘did I miss something, was I not aware, was I too busy?’ But there’s no point playing the blame game.

“I just didn’t think I’d find myself here, and I wasn’t strong at the start. I was broken. Broken heart. Broken dreams. We all have an image of how we think our life and future is going to be.

“This wasn’t mine. I was devastated. We had gone from being a couple, traversing the usual ups and downs of a marriage, to an abrupt end. It was a huge shock.”

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Classic 70s television series streaming for free from today

A beloved children’s programme is now available to watch for free on a streaming service.

A classic children’s programme is streaming for free from today on ITVX.

Captain Pugwash first aired on British television in 1957 as a black-and-white stop-motion show, before the full colour version of the series was first broadcast from 1974-75.

The series is based on the much loved children’s comic strips and books created by Josh Ryan.

It follows Captain Horatio Pugwash as he sails the high seas in his ship, the Black Pig, ably assisted by Tom the captain boy, pirates Willy and Barnabas and Master Mate.

Along their adventures, they’re battling against his mortal enemy, Cut-Throat Jake, captain of the Flying Dustman.

The children’s animation was written, illustrated and produced by John Ryan, before Peter Hawkins voiced all the characters, bringing them to life.

Captain Pugwash originally ran from 1957 to 1966 before being revived in colour in the 70s, and again in 1997.

The synopsis teases on ITVX: “The bumbling 50s kids TV star is back on screen. Join him aboard the Black Pig & meet cabin boy Tom, pirates Willy & Barnabas, & Master Mate. Beware of the enemy Cut-Throat Jake.”

Viewers have been left reminiscing on the iconic childhood series, with one writing on Reddit : “Love Pugwash – have complete set of DVDs.”

Another said: “I can hear the theme tune in my head right now,” as a third elsewhere wrote: “Ooh wow, that brings back memories, brilliant.”

This comes as ITV has added a variety of returning and new programmes to the streaming service, with more yet to come this year.

In a press release announced earlier this year, the broadcaster shared: “ITV will ring in the new year with a raft of brand new dramas, exclusive entertainment shows, much loved juggernauts and big name reality.

“Jing Lusi, Michelle Keegan, Martin Compston, Natalie Dormer, Shaun Evans, Romala Garai, Eve Myles, Gemma Arterton, Rafe Spall, Dominic Cooper, Luke Evans, David Morrissey, Douglas Booth, Sophie Rundle, Philip Glenister, Mia McKenna-Bruce, Rishi Nair, Robson Green, Aimée-Ffion Edwards, Daniel Mays, Ben Miller, John Simm, Richie Campbell and Omid Djalili are just some of the names appearing in ITV dramas over the next twelve months.”

Drama includes Michelle Keegan’s The Blame, The Party, based on the acclaimed novel by Elizabeth Day, Gemma Arterton leading a stellar cast in Secret Service, and new scandalous drama Adultery.

Elsewhere in entertainment, Graham Norton hosts a street-sized reality game, The Neighbourhood, Rob Brydon is fronting new gameshow The Floor and Gary Lineker is hosting The Box. Ben Shephard ’s The Summit has already begun, and I’m A Celebrity All Stars will return alongside Britain’s Got Talent, Ant & Dec’s Limitless Win and The 1% Club.

Captain Pugwash is available to watch on ITVX.

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Daisy Lowe makes first public appearance since announcing second pregnancy as she shows off baby bump in sheer dress

DAISY Lowe looked stunning in a sheer lace dress, as she made her first public outing since announcing her second pregnancy.

The model, 37, showed off her growing baby bump, just a week after she announced her and husband Jordan Saul’s happy news.

Daisy Lowe looked every inch the yummy mummy in this sheer dressCredit: Getty
The pregnant star showed off her growing baby bump in the daring outfitCredit: Getty
Daisy is expecting her second child with her husband JordanCredit: Alamy
Daisy and Jordan share a daughter called IvyCredit: Instagram

The soon-to-be mum-of-two, who already shares daughter Ivy, two, with Jordan, 31, looked incredible as she stepped out for London’s Fashion Week.

The Strictly Come Dancing star looked every inch the yummy mummy as she showed off her growing baby bump.

Daisy pulled out all the stops in the daring sheer outfit which revealed her black lingerie.

The pregnant star looked happy and relaxed as she posed for the photos in her stunning outfit.

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She wore her long black hair loose and her make-up was glowing.

Daisy thrilled fans when she revealed her and husband Jordan were set to welcome their second child.

She wrote: “Heading home from our honeymoon with an extra stowaway.

“Little bump is growing FAST & Ivy is so excited to meet *her* baby.”

Daisy and property developer Jordan married just seven months ago.

The model, whose dad is Bush rocker Gavin Rossdale, wed her new husband Jordan exactly five years after they met in June 2020.

Daisy welcomed daughter Ivy in 2023Credit: Instagram

The happy couple had a chance encounter while out walking their dogs on London’s Hampstead Heath.

After a whirlwind romance, Daisy announced her first pregnancy in October 2022, a month after getting engaged.

Daisy said at the time: “I wanted to share some news with you. Jordan and I are having a baby.

“We are absolutely bursting at the seams with happiness. I’m oscillating wildly between excitement & nervousness with a dash of morning sickness thrown in for good measure! Big love to all of you.”

Daisy then gave birth to their daughter Ivy the following year.

But now she is expanding her brood by another bundle of joy.

Daisy revealed last week she was expecting her second babyCredit: Getty

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L.A. Times Book Prizes 2025: Amy Tan, Adam Ross among honorees

Finalists and honorees for the 46th Los Angeles Times Book Prizes were announced Wednesday.

Writer-curator Ekow Eshun is among the biography finalists for “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them,” which parses Black masculinity as embodied by various civil rights activists, philosophers and other visionaries. Contenders in the fiction categories ranged from seasoned novelists like Michael Connelly to breakouts including Saou Ichikawa, whose debut novel, “Hunchback,” was longlisted for the 2025 International Booker Prize.

Many selected books evoke the greatest anxieties of our time, from government-sanctioned historical revisionism to the ongoing proliferation of AI.

“The Joy Luck Club” author Amy Tan will be honored with this year’s Robert Kirsch Award for lifetime achievement. Nonprofit We Need Diverse Books and novelist Adam Ross will receive the Innovator’s Award and Christopher Isherwood Prize for Autobiographical Prose, respectively.

Winners in the remaining categories will be revealed at the 46th L.A. Times Book Prizes on April 17 at USC’s Bovard Auditorium. The ceremony is a prelude to the annual L.A. Times Festival of Books, which this year runs April 18-19.

The Oakland-born Tan will be given the marquee Robert Kirsch Award, which celebrates literature with regional and thematic connections to the Western United States, for her highly awarded body of work exploring multicultural identity and its complex effects on familial bonds.

“Throughout her extraordinary career, Amy Tan has transformed American literature by shining a light on the emotional complexities of family, identity and cultural inheritance,” said Times senior editor for Books Sophia Kercher. “Her work confronts the social and cultural legacies of the American West with rich details of the immigrant experience.”

Tan’s 1989 debut novel, “The Joy Luck Club,” which interweaves the stories of four Chinese immigrant mothers and their American-born daughters in San Francisco, is a staple of the modern literary canon and was previously a finalist for the National Book Award and the National Book Critics Circle Award. “The Joy Luck Club,” along with the essays, memoirs and novels Tan has since penned — most recently 2024’s “The Backyard Bird Chronicles” — have also led her to be inducted into the American Academy of Arts and Letters and earned her a National Humanities Medal from President Biden.

We Need Diverse Books, a viral 2014 Twitter campaign turned nonprofit, is being honored with the Innovator’s Award for its efforts toward promoting diversity and inclusion in children’s and young adult publishing.

According to the WNDB website, upon the nonprofit’s launch more than a decade ago, only 8% of children’s books published in the U.S. were written by authors of color. In 2023, that figure rose to 47%, in no small part due to WNDB’s grants, library partnerships and other advocacy work, per the Cooperative Children’s Book Center at the University of Wisconsin-Madison.

“We Need Diverse Books has played an important role in publishing by championing stories that reflect our world, and opening doors for writers and readers,” said Times Executive Editor Terry Tang. “We are thrilled to recognize them with this year’s Innovator’s Award, honoring their unwavering commitment to access and representation in literature.”

Ross rounds out the L.A. Times Book Prize honorees as the winner of the Christopher Isherwood Prize for “Playworld,” a semi-autobiographical novel about a teen growing up in 1980s New York that is described as “less a bildungsroman than a story of miseducation.”

In addition to the achievement awards, the Book Prizes recognize titles in 13 categories: audiobooks, autobiographical prose (the Christopher Isherwood Prize), biography, current interest, fiction, first fiction (the Art Seidenbaum Award), graphic novel/comics, history, mystery/thriller, poetry, science fiction, science and technology and young adult literature. Each category’s finalists and winners are chosen by panels of writers specializing in that genre.

For more information about the Book Prizes, including the complete list of finalists, visit latimes.com/BookPrizes.

Robert Kirsch Award

Amy Tan

Innovator’s Award

We Need Diverse Books

The Christopher Isherwood Prize for Autobiographical Prose

Adam Ross, “Playworld: A Novel”

The Art Seidenbaum Award for First Fiction

Andy Anderegg, “Plum”

Krystelle Bamford, “Idle Grounds: A Novel”

Addie E. Citchens, “Dominion: A Novel”

Justin Haynes, “Ibis: A Novel”

Saou Ichikawa translated by Polly Barton, “Hunchback: A Novel”

Achievement in Audiobook Production, presented by Audible

Molly Jong-Fast (narrator), Matie Argiropoulos (producer); “How to Lose Your Mother”

Jason Mott, Ronald Peet, and JD Jackson (narrators), Diane McKiernan (producer); “People Like Us: A Novel”

James Aaron Oh (narrator), Linda Korn (producer); “The Emperor of Gladness: A Novel”

Imani Perry (narrator), Suzanne Mitchell (producer); “Black in Blues”

Maggi-Meg Reed, Jane Oppenheimer, Carly Robins, Jeff Ebner, David Pittu, Chris Andrew Ciulla, Mark Bramhall, Petrea Burchard, Robert Petkoff, Kimberly Farr, Cerris Morgan-Moyer, Peter Ganim, Jade Wheeler, Steve West, and Jim Seybert (narrators), Kelly Gildea (producer); “The Correspondent: A Novel”

Biography

Joe Dunthorne, “Children of Radium: A Buried Inheritance”

Ekow Eshun, “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them”

Ruth Franklin, “The Many Lives of Anne Frank”

Beth Macy, “Paper Girl: A Memoir of Home and Family in a Fractured America”

Amanda Vaill, “Pride and Pleasure: The Schuyler Sisters in an Age of Revolution”

Current Interest

Jeanne Carstensen, “A Greek Tragedy: One Day, a Deadly Shipwreck, and the Human Cost of the Refugee Crisis”

Stefan Fatsis, “Unabridged: The Thrill of (and Threat to) the Modern Dictionary”

Brian Goldstone, “There Is No Place for Us: Working and Homeless in America”

Gardiner Harris, “No More Tears: The Dark Secrets of Johnson & Johnson”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Fiction

Tod Goldberg, “Only Way Out: A Novel”

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Mia McKenzie, “These Heathens: A Novel”

Andrés Felipe Solano translated by Will Vanderhyden, “Gloria: A Novel”

Bryan Washington, “Palaver: A Novel”

Graphic Novel/Comics

Eagle Valiant Brosi, “Black Cohosh”

Jaime Hernandez, “Life Drawing: A Love and Rockets Collection”

Michael D. Kennedy, “Milk White Steed”

Lee Lai, “Cannon”

Carol Tyler, “The Ephemerata: Shaping the Exquisite Nature of Grief”

History

Char Adams, “Black-Owned: The Revolutionary Life of the Black Bookstore”

Bench Ansfield, “Born in Flames: The Business of Arson and the Remaking of the American City”

Jennifer Clapp, “Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters”

Eli Erlick, “Before Gender: Lost Stories from Trans History, 1850-1950”

Aaron G. Fountain Jr., “High School Students Unite!: Teen Activism, Education Reform, and FBI Surveillance in Postwar America”

Mystery/Thriller

Megan Abbott, “El Dorado Drive”

Ace Atkins, “Everybody Wants to Rule the World: A Novel”

Lou Berney, “Crooks: A Novel About Crime and Family”

Michael Connelly, “The Proving Ground: A Lincoln Lawyer Novel”

S.A. Cosby, “King of Ashes: A Novel”

Poetry

Gabrielle Calvocoressi, “The New Economy”

Chet’la Sebree, “Blue Opening: Poems”

Richard Siken, “I Do Know Some Things”

Devon Walker-Figueroa, “Lazarus Species: Poems”

Allison Benis White, “A Magnificent Loneliness”

Science Fiction, Fantasy & Speculative Fiction

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Jordan Kurella, “The Death of Mountains”

Nnedi Okorafor, “Death of the Author: A Novel”

Adam Oyebanji, “Esperance”

Silvia Park, “Luminous: A Novel”

Science & Technology

Mariah Blake, “They Poisoned the World: Life and Death in the Age of Forever Chemicals”

Peter Brannen, “The Story of CO2 Is the Story of Everything: How Carbon Dioxide Made Our World”

Karen Hao, “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI”

Laura Poppick, “Strata: Stories from Deep Time”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Young Adult Literature

K. Ancrum, “The Corruption of Hollis Brown”

Idris Goodwin, “King of the Neuro Verse”

Jamie Jo Hoang, “My Mother, the Mermaid Chaser”

Trung Le Nguyen, “Angelica and the Bear Prince”

Hannah V. Sawyerr, “Truth Is: A Novel in Verse”

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‘Strip Law’ review: A crude courtroom comedy channeling Adult Swim

“Strip Law,” a new cartoon premiering Friday, finds Netflix in an Adult Swim state of mind, which is to say there was no thought of it being made for everybody. (Possibly including some of the people it was made for.) It’s rude, lewd, surreal in a banal sort of way, at times ridiculously violent — that is, the violence is ridiculous.

It was the cast that attracted me: Adam Scott, once more the schlemiel as leading man; Janelle James, sure of her own magnificence, not far from her character on “Abbott Elementary”; and Keith David, whose deep, sonorous voice is almost necessarily one of authority, turned to good or evil or in between as the script demands. James and David, especially, I could listen to for days.

Created by Cullen Crawford, (“The Late Show With Stephen Colbert,” “Star Trek: Lower Decks”), the series is centered on a failing Las Vegas law firm, headed by Scott’s Lincoln Gumb, with James as Sheila Flambé, “a magician and three-year all-county sex champion” he hires as his “co-counsel in charge of spectacle.” Niece Irene (Shannon Gisela), an iron-pumping 16-year-old, works as his investigator; she wears a blindfold labeled “Underage” whenever she’s required to be in a bar. Stephen Root plays his disbarred (later undisbarred — rebarred?) lawyer uncle, Glem Blorchman, the strangest of them all — “It’s 115 degrees out so I put marshmallows in gin,” is something he says as they gather to watch Christmas movies. And David plays Lincoln’s nemesis, Stevie Nichols, the very successful former partner of Lincoln’s late mother, upon whom the son remains perversely fixated.

Much of it is the sort of thing that will work or not work depending on your mood, but generally I prefer the small throwaway jokes to the big gross ones. There are self-reflexive meta gags about “hard-working cartoon writers” and “reappropriating out-of-date catchphrases.” There are many nods to “The Simpsons,” including “frosty chocolate milkshakes” and James L. Brooks’ Gracie Films logo. The final episode, of 10, takes place within the finale of a “Suits”-like legal dramedy. (“It’s against their nature to let something be sweet and fun and airy,” that firm’s bromantic lawyers say of Lincoln’s team. “They have to make it dark and strange and crass.”) And there are left-field references to Cocteau Twins and Bikini Kill, whose “original bass player” Glem claims to be. (“I don’t know what Bikini Kill is,” says Irene. “Neither did I, according to Kathleen Hanna,” says Glem.)

There are various oddball judges (nothing remotely legal happens in a courtroom); “local character” Lunch Meat, who turns up in many roles; a barman, Mr. O’Raviolo, who switches between exaggerated Irish and Italian accents in mid-sentence. Comedian George Wallace plays himself as the mayor of Las Vegas. A Halloween Christmas episode parodies “Miracle on 34th Street”; another takes off on Colton Burpo, the “boy who saw Heaven,” which includes a live-action trailer for a faith-based film featuring Tim Heidecker as a coke-snorting atheistic Lincoln. A virtual reality HR seminar is hosted by “a computerized amalgamation of all five personalities of the Rat Pack,” an immersive Autoverse, in which actors create situations that somehow amount to a driving test. There are the “Nevada-grown” Hot Dates, a sexualized version of the California Raisins; riots occur when the characters are redesigned to be more respectable (“They’re walking away from years of established canon,” laments Lincoln.)

The series felt a little off-putting at first, as if it were straining for effect, but gathered steam as it went on, either because the later episodes are weirder or better written, or because one just gets used to being in that world with those people. There is just enough character in the comedy to create stakes in the narrative; its misfit energy has fueled the screen’s bands of outsiders throughout the years. (“Even when you’re a disaster, you’re a disaster for the right people,” Irene tells Lincoln.) As to the famous fine line between stupid and clever, the stupidity and the cleverness are all but inextricable, and to the point.

The credits declare that the series is “proudly made by real, non-computer human beings,” which is pleasant to know, and in 100 years will still have been the best way to make cartoons, even if by then they are only made by and, for all we know, for machines. The thin-lined drawing style is standard for more or less realistic 21st-century adult TV animation, with perhaps a hint of comics artist Daniel Clowes laid on. But the characters are expressive, and the medium is used to unreal ends, which is, after all, what cartoons are good for.

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Melissa Joan Hart divides fans after PUNTING Salem the Cat in new video 22 years after Sabrina the Teenage Witch ends

MELISSA Joan Hart has sparked an online debate after posting a video of herself punting her former co-star, Salem the Cat.

The actress’s talking black cat, Salem – voiced by Nick Bakay – was a staple character on the ABC sitcom Sabrina the Teenage Witch, on which she starred from 1996 to 2003.

Melissa Joan Hart sparked a debate online after filming herself punting Salem the Cat across the roomCredit: Instagram/melissajoanhart
The actress explained that she prefers dogs over cats, setting off a string of mixed reactions on InstagramCredit: Instagram/melissajoanhart

However, it turns out Melissa, 49, wasn’t a big fan of the cuddly creature and made it known in a shocking Instagram clip.

In the video shared on Thursday, the TV star filmed herself stroking a fake black cat perched on her lap.

She wore casual attire of blue jeans and a skintight red tank top, with her blonde hair flowing straight down.

The words, “When people ask me if I’m a cat person,” were written over the clip.

HART TO HEART

TV icon feels ‘guilty’ for taking Britney Spears to her first nightclub at 17

Things then took an unexpected turn when a white blast of glitter appeared, and Melissa suddenly threw the cat in the air and kicked it out of sight.

The scene then magically turned into Melissa, formally dressed in a white dress and her hair in a ponytail, while petting a large dog at her feet.

“No Salems were harmed in the filming of this silly video. PS I like cats, but I love dogs!” the TV star clarified in her caption.

Although Melissa made it clear that the cat in the video wasn’t real, nor did she have magical powers like her character, Sabrina, fans had mixed reactions to her stance on cats vs. dogs.

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“Not going to lie this was a bit heartbreaking, poor Salem lol,” one person commented.

“Cats are the absolute best in this world, amazing creatures that should be treasured,” demanded another.

“Dyyying. Sorry cat people! Love kitties too. That was just the right kind of wrong Melissa,” said a third

“No! It’s okay to LOVE them both…” insisted a fourth.

“This just broke something in me,” reacted a fifth.

“I’m ok you not loving cats but saying it like that was just not funny for me,” added a sixth.

“This was unnecessary. People hurt black cats every day. This is not nice. Tasteless…” someone else wrote.

“That hurt. You can love both cats and dogs. No need to choose one,” chimed in another.

“Awwww but we all got black cats because of you!” one more pointed out.

Sabrina the Teenage Witch ran on ABC for seven seasons and was a part of the Friday night (TGIF) lineup.

Melissa’s co-stars on the show include Beth Broderick, Caroline Rhea, Nate Richert, Jenna Leigh Green, Lindsay Sloane, Elisa Donovan, and Martin Mull.

In June 2024, Melissa led the cast in paying tribute to Martin, who played Principal Willard Kraft, after his death.

Salem the Cat was a staple character on the ABC sitcom, Sabrina the Teenage WitchCredit: Alamy
Melissa starred on the series throughout its seven-year run from 1996 to 2003.Credit: Alamy
Her co-stars also included Beth Broderick and Caroline RheaCredit: Alamy



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Brandi Glanville face disfigurement caused by ruptured breast implants

Brandi Glanville finally has some answers about what caused her mysterious facial issues — her breast implants.

The “Real Housewives of Beverly Hills” alum is “taking care of the face now that [she’s] figured out what was wrong,” Glanville told TMZ on Wednesday. The outlet caught up with her as she was leaving a doctor’s office where she had been treated with “lasers and different things.”

Last week, InTouch reported that Glanville had surgery to remove her breast implants earlier this month. According to the outlet, she got her implants in 2007 after the birth of her son Jake. Glanville was told her left implant had a “slow leak,” while her right implant was “completely ruptured.”

“I had silicone all over my lymph nodes,” the reality TV star told TMZ. “That’s what caused the infection in my face. … [I]t couldn’t get out because my lymph nodes were all clogged.”

Glanville had been struggling for the last few years with a mysterious ailment that caused recurring facial swelling, speech impairment and the loss of teeth, leaving her reluctant to go out in public. In 2024, she revealed that, after she’d spent more than $70,000 on treatments, doctors were still stumped by what could be causing her facial disfigurement, though some suggested it could be because of a parasite. Glanville even tried using Nair, the hair-removal product, to fight the parasite.

Glanville told TMZ that she had been shocked to learn that her breast implants had been the cause of her facial disfigurement. She said she had visited 21 doctors over the years trying to investigate her condition, to no avail. She only learned that her nearly 20-year-old breast implants were damaged after having them examined with a sonogram.

“I learned a really, really hard lesson,” said Glanville, advising people to make sure to get their implants checked after 10 years even if they feel fine.

“I’m not saying don’t [get implants],” she added. “Just do it and make sure you stay on top of it. [And] you really have to be vigilant about [getting] sonograms. Ask you doctor.”

Glanville appeared to be in good spirits now that she is on the road to recovery. She plans on getting her teeth fixed next.

Despite doctor’s orders, “I can’t rest,” she said. “I’ve been home for three years.”

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Grey’s Anatomy & Euphoria star dies after brave battle with ALS as his family pays tribute

ERIC Dane has died aged 53 after a brave battle with ALS.

The Grey’s Anatomy and Euphoria actor passed away with his wife, Rebecca Gayheart, and daughters Billie and Georgia by his side, his rep said in a statement on Thursday, February 19.

Eric Dane has died after a brutal battle with ALSCredit: Getty
The actor announced his diagnosis in April 2025Credit: Getty

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS,” the statement began.

“He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world. 

“Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight.

“He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received. 

health battle

Eric Dane’s Grey’s co-star reveals ‘heartbreaking’ update on ALS battle

“The family has asked for privacy as they navigate this impossible time.”

SCARY DIAGNOSIS

Eric had been battling ALS, a fatal neurodegenerative disease also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease, since early 2024, when he first began experiencing symptoms.

The star announced his diagnosis in April 2025, which quickly progressed to near full paralysis in the months before his death.

Eric had to bow out of multiple public appearances due to his worsening condition.

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In January 2026, he withdrew from the ALS Network’s Champions for Cures and Cares gala just hours before the event began.

The TV star also missed his scheduled appearance at the Primetime Emmy Awards in September 2025 because of complications from the disease.

In December 2025, Eric shared an update on his health during a virtual panel for IAMALS.org.

At this point, the father of two had lost mobility in his arms, had noticeable changes in his speech, and was confined to a wheelchair.

“I have no reason to be in a good spirit at any time, on any given day,” an emotional Eric shared.

“I don’t think anybody would blame me if I went upstairs in my bedroom, crawled under the sheets, and spent the next two weeks crying.”

Despite his drastic health decline, Eric vowed to continue acting and that he wouldn’t give up fighting.

“I’m not about to concede my purpose for some disease. I just am not capable of doing that.

“I’m fairly limited in what I can do physically as an actor, but I still have my brain, and I still have my speech, so I’m willing to do just about anything.”

BRAVE FIGHT

In November 2025, Eric starred in an episode of the NBC medical drama Brilliant Minds, playing a firefighter living with ALS.

“The hardest thing for me to do was separate myself from the character because it was something that was so fresh and it was something that was so real to me,” Eric told the Daily Mail about the role.

“I’ve never played a character who’s going through something, and something that I’m dealing with in real time, in real life as well,” he continued.

“So, it was hard, and there were moments where it was very difficult for me to get the lines out. 

“But overall, I was really grateful for the experience. I found it to be a bit cathartic.”

Eric is also reprising his role as Cal Jacobs in the third season of Euphoria, which will premiere on HBO in April, after a four-year hiatus.

In late January, Eric received praise from his Grey’s Anatomy co-star, Patrick Dempsey, for his bravery since his brutal diagnosis.

“I do try to stay in touch and see how he’s doing. I think he’s been incredibly courageous in the face of this horrible disease,” Patrick told Parade in an interview.

He also said that he tried to get Eric on his new crime thriller series, Memory of a Killer, but his condition made it “virtually impossible.”

Eric is survived by his two children, Billie Beatrice, 16, and Georgia Geraldine 14, whom he shares with Rebecca.

The couple separated in 2018, but called off their long divorce once Eric received his diagnosis.

Eric portrayed a firefighter living with ALS in the NBC medical drama, Brilliant Minds, which was one of his final rolesCredit: Getty
Eric shares two children with his wife Rebecca GayheartCredit: Getty
Eric vowed to continue acting in the months before his passingCredit: Getty

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Eric Dane dead: ‘Grey’s Anatomy’ star dies of ALS

Actor Eric Dane, best known for wooing “Grey’s Anatomy” audiences as plastic surgeon Dr. Mark “McSteamy” Sloan, has died following a public battle with ALS.

A TV star whose career spanned from “Saved by the Bell” to “Euphoria” and beyond, Dane died Thursday, his publicist announced in a statement. He was 53.

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS. He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world,” the statement reads. “Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight. He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received. The family has asked for privacy as they navigate this impossible time.”

Dane publicized his ALS diagnosis in April 2025. A former competitive swimmer and water polo player, he said ALS — also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease — initially caused the right side of his body to stop working. Prior to his death, the actor channeled his personal experiences with the condition to portray a firefighter living with ALS on TV and advocated for legislation related to the condition.

In Shonda Rhimes’ “Grey’s Anatomy,” Dane’s Sloan was a welcome addition to Seattle Grace Hospital’s staff of heartthrobs who couldn’t seem to keep their gloved hands off each other amid shifts of wild and dramatic cases. He first appeared in Season 2 of “Grey’s Anatomy” in 2006. Sloan, within minutes of his arrival, takes a punch to the face from Patrick Dempsey’s Dr. Derek Shepherd and introduces himself to Ellen Pompeo’s Meredith Grey as one of the fellow “dirty mistresses” who broke up Shepherd’s marriage to ex-wife Dr. Addison Montgomery (Kate Walsh).

Dane had initially agreed to appear in only one episode of the long-running ABC drama, but remained a fixture — and eye candy for fans — for more than 130 episodes until 2012. Nicknamed “McSteamy” for his looks, Sloan pursued relationships with Drs. Lexie Grey (Chyler Leigh), Callie Torres (Sara Ramirez) and Teddy Altman (Kim Raver) over the course of Dane’s tenure. His character was killed off early in Season 9 after a devastating Season 8 plane crash that also claimed the life of Leigh’s Lexie.

In 2021, Dane returned to “Grey’s Anatomy” for a cameo in Meredith’s COVID-19-induced dreams.

Prior to breaking out with “Grey’s,” Dane played minor roles in series including “Saved by the Bell, “Roseanne,” “Gideon’s Crossing” and “Charmed.” Dane followed up his “Grey’s Anatomy” tenure with appearances on the ABC spinoff “Private Practice,” a leading role in TNT’s “The Last Ship” and a stint as a secretive real estate developer and dad in HBO’s teen drama “Euphoria.”

He also appeared in several movies following “Grey’s Anatomy,” including “X-Men: The Last Stand,” “Marley & Me,” “Burlesque” and Garry Marshall’s “Valentine’s Day,” which reunited him with co-star Dempsey.

Dane did not plan to be an actor until he unexpectedly landed a role in his high school’s production of Arthur Miller’s “All My Sons,” but he “fell in love with it,” he told the Gulf Times in 2014.

“I was like this is the greatest feeling ever,” he added.

Eric William Dane was born Nov. 9, 1972, in San Francisco. His father, a Navy man-turned-architect, died of a gunshot wound when the actor was 7, leaving his mother to raise her two children with assistance from her parents.

Dane attended Sequoia High School and San Mateo High School but dropped out prior to graduation to pursue acting in Los Angeles.

He partied often in his 20s and first entered rehab at age 26. Amid his “Grey’s Anatomy” fame, Dane struggled with addition to painkillers and prescription medicine. He relapsed in 2007 during the Writer’s Guild of America strike, he recalled in 2024.

Eric Dane carries one young daughter and holds the other daughter's hand along with wife Rebecca Gayheart

Eric Dane and Rebecca Gayheart bring their daughters to the March 2015 world premiere of “Cinderella” in L.A.

(Richard Shotwell / Invision / Associated Press)

“If you take the whole eight years I was on ‘Grey’s Anatomy,’ I was f— up longer than I was sober and that was when things started going sideways for me,” he said at the time. Notably, he entered rehab again in 2011 to address issues with prescription drugs he had been prescribed for a sports injury.

Dane also spoke openly about his struggles with depression, which reached a head in 2017 amid production on his series “The Last Ship.” During a 2017 “Today” appearance, Dane explained that he was taking medication to manage the disorder, which he said hit him “like a truck.”

“I had to take some time off,” he said at the time. “I went away, I took care of it, and I’m feeling great.”

Dane married “Loving” actor and model Rebecca Gayheart in 2004 in Las Vegas the same day he proposed to her. Infamously, their relationship was subject to scrutiny when in 2009 leaked video showed the spouses in the nude and intoxicated lounging in a bathtub with actor Kari Ann Peniche. Marty Singer, attorney for the spouses at the time, dismissed the controversy.

However, the couple separated in 2017 and Gayheart filed to divorce Dane in 2018, but the split was never finalized. Then in March 2025, right before he went public with his ALS, she filed a request to dismiss the original petition.

In Dane’s role after revealing his diagnosis, he appeared in an episode of the NBC medical drama “Brilliant Minds” as a heroic firefighter struggling to tell his family he has ALS. The episode aired in late November; Gayheart revealed in a late December New York magazine essay that the actor was receiving 24/7 nursing care and she was covering most of the caregivers’ missed shifts.

“We haven’t lived in the same home for eight years; he’s dated other people, I’ve dated someone,” Gayheart wrote in the essay, which discussed Dane’s diagnosis and how it had affected the family. “It’s a very complicated relationship, one that’s confusing for people. Our love may not be romantic, but it’s a familial love. Eric knows that I am always going to want the best for him. That I’m going to do my best to do right by him. And I know he would do the same for me.

“So whatever I can do or however I can show up to make this journey better for him or easier for him, I want to do that,” she continued. “And I want to model that for my girls: That’s what you do. That’s the right thing to do.”

Dane is survived by daughters Billie, 15, and Georgia, 14, whom he shares with Gayheart.

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How ‘The Pitt’ portrayed a rape kit exam with the help of experts

The following article contains spoilers for Episode 7, “1:00 P.M.,” of “The Pitt” Season 2.

The education begins almost immediately. A young woman who has just experienced a sexual assault is in triage, and “The Pitt’s” Dr. Robby (Noah Wyle) enlists Dr. Al-Hashimi (Sepideh Moafi) to assist charge nurse Dana Evans (Katherine LaNasa) with the patient.

“We can call for a SANE,” another nurse suggests when Dana says she’ll be occupied.

“On a holiday? Could be hours,” responds Dana, a veteran who knows better, as the Fourth of July shift enters afternoon hours. “We’re not going to make this patient wait. And since I’m the only SANE on staff …”

A what? The quick reference sets in motion what “The Pitt” aims to shed light on: a sexual assault forensic exam, also known as a rape kit exam. The episode delves into the confidential medical procedure to collect DNA and evidence and gives one of the most detailed depictions of the process for television.

But before cameras venture into the room with the patient, Dana gives recent nursing school graduate Emma (Laëtitia Hollard) — and the audience — an overview. A SANE is a sexual assault nurse; they perform forensic exams, collect evidence and hand it over to the police, if a report is made. They also provide resources, support and may even testify in court.

The storyline serves a dual purpose, according to Kirsten Pierre-Geyfman, who co-wrote the episode with the show’s creator, R. Scott Gemmill. “We wanted to highlight the very important and incredible work of a SANE, especially in the department setting,” she says. “And we also wanted to see the bravery it takes for a survivor to come forward, let alone do a rape kit … It’s not an easy decision for somebody to make, and it’s not an easy process for somebody to go through.”

To help construct a realistic and sensitive portrayal of the exam process, “The Pitt’s” writing team and actors worked with a number of consultants, including the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape (PAAR).

“I wanted people to understand the extent of the exam, I think that’s a misconception among a lot of people,” said Dr. Kathleen Sekula, a SANE at Duquesne University in Pittsburgh who also consulted the show’s team.

A young woman looking to her left in a hospital gown in a room

Ilana (Tina Ivlev) arrives at the ER in Episode 7 of “The Pitt.”

(HBO)

The case in Episode 7, “1:00 P.M.,” involves a visibly shaken young woman, Ilana, played by Tina Ivlev. The writing team knew they wanted to detail the process, not the trauma, Pierre-Geyfman said, so the information about what Ilana experienced is minimal: She was at a barbecue with friends when she was assaulted by a male friend.

“The thing that struck me was the fact the other shows might focus on what happened and then dive into that,” Ivlev said. “What I loved about this, the minute she starts talking about it, they cut [away]. There’s so much underneath it. I wanted it to be similar to real life when you have a traumatic situation happen — sometimes you can be hyperfocused on certain details, then other things are cloudy. Her head is spinning. She’s in shock.”

As with many of “The Pitt’s” cases, the story serves to bolster the emotional arc of the show’s healthcare providers, in this case Dana, who assists with the exam from start to finish as the department’s certified SANE nurse. Last season, she was brutally punched in the face by a disgruntled patient while taking a smoke break. That violent attack left her rattled and contemplating an exit from the job, but after taking a few weeks off, she ultimately returned to work — though the assault’s lingering impact has sharpened her edges.

“With Dana’s arc and her own assault last season, she’s definitely calcified a little this season,” Pierre-Geyfman said. “She’s trying to create a little bit of distance between her and her patients, and is really trying to prioritize her nurse’s safety. You see her struggle a little bit with that with this patient. She’s wanting to do more for her.”

On screen, the assessment begins with Dr. Al-Hashimi checking to see if Ilana has any injuries that need immediate attention and getting an intake of prescription medications and any known allergies to medications. Securing two triage rooms to complete the exam as a way to ensure privacy in the busy emergency department, Dana, with help from Emma, begins the evidence collection while carefully outlining the process to Ilana. For starters, once Dana opens the kit, Ilana cannot leave the room but is free to take a break as needed.

To avoid contamination, Dana puts on a face shield and opens the kit, which is a rectangle-shaped box that contains items like paper bags to store evidence and swabs for collecting biological samples. The first step requires Ilana to change into a robe, undressing on top of pads placed on the floor so each item of clothing can be packaged into separate bags and collected as evidence. She’ll be given new clothes, Dana assures her. Dana raises a large piece of cloth to give Ilana privacy as she completes the process.

Eventually Dr. Al-Hashimi returns to examine Ilana, checking for any pain on her body or need for X-rays or imaging — she notes two areas of bruising to be documented by Dana with photos. Dana seals the camera’s memory card in an evidence envelope. Next, with the lights off, Dana runs a black light over Ilana’s body. Dana relays that if there’s a part of Ilana’s skin that glows, she’ll swab it with a wet, then dry, cotton swab. Dana next swabs Ilana’s mouth — the inside of her cheek and along the gum line — and her finger nails. At various points, Dana is careful to assess Ilana’s comfort with each step and uses statements like “This will not define you,” while Ilana shows signs of stress about the length of the process.

Two nurses, both wearing face shields, prepare for an exam

Emma (Laëtitia Hollard) assists Dana (Katherine LaNasa), who leads the exam as the SANE (sexual assault nurse) on duty.

(HBO)

At one juncture, an advocate from Pittsburgh Action Against Rape, otherwise known as PAAR, arrives to further detail the resources and assistance they can offer, a service that’s available regardless of whether a patient decides not to complete the rape kit exam. Throughout the process, Ilana is assured that she can complete the exam even if she’s vacillating on whether to file a police report — that decision can be made at a later time and none of it goes on her permanent medical record. But when the exam pivots to external and internal vaginal collection, Ilana panics once she’s instructed to place her feet in stirrups to get into position. Dana suggests a break.

“I don’t want a break, I want to stop,” Ilana proclaims. “He’s my friend. He knows all my friends. It was just a dumb — he was drunk. He didn’t mean — it didn’t mean anything.”

It brings a pause to the process, which will carry over into Episode 8. In trying to show the scope of the exam, the medical drama takes liberties in its completion time. Sekula said it’s rare for an exam to be completed in under three to four hours.

Not all nurses are certified to be a SANE, and certification requirements vary by state, according to Sekula. It’s a role that requires extreme attention to detail and thoroughness, as their work bridges the healthcare and legal systems. While preparing for the episode, Hollard said she marveled at the precise protocols involved and the support that’s provided.

“On a technical level, it’s so meticulous,” Hollard said. “There’s so many parts, so many envelopes. You have to take these swabs and they can’t touch each other. And the legality of it all — the way this kit is happening is how they would do it with PAAR in Pittsburgh, but that’s not the same way they do it in California, or [the way] they do it in different states.”

While “The Pitt” is frequently recognized for its hyperrealistic medical procedures, the episode’s director, Uta Briesewitz, knew she wanted to film the exam in a way that mirrored the sensitivity healthcare professionals strive to exhibit, with shots that weren’t invasive or fixated on Ilana’s body. For example, when Ilana is undressing, the camera is fixed on Dana being mindful to give her privacy even in their close proximity — an out of focus glimpse of Ilana’s bare backside comes only when getting a reaction of Emma taking in the weight of the moment. Later, when the blue light is being run down Ilana’s body, her hospital gown is carefully place to avoid exposure. In addition to a SANE consultant being on set to assist with queries about the process, there was also an intimacy coordinator to help with the comfort level of filming the scenes.

A nurse with a face shield holds up a hospital gown

“On a technical level, it’s so meticulous,” said Laëtitia Hollard of the process. “There’s so many parts, so many envelopes. You have to take these swabs and they can’t touch each other.”

(HBO)

“It was a very sensitive line because women can get re-traumatized,” Briesewitz said. “I remember one of our more detailed conversations with our SANE nurse was about when Dana had to look with the black light for bodily fluid. How do we make sure she would not miss anything but, at the same time, give the victim the feeling that they’re still protected? It was super helpful to have our SANE advisor on set to say the way she would do it. ‘One arm comes out of the sleeve, then I hold up her gown this way, and I would do it like that …’”

LaNasa found her time at the UCLA Health Rape Treatment Center crucial to chart both her character’s ease in the room and her sensitivity to the task at hand: “I went back a second time because I knew I was going to have to use the kit … I wanted it to look like I had used the kit many times and I knew what I was doing.”

Reflecting on the case as a mirror to her character’s journey, LaNasa pointed out that Dana never pressed charges against Doug Driscoll, the man who assaulted her.

“It’s different in this situation,” LaNasa acknowledged. “I thought it was great information that we got out of this, which is that you can go and do a rape kit, you can have the evidence collected, and you don’t have to decide on that day when you’re traumatized if you want to press charges or not. I think that part of Dana’s hypervigilance is probably because there was no justice for her. I think why she’s cracked this season is because she didn’t take care of herself. She’s reeling from that. She let him beat her up. At the same time, she doesn’t want Tina’s character to feel any pressure, but I think she wants it for her. She wants her to have the ability to change her mind later.”

“We’re going to hear Dana, later in the season, refer back to this process that these people have to go through, in defense of a sexual assault victim,” LaNasa teased. “It’s big on her mind. She’s been doing it quite a while.”

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Cause of death revealed for Peter Greene, ‘Pulp Fiction’ villain

The cause of death for Peter Greene, a character actor known for playing villains in movies including “Pulp Fiction” and “The Mask,” has been revealed by New York City’s Office of Chief Medical Examiner.

Police found Greene, 60, dead in his apartment Dec. 12. They didn’t suspect foul play.

His death was ruled an accident, the M.E.’s office said via email. Greene died from a “gunshot wound of left axilla with injury of brachial artery,” the office said. In everyday English, that means he shot himself in his left underarm and injured a significant artery that starts in the shoulder and runs down to the elbow crease.

Police found the character actor in his Lower East Side apartment, Deadline reported, after neighbors heard Christmas music playing for days and one of them called authorities and the landlord for a wellness check.

Greene had a history of addiction, per the New York Post, and attempted suicide in the 1990s. He was scheduled to go in for a procedure to remove a benign tumor near his lung on the day he was found, the outlet said. His manager had talked to him two days before he was found.

“He sounded OK … It was just a totally normal conversation. He was a little nervous about the operation going in, but he said it wasn’t super serious,” manager Gregg Edwards told the Post in December. “He was talking about that and hoping that I was going to be OK and wishing me well as I was wishing him well. We’re good friends. I love the guy.”

Greene’s best-known role was the villain Zed, who was brought in to torture Bruce Willis and Ving Rhames’ characters in Quentin Tarantino’s 1994 classic “Pulp Fiction.” In “The Mask,” also released in 1994, he played mobster Dorian Tyrell, antagonist to Jim Carrey’s Stanley Ipkiss, a.k.a. the Mask.

Those roles came only a couple of years into Greene’s career, which per IMDb included nearly 100 TV and film credits from 1990 to 2026. His TV credits included episodes of “Chicago P.D.,” “Hawaii Five-0,” “Law & Order,” “Justified” and more.

He started out with parts in a couple of TV shows in the early 1990s before landing the lead role in “Laws of Gravity.” In 1995, Times movie critic Kenneth Turan called the 1992 film “independent American filmmaking at its best” and described Jimmy (Greene) as “a small-time street outlaw who, though horrified at the thought of actual work, is stable by local standards” in Brooklyn’s then crime-ridden Greenpoint neighborhood.

The New Jersey native, born Oct. 8, 1965, studied Method acting at the Lee Strasberg Theatre & Film Institute in New York City when he was in his 20s. He told Premiere magazine in 1996 that he ran away from home at age 15 and lived on the streets, using and dealing drugs and hiding from other dealers in theaters, where he got into acting. His drug use overlapped with his early success on screen.

After a 1996 suicide attempt, the actor said, he got treatment for addiction and sobered up.

The Associated Press contributed to this report.

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Bridgerton star lands role in ‘perfect’ rom-com fans have read ‘over and over’

An upcoming adaptation of a bestselling rom-com has landed a major Bridgerton star for the leading role

Bridgerton sensation Phoebe Dynevor has secured the leading role in Beach Read, the forthcoming film adaptation of Emily Henry’s chart-topping romantic novel.

First released in 2020, the story centres on two authors and former university competitors who cross paths again unexpectedly, embarking on a literary duel whilst vowing to resist any romantic entanglement.

Dynevor, celebrated for her portrayal of Daphne Bridgerton in Netflix’s smash-hit Regency drama’s debut season, will take on the part of romance writer January Andrews.

Within the narrative, January faces off against and ultimately develops feelings for Gus Everett, whose casting remains unannounced.

Devotees of Henry’s work have grounds for enthusiasm regarding the upcoming adaptation, as Yulin Kuang is at the helm. Kuang co-authored Netflix’s recent take on People We Meet on Vacation, featuring Emily Bader and Tom Blyth, reports the Express.

Kuang is also crafting the screenplay, with 20th Century Studios backing the project, ensuring audiences can expect a cinema release.

The complete film synopsis from Deadline states: “Beach Read is a romantic comedy following January Andrews, a successful romance novelist who struggles with grief and writer’s block after her father’s death and the discovery of secrets he’s long kept hidden.”

“While spending the summer in his Michigan beach house to prepare it for sale, she unexpectedly reconnects with Gus Everett, an author who was once her rival in college.

“Both creatively stuck, they agree to a writing challenge over the summer, swapping literary genres while promising that there will be no romance between them. Of course, you know what they say about the best-laid plans.”

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Fans will no doubt be thrilled to witness January and Gus’s swoon-worthy romance translated to screen, as Henry’s original novel has garnered glowing reviews from both critics and readers alike over the years.

One five-star Amazon review gushed: “I’ve read this book at least six times now, and somehow, I love it more with each reread.”

They continued: “Everything about this story is perfect. It’s heartwarming, smart, and emotionally rich, but still manages to have me giggling, kicking my feet, and fully rooting for these two. This is such a comforting read I keep the audiobook on standby for whenever I have the chance to replay it.”

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Another reader enthused: “Together Gus and January have managed to chip away a piece of my heart to call their own. No romance book has had me screaming, crying, smiling and laughing as much as Beach Read.”

A final admirer declared: “Oh my word, I loved this book so much. I can’t stop recommending it to people, even my guy friends. I’m not sure how anyone can consider this anything but a masterpiece.”

Eager to be captivated by another brilliant Emily Henry adaptation? Stay tuned for further updates.

Beach Read does not currently have a release date.

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Snoop Dogg sent Olympics tickets to restaurant that covered his dinner

Snoop Dogg is dropping Olympics tickets like it’s hot.

The hip-hop icon has been busy at the Milan-Cortina Games as a special correspondent for NBC as well as an honorary coach for the U.S. team. According to recent reports by NBC and Reuters, he’s also been spreading the Olympics joy to the locals.

The rapper reportedly sent five tickets for the men’s snowboard halfpipe final to the owners of a local restaurant who covered his dinner after there were some troubles with the credit card payment. Sofia Valmadre, whose parents own Cronox in Livigno, Italy, said Snoop had placed an order for a cheeseburger, chicken wings, chicken nuggets and French fries at her family’s eatery. Unfortunately, the credit card the mogul’s staffer tried to use was declined for an unknown reason.

“My mother told him it was OK [to take the food] without paying,” Valmadre told Reuters. “[The next day] he sent us five tickets to see the final.”

The “Gin and Juice” rapper has become a familiar presence at the Olympics, especially since NBC made his involvement official starting with the 2024 Paris Summer Games. In addition to cheering on American athletes including curlers Cory Thiesse and Korey Dropkin, snowboarder Chloe Kim and speedskater Erin Jackson at their events — usually in custom apparel celebrating the sports stars — Snoop has been spending his time in Italy hanging out with bestie Martha Stewart, learning how to ski from Picabo Street and getting chummy with Olympians like “Quad God” Ilia Malinin.

For those curious about Snoop’s dining habits, Stewart recently described him as a “very fussy eater.” She even surprised him with a bowl of spaghetti with meatballs topped with cheddar cheese during a recent fine-dining outing.



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Stepping back was crucial to finding our confidence again, says Mumford & Sons frontman Marcus

THERE’S a line in Badlands, one of Mumford & Sons’ new songs, that feels like a mission statement for new record Prizefighter.

Singer Marcus Mumford says: “The lyric says, ‘Don’t look down now/I’m not done here yet’. I was listening to that song today and that’s the sentiment of Prizefighter.

Mumford & Sons are back with their sixth album Prizefighter
The band’s Lovett, Mumford and Dwane say they feel ‘very fortunate’ to be launching another album

“We try really f***ing hard, we want to be great. And I think we’ll keep trying.”

I’m chatting to Mumford and keyboardist Ben Lovett in Bath, a few hours before they are due on stage at The Forum to celebrate the release of their new album.

“We feel very fortunate to be launching our sixth album, it’s a big deal,” says Lovett.

“It’s a marker of beyond the creativity and how we feel about the music itself. “When we started this band, it was all about longevity for us.

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“And it feels great to be coming up to 20 years as a band and feel like we want to do another 20.

“That’s a big statement of success for us.”

The pair are seated together on a sofa, comfortable and clearly energised by their new record.

It’s hard to believe it’s only 11 months since fifth album Rushmere signalled their return from a seven-year hiatus.

For Prizefighter, they worked with producer Aaron Dessner from US rock band The National.

They had worked with him on 2015’s Wilder Mind, and they crossed paths again while mixing Rushmere in Electric Lady Studios in New York City.

Mumford says: “Aaron showed us the beginning of an idea for Prizefighter, the song he’d written with Bon Iver’s Justin Vernon.

“And we instantly started writing on it.

“Aaron’s always writing music with his mates for fun. He then played us a snippet of what became new single The Banjo Song that he’d started with Jon Bellion as a sketch.

“This was the be­ginning of the record, a beginning of ideas, like we do with each other all the time. It was just for fun to see where it goes.”

Mumford & Sons have continued as a trio since founding member Winston Marshall departed in 2021 after publicly expressing support for a book by right-wing American journalist Andy Ngo.

Lovett explains: “We got together in January 2023 and started making music without any agenda and I felt very free.

“That was the right thing to do. That was the right start or restart after Marcus’s solo record [2022’s Self-Titled].

“And it was the first time we’d played together in a couple of years. It felt like riding an old bike.”

Their first new music came in the form of Good People — a surprising collaboration with Pharrell Williams in 2024.

“That record was a very different experience but showed us that we have range and versatility,” says Lovett.

“So, by the time we got to the studio with Aaron, we were confidence high. We loved it and wanted to be curious creatively, from a place of positivity.

“And that’s basically how the record got in to motion.”

Mumford says stepping back was crucial to finding their confidence again.

“I am less insecure about being an artist,” Mumford tells me. “I will go off to a coffee shop and read poetry and do it unapologetically.

“I’m also more playful with my lyrics. I love Clover in particular.

“I just didn’t have the confidence to be tongue-in-cheek, surreal or even slightly ridiculous.

“Those types of lyrics would never have got on any previous albums.

Aaron, like Pharrell and Dave Cobb, who produced Rushmere, sat us down and gave us quite a serious talking to about believing in ourselves and looking back at what we’ve done with pride while also looking ahead.

“Recognising our confidence and DNA at the same time is what led to us being able to write this record.

“There’s a lot of insecurity and confidence on the record and also nostalgia and ambition and so that’s why it’s called Prizefighter.”

Lovett adds: “We feel more comfortable in our own skin, with a stronger sense of identity than we’ve had as a band for a while.

“The success of Rushmere [their third No1 album] and touring last year gave us a big confidence boost and reminded us that people still care and we are having a good time.”

Prizefighter sees Mumford at their most collaborative. Gorgeous piano ballad Badlands features Gracie Abrams, while Chris Stapleton, Hozier and Gigi Perez are also guest singers.

Finneas, Dessner, Vernon, Bellion and Brandi Carlile are credited as co-writers on the record.

“We’ve always been a bit more protective in the studio,” says Mumford. “In the early days a band needs to set out their stall and show people who you are.

“We have always had this collaborative spirit where we’ve enjoyed playing with other bands but we’ve not really recognised that on record before.

“It felt the time to do it, so we’ve opened the doors and it’s been really fulfilling. It’s one big community.”

Gracie Abrams, a long-time friend of Mumford’s, was the first to hear the band’s new songs.

“I’ve known her right from the start,” says the singer. “Gracie was the first person to hear any of these demos, like before labels or managers or anyone else.

“And we found out recently that she came to one of our shows when she was 13.

“We’ve been friends for a long time. She’s amazing.

“With Badlands we asked her to pick any song to sing on and she said yes to that song which had been written to be her voice.”

Album opener Here was written with Grammy-winning country powerhouse Chris Stapleton in mind.

Mumford says: “I’m just a fan of his and I couldn’t get the idea out of my head that he should sing the second verse on Here.

“We hadn’t met, so I called him. We had a long conversation. We really connected. Then he heard the song and said, ‘Yeah, I’ll record it next week’. And he did. It was all pretty organic.

“We didn’t have a list. It was like, ‘Let’s send this to Andrew, aka Hozier, see if he wants to f*** with it’. And he said yes.”

Lovett adds: “It’s a simple environment up at Aaron’s Long Pond studio. We record then we sit around eating soup together.

“It’s not the glossy album where you’re stuck on the other side of the glass and the red light goes on and it’s your big moment.

“Making Prizefighter felt a much more human experience.”

Conversation With My Son (Gangsters & Angels) is another highlight on Prizefighter and a song that Dessner was a huge fan of.

“Yeah, Aaron was a huge advocate for that song,” says Lovett. “It felt like there was an opportunity to explore something musically and thematically that was a bit different to the rest of the record.”

Mumford, who has two daughters and a son with actress Carey Mulligan, adds: “It has a hymnal and intentionally repetitive, melodic thing like in a Trad Irish song.

“Ben is being modest but he had this clear vision for that song.

“Then we sat down and Ben made a little demo of his chord sequence, and I fell in love with it.

“I’d been writing some words that morning and it became an essential band moment.

“We sit quietly and play along until we have an idea. Ted Dwane was on the bass, Ben was on the piano, Aaron was playing a guitar, I was writing words.

“Aaron understands being in a band very well and when we play to our strengths. It fell together like that and is a good example of the alchemy of being in a band.”

Lovett, who has a young daughter with his partner, American fashion executive Molly Howard, says: “Having kids act as a mirror to your life makes you want to be a slightly better version of yourself.

“We all take fatherhood quite seriously and it means that when we’re together, it’s cherished in a very different way.

“There was a real fun and silliness to our 20s that was inefficient — like staying out until 5am just because, why not have one more?

“I think there’s something beautiful about treating this with more care. It’s a very precious thing.

“Being in Mumford & Sons is amazing and we’re lucky we get the opportunity to do this.

“And finding out we have people all over the place who appreciate that we continue to still do this, is a charger for Chapter Two.”

Mumford adds, smiling: “I would say we’re in the phase where we take our work more seriously but take ourselves less seriously.

“Making my solo album made me fall back in love with the band. I love these lads and the sense of belonging and home we get from being this band together.

“When we got back together it was like we renewed our vows.

“It’s very silly but a privilege so we’re really trying to be present and our audience has made us more grateful and appreciative. Seeing new and younger fans getting into the songs has been amazing.

“I think we’re about at the point of our career where Radiohead were when they released Hail To The Thief — that was my way into Radiohead. It’s my favourite record of all time. And through that record I discovered the rest of their catalogue.

“They’d always felt like my brother’s band, who is older than me, but then this album came out when I passed my driving test.

“I hope that Prizefighter is that first Mumford album for some people.”

Making an album so soon after another, has been inspiring and Mumford says: “We never want to turn the tap off. The tap still feels like it’s got something in it.

“We could have released Prizefighter a week after Rushmere, but we wanted to give people space and time, but now the idea is to be accelerating that process so that we can show people.

“I hope we can start writing songs and releasing them the next day, like Bruce f***ing Springsteen!

“Our Hyde Park show in July will be a celebration for us — the centrepiece of our year.

“We are inviting guests and friends and crafting the line-up at the moment.

“We’ve announced The War On Drugs, who are one of the best bands in the world and people know from working with Sam Fender.

“There’ll be more we can tell you about soon, which will be fun, we really put time and effort into those line-ups.

“Hyde Park is going to be wicked, with plenty of surprises on the day too.”

Lovett adds: “Prizefighter is important to us.

“As a band, we’ve had some fun getting here, but I think this album sets us up for a really bright future.”

  • Prizefighter is out today.

MUMFORD & SONS

Prizefighter

★★★★☆

Mumford & Sons’ new record Prizefighter is out nowCredit: Unknown

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