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STRANGER Things fans have been left shocked as they realise that show star Charlie Heaton has an 11-year-old son.

The actor, who turns 32 next month, portrays Jonathan Byers in the popular Netflix series – which recently came to a hotly-anticipated end.

And this week, Charlie has made a rare admission about his son, leading fans to only know find out he is a dad.

Charlie welcomed little one Archie in 2014, when he was just 20 years old.

He shares the youngster with ex-girlfriend Akiko Matsuura, who at the time was 32 – meaning the pair have a 12 year age gap.

In a new interview, Charlie said that Archie is finally reaching an age where he is getting into his dad’s show Stranger Things.

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“He has just started getting into it,” the actor told US outlet PEOPLE.

He continued: “He got to come to set last year and that was really cool.”

Charlie’s rare insight into family life has left fans online more shocked that he has a son.

Talking on a Reddit thread, one fan said: “SON??!!!????!! TWEEN!!?!!??????!!!??”

Another wrote: “I’m 33, about the same age the mother of his child was when she was with him and had their baby. I can’t even fathom being with an 18/19 year old like he was at the time”.

“The fact that he has an eleven year-old; I am speechless. I am without speech,” said a third.

While another fan wrote: “What in the actual f***?? I can’t with the ages of Charlie, his kid, and the mother”.

Charlie was in a relationship with Akiko when they were bandmates in rock group Comanechi.

The duo met when Charlie was a teenager and are thought to have split shortly after Archie’s birth, but it’s not known exactly how long the relationship lasted.

Charlie is now in a relationship with his Stranger Things co-star Natalia Dyer.

The duo fell in love on the show’s set and confirmed their romance back in 2017.

Radio 2 DJ Vernon Kay has spoken about meeting up with fellow Children in Need fundraisers has he spends more time looking back at his illustrious and eventful career

BBC Radio 2’s Vernon Kay fought back tears after opening up about a difficult time and admitted that the pain of his latest challenge was worth it for the amount of money they raised for Children in Need.

Children in Need is the BBC’s annual fundraising extravaganza and part of their fundraising efforts sometimes sees celebrities taking on gruelling physical challenges.

In 2023, Vernon Kay completed an ultra marathon, running 116 miles from Leicester to his home town of Bolton over four days. It comes after Vernon revealed a BBC legend brutally snubbed him over a stint on an ITV show.

Appearing on BBC Radio 2 at the end of his mammoth journey he told host Zoe Ball: “I’m absolutely exhausted, absolutely spent, physically, mentally. Is there anyone here who can replace a knee?”

Speaking about his work for Children in Need in 2026, Vernon talked about talking to fellow fundraisers Patrick McGuinness and Sarah Cox and how all three became emotional discussing what they’d done.

In 2025 Patrick completed a 300-mile cycling challenge for Children in Need whilst Sara Cox ran, jogged, and walked 135 miles over five days last year.

He told listeners: “I was with Patrick McGuinness and Sara Cox last night, yesterday afternoon, we were talking about Children In Need.

“Very emotional for all three of us I’ll be honest with you, every time each time one of us talked about what we’d done for children in need you could see us all welling up.

“But it’s not because of what we did but because of what you did, so once again thank you for that. The pain was worth it.”

This isn’t the first time Vernon has talked about important moments from his past as he recently looked back 29 years and shared a moment which he says changed his life.

The Bolton-born broadcaster said in a social media video discussing his modelling career and how it was getting scouted as a youngster that changed his life. His modelling work helped spark a career in broadcasting.

Following a stint as a magazine model Vernon, now 51, moved into presenting and went onto host shows such as T4, All Star Family Fortunes, and shows on BBC Radio 1 and Radio X.

Writing in a post on Instagram alongside a photo of himself, he said: “Dec96 Got scouted by @selectmodellondon @jameslnoel and it’s the day that changed my life! [heart emoji].

“Taking a look back at my modelling days….kind of a pivotal moment for me [crying laughing emojis]. This is the one picture people always throw at me but I don’t think it’s THAT bad. #BlueSteel.”

FORMER Little Mix star Jesy Nelson has spoken candidly about the ‘heartbreaking’ health challenges her twin daughters have faced.

The singer and campaigner has opened up about how her babies, Ocean Jade and Story Monroe, were failed to be diagnosed with Spinal Muscular Atrophy (SMA Type 1) despite numerous consultations with healthcare professionals.

In an interview on Sky News’ The UK Tonight programme, the former girl band star admitted that the condition was only picked up on when they were six months old – by her mum.

Although health visitors and GPs performed regular checks, the early symptoms of the rare genetic disease – specifically a lack of leg movement – went unnoticed.

The 34-year-old teared up as she explained her campaign for the UK to include SMA screening in the routine newborn heel prick test.

Speaking to host Sarah-Jane Mee, she said: “People are starting to take notice and take it seriously, but it never should have took for me to come along for it to be taken seriously and that’s the part that makes me feel so angry.

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“This isn’t just anything. This is a matter of life or death for someone’s child and who gets to decide that?

“Who has the right to decide whether my child is going to be in a wheelchair or not when we’ve literally had three life-changing treatments since 2018?

“The fact that it’s still a thing and we’re still having to scream and shout about it is just mad to me.”

She promised: “I will not stop on my socials talking about it. Trying to do as much TV… yes, it’s big but there’ll still be lots of other people that don’t know about this, so I’ve got to stay noisy.

Following a conversation with UK Health Secretary Wes Streeting, she admitted: “It is so difficult… it’s like, yes, I had that open and honest conversation with you and you said all the right things, but what are you going to do now?

“Now that I’m not in front of you, are you going to continue?”

She reflected on the missed opportunities during early check-ups and urged: “The fact that there were healthcare visitors around my house a lot and we took them to the GP and not one of them saw any of the signs.

“Thank God for my mum, because I dread to think what position I’d be in now if my mum hadn’t have said anything to me.

“It’s one of them things that I constantly go over and I have to sometimes stop myself from doing it because I will drive myself insane.”

Jesy added that the painful diagnosis has changed her outlook for her daughters’ future.

She said: “I don’t want people to think that if you’ve got disability that that defines you because it definitely doesn’t.

“But I’ll openly say if I could have it the other way, I definitely would. Why wouldn’t I want my children to walk and live a fulfilled life?

“I just pray that it does get changed and it does become part of the heel prick test, because the amount of heartbreak and hurt that I’ve had to endure, I’ll never be able to explain it.”

The Boyz hitmaker was previously diagnosed with twin-to-twin transfusion syndrome (TTTS).

The high-risk pregnancy included a 10-week hospital stay and life-saving emergency surgery.

The Brit Award-winner has launched a petition to force the Government to enforce a non- invasive £4 blood test at birth.

Symptoms of SMA depend on which type of condition, but the most common include floppy or weak arms and legs, as well as swallowing and breathing problems.

If untreated, the life expectancy of a baby with SMA Type 1 is two years and intervention is ­considered critical in limiting long-term impacts.

It could help avoid 33 babies a year left needing a wheelchair for life.

The former Little Mix star has had a tough time after she split from her fiance Zion Foster.

Jesy and Zion first began dating in 2022 after years of friendship.

In January 2025 they announced they were expecting identical twins.

The couple parted ways following the birth of their twin daughters, but remain close as co-parents.

As if they’d leave “Clueless” off the list.

Cher Horowitz fans, rejoice: Amy Heckerling’s 1995 teen comedy is one of 25 classic movies chosen this year by the Library of Congress for its National Film Registry.

And if “Clueless” wasn’t your jam — whatever! — maybe this will send you deep into your dreams: Christopher Nolan’s mind-bending “Inception” is in the mix. Other films chosen for preservation include “The Karate Kid,” “Glory,” “Philadelphia,” “Before Sunrise,” “The Incredibles” and “Frida.” There are four documentaries, including “Brooklyn Bridge” by Ken Burns. From old Hollywood, there’s the 1954 musical “White Christmas,” and the 1956 “High Society,” Grace Kelly’s last movie before marrying into royalty.

Since 1988, the Library of Congress has selected 25 movies each year for preservation due to their “cultural, historic or aesthetic importance.” The films must be at least 10 years old.

The oldest of the 2025 picks dates from 1896, filmmaker William Selig’s “The Tramp and the Dog.” The newest of the group is from 2014: Wes Anderson’s “The Grand Budapest Hotel,” which, the registry noted, involved “meticulous historical research at the Library of Congress to create visually striking scenery.”

Turner Classic Movies will host a TV special March 19 to screen a selection of the films.

A closer look at some of this year’s selections:

“The Tramp and the Dog” (1896): Once deemed lost, but discovered in 2021 at the National Library of Norway, Selig’s silent film tells the story of a tramp who tries to steal a pie from a backyard windowsill — and is foiled by a dog. The registry notes it’s an early example of “pants humor” — “where a character loses (or almost loses) its pants during an altercation.”

“The Maid of McMillan” (1916): This 15-minute “whimsical silent romance” shot by students at a drama club at Washington University in St. Louis tells the story of the track team captain, Jack, who’s in love with Myrtle, “a pretty coed,” according to the university’s library. It is known, the registry says, as the first student film on record.

“Ten Nights in a Barroom” (1926): A silent film featuring an all-Black cast, it’s based on a stage melodrama adapted from “Ten Nights in a Bar-room and What I Saw There,” an 1854 “temperance novel” written to discourage readers from drinking alcohol.

“High Society” (1956): In what the registry calls “the last great musical of the Golden Age of Hollywood,” Bing Crosby appeared with Frank Sinatra and Grace Kelly, in her last movie before retiring and marrying Prince Rainier of Monaco. Louis Armstrong appeared with his band. Kelly wore her Cartier engagement ring during filming, the registry notes.

“Brooklyn Bridge” (1981): Ken Burns’ first documentary broadcast on PBS, in which the filmmaker recounted the building of the iconic landmark. “More than just a filmmaker, Burns has become a trusted public historian,” the registry says.

“The Big Chill” (1983): Lawrence Kasdan’s era-defining story of a group of friends reuniting after a suicide features Glenn Close, William Hurt, JoBeth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly in an ensemble that “portrays American stereotypes of the time — the yuppie, the drug dealer, the TV star — and deftly humanizes them.”

“The Karate Kid (1984): The first film in the franchise, starring Ralph Macchio and Pat Morita, is “as American as they come,” the registry says — “a hero’s journey, a sports movie and a teen movie — a feel-good movie, but not without grit.”

“Glory” (1989): Denzel Washington won an Oscar as Private Trip in this story of the 54th Regiment, a unit of Black soldiers who fought in the Civil War. The cast also included Morgan Freeman, Matthew Broderick, Cary Elwes and Andre Braugher.

“Philadelphia” (1993): Tom Hanks starred — and won an Oscar — in one of the first big studio movies to confront the HIV/AIDS crisis. The film is also known for Bruce Springsteen’s Oscar-winning song, “The Streets of Philadelphia.”

“Before Sunrise” (1995): The first film of Richard Linklater’s deeply romantic “Before” trilogy, starring Ethan Hawke and Julie Delpy. The registry notes Linklater’s “innovative use of time as a defining and recurring cinematic tool.”

“Clueless” (1995): Heckerling’s teen comedy, starring Alicia Silverstone, was a loose adaptation of Jane Austen’s “Emma” and forever enshrined the phrase “As if!” into popular culture. The registry hails “its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism.”

“The Wrecking Crew” (2008): Danny Tedesco’s documentary — not to be confused with the 2026 buddy cop movie of the same name — looks at a group of Los Angeles studio musicians who played on hit songs of the ‘60s and ’70s such as “California Dreamin’” and “The Beat Goes On.”

“Inception” (2010): In a movie that asks whether it’s possible to influence a person’s thoughts by manipulating their dreams, Nolan “once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects.”

Noveck writes for the Associated Press.

Full chronological list of 2025 National Film Registry inductees

“The Tramp and the Dog” (1896)

“The Oath of the Sword” (1914)

“The Maid of McMillan” (1916)

“The Lady” (1925)

“Sparrows” (1926)

“Ten Nights in a Barroom” (1926)

“White Christmas” (1954)

“High Society” (1956)

“Brooklyn Bridge” (1981)

“Say Amen, Somebody” (1982)

“The Thing” (1982)

“The Big Chill” (1983)

“The Karate Kid” (1984)

“Glory” (1989)

“Philadelphia” (1993)

“Before Sunrise” (1995)

“Clueless” (1995)

“The Truman Show” (1998)

“Frida” (2002)

“The Hours” (2002)

“The Incredibles” (2004)

“The Wrecking Crew” (2008)

“Inception” (2010)

“The Loving Story” (2011)

“The Grand Budapest Hotel” (2014)

In “Vanished,” premiering Friday on MGM+, Kaley Cuoco plays Alice, an archaeologist, a fact she repeats whenever she’s asked about herself, without particularly seeming like one, apart from passing mentions of Byzantine caves and “one of the earliest examples of Christian worship” to make her sound professional. Sam Claflin plays Tom, who works for a charity organization dealing with Syrian refugees in Jordan; in a flashback we get to see them meet cute on a dusty Jordanian road, where he has a flat tire and no spare. Alice gives him a lift to camp; they banter and flirt after a fashion. He does something heroic within her sight.

They have been long-distance dating for four years, meeting up, as Alice describes it, “in hotels all over the world” where they “actually want to have sex with each other all the time.” Currently they are in Paris (in a $500-a-night joint — I looked it up). But Alice, now working in Albania, has been offered a job as an assistant professor of archaeology at Princeton, which would allow her to settle down with Tom in a school-provided apartment and “build a life that’s mine, not just uncovering other people’s.” After an uncomfortable moment, he signs on, saying, “I love you, Alice Monroe.”

Would you trust him? Despite the script’s insistence otherwise, Cuoco and Claflin have no more chemistry than figures on facing pages in a clothing catalog. Fortunately for the viewer, Tom disappears early from the action — ergo “Vanished.” The couple are traveling by train down to Arles, where another hotel awaits them, when Tom leaves the car to take a call and never returns; nor can he be found anywhere on the train.

This happily makes room for the more interesting Helene (multiple César Award winner Karin Viard), a helpful Frenchwoman who steps in as a translator when Alice attempts to get an officious conductor to open a door to a room he insists is for employees only, and rules are rules. (Is he just being, you know, French, or is something up?)

They meet again when Alice gets off the train not in Arles but Marseilles; after she has no more luck with police inspector Drax (Simon Abkarian), who insists a person isn’t missing until 48 hours have elapsed, than with the conductor, she’ll turn to Helene again, who has the advantage of being an investigative reporter. (She’s also been made diabetic, which has no effect on the action other than halting it now and again so she can give herself, rather dramatically, a quick shot of insulin. Like Drax begging off because he’s late meeting his wife for an Alain Delon double feature, it’s a tacked on bit of business meant to suggest character.) Together they’ll ferret out and follow clues, as Alice comes to realize that it takes more than the occasional gauzy romantic getaway to really know a person, and Helene gets closer to nailing a big story.

Directed by Barnaby Thompson, whose credits are mostly in producing (“Wayne’s World,” “Spice World”), and written by his son, Preston — together they made the 2020 film “Pixie” — the series begins with a flash forward in which Alice flees for her life out an upper-story window, signifying action ahead. And indeed, there will be, leading to a climactic scene I don’t suppose was meant to make me laugh, but did, magnifying as it does one of the confrontational cliches of modern cinema. Many of the series’ notions and plot points (though not that particular one) may be found in the works of Alfred Hitchcock — who, you may remember, made a film called “The Lady Vanishes,” from a train yet — though they have been given new clothes to wear. But where Hitchcock never waited long to show you when a character wasn’t what they seemed, that information is held on here nearly to the end, with some added twists along the way to keep you confused.

Cuoco (unusually brunet here), has been good in many things, most notably her funny, winning turn as Penny across 12 seasons of “The Big Bang Theory” and more recently as the hallucinating alcoholic heroine of the “The Flight Attendant,” but she feels out of joint here. She’s not well served by the pedestrian direction and dialogue, but comes across as a person playing a person, rather than as the person she’s playing. Perhaps by virtue of their accents, the French actors feel more real; France, as usual, looks great.

Renee Good and Alex Pretti were shot and killed this month in Minnesota. Silverio Villegas González was shot and killed in September in a Chicago suburb. Keith Porter Jr. was gunned down on New Year’s Eve in front of the Northridge apartment building where he lived.

All of them were slain by ICE agents.

In the past few months alone, America has repeatedly witnessed — from multiple angles and at varying playback speeds — groups of aggressive, twitchy, masked men conduct immigration sweeps on the order of President Trump and his Department of Homeland Security. The scenes are the stuff of nightmares, and even villainy.

After agent Jonathan Ross shot legal observer Good three times, including once in the head, he mumbled the expletives “f— b—” as her SUV drifted into a light post. Two weeks later, at least one ICE agent was seen clapping after Pretti was shot multiple times as he lay pinned on the ground.

If the intention of the Stephen Miller-run White House was to crush the resistance with violence, it has backfired. The number of protests in cities around the nation has grown in size and frequency. And local networks that offer instruction and training for how to legally observe ICE raids are proliferating by the day. In short, as ICE has ramped up its operations, so too has the resistance.

Now, a consortium of various civil rights and advocacy groups is calling for the largest anti-ICE demonstration to date, a national shutdown. “The people of the Twin Cities have shown the way for the whole country — to stop ICE’s reign of terror, we need to SHUT IT DOWN,” reads nationalshutdown.org. “On Friday, January 30, join a nationwide day of no school, no work and no shopping.”

Given the sense of urgency triggered by the invasive and deadly tactics of federal officers over the past few months, Friday’s planned shutdown could be huge. But unlike other major demonstrations, like the “No Kings” marches, it asks folks to take off work, school and stop shopping (yes, even online) in the name of democracy.

Taking time off work is not economically feasible for many Americans, especially given today’s affordability crisis (a concept that Trump believes was invented by Democrats). With that in mind, it may not be the most effective way to show solidarity with Minneapolis, Chicago, L.A. and other cities where a trip to Home Depot might include getting caught in an immigration raid. But it might be the safest option in an otherwise dangerously heated time, when peaceful protests are ending in violent killings.

We’ve been here before, even if the current images of killer goons in mismatched military gear might seem foreign and dystopian. Peaceful Civil Rights-era marches and protests often turned into bloody, brutal and murderous affairs, fueled by inhumane law enforcement tactics and vigilantes operating with impunity. But the majority of Americans — i.e. those who weren’t Black — didn’t see folks who looked like them slain by government agents who also looked like them. The naive notion that America protects its own has remained largely intact, until the current administration declared that anyone who’s not with them is against them.

Today, Washington’s on-high interpretation of Us and Them equals those who are pro-Trump (Us) and those who are not (Them). There are, of course, plenty of racist and bigoted caveats within that lunk-headed quotient, but generally, one side is dispensable while the other is not.

The Trump administration has characterized Pretti, who was carrying a concealed, permitted weapon at the time of his killing, as a domestic terrorist who essentially got what he deserved: “You cannot bring a firearm loaded with multiple magazines to any sort of protest that you want. It is that simple,” said FBI Director Kash Patel.

But when then-17-year-old Kyle Rittenhouse shot three #BLM protesters, killing two, at a 2020 Kenosha, Wis., demonstration decrying police brutality, he was — and still is —canonized as a hero by Trump and the right.

Historical data shows that when 3.5% of a population is actively involved in peaceful, sustained resistance, they can influence significant political shifts. Those numbers likely don’t differentiate between who makes it out of the peaceful protest alive and who emerges as a martyr for the cause. But one shouldn’t have to choose between exercising their 1st Amendment rights and making it home alive.

Bruce Springsteen released a new protest song Wednesday condemning “King Trump” and the violence perpetrated by his “federal thugs” — referring to immigration officers — in Minnesota.

“I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis,” Springsteen wrote on his social media platforms, sharing his new song, “Streets of Minneapolis.” “It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors and in memory of Alex Pretti and Renee Good.”

Good, a 37-year-old mother of three, was shot multiple times and killed by a U.S. Immigration and Customs Enforcement officer during an immigration raid on Jan. 7. Pretti, a 37-year-old ICU nurse at a VA hospital who had protested President Trump’s immigration crackdown and Good’s killing, was shot and killed by ICE agents on Jan. 24.

Both Minnesotans are memorialized by name in Springsteen’s new rock song, which describes the immigration crackdowns and the protests by those who live there. His scathing lyrics also denounce Trump advisor Stephen Miller and Homeland Security Secretary Kristi Noem for their statements following the killings, which were contradicted by eyewitness accounts and video.

“Their claim was self-defense, sir / Just don’t believe your eyes,” Springsteen sings with his familiar rasp. “It’s our blood and bones / And these whistles and phones / Against Miller and Noem’s dirty lies.”

Both Miller and Noem justified the shootings in the immediate aftermath. Miller called Pretti “a would-be assassin,” and Noem accused Good of committing “an act of domestic terrorism.” Videos later surfaced contradicting their statements.

Springsteen, who has long been an outspoken critic of President Trump, also calls out immigration officials for their racism and for claiming “they’re here to uphold the law” yet “trample on our rights” in his new song.

In a statement to the New York Times, White House spokesperson Abigail Jackson said that “the Trump administration is focused on encouraging state and local Democrats to work with federal law enforcement officers on removing dangerous criminal illegal aliens from their communities — not random songs with irrelevant opinions and inaccurate information.”

Multiple celebrities, including Olivia Rodrigo, Pedro Pascal, Billie Eilish and Hannah Einbinder, have also spoken out against ICE and the immigration crackdowns in Minneapolis.

Actor John Leguizamo, a longtime vocal critic of President Trump and his administration, says he’s showing a section of his social media following the door amid the federal government’s relentless crackdown on immigration.

The “Romeo + Juliet” and “Moulin Rouge!” acting veteran, who is Latino, on Wednesday issued a brief and blunt Instagram video message to followers who also support the immigration agency. “If you follow ICE, unfollow me,” he said in his post.

“Don’t come to my shows, don’t watch my movies,” he added. Leguizamo, an Emmy winner, captioned his post: “Abolish ice!”

The actor-comedian, also known for the “Ice Age” films and cult classic “To Wong Foo, Thanks for Everything! Julie Newmar,” is among the Hollywood stars vehemently speaking out against U.S. Immigration and Customs Enforcement and other federal agents amid recent killings. An ICE agent fatally shot Renee Good earlier this month in Minneapolis, where Border Patrol agents on Jan. 24 shot and killed Alex Pretti. An off-duty federal immigration agent fatally shot Keith Porter Jr. in Northridge on Dec. 31. They are among the 20-plus people who have died in a wave of aggressive immigration operations launched by the Trump administration last year.

Fellow actors also using social media to speak out against ICE and other federal immigration agents are Pedro Pascal, Mark Ruffalo and Ayo Edebiri. Musicians including Olivia Rodrigo, Bruce Springsteen, Lady Gaga, Katy Perry, Billie Eilishand Tyler, the Creator have also condemned federal officers.

White House border policy advisor Tom Homan said Thursday during a press conference that street operations in Minneapolis would wind down if agents were allowed into local jails instead and asserted the federal government was not backing down on its aggressive immigration agenda.

“We are not surrendering our mission at all,” he said. “We are not surrendering the president’s mission of immigration enforcement: Let’s make that clear.”

Staff writers Malia Mendez and Jenny Jarvie contributed to this report.

As is always the case, the Grammys this year will be dominated by pop, rap, country and rock. But the best races often lie in the less mainstream genres. Take best jazz vocal album, where Samara Joy, Dee Dee Bridgewater and Bill Charlap, Michael Mayo, Terri Lyne Carrington and Christie Dashiell and Nicole Zuraitis are competing for the honor.

The highly impressive group reflects the current state of jazz, where both young guns and veterans are combining to bring the music to a new swell of fans. To talk about the present state of jazz, The Times brought together 26-year-old Joy and 75-year-old Bridgewater. What followed is an incredible conversation on politics, race, equality and mutual fandom.

You both have had Grammy success. But is it still just as thrilling to be nominated?

Dee Dee Bridgewater: I can speak on that because I haven’t been nominated in years. And yeah, it’s a thrill when you’re nominated and you haven’t been and you’ve done something that your peers think is Grammy worthy. I don’t know about Samara, but for me, I don’t do any of my recorded projects with the intention of getting a Grammy nomination, which seems to be the goal of a lot of younger artists. So that me doing something that I just was trying to chronicle and because of this work that Bill and I have been doing off and on for the last few years, it’s like the icing on the cake. It’s wonderful.

Samara Joy: Agreed, when I say I’m just grateful to be here, like in this space, being able to talk about this in this way, I mean it. It wasn’t the intention behind making the music that I love to make with the people I love to make it with. And when kids come up to me and they say, “Because of you, now my goal is to be a Grammy winner.” I’m like, “You’ve already strayed way off course. We need to come back.” And realize that the accolades and the awards and the acknowledgment is beautiful because it’s coming from your peers and we’re celebrating each other. It’s amazing, it’s exciting, it’s wonderful. I’m grateful for it. But at the same time, the other 364 days of the year, we’re working and we’re touring and we’re performing because we love it. And it’s with the intention of seeing what else we can learn and express and finding new ways to do that. I’m grateful to be in the conversation, but also I’m using it even more as an opportunity to thank the people who support us and who listen to the music and who come to the concerts to say that that’s what I love. So, the fact that people have connected with it enough to acknowledge it on such a high level is amazing, but the love of it never goes away.

Bridgewater: Yes, I agree with that, Samara. When I do my work, because I like to call myself an artist who flies under the radar, I’m basically out there trying to bring joy to people. With the music that I do, I try to change up the projects depending on what is going on in the world or depending on what I’m thinking about and feeling about society and just trying to make a connection with people and be a conduit for the people and speak through the songs, things that I think will bring them joy or get them to think about some things that they are not wanting to say out loud. So, that’s what I’m doing right now. Then with my music, what I’m trying to do is bring more attention to women in jazz. For the last few years, aside from my occasional concerts with Bill [Charlap], I have been working with women. I have created a band. I call it We Exist! We are doing socially conscious music, some protest songs, and that is what I’m taking around the world. Generally, people come up to me and say, “Thank you so much for saying these things for us. We need to hear this.” My concern at my older age, now that I’m in my golden years, is the state of society and the world and this political crisis that we are in. So, I’m trying to speak about this in a way that people can hear it without getting on some kind of political bandstand and speaking in that way. I think that the world is in danger politically and I think our democracy is in danger. That’s my concern and that’s what I’m trying to do through my music. Also, I want people to see more women in the jazz space, and I think as an elder it’s almost an obligation of mine to lead that front and present this and present this image. I get many women that come up and say, “Thank you so much for doing this for women.” So, that’s where my head is right now.

Dee Dee Bridgewater

(Hernan Rodriguez)

How exciting is it to see that, of the jazz vocal nominees, four of the five are women?

Bridgewater: Yeah, and isn’t that wonderful? But I can say this, for vocal jazz, it usually is women. This has been the place where we have been allowed to shine as vocalists. It’s been for many, many years, the only place where we’re allowed to shine. So, when you get female instrumentalists besides Terri Lyne [Carrington] because Terri Lyne broke through in a period of when there were not a lot of jazz drummers, so that she worked with Herbie [Hancock] and she worked with Wayne [Shorter]. They gave her a platform that most women are not granted. Of course, also, one has to be extremely talented. And Terri Lyne can stand beside any man and hold her own and outdo many men. That’s not the point. The point is that she had that opportunity. They gave her that opportunity and then she’s been able to pay it forward. But to see instrumentalists like Lakecia Benjamin who has really come to the forefront as an alto saxophonist and to see her get Grammy nominations, that’s something that, for me, is huge.

Samara, talk about what you’re seeing in the scene today in terms of gender disparity and overall vibe.

Joy: I’ve had the opportunity to play with some amazing ones. I went to the Vanguard a few weeks ago and sat in with [Christian] McBride and Savannah Harris was on drums. I played with Alexandra Ridout, who is an incredible trumpet player as well. Although I understand the disparity in the current time and throughout history, I also understand that I might be living through a privileged time where I just kind of see women around me everywhere. So, I don’t understand what it’s like to be without it on the scene. I can read about the fact that maybe at a time saxophone was taking precedence over jazz vocals or with each era, there’s a new focus. But I guess on the scene now I’m proud to be able to see all of these wonderful women composers and instrumentalists stepping to the forefront.

Both of you have made music that is very uplifting as well. In these difficult times, music is something that can lift the spirits and bring people together. For each of you talk about making music that uplifts because there are so many great jazz standards that have the point of lifting up the world.

Bridgewater: I’m here in town at Birdland with Bill Charlap and we are doing songs from the American Songbook primarily and Duke Ellington. It has nothing to do with anything that’s going on today, politically speaking. Last night was our first show and the audience just loved it. So, there is that side that one can take. And I’ve been very apolitical. It’s just since the two Trump administrations and the Gaza war that happened and some other things that I’ve seen going on outside of the United States that have really incensed me that I felt the need to speak out in the way that I am, you know. But it is wonderful to go to a show and have people come to see a show and be able to completely lose themselves and be outside of what is going on for that span of time that they are with the artists. For the other side, when I do these socially conscious songs, people come and say, “Oh my God, thank you. I needed to hear that. I needed to hear someone.” Because my point at the end of my show is I say, “We the people have the power, we can’t forget that. We are the people that can motivate the change and protect our democracy because we see democracy being chipped away around the world.” I grew up in an era where there was a distinct difference between Black and white and I was not able to be served when I would go to sit at a lunch counter as a little Black girl. So, I’ve experienced both sides. My awareness is different than Samara’s and I feel the alarms. The alarm bells are just ringing for me. But when I come back and I do a show with Bill, sometimes it’s difficult for me to get into these sweet, innocent songs because they don’t have the gravitas that I’m experiencing doing a Nina Simone song like “Mississippi Goddam.” For me, artistically speaking, it’s been interesting to find a balance. Samara, you do these beautiful songs with that stunning voice of yours. Your take is totally different. And you’ve grown up in another era.

Joy: This is the first time in my life that I have not only been aware of what’s happening in the world but also feel compelled. Like, I have a responsibility to do something about it because I’ve never been so aware of what is happening around me as I am right now. I don’t know if that’s a good thing or bad thing but I just feel like, ”OK, I’m an adult and this is the world that I live in and I have a responsibility as one of the people living in this world to not only do something about it right now but do something for the next generation of people who are going to have to live in the world that results in what we do right now.” It’s scary. I don’t know how people do it, especially because it’s not as difficult right now. It’s not as difficult for me to say something that might have been for an Abbey Lincoln or Nina Simone or whoever. I’m also living in a sort of luxury in that way that I don’t have to speak out and be the only one who is doing so and then be proven right later. In that way, I’m like, “I have to because of all these women who have gone before me, who made that difference and who stood and didn’t get appreciated or thanked for it in the moment, have made it so that the world that I live in now, as crazy as it is, I’m able to have a platform in the first place and be able to lead some sort of charge — or at least spread some sort of message so that the world that we’re building for the ones who come later. It’s not just about me right now, it’s all interconnected.” It feels a little heavy, a little scary. I’m still trying to figure out where my voice fits.

Bridgewater: You know what, honey, I get that. When I was your age, I honestly was not at all concerned about politics and what was going on. I was concerned about my Blackness because I’ve experienced our people being named four different times. When I was a little girl, I was colored, then I was Negro, and when they said Black, I was incensed because your hair is black. Our skin is brown. But I understand where you’re coming from because you are coming up in a different time. And you are just beginning to navigate all of the politics, so you’re going to probably go through a similar kind of thing that I went through when I was young, and I concentrated on just writing my music and things that spoke to me. You’re fine where you are and you’re going to learn to navigate all of this in time and what I would hope for you is that you don’t feel a weight. We’re all going to feel this heaviness because of the situation that we’re in but as an artist, I want you to feel free to discover and do the things that you feel in your spirit and not feel led to do something because it’s what’s going on around you. You’ve got to continue to stay true to yourself, which you’ve been doing, which is wonderful. I’m at a different stage in my life. I’m in the last quarter of my life. I’m 75 and I’ve been through all of this stuff. I feel like I’m at a place where if I want to say something instead of not like I’ve done in the past, I’m going to speak my mind. I want to say this to Samara and I’ve said this to her before. But I am so proud of you and what you are doing. And you have a voice that the gods have blessed you with, Samara. At my age to be in the same space with you for the Grammys, I am so tickled. I love you so dearly. I truly do, and you know that. The times that we’ve been on stage together, it’s been wonderful for me. I want you to know that there are people who are your elders who, besides loving you like we do, we depend on you, Samara. You have been able to enter the space and bring jazz to the world in a way that we were not.

Joy: I love you too. I’m sitting here thinking about one of the first times I got the chance to see you perform at Blue Note. I was there with my professor at the time. I was so nervous, but I’m so honored to know you. I’m so honored to have loved you from afar and now get the chance to love you up close and honor you and appreciate you and shower you just as you have showered me.

If you were going to do one song together at the Grammys, what would you want to do?

Joy: “I Wish I Knew How it Would Feel to be Free,” [Nina Simone].

Bridgewater: That’s in my repertoire. I do that. That would be a great one, Samara. I’m on board. We would tear it up.

Ray J is under doctor’s orders to stay on bed rest, take all his prescribed medications and avoid drinking alcohol or smoking because of his damaged heart.

The R&B singer, who revealed this week that his heart is pumping at far below capacity because of damage from his heavy use of alcohol and other substances, shared those directives with TMZ in an interview published Thursday. Doctors told him he likely has only months to live, with the former “Love & Hip-Hop: Hollywood” star predicting that he would die by 2027.

Doctors told Ray J — real name William Ray Norwood Jr. — that he should prepare for the chance that he might need a pacemaker or defibrillator soon, the singer told the celebrity site. He expects to get an update when he goes back in two weeks for a check-up.

The brother of actor-singer Brandy said that if he manages to survive his current health crisis, he expects to emerge a “stronger and a better person.”

Ray J told followers in a video posted Sunday that he wanted to “thank everyone for praying for me.”

“I was in the hospital,” he said. “My heart is only beating like 25%, but as long as I stay focused and stay on the right path, then everything will be all right.”

He said elsewhere that his heart was beating at 60%. The number likely refers to Ray J’s heart’s ejection fraction, which measures the volume of blood coming out of the heart’s left ventricle or being drawn into the right ventricle when the heart beats. Right-sided heart failure is far less common, according to WebMD.

The man who was with Kim Kardashian in her career-launching sex tape said in other video livestreams that the right side of his heart was “black. It’s like done.”

“I thought I could handle all the alcohol, I could handle all the Adderall,” he said. Now, he told TMZ, he’s been taking eight different drugs, including Lipitor, Jardiance and Entresto, and physicians’ warnings for him to avoid smoking and drinking are a challenge.

Doctors have told him he has only months to live, Ray J said in his recent livestreams, and he believes he won’t last past this calendar year.

He is 45.

The BBC Breakfast presenter shared a major career announcement as he was supported by fans

Former BBC Breakfast presenter Ben Boulos has announced his new TV role, weeks after his exit from the broadcaster.

Ben recently shared his final day on the red sofa, saying: “Just before we finish, just to share a bit of news about me. It’s my last appearance on Breakfast for the time being, I am off to take a new job elsewhere.

“But I will miss this place, I will miss this programme a lot.”

Becoming emotional, he continued: “I have had the most wonderful time on Breakfast.

“I just want to say thank you to the brilliant teams that we work with and above all thank you to everyone watching at home for letting me be a part of your mornings.

“It has been a real pleasure and a privilege.”

The presenter had appeared on Business Live, Talking Business, BBC World News and more over the last 16 years, and has now confirmed his new role.

Taking to Instagram, he shared: “Here it is… Very excited that I can now share news about my new job with you all – and delighted to be joining the brilliant team @cnbcinternational @cnbc in London where I’ll be an anchor on #SquawkBoxEurope alongside Karen & Steve, 5 mornings a week. More details on how you can watch and when, coming soon. Cannot wait to get started!”

Ben joins Karen Tso and Steve Sedgwick in early February, as Julianna Tatelbaum begins maternity leave, a press release announced.

It read: “Together, Ben, Karen and Steve will cover the most important market-moving and complex stories of the day.”

“I am delighted that Ben is joining the CNBC International team,” Head of TV News for Europe, Middle East and Africa, Leonie Kidd said.

“His specialist knowledge of global business and economics, combined with years of experience presenting to audiences across the UK and worldwide, will be an incredible asset. Ben’s ability to make complex financial stories clear and engaging is exactly what we need as we continue to grow our coverage and connect with new audiences.”

Ben was showered in support from his followers, with one writing: “Wishing you the very best in this new chapter!”

Another said: “Congratulations! This is very exciting news! Good luck on the new adventure. Least you are used to those morning alarms!”

“Just wonderful. Well done,” a third wrote, as another said: “How exciting. You’ll be fabulous I’m sure.”

Ben had previously teased his new role on social media, saying: “After 16 years of working at the BBC I will be leaving at the end of this week. My last shift will be presenting BBC Breakfast on Sunday 11 January.

“I’ve had the most wonderful decade and a half here, working with many brilliant people, a lot of that time spent working in that building there, but of course, those of you with long memories will remember that my BBC journey started in Chelmsford at BBC Breakfast, then onto Look East, Five Live, before coming here to work at BBC World News, BBC News Channel, World Service Radio, and then of course Breakfast up in Salford, where I’ve been working for most of the last three years.

“However, it is time for a change, a new challenge, a new year. I’m leaving to go and take up a very exciting opportunity elsewhere.

“All I will say at the moment is that I will still be in broadcasting, I will still be presenting on television, but I will share more details about it with you soon.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

“But in the meantime, I just wanted to say, thank you for the messages and comments of support and encouragement over the past years, and a thank you for taking an interest and following me on here and I cannot wait to share the next chapter of my journey with you.”

He captioned the clip: “New year, new start, new challenge. A big change for me in 2026 and exciting times ahead!”

BBC Breakfast airs from 6am on BBC One and BBC iPlayer.

Alan Sugar’s iconic boardroom has seen some hugely talented business folk walk through his doors, whereas some The Apprentice hopefuls have been less successful…

Both outgoing candidates on The Apprentice insisted tonight Lord Sugar was wrong to fire them – with one businesswoman taking weeks to get over his decision.

To mark series 20 of The Apprentice, Lord Sugar sent his 20 candidates to Hong Kong, one of the world ’s most vibrant trading hubs, tasked with securing nine items at knock down prices. But both the male and female teams struggled with the unknown geography, tight deadlines and business basics.

After setting up the boardroom outside of London for the first time he sent Nikki Jetha and Georgina Newton packing, as their female team only bought two items, with half the team also almost two hours late to the finish line which led to further penalties.

Looking back, actress and events manager Georgina, 31, said: “I didn’t deserve to be fired. I think in the first episode, I probably contributed more than anybody on my team, and I think for the show, the person that contributes the least should go home. I thought I had a few more weeks, at least, left in me. I was devastated. I spent two weeks feeling sorry for myself but then I picked myself back up, put myself back together and then cracked on ready for the next thing. But I was really sad.”

However, it was not all bad news as Georgina got to travel long-haul for the first time in her life and insisted she had learned a great deal. She added: “I’ve been performing in theatre all of my life. I’ve always played a character, and I think for a lot of my life, I’ve hidden behind being somebody else, and being in this process, it’s the first time I’ve ever done anything just as Georgie. And I think what I realise the most from this is that I am enough just as I am. I can hold my own. I’m enough, and I think that’s a really lovely takeaway.”

Niki, who was project manager for the task and amongst those arriving late, insisted she should not have been fired because she led on the challenge for the unorganised female team. The 33-year-old said: “I did not get to show more of myself and what I’m capable of, but I definitely don’t feel defeated. You know, I stepped forward, I took a risk and I own the outcome.

“I was brave enough to stand up and take on a challenge during the first task. It was, you know, unfamiliar territory. Not knowing the process, let alone the country, and not having the internet and things like that. But I did the best I could do under the pressure, with limited information, and I’d rather be fired for stepping up than staying safe in the background. There’s a saying that ships are safest in the harbour, but that’s not what they’re built for.”

Laying into some of her teammates but refusing the name people she added: “There were some people who weren’t team players, and they didn’t contribute. You know, they spent more time complaining and moaning, as opposed to giving ideas and working out how we can push forward.”

Georgina now has a job selling items for brands on TikTok and hopes to land a job on a shopping channel whilst Niki is back at her old job and raising a family.

She concluded: “I’m doing exactly what I do best. I’m a mortgage advisor, I’m still advising my clients, growing my business and building my brand, but ultimately, I’m still a mum, family-focused, but I’m definitely not slowing down, and this is not the last you have seen of me.”

* The Apprentice continues on BBC1 and BBC iPlayer on Thursdays at 21.00.

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After Paul Dano came under unexpected fire from filmmaker Quentin Tarantino in December, the “There Will Be Blood” star received support from fellow artists including Daniel Day-Lewis and Ben Stiller. A month after the drama, he is now returning the love.

Dano finally publicly addressed Tarantino’s controversial comments at the Sundance Film Festival during a 20th anniversary screening of “Little Miss Sunshine.” Speaking to Variety, he said the groundswell of support “was really nice.”

Tarantino appeared on Bret Easton Ellis’ podcast in December to rank his top 10 films of the century. The “Django Unchained” and “Pulp Fiction” filmmaker placed Paul Thomas Anderson’s oil drama “There Will Be Blood” at No. 5 on his list, and said specifically Dano — not his performance — was the “big, giant flaw” in the Oscar-winning film. “There Will Be Blood” stars Dano as fiery preacher Eli Sunday and Day-Lewis as oil tycoon Daniel Plainview.

When the movie was released in 2007, former Times film critic Kenneth Turan praised Dano as “smoothly effective” and gifted. Clearly, Tarantino thought otherwise.

“He is weak sauce, man. He’s a weak sister,” Tarantino said, adding that he thought “Elvis” star Austin Butler (who was a teenager launching his career on Disney Channel and Nickelodeon when the movie came out) would have been a better actor for the part. “He’s just such a weak, weak, uninteresting guy,” he said.

Tarantino added: “You put [Day-Lewis] with the the weakest f— actor in SAG?”

A handful of Dano’s collaborators immediately defended him. “Escape at Dannemora” executive producer Stiller praised him as “brilliant” and Reese Witherspoon called her “Inherent Vice” co-star an “incredibly gifted, versatile actor” and a gentleman. Matt Reeves, Josh Gad, Alec Baldwin and Simu Liu also voiced their support for Dano, whose credits include Steven Speilberg’s Oscar-nominated “The Fabelmans,” Bong Joon Ho‘s “Okja” and Oscar-winning director duo Daniels’ (Daniel Kwan and Daniel Scheinert) “Swiss Army Man.”

“I was also incredibly grateful that the world spoke up for me so I didn’t have to,” Dano said at the Sundance screening.

Before Dano responded, though, Toni Collette (who played his mom in “Little Miss Sunshine”) chimed in, dismissing “that guy” Tarantino and speculating that “he must’ve been high.”

“It was just confusing. Who does that?,” she said, according to Variety. “Little Miss Sunshine” directors Jonathan Dayton and Valerie Faris also criticized Tarantino and praised their star.

During his podcast appearance in December, Tarantino also slammed Owen Wilson and scream king Matthew Lillard. In an interview with Entertainment Weekly published Wednesday, Lillard brushed off the shade and recalled the ensuing social media praise for his talents. “It was like living through your own wake,” Lillard told EW.

“All those R.I.P. emails or tweets and Instagram posts and TikToks, all of the things we see after somebody passes are so sweet,” he added. “And the reality is I just got to live through all of it firsthand — alive and kicking! I can’t imagine a more lovely reaction to what happened.”

BEFORE making his most ambitious album Cosmic Opera Act I, Labrinth reached a crossroads: Was he chasing fame or authenticity?

He says: “Am I on a journey to be famous or am I on another journey where creative fulfilment doesn’t always mean being super-successful?”

The album, he explains, came from choosing the latter — and finally being at peace with that decision.

Labrinth has had hits and won major awards since being discovered and signed to Simon Cowell’s Syco label in 2010.

I thought it was weird that I wasn’t obsessed with awards and accolades, and I questioned if I was in the right industry

Labrinth

These include MOBO and Brit Awards for collaborations with Tinie Tempah, an Ivor Novello, an Emmy for his Euphoria soundtrack, alongside Grammy nominations for work with The Weeknd, Beyonce and Billie Eilish.

Chatting on a video call from a studio in LA, the singer and producer says: “There were moments in my career where I found myself more focused on novelty and gold.

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“There are artists who want to be at the Grammys in three years — that’s their focus. They want to be successful and famous within a certain time and organise all of that in their head.

“For me, I was more focused on the music than the fame. I’d be obsessed with a guitar sounding like a Chuck Berry record and I started to question if I was in the right place. Should I be chasing success?

“I thought it was weird that I wasn’t obsessed with awards and accolades, and I questioned if I was in the right industry.”

On his recent single, the hip-hop confessional Implosion, Labrinth says: “I was losing my mind. It was ripping away from my ego.

“When you taste success, it’s an addictive drug, and you don’t know you’re obsessed. It’s chasing dopamine. You don’t know you’re addicted until you try to pull away.

“If you need success to be validated or to be fulfilled, then there’s something wrong. And that’s where the implosion for me was. I needed to evolve beyond these urges and needs. Then I got an ADHD diagnosis and everything made sense.”

That was two years ago, when the artist born Timothy McKenzie finally got an answer that explained his behaviour.

He says: “I was lucky and went to see a doctor in the US.

“It can take months, even years, to get answers. I went to see Dr Amen, who is a celebrity doctor, and he did a scan of my brain.

“He could literally point things out like where I’d hit my head when I was ten. He did a real deep dive into how my brain works. And after that, it allowed me to be a lot more forgiving with myself.”

The idea for Cosmic Opera Act I came from the inner turmoil Labrinth had experienced with his mental health in the entertainment business while trying to define his own success plus his love for films like Star Wars.

“I still haven’t been to an opera — I know that sounds insane,” he says with a laugh.

“The opera is connected to drama and deep emotion.

“Then the cosmic part was after reading an article which said there are as many connections in our brain as there are stars in our universe.

“So that was the perspective of the title — with mental health the subject.

“I’ve always been a fan of opera from a distance, and I’ve always enjoyed the idea of exploring it.

“Also, I grew up with films from the Eighties like Indiana Jones and Star Wars. Those film scores stuck in my mind and I wanted to make an album that incorporated and explored their sound.

“Of course, me working in film and TV pushed me further into that direction.”

I wrote that song to show how I had evolved from the pain and confusion about my dad. I looked at myself as being a mini Luke Skywalker coming out of his demons

Labrinth

Labrinth’s love of Star Wars was also the inspiration behind one of the many standout songs on the album, S.W.M.F. (Star Wars Motherf***er), the singer feeling at peace with his demons.

It was a battle that helped him agree to soundtracking the Christmas John Lewis advert, a remake of 1990 rave classic Where Love Lives with original vocalist Alison Limerick.

“The John Lewis song was the finish line of dealing with demons for me — which was my relationship with my father.

“The John Lewis storyline was about a father and son’s relationship, so me doing the ad was like me saying, ‘Hey, Dad, I get it’.”

He adds: “Our relationship wasn’t great. My dad, who has passed, was violent and not present. He’d had a horrible childhood with an extremely violent stepfather, and that affected the way he was a father to me.

“I saw him occasionally. He was a bit of a ladies’ man, and I don’t think he knew how to be present enough for me as a kid. He didn’t do stuff like taking me to the park or giving me advice.

“Also, he was violent with me, trying to knock me for six when I was very young.

“So I had to face those demons and it made me think about my own anger or frustration. But when I look back, I feel pity for him, because he didn’t have the tools that I have today.

“It was the same with ADHD — I wanted to understand my brain and the way it works, so that I could be the best father I can be to my three young kids. And, in that journey, it made me think of my dad compared to my relationship with my kids and the moments they needed me — because I never had that.

“So I wrote that song to show how I had evolved from the pain and confusion about my dad. I looked at myself as being a mini Luke Skywalker coming out of his demons.”

God Spoke is a special gospel-influenced track inspired by Labrinth’s struggles with religion.

He says: “I grew up very religious. My grandad is a reverend and my mum is a devout Christian. She came over for Christmas to be with her grandkids, and we had loads of talks about religion.

I had a really bad temper. I would be kicked out of class all the time and I’d end up in the music room

Labrinth

“I’m spiritual, but I don’t follow a practice. I have all the respect for those who do follow a religion but I see God as unlimited and infinite and in a lot more places than a room or a structure — that’s why, to me, it’s bigger than one religion or one place.

“So God Spoke is like a homage to my grandad. When I was a kid, a lot of people would come to church for redemption. So I wrote that I’m at the end of being the old me, and I’m ready to grow and morph into the new me.”

Burn out

Labrinth says music was his saviour as a child and he would spend hours making music after being excluded.

“I got in a lot of trouble at school,” he says.

“I had a really bad temper. I would be kicked out of class all the time and I’d end up in the music room.

“Eventually it got to the point where I would get in trouble purposely, just so I could go there, because it was the easiest place for me to be, and the most peaceful.”

Labrinth says there is still not enough help with artists and their mental health in the entertainment industry.

He says: “RSD — Rejection Sensitive Dysphoria — is associated with ADHD and there are many artists in the music industry with this.

“Artists don’t learn how to manage their careers or their mental health. When they get a deal, they can burn out because they don’t have the tools to support the way their brain works.

“A lot of artists can end up in drug abuse, because they don’t have the skills to deal with a song not working.

“There isn’t a support system in the music industry — and it’s needed.”

In April Labrinth will take Cosmic Opera Act I to Coachella festival in California.

He says: “I am still working on how that looks, because it’s not cheap to do what is on the record. But I have big ideas and big visions for how I want to present the music and what I want to explore sonically.”

The Hackney-born star last played the festival in 2023 and was the talk of the weekend, with surprise guests Billie Eilish and Zendaya — in her first live show in over seven years, performing I’m Tired and All For Us from Euphoria on the second weekend.

“Zendaya was not planned at all,” says Labrinth. “Billie was the first week but Zendaya, who was on a film set, said she couldn’t make it.

“Then she called me to say she was going to Vegas to watch Usher and would be passing by. So it was literally last minute.”

Labrinth is looking forward to working on the score for Euphoria season three because Oscar-winning composer Hans Zimmer has joined the show’s production team.

He says: “The show is special because it speaks to the language of this era. That’s what inspired me.

“And this time, having Hans Zimmer involved — an experienced genius — makes a difference. I’ve always wanted to work with him, so this is my chance to do so.

If I could work with anyone next I’d say David Attenborough

Labrinth

“Gladiator was the film that got me on to Hans, and True Romance is another I love.

“He and Beyonce picked my song [Spirit] for Lion King so then I was like, ‘Well, I need to meet this guy’. It seems like life is trying to pull us together.”

Labrinth has learned a lot from working with superstars.

He says: “Beyonce has been a fan for a long time, because she’s checked out a lot of my records. She’s very kind, and treats people with respect, and is a real professional.

“Abel [The Weeknd] was like an animal in the studio. He knows what he wants and then it goes crazy when he releases something.

“If I could work with anyone next I’d say David Attenborough. I know he’s not a musician, but I love his voice and I’ve always wanted to put him on a record. Morgan Freeman and him — their voices are musical instruments to me.

“But next I’m in London working with Skepta. The UK has some special artists and I’m dying to get over there to perform.”

LABRINTH Cosmic Opera Act I

★★★★☆

KATIE Price has cancelled her podcast after her shock wedding to Lee Andrews and being told to ‘run a mile’ from her ‘swindler’ new husband by his ex. 

New episodes of The Katie Price Show podcast – which the 47-year-old hosts with younger sister Sophie, 36 – drop every Thursday. 

But Katie’s sister Sophie took to social media to announce that an episode would not be dropping today.

“Hi guys, how are you all? I know you’ve all been chomping at the bit to find out what has been going on. All our DMs have been going off,” she began in her video address.

“Let’s just say, it’s been one hell of a week. We have done over a 100 episodes of the podcast which sounds absolutely nuts when it’s just me and Kate doing our b*s chat.

“We will back next week as normal and we will be able you guys on what’s been going on. It will be business as usual,” she signed off.

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No doubt fans will be disappointed at not getting an update on married life from Katie, after she tied the knot with Lee, 41, in Dubai last weekend – allegedly just days after meeting. 

Shortly after the wedding The Sun exposed him as a fantasist who lied about his career and faked celebrity links with AI-generated photos.

We also told this week how Lee had proposed to fitness enthusiast Alana Percival four months ago — in exactly the same way.

And now Alana has urged Katie to proceed with caution.

She took to social media to post photos of her on a beach holiday.

But her caption came with a serious message, which read: “Catching flights not fiancés – lucky escape.

“Somebody with your ex right now thinking they found The One,” while tagging Katie in the post.

Alana added: “More to come today’s news is just a warm up.”

She then followed up with an Instagram post as she slammed her ex for his behaviour during their brief relationship.

She claimed: “This man had me shrinking myself, making me not want to speak up.

“Telling me not to speak to my friends about how he acted because they all told me to leave him.

“He even ruined some of my friendships, pulled me away from people I love by protecting him.”

She continued: “Made unlimited promises making me look as bad as him because I was on his side.

“Finally I get to speak freely and tell you all.

“I hope Katie listens, I wish I had listened to all the others that warned me.”

She added: “Please ladies if you experience anything like this run a mile and more. Keep running.”

PHOTO op queen Sydney Sweeney appears to have gone all camera shy — but then it was all an act to promote her underwear range.

The Euphoria actress, 28, chose a paparazzi-theme to show off the Seduction Bra and String You Along thong from her brand Syrn.

Another photo showed her in a fantasy lace halter bodysuit.

And fans appear to be falling for the hype.

One would-be buyer on social media was disappointed to find it was sold out, adding: “So sad.”

Another commented: “How is it all gone already?”

Read more on Sydney Sweeney

perfect model

Sydney Sweeney sizzles as she strips off to lace thong, bra & suspenders

Among the items which were snapped up was the $89 fantasy lace halter bodysuit and the “String You Along” lace thong costing $19.

Sydney previously revealed Syrn will offer designs split into four “personas” — seductress, romantic, playful and comfy — with 44 sizes between 30B and 42DDD.

She said: “The secret is finally out . . . this is lingerie you wear for YOU, no explanation, no apology.

“I wanted to create a place where women can move between all the different versions of who we are.

“I love working on cars, I go water skiing, I’ll dress up for the red carpet then go home to snuggle my dogs.

“I’m not one thing, no woman is.”

ACTRESS Margot Robbie hits a Hollywood height at her new film’s premiere — wearing a £6million necklace once owned by Elizabeth Taylor. 

The Taj Mahal diamond is a heart-shaped gold pendant set in jade and hanging from a gold, ruby and diamond chain made by Cartier. 

It was given to Elizabeth by fifth hubby Richard Burton for her 40th in 1972. 

Margot wore it to the world ­premiere of Wuthering Heights in Los Angeles, where she was earlier joined by co-star Jacob Elordi and singer Charli XCX, who recorded the film’s soundtrack. 

The actress, Cathy in the adaptation of Emily Bronte’s 1847 novel, said the necklace was poignant as it had “a lot of romantic history”. 

She said: “It’s our big Hollywood world premiere — we’ve got to go all out. 

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“This is Elizabeth Taylor’s necklace. It’s the Taj Mahal diamond that Richard ­Burton gave to her. 

“There’s something kind of Cathy and Heathcliff about ­Richard Burton and Elizabeth Taylor in my mind, so it felt appropriate.” 

The diamond was created for a 17th century Mughal emperor who ­commissioned the Taj Mahal.

It was later acquired by Cartier, with Burton buying it from them to give to Elizabeth. 

Following her death in 2011, it was sold at ­auction for £6million to an anonymous buyer. 

ONE of the UK’s most celebrated rock bands has been officially confirmed to perform at the Brit Awards alongside major stars.

The indie band, joining Harry Styles and Olivia Dean, is none other than Wolf Alice.

They were the first band confirmed by the BRIT Awards 2026 with Mastercard and it could be a huge night for them.

Wolf Alice are up for three exciting awards including, Group of the Year, Alternative/Rock Act and Mastercard Album of the Year for their fourth studio album ‘The Clearing’.

Their newest album debuted last August and was a huge hit with fans, reaching number one upon release.

Theo Ellis, Wolf Alice’s bassist, said: “We’re truly honoured to get the opportunity to play this year’s BRIT Awards!

‘robbed’

Little Mix fans in tears as Wolf Alice beat them to Best Group at the Brit Awards

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“Can’t wait to see what everyone’s wearing, can’t wait to see who else is playing, can’t wait to have ten mini wines (after we play).

“Most of all can’t wait for a big night out in Manny. Make sure to tune in and watch it all live on the telly.”

The band recently announced a huge summer show at Finsbury Park on 5th July, where they will be joined by The Last Dinner Party, Lykke Li, Rachel Chinouriri, Keo, and Florence Road.

Wolf Alice had a jam-packed year in 2025 from performing at Glastonbury in the summer to launching a huge global tour for their newest album.

The band travelled across North America, Europe and the UK from September to December and it seems they’re not slowing down anytime soon.

Comedian Jack Whitehall will be back on Saturday, 28 February to host The Brit Awards as it debuts at its new Manchester home.

Last week, the nominations were announced for this year’s awards and leading the charge for 2026 are Olivia Dean and Lola Young with five nominations each.

Sam Fender follows closely behind with four nominations following his Mercury Prize win last year.

Other British artists up for awards this year include Lily Allen, Calvin Harris, JADE, Ed Sheeran, Little Simz, PinkPantheress, RAYE and Skye Newman.

The public vote for Song of the Year with Mastercard and International Song of the Year open tomorrow at midday only via Whatsapp.

Information on the vote can be found here.

The Brit Awards will be available to stream exclusively on ITV and ITVX.

They’ve spent the last four summers in searing heat but next year they won’t be needing to pack a bikini or trunks

Amanda Holden and Alan Carr will return with a fifth series of their hit BBC1 property renovation show next year – but this time it will have a very different feel.

Because while the shows have so far been set under the hot Mediterranean sun in Italy, Spain and Greece – the next one is going to be a lot chillier. For the first time, the pair will be taking their lump hammers and hard hats and heading to Scandinavia.

Alan told the Mirror: “The producers are looking at Sweden or Norway for the next one. I think maybe it will be an eco-house up there. It will probably be an igloo or something, knowing them.” He said that moving the popular programme to a different landscape within a Nordic country was a very good idea. “I think there’s only so many times you can sort of look at a tile in the heat and go, ‘You need this…’” he laughed.

READ MORE: Dalziel and Pascoe getting a reboot on ITV after nearly two decades off airREAD MORE: Alan Carr felt ‘underestimated’ in The Traitors as new series dubbed ‘Bake Off with brains’

“And actually, I’m never going to be like Handy Andy, but I do know how to use a drill now – so it just feels like I do need another challenge. It will be something very different. We’re excited. And it will be so nice to not be working in the searing heat.”

The series kicked off with The Italian Job, which filmed in the summer of 2022 in 40 degree temperatures. It was similarly sweaty in Tuscany the following year, and again in Andalusia for The Spanish Job in 2024. And there was no respite from the heat of high summer during filming on The Greek Job, currently entertaining 4million viewers every week, which was filmed in Corfu last summer.

But the temperature in the north of Norway during July can be just 10 degrees, and while further south it tends to be around 20 degrees – the same as the average Swedish temperature – the experience is guaranteed to be far fresher for them next time around.

In the show, which always airs on BBC1 from January, the pals don boiler suits and grab power tools to renovate and decorate a dilapidated property which is then sold off, with all profits going to the BBC charity Children in Need.

The new project is likely to focus on using natural and sustainable materials to create a well-insulated and energy efficient home which respects the local landscape. It may involve solar panels or a green moss roof, plus plenty of timber.

The Italian properties featured on the series each cost just 1Euro to buy, then sold for £125k and £185k respectively. The Spanish house also made a tidy profit, having been bought for £55k and sold for over £200k. “That’s good, because the money goes to charity as well, so it’s really positive,” Alan said. One reason that the filming location needs to stay within Europe – rather than moving further afield – is so that Amanda, 54, can travel back and forth to present her Heart Radio breakfast show.

Alan and Amanda were both delighted when the production team chose Corfu for the current run, because it is a regular holiday destination for Amanda and her family, and Alan, 49, has even joined them there.

But when they arrived on the idyllic Ionian island ahead of filming, they were horrified by what they found. “It’s a dump,” Alan lamented about the house, while Amanda agreed it was “definitely the worst” they had encountered. Nevertheless, they soon set about turning it into a dream family escape, with their efforts on display in the final two episodes from Friday.

The pair believe that the secret of their success is that “we muck in and we encourage each other”. Alan has told how, after four years, he’s even started to have fun while knocking down walls. “I have got much better,” he said of his skills earlier this month. “I was thinking, the latter end of The Greek Job, I was actually enjoying it, and I’ve never, ever enjoyed DIY.”

They said that making the series had deepened their friendship and they now texted each other on a daily basis. “We are the same,” Amanda explained. “We laugh at the same stuff. The worst time was when he was filming The Traitors and I didn’t hear from him for three weeks. I knew he must have done quite well because he was gone for so long.” After seeing Alan’s triumph on The Celebrity Traitors, Amanda is now in talks to take part in the next series later this year.

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Rebecca Loos has spoken for the first time after Brooklyn Beckham furiously hit out at his relatives, who he claims always put the brand of the family before anything else

Rebecca Loos has hit out at “brand Beckham” and thrown her support behind Brooklyn. Earlier this month, following years of speculation, Sir David Beckham and Lady Victoria’s eldest child took to social media to furiously dismiss his relatives and explain that he has no intention of reconciling with them.

Brooklyn, 26, claimed that his famous parents would always put the family’s image before anything else, and he’d had enough of staged social media posts. But now, Rebecca Loos, who claims to have had an affair with Sir David, has spoken out and thrown her support behind the wannabe chef.

In a new TV interview, Rebecca has spoken out and claimed that the Beckham fall-out is “validation” for what she endured after going public with her alleged affair. “Suddenly you’re part of a big PR war,” she said.

READ MORE: ‘I’m a celebrity agent – Victoria Beckham has done something Meghan never could’READ MORE: David Beckham issues public message to Marc Anthony after pivotal role in Brooklyn spat

Rebecca, 48, went on to add: “In a very small way, this is, of course, validation for what I said and came forward and said 22 years ago. Brooklyn is basically confirming inauthentic relationships, value of promotion, endorsements above all else, and that it’s all focused on brand Beckham, and that that’s all that matters.”

In Brooklyn’s scathing Instagram post, he also claimed his mother danced “very inappropriately” on him during his wedding reception after tying the knot with Nicola Peltz in 2002. He fumed: “My mum hijacked my first dance with my wife, which had been planned weeks in advance to a romantic love song.

“In front of our 500 wedding guests, Marc Anthony called me to the stage, where in the schedule was planned to be my romantic dance with my wife but instead my mum was waiting to dance with me instead. She danced very inappropriately on me in front of everyone. I’ve never felt more uncomfortable or humiliated in my entire life.”

Responding to this, Rebecca said in a new 5 documentary, The Beckham Feud: Truth & Lies: “Whether it came from her or whether it was Marc Anthony is beside the point because it shows a lack of awareness for other people’s feelings.

“I think any other mother would’ve read the room and understood this is awkward and probably said, thank you for the compliment, but the most beautiful woman in the room is Nicola, Nicola, please take this dance.

“Or at least if the mother had had a few too many glasses of wine and was unable to read the room, maybe the husband or the father would then have maybe stepped in and maybe grabbed Nicola, twirled her around and then swap partners to let her have the dance.”

It was in 2004 when Loos claimed she’d had an affair with Beckham while working as his personal assistant. Both David and Victoria strenuously denied the claims, but Rebecca continued to share what allegedly happened.

While she faced backlash for selling her story, Rebecca revealed several years ago that she felt as though she had to share the “truth”.

She told Closer magazine: “I just felt the need to be truthful. Whether you’ve done something that’s right or wrong, it was kind of just eating me up. I was living a lie and keeping secrets.”

The Beckham Feud: Truth & Lies airs at 9pm Sunday 1^st February on 5

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

“I have been silent for years and made every effort to keep these matters private.

“Unfortunately, my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.

“For my entire life, my parents have controlled narratives in the press about our family.

“The performative social media posts, family events and inauthentic relationships have been a fixture of the life I was born into.

“Recently, I have seen with my own eyes the lengths that they’ll go through to place countless lies in the media, mostly at the expense of innocent people, to preserve their own facade.

“But I believe the truth always comes out.

“My parents have been trying endlessly to ruin my relationship since before my wedding, and it hasn’t stopped.

“My mum cancelled making Nicola’s dress in the eleventh hour despite how excited she was to wear her design, forcing her to urgently find a new dress.

“Weeks before our big day, my parents repeatedly pressured and attempted to bribe me into signing away the rights to my name, which would have affected me, my wife, and our future children.

“They were adamant on me signing before my wedding date because then the terms of the deal would be initiated. My holdout affected the payday, and they have never treated me the same since.

“During the wedding planning, my mum went so far as to call me ‘evil’ because Nicola and I chose to include my Nanny Sandra, and Nicola’s Naunni at our table, because they both didn’t have their husbands.

“Both of our parents had their own tables equally adjacent to ours.

“The night before our wedding, members of my family told me that Nicola was ‘not blood’ and ‘not family’.

“Since the moment I started standing up for myself with my family, I’ve received endless attacks from my parents, both privately and publicly, that were sent to the press on their orders.

“Even my brothers were sent to attack me on social media, before they ultimately blocked me out of nowhere this last Summer.

“My mum hijacked my first dance with my wife, which had been planned weeks in advance to a romantic love song.

“In front of our 500 wedding guests, Marc Anthony called me to the stage, where in the schedule was planned to be my romantic dance with my wife but instead my mum was waiting to dance with me instead.

“She danced very inappropriately on me in front of everyone. I’ve never felt more uncomfortable or humiliated in my entire life.

“We wanted to renew our vows so we could create new memories of our wedding day that bring us joy and happiness, not anxiety and embarrassment.

“My wife has been consistently disrespected by my family, no matter how hard we’ve tried to come together as one.

“My mum has repeatedly invited women from my past into our lives in ways that were clearly intended to make us both uncomfortable.

“Despite this, we still travelled to London for my dad’s birthday and were rejected for a week as we waited in our hotel room trying to plan quality time with him.

“He refused all of our attempts, unless it was at his big birthday party with a hundred guests and cameras at every corner.

“When he finally agreed to see me, it was under the condition that Nicola wasn’t invited. It was a slap in the face.

“Later, when my family travelled to LA, they refused to see me at all.

“My family values public promotion and endorsements above all else. Brand Beckham comes first.

“Family ‘love’ is decided by how much you post on social media, or how quickly you drop everything to show up and pose for a family photo opp, even if it’s at the expense of our professional obligations.

“We’ve gone out of our way for years to show up and support at every fashion show, every party, and every press activity to show “our perfect family.”

“But the one time my wife asked for my mum’s support to save displaced dogs during the LA fires, my mum refused.

“The narrative that my wife controls me is completely backwards. I have been controlled by my parents for most of my life. I grew up with overwhelming anxiety.

“For the first time in my life, since stepping away from my family, that anxiety has disappeared. I wake up every morning grateful for the life I chose, and have found peace and relief.

“My wife and I do not want a life shaped by image, press, or manipulation.

“All we want peace, privacy and happiness for us and our future family.”

As the Sundance Film Festival winds down its final edition in Park City, Utah, this week, ahead of its move to Boulder, Colo., next year, its sway over the nonfiction field at the Oscars remains as steady as ever. All five current Academy Award nominees for documentary feature premiered at last year’s festival, with Sundance films winning the category six times over the last decade.

“Sundance has been a kick-starter for my entire career,” says Ryan White, director of “Come See Me in the Good Light,” his fourth film to premiere at the festival. The intimate portrait of Colorado poet laureate Andrea Gibson, who faces a terminal diagnosis with a spirit of resilience, needed the boost. “The lead words are poetry and cancer, and it’s a character-driven film about a non-binary person,” White says. “It wasn’t the easiest film to get off the ground.” A similar challenge could apply to other nominees, including “Mr. Nobody vs. Putin” and “Cutting Through Rocks,” which focus on everyday individuals taking on oppressive systems in Russia and Iran, respectively. “There are the types of films that can get lost because they’re not about a celebrity, and they don’t have these marquee descriptors. Sundance does such an amazing job of discovering these diamonds.”

Andrea Gibson, left, and Megan Falley in “Come See Me in the Good Light.”

The exposure at the start of the film festival season “gives you that one-year runway that allows you to play festivals all year long,” says White, who was back at Sundance to celebrate the end of an era. He also knows the pain of not making the cut. “My first two films didn’t get into Sundance, and then my third one did. I’m always telling young filmmakers to use the Sundance rejection as fuel.”

A festival berth was strong motivation for “Mr. Nobody” filmmaker David Borenstein, who collaborated with his subject, a schoolteacher near the Ural Mountains named Pavel (“Pasha”) Talankin, as he quietly documented Russian propaganda efforts to rally his young students around the war in Ukraine. “That was the goal the entire time making this film,” says the director, an American based in Copenhagen. “I never thought once about anything after Sundance.” When the Danish Film Institute submitted his film as the country’s entry for the international feature Oscar, he had a new goal. “We were the last to start campaigning because we didn’t have a streamer behind us.”

Borenstein interrupted a family vacation in the Dominican Republic to return to Sundance for meetings and figure out next steps. “Forget winning or losing,” he says. “You have six weeks where you have a voice, where Pasha has a voice. How do you use it?” Talankin, who fled his home — first for Turkey, then the Czech Republic — is, for the moment, no longer “Mr. Nobody,” but as Borenstein notes, “He sacrificed his whole life to do this.”

Iranian American filmmakers Mohammadreza Eyni and Sara Khaki were well into the eight-year production of “Cutting Through Rocks” when they became recipients of a 2020 Sundance Documentary Fund grant. “The timing was perfect and we really, really, really needed that support,” says Khaki, joining Eyni on a video conversation from Park City, where their film won the Grand Jury Prize in the world cinema category last year. “Sundance is something beyond only the festival for us,” Eyni says. “It’s more about persistence as a filmmaker and the cinematic approach to the stories and sense of community.”

“Cutting Through Rocks” follows Sara Shahverdi, the first woman elected to the council of her northwestern Iranian village, as she challenges the practice of child marriage and other patriarchal norms and empowers young women by showing them how to ride motorbikes, as she does herself. The message of resistance feels relevant worldwide, but most urgently in Iran, where estimates of deaths during recent protests top 30,000 people. “We want small stories and anecdotes to remind us that we can bring change,” Eyni says, “even when it’s tough, even when it seems impossible.” Although the film is the first documentary from Iran to be nominated for an Oscar, the news has been hard to share there because of the government’s weeks-long internet blackout.

“We are experiencing a lot of complex emotions,” Eyni says.

Sara Shahverdi, the subject of Oscar-nominated documentary feature “Cutting Through Rocks.”

(Gandom Films)

Sundance thrives on exactly those kinds of feelings. The dramatic premiere of “Come See Me in the Good Light” was, for its filmmaker, “The best night of my entire career.” What began as a film about the end of Gibson’s life quickly became a story about the joy of a life well-lived, experienced alongside the charismatic subject’s wife, poet Megan Falley. When White broke the news about the film’s acceptance, “Andrea was so emotional saying, ‘You’re telling me if I survive for six more weeks, I might see this movie?’” he recalls. And they did.

“I think people fell in love with Andrea during the course of that film, but they probably assumed that Andrea had passed away, and they were about to see a card at the end of the film,” White continues. Then Gibson walked up. “It was like a rock star rising from the ashes. You could literally feel the theater vibrating.”