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U2 is coming to SoFi Stadium for the first time — and performing during a Rams game for the first time in nearly 25 years.

The legendary Irish rock band will headline the halftime show for the NFL’s first Thanksgiving eve game as the Rams host the Green Bay Packers on Nov. 25. The game will stream live on Netflix.

The only other time U2 has performed at halftime of an NFL game was at Super Bowl XXXVI on Feb. 3, 2002, when the New England Patriots defeated the then-St. Louis Rams 20-17 at the Superdome in New Orleans.

“There’s a reason U2 has headlined stadiums for decades: they don’t just perform, they deliver iconic moments audiences remember forever,” Netflix co-CEO Ted Sarandos said in a statement. “We’re thrilled that they’ll bring that same magic to the NFL stage on Netflix. It’s going to be an unforgettable night for football fans and Netflix members worldwide.”

U2’s halftime show will feature special guests, the streaming service said.

Netflix has featured big-name halftime performers during some of the previous NFL games it has streamed, including Beyoncé on Christmas day in 2024 and Snoop Dogg on Christmas last year.

U2 — which features singer Bono, lead guitarist the Edge, bass player Adam Clayton and drummer Larry Mullen Jr. — celebrated their 50th anniversary last month with a concert. The group performed at Mount Temple Comprehensive School, where the four members were students when they first got together as a band in 1976.

The band has won 22 Grammy Awards and was inducted into the Rock and Roll Hall of Fame in 2005. Its 16th studio album, Carnival de Luz, is set to drop on Nov. 13.

It’s been nearly 40 years since the dread-filled tones of the “Unsolved Mysteries” theme song first hit network TV airwaves.

In that time, the celebrated documentary series has been through nearly every iteration of the TV business — and is about to embark on a new one.

Next week, “Unsolved Mysteries” will launch a video podcast in partnership with the audio and entertainment firm Audacy. The weekly podcast, which will be available on YouTube and on all podcast platforms, will release new episodes starting Oct. 29 that explore cases such as mysterious deaths and unexplained disappearances.

The podcast will be hosted by actor and TV host Jordan Murphy and will include interviews with the people involved in the case, “Unsolved Mysteries” co-creator Terry Dunn Meurer told me in a recent interview.

“We’re still trying to expand the brand and pivot,” she said. “It just feels like that’s where the industry is heading. The YouTube audience is the biggest audience out there, and we are looking for the biggest audience because we’re trying to help solve these cases. So the more viewers we can get with these episodes, the better.”

“Unsolved Mysteries” isn’t the only Hollywood player to bet on video podcasts. Spotify has bet big on video podcasts, and Netflix has added them to its platform, both of which are attempts to compete with YouTube, diversify their offerings and keep consumers tuned in.

For “Unsolved Mysteries,” the move is just the latest way the show has tried to evolve with the TV industry’s ups and downs.

The show debuted in 1987 as a series of specials NBC used to fill holes in its lineup, Dunn Meurer said. That kind of pinch-hitting meant there was no marketing or publicity to get audiences excited about the show, but viewers started tuning in anyway.

Eventually, the specials became a weekly show that aired on NBC for nine seasons before moving to CBS. “Unsolved Mysteries” also had a syndication run on cable channels Lifetime and Spike TV.

Throughout its TV lifetime, the show would highlight stories of mysterious disappearances, escaped fugitives, lost connections and even the occasional paranormal story. “Unsolved Mysteries” made appeals to viewers, urging them that someone out there “knows the truth” and encouraged them to write in with tips or new suggestions for investigation, which has resulted in tens of thousands of submissions over the years.

More recently, “Unsolved Mysteries” was revived on Netflix for three seasons, with a format focused on a single story. The series also previously had an audio-only podcast.

In addition to the video podcast, “Unsolved Mysteries” also recently produced a full-length documentary on new evidence surrounding the so-called Tylenol Killer, a 1982 case in which seven people died after unknowingly taking cyanide-filled pill capsules.

Though the method of delivery has changed, Dunn Meurer said the show’s mission remains the same. Over the years, the series has helped to directly solve more than 260 cases, she said, though many are so-called lost love cases of missed connections, as well as fugitive whereabouts and some murders.

“There’s so many mysteries out there that need attention, cases that have gone cold,” she said. “For me personally, it’s hard to not keep putting those stories out there and helping these families and law enforcement that need the help to solve these cases.”

‘Musk’ advertising controversy

In notable media news, the TikTok ad account for Bleecker Street’s documentary “Musk” was “permanently suspended” Friday, the day the film opened nationwide, a spokesperson for the indie studio confirmed.

But on Sunday, a spokesperson for TikTok said the account was restored “after an error.”

The documentary, directed by Alex Gibney, follows billionaire Elon Musk and the effect he has had on politics and his support for the GOP and President Trump.

The ban raised suspicions in Hollywood as TikTok is now partially owned by Oracle, which was co-founded by billionaire Larry Ellison. Ellison, who still serves as executive chairman of the tech company, is briefly mentioned in the documentary when he offers to help Musk finance his acquisition of Twitter, according to the Hollywood Reporter.

The documentary will make its streaming debut on HBO Max, which is owned by Ellison’s son, David.

In its second weekend in theaters, “Musk” grossed about $306,700 across 472 screens in the U.S. and Canada, for a $650 per-screen average. The film has notched a 97% critics rating on aggregator Rotten Tomatoes.

Stuff We Wrote

Film shoots

Number of the week

A24’s “You Can See Everything” brought in $15 million at the domestic box office over the weekend, a huge feat for the nearly three-hour documentary that delves into the life of disgraced Theranos founder Elizabeth Holmes shortly before she reported to federal prison for defrauding investors.

The documentary, directed by deadpan comic Nathan Fielder and “Primetime” filmmaker Lance Oppenheim, got a ton of buzz after its surprise debut at the Telluride Film Festival last month. The $15-million opening is even more impressive given that it was available only on 855 screens.

That was good enough for second place at the weekend box office. In first was Skydance-owned Paramount Pictures’ “Street Fighter,” which scored $31 million domestically for a worldwide gross of $51.1 million.

What I’m watching

During a busy (news) week like last week, sometimes you just need a comfort watch. For me, that’s HGTV.

There’s nothing more calming than watching people try to redo their houses into the home of their dreams. But because it’s spooky season, I ended up watching “Scariest House in America,” a hilarious home makeover competition hosted by “Parks and Recreation” comedian Retta, where homeowners show off their creepy, strange or wildly dilapidated houses in hopes of winning a renovation. After watching the travails of people who chose to live in a former jail or a self-constructed giant gingerbread house with a rickety single-person elevator, I was oddly soothed.

Management upheaval at Netflix continued Monday as the streamer’s head of films Dan Lin exited, according to two people familiar with the matter who declined to be named.

Lin was appointed to the position in February 2024 and was tasked with making fewer, better and bigger movies. During his tenure, Netflix rolled out movies including crime thriller “The Rip,” starring Ben Affleck and Matt Damon and animated hit “KPop Demon Hunters.” His exit arrives as Netflix is going to release highly anticipated movies in theaters in the coming months including David Fincher-directed “The Mis-Adventures of Cliff Booth” starring Brad Pitt in November and Greta Gerwig-directed “Narnia: The Magician’s Nephew next year.

Netflix did not have an immediate response to a request for comment.

Lin’s exit followed massive layoffs at Netflix that began last week, trimming 6% of staff or roughly 1,000 people. Netflix last Thursday announced the company’s Chief Content Officer Bela Bajaria was no longer at the streamer and named her replacement, Peter Rice, a former chairman of Walt Disney Television and chairman of general entertainment for The Walt Disney Co.

After Bajaria was pushed out, many people in the industry expected Lin would be next, according to sources who declined to be named.

Rice will also oversee the film team until a new film head is announced.

Analysts and investors have raised concerns about Netflix’s growth. In the first half of 2026, hours watched on Netflix increased 2% compared to a year earlier, according to the streamer. Investors had hoped for more robust growth, given that the streamer increased its content budget 11% to $20 billion.

Netflix is profitable and continues to grow its revenue. But analysts say the streamer hasn’t had enough big hits recently and are skeptical about Netflix‘s ability to increase prices and grow its subscriber base if it doesn’t have enough popular content.

Netflix stock has dropped 42% compared to a year ago. By mid-morning on Monday, shares were trading at $69.53, down 1%.

In a note to staff about Bajaria’s exit, Netflix Co-CEO Ted Sarandos wrote that he saw an opportunity to take the streamer’s slate to the “next level” especially in the United States and Canada market, “where we have an outsize impact in creating big, buzzy hits that our members love and drive conversation around the world.”

Lin’s role was controversial in Hollywood, as he was named to the role after former Netflix film chief Scott Stuber left. Under Stuber’s leadership, Netflix ramped up its movie production and produced big budget films including 2022‘s “The Gray Man” starring Ryan Gosling but is not ranked in Netflix’s top 10 films of all time. “The Gray Man” cost nearly $200 million to make and at the time was Netflix’s most expensive movie, according to the New York Times.

Lin’s directive to be more budget conscious also irked some people in the industry.

While films released during his tenure including the animated film “Swapped,” as well as action films “Carry-On” and “Back in Action” made Netflix’s top 10 most-watched films list, based on views at the time of their debut, some of his other films were not as successful, analysts said.

Brandon Katz, director of insights and content strategy at Greenlight Analytics, said Netflix’s five most-watched English-language scripted summer movie releases in their first eight weeks posted the lowest average hours watched compared with the streamer’s top five summer releases in 2025, 2024 and 2023, citing Nielsen data.

Analysts and investors are eagerly anticipating Netflix’s third quarter earnings results Tuesday, as executives are expected to address how they plan to move the company forward.

This is a developing story.

Fans say the Peaky Blinders star’s film is “totally absorbing yet disturbing”

Time is running out to watch what some consider as the Peaky Blinder star’s best movie.

A |masterpiece” period drama starring Cillian Murphy is leaving Netflix in a matter of days. Small Things Like These was only just added to the platform earlier this year but fans will need to act fast before it is removed from the service.

The film is an adaptation of the award winning book of the same name, written by Claire Keegan. It was shortlisted for the prestigious Booker Prize in 2022 as well as the Rathbones Folio Prize, while it took home the Orwell Prize for political fiction in the same year.

Its big screen version came out in 2024, with Irish actor Murphy in the leading role. Although it was perhaps overlooked by some, as this was the same year the star picked up his Oscar for a very different period piece – Oppenheimer.

Like the novella, Small Things Like These takes place over Christmas in 1985, when devoted father and coal merchant Bill Furlong, played by Murphy, discovers startling secrets kept by the convent in his town, along with some shocking truths of his own.

The plot is inspired by the truth behind Ireland’s Magdalene laundries. These were asylums run by Roman Catholic institutions from the 1820s until 1996 which were supposed to reform “fallen young women.”

Netflix now lists a warning label on the title, that informs users it will be ‘leaving soon’. The streamer states that the last day to watch will be October 27, meaning at the time of writing, viewers have just a little over a week to catch it before it’s too late. It’s not yet known if it will became available on an alternative platform or service after this date.

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Despite the tough subject matter, the film received a positive response from viewers and critics alike, with Murphy often being singled out for his stellar acting performance. It holds a rare 94% fresh score on Rotten Tomatoes with many fans backing up the reviews.

One person posted online: “A masterpiece. Every shot is a masterpiece. The soundtrack is a masterpiece. Every performance is a masterpiece. The casting is beyond perfect. If possible, it’s even better than Claire Keegan’s short story.”

While some admitted they struggled with the slower pace of the film, many have suggested it is a must watch. One person said: “A hard to swallow, but fantastically acted, written, and directed film putting religion and its mafia laden tendencies at the forefront. Cillian continues to be a star, with a support cast of epic proportions. Based on a true and very sad story.”

A fourth penned: “Totally absorbing yet disturbing film, brilliantly led by an understated master class of acting by Cillian Murphy. The sudden ending leaves you literally crying out for more. A modern day masterpiece.”

Someone else added: “Following a read of the perfectly written book, I had to watch the film when I heard that Cillian Murphy was the star. He and the rest of the cast bring this extraordinary story to lives. Is there nothing he cannot do! Well worth a watch, it’s poignant from start to finish.”

Small Things Like These is streaming on Netflix

Watching a film on Netflix can take you a few hours, but this movie is so good – people will happily watch it over and over again in one day. So have you seen it?

Scrolling through your Netflix can take ages to find something that’ll have you glued to your seats until 6am. Landing on a new series to watch is one thing, but what if you only have time for a film?

The streaming platform has a variety of genres to pick from – like comedy and horror. Sometimes people manage to watch one film, then decide to blitz through its sequels. But lately people can’t stop raving on about a movie which is about two hours long, so much so, they’re watching it multiple times in one day. So have you seen it?

Kim shared a snippet of the Tyler Perry film Doing Life which she rated a 10 out of 10. She captioned the clip: “I cried so much from beginning to end.”

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And it seems she’s not the only one to have glowing reviews of the 2026 film as one wrote in the comments: “I wish it was longer, a TV show or something. It was so good, I watched it TWICE today.”

Another admitted: “Try up to 4 times, I loved it. I can recite lines now.”

What is Doing Life about?

Starring Naomi Baker, Jay Reeves and Tamberla Perry, this Tyler Perry movie follows a single mum and prisoner forge an unlikely bond through heartfelt letters.

The romantic drama deals with real-life issues, like the cycle of poverty, absentee fathers, single mothers and incarceration. It was released on Netflix on October 2 and has already proven to be a hit.

Directed and written by Tyler Perry, along with Angi Bones and Tony L. Strickland as producers, this film is Perry’s seventh from his creative partnership with the streaming giant.

Speaking about the film, Perry said: “I was inspired by… the idea that sometimes the people we least expect can understand each other in ways no one else can.

“I wanted to tell a story about two people who, on the surface, seem like complete opposites, but who discover a deep commonality in the struggles they’re facing.”

Since its release at the start of the month, the American drama holds a 6.6 out of 10 score on IMDb, with a 69% approval rating based on general audience and social media reviews.

Meanwhile it pulled 9.3 million views in its first three days on Netflix, debuting at no.3 on the global English-language movie chart and reaching no.1 in the US.

You can watch Doing Life on Netflix UK now with a runtime of 1 hour and 48 minutes. So will you be watching it more than once in day?

Netflix publicly reported box office results for the first time in its history this weekend as it released its queer drama “La Bola Negra” in U.S. theaters.

The Spanish-language film opened in limited release — just four theaters in Los Angeles and New York — and brought in $277,500 on a reported production budget of $15 million to $17 million. That averaged out to about $69,375 per screen, the second-highest per-screen average for a non-English language film.

Netflix acquired the U.S. rights to the film at Cannes, reportedly for about $5 million.

The Los Gatos-based streaming giant plans to expand the number of locations in the coming weeks to as many as 300 theaters across the country. The film already opened in Spain in late September.

“La Bola Negra” will be available on Netflix on Dec. 2.

Netflix has high hopes for the film, which won six audience awards on the festival circuit and will be Spain’s entry for the Academy Awards.

But the U.S. debut comes at a rocky time for Netflix, which cut 6% of its workforce, or about 1,000 jobs, last week. The layoffs, which are believed to be the largest in company history, included Chief Content Officer Bela Bajaria, who was replaced by former Disney executive Peter Rice.

The move arrives as Netflix’s stock price has tumbled, and the company is under pressure from shareholders to churn out more hit films and TV shows, while increasing engagement on the platform.

Elsewhere at the box office, Paramount Pictures’ video game adaptation “Street Fighter” took the top spot, with a domestic haul of $31 million. It is the first major release from Skydance, the company formed when Paramount completed its $111-billion acquisition of Warner Bros. Discovery earlier this month.

A24’s Elizabeth Holmes documentary, “You Can See Everything,” which opened on only 855 screens, made about $15 million, while Universal Pictures’ “Other Mommy” ($8.3 million), Disney-owned 20th Century Studios’ “Whalefall” ($8 million) and Universal-owned Focus Features’ “Sense and Sensibility” ($7.2 million) rounded out the top five.

Thriller fans might have just found their next obsession

Netflix viewers addicted to new mystery thriller Below should watch this ‘gripping’ drama next.

For those who have yet to tune in, Below is a fresh supernatural series that landed on the streaming platform last week, and has since climbed to the top of the most-watched chart. Starring Josh Hartnett, the drama is set in a remote town called Snook’s Arm.

When the tight-knit community is terrorised by a mysterious sea creature, a dedicated fisherman and father (Hartnett) must find a way to protect his children and fellow neighbours.

Many fans are already hunting for their next obsession after binge-watching the entire six-episode drama in a matter of days. A 2018 series titled The Terror might just be the what viewers are looking for, and it’s available to stream on NOW.

The supernatural horror series is named after Dan Simmons’ 2007 book of the same title, which also provides the story for the first season. It tells a fictionalised version of the real lost expedition of British Royal Navy Officer Captain Sir John Franklin in 1845.

After leaving England on a mission to explore uncharted waters, two ships find themselves frozen and trapped in ice. Those onboard must fight for survival all while being stalked by a mysterious entity.

A synopsis for the show reveals: “As things worsen and civilized behaviour disintegrates in favour of survival at any cost, the crew must simultaneously battle the elements, the supernatural, and eventually themselves.”

The thriller has three seasons in total, but each series takes on a different story. While the other instalments captivated some viewers, season one is better suited for fans of Below.

And it is ‘even better’ than the Netflix series, according to Rotten Tomatoes scores. The Terror has a rare 94% score, while Below has a less impressive 87% rating.

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Viewers have also shared glowing reviews for the series, with many hailing it as one of the best thrillers to come out in recent years. “One of The Top Twenty Television Shows not only this decade: but indeed this Century so-far,” shared one fan.

Someone else raved: “The show draws you in immediately. After only two episodes it’s the only thing on right now, for me, that’s a must-watch. The characters are well-written and multi-dimensional. The story is intriguing.”

A third viewer shared their own verdict, commenting: “Grim, grisly & utterly gripping,” while a fourth added: “I binge-watched Season One, couldn’t stop. Amazing performances.”

While a final fan agreed with the high praise, saying: “One of those series which will have an impact on you for ever. A masterpiece!!!”

The Terror is available to stream NOW

Television critic Luke Eccleston is back with three Netflix series he claims are ‘must-watch’ and are worth the cost of your subscription to the streaming service alone

Netflix subscribers are “wasting their accounts” if they’re yet to watch three particular series on the streaming platform, according to one TV critics. Luke Eccleston, who is known for sharing top TV recommendations online, claims the shows are “must-watch” and one is among the “most underrated” out there.

There are more than 6,000 titles available on Netflix in the UK and Ireland – including around 2,000 TV series – so it’s no wonder choosing what to watch next can prove quite daunting. Thankfully, Luke is on hand with three recommendations he assures will have you captivated.

1. Dept. Q

First on Luke’s list is the thriller series, Dept. Q. “Now this is an investigative, psychological thriller which follows after an incident where a man ends up seeing his friend paralysed and another police officer killed,” he explained.

The man ends up being placed onto cold cases permanently, according to Luke, who says you will be “on the edge of your seat from start to finish” as the drama unfolds. “I guarantee you will absolute love it,” he added.

Starring Matthew Goode, Chloe Pirrie, and Jamie Sives, Netflix synopsis states: “A brash but brilliant cop becomes head of a new police department, where he leads an unlikely team of misfits in solving Edinburgh’s cold cases.”

Midnight Mass

Next on Luke’s list is a “much more well-known” show, but one that seems to pass many people by. “Midnight Mass is one of the best shows you will ever see,” he declared.

Luke described the series as a “gripping horror” that follows life on a tiny island that sees a man return with a “special box” with something inside it that haunts an entire town. “I promise you will love it, so make sure you don’t miss this one out.”

Midnight Mass stars Kate Siegel, Zach Gilford and Hamish Linklater, with Netflix stating of the plot: “The arrival of a charismatic young priest brings glorious miracles, ominous mysteries and renewed religious fervor to a dying town desperate to believe.”

American Primeval

Luke described the last series on his list as a “brutal old-fashioned Western”, meanwhile. “It’s called American Primeval and follows a mother and son who have to flee their past across America in a haunting and desolate landscape.”

The critic closed by claiming that everyone he knows that has seen it “absolutely loved it”. He added: “So make sure you see this one right now.”

Netflix describes the drama: “A mother and son fleeing from their past form a found family while confronting a harsh landscape of freedom and cruelty in the American West.” The series stars Taylor Kitsch, Betty Gilpin and Dane DeHaan.

Responding to Luke’s suggestions, one viewer exclaimed: “Dept Q is brilliant! Can’t wait for season 2.”

A second person praised: “OMG American Primeval is 10/10.”

A third TikTok user added: “Midnight Mass is massively underrated.”

While a fourth agreed: “Midnight Mass is excellent, slightly slow burn the first couple episodes but stick with it and I promise you won’t be disappointed.”

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Sources claim Meghan Markle was ‘used by Netflix’ in order to promote The Gentlemen, amidst speculation that she would be making an appearance in the series

Meghan Markle was reportedly “used” to promote The Gentlemen, according to her friends. It had been widely reported that the Duchess of Sussex would be making a full-time return to acting on the Netflix series, having found fame playing Rachel Zane on the US legal drama, Suits.

Since stepping down as senior working royals in January 2020, Meghan and her husband, Prince Harry, have lived a financially independent lifestyle and worked with the streaming giant Netflix on several projects. However, after it emerged that the Sussexes would be returning to live in the UK, it was reported that she was in talks to appear in The Gentlemen.

Now, those said to be close to the Duchess claim she feels “used” by the show after being in advanced talks to join the cast for series three. But any hopes of seeing Meghan in the Guy Ritchie drama were recently shot down.

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“Some people in her camp feel she was used to help promote season two, because they knew it wasn’t as good as the first season and had already commissioned a third [series],” a source told The Telegraph. The source went on to add: “It’s the oldest marketing trick in the book: get a big name to read a script, then leak that you’re ‘in conversation’ with them when, in reality, nothing is particularly far along.

“The whole thing left a bit of a sour taste in the Sussex camp’s mouth. Needless to say, Netflix got what it wanted: huge viewing figures for season two and a lot of publicity.”

Viewing figures from Barb, the official ratings agency, show that audiences dropped by around 15 per cent from the first series’ debut episode, which was streamed by 3.5 million people in March 2024. These figures declined by 500,000 for the latest series.

But it appears that director Guy Ritchie wasn’t impressed with the talks about Meghan joining the cast. “Really?” was Guy’s first response after hearing of the speculation.

A source told The Sun that the 58-year-old went on to rule out any future appearances by Meghan. He is reported to have said: “Not a chance.”

Meanwhile, the Express reports that the Duchess will be offered a staggering £3.7million to return to her role as Rachel Zane. It’s claimed that NBCUniversal is ready to spend a “substantial budget” to reunite Meghan with her former castmates, seven years after the show ended.

“Everything is beginning to fit in place and shooting the whole thing at a major UK studio is actually a smart financial move as well as being convenient for Meghan,” a source said of making a special episode of the show. The source went on to add: “It’s way too soon to say if a Suits reunion would reignite an entire new series, but that’s clearly the hope of Patrick and several of the show’s other leading cast members.”

The duchess recently returned to acting for the first time in nearly a decade with a cameo as herself in the upcoming comedy Close Personal Friends, which stars Lily Collins and Brie Larson. Although she has returned to the screen, it’s said she will be playing herself in the Amazon MGM Studios film, which focuses on two couples, one of whom is famous and the other not.

The Mirror has approached a spokesperson for the Duchess and Netflix.

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Netflix subscribers have been urged to check out a ‘heartbreaking’ true story that has been compared to Green Mile – but be warned as it’s said to be ‘one of the saddest films to ever exist’

Netflix viewers have been left in floods of tears after watching a ‘hidden gem’ tucked away on the video streaming platform. Luke Eccleston, who reviews movies and television shows on social media, is urging Netflix subscribers to check out a ‘heartbreaking’ true story that’s perfect for Green Mile fans.

Luke, who posts under the username Eccy Reviews, said on TikTok: “I’m not saying this lightly, but you need to run to Netflix immediately because I’ve just discovered the biggest hidden gem. I’ll be very surprised if you’ve seen this film, and once you have, you will never, ever forget about it. The film that I’m talking about is called Miracle in Cell No 7. Now, if you’re someone who’s seen this film, you’ll know that this is one of the saddest films to ever exist.”

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‘This is one of the saddest films to ever exist’

Based on the the Korean movie Miracle in Cell No 7, it tells a story of love between a mentally-ill father who was wrongly accused of murder and his lovely six-year-old daughter.

Luke added: “It is actually based on a true story. This follows this man with special needs who has this younger daughter.

“After an incident where another little girl is killed, he is framed and sent to prison. He is sentenced to death. The people in the prison believe that he did the things.

“What he is accused of and the things they do to him is honestly awful. After time, they begin to realise who and what he is.

“The story, what comes out of it is genuinely incredible. I was shocked so many times watching this film. I was in so many tears.

“I’ve recommended this to so many friends, and every single person who’s watched it has said that they cried.”

‘I loved this movie, cried and cried’

Starring Aras Bulut Iynemli, Nisa Sofiya Aksongur, and Deniz Baysal, the movie has won 12 awards alongside its 13 nominations.

Commenting on Luke’s video, one user said: “Just put it on, I’ve got my tissues ready.”

Another user added: “Similar to Green Mile.”

A third user said: “I loved this movie, cried and cried. Amazing!”

Netflix replaced one of its top executives in a major management shake-up on Thursday, a day after the company announced it was laying off 6% of its staff.

Chief Content Officer Bela Bajaria is leaving the company after a decade, Netflix said in a statement. She will be replaced by former Disney executive Peter Rice, who was most recently chairman of Walt Disney Television and chairman of general entertainment for Walt Disney Co.

“Peter is one of the most effective at-scale operators in the entertainment industry,” Netflix Co-Chief Executive Ted Sarandos said in the statement. “His business acumen is sharp, his talent relationships are exceptionally strong, and his experience across TV and film is deep and broad.”

Bajaria’s exit comes as Netflix has been under pressure from investors to turn out more hit shows and movies and increase the amount of time consumers spend on the platform amid rising competition from other streamers.

“Due to the slowdown in massive hits and viewer growth, an ax was gonna fall on some executives who led content strategy,” said Ross Benes, senior analyst at research firm Emarketer.

Bajaria oversaw the teams responsible for Netflix content around the world. She joined Netflix in 2016 and was named chief content officer in 2023. She was instrumental in expanding Netflix’s reach internationally and the streamer’s push into live events.

Hits released on Netflix during Bajaria’s tenure include the 2025 animated movie “KPop Demon Hunters” and crime drama series “I Will Find You.” Under her leadership, Netflix grew its reach in live programming, streaming NFL games as well as WWE matches. The company also changed its film strategy to focus on fewer movies that aimed to be bigger and better.

She also played a key role in helping Netflix generate large audiences for its non-English-language original series, reality shows and programs that featured talent from underrepresented communities.

But her tenure also coincided with mounting challenges to growing Netflix’s business.

Free, ad-supported streaming services like YouTube are increasingly taking up more streaming hours and investors are concerned about how Netflix will continue to grow. YouTube represented 14.2% of streaming time in the U.S. on TVs compared to Netflix’s 7.8% in July, according to Nielsen data.

Netflix has said efforts like live programming have been successful at getting significant subscription sign-ups. While live programming represents 5% of Netflix’s content budget, it holds 1% of watch time on the streaming service, Sarandos has said.

The company also was poised to buy Warner Bros. Discovery, which would have dramatically increased its library of content, but Netflix bowed out of the auction after the price became no longer “financially attractive.”

Netflix stock has declined 40% from a year ago. Shares closed Thursday at $72.61, up 3%.

“The drop in share price has been staggering,” said Stephen Galloway, dean of Chapman University’s Dodge College of Film & Media Arts. “That plunge, plus the negative reaction to its move to buy Warner Bros. left it vulnerable, and so you have to do two things. One is right the ship, but you also need to send a message to shareholders that you’re taking action.”

In a memo to staff announcing the change in leadership, Sarandos wrote, “I know this is a big change in a year that has already had its share. But I also see an opportunity to take our slate to the next level, especially in UCAN [U.S. and Canada] where we have an outsize impact in creating big, buzzy hits that our members love and drive conversation around the world.”

Rice is an experienced corporate executive who spent nearly three decades navigating Rupert Murdoch‘s media empire, serving as president of 21st Century Fox and CEO of Fox Networks Group.

He also brings deep roots in the feature film world, having previously run Fox Searchlight Pictures, which could mean he will want to put his own stamp on Netflix’s film group, Galloway said. That group is currently led by executive Dan Lin.

“Netflix has fundamentally changed the way stories are made, shared and experienced around the world,” Rice said in a statement. “They’ve shown again and again that they’re willing to take chances on distinctive voices and fresh ideas, and I’m excited to work with the team to help bring even more great stories to members everywhere.”

Bajaria did not respond to a request for comment.

Streaming giant Netflix has unveiled its list of brand new Christmas films that will be released on their platform one per week beginning on November 4

TV schedules are always a major talking point when Christmas approaches – and it appears Netflix are embracing the festive spirit early by unveiling their Yuletide films for 2026, much to their subscribers’ excitement.

Even though we tend to go for the classics of Home Alone, Elf and The Grinch, it can be nice to try a new film, even if it does end up with you not being able to get back two hours of your life. It can be a chance to laugh, cringe, or even debate with family while spending that all-important time together.

Annually, the streaming platform adds four seasonal offerings to its already vast catalogue of movies. And now this year’s titles have been unveiled, as television critic Kate Ellen discussed.

“Every year Netflix announces four films in the run-up to Christmas, and we’ve had some real bangers,” she began in a TikTok video, highlighting Hot Frosty and The Merry Gentlemen as past examples. “Last year wasn’t so strong, but this year I think it is their [Netflix] best line-up yet.”

Kate proceeded to list each title, the first of which is available on Netflix early next month, with the others following every Wednesday.

A Dog’s Perfect Christmas – November 4

Ellen revealed that the first to arrive is A Dog’s Perfect Christmas, which lands on Netflix as early as November 4. She said: “It stars Dennis Quaid and Jess from Gilmore Girls [Milo Ventimiglia] as a Basset Hound who apparently can talk.

“Apparently Dennis is like a grumpy grandad who lost his wife a few years ago, and this year it’s up to him, the Basset Hound and his teenage granddaughter to pull the family together and save Christmas.”

Netflix adds in a brief synopsis: “From the bestselling author of A Dog’s Purpose, a tale of a family in crisis where a teenager, her grandfather and his trusty basset hound struggle to keep the household together at Christmas.”

The Gospel of Christmas – November 11

Seven days later, Tyler Perry’s The Gospel of Christmas arrives on Netflix.

“This one is set in New York and follows a pastor [played by actor and singer, Tank] who has inherited his family’s church,” Ellen went on.

“Apparently he’s going to be battling temptation and doubt – and needing to rediscover his faith before Christmas.”

Netflix’s synopsis adds: “Hark! The herald angels sing – and that’s not all they’re getting up to. A brand-new Tyler Perry movie is being gift-wrapped and tied up with a ribbon, right on time for the holiday season, and it features a series of vocal performances that are not to be missed.”

Guarding Stars – November 18

A week later is when “things get really exciting”, according to Ellen.

“This [Guarding Stars] stars Blair from Gossip Girl [Leighton Meester] and Dean from Gilmore Girls [Jared Padalecki],” she reported. “Jared plays an action movie star and Leighton is his no-nonsense bodyguard who is there to protect him over Christmas.”

Ellen also pointed out that Meester has already proven she is “good in Christmas romances”, having starred in the 2023 rom-com EXMas.

Netflix describes the film with this synopsis: “An upcoming holiday romantic comedy movie about a no-nonsense bodyguard assigned to protect a charming action star over the holidays. Of course, sparks fly, secrets unravel, and Christmas gets a lot more complicated!”

In a Holidaze – December 2

Rounding off Ellen’s list as December approaches is In a Holidaze, starring former Dance Moms favourite Maddie Ziegler.

She said: “She’s [Ziegler] playing a directionless 20-something who, after a romantic mistake of epic proportions, gets stuck inside a time loop, living the same Christmas at her family’s cabin again and again. And apparently she keeps going until she finds out what makes her happy.”

IMDb further explains: “Maelyn Jones’ holiday takes an unexpected turn when her wish for happiness at her family’s snowy Utah cabin results in a time-loop, forcing her to relive Christmas repeatedly.”

Writing in response to Kate’s clip, one TikTok user exclaimed: “I’m so excited for In A Holidaze! Based on a book I hope it’s good.”

A second person shared: “Oh I’m excited!” While a third pointed out: “You forgot to mention the leading lady for ‘the Gospel of Christmas’ is Fantasia who is a American Idol winner and Grammy Award winner and Golden Globe nominated.”

So, as you can see, this year’s festive schedule is absolutely jam-packed!

It was a crowning moment. Netflix appeared to have prevailed in an audacious $82.7-billion deal to scoop one of the industry’s most prestigious studios: Warner Bros. The move seemed to cement Netflix’s status as the ultimate Hollywood gate-crasher and its dominance as the leading new player in media.

Now, nearly a year later, the plotline for Netflix has dramatically changed. The streaming giant lost out to Paramount Skydance in its bid for Warner Bros. Discovery and is facing headwinds on multiple fronts.

That was underscored this week when the streaming giant Netflix began shedding 6% of its workforce, or about 1,000 jobs — believed to be the largest layoff in the company’s history and exceeding the last round of job cuts in 2022, when it reported subscriber declines.

On Wednesday morning, Ted Sarandos and Co-Chief Executive Greg Peters sent a note to employees confirming the job losses, adding that the bulk of the cuts would affect the tech, product, legal and human resources teams.

“Our mission — to entertain the world — is ambitious, and delivering on it requires us to be disciplined about where we prioritize our people and resources,” wrote Sarandos and Peters in the memo obtained by The Times.

The cuts mark the latest reductions across the film and TV industry. Other entertainment and media companies have slashed their payrolls, including Walt Disney Co., Paramount and Sony Pictures Entertainment during a period of economic uncertainty in Hollywood.

But the scale of such downsizing is unusual for Netflix. Industry analysts and insiders chalk up the reversal of fortune to several factors. Although it still dominates the television business, the Los Gatos company hasn’t been able to produce enough new hit franchises to replace culture-defining shows from years past such as “Stranger Things” and “Squid Game.”

At the same time, Netflix faces rising competition from rivals such as HBO Max, Apple TV, Hulu and others that have upped their game. Free, ad-supported streaming platforms such as YouTube are increasingly taking a larger slice of consumer streaming hours. And Netflix’s efforts to diversify its business into new areas such as games have yielded mixed results.

A Netflix building on Sunset Boulevard in Los Angeles in 2025.

(Myung J. Chun / Los Angeles Times)

The upshot: Netflix continues to be the dominant video subscription streaming player with more than 325 million subscribers, but the time that consumers spend on the platform is growing at a slower pace than what investors want. In the first half of this year, consumer watch time on Netflix increased only 2% compared with a year earlier, even as content spending increased 11% to $20 billion this year. Netflix also narrowed its annual revenue forecast last summer, disappointing some investors.

“Netflix’s layoffs show that even the top streaming companies are not immune to stagnation and financial difficulties,” said Ross Benes, senior analyst at research firm Emarketer.

Amid the sobering signs, investors have grown restless. Netflix shares, which closed at $70.57 on Wednesday, have plummeted 42% in the last year. Part of that decline was fueled by anxiety among investors over Netflix’s deal to buy Warner Bros. Discovery, but the share price hasn’t rebounded even after that deal fell apart.

“They need to better prepare their balance sheet and economics since engagement has plateaued,” said Brandon Katz, director of insights and content strategy at Greenlight Analytics.

Katz said that Netflix’s five most-watched English-language scripted summer movie releases in their first eight weeks posted the lowest average hours watched compared with the streamer’s top five summer releases in 2025, 2024 and 2023, citing Nielsen data.

Sarandos acknowledged concerns about engagement at a Bloomberg Screentime event Sept. 30.

“Overall we’re not growing as fast as I want us to, and we’re working on making that move faster,” Sarandos said.

Netflix declined to comment on the layoffs.

“We’ll continue to invest aggressively in high-impact areas to improve our service and further drive growth and innovation,” Sarandos and Peters said in their memo to employees.

In some ways, Netflix has been victim of its own success. It has produced a string of shows and movies that have hit the cultural zeitgeist such as “KPop Demon Hunters” and “Squid Game.” But finding enough new popular shows that continue to drive subscriptions has been a challenge.

“A lot of these major hits are coming to an end at similar times, and they don’t yet really have heir apparents to replace them,” Katz said.

Sci-fi hit “Stranger Things” released its finale last year, followed by the young-adult drama “Outer Banks” and “Emily in Paris,” which ends this year. Netflix also announced that “The Witcher” and “The Lincoln Lawyer” will wrap after their next seasons.

What’s more, the second seasons of some shows with big followings have seen large view drop-offs compared with their first seasons. For example, the fantasy series “Avatar: The Last Airbender” season 1 debuted with 21.2 million views, but views for its second season dropped 59% to 8.7 million, according to Netflix data.

New series from Netflix also haven’t captured as much consumer demand as other competing shows from rival streamers, according to Parrot Analytics.

Last year, Netflix had just one show — the Japanese anime and manga series “Sakamoto Days” — that made it in Parrot’s top 10 list of first season original series on streaming platforms. Parrot’s ranking measures consumer demand in the U.S. and is based on digital interactions such as social media chatter and Google searches. By comparison, Netflix had three titles in 2022 alone: the true crime show “Monster,” the documentary series “Harry & Meghan” and the sci-fi mystery show “1899,” Parrot said.

Sarandos told investors in July that such declines are typical and that second season falloff is slightly improved this year. But popular shows on rival streaming services such as the medical drama “The Pitt” on HBO Max have not seen such declines. “The Pitt” drew even more viewers in its second season than the first.

To diversify its business, Netflix has expanded its programming offerings beyond TV shows and movies to include live sports, such as football and baseball games.

Although live programs have helped to spur significant subscription sign-ups, they still represent just 1% of watch time on Netflix while costing 5% of the company’s content budget, Sarandos has said.

Netflix also has added video podcasts that have helped to boost daytime viewing on the platform, and has made deals with YouTube creators to bring their content to the streaming service.

But some of the new content hasn’t clicked, particularly in games, analysts said. In August, Netflix shut down Hollywood-based Night School, the maker of supernatural adventure game “Oxenfree,” and said it was closing a Helsinki-based games studio.

“They are spending on a lot of things that haven’t necessarily proven to be effective yet,” said Rob Rosenberg, a partner at law firm Moses & Singer and former Showtime Networks general counsel. “It feels a lot like they’re trying to send a message to Wall Street that ‘we’re re-examining how we do business.’”

Meanwhile, Netflix continues to face more competition from rivals such as YouTube, which offers a free, ad-supported version of its video library.

Unlike Netflix, YouTube does not pay for the creation of many of the videos on its platform. Instead, creators or companies upload and produce the programs themselves and YouTube shares ad and subscription revenue.

YouTube’s share of streaming watch time in the U.S. on TVs has steadily increased. In July, YouTube represented 14.2%, compared with Netflix’s 7.8%, according to Nielsen.

The pressure to boost engagement on Netflix has caused tension within the company, particularly between the teams of people responsible for how programs are promoted on the platform and the employees responsible for bringing shows and movies on Netflix, according to people familiar with the matter who were not authorized to speak publicly.

Some blame the content for not being enticing enough, while others contend that the programs could be promoted better on Netflix.

“It’s a bit of a quagmire,” said one of the sources familiar with the matter. “There is a tension when things aren’t working. People tend to point fingers.”

In their staff memo, Sarandos and Peters said Netflix is on track to deliver its full-year forecast and will continue to invest in areas that improve its service and drive growth and innovation.

“Doing that means making focused choices across the business so we can keep delivering for our members, partners, employees, and investors,” they wrote.

Despite the downsizing, Netflix remains highly profitable. In the second quarter, the company generated $3.4 billion in net income, up 9% from a year earlier. Revenue rose 13% to $12.6 billion last quarter, including double-digit revenue growth in all of its regions. Next week, the company will share its third-quarter results.

The streamer is expected to get a boost from new seasons of popular shows — including season 4 of the political drama “The Diplomat” and spy series “Lupin: Part 4,” as well as Thanksgiving Eve and Christmas Day NFL games.

Having new seasons of popular shows such as “Lupin” and “The Diplomat” will help boost Netflix’s engagement, said Alejandro Rojas, vice president of applied analytics at Parrot Analytics.

“The new season is like a catalyst for people to watch the previous seasons,” Rojas said.

On the theatrical side, Netflix also has high hopes for upcoming movies including La Bola Negra, starring Penelope Cruz; and “The Further Mis-Adventures of Cliff Booth” featuring Brad Pitt. Next year, Netflix will release the Greta Gerwig-directed film, “Narnia: The Magician’s Nephew” on Imax screens.

Netflix has not signaled any changes to its strategy for releasing movies or TV shows. But some analysts said it could benefit from having more theatrical releases and by dropping episodes of shows once a week, instead of all at once, to generate more buzz for programs. They also expect that Netflix will be more disciplined in its content spending.

“While the company will expand its sports roles, it’s cutting back at a time when revenue matters much more than subscriber additions,” said Benes of Emarketer. “With pressure mounting, Netflix will look to turn the tide by getting a boost from low-cost content. The battle for top creators will become more pitched.”

Times staff writer Samantha Masunaga contributed to this report.

Skydance-owned Paramount Pictures has taken over the lease for the Bay Theater in Pacific Palisades and intends to reopen the cinema, which has been closed since the January 2025 Palisades fire last year.

Paramount plans to upgrade the theater with state-of-the-art projection systems and in-seat food and drink service, Rick Caruso, whose company owns the Palisades Village shopping center where the Bay Theater is located, said in an interview. Caruso is founder and executive chairman of the real estate firm Caruso.

Paramount plans to show first-run theatrical movies from all studios. The theater will be operated by The Lot, a La Jolla-based luxury dine-in theater chain with four locations in California. The theater is expected to reopen later this year, Caruso said.

“The comeback of this movie theater is a great signal for all of L.A.,” he said. “Los Angeles is resilient, and we’re going to show the country that Los Angeles can bounce back from a terrible, terrible disaster, and the comeback is going to be much greater than the setback.”

Palisades Village reopened in August after more than $100 million in renovations, including major infrastructure work. The upscale outdoor mall survived the Palisades fire, but needed refurbishment to eliminate any potential contaminants from the blaze.

Caruso declined to share terms of Paramount’s lease agreement, saying only that it was long-term. Paramount declined to comment on the size of its investment in the theater.

Caruso said he brought up the Bay Theater over lunch last year with David Ellison, chief executive of Skydance, who was then working to acquire Paramount. The two were discussing that deal and Ellison’s belief in the importance of the movie theater business to the industry.

“Together with Caruso, we are proud to help bring the Bay back to life as a place for the Pacific Palisades community to gather around the shared experience of cinema,” Ellison said in a statement. “This theater has always meant more than movies alone — it’s woven into the fabric of this neighborhood, and helping restore it is a privilege.”

The Bay Theater was previously leased by Netflix, which took it over in 2021. The company used the theater to host special events, screen classic films and showcase its own original theatrical movies.

Caruso described Netflix and company Chief Executive Ted Sarandos as “incredible stewards” of the theater, adding that Sarandos was “very much a gentleman” in having the discussion about Paramount stepping in at the theater.

The Bay Theater announcement comes just about a week after Paramount completed its acquisition of Warner Bros. Discovery. The newly combined company, which took the name Skydance after the deal closed, must release at least 30 films a year as part of a settlement agreement with 12 state attorneys general over antitrust claims.

Ellison has long extolled his love of movies and appeared at the CinemaCon movie theater owners convention earlier this year to reiterate his commitment to theatrical releases.

Studios were barred from owning theaters for decades under the Paramount consent decrees, which a federal judge terminated in 2020. Netflix has since operated the Egyptian Theatre in Hollywood and the Paris Theater in New York.

“Through our curated offering and dedicated hospitality, we look forward to welcoming the Pacific Palisades community back to the movies, the way they were intended to be shared,” Adolfo Fastlicht, founder and chief executive of The Lot, said in a statement.

A Netflix show has been gripping viewers so much that they admit to watching all 26 episodes over and over again. It’s had many people totally hooked, and it’s been deemed a “masterpiece”

Every now and then we have to find something new to watch, and a certain offering appears to be keeping people on the edge of their seats. It’s clear viewers can’t get enough of it, with many admitting to watching it again and again.

The Netflix series recently came to light on Reddit, when a user was searching for a quality show to binge, and it wasn’t long before people brought up a certain series they’ve been gripped to. In fact, many TV lovers have confessed they’ve found it hard to find anything else that matches its quality, which is perhaps why so many have admitted to binging it repeatedly.

It’s not the only show to have seized people’s attention of late, either. Previously, Netflix viewers admitted they were staying up all night to binge another offering.

The social media user asked: “Any good binge watch shows? Can be Netflix or non-Netflix?” It didn’t take long for one particular title to emerge as the firm favourite, with several viewers declaring it utterly spectacular.

One person simply said: “Dark.” To this, another replied: “The best show ever created.

“I’ve watched it from start to finish four times and realised I missed something every time. I’m probably going to watch it again because I just don’t want it to be over.”

A third noted: “Loved Dark.” Meanwhile, in a separate thread, viewers were equally forthcoming with their glowing praise for the drama.

Someone else wrote: “I’ll say it one million times, but I wish I could experience this masterpiece like the first time I watched it.”

A different social media user offered: “I consider Dark the best series on Netflix. I’ve watched it countless times.”

One more said: “Took a chance with this one. I don’t regret it. Very intricate storytelling.”

What is the plot?

For those unfamiliar with it, Dark is a German science-fiction mystery thriller television series, created by Baran bo Odar and Jantje Friese.

It’s been available on Netflix for some time, having aired across three seasons from 2017 to 2020. Despite this, audiences are still discovering it for the first time.

The narrative primarily tracks four families from the fictional German town of Winden, as they pursue the truth following a child’s disappearance.

Yet, as events unfold, they find themselves uncovering a disturbing time travel conspiracy stretching across multiple generations. Essentially, the series explores the existential consequences of time and its impact on human nature and existence.

With 26 episodes available to watch, many viewers insist it’s thoroughly worth your time, though you’ll likely need subtitles given it’s a German production.

As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.

The only guide you need for fall entertainment.

Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.

‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)

Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”

(Netflix)

Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali

‘Brothers,’ Sept. 23 (Apple TV)

Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”

(Ryan Green / Apple TV)

Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara

‘American Hostage,’ Sept. 20 (MGM+)

Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”

(Steve Ackerman / MGM+ / Sony Pictures Television)

Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia

‘East of Eden,’ Oct. 1 (Netflix)

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton

‘Below,’ Oct. 8 (Netflix)

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.

‘Cupertino,’ Oct. 8 (CBS)

Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”

(Elizabeth Fisher / CBS)

Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd

‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)

Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.

(Paramount+)

When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown

‘VisionQuest,’ Oct. 14 (Disney+)

Paul Bettany in Marvel’s “VisionQuest” on Disney+.

(Marvel)

When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.

‘Crystal Lake,’ Oct. 15 (Peacock)

Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”

(Peacock)

Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.

‘The Diplomat’ Season 4, Oct. 15 (Netflix)

Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal

‘Nocturne,’ Oct. 30 (Apple TV)

Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”

(Dennis P. Mong Jr / Apple TV)

Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.

‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)

Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”

(Paramount+ with Showtime)

At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.

‘Dig,’ Nov. 23 (Peacock)

Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”

(Colleen Hayes / Peacock)

A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.

‘Blade Runner 2099,’ Nov. 25 (Prime Video)

Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”

(Clay Enos / Prime)

Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.

‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)

Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”

(Netflix)

For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.

‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)

Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”

(Aidan Monaghan / HBO)

In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.

‘North of North’ Season 2, Fall 2026 (Netflix)

Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.

(Netflix)

No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.

‘Pride and Prejudice,’ fall 2026 (Netflix)

Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”

(Ludovic Robert / Netflix)

Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.

Netflix plans a substantial round of layoffs as the streaming giant faces rising competition and pressure to retain its subscribers, according to people familiar with the job cuts.

The cuts are expected to affect 5% of the company‘s workforce, which could be 800 employees, according to one of the sources who was not authorized to comment. The job losses will affect the creative team including those working on features, the source said.

Netflix declined to comment. The planned cuts are believed to be the biggest at the Los Gatos company since 2022. The news was first reported by news outlet Puck.

Netflix has been under scrutiny from investors over how much time its subscribers spend on the streaming service. View hours rose only about 2% in the first half of 2026 compared with a year earlier, even as content spending climbed.

“Overall we’re not growing as fast as I want us to, and we’re working on making that move faster,” said Netflix co-Chief Executive Ted Sarandos at the Bloomberg Screentime event last week.

Netflix has noted how engagement can be measured in different ways. For example, its investment in live programming helps spur significant subscription sign-ups, even though it represents a small percentage of watch time on the streaming service, the company has said.

But some investors remain skeptical about the company’s future growth. Rival YouTube remains the leader in streaming viewing hours in the U.S. on TVs, representing 14.2% versus Netflix’s 7.8% in July, according to Nielsen. Netflix stock has also declined 43% compared to a year ago. On Friday, the stock closed at $70.30, down about 2%.

Netflix last conducted major layoffs in 2022 after the streamer reported subscriber losses for the first time in more than a decade. In May that year, the company laid off 150 workers and dozens of contractors and part-time workers in areas including its social media teams. The following month, it laid off 300 people or roughly 3% of its staff.

Recently, Netflix made changes to its games division. In August, the company closed its Hollywood-based gaming studio Night School and said it was in the process of closing its Helsinki-based gaming studio Moonloot.

Dearest gentle “Bridgerton” viewers — rejoice, for a new prequel series about Lady Violet is headed to Netflix.

The streamer and Shondaland announced Thursday that an untitled spinoff about the early life of the future matriarch of the Bridgerton clan is in the works. Shonda Rhimes and Nicholas Nardini will write and serve as showrunners on the limited series, which will tell the story of young Lady Violet’s romance with her future husband, Viscount Edmund Bridgerton.

The show will be the second spinoff set in the expanding world of the popular Regency romance following the 2023 prequel series “Queen Charlotte: A Bridgerton Story,” which explored the early days of the eponymous queen’s marriage to King George III.

Portrayed by Ruth Gemmell in the flagship series, Lady Violet is the mother of the eight Bridgerton siblings whose individual adventures in (and around) the marriage mart are the focus of the show. A younger version of the character, played by Connie Jenkins-Greig, also appeared in the “Queen Charlotte” prequel. The cast of the untitled Lady Violet prequel has not yet been announced.

Based on the popular book series by Julia Quinn, “Bridgerton” has been a hit with audiences since premiering in 2020. The first four seasons have chronicled the steamy happily-ever-afters of the eldest Bridgerton siblings, Daphne, Anthony, Colin and Benedict. The fifth season of the series, which will follow the love story of Francesca Bridgerton (Hannah Dodd) and Michaela Stirling (Masali Baduza), is currently in production in London.

In addition to Rhimes and Nardini, who was also a writer on “Scandal,” “Queen Charlotte” and “Inventing Anna,” frequent Rhimes collaborator Tom Verica will direct and executive produce on the upcoming limited series. Shondaland’s Betsy Beers is also an executive producer.

Several years ago, DreamWorks Animation veterans Joel Crawford and Januel Mercado pitched the studio an original story centered on friendship and steeped in Filipino culture.

That draft became the animated film “Forgotten Island,” which opened in late September and counts singer H.E.R., Liza Soberano and Dave Franco among its voice cast. The movie focuses on best friends Raissa and Jo, who will soon be separated when Raissa goes to college in the U.S., and the final adventure they take to the fantastical island of Nakali.

The movie opened to a softer $13 million in the U.S. and Canada and has so far made $23.6 million at the domestic box office over two weekends. Globally, “Forgotten Island” has brought in $38.5 million on an $80-million production budget.

That opening haul is lower than the average for original animated films from a major studio, which is about $14.6 million, according to the FranchiseRe movie industry newsletter. But the studio is hoping the movie — which has garnered a strong 95% rating on Rotten Tomatoes — will pick up steam and benefit from the relative lack of animated competition at the box office until the early November debut of “The Cat in the Hat,” developed by Warner Bros. Pictures Animation.

“Forgotten Island” is a big bet for Glendale-based DreamWorks Animation, which like many studios, has largely depended on sequels to drive box office success.

Original animated stories — or original movies at all — have become rarer gambles in Hollywood these days, when sequels and reboots feel like safer options. But Crawford and Mercado knew they wanted to develop a new story together.

The pair, who wrote and directed the film, have been friends for nearly two decades after they met at DreamWorks Animation as storyboard artists. Together, they’ve worked on 2011’s “Kung Fu Panda 2,” 2013’s “The Croods” and 2022’s “Puss in Boots: The Final Wish.” The two bonded over their similar sense of humor and their love for movies, and their longtime friendship was apparent in their easy banter during a joint interview shortly after the “Forgotten Island” premiere last month.

Early on, Crawford and Mercado knew they wanted to tell a story set in the Philippines that celebrated Filipino culture. Mercado is Filipino American and Crawford’s wife is Filipino, so a movie that authentically represented Filipino culture was important to them. In the film, the island of Nakali has many creatures inspired by Filipino folklore, and the characters casually use Tagalog words alongside English.

“There’s a sophistication in terms of respecting that the audience is smart, and doing our part as filmmakers to make sure that the visual storytelling and the context gives everything the audience needs to know,” Mercado told me.

Audiences, too, are more comfortable with content in other languages these days, as I wrote last week about Neon’s Korean-language thriller “Hope.” After all, kids will sing Korean lyrics in K-pop songs, and even “Puss in Boots: The Final Wish” interspersed Spanglish into the story.

“It feels timely to update the way we tell stories, to not treat the audience like, ‘They won’t understand this,’ but really treat them with respect,” Crawford said. “It just felt right to chase authenticity and let go of expectations, especially of what an animated movie should be and has been, and really do something fresh because it’s just coming from who we are.”

In the last few years, animation has been a powerhouse at the box office. Disney and Pixar’s “Toy Story 5” and Universal Pictures, Nintendo and Illumination’s “The Super Mario Galaxy Movie” have each crossed $1 billion at the global box office, two of only five movies to do so this year. In 2024, Disney and Pixar’s “Inside Out 2” was the highest grossing movie in the U.S. and Canadian markets.

Original stories have been tougher. Pixar has recently struggled to match the theatrical success of its prior original films and the slower start for “Forgotten Island” may be a sign of similar hurdles for new stories. But culturally accurate storytelling has paid recent dividends — just look at the success of Netflix’s “KPop Demon Hunters,” which won two Oscars, broke streaming records and sold out theatrical singalongs.

“We believe that there is a platform and space for everyone’s story, for people to feel seen and to know they matter,” Mercado said. “Even when they see a story that is specifically Filipino, if we’ve done our job right, we’ve shown you that you could connect to the story, whether or not you have this experience with the Filipino community or the culture.”

With “Forgotten Island,” Mercado and Crawford also want to push the boundaries of animation beyond its perception as films just for kids. Later this year, films such as Laika’s PG-13 rated “Wildwood” and Brad Bird’s noir film “Ray Gunn” will test the audience appetite for more adult animated and original fare.

“We’re in a time of massive sequels,” Crawford said of stories today. “When you expand where you’re telling them and who is telling them, you naturally get originality. This year has been really exciting for original stories in both animation and live action. You are taking a chance on originality, but it pays off.”

Stuff We Wrote

Film shoots

Number of the week

The Tom Cruise-led “Digger” tanked at the box office last weekend with a domestic debut of $8 million, good enough for fifth place.

The Warner Bros. film was plagued by very mixed reviews from critics, as well as a challenging marketing campaign. The film stars Cruise as an aging oil tycoon whose drilling operations trigger a catastrophic climate change disaster. Worldwide, the film brought in $20 million on a production budget of $125 million.

It’s been a tough theatrical year for Warner Bros., which has seen a string of disappointments before “Digger.” Beyond the cinema, the company is now in the process of being absorbed by Paramount Skydance, with the merger set to finalize Tuesday.

What I’m watching

It’s been yet another busy week, so about the only thing I was able to watch was a few WNBA playoff games. Since the Sparks were left out of the playoff picture again, I’ve sort of adopted the Golden State Valkyries as the next best California team to root for, and what a wild game that was over the weekend against the Las Vegas Aces.

The acclaimed actor stars as the sweet-natured Adam Trask in Netflix’s East of Eden

East of Eden viewers are wondering where they’ve seen one of the show’s stars before.

The Netflix series is an adaptation of John Steinbeck’s novel of the same name and stars a glittering cast including Florence Pugh as literary legend Cathy Ames, while Mike Faist and Christopher Abbott portray the brothers who fall for her, Charles and Adam Trask.

Netflix’s synopsis reads: “This fresh interpretation of Steinbeck’s masterpiece will explore the multigenerational saga of the Trask family, focusing new attention on its indelible antihero, Cathy Ames.”

The seven-part series arrived on the streaming platform just last week and it is currently at the top of Netflix’s most-watched TV series in the UK list. As fans dive in to the episodes, many have wondered about one particular cast member.

Christopher Abbott plays the sweet-natured Adam Trask who shows kindness to Cathy Ames when she appears bloodied and beaten at the door of his home, shared with his brother, who at first is much more sceptical of their new arrival. Adam nurses her back to health and they go on to marry.

Even before he whisks her away to California however, cracks have started to show. While it is a place he has always dreamed of, Cathy does not share that dream and she makes no secret of it.

Google searches for Christopher Abbott’s past movies and TV shows have soared since East of Eden’s debut, so where might viewers know the star from?

What films and TV shows has Christopher Abbott been in?

His breakout role was as Charlie Dattolo in the HBO series Girls. He was a recurring cast member, portraying the kind boyfriend of Marnie Michaels (Allison Williams). More recently he has had leading roles in Poor Things alongside Emma Stone, 2025 horror film Wolf Man and 2022 comedy-thriller, Sanctuary.

He is no stranger to literary adaptations and previously took the lead role of Yossarian in Catch-22, a TV series based on the Joseph Heller novel of the same name.

Discussing his role as Adam, Christopher told Netflix’s Tudum: “He’s a character that has lived a lot of different lives, and he’s sort of changed his personality throughout it.

“He starts off, like, hopping trains and living like a vagabond and stealing stuff and then becomes a different human when he has son. It’s a big epic arc to track.”

East of Eden is now streaming on Netflix.

The mobile network has just rolled out Vodafone TV, offering hundreds of channels alongside streaming apps in a choice of affordable monthly subscriptions.

Vodafone has launched a new TV streaming service to rival major brands like Sky. The mobile network has already expanded to the home broadband market and has now gone one step further with the rollout of Vodafone TV.

This new WiFi-powered platform brings together hundreds of TV channels and streaming apps like Netflix and HBO Max from £10 per month – equal to roughly 33p per day. Each Vodafone TV subscription also provides more than 300 video games available to play over a Cloud service without a console.

The entry-level Vodafone TV plan delivers more than 200 live channels and on-demand TV with Freely for £10 per month. The £17 Vodafone TV Essential plan includes the same perks, plus Netflix and HBO Max subscriptions, worth a combined £13.98, at no extra cost.

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Mobile customers can combine Vodafone Entertainment with Vodafone TV Essential to create Vodafone TV Ultimate, which adds Disney+ or Prime Video to the package for a total of £25.50. All this is available through a plug‑in entertainment hub that delivers 4K content without a satellite dish or aerial.

The compact device has Freely built in, which unlocks access to more than 70 live channels and thousands of hours of on‑demand content from the BBC, ITV, Channel 4, Channel 5, and more. Viewers can also stream more than 150 additional live TV channels, while apps like Disney+, Prime Video and DAZN are also available with paid subscriptions.

Get Vodafone TV from £10 per month

from £10

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Vodafone TV delivers hundreds of TV channels plus Netflix and HBO Max from £10 per month.

There’s a caveat, though, as customers must commit to a 24-month contract to secure Vodafone TV, during which time monthly prices will increase by £1.50 each April. This means the £10 subscription will cost £11.50 from April 2027 and £13 from April 2028.

Vodafone TV is available to Vodafone customers with a mobile or broadband plan, including existing customers and those signing up for a new contract. Until October 28, the brand is giving away Vodafone TV Essential free for 24 months when new customers take out Pro Broadband package from £39, saving £408 over the contract term.

Sky is giving away freebies too, with its own TV and broadband bundles, including the Essential TV and 900Mbps Full Fibre Gigafast Broadband. This £35 plan now delivers 12 times faster speeds (vs 75Mbps) at no extra cost.

Elsewhere, Virgin Media’s £32.99 Entertainment bundle includes more than 200 channels and free Netflix, but slower 516Mbps broadband. Announcing the launch of Vodafone TV, the firm’s Consumer Director, Rob Winterschladen, said it brings together customers’ entertainment while helping them cut unnecessary costs.

He said: “Households are dealing with a TV set‑up that’s become far too complicated – juggling multiple apps, long channel bundles and services they often don’t use. Our research shows that more than a third of people haven’t changed their TV provider in the last five years, with the perceived hassle of switching a big blocker and, as a result, they are still paying for features that should be standard.

“Vodafone TV gives customers a smarter alternative: one simple, intuitive experience that brings their favourite entertainment together and helps them cut out unnecessary costs. With Netflix and HBO Max included for £17 per month, it delivers exceptional value from day one.”

East of Eden on Netflix’s creator Zoe Kazan follows in her grandfather’s footsteps who directed the 1955 film adaptation.

East of Eden is being hailed as a faithful and “captivating” watch with fans especially impressed by its leading lady.

John Steinbeck’s 1950s classic novel East of Eden has been resurrected once again but this time for Netflix fans, following the story of fierce Cathy Ames (played by Florence Pugh).

Set in the early 1900s, anti-heroine Cathy stops at nothing to get rich and in the process, drives a rift between two brothers that “ignites a saga that unfolds across two generations”.

The seven-part period drama was released in full today, Thursday, October 1, with fans quickly flocking to social media to share their thoughts. And it didn’t take long for users to make a major prediction about Florence Pugh’s future.

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With so many viewers impressed by the 30-year-old’s performance, fans believe she is in the running for an Emmy Award.

“Florence Pugh will definitely get an Emmy for East of Eden, she has out done herself by miles”, someone praised on X. A second agreed: “Just finished watching east of eden and the Emmy campaign for Florence Pugh starts right now.”

“Florence Pugh getting rave reviews for East Of Eden, oh we are sweeping the awards season all the way to that Emmy!”, a third exclaimed.

As another viewer remarked: “People were claiming that Florence Pugh is ruining her career with a Netflix show but the critics are raving about her and she’s most definitely getting an Emmy for this performance.”

Ahead of its release, Pugh opened up to Tudum about the challenges of creating an “epic adventure” for just seven episodes.

“As a performer, it was a really big step up into how I was going to approach this role and shooting this schedule because I had no time in between.

“I’m not only talking about heavy subject matter in the scenes, but the language is from a different era, which has a different rhythm.

“It meant that I had to approach this role in a way that I’d never done before.”

East of Eden is available to watch on Netflix.