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MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

As Coronation Street’s power couple Swarla tie the knot, British LGBT Awards founder Sarah Garrett says the soap highlights huge progression in the representation of same-sex couples on TV

Lisa Swain and Carla Connor have finally said ‘I do’ on Coronation Street, leaving Swarla fans rejoicing.

The couple got together in 2024, growing closer before realising their feelings for one another. After almost two decades on Corrie, this is Carla’s first same-sex relationship, while it’s certainly not her first wedding.

That said, Carla has finally found her soulmate in Lisa, something agreed on by cast members Alison King and Vicky Myers who play the pair. But it’s not just about the characters and what it means to them.

There’s been a huge shift with how women-loving-women (WLW) romances are presented, and perceived, onscreen in recent decades. When you think back to the first pre-watershed lesbian kiss on UK TV, that aired on former soap Brookside in 1994, it sparked both backlash and praise, while it was historic in that it was something that had never been aired before 9PM until then.

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Fast-forward 30 years and we now have Lisa and Carla’s wedding, and the soap’s first WLW wedding that sees both characters actually make it down the aisle. Viewers have backed the couple from the very start, with many fans inspired by their love story.

With the wedding airing during Lesbian Visibility Week, a deliberate choice by the soap, it has to be noted that many viewers feel represented by the characters and their union.

Yes, Swarla have had many obstacles in their time together, and more than most. They’ve had evil wives returning from the dead, killer brothers and a few hiccups along the way, not forgetting the disastrous proposals.

But they’ve made it, and Swarla are here to stay. It’s clear from the love the viewers have for Lisa and Carla that not only are they offering a powerful representation onscreen of a lesbian relationship, but it also shows how far television has come where the visibility of same-sex romance is concerned.

Addressing this progression and what Coronation Street has got right with Carla and Lisa, Sarah Garrett, Founder of the British LGBT Awards, shared her thoughts with The Mirror. She shared how much of an impact Swarla have had, and why it matters.

Sarah also shared what it was about Swarla, and what Corrie have done with the characters, that is so important – and why other TV shows and screenwriters should take note. Sarah told us: “In the 32 years since Brookside first aired a pre-watershed lesbian kiss on British television, same-sex relationships have been portrayed in many ways – the good, the bad and the ugly.

“What makes the portrayal of Carla and Lisa’s relationship so compelling is that it has never been framed as a coming-out story; instead, it is simply a story about falling in love. Their journey centres on two women who know exactly who they are, finding each other and building a relationship marked by compassion, conflict and vulnerability.

“It’s a powerful example of authentic storytelling and one from which screenwriters around the world could take note when depicting healthy, nuanced same-sex relationships.

“Going forward, the industry has the opportunity to build on this by continuing to normalise diverse relationships without sensationalism, investing in layered character development and allowing LGBTQ+ stories the same depth, longevity and ordinariness as any other on screen.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

A cellphone belonging to David Anthony Burke, better known as the singer D4vd, contained “a significant amount of child pornography,” a prosecutor said in court Thursday morning.

Los Angeles County Deputy Dist. Atty. Beth Silverman made the claim during a court proceeding to schedule a preliminary hearing on murder charges in the killing of 14-year-old Celeste Rivas Hernandez. The images were uncovered as part of a broad series of search warrants executed on Burke’s phone and iCloud account, Silverman said.

Burke’s attorneys have insisted he is innocent and are demanding his preliminary hearing begin next week, meaning evidence in the closely followed case could become public as soon as May 1. He appeared in court Thursday in an orange jail jumpsuit and walked into court with his hands in his pockets.

A status hearing was set for April 29. Silverman and a district attorney’s office spokesperson declined to comment outside the courtroom. The singer’s attorney, Blair Berk, also declined to comment.

The D.A.’s office spokesperson declined to say if the child sex abuse material allegedly found on Burke’s phone was related to Hernandez or another victim.

Burke was arrested by Los Angeles police last week and charged Monday with murder, continuous sexual abuse of a child and corpse mutilation, according to a criminal complaint. He has pleaded not guilty.

Defendants have a right to have a preliminary hearing, in which a judge determines whether prosecutors have enough evidence to bring a case to trial, within 10 business days. But Berk’s push to move quickly is unorthodox. She has publicly grilled Silverman about needing access to more discovery materials, and the medical examiner’s report detailing how Hernandez died was not made public until Wednesday.

Joshua Ritter, a former L.A. County prosecutor, said Berk was playing a “hell of a game of chicken” but she may be aiming to pressure test the prosecution’s case.

“The defense might want to put the D.A. on their heels if they feel for some reason there was a rush to make an arrest. But this case is nearly the opposite of that,” he said. “They’ve had more than adequate time … this does not seem like a situation where the D.A. made a hasty decision to file.”

Silverman said police amassed “40 terabytes” of digital evidence in the case, which has made uploading and transmitting materials to the defense difficult. Silverman also said police had conducted a wiretap operation in the case, but did not disclose the nature of it. The veteran prosecutor said even she had “not received anything” related to that operation.

She also confirmed prosecutors convened three secret grand jury hearings after Hernandez’s death — two in November and December in 2025 and one in February. Those were investigative grand jury hearings, meaning prosecutors could use them to enshrine testimony against Burke, but could not use the proceedings to secure an indictment against Burke. Transcripts from all three hearings will also need to be unsealed.

L.A. County Superior Court Judge Charlaine Olmedo also warned Berk that if she does push for the immediate preliminary hearing, she may not have access to the entire compendium of evidence before May 1.

Ritter also mused that Burke could be pushing his attorneys to fight the case without delay. Beyond that, he said, the approach “makes no sense.”

“The defense is seven months behind the eight ball on this. They not only have the grand jury transcripts to catch up on but who knows what kind of digital forensics and wiretaps and everything else,” he said.

Silverman also seems intent on bringing the case to trial as soon as possible. Silverman noted Thursday marked the one-year anniversary of the date prosecutors believe Hernandez was killed, and said she intended to put the case before a jury within 60 days of the completion of a preliminary hearing.

The singer allegedly began sexually abusing Hernandez in September 2023, when she was just 13. Burke’s attorneys have said the case cannot stand up to scrutiny and pushed for the immediate preliminary hearing.

Hernandez was reported missing from her family’s Lake Elsinore neighborhood three times in 2024, and she was spotted at some of D4vd’s concerts during that time frame.

Prosecutors allege Hernandez was last seen at Burke’s Hollywood Hills residence on April 23. She “threatened to expose his criminal conduct and devastate his musical career,” according to L.A. County Dist. Atty. Nathan Hochman, though the prosecutor has not answered questions about whether Hernandez was going to report Burke to police.

Burke surged in popularity after one of his tracks was included in the wildly popular video game “Fortnite,” and he has also collaborated with artists like 21 Savage. He was beginning to tour in support of his debut album, “Withered,” when reports surfaced linking him to Hernandez’s death. He quickly canceled all shows.

The details of the crime echoed some of the violent imagery associated with Burke’s songs. The Queens-born vocalist has appeared in a music video filled with violent imagery: a young woman with an apparent chest wound lies on a bed as the singer hovers over her, blindfolded, his white shirt spattered with blood. In another video, “One More Dance,” D4vd drags a person — who bears the singer’s likeness — to a car, where a couple stuffs the person into the trunk.

Hernandez’s badly decomposed body was found in the trunk of a Tesla at a Hollywood tow yard last September. An autopsy report made public this week revealed she died from a pair of stab wounds to the chest and abdomen. When police arrived on the scene, they found Hernandez’s body was “dismembered” and two of her fingers had been amputated, according to the medical examiner’s report.

Prosecutors charged Burke with murder with special circumstances, including allegations that Hernandez was a witness to a crime — her own sexual abuse — and that Burke killed her for financial gain to protect his ascendant music career. If convicted as charged, he faces life in prison without the possibility of parole or the death penalty. Prosecutors have yet to decide if they will seek capital punishment in the case.

OLIVIA DEAN stormed the opening night of her debut arena tour – but left fans gutted by not performing No1 hit Rein Me In.

She received a hero’s welcome at Glasgow’s OVO Hydro, fresh from a stellar few months which saw her scoop four Brit Awards, three Mobos and the Grammy for Best New Artist.

But she surprised the audience by deciding not to include her Sam Fender collaboration, which has so far spent eight weeks at the top of the charts, on her 23-track setlist.

So fans had a singalong to it outside the venue afterwards instead.

Rein Me In won the Brit Award for Song of the Year in February, but Olivia had plenty of other brilliant tunes to satisfy the sold-out arena.

As floor-to-ceiling white stage curtains opened to reveal the singer, she looked cool, calm and collected, despite the high expectations on her shoulders.

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She breezed out in a pink sequined dress and was greeted with echoing singalongs of utterly joyous tracks Nice To Each Other and So Easy (To Fall In Love).

She then told the crowd that her whirlwind success over the past 12 months has been a shock, even to her.

She explained: “This is crazy. Apologies if I get emotional tonight but I just can’t believe how many people are here. Today we were driving in and I drove past King Tut’s. I played there two years ago, and there was 300 people in the room.

“Now I’m here with all of you, so thank you so much for being here.

“Just enjoy yourselves. Sing, dance, cry, whatever you want. I’ll certainly be having a good time.”

And things got more emotional as she performed UFO, from her 2023 debut album Messy, which she said is about feeling “overwhelmed.”

When the audience spontaneously waved their phone torches in the air to light up the arena, she wiped away tears of joy.

One of the set’s unexpected highlights came as she sang Loud live for the first time.

And she did so in a flowing white skirt from a flower-shaped stage in the centre of the room.

Against stripped-back instrumentation, the haunting track showed her vocals at their most powerful.

Back on the main stage, disco balls descended from the ceiling for a more upbeat section which had her skipping and dancing across the stage, along with her nine-piece band.

As she wrapped up the gig, she said: “I never imagined I could have my own headline arena tour. It’s mental.

“Thank you so much for listening and just believing in me.”

And while she didn’t do Rein Me In, she finished her set with fan favourite Dive and her first No1, Man I Need.

She will be back on stage tomorrow at Manchester’s Co-op Live before six nights at London’s O2 Arena, and further shows in Dublin and across Europe.

Olivia is at the top of her game right now and if you want a warm, musical hug, this concert is it.

Duran set for summer

DURAN DURAN have dropped new single Free To Love and have signed up presenter Clara Amfo to appear in the music video.

They gave Radio 2 a first play of the track yesterday morning and it’s a banger, with Simon Le Bon and the band working on the single with Nile Rodgers – 40 years after he produced their Notorious album.

In an exclusive chat after the single dropped, John Taylor told me: “We wanted to write something uplifting for these times we find ourselves in. A feelgood piece for an imaginary dance floor.

“I always want to feel the DNA of classic disco in our music, reframed for now. Nile locks us into that timeless groove, bringing a sense of optimism. It’s a reminder that music can still bring people together.”

If you’ve not heard Free To Love yet, definitely give it a listen. It’s the perfect summer song.

Lady Gaga eyes six second Oscar

LADY GAGA is eyeing up another Best Original Song nomination at the Oscars after recording three songs for Devil Wears Prada 2.

After Gaga, released her Doechii collaboration Runway earlier this month, I told how the superstar had a surprise in store for fans and had contributed more to the film’s soundtrack.

I can reveal that as well as Runway, Gaga has recorded Shape Of A Woman which she performs during the film, plus a third song, which is called Glamerous Life.

It is a stripped-back emotional ballad – similar to her 2022 single Hold My Hand for the Top Gun: Maverick sequel.

On the new song, Gaga sings: “I might need a hero to save me from breaking. Can I be myself in a world that’s just faking it?”

In 2019 Gaga won Best Original Song at the Oscars for A Star Is Born’s Shallow and if Prada 2, which is in cinemas from May 1, takes off like I think it will, she will have another Oscar nomination under her belt.

Gaga co-wrote Shallow with Mark Ronson and performed it at the Oscars ceremony with her movie co-star Bradley Cooper.

Sofa, so good Kylie

ANYTHING Kylie Jenner touches seems to turn to gold.

So I think sofa superstore DFS should be having a serious think about signing her up, after the American reality TV star turned beauty mogul decided that she would use her cream sofa as the backdrop for a load of thirsty Instagram snaps.

Over two million of her fans have now liked the images, which Kylie captioned: “Can’t a girl have fun?”

I can think of more places to have a laugh than on my sofa wearing a bra, but each to their own.

Ant & Dec go crazy

OUR sister showbiz column Biz On Sunday told you back in February that Ant & Dec were in talks for a new ITV primetime show all about crazy golf.

And now I’m told the Geordie duo have had the series green-lit by telly chiefs, and the pair are already busy filming with a host of golf-mad hopefuls.

It is based on US show A Hole In One, where contestants battle it out on a seriously hard silly course for cash.

A source said: “Ant and Dec have been given the nod and they’re preparing to film their new ITV show later this summer.

“Rather than having the public competing like in the US version, they’ve got a load of golf fans to sign up and play.

“It’s going to be the weirdest and wackiest game of crazy golf ever, with some big personalities trying to putt a winner.

“Ant and Dec are huge golf fans so really wanted to get the concept off the ground. ITV loved it and now it’s being pitched for a primetime slot on Saturdays. It’s family-friendly and with the great personalities they’ve got on board, they think it could be a ratings winner.”

Ant and Dec will have a hell of a job fitting this new show into their schedules, with the pair due to jet off to Australia later this year for the next series of I’m A Celebrity . . . Get Me Out Of Here!

But if I was getting paid to spend some days in the sun mucking around on a crazy golf course, I’d definitely make some time in my diary.

Liam bigs up Oasis return

LIAM GALLAGHER is fuelling what we all know – Oasis will be coming back with more live shows.

And now the motormouth has sent fans in Italy into overdrive after heading to Rome.

He was mobbed outside his city-centre hotel, where one asked if he and Noel would return to the city.

Liam replied: “Without a doubt. We’re coming next year.”

I revealed the rockers are plotting more reunion dates in 2027 after taking this year to recharge.

A huge run across the UK, Europe and North America is heavily tipped as the brothers celebrate the 30th anniversary of their heyday.

For a man meant to be on holiday, Liam is putting in serious hours in the Oasis promotions department.

Tyla has A* pop lined up

TYLA has announced her second album A*Pop will drop on July 24.

The singer was in New York to dish out copies of her signed i-D Magazine cover and celebrated the release date with her fans, saying: “Initially going into this project, I was nervous – like, ‘Where do we go from here?’

“But I realised that the music really reflects where you are in life, and the way the new album sounds came on its own, it fell into place.

“There are some exciting features but those are all still under wraps for now.”

Reverand And The Makers also have exciting news for fans.

Today they have dropped new single F*ked Up with Robbie Williams.

NICK GRIMSHAW knows an act who has already been booked to headline Glastonbury 2027, after I revealed in January his close pal Harry Styles will top the bill next summer.

On his Sidetracked podcast Nick seemed to confirm my story by saying: “I know someone that’s playing. I can’t say who. So two spots to go . . . Maybe. They might be booked.”

VINYL fans with deep pockets should start saving now, as the White Label Auction is back.

The annual sale in aid of The Brit Trust begins on June 23, with hundreds of rare white label test pressings going under the hammer through Omega Auctions.

Among the hottest lots are signed releases from Sam Fender, The Cure, Roxy Music and Yungblud.

Collectors can also get their hands on gems from Gorillaz, Coldplay, Freddie Mercury, Sex Pistols and The Who.

The charity event has already raised more than £200,000.

STRICTLY fans can swap the sofa for the dance floor later this year, with the show’s pros heading to Warner Hotels for a string of star-studded breaks.

Kai Widdrington and Katya Jones will lead the glittery line-up, with guests able to watch live performances, snap photos and even learn a few moves themselves.

And it’s not just sequins on offer.

Singers Chesney Hawkes, Michael Ball, Alexandra Burke, Will Young and Russell Watson are all booked to perform at various locations across the country.

BBC Radio 2 presenter Sara Cox, who has just landed the biggest job on the station, has been married to husband Ben Cyzer, with whom she shares two children, since 2013

Newly announced BBC Radio 2 Breakfast Show presenter Sara Cox has always been open about her home life, previously sharing a “depressing” revelation about her marriage to husband Ben Cyzer.

The broadcaster, who is set to replace Scott Mills on the nation’s biggest radio show, struck up a relationship with advertising boss Ben back in 2006, a year following the breakdown of her first marriage.

The BBC Radio 2 host tied the knot with Ben in 2013, and together they’re parents to daughter Renee and son Isaac. She’s also mum to Lola from her earlier marriage to DJ Jon Carter.

Yet Sara, aged 51, has disclosed a nightly struggle she endures with Ben. Speaking on her Teen Commandments podcast, which she co-hosts with Clare Hamilton, Sara revealed that Ben’s snoring regularly drives her to escape to another bedroom.

She explained: “This is my issue that I’ve got with Ben in the night if I wake up, just him breathing is annoying. Not during the day, I just mean any slight noises.”

“You know on a wildlife documentary when they have a shot of an animal that’s on high alert for a predator? I feel like I’ve got that heaving in the middle of the night, I can just hear the tiniest [noise]…it’s just so magnified in the middle of the night.

“I think there’s a bit of anxiety in there. I remember in my twenties if I woke up at like half one, I probably wouldn’t have been in bed at half one, but if I woke up in the middle of the night and it was like 3am, in my twenties I’d be like, ‘Yeah, I’ve got loads of time to sleep, amazing’. Now I’m 50 I go, ‘F**k, it’s three, I’m not going to sleep, I’m never going to get back to sleep again’.

“So I need to tap into that twenties energy of thinking, ‘I’ve got loads of time to sleep’.”

When questioned about managing her partner Ben’s nocturnal disturbances, Sara Cox revealed: “I nudge him, he’s really patient, he’s great about it, and then we just keep sleeping in separate rooms, which is a bit depressing.”

Sara has just revealed how “ecstatic” she feels to take the reins of the BBC Radio 2 Breakfast Show, after its former host, Scott Mills, was axed from the role last month.

“There are not enough adjectives to really sum up how I’m feeling about being trusted with such an iconic show but let’s start with ecstatic, honoured and incredibly chuffed,” she shared.

The star, who currently hosts Radio 2’s weekday Teatime show and will begin fronting the Breakfast Show in the summer, added: “It’s been a dream to host the Breakfast Show since I joined Radio 2 and it feels like a bit of a full circle for me.

“I’ve had the most glorious seven years of my career on teatime so thank you to my brilliant Teatime listeners who hopefully will join me at Breakfast for excellent music and all my usual nonsense plus some superstar guests. I honestly can’t wait to wake the nation up with the biggest most fun breakfast show ever.”

The Saturday soccer show, which looks ahead to the day’s games, is to end following a drop in ratings

Alex Scott has issued a statement after BBC bosses blew the final whistle on Football Focus after a run of 52 years. The presenter, 41, said: “I always knew this would be my last season on the show, which the BBC were aware of too. My intention was to move quietly into the next chapter, but sometimes things change.”

The show, hosted by Alex Scott, was first broadcast in 1974. The decision is said to be based on “changing audience behaviours”, with fans increasingly consuming football content in different ways.

She said: “To have been part of it has been incredibly special, and I’m so grateful and proud of the eight years I’ve been involved , including the five years I’ve had the honour of presenting it.

“It has been such an important part of my life, working with some of the very best people in the business, both on screen and behind the scenes. I’ve loved so much of it, the conversations, the laughter, and sharing so many big moments with you, the audience. Thank you for being part of it.”

It comes as the Corporation battles with its finances, with the BBC saying “it is appropriate to respond to this as difficult decisions are made around how the licence fee is spent”.

In an age of content creators and social media, many football fans are no longer tuning in to the BBC1 show.

But BBC Sport chiefs insisted the decision to end the show at the end of the current season was not a reflection on the performance of Scott, who took over in 2021 after Dan Walker’s 12-year stint.

Alex Kay-Jelski, Director of BBC Sport said: “Alex Scott is one of our finest presenters, is hugely popular across the men and women’s game and is a big part of our present and future.

“She will remain at the heart of our sports output across both the Men’s World Cup this year and the Women’s World Cup in 2027, as well as continuing her lead role on the Women’s Super League and BBC Sport Personality of the Year. We are also working on a very exciting new project with her – more to come on that soon.”

He added: “Football Focus has been a hugely important programme in the history of BBC Sport and has played a key role in telling the stories of the game for generations of viewers. This decision was made before last week’s wider BBC savings announcement, reflecting the continued shift in how audiences engage with football and our commitment to evolving how we deliver content to reach fans wherever they are.”

But Alex, who will be the last presenter of the long-running BBC stalwart, is said to have been left feeling “bruised” over the BBC’s inquests into its declining performance. The BBC has not published viewing figures but the audience had dropped off significantly from 849,000 in 2019 to 564,000 by 2023.

Walker predicted the end of the show back in 2023, when he said: “It’s hard to see Football Focus struggling… I hope it stays part of the TV landscape.”

JERSEY Shore star Snooki has confessed that she’s putting off life-saving surgery because she’s scared.

At the start of the year, Nicole ‘Snooki’ Polizzi revealed her stage 1 cervical cancer diagnosis to the world.

The MTV reality star, 38, believes she could have avoided the diagnosis had she gone to her recommended follow up visits to the doctor.

But despite saying she had regrets over “just keep putting it off” about her prior appointments, she is now putting off life-saving surgery.

Her doctor recommends that Nicole should undergo a hysterectomy to avoid the possibility of the cancer’s return.

“No, we’re not putting off any more appointments,” Nicole said.

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But she later added: “They’re already yelling at me to schedule the hysterectomy, which I didn’t. I’m traveling.”

Lara then pressed: “I know but this is your life,” adding how she is a mom to three beautiful kids.

“Well, I’m not going to lie, I’m scared,” the reality star added.

“I know, and I understand that. But you know what’s going to be more scary? If you don’t do it,” Lara urged.

“If you get this hysterectomy, do the doctors feel like you will be way ahead of the curve?” Lara asked.

Snooki replied: “Yes.”

Nicole recently underwent a PET scan where the results thankfully showed the cancer has not spread, though the surgery is highly encouraged to ensure the cancer does not return.

Elsewhere in the interview, Snooki opened up about the moment she found out about her devastating diagnosis.

“I was terrified. I was terribly crying in my car. Like, what am I going to do?” she recalled.

“I have three kids. I got to do my will. I haven’t done my will yet.”

Snooki first told fans about her health scare in an emotional video posted online in January.

At the time, she urged her followers to take their gynecological health seriously, and get all the necessary appointments done.

She noted that she was trying to get caught up on all hers, adding that several recent pap smears came back irregular in recent years.

Nicole said this raised concern with her doctors, who urged her to undergo a colposcopy to retrieve samples from her cervix for biopsy.

“That hurt. It wasn’t a great experience,” she said.

She then shared that the results of the colposcopy were “not great,” adding that her doctor “found cancerous cells on the top of my cervix.”

He urged her to get a biopsy to see if the cancerous cells spread, telling her the results of that would determine the next steps.

Nicole admitted at the time that she had avoided visiting the doctor because she did not want to deal with “pain” or “stress” caused by different procedures.

She admitted, however, that doctors visits are necessary, and encouraged her followers to take it seriously.

Snooki got emotional in the clip as the reality hit her.

“Obviously, I’m done having kids,” Nicole said through tears.

“But like as a woman, the thought of getting a hysterectomy is just sad, and it’s scary…the thought of getting the hysterectomy and then not being able to have kids, I think that’s what’s killing me,” she confessed.

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

Plucked from a previous life as a working actor, Richard Gadd experienced a disorienting whirlwind less than two years ago. “Baby Reindeer,” his painfully personal 2024 Netflix show, based on the sexual assault he survived, instantly opened the floodgates of fame for him.

“The show came out on Thursday, and by Sunday, I could barely walk anywhere without being recognized, without being stopped,” Gadd says while visiting The Times’ offices earlier this month. “That’s an adjustment because I always thought if anything like that ever happened, it would be a bit more of a gradual process. But it was overnight, so I didn’t have time to adjust.”

Now the winner of three Emmy Awards and a slew of other accolades for that series, which he starred in, wrote and served as showrunner, Gadd, 36, has already helmed a new emotionally ferocious show.

Probing the tropes of rigid masculinity, “Half Man,” premiering Thursday on HBO, chronicles the destructive bond between two men over several decades. Niall and Ruben — whose respective mothers are romantic partners — call themselves brothers but they couldn’t be more dissimilar.

Bullied at school, meek Niall (played by Mitchell Robertson in his youth and Jamie Bell in adulthood) lost his father as a young boy. He dreams of being a writer. Meanwhile, the insolent and hyper-confident Ruben (Stuart Campbell as a teen and Gadd as a grown-up) has been in trouble with the law from a tender age. Facing any conflict, he resorts to brutal violence. When Ruben takes Niall under his wing, the two become inseparable. But as the years and resentments pile on, their cancerous brotherhood threatens to obliterate them both.

“Half Man” follows the destructive bond between Ruben (Richard Gadd), left, and Niall (Jamie Bell) over several decades.

(Anne Binckebanck / HBO)

“Richard’s writing is really unique and really singular,” Bell says on a video call from England, where he’s currently shooting the “Peaky Blinders” sequel series and is sporting a shorter haircut. “He identifies that real gray area of humanity really well and he puts a voice to the most uncomfortable places that we go into or things that we think when we’re alone in the dark, when we think no one’s watching.”

Gadd wrote the first episode of what would become “Half Man” back in 2019, while he still was performing the live version of “Baby Reindeer,” which he turned into the series. At the time, he recalls, society at large was seriously engaging in conversations around toxic masculinity and sexual violence as the #MeToo movement gained strength.

“It wasn’t necessarily that I set out going, ‘Oh, I want to make a show about that,’” Gadd says. “It was more that something must have just drifted into my head thinking, ‘You take two men repressed in their current life, repressed in the modern world. And then you go all the way back to their childhood. You contextualize learned behavior; you contextualize trauma and things they learned that make them these repressed adults. And you bring a bit of context to, I suppose, difficult male behavior in the present.’”

As “Baby Reindeer” launched his career as a creator, Gadd put “Half Man” on ice for four years but couldn’t stop thinking about returning to it. “Even as I was coming to the end of ‘Baby Reindeer,’ I thought, ‘I’m really looking forward to getting back to that project,” he recalls. “The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now.’”

Sitting across from the mild-mannered Gadd, the magnitude of his transformation on screen for “Half Man” becomes even more impressive. Gadd comes off as thoughtful and emphatic, while Ruben, his physically imposing character, commands trepidation.

“The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now,’” Gadd says about working on “Half Man.”

(Ian Spanier / For The Times)

Watching Gadd as the rage-fueled Ruben, one might be surprised to learn he originally had no intention of acting in “Half Man.” After wearing multiple hats on “Baby Reindeer,” Gadd thought this time around he could get a purely external bird’s-eye view of a project as showrunner and writer of “Half Man.” But eventually people around him suggested he should be in front of the camera once again.

“My initial response was always, ‘That’s just so far away from anything I’ve done before. It’s so far away from me. Are people going to buy it?’” he recalls. “And behind every single fear-based thought was a worry of what people might think, which in my opinion, isn’t a good enough reason to not do something.”

Convinced audiences would struggle to see the guy from “Baby Reindeer” as this “hard man,” a U.K. term for tough and intimidating men, he had to physically morph. To inhabit a new body, Gadd underwent a strict exercise regimen, and most importantly, a new diet.

“I had a chef make these meals in England, fun enough, and send them up to Scotland where I was filming,” he recalls. “I’d eat them at specific times. You go through periods of fasting and through dehydration whenever you had your top off. There was a real science to it.”

And yet, though he at first worried he wouldn’t look big enough, Gadd refused to portray Ruben with a chiseled physique conceived for mere aesthetics.

“I didn’t want him to have a six pack, I wanted him to feel like a real person,” Gadd says. “Sometimes when you see someone on TV and they’re ripped, I almost don’t think that’s real strength. Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.”

Before he agreed to play the character, Gadd auditioned numerous actors for the part, but with all of them he felt they were too focused on his appearance as an imposing figure and not his inner turmoil. “Ruben is extremely sad as a person. He’s terribly broken and traumatized,” he says.

For the series, Gadd bulked up to become more physically imposing: “Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.” Richard Gadd in “Half Man.” (Anne Binckebanck / HBO)

When asked if he sees himself as Ruben, Gadd contemplates the question, debating whether it’s his “jetlagged brain” or ambivalence about finding some of Ruben within him.

“Do I see myself in Ruben?” After a pause, he concedes: “All of his behavior is a reaction to a deep traumatic happening in his life. I can relate to finding it extremely difficult to get past big traumatic events and coming to terms with them and coming to terms with yourself even as a result of them.”

With less hesitation, Bell, 40, acknowledges that he finds a certain kinship with his character. As a teenager, Bell flocked to people with a defiant edge. “I grew up without a father in an all-female household and I felt very naked as a child in terms of needing to be protected by someone who was dominant and aggressive,” he says. “I totally understand why Niall seeks solace in someone like him. No one will touch Ruben. There is a safety in that.”

Gadd says he doesn’t think about celebrities when searching for the actors. “I’m quite fame-averse when it comes to casting because I think sometimes it can get in the way,” he explains. “You can have a show, which starts up with all the best intentions, turn into a sort of acting vehicle for someone, or the discussion becomes about the actor doing this role.”

That said, when the casting director on “Half Man” asked him about his “dream cast,” Gadd expressed Bell was the only one who would genuinely excite him. But could that happen? “In my head, I was still in pre-‘Baby Reindeer’ time where I thought, ‘Well, somebody like him is not going to be interested.’ And then I thought, ‘Well, he might be,’” Gadd says.

For his part, Bell found the “nihilism” in Niall, a man desperately running from his true self and living in Ruben’s shadow, an enticing and complex character to play. “[Niall] conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical and thinks that his way is the correct way, and that other people don’t understand that he is terminally unique,” Bell explains with a chuckle.

Bell, who plays Niall, says his character “conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical …”

(Anne Binckebanck / HBO)

Aside from a tight schedule to produce “Half Man,” the challenge for Bell was adjusting to the dramatic intensity that Gadd was after. “I wasn’t particularly prepared for that, therefore sometimes my reading of certain scenes I’d get wrong. We’d start scenes and Richard was like, ‘You are pitching it at like a six, and this is very much an 11,’” Bell recalls laughing. I was like, ‘Oh, OK.’ That took some modulating.”

In Gadd’s mind, Bell remains an “underrated” artist. A proud Scotsman, Gadd recalls loving Bell in the 2007 romantic dramedy “Hallam Foe,” where the British actor played Scottish. For “Half Man,” Gadd thought Bell could convey the pain that haunts Niall, even as his actions paint him less like Ruben’s victim and more like a vengeful participant in the chaos.

“There’s always something I find so vulnerable about Jamie and I knew that I was going to take Niall in some really big journeys where he was going to almost test the audience’s love for him,” Gadd says. That Niall finds Ruben so alluring is natural to Gadd, who believes the notion of a valiant male figure has been bred into everyone via fables and fairy tales.

Gadd adds that whether or not we like to admit it, we’re drawn to alpha male characters. “Because from an early age, we’ve been told they are always at the top of the social hierarchy. And as a result, we’ve always, as a society, answered to those kinds of people as some sort of leaders.”

And though he says he’s unfamiliar with the “manosphere,” the misogynistic and chauvinistic online community, Gadd doesn’t believe Ruben would fall for the gurus in those circles who claim to have the answers for young guys to become “real men.”

“Ruben carved his own masculinity. To give him credit, if that’s even something you can give him, those spaces wouldn’t hold any weight for him. He’s his own man,” Gad says. “He would never follow anyone on social media. He’s the person to be followed.”

Based on the tone of Gadd’s output thus far, it may come as a surprise that as a young person he dreamed of creating a show along the lines of the U.K.’s “The Office,” which he considers a “perfect piece of art.” The stories he is telling now better reflect his “neuroses” and the experiences he’s endured.

“My life just took a very dramatic turn, and my sensibilities weren’t workplace sitcoms anymore. When I grew up and I was doing comedy I thought, ‘I’ll write a sitcom one day and every character will be sort of funny in it,’” he says. “But my life just took a turn to the point where I needed my writing and my art darkened because what I went through was very dark.”

Humor is not entirely absent from “Half Man,” some of the characters’ reactions to their distressing realities earn a chuckle. Still, Gadd’s funny bone might also find an outlet in other people’s narratives. He was recently announced as part of the cast in Apple TV’s upcoming high-concept series “Husbands,” for which he already shot his scenes. Adapted from a bestselling novel of the same name, it stars Juno Temple as a woman who gets to experience life with a different partner every time she changes the light bulb in her attic.

“I’m very picky with stuff I take on. Because I love writing my own work so much, anything that takes me out on someone else’s show has to be very special. And this was very special,” Gadd says.

“Everything I do doesn’t have to be dark,” he adds with a soft smile.

CRUZ Beckham has sent another olive branch to his estranged brother Brooklyn despite his older sibling blocking him.

The aspiring singer, 21, took to his Instagram stories to share a picture of himself as a baby with both his brothers, Brooklyn, 27, and Romeo, 23.

In the snap, the trio are seen sitting in front of one another and wearing matching white shirts.

The adorable photo of them as children saw them beaming from ear to ear as they posed for the happy moment.

This is just one of several olive branches that Cruz has extended to his brother over the last few months.

Back in December, he shared a picture of himself with his brothers and their dad David as he gushed: “Love you guys.”

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In February this year, he posted another shot of the three brothers together as children.

The trio flashed their cheeky grins for the camera as Brooklyn sat in the middle and cuddled them both.

Last month, he commemorated Brooklyn’s 27th birthday by sharing a picture of a young Brooklyn holding Cruz as a baby.

He wrote: “I love you,” alongside a party popper emoji.

Brooklyn has not publicly responded to any of Cruz’s attempt to move on from the family drama.

The aspiring chef blocked his parents and siblings on Instagram in December and stayed firm in keeping them unfollowed on his social media platform.

Cruz previously spoke out about Brooklyn’s social media snub.

It was initially thought that the Beckham family had “unfollowed” Brooklyn’s account, as The Sun on Sunday reported.

Cruz soon put things straight. Pulling no punches, he shared a post which read: “Not true.

“My mum and dad would never unfollow their son. Let’s get the facts right. “They woke up blocked  . . .  as did I.”

Brooklyn released a bombshell statement in January and suggested public image and Brand Beckham was the biggest priority to his mum and dad.

Earlier this month, matriarch Victoria was asked directly about her eldest son during a new interview with the Wall Street Journal.

The Spice Girls star said: “I think that we’ve always—we love our children so much.

“We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children.

“And you know, that’s all I really want to say about it.”

Victoria did not refer to Brooklyn by name when asked about the rift but discussed how she had only ever tried to “protect and love our children”.

Victoria and David are understood to have been left devastated over the fall out and have even recently offered to meet with Brooklyn and his wife Nicola Peltz in the presence of lawyers and therapists in an attempt to rebuild the rift.

But with Brooklyn seemingly standing strong on his statement, the family are still yet to make any movements towards a reconciliation.

“Storage Wars” star Darrell Sheets was found dead by police on Wednesday in Lake Havasu City, Ariz. He was 67.

According to Variety, which obtained a report from the Lake Havasu City Police Department, Sheets died from what appeared to be a self-inflicted gunshot wound. The statement said that on Wednesday around 2 a.m., officers were dispatched to Sheets’ home on Chandler Drive after reports of a deceased individual.

“Upon arrival, officers located a male subject who suffered from what appeared to be a self-inflicted gunshot wound to the head. The male was pronounced deceased on scene and the Lake Havasu City Police Department’s Criminal Investigations Unit was notified and responded to the scene to assume the investigation,” the statement read.

“The body was ultimately turned over to the Mohave County Medical Examiner’s office for further investigation,” the release continued.

Police said that they identified the man as Sheets and that his family had been notified. “This incident remains under active investigation, and additional information will be released as it becomes available.”

Sheets appeared across 15 seasons of the popular A&E reality show “Storage Wars” from 2010 to 2023. His son, Brandon Sheets, was also a cast member, and the father-son duo was often considered the heart of the show. Darrell would use his not-so-stealthy approach when bidding on storage lockers that he was willing to bet contained what he would describe as “wow factor” treasures.

“I’m a buyer by trade. I love buying storage sheds. It’s my addiction,” he said on the series. “I’m basically known for taking the good stuff and just getting the heck out of here.”

According to Sheets’ cast bio, the antiques enthusiast loved to brag about “four Picassos and the world’s most lucrative comic book collection” that he scored through storage auctions. He told The Times in 2015 that he once invested in a locker and discovered pieces of original artwork by Frank Gutierrez that he said appraised for about $300,000, making for the biggest take in the TV show’s then-five-year history.

Rene Nezhoda, another “Storage Wars” cast member who was often considered Sheets’ rival due to their onscreen antics, posted on Instagram after news of Sheets’ death broke and called out cyberbullies.

“Unfortunately, Darrell Sheets took his own life,” Nezhoda said. “I know a lot of you guys think we hated each other because we competed a lot on the show, and you know, we had our moments. We had our run-ins, but that’s because we were both competitors, right?

“Deep down, me and Darrell were friends. We talked every now and then. He is a very hard worker that cared more than anyone I’ve probably ever met about their family, about his son, about [his granddaughter] Zoie.”

Nezhoda said that Sheets had someone “really, really tormenting” him on social media.

The “Storage Wars” alum then addressed cyberbullies for their treatment of public figures, saying, “Just because you watch us on television doesn’t mean you know us. You never know what demons somebody faces.”

THEY were once ‘like brothers’, touring the world together and dealing with global superstardom after being propelled into the spotlight aged just 16.

But now in their early 30s, Niall Horan and Harry Styles are “worlds apart” and living “vastly different lives”. Here, an insider tells us why the relationship has soured between the pair, and how the rest of One Direction are keeping their distance.

Fans first noticed cracks between the pair last month when Niall, 32, made barbed remarks about the cost of fame on an American podcast just days after Harry, also 32, said he found his superstardom “deeply isolating”.

Speaking on the Zach Sang show earlier this month, Niall cheerfully revealed how delighted he is to be living a “completely normal life” in London, travelling on the tube, walking his dog and going for beers with his mates in local boozers.

When asked if he minds being stopped by fans, the Irish singer remarked: “You cannot have your f***ing cake and eat it”.

Fans were quick to point out that the comment came shortly after Harry spoke about the cost of superstardom – and wondered if it was a dig in his direction.

Speaking to Runners’ World magazine for their May cover, Harry said that he found fame ‘deeply isolating’ and felt the need to withdraw from public life to protect himself.

As part of this, he moved to Italy, because it allows him to ‘live a quiet life’ and ‘reset’.

But the differing attitudes toward fame are part of reason why the pair are no longer close.

A source tells us: “The boys used to be like brothers, they were the best of friends and used to joke about what life would be like when they were old men and still hanging out together.

“Now they are about a million miles from that. They have gone their separate ways and are all living such different lives. 

“Niall is a real homebody; he loves being at their place in London with Mia and the dog, or with his family in Ireland. He’s not a kid anymore; he feels settled now, while Harry still jets all over the world and never seems to stay in one place for long.

“The pair of them hardly have anything in common now, and while Niall would never come straight out and criticise Harry, some things he says definitely make Niall’s eyes roll.”

While the Irish singer songwriter, who is worth £52 million, is completely at ease with being recognised when he’s out and about, scared Styles recently admitted all the unwanted attention left him wanting to become a recluse.

Speaking to US media, Niall claims he can live carefree in London. He says his life with long-term girlfriend Amelia Woolley – known as Mia – is not built around his work schedule and fame.

He added that he’s never minded being mobbed by One Direction’s devoted army of fans: “I don’t ever want it to be like, poor me. That was just the way it was – there were a lot of people around. 

“I just get out and do it, and people are going to come up to you and say hello. And that’s fine. 

“I used to be nearly afraid of that. I love it now. I basically live a completely normal life, really, apart from the fact that if I walk in somewhere, someone’s going to come up and say hello, that’s fine. 

“I walk the dog every day and go on the tube and go into town and go for beers. There’s nothing special.

“It’s a great thing. It’s something that when you were younger, you yearned for.

“We all want that normalcy in effect. You cannot have your f****ing cake and eat it, though, either. 

“I want to be out there doing my thing and getting up on stage. It’s the best f***ing thing in the world.”

This latest spat between the pop legends comes after we revealed Zayn Malik punched Louis Tomlinson in the face during a vicious row, cutting his head and leaving him concussed.

The former pals’ bruising clash came as they filmed a three-part road trip for a nostalgic Netflix documentary about the band, which has since been scrapped.

It emerged that Zayn had made a scathing remark about Louis’ mum, Johannah Deakin, who died of leukaemia in 2016.

Despite the frenzy of worldwide adulation, Niall says that down-to-earth fashion buyer Mia, 28, from Birmingham, keeps his feet firmly planted on the ground.

He went on: “You can sit at home and go like, it’s hard for me to do these things.

“But at times, it being uncomfortable or something can be a reason why you don’t do them. Or you can choose for that to not be a reason and you can do them anyway.

“When you shut out a lot of the things that are assumed can be negative, you also just unconsciously shut out a ton of positive things.

“We live a completely normal life outside of this.

“It’s like someone’s pressed pause on a stopwatch, and then when it clicked back in, I was just this different person. It’s really cool. It happened gradually, but when I think about it in hindsight, it felt like just night and day.

I basically live a completely normal life, if someone’s going to come up and say hello, that’s fine

Niall Horan

“My life just went from being all encompassing to having this good divide.

“I love it. I like having the balance. It’s pretty cool.

“I’ve gotten very good at. When I’m at home, I’m completely at home. I’m not doing anything. I just want to be at home.

“But I like going to work now and then being at home, I like it that way.

“Hopefully, I can keep doing that because it’s a nice little balance I’ve got going on. And it takes time to get to that.

“Amelia’s got her own life. She’s been doing her thing, and everything can’t be just surrounding me.

“It’s already weird enough that she used to fly to Amsterdam to come in on a five o’clock flight on a Friday. It can’t be like that all the time. 

“Bringing her into that is a really cool thing. And she feels that sense of pride and looks at the fans and sees the way they’re thinking and things like that. 

“It’s such a cool thing for her if I play her a song; she’s never had that before. It’s not like people were coming home in the evening from work and going, ‘Hey, I wrote you a song today.’

“That’s a new thing for her, too. The whole thing is a shock to the system, but our life is just not all about that.”

Niall previously dated Hailee Steinfeld and Ellie Goulding – resulting in Ed Sheeran writing the hit track Don’t about an apparent love triangle between the trio.

But Harry, who rented a mansion outside Rome and ran marathons using pseudonyms, feels very differently.

He explained recently: “A large part of the last couple of years has just been about, honestly, learning to like myself away from having so much of my value baked into whether other people are enjoying me or not.

“Learning that fears and feelings aren’t facts, and you can have a feeling about yourself and taking the time to be able to see what that is and see where that comes from.”

Good Morning Britain shared a breaking news update about Prince Harry on the latest edition of the ITV show

Good Morning Britain has shared a breaking news update on Prince Harry live on air.

During Thursday’s (April 23) episode of the ITV show, hosts Richard Madeley and Kate Garraway returned to our TV screens as they updated viewers on the biggest news headlines from across the UK and around the world.

Not long into the show, Ranvir Singh, who was reading the headlines, announced breaking news after Prince Harry made a surprise trip to Ukraine, urging the world not to lose sight of what the country is up against.

Speaking to viewers watching at home, Ranvir went on to say: “That breaking news from Kyiv. Hello there, very good morning to you. Well, Prince Harry has arrived in the Ukrainian capital Kyiv for a two day visit.”

She continued:”He will see some of the work of the Halo Trust an organisation that specialises in clearing landmines and explosives from war torn countries, which, of course, you’ll remember his mother, Princess Diana, was a keen supporter of.

“She worked with them in Angola in 1997. Well, the Duke of Sussex has told ITV news that he wants to remind the world what Ukraine is up against in its war with Russia, our royal editor Chris Ship is in Kyiv and is the only correspondent with access to Harry on this trip.”

The show then cut to a news report from Chris, who explained: “Prince Harry arrived here at Ukraine’s main railway station. He came in on an overnight train from Poland, and yes, an unannounced visit, they always are, of course, for obvious reasons when you come to Ukraine.”

He added: “And perhaps a reminder that at a time when the world’s attention has been on Iran and the conflict there, the fight here is still going on.”

Prince Harry made the unannounced visit to Kyiv at a time when the focus of international concern has been on the war in Iran.

“It’s good to be back in Ukraine”, Prince Harry said as he arrived. He told ITV News that he wanted “to remind people back home and around the world what Ukraine is up against and to support the people and partners doing extraordinary work every hour of every day in incredibly tough conditions”.

He called Ukraine “a country bravely and successfully defending Europe’s eastern flank” and said “it matters that we don’t lose sight of the significance of that”.

His message to Ukrainians is that “the world sees you and respects you”.

Senior Western defence and government officials are gathering in the Ukrainian capital for the Kyiv Security Conference. Harry will make a speech at the conference and tell them that the battle here is more than a simple fight about territory.

He will also see the dangerous work being carried out by The Halo Trust. The Halo Trust employs 1,300 people in de-mining work in Ukraine – its largest operation anywhere in the world.

Good Morning Britain airs weekdays from 7am on ITV1 and ITVX

VICTORIA Beckham has lost a row with US luxury handbag brand Vera Bradley over using the initials VB.

The fashion designer’s Victoria Beckham Ltd team hired intellectual property lawyers in a bid to stop the company registering the letters.

They argued that Posh Spice Victoria was now known globally for her initials — the basis of her beauty firm logo.

But they have now backed down and the application, first published in the Trademark Journal in the US last year, has been registered.

Vera Bradley rakes in more than £200million a year, with customers including Taylor Swift and Sarah Jessica Parker.

Victoria Beckham Ltd — represented by top LA attorney Eleanor Lackman from law firm Mitchell Silberberg & Knupp — asked for more time to put together their case before finally dropping it.

FAMILY FIRST

Victoria Beckham addresses ‘publicly challenging year’ amid Brooklyn feud

ALWAYS BE THERE

Spice Girls mark Victoria Beckham’s birthday with sweet throwback photos

The US Patent and Trademark Office said: “The Board notes the request, filed by Potential Opposer, Victoria Beckham Limited, to relinquish its extension of time to file a notice of opposition.

“In view thereof, the relinquishment releases the record of application for further processing.”

Last October, Victoria, 52, lost a similar battle with the Norwegian firm Vendela Beauty, with the company successfully arguing she was not famous enough in their country.

And in 2020, the former Spice Girl settled with Australian-based VB Skinland after they successfully registered the trademarks VB Salon and VB Skinlab.

Nic kick a Vic shtick

ACTRESS Nicola Peltz gets her kicks by poking fun at her mother-in-law’s trademark pose.

Brooklyn Beckham’s wife, 31, plays a ballerina in upcoming film Prima — and posted a picture online showing her leg pointed high in the air.

But one comment said: “This is Victoria Beckham’s signature move — stop trolling your mother-in-law.”

Nicola and Brooklyn, 27, are embroiled in a feud with his parents Victoria and David.

By Olivia Monk

A FORMER bodyguard and close pal of Michael Jackson has claimed the new biopic about the star whitewashes his life by not delving further into the sex abuse claims made against him.

In an exclusive interview, Matt Fiddes claimed Jackson would have wanted any movie to include the allegations and their impact on his life.

Fiddes also revealed he received a “delirious” call from Jackson two days before he died with the star allegedly pumped full of ephedrine and desperately reaching out for his dad.

Speaking ahead of the release of a new biopic on Friday, Fiddes said the star also claimed on the call that bosses were “making him rehearse too much” and that he “never agreed to 50 shows.”

Giving a unique insight into the moments leading up to Jackson’s death, Matt claimed Jackson was forgetting his lyrics and acting erratically – but it was still a complete shock to everyone who knew him as they were convinced he would just pull out of the tour.

The new movie based on the life of the “King of Pop’ is set to hit the big screen later this month with Jackson’s own nephew Jaafar in the title role.

An earlier trailer became the most watched of all time – amassing 150million views when it was released.

Jackson was first accused of abuse in 1993 by 13-year-old Jordan Chandler and his father Evan, who reached a $23million civil settlement with the star a year later.

He was never ultimately charged in connection with these allegeations after a 18-month criminal investigation by the Los Angeles Police Department and Santa Barbara Sherriff’s Department found they could not prove the case without Jordan’s testimony.

The movie was forced to undergo expensive reshoots last year after lawyers found an overlooked clause in the settlement with Jordan that barred him from being depicted or mentioned in any movie, according to Variety.

The movie was reportedly supposed to originally open with Jackson in 1993 surrounded by cop cars and its entire third act was dedicated to the allegations before the rewrite.

But Fiddes, 46, claimed the impact of the sex abuse claims played a direct role in Jackson’s death and accused filmmakers of whitewashing the allegations.

Fiddes, who was one of Jacko’s closest confidants for many years, claimed although all the allegations made against him were “proven untrue,” to cut them out of the movie wouldn’t do justice to the impact they had on him.

Jackson was still plagued by further allegations from 1993 on.

He underwent a high-profile criminal trial in 2005 after being hit with felony charges of abuse against 13-year-old Gavin Arvizo – but was found not guilty on all counts.

After his death the FBI confirmed they had found no evidence of criminal conduct to warrant federal charges against Jackson by releasing 300 pages of their decade-long investigation.

And over a decade after his death, Jackson’s estate is still facing lawsuits about his alleged behavior.

Accusers Wade Robson and James Safechuck are seeking $400million in a civil lawsuit that will go to a jury trial in November.

Fiddes said the release of the Michael Jackson movie would be “extremely controversial” and although he hasn’t yet seen it, he’s been told what will be in and out of it.

He added: “I’ve heard accounts from people who’ve seen the film. And from my understanding, it doesn’t cover the child abuse allegations and a lot of the struggles that Michael had behind the scenes, which are well publicised and what eventually led to his death.

“I know the fans are disappointed in this. They been contacting me. They want to see the real Michael. They want to see behind the scenes Michael, how he created his genius and how he suffered, how lonely
the man was.

“But I understand how business works. I’m a businessman, and if you’re running the Michael Jackson estate, you are going to want to have it all about the music, which is what Michael would have wanted.

“But Michael, as I knew him, would have wanted his fans and the public to see what it was like to be Michael Jackson. It was not all glitz and glamour. It was anything but.

“We could not go out. He couldn’t do anything. We had to go through the kitchen entrance to go into the hotels. He was manipulated by people he couldn’t trust. Many people. He was paranoid. He struggled to eat sometimes due to being nervous and anxious.”

Matt also said he believes allegations that Jackson was a child abuser were untrue but should still be referenced in the biopic.

He added: “It fascinates me to see still now in 2026 that there’s TV shows and documentaries being made about my friend Michael Jackson, that he’s a child molester, that he’s into young boys.

“Because having known the man personally, that couldn’t be further from the truth.

“He wanted to keep his life a mystery and would always remind me wanted his life to be the greatest show on earth.

“I said to him, I think you should show how you talk about girls from the back of the car. He had a nickname for a girl he fancied or always attracted to. He’d call them fish.

“He always said, that’s a nice fish there. Well, Matt, try and get that fish to my room.

“I told him ‘Michael, you should show this side to the public. But he always refused and said one thing Motown taught him when he was a young boy, in the Jackson Five, is that he mustn’t ever show that he was straight, that he was gay, or that he was married in a relationship. As this was going to cut off his fan base and it’ll be the end of the Jacksons.

“So all the fans feel that they got a chance to marry him, whether they’re gay, straight or whatsoever.

“I understand there are contracts signed from his girlfriends that can’t be talked about. But from what I’m hearing, there’s going to be a Michael movie part two of this franchise.

“What I will say is that everything Michael Jackson touches turns to gold. And I predict that Michael the movie will be the biggest movie ever of all time, not only the biggest biopic. I think it will be the biggest movie of all time. And we’ll go past a billion dollars turnover in no time whatsoever.”

Fiddes, who now runs the largest martial arts and dance chain in the world, worked with Jackson for a decade and recalls meeting him through a friend.

He added: “He called me up in the middle of the night and said, you have to come to my house now. If you don’t, you’ll regret it. It took me a good three hours to get there, but he would not tell me who I was going to meet.

“I walked in the living room and this man walks up to me. He bows to me due to the fact that we’re both martial artists. And he said, nice to meet you, Matt. For this. My name is Michael Jackson. I’m thinking, I know who you are.”

Fiddes said they quickly became friends and hang out and do normal stuff together.

He added: “He was a very shrewd character. I always say you got two sides to Michael. You got the very shy, quiet, humble person of his mother, Mrs. Jackson. Katherine, who’s a lovely lady. And then you’ve got the toughness, brutal, ruthless businessman of his father, Joe Jackson.

“And Michael had both sides of them. But aside from that being around him, he was the the most gentle soul and would do anything for anybody. And he was just extremely clever. He loved being Michael Jackson, but he was the nicest guy in the world, most misunderstood man in the world.”

Fiddes also gave a unique insight into the state of mind of the star when he died and revealed he had desperately tried to reach out to his dad Joseph Jackson to help, but could only reach his voicemail.

Fiddes, who believes the movie would become the most watched of all time, said: “You can’t talk about Michael Jackson without talking about the bad times and the negative times and none of us were expecting that he was going to die.

“I didn’t think he was going to do the 50 show concerts. We were getting reports all the time that he was not well, that he was underweight.

“He was not remembering his lyrics. I spoke to him two nights before he passed away, and I remember that conversation vividly.

“My ex-wife answered the phone and handed me the phone and said, It’s Michael, you need to speak to him urgently. He was unhappy. He said, Matt, I need to speak to Joe, meaning his father, Joseph Jackson.

“Do you know where he is? I thought, if he’s asking for his dad, then there must be something wrong. He said ‘I need him to come and sort this situation out here. Only Joseph can do it.

“He said ‘I don’t know what I’m supposed to be doing. They’re making me rehearse too much. And I never agreed to 50 shows.’”

Fiddes, who runs a martial arts business and lives in England, said Jackson sounded erratic and he asked if he had taken anything.

He added: “He said ‘I’ve just taken something called ephedrine, which is like a, an upper, like next level up from caffeine.’

“It’s a drug that a lot of dancers and performers and bodybuilders use. And he said he got given to him by a doctor, which kind of reassured me, but he was begging for me to come to Los Angeles.

“Then he asked for his best friend’s number, Mark Lester, who he called straight away. He played the original Oliver Twist from Oliver the movie and had a similar conversation with him.

“It turns out he did call Joe Jackson asking for help, but he got Joe’s answerphone and Joe went on a TV show.

“Not long after Michael passed away, he said sadly, ‘I got a message from Michael, but it was too late.’ Michael had already passed away.

“So Michael’s death was a shock to all of us. We thought he was going to call the concerts off and not do them.

“Or maybe do one or two, but not die on us. We didn’t think that was going to happen. That is something that will stick with me forever.”

I’m a Celebrity…Get Me Out of Here fans were divided after Adam Thomas, who has been in Waterloo Road and Emmerdale, became locked in a feud with Jimmy Bullard, a former Premiership footballer

Jimmy Bullard is said to still be “seething” at Adam Thomas following their row on I’m a Celebrity…Get Me Out of Here.

The former professional footballer, 47, is reportedly “devastated” after he and Adam became locked in a bitter feud on the ITV show. Viewers were divided when they rowed after Jimmy decided to quit the Rancid Run trial, which saw campmates retrieve a series of cogs from a giant, ant-infested abacus using only their mouths.

Adam, who is in Waterloo Road, was seen yelling at Jimmy, shouting: “Are you f***ing taking the p***?… I am in there getting covered in f***ing ants.” Father-of-two Adam, 37, later appeared distressed as he attempted to talk to the camera following the trial.

But now an insider has claimed it is Jimmy who still remains upset by the spat even now, several months after the spin-off was pre-recorded in South Africa. The source said: “Jimmy is devastated by it all, it was supposed to be a celebration of I’m A Celeb, but Adam appeared to have let his temper get the better of him.” They said Jimmy, who played football for Wigan Athletic and Fulham among other sides, is “seething” following the argument.

READ MORE: Jimmy Bullard branded ‘disgraceful’ by Carol Vorderman amid I’m A Celeb bust-upREAD MORE: I’m A Celebrity’s Ant and Dec’s ‘dig’ at Adam Thomas after furious Jimmy row

Hosts Ant McPartlin and Declan Donnelly were forced to step in and break Jimmy and Adam’s row. However, the clash — described as the programme’s biggest ever — was watched by millions, including former contestants. One of whom, Carol Vorderman, branded Jimmy “disgraceful” and said the scenes made her “angry, furious, crying”. The source, though, supported Jimmy, telling the Daily Mail: “Adam just completely lost it and went for Jimmy.”

Jimmy and former Emmerdale star Adam — brother of former Coronation Street actor Ryan — were joined by the likes of ex-Corrie star Beverley Callard, former The Only Way Is Essex’s Gemma Collins, Olympian Mo Farah and footballing legend Harry Redknapp for the second series of the I’m A Celeb spin-off — which features stars who have competed in previous series.

Although the rest of the series was pre-recorded, the finale is live — but it is thought Jimmy is unhappy about returning for this. The dad of two, from east London, was notably absent from the launch earlier this month too.

It is believed Adam and Jimmy have not spoken since the row. Those familiar with both men say that it is unlikely they ever be on good terms again. One insider said: “It’s got really, really bad. They know one another through mutual friends, but this has put paid to any kind of friendship now.”

Trade the flower crowns and sneakers for a cowboy hat and some boots, because Coachella has moved out of the Empire Polo Club in Indio and the Stagecoach Festival is moving in, April 24 to 26.

Post Malone, who headlined Coachella in 2025 and played a set of country covers at Stagecoach in 2024, is back to headline the country music fest along with Lainey Wilson and Cody Johnson.

From what to know about the festival to how you can watch from home, here’s your guide to Stagecoach.

When is Stagecoach? Where is the venue?

Stagecoach 2026 runs April 24 to 26 at the Empire Polo Club at 81-800 Ave. 51 in Indio.

Who is performing at Stagecoach 2026?

This year’s main stage headliners are Cody Johnson, Lainey Wilson and Post Malone.

You can also expect big sets from Brooks & Dunn, Bailey Zimmerman and more rock-centric acts like Journey, Counting Crows, Third Eye Blind and Bush. Then there’s Ludacris, Pitbull and Diplo, who is bringing back his HonkyTonk dance area as well as performing.

See the full lineup.

Fun fact: Mane Stage performer Teddy Swims played the main stage at Coachella the last two weekends, but we haven’t heard if he’s bringing out David Lee Roth again. And Diplo was also at Coachella with Major Lazer.

What’s new at Stagecoach this year?

The big thing is the new Mustang Stage. Back in the early years of Stagecoach, there was a tent with the same name that featured a lot of cowboy poets and bluegrass. It was much smaller than what we’re expecting of this new one, which is set up where the massive Sahara Tent is during Coachella.

Anyone who has tried to see one of the big artists over at the Palomino Stage during Stagecoach in recent years knows how it can easily overflow, so this should ease some of that congestion for artists like Journey, Hootie & the Blowfish and the Red Clay Strays.

It’s also taking over the late-night sets with Diplo, Pitbull and Ludacris that had previously been done at the Palomino.

Can I still get tickets to Stagecoach? How much are passes?

Yes, there are still passes available for Stagecoach 2026. A general admission three-day pass is $619. (There’s also a deal if you buy a six-pack of GA passes that comes out to $569 per pass.) You can get a GA combo pass that includes shuttle transportation starting at $699. There’s also a GA pass that gets you access to the Rhinestone Saloon adjacent to the Mane Stage and the Rose Garden Saloon next to the Palomino Stage for $974.

If you want to get close to the Mane Stage, a Corral Standing Pit pass is $1,899. Corral reserved seating runs from $1,199 to $2,299. The chairs are folding camping chairs, and the highest tier option has drink holders. If you purchase any of the seating options, you can take the chair home as a souvenir Sunday night. Corral passes (standing or seated) come with access to the more exclusive Corral Saloon as well as the Rhinestone and Rose Garden Saloons.

You can buy tickets at stagecoach.com/passes.

What’s the difference between general admission and Corral passes?

Stagecoach is different from Coachella in that if you want to be close to the largest stage, you will need to pay for a Corral pass. Those in the Corral Standing Pit will be the closest.

If you have a GA pass, be prepared to just see the biggest acts on a screen. For Stagecoach, there are multiple screens set up in the field for the general admission areas — and usually a feed with a screen over by the Beer Barn, too.

GA passholders who are willing to stand typically have access to an area closer to the Mane Stage than those with blankets or low-backed lawn chairs.

That being said, GA passholders have traditionally been able to get up close at all of the other stages.

When does Stagecoach release set times?

Stagecoach set times are already posted. Similar to Coachella’s surprises, the festival recently announced that Dan + Shay are on the bill for Friday on the Palomino Stage.

When do gates open at Stagecoach? How late does the music go?

The parking lots open at noon daily and the gates open at 1. Everything ends at midnight or earlier.

As the venue opened, country music fans made a run across the field to secure good concert-viewing positions on the first day of Stagecoach in 2022.

(Allen J. Schaben / Los Angeles Times)

What’s the deal with parking? What about the shuttles? Can I take a rideshare? How’s traffic?

Who says you can’t get anything for free anymore? Day parking is free at Stagecoach.

Like I recommended for Coachella, drop a pin in your phone as soon as you park so you can find your car at the end of the night.

There is a rideshare lot. You can also purchase a shuttle pass for $130. There’s also preferred parking for $299.

Stagecoach doesn’t have as many people as Coachella, so the traffic usually isn’t as bad, but Monday can get congested as people head home from the desert.

If you want to avoid traffic or you’re looking for some off-site adventures during Stagecoach, check out these 14 fun desert side quests.

Where do I put my stuff? Are there lockers? Is there a place to charge my phone?

Stagecoach still has medium-sized lockers available to rent. They are $84 for the weekend and you can reserve them in advance. Small charging lockers for devices are $74 for the weekend.

Backpacks 18” x 13” x 8.5” or smaller are allowed inside the venue.

Beyond the charging lockers, there are places around the grounds where you can charge your own devices. Bring your own cable/plug.

A man drinks a beer from a woman’s boot while watching Willie Nelson & Family perform on the Mane Stage on the second day of Stagecoach 2024.

(Allen J. Schaben / Los Angeles Times)

What’s the weather going to be like for Stagecoach and how can I prepare for it?

It’s looking like we’ll hit a high of 90 degrees on Friday, 81 on Saturday and 78 on Sunday, according to Accuweather. The lows will dip into the 50s, though, so you might want to throw in a long-sleeved flannel shirt or hoodie for when the sun goes down and Brooks & Dunn sing about dancing under a neon moon. Since blankets and towels (50” x 70” max) are also allowed, you could also roll yourself up into a Stagecoach burrito, I suppose.

You can also bring in handheld fans (paper or battery-powered).

Plastic personal-sized water misters are allowed in, too, but they have to be empty when you get there.

The wind doesn’t look too bad right now, but it will inevitably kick up. Don’t bring a cough home as a souvenir. Bring a face covering like a bandanna or a PPE mask.

The desert is hot. Are there water stations?

I know lots of people enjoy the beer at Stagecoach, but it’s not the same as water. My mantra in April is dehydration is serious business. And if you’re drinking beer, you definitely want to keep drinking water.

The good news is that there are multiple refill stations around the grounds, and if you need to buy a bottle of water, it’s only $2.

Like Coachella, you can bring in an empty refillable container, but it needs to be plastic (no metal or glass) and 64 ounces or less. Empty hydration backpacks are allowed, too.

For a free boost of electrolytes, the Electrolit booth is back with free samples between the Mane Stage and Diplo’s HonkyTonk. (Pro tip: I stopped there every day on my way in during Coachella. Hydrate early, hydrate often.)

What’s the deal with food at Stagecoach?

If you like barbecue, you’re in the right place. There’s a whole lot of it at Stagecoach. Flavortown also comes to Stagecoach with cooking demos throughout the weekend courtesy of Guy Fieri and friends.

There are a fair number of vendors that were also at Coachella, including Prince St. Pizza, Irv’s Burgers, Love Hour and Oh My Burger, the latter two of which impressed Danielle Dorsey, one of our food editors, at Coachella this year.

If you’re buying food on site, plan on $20 and up for most entrees, with a few deals to be had.

If you’re looking for freebies, the Electrolit and Coca-Cola installations are still there from Coachella and Monster Energy also has a space where it’s giving out samples. (Monster Energy also has a meet and greet with Redferrin after his performance on Saturday and a surprise DJ set on Sunday.) As for free food, sometimes they pass out samples to the crowd after the Guy Fieri demonstrations.

What else can I do while I’m in the desert? Is there time to do anything outside of the festival?

I’m glad you asked. Earlier this month, we put together a collection of side quests around the desert. Some, like snapping a photo of the Forever Marilyn statue in Palm Springs or seeing the former Coachella festival art installation “Sarbalé Ke,” are easy to do before entering Stagecoach for the day. Others are more involved and can be a great way to miss that traffic coming back on Monday.

If you’re looking for more options, we’ve got a Gen Z guide to eating, drinking and shopping in Palm Springs and restaurant critic Bill Addison recently updated his dining guide to Palm Springs.

How can I watch Stagecoach from home?

In recent years, Stagecoach has been streamed on Prime Video, Amazon Music and Twitch.

The streams start each day at 3 p.m. Pacific. There are two channels set up.

A specific schedule hasn’t yet been announced, but a press release from Amazon says the stream will include sets from Cody Johnson, Lainey Wilson, Post Malone, Third Eye Blind, Avery Anna, Ludacris, Michael Marcagi, Pitbull, the Red Clay Strays, Wynonna Judd and Diplo.

Michael Jackson’s famous clan stepped out to celebrate the premiere of the new “Michael” biopic, but some of the Jacksons snubbed the event and have opposed the film.

On Monday at the Dolby Theatre in Hollywood, several members of the Jackson family gushed about the Antoine Fuqua-helmed film, which depicts the origin story of the King of Pop and follows the hitmaker from childhood through his upward trajectory to superstar status in the 1980s.

Michael Jackson’s nephew Jaafar Jackson, son of Jermaine Jackson, starred in the title role, and his aunts and uncles dropped accolades for his performance in red carpet interviews. Marlon Jackson said, “Watching the movie, sometimes we think we’re watching Michael up there, that’s how good he is.”

La Toya Jackson called his performance “absolutely excellent” and echoed Marlon, saying that she forgot she was watching Jaafar: “I thought I was watching my brother.”

But not all of the Jacksons were up for celebrating the film. Most notably absent were the “Beat It” singer’s pop star sister, Janet Jackson, and his daughter, Paris Jackson. The eldest of the siblings, Rebbie Jackson, also skipped the event. And although the film includes portrayals of many of the Jackson siblings, some also asked to be left out of the biopic, including Janet.

“I wish everybody was in the movie,” La Toya Jackson told Variety at the premiere. “She was asked and she kindly declined, so you have to respect her wishes.”

Last month, rumors began to swirl that the “All for You” singer attended a family screening of the film and wasn’t pleased. Page Six reported that Janet and Jermaine got into a spat, with Janet critiquing almost every scene.

At Monday’s premiere, “Entertainment Tonight” asked La Toya about the controversy, which she was quick to shut down. “There was absolutely no problem whatsoever, none whatsoever,” she said. “Please believe it.”

Although both of Michael Jackson’s sons, Prince and Bigi, have supported events for the film (Prince attended Monday’s premiere, and Bigi attended a Berlin premiere last week), and Prince served as an executive producer and was regularly on set, Paris Jackson has been vocal about her lack of involvement.

Last year, she posted on social media that she gave feedback on an early draft of the film, but her notes weren’t addressed. “I’ve left it alone,” she said. “It’s not my project, they’re going to make whatever they’re going to make.”

Paris Jackson, who works in the entertainment industry as a model, actor and musician, said she had stayed quiet about her feelings toward the “sugar-coated” project because she knew many people would be happy with it. “The film panders to a very specific section of my dad’s fandom that still lives in the fantasy,” she said.

“The thing about these biopics is, it’s Hollywood. It’s fantasy land. It’s not real, but it’s sold to you as real,” she continued. “The narrative is being controlled, and there’s a lot of inaccuracy, and there’s a lot of full blown lies, and at the end of the day, that doesn’t really fly with me.”

In earlier drafts of the “Michael” script, plot points included sexual abuse allegations brought by 13-year-old Jordan Chandler in 1993. Reportedly, the Michael Jackson estate became aware of a contract that legally barred the dramatization of the Chandler family and had to scrap parts of the script.

The film was originally set to premiere last year, but the production needed a new ending and weeks of reshoots to make the new iteration of the film work. In the version that hit theaters this week, “Michael” concludes in 1988, with a teaser for a potential Part 2.

Colman Domingo and Nia Long, who portray Michael Jackson’s parents, Joe and Katherine Jackson, appeared on “Today” this week and addressed the elephant in the movie theater.

“The film takes place from the ‘60s to 1988, so it does not go into the first allegations,” Domingo said. “Basically, we center it on the makings of Michael. So it’s an intimate portrait of who Michael is … through his eyes. So that’s what this film is.

“And there’s a possibility of there being a Part 2 that may deal with some other things that happen afterward,” he continued. “This is about the making of Michael, how he was raised, and then how he was trying to find his voice as an artist and be a solo artist.”

Long added that there might be a sequel, “if the price is right.”

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

HE was a 90s heartthrob in one of the decade’s biggest British boybands.

With a bad boy image and bundles of energy, John Hendy, 55, and East 17 stood out from other, more clean cut, acts like Take That and Boyzone.

But even at the height of the group’s fame, they saw little of the money generated by hits like their huge Christmas number one Stay Another Day.

In the early days, the group’s members were only pocketing £125 a week each, proving the pop dream wasn’t all it was cracked up to be.

The boys had differing fortunes after splintering in 1997 following controversial comments band member Brian Harvey made about taking ecstasy.

Band leader and songwriter Tony Mortimer continues to receive an estimated £97,000 each year for the popular Christmas hit.

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But bandmates John, Terry Coldwell and Brian Harvey aren’t included in the royalties.

John continued with the next iteration of the group, E-17, and was part of various line-ups over the years.

In 2018 though, enough was enough, and he decided to leave after falling out with Terry Coldwell and new arrival Robbie Craig.

It wasn’t long afterwards that he fell on hard times when the coronavirus pandemic shook the world. He was forced to move into a hostel with his family for 18 months, which he found particularly tough.

But in recent years things have taken a positive turn and John is successfully plying his trade as a roofer, the job he held before his pop career began.

He shares his trade on TikTok and his latest job saw him working on a tall property in Lewisham.

Though he was praised for his work ethic, fans feel he should have made enough from music to retire.

One person commented: “No hate, but how is this guy still working when he sold the records he did. He should be retired and living it up somewhere hot. Great resurrection album E17.”

Another said: “Nothing but respect for this man – royalties and fair distribution should see him retired and taking life easy – very unfair but what a lovely guy – humble.”

John previously reflected on how shortchanged his group was in an interview with the Mail Online.

He said: “I haven’t even got a house and people think you’re millionaires and that, and I’m thinking, I don’t even got an house out of it.

“We should have all come out with a house, at least.”

However, John admitted that, despite hanging out with “rich friends”, he is content with his work van and regularly discusses the highs and lows of having money with his pals.

He recalled: “When I turn up to a party and my rich friends are coming in their Porsche’s and Range Rovers and I’m pulling up in my roofing van and I’m like ‘oh mate, it makes me feel sick coming to your parties’.

“And then they put it in perspective to me. They are like ‘John, mate, it’s money, it doesn’t mean nothing, mate’.

“One friend said to me ‘I’d rather give this all up and then just go out for one week and experience what you’ve done’, you know what I mean? Because what an experience that is.”

Gregg Foreman, the founder of the influential blues-punk band the Delta 72 and a longtime collaborator with Cat Power and other acts, has died. He was 53.

News of Foreman’s death on Tuesday was confirmed by Cat Power’s label, Matador Records. No cause of death was given.

Foreman, born in Philadelphia, formed the Delta 72 in Washington, D.C., in the mid-’90s, putting a soulfully-scuzzy blues twist on the city’s post-hardcore sound of the era. Foreman was a distinctly charismatic frontman, pairing the flamboyant stage presence of his beloved ‘60s and ‘70s R&B acts with the live-wire tension of punk. The band released three albums before dissolving in 2001.

For two decades, he played in Cat Power’s backing ensemble, the Dirty Delta Blues band, and became the project’s musical director. He also collaborated with Pink Mountaintops, Suicide’s Alan Vega and Martin Rev, the Gossip, Lydia Lunch and Death Valley Girls, along with singer-songwriters Lucinda Williams and Linda Perry.

Outside of his live-band career, Foreman was a prolific DJ and a deeply knowledgeable music journalist. He most recently played on Cat Power’s “Redux,” January’s three-song EP celebrating the 20th anniversary of the band’s beloved LP “The Greatest.”

Music and cultural figures like director Jim Jarmusch, Kid Congo Powers, and Cold Cave’s Wesley Eisold mourned Foreman’s death on social media. Eisold wrote on Instagram that “Like others, he bounced in and out of our lives and changed each one he visited. For better or for worse, he lived a life that others only claim to have lived and he was one of one. His love for music was as genuine as the pain he harbored.”

STEFON Diggs’ legal fight with his sex assault accuser took a dramatic twist after bombshell new files were dropped.

In explosive documents obtained by The U.S. Sun, Christopher Griffith appears to blame Stefon’s break-up with Cardi B for ruining his NFL career.

He shot back in their legal war after Stefon sued the social media star for defamation over claims the axed New England Patriots player had sexually assaulted him.

The influencer made several posts alleging Stefon had attacked him after a celebrity basketball game in Maryland in May 2023.

In his suit, Stefon claimed that his reputation and, therefore, his income, had been damaged by Christopher’s allegations.

The influencer shot back and said Stefon ruined his reputation himself in several ways, including through his relationship with his on-again, off-again girlfriend and baby mama, Cardi B.

“There is a significant unresolved question as to whether Mr. Diggs’s claimed emotional distress was caused by sources other than Mr. Griffith’s posts on Instagram,” the influencer wrote in the filing.

The social media star then appeared to blame Stefon’s breakup from Cardi B for ruining his reputation and NFL career.

“During the period in question, Mr. Diggs very publicly started and ended a relationship with the musical artist Cardi B, with Mr. Diggs painted as a villain in the tabloid press,” the eyebrow-raising filing continued – and it didn’t stop there.

He also called out another headline-grabbing incident.

“Mr. Diggs was captured on video distributing an unidentified crystalline substance to women partying with him on a yacht, again widely disseminated by the tabloid press; and his performance as an NFL wide receiver declined materially,” he continued, referring to May 2025 photos of Stefon partying on a yacht with bikini-clad women in Miami.

“Any of these could independently account for reputational harm, emotional distress, or lost business relationships. 

The U.S. Sun has reached out to Cardi B’s team for comment.

Christopher claimed his discovery requests thus far have been met with inadequate responses by Stefon and his legal team. 

He also claimed Stefon, 32, has not been forthcoming with providing information on the loss of brand deals as a result of the allegations against him, specifically with the footwear brand UGG.

Outside of this federal lawsuit, Stefon is connected to another lawsuit filed in Los Angeles Superior Court by Chistopher against the NFL star’s brother, Darez Diggs.

Christopher claimed that about a week after the alleged sexual assault by Stefon in Maryland in 2023, the NFL star’s brother Darez and associates came to his Los Angeles apartment building, beat him up and robbed him of about $100,000 in jewelry and other property. 

That lawsuit is also ongoing.