place

The Federal Aviation Administration’s decision to ground all flights nationwide for several hours Friday threw the sports world into chaos, leaving NBA, NHL and college teams scrambling to reach their destinations in time for games this weekend.

Transportation officials cited “extraordinary circumstances” caused by communications issues at regional air traffic control centers for the stoppage. It left some teams searching for hotel rooms, others rescheduling flights, leagues adjusting start times, and some teams had even taken the extraordinary step of chartering buses rather than waiting for the ground stop to end.

“We’re going to allow for general aviation, those larger movements, to take place as a priority. Smaller movements will take lower priority,” Transportation Secretary Sean Duffy said after the ground stop was lifted Friday night in Washington.

“If you’re talking about football teams moving,” Duffy continued, when asked about the sports landscape, “many of those are charters, and there’s a lot of individuals on those charter planes, so I would encourage those football teams to reach out to the FAA to schedule those flight times, so they can move and make sure we have games going off tomorrow.”

Most college football teams playing Saturday travel the day before their game, and the stoppage left many schools — including No. 2 Utah, eighth-ranked Texas and No. 9 Tennessee — at a standstill as they departed for road games. The Utes play at No. 22 Arizona, the Longhorns visit No. 24 Louisiana State, and the Volunteers are traveling to Texas A&M in three of the bigger games of the weekend.

“The Southeastern Conference is aware of the FAA’s nationwide ground stop and the potential impact on team travel,” the league said. “We are in close communication with our member institutions to assess potential disruptions and coordinate appropriate responses.

“The safety and well-being of student-athletes, coaches and team personnel remain our highest priority.”

Texas and Tennessee both returned to their campuses during the ground stoppage. Once it was lifted following more than four hours of uncertainty, the schools began making plans to fly out as soon as possible, allowing them to arrive before game day.

Auburn opted to take a bus to Mississippi State, with the SEC pushing back the Saturday start time from 9 a.m. PST to 1:15 p.m. to give the Tigers a little buffer. Purdue likewise decided to board buses from West Lafayette, Ind., for its game at Iowa.

Other schools affected by the stoppage included Baylor, Washington, Kansas State, Minnesota and No. 19 Mississippi, which said it did not plan on flying to Oklahoma for its game against the Sooners until Saturday morning.

The Big 12 said late Friday that the Kansas-West Virginia game scheduled for 2:30 p.m. PST would be moved up to 12:30 since the Jayhawks arrived in plenty of time. That allowed the league to shift the Arizona State-Central Florida game from 11:30 a.m. PST to 2:30 p.m., giving the Sun Devils an additional three hours after their flight was delayed.

Washington spokesman Kurt Svoboda said the Huskies returned to campus when their flight was grounded, but officials stayed in touch with their Alaska/Hawaiian Airlines partners and the flight crew remained in place. The Huskies ultimately flew out late Friday for their game at Michigan State on Saturday.

Florida State was playing at Pittsburgh on Friday night, while Illinois was visiting fourth-ranked UCLA and No. 14 Houston was visiting Colorado. Those teams were hoping their charter flights home afterward would be unaffected by the upheaval.

It was unclear whether any referees, who typically fly to their assignments the day before, would have trouble reaching their games. The Big Ten said in a statement that all of its officials had arrived for their scheduled assignments Saturday.

Several teams were able to take off before the stoppage began, including all of those traveling in the Atlantic Coast Conference; Missouri, which was flying to top-ranked Georgia; Duke, which was visiting fifth-ranked Miami; and No. 10 Texas Tech, which posted on social media images of its arrival for a game at Oklahoma State.

NFL teams playing Sunday typically travel the day before their games. They were expected to fly as planned on Saturday.

Meanwhile, the Brooklyn Nets were among five NBA teams scheduled to fly Friday for games Saturday. They had just boarded the team plane in New Orleans after playing the Pelicans this week when their flight to Memphis was halted in place.

The Detroit Pistons flew earlier in the day to Miami. The Cleveland Cavaliers, Chicago Bulls and Memphis Grizzlies played Friday night and were due to fly afterward.

The Cavaliers played in Miami on Friday night and were scheduled to play the Dallas Mavericks at home on Saturday. Cleveland coach Kenny Atkinson said about 90 minutes before tip-off that his team was scrambling to find hotel rooms for Friday night, just in case.

“It’s part of it. You just adapt,” Atkinson said.

There are 14 scheduled games in the NHL on Saturday. The Florida Panthers were among the majority that made it to their destinations before the stoppage began, but the Sharks were left waiting in San José to see whether they would be able to travel to Utah.

JuJu Watkins and her third-ranked USC teammates were trying to get to South Carolina for their game Sunday against the top-ranked Gamecocks. The team had just boarded its flight at Los Angeles International Airport when the ground stop was issued. After a while, the decision was made to deboard passengers, and the team returned to Galen Center.

In soccer, the Utah Royals already were in the Washington, D.C., area ahead of their National Women’s Soccer League semifinal against the Washington Spirit on Saturday. But the Kansas City Current were supposed to depart Friday for their semifinal against Gotham FC on Sunday in New York, and team officials were uncertain when their flight would be allowed to leave.

The U.S. men’s national team’s match against Haiti on Saturday in Miami was unaffected by the ground stop. Both teams and officials already were in town for the first leg of the two-match CONCACAF Nations League quarterfinal series.

Skretta writes for the Associated Press.

The Rams on Thursday placed Puka Nacua on injured reserve, meaning the star receiver must sit out at least four games.

Nacua was injured last Sunday on the Rams’ final play of their 20-13 victory over the Washington Commanders. Nacua, who had 14 receptions for 150 yards and a touchdown, was hit while carrying the ball on a jet sweep.

The Rams have experienced a flurry of injuries, and NFL rules limit teams from activating more than eight players a year from injured reserve.

On Wednesday, McVay said Nacua would not be placed on injured reserve because of “semantics with the roster and things like that,” but that he “still is going to be out for an extended period of time.”

Last week, the Rams activated running back Ronnie Rivers and edge rusher Myles Garrett from injured reserve. The Rams also opened the 21-day window for tight end Terrance Ferguson to return from an ankle injury, and then Ferguson suffered a hamstring injury.

Defensive lineman Kobie Turner could return before the Rams play the Green Bay Packers the night before Thanksgiving, and receiver Davante Adams might return after the Rams play the Packers, McVay has said.

Nacua will be sidelined for Sunday’s game against the Arizona Cardinals, and games against the Packers, Kansas City Chiefs and San Francisco 49ers. He will not be eligible to return until the Rams Dec. 20 game against the Dallas Cowboys at SoFi Stadium.

The Rams elevated receiver Brennan Presley to the roster from the practice squad and signed receiver Tyler Scott to the practice squad.

Konata Mumpfield, Tutu Atwell, Xavier Smith and rookie CJ Daniels are other receivers in the roster.

At Clifton’s in downtown Los Angeles, a Halloween wedding is taking place, a courtship between a woman and a demon lord. Modantus is his name, his head a skull, with brassy adornments ascending like a satellite dish. He doesn’t talk so much as click, growl and grunt as if clinging to life.

Before dinner is served, a masked man approaches people in the crowd — half in costumes, half in formalwear — in Clifton’s second-story ballroom, once a swing dancing haven. He’s in a vested suit, his mask, a sort of triangular sundial, reflecting light off of the candles at a head table.

1

2

3

4

5

1. Patrons arrive to to attend “The Dark Wedding.” 2. The Clifton’s tiki bar at its Halloween event. 3. The Clifton’s facade. 4. Neil Biondich, center, backstage prior to the show with the cast getting ready for “The Dark Wedding.” 5. Cast members perform and interact withe guests.

“I’m collecting fears,” the man says, as a singer nearby performs a Gothic rendition of Soundgarden’s “Black Hole Sun.” Nightmare creatures from the netherworld feast on the worries of mere mortals, he explains, and so he invites guests to unload some of their own.

Clifton’s, the famed institution that dates to 1935, once a Depression-era oasis designed to look like a woodsy, Northern California lodge, has quietly started operating again after years of post-pandemic fits and starts. Its new operators, Neil Biondich and Alex McCullough, are ramping up events to activate the myriad spaces inside the building, all five stories of forest-themed kitschy wonder. That means magic shows in a mystical basement, karaoke in a lavish tiki bar, and live immersive theater parties in the main room, like its Halloween weekend event “The Dark Weekend.”

And for those who miss Clifton’s as a casual hangout space, their vision also includes two restaurants, the first of which they hope can come online in early 2027.

Their dream — a grand one — is to turn the space into an immersive entertainment venue, one where a live action role playing game (LARP) is running daily. Clifton’s, with its collection of oddities, be it a taxidermied bear or a bartop meteorite, is just the sort of fantastical place, they reason, to house a never-ending “Dungeons & Dragons”-inspired game.

A painting displayed backstage shows a vintage Clifton’s.

“We’re not looking to radically change what this place looks and feels like,” says Biondich, an entrepreneur who has worked in 3D animation and directed commercials. “It should feel just like coming to Clifton’s. There just happens to be some decor that takes you deeper into an urban fantasy.”

Except, for now, maybe don’t call it Clifton’s.

Guests arrive at Clifton’s on Halloween weekend.

Here’s where the story becomes more complicated. Biondich and McCullough do not have access to the Clifton’s name. They’re attempting to rebrand the building as Sanctuary, and running all events and ticketing via Sanctuarydtla.com. If one goes to the official Clifton’s site or social media pages, it will tell you programming at the space is paused.

Prior owner Andrew Meieran recently sold the building to real estate investment firm Robhana Group. Meieran, however, retained the name Clifton’s and its intellectual property (IP). He hasn’t ruled out reviving the brand elsewhere someday.

He bought downtown’s Broadway location in 2010 and invested more than $14 million in renovating it, including building out its heavily detailed tiki bar, complete with a vintage speedboat. Meieran has been outspoken about the challenges of running a large nightlife business downtown but held onto the brand, he says, because Clifton’s is a rarity, a unique only-in-California business.

1

2

3

1. Actors perform during the Clifton’s Halloween immersive event “The Dark Wedding”. 2. Nathalie Bryan as the bride during “The Dark Wedding.” 3. VIP guests in the Clifton’s dining room.

“It’s not a restaurant,” Meieran says. “It’s not a bar. It’s not a theme park. It’s sort of in between all these things. It’s hard for both an operator and a guest, in terms of appealing to everybody. It wants to be the cafeteria for the people who want the cafeteria. It wants to be an immersive nightlife destination for the people who want that. It also wants to be a tourist destination and a place for families.”

Both Biondich and Meieran are careful when speaking about the other party, and hesitant to do so on the record. The relationship, it’s safe to say, is challenged. Both want to see Clifton’s revived but have yet to come to an agreement. After initially declining to comment on the talks, Meieran later emailed a statement.

“Clifton’s has never been just a building — it’s a concept that’s endured more than ninety years of upheaval: the Depression, a world war, riots, a pandemic, and a city whose people and tastes have changed many times over,” he wrote. “We’re working with the building’s owners to put a foundation in place that allows Clifton’s to thrive for another ninety years, bringing Clifton’s special brand of magic to Broadway for generations to come.”

Cast member Nugget performs during “The Dark Wedding”

Neil Biondich, co-founder of Sanctuary DTLA and co-executive producer of the Clifton’s Halloween immersive event “The Dark Wedding.”

Biondich is, for now, moving forward with the Sanctuary name, even developing an app that will bring augmented reality monsters to the venue. He describes his vision for the LARP as something between “Dungeons & Dragons” and “Pokémon Go.”

“We’ll eventually have glasses where you can see people in neighboring dimensions,” Biondich says. “We call it a dimensional tuner. You can look at higher frequencies and see if there’s any fae spirits around, or down-tune it and see if there’s any undead spirits or demons around.” Once the game launches, those who play it will receive rewards, such as discounted food or drinks.

It’s a welcome moment for Clifton’s to reemerge. Downtown has struggled since the end of the pandemic, with many workers not returning to its plethora of office space and a significant number of business abandoning the neighborhood, jeopardizing what was once a robust community. There are some smattering signs of life right now, however. Cole’s, for instance, is set to reopen in the coming weeks, and there’ve been rumblings that the Original Pantry will also soon return.

Guests at one of the bars following the Clifton’s Halloween event “The Dark Wedding”.

“Everybody who works and lives down here loves downtown,” Biondich says, “and they’re doing everything they can to bring it back and make it a more palatable place for people to come and enjoy. I really enjoy the passion of people who live downtown. It’s infectious.”

Biondich envisions a day when the building now known as Clifton’s operates as a restaurant in the day and early evening, then “wakes up” at night with actors in monster garb in its core bar spaces. Long term, he is planning a late-2027 opening of a second, more upscale restaurant in the venue. He intends for the comedy, magic and karaoke events to continue.

Biondich wants people to speak of Sanctuary in the same way they would talk of other noteworthy immersive venues. He cites art collective-turned-experiential firm Meow Wolf as an inspiration, only Sanctuary would have a more linear narrative that would emphasize game-inspired socializing.

“Our goal is to make this an international destination,” Biondich says. “If you’re going to Los Angeles, you’re going to check out Clifton’s for Sanctuary, in a similar way one would go to a Meow Wolf.”

Guests during the Clifton’s Halloween immersive event “Dark Wedding”

But he’s also trying to walk a line, to assure longtime fans of the space, as well downtown residents, that Clifton’s will still primarily cater to them. He’s hired a chef, he says, and Clifton’s serves a limited menu — a burger, fish tacos — on days it’s open. While many of the early events, such as a “Dungeons & Dragons” social club or a “Super Smash Bros.” tournament, have courted the geek community, Biondich, a Northridge resident, says once the lower-level restaurant is open, it will honor the Clifton’s legacy.

That means that yes, there will be a Jell-O dish.

Jesus de Miguel’s family said “the mark he has left on so many people” is something they will always remember as the footballer’s funeral took place on Thursday.

The Tenerife forward, who was 30, died after suffering a serious injury during a Spanish second division match on Monday.

After colliding with the FC Andorra goalkeeper, De Miguel lay motionless on the pitch while being treated by medical staff and was taken to hospital, where the father-of-one died at 07:00 GMT on Tuesday.

Goalkeeper Jesus Owono was sent off for the challenge and the game was abandoned.

In the hours after the death was announced, mourners laid flowers and lit candles beneath a black and white image of De Miguel at the Estadio Heliodoro Rodriguez Lopez – the stadium on the island of Tenerife, where Monday’s game took place.

Tributes have been paid to De Miguel, who joined Tenerife in the summer of 2025, with a minute’s silence being held at all games in European competitions this week.

His agent, Manuel Hernandez, issued a statement on behalf of the family, which read: “Thank you for loving him, for remembering him and for being with us.

“We cannot find enough words to thank you for every message, every phone call and every gesture of affection we are receiving.

“Feeling such affection for Jesus and seeing the mark he has left on so many people is something we will always carry with us.

“Jesus leaves a void that is impossible to fill, but also cherished memories for all of us who were fortunate enough to share our lives with him.”

On weekends, 1st and 2nd streets between Alameda and Los Angeles swell with crowds of families, anime fans, sneakerheads and tourists and locals alike in search of ramen or sushi, manga and magazines, matcha, toys, Japanese crafts, groceries, traditional sweets, records, Shohei paraphernalia and vintage fashion.

This is Little Tokyo, one of the most walkable, vibrant neighborhoods in Los Angeles — a historic small town within a big city that has thrived, even if sometimes precariously, through waves of urban development.

Get to know Los Angeles through the places that bring it to life. From restaurants to shops to outdoor spaces, here’s what to discover now.

The 300 block of 1st Street is known as the Little Tokyo Historic District, a nationally registered designation that’s the heart of the neighborhood. Here more than a dozen buildings preserve the pre-World War II streetscape and represent the social and cultural history of Japanese Americans in L.A.

The block is also an emblematic crossroads, where sweeping changes and cultural preservation converge.

“People want places like Little Tokyo,” says Kristin Fukushima, executive director of Little Tokyo Community Council, a nonprofit focusing on sustainable development for more than 5,000 residents and 400 businesses. “People identify with the culture and character of the neighborhood.”

In 1884 a cook named Hamanosuke “Charles Hama” Shigeta opened L.A.’s first Japanese-owned business, Kame, a 1st Street restaurant that stood where gift shop Bunkado is today. It was the seed of what’s now the largest Japanese American neighborhood in the U.S.

In the spring of 1942, Little Tokyo was emptied almost overnight, its residents forced from their homes and sent to incarceration camps. The businesses and institutions that survived and rose after the war remain part of its foundation, including confectionery shop Fugetsu-Do, Anzen Hardware and Far East Cafe, along with Buddhist temples such as Koyasan and Higashi Honganji.

Echoes of displacement resounded last summer when masked federal agents arrived in Little Tokyo and armored vehicles flanked the Japanese American National Museum — a memorial of historic trauma turned into a backdrop for immigration enforcement sweeps.

Meanwhile, generations of activists have helped save the neighborhood from being erased by eminent domain and real estate development. Every major monument and community space exists because of negotiation between activists, city government and corporate interests. “Asian American civil rights are a critical piece of the history here,” Fukushima says, referring to a movement that fought urban displacement, created services and allied with Black, Latino and anti-war groups for social justice.

The latest chapter of endurance is taking shape at the 1st Street North Residences, a mixed-use development with 100% affordable housing that used to be a city-owned parking lot. But before the 1950s the same land was a neighborhood of Japanese American businesses and homes for a growing Black community. Those buildings were demolished following evictions via eminent domain to make way for police headquarters. Now the project represents a reclamation.

Iconic Little Tokyo restaurant Suehiro and mochi maker Fugetsu-Do are expected to move into ground-floor retail spaces surrounding a cherry tree courtyard and the Go For Broke Monument, a black granite memorial honoring the more than 16,000 Japanese American men and women who served in the U.S. Army during World War II.

Philip Hirose is a third-generation owner of Anzen Hardware, an institution that disappeared from Little Tokyo in 2023 but returned to its original location on 1st Street earlier this year. He also operates Azay, a restaurant his mother and late father founded. “Being in Little Tokyo where families have known each other for generations, there’s a lot of interconnectedness,” Hirose says. “You get a kind of gem.”

When asked what it’s like to be part of this neighborhood, one that’s rooted in a century of resilience and renewal, he says, “It feels like everything.”

Hollywood has been cranking out films about unprepared men thrust into fatherhood since the silent movie days when Charlie Chaplin’s Little Tramp found a littler tramp on his doorstep and raised the ragamuffin as his own in 1921’s “The Kid.”

Since then, we’ve seen unwitting uncles (John Candy’s Buck), a triad of dads (“Three Men and a Baby”) and self-absorbed workaholics rethinking their priorities (Dustin Hoffman in “Kramer vs. Kramer”). But we’ve never seen an instant parent quite like Jordan Firstman‘s party promoter Peter in “Club Kid,” the Cannes Film Festival sensation that Firstman impressively directed and wrote for himself.

We meet Peter in a whirlwind, strobe-heavy blur of an opening sequence that takes us through a disorienting parade of coke-and-ketamine-fueled nights in New York’s underground queer club scene. Everyone wants a piece of Peter. His energy (and the drugs he sells) guarantee a good time. It’s a thrilling introduction, shot on 35mm on location in New York City, and the throbbing bass is still bumping around my skull.

When Peter stumbles back to his rent-controlled apartment, his downstairs neighbor Evelyn (Colleen Camp) gives him the once-over while telling him that she just finished Steven Spielberg’s “War Horse” and that “it’s as good as they say.” Peter doesn’t hear her. (Probably the bass is ringing in his ears too.)

“You ever just lose 10 years?” he asks Evelyn.

It turns out he has done just that. The night we’ve witnessed actually took place a decade ago. And one of its episodes included a hetero hookup, part of what began as a threesome with a hot dude and British tourist, Leonora (Paris Petitjean). Peter had forgotten about it until one of Leonora’s friends, Edison (Kirby Howell-Baptiste), knocks on his door, her arm around the beautiful 10-year-old recently orphaned Arlo (Reggie Absolom). Now this Peter (Pan) is going to have to grow up — fast.

If you know Firstman, it might be as an actor in the HBO series “I Love LA” or perhaps Sebastián Silva’s 2023 black comedy “Rotting in the Sun,” in which he played a heightened, vapid version of himself. You may also know him as an online provocateur, sharp and self-aware. Those familiar with that Jordan Firstman might be shocked to watch “Club Kid” and discover that the guy on the screen — and the creator behind the camera — is being utterly, hopelessly sincere with his feature film directorial debut. Get ready to wipe away a tear or two.

That disarming, open-hearted earnestness makes “Club Kid” a crowd-pleaser, albeit one that retains Firstman’s edgy comedy and insider knowledge of queer New York nightlife, as well as a lived-in awareness of how, over time, the nightlife can fray your soul. And just as Peter is ready to bid the scene an Irish goodbye, in walks Arlo, opening up an unlikely path to adulthood that astonishes Peter, a man-child who doesn’t own a single appropriate T-shirt that he can give to his newfound charge. (The one emblazoned “I love Björk and bareback” that Arlo initially picks out goes back into Peter’s closet.)

The thing is, Arlo really does love Björk, not to mention the Cocteau Twins, Elliott Smith and Massive Attack. Preternaturally poised and absolutely adorable, Arlo seems genetically engineered to fit into Peter’s chaotic life and thrive. He’s perfect. Too perfect. Given the tragic circumstances that brought him to Peter, you wait for the moment when grief and anger bubble up. That happens, if briefly. And then Arlo goes right back to being the coolest kid ever, except for maybe being lactose intolerant, but with all the plant-based swaps available these days, that’s hardly a deal-breaker.

Peter does tell Arlo that “it’s OK to be sad in my house,” confiding that he suffers from low self-esteem. This feels like Firstman trying to give some dimension to Peter, but it’s broad and lacking conviction. I’d say a bigger problem for Peter is that he drops $300 on some vinyl. Is there no Urban Outfitters near his apartment?

These issues nag a bit, but just a little because the loving chemistry between Firstman and Absolom is so real and tender. You can also forgive some of the shallower character notes because “Club Kid” is really funny, populated with a superb supporting cast that includes party girls Miss Benny, Alaska Riley and Saturn Risin9 as members of Peter’s rambunctious inner circle, Diego Calva as a child psychologist helping Peter (and, against his better judgment, falling for him) and Cara Delevingne, biting as a spiraling fellow promoter. Best of all is Eldar Isgandarov, playing a self-described “queer philosopher” who goes from couch-surfing at Peter’s place to moving in with Evelyn. He and Camp are so great together that, given the power, I’d green-light a spinoff feature pairing them without hesitation.

So there’s a lot to like. So much that when the film’s inevitable complications arrive — because, c’mon, somebody has to question the wisdom of Peter raising this kid — you feel a lump in your throat the size of a coke pile at one of Peter’s parties. If that comparison feels a little indelicate, it’s very much in keeping with the freewheeling spirit of “Club Kid,” a sentimental journey where the house music plays all night long.

A Place In The Sun returned to screens with Ben Hillman back at the helm, but the search for Jacqueline’s dream home on the Greek island of Lefkada took an unexpected turn

A Place In The Sun took an uncomfortable twist when a prospective buyer chose to abandon the viewing after being presented with a particular property.

The popular Channel 4 programme returned on Tuesday (November 3) with Ben Hillman once again presenting. Searching for her ideal residence on the Greek island of Lefkada was Jacqueline, from Shropshire.

She was accompanied by sister-in-law Linda for the hunt and had a maximum budget of £302k for her perfect overseas home: a 2-3 bedroom property with a luxurious pool and scenic views. The hunt didn’t begin particularly well, but when it came to property number four, matters took an unforeseen direction.

The fourth property – which featured three bedrooms and two bathrooms – was merely 60 seconds from a beach. Yet immediately, Jacqueline highlighted how it was “a bit close to the road”. Ben agreed: “It’s a busy road, but think how quickly you could be to different places.”, reports the Express.

Linda then said: “It’s very pretty to look at. It’s an attractive-looking house.” However, Jacqueline added: “That traffic is quite noisy.” Ben asked: “Alright, then hit me with it. What do you want to do? Do you want to move on or investigate further?”.

But for Jacqueline she had witnessed sufficient and replied: “No, I think I’ll give this one a miss. The garden is small but it’s the noise of the traffic, I couldn’t get used to that. Definitely not.”

Ensure our latest stories always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as Preferred Source in your Google search settings

Ben added: “It’s too much for you,” in which Jacqueline agreed: “Yeah.” In a voice-over, Ben admitted: “I am a bit disappointed that this beachside house isn’t right for my house hunters.”

Fans at home also reacted to the fourth property, with some slamming Ben for showing them a property so close to a busy road. On X, one person wrote: “What’s the point of showing them a house right next to such a busy junction. Very few people would settle for that noise.”

Someone else quipped: “Speak up Ben we can’t hear you for the traffic.” A third chimed in: “The noise from the road would drive me crazy.”

Another also said: “Instant nope, that is a super busy and loud road about 2ft from your house, there’s also barely any outside space and would you want to be outside with that road noise? Nah no ta.”

A Place In The Sun airs Monday to Friday at 6pm on Channel 4.

Numerous cities and neighborhoods offer places to remember, in festive ways, loved ones who have passed. Here are some of the places to participate in the rich Mexican Day of the Dead tradition.

Olvera Street

Olvera Street’s Day of the Dead events have taken place for nearly 40 years. Daytime events, including entertainment, face painting and altars begin at 11 a.m., with a colorful novenario procession at 7 p.m.

Downtown

At the Central Library, 630 W. 5th St., beginning at 1:30 p.m. and until 4:30 p.m., sugar skull decorating, Aztec dance performances, puppet decorating, stories storytelling, arts and crafts, photo opportunities with La Catrina Andante, ofrenda making, and more. Open to all ages.

Gloria Molina Grand Park, from 3:00 a.m. to 7:00 p.m., a closing celebration of Dia de los Muertos features a lineup with The Negrete Family, the viral family band blending banda roots with pop flair; DJ Butchona, bringing corridos and banda to a family house party where you can come as you are; Lxs Cochinxs, serving up Cumbia Cochina with chicha, merengue, punk, and rave beats.

Families can take part in Indigenous Mexican ribbon braiding with Ponte Your Monos, sugar skull decorating with Kalaveritas Y Mas, face painting with Doodling Faces, and paper weaving with Ana Reyes. As night falls, candlelight and offerings will illuminate the park.

Los Angeles Zoo

At the Los Angeles Zoo, patrons can bring a picture of their late companion animals to display on a community altar.
For the sixth straight year, the L.A. Zoo is partnering with Plaza de la Raza Cultural Center for the Arts & Education to bring the Beloved Pets Ofrenda back to the Zoo. It’s designed to honor the memory of cherished animal companions that have passed away, and all Zoo guests may participate. Staff from the Zoo’s Learning & Engagement team will be available from 10 a.m. to 4 p.m. to help create altar.

Highland Park

The Northeast Los Angeles Día de los Muertos Festival takes place from 11:00 a.m. to 4:00 p.m. at the Heritage Square Museum, 3510 Pasadena Ave. Supported by the Historic Highland Park Neighborhood Council, this free community event features traditional altars (ofrendas), Aztec dancers, live mariachi music, face painting, and local food vendors.

Glendale

Forest Lawn Memorial Park, 1712 S. Glendale Ave. will celebrate from noon until 3 p.m. with marigolds, Catrina and spirit guide artworks, community altars, marionettes, folklorico and mariachi performances, arts and crafts, face painting.

Pasadena

At Boston Court Pasadena, 70 N. Mentor Ave, there are two performances, one at 4:00 p.m. and one at 6:00 p.m. of Mariachi Tierra Mia on Sunday.

Canoga Park

Canoga Park’s 26th Annual Día de los Muertos Festival, healing through memory, from 10:00 a.m. to 5:00 p.m. on Sherman Way between Topanga Canyon Blvd. and Canoga Ave. It will have dance performances, live music, a classic car show, family arts and crafts, and community altars.

Mid City

On West Adams Blvd. between Fairfax Ave. and Hauser Blvd., Mid-City has its community festival. Family friendly with live music, food trucks, art gallery, workshops, community altar & more. Live Music & Performances: Acoustic sets, the Recuerdos stage, and a Super Sonidero stage.

Santa Monica

On the Santa Monica Pier from 12:00 p.m. to 5:30 p.m. at the Merry Go-Round building and West End. This year’s celebration will honor Pedro Infante and offer a classic car cruise, face painting, Aztec blessing and procession, Ballet Folklorico, mariachi music, and a communal ofrenda.

Long Beach

Long Beach’s Day of the Dead festivities return to their original location at Rainbow Lagoon, 400 E. Shoreline Dr. They begin at 1 p.m. with the duo Las Chicas Tristes and include Millikan’s Ballet Folklorico Program, Mariachi Divas, Tiancho and the Selena tribute band Como La Flor Band until 7:00 p.m.

Gardena

At the Gardena City Hall Complex, 1700 W. 162nd St. from 5:30 p.m. until 8:30 p.m. celebrate life, honor loved ones, and experience the beauty of this meaningful tradition with an evening full of culture, community, and remembrance. Live entertainment, food, crafts, games, and a beautiful display of altars with a Catrina & Catrín contest. Bring a photo of a loved one for the community altar.

Downey

At Brookshire and Firestone Blvds from 11:00 a.m. until 8:00 p.m. there will be arts and crafts, a chalk walk, face painting, art displays, car altars, and so much more. Decorate your own sugar skull, grab a bite to eat at the food trucks, purchase something from the mercado, pay a visit to the community altar, or go see some live entertainment.

Ontario

At the Ontario Museum of History & Art, 225 S. Euclid Avenue, from 3:00 p.m. to 6:00 p.m. there will be live entertainment, with Adeliade Pilar, and a Catrina competition, celebrating Día de los Muertos through elegant costume design, traditional makeup and cultural storytelling. All ages are welcome to participate.

From 6:00 to 9:00 p.m., the celebration will continue at the R. Jack Mercer Community Bandstand at Euclid Avenue and C Street, where community members can gather for a Día de los Muertos procession. Attendees are encouraged to wear their favorite Día de los Muertos attire.

Santa Ana

At the Bowers Museum, 2002 N. Main St., celebrates a free festival from 11:00 a.m. to 3:00 p.m. with live music, dance performances, face painting, and family art projects.

At the Heritage Museum of Orange County, 3101 W. Harvard St, from 5:00 p.m. to 9:00 p.m., live entertainment, community altars, artisan crafts, and historic tours.

Fullerton

The Muckenthaler Cultural Center Día de los Muertos Festival goes from noon until 4 p.m. with live music, family fun, kids arts and crafts, local artisans and more. 1201 W. Malvern Ave.

Judy Reyes was nursing a severe case of homesickness when she arrived in Los Angeles nearly 25 years ago.

“Every month we’d have a hiatus on ‘Scrubs’ and every month, I’d head back east,” says Reyes, who plays head nurse Carla Espinosa on the ABC medical dramedy. The Bronx-born Dominican actor missed her family, friends and the theater company she helped start in 1992. She also feared she would forget her New York roots and wanted to “keep it real,” she quips. “I was so worried about being fake and not keeping it real.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Over time, her trips back home became less frequent, especially after she got pregnant with her now teenage son and her New York family relocated down South. She’s since settled into the place she’s called home for the last three decades.

Earlier this year, Reyes reprised her breakthrough TV role on “Scrubs,” which initially ended in 2010 after a nine-season run. Meanwhile, she’s been splitting her time on set with another ABC workplace drama, “High Potential.” She plays Lt. Selena Soto, who leads a team of LAPD crime solvers. Off screen, Reyes is also the executive producer of “Freestyle: A Love Story,” a stage production that follows two lovers who meet at a freestyle show.

Just weeks before the production debuts on Nov. 6 at the Wilshire Ebell Theatre, Reyes shared a jam-packed Sunday Funday, which primarily takes place in Studio City. On the agenda are New York-style bagels (as a New Yorker, we trust her), getting a massage in the back of a sushi restaurant and enjoying sushi night with her husband and son as they’ve done since he was a baby.

“Before the kid, I was a Hollywood girl, but I’m annoyed when I have to go to Hollywood now,” she says. “I like to say we’ve contributed to the evolution of Studio City.”

This interview has been lightly edited and condensed for length and clarity.

5:15 a.m.: Admire the sunrise

I’m an early riser. I get up at like 5:15 or 5:30 a.m. I have a Breville machine, so I’ll make a cappuccino. I’ll take my supplements and I’ll pull up the shade on my terrace and watch the sunrise. I take photos and I send them to my besties on the East Coast. My bestie who lives in a high-rise on 43rd Street also has a terrace and sends me photos of her sunset. My husband’s an early riser too. He has business in the U.K., so he’s always up before me. If I’m not up by like 5:30 a.m., he’s like, ‘Babe, are you OK?’ So I’ll watch the sunrise, catch up on the news and do a little bit of doomscrolling to my detriment.

8 a.m.: Have L.A.’s most New York bagels

Everything opens late on Sundays, so we’ll wait. We’ll either go to Sam’s Bagels, which has the best bagels — the most New York bagels. We’ll either get a half dozen of the mini ones or four of the regular-sized ones with the seeds on them, and we’ll get cream cheese, of course, and lox. Or we’ll go to Belle Bakery Cafe on Ventura Boulevard in Studio City. We’ll have either a full breakfast like bacon, eggs and toast or an omelet. They have the best fresh bread. You can get the bread during breakfast, but they won’t sell you the baguettes until after 11 a.m. You can’t make them give you anything earlier. You get there at 11 a.m. and you’re lucky if you get some. They sell out quickly.

10 a.m.: Pick up the best tuna from Erewhon

We’ll go to an Erewhon or Bristol Farms to get prepared foods for at least the first half of the week. Sometimes we’ll go to the farmers market on Fairfax, but that gets to be a little bit too busy. It’s too hot and there’s too much to do, and for my menopause, it’s not safe for the environment for me to be there. Erewhon has the best tuna fish, so we’ll pick that up that goes well with the bread that I told you about. I’ll add some capers or a pickle or two, then you have a sandwich for the rest of the day or into the next morning.

11 a.m.: A quick workout sesh at home

We’ll come back home and I’ll do some weights in the garage and my husband will do some stairs in the back of our house, or we’ll just do a walk in the hills near our house. I used to walk the hills a lot more before my dog passed away. I find it very sad, so I probably get a weekly walk in now, but I like to do my weights. It makes me feel good and prepared for the rest of the day.

1 p.m.: Get a massage in the back of a sushi restaurant

Sunday is nail day. My favorite place is Mod Nails on Ventura [Boulevard]. My girl Hannah, who runs the place, hooks my nails up, and we have nice, long talks. We rage talk about everything that’s wrong with the world and in our lives, and I get the coolest pedicure. I don’t have tips this time around because I have to keep going back between ‘Scrubs’ and ‘High Potential.’ Nurses can’t wear them long, so maybe next month I’ll get my gel fills, which is what she’s an expert at. Hannah does my nails better than anybody I’ve ever had. They run an acupuncture studio in the back. Her husband does acupuncture. It’s a really reasonably priced, wonderful experience.

Then on that street, I might go to Jonathan, who’s been my masseuse for 10 years, and get a nice beatdown. Interestingly, he works out of the back of a sushi restaurant called Iroha Sushi. He’s got his own little room back there that I’ve been going to for years. Best massage I’ve ever had. He keeps me in line especially when I have to travel. I had double hip replacement, so I’ve been dealing with a lot of pain. I also may go to my acupuncturist Dr. Yi if she’s available. She’s out in Culver City at Yi Qiao.

2:30 p.m.: Watch the L.A. Watford Women FC team practice at LACC

My husband and I co-own a women’s soccer team called L.A. Watford Women FC. We’ll go watch the girls practice at LACC. My husband is very active, as am I, in supporting these women. We were able to win a regional championship last year, so now we’re kind of devoted to going and rooting the girls on in practice, and encouraging them because it’s also an activist thing where you come for the game, but you stay for the activism.

4 p.m.: Go to rehearsals for my upcoming show

Now we’ll go to rehearsals at the Wilshire Ebell Theatre because we have a show, “Freestyle: A Love Story” coming up. We’ll meet with our dancers, actors and our DJ and the staging [team]. It’s not a terribly complicated show so we’re there for a couple of hours. The show is going to premiere on Nov. 6, so we’re running out of time. We do a lot of the social media and promotion because it’s a labor of love, faith, solidarity and community.

6 p.m.: Sushi Sunday with the fam

I’ve been doing Sushi Sunday with my husband and my son since he was 5 months old. We used to go with all these other couples, but people have outgrown us or moved on or gotten jobs in other states. It’s at Kiwami. We stuff our faces like it’s a job. I think we’ve been going there longer than the entire wait staff has been there. We sit at the same table, table number six right behind the sushi bar.

If we don’t go to Kiwami, we’ll go across the street to Black Market Liquor Bar. It’s also a place we’ve been going to for years. They have an appetizer-style, Southern, saucy-inspired menu where they have things breaded and fried. Oh, they have the greatest oysters and amazing pasta. If I’m not with the family and I’m just by myself or with a girlfriend, I’ll go to Laurel Tavern, which is a pub that has the greatest little menu.

7:30 p.m.: Read 10 pages before bed

Then we’ll come home. If there’s football, we’ll watch football. We go for the Jets. Poor Jets. I’m a New York fan so the Jets or the Giants are fine with me, but my husband is addicted to suffering. After football, we’ll both get in bed with our laptops and we’ll either watch something together and I’ll rub his head until he falls asleep. Or I’ll go back to doomscrolling and watching news until my feelings are hurt or I’ll read a book that I have. Because I’m on screen so much, I’m forcing myself to read at least 10 pages a night. I’m currently reading ”Communion” by bell hooks. It’s very heavy. Then I’ll do a little bit of journaling and I’m asleep by 9:30 p.m.

As questions swirl this week about his future at USC and his potential fit elsewhere, Lincoln Riley didn’t mince words about where he wants to be coaching when asked Tuesday.

“I love it here,” the fifth-year coach said.

“Listen if I didn’t want to be at this place, I wouldn’t have come here in the first place. If I didn’t want to be at this place, I’ve had plenty of opportunities to leave. This is where I want to be. This is the right place for me. I’m the right person to be here. And that’s as honest and transparent as I can be with you guys.”

Whether Riley will actually have a say in that decision remains to be seen. After falling 24-7 to Wisconsin in one of the worst defeats of Riley’s tenure on Saturday, USC can’t afford another loss this season if it hopes to make the College Football Playoff for the first time.

That was the bar all parties at USC appeared to agree on ahead of Riley’s fifth season with the program. The coach himself said in August that expectations should be “through the roof.”

“We do expect to make the playoff,” USC athletic director Jennifer Cohen said in May. “We do expect to have a championship run. We do expect to be competing for championships every single year. I think that’s what’s awesome about USC, is that that’s what we all expect of it.”

That looks unlikely now, with three of USC’s final four games coming against top-10 teams, beginning with No. 2 Ohio State on Saturday. It has led to speculation that USC is bound for a breakup with its football coach.

A recent report from USA Today described the relationship between USC and Riley as “an unhappy marriage.”

But when asked about Cohen on Tuesday, Riley heaped praise on the athletic director. He said they had “an incredible working relationship.”

“She’s a tremendous AD,” Riley said. “Even though she’s not the AD I came here with, and I’m not the head coach she hired, [we have a] fantastic relationship. She’s been a huge part of the progress that we’ve made and has been incredibly supportive.”

It’s unclear how long Riley will hold on to that support if USC’s season starts to slip away. A person familiar with discussions around the coach’s future told The Times after USC’s loss to Oregon that “all options are on the table” with Riley. The trajectory of the Trojans’ season has turned downward since.

That’s led to further speculation that Riley and USC could potentially agree to a mutual parting of ways after this season. And that Riley could land at a program like Baylor, which just fired its coach.

Riley still has six years remaining on his contract at USC, according to a person familiar with the deal, due to an automatic one-year extension he accrued after the Trojans earned a New Year’s Six bowl bid in 2022. Buying Riley out of his deal would mean forking over upwards of $70 million, plus more for his assistants.

If Riley were to find another landing spot, though, it would allow the Trojans to offset the otherwise astronomical cost of his departure.

USC coach Lincoln Riley talks with quarterback Jayden Maiava during the team’s win at Penn Sate on Oct. 10.

(Barry Reeger / Associated Press)

Riley said Tuesday that was nowhere near his mind.

“Like I told you guys a lot of times, there’s not a lot of people in college football history that gave up what I gave up to come here,” Riley said. “I came here because this is where I want to be. I came here because I believe in this place. And none of that has changed whatsoever.”

The question is whether USC still believes in Riley.

Inside the locker room, at least, there seems to be no doubt whether Riley should be USC’s coach.

“I know he’s the right guy,” said left tackle Elijah Paige. “I believe there’s not a better leader in the country.”

“He’s the greatest coach I’ve been around,” added freshman wideout Trent Mosley. “We’re all right there with him.”

Pat McAfee, a co-host of ESPN’s “College GameDay,” doubled down on his criticism of the University of Utah on his sports talk show Monday, referring to the assassination of conservative activist Charlie Kirk and suggesting he would call in sick if “GameDay” returned to Utah.

“I’ll hopefully never go to that place,” McAfee said. “I think I’ll have COVID whenever ‘GameDay’ goes back, if I’m still a part of ‘GameDay.’ I did not enjoy the morning there.”

Utah issued an apology even as an avalanche of social media reaction was mainly critical of McAfee. The dominant meme theme focused on his perceived softness in reacting so strongly to a short video the university released Saturday ahead of the “GameDay” show from Utah’s Salt Lake City campus that preceded the Utes’ game against Houston.

The video posted on the university’s official social media accounts asked students to do an impression of McAfee. A microphone was handed to a handful of male students who roared while saying that although they were fans of the irreverent, theatrical analyst, he should stop his weekly “GameDay” routine of taking his shirt off while college students cheer and jeer behind him.

Another student called his antics “corny.” McAfee, apparently already reeling from a column in the Athletic that opined that “College GameDay” has become overwhelmed by McAfee’s “frat-rock prankster” personality, appeared deeply offended.

“The University puts that out as I’m about to go out and do an infomercial for the place?,” McAfee said. “And I’m walking in front of thousands of these people? This is how the university feels about it? It’s an uncomfortable feeling.

“I’m getting a lot of shrapnel from a lot of places. The university is putting this out? That’s something I just had never experienced, really in my entire life. So it kind of set me off a little bit. Made me feel a little bit weird.”

McAfee alluded to the shooting death of Kirk, the conservative activist who was killed in September 2025 during a speaking event on Utah Valley University, about 40 miles from the Utah campus.

“And I thought to myself, ‘Has anything, like, really scary happened at a college gathering in the state of Utah recently?,’” he said. “Do we think we should be amplifying reasons for why people hate my guts, as a university? I don’t know. There were a lot of mixed feelings for me going out there.

“It’s like, all right, I hate this place. I hate this place. They’ve got a good football team, though…. But I’ve never been more uncomfortable, honestly, in my life, walking in front of a group of people after watching their university put out a post, basically dogging me just moments before.”

The video was removed from Utah’s social media accounts and the university issued a statement Monday night saying the goal “was to create lighthearted engagement regarding Pat being back on campus,” but that the video “missed the mark.”

“University staff are responsible for reviewing and posting content on official social media accounts and we take full accountability for that decision,” the school said. “University officials have reached out to Pat to express appreciation and regret. We sincerely apologize for creating any perception that Pat was unsafe or unwelcome on our campus. Nothing could be further from the truth”

Social media was soon littered with memes of McAfee accompanied by rolls of a soft brand of bathroom tissue. But ESPN defended his concern about safety in a statement.

“The safety and security of our on-air team, crew and fans is paramount at ‘College GameDay.’ We are committed to ensuring a safe environment, and given the very real threats that members of our team face, we take issues involving their safety seriously. We support Pat and recognize the very real and valid concerns he has around safety and security.”

A man dedicates U2’s “With or Without You” to the ex-boyfriend who ghosted him. A woman sings “I’m Coming Home” from “The Rocky Horror Picture Show” for the late Tim Curry. The room pounds their fists on the tables to the bridge of Metallica’s “One,” a harrowing anthem about the horrors of war.

This is Blue Mondays, a karaoke night dedicated to sad songs that’s become a ritual of catharsis for its regulars. It happens the first Monday of every month at the Fable, where singers compete for what KJ (karaoke jockey) Teri Gamble calls, “the most coveted shirt in all of Eagle Rock”: a blue T-shirt featuring a pajama-clad Garfield (the cat, not the president) with the caption “I hate Mondays.”

Gamble, an actor, musician and podcaster, has sung karaoke since childhood with their babysitter. They host several karaoke events, including a Broadway night at Akbar in Silver Lake, and have helmed Blue Mondays for about two years.

Singers gather at the Fable on the first Monday of the month to belt out their saddest songs.

Gamble doesn’t always choose the best singer to win the Garfield shirt. They consider performers who make a song their own, get everyone singing along, or seem like they need a win.

“There was a girl who … had a cast on her arm. She cried her whole song. I said, ‘you don’t have to tell me what happened, but I love you and I hope everything gets better.’ And then I definitely gave her the shirt that night,” Gamble said.

Thom Sigsby, who owns the Fable with his wife, Monica Katzenell Sigsby, enjoys the low-key performances. “Someone did [Sara Bareilles’ “She Used to Be Mine”] and it was just devastating. There wasn’t a single moment of feeling like she realized there was anyone else in the room,” he said.

You’d expect long faces nursing their drinks, but it’s often the opposite. There’s something freeing about exorcising negativity through song that keeps people coming back. There’s community here, across the dedicated regulars and the staff — Gamble’s an incredible singer, and bartender Megha Wescombe absolutely crushes “Maybe This Time” from “Cabaret.” As Nicole Kidman might say, “Heartbreak feels good in a place like this.”

Patrons cheer after a performance during Blue Mondays. Regulars tell stories of forging new friendships at the event.

Mel Minghelli can perform both parts in “Phantom of the Oprah” thanks to her wide vocal range.

“I think I end up feeling less sad about my own personal sads because we are sharing them together,” Gamble said. “So it feels like the burden is lessened by the end of the night every time.”

Akhil Indurti, a software engineer who also performs musical improv at the Upright Citizens Brigade, won October’s shirt. He sang System of a Down’s “Chop Suey” (frontman Serj Tankian owns Kavat Cafe, two doors down), though his go-to is Chris Isaak’s “Wicked Game.”

“I think oftentimes [people] listen to sad songs because they’re sometimes more musically interesting,” he said. “They’re not just a major chord progression. It’s not usually just sadness. There’s nuance and subtlety. There’s some storytelling.”

Soraya Sebghati won September’s shirt with Linda Ronstadt’s “Long Long Time.” She fronts the band Night Talks, and said sometimes people tell her she shouldn’t be allowed to do karaoke because she’s a professional. She still loves it, both as a performer and a spectator, and — despite her seemingly upbeat demeanor — enjoys Blue Mondays as a “safe space for the freaks and the goths and people who want to sing sad stuff.”

Fable owner Thom Sigsby says his karaoke book, with more than 12,000 songs, may feel antiquated compared with digital karaoke platforms, but that’s the point.

“I’m the kind of person, when I’m sad, I like to listen to more sad music. I’m also a big cinephile. Bleak Week at Cinematheque’s [Bleak Week: Cinema of Despair] is my favorite week of programming of the year,” she said.

Fable owner Thom Sigsby says his karaoke book, with more than 12,000 songs, may feel antiquated compared to digital karaoke platforms, but that’s the point.

Dave Child lays it all out on the karaoke stage.

The Fable’s crowd and the songs they choose are eclectic, spanning generations and musical tastes. Some songs you’re guaranteed to hear every time — Radiohead’s “Creep” and Johnny Cash’s cover of “Hurt” are staples — but some performers choose more subversive tracks.

For example, OutKast’s “Hey Ya” sounds happy, but it’s about loveless relationships. Barry Manilow’s high-energy “Copacabana” describes a woman who drank her life away following her lover’s murder. Gamble recalled a performer who writhed on the floor while sob-singing Lou Bega’s “Mambo No. 5,” which could be sad considering the protagonist’s inability to maintain a steady relationship.

Blue Mondays didn’t start at the Fable. Sigsby was already a karaoke enthusiast when he began KJing at Bigfoot Lodge in Atwater Village about 14 years ago. By his own admission, he “got way too into it,” spending his own money to add songs to his book. A former theater kid and commercial actor, karaoke gave Sigsby a new way to express himself on stage and make friends. He and his wife even bonded over karaoke before they married.

Lyrics for “Solitaire,” a Neil Sedaka ballad, plays during a karaoke performance.

Given that Mondays are usually slow, Sigsby and his co-workers began adding shticks: single-artist blocks, nights where KJs chose singers’ songs, and Blue Mondays, which offered a free “Prozac” shot for each depressing tune (a mystery blend with an on-theme hue). Free booze — which singers still receive today — was a motivator, but so was the theme, which seemed to “resonate” more than the others.

Sigsby later founded his own karaoke company, HiHo Karaoke. It operates at bars including Ye Rustic Inn, Glendale’s the Gold Rail and Bigfoot Lodge, whose own Blue Mondays, Sigsby said, draws a younger crowd. Compared with some karaoke outfits, Sigsby admits HiHo may appear “antiquated,” but that’s intentional. “There’s no app, there [are] no [paper] slips. You literally just come talk to us because we want to meet you and talk to you and have a relationship with the singer[s],” he said.

The same goes for HiHo’s book. Streaming services may offer 50,000-song catalogs, but HiHo’s 12,000-plus book is curated by its hosts and clientele. Licensing each song ensures musicians and rights holders are paid, and lets people request the songs they’ve been dying to sing, from emo deep cuts to Puccini operas.

Brian Collins performs during Blue Mondays.

In 2019, Sigsby and his wife purchased the Fable (formerly the Old Chalet and before that, the Black Boar) less than six months before the pandemic. It was after stay-at-home orders lifted that Blue Mondays really took off. “I think it really was just this need for everyone to reconnect coming out of COVID and also have a safe space … where they really could emote,” he said.

Through the Eaton fire in nearby Altadena and today’s economic uncertainty — Sigsby notes the first Monday means everyone’s just paid rent — the Fable has continued to offer that space.

Regular Mel Minghelli, whose impressive four-octave range let her nail both the Phantom and Christine in “The Phantom of the Opera,” said, “I think in the way that sad music has helped people as a comfort, it’s really nice to be able to perform it and have other people … hear it or also feel comforted.” Minghelli used to treat her unique talent as a “party trick,” but now wants to record her own music with singer-songwriter Johnny Mace, another regular she met at the Fable.

Mace chose Calum Scott’s cover of Robyn’s “Dancing on My Own” that evening, though he said he often does Black Sabbath’s “War Pigs.” He described the Fable as a “magical” place where he’s found numerous friends and opportunities. “I was in the deepest depression and coming out here got my confidence back and I found my voice again. I [had given up] on my music career. I was really hurting and this place gave me life again so I owe this place a lot,” he said.

He won the shirt once singing the Goo Goo Dolls’ “Iris” but has since given it away, to whom he can’t remember. Why? Unlike Garfield, he likes Mondays.

The next Blue Monday is Nov. 2, 8:30 p.m.-12:30 a.m., at the Fable, 1630 Colorado Blvd. in Eagle Rock.

SCARLETTE Douglas has revealed she’s expecting her first child with her fitness instructor fiancé Kyle Murray.

The A Place In The Sun host, 39, took to Instagram on Sunday afternoon to share the sweet news – alongside a picture of her blossoming bump.

The TV personality – who froze her eggs back in 2024 – shared a snap of herself and Kyle in front of a balloon arch and teddy bear display which read: ‘We can Bearly wait’.

In the snap, Scarlette donned a crop top to show off her bump, which Kyle cradled from behind.

Scarlette wrote underneath the post: “The exciting news is finally here!

“We’re over the moon to announce… We’re having a baby!!!!!!”

HEY BABY!

Gaz Beadle’s ex Emma shows off her growing baby bump after announcing pregnancy

FLOG IT

Helen Flanagan stuns in corset dress as she flogs her old clothes on Vinted

The star’s celeb pals flocked to the comments to share their congratulations – with Frankie Essex writing: “Yayyyyyyuuu love it!! Congratulations ❤️❤️❤️❤️”.

Scarlette did not share in the post how far along in the pregnancy she is, or whether the couple know the gender of their little one.

The TV star met her boyfriend in May last year, with Scarlette attending one of his fitness classes.

In March this year, Kyle popped the question and the pair are now engaged.

The expectant parents attended The Baby Show – a parenting exhibition – in London on Friday.

Snaps show the duo testing out prams and cots as they got their practice in ahead of the baby’s arrival.

When William Jackson Harper moved to Los Angeles to star in NBC’s “The Good Place” a decade ago, he himself felt out of place.

“As an actor, I was like I don’t know if this is where I’m supposed to be,” says Harper, who earned an Emmy nomination for his role as Chidi Anagonye, the show’s endearingly panicked and indecisive professor.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“People felt more finished there,” he says of L.A. “I felt like people had sort of come into their appearance, they knew what they were selling. And I was like, you know, I’m much more of a theater guy, New York is probably where I’m going to land.”

He adds, “So I had this idea that I was going to get to L.A. and everyone was just going to laugh at me.”

Quite the opposite happened. Harper leaned into the L.A. experience, exploring the sprawling city, particularly its nature, and connecting with old friends on a deeper level. He soon grew to appreciate it — so much that he continues to split his time between L.A. and New York alongside his wife, Ali Ahn, who is also an actor.

Harper now stars in the dramatic anthology series “American Hostage,” which re-creates the true story of Tony Kiritsis, an Indianapolis man who, in 1977, kidnapped a mortgage broker whose family Kiritsis blamed for his own financial hardships. During a 63-hour standoff, Kiritsis demands that Fred Heckman, a beloved radio reporter played by Jon Hamm, interview him live on air.

“When that script came across my desk, I was like ‘This is insane,’” Harper says of the show, now streaming on MGM+. He was excited to portray Ben Hairston, a reporter and Heckman’s mentee, who attempts to help him navigate the challenging situation.

Harper says he’d been interested in being part of the show set in the late 1970s. Another draw? “I was looking forward to just rocking a mustache,” he says with a laugh. “I was looking forward to just looking like my uncles.”

Here’s how Harper would spend his perfect Sunday in L.A., from a morning hike at Griffith Park to shopping for more French tour jackets at a vintage store in Silver Lake.

7 a.m.: Start with an intense workout

Even though I typically don’t work out on Sundays, sometimes I get a wild hair and do it anyway because I enjoy it. I’ll go to a class around 7 or 8 a.m. I go to Training Mate a lot because the instructors are fun. They’re all, like, beautiful people, but they are dorks, which I find really endearing. They’re really sweet and encouraging. So we’ll do a really tough 45-minute workout an I’ll probably want to go for a hike after that. Griffith Park is one of my favorite places anywhere, so I’d kind of march around there for a couple of hours. I don’t always do the hard [route], I’m already kind of cooked. I just want to be in nature a little bit.

11 a.m.: Bond with friends over breakfast

Then it would be time to eat. I have this tradition whenever I’m in L.A. of meeting with a couple of friends of ours at Fred 62 on Vermont [Avenue]. I’ll get a tofu breakfast enchilada and then we’ll just sit there and talk for a couple of hours. The waiters remember my order even if it’s been months. Or my friends and I will go to some place like All Time, which is really good. There’s always a line and everyone is very done up and I feel really dirty and underdressed when I go, but f— it. It’s like deal with it. I’m old. I can’t be out here flexing.

2 p.m.: Nap to recharge for a shopping spree

All those things make for a powerful wave of sleepiness, so I’ll take a nap. Usually when I have days off like this, I have a shopping addiction, so there’s a few stores that I’ll probably wind up hitting. One of them is this place called Golden Age that has all these old French tour jackets. I have so many [laughs]. I rock those a lot. So I’ll go there, look around and abuse my bank account a little bit. Then there’s this other place on La Brea called General Quarters. It’s got a bunch of work wear stuff.

6 p.m.: Watch a movie at an old-school theater

After that, I might go see a movie at Los Feliz 3. It just reminds me of the movie theaters I grew up going to. I love an old-school, no frills theater that shows cool stuff.

8:30 p.m.: Have a delicious pescatarian dinner

If we are not cooking, we’re going out to eat somewhere. There’s this place in Eagle Rock that we like a lot called Little Beast. One of my favorite restaurants is Bavel. Every time I go there, I’m just like I don’t deserve this meal. I don’t deserve these cocktails. I’ve ordered something different every time. My wife and I are both pescatarian, so we usually load up on the veggies and pick whatever fish dish they have.

10:30 p.m.: Time for bed

After that, we’ll go back home, give our dog Chico another walk and watch Netflix until we fall asleep. My wife falls asleep first. When we are together, I’ll fall asleep earlier between like 11 p.m. and midnight. When I’m by myself, I’m up till 2 or 3 in the morning. I’m just up.

The Tulare County elections office in the Central Valley was suddenly getting peppered with questions from baffled voters.

On the afternoon of Oct. 13, residents began calling and showing up in person at the registrar of voters’ office in Visalia, worried they would be accused of committing fraud by trying to vote twice.

That’s because, much to the surprise and chagrin of county elections staff, thousands of voters had accidentally been mailed duplicate ballots for the Nov. 3 midterm election.

In the agricultural city of Tulare, a place surrounded by walnut and almond orchards as far as the eye can see, 7,791 voters received extra ballots because of an error by the private printing vendor, said Michelle Baldwin, the county registrar of voters, who noted that safeguards were in place to keep the extra ballots from being counted.

The county’s longtime ballot printer, Porterville-based ProVote Solutions, “has accepted full responsibility for the mistake,” she said.

ProVote Solutions did not immediately respond to a request for comment.

“It is unfortunate that it happened,” Baldwin said. “Of course, we would have preferred this didn’t happen, but it did, and we tried to get right on it and respond within 24 hours.”

It’s the kind of error that, in most election years, probably would be just a minor news story. County elections officials would be trusted with their explanation for the mistake, said David Becker, executive director of the Center for Election Innovation & Research and a former senior trial attorney overseeing voting enforcement for the Department of Justice’s Civil Rights Division.

But this midterm has been beset by a growing distrust in the integrity of mail-in ballots following President Trump’s attempt to restrict them before the November election — an effort that was blocked last month by the U.S. Supreme Court.

Trump, who remains fixated on his 2020 election loss, has repeatedly alleged — without providing evidence — that voting by mail leads to widespread cheating and fraud. He has focused specifically on California, where every registered voter automatically receives a ballot in the mail. Seven other states do the same.

On Monday, federal officials charged 28 people with election-related crimes in California, including fraudulent voter registration and making false statements in a naturalization application. Among them were several green card holders, some of whom said they had no recollection of registering to vote, as Trump administration officials accuse them of doing.

In this tense political climate, Becker said, even straightforward election mistakes are magnified on social media and become the subject of conspiracy theories, making the job of local elections officials much more difficult.

“Accidents do happen,” Becker said. “Our elections are incredibly decentralized, run by hundreds of thousands of human beings. As a result, we know there is going to be human error, but our elections are not designed to be perfect. That’s impossible. What they are designed to do is be resilient against human error.”

Becker said it is not unheard of for a voter to receive two ballots. Sometimes, a voter will call the local registrar to request a new one because theirs has not arrived by mail — only to have the original eventually show up. And in other states where voters are required to formally request a mail ballot, they may forget they have done so and show up to vote in person.

That’s why, he said, there are well-established checks to protect against double voting. When a voter casts a ballot, they are “marked immediately” in statewide systems that show they’ve done so, he said.

Ballot errors are rare but not unheard of.

On Monday, the Imperial County registrar of voters announced that a “mailing error” caused duplicate ballots to be sent to 160 voters who requested confidential voter status, meaning that, for safety reasons, their identity and contact information are kept off public voting rolls.

“The error occurred as the Registrar of Voters’ Office was updating its procedures to follow changes in California law,” the elections office said in a statement, adding that, on Jan. 1, elected officials and candidates for public office became eligible for confidential voter status, “requiring changes to how their ballots are processed and mailed.”

Tulare County is a mostly rural place that voted for Trump in the last three presidential elections. Portions of the city of Tulare — population 74,000 — are in the redistricted but perennially competitive 22nd Congressional District, where a close race between Rep. David Valadao (R-Hanford) and Democratic challenger Randy Villegas, a political science professor at College of the Sequoias in Visalia, could determine the balance of power in Congress.

Robert Jones, a strategist for the Valadao campaign, told The Times on Tuesday that the campaign had been in close communication with the registrar’s office and was not overly concerned.

“We have a lot of faith in the Tulare County registrar and elections office,” Jones said, “and we would imagine that, with the extra scrutiny, it will be diligent in making sure that only registered voters vote and that they vote only one time.”

Villegas’ campaign did not immediately respond to a request for comment.

Mark Martinez, a political science professor at Cal State Bakersfield, said conspiracy theories about the error in Tulare add to what is already a tense political climate in the Central Valley, where a recent surge in Immigration and Customs Enforcement operations has disrupted agricultural communities, sent families scrambling to find detained loved ones, and led to a drop in school attendance.

“People will walk away, stay away or avoid political events especially if you look like me — if you look brown or Latino,” Martinez said.

The duplicate-ballot error in Tulare last week quickly went viral in conservative social media circles, with claims that something nefarious was going on in the middle of a House battleground district. One post on X by right-wing media personality Eric Daugherty said, “Trump is right, this is the MESS mass mail-in voting creates!” and “Stop the cheat!” It was viewed more than 450,000 times on that platform, and screenshots of the post were widely shared on Facebook with additional commentary.

The Republican-leaning city of Tulare has just over 34,500 registered voters, according to the California secretary of state’s office. Not all of them are in Valadao’s district.

About 23% of voters in the city received duplicate ballots.

Countywide, about 3% of the 227,000 registered voters were affected.

Baldwin said that as soon as residents started reporting their duplicate ballots, elections staffers immediately contacted the vendor, which confirmed the evening of Oct. 13 that the batch of nearly 7,800 ballots had been accidentally reprinted and mailed.

The vendor, she said, quickly printed postcards explaining what happened and drove them more than three hours to a postal facility in Sacramento so they would be promptly processed and received by voters by the end of the week.

The mailer, in English and Spanish, instructs those who got two ballots to “securely destroy the duplicate ballot” instead of returning it.

Baldwin said that if anybody submits two ballots, “it will be flagged” by safeguards already in place.

The barcode on each voter’s mail return envelope is connected to his or her voter record, she said. Before a mailed ballot is accepted for counting, elections staff scan the barcode, record that the ballot has been received, compare the envelope signature with the signature on a person’s voter record, and check to see if the person has already voted.

“Your vote stays private,” Tulare County elections staff wrote in a Facebook post explaining safeguards against voting more than once. “After verification, your ballot is separated from the return envelope before counting. The envelope barcode tracks your ballot’s return, not your voting choices.”

In the comments section, one resident was frustrated but circumspect.

“I am livid this happened THIS YEAR OF ALL YEARS!!” the resident wrote. “And also, glad there are protections in place in case any fools try to use both. Good grief!!”

Genres Book Society, a new bookshop coming to L.A., is hiding a few secrets. The first indication that something a bit fantastical is going on here is the fact that the boutique store has a mascot.

Look up upon entering the space, and you’ll meet Lore. Lore is a dragon, and this dragon is made of books. The striking sculpture will hover over a cozy space with modular bookshelves that are arranged on a floor covered in book quotes. Peer closely and you’ll see the quotes are designed in the shape of a tree.

A story is being built, a narrative that signifies that Genres aims to be not just a bookshop, but a place that feels like a real-life fairy tale. For this bookstore is also concealing a speakeasy of sorts, a secluded cafe and bar with multiple themed spaces and a two-story tree with glowing books growing out of its branches.

Stories, Genres is telling us, are life.

“This is for people who want to enter into story worlds,” says Ann Morrow Johnson of design firm Gensler. Johnson, a former creative with Walt Disney Imagineering, leads Gensler’s entertainment and experiences division, which is designing the bookshop.

She wants guests to feel transported into a fantasy universe, and understands how to make that happen. For instance? “Adding just a little bit of theatricality and sparkle helps create an invitation of suspension of disbelief,” she says.

The centerpiece of Genre’s bookstore, shown in an artist’s rendering, will be a dragon named Lore.

(Gensler)

Genres, on track to open in mid-2027 near the intersection of Melrose and Fairfax avenues, is tapping into a local trend of heavily designed thematic spaces with a penchant for fantasy. Think, for instance, of the Witch’s Cottage in North Hollywood, or the Last Canteen in the shadow of Universal Studios Hollywood. Consider it the latest evolution of the themed restaurant, and a way to bring the heavily theatrical worlds of theme parks closer to home. Johnson, for instance, says the firm’s research with the the Immersive Experience Institute has shown a hunger in younger generations to embrace spaces such as the Rainforest Cafe.

“People are seeking out a moment,” Johnson says. “Those more theatrical, highly scenic spaces are more likely to get you off your phone. Little moments of delight center you.”

Genres was dreamed up Clare Grant and Karissa Marston, who brought the project to Gensler and tapped them to lead its design. Grant, an actor/producer, says the idea came to her while experiencing the regret of missing a retreat hosted by her girlfriends, who had rented a cabin to read the latest edition in the fantasy “Crescent City” series.

“Just having a newborn, I was like, ‘Why can’t I go read this book in a fantasy-themed cabin?’ That’s literally my dream,” Grant says. “Then I started thinking about it. Why don’t I have something like this in Los Angeles, where I can pop in for an afternoon or evening where someone is handing me drinks and food in an immersive space?”

Marston, it turns out, who has experience in hospitality and marketing with an emphasis on fandom, was already dreaming of such a space. The two of them crafted a business plan for a bookstore, one that wouldn’t look out of place in a sword and sorcery fantasy novel, with a hidden speakeasy.

“I was in Paris, and I went to the Shakespeare bookstore, and it was truly the most magical experience I have ever had,” Marston says. “I walked in and felt so immersed in the books and the history and I went up to the second floor and sat up there and wept. I was like, ‘I never want to leave this place. I only ever want to feel this way and be surrounded by books and people who love books.’”

Their vision is grand. The bookstore, they hope, will become a gathering spot for authors in the fantasy and sci-fi realms. And they talk of the speakeasy as not just being a safe eatery to sit and read all day, but also a future venue for, say, immersive theater. The two-story space will house multiple themed rooms, either for hanging out and hiding, or for potential events.

“I think it’s safe to say that if you wanted to be transported to outer space, you would be pleasantly surprised,” Marston says. “Or if you wanted to escape to Dracula’s castle or some of these other really big genres that you have, readers will be pleasantly surprised at the worlds that we are building.”

Johnson says Genres will be flexible enough to welcome introverts who want to dream away the day with a book, but can also be a home for a baby shower in addition to an author signing or a theatrical event. That’s in part why the shop and ground floor of the speakeasy have a familiar fantasy vibe, one not out of place in, say, the fairy tales of the Brothers Grimm, albeit with the welcoming tone of Disney.

Genres’ founders cited “A Midsummer Night’s Dream” as an inspiration for the bookshop’s bar, depicted in an artist’s rendering.

(Gensler)

“The focal point of the space is this sort of epic woodland fantasy,” Marston says. “When we first brought this to Gensler, and showed them our inspo deck, we kept saying ‘A Midsummer Night’s Dream.’”

That’s key, as everything in the space will spring from the written word. Genres, in that sense, also feels refreshing, emphasizing actual books and tactile media at a cultural moment when AI is often dominating conversations. Grant and Marston speak of being influenced by passionate social media creators who celebrate books, wanting to build a community as much as an event space. A prerequisite to be a bartender, says Marston, will need to be a love of books.

“We’re calling all our bartenders book-tenders,” Marston says. “Not only will they be well-versed in all things spirits and cocktails, but they are also someone who can give you the next book recommendation. These are very specialized employees. They can curate cocktails and books for you.”

Consider Genres a place for dinner and drinks, but one where story is always on the menu.

“People are craving more than dinner,” Grant says. “They want experience. They want magical memories that can get them through harder moments because nothing is easy right now. People want to spend money on something that is more than just dinner or going to a bar. Like whimsy.”

National treasure and musical icon “Weird Al” Yankovic may have once titled an album “Straight Outta Lynwood” to pay homage to the Los Angeles suburb where he was raised, but he’s lived in the same Hollywood Hills home since 2001, the year he married his wife Suzanne.

Though he says the two are “homebodies,” they do enjoy getting out and exploring L.A. When he was bored during the pandemic, Yankovic made it his mission to find the city’s best culinary offerings for categories like doughnuts and chocolate chip cookies. What else would you expect from the guy who made “Eat It”?

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Yankovic gets most of his food recommendations by either word of mouth or scrolling Instagram reels. “I’ll see something that looks delicious and I’ll go, ‘Oh, where’s that?’” he says. “Sometimes it’s in Tokyo, but if it’s in L.A., I’ll make a note and maybe check it out sometime.”

When Yankovic spoke to us, he was wrapping up his Bigger & Weirder tour, which spanned two years and included 165 concerts. His last appearance of the year takes place on Halloween at the Greek Theatre. The one-time event will feature a showing of “UHF,” the 1989 cult classic film that he co-wrote and starred in, along with a live orchestral performance of its score conducted by John Du Prez, a Q&A session and surprise guests.

This interview has been lightly edited and condensed for length and clarity.

8 a.m.: Planning ahead for breakfast

I wake up, fall out of bed, drag a comb across my head. Then I find my way to the kitchen for a little breakfast.

My favorite breakfast treat is Courage Bagels. I wouldn’t actually go to Courage Bagels on a Sunday morning, so the standard protocol is every six to eight weeks I drive out there and just get a big bag full of assorted loosies, as we call them. Then I immediately go home and slice them in half and wrap them in cling wrap and put them in an airtight Ziploc baggie and throw them in the freezer.

Then whenever I want one, I just take it out, I sprinkle a little water on it, toast it, cover it with Violife vegan cream cheese, a little slice of tomato, a little onion, some fresh ground pepper, some Maldon salt, a little Graza drizzle and maybe a little lemon twist.

A lot of New Yorkers might say, ‘Oh, that’s not a real bagel’ — because it’s not a real New York bagel, they call it a Montreal-style bagel — but it’s what I like.

10 a.m.: Sunday service

I go to church. I don’t manage to go to church when I’m on the road, but when I’m at home, I do.

Noon: Old and newer favorites

After church, since I’m already out and about, I pick up a little lunch to go. If I’m in the mood for Indian, I’d probably go with Curry Kingdom on Santa Monica. It’s a really small hole-in-the-wall place with great food.

If I want Thai, I’d probably do Toi on Sunset, which is one of my old standbys. I’ve been going there for decades. I love the food. I love the funky rock ‘n’ roll vibe. We probably eat in more than we take out there. If I’m dining with the family, we try to get the low table in the back where you can sit on the floor. You’re not allowed to take off your shoes, they make that very clear.

1 p.m.: Members only

There’s honestly nothing better than a Sunday afternoon nap, so that would be a big attraction for me. But if there’s something cool playing at the Directors Guild or the Writers Guild, my wife and I love doing that. The DGA is maybe the best place in L.A. to actually watch a movie. I’ve had both of the movies that I’ve done in my life screened at the DGA and I’ve never seen them look better or sound better.

I am a member of the Directors Guild and the Writers Guild. I pay my dues, so I want to take advantage of that and see as many movies there as possible. And honestly, my wife and I will go there even if it’s a bad movie because we’re just entertained by seeing the illusion of motion created by a rapidly projected series of still images.

3 p.m.: All who wander

We might do a little of what we call tumbleweeding. That’s what we call rolling around town with no set destination in mind, just going wherever the wind blows us. We just get in the car and see where we wind up.

A lot of times we’ll wind up in Silver Lake or Little Tokyo. We love to stop there and grab a little mochi candy or matcha ice cream to keep us awake.

6 p.m.: Pizza or Postmates

By that point, we’re probably ready for dinner. I hesitate to plug them because it’s already virtually impossible to get reservations there, but Pizzeria Sei has absolutely the best pizza you can get west of New York City. Their Special Margherita’s my go-to. It’s Neopolitan-style with a bit of Japanese flair. My wife and I always comment after dinner that you can eat there until you’re absolutely stuffed and you never feel gross afterwards.

But again, reservations are hard to come by, so another good option is our favorite Mexican food place, which is the Gardens of Taxco. It was off of Santa Monica Boulevard for forever. Sadly it closed down a few years ago, but you can still order their food from Postmates. The only difference is now Jaime won’t be serenading you with “Bésame Mucho” while you’re eating your quesadilla.

8 p.m.: Choose your own post-dinner adventure

My wife and I just love staying home. We celebrate whenever plans get canceled, that kind of thing. So if we’re staying at home, sometimes we’ll just grab a blanket and go into the den and get cozy on the couch and binge something on our big TV. I’ve seen a lot of shows on the road and my wife will get jealous that I watched without her, so I’ll watch the whole series again at home with her.

If we feel more energetic, because I’m not really a gym guy, I do like to walk. My wife and I are trying to stay healthy together. We never really feel like exercising, but we force ourselves, so we will drive to Beverly Hills and do the walking path along Santa Monica Boulevard, which is quite lovely. It goes through a cactus garden. It’s also fun to FaceTime our daughter while we’re walking. She’s living on the Lower East Side in New York, but we talk to her pretty much every day, and that’s a nice time to touch base with her.

We’ll walk for a couple hours, and if we’re in the mood for a drink or a treat, we’ll head across the street to heytea or Go Greek. Go Greek is a big favorite of ours, and it’s crazy busy in the evenings, but it’s definitely worth waiting for.

And if we’re feeling social, something we absolutely love is doing a ding dong. Maybe that only makes sense to a small handful of people, but it’s basically a musical dinner party, and the one that we go to is full of really cool and talented people like Eric Idle, Peter Asher, Mike Geier (who’s Puddle’s Pity Party, who I’m touring with currently), and a bunch of other amazingly talented musicians. We all just bring our instruments and have a potluck dinner, and then we’ll just sit around in someone’s living room singing old Beatles songs all night long. It’s the absolute best. It’s one of those things I can’t believe I get to do.

Late night: Rock ‘n’ roll hours

Right now, I’m sort of on my rock ‘n’ roll schedule, I tend to stay up pretty late at night anyway, and my wife has got a more normal schedule. If we can go to bed at the same time, that’s great, but if not, my wife will head to the bedroom and I’ll stay in the den with my headphones on and I’ll play video games until the wee morning hours. When I finally get tired of shooting people in the face, then I’ll snuggle in next to her and fall asleep.

Halloween at Kew is back for its third year and it’s even more spectacular than ever

Kew Gardens – the world famous botanical garden nestled in West London is famed for its serene and tranquil atmosphere.

Nothing can beat whiling away the hours, meandering through the vast open space with some of the oldest, most impressive and most endangered plants, trees and flowers on the planet.

The calm that befalls people when they amble into the Palm House, soon to undergo an incredible multi-million transformation where every pane of glass will be replaced, or the Temperate House, should be bottled and sold – it would make the world a far nicer place.

However, as soon as October hits and darkness falls, Kew Gardens is transformed into a terrifying Halloween wonderland of ghouls, witches, Egyptian mummies, spectres and monsters – and it’s genuinely both awe-inspiring and a little bit terrifying.

The younger sibling of the botanical gardens Kew at Christmas, Halloween at Kew first burst onto the light trail scene two years ago and is so popular it’s definitely here to stay.

Running for two weeks until November 1, the trail is suitable for all ages and comes in three time slots – warning, I’m a fully grown adult and the later slot definitely sent shivers up my spine.

There are daylight sessions for little ones (or those not keen to be spooked) with the absolute bare minimum of scaries, a twilight slot between 6pm and 7.30pm where things are certainly getting a little spookier as the sun starts to disappear and the moonlight session from 7.30pm onwards, where everything is completely dark – and scarier.

Now, full disclaimer, I am an absolute wimp. I will not watch horror films because I get so frightened I start to cry and even cartoons have been known to make me jump.

With this in mind, one of the more intense Halloween experiences on offer around the country is definitely not something I want to be experiencing, but having been an avid fan of Christmas at Kew, there was no way I was passing up the chance to see what the brains behind the stunning light trails could cook up for Halloween – and it certainly didn’t disappoint.

From the very off it’s both magical and just the right side of spooky – a stunning tree, bedecked in ghoulish green lights with a real cloaked horseman (with his head I must say) guarding it, onto an enchanted tunnel of pumpkins and a witch cooking up spells in the front garden of a cottage in the woods.

Next up is the Egyptian section. You are warned before entering – this light trail is very interactive – things could get a little spooky. A mummy (don’t worry, yhey don’t touch you) growls at walkers as they make their way through. Even though I knew this wasn’t real, I have to confess I jumped about six feet in the air when he popped up.

What makes Kew at Halloween so spookily magical isn’t just the huge array of lights, concepts and scary scenes before you… it’s also the music and soundtrack as you walk through the black as night garden.

From ghostly moans, to creaking doors in grave yards, to a sinister and chilling sound track as you move through woodland filled with chilling cloaked figures, you really feel totally immersed in the whole experience.

From vampires putting on shows, the pumpkin patches with a real life dancing Mr Pumpkin head and haunted tractors, from giant disco skeletons (these have to be seen to be believed) to pagan gods lining the walkways, there really is nothing that hasn’t been thought of and whoever dreamt this up is an absolute genius.

We took part in the moonlight walk and there were many moments where I was genuinely unsettled and at times really frightened. If you’re parents to younger children – and there were a few on the walk in our time slot – I would recommend taking them to an earlier one. There were plenty of tears in the pitch black spooky world.

But this really is a family friendly experience. The interactive characters along the way add enormously to the fun and there are plenty of places to stop for food, a hot chocolate, or to toast marshmallows (and even something stronger if you feel your nerves need it).

So, yes, Kew is already a magical place in daylight hours, make sure you run don’t walk to get your tickets for Halloween at Kew to see this incredible offering after dark.

Tickets for Halloween at Kew start at £19.50 and family tickets are available.

Karina Longworth loves Los Angeles for all its quirks and charms.

Born and raised in the San Fernando Valley, the film critic, author and journalist has made a career out of celebrating her city. Her podcast “You Must Remember This,” about “the secret and/or forgotten histories of Hollywood’s first century,” has spent 21 seasons diving into the intricacies of the movie industry, from lauded stars to undersung production designers. (Its new season, “The Bisexuals,” tells the story of singer turned actor Libby Holman, whose love life would later intersect with the now-famously queer screen star Montgomery Clift.)

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

She’s also fiercely loyal to the hangouts and haunts she grew up frequenting.

“Until they closed down three or four years ago, my favorite Indian restaurant was this place in Studio City on Ventura Place called Gangadin,” she says. “That was the only place I would order from, and I have not been able to find an Indian spot that I like since just because I’m comparing it to Gangadin, which probably wasn’t even the most authentic or the best. It’s just what I had been eating for 30 years.”

Here’s how Longworth would spend her perfect Sunday in L.A., from a stroll down Mulholland Drive to grabbing a cup of frozen yogurt with a cinematic spin.

This interview has been lightly edited for length and clarity.

9 a.m.: Get up and grab a latte

I try to sleep as late as possible, but the older I get, the harder it is to actually sleep in. Ideally on a perfect Sunday, I would sleep until 9. It doesn’t always happen, but I try.

My favorite place to get coffee in L.A. is Kings Road Cafe. I’ve been going there since the ‘90s, and I still think they have the best coffee in Los Angeles. It’s very strong and they give you a large portion, and I find that you rarely get both of those things in L.A. (I like a coffee that can last me multiple hours.) I’ll usually get an almond milk latte — iced if it’s warm out, hot if it’s not.

10 a.m.: A Laurel Canyon hike

Probably what I’d do next is go over to Laurel Canyon. I built my recording studio in a tiny house at the end of a cul-de-sac in Laurel Canyon a few years ago, and I really like hiking around there. So I’d drive up, park there, and then walk up Laurel Pass to the Nancy Hoover Pohl Overlook.

The first half of that walk is really tough because it’s just straight uphill until you get to Mulholland, but I like it because it’s not a hiking trail, so it’s not dusty and there aren’t that many people. There’s an element of solitude and quiet to it, and I love that the end of it is all downhill so you can just kind of run down and get it over with.

Growing up in the Valley, I always romanticized Mulholland Drive, which was always quote-unquote “over the hill.” There’s something about manifesting and then realizing my ideal adult life that I can come to understand by standing at the overlook and looking at the other side, remembering when I dreamed of living where I do now.

In the ‘80s and ‘90s, the Valley wasn’t what it is now. There wasn’t an Alfred Coffee or anything like that. It was a few years behind the times compared to Hollywood or Beverly Hills, where all the cool stuff that I wanted to do was usually happening. All the good record stores, all the good bookstores and movie theaters.

I used to go to the Silent Movie Theater when I was a teenager or the Beverly Cinema, which is now the New Beverly. I’d go to the Nuart all the time, too. I saw a lot of important movies at the Sunset Five, which is now called the Landmark Sunset [Hollywood] and isn’t going to be showing the 2026 equivalent of “Gummo.” I think being in the Valley just felt like being in the Los Angeles version of suburbia and so it was like, “I’ve got to get out of here and go to where things are actually happening.”

11:30 a.m.: An old favorite

After that walk, I’ll go back to my place in Laurel Canyon to have a shower and get dressed and then it’s off to Art’s Deli on Ventura Boulevard in Studio City, which is a place that I’ve been going to since 1987. I had friends that worked there in high school, too, so I was there almost every day having matzo ball soup and coffee.

There used to be a lot more really good delis in L.A. My favorite actually was Solley’s in Sherman Oaks, where I used to go with my grandfather. I’ve never had white fish salad that’s better than what they had at Solley’s, but Art’s Deli is good, too. I really like their knishes, or I’ll get a half-sandwich and soup. I’d probably do turkey on rye with mustard, but with coleslaw and Russian dressing on the side so I can add small amounts when I want. That and a cup of split pea soup.

1 p.m.: Sweet treats

Ideally after lunch, I’ll get dessert at Humphrey Yogart. It’s sort of a funny joke that I’ve become this classic movie person and there’s this frozen yogurt place inspired by the name Humphrey Bogart, but I’ve actually been eating Humphrey Yogart since before I knew who Humphrey Bogart was.

They take frozen yogurt — sweet or tart — add mix-ins, and then put it in this crazy blender that’s like a giant drill with a handle that comes down. I like to do sort of a fake Cherry Garcia with cherries and some kind of nut, but they also have an option called Killer Chocolate where they take plain tart yogurt and add a dark chocolate syrup, which I really like. I’ll add orange and espresso to that, and sometimes I’ll have them put sprinkles on top because sprinkles are amazing.

2 p.m.: Movie magic

I love to go to the movies. On Sundays at the Los Feliz Three, they do something called “Sunday Print Edition” where they show a 35mm print and have somebody come and talk about it, which is always cool. Or if there’s a festival happening at the Egyptian or something I wanted to see at Vidiots, maybe I’d do that.

I think the Egyptian is probably my favorite movie theater in L.A. It’s historic, it’s beautiful inside, and I find that the projection and programming are both very good. It’s also close to where I live so that’s convenient and, assuming they’re open, you can go have a drink or food at Musso and Frank after, which is perfect.

4 p.m.: Dodgers and drinks

Usually on Sundays, the Dodgers play at 1 o’clock, but if it’s a nationally broadcast game sometimes it’ll be on at 4 o’clock. If that’s the case, then I’d like to go to Colombo’s to sit at the bar, have a drink, and watch some of the game.

I think I’d have either a vodka martini, a Manhattan on the rocks, or maybe a glass of wine. Colombo’s is my favorite place to watch a Dodger game that’s not a sports bar. I don’t really love sports bars anyway, but if it’s a big World Series game maybe I’d go somewhere in Koreatown that’s more sporty to watch. But for sitting in a dark bar to watch an hour and a half of a game while you have one or two drinks, Colombo’s is perfect.

6 p.m. Dinner at Da Prato

Right now, I really like Da Prato, which is run by this chef Elisa Da Prato, and she’s calling it a supper club. It’s in this strange almost-loft space on 2nd Street downtown, and I’ve been there three times since early July. Each time it’s gotten busier and busier, too, so I think word of mouth is growing.

She just makes very beautiful traditional but artistically done Italian food. Everything is homemade, and it’s very L.A., but at the same time, it feels like you stumbled into some small place in an alleyway in Rome because it’s informal and they only have a small staff. It’s such a great experience, but you have to think of it in a European way because it’s not a place where you’re going to get in and out in 45 minutes. You’re going to have several courses, you’re going to linger over your food, order a couple bottles of wine, and everything’s going to be very relaxed and wonderful.

If I can’t go to Da Prato or if I need a more “special occasion” place, I’d do Jacaranda, which was started by chef Daniel Patterson and his wife, Sarah Lewitinn. I’ve been internet friends with Sarah for 15 to 20 years, so I went a couple times when they were doing it as a pop-up in their house, and now I’ve gone once since they opened the official restaurant. I’m not normally a tasting menu person because some places it can feel like too much food, but Daniel’s cooking is so phenomenal and you can absolutely manage to eat all 12 courses without feeling like you want to die.

10 p.m.: Skincare and sleep

After dinner, I’d head home and maybe take a little walk to burn off dinner a bit. Otherwise, it’s time for my nighttime routine, which is boring middle-aged lady stuff like skincare and taking magnesium. I try to be asleep by 10, but oftentimes the only time I really have to read a novel or to read for pleasure is in the 10 minutes before bed. So I’ll read a physical book or my Kindle or put on a show that I’ve seen 1,000 times if I just need something to fall asleep.