Netflix

It’s not often that I remark on a casting announcement, much less one about “Scooby-Doo,” but the second I opened an email from Netflix, my jaw dropped.

A chocolate brown Great Dane puppy with blue eyes and a teal collar sitting on a tile floor gazed at me from my computer screen — I squealed. I mean, look at him. His floppy ears, grumpy little face and paws you just want to shake hands with. He’s perfect.

“Scooby-Doo: Origins” is the streamer’s upcoming live-action series, slated for release in 2027, featuring this mystery-solving pup. It marks the first time a real dog has played Scooby-Doo. For many viewers, their first exposure to Scooby and his gang was via the ‘70s Hanna-Barbera animated version, which aired on Cartoon Network in reruns in the ‘90s and early aughts, or the reboots on ABC and the WB, now the CW, more recently. Several live-action theatrical and TV films have been made over the years, but they’ve always featured a computer-generated dog. Yes, that means it took nearly six decades to have a real-life Scooby.

The previously announced cast includes key players in the Scooby gang: Mckenna Grace as Daphne Blake, Tanner Hagen as Shaggy Rogers, Abby Ryder Fortson as Velma Dinkley and Maxwell Jenkins as Fred Jones. Paul Walter Hauser is also slated to appear as a series regular in an unnamed role. Showrunners Josh Appelbaum and Scott Rosenberg helm the series.

According to the show’s logline, it’s a “modern reimagining of the iconic mystery-solving group of teens and their very special dog” that takes place at summer camp. Said dog may have been witness to a supernatural murder, leading the group of teens to set out to solve the case. It’s an origin story for Scooby and his gang.

While I wouldn’t consider myself a “Scooby-Doo” superfan, I am a fan of very cute dogs. I’ll have my Scooby snacks ready in case we ever cross paths.

Claire Danes’ performance in Netflix’s “The Beast in Me” appears like a lock for an Emmy nomination for lead actress in a limited series or TV movie. In typical fashion, Danes left it on all the floor in portraying a reclusive author who suspects her developer neighbor (Matthew Rhys) of misdeeds.

1995

The Golden Globes rarely get it as right as they did in awarding Danes the drama series best actress award, at 15, for ABC’s “My So-Called Life.”

19

The lifespan of the authentic teen drama that introduced viewers to Danes’ unique emotional translucence, counted in episodes.

1st

Danes also received an Emmy nomination for the series — the first of eight for acting so far.

16

She is the second-youngest Emmy nominee ever for lead actress in a drama series, between Melissa Sue Anderson (15, for “Little House on the Prairie”) and Kristy McNichol (17, for “Family”).

3

Danes won an Emmy for playing the real-life animal science professor in the HBO movie “Temple Grandin,” and two for playing complex CIA officer Carrie Mathison on Showtime’s “Homeland.”

31

Span of years between Danes’ first and 2026 nominations, if she receives one.

47

Danes’ Emmy longevity may not equal the likes of Carol Burnett, nominated in 2024 for “Palm Royale” 62 years after her first, but it’s mighty impressive for someone Danes’ age.

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There’s even a contender in her category this year whose span between nominations would be longer than Danes’ lifetime: Sally Field, who appears in Netflix’s TV movie “Remarkably Bright Creatures.”

Netflix have updated their viewing figures and it makes for a compelling list of what you should binge next

If you’re looking for the next binge watch to see you through the weekend, Netflix already has you covered.

The streamer has updated its latest viewing figures and it pretty much reads as the new list of recommendations you need. So rather than scrolling through for hours on end, you can make your way through at least one of these titles and it will most likely only take you one sitting.

Not only that but there is something for everyone, including a sci-fi hit, a tense crime thriller and also a heart warming laugh out loud comedy.

The Boroughs

Website Collider call the series a ‘sci-fi masterpiece’ and compare it to a Steven Spielberg movie. They also report that the title managed to accumulate 15 million views in its first 10 days of being available.

It is the most watched Netflix series globally over the last couple of weeks and remains in the UK top 10 at the time of writing. It is set in the sun-drenched expanse of the New Mexico desert and a picturesque retirement community which promises its residents the time of their lives.

But for new arrival Sam Cooper, paradise feels more like a prison. Everything changes when a terrifying night time encounter reveals that something monstrous is stalking the manicured cul-de-sacs.

One review said it is “Stranger Things Meets Thursday Murder Club”. Meanwhile many viewers say they watch it in one sitting. A fan added it “has everything that your next binge-watch needs.”

Nemesis

Coming from the creator of Power, the eight-part series follows two rivals from opposite sides of the law who are at each other’s throats when a daring heist in Los Angeles opens up old wounds. What follows is an exhilarating game of cat-and-mouse as an LAPD cop desperately tries to hunt down a criminal mastermind behind a string of robberies.

One viewer claimed: “Kept me engaged and not sure whose side I was on. Binge watched twice. I need season 2.” Another said: ““Binged in one sitting- very authentic catchy story line. I hope there is a season two.”

While someone else contributed: “This was a masterpiece! The rollercoaster, amount of cliffhangers, and overall writing was top notch!” It has spent three weeks in the global top 10 charts also claiming more than 15 million views on the streamer.

The Four Seasons

One of the more recent additions, the series has just returned for its second season. Co-created by 30 Rock’s Tina Fey and based on the 1980s movie of the same name.

A group of married couples who regularly vacation together throughout the year reunite once again after one of the most difficult times in their relationships. They have new members of the group to contend with as well as some old problems.

It has immediately become the third most watched series across the world among Netflix users. Many fans admit to becoming ‘obsessed’ with it.

One person simply shared on social media: “The Four Seasons” is a must-watch series on Netflix.” Someone else added: “I binged it the day it came out with my man. We’re obsessed!” Another admitted: “I literally started it last night and I’m already on season two. I love it.”

The Witness

This is Netflix’s latest true crime thriller. While the platform have yet to release the official viewing figures, it has immediately surged to the number one spot among UK subscribers.

As a result, it’s expected to compete with the numbers of all the titles already mentioned. Consisting of only three episodes and based on a gripping but horrifying true story, it is bound to keep viewers captivated and watching all the way through in one go.

It follows the experiences of Alex and André Hanscombe as they deal with the devastating impact of a brutal act of violence. When Rachel Nickell was killed on Wimbledon Common in 1992, André became a single parent overnight. Putting his own grief to one side, he made his son Alex – the only eyewitness to the attack – the centre of his world.

This is the story of how a father and son moved through the aftermath of unimaginable tragedy, from darkness into light. Fans sharing their thoughts on the series include one who posted: “15 mins into The Witness on Netflix and I’m already broken.” Someone else said: “The Witness on Netflix will give you the chills.”

Ted Lasso star Brett Goldstein has denied he is dating his Office Romance co-star Jennifer Lopez, but what do we know about his love life?

The Office Romance leads have quashed speculation following their chemistry-filled promotional appearances.

Brett Goldstein has dismissed talk of a romance with Office Romance co-star Jennifer Lopez, leaving admirers wondering about his actual relationship status.

The Sutton-born Ted Lasso actor plays Daniel, a bumbling solicitor alongside JLo’s formidable airline boss Jackie in Netflix’s latest rom-com destined for success.

When the corporation becomes embroiled in legal action from a fearsome competitor, Daniel and Jackie are thrust into close proximity, though the firm’s strict no-dating policy throws a spanner in the works as their attraction intensifies.

Speculation about an off-screen relationship between the leads gained momentum throughout the film’s publicity campaign, fuelled by their undeniable on-screen rapport, reports the Express.

Yet during an appearance with Savannah Guthrie on The Today Show, the duo cleared up the confusion by confirming they’re not an item.

“There’s never a time when I’m seen with somebody or working with somebody where they don’t try to put me with the person,” Jennifer quipped.

Brett added with a laugh: “If you stand near her, that’s what happens.”

Jennifer’s marital history includes four marriages, with her most recent being a rekindled relationship with Hollywood A-lister Ben Affleck. The couple wed in 2022 before divorcing last year.

Regarding Brett’s romantic situation, inquisitive supporters will find little satisfaction as, similar to his Office Romance alter-ego Daniel, he maintains strict privacy around his personal affairs. Details about his love life remain largely under wraps, though he previously had a relationship with fellow comic Beth Rylance.

During his Emmy acceptance speech for Ted Lasso, he gave her a shout-out, quipping: “I was very, very specifically told I’m not allowed to swear, so this speech is going to be f****** short. Beth, I love you.”

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Beth herself responded in a since-deleted tweet: “Today is the day that my boyfriend goes to the Emmy’s as a Best Supporting Actor nominee and I am at home on my second load of laundry. Just to confirm, my boyfriend is Kenan Thompson off of SNL.”

The timeline of Brett and Beth’s romance remains unclear, as does when they parted ways. Currently, Brett is thought to be unattached. He is almost certainly unmarried as he has not been spotted wearing a wedding ring.

He’s recently been contemplating the notion of soulmates, particularly after starring in his 2025 Apple TV sci-fi romance All of You, which delves into the concept.

Speaking to InStyle, he pondered: “Do I believe in soulmates? I change my mind,” adding: “I honestly don’t know. Sometimes yes, sometimes no. I’m not sure there’s one person for everyone. I think there’s 50 people for everyone.”

He elaborated: “I think in your lifetime there are probably 50 people that you should have met. That doesn’t mean you’ll have sex with, but there’s some karmic connection, over millennia. You know what I mean?”

Office Romance is now available on Netflix

True crime fans are eager to learn more about the case explored in Netflix’s The Crash

Netflix fans are still hooked on the chilling case of Mackenzie Shirilla.

The inmate’s story is explored in viral documentary The Crash, which takes viewers through the tragedy that put Mackenzie behind bars.

Mackenzie was just 17 years old when she crashed her car into a brick wall at 100mph. Passengers Dominic Russo, 20, and Davion Flanagan, 19, sadly died at the scene. The driver survived, but she was left seriously injured.

What originally seemed like a devastating accident, though, soon turned into a murder investigation.

During a trial in 2023, prosecutors argued that Mackenzie intentionally crashed the car, ultimately killing her then-boyfriend Dominic and their friend Davion.

The teenager was later found guilty on all counts and received two 15-to-life sentences with the possibility parole.

While the documentary offers an in-depth look at the case and trial, fans have been left wondering when exactly the crime took place.

When did the Mackenzie Shirilla crash happen?

Mackenzie crashed her vehicle into a brick wall in the early hours of July 31, 2022.

Her bench trial, which means a trial ruled by a judge instead of a jury, took place a year later. She was found guilty on all counts on August 14, 2023 and later handed two consecutive 15-year sentences. She will not be eligible for parole until 2037.

The documentary explores Mackenzie’s relationship with the victims, as well as her wider friendship circle. Viewers also hear from her loved ones as they try to paint a picture of the days leading up to the tragedy.

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Netflix’s synospsis states: “A car carrying three young adults slams into a brick building at 100 miles per hour in Strongsville, Ohio, leaving two lives lost and one sole survivor. The driver, 17-year-old Mackenzie Shirilla, was driving her boyfriend, Dom, and his friend, Davion, home from a party when the unthinkable happened.

“But as detectives comb through the wreckage, what first appears to be a tragic accident begins to look like a calculated crime scene. The Crash takes a deep dive into the volatile relationship at the centre, examining the shifting narratives of that fateful night to explore where a fatal mistake ends and cold-blooded murder begins.”

The Crash is streaming on Netflix

CONVICTED murderer Mackenzie Shirilla showed tell-tale signs she was trying to force emotion during her arrest and in her bombshell Netflix interview, a body language expert has claimed.

Shirilla, 21, has been languishing behind bars in Ohio after being found guilty of murdering her boyfriend, Dominic Russo, and their friend, Davion Flanagan.

Her case has sent true crime fans into a tailspin after the success of the Netflix documentary, The Crash, in which she broke her silence and maintained her innocence.

Shirilla’s TikToks and Instagram posts have resurfaced, showing her regularly posing in the mirror, showing off designer clothing, and even smoking weed in her car.

Text messages revealed by police showed her toxic relationship with Dominic, her boyfriend of four years, whose family claims had tried more than once to break up with her.

She reportedly threatened to harm him during arguments before purposefully plowing into a brick wall while driving her Toyota Camry on July 31, 2022.

SICK TRYST

Mackenzie Shirilla’s prison video sex & NSFW threats exposed in new docs

Renowned body language expert Logan Portenier, host and creator of the popular YouTube channel Observe, spent hours breaking down her movements in dozens of social media clips and footage.

Here he gives The U.S. Sun his biggest takeaways from the case.

TikTok star

Shirilla was a social media-obsessed teen before the crash and shared daily posts on TikTok of her and Dom, both at home and out and about, as she was often the center of attention.

Reviewing one clip of them in the car together, Logan said, “He doesn’t seem to be as stoked for this video that she’s filming as she does.

“It didn’t seem as though they were quite on the same page emotionally.

“She’s doing her different poses and expressions for the sake of the video and for his side of things, he seems much more reserved and subdued.

“Because he’s not performing as much for the camera as she is, we’re seeing a fair bit of synchronization across the upper half of his face and the lower half of his face, which lets us know that anything that we’re kind of seeing on that is probably going to be forced. It’s performative.

“And he does, a little lackluster kind of asymmetrical smile on the bottom half of his face.”

Uncomfortable posing

In another clip from Shirilla’s TikTok, the couple is at home, and she is trying to get him to pose in a full-length mirror as he is seen hiding behind her.

“Mackenzie is doing a lot of the posing,” Logan said. “She’s hitting her different looks that she wants to do during this.

“In the background, you could see initially Dom’s nonverbal communication.

“He’s doing a self hug. You can see him holding both of his arms there.

“That is misconstrued in a lot of areas as exclusively defensive,” but Logan feels this is more about comfort.

“What I do find more interesting is that he does shift later on to holding both hands in front.

“So both of those clusters there, he has one in front and then he has his hands clasped in front like that. Both of those signal a level of discomfort.”

Logan added, “We’re seeing again this dichotomy between the two of them.

“He’s kind of there and he’s being present, albeit uncomfortable, reserved, and needing to do a little bit of self-soothing to be able to make it through.”

Distracted driving

Shirilla, who made no secret of being image-conscious before her arrest, frequently posed for TikTok videos — even when she should have been concentrating on the road.

In hindsight, clips showing her filming herself while driving are especially unsettling, given that two young men would later lose their lives in a crash while riding in a car with her behind the wheel.

“It’s very focused on the phone and what she appears like on it, hitting her specific facial expressions as well,” Logan said.

“And on those facial expressions, this helps us understand how she will behave and appear when she’s performing.

“There might be some of that lip pursing that we kind of see in there.

“There are some head tilts in there as well as she’s trying to be perceived in a very specific way, so that performative non-verbal communication comes in handy in future situations, because then you can keep an eye out for some of those patterns that may or may not show up in the future.”

Cuffed and anxious

Shirilla survived the crash and police launched an investigation, as evidence slowly proved it was not an accident and she recovered from multiple surgeries.

Fast-forward to November 2022, and Shirilla’s life blows up in smoke as she’s finally arrested and later charged with murder.

“I don’t know that she’s aware that there’s a camera pointed at her, that she’s going to be perceived in this area, and so what we’re going to be able to see is more of her unfiltered nonverbal communication,” Logan pointed out.

“And with this, she is feeling what would be considered in that vein of the universal emotion of sadness.

“There’s grief, there’s panic, and stress, everything that can go into that.

“What really gives it away is the action in her forehead area.

“What we’re seeing predominantly is unit one activation, which is the middle portion of your eyebrows when they go upward during genuine sadness and grief.

“You can see that happening symmetrically, but if it’s more performed, a lot of people will end up having light asymmetrical activation because it’s not genuine.”

Frozen with fear

In further footage of Shirilla in the back of a police car after her arrest, Logan said she appears frozen with fear despite not shedding a tear as she heads to the station.

“She has fairly relaxed eye positioning in general when she’s not panicked,” he said.

“And so this widening of her eyes, it indicates, genuinely, that she’s feeling anxious. This would be considered fear.”

Logan added that while Shirilla “might not be terrified, it would at least trigger as fear to the anxiety levels” as she rides in the police car.

“So we’re seeing both the combination of the grief across the upper half of her forehead and her eyes are showing the fear as well,” Logan said.

“Then when we get down to the rest of her face, some things that show more physiology rather than just physical movements, is a lot of the inflammation around her nose and upper lip,” which Logan claims “[lets] us know that this is coming from an authentic place.”

Putting on an act

Logan explained that emotional states have a profile, and things can usually shift after around four and a half seconds.

During the journey, Shirilla seems to relax, despite the situation that she’s in, and is seen rolling her head back and looking bored.

But as they approach the station, Logan feels she starts to perform as she realizes she should be more upset than she is if she’s not guilty of murder.

“When you’re watching somebody who’s performing, you’ll see a lot of crashes in between,” he told The U.S. Sun.

“So they’ll be emoting a specific way and then it’s almost like they remember like, ‘Oh, I should be sad right now.’ And then they’ll crash into sadness, something like that.

“You can see it start to kind of creep through the cracks of her rather reserved expression beforehand.”

This is where Logan returns to Shirilla’s “eyebrow activation.”

He claims Shirilla’s outer and inner eyebrows are working together at this point to show sadness, stress and anxiety.

Again, the corners of her nose are also activated, not in disgust, but trying to show she is upset, something he says he doesn’t often see.

Oscar-worthy performance

She is later seen sobbing during her trial before being locked up for 15 years to life on murder charges.

Shirilla starts to mix with people from different walks of life, and it’s years later when we see her sit down with film producers for her bombshell interview.

She is seen walking into the frame and sitting down at a table wearing her prison scrubs, her hair tied up in a large bun.

“The fact that she’s sitting down, crossing her arms, immediately lets us know that she’s probably feeling uncomfortable about what’s about to happen there and needs to block off and self-soothing a little bit,” Logan said.

Shirilla then activated her glabella – the smooth area of skin on her forehead located directly between the eyebrows and just above the bridge of her nose, Logan said.

He claims this was to give the impression she is empathetic, but instead of it being symmetrical, she delivered asymmetrical activation.

“Her right eyebrow does not have the same activation as her left eyebrow.

“Her left eyebrow is doing the exact same expression that we saw in the cruiser. Her right eyebrow is not.

“It’s an asymmetrical expression which lets us know this isn’t authentic empathy.

“This isn’t authentic pain or fear or grief that she’s feeling here. It’s forced.”

Logan said this was also visible further down the vein on the bottom half of her face.

She also began pursing her lips – something she would do in her performative TikTok videos, where she wanted to control how she was being perceived.

He said she is trying to convince the audience she is upset about the situation she is in, and victims’ deaths, but “her body is betraying her.”

“And then when we get to this specific interview she’s talking at a lower register, she has a little bit more husky to her voice,” he said.

“Some of the verbal tics that she uses as well have shifted. And my immediate thought was, this has to be something about the performance that she’s obviously performing.

“She wants people to feel a certain way. And so she shifted her tone, her speaking differently as well to perhaps support that.”

He feels not only her voice will have changed in prison, but her body language as she mixes with other inmates.

“I have no doubt in my mind that she’ll be adjusting her overall nonverbal behavior as well to better fit in and get to where she wants to be in that social circle as well,” he said.

To see the full interview with Logan, and other exclusive videos on Mackenzie Shirilla, visit our YouTube channel.

Comedian and “Saturday Night Live” standout Marcello Hernández will host this year’s ESPY Awards, ESPN announced Wednesday.

The event, honoring excellence in sports performance, will be broadcast live on ABC and the ESPN app from the David H. Koch Theater at Lincoln Center on July 15, making it the first ESPYs in New York City since 1999. For the last 25 years, the awards ceremony was held in Los Angeles.

“I started doing comedy 10 years ago, in Cleveland, Ohio, and I would take the train 12 hours to New York to sell comedy tickets on the street in Greenwich Village in exchange for stage time,” Hernández said in a statement. “It is an honor, and frankly feels crazy to be hosting the ESPYs this year in New York. I’m sure the energy is going to be great.”

Hernández recently headlined the biggest Spanish-language comedy show ever at the Hollywood Bowl as part of the Netflix Is a Joke Festival in May, and wrapped up his fourth season of “SNL” soon after. His first stand-up special, “American Boy,” premiered on Netflix in January.

He’s also a sports enthusiast, having grown up playing soccer and competing at the collegiate level during his time at John Carroll University in Ohio.

“Marcello is one of the most electric, young comedians today. His genuine enthusiasm for sports and his ties to New York City make him a natural fit to host this year’s ESPYs,” Craig Lazarus, ESPN vice president and executive producer of the ESPYs, said in a statement.

Hernández succeeds last year’s emcee, comedian Shane Gillis, as well as past hosts that include Jimmy Kimmel, John Cena, LeBron James and Peyton Manning.

In January, Puck reported that the change in venue is an effort to capitalize on the popularity of Fanatics Fest, the massive sports festival taking place in New York’s Javits Center from July 16-19, which also coincides with the World Cup final on July 19 at MetLife Stadium in New Jersey.

“This return to the heart of Manhattan brings the celebration of sports back to its roots for an unforgettable night at an iconic cultural landmark,” an ESPN spokesperson said in a statement.

At the AI on the Lot media conference last week in Culver City, speakers laid out a view of artificial intelligence that was very much complementary to human workers.

Artificial intelligence is a tool that must be wielded by humans, several said. The idea was to help skilled artists and production specialists do their jobs and experiment, others said.

Of course, to many in Hollywood, AI is not that simple.

Guardrails on its usage emerged as a central issue in the 2023 writers’ and actors’ strikes, and additional rules were added in the recent Screen Actors Guild-American Federation of Television and Radio Artists and Writers Guild of America contracts. There are still big questions about AI’s effect on jobs in the entertainment business, as well as copyright and ethical concerns.

Whether it’s good or bad or some combination of both, AI, in some form, is probably here to stay.

So, eight months ago Amazon MGM Studios opened an AI Studios division to start work on Project Nara, an AI production toolkit built on Amazon’s AWS cloud computing platform that could be used by teams of filmmakers. Project Nara is still in beta mode, and the company set up a GenAI Creators’ Fund to give filmmakers interested in using the toolkit financial support, while also giving the studio feedback.

The beta testers got eight weeks to produce an animated short and, out of those, the company greenlighted three animated series.

Shortly after the conference, filmmaker Jorge Gutierrez, whose stop-motion-style “Punky Duck” was chosen as one of the greenlighted series, pulled out after an online backlash over his use of AI.

“We respect Jorge’s decision, as well as his incredible talent, his voice and the world he created with ‘Punky Duck,’” an Amazon MGM Studios spokesperson said in a statement. “We continue to be excited about the innovative work moving forward at our studio and the GenAI Creators’ Fund.”

Before the flap over “Punky Duck,” I spoke with Albert Cheng, head of Amazon MGM Studios’ AI Studios, about the goal of the division, what’s next for AI and his belief that humans are at the center of creativity. The conversation has been edited for length and clarity.

Why was AI Studios formed?

AI Studios was started last fall because we wanted to learn how to leverage AI technology to build tools that would help enhance or redefine the workflows for film and TV production.

When you look at the horizon of what it takes to drive continued engagement of a global streaming service like Prime Video, we need more original programs. So if you can figure out how we take the same amount of money that we spend and be able to make more shows, that’s ultimately what we want, and we think AI is going to be a help to drive that.

With AI, now we’re looking at how does technology change the way we actually create our cinematic storytelling? It could mean that with AI, we will hear from a lot more voices. If we can actually get the biggest costs down, we will be able to have more voices, be able to take more risks and creative risks most of all.

There’s always concern about what does AI mean for jobs. We believe that it actually creates more jobs and different types of jobs. In fact, people with experience, plus the tools, become even more valuable in terms of their ability to produce excellent quality work. So it’s always about the human behind it.

You mentioned that some of these production crews had more than 100 people, but crews in the past would have been much larger. How do you respond to concerns about that?

You may have smaller crews, but we’ll do more of them [productions], and more in a short period of time. When you actually have smaller productions and you do more of them, you’re increasing your throughput. Your turnover rate of the available jobs is much faster, so your job totals are actually going to be bigger.

You spoke about the idea of AI filmmaking bringing jobs back to L.A. and expanding California’s production incentive eligibility to include AI-assisted filmmaking. Can you elaborate on that?

When you look at AI production, it can be done on a soundstage. We don’t need to go to London, we don’t need to go to other places.

We do have technology companies in California that are driving this, we have people here in the city that have experience, if given the AI tools, can produce great work. So, how can we not incentivize more companies to use our soundstages and finally make productions and make more of them?

Have you or anyone else at Amazon spoken with government officials about this idea of expanding the incentive criteria?

We’ve been talking to a number of bodies about whether it’s possible. The question is, who’s going to take the ball?

How much can you decrease a show’s production budget by using AI?

I think we can get a show to half the cost, [or] to almost a fifth of the cost.

What was the thinking behind the GenAI Creators’ Fund?

We wanted to provide a support and invest in creators who wanted to try it, and then also give us feedback.

We also wanted to show that storytelling is the thing that drives the content. It’s not the technology; the technology just enabled them to make it.

What is the biggest misconception of AI use in production?

There’s a narrative that AI can do so many things by itself, that you don’t need people. That’s absolutely not true. It’s just a technology, it can’t make decisions.

In order for something actually quality to be made, a person actually needs to be behind that, and that’s been proven over and over again. People are still responsible for the output.

Stuff We Wrote

Film shoots

Number of the week

Internet culture drove the box office over weekend, with A24’s “Backrooms” hauling in $81.4 million in the U.S. and Canada.

The $10-million horror flick, which stars Chiwetel Ejiofor as a furniture store owner who finds a mysterious portal in his basement, was directed by 20-year-old YouTuber Kane Parsons and is based on his online series of the same name. Worldwide, the film made nearly $118 million in its debut weekend.

Focus Features’ “Obsession” also had a big weekend with a 10% jump in domestic box-office revenue in its third outing. The horror movie, which had a production budget of less than $1 million, was directed by Curry Barker, who also built his reputation on YouTube.

Together, the two films highlight the growing power of YouTube — and online culture as a whole — on the big screen. They beat out franchise film “Star Wars: The Mandalorian and Grogu,” which dropped 69% from its debut last weekend to rank third at the box office.

What I’m watching

I’m just one episode away from finishing this season of “Bridgerton” on Netflix. While I liked that the show dived into the social class dynamics behind Benedict and Sophie’s romance, I have to say that I loved the secondary focus on Violet Bridgerton and Lord Anderson finding a second chance at love.

Parents who are wondering how to fill the six week holidays should take a look at this offer on Merlin passes, which not only offer unlimited park visits, but also other passholder perks

Merlin has launched a summer sale that slashes the cost of annual passes and monthly memberships in time for the six-week school holidays.

The sale, launched today by the owner of a number of theme parks and attractions across the UK, means theme park fans can enjoy discounts on both Gold and Platinum passes, as well as monthly memberships, giving them unlimited access to over 20 UK attractions. These include Thorpe Park, Alton Towers, LEGOLAND, and Chessington.

Best of all, if you opt for a Gold membership at the discounted price of £16.99 a month, this works out cheaper than a monthly Netflix Premium subscription, which costs £18.99 a month. So, you can enjoy lots of days out with the kids and screen-free time over the summer without worrying about entry fees.

You can currently buy an annual pass at Gold or Platinum level with £50 off the total price. This brings Gold membership down from £239 to £189 a year, and Platinum down from £299 to £249. If you prefer to pay monthly, the sale has slashed Gold from £19.99 a month to £16.99, and Platinum from £24.99 to £20.99.

Gold memberships, whether annual or monthly, include 364 days’ entry to over 20 Merlin attractions, free parking, and 20% off food, drinks, and shopping. Platinum members get these perks with no exclusion dates, four bring-a-friend passes, a free one-shot Fastrack per visit, and other extras.

While it’s not included in the sale, there’s also the cheapest Merlin Essentials pass for £139 a year, which offers unlimited access for 339 days of the year. However, parents should note that exclusion dates include Saturdays in August, at the peak of the school holidays.

Merlin’s parks are set to be popular with families this summer thanks to the addition of some major new rides aimed at the younger crowd. The brand-new World of PAW Patrol at Chessington World of Adventures Resort opened in early May, and includes four pup-themed rides, play areas, and meet and greets. Over at Alton Towers, CBeebies Land also recently opened Bluey the Ride: Here Come The Grannies!, a must-visit for fans of the Heeler family.

In addition to its well-known theme parks, Merlin also operates a range of family-friendly attractions that make perfect school holiday days out. These include the London Eye, SEA LIFE centres, Madame Tussauds, and Cadbury World, meaning it’s easy to make the most out of your pass.

For comparison, booking a day ticket to Alton Towers starts at £34, so if you live near a Merlin theme park or visit a lot, you could soon get your money’s worth.

If you’re planning a one-off visit, then Cadbury is currently running a promotion on selected packs offering half-price tickets. Simply pick up an eligible product and visit fun.cadbury.co.uk to enter your barcode to receive a discount code and a link to book your tickets at 50% off.

The Merlin Pass Summer Sale ends June 28. For more information or to purchase, visit the Merlin website.

Have a story you want to share? Email us at webtravel@reachplc.com

Rachel Nickell’s horrific death sent shockwaves across the UK, but it took the police more than 15 years to solve her murder. As the case is explored in a new Netflix documentary, we speak to the expert who found a breakthrough clue after years of investigation failures

Rachel Nickell had her whole life ahead of her when it was cruelly stolen in a sickening attack – leaving her toddler son as the sole witness.

In July 1992, the 23-year-old mum was strolling through Wimbledon Common with her two-year-old son Alex Hanscombe, and their dog Molly. In a quiet, wooded area, she was ambushed, sexually assaulted and stabbed dozens of times.

Alex was later found by a passerby, desperately clinging to his mother’s body. In a heartbreaking attempt to help, the toddler had placed a piece of paper on her forehead as a makeshift bandage after pleading with her to wake up. Even at that tender age, Alex later revealed, he knew instantly that his mother was never coming back.

The brutal murder shattered the life of Alex and his father André Hanscombe. Yet, it would be 16 years for anyone to face justice. The haunting case is now the subject of a new three-part series for Netflix dramatisation, The Witness, alongside an accompanying documentary featuring never before seen archive footage, and deeply personal accounts from those who lived through the tragedy.

Among those interviewed is legendary forensic scientist Angela Gallop, whose work has helped solve many of the UK’s most high-profile murders, including the killings of Stephen Lawrence and Damilola Taylor.

Her team was handed the case in 2002, a decade after the murder, when the investigation had gone completely cold. They had agonisingly little to work with: a microscopic trace of male DNA recovered from the crime scene. To make matters even more difficult, forensic technology at the time was ill-equipped to handle such a minute sample. In order to find the killer, they had to pioneer an entirely new methodology to examine the sample.

Reinvestigating the decade-old DNA required immense precision. Describing the pressure and the patience required to manipulate the tiny shred of evidence, Angela said: “The technique that had been used at the time was a very new, sensitive method, but we had never particularly liked it in my laboratory.

“For Rachel’s case, we got hints of male DNA using our standard test, but we wanted to see if we could squeeze out some more information. By concentrating and purifying the DNA, we managed to achieve it, but it took two years to develop the technique properly.”

After a painstaking process, the team eventually got a strong enough DNA profile to add to their database – and it matched with a man named Robert Napper, a paranoid schizophrenic and serial rapist.

To ensure the case was ironclad, they raced back to the crime scene and analysed all the sample items that had been collected. Angela and her colleagues then went on to uncover footwear marks and forensic paint evidence linking Napper directly to Wimbledon Common.

His footwear was matched directly to the mud profiles taken from the area, and microscopic paint flakes matching Napper’s toolbox were discovered trapped in the hair of two-year-old Alex. The box, found in Napper’s flat, contained knives and other weapons.

The new DNA breakthrough was enough to convict Napper and exonerate Colin Stagg, the innocent man wrongfully targeted by a flawed police honey-trap operation. A new Netflix documentary will examine the botched investigation, which led to Stagg – a local resident who walked his dog on the common – spending 13 months behind bars in custody, and facing rampant speculation that he killed Rachel.

He was freed by an Old Bailey judge in 1994, who criticised officers for using a ‘honeytrap’ undercover policewoman to try to make him confess to the murder, branding the entrapment evidence as “reprehensible”

Mr Justice Ognall, who halted the trial, described officers actions as “deceptive conduct of the grossest kind” after undercover officer “Lizzie James” tried to seduce Stagg, promising a relationship in the hope of getting a confession. Stagg later received £700,000 compensation from the Home Office.

In 2008, Napper admitted manslaughter on the grounds of diminished responsibility and was detained indefinitely at Broadmoor. He was already incarcerated at the psychiatric unit, having been convicted in 1995 for the equally depraved double killing of single mother Samantha Bisset, 27, and her four-year-old daughter Jazmine.

Discovering the match provided a profound sense of justice for Angela’s team, particularly regarding the human toll of the investigation. “We had a DNA result that hit a match on the National DNA database, so the police have got something to investigate,” she said.

“There was an added level of satisfaction because Colin Stagg had been professing his innocence for all those years. We were able to show that he was telling the truth,” she said.

The new documentary about the 1992 murder features Alex describing the moment that he knew his mother had died after being stabbed 49 times.

A home video video captures him describing the moment his mother was killed on Wimbledon Common to his dad André, who gently discusses what his son saw on the day.

Now 36, Alex describes seeing Napper, telling his dad: “I saw him first,” he says, telling Andre that the man was carrying a bag which he opened. Asked what he took out, he replies simply: “A knife.”

He then tells his dad that the man “knocked me over” and that he witnessed his mum being stabbed. “There’s his knife,” the little boy tells his dad, indicating the picture he is drawing of his mother. “I saw the knife. I saw it, Yeah, I saw it all.”

Speaking in the trailer for the film, André explains: “My son saw his mother’s murder but nobody could have possibly known how long it was gonna take to find the person who did this.”

Ahead of the Netflix show, Angela is keen to emphasise that DNA evidence is rarely a simple “magic bullet.” Television would make people think that experts can simply swab a crime scene and receive a clear-cut result just 30 minutes later, Angela said, adding: “If it was going to be really straightforward, the original scientists would have discovered the truth a long time ago.

“You have to be much more clever. Sometimes you have to look for one type of evidence to find another. In the Stephen Lawrence and the Pembrokeshire Coastal Path murders, it was analysing textile fibres that led us to finding blood traces and therefore DNA.”

As well as the archive footage, the documentary will explore how Angela’s work led to justice for Stagg after her breakthrough solved the case.

The three part drama, The Witness, will follow Alex and André as they deal with the devastating impact of losing Rachel. Jordan Bolger plays André, while Max Fincham is the teenage Alex. Both men acted as consultants on the series.

The story aims to show how a father and son “moved through the aftermath of unimaginable tragedy, from darkness into light.”

The other cast include Kevin Eldon as DCI Mick Wickerson, Neil Maskell as DI Keith Pedder, Mark Stanley as DS Ivan Agnew, Jon Pointing as DC Nick Sparshatt, James Dryden as DC Paul Miller, Kerry Godliman as André’s mother June, James Bradshaw as DCI Tony Nash and Claire Rushbrook as Dr. Jean Harris-Hendriks.

In a joint statement released last month, André and Alex Hanscombe said: “Our life has been a battle. We can never express how indebted we are to everyone that’s been a part of this, for the kindness and generosity they’ve extended to us, for the chance they took with us in bringing our story to the screen, and for the care they have taken.

“Our journey has all been by the grace of God and a promise to go on together, and we feel incredibly blessed to be able to share our story in this way.

“We hope that audiences will be left with a testament to the tough battle of life we all face and to the power of faith, hope, love – and never giving up.”

• Documentary The Murder of Rachel Nickell has been made to accompany the new drama about what happened that day, called The Witness. Both will be released on Netflix on June 4.

Jason Bateman could snag limited series Emmy nominations for his lead role as a deep-in-debt barman on Netflix’s “Black Rabbit” and supporting role as a sexually adventurous weatherman on HBO’s “DTF St. Louis.” Drawing more than one nomination in a year has been the norm for Bateman.

14

Bateman’s previous Emmy nominations encompass acting, directing and producing.

1

His lone Emmy win came in 2019, for directing an episode of his Netflix crime drama “Ozark.”

21

The former child actor’s first nomination, as lead of the Fox (later Netflix) comedy “Arrested Development,” came in 2005. Bateman’s adult “comeback” has lasted 21 years and counting.

4

Times he has received multiple nominations in a year, most often for acting in, directing and producing “Ozark.”

2

“Black Rabbit” and “DTF St. Louis” would mark his second time receiving acting nominations for different shows in the same year.

2020

Bateman competed for drama lead for “Ozark” and guest actor for HBO’s “The Outsider.”

0-for-7

Bateman is overdue for an acting Emmy. His brilliant straight-man work in “Arrested Development” lost out to Emmy juggernauts Tony Shalhoub (“Monk”) in 2005 and Jim Parsons (“The Big Bang Theory”) in 2013.

3-for-13

The Actor Awards have been kinder: Bateman won three lead actor statuettes for “Ozark.”

2026

The guilds already have spoken on “Black Rabbit,” with Bateman receiving Actor, DGA and PGA nominations.

5

Also a producer on “DTF St. Louis,” Bateman has a shot at five Emmy nominations this year.

Netflix’s latest worldwide wager is a menu of programming designed to feed the building fútbol frenzy that will explode in mid-June, when the FIFA World Cup begins. They might even win some Stateside converts ahead of the platform’s presentation of the CONCACAF Gold Cup and Nations League finals in 2027 and 2029.

“We say our goal is to entertain the world; in order to [do that], we need to entertain every single country” where Netflix has a presence, says Francisco Ramos, the streamer’s vice president of original content, Latin America. “Our superpower is that we’re so deeply rooted into local storytelling, then that becomes global.

“Netflix is uniquely qualified at building global audiences” for international sports content, he says. “We are very conscious and deliberate about it.”

Not that original sports content is anything new for the streamer; its first-ever original international series, “Club de Cuervos,” was a Mexican dramedy about a soccer club. But this salvo is precision-guided to hit as about 5 billion viewers get hyped for the global tournament.

“Four years ago, during the World Cup, we launched [an Argentine] documentary called ‘Sean eternos: Campeones de América’ [‘Captains of the World’], and it was massive, and then Argentina ended up winning a few months later,” says Ramos. “Right now, as the World Cup arrives, it’s very passionate.”

It’s not just Latin America that’s being targeted with new programming: There’s a trio of documentaries about Jamie Vardy, Liverpool’s 2005 Champions League-winning team and footballer-turned-actor Vinnie Jones under the “Untold UK” banner; “Poldi,” on German superstar Lukas Podolski; and “The Bus: A French Football Mutiny,” about the national team’s rocky 2010 World Cup journey.

A scene from “USA ’94: Brazil’s Return to Glory.”

(Netflix)

The World Cup-contending squad

For fans, the slate offers documentaries on landmark moments in Cup history (“USA ’94: Brazil’s Return to Glory”), superstar players (“Emi Martínez: The Kid Who Stops Time” and “James”) and even up-and-comers in a prestigious amateur tournament in Brazil (“The Root of the Game”).

But for the uninitiated, apart from the streamer’s FIFA soccer simulation game coming this summer, the gateway drug may be “Ronaldinho: The One and Only.” The doc spotlights one of the most improvisational and dynamic players ever, soccer’s Magic Johnson. The legendary attacking midfielder was a wizard on the pitch and a charisma machine off it.

“Ronaldinho retired from soccer [in 2018], and he’s still in the mainstream. He has 80 million followers on Instagram,” says Luis Ara, director of “Ronaldinho” and “USA ‘94.” “You have [superstars Lionel] Messi and Neymar [da Silva Santos Júnior] talking about him like he’s God.

“He was always so cool … for him, it was not only about winning a game; it was also about entertaining the people.”

Scripted offerings include the feature “Mexico ’86,” starring a wildly hustling Diego Luna. It’s a nasty comedy about the wheeling and dealing (and outright bribery) that landed Mexico the right to host its second World Cup. Non-soccer fans might enjoy the snarky dialogue and bare-knuckled machinations — it plays like a Spanish-language, soccer-themed “Succession” or “Marty Supreme.”

“Brazil ’70: The Third Star” is a miniseries about that country’s campaign to win a third World Cup, led by a name even non-fans know: Pelé. Rodrigo Santoro stars as Coach João Saldanha.

“Brazil was in the midst of the dictatorship; they had to somehow generate some sort of national pride,” says Ramos. “The only thing that unites Brazilians 100% is their team. It becomes this compelling thing about how society is so intertwined with sports, and how sports are so intertwined with politics in Latin America.”

Soccer superstar Ronaldinho Gaúcho is interviewed in the new Netflix documentary “Ronaldinho.”

(Netflix)

Is converting new American fans a realistic goal?

When soccer is the No. 1 sport in so many nations, why isn’t it bigger here?

It might have to do with the U.S. not having been a major player on the world stage, at least on the men’s side. The men’s team’s highest World Cup finish in the modern era is the quarterfinals in 2002, while U.S. women’s teams have won a record four World Cups. But the men have qualified for the tournament this year — which will be played partially in the States — and analysts say the team has improved, though they’re no one’s favorites to win it all.

Ramos says if American audiences stop seeing it as a competition between football and fútbol, they might come to appreciate soccer’s nuances.

“Take a look at the last 20 minutes of the World Cup four years ago, between France and Argentina. It’s the most extraordinary, beautiful art of people moving, and moving in extraordinary coordination. It’s like, the most-watched online thing ever.”

Beyond Netflix’s big bet on the World Cup slate, it’s not hard to get Ramos and Ara to make further wagers on this year’s tournament.

“Four teams have huge chances to win: Spain, France, Argentina and Brazil,” says Ara. “My heart is with Uruguay, but I don’t know if we’re gonna have a chance. Because of my bond with Brazil nowadays, I wish they could win again. A player once said to me, ‘Brazil is the second national team for any fútbol supporter.’ ”

“Oh my God, I will get in trouble,” says Ramos. “I’m Mexican, and it takes place in Mexico [and the U.S. and Canada], but … I’m gonna go with Argentina. My No. 2 would be Brazil.”

Downton Abbey may be over, but these Netflix period dramas are giving fans plenty to enjoy

Downton Abbey may have drawn the curtain on the beloved ITV saga, however, Netflix offers a wealth of period dramas.

For viewers eager to fill that void, the streaming giant is renowned for its vast collection of original and licensed content spanning numerous genres, and boasts an impressive selection of costume and historical productions perfectly suited to Downton Abbey devotees, reports the Express.

Much like the beloved ITV period drama that became a worldwide phenomenon after American audiences became utterly captivated by every twist and turn in Julian Fellowes’ fast-paced series, Netflix has three spectacular costume dramas that could arguably surpass Downton Abbey itself.

Here’s a closer look at each one and what viewers have had to say about them.

1. The Crown

Netflix’s magnificent House of Windsor epic The Crown is unrivalled in its excellence, according to devoted fans since its debut in 2016.

The series, crafted by The Queen screenwriter Peter Morgan, chronicles the British monarchy from the beginning of Queen Elizabeth II’s reign through to the 2005 wedding of Prince Charles and Camilla Parker Bowles.

The Crown underwent several cast changes to reflect the passage of time, with Claire Foy, Olivia Colman and Imelda Staunton each taking on the role of Queen Elizabeth II. The Crown amassed a remarkable collection of awards, including 24 Emmys and two Golden Globes for best series, while Netflix disclosed back in 2020 that 73 million households had tuned in since its launch in 2016, according to BBC News.

Given that the series concluded in December 2023, considerably more viewers would have caught the show since that point.

Furthermore, a notable spike in viewership followed the passing of Queen Elizabeth II in 2022, as 17.6 million hours of The Crown were streamed on Netflix, the platform confirmed to CNN.

Viewers on Reddit have drawn comparisons between Downton Abbey and The Crown, weighing in on which they favoured.

One wrote: “I watched them both. I personally liked The Crown better although both are exceptionally well-done shows.”

A second chimed in: “The Crown. I could never fully get into Downton Abbey.”

A third Redditor observed: “Depends what you like. I prefer downton as The Crown is too slow sometimes. Downton also shows the life of all the staff in the Abbey as well as the rich people. The Crown has a way bigger budget, better cinematography and is about real historical characters [sic].”

2. Bridgerton

Regency bodice-ripper Bridgerton, adapted from the much-loved historical romance novels by American author Julia Quinn, stands as another hugely popular period drama on Netflix.

Each series centres on a different lead couple and explores various romantic storylines, amongst them friends-to-lovers, enemies-to-lovers and fake courtship blossoming into genuine romance. Bridgerton proved a runaway success following its arrival around Christmas 2020, transforming into a massive pop cultural sensation much like Downton Abbey.

The opening season accumulated 113,300,000 views within the initial 91 days of release, while the third season attracted 106,000,000 viewers upon its debut.

The programme stands as Netflix’s ninth most watched English-language series ever, Variety reported earlier this year.

Since its original launch and following subsequent seasons, it’s been viewed by hundreds of millions of devotees – and the figure continues climbing.

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.

The programme is set to return for a fifth and sixth season, meaning these viewing statistics will climb even higher.

Opinion remains divided on whether Bridgerton surpasses Downton; nevertheless, one Redditor commented: “Hard to say. Bridgerton is an alternative history romantic fantasy as compared to a period drama. I watch it, but to me it’s not nearly as good as Downton Abbey.”

Another stated: “I love both Downton Abbey and Bridgerton, but they are very different shows.

“I loved “Bridgerton,” but an attempt to draw similarities and differences to “Downton Abbey” is a proverbial apples-to-oranges comparison. I enjoy both for the space they occupy in entertainment,” a third observed.

3. The Empress

Lastly, sweeping German period drama The Empress has captivated audiences and draws from the actual life of Empress Elisabeth of Austria (Devrim Lingnau). The programme first launched in 2022 and charts the struggles and triumphs of a ruler navigating her romance with her husband, his conniving family, and the treacherous world of court politics.

The series ranks amongst the most watched non-English language programmes on Netflix, having amassed over 76 million views, according to What’s on Netflix.

One viewer took to IMDb to share their thoughts: “If you like The Crown, you’ll like this.”

They went on to say: “Just a couple of scenes at the first half. Romantic would be something like Pride and Prejudice or Bridgerton. This was more like Downton Abbey or The Crown, where in the drama is the focus.”

A second viewer enthused: “The acting is superb. I simply cannot believe how amazing this series is, and it easily rivals ‘The Crown’, ‘Downton Abbey’, ‘Outlander’, ‘Poldark’ and ‘Vikings’, and surpasses many others. It’s more serious than contemporary feeling shows like ‘Bridgerton’. In my opinion it is a contender with all the top historical dramas.”

The Crown, Bridgerton and The Empress are all available to stream on Netflix now

Two major stars of BBC’s A Good Girl’s Guide to Murder have formed a close friendship on the set of the hit thriller’s second season

The pair play brothers in the BBC phenomenon’s second season.

A Good Girl’s Guide to Murder stars Jude Morgan-Collie and Eden Hambelton Davies have revealed they’re now living together after portraying brothers in the BBC drama’s second season.

The popular series based on the books by Holly Black premiered back in 2024 and quickly generated a passionate fanbase, which continued to grow once the first season was released internationally on Netflix.

With millions of fans expected to tune into the second season, now on iPlayer as of Wednesday, 27th May, they’re keen to know more about the show’s stellar cast.

Emma Myers will of course be returning as teenage sleuth Pip Fitz-Amobi, who is now investigating the mysterious disappearance of Jamie Reynolds, portrayed by newcomer Eden Hambelton Davies.

Speaking to Reach ahead of the premiere, the actor revealed he quickly forged a strong bond with his co-star Jude Morgan-Collie, who portrays his younger brother Connor.

“To step into that world that’s already pre-established, I think there’s an expectation that comes with joining an already made cast and you’d expect it to sort of just be work, and it absolutely wasn’t,” he shared.

“It was a fantastic opportunity, I’ve met some people I hope will stay in my life for a very long time, forever. I live with Jude Morgan-Collie, who plays my brother in the show.”

Based on Black’s second novel in the series, Good Girl, Bad Blood, season two darkens the tone this time around with new directors Asim Abbasi and Jill Robertson taking the helm, as well as the author taking on screenwriting duties to ensure the adaptation remains faithful to the gripping source material.

Rather than feeling daunted by the prospect of joining the cast of a highly anticipated second outing, Hambelton Davies reveals he “slot right in” with the ensemble.

“The cast is so well-established with one another,” he went on, “the chemistry is so fantastic, to step into that and be so welcomed in, which I was, it’s impossible not to get an exact understanding of the mood and slot right in, so I felt very welcomed.

“It made the work a lot easier and allowed me to feel more comfortable, but also, as a person, it was such a lovely privilege to be welcomed in as I was.”

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His co-star Morgan-Collie also confirmed their living situation, saying: “It’s very cool. I’ve done another show where I’ve had a sibling [Here We Go], so it’s always really fun to play with that dynamic. And having any family in a show and getting them in the scene is always really fun.”

He also revealed that their friendship started with a misunderstanding: “I remember both of our first days in Bristol for season two, I said ‘let’s go for a brotherly pint’.

“I’ve since learned that he didn’t realise that it was me who texted him and he just thought that someone in the cast had worded something really weirdly. He didn’t realise that I was saying ‘let’s work on this!’

“But I think, as a cast, we’re all really close, and we were very quick to become mates,” he added. “Despite playing my older brother we’re the same age and we’re young adults and we’re living here in a new city, we’re messing about. It’s really good fun and we got a lot of downtime in the evenings so we’re all going out for dinner and stuff. It’s good fun.”

Filming for the second season wasn’t all fun, however, as Morgan-Collie recalled a particularly difficult scene. “I got slammed against the bonnet of a car for a day,” he recalls.

“At first I was like ‘Hell yeah, this is wicked’. Then you very quickly learn… it gets old very quickly.”

Tune into another instalment of the BBC’s enthralling young adult thriller to find out why.

A Good Girl’s Guide to Murder season 2 is available on BBC iPlayer and internationally on Netflix.

The BBC’s hit thriller filmed in Bristol and Somerset has finally returned for its second season, but where was it filmed?

Fans want to know if Little Kilton is a real place.

A Good Girl’s Guide to Murder is back today (Wednesday, 27th May) and sees Pip Fitz-Amobi (played by Emma Myers) delving into another chilling missing person case.

This time, she’s determined to put predator Max Hastings (Henry Ashton) behind bars, but the disappearance of a key witness, Connor’s older brother Jamie, pushes her investigative skills to the limit.

Based on the bestselling novels by Holly Black, the first series became a huge hit thanks to its addictive, edge-of-your-seat twists and a global release on Netflix.

It is also famously filmed in Bristol and other parts of the West Country, standing in for Pip’s fictional village of Little Kilton.

With six thrilling new episodes now streaming on iPlayer, let’s take a look a little closer at the locations used in the second season.

Where was A Good Girl’s Guide to Murder season 2 filmed?

The second series of the popular BBC and Netflix drama was once again filmed around Bristol and Somerset.

Much of the show’s interior scenes are shot at Bottle Yard Studios in Bristol, which reportedly includes the likes of school classrooms, investigation rooms, and darker interiors for the murder-mystery show’s more suspenseful scenes.

Bristol itself was also used for more urban areas of Little Kilton to highlight the second outing’s gritty tone. Clifton Village in central Bristol, including the Clifton Suspension Bridge, can also be seen briefly.

Standing in for the idyllic village of Little Kilton is Axbridge, a small town near Cheddar, Somerset.

The town square, the Old Station and Chestnut Avenue were all closed for filming in 2025, with a memorial, flags, and other decor put up for key scenes including the memorial service which kicks off season two. Axbridge’s St John the Baptist Church can also be seen.

Season two director Asim Abassi confirmed: “We filmed Little Kilton in the town of Axbridge, which is lovely but small, so you get the challenges of a tight-knit community curious about filming. But it is wonderfully quaint and perfect for Little Kilton.”

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

Another key location this time around is an abandoned manor, which actor Zain Iqbal, who portrays Pip’s boyfriend Ravi, confirms is near Bristol.

And Abassi revealed it was his “favourite” location, adding: “It was originally meant to be something else, but I pushed for it to be a manor, so I am personally attached to it.

“It ended up being a phenomenal location and, to me, captures the essence of season 2.”

A Good Girl’s Guide to Murder season 2 is available on BBC iPlayer and internationally on Netflix.

It’s been a big year for Seth Rogen’s Point Grey Pictures.

The 15-year-old production company founded by Rogen, his childhood friend and longtime collaborator Evan Goldberg and producer James Weaver is coming off a huge awards season for its comedy, “The Studio.”

The Apple TV series, which simultaneously pokes fun at the institutions of Hollywood while also peeling back some of the industry’s mystery, is now the most-awarded new comedy in TV history.

“The Studio” has won 13 Emmys, a BAFTA TV award in the international category, two Golden Globes and three Critics Choice awards. It’s currently filming its second season, with most details still under wraps.

I spoke with Rogen, Goldberg and Weaver about the success of the show, which primarily films on the Warner Bros. lot, and what’s next for Point Grey.

On all those awards?

“We’ve never, literally, won any awards before this, so I by no means expected this,” Rogen said, with a chuckle. “I hoped people would creatively recognize that we were really swinging for the fences, but awards were not really something that I was thinking that much about.”

In the show, the Canadian actor and comedian plays beleaguered movie studio head Matt Remick, who must balance the art of filmmaking with the economics of the business. In a nod to Hollywood’s pull toward intellectual property, one storyline focuses on the studio embarking on a movie about the Kool-Aid Man, which Rogen’s character only reluctantly agrees to pursue.

It’s not all about the money

“To me, what is interesting, and what people don’t seem to think about Hollywood, is that the people involved in it actually care about movies, even the ones who make bad ones, even the ones who make choices that stop good ones from being made,” Rogen said. “If you really just wanted to make money, there are much easier ways to make money where you don’t have to deal with people like me.”

He also noted that there’s a role for movies such as the fictional Kool-Aid flick.

“You could argue it’s the Kool-Aids of the world that keep theaters open,” Rogen said. “It’s our fake Kool-Aid movie that allows smaller movies to exist and allows theaters to take risks on smaller movies.”

Remembering comedy

“The Studio” also stemmed from a desire to make a pure comedy, despite the tough time comedies have had recently in the marketplace.

“We just all agreed that we wanted to make something that was just funny,” Goldberg told me. “It just felt like the world stopped making those, and we just wanted to make something that when you tuned in, was just absolutely hilarious.”

A serious L.A. business

Los Angeles-based Point Grey, which has 15 employees, is named for the Canadian school where Rogen and Goldberg met (the first project they wrote together, which became 2007’s “Superbad,” was based on their experiences there). Despite their comedic reputations, the more serious-sounding company name was deliberate so it could be used with any kind of project.

In fact, the company got its start with the Joseph Gordon-Levitt-led dramedy “50/50” about a 20-something who learns he has cancer. Over the years, Point Grey’s projects have spanned genres, including supernatural series “Preacher,” 2016’s “Sausage Party,” the satirical superhero show “The Boys” and biographical mini-series “Pam and Tommy.”

A Point Grey project is “genuinely original” and “daring,” said Weaver, Rogen’s former assistant who now serves as president of the company, which has a first-look film deal with Universal Pictures and a first-look TV deal with Lionsgate. He declined to discuss financials but said the company is profitable.

“We’ve managed to be really productive in terms of the amount of things that we’ve made, and we try to be smart about how we run our financials,” Weaver said. “The company is doing quite well.”

Point Grey is in production on “Teenage Mutant Ninja Turtles: Mutant Mayhem”; just wrapped a romantic comedy for Amazon MGM Studios starring Cameron Diaz and Stephen Merchant; and recently screened an animated film at Cannes called “Tangles” that’s based on a graphic novel about Alzheimer’s.

The production company may eventually expand into video games (“We love video games,” Goldberg told me), and plan to continue to navigate the changes in Hollywood, which is reeling from a continued drought in local production that my colleague Stacy Perman and I wrote about recently.

“Personally, I feel like people are very fatalistic about the trajectory of the industry, but it’s not like the industry is going down, the industry is just changing,” Goldberg said. “We just are very flexible and embrace the change, and hopefully in doing so, we don’t get left behind.”

Stuff We Wrote

Number of the week

After 1,810 episodes as the host of “The Late Show,” Stephen Colbert signed off for the final time Thursday.

CBS has said it canceled Colbert because the show was losing $40 million a year as viewers have increasingly migrated away from late-night viewing in the streaming era.

But many in the TV business are skeptical of the claim and believe Skydance wanted to silence Colbert, a frequent Trump critic, to pave the way for its deal last year to acquire parent network Paramount. (The Federal Communications Commission’s approval of the transaction came days after the show’s cancellation was announced.)

My colleague, Stephen Battaglio, has written about what the future of late-night TV talk shows will now look like.

What I’m watching

I watched the “Survivor 50” finale Wednesday with some friends, despite only watching two episodes this season (or ever). It was fun seeing the drama unfold, though I was, like everyone else, shocked at that “last twist” of Jeff Probst accidentally spoiling who lost in the final fire-making challenge.

Sacha Baron Cohen and Rosamund Pike’s feminist romcom Ladies First tops the Netflix number one charts.

Ladies First has arrived on Netflix and it stars Doctor Who icon David Tennant’s child.

Despite only dropping on the streamer, Ladies First has already shot straight to the number one spot, telling the tale of arrogant yet charismatic ladies man Damien Sachs (played by Sacha Baron Cohen).

While he enjoys a life of money and power, his world is turned upside down when after a head injury, he wakes up in a parallel world dominated by women.

It is in this world that he comes across his business rival Alex Fox (Rosamund Pike) who’s also mum to Charlie, brought to life by Red Tennant.

What Netflix subscribers may have realised though when watching Ladies First is that Red is the non-binary child of Broadchurch star David.

Red, who was born Wilfred Tennant, had their acting debut in the 2017 film You, Me and Him which starred their famous dad.

They also starred in a single episode of Casualty back in 2022 when they played a character called Joey Parker.

In Ladies First, Red is behind Alex Fox’s child Charlie who encourages their mum to “stand up for herself at work” when she’s having doubts about her career.

Red is the child of both David Tennant and his wife Georgia Tennant who he met in 2008 on the set of Doctor Who.

She guest starred as Jenny, the artificially created daughter of Tennant’s Tenth Doctor.

Georgia is also the real-life daughter of Peter Davidson who was the fifth ever Time Lord back in the 1980s.

While Ladies First is at the top of Netflix’s most watched list, it has left viewers divided with the film scoring just 19% on Rotten Tomatoes.

Someone wrote: “I am truly overwhelmed how this made it to the screen.

“If I said it was utter rubbish, I would be being polite! I have no words how awful it was.”

On the other hand, a fellow user said it was an “absolute must-see” with someone else stating that it was one of their “new favourites”.

Ladies First is available to watch on Netflix.

A FRENCH actor with a role in Netflix series Emily in Paris has died after a brave battle with amyotrophic lateral sclerosis.

Pierre Deny, a dearly beloved face on French television for decades, died on Monday at the age of 69 from complications with the disease that causes progressive muscle paralysis.

“It is with deep emotion that we announce the passing of Pierre Deny, which occurred this Monday following a sudden and severe case of ALS,” his daughters said in a statement.

Also known as Charcot’s disease, ALS is a progressive neurodegenerative disease that affects nerve cells in the brain and spinal cord.

It leads to muscle weakness, atrophy, and paralysis, eventually affecting the ability to speak, eat, and breathe.

Tributes have been paid to the star by other celebrities, hailing him as a “generous actor”.

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Sylvie Vartan, Bulgarian-French singer and actress, wrote on Instagram: “It is with great sadness that I learned of the passing of Pierre Deny.

“I shared many wonderful moments with him on stage in Isabelle Mergault’s play.

“He was a generous actor and a sensitive and funny man. In these painful moments, my thoughts are with his family and loved ones.”

Raphael Benoliel, someone who said was a friend of Deny’s, described him as a “great artist” and a “magnificent person.”

“I shared with him a passion for soccer that he loved above all else … he was a true enthusiast, and we were still playing together just a year ago like a couple of kids,” the post on X read.

“He had the joy of the game, the joy of being together, the love of effort, of life … That goddamn Charcot’s disease took him away far too soon … it’s so unfair.”

The actor began his career in theatre in the 1980s before moving into film and television.

He was particularly known for his roles in the police series such as “Julie Lescaut” or “Une femme d’honneu”, where he played Captain Philippe Kremen.

He also played the role of Renaud in the soap opera “Demain nous appartien” in which he appeared in 500 episodes. 

Most recently, Deny appeared in seasons three and four of Emily in Paris, in which he played Louis de Léon, CEO of fashion giant JVMA.

True crime fans are urged to check out the Netflix documentary series described as “one of the best” ever made.

A “fascinating” Netflix series with a major twist is the perfect binge watch for fans of true crime documentaries.

The docu-series, which viewers have described as “heartbreaking” and “mindblowing”, first aired back in 2019.

It follows the stranger-than-fiction story of Henry Lee Lucas, who was known as “the most prolific serial killer in the US”.

However, the bizarre case takes an unexpected turn, and the series about his extraordinary life has left viewers stunned.

The synopsis on Netflix reads: “Henry Lee Lucas rose to infamy when he confessed to hundreds of unsolved murders. =

“This documentary series examines the truth – and horrific consequences.”

Titled The Confession Killer, the Netflix series was a hit when it first came out, earning a rare 100% fresh score on Rotten Tomatoes.

Audiences took to the review section to share their thoughts on the mini-series, with many praising its detail and calling it a “must watch”.

“Superb, my mind was blown as the story unfolded,” one person wrote, as another agreed: “This is amazing. One of the best, if not the best, true crime doc series of late.”

“Very well described in terms of details and information. Very little bias,” another praised, as a fourth person said: “Henry Lee Lucas is a tragic story where everyone involved was surprised in the end. It’s heartbreaking. You must watch it.”

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Another person reflected: “As someone as complicated as Henry Lee Lucas, this is probably the best and most well put together documentary about him that has ever been made.”

One more viewer observed: “This was fascinating and SO well done. The old footage was terrific as were the interviews with people who are still alive to tell their versions of the story. I was hooked.

“I thought I was just watching a good profile of a serial killer and then everything took a completely different turn. Anyone interested in true crime will find this a compelling documentary. Highly recommended.”

Critics also applauded the documentary, with Mashable noting: For true crime devotees, watching the five-part series will do more than hit the spot.”

The Confession Killer is available to stream now on Netflix.

Kylie Minogue’s sister Dannii is no stranger to the spotlight, but the popstar has another sibling fans aren’t familiar with

Kylie Minogue fans are more than acquainted with her sister Dannii, but who is the pop icon’s other sibling?

The celebrated singer, 57, has just opened up about her rise to global stardom in new Netflix documentary show Kylie. Tracking her career from soap star to chart-topper, the series features interviews with those closest to the Australian celebrity.

However, her brother Brendan only makes a brief appearance in the show. In Episode 1, Kylie’s brother is shown during a scene where the Minogues gather around for a bonfire. Fans will also spot her sister Dannii, mum Carol, dad Ronald in the segment.

So who exactly is the mysterious Minogue sibling?

Who is Kylie Minogue’s little-known brother?

Kylie’s younger brother is 55-year-old camera operator Brendan Minogue.

He prefers to stay out of the spotlight but has been spotted in his sister’s other projects, including the 2001 special An Audience with Kylie Minogue.

While little is known about the Minogue brother, it seems the three siblings shared a positive childhood.

In her Netflix show, Kylie reflects on their upbringing fondly. “I was raised without any putdowns, without ever hearing ‘You can’t do this, you can’t do that,'” she explains. “We were just encouraged to do what we loved.”

The singer has also cited Brendan as part of her solid support system. In an interview with the BBC, she confessed: “When it’s not going well, that’s who I turn to – Mum, Dad, my brother and my sister.”

She revealed in the same interview that Brendan taught her a stress-relief technique that was crucial during the start of her career.

It’s called the foofer valve, she said, adding: “When the emotion has got to come out, or you’ve got to have a big cry or a moan, you let out a noise, tsssssh, like a kettle letting off steam, and you’re like, ‘Oh, I feel so much better’.”

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As well as a glimpse into her family life, the three-part Netflix doc offers insight into the pop icon’s decorated career.

A synopsis teases: “Featuring footage from home movies, personal photographs, and new interviews with Kylie herself, the documentary shows the woman behind the hits. It examines how she’s faced public scrutiny, personal loss, and illness with grit and grace, earning respect far beyond her own fandom.”

Kylie is streaming now on Netflix

A Netflix series has been deemed so good that it has viewers glued to their TVs for six hours straight. They admit the show is amazing, and had them totally hooked

Occasionally we all seek fresh content to watch, and a certain programme that’s recently arrived on Netflix has been considered absolutely exceptional. The crime drama has captivated audiences, with some confessing they’ve devoured it entirely in a single six-hour session as it’s simply so compelling.

If you’re searching for a television programme to genuinely keep you engrossed, it appears this one merits consideration, and it’s recently been spotlighted by Yazmien Yuen on TikTok, who confessed she thoroughly adored it. She stated the Netflix drama is so impressive that she remained seated for six hours continuously watching every single episode.

It’s not the sole offering to have mesmerised viewers lately either. Just weeks ago, audiences acknowledged they were also binge-watching another programme within a single session.

In the clip, Yazmien stated: “Netflix dropped a British crime series called Legends that not enough people are talking about. So, of course, I’m going to bring it to your attention.

“It dropped on May 7. Six episodes that you’re going to [watch] like I did in one sitting and, imagine this, it is based on a true story that most people have never heard of.

“When I saw that at the end I was like ‘you what?’ I was gobsmacked.” Accompanying the clip, she also penned: “I started Legends on Netflix at 9pm and finished at 3am.

“This show is THAT serious – British true crime, undercover agents, Steve Coogan. Six episodes. One weekend. You’re welcome.”

The footage rapidly sparked conversation, racking up hundreds of views. Numerous viewers confessed the programme is utterly addictive.

One viewer commented: “Halfway through it and I deliberately stopped so that it will last a bit longer. It’s so good!”

Another enthused: “I binged it, amazing show.” A third responded: “Very good drama, a must-watch. Steve (Coogan) is great at playing serious parts.”

Meanwhile, a fourth wrote: “I just finished it, it was so good! I literally never switch my TV on, but this had me hooked!”

Someone else remarked: “We have two episodes left and I’m bummed. I don’t want to finish it.”

What’s the plot?

For those unfamiliar with Legends, it’s a British crime drama television series penned and conceived by Neil Forsyth. Production was handled by his company, Tannadice Pictures.

Drawing from real events, it follows British undercover Customs investigators who penetrate the drug underworld during the early 1990s. The ensemble features Steve Coogan, Tom Burke and Hayley Squires.

The narrative explores how Her Majesty’s Customs and Excise was struggling against illegal drug trafficking at Britain’s borders. Through a classified operation, a select group of Customs officers were assigned fresh identities and deployed undercover to penetrate Britain’s most dangerous criminal networks.

Following its Netflix debut in May, the series has garnered favourable critical reception. Audiences appear equally impressed with the offering.

One viewer heaped praise on it, commenting: “Absolutely superb it was.” Another remarked: “This is a quality watch.”