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Nick Robinson currently stars in Netflix’s hit rom-com Voicemails for Isabelle, but who is he dating right now?

He has been in a relationship since 2019.

Voicemails for Isabelle is a brand new rom-com that dropped on Netflix yesterday (Friday, 29th June) and is already shaping up to be another huge hit for the streaming giant.

Zoey Deutch plays Jill, an ambitious pastry chef whose talents are suppressed by the insufferably pretentious San Francisco chef Bastien (played by Nick Offerman).

When her sister Isabelle (Ciara Bravo), who has battled cancer for the majority of her life, tragically dies, Jill attempts to process her grief by leaving voicemails on Isabelle’s old number.

What she doesn’t realise, however, is that the number has since been reassigned to Austin-based estate agent Wes (Nick Robinson), reports Wales Online.

Robinson, 31, is one of the most recognisable faces of his generation, yet he guards his private life closely. Here’s what we know about his romantic life.

Who is Nick Robinson dating?

The Hollywood star has reportedly been in a relationship with Samantha Urbani, 39, since 2019.

Urbani is a singer, model and DJ who co-founded the band Friends in Brooklyn in 2010, before they went their separate ways in 2013.

Since then, she has launched her own record label, URU, worked alongside fellow artists and put out a single and EP as a solo performer, while also securing modelling and DJ work.

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The pair are thought to still be together, although they rarely appear in public as a couple and haven’t shared any joint social media posts since 2024. Their most recent post together was a photo shared on Urbani’s Instagram in March 2024, showing the pair attending the premiere of Robinson’s previous Netflix project, the fantasy-action film Damsel, starring Millie Bobby Brown.

In addition, a post shared the month before saw Urbani give fans a heartfelt glimpse into how they first met, marking their fifth anniversary together.

“Hello fyi exactly 5 years ago on this very day yes the day of valentines I played spin the bottle with some friends and then a very special one of them- who I’d met a couple years before in berlin- asked me if I wanted to go to SNL…” she wrote.

“Which became adventure all night > which turned into lighting tiny fireworks stolen from afterparty, outside the Plaza, in chilly NYC sunrise > and perfectly magically became morning borscht at veselka… aka top tier heart thawing revitalizing joyful times / ultimate nyc dream date / a # 1 best memory ever.”

Robinson’s past romantic history has largely remained out of the public eye, though he has previously been linked to two of his co-stars.

Rumours circulated in 2016 that he was in a relationship with his The 5th Wave co-star Chloë Grace Moretz following their appearance in the sci-fi thriller together, though this was never confirmed.

Fan speculation also connected Robinson to his Melissa and Joey co-star Taylor Spreitler, however this too was never substantiated.

Voicemails for Isabelle is available to stream on Netflix.

Netflix Inc. is under contract to buy Radford Studio Center, a historic Los Angeles movie studio space, for a fraction of its 2021 $1.85-billion sale price after lenders including Goldman Sachs Group Inc. repossessed the property.

The price is close to $400 million, according to two people with knowledge of the transaction, which is expected to close in the third quarter.

The Times reported in April that Netflix had plans to buy the studio property.

The one-time silent movie lot has been home to many popular TV series over the decades, including “Gunsmoke,” “Gilligan’s Island” and “Seinfeld.”

Netflix wants to consolidate its real estate footprint in one place and has been considering relocating from a group of Hollywood buildings it leases from Hudson Pacific Properties Inc. The Hudson Pacific leases expire in 2031.

Radford’s current owner, Hackman Capital Partners, defaulted on $1.1 billion of bondholder debt and turned the property over to lenders led by Goldman after it was unable to reach a refinancing deal last year. The sale will wipe out close to two-thirds of the debt.

The value of Los Angeles studio real estate has tumbled since interest rates climbed and production plummeted following strikes in 2023 by unions representing writers and actors. Landlords unaffiliated with studios, such as Hackman, have been hit particularly hard as production moved to space owned by the entertainment giants. Occupancy of L.A. soundstages fell to 62% in the first half of last year, according to FilmLA, a local permitting group.

Representatives of Goldman and Netflix declined to comment. A Hackman representative didn’t immediately provide a comment.

Netflix, which has historically leased rather than owned real estate, has stepped up investing in studio lots. It’s currently developing a $1-billion production center in Fort Monmouth, N.J. The streaming service reported $12.3 billion in cash and equivalents in its most recent quarter. Netflix was paid a $2.8-billion breakup fee by Paramount Skydance Corp., which won a bidding war for Warner Bros. Discovery Inc.

Before the recent slowdown, Hackman went on a buying spree of movie lots, banking on ever-growing demand for streaming TV production. In March, Deutsche Bank AG sued Hackman to foreclose on its Kaufman Astoria Studios in New York. Hackman-owned Television City in Los Angeles and Manhattan Beach Studios in nearby Manhattan Beach are both being marketed after lenders led by Deutsche Bank pushed for the sale, Bloomberg reported in May.

Brokerage Cushman & Wakefield Ltd. is selling the $240-million loan on the 22-acre Manhattan Beach property, which it describes in a marketing document as “one of the most strategically positioned opportunities in coastal Los Angeles, combining an institutional-quality operating asset with some of the most irreplaceable underlying land in the South Bay.”

The Radford Studio lot was only 71% leased as of March, according to mortgage filings.

Gittelsohn writes for Bloomberg.

VENEZUELA Fury looked unimpressed when her new husband Noah Price criticised her family for buying them such a “small house”.

The eldest daughter of Tyson Fury, 37, has moved into a static home which her boxer dad bought for her and Noah, 19, after they tied the knot last month.

Since moving into their first home as a married couple, Venezuela, 16, has been sharing videos of their life living there.

In the influencer’s latest TikTok, she posted a clip of her new husband Noah complaining about how small their static house is.

Noah can be heard laughing, as he says: “Why did you (Tyson) get me such a tiny house, oh cause you (Tyson) bought it!”

Venezuela can then be seen looking unimpressed at her husband’s comment about the size of their home that her dad had paid for.

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At 42ft long and 14ft wide, the static home spans 588 square feet – roughly the same size as a large London studio flat.

The Sun revealed how generous Tyson and wife Paris Fury, 36, splashed out on the £46,995 static home as a wedding gift for them.

They also gave them a nice little nest egg of £5M, to get them started out, as well as paying for their lavish wedding.

Meanwhile, the new couple have found their marriage has been lucrative so far for them.

Fans can’t get enough of their TikTok videos, where they share their daily life in their static home.

Venezuela and Noah have become so popular that The Sun recently reported how they are in talks to star in their own fly-on-the-wall show.

A TV insider said: “The couple are not A-list celebrities but everyone has become obsessed with their love story.

“People are genuinely intrigued by them.

“Whether it’s the fact they have married so young, Venezuela’s famous family or their gypsy lifestyle, they have the ‘X factor’.

“Several TV executives think a proper fly-on-the-wall series following their lives as newlyweds in the gypsy community would be fascinating.”

Netflix is likely to win any bidding war for the show, as the streamer already has a working relationship with the Fury family.

Their series, At Home With The Furys, became an instant hit when it dropped in 2023 and filming is already under way on a third series, which is due later this year.

Harlan Coben fans, another of his best-selling books is coming to Netflix.

Harlan Coben fans are eagerly anticipating I Will Find You, his next major Netflix drama.

Coben‘s novel adaptations have become hugely sought-after by Netflix subscribers, and I Will Find You is no exception, with the new series based on his 2023 novel of the same name.

The wait is now officially over as this latest thriller follows in the footsteps of his previous hits including Fool Me Once, The Stranger, Stay Close and Run Away.

Brace yourself for gripping drama, nail-biting chases and jaw-dropping twists, all brought to life by a brilliant star-studded cast.

Netflix I Will Find You release date

Thriller enthusiasts won’t have too much longer to wait as I Will Find You arrives on Thursday, June 18, on Netflix.

All eight episodes will drop simultaneously, giving subscribers the opportunity to binge-watch at their own pace.

Who stars in I Will Find You on Netflix?

Taking the lead role as David Burroughs, a father wrongfully convicted of murdering his own son, is Sam Worthington, widely recognised for his role in the Avatar franchise.

He is accompanied by Severance star Britt Lower as David’s ex sister-in-law Rachel Mills, This Is Us favourite Milo Ventimiglia as her ex-boyfriend and trusted confidant, and Gotham actress Erin Richards as David’s ex-wife Cheryl.

Further familiar faces joining the I Will Find You cast include Westworld’s Jonathan Tucker, Dear White People actress Logan Browning and Pushing Daisies’ Chi McBride.

What is Harlan Coben’s I Will Find You about?

As stated earlier, I Will Find You on Netflix is adapted from the 2023 Harlan Coben novel of the same name.

It centres on father David Burroughs (portrayed by Sam Worthington) who is “wrongfully serving a life sentence for murdering his son”.

The official synopsis adds: “But when he receives word that his son may actually be alive, David embarks on a truth-finding mission that leads him out of prison and into a world of deceit and despair.”

However, will escaping from prison and becoming a fugitive truly result in him locating his son?

I Will Find You launches on Thursday, June 18, on Netflix.

The Dallas Cowboys Cheerleaders secured a significant boost to their salaries last season, but how much are they actually paid?

They still don’t get nearly as much as the Dallas Cowboys football players.

America’s Sweethearts: Dallas Cowboys Cheerleaders are back on screens this week with a thrilling third instalment of Netflix’s hit docuseries.

Each seven-episode season of the show created by Greg Whiteley chronicles the latest NFL season as both rookie and seasoned cheerleaders compete for a spot on the 36-strong squad.

The newcomers are guided by director Kelli Finglass, head choreographer Judy Trammell and a number of cheerleading veterans who have performed for DCC for up to six years running.

After the first season premiered on Netflix back in 2024, many viewers were shocked by how little the cheerleaders were paid compared to NFL players.

This led to a push for higher pay, spearheaded by a number of veteran cheerleaders, that played a major role in America’s Sweethearts’ second season. But was the dispute successful? And how much are they paid now?

How much are the Dallas Cowboys Cheerleaders paid?

Despite the Dallas Cowboys being valued at over $10 billion (£7.45 billion) at the time, their cheerleaders reportedly only earned between $15 and $20 an hour (£11.18 – £14.90) for practice and $500 (£372) per game before the 2025 season.

This all added up to a salary of around $75,000 (£55,890) a year for cheerleaders who made the squad, according to reports from NBC Boston.

However, this itself was an increase from even lower pay just a few years previously, following historical dissatisfaction with the cheerleaders’ wages.

In 2018, former Dallas Cowboys cheerleader Erica Wilkins successfully sued the organisation, leading to a 2019 settlement that bumped up wages from $8 (£5.96) an hour to $12 (£8.94) an hour. Game day pay was also increased from just $200 (£149) to $400 (£298).

During the 2024-25 season depicted in the Netflix documentary’s second outing, the DCC squad was still unhappy with their income as many of them would have to take on second jobs to make ends meet.

Plus, even the Dallas Cowboys’ newest players were earning around ten times more than veteran cheerleaders, with salaries for rookies starting at $750,000 (£558,900) and veterans at $850,000 (£633,460). Quarterback Dak Prescott is the team’s highest earner, with a current average salary of $60 million (£44.75 million) a year after signing a $240 million (£178.83 million) four-year contract.

Throughout the 2024-25 season, the Dallas Cowboys Cheerleaders held meetings to discuss the issue of pay and even considered staging walkouts during games, though this ultimately didn’t happen.

Jada McLean, who played an instrumental role in securing the squad’s new pay deal, told TIME magazine: “We didn’t want to let people down who were so excited to see the cheerleaders after supporting us through the first season of our television show.”

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In the final episode of America’s Sweethearts season two, four-year veteran Megan McElaney announces the squad has secured a “life-changing” salary increase of a staggering 400 percent, with cheerleaders reportedly earning around $75 (£55.89) per hour. Veteran cheerleaders can now earn around $150,000 (£111,770) a year.

However, the cheerleaders’ exact salaries are not disclosed in the series and there has been some dispute over whether the 400 percent figure is accurate.

Veteran Reece Weaver disclosed on the Unplanned podcast last November that the increase was “more like 300 percent”, though maintained the team is still “so grateful with the outcome”.

“I really don’t know all the behind-the-scenes on how it all works out, but what I can say is that it has been such an improvement and a very big increase [over] what we have seen in the past,” she added.

Importantly, the increase does not include a flat fee for game appearances, which Weaver says is a “huge improvement”, and the job has remained part-time and does not include health insurance for cheerleaders.

America’s Sweethearts: Dallas Cowboys Cheerleaders season 3 is available on Netflix.

If you want personal stories of survival, family trauma or just how to get over a breakup, look no further than adult animation. Even better: Sometimes these shows do all that and are still funny. We’ve rounded up some of this season’s best examples in the genre.

‘Genndy Tartakovsky’s Primal’ (Adult Swim)

Set in an anachronistic world where prehumans and dinosaurs fight for survival, “Primal” is told sans dialogue and focuses on a Neanderthal named Spear (whose vocal grunts are provided by actor Aaron LaPlante) and a female Tyrannosaurus rex known as Fang. It’s raw, bloody and, somehow, tear-jerking.

“There’s drama, there’s violence, certainly there’s a bit of lightheartedness … we’re not trying to do it like a live-action thing, but we’re trying to get cinematic,” says creator Genndy Tartakovsky. “And because it’s dramatic and there’s no dialogue, we’re leaning into the visual storytelling of it all. This makes it seem a little bit more sophisticated.”

Tartakovsky says he even tries to make “the blood spurts look beautiful and designed”: “We’re not doing it for shock value.” The show also added the escaped female slave Mira (voiced by Laëtitia Eïdo) at the end of Season 1 because the creator felt it worked for the story.

‘Kevin’ (Prime Video)

Talking cats are not new to animation. But this one is going through the very human roller coaster of a relationship rebound and self-discovery.

Joe Wengert co-created “Kevin” with ex-girlfriend/series voice actor Aubrey Plaza as a cathartic thought experiment about their actual pet cat, Kevin. (Jason Schwartzman voices him in the show.)

“It’s more fun to write for the animals,” says Wengert, whose credits include Netflix’s animated “Big Mouth” and Fox’s live-action “New Girl.” “They have another level of crazy.”

The show also doubles as therapy.

“I’ve always been too into my relationship and I sort of neglect my friends,” he says, adding that “I’ve always wanted to write something about that, but it’s kind of sad when it’s a human man. It’s less sad when it’s a cat.”

‘Long Story Short’ (Netflix)

Raphael Bob-Waksberg, who also created Netflix’s “BoJack Horseman,” knows his beat is animated shows that are both funny and thought-provoking. He says the difference with “Long Story Short,” in addition to it being about humans and not an anthropomorphic horse, is that it has “sadness we can relate to.”

“Here, we see characters sad in the way that we are sad and we go, ‘Oh, this is not a cartoon exaggeration of our sadness.’ This is exactly the same as our sadness,” Bob-Waksberg says.

In order to keep the show from being a total buzzkill, the writers will craft scenes like an intense conversation between adult siblings about fertility treatments in the midst of the chaos and the bizarre costuming of a child’s dance concert.

He says you can do this in live-action, but it would have to be something in the Tina Fey-Robert Carlock style like NBC’s “30 Rock” or Netflix’s “Unbreakable Kimmy Schmidt,” which are known for rapid-fire bits.

“Usually in live-action, when you think about dramedy, your head goes to like, well, not too funny and not too dramatic. And my shows are kind of the opposite,” he laughs.

‘Mating Season’ (Netflix)

Like another show Andrew Goldberg co-created, Netflix’s “Big Mouth,” “Mating Season” is about sex and relationships. But, because it’s not about kids, it can be less metaphoric. And, because it’s about a group of Gen Z-ish forest animals, it can almost seem … cute?

“It feels less voyeuristic than with people,” Goldberg explains of “Mating Season.”

Goldberg, who loves nature documentaries like Netflix’s “Life on Our Planet,” says they opened the second episode of “Mating Season” with a parody documentary because “we wanted to remind people as much as possible that, yes, these are cartoon characters. But these animals are real, and they’re out there, and they’re going about their lives.”

He says the writers were also inspired by dating shows about humans such as Netflix’s “Love Is Blind” and Peacock’s “Love Island,” because “we really discovered, as we were writing the first season, how much the show was a romantic comedy.”

‘Strip Law’ (Netflix)

“Strip Law,” about a Las Vegas lawyer attempting to live up to his late mother’s legacy, is a David and Goliath story, in which Adam Scott’s Lincoln Gumb and a ragtag crew attempt to defeat the powerful and nefarious attorney Steve Nichols (Keith David). It’s also a send-up of legal procedurals, with Lincoln’s cases including a fight over who’s the real Santa Claus and a custody battle that devolves into a theological debate. Even the season finale is a meta masterpiece that’s told from the points of view of Lincoln’s rival attorneys.

“It would be disingenuous to say we weren’t at least a little trying to weird people out,” creator Cullen Crawford laughs.

Crawford cut some of his teeth on CBS’ “The Late Show With Stephen Colbert,” but says he switched formats when he got burned out writing jokes about President Trump. He says that, at least in the comedy world, “a good animation writer will be a good live-action writer and the other way around, to an extent, as long as you understand the mediums.”

Tyra Banks has filed a defamation lawsuit against Netflix and the directors of “Reality Check: Inside America’s Next Top Model” claiming that she was manipulated and misrepresented in the series.

The three-part documentary, directed by married duo Mor Loushy and Daniel Sivan, revisited the reality show’s rise and many controversies, including former contestant Shandi Sullivan discussing what she described as a blackout sexual encounter that took place during Cycle 2 of the series and was a major plot point because Sullivan was in a relationship.

Sullivan said in “Reality Check” that she felt like producers should have stepped in considering she was heavily intoxicated, but instead they followed her into the bathroom and bedroom to record a sexual encounter with a male model. In a following scene, Banks lectures Sullivan about cheating and “carnal” temptation.

“Tyra Banks participated in the Netflix documentary series about ‘America’s Next Top Model’ because she believed viewers deserved a candid conversation about the show’s legacy — its successes and its shortcomings,” reads the lawsuit. “There are aspects of the show for which Ms. Banks takes accountability and she wanted ANTM viewers to hear that from her directly.”

The lawsuit, filed on Saturday in the Central District of California, claims that the supermodel turned media personality participated in a 3½-hour interview, of which about 16 minutes was used.

“The producers used what could be stripped of context and reassembled to support a false and defamatory narrative unrelated to what she actually expressed,” reads the suit. “The accountability Banks took ended up on the cutting room floor.”

The suit alleges that producers used “selective editing, deliberate omission and surgical manipulation of continuous footage” to create a false narrative that Banks “knowingly allowed a contestant to be sexually assaulted on her show, exploited that contestant’s trauma for ratings, and then could not even remember it when asked.”

Banks claims that she asked Netflix and the producers of the docuseries for access to the unedited footage of her 3½-hour interview, and proposed they work together to “correct the record.”

“Had they agreed, Ms. Banks could have made the truth public and this litigation would likely have been unnecessary,” reads the suit.

According to the suit, Banks was pitched the docuseries as a “definitive three-hour Netflix docuseries exploring America’s Next Top Model as a groundbreaking popculture phenomenon.” The pitch had a Netflix logo on its cover, and Banks had “long trusted and admired Netflix.” The streamer’s involvement was the reason Banks claims she considered the project.

Banks claims the pitch included promises that the documentary would unpack the show’s legacy “not as a takedown, but as a thoughtful in-depth reflection on its influence, evolution, and impact on fashion, television, and culture.”

The suit claims Banks was prepared for a fair comeuppance, but ultimately the former supermodel felt hoodwinked. “Nothing suggested that the project would falsely accuse Ms. Banks of covering up a sexual assault, or being indifferent to what a contestant characterizes as a traumatic experience.”

In February, directors for “Reality Check” revealed that Banks wasn’t invited to participate in the docuseries until well after production began

“It was like, ‘Hey, this can be a great addition, but definitely not a necessity,’” Sivan said. “People talking trash about her is very easy to find. … But having her passion, bringing this program to life, is something that only she could tell.”

Sivan and Loushy, who also helmed the acclaimed 2025 docuseries “American Manhunt: Osama bin Laden,” said they treated “Reality Check” with the same level of care as previous heavyweight projects.

“There were things that were sensitive and important for me,” Loushy said, from the harassment that she said “ANTM” contestants endured to the insecurities that “to us as women, are sitting tight and hard every day on our heart.”

The directing duo hoped to examine the good intentions Banks and producers had, of turning the fashion industry on its head, empowering women and championing diversity, and the way those intentions evolved as the show moved through cycles.

“At the end of the day, was it a force of good, or was it a force of evil? I hope people keep debating that,” Sivan said.

Former Times staff writer Malia Mendez contributed to this report.

Love Is Blind UK Season 2 star Sarover Aujla faces off against former partner Kal in Netflix’s upcoming After the Altar special

A Netflix star has received an outpouring of support following a scathing outburst aimed at her reality television ex-partner.

A fresh season of Love Is Blind UK is approaching as new singletons prepare for a third series, hoping to discover their perfect match without any face-to-face contact. Only upon getting engaged will they actually meet before cohabiting and arranging their nuptials.

However, the Season 2 cast will return for a three-episode special of After the Altar – nearly a year following an explosive series.

After the Altar was filmed weeks following the dramatic reunion, where audiences learned what truly transpired between the couples – and who, if anybody, remained devoted to each other.

All episodes will drop on Sunday, July 12 on Netflix as an explosive preview has also been unveiled. On social media, Season 2 participant Sarover Aujla posted the exclusive teaser footage, writing: “I don’t think you know the weight of what marriage is’ – Love Is Blind UK: After the alter out 12th July on @netflixuk.”

In the footage, Sarover can be heard discussing her on-screen former husband Kal as she stated: “He’s gone public with his new girlfriend.”

The scene then switches to Kal, conversing with co-star Billy, who says: “I’ve fully moved on now. I’m dating someone else.”

Sarover questions: “Who are you morally as a person?” Speaking to others, Kal acknowledges: “It sounds like she wants to come in guns ablaze.”

However, in a tense and brutal face-off, Sarover tells Kal: “I don’t think you know the weight of what marriage is.”

He fires back: “Of course I do, I’m not an idiot”, before the camera cuts to Sarover who is seen in tears, surrounded by her co-stars.

Support flooded in online too, as co-star Ashleigh Berry wrote: “Proud of you always”, while Season One’s Jasmine added: “My pregnant a** was gaggedddd! Can’t wait to watch!”.

A further fan gushed: “My heart, my heartttt… The best thing to come from all of this is seeing how much you’re glowing in life right nw. Some things were only meant to be lessons to make you stronger. And I’m all for this new you-stronger, wiser, and shining brighter than ever.”

Netflix released a lengthier trailer packed with the promise of high drama and explosive showdowns, as one star declared they were “done” before storming off camera, while another was spotted wiping away tears, reports OK!.

Javen confessed: “I’m here to cause some chaos”, with later scenes showing him locking horns with ex Katisha and Demola.

Anticipation continues to mount, with one viewer commenting on YouTube: “They really know how to pull us right back in every single time lol.”

Another enthused: “I’m going to go watch season 2 just so I can watch this.”

Love Is Blind After the Altar premiers on Netflix on July 12

A TV critic has urged everyone to watch a new Netflix true crime documentary he claims is the best of 2026 so far and will leave viewers feeling a wave of emotions

For those who are passionate about true crime, one television critic has shone a spotlight on a brand new Netflix documentary that he insists is a “must-watch”.

Luke Eccleston went further, describing the programme as the finest of 2026 so far, and predicted it would soon become the “top trending” title on the streaming giant. “The documentary I am talking about is called Maternal Instinct,” he revealed in a TikTok video. Despite running at just 90 minutes long, Luke enthuses that it will have all viewers “hooked” from after just five minutes.

“This tells a story from back in 2020 where a young woman is driving down the highway, she gets pulled over by the police and she has a baby on her lap, which had just been born,” he continued.

Expanding on the plot, Luke explained that once the woman and baby are taken into custody by law enforcement, tests quickly reveal the pair are not related. “What comes next is genuinely insane,” he declared.

Keen not to discourage his followers from watching, Luke pressed on: “The more you learn about the story, this woman and what happened… it is one of the most brutal, heartbreaking, emotional and horrible stories you will ever come across.

“Everyone is going to be talking about this documentary – I guarantee it.”

Netflix’s Maternal Instinct synopsis states: “In a small East Texas town, a young woman from a wealthy family falls for a local hog trapper. Their relationship appears perfect, and within months she’s pregnant and proudly showing off her baby bump all over social media.

“But when a state trooper pulls her over and discovers she has just given birth in her car, her story quickly falls apart, exposing the truth behind a terrifying and unthinkable crime.”

Helmed by Jessica Dimmock, Maternal Instinct chronicles the lives of Jessica Brookes, her boyfriend Wade Griffin, Taylor Parker and Reagan Simmons-Hancock.

On IMDb, the documentary has garnered an impressive rating of 7.4 out of 10 from almost 2,000 reviews.

One viewer confessed in a recent review: “I was not prepared! I went into this documentary completely blind, with no idea where the story was headed. It begins with a mystery. Something seemingly impossible has happened.

“But how? As the pieces slowly fall into place, the story takes an increasingly dark turn, far darker than I ever expected. And I have seen my share… the reveal is a complete and utter gut punch and at one point brought tears to my eyes. And I will have to leave it at that.”

And a second added: “I had never read anything about this case, so I went into this doc knowing nothing of the background or repercussions. I was horrified at how one person could destroy so many lives.

“The documentary pursues the whole journey of the perpetrator extraordinarily well, piecing together her journey for the past 10 or so years of her life where her lies keep getting worse.”

Netflix’s new hit drama which is climbing the charts stars the late Song Young Kyu as Ryu Gwang-pil.

K-drama Teach You A Lesson was Song Young Kyu’s final job before his tragic death in 2025.

Netflix has just unveiled a new South Korean drama which is already climbing the UK Top 10 chart alongside shows like The Witness, and viewers have been talking about one star in particular.

The series, which is just one of many Netflix K-dramas, is about a school notorious for violence and the decline of faculty authority, which is turned around by an inspector from the Educational Rights Protection Bureau who uses physical intervention and unconventional methods to discipline delinquent students.

The show, based on the Naver webtoon Get Schooled, stars Song Young-gyu as Ryu Gwang-pil – a member of the National Assembly and the father of student Ryu Jun-hyeong (played by Lee Seung-gyu).

Song Young-kyu, also referred to as Song Young-gyu, was a 55-year-old South Korean actor who was best known for his theatre roles, and he made his film debut in the 2002 movie Turn It Up.

He was best known to international audiences for his roles in Netflix’s Narco-Saints and Disney+’s Big Bet, both released in 2022.

In August 2025, the actor was found dead inside a parked car in Yongin, Gyeonggi Province. There was no signs of foul play according to authorities.

Teach You a Lesson was the show he completed filming on before his death and his posthumous appearance in the series is drawing worldwide attention.

The first episode of the series revolves around school violence and it sees Education Authority Protection Bureau supervisor Na Hwa-jin (Kim Moo-yeol) visit Daehan High School, where student Park Dae-seok (Jung Soo-hyun) died.

The ringleader of the violence, Ryu Jun-hyeong, is the son of Congressman Ryu Kwang-pil, a prominent potential presidential candidate.

Relying on his father’s position of power, Ryu Jun-hyeong looked down on students and staff, committing all kinds of atrocities.

Na Hwa-jin even visited Ryu Kwang-pil directly. However, instead of correcting his son’s wrongdoing, Ryu Kwang-pil tried to block Na Hwa-jin using his position and influence and even attempted to dismantle the Education Authority Protection Bureau altogether.

Song Young Kyu, who is survived by his wife and two daughters, appeared in more than 40 TV dramas and numerous films across three decades.

His role as Chief Choi in the 2019 film Extreme Job, which became one of South Korea’s highest grossing films ever, gained him international attention.

One fan took to X, formerly Twitter, to pay tribute to the star after watching Teach You A Lesson, saying: “I was so focused on the plot of Teach You a Lesson that I didn’t even realise the actor playing the bully’s father in episode one was Song Young-gyu.

“The crazy thing is, I’ve seen him in so many dramas over the years, but while watching this one, all my attention was on the story, the tension, and everything happening on screen.

“It wasn’t until now that it clicked. It’s a strange feeling when you recognise an actor after the fact and remember that they’re no longer here. It makes you look at their scenes differently.

“Supporting actors rarely get the same attention as lead stars, but they’re often the ones who make these dramas feel real. Continue to Rest in Peace, Song Young-gyu.”

Teach You A Lesson is on Netflix now

Very few have heard of the ‘phenomenal’ World War II drama on Netflix, as viewers call the powerful and engrossing series an ‘exceptional masterpiece’ that’s a ‘must watch’.

For years, the television drama Band of Brothers has been establishing the standard for war-themed dramas.

Crafted by Tom Hanks and Steven Spielberg, the series is widely regarded as the gold standard of its genre, having elevated expectations considerably when it comes to war epics.

Now, another war drama is being lauded as a ‘phenomenal masterpiece’ – and it might well eclipse Band of Brothers.

Available on Netflix, the relatively obscure war drama limited series comprises three episodes running approximately an hour each, and acclaim for the programme has been widespread.

War Sailor, originally titled Krigsseileren, is a Norwegian war drama that was selected as Norway’s official submission for Best International Feature at the 95th Academy Awards – and audiences cannot stop praising it, reports Wales Online.

It first premiered as a film in late 2022, and when it eventually arrived on Netflix in April 2023, it emerged as a three-part miniseries with 30 minutes incorporated into its original running time.

Written and helmed by Gunnar Vikene, it happens to be the most costly Norwegian film ever produced, created on a budget of $11.1m.

The drama features Kristoffer Joner and Pål Sverre Hagen in leading roles, alongside Ine Marie Wilmann, Henrikke Lund Olsen, Armand Hannestad, and Leon Tobias Slettbakk.

The war drama draws from the genuine, real-life experiences of 30,000 Norwegian civilian sailors who participated in Allied convoys during the Second World War.

The war drama’s official synopsis reads: “Merchant sailors are caught in the middle of the Atlantic Ocean during Germany’s invasion of Norway and hijacked into working for the Allied war effort.”

Boasting an impressive 92% audience approval rating on Rotten Tomatoes, War Sailor has been hailed as “heart-in-your-throat moving” by viewers.

An IMDB user review of the war drama says: “One of the best war movies I’ve seen. I thought I’d seen so many war and catastrophe movies I’d become numb to the emotional drama and could only be stimulated by history lessons and battlefield action but this one gripped me.”

While another viewer said of the series: “Intense but phenomenal. It’s difficult to sum up the experience of watching this film. It weaves suspense, devastation, love, hope, and the horrors of war together into a picture that will stay with me for a long time to come.”

Another audience review added: “Brilliantly written, directed and acted, this is a gripping, at times excruciating, film. The characters are beautifully, painfully individual, the story unexpected and painfully convincing. It takes us inside the actions of war but the unforgettable moments are the still ones in which nothing happens but meaning.”

While one viewer crowned it “a masterpiece”: “Wow – what an intense film. Excellent acting and period sets. A masterpiece.”

Yet another audience review said: “A sweeping epic. Structured like a sweeping epic, Krigsseileren tells about the efforts of Norwegian commercial sailors in the Atlantic theatre during WWII. A combination of authenticity, technical brilliance, and a clear artistic framework makes this into an all-encompassing viewing experience.”

While one fan described the drama as something that “transcends the ordinary”: “Something Extraordinary Finds its Way to Our Screens. Just when we thought nothing of quality is left, nothing worth our time, what we have left of it, War Sailor shows up on Netflix.

“As real a depiction of events which shaped our world as you are likely to see. Transportation to another place and time at a historic moment in history, for the price of your Netflix subscription. Empowering performances that transcend the ordinary. Highly recommended.”

Critics have branded the war drama “powerful and engrossing”, with one reviewer writing: “War Sailor is the best kind of war movie: a character drama that happens amidst war, focusing most on how the characters are changed by the atrocities over the years.”

Another critic said: “War Sailor offers some of the best ensemble acting seen in recent years. It’s been perfectly cast down to the smallest role.”

War Sailor is available to stream on Netflix.

It’s not often that I remark on a casting announcement, much less one about “Scooby-Doo,” but the second I opened an email from Netflix, my jaw dropped.

A chocolate brown Great Dane puppy with blue eyes and a teal collar sitting on a tile floor gazed at me from my computer screen — I squealed. I mean, look at him. His floppy ears, grumpy little face and paws you just want to shake hands with. He’s perfect.

“Scooby-Doo: Origins” is the streamer’s upcoming live-action series, slated for release in 2027, featuring this mystery-solving pup. It marks the first time a real dog has played Scooby-Doo. For many viewers, their first exposure to Scooby and his gang was via the ‘70s Hanna-Barbera animated version, which aired on Cartoon Network in reruns in the ‘90s and early aughts, or the reboots on ABC and the WB, now the CW, more recently. Several live-action theatrical and TV films have been made over the years, but they’ve always featured a computer-generated dog. Yes, that means it took nearly six decades to have a real-life Scooby.

The previously announced cast includes key players in the Scooby gang: Mckenna Grace as Daphne Blake, Tanner Hagen as Shaggy Rogers, Abby Ryder Fortson as Velma Dinkley and Maxwell Jenkins as Fred Jones. Paul Walter Hauser is also slated to appear as a series regular in an unnamed role. Showrunners Josh Appelbaum and Scott Rosenberg helm the series.

According to the show’s logline, it’s a “modern reimagining of the iconic mystery-solving group of teens and their very special dog” that takes place at summer camp. Said dog may have been witness to a supernatural murder, leading the group of teens to set out to solve the case. It’s an origin story for Scooby and his gang.

While I wouldn’t consider myself a “Scooby-Doo” superfan, I am a fan of very cute dogs. I’ll have my Scooby snacks ready in case we ever cross paths.

Claire Danes’ performance in Netflix’s “The Beast in Me” appears like a lock for an Emmy nomination for lead actress in a limited series or TV movie. In typical fashion, Danes left it on all the floor in portraying a reclusive author who suspects her developer neighbor (Matthew Rhys) of misdeeds.

1995

The Golden Globes rarely get it as right as they did in awarding Danes the drama series best actress award, at 15, for ABC’s “My So-Called Life.”

19

The lifespan of the authentic teen drama that introduced viewers to Danes’ unique emotional translucence, counted in episodes.

1st

Danes also received an Emmy nomination for the series — the first of eight for acting so far.

16

She is the second-youngest Emmy nominee ever for lead actress in a drama series, between Melissa Sue Anderson (15, for “Little House on the Prairie”) and Kristy McNichol (17, for “Family”).

3

Danes won an Emmy for playing the real-life animal science professor in the HBO movie “Temple Grandin,” and two for playing complex CIA officer Carrie Mathison on Showtime’s “Homeland.”

31

Span of years between Danes’ first and 2026 nominations, if she receives one.

47

Danes’ Emmy longevity may not equal the likes of Carol Burnett, nominated in 2024 for “Palm Royale” 62 years after her first, but it’s mighty impressive for someone Danes’ age.

49

There’s even a contender in her category this year whose span between nominations would be longer than Danes’ lifetime: Sally Field, who appears in Netflix’s TV movie “Remarkably Bright Creatures.”

Netflix have updated their viewing figures and it makes for a compelling list of what you should binge next

If you’re looking for the next binge watch to see you through the weekend, Netflix already has you covered.

The streamer has updated its latest viewing figures and it pretty much reads as the new list of recommendations you need. So rather than scrolling through for hours on end, you can make your way through at least one of these titles and it will most likely only take you one sitting.

Not only that but there is something for everyone, including a sci-fi hit, a tense crime thriller and also a heart warming laugh out loud comedy.

The Boroughs

Website Collider call the series a ‘sci-fi masterpiece’ and compare it to a Steven Spielberg movie. They also report that the title managed to accumulate 15 million views in its first 10 days of being available.

It is the most watched Netflix series globally over the last couple of weeks and remains in the UK top 10 at the time of writing. It is set in the sun-drenched expanse of the New Mexico desert and a picturesque retirement community which promises its residents the time of their lives.

But for new arrival Sam Cooper, paradise feels more like a prison. Everything changes when a terrifying night time encounter reveals that something monstrous is stalking the manicured cul-de-sacs.

One review said it is “Stranger Things Meets Thursday Murder Club”. Meanwhile many viewers say they watch it in one sitting. A fan added it “has everything that your next binge-watch needs.”

Nemesis

Coming from the creator of Power, the eight-part series follows two rivals from opposite sides of the law who are at each other’s throats when a daring heist in Los Angeles opens up old wounds. What follows is an exhilarating game of cat-and-mouse as an LAPD cop desperately tries to hunt down a criminal mastermind behind a string of robberies.

One viewer claimed: “Kept me engaged and not sure whose side I was on. Binge watched twice. I need season 2.” Another said: ““Binged in one sitting- very authentic catchy story line. I hope there is a season two.”

While someone else contributed: “This was a masterpiece! The rollercoaster, amount of cliffhangers, and overall writing was top notch!” It has spent three weeks in the global top 10 charts also claiming more than 15 million views on the streamer.

The Four Seasons

One of the more recent additions, the series has just returned for its second season. Co-created by 30 Rock’s Tina Fey and based on the 1980s movie of the same name.

A group of married couples who regularly vacation together throughout the year reunite once again after one of the most difficult times in their relationships. They have new members of the group to contend with as well as some old problems.

It has immediately become the third most watched series across the world among Netflix users. Many fans admit to becoming ‘obsessed’ with it.

One person simply shared on social media: “The Four Seasons” is a must-watch series on Netflix.” Someone else added: “I binged it the day it came out with my man. We’re obsessed!” Another admitted: “I literally started it last night and I’m already on season two. I love it.”

The Witness

This is Netflix’s latest true crime thriller. While the platform have yet to release the official viewing figures, it has immediately surged to the number one spot among UK subscribers.

As a result, it’s expected to compete with the numbers of all the titles already mentioned. Consisting of only three episodes and based on a gripping but horrifying true story, it is bound to keep viewers captivated and watching all the way through in one go.

It follows the experiences of Alex and André Hanscombe as they deal with the devastating impact of a brutal act of violence. When Rachel Nickell was killed on Wimbledon Common in 1992, André became a single parent overnight. Putting his own grief to one side, he made his son Alex – the only eyewitness to the attack – the centre of his world.

This is the story of how a father and son moved through the aftermath of unimaginable tragedy, from darkness into light. Fans sharing their thoughts on the series include one who posted: “15 mins into The Witness on Netflix and I’m already broken.” Someone else said: “The Witness on Netflix will give you the chills.”

Ted Lasso star Brett Goldstein has denied he is dating his Office Romance co-star Jennifer Lopez, but what do we know about his love life?

The Office Romance leads have quashed speculation following their chemistry-filled promotional appearances.

Brett Goldstein has dismissed talk of a romance with Office Romance co-star Jennifer Lopez, leaving admirers wondering about his actual relationship status.

The Sutton-born Ted Lasso actor plays Daniel, a bumbling solicitor alongside JLo’s formidable airline boss Jackie in Netflix’s latest rom-com destined for success.

When the corporation becomes embroiled in legal action from a fearsome competitor, Daniel and Jackie are thrust into close proximity, though the firm’s strict no-dating policy throws a spanner in the works as their attraction intensifies.

Speculation about an off-screen relationship between the leads gained momentum throughout the film’s publicity campaign, fuelled by their undeniable on-screen rapport, reports the Express.

Yet during an appearance with Savannah Guthrie on The Today Show, the duo cleared up the confusion by confirming they’re not an item.

“There’s never a time when I’m seen with somebody or working with somebody where they don’t try to put me with the person,” Jennifer quipped.

Brett added with a laugh: “If you stand near her, that’s what happens.”

Jennifer’s marital history includes four marriages, with her most recent being a rekindled relationship with Hollywood A-lister Ben Affleck. The couple wed in 2022 before divorcing last year.

Regarding Brett’s romantic situation, inquisitive supporters will find little satisfaction as, similar to his Office Romance alter-ego Daniel, he maintains strict privacy around his personal affairs. Details about his love life remain largely under wraps, though he previously had a relationship with fellow comic Beth Rylance.

During his Emmy acceptance speech for Ted Lasso, he gave her a shout-out, quipping: “I was very, very specifically told I’m not allowed to swear, so this speech is going to be f****** short. Beth, I love you.”

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Beth herself responded in a since-deleted tweet: “Today is the day that my boyfriend goes to the Emmy’s as a Best Supporting Actor nominee and I am at home on my second load of laundry. Just to confirm, my boyfriend is Kenan Thompson off of SNL.”

The timeline of Brett and Beth’s romance remains unclear, as does when they parted ways. Currently, Brett is thought to be unattached. He is almost certainly unmarried as he has not been spotted wearing a wedding ring.

He’s recently been contemplating the notion of soulmates, particularly after starring in his 2025 Apple TV sci-fi romance All of You, which delves into the concept.

Speaking to InStyle, he pondered: “Do I believe in soulmates? I change my mind,” adding: “I honestly don’t know. Sometimes yes, sometimes no. I’m not sure there’s one person for everyone. I think there’s 50 people for everyone.”

He elaborated: “I think in your lifetime there are probably 50 people that you should have met. That doesn’t mean you’ll have sex with, but there’s some karmic connection, over millennia. You know what I mean?”

Office Romance is now available on Netflix

True crime fans are eager to learn more about the case explored in Netflix’s The Crash

Netflix fans are still hooked on the chilling case of Mackenzie Shirilla.

The inmate’s story is explored in viral documentary The Crash, which takes viewers through the tragedy that put Mackenzie behind bars.

Mackenzie was just 17 years old when she crashed her car into a brick wall at 100mph. Passengers Dominic Russo, 20, and Davion Flanagan, 19, sadly died at the scene. The driver survived, but she was left seriously injured.

What originally seemed like a devastating accident, though, soon turned into a murder investigation.

During a trial in 2023, prosecutors argued that Mackenzie intentionally crashed the car, ultimately killing her then-boyfriend Dominic and their friend Davion.

The teenager was later found guilty on all counts and received two 15-to-life sentences with the possibility parole.

While the documentary offers an in-depth look at the case and trial, fans have been left wondering when exactly the crime took place.

When did the Mackenzie Shirilla crash happen?

Mackenzie crashed her vehicle into a brick wall in the early hours of July 31, 2022.

Her bench trial, which means a trial ruled by a judge instead of a jury, took place a year later. She was found guilty on all counts on August 14, 2023 and later handed two consecutive 15-year sentences. She will not be eligible for parole until 2037.

The documentary explores Mackenzie’s relationship with the victims, as well as her wider friendship circle. Viewers also hear from her loved ones as they try to paint a picture of the days leading up to the tragedy.

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Netflix’s synospsis states: “A car carrying three young adults slams into a brick building at 100 miles per hour in Strongsville, Ohio, leaving two lives lost and one sole survivor. The driver, 17-year-old Mackenzie Shirilla, was driving her boyfriend, Dom, and his friend, Davion, home from a party when the unthinkable happened.

“But as detectives comb through the wreckage, what first appears to be a tragic accident begins to look like a calculated crime scene. The Crash takes a deep dive into the volatile relationship at the centre, examining the shifting narratives of that fateful night to explore where a fatal mistake ends and cold-blooded murder begins.”

The Crash is streaming on Netflix

CONVICTED murderer Mackenzie Shirilla showed tell-tale signs she was trying to force emotion during her arrest and in her bombshell Netflix interview, a body language expert has claimed.

Shirilla, 21, has been languishing behind bars in Ohio after being found guilty of murdering her boyfriend, Dominic Russo, and their friend, Davion Flanagan.

Her case has sent true crime fans into a tailspin after the success of the Netflix documentary, The Crash, in which she broke her silence and maintained her innocence.

Shirilla’s TikToks and Instagram posts have resurfaced, showing her regularly posing in the mirror, showing off designer clothing, and even smoking weed in her car.

Text messages revealed by police showed her toxic relationship with Dominic, her boyfriend of four years, whose family claims had tried more than once to break up with her.

She reportedly threatened to harm him during arguments before purposefully plowing into a brick wall while driving her Toyota Camry on July 31, 2022.

SICK TRYST

Mackenzie Shirilla’s prison video sex & NSFW threats exposed in new docs

Renowned body language expert Logan Portenier, host and creator of the popular YouTube channel Observe, spent hours breaking down her movements in dozens of social media clips and footage.

Here he gives The U.S. Sun his biggest takeaways from the case.

TikTok star

Shirilla was a social media-obsessed teen before the crash and shared daily posts on TikTok of her and Dom, both at home and out and about, as she was often the center of attention.

Reviewing one clip of them in the car together, Logan said, “He doesn’t seem to be as stoked for this video that she’s filming as she does.

“It didn’t seem as though they were quite on the same page emotionally.

“She’s doing her different poses and expressions for the sake of the video and for his side of things, he seems much more reserved and subdued.

“Because he’s not performing as much for the camera as she is, we’re seeing a fair bit of synchronization across the upper half of his face and the lower half of his face, which lets us know that anything that we’re kind of seeing on that is probably going to be forced. It’s performative.

“And he does, a little lackluster kind of asymmetrical smile on the bottom half of his face.”

Uncomfortable posing

In another clip from Shirilla’s TikTok, the couple is at home, and she is trying to get him to pose in a full-length mirror as he is seen hiding behind her.

“Mackenzie is doing a lot of the posing,” Logan said. “She’s hitting her different looks that she wants to do during this.

“In the background, you could see initially Dom’s nonverbal communication.

“He’s doing a self hug. You can see him holding both of his arms there.

“That is misconstrued in a lot of areas as exclusively defensive,” but Logan feels this is more about comfort.

“What I do find more interesting is that he does shift later on to holding both hands in front.

“So both of those clusters there, he has one in front and then he has his hands clasped in front like that. Both of those signal a level of discomfort.”

Logan added, “We’re seeing again this dichotomy between the two of them.

“He’s kind of there and he’s being present, albeit uncomfortable, reserved, and needing to do a little bit of self-soothing to be able to make it through.”

Distracted driving

Shirilla, who made no secret of being image-conscious before her arrest, frequently posed for TikTok videos — even when she should have been concentrating on the road.

In hindsight, clips showing her filming herself while driving are especially unsettling, given that two young men would later lose their lives in a crash while riding in a car with her behind the wheel.

“It’s very focused on the phone and what she appears like on it, hitting her specific facial expressions as well,” Logan said.

“And on those facial expressions, this helps us understand how she will behave and appear when she’s performing.

“There might be some of that lip pursing that we kind of see in there.

“There are some head tilts in there as well as she’s trying to be perceived in a very specific way, so that performative non-verbal communication comes in handy in future situations, because then you can keep an eye out for some of those patterns that may or may not show up in the future.”

Cuffed and anxious

Shirilla survived the crash and police launched an investigation, as evidence slowly proved it was not an accident and she recovered from multiple surgeries.

Fast-forward to November 2022, and Shirilla’s life blows up in smoke as she’s finally arrested and later charged with murder.

“I don’t know that she’s aware that there’s a camera pointed at her, that she’s going to be perceived in this area, and so what we’re going to be able to see is more of her unfiltered nonverbal communication,” Logan pointed out.

“And with this, she is feeling what would be considered in that vein of the universal emotion of sadness.

“There’s grief, there’s panic, and stress, everything that can go into that.

“What really gives it away is the action in her forehead area.

“What we’re seeing predominantly is unit one activation, which is the middle portion of your eyebrows when they go upward during genuine sadness and grief.

“You can see that happening symmetrically, but if it’s more performed, a lot of people will end up having light asymmetrical activation because it’s not genuine.”

Frozen with fear

In further footage of Shirilla in the back of a police car after her arrest, Logan said she appears frozen with fear despite not shedding a tear as she heads to the station.

“She has fairly relaxed eye positioning in general when she’s not panicked,” he said.

“And so this widening of her eyes, it indicates, genuinely, that she’s feeling anxious. This would be considered fear.”

Logan added that while Shirilla “might not be terrified, it would at least trigger as fear to the anxiety levels” as she rides in the police car.

“So we’re seeing both the combination of the grief across the upper half of her forehead and her eyes are showing the fear as well,” Logan said.

“Then when we get down to the rest of her face, some things that show more physiology rather than just physical movements, is a lot of the inflammation around her nose and upper lip,” which Logan claims “[lets] us know that this is coming from an authentic place.”

Putting on an act

Logan explained that emotional states have a profile, and things can usually shift after around four and a half seconds.

During the journey, Shirilla seems to relax, despite the situation that she’s in, and is seen rolling her head back and looking bored.

But as they approach the station, Logan feels she starts to perform as she realizes she should be more upset than she is if she’s not guilty of murder.

“When you’re watching somebody who’s performing, you’ll see a lot of crashes in between,” he told The U.S. Sun.

“So they’ll be emoting a specific way and then it’s almost like they remember like, ‘Oh, I should be sad right now.’ And then they’ll crash into sadness, something like that.

“You can see it start to kind of creep through the cracks of her rather reserved expression beforehand.”

This is where Logan returns to Shirilla’s “eyebrow activation.”

He claims Shirilla’s outer and inner eyebrows are working together at this point to show sadness, stress and anxiety.

Again, the corners of her nose are also activated, not in disgust, but trying to show she is upset, something he says he doesn’t often see.

Oscar-worthy performance

She is later seen sobbing during her trial before being locked up for 15 years to life on murder charges.

Shirilla starts to mix with people from different walks of life, and it’s years later when we see her sit down with film producers for her bombshell interview.

She is seen walking into the frame and sitting down at a table wearing her prison scrubs, her hair tied up in a large bun.

“The fact that she’s sitting down, crossing her arms, immediately lets us know that she’s probably feeling uncomfortable about what’s about to happen there and needs to block off and self-soothing a little bit,” Logan said.

Shirilla then activated her glabella – the smooth area of skin on her forehead located directly between the eyebrows and just above the bridge of her nose, Logan said.

He claims this was to give the impression she is empathetic, but instead of it being symmetrical, she delivered asymmetrical activation.

“Her right eyebrow does not have the same activation as her left eyebrow.

“Her left eyebrow is doing the exact same expression that we saw in the cruiser. Her right eyebrow is not.

“It’s an asymmetrical expression which lets us know this isn’t authentic empathy.

“This isn’t authentic pain or fear or grief that she’s feeling here. It’s forced.”

Logan said this was also visible further down the vein on the bottom half of her face.

She also began pursing her lips – something she would do in her performative TikTok videos, where she wanted to control how she was being perceived.

He said she is trying to convince the audience she is upset about the situation she is in, and victims’ deaths, but “her body is betraying her.”

“And then when we get to this specific interview she’s talking at a lower register, she has a little bit more husky to her voice,” he said.

“Some of the verbal tics that she uses as well have shifted. And my immediate thought was, this has to be something about the performance that she’s obviously performing.

“She wants people to feel a certain way. And so she shifted her tone, her speaking differently as well to perhaps support that.”

He feels not only her voice will have changed in prison, but her body language as she mixes with other inmates.

“I have no doubt in my mind that she’ll be adjusting her overall nonverbal behavior as well to better fit in and get to where she wants to be in that social circle as well,” he said.

To see the full interview with Logan, and other exclusive videos on Mackenzie Shirilla, visit our YouTube channel.

Comedian and “Saturday Night Live” standout Marcello Hernández will host this year’s ESPY Awards, ESPN announced Wednesday.

The event, honoring excellence in sports performance, will be broadcast live on ABC and the ESPN app from the David H. Koch Theater at Lincoln Center on July 15, making it the first ESPYs in New York City since 1999. For the last 25 years, the awards ceremony was held in Los Angeles.

“I started doing comedy 10 years ago, in Cleveland, Ohio, and I would take the train 12 hours to New York to sell comedy tickets on the street in Greenwich Village in exchange for stage time,” Hernández said in a statement. “It is an honor, and frankly feels crazy to be hosting the ESPYs this year in New York. I’m sure the energy is going to be great.”

Hernández recently headlined the biggest Spanish-language comedy show ever at the Hollywood Bowl as part of the Netflix Is a Joke Festival in May, and wrapped up his fourth season of “SNL” soon after. His first stand-up special, “American Boy,” premiered on Netflix in January.

He’s also a sports enthusiast, having grown up playing soccer and competing at the collegiate level during his time at John Carroll University in Ohio.

“Marcello is one of the most electric, young comedians today. His genuine enthusiasm for sports and his ties to New York City make him a natural fit to host this year’s ESPYs,” Craig Lazarus, ESPN vice president and executive producer of the ESPYs, said in a statement.

Hernández succeeds last year’s emcee, comedian Shane Gillis, as well as past hosts that include Jimmy Kimmel, John Cena, LeBron James and Peyton Manning.

In January, Puck reported that the change in venue is an effort to capitalize on the popularity of Fanatics Fest, the massive sports festival taking place in New York’s Javits Center from July 16-19, which also coincides with the World Cup final on July 19 at MetLife Stadium in New Jersey.

“This return to the heart of Manhattan brings the celebration of sports back to its roots for an unforgettable night at an iconic cultural landmark,” an ESPN spokesperson said in a statement.

At the AI on the Lot media conference last week in Culver City, speakers laid out a view of artificial intelligence that was very much complementary to human workers.

Artificial intelligence is a tool that must be wielded by humans, several said. The idea was to help skilled artists and production specialists do their jobs and experiment, others said.

Of course, to many in Hollywood, AI is not that simple.

Guardrails on its usage emerged as a central issue in the 2023 writers’ and actors’ strikes, and additional rules were added in the recent Screen Actors Guild-American Federation of Television and Radio Artists and Writers Guild of America contracts. There are still big questions about AI’s effect on jobs in the entertainment business, as well as copyright and ethical concerns.

Whether it’s good or bad or some combination of both, AI, in some form, is probably here to stay.

So, eight months ago Amazon MGM Studios opened an AI Studios division to start work on Project Nara, an AI production toolkit built on Amazon’s AWS cloud computing platform that could be used by teams of filmmakers. Project Nara is still in beta mode, and the company set up a GenAI Creators’ Fund to give filmmakers interested in using the toolkit financial support, while also giving the studio feedback.

The beta testers got eight weeks to produce an animated short and, out of those, the company greenlighted three animated series.

Shortly after the conference, filmmaker Jorge Gutierrez, whose stop-motion-style “Punky Duck” was chosen as one of the greenlighted series, pulled out after an online backlash over his use of AI.

“We respect Jorge’s decision, as well as his incredible talent, his voice and the world he created with ‘Punky Duck,’” an Amazon MGM Studios spokesperson said in a statement. “We continue to be excited about the innovative work moving forward at our studio and the GenAI Creators’ Fund.”

Before the flap over “Punky Duck,” I spoke with Albert Cheng, head of Amazon MGM Studios’ AI Studios, about the goal of the division, what’s next for AI and his belief that humans are at the center of creativity. The conversation has been edited for length and clarity.

Why was AI Studios formed?

AI Studios was started last fall because we wanted to learn how to leverage AI technology to build tools that would help enhance or redefine the workflows for film and TV production.

When you look at the horizon of what it takes to drive continued engagement of a global streaming service like Prime Video, we need more original programs. So if you can figure out how we take the same amount of money that we spend and be able to make more shows, that’s ultimately what we want, and we think AI is going to be a help to drive that.

With AI, now we’re looking at how does technology change the way we actually create our cinematic storytelling? It could mean that with AI, we will hear from a lot more voices. If we can actually get the biggest costs down, we will be able to have more voices, be able to take more risks and creative risks most of all.

There’s always concern about what does AI mean for jobs. We believe that it actually creates more jobs and different types of jobs. In fact, people with experience, plus the tools, become even more valuable in terms of their ability to produce excellent quality work. So it’s always about the human behind it.

You mentioned that some of these production crews had more than 100 people, but crews in the past would have been much larger. How do you respond to concerns about that?

You may have smaller crews, but we’ll do more of them [productions], and more in a short period of time. When you actually have smaller productions and you do more of them, you’re increasing your throughput. Your turnover rate of the available jobs is much faster, so your job totals are actually going to be bigger.

You spoke about the idea of AI filmmaking bringing jobs back to L.A. and expanding California’s production incentive eligibility to include AI-assisted filmmaking. Can you elaborate on that?

When you look at AI production, it can be done on a soundstage. We don’t need to go to London, we don’t need to go to other places.

We do have technology companies in California that are driving this, we have people here in the city that have experience, if given the AI tools, can produce great work. So, how can we not incentivize more companies to use our soundstages and finally make productions and make more of them?

Have you or anyone else at Amazon spoken with government officials about this idea of expanding the incentive criteria?

We’ve been talking to a number of bodies about whether it’s possible. The question is, who’s going to take the ball?

How much can you decrease a show’s production budget by using AI?

I think we can get a show to half the cost, [or] to almost a fifth of the cost.

What was the thinking behind the GenAI Creators’ Fund?

We wanted to provide a support and invest in creators who wanted to try it, and then also give us feedback.

We also wanted to show that storytelling is the thing that drives the content. It’s not the technology; the technology just enabled them to make it.

What is the biggest misconception of AI use in production?

There’s a narrative that AI can do so many things by itself, that you don’t need people. That’s absolutely not true. It’s just a technology, it can’t make decisions.

In order for something actually quality to be made, a person actually needs to be behind that, and that’s been proven over and over again. People are still responsible for the output.

Stuff We Wrote

Film shoots

Number of the week

Internet culture drove the box office over weekend, with A24’s “Backrooms” hauling in $81.4 million in the U.S. and Canada.

The $10-million horror flick, which stars Chiwetel Ejiofor as a furniture store owner who finds a mysterious portal in his basement, was directed by 20-year-old YouTuber Kane Parsons and is based on his online series of the same name. Worldwide, the film made nearly $118 million in its debut weekend.

Focus Features’ “Obsession” also had a big weekend with a 10% jump in domestic box-office revenue in its third outing. The horror movie, which had a production budget of less than $1 million, was directed by Curry Barker, who also built his reputation on YouTube.

Together, the two films highlight the growing power of YouTube — and online culture as a whole — on the big screen. They beat out franchise film “Star Wars: The Mandalorian and Grogu,” which dropped 69% from its debut last weekend to rank third at the box office.

What I’m watching

I’m just one episode away from finishing this season of “Bridgerton” on Netflix. While I liked that the show dived into the social class dynamics behind Benedict and Sophie’s romance, I have to say that I loved the secondary focus on Violet Bridgerton and Lord Anderson finding a second chance at love.

Parents who are wondering how to fill the six week holidays should take a look at this offer on Merlin passes, which not only offer unlimited park visits, but also other passholder perks

Merlin has launched a summer sale that slashes the cost of annual passes and monthly memberships in time for the six-week school holidays.

The sale, launched today by the owner of a number of theme parks and attractions across the UK, means theme park fans can enjoy discounts on both Gold and Platinum passes, as well as monthly memberships, giving them unlimited access to over 20 UK attractions. These include Thorpe Park, Alton Towers, LEGOLAND, and Chessington.

Best of all, if you opt for a Gold membership at the discounted price of £16.99 a month, this works out cheaper than a monthly Netflix Premium subscription, which costs £18.99 a month. So, you can enjoy lots of days out with the kids and screen-free time over the summer without worrying about entry fees.

You can currently buy an annual pass at Gold or Platinum level with £50 off the total price. This brings Gold membership down from £239 to £189 a year, and Platinum down from £299 to £249. If you prefer to pay monthly, the sale has slashed Gold from £19.99 a month to £16.99, and Platinum from £24.99 to £20.99.

Gold memberships, whether annual or monthly, include 364 days’ entry to over 20 Merlin attractions, free parking, and 20% off food, drinks, and shopping. Platinum members get these perks with no exclusion dates, four bring-a-friend passes, a free one-shot Fastrack per visit, and other extras.

While it’s not included in the sale, there’s also the cheapest Merlin Essentials pass for £139 a year, which offers unlimited access for 339 days of the year. However, parents should note that exclusion dates include Saturdays in August, at the peak of the school holidays.

Merlin’s parks are set to be popular with families this summer thanks to the addition of some major new rides aimed at the younger crowd. The brand-new World of PAW Patrol at Chessington World of Adventures Resort opened in early May, and includes four pup-themed rides, play areas, and meet and greets. Over at Alton Towers, CBeebies Land also recently opened Bluey the Ride: Here Come The Grannies!, a must-visit for fans of the Heeler family.

In addition to its well-known theme parks, Merlin also operates a range of family-friendly attractions that make perfect school holiday days out. These include the London Eye, SEA LIFE centres, Madame Tussauds, and Cadbury World, meaning it’s easy to make the most out of your pass.

For comparison, booking a day ticket to Alton Towers starts at £34, so if you live near a Merlin theme park or visit a lot, you could soon get your money’s worth.

If you’re planning a one-off visit, then Cadbury is currently running a promotion on selected packs offering half-price tickets. Simply pick up an eligible product and visit fun.cadbury.co.uk to enter your barcode to receive a discount code and a link to book your tickets at 50% off.

The Merlin Pass Summer Sale ends June 28. For more information or to purchase, visit the Merlin website.

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