pulls

A UK airline has lost its last chance at a rescue deal – more than eight months after entering administration.

The firm had suffered financial difficulties after the loss of a contract with KLM.

A potential rescue deal for Eastern Airlines, and its affiliated company Air Kilroe, has fallen through – leaving administrators unable to save the regional airline.

As a result, administrators RSM UK, are set to break up and sell the businesses’ assets separately, as revealed in new documents filed by the company.

A joint sale of Eastern and Air Kilroe was initially pursued as the companies had operated under a single business – before entering into administration in November last year.

The North Lincolnshire-based airline had flown routes across the UK, Ireland and Europe, and had been operating four aircraft for KLM Cityhopper in Europe.

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However, the abrupt loss of this contract in October last year plunged the company into severe financial difficulties.

At the time of collapse, RSM said “high fixed overheads” and its staff base had “ultimately proved too high to be sustainable”.

Jamie Miller, partner at RSM UK and joint administrator, added: “The unexpected and sudden termination of Eastern’s KLM contract, along with other economic factors, unfortunately left the directors with no choice but to appoint administrators.“

Now, all nine of the company’s aircraft fleet have been sold off to private buyers, as well as associated plane parts and components.

At its peak, the airliner provided 200 flights per day and employed around 330 staff members, the majority of which have now been made redundant.

Now just 16 employees remain, and are expected to stay on until the administration process is completed.

Known as one of the UK’s last regional airlines, the firm had run a weekday service between Wick John O’Groats Airport and Aberdeen, which was seen as an essential link for those living in the most northerly point on mainland UK.

Launched in 1997, the airliner also flew from bases in East Midlands, Jersey, Manchester, Southampton and Denmark – and even held eight summer slots at London Gatwick.

RSM has declined to comment.

England’s reaction was an explosion of celebration and sheer relief, a largely dreadful performance transformed into dramatic victory by their magnificent captain.

The celebration was for that place in the last 16.

The relief will have been Tuchel’s, who would surely have been unable to survive such embarrassment had England lost, irrespective of his contract extension.

Relief, too, for the Football Association, who placed such faith in the German and handed him the sole mission of winning this World Cup.

And it was all down to Kane.

Kane attracts superlatives and respect like a magnet. Every bit of it deserved – as proved by the stats left behind by his latest feat.

He now has five goals in this World Cup, as the race for the Golden Boot becomes a sprint between Kane, Kylian Mbappe, Erling Haaland and Lionel Messi, with Tuchel saying: “They are all sharks. They smell blood.”

Tuchel added: “These big guys at this World Cup, do they watch each other? And then they go ‘not with me, then I score, then I do a hat-trick, then you go’. What is going on? Crazy.

“Harry is so, so good. He’s our captain. He’s our leader. He decides football matches with unbelievable finishes and did it here twice. The second one was just a brilliant goal.”

Kane now moves above Pele to go joint sixth on the all-time World Cup scorers list with 13, and now has 84 goals for England, putting him level with legendary Hungarian Ferenc Puskas in ninth on all-time international scorers list.

He is the first England player to score twice in a World Cup knockout stage match since Gary Lineker against Cameroon in 1990. Kane has now scored five knockout stage goals at a World Cup. Only Lineker, with six, has scored more for England.

Most remarkably of all, he now has scored 72 goals in 62 games for club and country this season, with 11 for England and 61 for Bayern Munich.

Fears about the British number one’s fitness grew over the past week.

Raducanu was spotted wearing a protective boot on Wednesday, then was unable to train on Thursday and Friday because of what is believed to be a shin problem.

The 2021 US Open champion returned to the court on Saturday to test her fitness and, wearing strapping around her lower right leg, started with a gentle hour-long session with her team.

But she then cut short another practice session with Russia’s Anna Kalinskaya – when the pair played a set – with 10 minutes remaining.

There were signs of improvement in her practice session on Sunday morning.

Raducanu was slightly less tentative against hitting partner Alexis Canter – particularly when she pushed with her right leg on the forehand side – but it was not as rigorous a test of her movement as she got against Kalinskaya.

Later on Sunday, Raducanu told the media she was willing to push herself and take more risk with the injury in order to step out at the All England Club.

“Playing at Wimbledon, in front of a home crowd, means everything to me, so this is really difficult to process,” Raducanu said.

In Lincoln Park, past Plaza de la Raza cultural center and under swaying pine trees, stands a row of 10-foot wooden panels etched with names. Robert Zaldivar stood quietly in front of the names, surrounded by community members holding lit candles as memories of old friends resurfaced.

The panels bear nearly 2,000 names, and more are added every year. Each one represents an Angeleno, mostly Latinos, who died of AIDS. Zaldivar led the movement to erect this monument, named the Wall Las Memorias, which was finalized in 2004.

Inspired by his late best friend, who was HIV-positive, the Wall represents to Zaldivar the power of remembering those in his community affected by HIV and AIDS. It was designed in the shape of Quetzalcoatl, or the “Feathered Serpent,” an Aztec deity and symbol of rebirth.

Robert Zaldivar leads a sunset vigil at the Wall Las Memorias AIDS Monument in Lincoln Park on the anniversary of the first HIV diagnosis in L.A. on June 4, 2026.

(The Wall Las Memorias)

That day in early June, he hosted a sunset vigil, joined by AIDS Memorial Quilt founder and Harvey Milk mentee Cleve Jones, to recognize the lives lost since AIDS was first diagnosed 45 years prior, when the Centers for Disease Control and Prevention published a report detailing immunodeficiency in five young gay men in Los Angeles.

At Zaldivar’s feet was a poem, one he wrote in 1995 with his friend Anna Contreras.

It reads:

It is here, we free ourselves from the teaching of guilt.
We unite as one people in our vision, our teaching, and our truth.
Through truth we live, through knowledge we survive.

Contending with stigma and misinformation has been a constant struggle for people who are HIV-positive, he said, a struggle that Zaldivar hopes to make more visible now than it has been in previous decades.

“Sometimes it feels like there’s no other way to draw attention to this problem than to have a physical reminder,” Zaldivar said of the monument. “This reminds us of real people, as more than statistics.”

The statistics Zaldivar refers to include the continuing rise in HIV diagnoses in Latinos across the United States. The most recent CDC data show 39,000 people across the U.S. received an HIV diagnosis. And a Kaiser Family Foundation analysis revealed that between 2010 and 2022, there was a 24% increase in new cases among Latinos. In 2022 alone, Latinos made up 31% of new diagnoses, despite only representing 19% of the American population, the KFF study found.

“Just last week, we had two new diagnoses of HIV in our clinic,” said Bernardo Gomez, assistant manager of HIV resources at the Wall Las Memorias Project. “For context, we had 15 in the past six months, including straight women … I think what we’re seeing is a dangerous loss of support for outreach and education.”

Last year, President Trump released his presidential fiscal year budget for 2026, much of which went into effect last October. In it, he revealed significant cuts to HIV health programs — amounting to $1.5 billion.

The budget recommendation signaled the administration’s yearly priorities, and Trump’s fiscal plan and staffing cuts to HIV teams under the so-called Department of Government Efficiency (DOGE) showed a shift away from HIV prevention and healthcare, which advocates say has led to providers losing jobs and places for testing and resources to shrink. In L.A., the Latino community is feeling the brunt of the loss, Zaldivar said.

The biggest cut to HIV care in the 2026 budget affected the CDC, which lost around $3.6 million. Another devastating loss was $1.7 million cut from the Ryan White HIV/AIDS Program, which many L.A. resource centers report relying on to fund part of their programming and staffing.

Robert Gamboa, associate director of public policy at the L.A. LGBT Center, said that in Trump’s first term, his “Ending the Epidemic” program created hope for soon seeing the end of HIV in the U.S. — a hopefulness that he said was quickly dashed in his second term.

“Now there’s this 180-degree shift in policy, we see these enormous proposals pulling away from funding, and his lack of acknowledgment of World AIDS Day, and Pride in general,” Gamboa said. “The message of that is loud and clear: [The Trump administration] is telling our LGBT community, ‘We don’t care about you.’”

Since Trump’s inaugural address last year, Gamboa said executive orders have only solidified Trump’s shift away from LGBT organizations, “challenging the structural integrity of almost everything we’ve done.”

Gamboa said that last spring, the Department of Public Health, Division of HIV and STD Programs), which supplemented L.A. organizations with substantial HIV funding, sent out a notice that all of their contracts were terminated.

“Well, this caused a massive alarm all across L.A. County. Everyone started freaking out. We had to say, ‘We need an emergency allocation [from state funds] so that we can continue providing HIV services across California,’” Gamboa said. “We’re used to getting upwards of around $20 million in funding at the county level, and it wasn’t happening.”

Robert Zaldivar leads a sunset vigil at the Wall Las Memorias AIDS Monument in Lincoln Park on the anniversary of the first HIV diagnosis in L.A on June 4, 2026.

(The Wall Las Memorias)

Since then, nonprofit representatives have confirmed that the contracts were restored at reduced rates. However, the impact of the uncertainty shook the health services community and only caused further distrust among Latino patients.

“We’re already seeing [the impact in L.A.]. In the Latino community, there’s so much fear from the ICE raids. People are afraid to even leave their homes,” Gamboa said. “We’ve worked so hard in building trust and relationships with our communities of color. Now, they’re afraid to even come in. Many of the places they’ve gone to in L.A. County have already closed their doors and ceased services.”

Most recently, the Trump administration announced plans to cut millions in public health funding. This includes $1.1 million that would be slashed from the National HIV Behavioral Surveillance Project, an early-warning system for HIV outbreaks, established by the L.A. County Department of Public Health.

On the White House website, a page called “Cuts to Woke Programs” reads: “President Trump is committed to eliminating radical gender and racial ideologies that poison the minds of Americans.”

Gamboa said that organizations have been discouraged of using “LGBT” in their programming to avoid being defunded as part of the targeted “woke” programs.

“It really affects me,” said Gomez, who has been living with HIV since 1996. “How long will I have medicine?”

Gomez, who is the breadwinner of his family, says his monthly supply of medication costs $1,500 a bottle. “It’s so expensive, and I have insurance. For people without insurance, [the Ryan White program] is the only way they can afford treatment,” Gomez said. “I’m afraid of what will happen to them.”

Gomez takes antiretroviral therapy, a lifesaving medication that reduces the number of infected cells, making the disease less transmissible and prevents HIV from developing into AIDS. According to 2024 HRSA data, the Ryan White program provided antiretroviral therapy to 602,000 people, preventing the spread of HIV.

As the program loses funding, jobs providing HIV care have become more sparse — and programs like the Wall and the L.A. LGBT Center have become more essential to support the thousands left without life-saving care.

HIV program funds are trickling back into L.A. County for nonprofits this year; although some, like the Wall, maintain that it’s “not enough to address the need.” Up until last May, the organization shared that the county funded $1 million of its annual HIV reduction efforts. This year, that number was drastically reduced to $100,000 per six-month contract.

“Many of my social worker friends are off the streets [where they helped at-risk communities] due to just not having enough funding to do their jobs,” said Miguel Rodriguez, program coordinator of HIV testing and prevention at the Wall. “People think only gay men are affected, but basic sexual health for everyone is at risk here. Less [testing] means more infections and transmissions across the board.”

As Robert Zaldivar stresses, the only way to protect L.A.’s Latino HIV-positive community is to support remaining HIV services to get tested or donate to local service organizations.

“What we saw in the ’90s, I’m scared that it will repeat. I want people to remember how serious [HIV] is, and to educate,” Zaldivar said. “Keep getting tested. We don’t report your immigration status or sexuality. Just come in.”

Keely Hodgkinson pulled out of the 400m final at the UK Athletics Championships moments before Sunday’s race.

The Olympic 800m champion has been competing over the shorter distance in a bid to improve her first-lap speed and challenge for the 800m world record this summer.

After qualifying from Saturday’s heats, she warmed up for the final in Birmingham but stepped off the track right before the finalists were put under starters’ orders.

Hodgkinson looked emotional as she stood at the side of the track before making her way back inside the Alexander Stadium.

The 24-year-old endured an injury-disrupted 2025 and her shock withdrawal on Sunday comes four weeks before the London Diamond League meeting, which she had earmarked for a tilt at the 800m world record.

More to follow.

Italy’s Flavio Cobolli said he was “sad and happy at the same time” after reaching his first Grand Slam final at the French Open on Friday, following the last-minute withdrawal due to illness of his last-four opponent and compatriot Matteo Arnaldi.

The 24-year-old 10th seed will meet Alexander Zverev in Sunday’s final, which will produce a new major champion, after the German second seed earlier moved past Jakub Mensik in the other semi-final.

Just more than 20 minutes before Cobolli and Arnaldi were due to take to Court Philippe Chatrier, tournament organisers announced that the 104th-ranked Italian had been forced to pull out with a “virus”.

“When he came to me almost one hour ago, I almost cried. You know, it’s something that you don’t expect at all. I was ready to play this match,” Cobolli told reporters during a news conference he held with his close friend Arnaldi, as the pair sat three metres (10 feet) apart.

“When he came, I was completely sad for him. But, at the same time, of course, I’m really happy for the result that I reached this week.

“Yeah, now I’m sad and happy at the same time.”

For first-time major semifinalist Arnaldi, withdrawing was “not something that you wish to anybody”, but “the right decision for me to take”.

“It’s tough, because for how the tournament was, for how many hours I’ve been on the court, I was feeling actually very good,” Arnaldi, who had spent the most amount of time on court for a player en route to a Grand Slam semifinal, said.

The 25-year-old added that, on Thursday, he was “feeling OK” during practice, but after his dinner, he began to feel unwell during the night.

“I started to feel so-so with my stomach. I was, like, ‘All right, just didn’t digest very well,’” he recounted.

“But then I woke up at 1:00am, and I started vomiting, and I wasn’t feeling the best. Then I tried to sleep. I couldn’t sleep at all. At 6:00, 7:00am, I vomited again.

“We called the doctor into the room. He came, gave me some stuff. I was hoping that it would just be something from dinner or something like that, but then throughout the day, I couldn’t eat. Every time we did something or would drink, I would go back to the bathroom.”

Despite his best efforts, his state worsened throughout the day.

“I tried to get ready and tried to stay as much as I could here and tried to see if I could go on court, but every time I get up, I feel dizzy,” Arnaldi said.

“It’s a virus, I think, because I was feeling pretty cold. I think I had a fever, like, during the day. I don’t know, to be honest.

“I just know that I can’t move, and I can’t eat, and I can’t drink. So, there was really no way that I will be able to play.”

Cobolli paid tribute to a tearful Arnaldi.

“Matteo is a big inspiration for all of us. He’s an amazing player and amazing professional,” Cobolli said.

“He’s, I think, the best person outside the court for how his match preparation, focus, cool-down. He’s one of the best on the tour, for sure.”

After the conference, Cobolli took to centre court to have a hit watched on by a decent smattering of spectators that had come for the match but stayed to see the world number 14 keep his eye in.

After his quarterfinal victory over Canadian fourth seed Felix Auger-Aliassime on Wednesday, Cobolli will go into the weekend’s final with plenty of rest.

“Maybe having almost four days off is a lot, so you lose the rhythm,” he said.

“Now, I got practice again. I think I will be ready, for sure, for the final, but I also know that I will be fresh, for sure.

“Maybe [the extra time off] will help; maybe not. I’ll tell you after the final.”

Acclaimed German director Wim Wenders announced he was withdrawing his 1975 film, “Wrong Move,” from distribution due to a scene featuring then-13-year-old actor Nastassja Kinski topless.

Kinski played Mignon, a mute acrobat and street performer, in the film. In the controversial scene, she is featured lying on the bed topless as she tries to seduce her 30-something co-star Rüdiger Vogler, who plays Wilhelm.

Wilhelm enters the room, removes most of his clothing and gets into bed with her, slaps her, pushes her away and then caresses her face and cradles her.

Kinski, who also starred in Roman Polanski’s “Tess” and Wenders’ “Paris, Texas,” has voiced her discomfort with the scene for decades and recently told a German news outlet that, although she “didn’t know much at the age of 13,” she could tell that it wasn’t right.

In a 1997 USA TV interview, she was candid about wishing some of her work could be scrubbed from the screen permanently, saying, “I’ve done quite a lot of movies, a lot of movies that I want to just go and burn someplace. You always calculate ‘how much would that cost? How would I do that?’ and just know it’ll exist forever. It won’t be showing all that much, but just the fact that it’s there and it’ll exist.”

She told W Magazine the same year, “If I had had somebody to protect me or if I had felt more secure about myself, I would not have accepted certain things. Nudity things,” Kinski said. “And inside it was just tearing me apart.”

Per the Hollywood Reporter, Wenders received a lifetime achievement award at the German Film Awards last week and addressed the “Wrong Move” issue in his speech, saying that he would not shoot the scene today. He also said that he knew that keeping it in the film had continued to cause Kinski pain.

“I can’t blame the 29-year-old young man I was then, 50 years ago, who made a film of his time; wanting, in a way, to capture the zeitgeist,” he added before calling on the members of the German Film Academy to debate the issue and aid him in finding a resolution.

On Wednesday, the “Perfect Days” director issued a statement that was posted on social media saying that he would withdraw the film from all current forms of distribution.

“As the only person responsible at the time for Wrong Move who is still here, I recognize that Nastassja Kinski should have been better protected back then. For that, I apologize to you, Nastassja, unreservedly, no ifs and buts.”

Wender said that “the many reactions, comments, and conversations of recent days” had a played role in shifting his perception of the issue but that society must find appropriate ways of dealing with controversial film works from the 20th century.

“Only after that process has taken place — even if it takes considerable time — and once we have been able to present a mutually agreed solution, which will include Nastassja Kinski, will we make the film available again.”

Kinski commented on Wenders’ statement on Wednesday. The following has been translated from German:

“Wim, after all that, all those years, only because the public has now commented in so many newspapers, as well as colleagues, and now because thousands — even though I asked for so long — only now because of the public, do I read THESE words from you, W. Wenders: ‘Nastassja, back then 13 in the first film, Wrong Move.’ ”

Saturday Kitchen presenter Matt Tebbutt joked with Rivals stars about a missing guest on this week’s show.

Matt Tebbutt explained why his Saturday Kitchen co-star was missing.

Saturday Kitchen returned this weekend, with presenter Matt Tebbutt hosting some of the stars of the newly released second season of Rivals.

He introduced Gary Lamont, Lisa McGrillis and Emily Atack from the series and asked them all about their characters and what they get up to in the Jilly Cooper adaptation.

After speaking to the Rivals cast, Saturday Kitchen’s Matt Tebbutt addressed viewers, explaining one star’s absence from the line-up.

Helen McGinn, wine expert and presenter, had not been able to take part in the show as Matt said: “Now, Helen McGinn had to stay at home today because last night she had a binge-watch party with her neighbours in the leafy gated community of Hampshire.

“And seriously, she is too much of a fangirl to sit here today; her jaw would be on the floor. She can’t believe she’s missing out on our Rivals special.”

“So guys, please say hello to Helen.” The cast then waved and blew kisses, with Lamont saying, “Wish you were here.”

“Are you hungover, Helen?” McGrillis added cheekily as Matt joked, “Probably is. Helen, drop us a text, let us know what you are up to.”

Viewers took to X noticing her absence, with one sharing: “Rivals dropped last night, and Helen is not doing the wine this morning. Coincidence? #SaturdayKitchen”

Will Murray, Jake Croft and Kate Jenkins were on hand to serve up some culinary delights inspired by 80s classics in homage to Rivals.

Ollie Smith served up some classic cocktails, which were also in tribute to the Disney+ “bonkbuster” series.

Tebbutt and Smith spoke to the Rivals cast about the new season with the show’s host bingeing the first two episodes.

“It’s absolutely brilliant,” Tebbutt said. “And I have to say, none of you looks anything like you do.” Later in the episode, Tebbutt expressed his surprise at the stars’ transformations in the series.

Saturday Kitchen airs on BBC One on Saturdays at 10am

AN X Factor star has mysteriously pulled out of a major festival gig for “unforeseen” reasons.

The 30-year-old shot to fame on The X Factor in 2012 and went on to enjoy huge success as a musician.

The In It Together festival, which takes place this month in Wales, has announced that X Factor star Ella Henderson will not be appearing this year.

Taking to social media they said: “We’re very sorry to share that Ella Henderson has unfortunately been forced to cancel some of her upcoming appearances due to unforeseen circumstances, and as a result will no longer be appearing at In It Together Festival this year.

“We completely understand and support Ella’s decision, and we want to send our love and very best wishes to Ella and her entire team at this time.

“We sincerely hope to welcome Ella to In It Together in the near future.”

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The statement continued: “While we know many of you will be disappointed, we’ve worked tirelessly behind the scenes at the last minute to secure a huge replacement artist and someone you absolutely do not want to miss.

“Join us on Sunday at 2PM on the Together Stage for the official reveal. Trust us… this is BIG.”

Ella found fame on the ITV talent show in 2012 aged 16 where she wowed judges with her rendition of Cher’s Believe before reaching the live finals.

But she finished in sixth place behind winner James Arthur.

Following her stint on the show, Ella went on to sign with Simon Cowell’s label Syco Music and released her first studio album, Chapter One, with the music mogul in 2014.

During her time with label, Ella scored several hits with her single Ghost, which she wrote with the American writer producer Ryan Tedder, and emotional ballad Yours.

She went on a four-year hiatus in 2015, and released her second studio album, Everything I Didn’t Say, in 2022. It became her second top 10 album in the UK.

Ella has received the Brit Billion Award, and nominations for four Brit Awards and an Ivor Novello Award.

April 30 (UPI) — President Donald Trump on Thursday pulled the nomination of Casey Means for surgeon general and replaced her with Dr. Nicole Saphier.

Means, a medical doctor, is a Make America Healthy Again activist who doesn’t have an active medical license.

Saphier is a working radiologist at Memorial Sloan Kettering Cancer Center in New York and a former Fox News contributor.

Trump announced the appointment on Truth Social.

“Nicole is a STAR physician who has spent her career guiding women facing breast cancer through their diagnosis and treatment while tirelessly advocating to increase early cancer detection and prevention, while at the same time working with men and women on all other forms of cancer diagnoses and treatments. She is also an INCREDIBLE COMMUNICATOR, who makes complicated health issues more easily understood by all Americans. Dr. Nicole Saphier will do great things for our Country, and help, ‘MAKE AMERICA HEALTHY AGAIN,'” the president posted.

Means’ nomination had stalled in the Senate. In February, she answered senators’ questions about vaccines, psychedelics and abortion pills.

Trump blamed Sen. Bill Cassidy, R-La., a physician, because he had refused to say if he would support Means.

He said, in a separate post: “Hopefully all of the Great Republican People of Louisiana, which I won, BIG, three times, will be voting Bill Cassidy OUT OF OFFICE in the upcoming Republican Primary!”

In January, Trump endorsed Rep. Julia Letlow, R-La., for the Louisiana Republican primary against Cassidy.

When reporters asked Cassidy about Trump blaming Means’ failed nomination on him, Cassidy said, “I can promise you, there are multiple people on the committee who decided to vote no,” Politico reported.

WASHINGTON — President Trump says he’s nominating Fox News Channel contributor Nicole Saphier for surgeon general after Casey Means’ path forward stalled in the Senate over questions about her experience and her stance on vaccines.

In a social media post Thursday, the Republican president said Saphier is “a STAR physician who has spent her career guiding women facing breast cancer through their diagnosis and treatment.”

Senators of both major political parties grilled Means on her vaccine stance and other health topics during a tense confirmation hearing, deepening doubts about her ability to secure the votes she needs for the role.

Earlier Thursday, Trump on social media commended Means as “a strong MAHA Warrior,” also criticizing the “intransigence and political games” from GOP Sen. Bill Cassidy of Louisiana, who interrogated Means about vaccines during the hearing.

The withdrawal of Means’ nomination to be the next U.S. surgeon general is a blow to Health Secretary Robert F. Kennedy Jr. and his movement, which championed Means for the role as the country’s top doctor despite her nontraditional path in medicine and some controversial past remarks on vaccines and other health topics.

The withdrawal comes after tense exchanges between Means and lawmakers of both parties threw into question whether she could secure enough votes to advance out of the Senate health committee. Her nomination had languished since her confirmation hearing in late February, even as activists from Kennedy’s Make America Healthy Again movement orchestrated a push to support her bid by surging phone calls to Republican senators Lisa Murkowski of Alaska and Susan Collins of Maine, who had both indicated reservations with the pick.

In nominating Means last May, Trump sought to hire a close ally of Kennedy as the nation’s doctor. Means, a Stanford-education physician whose disillusionment with the healthcare system led to her career as an author and entrepreneur, promotes ideas popular with the MAHA movement, including that Americans are overmedicalized and that diet and lifestyle changes should be at the center of efforts to end widespread chronic disease.

KYLIE Jenner seductively pulled down her skimpy swimsuit as she cuddled her new kitty for a slew of sexy selfies.

The socialite, 28, has become a cat mom since her beloved 11-year-old Italian Greyhound, Norman, passed away last year.

And is seems that the stunning beauty mogul is enjoying the company of her new four-legged friend.

Taking to Instagram, Kylie posed up a storm in a seriously skimpy outfit, writing a caption which read: “me + my lip liner + and my kitty.”

She shared four photos to the platform, with each of the snaps being selfies of the star as she rocked a gray bathing suit.

The swimsuit was strapless and had cutout details, displaying her toned physique.

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The first image saw Kylie pulling her cut-out bikini down a little while applying lip gloss in a huge mirror.

Her cleavage was on full display as she pouted up a storm and applied the lip product with her long raven locks framing her face.

The second snap saw her standing up straight while holding her adorable fluffy friend.

Posing with her kitty, Kylie pouted while lifting the kitten up to her cheek.

The third photo was of Kylie posing with her hair all over her face, and the fourth was a video of her cradling the kitty and kissing it.

“Absolutely beautiful,” swooned one fan in the comments section.

“You’re perfect” swooned another.

“That cat makes me smile,” said someone else.

Meanwhile, on Reddit, one penned: “Her body is amazing. Go Kylie go. Love what she’s wearing. The kitten is adorable.”

“Why is she pulling on her bottoms in 1?” asked someone else.

A third Reddit fan then speculated: “Hmmm she’s looking extra toned lately in the abdominal area.I think she got sum fat removed or something?”

While a fourth said: “I honestly wonder how often these girls go under the knife? They always look different.”

This comes after The U.S. Sun revealed Kylie‘s former housekeeper, claimed she was forced to clean Timothee Chalamet’s mansion without being properly paid in an explosive new lawsuit.

Angelica Vasquez also said she was belittled over her race, religion and immigration status by fellow domestic staffers.

Brothers Leo and Oliver Kremer visited karaoke spots around the globe and almost always had the same impression.

“The drinks weren’t always great, the aesthetics weren’t always so glamorous, the sound wasn’t always awesome and the lights were often generic,” says Leo, a former bassist of the band Third Eye Blind.

As devout karaoke fans, they wanted to level up the experience. So they dreamed up Mic Drop, an upscale karaoke lounge in West Hollywood that opens Thursday. It’s located inside the original Larrabee Studios, a historic 1920s building formerly owned by Carole King and her ex-husband, Gerry Goffin — and the spot where King recorded some of her biggest hits. Third Eye Blind band members Stephan Jenkins and Brad Hargreaves are investors of the new venue.

Inside the two-story, 6,300-square-foot venue with 13 private karaoke rooms and an electrifying main stage, you can feel like a rock star in front of a cheering audience. Want to check it out? Here are six things to know.

The Kremer brothers hired sculptor Shawn HibmaCronan to create an 8-foot-tall disco-themed microphone for their karaoke lounge.

1. Take your pick between a private karaoke experience or the main stage

A unique element of Mic Drop is that it offers both private karaoke rooms and a main stage experience for those who wish to sing in front of a crowd. The 13 private rooms range from six- to 45-person capacity. Each of the karaoke rooms are named after a famous recording studio such as Electric Lady, Abbey Road, Shangri La and of course, Larrabee Studios. There is a two-hour minimum on all rentals and hourly rates depend on the room size and day of the week.

But if you’re ready to take the center stage, it’s free to sing — at least technically. All you have to do is pay a $10 fee at the door, which is essentially a token that goes toward your first drink. Then you can put your name on the list with the KJ (karaoke jockey) who keeps the crowd energized throughout the night and even hits the stage at times.

Harrison Baum, left, of Santa Monica, and Amanda Stagner, 27, of Los Angeles, sing in one of the 13 private karaoke rooms.

2. Thumping, high sound quality was a top priority

As someone who toured the world playing bass for Third Eye Blind, top-tier sound was a nonnegotiable for Leo. “Typically with karaoke, the sound is kind of teeny, there’s not a lot of bass and the vocal is super hot and sitting on top too much,” he says. To combat this, he and his brother teamed up with Pineapple Audio, an audio visual company based in Chicago, to design their crisp sound system. They also installed concert-grade speakers and custom subwoofers from a European audio equipment manufacturer called Celto, and bought gold-plated Sennheiser wireless microphones, which they loved so much that they had an 8-foot-tall replica made for their main room. Designed by artist Shawn HibmaCronan, the “macrophone,” as they call it, has roughly 30,000 mirror tiles. “It spins and throws incredible disco light everywhere,” says Leo.

Karaoke jockeys Sophie St. John, 27, second from left, and Cameron Armstrong, 30, right, get the crowd involved with their song picks at Mic Drop.

3. A concert-level performance isn’t complete without good stage lighting and a haze machine

Each karaoke room features a disco ball and dynamic lighting that syncs up with whatever song you’re singing, which makes you feel like you are a professional performer. There’s also a haze machine hidden under the leather seats. Meanwhile, the main stage is concert-ready with additional dancing lasers and spotlights.

Brett Adams, left, of Sherman Oaks, and Patrick Riley of Studio City sing karaoke together inside a private lounge at Mic Drop.

4. The song selection is vast, offering classics and new hits

One of the worst things that can happen when you go to karaoke is not being able to find the song you want to sing. At Mic Drop, the odds of this happening are slim to none. The venue uses a popular karaoke service called KaraFun, which has a catalog of more than 600,000 songs (and adds 400 new tracks every month), according to its website. Take your pick from country, R&B, jazz, rap, pop, love duets and more. (Two newish selections I spotted were Raye’s “Where Is my Husband” and Olivia Dean’s “Man I Need,” which both released late last year.) In the private karaoke rooms, there’s also a fun feature on Karafun called “battle mode,” which allows you and your crew of up to 20 people to compete in real time. KaraFun also has an entertaining music trivia game, which I tested out with the founders and came in second place.

The design inspiration for Mic Drop was 1920s music lounges and 1970s disco culture, says designer Amy Morris.

5. The interiors are inspired by 1920s music lounges mixed with ‘70s disco vibes

A disco ball hangs from the ceiling.

If you took the sophisticated aesthetic of 1920s music lounges and mixed it with the vibrant and playful era of 1970s disco culture, you’d find Mic Drop.

When you walk into the lounge, the first thing you’ll see is a bright red check-in desk that resembles a performer’s dressing room with vanity lights, several mirrors and a range of wigs. “So much of karaoke is about getting into character and letting go of the day, so we had the idea to sell the wigs,” says Oliver. As you continue into the lounge, the focal point is the stage, which is adorned with zebra-printed carpet and dramatic, red velvet curtains. For seating, slide into the red velvet banquettes or plop onto a gold tiger velvet stool. Upstairs, you’ll find the intimate karaoke studios, which are decorated with red velvet walls and brass, curved doorways that echo the building’s deco arches, says Mic Drop’s interior designer, Amy Morris of the Morris Project.

Sarah Rothman, center, of Oakland, and friend Rachel Bernstein, left, of Los Angeles, wait at the bar.

6. You can order nontraditional karaoke bites as you wait for your turn to sing

While Mic Drop offers some of the food you’d typically find at a karaoke lounge such as tater tots, truffle popcorn and pizza, the venue has some surprising options as well. For example, a 57 gram caviar service (served with chips, crème fraîche and chives) and shrimp cocktail from Santa Monica Seafood. For their pizza program, the Kremer brothers teamed up with Avalou’s Italian Pizza Company, which is run by Louis Lombardi who starred in “The Sopranos.” He’s the brainchild behind my favorite dish, the Fuhgeddaboudit pizza, which is made with pastrami, pickles and mustard. It might sound repulsive, but trust me.

As for the cheeky cocktails, they are all named after famous musicians and songs such as the Pink Pony Club (a tart cherry pomegranate drink with vodka named after Chappell Roan), Green Eyes (a sake sour with kiwi and melon named after Green Day) and Megroni Thee Stallion (an elevated negroni named after Megan Thee Stallion).

The BBC has seemingly pulled episodes of Top of the Pops that featured Scott Mills from iPlayer after the corporation made the decision to dismiss the radio star last month

The BBC has seemingly pulled episodes of Top of the Pops that featured Scott Mills from iPlayer. In yet another scandal for the public broadcaster, Scott Mills, a BBC radio favourite for decades, was axed from his role in March.

The Mirror revealed that the former BBC Radio 1 and 2 DJ was questioned in 2018 over the historical allegations of serious sexual offences, but the investigation – which began in 2016 – was closed in 2019 after the CPS deemed there was insufficient evidence to bring charges.

The allegations are reported to have happened between 1997 and 2000. The Metropolitan Police told the Mirror that the teenage boy at the centre of the investigation was under 16.

For more than 40 years, Top of the Pops was the BBC’s major music programme that showcased the acts who were in the charts that week and gave a platform to some of the biggest names in the industry, with the likes of The Beatles, Spice Girls and Madonna amongst countless others all having performed on it over the years.

READ MORE: BBC bosses poised to offer Scott Mills Radio 2 replacement to rightful ‘heir’READ MORE: Scott Mills replacement hopefuls battling it out for his Radio 2 job

The programme, which ended in 2006, is still repeated regularly but now the The Sun has reported that the three episodes in which Scott, 53, served as host, have now been wiped from the corporation’s streaming service.

The episodes in question originally aired in 1999 and around that time, he welcomed the likes of Billie Piper, Mariah Carey and Westlife onto the show to perform their latest singles. The Mirror has contacted the BBC for comment.

On Wednesday April 1, The Mirror revealed that the BBC was forced to terminate Mills’ contract after receiving compelling new information. The BBC then confirmed the Mirror’s report a day after it emerged that they knew of information relating to the police investigation. They pledged that they were “doing more work to understand the detail of what was known by the BBC at this time.”

The Metropolitan Police said a man, who was in his 40s at the time of the interview in 2016, was investigated over allegations reported to have happened between 1997 and 2000. Today, BBC News reported that director general at the time, Tony Hall, was not aware of the allegations.

The investigation was dropped in 2019 after the CPS deemed there was insufficient evidence to bring charges. As first reported by the Mirror, Mills was sacked over allegations relating to his ‘personal conduct’ after the final edition of his breakfast programme aired.

Following his dismissal, Mills issued a statement via lawyers thanking his well-wishers. He said: “I wish to thank from the bottom of my heart all those who have reached out to me with kindness, my former colleagues, and my beloved listeners, who I greatly miss.”

On the police probe, he said: “The recent announcement that I am no longer contracted to the BBC has led to the publication of rumour and speculation. In response to this the Metropolitan Police has made a statement, which I confirm relates to me.

“An allegation was made against me in 2016 of a historic sexual offence, which was the subject of a police investigation in which I fully co-operated and responded to in 2018.”

He added: “Since the investigation related to an allegation that dates back nearly 30 years and the police investigation was closed seven years ago, I hope that the public and the media will understand and respect my wish not to make any further public comment on this matter.”

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