show biz

Britain’s Got Talent returns on Saturday night – but without former Strictly star Bruno Tonioli as he quit the show in 2025 after just two years of service

Britain’s Got Talent fans will notice Bruno Tonioli is missing from the line-up when the show returns to ITV on Saturday night. The former Strictly Come Dancing judge exited the series after just two years.

Head judge Simon Cowell will be joined as usual by presenter Amanda Holden and singer Alesha Dixon as the long-running series returns for a 19th season. And the Bruno-shaped hole has been seamlessly filled by YouTube sensation KSI, who BGT fans will recall appeared on the 2025 season as a guest judge.

Fans of the ITV talent show were surprised when Bruno ditched rival BBC show Strictly to join the panel in 2023, replacing controversial judge David Walliams, who appeared on the panel from 2012 until 2022. After just two years and three seasons of red and golden buzzer bashing, Bruno decided it was time to vacate his Got Talent chair – but reportedly left the show on good terms. Here is a look back at the reason Bruno quit Britain’s Got Talent.

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Why did Bruno Tonioli quit Britain’s Got Talent in 2025?

Despite appearing on BGT for three seasons, Bruno Tonioli is arguably still best known for being a judge on the BBC’s Strictly Come Dancing from 2004 until 2019. The Italian TV star is also a judge on the American version of Strictly – Dancing With The Stars – and has appeared on the panel across the Atlantic since 2005.

While Bruno had been able to balance judging both Strictly and DWTS, the filming schedule for Britain’s Got Talent proved to be too challenging – with clashes ultimately forcing Bruno to walk away. In a statement released last year, Bruno explained why he was leaving the ITV show – and threw his support behind his replacement.

The 70-year-old star said: “After three incredible series, I’ve sadly had to walk away from a job which has opened my eyes to so much incredible talent and step down as a judge on BGT.

“And whilst I look forward to filming a new series of Dancing with the Stars in the US, I will miss the chaos and joy that BGT brings, as well as all the wonderful people I’ve had the privilege of working with. They truly are a brilliant team who make brilliant television, and I know KSI will be a fantastic judge too, as he’s already proven this year.”

Bruno previously opened up to the Daily Mail about the strain the constant travel between the UK and the USA was having on him. He revealed: “There is no animosity, it was a mutual decision with both of us saying, ‘Listen, this is not going to work like it used to.’ I just couldn’t do the flying anymore. I don’t know how I survived that schedule. To be honest, it’s a miracle.”

What has KSI said of replacing Bruno as a BGT judge?

Britain’s Got Talent fans will recall seeing YouTube star and rapper KSI – real name Olajide Olatunji, 32 – filling in for Bruno at certain points during the 2025 season as his busy schedule kept him away from the UK. After wowing audiences as well as the fellow judges, KSI seemed like an obvious choice to take over from Bruno full-time.

The rap star has been enthusiastic about his promotion as a full-time judge – and vowed to help the panel uncover more undisputable talent via the ITV show. He said in a past statement: “I’m so grateful and happy to be a part of Britain’s Got Talent team for another season.”

He added: “I had such a good time last year, and I can’t wait to see some more top talent. I’m full of energy, ready to go, and can’t wait to make this the most entertaining BGT season ever. Let’s do this.”

What has Simon Cowell said about losing Bruno as a judge?

While head judge Simon Cowell, 66, has not explicitly commented on Bruno’s BGT exit, it has been reported that he supported the dance expert’s decision to leave – and consulted his young son Eric, 12, before announcing KSI as a replacement. A source told The Sun last year: “Simon’s been friends with Bruno for over 35 years and loved working with him on BGT.

“It was really tough knowing he had to let Bruno go because they couldn’t get the filming dates to work out with his commitments on Dancing with the Stars. Simon is always looking for new ways to keep the show evolving and loves to get the opinion of his young son. Eric was a big influence for Simon in choosing Bruno’s replacement. He’s obsessed with him and adores him. KSI is Eric’s favourite influencer. Plus, he’s been such a hit as a guest judge, and Simon recognises they need to keep the show different by moving forward to keep attracting the younger audience.”

The source added: “Bruno was popular with the grannies, but KSI is for the youngsters. KSI has a huge social media presence and Simon knows how important it is to keep the show more modern.”

Britain’s Got Talent returns to ITV and ITVX on Saturday night at 7pm.

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Our present podcast era has bred a new generation of interlocutors from the public sphere, veteran interviewees turned journalists. Harper Simon is among the many pro musicians who have taken on the role of insatiably curious interrogator. The singer-songwriter, who is the son of Paul Simon, has made four solo albums and toured the country both as a solo artist and sideman, but it wasn’t until he was tapped by music manager Michael Lustig in 2016 to host an internet series called “Talk Show” that Simon found his new avocation.

The cream of Simon’s interviews have now been collected in “Thinking Out Loud,” which is published by L..A. imprint Hat & Beard Press. I chatted with Simon about the art of the interview, Pink Floyd and Ed Snowden.

✍️ Author Chat

I have found that people who have been interviewed a lot are good at interviewing others. They know how to avoid the banal and obvious questions.

I’m not a trained journalist, so the conversations were closer to what Andy Warhol’s “Interview” magazine used to be. More of a casual back-and-forth, rather than me trying to ask questions or having someone promote their product. So the book is really a combination of folks that I’ve known my whole life and others that I just asked to interview.

Interviewing public figures can be a very stilted experience. And then you wind up not getting much of anything.

Interviews with journalists are a funny thing. There is always this weird, uncomfortable hierarchical relationship, where the journalist might feel superior, or the subject feels that way. It creates this strange imbalance. The journalist might feel the need to wrest some hot information from the subject, or find some aha moment and then the subject gets their guard up. I feel like the interviews in my book are very relaxed. You’re going to get some truth, even if it’s a modest truth. There were some interviews I left out of the book because the subjects seemed too media trained or too guarded.

Some of your interviewees, like Eric Idle and Buck Henry, are people you’ve known your entire life, having grown up with your dad in that kind of very stimulating artistic milieu. Does that help or hurt?

I think I might get better material from folks like that. There’s a warmth there, but I’m also a huge fan of their work, so I want to hear about Eric Idle’s work with Monty Python, or Buck Henry hosting “Saturday Night Live.” There are still plenty of stories that I’ve never heard.

Harper Simon, the artist and son of Paul Simon, has released three solo albums and toured the country. His latest project is a collection of interviews.

(Demme)

Someone like Pink Floyd’s David Gilmour has been interviewed hundreds of times in his career. What is there left to ask?

It’s kind of like my father, where the legacy is so familiar and well-known, what is there left to be said? What is there left to say about “Dark Side of The Moon”? But it turned out to be a really good interview. He had some great things to say about [Pink Floyd founder] Syd Barrett, how Gilmour felt like the other members had behaved callously towards him at times. He also speaks with great warmth about his own family.

Harry Dean Stanton is in the book, and I have to empathize. He was by far the most difficult interview subject I’ve ever had to deal with. A man of few words.

It’s funny, because I wound up doing some projects with Harry Dean, like this big tribute event to help raise money for Vidiots in Eagle Rock, but even after all of that, we didn’t get any closer. He was a very hard person to know.

You interviewed James Woolsey, and you guys were definitely not on the same page, but the tone remains civil. Don’t you think it’s important to have a reasoned discourse with someone you don’t agree with politically?

Absolutely, but that was one that definitely became contentious at times. James Woolsey had been the former head of the CIA under Clinton. So I came into the interview feeling very outgunned. I’m not a trained political journalist. But somehow I had gotten it in my head that I was Abbie Hoffman and he was J. Edgar Hoover or something. This was 10 years ago, and Edward Snowden was the big story in the news. So I led with that, and Jim Woolsey, being a good CIA man with very strong convictions, felt that Snowden was a traitor. But then he said he would like to see him hung by his neck, which felt aggressive. Then things really went off the rails when we somehow got locked into a discussion about Israel and Palestine. I remember him saying to me, “You’re just parroting the talking points of the Muslim Brotherhood.” Now I found those words echoing in my thoughts when I listen to some people discuss the current situation. I respected him and enjoyed the conversation but it was intense. I thought I held my own reasonably well but he was a tough guy to get in the ring with.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Meredith Maran thinks Anastasiia Fedorova’s book “Second Skin” does a great job of busting open the taboo of what is commonly regarded as deviant sexual desire. The book “advocates for a person’s right to like what they like and to get it consensually,” writes Maran.

Victoria Lancaster has a chat with Emily Nemens about her new novel “Clutch” and the challenges of writing about midlife among a clutch of close female friends. “I was cognizant of balance and understanding the lazy-Susan of it,” says Nemens. “Making sure I was spinning all the way around the table and touching each piece in each storyline.”

Two new novels about game-changing women in history — Janet Rich Edwards’ “Canticle” and Paula McLain’s “Skylark” — find favor with Bethanne Patrick. What these books “get right about their very different heroines and time periods is that change doesn’t happen overnight. … [But] change can and does happen, one determined woman at a time.”

Finally, on the occasion of the new screen adaptation of “Wuthering Heights,” six authors weigh in on their love of Emily Brontë’s enduring romance novel.

📖 Bookstore Faves

Skylight Books on Vermont is a staple of the Los Feliz literati.

(Joel Barhamand/For the Times)

Let us praise Skylight Books, which for over 30 years has remained a pillar of its Los Feliz community, with the main shop and the arts annex just a few doors away from each other on Vermont Boulevard. Store manager Mary Wiliams tells us what her customers are sweeping off the shelves right now.

What is selling right now?

“Vigil” by George Saunders is our biggest seller right now. Aside from that, it seems like great recent fiction in paperback is dominating the bestseller list — “Rejection” by Tony Tulathimutte, “The City and Its Uncertain Walls” by Haruki Murakami, “Martyr!” by Kaveh Akbar, and “All Fours” by Miranda July all are books that keep on selling really well for us, month after month.

Do you sell more fiction than nonfiction, or is it a tie?

We sell a good amount of both, but fiction is the bigger seller. Especially literary fiction, which is our bread and butter. On the nonfiction front, “Everything Now” by Rosecrans Baldwin is a perennial bestseller out of our Regional section — it’s a great collection of essays about Los Angeles. And everything Patti Smith touches turns to gold, so her book “Bread of Angels” is also a hit here.

Your arts annex is unlike anything else in L.A. I suppose there is still a market for cool periodicals and expensive art books that the internet hasn’t knocked out?

Our goal with the annex is for it to be a place of discoverability — where you can find the weird cool art book, comic or magazine you didn’t know you needed. We hope even our customers who are well-versed in art books find something new every visit. A fair amount of what we carry isn’t widely available online in the U.S., so when we put it on our website in our Annex Picks section and advertise it in our newsletter, we get orders from around the country.

Skylight Books in Los Angeles is located at 1818 North Vermont Ave.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Jesy Nelson’s documentary has brought the X Factor winners back into the spotlight – but what are they up to these days?

Little Mix’s unexpected split has come back into conversation following Jesy Nelson’s recent admission that another band member tried to walk away first.

Fans of the iconic group were left heartbroken when Jesy announced she was quitting the band in 2020, citing mental health reasons.

She left her bandmates Leigh-Anne Pinnock, Perrie Edwards and Jade Thirlwall to continue carrying the torch, but they soon went on a hiatus in 2022.

The X Factor winners’ legacy is still carried by their catchy tunes, which still attract over 16 million monthly listeners on Spotify.

In light of Jesy sharing behind-the-scenes truths about the band, let’s take a look at where they are today.

Jesy Nelson

Jesy has recently opened up about her life since leaving the band in a new Prime Video docuseries, Life After Little Mix.

The 34-year-old had a short-lived solo music career because her first single sparked backlash. She released ‘Boyz’ featuring Nicki Minaj in 2021, and followed it up with a music video.

Fans accused Jesy of ‘Blackfishing’ in the video, which featured her wearing makeup and fake tan that they claim made her appear Black or mixed-race. This scandal caused so much headache for the star that she vowed to never return to music in her new documentary.

Outside of music, Jesy was in a long-term relationship with ex fiancé Zion Foster, which came to an end earlier this month. The former couple welcomed twin daughters Ocean Jade and Story Monroe in May 2025.

Following their birth, the singer discovered they had a life-threatening condition called Spinal Muscular Atrophy (SMA) Type 1. The rare genetic condition causes progressive muscle weakness. Jesy is now campaigning to raise awareness about the condition.

Perrie Edwards

Perrie focused on her family life following the group’s hiatus in May 2022, as she had just welcomed her first son Axel months prior.

The 32-year-old has since welcomed daughter Alanis with footballer fiancé Alex Oxlade-Chamberlain. But she hasn’t forgotten about music. The mum-of-two released her debut album ‘Perrie’ last year and dropped new single ‘Woman in Love’ earlier this month.

Her first album featured the ballad ‘Same Place Different View,’ which is widely understood to be about her former bandmate Jesy.

The lyrics delve into the pain of losing a close friendship and how these losses can be just as devastating as romantic break ups.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Leigh-Anne Pinnock

Leigh-Anne also married a famous footballer named Andre Gray. The couple share twins but have kept their identities private.

As for her music career, Leigh-Anne has just dropped her first studio album ‘My Ego Told Me To’ and will be touring this April.

Announcing her tour to fans, she wrote: “I’m going on tour baby!!! I can’t tell you how excited I am to perform this album live for you! Get me back to my happy place nowww! This one’s going to be so special!”

Jade Thirlwall

Jade is also embarking on a tour, which spans across the UK, Europe and the US. It comes after her first album ‘That’s Showbiz Baby!’ dropped in September.

The 33-year-old bagged two BRIT Award nominations for Best Pop Act and Artist of the Year following her debut.

As for her personal life, Jade is in a long-term relationship with Rizzle Kicks members Jordan Stephens.

Jesy Nelson: Life After Little Mix is streaming now on Prime Video.

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KATIE Price appears to be planning to double down on defying her family’s warning about her husband – by marrying him for a second time.

The 47-year-old wed Lee Andrews last month in a whirlwind ceremony in Dubai just days after meeting in person.

However, concern was raised by her loved ones amid fears she’s being “conned for her fame and money”.

Despite this, Katie uploaded an AI generated image of a cartoon version of her in a wedding dress and asked fans: “Should this be my wedding dress?”

She then gave “yes” or “no” options in the poll alongside an emoji of the Union Jack.

It suggests she’s plotting a wedding back home – having had her five children missing from her first ceremony.

SLURRED SPEECH

‘Pregnant’ Katie Price slurs in video after Lee PUNCHED Kerry Katona’s man

ABUSE ROW

Katie Price dropped by women’s domestic abuse charity after rant at husband’s ex

The Sun revealed her self-proclaimed millionaire husband Lee punched Kerry Katona’s boyfriend in a dramatic fallout on their honeymoon.

And soon after, Katie – who claims she is pregnant with her sixth child – was heard slurring her way through a video message to a fan.

Pals fear it’s a “huge mistake” to be planning to have a child with Lee whose exes Alana and Crystal Janke claim they were hoodwinked by the businessman — branding him a lying swindler who preys on women.

Weeks after breaking up with Married At First Sight’s JJ Slater, Katie posted photos of her wedding proposal, with flowers spelling “Will you marry me?” at Dubai’s Burj Khalifa hotel. 

The pair had struck up a relationship on social media before their whirlwind wedding last month, days after they met in person. 

He has not yet travelled to the UK to meet her family or kids.

Katie Price’s relationship history

We take a look back at the highs and lows of Katie Price’s relationship history.

1996-1998: Katie got engaged to Gladiators star Warren Furman – aka Ace – with a £3,000 ring. But their relationship didn’t make it as far as ‘I do’.

1998-2000: Katie described Dane Bowers as ‘the love of her life’ but she broke up with the singer after he allegedly cheated on her.

2001: Footballer Dwight Yorke is the father of Katie’s eldest child Harvey. He has had very little to do with his son throughout his life.

2002: Rebounding from Dwight, Katie famously had one night of passion with Pop Idol star Gareth Gates, allegedly taking his virginity.

2002-2004: Katie was dating Scott Sullivan when she entered the jungle for I’m A Celebrity…Get Me Out Of Here!. He threatened to “punch Peter’s lights out” when chemistry blossomed between her and Peter Andre.

2004-2009: The jungle romance resulted in Katie marrying Aussie pop star Peter. They had two kids, Junior and Princess, before their bitter split in 2009.

2010-2011: Fresh from her break-up with Peter, Katie enjoyed a whirlwind relationship and marriage with cage fighter Alex Reid. They split 20 months after their Las Vegas wedding.

2011: Katie briefly dated model Danny Cipriani… but it ended as quickly as it begun.

2011-2012: They didn’t speak the same language, but Katie got engaged to Argentinian model Leandro Penna in 2011. He later fled home to South America.

2012-2018: Wedding bells rang once more after Katie met Kieran Hayler in 2013. They eventually called it quits after a rocky marriage.

2018-2019: Katie moved on quickly with Kris Boyson. They had an on-off romance for one year and even got engaged. They split for good in 2019.

2019: Katie was linked to Charles Drury during her on-off relationship with Kris. Charles, who also dated Lauren Goodger, has always denied being in “official relationship” with her.

2020-2023: Car salesman Carl Woods took a shine to Katie in 2020. Their relationship was up and down for three years. They broke up for a final time last year.

2024-2026: After weeks of rumours, Katie confirmed her relationship with Married At First Sight star JJ Slater in February 2024. The pair split in January 2026 after two years together.

2026: Katie shocked fans when she revealed she had married Dubai-based businessman Lee Andrews after a 48-hour engagement and only knowing him a week.

Disneyland Resort’s high percentage of California visitors has helped mitigate a dip in international tourists, an executive said Thursday.

More than 50% of the Anaheim theme park’s audience has typically been from California, Thomas Mazloum, president of Disneyland Resort, told reporters during a media event at Disney’s Grand Californian Hotel and Spa. As a result, the company has been able to quickly shift marketing focus to that audience, as well as its ongoing efforts to boost out-of-state attendance.

Walt Disney Co. had previously indicated a slowdown in international visitation at its U.S. theme parks in its fiscal first-quarter earnings call earlier this month.

Company executives said they expected to see “modest” growth in its operating income for its experiences sector — which includes Disney’s theme parks — due to “headwinds” in foreign visitation trends to its domestic parks, as well as pre-launch costs for its new cruise ship and a “Frozen”-themed land in Disneyland Paris.

And as Disneyland Resort hit its 70th anniversary last year, the park is looking to grow and find new audiences to stay relevant for the future.

Because of the large number of California visitors, the company recently expanded its traditional deal for Southern California locals to all residents of the Golden State. Disneyland Resort has also made its lowest-price entry ticket of $104 available year-round to active-duty members of the U.S. armed forces, and introduced a new summer promotion pricing a one-day, park-hopper kids’ ticket at $50 a day.

The theme park is also looking to attract more young families. To that end, Disneyland Resort will open an immersive theater experience called “Bluey’s Best Day Ever!” on March 22 at the Fantasyland Theatre, a nod to the massive appeal of Australian animated show “Bluey.”

“I continue to say how critical it is to expand the audience,” Mazloum said. “I still see a lot of opportunity for people who haven’t discovered Disneyland yet.”

Disney California Adventure’s Monsters, Inc. Mike & Sulley to the Rescue! ride will also stay open into 2027, Mazloum said. The ride was originally scheduled to be retired this year to make way for an “Avatar” ride and experience, but after some planning from the engineering and operations teams, it can now stay open without negatively affecting construction and project progress, he said.

The park is also looking to increase spontaneity for visitors, and will eliminate the current 11 a.m. start time for park-hopping later this year, allowing guests to move back and forth between the parks at their leisure, Mazloum said.

The plans for growth at Disneyland Resort come as Disney recently named theme parks chief Josh D’Amaro as its new chief executive. The theme parks sector he previously oversaw is Disney’s economic engine, providing the majority of the company’s operating income in the last few years.

Director Sang-il Lee sets his epic-scaled “Kokuho” in the vivid world of kabuki theater, but it’s not just the movie’s milieu that distinguishes it. Spanning 50 years and running nearly three hours, “Kokuho,” which has become Japan’s biggest live-action hit ever, evinces intensely mixed feelings about its two main characters’ quest for greatness. Kabuki is presented as an art form of balletic skill, but it can never fully redeem or repair the film’s central figures, who once were friends before ambition got in the way.

In 1964 Nagasaki, 14-year-old Kikuo (Soya Kurokawa) performs at a New Year’s event, impressing Hanjiro (Ken Watanabe), a beloved kabuki legend. But after Kikuo’s father, a yakuza crime boss, is murdered, Hanjiro takes the grieving teen under his wing. Soon, Hanjiro is training Kikuo and his own son Shunsuke (Keitatsu Koshiyama) in his Osaka studio to become “onnagata” — male kabuki actors who portray female characters. Both sweet and bashful, Kikuo and Shunsuke quickly grow close, enduring Hanjiro’s exacting requirements as he shapes them to be graceful, disciplined performers.

“Kokuho” then fast-forwards to the early 1970s as we meet the grown-up versions of Kikuo (Ryo Yoshizawa) and Shunsuke (Ryusei Yokohama). Now practically brothers, the young men are making their name as a well-regarded kabuki duo, but their personalities have begun to diverge. Kikuo remains soft-spoken, while Shunsuke is more of a partier and big talker, dominating their interviews with local journalists. Hanjiro still thinks highly of them both, although each pupil faces disadvantages. Kikuo is more gifted but in this nepotistic art form, being part of a respected kabuki lineage is crucial, something this yakuza scion doesn’t possess. Shunsuke, meanwhile, lacks his friend’s formidable technique, but because he’s Hanjiro’s son, his future prospects are practically assured. Kikuo and Shunsuke complement one another as performers but a shocking turn of events will sever their bond.

Adapting a novel by Shuichi Yoshida, Lee maps the arc of a friendship while exploring the minutiae of kabuki, both on stage and behind the scenes. (The movie’s Oscar-nominated makeup is an acknowledgment of the blinding-white face paint and bright red lipstick that kabuki actors wear to transform into their roles.) Much like ballet, kabuki necessitates precise choreographed actions: Not only does “Kokuho” provide generous samples of different kabuki pieces but also includes captions that list the title of the individual works and a brief synopsis. Rarely do these pieces directly echo the two men’s interpersonal drama, but the information adds context to the actors’ enchanting movements, which are backed by gorgeous outfits and striking set design that accentuate the mythical tales being played out.

Kikuo and Shunsuke’s fortunes shift over the decades — one of them will literally be kicked when he’s down on two separate occasions — but Lee doesn’t let us settle on a definitive impression of either performer. Our sympathies change as we witness both men’s failings as well as their enduring virtues. “Kokuho” is a hearty melodrama with a little bit of everything — sex scandals, betrayals, unlikely comebacks, health scares — but the film’s gaudy plot twists (which shouldn’t be spoiled) belie the filmmaker’s unsentimental attitude regarding stardom’s perils. Refreshingly, “Kokuho” is that rare film to be un-awed by talent alone. Both Kikuo and Shunsuke will enjoy high highs and low lows, but it’s their perseverance that ultimately means more than arbitrary benchmarks like “genius” or “brilliance.”

The film’s title translates to “national treasure,” another clichéd term thrown around when trying to categorize greatness. Kikuo and Shunsuke revere kabuki’s bygone giants, who are affixed with that moniker. But as “Kokuho’s” characters seek such an accolade for themselves, they come to realize how misleading it is. Yoshizawa and Yokohama bring abiding tenderness to their characters’ friendship while refusing to allow either protagonist to be reduced to a simple set of qualities. Kikuo’s delicate features suggest a pure soul, but Yoshizawa gradually reveals other sides to this gifted, haunted performer. And Yokohama ably depicts a privileged young man who rightly views his good fortune as both blessing and curse.

Their lives intersect, then disentangle, then return to each other’s orbit again. That elegant dance matches what we see on stage, the kabuki performances melding melancholy and beauty, anguish and catharsis.

The former Top Gear presenter admits he was blindsided by what he now sees as one of the gravest dangers facing young people, confessing “I simply had no idea”

Jeremy Clarkson has confessed he was caught off guard by what he now considers one of the greatest threats to young people today, admitting, “I simply had no idea.” In his column for The Sun, the former Top Gear host revealed that while he previously worried about conventional teenage dangers, he overlooked the fact that the most damaging influences were already accessible through their mobile phones.

Looking back on his time as a father, Clarkson explained: “When my kids were teenagers, I worried about them taking drugs and going on motorbikes, and I simply had no idea that the real danger was lurking in their telephones.”

His remarks follow the Government’s plans to strengthen laws targeting the distribution of non-consensual intimate images online. Earlier this week, Sir Keir Starmer announced intentions to bolster legislation requiring tech firms to delete such content within 48 hours of being flagged.

However, Clarkson maintains that the rapid pace of online sharing renders that timeframe impractical. “This is laughable because if someone uploads a topless picture of you, all your friends will see it within 48 seconds,” he stated. “Forty-eight hours on the internet is about four million years,” reports the Express.

The Prime Minister has positioned the proposed reforms as a key element of a wider effort to tackle online abuse directed at women and girls. Through an amendment to the Crime and Policing Bill, social media companies that don’t meet the two-day deadline for removing content could be hit with substantial fines or potentially banned from operating in the UK.

Starmer, who previously held the role of director of public prosecutions, said his past work gave him insight into the “unimaginable, often lifelong pain and trauma violence against women and girls causes.” He added: “As Prime Minister, I will leave no stone unturned in the fight to protect women from violence and abuse.”

Characterising the internet as an emerging frontline, Starmer stated: “The online world is the front line of the 21st century battle against violence against women and girls. That’s why my government is taking urgent action: against chatbots and ‘nudification’ tools. Today we are going further, putting companies on notice so that any non-consensual image is taken down in under 48 hours. Violence against women and girls has no place in our society, and I will not rest until it is rooted out.”

Clarkson, 65, doesn’t question the gravity of the problem. In fact, he believes it goes even deeper than politicians realise. He highlighted the HBO drama Euphoria, featuring Zendaya and Sydney Sweeney, as a stark illustration of the challenges confronting today’s teenagers. “What Starmer needs to do is watch a TV show starring Zendaya and Sydney Sweeney. It’s called Euphoria and God knows what possessed me to tune in — teenage angst and a lot of male nudity is not my thing normally — but Lord, I’m glad I did,” Clarkson remarked. “I know it’s a drama but if only half of the issues are real, society has a serious problem.”

For Clarkson, the programme highlighted how online culture has amplified adolescent experiences. He outlined the troubling aspects he believes have become widespread: “The bullying. The d*ck pics. The revenge porn threats. And a very real sense that if you say or do something that is considered out of line by an ‘unseen woke police force,’ that’s you done.”

While he acknowledges that Starmer is correct to concentrate on social media’s effect on teenage girls, he doubts whether a 48-hour takedown requirement is adequate in reality. “Starmer is right to be thinking about the effect social media has on teenage girls. But suggesting that a platform must take down revenge nudes and deep fake pictures within two days demonstrates he does not understand the scale of the problem.”

SCOTTY T relies on money from his mum to stay afloat – as his lawyer calls the new dad’s bank balance “bleak”.

The finances of former Geordie Shore star – real name Scott Timlin – were laid bare as he appeared at Southwark Crown Court yesterday alongside Towie star Yazmin Oukhellou and Love Island star Jamie Clayton.

They all pleaded guilty to communicating an invitation or inducement to engage in investment opportunities.

The court heard Timlin has 2.7m followers on Instagram but he relies on nightclub appearances and his income from OnlyFans to make £34,000 a year.

Laura Miller, representing Timlin, said: ‘His post was scripted and he said what he was told to say. He accepts he was reckless.

“Mr Timlin is not a man of extensive means. He earns money via an agent but also does receive other money for example an OnlyFans.

CELEB SCAM

Towie & Love Island stars admit plugging dodgy investments in ‘finfluencer’ plot

SCOTTY’S HELL

‘I was out 7 days a week doing drugs’, says Scotty T as he opens up on arrest

“For the last 12 months his yearly income was around £34,000.

“As often said there is the Instagram world and the reality. Mr Timlin’s bank statements make it very clear the lifestyle he lives in the public eye is not the lifestyle he actually does lead.”

She said he relies on extra money sent by his mother.

She continued:”He made his name on Geordie Shore and won Celebrity Big Brother but that was as far back as 2016.

“Although he’s done some TV work since Geordie Shore ended in 2019 those were the programmes he made his name from.

“He now relies extensively on the promotional world being paid to attend bars and nightclubs for events.”

She said his opening and closing balances for the last three months “make for bleak reading”.

Timlin has recently become a father, and opened up to The Sun about how his son has changed his life.

He joined Geordie Shore in 2012 and gained himself the nickname Turbo T for his womanising ways.

Admitting he was out seven days a week doing cocaine as he opened up about his drug-drive arrest for the first time, he told us: “I felt like I was just getting drunk and I was on coke and all sorts,” he admits.

“It was just like every night getting drunk, waking up and then going out again.”

Timlin, 37, was fined £938, Oukhellou £975 and Clayton was given a £820 fine. All the celebs will pay a £1,000 contribution to prosecution costs.

Welcome to Screen Gab, the newsletter for everyone who is feeling mighty nostalgic about the ’90s and early aughts.

On Thursday night, we learned that Eric Dane died at 53 after a battle with ALS, also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease. The actor was known for his mid-2000s role on ABC’s medical drama “Grey’s Anatomy,” where he earned the moniker “McSteamy” as Dr. Mark Sloan, a plastic surgeon. Coincidentally, yesterday marked the 20th anniversary of his first appearance on “Grey’s.” More recently, he appeared in HBO’s teen drama “Euphoria” as Cal Jacobs, a very complex father to Nate (Jacob Elordi), one of the central characters. The actor will appear posthumously in the show’s third season when it returns in April. Dane remained busy in the past couple of years, having also appeared in the one-season action series “Countdown” on Prime Video and in an episode of ABC’s “Brilliant Minds.” If you want to go further on Dane, Netflix announced this morning that an episode of the docuseries “Famous Last Words” featuring the actor was available. The show consists of an interview with a notable subject, and is only released posthumously.

If you want another trip down memory lane, last week saw the arrival of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette,” which takes a closer look at the famous couple who unexpectedly met a tragic end. The show fully immerses you in the culture of New York in the ’90s, complete with Calvin Klein ads, tabloid magazines with zany headlines and partying at the Roxy nightclub. Connor Hines, the creator of “Love Story,” spoke to us about the show, which you can read below.

Also in this week’s Screen Gab, we recommend an Irish series on Netflix from the creator of “Derry Girls” and another nostalgic docuseries about “America’s Next Top Model.”

ICYMI

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Grace Van Patten and Jackson White of “Tell Me Lies” at American Quick Start & Gas Inc. in Brooklyn, N.Y.

(Dutch Doscher / For The Times)

On ‘Tell Me Lies,’ Grace Van Patten and Jackson White’s toxic (onscreen) relationship ends: After three seasons, “Tell Me Lies” comes to an end. Creator Meaghan Oppenheimer unpacks the series finale alongside stars Grace Van Patten and Jackson White.

Missed ‘Scrubs’? They did too, and now they’re back making the rounds: Donald Faison, Zach Braff and Sarah Chalke spoke about reuniting for the revival of the beloved medical comedy created by Bill Lawrence and now helmed by Aseem Batra.

‘Baywatch’ casting call brings back ’90s with in-person auditions, red suits and ripped bods: About 2,000 people flocked to Marina del Rey on Wednesday in hopes of landing a role in the upcoming “Baywatch” reboot, which the production hopes will be a boon for Hollywood.

How ‘The Pitt’ portrayed a rape kit exam sensitively with the help of experts: To portray the exam shown in Episode 7 accurately, the show’s writers and actors consulted with experts from the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape.

Turn on

Recommendations from the film and TV experts at The Times

Bronagh Gallagher, back left, as Booker, Shauna Bray as Midwife, Saoirse-Monica Jackson as Feeney in “How To Get To Heaven From Belfast.”

(Christopher Barr / Netflix)

“How to Get to Heaven From Belfast” (Netflix)

Lisa McGee, whose “Derry Girls” was the toast of 2018, returns with another comedy of Irish women in a mad place. Three friends since school travel to a one-taxi, one-hotel town for the wake of an estranged fourth: Saoirse (Roisin Gallagher), an award-winning television writer who can’t seem to keep her engagement ring on her finger; Robyn (Sinéad Keenan), a busy, bored rich wife and mother; and Dara (Caoilfhionn Dunne), who has been stuck, or has stuck herself, caring for her mother. All share a dark secret they hope to keep buried, but which has begun to poke its head above ground. What, and who, they find, and don’t find, kicks off a manic mystery, served with a side of car trouble, hangovers, a storm, a blackout, oddball supporting characters and a little romance, not necessarily in that order, with sharp, funny dialogue driving it along. And that’s just the beginning. — Robert Lloyd

A still of “America’s Next Top Model” contestants, clockwise from far left, Nicole Panattoni, Adrianne Curry, Elyse Sewell, Kesse Wallace, Robbyne Manning, Giselle Samson, Shannon Stewart and Ebony Haith as featured in “Reality Check: Inside America’s Next Top Model.”

(Courtesy of Netflix)

“Reality Check: America’s Next Top Model” (Netflix)

“We were all rooting for you!” was the cry heard ‘round the world from Tyra Banks, the host and creator of the reality TV series that aimed to find the next fresh face of magazine covers and fashion runways. But viewers learn in this docuseries that what we saw on screen didn’t tell the whole story. From allegations of sexual assault to discord among the judges, “America’s Next Top Model” had a lot of problems, many of them relating to the fact that a show like it hadn’t been done and producers were inexperienced in handling serious issues on set. “Reality Check” features candid interviews with former contestants including Shandi Sullivan, Keenyah Hill, Tiffany Richardson (recipient of that famous “rooting” speech) and Banks herself. — Maira Garcia

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sarah Pidgeon as Carolyn Bessette Kennedy and Paul Kelly as John F. Kennedy Jr. in “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”

(FX)

The latest anthology series produced by Ryan Murphy dramatizes the true-life romance between John F. Kennedy Jr. and Carolyn Bessette that gripped the culture in the ’90s. Nearly three decades after their tragic deaths, FX’s “Love Story” revisits the tumultuous seven-year relationship between the pair. JFK Jr. (Paul Anthony Kelly) spent his life navigating the public spotlight as the son and namesake of an assassinated (and beloved) president, and Bessette (Sarah Pidgeon) was a publicist working at Calvin Klein. Inspired by Elizabeth Beller’s book “One Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” the nine-episode series chronicles the couple’s whirlwind romance and their struggle to maintain their relationship under intense media scrutiny before their deaths in a 1999 plane crash. The first four episodes are streaming now on Hulu and Disney+, with new episodes released weekly on Thursdays. Connor Hines, who created the series, stopped by Guest Spot to discuss what intrigued him about the couple’s plight and the early aughts rom-com that he admires. — Yvonne Villarreal

You were a child when the love story of John F. Kennedy Jr. and Carolyn Bessette — as well as that fateful flight — generated intense media attention. What do you remember about their story? What stood out then?

My father commuted into Manhattan every day for work and always brought home the New York Post. I have vivid memories of seeing photos of them splashed across the cover. I knew about the Kennedy family, of course, but I couldn’t fully grasp the choke hold John F. Kennedy Jr. had on the country at the time. The scale of the fascination was something I only truly understood later.

Why does this story feel worth revisiting now? And did any modern couples in the spotlight become reference points as you unpacked questions about public fascination while weaving together this story?

We’re living in an attention economy, so a couple beset by obsession and scrutiny feels especially resonant right now. There are, unfortunately, far too many examples of women who marry high-profile figures only to be harangued for expressing anything other than gratitude and graciousness. That dynamic hasn’t disappeared — it’s simply evolved.

The series grapples with the media invasion that swirled around them. Some critics contend that dramatizing their story for television reignites it. How do you see it? And how did that inform your approach to telling this story?

They’ve been memorialized as these beautiful, one-dimensional fashion figures whose marriage buckled under immense pressure. The series felt like an opportunity to course-correct a dated and misogynistic narrative, especially surrounding Carolyn — and to add dimension to two people who were far more complex than the images and tabloid stories written about them.

You seemingly had a lot of material to draw from and public moments in their relationship timeline to focus on. What was a moment that most fascinated you?

I was personally drawn to Carolyn’s rich life before she became a public figure. She was incredibly sharp, savvy and dynamic — she ascended from folding sweaters at a Calvin Klein store in the mall to becoming a muse and trusted advisor to Calvin Klein himself. I don’t think people fully appreciate how much she gave up to be with John.

What have you watched recently that you are recommending to everyone you know?

“Dying for Sex” [Hulu, Disney+]. “Adolescence” [Netflix].

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Something’s Gotta Give” [Tubi], or anything by Nora Ephron. I’m also an unapologetic champion of the Bravo network.

Eric Dane said he first shut down emotionally at just 7 years old, when navigating his father’s sudden death from a gunshot wound in a bathroom at his family’s home.

It wasn’t until his diagnosis with ALS decades later that the seasoned actor felt his own spirit return, Dane said in an interview released Friday on Netflix. The actor died Thursday at 53 following a public battle with the disease. The nearly hour-long interview, filmed in November, is part of the docuseries “Famous Last Words,” which features posthumous interviews with notable figures — the first centered on conservationist Jane Goodall and released two days after her death.

The actor spoke candidly about his debilitating disease, saying it “made me a little bit softer, a little bit more open.” The intimate conversation was conducted by television producer Brad Falchuk, who executive produces “Famous Last Words.”

“All I’m left with is me,” Dane said. “It’s kind of a f— up way of realizing that you were enough the whole time, when everything gets taken away and all you have left is this person.”

In the episode, Dane’s speech is noticeably slurred, and he sits in a motorized wheelchair while speaking to Falchuk. He’s thoughtful and responsive throughout as he reflects on his life and career, which spanned more than three decades.

“I didn’t think this was gonna be the end of the road for me. This was never part of the story I created for myself,” Dane said.

The actor described himself as a complainer during the interview, adding that he’s “always historically been the guy that would b— and moan on his way to doing anything, but my spirit has been surprisingly pretty buoyant throughout this journey.”

A final message to his daughters

Dane stared straight into the camera in the last few minutes of the Netflix special, his voice wavering when tears welled up in his eyes. He directed his parting words to his two daughters, Billie, 15, and Georgia, 14, sharing four lessons he’s learned from ALS.

“Billie and Georgia, you are my heart. You are my everything. Good night. I love you. Those are my last words,” Dane said.

Dane married Rebecca Gayheart, the mother of his children, in 2004 and the couple separated in 2017, though the divorce was never finalized. They maintained a friendship after their separation, though, and Dane said he had “never fallen in love with another woman as deeply as I fell in love with Rebecca.”

Dane said he spent most of his life “wallowing and worrying in self-pity, shame and doubt.” But with ALS, he was “forced to stay in the present,” he said, which he encouraged his daughters to do.

Eric Dane, left, in conversation with Brad Falchuk on “Famous Last Words.”

(Courtesy of Netflix)

“I don’t want to be anywhere else. The past contains regrets. The future remains unknown, so you have to live now,” Dane said. “The present is all you have. Treasure it. Cherish every moment.”

Dane also encouraged his daughters to fall in love, not just with people, but with something “that makes you want to get up in the morning,” he said. For Dane, that love was acting, which “eventually got me through my darkest hours, my darkest days, my darkest year,” he said.

The actor, who was open about his struggles with addiction, had been sober for nine years before slipping back into drug and alcohol use during a writer’s strike that halted “Grey’s Anatomy” production in 2007.

Dane told his daughters they inherited his resilience and urged them to “fight with every ounce of your being, and with dignity.”

Dane added: “This disease is slowly taking my body, but it will never take my spirit.”

ALS diagnosis brought peace

Aside from throwing a few punches to people who “deserved it,” Dane said he had no crazy confessions to make as the interview came to a close.

“I’ve never murdered anyone, Brad,” the actor joked to Falchuk.

The actor assured he lived a life full of fun, whether healthy or unhealthy. His fruitful career took off with his role as Dr. Mark “McSteamy” Sloan in “Grey’s Anatomy.” The gig started as a one-time guest role but “ignited a fan hysteria so intense,” Falchuk said, that the show was rewritten to make Dane a leading man.

Dane further cemented his legacy when he portrayed Cal Jacobs in “Euphoria,” a complicated character who leads a double life, which Dane said he related to. “I know what it’s like to not have my inside match my outside,” he said, referencing his long-standing battle with drugs and alcohol addiction.

His ALS diagnosis freed him from a constant state of self-judgment, Dane said, and helped him realize that he was always “absolutely more than enough.”

“I hope I’ve demonstrated that you can face anything. You can face the end of your days, you can face hell, with dignity,” he said.

IT was the long, hot summer of 1995, John Major was in No10 and Blackburn Rovers were Premier League champions.

The music charts had been dominated by acting duo Robson and Jerome, until one crazy week in August when Britpop’s heavyweights began slugging it out.

Oasis and Blur released their new singles Roll With It and Country House on the same day in a race for the No1 spot — and the nation was absolutely mad for it.

It was an era-defining, pop culture moment, billed as North v South, working-class v posh boys and sing-along anthems v lyrical sophistication.

Yet even their most ardent fans would have struggled to imagine that 30 years down the line the rivalry in all its boozy, sweary glory would be transformed into a theatrical production.

The Battle — which opened at the Birmingham Rep theatre this week — is a comedic caper that tries to recreate the 90s vibe.

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So Oasis frontman Liam Gallagher — played by George Usher — is seen snorting lines of coke, swigging champagne and threatening to knock Blur singer Damon Albarn’s block off.

And the production includes more uses of the C word than have been uttered in much of the rest of British stage history put together.

The play’s writer, best-selling novelist John Niven, tells me he had to explain the context of the expletive-laden script to the actors.

He said: “The young cast found some of the language challenging at first.

“I had to say that that was just the way people spoke back then. It was more full-on and a much more unfiltered time.

“There’s five or six c***s in it but I guess that’s a lot for the theatre.

“But there’s no way you could accurately reflect those musicians over a five-month period without a few C-bombs dropping. It wouldn’t be authentic.”

John, 60, said he took inspiration for the narrative from a comment by Oasis manager Alan McGee about the rise of his band from a tough Manchester suburb.

He recalled: “Alan said, ‘The thing is, Blur think this is all good media fun but you’ve got five lunatics off a council estate in Burnage who actually want to f*****g kill them’.

“Blur moved the release date of their record to coincide with the Oasis single, so Liam thought, ‘Right, they’ve offered us out’.”

With actor George, 21, successfully aping Liam’s loping gait, he also gets to deliver the most one-liners.

John, who spoke to Blur’s bassist Alex James while writing the play, added: “Someone like Liam is so seductive to write for.

“Noel and Liam are both very funny in completely different ways.

“Noel is really dry and has got great timing, like a stand-up comedian, while Liam is much more surreal, random and unfiltered. He’s a delight to write dialogue for.

“Sometimes you think, ‘F***, have I gone too far there?’

“And then you could go online and find an interview with Liam where he said something ten times crazier.”

John — who began writing the play in 2023, long before the triumphant Oasis reunion last year — also had to explain to the young cast how the Britpop battle came to dominate the national conversation.

He said: “It was such a big cultural phenomenon. The whole country, from six-year-olds to 60-year-olds, knew about it.

“It went from the music papers to the broadsheets to the tabloids to News At Ten. Back then, things spread via radio, TV and the Press, whereas now the culture is so atomised.

“I’ve got teenage kids and you can have acts with a billion TikTok followers who play Wembley Stadium and I’ve never heard of them.”

After a blast of Blur’s Girls & Boys, the play begins at the February 1995 Brits, where Blur won four awards to Oasis’s one.

Collecting the prize for best British group, Damon insisted: “I think this should have been shared with Oasis.”

Interviewed later, Noel Gallagher said: “As far I’m concerned, it’s us and Blur against the world now.”

But the love-in didn’t last. Later that year Noel said of Blur: “The bassist and the singer, I hope the pair of them catch Aids and die because I f***ing hate them two.”

(The guitarist would later appologise, insisting he was “f***ed” on drugs when he made the remark).

When John began writing the play, he recalled the resentment that had built up between the bands in a few short months.

The former music company executive who was at the Brits that year, added: “I thought. Now there’s a dramatic arc.

“Back in February they had all been mates with Noel giving an interview saying, ‘It’s us and Blur against the world now’.

“Now he was saying he hoped they died.”

Then, in August Oasis’s record company Creation announced their new single Roll With It would be released a week before Blur’s Country House.

John added: “Blur’s manager Andy Ross was worried that Oasis would have a massive No1.

“Back then a single could top the charts for a month so Andy was worried the Blur would be stuck at No2.”

Andy, played by Gavin and Stacey star Mathew Horne, decides to move Country House’s release date forward to coincide with Oasis and all hell was unleashed.

The then influential music magazine NME produced a front cover with the headline, British Heavyweight Championship, Blur v Oasis.

A then 29-year-old Clive Myrie reported breathlessly for the BBC News At Ten on the brewing rivalry.

Like the Beatles and the Rolling Stones in the 1960s, the two bands divided friends and families into rival camps.

An exclusive in the The Sun revealed that Oasis-mad Mandy Vivian-Thomas had kicked out her husband Richard for being a massive Blur fan.

Richard said: “Mandy’s been a nightmare. She’s spent a fortune on trash about Oasis and the last starw was using my card to buy their record.

“I’m out on my ear but I’m hoping things will calm down.”

Headlined, You Blurty Rat, the Sun article takes centre stage in The Battle.

It’s cited by Blur guitarist Graham Coxon as a symptom of how the chart battle has seen his band drift away from their indie ideals and into the mainstream.

John explained: “It became apparent how different the two bands were because I think Noel and Liam loved being in the tabloids and wanted to be that big.

“They had no problems with having loads of reporters outside their door. They thought, ‘We want to be the biggest band in the world and this is part of it’.

“But I reckon Blur found it all much more uncomfortable, especially Graham. That when you get that big you’ve got the tabloids banging on your door.

“I think he thought, ‘This is getting crazy now.’”

In the end, it was Blur who would win the Battle of Britpop with Country House topping the charts but Oasis would go on to have a more stellar career.

John added: “Damon and Noel are pals now.

“When men are in their 20s and 30s and they’re really ambitious, they’re all claws and teeth, sharp edges and hustling.

“You hurt people trying to get where you want to be but I think as men get older in their 40s and 50s they get a lot nicer and they calm the f*** down a bit.”

John hopes the play will transfer to the West End after runs in Birmingham and Manchester.

“I don’t think we’ll see a time when two bands dominate the national consciousness in a way like that again,” he said.

“It’s almost impossible to imagine.”

TOUCH OF TARANTINO

EFFING and jeffing as he struts around the stage like a rampant chimp, George Usher has Liam Gallagher down to a tee.

I’m supping a lager in the stalls at the Birmingham Rep, where if you suck your gut in and comb your hair forwards, it could be 1995 all over again.

With blasts of their hits, and aided by newsreel and radio clips, the great Battle of Britpop is fought once again.

The dialogue is pacy, comedic and very sweary. Yet with two bands, assorted managers and girlfriends to cover, there is little time for character development.

However, just as the play seems to be running out of narrative, it plunges into a Quentin Tarantino-esque sequence.

It’s a fittingly surreal end to this parable of a drug-addled decade.

★★★☆☆

The nominated Oscar shorts come in three categories — and a lot of subjects, styles and temperaments. It’s further proof that an award dictated by length needn’t be bound by anything else.

In the live-action category, a mixed bag of approaches — some inspired by classic literature — are burnished by inspired performances. Lee Knight’s “A Friend of Dorothy” may be a tad on the nose about the cultural and emotional impact of a lonely London widow on a closeted teenaged boy. But leads Miriam Margolyes and Alistair Nwachukwu practically shimmer with humor and warmth. “Jane Austen’s Period Drama,” a loving tweak of the writer’s oeuvre from Steve Pinder and Julia Aks (who also stars), is essentially a one-joke calling card to make feature comedies and it should do the job. Its cast is exactly the sprightly ensemble needed to land its what-if laughs.

Two others just miss the mark in terms of bringing their tensions to powerful resolutions yet benefit from who the camera adores. Meyer Levinson-Blount’s “Butcher’s Stain,” centered on a flimsy accusation against a friendly Palestinian butcher in an Israeli market, undercuts its gripping story with lackadaisical filmmaking and an unnecessary subplot, but lead Omar Sameer is commanding. The black-and-white future shock “Two People Exchanging Saliva,” directed by Natalie Musteata and Alexandre Singh, is an uneven Euro-art bath of unrealized intimacy and casual violence — kissing is punishable by death, slapping is currency — but is given exquisite tautness by the elegant, unrequited swooniness of stars Zar Amir and Luana Bajrami.

A scene from “Jane Austen’s Period Drama,” nominated in the live-action short category.

(Roadside Attractions)

Then there’s my favorite, Sam A. Davis’ likely winner “The Singers,” from Ivan Turgenev’s short story, which pays off handsomely in bites of soulful warbling that briefly turn a barroom’s den of anesthesia into a temple of feeling.

Most of this year’s documentary nominees deal with the grimmest of tragedies, as in “All the Empty Rooms” and “Children No More: Were and Are Gone,” which address the remembrance of children brutally killed. The former film, from Joshua Seftel, follows CBS correspondent Steve Hartman and photographer Lou Bopp on an essay project into the bedrooms of kids gunned down in school shootings, their private worlds heartbreakingly preserved by their families. The latter short, directed by Hilla Medalia, witnesses Tel Aviv’s silent vigils for Gaza’s children, protests marked by posters with beaming faces, and sometimes met with open scorn. These are dutiful, sobering acts of mourning — Seftel’s is the probable awardee. You may wish they were more than that, however, considering the issues (guns, war, political intransigence) that created the devastation.

Combat is what drove award-winning photojournalist Brent Renaud, killed in Ukraine in 2022. But his brother Craig’s memorializing of him, “Armed Only With a Camera,” is oddly uninvolving, more an excerpted flipbook of Brent’s far-flung assignments than a meaningful portrait of excelling at a dangerous job. A more affecting real-world dispatch (and my pick, if I could vote) is “The Devil Is Busy,” directed by Christalyn Hampton and dual nominee Geeta Gandbhir, also up for the feature “The Perfect Neighbor.” It observes a day in the operation of a carefully guarded, female-run Georgia abortion clinic as if it were a newly medieval world’s last chance healthcare outpost, getting by on grit, compassion and prayer. You certainly won’t forget security head Tracii, the clinic’s heavyhearted knight and guide.

A scene from “Perfectly a Strangeness,” nominated in the documentary short category.

(Roadside Attractions)

Your chaser is Alison McAlpine’s appealing, aptly titled “Perfectly a Strangeness,” sans humans, but starring three donkeys in an unnamed desert happening upon a cluster of hilltop observatories. The whir of science meets the wonder of nature and this charming, gorgeously shot ode to discovery (both on Earth and out there) makes one hope the motion picture academy sees fit to recognize more imaginative nonfiction works going forward.

Animation, of course, thrives on the thrill of conjured worlds, like the one in Konstantin Bronzit’s wordless (but not soundless) desert island farce “The Three Sisters.” It owes nothing to Chekhov — though there are seagulls — but much to a classically Russian sense of humor and a Chaplinesque ingenuity. Elsewhere, you can watch the overly cute Christian homily “Forevergreen,” from Nathan Engelhardt and Jeremy Spears, about a nurturing tree, a restless bear and the dangerous allure of potato chips. The message gets muddled but this eco-conscious journey is charming.

It’s tough to predict a winner when the entrants are this strong, but John Kelly’s “Retirement Plan” feasts on wry relatability, as Domhnall Gleeson narrates a paunchy middle-aged man’s ambitious post-career goals, while the cascade of deadpan funny, thickly-lined and mundanely hued images stress a more poignant, finite reality. In its all-too-human view of life, this is, entertainingly, whatever the opposite of a cloying graduation speech is.

A scene from “Retirement Plan,” nominated in the animated short category.

(Roadside Attractions)

The spindly aged-doll puppetry in the stop-motion gem “The Girl Who Cried Pearls” marks a sly fable of need, greed and destiny, centered on a wealthy grandfather’s Dickensian fashioning of his poverty-stricken childhood in early 19th century Montreal. Filmmakers Chris Lavis and Maciek Szczerbowski find an enchanting balance between storybook allure and adult trickery. Maybe this one steals it?

Whichever the case, the animation that moved me the most is “Butterfly,” from Florence Miailhe, imagining the last, memory-laden swim of Jewish French-Algerian athlete Alfred Nakache, who competed in the Olympics before and after the Holocaust. In the cocooning fluidity of an ocean-borne day, rendered with thick-brushed painterliness and splashes of sound, we travel across flashes of community, injustice, achievement, love and despair. The visual, thematic constant, though, is water as a haven and a poetic life force that feeds renewal.

A REALITY telly pal of Jennifer Lopez caught speeding in her £200,000 Bentley has been banned.

Amanda Cronin begged JPs to let her keep her licence as she needed a car to care for her mum — who “won’t accept” taxis.

But magistrates, who heard she already had nine penalty points from speeding offences, were unmoved and gave her three more.

That took her to 12 and an automatic six-month ban under totting-up rules.

Real Housewives of London star Cronin, 57, was caught by a camera doing 24mph in a 20mph zone in Earls Court, West London, last May.

The ex-model, who dated Wham! star Andrew Ridgeley and counts US singer J-Lo as a pal, argued she needed her £200,000 Bentley Continental to drive from her £4million home in Belgravia, central London, to widowed mum Janet’s home near Soberton, Hants.

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She said she regularly ­ferried the 85-year-old to medical appointments.

Cronin told Bromley JPs: “She won’t accept going in taxis.

“My mum will suffer if I’m not able to drive her around.”

Magistrate Jo Caseby said: “You’re a good and attentive daughter but there are solutions which can be put in place.”

Cronin, who divorced millionaire energy mogul Mark Daeche in 2019, also owns a £12million home in London’s Mayfair.

She must pay £334 in a fine and costs.

Hours before filmmaking legend Rob Reiner and his wife Michele were found stabbed to death in their Brentwood home, they attended a holiday party at Conan O’Brien’s house.

Now, two months after the tragedy, the comedian has broken his silence about the death of his good friends.

“To have that experience of saying good night to somebody and having them leave and then find out the next day that they’re gone … I think I was in shock for quite a while afterward,” O’Brien said in an interview for “The New Yorker Radio Hour” podcast. “I mean, there’s no other word for it. It’s just very — it’s so awful. It’s just so awful.”

As host of the Dec. 13 party, O’Brien was among the last people to see the Reiners alive. Their 32-year-old son, Nick, was arrested the following night and charged with murdering his parents. Two sources who attended the party described witnessing a loud verbal exchange between Nick Reiner and his parents.

In an interview published Friday, O’Brien said he and his wife were very close with the couple, describing them as “just such lovely people.”

O’Brien praised Rob Reiner’s talent as a director and his tireless advocacy efforts. The “When Harry Met Sally …” director was a prominent Democratic donor, noted critic of President Trump and a champion for causes such as early childhood education and gay marriage.

“I think about how Rob felt about things that are happening in the country, how involved he was, how much he put himself out there — and to have that voice go quiet in an instant is still hard for me to comprehend,” O’Brien told The New Yorker.

O’Brien said he considers Reiner “one of the greats” given his impressive track record of directing a series of blockbuster movies.

“To make seven — in, like, a nine-year, 10-year, 11-year period — is insanity,” O’Brien said. “With ‘Spinal Tap’ alone, if that’d been the only thing he ever did, he influenced my generation enormously.”

O’Brien fondly recalled first watching the rock mockumentary “This is Spinal Tap” in college, calling it a “splitting-the-atom moment.”

The pair were not only friends, but also collaborators. Reiner was a guest on a 1999 episode of “Late Night with Conan O’Brien,” and also appeared on episodes of O’Brien’s podcast, “Conan O’Brien Needs a Friend,” in 2023 and 2025.

Authorities allege Nick Reiner fatally stabbed his 78-year-old father and 70-year-old mother at their Brentwood home sometime in the early morning hours of Dec. 14. The couple’s bodies were discovered in the master bedroom by their daughter around 12 hours later, and Nick Reiner was arrested that night in South L.A. by Los Angeles police.

Nick Reiner was charged with two counts of first-degree murder on Dec. 16 and has yet to enter a plea. In January, his arraignment was postponed to Monday after his lawyer, famed defense attorney Alan Jackson, stepped down and was replaced by a public defender.

Nick Reiner has a history of struggles with mental health and substance use. It is unclear how prominently those struggles will feature in criminal proceedings.

Times staff writers James Queally and Richard Winton contributed to this report.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This week we lost two towering figures with the deaths of Robert Duvall and Frederick Wiseman.

Duvall, who died at 95 at his home in Virginia, was known as an actor for roles in films such as “The Godfather,” “Apocalypse Now,” “To Kill a Mockingbird” and countless more. As a director, his work included “The Apostle” and a handful of other projects.

Robert Duvall in the movie “Apocalypse Now.”

(CBS Photo Archive / Getty Images)

The movies team published a list of 10 of our favorite performances, including “Tender Mercies,” for which he won an Academy Award, as well as “Network,” “The Great Santini” and “Widows.”

Wiseman, who died at 96 in Cambridge, Mass., directed more than 45 documentary features beginning with 1967’s “Titicut Follies” on through 2023’s “Menus-Plaisirs — Les Troigros.” His work was known for its rigorous examinations of systems and institutions, giving viewers insights into why things functioned the way they did.

Frederick Wiseman, photographed at the Venice Film Festival in 2014.

(David Azia / Associated Press)

“The institution is also just an excuse to observe human behavior in somewhat defined conditions,” Wiseman told the Associated Press in 2020. “The films are as much about that as they are about institutions.”

Tribute screenings have already started to pop up in tribute to Duvall, with presumably more for both men on the way.

‘Sunshine’ in 35mm

Rose Byrne in the 2007 movie “Sunshine.”

(Alex Bailey / Twentieth Century Fox)

The collaboration between director Danny Boyle and screenwriter Alex Garland has yielded an ongoing examination of societies in varying stages of collapse, lately in their recent revival of the “28 Years Later” series. Among their other works is 2007’s “Sunshine,” which, while seen as something of a disappointment on initial release, has only grown in esteem in the years since. The Academy Museum will screen the movie on 35mm Friday in the Ted Mann Theater.

In 2057, Earth is freezing as the sun has begun to die. An international crew of astronauts — including Cillian Murphy, Michelle Yeoh, Rose Byrne, Hiroyuki Sanada, Benedict Wong and Chris Evans — are dispatched with the improbable mission of reigniting the sun. When they encounter another ship along the way, things begin to go very wrong.

In his review, Kenneth Turan wrote, “Not reflected in a synopsis is the way screenwriter Garland has made ‘Sunshine’ a thoughtful genre film, one with philosophical concerns about God, man and morality. It’s not for nothing that Icarus’ talking computer echoes Hal of Stanley Kubrick’s ‘2001: A Space Odyssey.’ Garland and Boyle also have devoted time and effort to character psychology, to making the members of the Icarus’ crew into recognizable people and not Hollywood stick figures. … All these good things enable us to buy into ‘Sunshine’s’ story for a considerable span, creating a palpable tension that underlines that no one should feel safe in the far reaches of space.”

John Horn also wrote an extensive production story on the film. Referring to delays in the editing process, which caused a delay in the film’s release, Boyle said, “No director, unless they are contractually obligated, will ever go back and do a sequel set in space. When I finished it in January, I would have said no, it wasn’t worth it. Because I fell out with everybody. To make these movies, you have to be so uncompromising and scorch all of the ground in front of you.”

Slamdance Film Festival

Vondie Curtis-Hall in the movie “The Projectionist,” the opening night film of the 2026 Slamdance Film Festival.

(Slamdance Film Festival)

The Slamdance Film Festival has launched its second year in Los Angeles, running through Feb. 25 with screenings at the DGA, Landmark Sunset and 2220 Arts + Archives. The virtual edition of the festival will run from Feb. 24–March 6 on the Slamdance Channel.

The festival opened with the world premiere of Alexandre Rockwell’s “The Projectionist.” Starring Vondie Curtis-Hall along with Kasi Lemmons and Kevin Corrigan, the film tells the story of a lonely film projectionist confronting his past.

Rockwell, who, in 1992 won the Grand Jury prize at Sundance with “In the Soup,” lauded Slamdance as “a festival that embodies the vital spirit of independent film better than anywhere.”

Among other notable titles in this year’s program is “The Untitled Ruby Slippers Documentary” directed by Seth Gordon and Nikki Calabrese, the story of the theft and recovery of one of the most famous pieces of Hollywood movie memorabilia. Gordon’s “The King of Kong” premiered at Slamdance in 2007.

Points of interest

‘A Thousand and One’

Teyana Taylor in the movie “A Thousand and One.”

(Aaron Ricketts / Focus Features)

Teyana Taylor is an Oscar nominee for her performance in “One Battle After Another.” (She’s also a recent guest on “The Envelope” podcast.) She got that role after “One Battle” director Paul Thomas Anderson saw Taylor’s performance in “A Thousand and One,” written and directed by A.V. Rockwell. Vidiots will show the movie Saturday.

In the film Taylor plays Inez, recently released from jail in New York City and attempting to reconnect with her son who has been in the foster system. When an opportunity presents itself, she impulsively abducts him and tries to get them set up in a new life together.

In her review of the film, Katie Walsh noted that Taylor “brings to her astonishing performance the coiled physicality of a panther ready to pounce.” Walsh added, “The film is utterly absorbing, anchored by the unpredictable performance of Taylor, playing a hopelessly complicated, but deeply caring woman. When faced with dire circumstances, she survives, then dares to imagine a life for Terry beyond the cycle she’s experienced, forging a family unit she never had.”

Sonaiya Kelley spoke to both Rockwell and Taylor about the film. Taylor said of the part, “I was drawn to the role before I even read the whole script. … A lot of the emotions I put onto Inez were real emotions from real triggers.”

‘Dont Look Back’

Bob Dylan in the documentary “Dont Look Back.”

(Criterion Collection)

As part of an ongoing series, the Academy Museum will show D.A. Pennebaker’s 1967 “Dont Look Back” in the David Geffen Theater with doc director Joan Churchill in person to introduce the film.

A pioneering work of cinema verité, the film tags along on Bob Dylan’s 1965 tour of England, capturing a period of heady creative evolution. As Dylan plays a series of shows, he is also seen in various hotel rooms, cutting down journalists and others with a self-regarding wit.

As Charles Champlin said in his 1967 review, “The technical shortcomings deliberately enhance the atmosphere of claustrophobic chaos surrounding a pop idol on tour. And this, after all, is what the film is about. … [Dylan’s] milieu and its hangers-on are by no means uniformaly attractive. But after this skillful and exhaustive piece of film reportage, no one need ask what it and they and he are really like. The camera has become an X-ray.”

Gogglebox was back this week with plenty of memorable TV moments and a sweet relationship update from Ellie Warner.

Gogglebox was back tonight (February 20) on Channel 4 in the wake of what sounded like a romantic Valentine’s Day for one star.

During the show, fans may have missed a sweet relationship insight from show favourite Ellie Warner, who shares a two-year-old son with her partner Nat Eddleston.

As the song Love Is In The Air by John Paul Young and Milk & Sugar, the Gogglebox cast recalled that the romantic holiday was on the horizon.

Reflecting on her upcoming Valentine’s Day celebrations last weekend, Ellie admitted: “I don’t know what has got into Nat lately.

“Bought all my perfume for Valentine’s Day, wants to take me out for a meal, said I deserve a treat…

“What’s he after? Baby number two?” she teased, as her sister Izzie Warner shot back: “You wish.”

After that, the case watched a This Morning segment on what to cook for Valentine’s Night, with TV chef John Torode stepping in to demonstrate how to cook a steak and chips.

Tonight’s episode of Gogglebox features plenty of big TV moments from the past week, including the finale of The Masked Singer on ITV.

The final episode saw all of the Gogglebox cast trying to guess the identity of the mysterious Moth, who won over the audience with her sensational vocals.

Some guessed she was a “member of a UK girl band” while Sophie even narrowed it down to a member of The Sugababes, and in the end it turned out to be Sugababes legend Keisha Buchanan.

Elsewhere in the episode, A Place in the Sun star Jasmine Harman spoke to an expert about the best way to eat at an all-inclusive holiday buffet, earning a decidedly mixed reaction for the niche topic.

There was also a fun news segment on Number 10 Downing Street’s famous resident, Larry the cat, and a look inside the high-octane new Prime Video drama, Steal.

Gogglebox airs Fridays at 9pm on Channel 4.

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“I am Punch and he is me.”

This is what my daughter recently texted in our family group chat. Her older sister had just asked us if we were “on the baby Punch-kun side of TikTok” because she had become like a “Facebook Mom, watching videos of him all day.”

If we weren’t before, we are now.

Punch is, as millions of his fans know, a 7-month-old macaque monkey living at Ichikawa City Zoo, outside Tokyo. Rejected at birth by his mother, he was initially cared for by zookeepers before being reintroduced to the monkey enclosure. His early attempts to fit in did not go well; the other monkeys gave him either the cold shoulder or a very hard time.

Until recently, his only comfort was a large orangutan plush toy that some brilliant member of staff gifted him as a tool for muscle building and maternal replacement.

Videos of the shy and utterly adorable Punch tentatively circling the larger monkeys, only to flee to the solace of his stuffy after being rebuffed, have drawn increasingly large crowds to the zoo and mesmerized millions on social media.

Messages of encouragement, often accompanied by memes of women (and men) sobbing into their phones over the sight of a yet-again-rejected Punch wrapping himself in the arms of his orangutan “mother,” or cheering as he slowly begins to be accepted by other monkeys, are almost as plentiful as the Punch videos themselves.

“I am Punch and he is me” is clearly a sentiment shared by many. Including those who, like my youngest daughter, were not (as I swiftly pointed out in the group chat) rejected in any way by their own mother.

Everyone knows what it’s like to feel small and bewildered as you circle a social group, seeking a way in, just as everyone knows what it’s like to be rejected by those whose approval we seek.

Of course some of us wept and raged when he once again had to flee some bigger monkey that he had clearly annoyed, but while Punch was certainly cowed, he was never broken. It was impossible not to admire his essential grip when he tried again, and to be reminded that none of us are alone in our attempts to fit in.

When Punch drags his stuffy around the enclosure, you can see some of the older monkeys giving him the side-eye — he is definitely the odd kid in the class, the one who always wore a space helmet or insisted she was a kitten. But the joy that little monkey feels for his orangutan, which he uses as shield, surrogate and playmate, is both heartbreaking and heartwarming.

As he nestles into its body, we see the primal need most animals, including humans, have for touch, for embrace. Of course he drags it around everywhere; short of the zoo staff, whose legs he also clutches, it‘s his only conduit of security.

Which is also something that many, if not all, of us understand. Anyone who says they have never had some personal item or talisman that, just by its presence, made them feel better is either lying, forgetting or a psychopath.

Why do you think teddy bears and Jellycats exist or “The Velveteen Rabbit” was written? In the era of “peak cozy,” with its devotion to lap blankets, hoodies and fleece-lined everything, no one could fail to understand Punch’s attachment to his comfort object.

When I was very small, I had, as many children do, a security blanket known as “Blankie.” It was pink and soft, with a satin edge and an oval stain caused by a regrettable interaction with Silly Putty. I talked to it, slept with it and carried it everywhere; when my mother insisted it be washed, I would sit in front of the dryer waiting for it to emerge.

When it somehow got lost in the hospital while I was recovering from a tonsillectomy, I was so traumatized that my mother drove back to the hospital for days in hopes that it would turn up. It never did but 55 years later, I can see, and feel, my Blankie still.

So I too am Punch and he is me.

Now that the Baby Monkey Who Could is finding comfort, grooming and companionship from others of his kind, there may come a time when he no longer needs his big stuffed orangutan.

Fortunately, it’s available at IKEA for anyone out there who might.

CONAN O’Brien has broken his silence after his friend Rob Reiner was at his party just hours before being killed.

Reiner, 78, and Michele allegedly had their throats slit while they were in bed and their son Nick was charged with murder.

Reiner and Michele had attended O’Brien’s holiday party the night before the killings on December 24, last year.

The couple arrived at that party with Nick because they were reportedly afraid to leave him alone.

Conan O’Brien told The New Yorker: “I knew Rob and Michele, and then increasingly got closer and closer to them, and I was seeing them a lot.

“My wife and I were seeing them a lot, and they were so — they were just such lovely people.

“And to have that experience of saying goodnight to somebody and having them leave and then find out the next day that they’re gone. … I think I was in shock for quite a while afterward. I mean, there’s no other word for it. It’s just very — it’s so awful. It’s just so awful.”

O’Brien admitted it is still “hard for me to comprehend” the tragedy.

Reiner’s son Nick faces a maximum sentence of life imprisonment without the possibility of parole if he’s convicted. 

The death penalty has not been ruled out.

This comes after Reiner told friends he was terrified of his own son and feared he could hurt him just hours before the Hollywood legend and his wife were found dead.

Nick, 32, had been living in the guesthouse of his parents’ $13.5 million Brentwood estate.

He had struggled with drug addiction since his teens, undergone at least 18 stints in rehab and experienced periods of homelessness.

Sources say Nick behaved erratically at the holiday party and unsettled guests.

According to MailOnline, Reiner told friends: “I’m petrified of him”.

“I can’t believe I’m going to say this but I’m afraid of my own son. I think my own son can hurt me.”

At one point, Reiner introduced Nick to Bill Hader.

Nick then interrupted Hader mid-conversation, according to accounts.

Hader reportedly told him he was “in the middle of a private conversation.”

Nick reacted angrily, stood still, stared at Hader and stormed off.

It was moments later that Reiner approached friends and voiced his fear.

Hours after the gathering, prosecutors allege Nick returned home and killed both his parents in the early hours of Sunday, December 14.

On the Sunday afternoon, a masseuse contacted the Reiners’ 27-year-old daughter Romy after being unable to gain entry to the home.

Romy rushed to the house and found her father’s body before fleeing in distress.

She later learned her mother had also been killed.

Billy Crystal was seen outside the home with his wife Janice, wiping away tears as police arrived.

Crystal later joined Albert Brooks, Larry David, Martin Short and Barry Levinson in a statement praising Reiner as “a great comic actor” and “a master storyteller.”

Police said both victims were found in the master bedroom and no other suspects were located.

Nick was arrested around 9pm on Sunday near the Expo/Vermont Metro station.

Earlier that morning, he had checked into a Santa Monica hotel.

About an hour before his arrest, he was seen acting nervously while buying a Gatorade at a gas station.

Nick has been charged with two counts of first-degree murder and is being held without bail.

The legendary career of iconic director Rob Reiner

FAMED actor, director and producer Rob Reiner, 78, died on December 14 alongside his wife Michele Singer, 68, in an apparent homicide.

Here is a look at the prodigious list of achievements the Hollywood powerhouse earned before his tragic and sudden death.

Director’s Beginnings

• Reiner was born in New York City on March 6, 1947, to legendary comedy writer Carl Reiner and singer Estelle Reiner
• He studied at the University of California, Los Angeles film school before breaking into the entertainment industry

Hollywood Career

• Reiner first found fame as an actor playing Michael “Meathead” Stivic on the iconic sitcom All in the Family from 1971 to 1979
• In 1984, he directed his first film This Is Spinal Tap – a mockumentary following a fictional heavy metal band
• Reiner went on to direct cult classic films like The Princess Bride in 1987 and When Harry Met Sally… in 1989
• Other notable movies made by the director include Misery, The American President, and A Few Good Men, which earned an Academy Award nomination for Best Picture
• The production company he co-founded, Castle Rock Entertainment, has also produced hits like Seinfeld and The Shawshank Redemption
• Reiner didn’t halt his acting career either, recently starring in The Wolf of Wall Street in 2013 and The Bear in 2025

Personal Life

• Reiner married actress Penny Marshall in 1971 and adopted her daughter, Tracy, from a previous marriage. The couple divorced in 1981
• He met photographer Michele Singer while shooting When Harry Met Sally
• They married in 1989 and had three children: Jake, born 1991, Nick born 1993, and Romy born 1997)
• Nick opened up about his struggle with drug addiction in 2016. The movie Becoming Charlie, directed by Reiner, was based on Nick’s story
• Reiner was an outspoken Democratic activist and a fierce critic of Donald Trump

BARRY Manilow has been forced to reschedule his shows AGAIN after undergoing cancer surgery following his diagnosis in December.

The veteran singer, 82, has delivered a health update to fans while revealing he will have to push back his tour dates.

In his post, Barry revealed he was rescheduling his first batch of arena shows, which were due to begin in a matter of days.

He explained that the shows that are being canceled are the February 27 up until March 17 shows, on the order of his surgeon.

Barry then delivered some happy news when he said he would likely be able to do the Vegas shows at the very end of March, and the second batch of arena shows at the beginning of April.

“I’m SO, SO sorry I have to reschedule some of these first arena shows, again,” Barry added.

Read More about Barry Manilow

TOUGH TIME

Barry Manilow shares fresh health update after cancer surgery & canceling shows

THROUGH THE RAIN

Barry Manilow gives health update from hospital amid lung cancer diagnosis

The full statement read: “Hi everyone, Barry here.

“Just got home from visiting the surgeon. Very depressing visit.

“I told him that I have been using the treadmill three times a day (I have) but that I still couldn’t sing more than three songs in a row before I had to stop.”

Barry added that he told his surgeon that he was sure he would be able to do the arena shows in a few weeks, but the surgeon shook his head.

KERRY Katona and her partner Paolo Margaglione are brushing off their drama-filled week with a night out in London.

The Sun revealed yesterday how Paolo was hit by Katie Price’s husband Lee Andrews in a bust-up during their recent trip to Dubai, where they went to visit the couple.

The incident was the first time Kerry and her partner were meeting her best pal’s new man, following their whirlwind romance, with the trip turning sideways just hours in.

But seemingly not letting it get to them, Kerry and Paolo headed to the capital from their Cheshire home to celebrate her daughter Heidi’s 19th birthday.

Heading to celeb hotspot Sheesh Mayfair, Kerry enjoyed cocktails as she filmed herself dancing with Paolo.

Appearing in high spirits, the pair giggled as Kerry captioned the clip: “Mums and dads on the loose.

SLURRED SPEECH

‘Pregnant’ Katie Price slurs in video after Lee PUNCHED Kerry Katona’s man

QUICK ESCAPE

Kerry Katona’s boyfriend fled the country hours after Katie Price bust up

“Can you tell we don’t get out often?”

In another video, Kerry planted a kiss on Paolo, who beamed for the camera.

Kerry and Paolo headed to Dubai last week for a Valentine’s Day getaway, where they met close friend Katie and her husband Lee, who are on their honeymoon after a surprise wedding.

While the two couples appeared in high spirits when Kerry and Paolo touched down in the UAE, Kerry later said that Paolo had to head home “urgently” due to a work commitment.

But yesterday, we revealed that the dad-of-two actually locked horns with Lee, who took a strike at him.

An onlooker told us: “Lee was having some cross words with Katie. He was acting in what appeared to be an aggressive manner.

“Paolo then appeared and stepped in. Lee seemed to be very angry and was shouting at him.

“It all got very heated and Lee threw some punches and one of them landed Paolo square on the head.”

The incident happened in a public part of the hotel where Kerry and Paolo had been staying, with onlookers seeing what went on.

Kerry is thought to not have been present at the time of the altercation.

We used to have more films like “Midwinter Break,” in which the combination of a couple of great actors, a gifted writer and the unfussy shepherding of a thorny, intimate scenario gave discerning moviegoers their recommended weekly allowance of adult drama about the human condition.

That’s no longer the case, so you would be forgiven for attaching more importance to the small-scale appeal of this adaptation of Irish author Bernard MacLaverty’s 2017 novel. Without gimmicks or pomp (save a picturesque setting) and through the supreme talents of Lesley Manville and Ciarán Hinds, it offers up an affecting two-hander about a couple on the brink who’ve never really acknowledged said precipice. As directed with low-key confidence by Polly Findlay, the movie is both good and, in a certain way, good enough.

Should a marriage be merely good enough? Because hiding in the 40-year togetherness of retired teacher Stella (Manville) and ex-architect Gerry (Hinds) is an unmistakable chasm. It’s a divide with roots in the turbulent Belfast of their youth, which necessitated starting their family in Glasgow. It manifests now in a brittleness that tints their everyday exchanges as ossifying empty nesters.

Stella’s restless energy in wanting to fix things spurs her to arrange an impromptu trip for them to Amsterdam. Initially they rekindle a genial intimacy over art, meals and the city’s beauty. She eases off her intolerance for his drinking by tagging along to bars, while he accompanies his faith-driven wife to the Begijnhof, a historical religious site of dwellings initially intended to house a sisterhood of single Catholic women. We gather her keen interest isn’t entirely touristy but also, because Hinds is so good, that his wisecracks about religion — which she bristles at — have a basis in something personal, too.

We eventually learn what it is that has kept Stella and Gerry in a state of deepening apartness. But these expected revelations aren’t as cathartic as one might hope, probably because what “Midwinter Break” had going for it was a gathering totality of unhurried observance, as if we, too, were stumbling in the dark along with these nervous dancers, who once knew each other so well yet had lost the ability to turn knowing into understanding.

Still, the chance to see Manville and Hinds give heart, soul and edge to a cracked marriage is a display of nuanced skill that no screenwriting choice (even if true to the source material) can fully hamper. Manville, one of our greatest actors, is achingly real, giving Stella the protective bearing of a wounded soldier. Hinds, meanwhile, masterfully shows an affable partner’s emotional immobility.

Findlay knows to stay out of the way when her actors are deep inside what’s lived-in about their situation, or when grace notes — especially the story’s real ties to the Troubles — needn’t be overstruck. Modest to a fault, “Midwinter Break” seems to float like something cautious and wishful, hoping along with the audience that this union’s individual strains will fall into harmony once more.

The new series of Big Cats 24/7 is back in the Okavango Delta following the lives of lions and leopards

Having only been away from the Okavango Delta in Botswana for six months since filming the first series, the BBC ’s wildlife filmmakers might have worried there would not be enough new things happening amongst the big cats there. But if anything, the dramatic lives of Africa’s lions, cheetahs and leopards had more shocks and surprises than the first time around.

Following them across six vital months from June to November we see the cats – and humans – battle punishing seasonal change, from flood to extreme drought. The Xudum lion pride, now the largest in the world, grapples with the challenges of this newfound status. When we rejoin them, dominant males Big Toe and Madumo are missing so the pride females, deserted by their leaders, are forced to battle intruders alone and also find enough food to feed 40 lions. There is an influx of aggressive male leopards and a new female, Lediba. And cheetah Pobe surprises the team with two young cubs of her own – but her challenge now is to keep them safe.

Cinematographer and wildlife presenter Gordon Buchanan says: “I think my slight concern was that we’re going back to the same place. We’re going back to the same cats. Are we going to go back to the same stories? And no, absolutely not. I mean I was startled at how things that were quite common in the first year, we see all the time, you didn’t see you didn’t see again,

“This series is a drama. And I suppose our job is just to capture that. This second series is a bit like The White Lotus[TV Drama}. There’s some similar characters, and there’s similar themes, but the stories are completely different.”

For Gordon, returning to cover the Lion pride was the highlight and he adds: “Filming 24/7 means surrendering to their world, working on their terms. The hours are long, the terrain unforgiving – deep sand, floodwaters, freezing cold nights or searing midday heat. You chase fleeting glimpses across vast landscapes and are often driven by nothing more than instinct. It’s physically and mentally gruelling. But when you finally catch ‘the’ moment, it makes everything worth it.

“Many lions don’t even make it to their second birthday so to see a lion you met as a vulnerable cub stride successfully and confidently towards adulthood is the most wonderful thing of all. There’s is nothing more beautiful than a lion cub giving life its best shot.”

This extraordinary, exclusive access to the cats’ lives is supported by the use of cutting-edge filming equipment: state-of-the-art thermal cameras, and the latest in drone technology, meaning the team can film the cats from the ground, the air and, uniquely, through the night. By following the cats around the clock, the team reveals yet more brand-new insights into their lives.

But fellow filmmaker Anna Dimitriadis didn’t wait long to be reunited with her beloved cheetah pal Pobe. “It’s every wildlife cinematographer’s dream to be able to go back to the same place and see characters that you filmed with before. But seeing her on the first day, it was like she was coming back to welcome us. It really felt like Pobe knew we’d arrived, and it felt like she was showing off because she had her two lovely little cubs as well. It basically felt like just seeing an old friend that I got to know really well. I mean, I got to know her very well. She’s actually tattooed on my arm now so she’s with me forever.”

Anna and Gordon worked alongside a team that also included Brad Bestelink who grew up in the Delta and Botswana born Tristen Woodward in the heart of big cat territory. And by the end of series two, Anna feels even closer to the cat and her routines which we will witness.

“I just know so much about her, and I could really predict her behaviour by the end, like I knew the exact kind of hunting style she was going to do. And I could predict exactly what we were going to see. It was really cool, when you start having that connection with an animal.

“This time, we saw another side. She was playful, tender and at times extremely vulnerable. Our time with her this year was a powerful reminder of how hard life is for a solitary cat. At every stage – whether still learning or in her prime – survival is a constant battle and every success is hard won.”

Meet some of the stars of the Delta…

POBE A smart, experienced and streetwise female cheetah; charismatic Pobe, now seven-years-old has a new family! She has two young cubs to take care of and though she is an experienced mother and superb huntress – already seen one cub, Neelo, to independence – the odds are stacked against her. Navigating Xudum island – now home to the largest lion pride in the world, and leopards round every tree – is no easy task. She knows when to run and hide and avoid danger, but with two innocent cubs in tow, she’s more exposed than ever.

XUDUM A remarkably relaxed and an impressive leopard; Xudum can confidently catch a meal leaping through the air (jumping from trees) or stalking on the ground. She is the resident female leopard followed by the team in Series 1, is now six years old and should have started a family. Unfortunately, after her tragedy witnessed by the team in 2023, Xudum is still to rear a cub successfully. Surrounded by dangerous male leopards (who will kill any cubs that do not belong to them), in series two Xudum must find a new, safer territory in which to make her home and become a mother.

BIG TOE & MADUMO So named due to a prominent digit on his paw, Big Toe is now eleven years old, ruling the Xudum pride alongside his sibling, Madumo, for the last six years. He’s a formidable lion, slightly leaner and wirier than Madumo, but no less formidable. Though he’s undeniably the more handsome of the two, he’s no pretty-boy; usually the first to get into a scuffle with intruders, or younger males in the pride.

Madumo – meaning “to roar” – is the other dominant male lions of the Xudum pride. Though he is bigger and heavier set, Madumo is the brains of the operation, while his coalition partner Big Toe is the ‘grafter’. But when required, Madumo has the muscle to be a powerful and commanding leader. He and Big Toe remain extremely close; most likely brothers from the same cohort of cubs, they make a strong and formidable partnership and over the past 6-years he and Big Toe have successfully protected the Xudum pride.

But as we start season two, both are now absent, where they are is unclear; and without their combined strength and new male lions circling, the Xudum pride’s females are under more pressure to protect their family than ever before.

MATHATA Trouble by name, trouble by nature! Mathata is the oldest cub in the Xudum pride – 18 months in age – and the rest of the youngsters seem to look to Mathata for leadership. But as Mathata (Magogo’s son) grows, will he cause trouble for his siblings, or will he rally them to make trouble for their enemies, and prey?

He is now ready to join his mother and aunts as they hunt and feed their family, but he has a lot to learn before he will start being a useful addition – his inexperience could be a hindrance.

LEDIBA The queen of stealth! Lediba is a small and subtle female leopard. She shows more patience in her stalking and variety to her diet, than any other leopard the team has seen on Xudum island. Lediba (10 years old) is also an experienced mother; previously raising cubs to adulthood and has two young cubs to provide for in series two. She will have to work hard to keep them safe from scavenging lions and unpredictable male leopards. For the team, getting to know Lediba’s character will take as much patience as she shows during each hunt!

MAGOGO At more than eleven years old, Magogo is likely the oldest female in the Xudum pride. She is an experienced, wise and powerful lioness and has successfully reared multiple generations of cubs, showing her skill as a mother. His son, Mathata, is the eldest cub in the Xudum pride, and a future pride male. Despite being eighteen months old, Mathata still relies on Magogo for food and protection against any intruding male lions – so Magogo still has her work cut-out to support him.

* Series Two of Big Cats 24/7 starts on BBC2 and BBC iPlayer on Friday February 27 at 9pm.

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