Netflix

Outer Banks fans in tears as finale ‘doesn’t feel the same’ after tragic loss

Outer Banks officially came to an end with a heartwarming final scene, but one thing was missing.

Outer Banks fans struggled to make it through the final season following a devastating death.

Outer Banks is back with a fifth and final season on Netflix and fans have already binged their way through all 10 episodes.

The final outing saw the Pogues cope with a tragic loss and seek revenge, while racing around the world to claim back the Blue Crown. Fans were quick to point out the notable absence of JJ Maybank (played by Rudy Pankow), a beloved Pogue who died in the season four finale.

*Warning: this story contains spoilers for Outer Banks*

He was fatally stabbed by his biological father, Chandler Groff (J. Anthony Crane), and fans were devastated at the tragic loss. While watching the season five episodes, they admitted the series “didn’t feel the same” without JJ.

They flocked to X to share their thoughts, with one saying: “I hoped so much that JJ would come back to life thanks to the Blue Crown, but it was no use. I mean, why is it always my favourite characters?”

Another shared: “It’s really hard watching this show with JJ gone, it just doesn’t feel the same, he should be there with them [crying emojis].”

The finale included a group shot of the gang, but JJ was missing, and one fan pointed out: “The last frame being just the Pogues. But JJ should be there, man.”

Another viewer commented: “JJ was genuinely one of the best characters in Outer Banks. Season 5 didn’t hit the same without him…” Someone else shared: “20mins into Episode 1 of @obxnetflix and it already feels weird without JJ.”

Fans were also emotional over a heartbreaking flashback scene, which depicted the first time JJ and his best friend-turned-love interest, Kiara Carrera (Madison Bailey), met as young children.

“That JJ & Kiara flashback of when they were young and they first met [crying emoji],” one fan said, while a second echoed: “The first time Kiara and JJ met. Aww, my babies [crying and heartbreak emojis].”

Just before the final season dropped, it was announced that a prequel series had been given the green light and would detail the origin story of the feud between the Pogues and the Kooks.

Set 20 years before the events of Outer Banks, creator Josh Pate explained the premise to Deadline: “It really is the story of how the island split — and it’s particularly relevant in our country right now — how it split into the haves and have-nots, how the Kooks and the Pogues started. How did this rift start?”

Creator Shannon Burke added: “And seen through the stories of some of the characters you know and some new characters. But they’re 20 years before, so it’s the parents’ generation.”

Outer Banks featured John B (Chase Stokes) and JJ’s dads, as well as Sarah (Madelyn Cline) and Rafe Cameron’s (Drew Starkey) dad, Pope’s (Jonathan Daviss) and Kiara’s parents and Topper’s (Austin North) mother and grandfather.

Outer Banks is streaming on Netflix

Source link

Netflix Monster Ed Gein star’s ‘bizarre’ new series with surprise reunion

An acclaimed crime drama is returning but not in a way fans expect

The ‘most compelling drama ever’ is making a comeback but not in the way you think.

Star of Netflix’s Monster: The Ed Gein Story Charlie Hunnam could end up reuniting with Yellowstone creator Taylor Sheridan for a brand new series inspired by their most beloved characters.

According to Variety, Hunnam, who is set to appear in the streamer’s next instalment of the true crime anthology as Lizzie Borden’s father, is returning to one of his most popular roles. Reports claim that US network FX has ordered a limited series called Legends.

Not to be confused with the other Netflix show of the same name, this will see Hunnam appear alongside several of his Sons of Anarchy castmates, more than 10 years after its final episode.

However, it is not a prequel nor straight forward spin-off. Instead, it will see the stars play fictionalised versions of themselves.

The story will see the cast of Sons of Anarchy reunite at a fan convention for the first time and see the line between life and art blurs, as the fractured brotherhood finds itself up against a real-world threat more dangerous than anything they ever faced in their show.

So far, the confirmed cast set to appear include Hunnam (Jax), Ron Perlman (Clay), Katey Sagal (Gemma), Maggie Siff (Tara), Mark Boone Junior (Bobby), Tommy Flanagan (Chibs), Kim Coates (Tig), and Theo Rossi (Juice).

Many fans have immediately compared the new show’s premise to sci-fi cult hit Galaxy Quest. In that film, Tim Allen teamed up with Alan Rickman as actors who used to star in a Star Trek-like series together.

They then get mistaken for a real life space travelling crew by aliens who recruit them to save them from a dangerous warlord.

Hunnam has developed the show himself alongside with Jonathan Groff (the writer behind Black-ish and How I Met Your Mother, not the musical actor). It’s Always Sunny In Philadelphia’s Rob Mac is also listed as an executive producer.

It’s been described by the network as “a love letter to the series and a fun meta twist on what fans think they know.”

The original Sons Of Anarchy series was created and largely written by Kurt Sutter. It ran for seven seasons across six years. It boasts an 87% rating on Rotten Tomatoes and has been described by fans as “one of the most compelling dramas ever made”.

It is not yet known if any other former cast members will feature, whether as guest stars or cameos. However, fans are already shared their hope that Taylor Sheridan, now well known as the creator of Yellowstone and its spin-offs, will appear.

Sheridan played Deputy Chief David Hale in the first three seasons. He was the local police’s second-in-command and a no-nonsense cop who grew up with Jax, Tara, Opie, and Donna but often came up against them.

A fan even joked that Sheridan could play the antagonist in this new series. Some have shared their confusion at the concept, while still admitting excitement.

One said: “No clue what’s going on here, but they already have my viewership.” Another added: “I’m incredibly confused by the premise but I’ll be tuning in!”

Even those that are not familiar with Sons of Anarchy have confessed they are on board. One person posted on social media: “Never watched Sons Of Anarchy but this is so meta and bizarre, I kind of love it.”

Sons of Anarchy is streaming on Disney+

Source link

Love Is Blind UK bosses expose what viewers didn’t see as season 3 makes history

Eight episodes are currently available to stream on Netflix

Love Is Blind UK bosses have opened up on a history-making moment that viewers never see on the show.

The third instalment of the hit Netflix show has returned to screens this week with the first eight episodes released in one go yesterday (August 19).

Hopeful singles have once again headed to the Love Is Blind dating pods hoping to find ‘the one’ where they will date potential partners. They will only meet face to face for the first time if a couple decides to take their relationship to the next step and become engaged.

The series has proved a hit with Netflix viewers, but there is a wait on their hands before the next batch of episodes will be released (August 26).

As the new release hits screens, executive producer Nazleen Karim and series editor David Cheesman spoke about one thing that viewers did not see and it is an incredible milestone which has made history.

This time around, there was an unprecedented number of engagements as 14 pairs took their relationships to the next step. However, the show only showed six couples’ journey, meaning there was so much more that viewers didn’t get to see play out on screen.

Nazleen said: “When there are more engagements than we can physically follow, we have to make difficult editorial choices. We’re looking for a range of different relationship journeys and stories that together capture the full experience of the experiment.

“Not being selected isn’t a reflection of the strength of a relationship – many couples continue exploring their connection once they leave the Pods.”

David added: “It’s never an easy decision and we wouldn’t want to diminish the love those other couples have formed. We’ve never had as many as 14 engagements which is why we ended up following six couples this time as opposed to five.”

With a combination of “natural drama and love, sexiness, chemistry and humour”, the series is potentially the strongest so far as David confirmed: “Every season brings something different, but this one has some of the most surprising twists, emotional moments and unforgettable characters we’ve seen.”

Hosts Matt and Emma Willis also touched on the monumental engagements as Matt said: “There are clearly a lot of thirsty people in the UK! I think we both got a strong sense that people really were there to get married.

“They weren’t just going in to see what this was all about – they wanted to find a husband or wife. Maybe the RAYE song ‘Where Is My Husband!’ was the inspiration.”

Although the new episodes follow six potential pairs, viewers will need to tune in to see who makes it to the altar, and who, if anyone, continues their marriage in the outside world.

Love Is Blind UK can be streamed in the UK.

Source link

Christian band Demon Hunter files trademark lawsuit against Netflix

Christian metal band Demon Hunter is suing Netflix, alleging trademark infringement associated with the streamer’s hit film “KPop Demon Hunters.”

The lawsuit was filed Tuesday by Hyde Lane, the corporate entity for Demon Hunter, against Netflix, Netflix Studios and AEG Presents, the live-entertainment division of AEG, with claims that the defendants have “created a substantial likelihood of confusion” among consumers.

The metalcore band — which was formed in 2000 out of Seattle by brothers Ryan and Don Clark — claims the success of the 2025 urban fantasy flick has “eclipse[d]” the group’s “established identity” and “commercial fate,” especially as plans for a KPop Demon Hunters global concert tour were announced in May in partnership with AEG Presents.

Hyde Lane originally trademarked “Demon Hunter” in 2014 under entertainment, namely live performances. To date, the band has released 12 studio albums and amassed more than 348,000 monthly listeners on Spotify. Several of its early music videos, including popular tracks like “Dead Flowers” and “Someone to Hate,” have garnered millions of views on YouTube.

In 2022, the company submitted other trademark protections for recorded music and merchandise.

By comparison, Netflix filed 10 applications under the U.S. Patent and Trademark Office for “KPop Demon Hunters” for merchandise purposes starting in August 2025.

Hyde Lane has “been forced to surrender control over its commercial identity simply because Defendants have greater resources and a larger marketplace footprint,” the lawsuit states.

In the suit, the plaintiffs cite instances where there has been “consumer confusion.”

On Feb. 26, 2026, someone requested a refund after purchasing $500 tickets to a Demon Hunter show in Albany, N.Y., believing it was for a KPop Demon Hunters concert, according to the suit. “If I dont get it refunded I will not be able to purchase tickets to the actual ‘K pop demon hunters show,’” the email read.

On March 16, 2026, a producer from “Inside Edition” emailed Demon Hunter manager Ryan J. Downey to request an interview with songwriter Yu Han Lee (of KPop Demon Hunters) following the Oscar win for original song, the lawsuit states.

Additionally, the plaintiffs say the Christian band has been incorrectly tagged in connection to various KPop Demon Hunters content.

“Due to Defendants’ wrongful actions, Demon Hunter’s established identity is becoming increasingly obscured within recorded music, live touring and merchandise-related channels due to overlapping use by the KPop Demon Hunters brand,” the lawsuit states.

Hyde Lane is requesting Netflix and Netflix Studios be held liable for infringement, although no specified amount was listed in the suit.

The complaint arrives a year after the 2025 animated musical “KPop Demon Hunters” — which centered on Huntrix, a music trio who hunt demons — reached unprecedented heights, becoming Netflix’s most-watched animated original movie. Earlier this year, the film’s focus track, “Golden,” became the first K-pop song to win an Oscar.

Plans for the “KPop Demon Hunters” sequel are already underway as the lawsuit makes its way through the California court system.

Source link

Boeing whistleblower John Barnett’s mysterious death and furious final words

WARNING – DISTRESSING CONTENT: New Netflix documentary Freefall: A Reckoning for Boeing, investigates the story of Boeing whistleblower John Barnett, who was found dead in his truck in 2024

John Barnett worked for Boeing for 32 years before turning whistleblower and dying in mysterious circumstances.

New Netflix documentary, Freefall: A Reckoning for Boeing, explores the story of Barnett, who publicly condemned Boeing’s safety processes before he was found dead in his truck. He was in the process of testifying against the company.

From 2010, Barnett was employed as a quality manager at the North Charleston plant, which built the longhaul 787 Dreamliner, before retiring in 2017 on health grounds.

After Boeing merged with a former rival McDonnell Douglas, several former Boeing employees alleged the company started focussing more on increasing profits rather than safety and quality.

Barnett told the Today Show before his death: “From day one, it’s just all been about schedule, and hurry up, and just get it done. Push a plane out. We’re behind schedule. We don’t have time to worry about issues that y’all bring up.”

He alleged there were severe production and safety flaws such as defective oxygen systems and metal shavings near critical wiring on the 787 Dreamliner program.

Just before he left Boeing in 2017, Barnett filed a complaint against the company, accusing bosses of retaliating against him for raising safety concerns. He was outspoken on the issue with journalists – and in 2022 appeared in acclaimed director Rory Kennedy’s investigative film Downfall: The Case Against Boeing.

But then, on March 9, 2024, Barnett was found dead in his truck with a gunshot wound to his head.

Deeply affected by Barnett’s death and ongoing concerns about Boeing’s safety culture, Kennedy reunited with her team to produce the documentary sequel, Freefall: A Reckoning for Boeing, which is being released on August 19, 2026.

Speaking to the Guardian about Barnett’s death, Oscar-nominated filmmaker Kennedy said: “I was horrified and heartbroken. I spoke to his mom pretty immediately after we had heard that news. She said to me, ‘We need to make sure John’s story gets out there,’ and that was a big part of why we decided to revisit this.

“I’ve never done a documentary follow-up in this kind of way, but we all felt that Boeing is such a big company, and we all fly these airplanes all over the world. I don’t want one of these planes falling out of the sky, and I feel like I have a lot of inside knowledge and also connections to understanding what’s going on inside of Boeing, and I just felt like we’ve got to stay at this.”

Details of the circumstances surrounding Barnett’s death came to light when his mother sued Boeing in a wrongful death suit in March 2025. The complaint alleged that Barnett was subjected to a campaign of harassment, abuse and humiliation after he raised concerns about safety issues. It further claimed that the conduct of the company was “the clear, foreseeable cause” of his death. In September that year, Boeing settled the lawsuit, agreeing to pay at least $50,000 to Barnett’s mother, who, in return, agreed to drop her claims that the company contributed to her son’s death by suicide.

The complaint contained a copy of Barnett’s suicide note, and the annexes presented the full police report concluding that he died by his own hand.

In conversations with Fortune in March 2025, the family’s longstanding counsel Rob Turkewitz added further details on his client’s last hours.

He said that on the evening of March 8, 2024, Barnett left the law offices of Boeing’s outside counsel in Charleston after testifying for two days in his OSHA case against the company. OSHA rules make it unlawful to retaliate against a whistleblower.

Barnett was giving his account of how Boeing allegedly violated its own policies and procedures, and FAA rules, during his seven years as a quality inspector at the North Charleston plant.

He’d delayed a trip back to his home in Louisiana to finish his deposition the next day, which was a Saturday. Videos cited in the police report show Barnett leaving the hotel around 8:30pm, and getting in his orange Dodge truck.

When Barnett failed to show up the next morning for his final round of testimony, Turkewitz called the Holiday Inn to conduct a welfare check. It was then that a hotel employee saw Barnett slumped in the front seat of his vehicle.

Charleston police arrived to discover Barnett barefoot and clutching a Smith and Wesson pistol in his right hand. His right temple showed a bullet entry wound, and an exit wound appeared in the back of his head.

On the seat next to Barnett’s body lay a message written on a single page of a red-covered notebook, with sentences written in all directions.

It contained phrases including: “America come together or die!!! Pray that the motherfk…ers who destroyed my life pay!!! I pray that Boeing pays!!! Bury me face down so that Boeing and their lying ass leaders can kiss my ass.”

Elsewhere: “I can’t do this any longer!!! F-k Boeing!!! Family and friends, I love you’ll [sic].”

“To my family and friends, I found my purpose! I am at peace! I love you more John/Mitch Barnett aka Swampy Fununcle Mitch.”

The complaint also included a heartbreaking email that Barnett sent Turkewitz in 2021, which read: “I can understand the direct costs that we can establish, ie lost pay, bonuses, etc. What I’m struggling with is how do you restore a person’s overall outlook on life? I used to be a very happy-go-lucky guy who loved his job and the products he built. I had a very positive outlook on life. Boeing absolutely destroyed my outlook on life. What is a person’s ‘outlook on life’ worth? How to put a price on that?'”

Freefall: A Reckoning for Boeing is scheduled to debut on Netflix on August 19, 2026 .

For mental health support, contact the Samaritans on 116 123, email them at jo@samaritans.org or visit samaritans.org to find your nearest branch

Source link

Love Is Blind UK’s Ciara unrecognisable in unearthed throwback snap

A brand new season of Love Is Blind UK has finally returned to Netflix

A Love Is Blind UK star looks completely different in an unearthed throwback snap.

Love Is Blind UK has returned for its third instalment, with a fresh group of singles taking to the pods in the hopes of finding their perfect match. As ever, they will go on blind dates, narrowing down their potential love interests along the way.

They will only meet face to face for the first time if they decide to take their relationship to the next step and become engaged. Then, will they move in together and plan their wedding day, but for some, the process is not without its difficulties.

A synopsis reads: “Love is Blind: UK returns to Netflix for a third series which promises high drama, raw emotion and plenty of romance.

“The latest group of hopeful singles, each one searching for their Mr. or Mrs. Right, will step into the iconic Pods for a string of blind dates. From behind a wall, they are all hoping to form a connection so deep that they’re willing to put their hearts on the line by agreeing to marry without ever having seen each other.”

Now, eight episodes have been released on Netflix, with viewers having to wait until next week to find out who gets married, or who, if anyone has been left at the altar.

But as fans binge watch the brand new release, there is one star that appears to be unrecognisable in unearthed throwback pics.

Pilates Instructor Ciara Murphy, from London, is looking for someone who values her for “more than just her looks”. The now 30-year-old is a fan of the finer things in life and has been single for a year, having been cheated on in every relationship in the past.

Content cannot be displayed without consent

Now, the star is looking for her forever love, hoping the pods will help her find the one. Exploring her connections, Ciara admitted on the show that she did in fact used to be a brunette, as she showed off her now-blonde locks.

Over on Ciara’s Instagram page, which she regularly posts selfies from her adventures, the star is known for her bright blonde hair, in recent snaps, but throwback pics confirm her natural colour.

In one post, from 2023, she can be seen smiling at the camera, with Christmas decorations in the background, captioning her post: “merry christmas.”

Whether Ciara finds love on the show though, fans will need to tune in to find out.

Love Is Blind UK can be streamed on Netflix.

Source link

Let’s Marry Harry reunion release date as fans fear Harry and Amber split

Netflix viewers will find out Harry Jowsey and Amber Mozo’s current relationship status in just a few days

Fans will find out Harry and Amber’s relationship status in a matter of days.

Netflix’s latest reality show centres on Harry Jowsey’s hunt for a wife. You’ll probably recognise the Australian bachelor from his string of dating show appearances on the likes of Too Hot to Handle and Perfect Match.

But he takes an entirely new approach to romance in Let’s Marry Harry, which is now available to stream in full.

After years of struggling to find ‘The One,’ Harry handed over his love life to those who know him best. He asked his closest friends to help him vet a house of 20 potential brides.

Together, they carefully decided who stayed in the running and who was sent home, guiding Harry to find the future Mrs Jowsey.

After several rounds of ring ceremonies, Harry selected five women to take to Las Vegas. He ultimately whittled them down to his final three picks: Amber Mozo, Dannelle Davidson and Sam Kruse.

Sam later decided to leave the show after discovering that Harry hadn’t been entirely honest about being intimate with Amber.

With just two women left, Harry took Amber and Dannelle to New Zealand, where they met his sisters. In the series finale, Harry finally said ‘I do’ to Amber in a romantic ceremony surrounded by their loved ones.

Although fans watched the pair get married, some believe they have already split up. Rumours began swirling after viewers discovered that the couple didn’t get legally married, which sparked questions about the authenticity of their romance.

Harry has addressed rumours, explaining that there were real marriage certificates involved in their big day but they didn’t officially get submitted to avoid spoiling the show’s outcome.

The truth of Harry and Amber’s relationship will be revealed once and for all in the upcoming Netflix reunion special.

When does the Let’s Marry Harry reunion come out?

Let’s Marry Harry: The Reunion will be available to stream on Netflix from next Wednesday, August 26. It will be hosted by content creator Haley Baylee.

Amber, Harry, and his ex fiancées will return to “answer any lingering questions, share life updates, and spill on the drama that comes with living in a house with 20 women and one bachelor”.

Let’s Marry Harry’s reunion special airs on Netflix next Wednesday, August 26. The rest of the series is available to stream now

Source link

Harry Jowsey exposes real reason he didn’t legally marry Amber Mozo amid split fears

The Let’s Marry Harry star has addressed speculation about his marriage to Amber Mozo

Fans aren’t buying his explanation.

Netflix’s latest reality TV sensation follows 20 women competing for Harry Jowsey’s heart. You may recognise the famed bachelor from other hit programmes like Perfect Match and Too Hot to Handle, and this new series tracks his hunt for a wife.

After weeks of living with his “fiancées,” Harry finally narrowed it down to Dannelle Davidson and Amber Mozo. He ultimately tied the knot with Amber in the season finale, admitting that he loves her “confidence and how she thinks about the world“.

Despite exchanging vows in a sweet ceremony, viewers were quick to point out that the couple didn’t legally get married. This has only fuelled rumours that they split up before the show aired.

Australian star Harry has now set the record straight, revealing that their wedding involved real marriage certificates but they haven’t been submitted yet.

He told Entertainment Tonight: “When we filmed the show, there were certificates, but they weren’t submitted, because it would have ruined the show. They’re out there. I just don’t know where they are, when they’re getting submitted.”

Reality TV fans have been known to dig up marriage certificates for their favourite shows, including Love Is Blind, which sometimes spoils the outcome of the series.

While Harry claims the certificates have been kept private to prevent spoiler leaks, viewers are convinced this is further proof he is no longer with Amber.

Commenting under Entertainment Tonight’s interview clip, one fan said: “They not together anymore that’s why.”

Someone else shared the same opinion, adding: “They broke up! See y’all for season two same time next year.”

Yet another fan chimed in with: “You’d think they’d both share pics and videos together on their timeline now that we know who he chose and…nothing.”

Content cannot be displayed without consent

Amber and Harry didn’t post loved-up snaps on their social media pages after their marriage was confirmed, which has naturally left fans suspicious.

But other viewers believe the reality stars are just trying to ramp up anticipation for the upcoming reunion episode.

“I just LOVE how all these ppl know the outcome already and how they THINK they know Harry personally. y’all c’mon they gotta make it suspenseful and keep u interested,” commented one.

Harry and Amber’s current relationship status will be revealed in Netflix’s forthcoming reunion special, streaming on Wednesday, August 26.

Let’s Marry Harry is streaming on Netflix.

Source link

David & Victoria Beckham return to £2,000-a-night Portofino hotel 29 years after first secret holiday there as a couple

ROMANTIC David and Victoria Beckham returned to the hotel where they sealed their love on a first holiday in 1997.

The couple went back this weekend to the retreat where they holidayed in secret 29 years ago before making their relationship public.

David and Victoria Beckham returned to the hotel spot where they sealed their love on a first secret holiday Credit: Mert Alas & Marcus Piggott
The A-list pair shared a photo of themselves on a balcony overlooking the Med Credit: Instagram

Posh and Becks shared a photo of themselves on a balcony overlooking the Med at the Splendido hotel in Portofino on the Italian Riviera.

Mum-of-four Victoria, 52, wrote next to the image: “Back in Portofino where we began in 1997.”

David, 51, also shared a video of his wife walking into the £2,000-a-night hotel and wrote: “29 years ago we came to Portofino to this hotel before anyone knew we were dating and here we are back again.”

In a Netflix documentary, Victoria revealed a never-before-seen picture from the 1997 trip, saying it was the first time they had met away from a car park where they secretly dated.

READ MORE ON THE BECKHAMS

BROTHERLY LOVE

Cruz Beckham shares surprise snap with brother Brooklyn amid family fall-out


ICE GIRL

David and Victoria Beckham enjoy quality time with Harper, 15, & grab ice cream

She said: “I know, it makes it sound like we’re really dodgy. We’d already fallen in love before then, but it was definitely the first time that we’d been somewhere so romantic and so private.”

They got engaged the next year.

On their current trip, the pair stopped for a drink before returning to their yacht moored at Portofino.

They are holidaying with son Cruz, 21, and daughter, Harper, 15.

Posh and Becks at Portofino in ’97 Credit: Instagram/@victoriabeckhambeauty
They are on holiday with children Harper and Cruz Credit: Instagram

Source link

‘Excellent’ period drama hailed as Christopher Nolan’s ‘best film’ is on Netflix

This “true hidden gem” quietly stars singing icon David Bowie.

Christopher Nolan fans should be tuning into this “mindblowing” period drama based on a top-selling book.

Movie fanatics are queuing up to see Christopher Nolan’s historical epic Odyssey starring the likes of Matt Damon, Tom Holland, Anne Hathaway, Zendaya and Robert Pattinson.

Having already grossed a whopping $1.1 billion worldwide, smashing box office records, The Odyssey is director Nolan’s latest triumph following from The Dark Knight franchise, Inception and, of course, Oppenheimer.

But it’s another of his “underrated” creations that has been causing excitement since its release on Netflix with many labelling it his “best film”.

Adapted from Christopher Priest’s 1995 novel of the same name, The Prestige is a 2006 period drama thriller that also boasts an enviable cast.

The Prestige is led by two Hollywood heavyweights in The Greatest Showman star Hugh Jackman and The Dark Knight Rises’ Christian Bale who reunites with Nolan once again for this “mindblowing” film.

They are joined by other major stars like The Avengers’ Scarlett Johansson, Alfie legend Michael Caine and none other than singing legend David Bowie who is truly unrecognisable as real-life scientist and inventor Nikola Tesla.

The Prestige revolves two 19th Century London stage musicians Robert Angier (played by Hugh Jackman) and Alfred Borden (Christian Bale).

The pair have a lifelong bond until their friendship descends into a bitter rivalry following the accidental death of Angier’s wife, leaving both men dangerously consumed by their desire to outside one another.

The once-close bond between Robert Angier and Alfred Borden descends into a bitter, lifelong rivalry following a tragic accident that claimed Angier’s wife, leaving both men dangerously consumed by the need to outshine one another.

Twenty years may have passed since its release but fans cannot help but praise the period drama thriller on IMdB.

“What I found with The Prestige is perhaps one of the best films of this century and perhaps one of Nolan’s most underrated”, someone said.

“Because this film, this real film, is simply astonishing.”

A second agreed: “This movie was truly a masterpiece and kept me guessing the whole time” as a third stated: “I must say…one of the best films I’ve seen! 10/10.”

Another declared The Prestige to be “Nolan’s best film” as a fellow enthusiast hailed it “one of the best films of all time”.

The Prestige is currently available to stream on Netflix.

Source link

Netflix plans to close two gaming studios, including one in Hollywood

Netflix said it is in the process of closing two of its gaming studios, as the division is making another round of organizational changes.

The Los Gatos, Calif., streamer said it closed the Hollywood-based gaming studio Night School, the maker of narrative games like “Oxenfree,” on Thursday and has proposed to close Helsinki, Finland-based gaming studio Moonloot. Night School was the first game developer Netflix purchased in 2021 as it expanded into gaming. At the time, the streamer was under pressure by investors to diversify its content to attract more customers, after experiencing two quarters of subscriber losses in 2022.

Night School viewed the acquisition at the time as “such a natural pairing” as the gaming studio wanted to stretch its narrative aspirations on original games and Netflix has a reputation of giving TV and film creators an “unprecedented canvas” to bring entertainment to millions of people, according to a blog post on its website.

In an email, a Netflix spokesperson said it is eliminating roles because the company believes it can operate more strategically and efficiently in its games business. The spokesperson declined to provide the number of workers affected.

Last year, the company shut down Boss Fight Entertainment, one of the gaming studios it acquired in 2022.

Games on Netflix have had mixed results. At the end of 2024, Epic Games executive Alain Tascan joined Netflix as president of the division and under his leadership, it has focused on key areas including kids, party games like “Netflix Minigolf,” narrative games and mainstream games like “FIFA World Cup: Launch Edition.” The company also removed games in part because they did not have high engagement from its library.

Last year, Netflix unveiled several party games including “Boggle Party” and “Pictionary: Game Night.”

In June, Netflix released a narrative game made by Night School called “Unhinged” about a woman who is trapped inside her apartment during a hurricane and is trying to find safety. Voice actors in the game include Zoë Kravitz and Sadie Sink.

In a July earnings presentation, Co-CEO Greg Peters reminded analysts of the market opportunity for games, with $150 billion in consumer spending not including ad revenue or markets in China and Russia. He said the streamer is seeing solid numbers from its cloud games such as FIFA and “Unhinged” and higher adoption and retention in the cloud games than mobile games. He also said there has been strong engagement and growth from kid games.

“We’re just getting started here,” Peters said. “We’re scratching the surface in terms of what we think the total potential of the space offers for us.”

The layoffs come as Netflix stock has declined 37% from a year ago. Investors are concerned about how much time people are spending on Netflix compared to rivals like YouTube. YouTube represents about 14% of streaming-watch time by U.S. viewers on TVs, compared to Netflix’s 8% in May, according to Nielsen.

In addition to games, Netflix has added other types of content to its streaming service over the years including live events like NFL football games and video podcasts.

Source link

Netflix’s The Charles Manson Tapes title card explained after Linda Deutsch tribute

Netflix’s latest true crime docuseries pays tribute to a special ‘powerhouse’ figure

Netflix’s latest true crime documentary includes a special tribute one of the high profile figures taking part.

The platform has released the latest instalment in the Conversations with a Killer series.

Previous entries have included closer looks at high profile criminals including Jeffrey Dahmer, John Wayne Gacy and Ted Bundy. Now, the most recent edition focuses on Charles Manson.

According to its synopsis, the three-part title draws on previously unreleased prison recordings, firsthand accounts, and archival footage, to trace Charles Manson’s rise as a cult leader, the 1969 murders that followed, and the media spectacle of his trial.

It features interviews with former Manson Family members and law enforcement alongside recorded phone calls with Manson himself. Also featuring is one of the extinguished journalists who covered the story at the time.

In the final moments of the last episode of the series, a special tribute is made for this person. A title card appears that reads: “In loving memory of Linda Deutsch.”

It appears after the production reveals what happened to other individuals who spent time behind bars for the ‘Manson murders’. But who was Linda Deutsch? Here’s all you need to know.

Who was Linda Deutsch?

Linda Deutsch was a journalist from New Jersey, who worked for Associated Press as a court reporter in Los Angeles. She was a well known figure in the industry and enjoyed an illustrious career.

While studying for a degree in English in 1965, she worked on the student newspaper The Outlook. There she held prominent roles as Features Editor, while also running the letters section.

Her very first professional front page byline, while working as an intern for her local paper was her coverage of the civil rights march where Martin Luther King Jr made the “I have a dream” speech.

When she joined the Associated Press in 1967, she was the only woman working out of the Los Angeles office. She would go on to report on high profile cases including Charles Manson, O.J. Simpson, Erik and Lyle Menendez, Phil Spector and Michael Jackson to name a few.

She also wrote a book concentrating on the Simpson case, called Verdict: The Chronicle of the O. J. Simpson Trial. While as demonstrated by the new Netflix series, was a regular talking head discussing Charles Manson’s trial.

In a tribute to her from her old college paper, The Outlook said she was “a powerhouse in the journalism industry and a positive figure for female journalists everywhere”. Deutsch successfully campaigned for equal pay and the right for female journalists to be referred to as ‘newswomen’ and not ‘newsmen.’

She was named a special correspondent in 1992 and retired in 2014 at the age of 71. Never forgetting her roots, she endowed journalism scholarships at her former school and they named their newsroom after her.

Deutsch did not get married or have children and said of her personal life: “I have a godson who means the world to me. And I have a very full life, but it never included marriage. I think my relationships mostly broke up because of my work.”

She died in 2024 at the age of 80, two years after she was diagnosed with pancreatic cancer.

Conversations with a killer: The Charles Manson Tapes is streaming on Netflix

Source link

Where is the real Alejandra from A Child of My Own now?

Heartbreaking true crime doc A Child of My Own has landed on Netflix and fans are wondering where Alejandra is now.

A Child of My Own explores what happened when a woman faked a pregnancy and kidnapped a newborn.

Netflix has released the one-off true crime special A Child of My Own, telling the story of Mexican native Eleonor Alejandra Marin Mendoza who committed the unspeakable crime in June 2009.

Alejandra was already pregnant when she married Arturo Calderon Gamino at just 17, but suffered the first of several miscarriages and went through IVF in her 20s.

Facing pressure from her family and society to become a mother, she didn’t tell anyone about her miscarriage at 26 and instead faked a full-term pregnancy.

Working as an administrator at a hospital, she came up with a plan to steal a newborn from the maternity ward with CCTV footage showing her walking out with a baby girl in a large gift bag.

After seeing the baby, Arturo realised that Alejandra hadn’t been pregnant and, after authorities were able to track her down a few hours later, the couple were arrested at a hotel in Mexico City.

Is Alejandra from A Child of My Own still in prison?

Watch Jose Mourinho Netflix doc with free Netflix subscription

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Content Image

£5.99

FREE

Netflix | Sky

Get the deal here

Jose Mourinho’s three-part Netflix documentary is available to watch at no extra cost for Sky customers as the provider gives away free subscriptions with each of its Sky Stream TV bundles.

Alejandra was convicted of kidnapping, specifically of the illegal deprivation of liberty of a minor, in 2011 and given a 13-year prison sentence.

Alejandra has now served her time and is no longer in prison, having been released in 2023, while her husband Arturo was acquitted of any wrongdoing after spending two years behind bars.

At the end of A Child of My Own, which was filmed two years after her prison release, Alejandra is still residing in Mexico but a lot has changed.

She shared that Arturo didn’t want to give up on his dreams of being a father but Alejandra didn’t want to go through with another pregnancy or more treatment.

The pair briefly broke up and Arturo then began another relationship, welcoming a baby son with a different woman before they also split.

However, Arturo and Alejandra rekindled their romance shortly after as she explained: “It makes me very happy to see him smile and to be fulfilled as a father.

“It makes me even happier that he sees me in his life as a mother or a parent to his son.”

The Netflix documentary ends with Arturo and Alejandra happily playing with his young son in the park.

A Child of My Own is available to watch on Netflix.

Source link

European Fintechs Enter US Banking Market

Home Commentary American Banks Left the Door Open. European Fintechs Are Walking In.

The new battleground for U.S. banking will be about who owns relationships, not who has the biggest balance sheet.

Netflix Inc. co-founder and former CEO Reed Hastings said a few things in 2014 that American banks and fintechs should consider pinning on the breakroom wall or at the top of their main Slack channel. 

“We were so obsessed with not being the next Kodak, the next AOL, about not being the company that clung to its roots and missed the big thing.” Hastings recalled: “We said if there’s a bias, we should be more aggressive; we have to be so aggressive it makes our skin crawl.”

Hastings was reflecting on Netflix’s failed 2011 decision to split its DVD and streaming businesses. The move turned him into a temporary laughingstock—one who, as history has made clear, had the last laugh. 

It’s hard to imagine the CEO of a major American bank or fintech saying anything like this.  

And that’s precisely the problem: While many U.S. banks and fintechs still think like financial institutions, Europe’s most ambitious challengers think like global technology companies. 

No Time for Excuses

Global technology companies don’t wait for perfect conditions; they navigate imperfect ones. 

That’s the playbook businesses such as Netflix, Uber Technologies Inc., and Amazon.com Inc. followed because international expansion was always part of the plan. These companies didn’t use legal complexity as an excuse for standing still, nor did they stop after achieving success. 

Of course, tech isn’t banking. One could argue that the stakes are higher and the consequences of being too aggressive are greater. 

But Revolut Group Holdings Ltd. co-founder and CEO Nik Storonsky might politely disagree, because that’s exactly what London-based Revolut is doing as it blazes its global trail—politely disagreeing. 

Amid exponential growth in Europe, the company has had to deal with different regulations, entrenched incumbents, and cultural barriers across nations—and, in some cases, even regions. For goodness’ sake, Revolut had to make Catalan, not Castilian (Spanish), the default language on its ATMs throughout Spain’s Catalonia region, which includes Barcelona. 

The point is clear: The U.S. is hardly the only market where regulation and culture can feel like roadblocks. Fintechs such as Revolut have amassed considerable experience dealing with these obstacles. 

As Yorick Naeff, head of innovation at ABN AMRO Bank NV, told me, Europe may talk about a single market, but companies still have “to conquer every market separately again and again.” Tax systems, know-your-customer rules, reporting requirements, consumer behavior, and language all change from country to country—as do the challenges along the way. 

In other words, Europe is already a regulatory maze. Fundamentally, the U.S. isn’t a different challenge; it’s just a new one. 

Recently, the Financial Times reported that the European Central Bank placed restrictions on Revolut in 2025 to slow down the company’s rapid approval of new products. In April, news broke that Italian authorities fined Revolut €11.5 million ($13.3 million) for “unfair commercial practices.”

Revolut’s response has been a mix of pushback, lip service, and concrete action, such as hiring experienced banking executives who can help the company scale globally while managing complex regulatory environments. None of this has stopped what Storonsky called the company’s “self-guided missiles”—small groups of employees who have the latitude to deploy new products rapidly with minimal corporate oversight. 

Revolut has more than 70 million customers worldwide, up from 50 million in November 2024. Across France, Poland, Germany, the U.K., Ireland, Italy, and Spain, nearly one in three new financial accounts is with Revolut. Despite the regulatory friction, Revolut adds about four new Italian customers per minute. In Spain, where traditional banks are thought to have a stronghold, Revolut has more than 6 million accounts for a 13% penetration rate, making it the country’s fourth-largest bank by number of customers. 

Revolut enters the U.S. battle-tested, armed with the necessary experience to navigate another complicated regulatory landscape, ready to seize the opportunity American banks and fintechs have left wide open. 

Cash App: The Exception That Proves the Rule

To an observer in Europe, one thing is obvious: The U.S. still lacks a company trying to own the entire financial relationship. 

Americans still piece together banking, payments, investing, foreign exchange, travel, insurance, and mobile connectivity across multiple platforms. That’s far less the case in Europe and elsewhere around the world. 

Revolut, the U.K.’s Monzo Bank Ltd., Germany’s N26 AG, and the Netherlands’ bunq BV all extend well beyond traditional banking. Spain’s Banco Santander SA recently launched an eSIM directly in its app. Swedish buy-now-pay-later pioneer Klarna Bank AB is a fully licensed bank in the E.U. and has applied for its U.S. banking license. 

None of these companies see banking as a collection of products. They want to be the primary financial relationship—the place where customers start, not occasionally visit. 

Ironically, the closest the U.S. has to this model isn’t a traditional bank at all; it’s Cash App. Block Inc., the parent company of Cash App, deserves enormous credit for recognizing that consumer finance is about more than checking, high APYs, and commission-free stock trades. But as big as it has become, Cash App remains more narrowly focused than the expansive ecosystems emerging across Europe, many with their sights set on the U.S. 

JPMorgan Chase & Co. CEO Jamie Dimon also deserves credit for recognizing that something has changed. When he admitted he was jealous of Revolut’s speed, it didn’t take a linguist to read between the lines.

Sure, Dimon was complimenting a rival—as JPMorgan continues to compete more aggressively on Revolut’s European turf—but it appears he was sending a message to the U.S. banking establishment. By and large, the companies operating like tomorrow’s global consumer platforms aren’t American, and their speed and ambition are something to aspire to. 

So why take on America now? As Naeff pointed out, part of the reason “is the size of the market; with even a small percentage market share, you can create an attractive business case.” Just as importantly, these companies believe they can compete not simply on rates or fees, but on experience.

Unless more American banks and fintechs start thinking like global tech companies—such as Netflix, Uber, and Amazon or, in their same sector, like Santander—Europe’s challengers won’t just enter the U.S. market; they’ll redefine what consumers come to expect from the companies they trust with their money.  

Rocco Pendola is a U.S.-born journalist based in Spain covering finance, fintech, and investing.

Source link

iHeartMedia podcasts coming to Disney+ and Hulu

Video podcasts from the Jonas Brothers and the cast of “Boy Meets World” are heading to Disney+ as part of a new licensing partnership with iHeartMedia designed to capture viewers on mobile and beyond.

The agreement will bring six iHeartMedia podcasts to Disney+ and Hulu, starting with “Hey Jonas!” hosted by Kevin, Nick and Joe Jonas on both streaming services. “Pod Meets World,” hosted by the stars of the ’90s sitcom “Boy Meets World,” will also appear on Disney+ later this month.

Other podcasts coming this fall to Hulu include “Fake Doctors, Real Friends with Zach and Donald” hosted by the stars of medical comedy “Scrubs,” “Desperately Devoted” that will discuss drama “Desperate Housewives,” “StraightioLab,” that delves into straight culture and “Thanks Dad with Ego Nwodim.”

“Fans can’t get enough of the stories and talent they love, and podcasts have become one of the fastest growing ways for audiences to connect with them,” said Lauren Tempest, Head of Content Planning & Partnerships, DTC at The Walt Disney Company in a statement.

The additional iHeartMedia content adds to Disney+ and Hulu’s existing collection of 30 podcasts available to stream in the U.S.

Disney and iHeartMedia declined to comment on the financial terms of the deal.

“From iconic rewatch series and fan-favorite conversations to original storytelling, this deal gives both existing listeners and new viewers an easy way to discover and connect with some of podcasting’s most engaging voices through video,” Bob Pittman, Chairman and CEO for iHeartMedia, said in a statement.

Podcasts initially started as audio only, but over the years, have delved into showing video too. Other streamers, including Netflix and HBO Max, have video podcasts available on their platforms.

Netflix made deals with Spotify and iHeartMedia to bring popular video podcasts, including “The Bill Simmons Podcast,” “The Breakfast Club” and “My Favorite Murder” to its streaming service.

Netflix co-CEO Ted Sarandos said in an April 16 earnings presentation that people consume podcasts on Netflix during the day, at a time when the streamer historically has less engagement and they’re watching the podcasts more on mobile devices, where professional TV and film historically makes up a small percentage of mobile viewing, he said.

“It’s great that we get to meet members where they are, even when they’re enjoying other forms of entertainment,” Sarandos said.

Source link

5 documentaries guaranteed to ‘blow your socks off’ and where to watch them

Documentary fans are in for a treat watching any of these hidden gems

There’s nothing more satisfying than discovering a documentary that packs in the twists, turns and mic-drop moments.

While streaming giant Netflix has become synonymous with shock factor documentary films and series, there are plenty that exist beyond its library.

One Redditor recently asked people for their suggestions on little-known documentaries that “blew your socks off” which brought in over 2,000 responses. The resulting recommendations spanned nature, crime and the weird and wonderful, exposing a multitude of stories that may have otherwise flown under the radar.

My Octopus Teacher

One of the most-suggested titles was My Octopus Teacher. Released back in 2020, the feature-length documentary film follows diver Craig Foster and the surprising bond he formed with an octopus over the course of a year.

Fans of the film described it as “not your typical nature doc”, while another said they “don’t eat octopus because of this movie.” As per its official synopsis: “A filmmaker forges an unusual friendship with an octopus living in a South African kelp forest, learning as the animal shares the mysteries of her world.”

The title actually won the Academy Award for Best Documentary Feature back in 2021, so you know it’s going to be good. You can currently stream it on Netflix.

The Wild and Wonderful Whites of West Virginia

Jackass star Johnny Knoxville is among the producers credited on this 2009 documentary about an infamous outlaw family living in West Virginia. The film’s director Julien Nitzberg spent an entire year with five generations of the White family in rural Appalachia.

The New York Times called it “compelling and complicated”, while one viewer dubbed it “one of the craziest docs to ever exist.” Another claimed: “Had a friend who grew up near that family. She said it is 100% accurate.”

While it isn’t readily available for streaming, the 10th Anniversary Edition can be rented or purchased via Prime Video. Alternatively, eager documentary fans can buy a physical copy.

Three Identical Strangers

A stranger-than-fiction tale, Three Identical Strangers, released in 2018, tells the incredible true story of how a set of triplets separated at birth somehow found each other again.

Bobby Shafran, Eddy Galland and David Kellman’s unique story sees them catapulted to celebrity status on a global scale, but a horrifying discovery about their beginnings casts a dark shadow over their lives.

The BAFTA-nominated film has a run time of just over an hour and a half and is currently available to purchase via YouTube, Apple TV and Prime Video. Sadly it is not included in any streaming service subscriptions at the moment.

Class Action Park

Another 2020 release is Class Action Park, which chronicles an amusement park in New Jersey and the high number of injuries that occurred there. In total there were six recorded deaths at the attraction before it closed down in 1996.

Available to watch on HBO Max, the documentary features newly-unearthed recordings and documents, as well as interviews with people who visited it for themselves and lived to tell the tale.

Its synopsis reads: “To some, New Jersey’s infamous Action Park was the most spectacularly fun amusement park on Earth: A place where unruly 1980s teenagers were given free rein to go gonzo on strange contraptions that seemed to violate the laws of common sense (and perhaps physics). To others, it was an ill-conceived death trap. One thing is sure: It’s the type of place that will never exist again.”

Jiro Dreams of Sushi

Currently available for free streaming via Plex, 2011 film Jiro Dreams of Sushi centres on 85-year-old Jiro Ono as he attempts to realise his life-long quest of making the most perfect piece of sushi.

He was the first sushi chef to earn three Michelin stars and considered the world’s best at what he does, but he is still not content that he has achieved perfection. Filmed at his world-famous Tokyo restaurant, Sukiyabashi Jiro, the documentary also follows his son, Yoshikazu, as he struggles with the pressure of trying to follow in his father’s footsteps.

The documentary has an impressive Rotten Tomatoes rating of 99 per cent from critics and an equally solid 91 per cent from audiences. One viewer shared: “It’s about a sushi restaurant, but is really about one man’s absolute, laser focus on absolute 100.0000% perfection. Odd title, odd theme, but an incredible documentary.”

Source link

The box office is finally back. The next merger could undo it.

“Spider-Man: Brand New Day” opened to $360 million in the U.S. and Canada this weekend, pushing out 2019’s “Avengers: Endgame” to claim the biggest domestic debut in history.

“Records are made to be broken,” Sony Motion Picture Group Chairman Tom Rothman said in a statement Monday. “But we will take great pride in this one, for as long as we hold it.”

Internationally, the web-slinger picked up an additional $572 million for a worldwide total of $932 million. The film, which stars Tom Holland and Zendaya, was produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures on a production budget of about $225 million.

By Monday morning, nearly everyone in the exhibition business was cheering.

The chief executives of AMC Entertainment Holdings, Regal and Cinemark Holdings all put out statements about record revenue at their chains, plus deep demand for merchandise, food and drinks. Cinema United trade group chief executive Michael O’Leary applauded the “great slate of films” that have populated theaters this year.

You’re reading the Wide Shot

Samantha Masunaga delivers the latest news, analysis and insights on everything from streaming wars to production — and what it all means for the future.

There’s a lot to be excited about here. Expectations for the film were high, but breaking a pre-pandemic record — previously held by an “Avengers” movie, no less — is a big deal.

“The buildup to what ‘Endgame’ was at $357 million just seemed out of reach,” Jeff Bock, senior box office analyst at entertainment data firm Exhibitor Relations, told me on Monday, referring to the previous domestic debut record. “It’s pretty gratifying to see that characters and emotions still matter in filmmaking. This movie was just really about relationships.”

That emotional core was a major focus for the filmmakers. When I spoke with producer Amy Pascal in the lead-up to the opening, she said there was no topping the multiverse storyline of 2021‘s “Spider-Man: No Way Home,” which featured the return of Tobey Maguire and Andrew Garfield. Instead, the filmmakers chose to go smaller, focusing on the internal conflict and loneliness of Holland’s Peter Parker after a spell forces his friends to forget him.

Spider-Man has always been one of the most popular superheroes. But not every Spidey film has had this level of box office success. What “Brand New Day” shows is that a strong story matters more to audiences than the name of the superhero alone — an important distinction as the genre has weathered an uneven track record in recent years. Just this summer, we saw stumbles from Amazon MGM Studios’ “Masters of the Universe” and Warner Bros. Pictures and DC Studios’ “Supergirl.”

The next test arrives in December with Walt Disney Co. and Marvel Studios’ “Avengers: Doomsday,” which “Brand New Day” teases in a post-credits scene, as well as throughout the film. “As audiences saw, it sets up exciting things to come,” Marvel Studios President and “Spider-Man” producer Kevin Feige said in a Sunday statement.

The recovery, by the numbers

Domestic box office revenue for the weekend totaled $436.5 million, according to data from Rentrak. Spider-Man accounted for 82% of it, but Christopher Nolan’s “The Odyssey” also hauled in $51 million in its third weekend, on its way to worldwide revenue of more than $912 million.

Together, the pair have combined for a unique, and telling, one-two punch. It’s the same phenomenon that drove moviegoers to A24’s “Backrooms” and Focus Features’ “Obsession.” Originality in storytelling really does matter, despite the plethora of reboots and sequels. And when moviegoers have more choices, they’re coming back, again and again, analysts say.

“These two films in particular have really turned moviegoing itself into the event,” Bock said. “The audience isn’t rejecting theatrical movies. They’re rejecting films that don’t feel essential.”

Domestic summer box office revenue to date now stands at nearly $3.6 billion, up 16.7% compared to 2025 and — importantly — only 0.7% behind the same period in 2019. Year-to-date revenue is about $6.2 billion, a 15.4% improvement from last year, though it still lags 2019 by 11.6%.

And with another blockbuster to come in December — Warner Bros. and Legendary Entertainment’s “Dune: Part Three” — analysts now predict 2026 domestic revenue is on track to reach $10 billion, a milestone that hasn’t happened since before the pandemic.

What could undo it

Here’s the catch. A major part of that recovery rests on volume: more titles, more genres, more reasons to leave the house on a given weekend. Which is exactly what a federal judge in Oakland is weighing right now.

Paramount Skydance’s nearly $111-billion acquisition of Warner Bros. Discovery has cleared the Justice Department, the European Commission and regulators in more than a dozen other countries. What it has not cleared is a coalition of 12 state attorneys general, led by California’s Rob Bonta, who sued July 13 to block the deal under the Clayton Antitrust Act.

On Friday, the parties each proposed their preferred dates for an antitrust trial over which U.S. District Judge Araceli Martínez-Olguín will preside as Paramount argues for its merger to proceed and the state attorneys general argue against it. The judge has said the states had presented compelling evidence the combined company would hold a substantial share of the wide-release theatrical distribution market — enough, she said, to presume the deal likely violates antitrust law. The Writers Guild of America has joined the states’ lawsuit.

Paramount has said the merger will benefit consumers, workers and the entertainment industry, and that the states’ claims of anticompetitive effects “are without any basis in modern market realities.”

Hollywood has seen this movie before. The last unaccounted-for variable from the pre-pandemic era is Disney’s 2019 acquisition of the entertainment assets of 21st Century Fox, which combined two studios and led to fewer theatrical releases.

Paramount Skydance chief executive David Ellison has promised the combined company will release a minimum of 30 films a year. Many in Hollywood have their doubts.

“If they’re able to execute on that promise of 30 titles a year, I think we’re going to accelerate even further,” said Daniel Loria, a senior vice president at The Box Office Co. “We’re on a great trajectory. But there are serious questions that remain on their capacity to do so, and what the impact of another slowdown in releases from a major studio would bring.”

Paramount has said it won’t close the deal before June 2027 unless the litigation resolves sooner, and is pushing for a November trial; the states want April 2027. Either way, the industry just posted its biggest opening weekend ever while the question of how many movies get made is sitting in a courtroom in Northern California.

Stuff We Wrote

Film shoots

Number of the week

one hundred and fifty million dollars

The Hollywood Foreign Press Assn. has sued Jay Penske, Penske Media Corp., the Golden Globe Foundation and others over the 2023 acquisition of the Golden Globe Awards, alleging antitrust violations.

As my colleague Stacy Perman reported, the Hollywood Foreign Press Assn. is seeking at least $150 million in damages.

The group, which founded the Golden Globes, said in its lawsuit that Penske and the other named defendants “orchestrated and participated in a clandestine scheme to fraudulently acquire the Golden Globe Awards, dismantle the HFPA [Hollywood Foreign Press Assn.], and exert monopolistic control over Hollywood trades and the awards circuit thereby violating California’s antitrust and consumer protection statutes.”

A spokesperson for Penske and the Golden Globes denied the allegations, saying the suit “continues the absurdity and irrationality that the industry has come to expect from the defunct organization formerly known as the HFPA.”

What I’m watching

I had a pretty hectic week, which didn’t leave a lot of time to catch up on TV. But I did go see the L.A. Sparks game against the New York Liberty, which unfortunately ended in a loss. We’ll see what happens now that star Kelsey Plum has been traded.

Source link

Producer sues Netflix over lost unreleased Nicolas Cage movie

A producer sued Netflix on Wednesday, alleging the streamer lost an unreleased copy of a new Nicolas Cage movie and seeking damages of at least $105 million.

Producer Simon Afram invested more than $45 million of his own money making “Fortitude,” a film that takes place during World War II and features actors including Cage, Sir Ben Kingsley and Ron Perlman, according to the lawsuit. The movie, described as “Ocean’s Eleven” meets “Inglourious Basterds,” is based on Operation Fortitude, an effort during World War II in which double agents set a trap for Adolf Hitler and his armies. The movie has not yet been released and is seeking buyers.

“Fortitude” had its own mystery last month when the drive that once held the movie went missing.

On June 15, Daniel Haido, an associate producer of “Fortitude,” dropped off an unencrypted copy of the movie for Netflix to view and instructed the staff to delete the files after the screening. Haido also told Netflix to notify him when the drive was ready for pick up, but Netflix was unresponsive to several efforts to pick up the drive, the lawsuit said. On June 25, Netflix notified Haido that the drive had been stolen.

“Unfortunately, someone stole a good amount of drives from our office desks this past week,” Sean Berney, a director for original film at Netflix, wrote in a June 25 email, according to the lawsuit. “We’ve been working through this with our security teams to no luck.”

Berney in his email offered to reimburse Afram’s company for the missing drive or create a new digital cinema package, according to the lawsuit.

But Afram in his lawsuit said the damage was much greater than that. He is seeking economic damages of at least $105 million, along with other costs.

“By losing control of the Film, Netflix destroyed that exclusivity and materially, if not completely, impaired the Film’s marketability,” his lawsuit said. “It is not fathomable that a sophisticated buyer would invest tens of millions of dollars to acquire the Film — and tens of millions more to market it — while facing the constant risk that it could appear online to be viewed widely for free at any time.”

Netflix in a statement said it is conducting an investigation and is offering to monitor piracy sites for any unauthorized distribution or sale of the film. The streamer accused Afram’s law firm of “hostile attempts to extort money from Netflix over this situation — including immediately demanding $165 million for the film rather than work with us in good faith.”

“Netflix disputes any claim that it bears the risk of loss for a film delivered without the proper industry-standard safeguards,” the company said in a statement. “While we do not own the rights to ‘Fortitude,’ we take content security seriously and have taken extra measures to support the filmmaker and his team.”

Akerman LLP, one of the firms representing Afram in his lawsuit, declined to comment, citing pending litigation. Johnson & Johnson LLP did not immediately return a request for comment.

Regarding Netflix’s statement, a spokesman for Afram said, “Our lawsuit speaks for itself.”

Source link

Cheryl plots huge comeback with new documentary as streaming giants prepare bidding war

CHERYL TWEEDY is set to make a huge comeback with her own documentary.

The Girls Aloud singer has kept a low profile in recent years, but remains one of the UK’s most successful female solo artists and telly stars.

Cheryl is set to make a huge comeback with her own documentary Credit: Getty
Cheryl with late One Direction singer Liam Payne, the father of her son Credit: Alamy

I’m told she is in early talks to create a film about her life and look back at her past successes.

The plan is to document her rise to fame auditioning on Popstars: The Rivals and being a judge on The X Factor as well as touching on her love life.

She is currently single after high-profile marriages to footballer Ashley Cole and restaur­a­teur Jean-Bernard Fernanzed-Versini plus relationships with US dancer Derek Hough and the late One Direction singer Liam Payne, who is the father of her son Bear.

A source said: “Cheryl is incredibly picky about what she chooses to do these days and spends a lot of time on motherhood, but she feels like she has a story to tell.

WHAT NOW?

The chilling questions plaguing the coroner over Liam Payne’s final hours


not my name

Cheryl’s music career hit by hackers who target star and release ‘new songs’

“The doc could create a bidding war between all of the big streamers — Netflix, Amazon Prime and Apple.

“She would also have creative control over the project.”

Cheryl’s TV project comes after successful documentary series from David and Victoria Beckham, Robbie Williams and Katie Price.

Her PR man did not respond when I reached out for comment.

Last year it was reported that Cheryl was in talks to make a telly comeback by appearing on The Voice, and she was spotted having a low-key dinner in Italy with pal Will.i.am, who is a mentor on the ITV talent show.

Over the years Cheryl has featured in several high-profile documentaries including Access All Areas, which followed her first solo arena tour.

Speaking about the 2012 doc, she said: “I literally had a friend of mine filming so that I would not feel like I had a camera crew in my way and at times forgot myself.

“I have since regretted this decision. The number of times I cringed watching it.”

I’m sure fans would love to go behind the scenes with Cheryl.

SLIPKNOT ‘CUT TIES’ WITH SID

Sid Wilson and Kelly Osbourne before their split Credit: Getty

SID WILSON has been “kicked out” of heavy metal band Slipknot after 28 years, according to sources.

The American DJ and keyboardist, who joined the group in 1998, is understood to have been sent packing on Friday.

It comes just five months after Sid – known in the band as #0 – split from his fiancée Kelly Osbourne.

I can reveal Slipknot have also parted ways with the PR company that has represented them since 1995.

A source close to the band told TMZ, “Sid was notified late Friday afternoon that he has been permanently kicked out”.

The musician proposed to Kelly backstage at her dad Ozzy Osbourne‘s final Black Sabbath gig at Villa Park in Birmingham last July.

Just weeks later, Kelly suffered heartbreak when Ozzy passed away.

She and Sid had started dating in 2022 and had son Sidney at the end of the same year.

However, she has since sparked fresh romance rumours with her supposed new hairdresser partner Kiinicki – a Los Angeles-based barber and creative behind the brand Hella Good Hair.

Kelly shared snaps of herself with Kiinicki, who uses they/them pronouns, in April.

And the pair were spotted at an after-party following Lily Allen‘s gig at the London Palladium in March.

Sounds like Kelly has got Sid out of her hair.

JESSICA’S NETFLIX DOCU

Jessica Simpson is set to have her life made into a Netflix documentary Credit: Getty

AMERICAN singer Jessica Simpson is set to have her life made into a Netflix documentary.

It will be developed by director Joe Pearlman, who created Robbie Williams’ docu-series and Lewis Capaldi How I’m Feeling Now film.

A source said: “It will be a four-parter similar to Robbie Williams’ one. Like him, Jessica has faced her demons and been through trauma having started in the music industry aged 17.

“Filming is expected to start this year and will show Jessica talking about everything she’s been through.”


SAM THOMPSON and Pete Wicks seem to be building an empire – having joined forces on a new financial venture.

I can reveal that former Made In Chelsea star Sam and ex-Towie hunk Pete, who own Staying Relevant Productions and co-host a podcast, have set up PWST Investments Ltd.

Details lodged with Companies House show the nature of the business is “security dealing on own account”, which relates to investing in stocks and shares, futures, securities and commodities.

A source said: “Sam and Pete have become comedy gold on their podcast, but they are serious when it comes to business.”

Move over power couples, bromances are big business.


Source link

‘Best ever’ crime drama perfect for Line of Duty fans quietly added to Netflix

The crime series, which dropped on Netflix today, is perfect for fans of gripping police dramas like Line of Duty and The Wire.

Netflix fans are urged to tune into ‘the best cop drama’ ever which is leaving viewers ‘glued until the end’.

The ‘excellent’ series, which comes from legendary Law & Order creator Dick Wolf, quietly arrived on Netflix today.

The police show is perfect for fans of Line of Duty and Blue Lights, while it has already been called ‘as good as’ US procedurals like The Shield and The Wire.

The popular drama is also a part of a larger franchise created by Wolf, which follows the fire fighters, police officers and medical staff working in the busy heart of Chicago, USA.

Named Chicago P.D., the 2014 show is the second installment of Wolf’s Chicago franchise after Chicago Fire (2012) and has since been followed up by Chicago Med (2015).

Chicago P.D. holds an impressive 8.1/10 score on IMDb and is set to return for a 14th season later this year.

The cast is led by the charismatic Jason Beghe, who plays fan favourite character sergeant Hank Voight.

The synopsis explains that the show “follows the lives of the personnel of the fictional 21st District, which houses both uniformed officers and the department’s elite Intelligence Unit as they fight every day to keep the city of Chicago, Illinois safe”.

Other cast members include Jon Seda as Senior Detective Antonio Dawson, Sophia Bush as Detective Erin Lindsay, Jesse Lee Soffer as Senior Detective Jay Halstead, Patrick John Flueger as Officer Adam Ruzek and Marina Squerciati as Detective Kim Burgess.

Taking to the reviews section of IMDb, fans shared their thoughts on Chicago P.D.

One person wrote: “Easily the best cop drama I’ve ever seen. I love this show because it’s so smartly written. There are none of those yelling at your TV moments when the cop goes in without backup or lets his guard down at the worst moment or tries to be a hero all by himself. In this show the characters act like a real cop should.”

Get Netflix free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Content Image

£5.99

£0

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

Another agreed: “Of all the police shows, Chicago PD is the best show I’ve ever seen. Chicago PD captures your attention from the start and keeps you glued to the show until the end.”

A third echoed: “Excellent!! Best ever crime drama. Writing and acting are exceptional. Thank you NBC. I am totally involved…”

Another fan compared the show to other highly-rated police procedurals, commenting: “I put PD in the same category as Streets of San Francisco, Hill Street Blues, The Shield and The Wire to name a few. That is the best TV available.”

However, not everyone is a fan, with one person calling it “cheap entertainment” and another complaining: “It started off brilliant, but last few years it’s gone down hill.”

Meanwhile, some viewers took the time to praise Beghe’s performance, with one enthusing: “The best show on television to me. Jason Beghe who plays Sgt. Hank Voight is like no other. He brings the whole show together.”

Another concurred: “Best show on TV! There are many good cop shows on tv but this one never fails. It has amazing actors and always entertaining plots. Beghe is my favorite!”

Chicago P.D. is available to stream on Netflix now.

Source link

Saturday Kitchen host Matt Tebbutt brands new Ricky Gervais Netflix show ‘filth’

Matt Tebbutt has shared his honest reaction to Ricky Gervais’ raunchy new Netflix comedy series, Alley Cats.

Saturday Kitchen star Matt Tebbutt didn’t mince his words as he called Ricky Gervais’ new Netflix show “filth”.

Matt was back for another instalment of his much-loved cooking show on Saturday (August 1) and was joined by chefs Sam Evans, Shauna Guinn and Justin Tsang, while Olly Smith shared his expertise on drinks. Actress and comedian Kerry Godliman was also in the studio kitchen, discussing her previous work and upcoming projects.

Kerry, who has worked alongside actor Ricky Gervais in shows such as Afterlife and Derek, will now be lending her voice for the brand new series of Alley Cats. Showcasing a clip of the show to those in the kitchen and fans at home, Matt was clearly impressed.

But he quickly added that, although the Netflix show is a cartoon, it is not suitable for younger audiences. Matt said bluntly: “And that is the only clip we can show, because it’s filth!”

Kerry agreed and replied: “Oh yeah, there is a lot of filth. But that is a sweet clip.”

Matt added: “Yeah, it’s not family viewing. Unless you have teenagers.”

According to The Guardian, Alley Cats centres on a group of stray cats who spend much of their time lounging on a sofa inside a run-down house, passing the time by watching television. Leading the gang is Gus, an overweight ginger tom voiced by Ricky Gervais, whose loud, cynical outbursts and dismissive views usually dominate every conversation.

Also among the feline cast is Ponce, played by Tom Basden, a well-groomed pedigree cat with a more sensible outlook. Despite often being the voice of reason, he’s frequently mocked for being neutered.

Completing the trio is Puke, voiced by David Earl, an unkempt and crude character known for his outrageous remarks and bizarre stories, including one particularly shocking anecdote involving a hedgehog.

According to reports, the show, which is set to land on Netflix, August 7th, is filled to the brim with sweary banter, which has lead creator Ricky to beg viewers to not be offended.

As reported by the Mirror, Ricky said: “It would take a very special kind of person to complain about what a fictional cartoon cat thought of something, but it will happen.

“Please don’t be offended by anything these characters say or do. They can’t help it. They’re cats. So sometimes, they’re ****s.”

Saturday Kitchen airs Saturdays from 10am on BBC One.

Source link

Did Bryan Kohberger know the victims of The Idaho Murders?

Need to know

Netflix’s The Idaho Murders: College Nightmare is a true crime documentary exploring the 2022 murders of four University of Idaho students.

An individual dressed in an orange prison uniform stands in a room, facing forward with a serious expression. The setting includes a mounted flat-screen television on the wall to the left, and a partially visible person in the background.

Bryan Kohberger is serving time in prison(Image: (Photo by Zach Wilkinson-Pool/Getty Images))

Everything you need to know about Bryan Kohberger and The Idaho Murders

  1. Netflix viewers have branded the streaming giant’s latest true crime documentary ‘a hard watch’ as it explores the horrifying Idaho student murders.
  2. The Idaho Murders: College Nightmare investigates the brutal stabbing deaths of four University of Idaho students in November 2022. Kaylee Goncalves, Madison Mogen, Xana Kernodle and her boyfriend Ethan Chapin were killed in an off-campus house in Moscow, Idaho.
  3. Two roommates survived the attack by hiding in a bedroom after one heard screams and saw a man dressed in black. As one viewer commented on Reddit: ‘This show does a really good job of looking at the victims as people. It’s really heartbreaking.’
  4. Bryan Christopher Kohberger, a PhD criminology student, was arrested and sentenced to four consecutive life sentences without parole in July 2025. However, he later filed a petition seeking to withdraw his guilty pleas and proceed to trial.
  5. The motive behind the killings has never been disclosed and there appears to be no connection between the victims and Kohberger prior to the attack other than that he was studying at the nearby Washington State University.
  6. Documentary director Skye Borgman said families wanted to show the victims as ‘alive, bright, happy, amazing people’ rather than just victims. The series focuses on remembering what was lost rather than glorifying the killer. Survivors continue to struggle with guilt, with a friend revealing: “They’re going to be dealing with this for the rest of their lives.”

READ THE FULL STORY: Idaho Murders victims, arrest and timeline as ‘heartbreaking’ Netflix doc lands

Source link