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Decades of Hollywood empire-building ended with a quake in 2017 when Australian media mogul Rupert Murdoch decided to sell much of his Fox entertainment holdings amid the rise of Netflix and other tech giants.

This week, another titan who has been instrumental in shaping American media and telecommunications began to unwind his Hollywood holdings.

Brian L. Roberts — who with his father built Comcast into a cable TV and internet colossus — announced his company would spin off its prestigious NBCUniversal unit into a separate publicly traded company sometime next year.

The move reverses Roberts’ purchase of NBCUniversal in 2011 — a bold bet that created a behemoth with popular programming and cable pipes to pump that content into consumer homes.

Comcast’s breakup marks the close of a Hollywood era, one dominated for 40 years by a class of maverick moguls: Murdoch, CNN founder Ted Turner, Viacom’s Sumner Redstone, cable titan John Malone and the Philadelphia-based Roberts family.

Now, a new crop of leaders has emerged, reflecting Silicon Valley’s vast influence over the film and and TV business, which has been upended by streaming and, now, artificial intelligence.

“There was a time that Murdoch, Malone and Brian were really industry leaders who could affect change,” said Bank of America managing director Jessica Reif Ehrlich in an interview. “That’s not true any longer.”

Analysts widely believe Monday’s announcement is a prelude to eventual sales of both Comcast and NBCUniversal, a theory that Comcast rejects.

Roberts, 67, told analysts he will remain involved in both NBCUniversal and Comcast after the separation. Still, he plans to relinquish his chief executive role after 25 years and a half century at Comcast. Roberts has picked trusted associates to run each firm, and his family will continue to hold controlling shares of both companies.

But the shift underscores a dramatic loss of clout by Comcast and other traditional media enterprises. Netflix, Apple, Amazon and Google’s YouTube have diminished the industry’s financial pillars — box office receipts and cable programming fees — and given consumers control over when and how they watch programming.

Murdoch was the first to flee. In 2014, he was rebuffed in his $80-billion bid to beef up his 21st Century Fox by buying HBO, CNN and other Time Warner assets. Murdoch’s defeat led to the Fox asset sale to Walt Disney Co.

Last fall, Comcast made a run for the same properties with a plan to unite NBCUniversal with Warner Bros.

Instead, 43-year-old tech scion David Ellison — with help from his billionaire father, Oracle software co-founder Larry Ellison — scooped up the prize for a staggering $111 billion.

The pending blockbuster merger of Ellison’s Paramount Skydance and Warner Bros. Discovery is expected to reshape the industry and leave NBCUniversal increasingly vulnerable to a takeover.

“It looks like Comcast’s NBCUniversal was left standing on the dance floor without a partner,” MoffettNathanson media analyst Robert Fishman wrote in a Tuesday note to investors.

Paramount’s play for Warner Bros. came a month after Ellison finalized his family’s purchase of cash-strapped Paramount from Shari Redstone. The one-two acquisition punch would propel the Ellison family to top-tier moguls with influence over CNN, CBS News, HBO, Turner Classic Movies and two historic Hollywood studios.

“It’s a flagging industry. … The industry will have to consolidate to survive,” said C. Kerry Fields, a USC Marshall School of Business economics professor. “Those who have content plus [streaming] distribution are going to be the winners.”

Roberts knows distribution. His father in 1963 bought his first cable TV system in Tupelo, Miss. It was a quirky bet for Ralph Roberts, who figured his belts and suspenders business would soon be toast as beltless polyester pants became the rage.

Brian Roberts joined Comcast as a high school intern, setting up supermarket promotions. In 1975, he became a trainee cable installer, climbing poles and stringing cables. He joined Comcast full time in 1981 after graduating the Wharton School at the University of Pennsylvania.

For more than 30 years, he worked in tandem with his dad. With key associates, they built the nation’s foremost cable TV service — then the entertainment gateway — and grew stronger by offering internet, phone and then wireless service.

Analysts credit the 2011 purchase of NBCUniversal as a huge success; Comcast rescued a company that was on the ropes due to General Electric’s under-investment.

Over the years, Comcast rebuilt NBC and Spanish-language Telemundo, writing big checks for the best sports rights, including the FIFA World Cup, NFL, NBA and Major League Baseball.

Comcast also recognized value in theme parks and invested heavily, building Universal Studios as a formidable rival to Disney. NBC finished the season in first-place among traditional TV broadcasters and its L.A. film studio is an industry leader.

But the world has changed.

“One of the defining characteristics of this company has always been our willingness to look ahead, embrace change, and position ourselves for the future,” Roberts told analysts during a Monday call.

Reif Ehrlich, the Bank of America analyst, said Comcast needed to do something — or watch its stagnant stock sink farther.

Wall Street has punished the company amid steep losses in its cable TV and broadband internet units, and because NBCUniversal has historically generated its biggest profits from its cable channels.

In January, Comcast spun off those networks, including CNBC, MS NOW, USA Network and Golf Channel, to create a new entity called Versant.

But the move failed to boost Comcast’s battered stock, which dropped 3.3% on Wednesday to $23.73.

Five years ago, Comcast stock topped $50 a share.

“It was just a very challenged market on both sides, and it’s getting worse, not better,” Reif Ehrlich said.

Comcast faces competitors beyond traditional telecommunications firms, including AT&T and T-Mobile. SpaceX’s Starlink provides satellite internet service.

NBCUniversal must jockey alongside other well-capitalized players, including Amazon, Netflix and Disney. NBC’s streaming service, Peacock, has struggled to get traction. It counted 46 million paying subscribers as of the first quarter, a fraction of Netflix’s 325 million and the nearly 132 million subscribers of Disney+.

“It’s kind of a subscale player,” Reif Ehrlich said. “It’s just a real battle, and NBC has expensive sports rights.”

Roberts conceded the difficult landscape on the analyst call.

“The world is changing faster than ever,” Roberts said. “Technology, consumer behavior, competition, capital requirements are all evolving at an unprecedented pace … When we acquired NBCUniversal, more than 15 years ago, the industry looked very different.”

He will retain control for at least three years. The NBCUniversal spin-off is envisioned as a tax-free transaction for shareholders, providing a short-term buffer from deal-making to preserve that structure.

NBCUniversal could be up for grabs by 2029 — a pivotal year when the NFL is expected to open negotiations for a new round of broadcast rights. That auction is expected to draw heavy interest from Amazon and other streamers — not just veterans Fox, NBC, Disney’s ESPN and Paramount’s CBS.

“Brian Roberts has already proven his willingness to play the long game and with continued control should be the end decision maker,” Fishman said.

Much like Murdoch, who is now 95 and partially retired.

“Rupert was the smartest guy in Hollywood — he got out at the top,” Reif Ehrlich said.

He entrusted power to his 54-year-old son, Lachlan, who has been busy remaking Fox after the 2019 sale to Disney, which included Fox’s film and TV studios, streaming service Hulu and the FX and National Geographic channels. Fox also unloaded its regional cable sports networks — a savvy move before that business cratered.

The Murdochs kept Fox Sports, the Fox broadcast network, TV stations, Fox News Channel and the studio lot.

The company has been expanding. Lachlan Murdoch led Fox’s purchase of Tubi, which provides free TV channels and movies for smart televisions, keeping Fox in the streaming game. The company launched Fox News and weather products, and subscription service Fox One, which streams the company’s sports and news.

Earlier this month, Lachlan Murdoch stunned the industry by agreeing to pay $22 billion for Roku, a leading streaming platform that reaches 100 million viewers worldwide. Murdoch called the proposed purchase “a defining moment for Fox.”

Worst Neighbor Ever is now available to stream on Netflix

The chilling calls to emergency services after a huge insurance scam explosion have been revealed in a brutal true crime documentary series.

This week, Netflix dropped anthology series Worst Neighbor Ever, which follows on from Worst Ex Ever and Worst Roommate Ever.

This time, it explores real life neighbour disputes that take a fatal turn. Plunging viewers into a series of events including intimidation and violence, it uses real life bodycam footage and CCTV to highlight what occurred.

As well as hearing heartbreaking accounts from victims, the true crime series also stands out with its use of animated re-enactments to tell the stories.

An official synopsis reads: “You think you know your neighbors? Think again. This new series features firsthand accounts of violence, intimidation, and harassment that are more shocking than ever.

“Through compelling testimonials, startling body cam footage, and animated reenactments, Worst Neighbor Ever proves the people next door aren’t just a nuisance – they’re lethal.”

The second episode plunges viewers back to 2012 when a huge explosion wreaked devastation on one tight knit community in Indiana. On November 10, 2012, Monserrate ‘Moncy’ Shirley’s home exploded, leaving two people in the vicinity dead and many others injured, destroying dozens of homes.

But when investigators find the real cause, lives were changed forever. The episode hears from the neighbours who were at home that evening as well as revealing what Moncy was really like, as well as her new boyfriend at the time Mark Leonard.

Following the huge explosion, one neighbour can be heard saying: “At first, we thought we were being bombed. Our whole house lifted up off the foundation.”

Another said: “It was like one of those mortar fireworks going off right next to your house.”

Showing chilling video footage of the explosion and the flames, the documentary also showcased some of the heartbreaking calls made to the emergency services.

In one phone call, a neighbour said: “Something literally just exploded”, as another asked: “What just happened?” A third said: “We had a large boom, I don’t know if it was a bomb, a gun went off or what.”

Detailing the aftermath, one resident said: “The flames were just massive. The street looked like it had snowed, but this bright light of fire is in the distance.”

A call between emergency services continued: “We’ve had an explosion at a house, we’re going to need medics, IFD, it’s going to be a major incident control.”

The episode explores how Moncy, her boyfriend Mark and his brother had plotted to start a fire that would result in an insurance payout, however, their plan resulted in a huge explosion that wreaked devastation for years afterwards.

Worst Neighbor Ever can be streamed on Netflix

Fans can’t get enough of the series even after watching multiple times

Fans claim that the prequel series is even better than the movie it is based on.

An ‘absolutely genius’ show that has just been added to Netflix has been labelled as the ‘funniest show ever’. Containing eight episodes in total viewers should be able to binge watch the title in record time.

The first season of Ted is now available on the platform as of today (July 1). It serves as a prequel for the film of the same name written and directed by Family Guy creator Seth McFarlane.

McFarlane returns to voice the titular character Ted as well as serving as one of the show’s writers. He also directs every episode of the show.

According to its synopsis, the comedic prequel event series to the films begins in 1993. Ted the bear’s moment of fame has passed.

He’s now living back home in Framingham, Massachusetts with his best friend, 16-year-old John Bennett, along with John’s parents, Matty and Susan and cousin Blaire. Ted may be a lousy influence on John, but at the end of the day, he’s a loyal pal who’s always willing to go out on a limb for friendship.

MaxBurkholder takes over the role of John, which was previously played by Mark Wahlberg in the films. Meanwhile, Euphoria’s Alanna Ubach plays John’s mother and The Punisher’s Giorgia Whigham plays his cousin.

Scott Grimes, who has appeared in multiple MacFarlane projects including American Dad, The Orville plays John’s dad.

A second season released earlier this year but the future of the show is up in the air. McFarlane has said there aren’t any plans for a third season saying its production costs might be too high, although he’s also hinted there could be a film in the future with the series cast.

For now Netflix users can enjoy all episodes of the first season. The second is currently only available via Sky or NOW streaming platform.

Fans are full of praise for the series that boasts a rating of 87% on Rotten Tomatoes, which is higher than the original film. One person labelled it a “hilarious masterpiece.”

They added: “The CGI for the bear is insanely good, you almost forget he isn’t real. Seth MacFarlane does an incredible job bringing Ted to life, and the chemistry between the entire cast makes the show feel effortless. The cast bounce off the absurdity perfectly, and the dialogue never stops being funny. It’s one of those comedies that’s just pure fun to watch from start to finish.”

Someone else claimed they still love it just as much after multiple watches. They said: “I’ve watched Ted at least 10 times, and it still makes me laugh every single time. The jokes are sharp, the timing is perfect, and the cast is just amazing. it’s absurd, honest, and perfectly delivered. Shows like this don’t come around often, and it’s my ultimate rewatchable series.”

While one person posted: “It’s absurd, a little bit chaotic, and somehow still incredibly charming, much like the bear himself. The show cleverly balances raunchy humour with an oddly heartfelt coming-of-age story, proving that even a foul-mouthed, beer-loving teddy bear can provide surprisingly good life advice—albeit sandwiched between jokes that would make your grandmother faint.”

The go on to say: “Seth MacFarlane’s voice work is as sharp as ever, delivering laugh-out-loud moments with the kind of deadpan brilliance usually reserved for grumpy old men at the pub. In the end, Ted Season 1 is exactly what you’d expect: hilarious, ridiculous, and strangely heartwarming.”

Others warned that as soon as you watch one episode, you will quickly find yourself breezing through the whole series. They said: “Seth is a comedy genius and this project is no different after putting it on with the intention of watching one at 12.30am at night I binge watched it and was left wanting more.”

Ted is streaming on Netflix and NOW

Three part true crime series The Fall Skydive Murder Plot is now available on the streaming platform

Where the soldier who tried to kill his wife twice is now.

A three part docuseries retelling a remarkable story of Victoria Cilliers is now streaming on Netflix. Across its three episodes, it shows how Victoria, an experienced skydiver somehow survived a 4,000ft fall after bother her parachutes failed to open.

It was originally made for Channel 4 a couple of years ago but is now available on the popular platform. It means more viewers will find out how police investigated the incident and gathered evidence that Victoria’s parachute was tampered with.

They soon suspected her husband Emile. Born in South Africa he moved to the UK in the early 2000s. While he had two children from a previous marriage, he met Victoria later in 2009, after receiving treatment where she was working as a physio.

The pair eventually married and had two children of their own. However, during their marriage, Emile exhibited some worrying behaviour.

This included spending Victoria’s money and racking up debt while Victoria also suspected him of having an affair.

But what happened to Emile Cillers? Where is he now and what sentence did he receive? Here is all you need to know?

What happened to Emile Cilliers?

Following their investigation, police charged Emile Cilliers with the attempted murder of his wife. They put forward that he deliberately tampered with the parachute before the jump.

Officers investigating believed that Emile wanted to cash in Victoria’s life insurance to pay off his debts and begin a new life with his girlfriend, who was apparently under the impression he had split from his wife.

Before the jump, Emile tried to kill Victoria by leaving the gas on in their home. Thankfully, her and their children escaped after harm after Victoria smelt the leak.

The case first went to trial in October 2017. However, the jury failed to reach a verdict. The docuseries goes into detail about the reasons this may have happened.

There was then a second trial in May 2018. Following this he was found guilty on two counts of attempted murder. He was sentenced to life imprisonment with a minimum term of 18 years.

BBC News reported that during sentencing, Mr Justice Sweeney told Cilliers he was “of quite exceptional callousness and a person who would stop at nothing to gratify your own desires”.

He described the evidence against him as “overwhelming” and added: “You continued to pursue your selfish financial, emotional, and sexual desires.”

A Crown Prosecution Service spokesperson at the time said: “The evidence all pointed to Emile Cilliers as the man with the motive and the opportunity to commit these calculated attempts to murder his wife.”

Cilliers is serving his sentence at HM Dovegate Prison in Staffordshire.

The Fall: Skydive Murder Plot is streaming on Netflix, Disney+ and Channel 4.

Netflix has come under fire for apparently using artificial intelligence to recreate Gene Wilder’s voice in their new series based on Willy Wonka and the Chocolate Factory

Netflix has come under fire for apparently using artificial intelligence to recreate Gene Wilder’s voice in their new series based on Willy Wonka and the Chocolate Factory. The late actor, who died in 2016 at the age of 83, famously played the title character in the 1971 adaptation of the Roald Dahl classic.

Now, the streaming service is set to launch Wonka’s The Golden Ticket, a reality series that invites players to step inside the famous factory and complete challenges.

A voiceover, which sounds very much like that of Wilder, says: “A whole new generation of real-life golden ticketholder will compete for a life-changing prize, or say a most unfortunate goodbye.

OPINION

“Marvel at the magic you remember, and delight in my newest wonders beyond imagination…The most extraordinary competition on earth is about to begin. There’s no turning back now.” A group of entrants were then seen locking shocked and the trailer confirmed that the series will be released on September 23.

Fans were left unimpressed as they instantly recognised what sounded almost the late actor’s voice, assuming that it had been generated by AI. One fan wrote on X: “It almost sounds like gene wilder, but not really and is a plastic substitute that people will eat up because the robots have made them stupid, This is an obscenity.”

Another said: “Ain’t no way they ruining one of my favourite movies of all time with a show and a AI Gene Wilder,” whilst a third wrote: “I’m sure Gene Wilder who died 10 years ago gave his permission to use his voice for AI slop.”

Charlie and the Chocolate Factory was first published in 1964 and followed an impoverished boy as he won the chance to visit Wonka’s chocolate factory and watched as four other spoiled children met their grisly end over the course of the day. The 1971 adaptation was filmed as a musical and featured songs like Pure Imagination, I Want It Now and The Candyman.

In 2005, Tim Burton released a remake with Johnny Depp as Wonka and Freddie Highmore as Charlie. The story was then adapted for the stage in 2013, and ran for a short period of time on both Broadway and the West End but closed amid mixed reviews.

In 2024, Timothée Chalamet stepped into the role of the factory owner in a prequel film, alongside an all-star cast made up of Rowan Atkinson, Olivia Colman, and Hugh Grant.

The celebrated children’s author was also behind other classics such as Matilda, The Twits, and James’ Giant Peach, and Netflix acquired The Roald Dahl Story Company in 2021.

Earlier this year, Netflix revealed that upcoming animation feature due was to release sometime in 2027. At the time, it was confirmed that Heartstopper star Kit Connor is set to lead the voice cast.

He will be joined by comedic actor and filmmaker Taika Waititi, known for directing and starring in Jojo Rabbit and Thor Ragnarok. They will both feature in Charlie vs. the Chocolate Factory.

The Netflix original is directed by experienced animated filmmakers Jared Stern and Elaine Bogan. Between them they have previously helmed The Lego Batman Movie, Spirit Untamed and Trollhunters.

According to the synopsis, Willy Wonka has spent the years since the Golden Ticket contest behind bars for the crime of turning a child into a blueberry. Having served his time, Wonka returns to his factory determined to add a little sweetness to a bitter world. But one thing stands in his way: teenager Charlie Paley and his friends.

Facing eviction, this next generation of “rotten” kids plot to break into the factory, nab a priceless Wonka Bar, and save their homes. But like many before them who enter the fantastical world of the factory, these kids are in for a bit more than they can chew.

The story is said to be set in modern day London, and the makers hope it retains the quintessential British charm synonymous with Roald Dahl’s original work while featuring a new adventure, original songs, brand new characters and some surprises. Netflix hopes this new chapter set in the world of Wonka will introduce a new generation to its universe and characters.

Kit Connor said: “I’m so excited to enter the wonderful world of Wonka. I was immediately caught by the early concept art, and the directors’ vision for the film – capturing the spirit and heart that made the original story so special, whilst imbuing it with something so fresh and unique. It’s such a fun representation of the London that I know. This new adventure is going to surprise audiences around the world, you’re in for a treat!”

The Mirror has reached out to Netflix for comment

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Carl Erik Rinsch, the director of the 2013 Keanu Reeves action film “47 Ronin,” will serve more than two years in federal prison for defrauding Netflix of $11 million.

U.S. District Judge Jed S. Rakoff on Monday sentenced 48-year-old Rinsch to 30 months in prison, the U.S. Attorney’s Office, Southern District of New York, announced. Federal prosecutors convicted Rinsch in December of wire fraud, money laundering and other counts. A legal representative for Rinsch did not immediately respond to a request for comment on Tuesday.

Federal prosecutors indicted Rinsch in March 2025, alleging the $11 million went into Rinsch’s personal accounts. The filmmaker “quickly transferred” the money from the Rinsch Co. account, where it had been deposited March 6, 2020, by Netflix, through additional accounts until about $10.5 million wound up weeks later in a personal brokerage account. He lost more than half of that money in less than two months via risky investments in the stock market, the indictment said.

Though Rinsch told the streamer that his sci-fi show “White Horse” was progressing nicely, the filmmaker allegedly moved the remaining money into cryptocurrency and profited from crypto speculation over the next couple of years. The streamer had invested around $44 million in the show. Rinsch was accused of spending around $10 million on five Rolls-Royces, a Ferrari, watches, clothing, luxury bedding and linens, credit card bills, attorneys to sue Netflix for more money, and lawyers to work on his divorce.

He was arrested in West Hollywood and released the same day after agreeing to post a $100,000 bond to guarantee his appearance in a New York federal court.

Rinsch never finished the Netflix show.

During his sentencing, Rinsch and his legal team told the court his behavior was a result of mental health struggles and medication problems and they are working to address those issues with a new care provider, the Associated Press reported.

“I failed to recognize the danger of the state I was in,” Rinsch said, though his mental issues were not described in court, and his attorneys declined to provide further detail.

Ahead of the sentencing, Reeves — the star of Rinsch’s most notable project to date — penned a letter in May requesting “leniency and mercy as well as justice” in the filmmaker’s sentencing.

In addition to prison time, Rinsch must serve three years of supervised release, forfeit the $11 million and pay $700 in mandatory special assessments, according to Monday’s announcement. U.S. Attorney Jay Clayton said in the announcement: “Today’s sentence sends a deterrent message: fraud will not be tolerated.”

The Associated Press and former Times assistant editor Christie D’Zurilla contributed to this report.

It’s been about a month into the all-important summer box office season, and already, there is a noticeable boost in optimism.

I wrote last week about how the massive debut of Walt Disney Co. and Pixar’s “Toy Story 5” was a promising sign; many analysts and movie theater operators believe the summer’s theatrical revenue could finally reach pre-pandemic levels.

The cinema business has been propelled by the likes of Paramount Pictures and Miramax‘s “Scary Movie,” Universal Pictures’ “Disclosure Day” and, of course, A24’s “Backrooms” and Focus Features’ “Obsession.”

With more potential blockbusters on the way, my colleagues David Viramontes, audience editor for arts and entertainment, and Cerys Davies, who covers the business of the entertainment industry, joined me to give our best predictions for how this summer will shape up.

What will be the biggest movie of the summer?

Masunaga: After seeing how family movies — specifically, PG-rated films — were the winners of the last two years, I think we’ll be seeing “Toy Story 5” emerge at the top. The movie has already brought in more than $585 million worldwide less than two weeks after it opened, and if its billion-dollar-grossing predecessors are any indication, this franchise may still have a long life at the box office.

Viramontes: After the R-rated, three-hour drama “Oppenheimer” made nearly $1 billion at the worldwide box office in 2023, it would be professional malpractice not to pick Christopher Nolan’s “The Odyssey” as the biggest movie of the summer — and possibly the year. 70-millimeter IMAX screenings were sold out a year in advance and premium format tickets are still hard to come by in Los Angeles. Not to mention tentpole movies like this attract repeat viewings and even encourage viewers to seek out screenings in every format. And we haven’t even talked about how the film boasts one of the most stacked casts in recent history.

Davies: In an effort to play it safe, I’m going to pick a family movie and bet on “Toy Story 5.” Think about the dog days of summer — when the air gets heavy, a sense of inexplicable boredom takes over and it’s almost too hot to do anything. Deep down, you know the only reprieve is sitting in the comfort of your local theater chain’s air conditioning. But, at this point, you already saw “The Odyssey” with all your friends at the earliest available IMAX showing. What else will scratch that box office itch? I’m willing to bet it’ll be none other than the familiar faces of Woody, Jessie and Buzz Lightyear, as they fend off technology in their home.

Which movie’s marketing campaign will be the talk of the summer?

Masunaga: The marketing for “The Odyssey” has been less overt than that of other summer releases, giant Trojan horse in Venice Beach notwithstanding. But a film helmed by Nolan and starring a plethora of A-list actors basically markets itself. After all, both official trailers for the film have garnered more than 30 million views on YouTube.

Viramontes: I’m prepared for Spider-Man to be everywhere. From buses and billboards to talk shows and TikTok, the movie will reach full saturation. While “Brand New Day’s” marketing campaign hasn’t reached fever pitch just yet, I’m prepared to be inundated with activations, posters and commercials for the four-quadrant fave that’s poised to be one of Marvel’s biggest successes in years.

Davies: A massive orange monster named Irene with dozens of eyeballs has nearly engulfed the historic Carney’s restaurant on Sunset. A giant inflatable “Rich” minion, sporting a goatee and a blinged out chain, popped up on Fairfax. And minions have taken over Wendy’s frosty machines with a new banana flavor. At this point, Universal and Illumination could put a minion on every Los Angeles street corner, and I wouldn’t grow tired of them. (The ominous, goggle-wearing eye overlooking the 101 freeway just isn’t enough.)

What will be the biggest wild card of the summer?

Masunaga: The biopic “Young Washington” could make waves. Distributed by Provo, Utah-based Angel Studios, the movie has the backing of the studio’s 2 million Angel Guild members, who determine its slate and get other perks, including free movie tickets. That support proved crucial for 2023’s “Sound of Freedom,” which ended up grossing more than $250 million worldwide, and could end up being a factor here, too.

Viramontes: “The End of Oak Street” has been teasing a dinosaur adventure in trailers, but can the mystery box movie starring Anne Hathaway and Ewan McGregor attract audiences? There’s also potential counter programming to blockbuster hopefuls dotted throughout the summer with “Teenage Sex and Death at Camp Miasma.” But I’m putting my money on “Evil Dead Burn.” Horror movies put butts in seats, and this summer doesn’t have many other straight-down-the-middle scares in store for audiences.

Davies: There’s an Anthony Bourdain biopic called “Tony” hitting theaters in August. These days, it feels like Hollywood will make a biopic about just anyone, but something about seeing Dominic Sessa channel the chef’s undying passion for food and effortless swag on screen seems irresistible. Plus today’s audiences love stories about intense kitchens (“The Bear”) and debatable biopics (“Michael”) — let’s see what happens when the two marry.

Both Warner Bros.-owned DC Studios’ “Supergirl” and Sony Pictures‘ “Spider-Man: Brand New Day” are part of this summer’s lineup. Will we see a turnaround from the recent superhero fatigue at the box office?

Masunaga: This past weekend marked a disappointing debut for “Supergirl,” which brought in just $37.1 million in the U.S. and Canada and about $62.6 million worldwide on a reported budget of $170 million. Box office analysts had been expecting a domestic opening of about $47 million to $50 million. On the other hand, pre-sales for “Spider-Man: Brand New Day” have been extremely strong. Not every superhero movie prints money anymore, so even with a potentially big haul for “Spider-Man,” I don’t know that it’ll signify a complete turnaround for the genre as a whole.

Viramontes: If there’s any superhero with enough pull to rescue the genre from fatigue after “Supergirl’s” poor performance, it’s your friendly neighborhood box office king Spider-Man.

Davies: Tom Holland’s Spider-Man definitely has the potential to cure superhero fatigue, at least for a few months. But as soon as the internet’s favorite couple, Zendaya and Holland, stop walking red carpets and doing press together, audiences are likely to put superhero movies on the back burner once again.

Analysts and theater owners have predicted that this summer’s box office will reach pre-pandemic levels. Will that momentum continue for the rest of the year?

Masunaga: Yes. The lineup of movies this year is more plentiful and varied than in years past, and with massive blockbusters slated for the holiday season, I think it’s very possible we could see a year-end domestic box office total of $9 billion or more.

Viramontes: Yes. We’ll have an action horror in September with “Resident Evil,” Zach Cregger’s follow-up to “Weapons.” In October, Tom Cruise’s long-awaited “Digger” might hit pay dirt. Following that in November is the new “Hunger Games” movie, “Sunrise on the Reaping.” And I don’t even have to mention “Avengers: Doomsday” and “Dune: Part Three,” the juggernauts waiting for us in December, do I?

Davies: Given the overall excitement from audiences of all ages and the variety this summer’s box office has to offer, this season will definitely be the one to do it. When Christopher Nolan, Spider-Man, the minions and the toys from “Toy Story” join forces, there’s no stopping them.

“The Pitt” and its economic effect on California

As film and TV production has fled the Golden State in search of cheaper locales, HBO Max medical drama “The Pitt” stands out as a major contributor to California’s economy.

My colleague Meg James wrote about the economic impact of the show, which films almost entirely on the Warner Bros. lot in Burbank and has provided jobs for about 1,000 people. The show’s first season alone contributed $125 million to California’s gross domestic product, according to an estimate from Oxford Economics.

“We’re old men who didn’t want to go away from our homes any longer,” series star Noah Wyle, who also serves as an executive producer and writer on the show, said, half-joking. “We’ve all been plying our trades out of state, chasing tax credits and being away from our families for a really long time.”

Stuff We Wrote

Film shoots

Number of the week

Disney and Pixar’s “Toy Story 5” continued its dominance this weekend, pulling in $70 million in the U.S. and Canada to stay on top at the box office.

The animated film has now grossed more than $585 million worldwide in less than two weeks. The haul for “Toy Story 5” helped push Disney past the $3-billion mark at the global box office, making it the first studio so far this year to hit that milestone.

What I’m watching

I feel like I’m always catching up on shows, and this week was no exception. I’m just now starting Season 2 of Netflix’s “A Man on the Inside,” which continues the hilarious exploits of retired engineering professor-turned-private-investigator Charles, played by Ted Danson. As a fan of “The Good Place,” I’ve loved the similar humor of this latest Michael Schur show.

DRAMA queen Michelle Keegan has seen her earnings shoot up to £5.4million a year.

The former Coronation Street star took a substantial amount of time off work last year after she became a first time mum with husband Mark Wright.

But new figures for her company, Rosia Productions, show that in the year up to September 2025, Michelle, 39, earned £1.4m more than the £4m she banked the previous year.

A financial expert said: “This shows Michelle still has massive earning power, and her career is going from strength to strength after 18 years on our TV.

“Despite taking time off to become a parent it hasn’t made any difference to her income and she’s still clearly one of the most in-demand stars of British TV”.

It comes after she enjoyed massive success with Harlen Coben’s Fool Me Once in 2024, which was one of Netflix‘s biggest hits, reaching the top spot around the globe.

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She announced in December 2024 she was having a baby.

In March daughter Palma Elizabeth Wright came into the world.

Her BBC series, Ten Pound Poms, was cancelled after two series last year, and her other big show, Sky comedy Brassic, also ended.

But last year Michelle also announced last year she was returning to ITV, where her career was launched on Corrie in 2008 playing Tina McIntyre.

She revealed she was making big budget thriller The Blame, starring opposite movie star Douglas Booth, 33, who plays her love interest and colleague.

The cop drama is due to air later this year with the actress playing DI Emma Crane in the six-parter. Booth plays DI Tom Radley.

Discussing coming back to work earlier this year, Michelle said: “Coming back to work after having a baby is quite daunting.

“The production were so supportive and I was so looked after and it was like working with family.”

A new South Korean action thriller has taken Netflix by storm with fans desperate to see more.

Netflix fans are eager to find out what happens next following Agent Kim Reactivated’s jaw-dropping premiere.

Netflix has just unveiled a new action thriller starring So Ji-sub in the titular role of Agent Kim, and it is already climbing the UK Top 10 chart.

Based on the webtoon Manager Kim, the series, which is one of many Netflix k-dramas, follows an ordinary, hardworking father who is forced to reveal his secret identity to rescue his missing daughter.

The series premiered on SBS TV on June 26 and the episodes are also streaming on Netflix, however, only two instalments have been released so far. The epic premiere introduced Kim Do-hyeon, a former North-South Korean covert operative who retired to fulfil his late wife’s wishes.

But when his daughter, Min-ji, is kidnapped, Kim jumps back into action and he quickly draws the attention of the National Special Missions Bureau. Here is all you need to know about how many episodes are in the series.

How many episodes in Agent Kim Reactivated?

As the series continues, Kim comes across two other fathers who are also former operatives: Seong Han-su (Choi Dae-hoon) and Park Jin-cheol (Yoon Kyung-ho). Together, they face opposition from various figures, including a construction executive and a North Korean agent.

Fans have already been left hooked after two episodes and they are keen to find out how many there are in total.

The entire series is made up of 10 episodes, with two episodes airing each week, on Fridays and Saturdays. The final two episodes are expected to drop on July 24 and 25.

Viewership figures have been released for the first two episodes, with 1.9million people watching episode one and 3.2million people watching episode two.

The huge jump in viewership is expected to continue as fans eagerly await the next two episodes on July 3 and July 4. The weekly release approach is unusual for Netflix as the streamer tends to drop all episodes at the same time for most shows.

Fans have taken to IMDb reviews to share their thoughts on the series so far, with one saying: “One of the most brutal k-dramas. Emotional as well.

“I have watch a lot of Action-thriller film and series from Korea, most of them were the same. Thrilling, yes, but not emotional in a way that makes my heartbeat escalated. Yet this k-drama gave me that feeling.”

Another said: “I think the first episode was already superbly done, it was so much fun to finally watch it, and I’m already looking forward to the next episodes of the series.”

A third shared: “Agent Kim Reactivated has already pulled me in completely. The story starts on a strong note, setting up an intriguing plot with excellent pacing, suspense, and enough mystery to keep you wanting the next episode immediately.”

Agent Kim Reactivated airs on Netflix with two episodes airing each week, on Fridays and Saturdays.

The Netflix crime drama has been hailed as “perfect” and “the best series ever”

Fans of crime dramas on the hunt for their next binge-worthy series should give this Netflix show a go.

Crooks follows the chaotic exploits of Charly (played by Frederick Lau), a man desperately trying to rescue his kidnapped family after his murky past comes back to haunt him, reports the Express.

Charly is forced, alongside getaway driver Joseph (Christoph Krutzler), to attempt the theft of a priceless gold coin.

When the heist unravels spectacularly, Charly and Joseph find themselves hurtling across the Continent in a bid to save his family, coming up against organised crime outfits from Berlin to Vienna to Marseilles. Netflix described Crooks as “an adventurous and action-packed road trip across three national borders begins”.

The series has earned widespread acclaim on IMDb, with one viewer awarding it a perfect 10/10 review, declaring: “The Story is Perfect.”

They concluded: “I haven’t had such an intense series experience in a long time. For me, it’s easily one of the best series I’ve ever watched.”

A second reviewer gave Crooks 9/10, calling it an “excellent series” that “keeps you engaged”.

They added: “The series captivates with its compelling narrative, keeping viewers glued to their screens.”

While a third viewer hailed Crooks a “fantastic series” in their own 9/10 review, explaining: “Brilliant show – elements of Dogs of Berlin with a Guy Ritchie edge.

“Very well done and hits the mark of a gangland action drama, but with an under thread of a real friendship story with a very human touch.”

A fourth viewer titled their review: “Entertaining thriller with action and suspense.”

They elaborated: “Crooks is a good crime, action show which lulls you into binge watching all eight episodes without much thought. Thoroughly enjoyable!”.

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Crooks initially arrived back in 2024, with Season 2 recently dropping on Netflix this April.

Season 2 unfolds in Thailand as Crooks expands internationally.

This time around, Charly finds himself compelled to steal the same gold coin from the government, which is threatening to jail him and his family for a crime he didn’t commit.

Crooks Season 2 is streaming on Netflix now.

Netflix’s period drama set in 19th-century Sicily is being hailed as a ‘masterpiece’

Fans who are missing Downton Abbey and The Gilded Age ought to give this sumptuous Netflix period drama a go.

Adapted from Giuseppe Tomasi di Lampedusa’s 1958 novel of the same name, The Leopard is a lavish period drama set in 19th century Sicily, reports the Express.

The six-part Italian series charts the fortunes of the Prince of Salina and his aristocratic family during a turbulent era of great change.

The Leopard unfolds against the backdrop of the Risorgimento, or the unification of Italy, as various states across the Italian peninsula were brought together to form the Kingdom of Italy.

During this momentous period, widespread political and social upheaval, along with rebellions and revolutions, preceded the formation of the Kingdom of Italy.

A synopsis of the show from Netflix reads: “Based on what many consider to be one of the greatest Italian novels of all time, The Leopard is a dazzlingly sensuous epic, set against the backdrop of revolution in 1860s Sicily.

“At its heart is Don Fabrizio Corbera, the Prince of Salina, who leads a life surrounded by beauty and privilege. But as Italy moves towards unification and the old aristocratic order is threatened, he realizes that his family’s future is in jeopardy.

“New allegiances must be made, each one a threat to his principles. Eventually Don Fabrizio is faced with an impossible choice.

“He has the power to engineer a marriage, between the rich and beautiful Angelica and his nephew Tancredi, that could secure his family’s legacy, but doing so he would break his favorite daughter, Concetta’s heart.

“The series will be a modern exploration of timeless themes – power, love, and the cost of progress.”

The Leopard boasts an outstanding ensemble cast, including Everybody Loves Diamonds star Kim Rossi Stuart as Don Fabrizio Corbera, Prince of Salina, Benedetta Porcaroli from Netflix’s Baby as Concetta Corbera di Salina, Love & Gelato’s Saul Nanni as Tancredi Falconeri, and The Beautiful Summer star Deva Cassel as Angelica Sedara.

Further cast members include Astrid Meloni, Paolo Calabresi, Gaetano Bruno, Francesco Di Leva, Alessandro Sperduti, Jozef Gjura, and Romano Reggiani.

One viewer posted in their 10/10 review: “Cinematography is absolutely stunning. What a beautiful period piece ; costumes magical, This is a stunningly visually crafted masterpiece of a series.”

A second glowing review proclaimed it a “masterpiece”, with the critic stating: “This is an absolute must-see series! It could have actually been a cinema film, this is the perfection of its film making. An epic construction of story telling, acting, costumes, scenery and music offers an utter delight to watch.”

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A third top-rated review described it as an “absolute masterpiece”, elaborating: “The journey is beautiful, poignant, and brutally honest.”

Yet another awarded it 10/10 and celebrated it as a “masterpiece”, writing: “I wish there were MORE series like this: based on literature, ravishingly beautiful and (99%) aesthetically accurate.”

They went on to draw a comparison with Downton Abbey creator Julian Fellowes’ other notable series, remarking: “The Gilded Age could learn a lesson from “The Leopard’s” creative team.”

The Leopard is available to stream on Netflix now.

I Will Find You stars Gilmore Girls legend Milo Ventimiglia and Severance icon Britt Lower.

Harlan Coben fans have yet another Netflix thriller to get excited about.

I Will Find You has gone down a storm with Netflix subscribers with the eight-part thriller still topping the streamer’s most-watched charts.

But that doesn’t come as too much of a surprise given that it’s based on another best-selling Harlan Coben novel, following in the footsteps of Run Away earlier this year.

But the author and Netflix showrunner doesn’t let the grass grow for very long as he’s now busy bringing to life another of his books for the small screen. And this time, it’s one of Coben’s most “iconic” characters who has starred in a whopping 12 of the author’s novels.

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Harlan Coben’s Myron Bolitar novels initially began in 1995 with the release of Deal Breaker, delving into the titular character’s world as a sports agent.

Bolitar was an NBA superstar but was forced to switch careers and so now represents other sporting heroes but often finds himself “investigating blackmail attempts, murder and more”.

The new adaptation is also going to be co-showrun, co-written and co-executive produced by Lincoln Lawyer and Big Little Lies creator David E Kelley and Suits writer and co-producer Kyle Long.

Myron Bolitar is currently in development with an expected release date window sometime in late 2027.

Netflix’s Head of Series US and Canada Jinny Howe described Bolitar as Coben’s “most personal and iconic character”.

She continued: “Bringing this story to the screen has been a big priority for us, and we knew that finding the right creative partners was essential.

“It’s been a dream to collaborate with David E. Kelley — a true master of the genre, and the talented Kyle Long on this series.

“This is a major milestone for our partnership, and we look forward to many more years of working together.”

But before viewers can get excited about Myron Bolitar, another Coben drama will be released in early 2027, once again starring Fool Me Once actress Michelle Keegan.

Based on his 2007 novel of the same name, The Woods will see Keegan’s character investigate the 20-year-old disappearance of a barrister’s sister whose traumatic past soon comes to light.

Keegan will be joined by Behind Her Eyes’ Tom Bateman, Mobland star Mandeep Dhillon and Small Prophets actor Pearce Quigley.

Harlan Coben dramas are available to watch on Netflix.

Stranger Things favourites are back again as a father-daughter duo.

Stranger Things fans are getting hyped up over an unexpected Netflix reunion.

Netflix has confirmed that David Harbour and Millie Bobby Brown, who played Jim Hopper and Millie Bobby Brown in Stranger Things, are going to be working together again.

The iconic pair will be teaming up in an untitled father-daughter spy thriller, loosely inspired by author Paul Warner’s debut novel A Spy in the Blood.

What’s even more exciting is that this upcoming series will be created by none other than Jack Thorne, co-creator of Netflix’s Adolescence, as well as other hits like His Dark Materials and the Enola Holmes franchise.

Harbour and Brown will be returning to familiar territory in the new series as they will be portraying a dad and daughter, very much like the familial dynamic between Stranger Things’ Hopper and Eleven.

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In the freshly announced series, Harbour will be playing “disgraced FBI agent turned security expert Matt Wolfe” while actress Millie Bobby Brown is behind Rebecca, his estranged daughter and FBI agent.

However, Matt is drawn back into the world that he left behind when Rebecca “vanishes on a mission, forcing him back into a field that has evolved beyond him”.

While the spy thriller has been given a straight-to-series order by Netflix, there has been no word on when subscribers can expect the series just yet.

Netflix Head of Scripted Series, US and Canada Jinny Howe said: “We are delighted to bring this spy drama to life with an extraordinary group of talent we’ve been fortunate to collaborate with before.

“Jack Thorne’s ability to find the deeply human story inside a thriller is unmatched, and watching Millie Bobby Brown and David Harbour reunite — this time as estranged father and daughter on opposite sides of a crisis — is something audiences are going to love.”

Harbour hinted at the collaboration in an interview with Variety, teasing: “You’ll see more of me and Millie. 10 years wasn’t enough,” referring to their time together on Stranger Things.

“There is a special bond there. I love her, she loves me.”

Brown also praised her former Stranger Things co-star for bringing them back together, telling the Happy Sad Confused podcast this week: “Father-daughter is where we live, but Netflix will always be our home.

“The David Harbour project is sooner than expected, and it’s David’s idea, so kudos to him.”

Stranger Things is available to watch on Netflix.

MILLIE Bobby Brown has shown off her stunning figure as she celebrated the upcoming release of Enola Holmes 3 on Thursday night.

The actress, 22, who plays the titular character in the Netflix series, donned a mesh nude ensemble while attending the premiere’s afterparty in New York.

Flashing her toned stomach in an embroidered sheer crop top with a matching satin and mesh skirt, Millie posed for snaps at the TV bash.

In the series, which began in 2020, the Stranger Things star plays the teenage sister of Sherlock Holmes – with Enola on a search for her mother.

The third season is set to be released on July 1.

The appearance comes just weeks after Millie defended her husband, Jake Bongiovi, from dad-shaming trolls.

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Millie and Jake, who wed in 2024, announced last August that they had adopted a baby daughter together.

And earlier this year, images of the couple went viral as Millie was seen laden with her daughter’s car seat and two bags, as another saw her pushing a suitcase at the same time as her daughter’s pram.

Many fans were confused as to why Jake wasn’t helping her carry anything despite being there too.

Earlier this month, Millie addressed the backlash during an appearance on Kylie Kelce’s Not Gonna Lie podcast.

On the show, she said: “Hi, I’m Millie Bobbie Brown and I’m not gonna lie, when did women become incapable of holding their own bags, car seats and stuff?…

“This stems from me holding all of my suitcases and bags and my kid and people are like, ‘Your husband doesn’t hold a single thing.’ And I’m like, ‘Because I’m three miles ahead. I have been planning this all night’….

“We’re all about empowering girls and, ‘You got it’ and ‘You don’t need a man’. But then when I’m like, ‘OK, I can carry my own things,’ people are like, ‘Where’s your husband?”

She added: “Nobody knows my husband. My husband is the most polite, sweet, will-do-anything-for-me. But he also knows I’m capable”.

Millie also shared that she hopes to one day have a biological child, but adoption was always something she wanted to do.

Netflix viewers will want to add this 2022 thriller to their watch lists

Fans say this gripping thriller ruined their sleeping schedules.

Netflix viewers have been completely hooked on Harlan Coben’s latest drama, and for good reason. I Will Find You landed on the streaming platform on June 18 and has already climbed to Number 1 on the most-watched TV show charts.

It centres on David Burroughs, a father wrongfully imprisoned for his young son Matthew’s murder. But when he discovers Matthew may be alive, David is forced to escape and uncover the truth.

The show only has eight episodes, which many viewers have already devoured over the last week.

Those on the hunt for another bingeable crime drama should look no further than Black Bird, streaming now on Apple TV+.

Starring Taron Egerton, the six-episode drama was inspired by the real story of Jimmy Keene. Once an aspiring sports star, Jimmy’s life takes a turn when he starts dealing drugs. He gets caught and is unexpectedly sentenced to 10 years in prison on drug and weapon charges.

But Jimmy is soon gets a life-changing offer from the FBI: he must befriend suspected serial killer Larry Hall and coax a confession out of him to help find the bodies of over a dozen women. If successful, Jimmy would have his criminal record wiped.

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The drama dives into the dangers Jimmy faces along the way, as well as convicted killer Hall’s (played by Paul Walter Hauser) chilling crimes.

Critics and casual viewers were completely captivated by the series when it first hit screens in 2022. It bagged a stellar 98% score from Rotten Tomatoes reviewers, alongside a slightly less-generous 95% rating from audiences.

These figures are significantly higher than I Will Find You, which has earned a 60% critical rating and 65% audience score.

Raving about Black Bird, one fan said: “It was a gripping thrill ride from start to finish. Beautifully acted and very well written. The worst part about the show was that it ended!”

A second praised: “Chilling but surprisingly heroic true-crime drama! The tension never lets up, pulled along by an incredible story and great performances.”

While a third fan added: “I literally watched all six episodes in a row because I needed to know what happened. It’s gripping, intense, and at some points I just wanted it all to be over because the psychological pressure on Jimmy becomes almost too much even I felt it— but in a way that keeps you hooked.”

And a final viewer gushed: “As a guy who thought he check out one episode, Black Bird absolutely wrecked my sleep schedule—in the best way.”

Black Bird is streaming on Apple TV.

Netflix’s comedy series Leanne is returning for Season 2 this summer and some huge names have joined the cast.

Fans of the beloved sitcom Leanne can gear up for another binge-fest soon.

Leanne Morgan’s bingeworthy comedy series, Leanne, is set to return for a second season this summer, with the star expressing how “so grateful” she feels about returning to Netflix. The Big Bang Theory producer, Chuck Lorre, who is behind the popular series that proved a massive hit with viewers, said of the show’s comeback: “Congrats to Leanne and the entire cast and crew.

“This has been an incredible journey that began with a visit to Knoxville, Tennessee. Leanne Morgan is the whole package. A comedic genius, a warm, loving human being, and an absolute joy to work with.”

Kristen Johnston, Celia Weston, Blake Clark, Ryan Stiles, Jayma Mays, Tim Daly, Graham Rogers, Hannah Pilkes, and Andrea Anders are all set to reprise their roles for the second season. Fresh faces are also joining Season 2 and here’s everything you need to know about the new series.

When is Leanne Season 2 out?

Leanne is making its Netflix comeback for a second season on August 27, with the sitcom’s latest run consisting of 10 episodes.

Fortunately for devotees, all 10 instalments will arrive simultaneously, allowing them to binge-watch to their hearts’ desire.

The second run is considerably more compact than the first, which featured 16 episodes, and it remains inspired by Leanne’s stand-up performances.

The sitcom chronicles Leanne’s journey as her world gets flipped upside down when her husband of 33 years unexpectedly walks out on her for another woman.

Throughout the series, “Leanne learns to embrace the chaos and finds strength, laughter, and hope in the most unexpected places”.

Who is joining the cast of Leanne Season 2?

Fresh faces include country music sensation and Yellowstone star Lainey Wilson.

The 34 year old country artist from Louisiana made her television debut in Yellowstone in 2022, taking on the role of Abbey.

She also has her own Netflix documentary chronicling her career, and made her big-screen debut in the film adaptation of Colleen Hoover’s novel Reminders of Him.

Actress and model Jaime Pressly is also joining the cast, best recognised for her portrayal of Joy Turner in the NBC sitcom My Name Is Earl.

Actor and comedian Billy Gardell, famous for Mike & Molly, has similarly signed up for the series, alongside accomplished film and theatre actress Tyne Daly.

Leanne season 2 arrives on Netflix on August 27.

The 2004 drama balances comedy with timely social commentary

Netflix fans are completely hooked on a gritty sports drama that came out over 22 years ago.

The streaming giant’s most-watched charts are currently dominated by recent releases, including hit romcom Voicemails for Isabelle and chilling documentary Maternal Instinct.

But UK viewers are also streaming 2004 sports drama The Football Factory, which is no surprise considering all eyes are on the FIFA World Cup.

Directed by Nick Love, the film is presently sitting at Number 9 on the trending list. It focuses on a devoted Chelsea football hooligan called Tommy Johnson (played by Danny Dyer).

Tommy and his friends spend their days drinking, womanising, using drugs and “occasionally kicking the f*** out of someone”.

But the sports fan is forced to reconsider his violent lifestyle when one of his football-fuelled fights leads to serious consequences.

Adapted from John King’s 1997 novel, the story touches on important themes such as young men’s search for belonging, as well as their frustration with unfair socio-economic systems. It also offers insight into escapism through drug and alcohol abuse.

While Dyer is the face of this film, he is joined by other recognisable stars. One of his most notable co-stars is Tamer Hassan, who Love Island fans will know as recent All Stars contestant Belle Hassan’s dad.

He plays Fred, a Milwall hooligan and arch enemy of the Chelsea club.

Fans have been raving about the noughties drama for years. “One of the best football films,” said one Rotten Tomatoes user.

Someone else praised: “10/10 – Brilliant film! Easily in my top 5 favourite movies. A must see for football fans.”

While another said: “One of the best English films you will ever see for sure, got everything in it! now this is funny and gripping!”

Yet another film fanatic shared their verdict on IMDb: “It’s top drawer entertainment and better than most of the garbage that fills your DVD store. I would highly recommend this to anyone who likes realistic and gritty films, and doesn’t mind occasional stomach turning violence.”

And a final moviegoer insisted: “I can honestly say this is by far the best British film I’ve ever seen.”

The Football Factory is now on Netflix

It’s been more than 30 years, but Andy’s toys are proving irreplaceable at the box office.

Walt Disney Co. and Pixar’s “Toy Story 5” opened to a massive $160 million in the U.S. and Canada last weekend, marking the biggest domestic box office debut so far this year. Internationally, the film brought in $152 million for a worldwide total of $312 million.

With those numbers, “Toy Story 5” broke several franchise records for opening weekend totals. As my colleague Cerys Davies and I wrote last week, it’s a sign of the long-running juggernaut’s firm grip on audiences amid a sea of Hollywood sequels, reboots and spinoffs.

“‘Toy Story’ has been breaking ground since it first hit the screen more than 30 years ago,” Disney Entertainment Studios Chairman Alan Bergman said in a statement. “It’s wonderful to see ‘Toy Story 5’ continuing that tradition and connecting with audiences around the world to deliver the biggest opening for the franchise and the biggest of this year as well.”

For theater owners, “Toy Story” may have seemed like a surefire bet. After all, the franchise has grossed more than $3 billion in worldwide box-office revenue, and its third and fourth installments each made more than $1 billion globally.

The big opening weekend for “Toy Story 5” has no doubt brightened the outlook for many theater operators as the all-important summer movie season gets underway.

Already, last weekend’s box-office totals were a whopping 80% improvement compared with a year ago, when Universal Pictures’ live-action “How to Train Your Dragon” was in its second weekend in theaters. But more importantly, the domestic box office is now up 14% to $4.46 billion compared with the same time a year ago, according to data from Rentrak.

This summer’s lineup of films, including “Toy Story 5,” will play an important role in terms of whether 2026 will truly be the year that the theatrical business turns the corner from the COVID-19 pandemic and the dual Hollywood strikes of 2023.

In one promising sign, summer box-office revenue so far is up 15.2% to about $1.84 billion compared with the same May to mid-June period in 2025. (That summer ultimately ended in a dismal finish of $3.67 billion.) Compared with pre-pandemic 2019, this year’s summer box office to date is down just 1.9%.

Studio executives and theater owners have told me they feel good about this summer and are optimistic about the overall outlook for 2026.

It’s easy to see why. The deck is stacked, with upcoming titles such as Universal and Illumination’s “Minions & Monsters,” Disney’s live-action “Moana,” Christopher Nolan’s “The Odyssey” and Sony Pictures’ “Spider-Man: Brand New Day.”

In a propitious sign, presales for “The Odyssey” and “Spider-Man” have already shown massive demand. Overall, there’s just more and varied movies in theaters now, which expands the pool of potential moviegoers, theater owners have said.

Take A24’s “Backrooms” or Focus Features’ “Obsession,” for instance. The two original and digital-native films shocked the industry by keeping a weeks-long grip on the box office, largely by attracting Gen Z audiences who were familiar with the 20-something directors from their followings on YouTube.

Beyond these two, as well as Steven Spielberg’s “Disclosure Day,” many of this summer’s films continue established franchises.

Although not all spinoffs have performed this year — including Disney and Lucasfilm’s “Star Wars: The Mandalorian and Grogu,” which saw ticket sales drop sharply after its late May opening — “Toy Story” has remained a consistent force in theaters over the decades.

Disney and Pixar executives credit the films’ focus on character relationships, particularly that of Tom Hanks’ Woody and Tim Allen’s Buzz Lightyear. And as the franchise spanned years, its appeal became generational.

“Having parents now that say, ‘I grew up with ‘Toy Story,’ and now I’m showing my kids,’ has been really gratifying,” Pixar Chief Creative Officer Pete Docter told me by phone a week before the movie’s opening.

“Toy Story” is now the most-watched franchise on the Disney+ streaming service, with more than 2 billion hours streamed. And its beloved characters have spawned 19 theme park rides, four themed lands, two hotels and roughly $1 billion a year in global retail sales.

That has no doubt kept the franchise front and center for both adults and children, as well as fueling interest in future stories.

Stuff We Wrote

Film shoots

Number of the week

The FIFA World Cup has been a major boost for broadcasters, as an average of 6 million viewers tuned in to Fox and cable network FS1 for the first 16 group stage matches, an increase of 128% compared with the last World Cup in 2022, according to Nielsen data released last week.

On Spanish language network Telemundo, which is owned by Comcast, the first 12 group stage matches drew an average of 7.5 million viewers, up 234% from four years ago. (The Telemundo telecasts are also streamed on Peacock.)

I was in the Bay Area last week on vacation and didn’t watch many of the games, but I did catch my colleague Clara Harter’s great read about the mutual love and respect between fans of Mexico and South Korea and how that has played out in Los Angeles.

What I’m watching

Since I was out of town last week, I didn’t watch a ton of TV. But I did make time to watch the series finale of “The Way Home,” a quirky time-travel drama on Hallmark that I’ve followed for all four seasons.

I’m a big fan of time-travel stories (The “Back to the Future” trilogy is one of my favorites), so the usual past-future questions, plus the complicated family dynamics anchored by matriarch Andie MacDowell, made this a must-watch for me. The series finale was a satisfying ending, though there are definitely some loose strings that deserve further exploration.

Netflix’s brand new romantic comedy has one of the streamer’s best needle drops for a minute, but who features in the soundtrack?

Jill and Isabelle’s favourite song is an absolute pop banger.

Voicemails for Isabelle is currently Netflix’s number one film in the UK as fans flock to the streamer’s latest romantic comedy.

Starring Zoey Deutch and Nick Robinson, this rom-com features a devastating twist that pulls at the heartstrings as much as it will make you laugh and swoon.

In fact, plenty of viewers have admitted they were left emotionally wrecked by the new release.

This is partly thanks to a pitch perfect soundtrack that features enough upbeat tunes to get fans dancing in their living rooms, as well as some poignant ballads that have them reaching for the tissues.

As Voicemails for Isabelle is poised to become one of Netflix’s biggest hits of 2026, let’s take a look at all the iconic songs featured in the soundtrack.

Voicemails for Isabelle’s full soundtrack

The new Netflix film depicts an inspiring romance between aspiring chef Jill (played by Zoey Deutch) and estate agent Wes (Nick Robinson), who becomes her secret admirer.

When Jill’s sister Isabelle (Ciara Bravo) tragically dies, she continues to call her number to leave her voicemails. However, she doesn’t realise that her new crush Wes was reassigned Isabelle’s number and has been listening in. Will his secret tear their relationship apart?

Such a gripping premise certainly deserves a soundtrack for the ages and Voicemails for Isabelle delivers in spades. Here’s the track list in full:

1. Dancing On My Own – Robyn
2. Almost Happy – LACES and Butch Walker
3. To Build A Home – The Cinematic Orchestra and Patrick Watson
4. JOYRIDE. – Ke$ha
5. Walking at a Downtown Pace – Parquet Courts
6. Hey Daddy (Daddy’s Home) – USHER
7. El Cielo Azul – Mirna Orozco & Francisco Cendejas
8. Electric Love – BØRNS
9. Boys Wanna Be Her – Peaches
10. marjorie – Taylor Swift
11. De Primeras Veces (De la Banda Sonora de la Obra “Compost de primeras veces”, de Katia Mora) – Ceshia Ubau
12. something like this – Cil
13. San Francisco Blues (Remastered) – Peggy Lee
14. (I Left My Heart) In San Francisco – Tony Bennett
15. Cherish You – Mikky Ekko
16. Waking up Slow (Piano Version) – Gabrielle Aplin
17. And I See You Now – Matthew Szlachetka
18. Beige – Yoke Lore
19. Ride the Storm – GoldFord
20. Show Me Love (Radio Version) – Robyn
21. New Year’s Day (Taylor Swift)
22. Beautiful Things – Benson Boone
23. New Touch – Caveboy
24. I’m Waiting Now – New Constellations

Music supervisor Season Kent revealed to Tudum how the film’s most prominent track, Robyn’s Dancing On My Own, is not only an uplifting tune that will get viewers dancing, but it also perfectly serves the narrative as a tribute to Jill’s sister Isabelle.

“The song becomes completely through Izzy’s point of view — watching Jill ‘from across the room’,” she explained.

“It’s heartbreaking and beautiful. It has the full package of a timeless song that you can feel in your soul.”

The film also features an original score by Este Haim and Amanda Yamate, who used an incredible blend of piano, guitar, synth, and even their own voices to craft Voicemails for Isabelle’s unique sound.

These tracks are called:

1. If You’re A Bird I’m A Bird
2. Chef Bastien Groupies
3. Talk About Boundaries
4. Intercut Dates
5. Hair In The Tart
6. Wes Laughs At Voicemail
7. Midnight Scroll
8. This Party Sucks Without You
9. Good Thing I Wasn’t A Boyscout
10. Chicken Pot Pie
11. Wes’s Speech
12. Wes Caught
13. Phone Reset
14. Jill & Izzy’s
15. No Customers
16. Zella To The Rescue
17. Lonely Christmas Wes
18. Lightbulb Moment
19. Wes Trades His Holy Grail
20. Wes Runs
21. Last Voicemails
22. Credits 1
23. Credits 2
24. Lights (Donna Missal Cover)

Voicemails for Isabelle is available to stream on Netflix.