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A dad whose son has been missing since 1988 told his story on ITV’s This Morning

A father has told how his life became “a living nightmare” after his 15-year-old son vanished without a trace.

Lee Boxell was last seen on September 10, 1988 after he left his home in Sutton, south west London, to meet a friend. He was seen on the High Street in the town that day, but there have been no confirmed sightings since.

Police have theorised that Lee could have been killed after stepping in to stop or threatening to report an assault in the grounds of a church where an unofficial youth club took place.

Appearing on ITV‘s This Morning, his dad Peter Boxell shared how the family were “panic-stricken” and went through their “worst nightmare” after Lee didn’t come home that day.

“It was just like a living nightmare from then on,” he said. “I think it’s every person’s, every family member, every parent’s worst nightmare. And for us, it was a living nightmare.”

He told hosts Josie Gibson and Paddy McGuinness: “We couldn’t sleep for weeks after that. We thought, we didn’t want to miss a phone call or a knock on the door if Lee could come home.”

Paddy asked how Peter had carried on through the years, and he replied: “Well, we’ve been essentially living in limbo, not knowing what’s happened to our son, Lee. And we desperately want to know what happened to him. I mean, I’m old now. I’m 80. His mother’s a few years older than me.

“Most of Lee’s relatives have passed on. And he has a sister who desperately wants to know what happened to him. And she has her own children. So Lee’s now got a niece and a nephew. They know all about Lee. And they want to know what happened to Lee.”

Asked what he thought had happened, Peter said: “I think that the police’s theory is correct, that Lee went to the unofficial youth club at the back of the church in the graveyard at St Dunstan’s in Cheam. And I think he went there, maybe only once.

“And I think he may have seen something, some criminal activity going on. Maybe he saw somebody assaulting a child there. And he would either have gone to the aid of that child or he would have gone for help.

“And I’m only guessing. I just think that the adults who were carrying out that crime may have tried to silence Lee. They may have unintentionally killed him. I don’t know, but I think they may have killed him. That’s what I think has happened.”

Josie also read out a comment from the Met, saying: “They have said, ‘We’ve never stopped our investigation into what happened to Lee. And it remains ongoing within the Met’s cold case team.

“We would urge anyone who did not feel able to speak to police in the past to come forward and tell us what they know. If you can help, whether anonymously or otherwise, please, please, please get in touch’.”

This Morning airs on ITV at 10am on weekdays.

Chris Young grew up in Clarksville, Tenn., in the direst imaginable circumstances — unimaginable, in fact, to many of us.

He never knew his father. His mother was a crack addict with a habit of stabbing her romantic partners. While his mom was in prison, Young and his older brother, Robert, mostly fended for themselves, often in a home that lacked electricity and running water. Young, tormented by sickle-cell disease, saw many of those closest to him die by homicide or suicide.

The two boys weren’t totally bereft. They had a grandfather, cousins, friends and a stepfather. A neighbor provided showers, until his water bill got too high; another supplied hot meals. A woman known as Big Mama offered shelter and tough love. But it wasn’t nearly enough. Desperate for money, the teenage Young — smart, entrepreneurial, dreaming of a rap career — became a gun-toting drug dealer.

Young’s searing memoir, “The Wound Is Where the Light Enters,” chronicles this bitter childhood and its devastating consequences. The evocative title is a quotation from the 13th century Persian poet Rumi.

Unlike some prison memoirs, this isn’t an innocence story. But it is no less an indictment of the U.S. justice system — its laws, its courts and its brutal prisons. “The constant state of heightened agitation and awareness that it takes to survive a single day in a federal penitentiary is enough to drive a man insane,” Young writes. “At every turn, the system is designed to crush your humanity. You’re an animal in there and are expected to act like one.”

But not everyone does. “The Wound Is Where the Light Enters” not only reveals the system’s horrors, but also celebrates the redemptive power of hope, intellect and community.

By the time Young was swept up in a federal drug investigation, he already had two felony drug convictions. His involvement in the federal conspiracy case, as he tells it, was marginal. He was no kingpin and had never met most of the people being charged.

But he faced a zealous prosecutor, with only court-appointed attorneys at his side. Worse yet, he was up against a harsh “three-strikes” law that replaced judicial discretion with mandatory minimum sentences.

Young’s own pride and sense of justice also came into play. He could have pleaded guilty, perhaps even cooperated, and received a finite (though still hefty) prison sentence. Instead, determined to argue his case, he opted for a trial at which conviction was all but certain. Then, against advice, he presented a meticulously crafted and rehearsed speech at his sentencing hearing.

The 26-year-old Young, who’d already spent four years behind bars, had used that time productively. A former straight-A student who had dropped out of high school, he had embarked on a program of self-education, reading deeply in African American history, Greek philosophy, finance and other subjects. “Every day,” he writes, “I left the library with new language to put to my thoughts.”

Young told the court about his chaotic upbringing and his recent scholarly pursuits. “He spoke of the things he could do if he did not have to die in prison. He told me of the possibilities that would never be,” the trial judge, Kevin H. Sharp, writes in the book’s foreword. “It was impossible to listen to someone so full of compassion, intelligence, and, above all, promise, and not question the system that had not just allowed this to happen but required it.”

Sharp sentenced Young to life without the possibility of parole, as the law mandated. But two years later, he stepped down from the bench and joined Young’s defense team.

Young describes his childhood mostly from the perspective of a boy — alternately bewildered, hurting, depressed and “mad all the time.” His account of his incarceration, with its mind-numbing routines, gang hegemony and intermittent violence, is equally gripping.

At McCreary, the tense high-security federal prison in Kentucky known as Misery Mountain, Young meditated, adhered to a workout routine, read prodigiously, taught GED classes to fellow inmates and maintained ties to his few surviving loved ones. And he kept hoping. “The system’s control over my body was absolute,” Young writes. “Its control over my mind was not.”

In 2015, the sickle cell-related disintegration of his hips prompted Young’s transfer to a low-security prison, Federal Medical Center Lexington. Here the surroundings are less bleak, the library better, the prisoners friendlier. Young teaches himself to code and envisions an app that will focus on mental health and suicide prevention. Yet he still must fight to obtain the hip replacement surgery he so desperately needs.

By now, his case has attracted sympathetic press attention and more effective lawyers. Even so, his story takes a dark turn. From Lexington, he is sent to his most terrifying prison yet, known as Bloody Beaumont, where COVID-19 adds another layer of threat. A judge reduces his sentence, but, for reasons never entirely clear, he is suddenly thrown into the prison’s “hole,” its barbarous solitary confinement cells.

It is from that hell that Young, more than a decade after his arrest, emerges to freedom — earning a degree in economics and public policy from Southern Methodist University, pursuing a consulting career and writing this indelible book. For his 2021 grant of executive clemency, he has his lawyers and reality-TV star Kim Kardashian to thank — as well as President Trump.

Klein, a cultural reporter and critic in Philadelphia, has been a three-time finalist for the National Book Critics Circle’s Nona Balakian Citation for Excellence in Reviewing.

Do we still call it a “heat wave” if it never ends?

Maybe my Texas and Arizona friends can help me out here on proper nomenclature because, while everybody loves the sunshine, I’m starting to dream of the time when autumn leaves start to fall.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. My birthday’s still a few months away. Is it OK if I have a slice of this cake, anyway? Maybe the Television Academy can send it to the Emmy nominees who are no longer invited to the ceremony this year.

Read on for more …

Awards show adaptation or mere party foul?

What if you were invited to a party and then nine days later that invitation is rescinded? A party in your honor, no less, or at least one where you are among the honorees. How would you feel? Would you be tempted to take that birthday cake I just mentioned and smash it into the face of your host?

Maybe I’ve watched the pie fight in “Blazing Saddles” one too many times. (Happy 100th birthday, Mel Brooks!) Still, if I were among the Emmy nominees in the five categories that the Television Academy shuttled off the Primetime Emmy Awards to the untelevised Creative Arts Emmy Awards, I might be reaching for some baked goods and taking aim.

The five categories excised from the show include four from the limited series/movie group — supporting actor and actress, writing and directing. (Variety series writing was also cut.) When I wrote a few weeks ago that the limited series boom had gone bust, it wasn’t my intention that the TV Academy remove more than half of the categories from the show. It could have just been a down year, people! Television was pretty meh across the board the last 12 months. Why pick on one division?

In doing so, the Television Academy effectively disenfranchised HBO’s “DTF St. Louis,” the best limited series of the season, from the ceremony. Steven Conrad’s dark comedy about suburban loneliness earned 13 nominations, including supporting acting nods for each member of its stellar ensemble — Jason Bateman, David Harbour, Linda Cardellini, Richard Jenkins and Joy Sunday. Conrad was nominated for three — writing, directing and producing the series.

But now only Harbour, Bateman and Conrad will receive tickets to the show as executive producers of the nominated series. The other actors can attend the Creative Arts Emmys, held the weekend before the Primetime Emmys. And of course, HBO will be happy to buy them tickets if they want to go to the televised ceremony too.

The question is: Will they and other nominees, which include the likes of Nick Offerman (“Death by Lightning”), Charles Melton (“Beef”) and Dakota Fanning (“All Her Fault”), want to get dressed up two weekends in a row? (First-world problems, I know.)

“It really did manifest as a disinvite for all these people,” says one awards consultant who, like other sources for this story, requested anonymity in order to speak candidly about the move. “Had the Television Academy done it before nominations came out, then at least people’s expectations would have been managed. But now it’s sort of like you got invited to the party and now you can’t come. It’s not a very nice feeling.”

“Beef” star Charles Melton’s category, supporting actor in a limited series or TV movie, will be presented at the untelevised Creative Arts Emmys the weekend before the Primetime Emmys ceremony.

(Netflix)

Why did the TV Academy wait to shift the categories until after the nominations were announced? Why focus on limited series and not, say, spread the cuts across drama and comedy categories too? Are these changes permanent?

I asked these questions to the Television Academy and the answers were, basically: We announced as soon as possible. We’re going to sidestep that second query. And we’ll see how it goes!

What this comes down to is a desire to create a show that, in the words of a TV Academy spokesperson, is “driven by the need to innovate while delivering a three-hour broadcast, keeping audience expectations and the creative structure of the ceremony in mind.”

Translation: fewer awards, fewer speeches, more throwback segments that have a chance to go viral and get people talking.

The Oscars tried this in 2022, moving eight categories off the telecast, handing them out before the broadcast began. Members hated the idea and order was restored the following year with all 23 awards being presented during the live telecast. (In 2019, when the motion picture academy announced a similar move, saying that four categories would be handed out during commercial breaks, the blowback was so fierce that the decision was almost immediately reversed.)

Emmy ratings were up 8% last year, the highest since 2021. An average of 7.42 million viewers watched. Not NFL numbers, but a continued indication that the audience level for major awards ceremonies has stabilized after steep declines during the COVID-19 pandemic.

Still, there is a feeling among some that awards shows need to adapt and pick up the pace in a time when viewers’ attention spans have shortened. Is there an appetite for a three-hour ceremony when you can simply watch the highlights the next day on social media platforms?

“If people don’t want to see actors winning awards, then the days of televised awards shows should just be over,” gripes another Emmy consultant.

One thing that might be over — or at least greatly diminished — will be submissions for the supporting acting categories for limited series/movie next year if the academy makes this revision permanent.

“I think everyone will be going lead,” one network executive joked, “even if they have just five minutes an episode.”

The popular drama came out in 2021 but is brand new to Channel 5

Viewers looking for a gritty crime thriller are in luck, as Channel 5 has acquired a firm favourite.

The broadcaster has announced that Walker, starring Jared Padalecki, Lindsey Morgan and Molly Hagan, is now available to stream, with weekly season drops from July 30.

Walker, which first launched in 2021 in America, is a direct reboot and reimagining of the 1990s action crime drama Walker, Texas Ranger starring Chuck Norris.

The drama, which is made up of four seasons, sees Gilmore Girls star Jared Padalecki reinvent the iconic franchise as Cordell Walker, a widowed Ranger returning home to a family he barely knows and secrets that refuse to stay buried.

It has been described as a series that blends “gripping action with genuine heart”, and has strong reviews from those who watched the drama when it originally launched.

“So captivating!!” wrote one viewer on IMBd, adding: “I loved the episode it was a strong pilot and I can’t wait to see what happens! I loved the establishment of the characters right away you knew the relationship of everyone and you already got a little bit of insight to how they interact with each other. This is a show that can only keep getting better!!”

While a second wrote: “Big Supernatural fan of Jared’s and honestly was worried about seeing him transition to a new show after 15 years of playing one character.

“But after watching the pilot episode of Walker, man I was blown away! He was so believable as Cordell Walker, Sam was not to be found. Kudos to the entire cast! This episode introduced us to all the characters seamlessly, and I look forward to seeing where this show takes them.”

Others warned not to compare the reboot to the original. One viewer explained: “Stop comparing; it’s two completely different shows.

“This Walker is all about heart, family and fighting crime. Jared Padalecki is not and never will be Chuck Norris, thank goodness… Norris is all action and no acting! I never liked the original!

“But this one… This one is a great story and an amazing cast! And the intrigue and drama is getting better and better each week!”

A synopsis reads: “A widowed father returns to Austin after one year, attempting to reconnect with his children, navigate clashes with his family, and find common ground with his new partner, while growing increasingly suspicious of his wife’s death.”

Walker is now available to stream on My5 with weekly season drops.

Here’s to the ones who dream.

The anthemic thesis of “La La Land” — the Ryan Gosling/Emma Stone movie musical celebrating its 10th anniversary — became a moment of musical reality in May when a 21-year-old student in Sydney, Australia, was plucked from the crowd at a live concert of the film during intermission. Sterling Nasa proceeded to stun composer-conductor Justin Hurwitz and the 2,000-person audience with his flawless, impromptu performance.

“Jumping into that concert in Sydney, and having an earpiece and seeing all this, was a little bit crazy,” says Nasa with well-mannered modesty, “but we somehow got through it.”

Conductor Justin Hurwitz with pianist Sterling Nasa performing the soundtrack of “La La Land” at the Greek Theatre.

(Ariana Drehsler / For The Times)

Nasa is sitting backstage at the Greek Theatre between rehearsals, preparing to make his Los Angeles debut. After that remarkable incident, an international feel-good news story, Hurwitz invited Nasa to fly out and play the entire concert at the anniversary screening here, in Griffith Park, where many of the film’s iconic scenes were shot.

“He’s playing better than most of the professional pianists I’ve worked with,” says Hurwitz, who regularly conducts “La La Land in Concert.”

“He’s nailing it,” Hurwitz explains during a break. “Those Sebastian solos, the ones that Ryan Gosling plays in the movie, he’s playing those as perfectly and cleanly as I’ve heard them in a very long time. Very few of the pianists I work with around the world — and they’re all great professionals — but very few of them play it this well in sync with the picture.”

Saturday’s rehearsals took place under a scorching sun. Half of the assembled musicians played on the film’s original soundtrack; star trumpet soloist Bijon Watson can even be seen wailing in the Lighthouse jazz scenes. Sitting in the midst of these veteran L.A. sessions players, Nasa looked focused but confident, his youthful face belying his easy, fleet-fingered playing.

Pianist Sterling Nasa heads to the stage Saturday after intermission during the 10th anniversary show featuring a full orchestra and jazz band performing the “La La Land” soundtrack at the Greek Theatre.

(Ariana Drehsler / For The Times)

He flew in from Sydney on Thursday, leaving a rainy Australian winter for a California heat wave. The initial jet leg was rough, he says, but he had mostly adjusted by Saturday. Hurwitz took some one-on-one practice time with him before the orchestra arrived, and Nasa had also been practicing his part for six weeks.

Nasa (an Anglicized Lebanese name) has been playing piano since he was 3. His parents encouraged his musical education, and he’s performed enough in bands and local musical theater not to suffer from stage fright. He also plays the bagpipes, and has played with 300 bagpipers for 10,000 people at the Royal Edinburgh Military Tattoo at Edinburgh Castle.

“I’ve always had a bit of an inkling that I’d love to be a musician,” Nasa says, “or if I can find some opportunity in the artistic world, or in musical theater or in music, that I would love too. But I did sort of get the ‘real’ degree.”

He was finishing his studies in international relations at the University of Sydney when the cosmic moment happened in May. His friend Scarlett was the one who enthusiastically pushed Nasa’s hand up when Hurwitz, panicking, asked if anyone in the audience was an “amazing sight reader.”

“I owe so much of this to her,” Nasa says. “I really probably would not have done it.”

The 10th anniversary show of “La La Land” featured a full orchestra and jazz band.

(Ariana Drehsler / For The Times)

He played the entire second half of the concert that night. (The hired pianist fell ill and had to leave.) Nasa says he thinks Australians were inclined to root for an underdog — “the audience that night really just wanted it to work” — but for this big L.A. moment, “I think now there’s obviously a bit more of an expectation.”

As the twilight concert began, Hurwitz addressed the sold-out Greek Theatre — a lively crowd filled with yellow dresses — and surprised them by announcing that the “kid from Sydney” was here to play the entire show. Nasa absorbed his ovation, then took his bench in the middle of the orchestra with a little monitor displaying the movie on his piano.

He played the melancholy strains of “Mia and Sebastian’s Theme,” a solo piano motif that Gosling’s character plays throughout the film; he accompanied their flirty “City of Stars” duet, and he performed all of Sebastian’s acrobatic jazz solos — many of them meticulously synced to corresponding shots of fingers on a keyboard.

“La La Land” plays on the screen at the Greek Theatre while an orchestra and jazz band accompany the film.

(Ariana Drehsler / For The Times)

The film itself was projected over the stage, but monitors on either side showed Nasa and the other live musicians. A young woman in front of me watched his hands, perfectly aligned with Gosling’s, with her jaw dropped. Nasa never missed a note, and he received another outsized ovation after the rousing end credits.

“I’ve thought a lot about opportunity, and how there’s so much talent in the world,” says Hurwitz, reflecting on the moment in Sydney. “And there’s also so much lost talent in the world, talent that just isn’t realized. And I just love that there was this talented guy, who’s a great musician, but he was in school studying something else — because he didn’t know if he could or should go into music. And then there was this opportunity, and he took it, and he showed everybody — and he showed himself — that he can do it.”

Nasa says he’s not sure what he’ll do now that he’s graduated, but one thing he’s interested in is composing for musical theater — or possibly scoring films.

The actress opened up about the horrific abuse she suffers on a daily basis from cruel trolls.

Coronation Street star Cherylee Houston has opened up about the horrific abuse she receives daily.

The actress has played Izzy Armstrong in the ITV soap since 2010, and elsewhere plays Maz in BBC Radio 4 series Tinsel Girl.

During an appearance on Good Morning Britain on Monday, August 3, Cherylee opened up about her life away from the spotlight and the abuse she receives daily.

Cherylee was diagnosed with Ehlers-Danlos syndrome when she was 23, and now uses a wheelchair.

According to the NHS, the condition can affect people in different ways, and for some, it can be disabling.

Opening up about her experience, Cherylee told GMB hosts Kate Garraway and Richard Madeley: “A couple of times I’ve been on television and my chair hasn’t been on view, I’ve been bullied for that. People are very easily ready to call out…”

She went on to say that trolls tell her she is “making it up”, and faces the abuse “on a daily basis”.

Cherylee added: “My friend and I were wheeling down the street, and a man was shouting out about how much benefits we got and stuff, and how we make it up. It happens all the time.”

Richard shared: “I have to say, anyone that sees your chair on screen and then puts their fingers on a keyboard to say you’re pretending or you’re seeking sympathy or something, I think they’re a bit thick.”

Cherylee replied: “Yes and no, because I think some of it is about our representation and an understanding.”

She continued: “There’s so much lack of understanding because we’re 1 in 5, but we’re not on screen, our stories aren’t told.”

Cherylee received an MBE for services in the disabled community in 2022, after raising awareness, working to remove barriers for disabled people, and speaking about welfare cuts in Parliament.

She was also involved in a Coronation Street storyline that shone a light on the difficulties disabled people experienced during the pandemic, and the pressures of working remotely while shielding, in scenes filmed in her home.

She said at the time: “I have been unbelievably fortunate that my employers enabled me to continue shielding after the official shielding guidance ended in March. I’ve been so supported by ITV, but I’m aware that many of my disabled peers who were previously shielding haven’t had that safety and have been forced to make the decision to earn money to survive whilst facing the real fear of death or serious illness through Covid.”

Coronation Street Producer Iain MacLeod added: “We had to think outside the box in order to tell this story, devising new protocols and ways of scripting scenes that would allow Cherylee to film the scenes herself in her home. It certainly helped that her partner, Toby, is a fabulous actor!

“Despite all the technical challenges we had to overcome, this was a story that needed telling, and I hope it will resonate with millions of people who have found themselves in a similar position to Izzy, and perhaps open the eyes of millions of others who had little awareness of the issues facing disabled people during COVID.”

Good Morning Britain airs weekdays from 6am on ITV1 and ITVX.

MOLLY-MAE Hague has told fans daughter Bambi is back in “her aggressive era” following a shock incident at Pizza Express. 

Last year the 27-year-old Love Island star’s followers were left stunned when Bambi, three – who she shares with boxer Tommy Fury – was seen listing which of her little friends she wanted to bite. 

Now Molly-Mae, also mum to son Midas, two months, had confessed she was “very wrong” to think her eldest child had grown out of such behaviour. 

Speaking in her latest YouTube vlog, she said: “I went to Pizza Express with Bambi and Midas and some friends and I can’t even disclose what happened. 

“All I’m going to say is, I thought Bambi was out of her aggressive era. I was very wrong. 

“Headlocks were put in place. Not by me, by her. It should have been by me. It was bad. 

OPENING UP

Molly-Mae reveals ‘massive and traumatic’ hurdle Bambi is facing at nursery

SAY WHAT?

Tommy Fury reveals controversial date night ‘rule’ with Molly-Mae – do YOU agree?

“We’re in the depths of it right now and I’m really just trying to keep my head above water.”

Fans tried to make Molly-Mae feel better, with one commenting: “Bambi 100% is feeling her newborn brother is taking her mummy’s attention away. It happened with my daughter when her brother arrived.”

Another said: “Her world has changed and she will be happy but change is massive for children and their emotions are all over the place.”

And a third added: “Never give up and never give in. She will learn. You’re doing a good job.”

It comes after Molly made it clear that she and Tommy will not be trying for a third child anytime soon.

She told fans: “So I had the coil fitted, I had one called the Kyleena. It’s not the copper coil. It’s a different one. It’s one that’s going to last 5 years.

“I really wanted to get on some form of contraception because the last thing we need right now is another pregnancy.”

Fans are keen to watch the rest of Yellowstone creator Taylor Sheridan’s espionage action thriller Lioness.

Lioness fans have been left on the edge of their seats after the season three premiere.

Many viewers are now champing at the bit for the next instalment of the drama led by Oscar-winning Zoe Saldaña.

WARNING: Spoilers below from Lioness season 3, episode 1

The opening instalment of season three debuted recently. Titled The Spider and The Fly, the episode saw Joe McNamara (played by Saldaña) thrown into fresh danger after she was abducted close to her home as she set out to work.

Joe was in a new nine-to-five role; however, she was kidnapped while on the phone with her boss, Kaitlyn Meade (Nicole Kidman).

There was then a flashback six months earlier and a mission in Ukraine, where she was inserted into a team to capture Aleksi Yurimov, the head of Putin’s hybrid warfare Special Services Department.

Creator Taylor Sheridan also made a cameo in the episode as soldier Cody, who headed up the precious mission.

The season three opener ended on quite a note as it looked like Joe’s cover was blown, leaving fans desperate for the rest of the outing.

How many episodes are in Lioness season 3?

There are eight episodes in Lioness season three, just like the previous two runs.

Episodes will air weekly on Sundays on the streaming platform Paramount+.

Season three premiered on Sunday, August 2 and will wrap up on Sunday, September 30.

Here’s the Lioness season 3 release schedule:

• Episode 1 – August 2
• Episode 2 – August 9
• Episode 3 – August 16
• Episode 4 – August 23
• Episode 5 – August 30
• Episode 6 – September 6
• Episode 7 – September 13
• Episode 8 – September 20

Following the season three premiere, many showered the opener in praise on social media.

One person posted on X (formerly Twitter): “Lioness is back for season 3 and that 1st episode was amazing from start to finish. I love Zoe Saldana #Lioness.”

A second wrote: “This is how you start a new season #Lioness episode 1 was so good!”

A third fan said: “Well I’ll be damned Joe! That’s how u feeling this season. U couldn’t ease us into things?! I need the whole season NOW! #Lioness #LionessSeason3.”

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Yet another person wanted more than just one episode: “Now I’m irritated cause they could have released the first 3 episodes of lioness this might be their best season premiere thus far. Incredible! #lioness.”

Paramount+’s synopsis for the new series states: “In Season Three, from creator and writer Taylor Sheridan, hidden networks, foreign operatives, and personal betrayals collide.

“Joe (Zoe Saldaña) walks the line between duty and home as unseen forces circle her world. Patterns appear where they shouldn’t, names vanish, and paths rearrange.

“Guided by Kaitlyn (Nicole Kidman) and Westfield (Michael Kelly), Joe confronts enemies operating in the shadows, leaving her to reckon with a war that now reaches into every part of her life.”

Lioness season 3 airs on Sundays on Paramount+

The 2026 Emmy nominations have been revealed.

HBO’s emergency medical drama “The Pitt” was the top nominee, with a total of 25. The premium cable network’s intergenerational comedy comeback story “Hacks,” meanwhile, earned 24 nominations. Other top nominees include Apple TV’s freshman offerings “Widow’s Bay” and “Pluribus,” which nabbed 19 and 18 nods a piece, respectively.

With its 24 nominations, “Hacks” set a new record for most nominations in a year by a comedy series. The previous record of 23 nods was set by “The Bear” in 2024 and matched by “The Studio” in 2025.

“[The nominees’] creativity and talent remind us why television remains one of our most powerful art forms,” Television Academy chair Cris Abrego said in his introductory remarks Wednesday morning. “While these nominations recognize individual achievement, they also celebrate the collaborative spirit that defines our industry. Every nomination today is a result of countless people coming together to create work that moves us, entertains us and, above all, inspires us.”

Previous Emmy winners Liza Colón-Zayas, known for her role as no-nonsense chef Tina on FX’s culinary dramedy “The Bear,” and Jeff Hiller, the “Widow’s Bay” actor who also portrayed sweet and lovable best friend Joel on HBO’s tender comfort-watch “Somebody, Somewhere,” were on hand at the Television Academy’s Wolf Theatre to joke about their nerves — and height difference — while presenting the nominations.

The nominees for variety series and reality competition program were announced before the main nominations ceremony on NBC’s “Today” show.

The 78th Emmy Awards will be held Sept. 14 at 5 p.m. at the Peacock Theater in downtown Los Angeles. Hosted by “Law & Order: SVU” star Mariska Hargitay, the live telecast will air on NBC and stream on Peacock. The Creative Arts Emmy Awards, which honor artistic and technical achievements as well as some performance categories, will be held on Sept. 5 and 6.

Drama series

“The Diplomat”
“The Gilded Age”
“A Knight of the Seven Kingdoms”
“Paradise”
“The Pitt”
“Pluribus”
“Slow Horses”
“Your Friends & Neighbors”

Drama lead actress

Carrie Coon, “The Gilded Age”
Chase Infiniti, “The Testaments”
Keri Russell, “The Diplomat”
Rhea Seehorn, “Pluribus”
Zendaya, “Euphoria”

Drama lead actor

Sterling K. Brown, “Paradise”
Gary Oldman, “Slow Horses”
Mark Ruffalo, “Task”
Rufus Sewell, “The Diplomat”
Noah Wyle, “The Pitt”

Drama supporting actress

Taylor Dearden, “The Pitt”
Fiona Dourif, “The Pitt”
Allison Janney, “The Diplomat”
Katherine LaNasa, “The Pitt”
Sepideh Moafi, “The Pitt”
Julianne Nicholson, “Paradise”
Karolina Wydra, “Pluribus”

Drama supporting actor

Patrick Ball, “The Pitt”
Billy Crudup, “The Morning Show”
Shawn Hatosy, “The Pitt”
Gerran Howell, “The Pitt”
Jack Lowden, “Slow Horses”
Tom Pelphrey, “Task”
Carlos-Manuel Vesga, “Pluribus”

Comedy series

“Abbott Elementary”
“The Bear”
“Hacks”
“Margo’s Got Money Troubles”
“Nobody Wants This”
“Only Murders in the Building”
“Shrinking”
“Widow’s Bay”

Comedy lead actress

Quinta Brunson, “Abbott Elementary”
Ayo Edebiri, “The Bear”
Elle Fanning, “Margo’s Got Money Troubles”
Lisa Kudrow, “The Comeback”
Jean Smart, “Hacks”

Comedy lead actor

Yahya Abdul-Mateen II, “Wonder Man”
Steve Carell, “Rooster”
Matthew Rhys, “Widow’s Bay”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”

Comedy supporting actress

Dale Dickey, “Widow’s Bay”
Hannah Einbinder, “Hacks”
Janelle James, “Abbott Elementary”
Kate O’Flynn, “Widow’s Bay”
Michelle Pfeiffer, “Margo’s Got Money Troubles”
Megan Stalter, “Hacks”
Jessica Williams, “Shrinking”

Comedy supporting actor

Colman Domingo, “The Four Seasons”
Paul W. Downs, “Hacks”
Harrison Ford, “Shrinking”
Nick Offerman, “Margo’s Got Money Troubles”
Stephen Root, “Widow’s Bay”
Michael Urie, “Shrinking”
Tyler James Williams, “Abbott Elementary”

Limited series

“All Her Fault”
“The Beast in Me”
“Beef”
“DTF St. Louis”
“Love Story: John F. Kennedy Jr. and Carolyn Bessette”

Television movie

“Heads of State”
“Miss You, Love You”
“People We Meet on Vacation”
“Remarkably Bright Creatures”
“Jack Ryan: Ghost War”

Limited series / TV movie lead actress

Claire Danes, “The Beast in Me”
Sally Field, “Remarkably Bright Creatures”
Carey Mulligan, “Beef”
Sarah Pidgeon, “Love Story”
Sarah Snook, “All Her Fault”

Limited series / TV movie lead actor

Riz Ahmed, “Bait”
Jason Bateman, “Black Rabbit”
Charlie Hunnam, “Monster: The Ed Gein Story”
Oscar Isaac, “Beef”
Matthew Rhys, “The Beast in Me”

Limited series / TV movie supporting actress

Linda Cardellini, “DTF St. Louis”
Dakota Fanning, “All Her Fault”
Laurie Metcalf, “Monster: The Ed Gein Story”
Joy Sunday, “DTF St. Louis”
Yuh-Jung Youn, “Beef”
Constance Zimmer, “Love Story”

Limited series / TV movie supporting actor

Jason Bateman, “DTF St. Louis”
Richard Gadd, “Half Man”
David Harbour, “DTF St. Louis”
Richard Jenkins, “DTF St. Louis”
Charles Melton, “Beef”
Nick Offerman, “Death by Lightning”

Variety series

“The Daily Show”
“Jimmy Kimmel Live!”
“Last Week Tonight With John Oliver”
“The Late Show With Stephen Colbert”
“Saturday Night Live”

Reality competition program

“Dancing With the Stars”
“RuPaul’s Drag Race”
“Survivor”
“Top Chef”
“The Traitors”

The complete list of 2026 Emmy nominees is available on the Television Academy website.

A wartime detective drama series based on real-life historical events has viewers declaring they’ve ‘never seen a better show on television’ — streaming free on ITVX

A wartime drama based on real events during and after the Second World War has completely enamoured audiences, with fans of the ITV series giving it ‘maximum stars’.

Describing the detective war drama as ‘mesmerising’, viewers are saying they’ve ‘never seen a better show on television’.

Foyle’s War — available to stream free on ITVX — is a historical wartime detective drama series created by author Anthony Horowitz who was the screenwriter of the acclaimed Midsomer Murders.

The series stars the talented Michael Kitchen in the lead as DCS Christopher Foyle. Honeysuckle Weeks, Anthony Howell, Julian Ovenden, and Ellie Haddington join Kitchen to round out an altogether stellar cast, all of whom, especially Weeks, have been praised for their performances on the show.

Foyle’s War first premiered on television in October 2002 and saw an eight-season run till 2015. The series was cancelled in 2007 and revived in 2010 owing to encouraging audience numbers for the last series that premiered on telly.

The series was nominated for three BAFTA Television Awards, of which it bagged one, and has gone on to become a highly acclaimed wartime drama for both audiences and critics.

One reviewer said of the wartime series: “This is quality, smart stuff — plot points hinge on citizenship classifications, ration coupons, the location of safe houses. It requires that viewers watch carefully, and pay attention to details.”

While another critic said: “Foyle’s War… returns to Mystery!… with the admirable Michael Kitchen in his usual top form.”

A third critic shared: “You don’t have to pay close attention to Foyle’s War, but it’s worth it for the detail-rich historical context of Anthony Horowitz’s plots, especially now the series has arrived in the murky moral fog of post-war London.”

Audiences can’t stop praising the war drama, with one viewer writing on Rotten Tomatoes: “On our second watching of the entire series. It’s so well-acted and thoughtful, and you learn a bit of history with each episode. Michael Kitchen and Honeysuckle Weeks are so engaging, such a delight to watch, it’s mesmerizing.”

A IMDB user review of the series says: “One of the best! My wife and I became obsessed with the British crime series Midsomer Murders. We’ve seen all the episodes available. Then my wife latched onto Foyle’s War and we’ve become big, big fans of this series also.

“We agree with everyone about Michael Kitchen’s performances and the historical background against which the story unfolds. Everything about this show looks authentic, feels authentic and sounds authentic. Not having lived through that time we are learning so much about the period.”

While one fan of the show said: “Maximum Stars. I’ve never seen a better show on television. “Foyle’s War” is deep, thoughtful television art. Great premise. Acting is tremendous. Only the bad guys overact. To see the characters is to love them. Sets and details have been discussed at length and it’s all just gorgeous.”

Another user review reads: “Outstanding! One of the very best series of all time! This is what great TV is. An outstanding series, taking place from the start of WW2 to the start of the Cold War, but told with the perspective of those ‘back home’ whom the Wars impacted.

“A remarkable achievement. The cast, first and foremost Michael Kitchen as Foyle, are remarkable. TV, or filmed entertainment just does not get any better than this.”

Foyle’s War is available to stream for free on ITVX.

SLUMPED in a chair in his hotel room, eyes blood-shot and his mood low, comedian Mo Gilligan is a shadow of his normal self.

His mission — to eat only fried chicken for 28 days in a bid to discover what it does to our bodies — had at first sounded like a fast-food dream come true.

But the challenge quickly took its toll, piling weight on the happy-go-lucky entertainer, sending him into a depression, increasing his chances of developing diabetes and leaving him barely able to recognise himself in the mirror.

Addressing the camera in his dimly lit room, a visibly broken Mo says: “I’m eating this food and I don’t feel like myself.

“I look in the mirror and I don’t look like myself. I feel so low.”

Mo, 38, has teamed up with Netflix for a new special, Big Chicken: A Fast Food Conspiracy, which echoes Morgan Spurlock’s 2004 documentary Super Size Me, in which he munched only McDonald’s grub for a month.

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In one harrowing scene from Mo’s documentary, he breaks down in tears as he struggles with the physical and emotional effects of his diet.

During the show, he travels to visit so-called food deserts where grub is limited and pop-up takeaways are the only option.

Chicken is often seen as a healthier alternative to a burger. But in reality, more and more natural and artificial flavourings and preservatives are being added to fried poultry, which can lead to dire health consequences.

Some has even been found to contain dimethylpolysiloxane — an ingredient used in kids’ silly putty and the manufacturing of condoms.
Mo tells the film: “I’ve met a lot of experts over the last couple of days.

“You know, one of the ingredients, they also put it in condoms for lubrication. Who knew that went into a burger? So many things go into it that are artificially engineered to give you a better experience and get you to come back for more.”

Speaking exclusively to The Sun ahead of the show’s release on Wednesday, Mo said he felt it was crucial for viewers to see how far the TV experiment pushed him — even when he desperately wanted to switch the cameras off.

He explained: “Being paid to eat fried chicken sounds like the dream. In my head I was like, ‘Well, I like eating fried chicken, I want to know more about it’.

“But it quickly turned into a nightmare.”

Mo — who is a judge on ITV’s The Masked Singer with regulars Maya Jama, Jonathan Ross and Davina McCall — continued: “Look, I do a job that’s very front-facing and in the public eye. I’d be lying if I said I don’t care about my image, especially if I’m eating fried chicken every day.

“Eating the food was something that I was a bit self-conscious of, but also knowing that in the space of a few days, I went from a large in my T-shirt size to an extra large because of what I’m eating.”

Mo underwent a medical assessment before and after the TV experiment.

Over the 28 days, he gained 1½in around his stomach, felt his mood skydive and saw his chances of developing diabetes increase. But despite no longer fitting into some of his clothes, Mo insists he will not use fat jabs as a quick slimming fix.

Shockingly, one spicy chicken sandwich from US chain Popeyes, which came to the UK in 2021, contains a massive 142 ingredients.

Health Professor Laura Schmidt said: “These companies are doing everything they can to make it cheap, make it convenient and to make it taste irresistible. If you see 45 ingredients and they are chemicals you don’t recognise, it is ­probably ultra-processed.”

She added: “Natural and artificial flavours. That’s the question mark, as it’s a bunch of chemicals they don’t have to list and those chemicals may not be regulated as there is a loophole in the federal regulation in the US. Even in Europe, when they go to regulate a chemical additive, they ask the company to prove it’s safe. In the US they don’t. The companies decide what is safe. These foods promote chronic disease. This is the big concern for our health.”

Mo, who has been touring America, insists that if anything, doing the documentary has made him more committed to his fitness.

But the comic — who played football when he was younger and now enjoys running — stressed that, regardless of your diet, nobody needs to go to extremes to benefit their health.

He reveals: “I do love my fitness, man. I love it, especially because I travel a lot on tour.

“All I need is a gym, some equipment and some gym shoes. I think when it comes to exercise, people think you must be doing a 5k. But you don’t have to be totally extreme to lose weight. As I learned, a ten-minute walk can burn calories.”

Sales of fried chicken have exploded since the 1960s.

In the UK, we spend an incredible £12million on it every day.

Britain now boasts more than 6,000 fried chicken shops, with London Road in South London ­having some 20.

In comparison, Tesco has 3,010 stores and Sainsbury’s has 1,485. In the doc, Mo says: “I only remember one chicken shop growing up.

“Now, one road alone has more than 20.

“In central London, you have your more gourmet ones, something from the US. Then the further you go out, they don’t even have names any more.

“DFC, MFC, we know the FC is fried chicken, but what is the M?

“PFC. What is that? Perfect Fried Chicken? . . . I have no idea.

“This bird is big business.”

Big Chicken: A Fast Food Conspiracy has been created by documentary maker Louis Theroux’s team.

And Mo is proud of showing his emotions on film.

He said: “I think men do need to be more comfortable speaking about how we feel in the moment as well with our other friends, other guys.

“It will definitely break the silence. As men, we need to speak up and be like, ‘I feel low in myself’ or, ‘I don’t look how I want to look’ or, ‘I don’t feel how I want to feel’.

“It’s really important for me to be my authentic self on camera.”

Last week, Mo was confirmed for series eight of The Masked Singer.

And he insists he is not making a concerted effort to crack America.

He says: “When I think of America, I always say they are great at exporting entertainment and fast food. I’m quite fortunate that I’ve had three Netflix specials and they go all around the world.

“So if it lands me in America, I’m here for that. But if it takes me to Australia or Africa, it’s equally good for me.

“I’m really fortunate I’ve been able to tick off doing all the things I wanted to do and some of the things I never thought I would be able to do as well.

“Now, being in this space and making hopefully an impactful documentary . . . 

“I really enjoy this subject and seeing where it goes and telling it to the rest of the world.”

Meanwhile, away from this serious project, Strictly Come Dancing and I’m A Celebrity regularly try to recruit Mo as a contestant.

He said: “They do come knocking. Yeah . . . not just yet. But never say never.”

Van Der Valk returns to our screens tonight with three more headscratching investigations on the way.

Van Der Valk fans are eager to know all there is about season four ahead of its ITV debut tonight.

Season four of the hit ITV detective drama Van Der Valk begins this evening, Sunday, August 2, at 8pm, the first of three feature-length episodes set to air every week.

As always, Piet Van Der Valk will be portrayed by Band of Brothers star Marc Warren, who will be joined by Maimie McCoy as Lucienne Hassell, Emma Fielding as Julia Dahlman and Darrell D’Silva as Hendrik Davie.

UK fans have been waiting for three years for the show’s return with season four first released in America in 2024.

But now the wait is finally over so here’s everything there is to know about Van Der Valk’s filming locations for season four.

Where is ITV Van Der Valk season 4 filmed?

As Van Der Valk is a Dutch detective drama, like previous series, season four has been filmed entirely in the Netherlands, primarily in the capital city of Amsterdam.

Some of its standout locations include The Canal Belts, also known as the Grachtengordel, the historic 14km waterways built during the 17th Century Dutch Golden Age.

Other key spots include Cafe Scheltema which is frequently featured when the detectives gather for debriefs and their breakthroughs, as well as the Amstel River.

Along with Amsterdam, some additional shots are filmed in nearby cities like Utrecht and The Hague.

Warren previously opened up about shooting a season one scene at the iconic Rijksmuseum in Amsterdam which he hailed as “amazing”.

“Being on my own, looking up at Rembrandt’s The Night Watch at midnight, I was just thinking, ‘How do these things happen?’, he told Radio Times.

“Just before we shot that, they brought a guy in on a stretcher to give him a private view of the painting. It was his dying wish.

“An hour or two later, I was standing there alone with this masterpiece.”

Van Der Valk season four premieres tonight, Sunday, August 2, at 8pm, on ITV.

Emmerdale is reportedly losing some familiar faces and gaining both old and new characters on the ITV soap, but are Dawn Taylor, Vinny Dingle and Jimmy King leaving?

Emmerdale fans are wondering who is really leaving the ITV soap and who’s staying put.

In recent months, a handful of names have been reported as cast members leaving the show. As it stands, both cast and the show have yet to comment on the claims.

There are some confirmed returns to the village however, and some teased ones too. We’ve had loads of new faces, temporary and permanent, in recent months too, so could there be more on the way? This is all we know so far about upcoming cast changes and news, including FOUR exits and two returns…

Who’s leaving Emmerdale?

Dawn Taylor

It’s been claimed Dawn Taylor is leaving the show after eight years. Actress Olivia Bromley was said to be written out of the show, while the soap has not confirmed this.

She’s centre stage on the show at the moment, with possible feelings for her ex Billy Fletcher ahead of her wedding to Joe Tate. Dawn is pregnant with Joe’s baby, and now fans think she might flee Joe and the village like she had planned to months earlier.

Jimmy King

A shocking exit rumour is that Jimmy King will leave the show after more than 20 years. It was reported recently that actor Nick Miles has been axed from the show after two decades.

Fans have been left furious by the reports, that have not been backed up by the show. It’s claimed Jimmy will be killed off in devastating scenes later this year, while onscreen at the moment it’s teased he might split from his wife Nicola King.

Vinny Dingle

Another unexpected exit announcement claimed Vinny Dingle is leaving the show after seven years. Actor Bradley Johnson is another cast member said to be axed from the show, while this has not been confirmed.

Vinny only recently embarked on a romance with Lewis Barton, amid a huge storyline months earlier that saw Vinny struggling with his sexuality. So the news that Vinny could be leaving left fans baffled.

Noah Dingle

Fans were also stunned when it was reported that Noah Dingle will leave the show after 22 years. Actor Jack Downham has played him since 2009.

It’s claimed writers have axed Charity Dingle’s son from the show, and onscreen Noah has told some family members he plans to work abroad. Again this is not an exit confirmed by the show or its cast, but it’s thought Noah will leave soon.

Who’s returning to Emmerdale?

A Tate?

Just weeks ago, soap boss Laura Shaw teased a Tate was heading to the show. She didn’t specify whether it was a brand new character entirely, or a past Tate character.

There’s still no news on this, while Mirror will be dropping some new hints very, very soon so stay tuned. For now, fans have been speculating whether it’s a new character like Serena Sugden, or if we might see Jamie Tate return to the show, amid Serena targeting Kim Tate.

Sadie King

The big return coming up is Sadie King, who will return to the village very soon first the first time in 20 years. Actress Patsy Kensit is reprising the role, and the Mirror caught up with her recently – so keep an eye out for that interview!

Sadie left in dramatic fashion in 2006, so what has brought her back after all these years? There’s trouble, secrets and plenty of drama on the way!

Victoria Sugden

Victoria Sugden is heading back to the show at some point, after she fled earlier this year. Actress Isabel Hodgins is currently on maternity leave after welcoming her first child this year.

Isabel was recently spotted on the set, sparking return claims. That said, Isabel previously stated she would like to return around September time, but she’s not completely sure when she will be ready – but she definitely is going back at some point.

Are there any new characters joining?

There’s been no news about some new characters joining soon. That said, there’s not always an announcement, while there was for the likes of Kev Townsend and Serena Sugden.

Recently, Kev’s pal Steve, played by actor Jason Done, joined temporarily. Then there was Kev’s old flame Kylie too, and some other guest roles along the way.

So, there’s new faces all the time and we can expect more. Whether there’s an actual new character joining remains to be seen. If the Tate arrival is a new Tate, then that will be a new character!

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Maybe there is something in the fog. Matthew Rhys landed two Emmy nominations in different categories for darkly comedic and darkly chilling turns this TV season.

Rhys is nominated for lead actor in a comedy series for his deft performance as Tom Loftis, a single dad and the mayor of a cursed New England island who is trying to balance the town’s supernatural threats with his efforts to boost tourism, in Apple’s TV’s breakout horror-comedy series “Widow’s Bay.” The word-of-mouth buzz around the series, which premiered in April, intensified each week leading up to its finale last month and prompted chatter around its prospects as a major Emmys contender. The series arrived late in the season, so only its first seven episodes qualify for the 2026 awards cycle, but that was enough for Rhys to nab a nod.

It wasn’t the only performance from Rhys that voters boosted. He is also nominated for lead actor in a limited or anthology series for his role as the sociopath Nile Jarvis, a famed and formidable real estate developer who once was the prime suspect in the killing of his wife, in Netflix’s “The Beast in Me.” Nile finds himself in a cat-and-mouse dynamic with his new neighbor (Claire Danes), an author in search of her next book subject who is suspicious of his innocence.

Prior to this year’s nominations, Rhys received five Emmy nominations over his career, including for his lead roles in “The Americans” and “Perry Mason,” as well as a guest actor nod in “Girls.” He won in 2018 for his role as KGB spy Philip Jennings in “The Americans.”

The Times spoke with Rhys about his nomination; these are edited excerpts.

Matthew Rhys as Mayor Tom Loftis in Apple TV’s “Widow’s Bay.”

(Apple)

Congratulations on your exciting morning — it’s a big day in the Rhys-Russell household [Keri Russell, Rhys’ partner, is nominated for lead actress in a drama for her role in “The Diplomat”]. Let’s start with the most important question: What’s in the fog, Matthew?

[laughs] I love how it took me a moment. I was like, “Wait, what?” Oh, yes, the fog! What’s in the fog is an incredible Season 2.

Place me in the moment when you got the news.

I was in Brooklyn Bridge Marina at the time. I just got off a boat, and I thought, “Oh, God, it’s 11:40.” So I thought quite possibly [they] got to our categories. I checked my phone and there were the many texts. That was the exciting moment because if you haven’t been nominated, there’s no text.

Did one text stand out from the others?

The real pinch-me moment — this is going to sound like a real name drop — but it really got me emotional because I thought, if I’d have told my 18-year-old self that Gary Oldman would text me to congratulate me, I wouldn’t have believed it. That’s when it got me in an emotional way because he’s such a true hero.

Let’s start with “Widow’s Bay,” which recently wrapped its first season. There’s something so thrilling about how it broke through the way that it did. What has struck you about how viewers responded to this horror comedy?

There was a great degree of nervousness about how this would land, whether indeed it would land at all, and the fact that it has, and kind of the depth and the complex nature that’s landed or resonated with people in different ways, is what I’ve loved. Some people go, “Oh my God, it’s so funny”; some people say, “Oh my God, it’s terrifying” — some people say both. And some people pick up on the weirdest things, and then some people pick up on the most obvious, great things. But it’s the length and breadth and the variety of its resonances that has really made me very happy, and really made me doff my cap to [creator] Katie Dippold, for what she did.

What should networks and studios take away from the success of “Widow’s Bay” if they are really paying attention?

Take the risk. And challenge audiences. Everyone’s more than ready for it and thirsty for it in a real way. I really hope this does something in the Hollywood psyche, where they go, “Let’s put away the remakes and let’s just get after new challenging, original material.”

What guidance did you get from Katie about who Tom was and how to play him?

She’s dizzyingly collaborative, so she said, “Tom is yours.” It was more me going, “But what about this for Tom?” She would help, but she really said, “Tom is yours to create now. Everything I’ve done is on the page.” And it was. That’s the beauty of her writing. If you’re true to it, and you don’t get in the way of it, it sings.

The way Tom reacts to situations and people is such a master class in facial expressions. Did you recognize that would be your tool for your performance early on?

We had a kind of sliding scale — Hiro [Murai, executive producer and director], myself and Katie — because it was a departure for me. I’d go, “I don’t know where this lives or where reality lives.” And as much as anyone can say, “Play for real” — playing it for real can mean many things. It can mean a very minimal reaction, and it can mean a great reaction, and so there were times when I was like, “I’m gonna hit the sliding scale, and you let me know where it should be landing, or where, in your opinion, it’s landing in a real way.” Sometimes they were like, “Maybe a little less,” and then they were like “Maybe a little more.” That element of collaboration was wonderful too.

The moment on the boat is a GIF I send often. The jolt.

It’s funny, we have a great and incredible stunt coordinator Paul [Marini]. He said, “You have to lead where the momentum of the energy would be; it’d be your hips. So let your hips lead, and then let your body follow.” And I was like, “Oh, that’s smart.” Then if you do that, then it has a degree of comic effect to it. But my pelvis hasn’t quite recovered.

Matthew Rhys as Nile Jarvis opposite Claire Danes as Aggie Wiggs in Netflix’s “The Beast in Me.”

(Netflix)

Sort of like your dance moment in “The Beast in Me” — lead with the hips. This is your thing, Matthew.

Anytime, in the stage direction, it says “dances,” I’m like [mimics vomit sound]. That strikes ice in my veins because I’m always like, “Oh my God.”

That’s your horror comedy.

That is my true horror comedy because my dancing can be horrific and comical when it is to be neither.

Let’s talk about “The Beast in Me.” Nile Jarvis was also quite the departure from you. What was your entry point to understanding him and figuring out how chilling to make him?

It was a lot of YouTube watching, where you just type in “psychopaths” and stuff comes up. I read Jon Ronson’s “The Psychopath Test” and “The Journalist and the Murderer” [by Janet Malcolm]. The writing was so strong in “The Beast in Me,” so much of Nile was preemptively done for me. As [director] Antonio Campos said, “The trick might be not to do too much because enough has been said.” Everyone has this predisposed idea of who he is and, therefore, the idea we came up with was to do not as little as possible, but to be minimal with it because he’s aware of what everyone thinks of him and there’s a degree of enjoyment and relishing in that.

Have you been able to sensibly eat a roast chicken since?

No, not sensibly. It’s become Pavlovian for me now. When I eat roast chicken, I devour it in a slightly psychotic way. I love that scene. It’s an astute piece of writing to say so much about someone without words.

What would you be best suited to achieve: rebranding the town of Widow’s Bay as a tourist destination or charming your neighbors into signing paperwork for the construction of a running path through the backwoods of their properties?

I’m not saying I could charm the neighbors, but I would attempt to charm the neighbors. Playing Tom was exhausting in a way that playing Nile wasn’t. I always spent the end of the day on “Widow’s Bay” going, “My God, I’m exhausted” — because you’re just vibrating on a higher level with Tom. It’s always like, “Listen, please!” The pitch is always higher; you’re always like, “You’ve got to listen to me!” Or if you’re terrified, you’re just hyperventilating.

I know the news of these nominations is still fresh and I don’t want to tell you how to approach the big night, but I just have to say, this could be the moment you take a page from Philip Jennings of “The Americans” and come with a wig and getup so when they pan to you during both categories, you can make them feel distinct.

That’s exactly what I’m going to do. I’m going to Jennings it. I’m going to PJ it. When it pans to me in the second category, I’m gonna look completely different. I’m going to be dressed as Elizabeth [Jennings].

Well, congratulations. How do you think you and Keri are going to celebrate?

Keri, in true “Americans” style, is having me meet her in a clandestine spot that I don’t know anything about, so who knows what. I don’t know what the afternoon is going to unfold, but it’s a big surprise. She might end up killing me, who knows.

EXCLUSIVE: Sadie King’s return to Emmerdale is almost here, and now actress Patsy Kensit has told the Mirror her ‘terror’ over her ITV soap comeback after 20 years

There’s not long to wait until Sadie King returns to Emmerdale, after 20 years away.

But while fans are excited, actress Patsy Kensit, 58, confessed she was utterly terrified reprising her iconic role. “I was shaking like a leaf,” she told the Mirror. “It’s been a long time. I’ve done so much work in between, but this… I phoned up Mark Charnock actually, who plays Marlon Dingle.

“I told him, ‘I’m really scared,’ and he said it would be weird if I wasn’t, and that it’s only because I care. But I’m in the swing of things now, and I’m definitely settling in.”

Emmerdale are keeping quiet, for now, on what triggers Sadie’s shocking return, and when the scenes will air. What we can reveal is that she brings trouble to the village in classic Sadie fashion, and there’s some big secrets waiting to be discovered too.

She shared: “We will find out what’s happened to her and it’s interesting. It’s not just a one-note portrayal. Things have happened to her over the last 20 years, and we get older, but I can’t say too much.”

Patsy revealed her role isn’t a full-time return to the Dales. She’s only there for six months, with her set to wrap up filming in December. There’s plenty of drama on the way though before she leaves again, with village residents left reeling over her out-of-the-blue return.

It’s hardly surprising, after her devious antics during her two-year stint on the show between 2004 and 2006. From teaming up with Cain Dingle to con her own family, to her involvement in the deadly show home collapse that left three characters dead, she’s earned her status as one of the soap’s most ruthless characters ever.

But the big question is, has Sadie King changed? “Well, obviously it’s been 20 years,” Patsy told us. “We would hope she’s evolved slightly.

“It was quite easy to slip back into Sadie’s shoes, and it’s really interesting the way that it’s been written. She sort of comes in and causes trouble. People will be unsure if she’s a different person now.”

Patsy was thrilled to be asked back by bosses, first confiding the news in her two sons, James, 32, whose father is Simple Minds frontman Jim Kerr, and Lennon, 26, who she shares with ex-husband, Oasis star, Liam Gallagher.

Patsy beamed: “They were really happy. They thought it would be a really great thing for me to do, and they have been really supportive.”

While Sadie isn’t expected to get a warm welcome when she steps back into the village, the same cannot be said for Patsy who was welcomed back with open arms.

“It’s been exceptionally nice,” she told us. “It’s a wonderful place to work. The pastoral care here is incredible, the cast, crew, everyone, every department. They really, really put their arms around me and looked after me.”

Patsy loves playing Sadie, so she jumped at the chance to be her again. But she admitted Sadie isn’t someone she’d be keen to know in the real world.

“Oh gosh, no, she’s awful,” laughed Patsy. “But, no, I do love her. You can’t play a character, really, that you hate.

“I think you’ve got to find something in there. Her sheer capability… I’m pathologically polite, and she will say and do things that I would never do in a million years, and get away with, so I can kind of live vicariously through her at times.”

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

MOLLY Mae has confirmed she’s not trying for another baby with Tommy as she makes a confession two months after welcoming their son Midas.

Speaking on her YouTube Vlog, Molly-Mae explained that she went to Wimbledon which “was absolutely fab” before making a health admission.

She explained: “The day before Wimbledon, I actually had my 6-week check-up with my obstetrician.

“And basically, we were speaking about contraception and I ended up randomly on that day getting the coil fitted.

“Like, that was just really random.”

She then explained how she thinks she told “every single person in that Wimbledon suite that had the coil fitted”.

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She later added: “So I had the coil fitted, I had one called the Kyleena. It’s not the copper coil. It’s a different one. It’s one that’s going to last 5 years.”

Molly then made the confession about not wanting to have more children.

“I really wanted to get on some form of contraception because the last thing we need right now is another pregnancy,” she said bluntly.

Molly quickly added: “Like, it would be a blessing of course but it’s just not like… I think I’m done anyway with the children.”

This comes as Molly is understood to be experiencing some tension with her Irish traveller in-laws and wider extended family, as reported by us in June.

A source told The Sun: “Some family members on the Fury side feel they have not been able to spend as much time with baby Midas as they would have liked.

“The arrival of their second child has done little to ease some long-running differences between Molly Mae and members of Tommy’s family.

“Ultimately, Molly comes from a different world to Tommy, and in spite of the best of efforts at times, there have always been difficulties blending their worlds and their wider families.

“There is ongoing grumbling and remarks over family expectations and how much time – or lack of it – Tommy’s family get to spend with the children.”

Meanwhile, another family source told us there are key cultural differences between Molly and Tommy’s relatives which have caused some raised eyebrows.

“There are also very different views about family and what the future should look like and Molly’s comments about not wanting any more children have gone down really badly – it’s become a real talking point within the family.”

Justin Halpern had a best-selling nonfiction book, co-created “Harley Quinn,” is co-showrunner for “Abbott Elementary” and has recently published his first novel, “Get Lost.”

But today he wants to mostly talk baseball. He recalls rooting for the Mets as a child in San Diego because he was so enamored with Dwight Gooden’s “electric” fastball and his disappearing curve. He spills about the big game he blew as a tween when a simple throw to first went horribly awry, about the two no-hitters he threw at Point Loma High School, how his dreams of stardom went south while at San Diego State, about feeling bitter toward the game and then rediscovering his love for it.

This wasn’t just idle chatter. Baseball is integral to Halpern’s own character arc and to “Get Lost” both on the page and behind the scenes. Take that terrible error when Halpern was 12. Afterward, his father didn’t console him with platitudes. He told the boy to dismiss the “it’s just a game” pity from his coach and accept that for Justin it was a big deal and it made sense to feel awful, but that also meant he had something he felt passionate about.

That paternal talk helped less in the moment than down the road: Halpern’s struggling writing career exploded when he started tweeting his dad’s life advice and then, with his writing partner, Patrick Schumacker, turned those “S—My Dad Says” tweets into a best-selling book. (He’s acutely aware of how lucky he got but also says he and Schumacker were well prepared to capitalize on that opportunity.)

And that particular story, Halpern says, was “foundational” for “Get Lost.” The novel follows Lila Dixon, an acerbic, cynical baseball scout living a dreary and closed-off life in her 30s. When her mentally ill mother goes missing, yet again, Lila must return to the hometown she loathed to search for her, but this time she must also deal with her estranged father, John “Dix” Dixon. Dix was a baseball prodigy too cocky and flashy for his own good who now coasts through life on his long-ago heroics coupled with charm and an undeserved diet of luck.

Halpern’s father’s message resonated for this novel because Lila, who was neglected, abandoned and ultimately shuttled off to foster care as a kid, “has been wandering the planet without finding anything she gives a damn about. Now she needs to find something.”

Halpern quit baseball in college after an injury and the realization that he’d never make the majors. “Aside from talent, you have to be willing to do all these tiny little boring things every single day,” he says. “You have to be obsessive. I worked hard but I wasn’t willing to do that.”

The team’s assistant coach told Halpern it was the biggest mistake of his life and he’d “never make a penny writing” but writing was the one thing where he was willing to tackle the tiny little boring things needed to keep improving.

The adaptation of “S— My Dad Says” for television failed but he felt he improved with each successive show. He also didn’t give up when his first two attempts at novels were “terrible” with “nothing salvageable” in either attempt.

He learned to stop imitating his favorite writers. “I was trying to copy authors more skilled than I was and wasn’t taking the time to find my own voice.” And he strived to break the habits of writing for TV (although he’s quick to acknowledge that “Get Lost” remains dialogue heavy), including working alone. A perpetual collaborator who describes himself as “codependent,” going solo “was a huge challenge that almost shut down the novel a couple of times.”

He contemplated calling friends to run ideas by them when he got stuck but ultimately resisted. “If I didn’t figure out how to solve things myself I was never going to finish this novel anyway,” he says, adding with a laugh, “I’m definitely still codependent, but the novel forced me to venture into waters that I never would have gotten into on my own.”

The deepest of those waters came from learning he does not like exploring his emotions. “My wife probably learned this many years ago,” he says wryly. “Every time I need to sit in a feeling, I try to wiggle my way out of it and that’s probably really annoying for the people in my life. To make “Get Lost” work, he had to burrow into the “complex emotional stew” of Lila’s multiple traumas and make her journey feel earned. Each morning he’d take “epic walks” with his dog. “I’d just talk in the voice of the characters in my head, without it having anything to do with the plot.”

Creating Lila’s flippant father came easily, which is why Halpern refused to settle on Dix as the main character. He didn’t want to make Dix loathsome, but he also didn’t want to glamorize his behavior, thinking back to how he felt “The Wolf of Wall Street” made the sleazy finance bros seem too cool to many in the audience.

Writing a female protagonist, especially one who had so many reasons to be guarded, he didn’t want her to be too likable or to be sexualized or to have solutions come easily. “I didn’t want Lila to need to lower expectations of her father and just love the man for who he is but to realize the limitations of this man and not let that affect how she feels about herself.”

It’s easy to read “Get Lost” hearing Aubrey Plaza in Lila’s sardonic tone, and Halpern heard her voice, and others, while writing but kept reminding himself that he’d have no talented actress to add humanity to his dialogue.

“I knew there’d be no Aubrey Plaza here to save my ass,” he says, although he and Schumacker are now planning a movie adaptation. “I had to figure out how to create this complicated character myself,” Halpern tells me via video from the writers room in L.A. for “I Suck At Girls,” an upcoming Netflix series loosely based off another of his nonfiction books. Schumacker came in and dryly praised “Get Lost” by saying: “Justin knows words that I didn’t think he knew.”

Halpern is more self-aware than he lets on as becomes clear when analyzing his baseball journey — when he quit he admits he felt resentful. “I’d given so much time to the game and it owed me something, but hadn’t given me what I’d asked,” he reflects.

Several years later, he realized he needed to embrace the game for what it offered, not what he wanted. He started playing in adult leagues and became so invested that in his mid-30s, when a surgeon told him he’d torn his labrum, he said, “Is my career over?”

The surgeon asked, “Aren’t you a writer?”

Halpern recovered and, when he’s not joyfully coaching his kids’ Little League team, he’s still heading for the mound at age 45, thrilled with the challenges of outsmarting hitters and reveling in the social aspect of being on a team. “Even with a bunch of older people, there’s just something about sports that still really takes me to a higher place,” he says. “I’ve had a super blessed writing career, but the highest highs I’ve ever had are on a baseball field.”

Miller is a freelance writer in Brooklyn, N.Y., who frequently writes about movies.

ROCK veteran Phil Collins has admitted he was days from death after secretly relapsing into alcoholism.

The 75-year-old Genesis legend was placed on a life support machine as vital organs, including his kidneys, started to shut down.

Collins said his five children — including Emily In Paris actress Lily, 37 — were even summoned to a hospital in Switzerland to say goodbye during the drama two years ago.

Now sober again, the eight-time Grammy award winner said: “There were some decisions to be made about, ‘Do we keep Phil on life support?’

“My kidneys were packing up, my organs were seizing up. People were coming to say goodbye.

“They were all worried that they wouldn’t see me again.”

Collins — whose 13 solo hits include You Can’t Hurry Love, Easy Lover and Groovy Kind Of Love — first opened up about his struggle with alcohol in his 2016 book Not Dead Yet.

He said he started drinking while having too much time on his hands and stopped only after being hospitalised with acute pancreatitis in 2012.

Now he has told how he went on the drug Antabuse, which triggers severe sickness if used while drinking alcohol.

Yet, despite this, in November 2023 he was back in hospital because he had hit the bottle again.

He was discharged almost a month later, then readmitted in early 2024, spending seven months in hospital. In January he blamed the stay on contracting Covid.

But, speaking to The Sunday Times’ Decca Aitkenhead, he admitted that it was down to years of alcohol abuse.

He explained: “Something happened and I stopped taking the Antabuse. I resented the fact that I couldn’t drink.

“I’d have wine when I woke up. That was what I’d want for breakfast — a glass of wine. But I didn’t drink into the night.

“I wasn’t really aware of having a problem, to be honest.”

Then an 18-hour bender saw him admitted to intensive care in Switzerland, where he lives. A doctor asked his loved ones: “Is Monsieur Collins’ will in order?”

Looking back, Collins continued: “There were times I would just collapse. One time, I remember getting up to give the kids a cuddle and I lost my balance.

“I left two teeth marks in the tiles in the living room.

“Another time, I was walking upstairs too quickly and I fell down. There was a pool of blood around my head.

“There were various low moments that I’m not proud of.”

He said he had not touched a drop since leaving hospital, but confessed that the effects of boozing have permanently damaged his body.

Over the past decade he has had multiple operations on his knees and his spine, and he has Type 2 diabetes.

Single Collins now needs a 24-hour nurse who ensures he takes the medication he needs and helps him walk six laps daily around his home.

A physiotherapist visits three times a week.

He passes the time watching TV, including Sky News and re-runs of comedy panel show Shooting Stars. He also watches documentaries about serial killers on YouTube, along with Piers Morgan’s show.

In the wide-ranging interview, which he carried out with nothing to promote, he said: “I’ve had my run-ins with Piers, but I watch his show every Saturday morning. I really look forward to it, because I find I agree with him.”

Recalling the past year, which saw him reuniting with his children at Christmas to celebrate his ­recovery, Collins said: “I was very lucky.”

He said his illness had brought him closer to Lily, saying she “was sitting beside me in tears telling me, ‘I never thought I’d get these moments’.

“We had an incredible time. I can’t overemphasise how fantastic it was.” Collins also used his Sunday Times Magazine interview to address the end of his marriage to his third wife, Orianne Cevey.

He was previously married to Andrea Bertorelli and Jill Tavelman and met Orianne in 1994 when she was working as a translator.

They wed five years later.

Orianne, 52 — mum of two of Collins’ three sons, Nicholas and pro footballer Mathew — divorced him in 2008 and Collins had to pay a £25million settlement, the largest in celebrity history at the time.

The pair reunited in 2016 but in the autumn of 2020 it was revealed she had secretly married 36-year-old jobbing guitarist Thomas Bates in Las Vegas.

She moved him into Collins’ £30million mansion in Miami, and he even flew to the UK to work with Genesis.

Collins later took Orianne to court to evict her from the house, a move that saw Bates branding him “petty and vindictive” in an interview with The Sun.

Speaking publicly about the marriage bust-up for the first time, Collins said he found out about the couple’s wedding only when Orianne introduced Bates to him.

The singer and drummer said: “She’s not in my best books.

“I’d love to go into detail, but I can just see this coming back to bite me.

“And she’s admitted that she f***ed up big time. She’s aware of what she did wrong, and how wrong it was, and how it must have affected me. But I can’t quite forgive yet.”

Collins said he was still in touch with Orianne but admitted he tried to limit contact, explaining: “I don’t think it’s a good idea right now.

“Just because I know what I’m like. I would probably fall again, maybe. I mean, we were very much in love.”

Collins will be inducted into the Rock & Roll Hall of Fame for a second time this November.

In 2010 he was recognised for his work with Genesis and this time will be honoured for his solo work.

The Sun understands he will try to attend the ceremony if his health permits it.

He is also working with Lily’s mother Jill, 70, on a Los Angeles charity auction due the same month. It will feature items from his archive between 1980 and 1995.

All proceeds from the sale will go directly to The King’s Trust, with whom Collins has worked for 44 years after becoming its first celebrity ambassador

Opening up about why he had decided to speak up now, Collins said he wanted to set the record straight on his life and career. And he said he was keen to find someone to settle down with again.

He added: “I’d love to be in love again. I would love a relationship. I think it’s probably too late for that. I’m not a very social person. I don’t go out.”

• Interview by Decca Aitkenhead for The Sunday Times

DAUGHTER RIFT IS NOW HEALED

By Ellie Henman

PHIL Collins has addressed falling out with his actress daughter Lily.

The Emily in Paris star, 37, wrote an open letter to him in 2017, where she credited previous eating disorders to the pair’s troubled relationship.

She wrote at the time, in her autobiography Unfiltered: “I forgive you for not always being there when I needed, and for not being the dad I expected.

“I forgive the mistakes you made. And although it may seem like it’s too late, it’s not. There’s still so much time to move forward.”

She continued: “I’m learning how to accept your actions and vocalise how they made me feel. I accept and honour the sadness and anger I felt toward the things you did or didn’t do, did or didn’t give me.”

Addressing the words in his Sunday Times Magazine interview, Phil said: “I was quite shocked and a little bit sad.

“But she’s told me why now, and she takes it all back.

“She wished she’d never done it. I have a wonderful relationship with Lily now. So everything has a happy ending, most of the time.”

The Genesis rocker also said he has a close relationship with adopted daughter Joely, 53, and his 49-year-old son Simon from his marriage to first wife Andrea.

His youngest children, footballer Mathew, 21, and drummer Nicholas, 25, are also in close contact with him.

Phil added: “There’s been a lot thrown at them over the years, and I dread to think what that’s been like.

“But all of us are good now and have been for a while.”

“Spider-Man: Brand New Day” swung into the top spot at the box office and scored one of the highest-grossing opening weekends with an estimated haul of $355 million in the U.S. and Canada, far surpassing studio and analyst expectations.

The Sony Pictures film also brought in $572 million internationally for a worldwide total of $927 million, according to studio estimates.

The movie’s haul now ranks as the second-biggest domestic and global opening ever, surpassed only by Walt Disney Co. and Marvel Studios’ “Avengers: Endgame” in 2019.

The film, which stars Tom Holland and Zendaya, is produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures. Its production budget was about $225 million.

Marvel Studios President and “Spider-Man” producer Kevin Feige called the debut “truly phenomenal.”

“We are grateful to audiences everywhere for coming out and experiencing our film the way it was meant to be seen,” he said in a statement Sunday. “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”

Anticipation for the movie was building for months, as robust pre-sales indicated high interest in Spidey’s return to the big screen.

The previous film in the franchise, 2021’s “Spider-Man: No Way Home,” had one of the biggest domestic debuts on record with $260 million.

But it came during the depths of a COVID-19 surge and against very little competition at the box office. That film also reunited all three Spider-Men — Holland, Tobey Maguire and Andrew Garfield — in one time-bending, multiverse storyline, a move “Spider-Man” producer Amy Pascal described as 20 years in the making.

This time around, “Spider-Man” was up against the juggernaut holdover Universal Pictures’ Christopher Nolan film, “The Odyssey,” which came in second at the domestic box office with $51 million on its way to a global total of $911.4 million.

The strong performance of “The Odyssey,” as well as the billion-dollar-grossing “The Super Mario Galaxy Movie” and “Michael” earlier this year, helped push Universal over the $4-billion global box office mark this weekend, the first studio to do so this year.

Walt Disney Co. and Pixar’s “Toy Story 5” came in third with $6.3 million to add to its worldwide total of more than $1.06 billion. Universal and Illumination’s “Minions & Monsters” ($5.8 million) and Disney’s live-action “Moana” ($5.3 million) rounded out the top five this weekend, according to data from Rentrak.

“‘Spider-Man: Brand New Day’ is fundamentally a movie about friendship, about the balm of connection in all our lives,” Sony Pictures Motion Picture Group Chairman Tom Rothman said in a statement Sunday. He added that this theme resonates with “audiences of all ages and all around the world.”

RITA ORA’s fourth studio album is almost complete – but no one is quite sure what to expect from it.

Aside from her husband, Hollywood director Taika Waititi, that is.

Speaking to Bizarre’s Jack at a London screening to mark the 10th anniversary of his hit film, Hunt For The Wilderpeople, Taika said Rita’s long-awaited album was “amazing”.

He added: “This new record is incredible. I’ve heard a lot of it.

“It was such a departure from stuff that she’s probably known mostly for. It’s a different sound.”

Taika directed the sultry video for Rita’s latest ­single, All Natural, and also directed and starred in the video for 2023’s Don’t Think Twice.

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Getting Oscar-winner Taika to work on your project can’t come cheap, but Taika assured us with a wink that he and Rita had come to an arrangement.

He chuckled: “There is a very mates’ rates deal going on. I think it’s been free each time. It’s just fun to get to work together.

“It’s great because we’re kind of in similar ­industries, but they’re very different disciplines – and when you’re with someone, you want to be able to do some work together.

“I’m really amazed and surprised at what she does, but also super- confused all the time.”

Taika masterminded two of Marvel’s biggest hits – Thor: Ragnarok in 2017 and Thor: Love And Thunder in 2022.

He also plays the alien Korg in the films.

Taika admits that he’d love Marvel book bosses to sign up Rita for a role alongside him one day.

He said: “Younger me would like to see a Bond Girl Rita, but I think I’d find it more fun to see her doing a Marvel film.

“It would be great to see her as a villain.” Watch this space . . . 

RAYE’S GLOWING WITH PRIDE

CHRISTMAS came early for Raye fans as she took to the stage in a sparkly red dress.

The Where Is My Husband! singer wouldn’t have looked out of place at a festive party as she headlined Brighton Pride on Saturday.

Her bill-topping set followed epic performances from Jessie J and Leigh-Anne ­Pinnock.

The Little Mix singer kept cool in a yellow bikini top and combat trousers – putting her growing baby bump on display.

She is expecting her third child with footballer husband Andre Gray. They had twin girls in 2021.

Brighton hosts the UK’s biggest Pride festival, but it is dwarfed by WorldPride, which took place in Amsterdam over the weekend.

Going all out to impress, organisers in the Netherlands somehow managed to land Madonna to perform.

She owned the Dutch stage in a bright purple corset and matching boots.

Taking camp to the next level, Madge was joined for her epic set by Kylie Minogue, who sang with Nick Cave at his Brighton gig on Friday.

Rumours are rife that the duo have a song together on a remix edition of Madonna’s latest album, Confessions II.

We should be so lucky . . . 

ARIANA’S IN FULL BLOOM

ARIANA GRANDE is dominating this week’s Official Chart First Look.

The One Last Time singer is on track to land three songs from her new album, Petal, inside the UK Top 20.

The album’s title track and second single, Petal, is currently at No3, while Kiss Me is at No6 and Stay sits at No11.

The album was streamed 62million times on its first day of release on Spotify, making it the platform’s 16th biggest first-day album debut by a female artist.

Ariana’s 2019 album, Thank U, Next, remains her biggest first-day debut, with 70million streams in its first 24 hours.

MUSIC guru Chris Herbert is the man who discovered the Spice Girls more than 30 years ago, and now he’s backing another feisty young act, Allegra.

She is gearing up to drop a new project called Unreleased EP on August 21 and has her sights set on collabs with top stars.

Allegra, right, said: “I’d love to work with someone like Rita Ora. We’d have so much fun. She’s got such cool style and I think we’d just have fun.”

Opening up about how she ­performs best, she added: “I like it when I’m feeling a bit sexy.

“I think I’m a bit angry at, like, a situationship or an ex- boyfriend, I’m looking hot in the music video and I’m like, ‘OK, I’ve got this’.”

1D GOING IN RIGHT DIRECTION

DURING their heyday, One Direction were a money-making machine.

And even though the That’s What Makes You Beautiful singers split up back in 2016, the cash keeps rolling in.

New accounts for the band, made up of Harry Styles, Niall Horan, Zayn Malik, Louis Tomlinson and the late Liam Payne, have revealed they each made £2,636 a week last year.

And to top it off, they had to do absolutely no work for it.

Their two firms, 1D Media Ltd and PPM Music Ltd, are now worth a combined £3,814,044 – up more than £687,000 from the previous year.

It’s not a bad life, eh?

AMY Schumer has displayed her incredible 50lb weight loss in a bikini while soaking up the sunshine.

The 45-year-old actress and comedian, who revealed last year that she was taking weight loss jab Mounjaro, has shown off her slender figure on a boat.

“I never knew there would be days like this. No filter as per ushe,” Amy, who filed for divorce from her husband in January, penned in the caption.

Fans and friends flocked to the comments to swoon over the stunning snaps.

“I’m so happy you’re happy,” said one person.

“So beautiful, Amy. Happy and thriving,” wrote another.

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“Sensational,” gushed a third, while a fourth said: “Yeah get it girl!”

More than a year ago, the Trainwreck star revealed she was taking Mounjaro in an Instagram video.

In the video she shared last March, Amy noted how the drug is not covered by insurance unless a patient has diabetes or severe obesity.

“Which most of the internet thinks I have,” she joked.

“But I’m having a really good experience with it, and I wanted to keep it real with you about that.”

Amy previously confessed to having taken Ozempic and having a “horrible experience” with it.

Speaking on The Howard Stern show, she said: “I have this gene, GDF15, which makes you extremely prone to nausea, which is why I was so sick during my pregnancy.

“So, I tried Ozempic almost three years ago and I was, like, veteran.

“I was, like, vomiting — and then you have no energy. But other people take it and they’re all good. God bless them.”

She explained how she “lost 30 pounds so quick” but noted how the nausea she experienced was awful.

In 2024, the actress and director revealed she had been diagnosed with Cushing’s Syndrome, which was caused by having steroid injections in high doses.

She then spoke out about how the trolling she received over her “moon face” led to her diagnosis.

Speaking on the Call Her Daddy podcast hosted by Alex Cooper last year, she said: “A year ago, the Internet really came for me.”

Amy was referring to how last January she appeared on The Tonight Show Starring Jimmy Fallon, when people commented on her “puffy” and “swollen” face.

BERLIN — An experiment with artificial intelligence at the famed annual Richard Wagner festival in the southeastern German town of Bayreuth drew boos from the audience after producing a staging that appeared to leave some spectators confused.

Curator Marcus Lobbes and his team were greeted with boos and whistles as they took to the stage at the end of Saturday evening’s performance of “Götterdämmerung,” German news agency DPA reported. However, there was warm applause for the singers and musicians, and particularly for conductor Christian Thielemann.

Festival organizers said ahead of the performance that it would be the first time AI took part on stage at the event, “not as a character, but as an image-generating force.” They said that singers would be “the fixed point within a visually seething cosmos of light, texture, history, and association, amidst projections that erupt, constantly shift, and merge into one another.”

The AI-assisted projections included scenes from previous performances of Wagner’s “Ring” cycle and historical themes, and drew from images preselected by Lobbes, the director of the Academy for Theater and Digitality in Dortmund, and his team.

The collage that the technology projected on stage puzzled the audience, DPA reported, with images including late former German Chancellor Helmut Kohl, the towers of the World Trade Center after the Sept. 11, 2001, attacks, and a special postage stamp marking German reunification in 1990.

The festival website said that “every performance will be unique — because the images and associations never stand still.” Two more performances are scheduled.