L.A

Stevie Wonder is taking legal action against a reported ex-fiancée, filing a lawsuit this week to evict her after she allegedly lived rent-free at his property in Studio City for nearly four decades.

The prolific musician, whose legal name is Stevland Morris, filed a legal complaint in Los Angeles County Superior Court on Thursday against Carmen Efferson, whom he says has been living for free at a home on Oak Glen Drive since July 1988, according to the complaint obtained by The Times. Wonder seeks to evict Efferson after she allegedly refused to allow inspectors into the property earlier in the summer and failed to vacate the home in August, despite receiving a 30-day notice in late July.

Efferson, whom TMZ reported was once betrothed to the Grammy-winning “Songs in the Key of Life” musician, did not immediately respond to The Times’ multiple requests for response on Friday. A legal representative for Wonder, 76, did not comment and did not clarify the singer’s reported relationship with Efferson. Wonder has been married Tomeeka Bracy since 2017.

According to the musician’s complaint, Wonder and Efferson reached an oral agreement in 1988 that she can occupy the property without paying monthly rent. Tensions began in July this year when representatives for Wonder attempted to access the property multiple times “for purposes of updating and retaining property insurance,” according to an email between Wonder’s legal representatives and Efferson included in the complaint.

One attorney for Wonder notified Efferson on July 23 of a property inspection the following week. Efferson had choice words for the request, emailing another attorney for Wonder on July 25 to “please refrain from your rascist [sic] coldblooded ‘white male privilege’ tone.”

“I’m feeling harassed,” Efferson said, according to screenshots of her email. “Regarding your ORDERS of entering into the place where I am living, I do not consent.”

She ended her email with an explicit statement. An attorney for Wonder responded two days later, informing Efferson that the lawyer who issued the inspection notice “is neither racist, coldblooded, white or male.”

In an email dated July 27, Efferson also threatened to “immediately contact law enforcement” upon further attempts by Wonder’s representatives to enter the property. The next day, attorneys notified Efferson she had 30 days to vacate the home.

“You were given the opportunity to reconsider your decision to deny access and declined,” the notice said, according to the complaint. Efferson was ordered to vacate the property by Aug. 27

On Oct. 6, Wonder’s lawyers issued Efferson a three-day notice to leave the home due to her alleged violation of her oral agreement with the musician. Wonder’s legal representatives also claimed they gave Efferson “three additional opportunities to permit entry” for an inspection, but she failed to respond.

“Owner has been prejudiced by the cancellation of the property insurance policy and is now at substantial risk of economic loss by virtue of your actions to prevent the protection and preservation of the Premises,” attorneys said in the notice, according to exhibits. The attorneys also notified Efferson that Wonder would file a complaint should she refuse access again.

Wonder — celebrating the 50th anniversary of his seminal “Songs in the Key of Life” this year — is seeking forfeiture of the lease agreement with Efferson, legal fees and statutory damages up to $600.

The Hotel Clark has been throwing its stately shadow across Hill Street since 1914, first as a fancy lodging in the formative years of downtown Los Angeles, then as a last-resort residential hotel for the aged and desperate, then as a vast, lifeless structure between Grand Central Market and Pershing Square (now Biddy Mason Park). The 11-story hotel hadn’t seen a paying guest for more than 30 years.

That is, until now.

Last month, downtown historian Nathan Marsak was at Angels Flight when, as he recalls, “A guy comes up and says, ‘You like the Clark? I just had drinks there.’ And he slaps his receipt down. And I lost my damn mind.”

The lobby inside Hotel Clark.

(Kayla Bartkowski / Los Angeles Times)

Marsak, who admits to “a fetish for old, lost Los Angeles,” once called the Beaux-Arts hotel a “great gray monument to grinding attrition.” Since the 1990s, Marsak has kept watch on the Clark, often labeled a “zombie building” because of its long idleness. Marsak included it in his 2002 book “Los Angeles Neon,” and has looked down upon it from his part-time gig taking tickets atop the Angels Flight Railway on Bunker Hill.

In the downtown community, there had been rumors of a reopening over the years, but that seemed less likely as time went on. Kim Cooper, a close observer of downtown politics and co-owner of Esotouric tours, said that after a while, it seemed that the hotel’s owner, the Chetrit Group, “just locked the door.”

To see that structure “so dilapidated and dirty and covered in bird droppings and decades of grime, it broke my heart,” Marsak said. Still, “as long as they didn’t tear it down, there was always hope.”

A ‘zombie building’ awakes

When he and relatives bought the hotel 27 years ago, owner Michel Attias of the Chetrit Group said people assumed they would flip the building.

“I guess they know by now that’s not the case,” he said. “Many of those people have left town by now.”

Michel Attias at the Hotel Clark.

(Kayla Bartkowski / Los Angeles Times)

Attias stood in the hotel lobby, whose design leans toward gray, black, white, earth tones and chrome. Guest rooms include zebra-print wallpaper and faux alligator-skin panels.

“We wanted chic modern but also comfortable and warm,” said Attias, noting that new artworks and rugs are still arriving. A “luxury sports bar” is due to open by Super Bowl Sunday. As of Oct. 21, general manager Adrienne Craig said, about 120 of its guest rooms were ready to rent, with others soon to follow. Rates start at about $200 nightly.

There have been at least three near-openings during his firm’s ownership, Attias acknowledged. But now, he said, it’s the right moment.

“We have a lot coming,” he said. “We have the Olympics. Downtown is starting to move again. I’m very, very confident that downtown is going to get back on its feet.”

Members of the Chetrit family, based in New York, hold extensive real estate through multiple companies, some of which have suffered legal and financial troubles in the last two years. In Los Angeles, the Chetrit Group also owns the long-idle Trinity Auditorium, also known as the Embassy Auditorium and Embassy Hotel. Also a 1914 Beaux-Arts building, it includes about 180 guest rooms along with an 1,800-seat performance space. Attias said he hopes to open the Trinity Auditorium before the Olympics.

“We’re not done,” Attias said.

Added Craig: “Hotel Clark is amazing. Trinity is out of this world.”

Vintage postcards and photographs are from the collection of historian Nathan Marsak.

(Courtesy of Nathan Marsak)

The Clark’s rise, fall and long slumber

Look closely at the Clark, including the rooftop neon and the old fire escapes with the initials “CH” in ironwork (for Clark Hotel), and you may catch hints of its tangled history, from early opulence to urban decay, international intrigue and municipal dysfunction.

Eli P. Clark made big money as a railway pioneer in Los Angeles and beyond. But by 1914 he had moved on to other investments. He built the Clark Hotel with 555 rooms, each with a private bath (a notable luxury at the time) and a bold sign outside proclaiming its “absolutely fireproof” construction.

The building’s rooftop neon signage was apparently added a few decades later, along with the rounded letters that spell the hotel’s name and run vertically down one corner of the building. Dozens of vintage photos of the Clark’s ballrooms, restaurants, ashtrays, room keys, menus, postcards, matchbooks, coat hangers and candleholders are visible at BunkerHillLos Angeles.com, having been gathered by Marsak.

A mosaic by the pool inside Hotel Clark.

(Kayla Bartkowski / Los Angeles Times)

But somewhere in the middle decades of the 20th century, as investors began to look away from downtown, the Clark hit the skids. In a 1975 classified ad in the L.A. Times, the Clark offered rooms at $75-$95 monthly, including “special waterbed suites.”

By the 1980s, the Clark had become a residence of last resort, housing many seniors and others on limited incomes. The nearby Rosslyn (built in 1914, now a mix of low-income and market-rate apartments) and Hotel Cecil (built 1924, now low-income and supportive housing) followed similar paths.

The pool inside Hotel Clark.

(Kayla Bartkowski / Los Angeles Times)

By 1989, the Clark had been acquired by May Wah International Enterprises, which was rooted in China and associated with the Chinese government, Attias said. May Wah vowed to revamp the building with a “friendship store” to market Chinese imports and hotel above that might rival the Biltmore. But first May Wah wanted the old tenants out. Twenty of them filed suit against May Wah, saying they were subjected to spells without heat or water, and won a $1.7-million settlement. But by 1992, May Wah had succeeded in evicting the last two tenants.

By 1999, when May Wah sold it to the Chetrit family, the building was empty, its historic interiors rearranged in anticipation of the Chinese hotel that never opened. (During this period, Attias said, the building’s guest-room count changed from 555 to 348.) As Attias tells the story, the hotel was close to opening in 2008 when that year’s financial crisis hit. It came close again in 2013-14, when the Chetrit family invested in another renovation but ran into opposition from the hospitality workers union Unite Here Local 11 and L.A. City Councilman José Huizar.

“José Huizar,” said Attias dryly. “We know where he is now.” (Huizar, who served on the city council until 2020, pleaded guilty to corruption charges in 2023 and was sentenced to 13 years in federal prison.)

Though the hotel’s owners eventually got the city permissions they needed, Attias said, a partnership with other hoteliers dissolved and the Clark went to the back burner again, as did the Embassy Auditorium. Another near-opening followed in 2019.

Attias said the family decided in 2025 to finally open the Clark, later retaining OTH Hotels Resorts to manage it.

And now, said Attias, “we’re here.”

‘Nowhere to go but up’

In mid-September, the Clark had begun a quiet, soft reopening. Now configured with 348 guest rooms, it includes a Mediterranean restaurant called Votana; a cocktail lounge; a 17-by-29-foot courtyard pool, poolside bar and (in homage to Chetrit family history) a pair of Moroccan tile fountains.

In addition, a ballroom with space for 600 is due to be completed soon. Craig estimated that the business, a nonunion shop, employs about 100 people now and will likely reach 200 workers in coming months.

A guest room inside Hotel Clark.

(Kayla Bartkowski / Los Angeles Times)

This rebirth may not comfort those seeking more affordable housing downtown, but for anyone eager to see more legal commerce on Hill Street or more hotel rooms in the run-up to the 2028 Games, it’s progress. This boost in room supply may also encourage travelers who have seen downtown hotel rates jump by more than 10% in the last year. Analytics company CoStar reports that downtown hotels averaged $200-$210 per night from June through September.

“There’s nowhere to go but up,” Craig said. “The possibilities here are endless.”

A few weeks ago, Craig’s team gave Marsak a tour of building (and bought a batch of Angels Flight tickets to distribute among guests. The historian declared himself mostly delighted.

“Having the Clark open, facing Hill Street — which can get rough — is so brave of them,” said Marsak. “I can’t applaud it enough.”

As for the inside and that zebra-print wallpaper, it’s “not what I would have done,” he said. “I believe that Beaux-Arts buildings should be Beaux-Arts inside and out. But you can’t have everything.”

Catapult Books, an indie publisher that has supported authors across Southern California and beyond, has been sold.

Launched by Elizabeth Koch and Andy Hunter more than a decade ago, the independent publisher will shutter operations in just over a week, per Publisher’s Weekly, which spoke with members of the publisher’s union. The Catapult Workers Collective said the company’s sale included the assets only and that the union was notified their employment would not be rolled over to the new buyer.

According to union reps, the publisher announced plans to sell the business while staff were in the midst of a union vote. The union, which includes roughly 20 staff members across various publishing departments, told the outlet that they had filed for an election earlier in the year seeking better pay, job stability, and clearer communication from executives.

The union is now hashing out a severance package, according to Publisher’s Weekly, and it’s unclear what will happen to the 16 upcoming book titles scheduled through spring 2027.

“Catapult is intrinsic to L.A. culture and L.A. literature. So many of their writers are in this area,” Gina Frangello told The Times on Thursday. The author penned “Blow Your House Down,” published by Counterpoint Press, an imprint of Catapult.

“It’s a huge loss for L.A.,” she said. “It’s a huge loss for the West Coast.”

Frangello has been publishing books for more than 20 years, and she said she’d never had the intimate publishing experience she had with Counterpoint, specifically with Dan Smetanka. The editorial director and senior vice president of Catapult is widely known in literary circles for his meticulous and thoughtful approach to editing and for his support of the authors he works with.

“As someone who has been in indie publishing culture since the ’90s, Catapult was a holdout of an old world,” Frangello said. “Dan ran things the way they used to, in the storied, fabled days of publishing before everything went corporate.”

Susan Straight, author of “Sacrament” and winner of the L.A. Times Book Prizes’ Robert Kirsch Award for lifetime achievement, emailed The Times a missive on the Catapult news. She wrote that on Wednesday she attended the grand opening of Barnes & Noble’s new location in Ontario, “where more than a hundred readers were lined up outside, some having brought chairs to wait.”

“We keep hearing that Americans aren’t reading — for two hours I saw people of all ages browsing, buying books, and talking to each other,” she continued. “About fifty people came and talked to me, and bought copies ‘In the Country of Women,’ my memoir published by Catapult, and ‘Sacrament,’ my latest novel, published by Counterpoint. Both are indelibly So Cal Books, filled with Fontana, East Hollywood, Santa Ana, Los Feliz, and San Bernardino, and the readers were from all these places. …

“I lit a veladora last night, the Virgen de Guadalupe, set it next to a bouquet of California sage from my yard, because I’m a So Cal native, and whatever happens, I wanted to thank the universe for the editors like Dan Smetanka who’ve brought our stories to the rest of the world.

“Wednesday morning, I spent time talking about narrative with nurses, teachers, students, mothers, and nascent writers from all over So Cal. Americans are still reading — I see it every day in my community, which needs books by presses like Counterpoint and Catapult.”

Since Catapult’s debut in 2015, the indie outfit and its authors have been a force on the awards circuit, landing the American Academy of Arts and Letters’ E. M. Forster Award in Literature, a PEN/Faulkner Award, National Book Critics Circle Award, the Maine Literary Award, the Costa Novel Award, and a Guggenheim Fellowship.

Meredith Maran, the author of more than a dozen books including a novel published by Counterpoint in 2012, “A Theory of Small Earthquakes,” also mourned the publisher in a note to The Times, writing, “Counterpoint, its imprints, and its beating heart, Dan Smetanka, have been (I cannot bring myself to say ‘were’) the stuff of legends. True legends. I’ve published books with all of the big 5 houses and comparing those experiences to the Counterpoint experience, the Dan experience, is like comparing an AI-generated metaphor, to, well, this one. Counterpoint humanized publishing, revered its authors, honored and will live on in its books.”

Over the last decade, Catapult included a publishing imprint, digital magazine, and courses for budding and established writers. (The latter two were nixed in 2023.) In 2016, it merged with Counterpoint Press, which brought into the fold its own imprint, Soft Skull Press. Last fall, Catapult also acquired Hawthorne Books. In 2023, Catapult Chief Executive Koch — the daughter of billionaire industrialist and businessman Charles Koch — launched another pet project in 2021, Unlikely Collaborators, a nonprofit storytelling and experiential organization.

Bestselling author Tod Goldberg, a finalist for the Los Angeles Times Book Prize for fiction this year for his novel “Only Way Out,” posted a tribute to the publisher on social media Wednesday night, crediting Smetanka and Counterpoint with taking a chance on “a book others wouldn’t touch” and with that book’s subsequent success, which changed Goldberg’s life.

“Since their founding, Counterpoint has published books that matter, has taken chances on authors and topics that others wouldn’t, and have been celebrated for this strident independence with wide critical acclaim and commercial success. From their roots in the Bay Area — where they published the likes of Wendell Berry, Gary Snyder, Anne Lamott, Mary Robison early on — to their move south into Los Angeles, where they took on writers like myself, Natashia Deon, Karen Bender, Gina Frangello, Elizabeth Crane, Ben Ehrenreich, Dana Johnson, Vanessa Hua, Joan Silber, to name just a few, plus the late Eve Babitz.”

“Counterpoint took big risks and found big rewards. I’m confident that whomever the buyer is (and I’ve not been told, so y’all can stop texting me…) will keep these great writers in print while also continuing to publish new work from them, but what’s lost here is not merely a publishing house, but a culture of excellence, of risk taking, plus a dash of punk rock.”

Growing up without “two nickels to rub together,” John McKinney never thought he’d be a lawyer.

At the beginning of 2026, sitting in his office as one of the highest-ranking prosecutors in Los Angeles County, McKinney had no designs on trying to become L.A.’s city attorney.

But if he can beat progressive darling Marissa Roy next month and finish off an upstart campaign that barely had a pulse six months ago, McKinney would complete a lifelong underdog story that saw him go from working as a house painter and substitute teacher to pay for college to serving as the top lawyer for the second-largest city in America.

A highly regarded trial lawyer, McKinney, 58, claims an undefeated record in homicide trials and has won convictions in some of the region’s most infamous crimes, including the murder of beloved L.A. hip-hop star Nipsey Hussle. He reached his longtime perch in the district attorney’s office’s major crimes unit after a lifetime of struggle. Both of McKinney’s parents died before he was 5, and he was raised by his oldest sister in a cramped household with half a dozen other children in Passaic, N.J.

John McKinney speaks at a news conference at the Los Angeles Police Protective League in May.

(Kayla Bartkowski / Los Angeles Times)

McKinney beams with pride while discussing his hardscrabble East Coast upbringing — whether praising his sister’s hustle for working “six days a week,” or refusing to turn in his Yankees hat in a Dodger blue city. In interviews, he’ll sneak in a verbal jab at Roy, then finish the insult with a wry smirk. McKinney notes he’s been a prosecutor almost as long as his 34-year-old opponent has been alive.

“She’s never tried a case,” McKinney said. “When you’re running for city attorney overseeing trial lawyers and having to make high-impact decisions on whether to settle a case for $20 million or not, you should at least know what it’s like to go through a jury trial.”

Roy was part of the team that secured a $17-billion settlement from Meta in a landmark case this year, and has tried many cases decided by judges, rather than jury panels. She’s pushed back on McKinney’s barbs, noting he has no experience handling civil cases, a core component of the job.

McKinney has focused his campaign on lessening the city’s homelessness crisis by leveraging people into treatment, tackling quality-of-life crimes, and reducing the city’s out-of-control legal costs.

But he faces an uphill battle. Roy, a deputy state attorney general, has been campaigning for more than a year and raised more than twice as much money as McKinney. With the backing of both the county’s Democratic Party and the local Democratic Socialists of America chapter, Roy won June’s primary easily, outpacing McKinney by 15 percentage points. Both finished far ahead of City Atty. Hydee Feldstein Soto.

Marissa Roy, a deputy attorney general with the California Department of Justice, is running against John McKinney to become L.A.’s next city attorney.

(Gary Coronado/For The Times)

Los Angeles County Dist. Atty. Nathan Hochman leads a strong coalition of law enforcement support for McKinney, who has also been endorsed by four former city attorneys, two prior district attorneys and several City Council members, including Traci Park.

McKinney has emphasized the word “Democrat” in his ads, a nod to Roy’s attempts to cast him as the preferred choice of Republicans who won’t stand up to the Trump administration if elected. Although McKinney rubbed elbows with Republicans during efforts to recall then-Dist. Atty. George Gascón and employed fundraisers who worked with Trump, he says he “despises” the president and was disgusted by immigration raids in the city last year.

McKinney thinks Roy’s emphasis on fighting Trump speaks to a misunderstanding of the job. Across the country, it has been state attorneys general, not city attorneys, who have spearhead litigation against the White House, said McKinney, who dismissed the partisan attacks as a “misleading smear campaign.”

“Her lack of management experience and jury trial experience has not gone unnoticed by voters and her platform of wanting to turn the city attorney’s office into the country’s largest public interest law firm is out of alignment with the issues important to voters: public safety, homelessness and protecting taxpayer dollars,” he said.

Long before he was concerned about winning an elected office, McKinney was simply worried about survival.

The youngest of seven children, McKinney lost his mother to cancer when he was only 2. His father passed away unexpectedly three years later. His oldest sister, Ora, was recently divorced with three kids of her own but took in McKinney and his sister. He remained especially close to Ora — whom he described as his “mother, father and best friend” — until she passed away last year.

With his caretaker working nearly round the clock, McKinney said, he easily could have run in the streets with friends caught up in the crack cocaine boom of the 1980s. But McKinney said his sister’s determination inspired him to choose a better path.

“My sister made me believe there was really no limit to what I could do in life if I worked hard enough for it,” he said.

McKinney isn’t seeking sympathy, but believes sharing his backstory shows he’s “lived a life that mirrors a lot of the adversity Angelenos face every day.”

For much of his career in L.A., McKinney was seen as one of the district attorney’s office’s premier trial lawyers. He said he had no interest in management or politics until Gascón was elected in 2020. McKinney was one of several prosecutors to publicly criticize and sue Gascón. His involvement in the failed bid to recall Gascón put him in a political spotlight for the first time. He frequently spoke at recall events — which sometimes overlapped with rallies against Gov. Gavin Newsom and promoted conservative causes — and later joined the crowded field vying to replace Gascón in 2024.

Colleagues said McKinney has a history of being able to reach across ideological and cultural aisles. Bobby Grace, a veteran prosecutor who has worked with McKinney for decades, said he had a knack for getting people to take risks to take the stand in important cases.

“I think that’s where he made his reputation as a good trial lawyer,” Grace said. “To be successful, particularly in gangs, you’ve got to be able to convince witnesses who don’t want to come forward, and I think that was really his strength.”

Although he failed to gain traction in the race to unseat Gascón, finishing far behind Hochman, he caught the future district attorney’s eye and the two became allies. When Hochman took office, he put McKinney in charge of specialized prosecutions, giving him oversight of a wide range of cases, including cop killings, juvenile crimes, gang homicides and child abuse.

McKinney said he wasn’t even thinking about getting into the city attorney race until the middle of January, when a number of people approached him about entering.

City attorney candidate John McKinney, left, walks through Skid Row in downtown Los Angeles on July 1.

(Christina House / Los Angeles Times)

By March, McKinney was scrambling to get a campaign together, and Hochman was quick to lend the fundraisers and managers who helped him oust Gascón.

He soon ascended from nonfactor to legitimate contender. Frustrated with ballooning legal costs and her handling of a department data breach, the city’s powerful police union abandoned Feldstein Soto and backed McKinney. Independent expenditures — political interest groups that can spend unlimited amounts in campaigns if they don’t coordinate with candidates — doled out $3 million to support McKinney.

In total, records show those groups have spent nearly $5 million on McKinney. More than half of that money has come from a venture capitalist who has publicly praised Elon Musk and a political action committee run by Airbnb, the rental giant currently facing a lawsuit from the city for price gouging during the wildfires.

McKinney insists campaign support won’t influence his decision-making in office. He has vowed to sue Airbnb if it engages in price gouging, and he knows the Los Angeles Police Department is a major factor in the city’s rising litigation costs. Given his law enforcement background, he argues he’s better positioned to influence police than Roy.

“I think because they know I’m not coming at them from a vindictive point of view, trying to underfund them or undermine them, that my criticism will be taken for what it’s worth, which is to make them stronger, to make them more trusted and more effective,” he said.

Whereas Hochman often compared L.A. to crime-plagued “Gotham City,” McKinney acknowledges the city’s more recent struggles are not with violence, but with quality-of-life crimes: unchecked homeless encampments, street racing, animal abuse on Skid Row.

Walking around Skid Row this summer, McKinney spoke with several people who approached from tents and other jerry-rigged structures. He listened closely as they explained their struggles and pleaded for help in a part of the city few residents ever set foot in. He describes his approach to the city’s homeless crisis as one of “compassionate accountability.”

“Every person who is living on the street has had some tragic circumstance in their life,” he said that day.

McKinney acknowledged he can’t do anything about a lack of housing as city attorney, but he can better manage the way L.A. throws resources at the problem. That includes more sophisticated audits of community-based organizations that have contracts with the city to aid unhoused people, he said.

Ultimately, he does not want to punish people who are suffering, but thinks the city attorney’s office can use its power of prosecution to pressure homeless defendants suffering from addiction or mental health issues into treatment. The mission is a personal one for McKinney, who grew up with a schizophrenic nephew whose slow decline he watched for years.

“When I talk about compassionate accountability, it’s not just a campaign slogan for me,” he said. “It’s real. These are real people.”

When William Jackson Harper moved to Los Angeles to star in NBC’s “The Good Place” a decade ago, he himself felt out of place.

“As an actor, I was like I don’t know if this is where I’m supposed to be,” says Harper, who earned an Emmy nomination for his role as Chidi Anagonye, the show’s endearingly panicked and indecisive professor.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“People felt more finished there,” he says of L.A. “I felt like people had sort of come into their appearance, they knew what they were selling. And I was like, you know, I’m much more of a theater guy, New York is probably where I’m going to land.”

He adds, “So I had this idea that I was going to get to L.A. and everyone was just going to laugh at me.”

Quite the opposite happened. Harper leaned into the L.A. experience, exploring the sprawling city, particularly its nature, and connecting with old friends on a deeper level. He soon grew to appreciate it — so much that he continues to split his time between L.A. and New York alongside his wife, Ali Ahn, who is also an actor.

Harper now stars in the dramatic anthology series “American Hostage,” which re-creates the true story of Tony Kiritsis, an Indianapolis man who, in 1977, kidnapped a mortgage broker whose family Kiritsis blamed for his own financial hardships. During a 63-hour standoff, Kiritsis demands that Fred Heckman, a beloved radio reporter played by Jon Hamm, interview him live on air.

“When that script came across my desk, I was like ‘This is insane,’” Harper says of the show, now streaming on MGM+. He was excited to portray Ben Hairston, a reporter and Heckman’s mentee, who attempts to help him navigate the challenging situation.

Harper says he’d been interested in being part of the show set in the late 1970s. Another draw? “I was looking forward to just rocking a mustache,” he says with a laugh. “I was looking forward to just looking like my uncles.”

Here’s how Harper would spend his perfect Sunday in L.A., from a morning hike at Griffith Park to shopping for more French tour jackets at a vintage store in Silver Lake.

7 a.m.: Start with an intense workout

Even though I typically don’t work out on Sundays, sometimes I get a wild hair and do it anyway because I enjoy it. I’ll go to a class around 7 or 8 a.m. I go to Training Mate a lot because the instructors are fun. They’re all, like, beautiful people, but they are dorks, which I find really endearing. They’re really sweet and encouraging. So we’ll do a really tough 45-minute workout an I’ll probably want to go for a hike after that. Griffith Park is one of my favorite places anywhere, so I’d kind of march around there for a couple of hours. I don’t always do the hard [route], I’m already kind of cooked. I just want to be in nature a little bit.

11 a.m.: Bond with friends over breakfast

Then it would be time to eat. I have this tradition whenever I’m in L.A. of meeting with a couple of friends of ours at Fred 62 on Vermont [Avenue]. I’ll get a tofu breakfast enchilada and then we’ll just sit there and talk for a couple of hours. The waiters remember my order even if it’s been months. Or my friends and I will go to some place like All Time, which is really good. There’s always a line and everyone is very done up and I feel really dirty and underdressed when I go, but f— it. It’s like deal with it. I’m old. I can’t be out here flexing.

2 p.m.: Nap to recharge for a shopping spree

All those things make for a powerful wave of sleepiness, so I’ll take a nap. Usually when I have days off like this, I have a shopping addiction, so there’s a few stores that I’ll probably wind up hitting. One of them is this place called Golden Age that has all these old French tour jackets. I have so many [laughs]. I rock those a lot. So I’ll go there, look around and abuse my bank account a little bit. Then there’s this other place on La Brea called General Quarters. It’s got a bunch of work wear stuff.

6 p.m.: Watch a movie at an old-school theater

After that, I might go see a movie at Los Feliz 3. It just reminds me of the movie theaters I grew up going to. I love an old-school, no frills theater that shows cool stuff.

8:30 p.m.: Have a delicious pescatarian dinner

If we are not cooking, we’re going out to eat somewhere. There’s this place in Eagle Rock that we like a lot called Little Beast. One of my favorite restaurants is Bavel. Every time I go there, I’m just like I don’t deserve this meal. I don’t deserve these cocktails. I’ve ordered something different every time. My wife and I are both pescatarian, so we usually load up on the veggies and pick whatever fish dish they have.

10:30 p.m.: Time for bed

After that, we’ll go back home, give our dog Chico another walk and watch Netflix until we fall asleep. My wife falls asleep first. When we are together, I’ll fall asleep earlier between like 11 p.m. and midnight. When I’m by myself, I’m up till 2 or 3 in the morning. I’m just up.

I was trying to discern whether I’d made a wrong turn when I heard a loud whoosh next to me. Somehow, I’d missed the red-tailed hawk perched on a small tree, watching me from an arm’s length away.

That was one of many delightful surprises I encountered as I developed a 6.7-mile urban hike that I will share in this edition of The Wild, our weekly outdoors newsletter.

Back in May, I published a 13.5-mile urban hike (see map) that connects trails along the Arroyo Seco and in Elephant Hill Open Space, Ascot Hills, Lincoln Park, Flat Top Park and Ernest E. Debs Park. I wanted to celebrate our local hillsides but also showcase natural areas that remain under threat of development.

I have wanted to expand the route ever since I published it. I got motivated, though, when I saw that the Mountains Recreation and Conservation Authority, or MRCA, will receive a $200,000 grant in Proposition 4 money to develop a trail connecting open spaces in Northeast L.A.

MRCA will consider how to connect Elephant Hill Open Space with other land that it owns and manages, including Elyria Canyon and Rainbow Canyon, along with parks and open spaces owned by other public agencies.

The view from Kite Hill, a high point in Mount Washington, from near North Avenue 37.

(Jaclyn Cosgrove / Los Angeles Times)

“We’ve been thinking about connectivity in Northeast L.A. for a while, the idea being that we connect the protected hilltops and canyons creating access to the Arroyo Seco, which ties up to the Angeles National Forest and down to the L.A. River,” said Sarah Kevorkian, deputy chief of wildfire resilience at MRCA, noting that there’s great energy and momentum built by community members who want to see their neighborhood open spaces protected.

I am eager to see what MRCA and its partners develop. Based on what I’ve experienced, urban hiking trails can lead to better connection among neighbors and a deeper appreciation for nature nearest to us. In the interim, I developed the trail below that envisions what a regional connector trail could look like.

The total extension to the River to the Hilltops route is about 9.4 miles when you include the three “connector” trails that I indicate via a dotted blue line on the map. In total, the full route is now about 23 miles. Below, I explain the heart of the extension through Cypress Park and Mount Washington, which is about 6.7 miles without the connectors, including the two that would take you to the larger original trail. I made this route in a “Choose Your Own Adventure” style, hoping to inspire folks to (legally!) explore their city, hence the flexibility (and complications in explaining mileage).

Some quick logistics before I dive into the route:

• I developed the route using CalTopo, an online mapping software with a desktop site and mobile app. You can download the CalTopo app onto your phone and follow the route there; you can also download the trail from CalTopo to use on your Garmin or other device. I also uploaded it to my AllTrails profile.
• In May, I dubbed the original trail “River to the Hilltops” in CalTopo and on AllTrails. Afterward, a reader suggested “Jewel Necklace” as a name. What do you think?
• I haven’t marked everywhere you can find a restroom or water, but will try to add those as time allows. Please plan accordingly, as some stretches run through neighborhoods or open spaces where there isn’t much nearby.
• There is no single place to start this route, although this newsletter will focus on the latest extension. You can start and stop this route in several spots though.
• Trail access and conditions can change. Please follow all posted signage (and contact me if you encounter major issues).
• This route travels through several neighborhoods. Please refrain from using Bluetooth speakers and anything else that would be disruptive to residents.
• There are several places along the route where you will walk in the street of a neighborhood because it lacks sidewalks; please use caution!
• At several junctures along the suggested route, you will have an option to take a different path that will essentially get you to the same place. Do what’s best for you, and most important: Have fun, be safe and don’t trespass!

A red-tailed hawk flies over Bob Scholfield Park in Mount Washington.

(Jaclyn Cosgrove / Los Angeles Times)

Now let’s talk more about the route (full map here).

To begin this extension into the neighborhoods of Mount Washington and, briefly, Cypress Park, I started at the Lincoln/Cypress Metro station off the A Line (previously, and forever in our hearts, the Gold Line). The station has a series of stairs and ramps that you can take down to West Avenue 26, which borders the station on its eastern-ish side.

You’ll quickly turn right (or northeast) onto Lacy Street, passing Lacy Street Neighborhood Park. I chose this option because, as you’ll see after about a quarter of a mile on Lacy, it leads to a pedestrian bridge.

A pedestrian path that leads to a bridge taking walkers and hikers over the 110 Freeway.

(Jaclyn Cosgrove / Los Angeles Times)

It is not a well-marked or particularly welcoming pedestrian bridge, but it exists nonetheless. You’ll see a narrow walkway lined with a green metal fence topped with spikes and, later, razor wire. Did I mention it’s not terribly welcoming?

Head over the 110 Freeway via this bridge, and turn right onto Arroyo Seco Avenue and then soon left on Amabel Street. But appreciate this little jaunt, as it’s the last bit of flat walking for a bit.

A pedestrian bridge over the 110 Freeway near Cypress Park.

(Jaclyn Cosgrove / Los Angeles Times)

Cross over North Figueroa Street, and trudge up the hill before you, which has an average grade of about 15%. You’ll pass a neighborhood sign for Mount Washington as you bear left on Isabel Street before making a quick right (north) turn onto Glenalbyn Drive. Continue northeast onto Beech Street and feel as amazed as I was when it becomes a dirt path.

As I trotted through here, I enjoyed watching a kettle of turkey vultures soaring high above the homes perched on the hillside, looking for a fine carrion brunch.

Rather than continuing on the dirt path that heads southeast, I headed up Montalvo Street. Be careful here, as there is no sidewalk. I headed north onto Andalusia Street, or Avenue on some maps, and then further northwest onto West Avenue 37.

A gate was installed on West Avenue 37 in the late 1980s to block rowdy visitors from driving to and partying on Kite Hill in Mount Washington. The route remains open to pedestrians.

You’ll soon arrive at Kite Hill, which The Times described in 1988 as “a scenic Mt. Washington location popular with kite-flyers by day and partying teenagers by night.”

The rambunctious youths were so noisy, L.A. City Council spent $1,200 — about $3,500 in today’s money — to install gates to prevent vehicle traffic. The route remains open to pedestrians.

“It’s like the Hollywood Bowl up there, but it goes on all night,” resident Bob Cummings, a real estate agent who had lived on Mount Washington for 18 years, told The Times in 1988. “It’s like a cancer that started. We’re asking for the city’s surgeons to cut it out.”

When I visited Monday, I saw no evidence of kites or parties, but I did appreciate the glorious views of our local hillsides and San Gabriel Mountains.

One perk of walking the Mount Washington leg of the route is the Halloween decor you’ll spy along the way.

(Jaclyn Cosgrove / Los Angeles Times)

At the juncture of West Avenue 37 and San Rafael Avenue, you have two options in terms of the route I’ve charted out: You can continue northwest on West Avenue 37, where you’ll quickly be frolicking in Elyria Canyon, or you can take San Rafael Avenue and a short winding path down to Rainbow Canyon, which is also lovely.

Although I designed this leg of the River to the Hilltops route to start at the Lincoln/Cypress Metro stop and end at the Southwest Museum Metro station, you can also turn it into a loop, as you’ll see on the map.

For the purposes of this newsletter, I’m going to explain the route via the first option, continuing northwest on West Avenue 37 and then right (or northwest) onto Killarney Avenue for about 400 feet until you turn right onto some wooden, dirt-covered steps. You’ve reached Elyria Canyon Park!

Wooden stairs lead down into Elyria Canyon Park, where hikers will find several species of native shrubs and trees.

(Jaclyn Cosgrove / Los Angeles Times)

Be mindful as you take the steps, as the loose dirt can be slippery. You will have lovely views of L.A. and its landscapes as you meander past native shrubs and trees, including black sage, toyon and wild cucumber. This 35-acre park “boasts one of the finest examples of California black walnut woodland in Southern California,” according to the Mountains Recreation and Conservation Authority, which manages the land.

That’s one reason that a 1996 Times story dubbed this park “a living example of the Los Angeles of 200 years ago.”

There are multiple routes, and I won’t discourage you from exploring beyond what I’ve mapped out, which from the map, you can see is a quick loop, passing through the park (including Akuutet Learning Nursery and the surrounding neighborhood. If you find yourself needing a snack break, you’re in luck. (I will admit that I wanted the same while in Elyria Canyon and took a short walk over to Little Barn Coffee House, one of my favorite spots in L.A.)

The path through Elyria Canyon travels through the 35-acre park that features a California black walnut woodland.

(Jaclyn Cosgrove / Los Angeles Times)

After the loop, you’ll head out of the canyon onto Elyria Drive and then make a left back onto San Rafael Avenue, which you’ll take for about a third of a mile. Continue north past San Rafael Avenue and Danforth Drive onto Sea View Avenue. In about a third of a mile, Sea View will transform into a dirt path as you enter Bob Scholfield Park (per the name etched into a rock under a tree).

Two red-tailed hawks flew overhead as I entered this charming stretch of the walk. I chatted with another hiker and petted his Great Pyrenees dog, as I grew up with the breed and have a soft spot for these giant fluffy goobers.

After following this dirt path as it curves around, you will return to a paved Sea View Drive. Head southeast, and you’ll quickly find yourself at Moon Canyon Park.

Moon Canyon Park in L.A.

(Jaclyn Cosgrove / Los Angeles Times)

Developers had wanted to construct 18 homes and a parking lot in this 4.5-acre canyon, but the L.A. City Council instead set aside $550,000 to preserve it, according to a 2003 Times story.

“I couldn’t be happier because the canyon will be left open,” resident Sharon Roesler, a member of a group opposing developing the canyon, said at the time. “We don’t have enough of these places to go to in Los Angeles.” (If you want to learn more about restoration efforts here, you can visit the Friends of Moon Canyon website, which is working to restore the canyon.)

You will walk southeast down a pleasant dirt path through the canyon, noticing those restoration efforts, before you hit pavement for just a moment and then immediately bear right onto West Pheasant Drive, another dirt path.

A Chevy van parked ahead on the trail.

(Jaclyn Cosgrove / Los Angeles Times)

I was enjoying my hike when I followed the bend of West Pheasant Drive and noticed a van parked ahead. Now, I’ve seen enough horror movies that I quickly started to write the opening scene to my demise.

EXT. DIRT HIKING TRAIL

“JAC, a well-meaning but unfortunately oblivious hiker, spots a vintage camper van on the trail. They have no idea what lurks ahead.”

Thankfully, there was nothing other than a funky DIY project lurking in the distance. I approached the van to find a cardboard sign attached (which, again, sounds creepier than it was).

“The process is as WiLD as the circumstances!” it read. “This van is unable to leave the road (you may have noticed 🙂 ) so we are resituating it to optimize space (something special, incoming!).”

A narrow dirt path called West Pheasant Drive on some maps.

(Jaclyn Cosgrove / Los Angeles Times)

After you pass the van art project, you’ll soon reach a nest of streets, as each has a bird name. You will turn right from West Pheasant onto Quail Drive and then quickly left onto Dove Drive. Follow Dove Drive southeast and quickly take a hard right (northwest) onto Glenalbyn Drive, followed by a hard left (southeast) onto Mavis Drive and then soon a right on Frontenac Avenue, then left on West Avenue 46 to head into the park area around the Carlin G. Smith Recreation Center.

You’ll pass through a gate and meander down the path, with an optional side quest to have a friend push you on the tire swing. After shenanigans, walk through the basketball court to where the path continues in the court’s southeast corner.

This route, when I traversed it, was loose and narrow. If it feels too sketchy, take the road or use a trekking pole if you’ve brought one. No reason to turn an ankle after you’ve had an otherwise splendid day!

At the end of this rustic route, take West Avenue 45 down to the Rainbow Canyon Test Plot, a publicly owned area where volunteers are readily restoring the canyon with native plants and shrubs. There is a pleasant little trail from the test plot that goes through the canyon. You will take it up to West Avenue 44.

A previous walker left a message on a utility pole to remind us of one reason we hike.

(Jaclyn Cosgrove / Los Angeles Times)

From here, you can either use the connector trail I’ve mapped out or head down West Avenue 44 to Marmion Way and the Southwest Museum Metro stop.

That is the end of the Mount Washington trail extension, but doesn’t have to be the end of your day. If you’re feeling adventurous, I have mapped out a connector route through Sycamore Grove Park that will take you to the Arroyo Seco and Debs Park — and beyond that!

The total route now includes about 23 miles of urban hiking. Where should I extend the route next? I’d love your feedback on how to connect our public lands.

3 things to do

The Devil’s Punchbowl Natural Area sits near the San Gabriel Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

1. Be with the bats near Pearblossom
L.A. County Parks and Recreation will host Bat Weekend on Saturday and Sunday, from 4 to 7 p.m. both days, at the Devil’s Punchbowl Natural Area near Pearblossom. Guests can participate in crafts and a night walk and visit educational booths. Learn more at the park’s Instagram page.

2. Seek out scares in Culver City
Walk ‘n Rollers will host a Halloween-themed bike ride from 5:30 to 8 p.m. Sunday in Culver City. Cyclists will travel five miles on city streets and bike paths, exploring the best Halloween decor in the area. Riders will meet at Village Well Books + Coffee. Register at eventbrite.com.

3. Blend science and the spooky in Orange
SoCal Science Hikes will host a Halloween-themed evening hike from 6 to 9 p.m. Saturday through Irvine Regional Park in Orange. Participants will first try to spot diurnal animals as they hike 2.5 miles, and then after, meet at a faux campfire for ghost stories. Costumes welcome, as long as you can hike in them. Register at eventbrite.com.

The must-read

Finley Kilgo pauses during a birdwatching bike ride through the Arcata Marsh and Wildlife Sanctuary at the northern end of the Humboldt Bay Trail. The trail could eventually become part of the Great Redwood Trail.

(Andrew Cullen / For The Times)

Advocates of the Great Redwood Trail, a proposed 307-mile route that follows defunct railroad lines, say the route could become as epic a bucket-list trip as other great multi-day scenic trails. But at what cost? Times staff writer Lila Seidman spoke to Perry Lincoln, a member of the Wailaki Tribe, who said he and other Indigenous people in the area have been left out of the planning process for a hiking trail that cuts through their ancestral land. “We’re barely getting access to these areas ourselves, but we’re going to allow outside communities to have full access to these places?” Lincoln’s daughter Tisanche Warren said. “That doesn’t seem fair.” About 40% of the trail is complete, with major efforts planned to clean up railroad pollution and restore fish habitat. The Kinest’e Community Coalition, composed of Lincoln and other tribal members and their allies, continues its fight to not only have a say in the project but also to reroute the trail to protect sacred sites, including graves.

Happy adventuring,

P.S.

Are you interested in getting into mountain biking? Or do you want to find a community of mountain bikers? The California Mountain Biking Coalition will host Rally for the Trails, a gathering of the Southern California cycling and trails community from 5:30 to 7:30 p.m. Friday at the Cub House in San Marino. You’ll learn from guest speakers, watch short films and learn about local ride events. Plus, you can meet volunteers from several local outdoors groups. Sounds like a great way to meet new pals!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

A political advertisement released this summer claimed former L.A. County Dist. Atty. George Gascón “almost destroyed Los Angeles” and warned that, if elected as L.A.’s next city attorney, Marissa Roy will “do the same.”

Earlier this month, a seemingly out-of-nowhere rumor spread through City Hall and among rank-and-file cops that City Councilwoman Nithya Raman plans to name Gascón the city’s next police chief if she ousts Karen Bass in the mayoral contest.

Gascón told The Times last week he has no interest in the job and hasn’t spoken to Raman or her team. Raman has dismissed the rumor as a politically motivated lie started by the Los Angeles Police Protective League, the police union that supports Bass.

A spokesperson for the union said Raman’s allegation was “untrue”; Bass’ campaign also said it had nothing to do with the Gascón rumor.

Nevertheless, the claim has been amplified in a number of arenas in recent days. An article in the California Post raised the issue last week, but only cited the panic of anonymous police officers. The LAPD’s former top cop, Bill Bratton, signal boosted the issue in a tweet praising LAPD Chief Jim McDonnell, whose future could be in jeopardy if Raman wins.

Gascón declined to comment for this article, other than to shoot down the rumor that he could become LAPD chief.

After suffering a crushing defeat in his bid for reelection in 2024, Gascón all but disappeared from public life. He routinely declines interview requests and has receded from the leading role he once held in the nationwide progressive prosecutor movement.

But in the homestretch of the two most important contests on most Angelenos’ ballots this year, Gascón has been conjured as a bogeyman by opponents of progressive candidates. With polls showing Roy and Raman favored to win their respective races, political observers say the attempt to make Gascón relevant again may be a sign of panic from their opponents.

“At one point in time, Gascón clearly was box office poison and he may still be,” said Roy Behr, a Democratic consultant who isn’t involved in either race. “But this feels a lot like [President] Trump and the Republicans invoking Joe Biden’s name whenever they’re in trouble. In both cases, they’re clearly signs of desperation and not invoking any particular realistic possibilities.”

On Tuesday, billionaire developer and onetime mayoral candidate Rick Caruso said if Raman hired Gascón it would “take the city into a very dark place.”

“If you’re going to fire [Chief McDonnell], who are you going to appoint? Is it going to look like somebody like a Gascón?” Caruso asked. “Because I don’t think we need LAPD being a lab experiment for the [Democratic Socialists of L.A.] It’s going to take L.A. in the wrong direction.”

Caruso, who lost to Bass by nearly 10 points in the 2022 mayoral contest, has yet to offer an endorsement in this year’s race. But he has been publicly critical of Raman and invoked the Gascón police chief rumor at an event launching a new L.A. Department of Water and Power initiative. Bass was standing right next to him.

Gascón surged into office in 2020 amid nationwide demands for criminal justice reform after the murder of George Floyd by Minneapolis police. The former San Francisco district attorney and assistant LAPD chief promised to reduce mass incarceration and hold police accountable while also reducing crime. But his lone term in office was beset by turmoil.

Gascón instituted a number of unilateral policies on his first day in office — barring prosecutors from trying juveniles as adults, seeking the death penalty or charging certain misdemeanors — that left him at war with his own staff. A raft of lawsuits soon followed, as well as a battery of made-for-TV-news crimes that served as red meat to critics who wanted to blame Gascón’s reforms for violence. Crime went up early in his term, and although a Times analysis cast serious doubt on links between the spike and the district attorney’s policies, Gascón’s name became shorthand for labeling a politician as soft on crime.

Two attempts to recall Gascón from office failed. But after a bruising four years in office, current Dist. Atty. Nathan Hochman routed Gascón in 2024, effectively ending his political career.

In the city attorney’s race, L.A. County Deputy Dist. Atty. John McKinney has tried to draw a straight line between Gascón and Roy, insisting in one advertisement that she won’t prosecute misdemeanor crimes, including trespassing, theft and drug possession. The claim echoes Gascón’s blanket ban on prosecuting loitering, public intoxication and other minor drug offenses he believed played a role in criminalizing homelessness.

During the primary, text messages sent out in support of McKinney’s campaign also referred to City Atty. Hydee Feldstein Soto, a moderate, as a “Gascón-style” Democrat. Feldstein Soto never supported Gascón and endorsed one of his challengers in the 2024 primary.

Roy’s campaign declined to comment. She prefers using diversion programs to handle defendants suffering from mental illness or addiction issues, according to her campaign website, but hasn’t specifically said she’d ban deputy city attorneys from filing any particular case. She supported Gascón’s 2024 reelection bid and attended some of his rallies.

McKinney, whose shift from trial prosecutor to politician began when he became an outspoken critic of Gascón, also favors diversion for mentally ill and addicted defendants for nonviolent offenses and has referred to his platform as one of “compassionate accountability” toward unhoused defendants.

But, he stands by the comparison between Roy and Gascón.

“I think that when she talks about not prosecuting certain misdemeanors, it’s a blanket policy,” he said. “That’s very reminiscent of George Gascón.”

The invocation of the former district attorney in the mayor’s race is more complicated.

Bass and Gascón were known to have a frosty relationship. She didn’t support efforts to recall him in 2022, but she didn’t endorse her fellow Democrat’s reelection bid in 2024 either.

Raman never endorsed Gascón and the pair had “no relationship” while in office, according to two people with direct knowledge of their thinking who requested anonymity to discuss the matter candidly. In a tweet last week, she called the rumor about naming Gascón police chief a “bizarre lie.”

“This rumor was created by the Police Union Super PAC, which is spending millions of dollars to re-elect Mayor Bass,” Raman wrote.

In a statement, Raman said she would seek to remove McDonnell before his term ends in 2030, but did not mention any potential candidates for his replacement. She is seeking to remove McDonnell, in part, over the LAPD’s heavily criticized response to protests against the Trump administration’s immigration raids in L.A. last year, which saw officers trample people on horseback and deploy tear gas on citizens for the first time in decades. McDonnell, she says, has lost the trust of immigrant communities.

Tom Saggau, a spokesman for the police union, said the organization had nothing to do with the Gascón rumor. While the union is no friend to Roy, Raman or Gascón and has spent millions against all three candidates, Saggau said he first heard about the potential new police chief from a California Post reporter. None of the union’s members or directors had raised the issue beforehand, he said.

Still, in Saggau’s mind, perception trumps reality. He said there’s a reason people might believe Raman would pick a police chief who is considered persona non grata in law enforcement circles.

“Certainly they share some similar values when it comes to policing, especially on the prosecutorial side. Gascón was, I think it’s fair to say, lenient with some of his prosecutorial decisions,” Saggau said. “I think it’s her bouncing around on public safety items that has fed this rumor. … I think she’s just got a credibility issue when it comes to public safety.”

Times staff writers Itzel Luna and David Zahniser contributed to this report.

Before it gets topped with seafood, seasonal produce and a medley of sauces, each tostada begins as a blank canvas. Local chefs are the artists, using the tostada as a vehicle to showcase their cultural backgrounds, kitchen expertise and the ingredients they love. Each bite is intentionally crafted to hit certain taste and textural marks: the crispy tostada, buttery seafood, zesty citrus and creamy avocado, plus unexpected elements that take it over the top, like tart grapefruit, piquant pickled onions or earthy salsa macha.

The best part? The seafood tostada comes ready to eat as-is, requiring no more than a dash of salsa or a squeeze of lime to complete the chef’s vision. It’s not unlike a meticulously prepared tasting menu course, except these chefs are handing over tostadas at taco trucks, food halls, raw bars and everywhere in between.

Seafood tostadas originated in coastal regions across Mexico, but in L.A., the dish pulls global influence, including a tostada topped with tuna carpaccio and cachucha pepper aioli at a Central American restaurant in Venice; salmon and chicatana ant mayo at a modern Mexican haunt in the Arts District; and scallops and wasabi aioli that merge Baja California and Japanese flavors at a Frogtown favorite.

For a refreshing bite on a hot day, or anytime really, here are 20 of the best seafood tostadas to try in L.A.

— Danielle Dorsey

Los Angeles is still struggling to bring filming back to the region, though projects that receive a state tax credit are making up a growing share of local shoot days, according to a new report.

For the three-month period that ended Sept. 30, there were 4,171 shoot days in the greater L.A. area, down 4.8% compared with the same period last year, according to FilmLA Research, a program of FilmLA which tracks on-location production. That’s also down about 11.5% from the second quarter, and nearly 29% below the five-year average.

“Where the tax credit applies, it’s working to bring productions back to Los Angeles and put local crews to work,” FilmLA Chief Executive Denise Gutches said in a statement. “Still, overall production remains far below where Los Angeles needs it to be, and crews and businesses across the region are feeling it.”

The report counts only on-location filming. Productions shot on certified soundstages aren’t included.

Television shoot days totaled 1,400, a 2.8% slide from the third quarter of 2025 and a drop of nearly 53% compared with the five-year average. About 23% of the TV shoot days were for incentivized projects, up from about 9% a year earlier. Among them was the CBS drama “Tracker,” which relocated to L.A. from Vancouver for the show’s fourth season after receiving a state tax credit.

“California’s incentive is what made it possible to bring ‘Tracker’ here,” Elwood Reid, showrunner and executive producer of “Tracker,” said in a statement. “Los Angeles is the big leagues, and after more than a decade away, I’d forgotten what I was missing.”

Within television, comedy made the biggest gains, with 192 days of filming, up 143% from the 79 days in the third quarter of 2025. More than 60% of the comedy shoot days were for projects that received a production incentive, FilmLA said. The organization said this figure could be even higher, as many comedies shoot on soundstages, which are not included in this report. Promisingly, the third-quarter comedy numbers were a 16% improvement on the five-year average.

Other TV genres lost ground, including drama (494 days, down 9.4%), reality programming (630 days, down 2.9%) and pilots (9 days, down 52.6%).

Feature film production was a bright spot, with 533 shoot days, up 2.1% from a year earlier and about 20% from the second quarter. About 24% of that filming came from incentivized projects, up from about 22% a year earlier, including Netflix’s “13 Going on 30” reboot and Jonah Hill’s comedy “Cut Off” from Warner Bros., according to FilmLA. However, the third-quarter numbers are still a 19.3% decline when compared to the five-year average.

Production for commercials, which are not eligible for a state tax credit, continued to struggle, with 562 shoot days, down nearly 16% from the same time period in 2025, though it improved 3.5% from the second quarter.

FilmLA’s “other” category, which includes student productions, still photo shoots, documentaries and online content, totaled 1,676 shoot days, a 4.2% drop from the same period in 2025. Within that category, however, online content accounted for 556 days of filming, up 16.3% from last year.

This runoff election for an open seat features two veteran attorneys with extensive experience as public defenders: Justin Allen Clayton and Anna Slotky Reitano.

Clayton is in charge of the Inglewood branch of the public defenders office and has defended three cases with life sentences.

Reitano represented juvenile and adult clients, many of them accused of felonies, before joining the county counsel’s office.

The Los Angeles County Bar Assn. considers both qualified to serve. Here’s more of what you need to know about the candidates.

Justin Allen Clayton, L.A. County deputy public defender

Bar rating: Qualified

Clayton is a Los Angeles native who attended public schools, earned a bachelor’s degree in criminology and passed the bar in 2012. He joined the public defender’s office two years later and since 2023 has served as deputy in charge of the Inglewood branch.

Clayton describes himself as a “working supervisor” who conducts arraignments and represents clients at preliminary and other hearings. He has completed dozens of trials, including three with life sentences, according to his website.

The position involves overseeing and training attorneys, as well as law clerks and summer interns, on misdemeanor and felony case preparation and trial strategy.

Clayton said a priority is improving court efficiency through pretrial preparation and “firm but fair enforcement of deadlines.”

Time as a candidate, he said, has shown him the importance of effective communication within the court system in bridging language and cultural differences. He called that a guiding principle, particularly for clients who lack counsel.

“Sometimes, one additional question, or one additional statement, can make all the difference in resolving an issue,” he said.

Clayton said running a public defender branch office, which brings him in contact with judges, sheriffs, court clerks, interpreters and others, combined with 14 years as a trial attorney, gives him a “comprehensive understanding” of the courtroom.

“That combination of courtroom experience, leadership and daily interaction with the many people who make our justice system work has uniquely prepared me to serve as a Superior Court judge,” he said.

Anna Slotky Reitano, L.A. County deputy county counsel

Bar rating: Qualified

Reitano spent the early part of her career in criminal defense, contract law and other sectors. In 2014, she joined the L.A. County public defender’s office. A decade there included three years in juvenile court, where she primarily handled felony cases, and five years at the San Fernando Courthouse, where she represented indigent clients facing felony charges.

Reitano focused on mental health diversion and treatment, aiming to support rehabilitation when possible. Having a brother with schizophrenia and witnessing how families navigate the legal system when dealing with mental illness has informed her approach.

“This has given me a deeper understanding of both the challenges individuals and families face and the ways in which the system can fall short in addressing those needs,” she said.

This is not her first bid for office. She lost a campaign for a judgeship in 2022 and two years later assumed her position in the county counsel’s justice and safety division, where she supervises litigation and advises county departments.

Reitano, a former child actor, volunteers with local schools and, according to her website, mentors “future lawyers” through moot court competitions.

Campaigning, Reitano said, has shown her that constituents, no matter how different, uniformly want “a judge who is experienced, prepared, fair and willing to listen.”

“My experience across criminal, juvenile, civil, administrative and government law has uniquely prepared me to serve wherever the court needs me,” she said.

This race for an open seat pits a former U.S. assistant attorney who represented President Obama, the FBI and NASA against a seasoned Los Angeles County public defender who has taken more than 100 trials, some with three-strikes implications, to verdict.

David DeJute, who defended Obama against the so-called birther claims, spent a decade as vice president of litigation at Sony Pictures Entertainment. He now works in litigation at a private firm.

Anthony “A.J.” Bayne’s background includes nearly two decades serving in the Compton Courthouse, where he for a time served as deputy in charge. He’s now handling serious felony cases at the Torrance branch.

DeJute is rated “qualified” to serve by the Los Angeles County Bar Assn. Bayne is rated a notch higher, “well qualified.”

Here’s what you need to know about the candidates.

Anthony “A.J.” Bayne, L.A. County deputy public defender

Bar rating: Well qualified

Bayne’s 31-year legal career includes more than a quarter-century as an L.A. County deputy public defender. He has taken more than 100 jury trials to verdict, including murder, special circumstances and three-strikes cases, some of which carried sentences of death or life in prison.

“Even during the [election] primary period, I continued taking cases to trial rather than continuing them, because my clients should not be prejudiced by unnecessary delay,” he said.

He spent 19 years at the Compton Courthouse, where for a time he served as deputy in charge, supervising misdemeanor trial deputies. He now is stationed in the Torrance branch, where he handles serious felonies.

Bayne is an inventor, with patent-pending applications for artificial intelligence tools that automate legal workflows. One helps with closing arguments; another uses court reporter transcripts to generate cross-examination questions.

Using AI to address the county’s heavy caseload is a priority. He argues the technology could modernize court infrastructure, aiding in case management, scheduling and document processing.

Bayne, who trains in jiujitsu and Krav Maga self-defense, said extensive jury trial experience has prepared him to be an effective judge.

“Wherever I go, people want the same things: a judge who is prepared and fair, who will listen to their side of the case, and who treats them with respect,” he said.

David DeJute, law professor/attorney

Bar rating: Qualified

The son of a late judge, DeJute has had a 35-year legal career. After graduating from law school, he clerked for a U.S. district judge and then worked at a boutique litigation firm. He spent nearly a decade as vice president of litigation at Sony Pictures Entertainment.

In 2005, he was appointed as an assistant U.S. attorney. Over more than a decade, he worked on 10 trials, including successfully defending President Obama against “birther” lawsuits that challenged his eligibility to hold office. DeJute represented the FBI and NASA in other cases.

He joined Michelman & Robinson in 2017 and is part of the complex litigation group.

An adjunct professor at Pepperdine’s Caruso School of Law, he’s taught ethics, antitrust, copyright and patent law. After last year’s wildfires, he returned as director of the disaster relief clinic, where he instructed students who provided pro bono legal services to victims of the Palisades and Eaton fires.

“I continue to provide free legal help to wildfire survivors who have asked me to stay involved,” he said, though he no longer runs the clinic.

DeJute said he has experienced discrimination as an openly gay man, which drives his desire to ensure that everyone in the justice system is treated with dignity and respect.

“Justice requires more than achieving certain results,” he said. “It requires a fair process untainted by bias.”

This runoff for a vacant seat on the bench features a longtime public defender running against a veteran alternate public defender. Both boast extensive trial experience.

Donna Tryfman, a deputy public defender, serves in the major cases unit, where she handles homicide and other high-profile defendants. She also has extensive experience in juvenile cases.

David Ross is an alternate in the Torrance branch of the public defenders office and also works in Bellflower and Long Beach. He claims to have represented more than 10,000 clients at hearings and in trials.

The Los Angeles County Bar Assn. rates both attorneys as “qualified” for office. Here’s more of what you need to know about the candidates.

Donna Tryfman, L.A. County deputy public defender

Bar rating: Qualified

Tryfman began with the public defender’s office in 1998, logging more than 100 jury trials. Her experience includes supervising Eastlake Juvenile Court, where she ran a branch with 15 lawyers and represented clients in the collaborative drug court. She is stationed in the major cases unit, focusing on capital homicide litigation.

Tryfman has served as a Superior Court judge pro tem, handling traffic and small claims cases. She has proctored teen courts at Dorsey and Hamilton high schools and last year received the peer-bestowed Gideon felony attorney of the year award.

Conversations on the campaign trail have helped her understand what works and what doesn’t in the justice system.

“It has reinforced for me that experience and knowledge of the law matter enormously, but so does how people are treated when they walk into a courtroom,” she said.

Tryfman said the heavy caseload of a public defender has prepared her for the bench’s rigors. She also cited her life experience as the daughter of immigrants, a single mother and a widow who was faced with the decision of whether to discontinue life support for her husband.

“Experiences like that teach you something about responsibility, compassion and judgment that cannot be learned from a law book,” she said.

Outside the office, Tryfman spent five years as president of the California Public Defenders Assn. and chaired the Rent Stabilization Commission for the city of Beverly Hills. She has served as vice chair of the L.A. County Bar Assn.’s Conference of California Bar Assns., where she helps develop state legislative proposals.

David Ross, L.A. County deputy alternate public defender

Bar rating: Qualified

Ross has more than three decades in the legal field, but it was not his original calling. The Los Angeles native served as a legislative aide to the late U.S. Rep. Floyd Fithian (D-Ind.) on Capitol Hill, then worked as a television journalist and documentary producer in Washington, D.C., Tennessee and Kansas.

“I grew up wanting to be Peter Jennings, not Clarence Darrow,” he told The Times.

Ross passed the bar in 1994, joined the Riverside County public defender’s office the following year and began as a Los Angeles County deputy alternate public defender in 2000. He has litigated 113 jury trials, conducted more than 2,000 preliminary hearings and represented some 10,000 indigent clients. Assigned to the Torrance office since 2018, he also has worked in the Bellflower, Long Beach and Pomona branches, among others.

Ross, who lives in Long Beach, said he has spoken with more than 60 Democratic clubs, unions and other organizations on the campaign trail and frequently has heard a desire for qualified and independent judges who will listen to all sides.

A priority would be ensuring that even if a party loses, they walk out of the courthouse knowing the judge paid attention.

Ross said his mix of legal and life experience and his time as a journalist, in which he “listened to real people, gathered the facts and told objective stories,” provide a unique perspective.

Genres Book Society, a new bookshop coming to L.A., is hiding a few secrets. The first indication that something a bit fantastical is going on here is the fact that the boutique store has a mascot.

Look up upon entering the space, and you’ll meet Lore. Lore is a dragon, and this dragon is made of books. The striking sculpture will hover over a cozy space with modular bookshelves that are arranged on a floor covered in book quotes. Peer closely and you’ll see the quotes are designed in the shape of a tree.

A story is being built, a narrative that signifies that Genres aims to be not just a bookshop, but a place that feels like a real-life fairy tale. For this bookstore is also concealing a speakeasy of sorts, a secluded cafe and bar with multiple themed spaces and a two-story tree with glowing books growing out of its branches.

Stories, Genres is telling us, are life.

“This is for people who want to enter into story worlds,” says Ann Morrow Johnson of design firm Gensler. Johnson, a former creative with Walt Disney Imagineering, leads Gensler’s entertainment and experiences division, which is designing the bookshop.

She wants guests to feel transported into a fantasy universe, and understands how to make that happen. For instance? “Adding just a little bit of theatricality and sparkle helps create an invitation of suspension of disbelief,” she says.

The centerpiece of Genre’s bookstore, shown in an artist’s rendering, will be a dragon named Lore.

(Gensler)

Genres, on track to open in mid-2027 near the intersection of Melrose and Fairfax avenues, is tapping into a local trend of heavily designed thematic spaces with a penchant for fantasy. Think, for instance, of the Witch’s Cottage in North Hollywood, or the Last Canteen in the shadow of Universal Studios Hollywood. Consider it the latest evolution of the themed restaurant, and a way to bring the heavily theatrical worlds of theme parks closer to home. Johnson, for instance, says the firm’s research with the the Immersive Experience Institute has shown a hunger in younger generations to embrace spaces such as the Rainforest Cafe.

“People are seeking out a moment,” Johnson says. “Those more theatrical, highly scenic spaces are more likely to get you off your phone. Little moments of delight center you.”

Genres was dreamed up Clare Grant and Karissa Marston, who brought the project to Gensler and tapped them to lead its design. Grant, an actor/producer, says the idea came to her while experiencing the regret of missing a retreat hosted by her girlfriends, who had rented a cabin to read the latest edition in the fantasy “Crescent City” series.

“Just having a newborn, I was like, ‘Why can’t I go read this book in a fantasy-themed cabin?’ That’s literally my dream,” Grant says. “Then I started thinking about it. Why don’t I have something like this in Los Angeles, where I can pop in for an afternoon or evening where someone is handing me drinks and food in an immersive space?”

Marston, it turns out, who has experience in hospitality and marketing with an emphasis on fandom, was already dreaming of such a space. The two of them crafted a business plan for a bookstore, one that wouldn’t look out of place in a sword and sorcery fantasy novel, with a hidden speakeasy.

“I was in Paris, and I went to the Shakespeare bookstore, and it was truly the most magical experience I have ever had,” Marston says. “I walked in and felt so immersed in the books and the history and I went up to the second floor and sat up there and wept. I was like, ‘I never want to leave this place. I only ever want to feel this way and be surrounded by books and people who love books.’”

Their vision is grand. The bookstore, they hope, will become a gathering spot for authors in the fantasy and sci-fi realms. And they talk of the speakeasy as not just being a safe eatery to sit and read all day, but also a future venue for, say, immersive theater. The two-story space will house multiple themed rooms, either for hanging out and hiding, or for potential events.

“I think it’s safe to say that if you wanted to be transported to outer space, you would be pleasantly surprised,” Marston says. “Or if you wanted to escape to Dracula’s castle or some of these other really big genres that you have, readers will be pleasantly surprised at the worlds that we are building.”

Johnson says Genres will be flexible enough to welcome introverts who want to dream away the day with a book, but can also be a home for a baby shower in addition to an author signing or a theatrical event. That’s in part why the shop and ground floor of the speakeasy have a familiar fantasy vibe, one not out of place in, say, the fairy tales of the Brothers Grimm, albeit with the welcoming tone of Disney.

Genres’ founders cited “A Midsummer Night’s Dream” as an inspiration for the bookshop’s bar, depicted in an artist’s rendering.

(Gensler)

“The focal point of the space is this sort of epic woodland fantasy,” Marston says. “When we first brought this to Gensler, and showed them our inspo deck, we kept saying ‘A Midsummer Night’s Dream.’”

That’s key, as everything in the space will spring from the written word. Genres, in that sense, also feels refreshing, emphasizing actual books and tactile media at a cultural moment when AI is often dominating conversations. Grant and Marston speak of being influenced by passionate social media creators who celebrate books, wanting to build a community as much as an event space. A prerequisite to be a bartender, says Marston, will need to be a love of books.

“We’re calling all our bartenders book-tenders,” Marston says. “Not only will they be well-versed in all things spirits and cocktails, but they are also someone who can give you the next book recommendation. These are very specialized employees. They can curate cocktails and books for you.”

Consider Genres a place for dinner and drinks, but one where story is always on the menu.

“People are craving more than dinner,” Grant says. “They want experience. They want magical memories that can get them through harder moments because nothing is easy right now. People want to spend money on something that is more than just dinner or going to a bar. Like whimsy.”

National treasure and musical icon “Weird Al” Yankovic may have once titled an album “Straight Outta Lynwood” to pay homage to the Los Angeles suburb where he was raised, but he’s lived in the same Hollywood Hills home since 2001, the year he married his wife Suzanne.

Though he says the two are “homebodies,” they do enjoy getting out and exploring L.A. When he was bored during the pandemic, Yankovic made it his mission to find the city’s best culinary offerings for categories like doughnuts and chocolate chip cookies. What else would you expect from the guy who made “Eat It”?

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Yankovic gets most of his food recommendations by either word of mouth or scrolling Instagram reels. “I’ll see something that looks delicious and I’ll go, ‘Oh, where’s that?’” he says. “Sometimes it’s in Tokyo, but if it’s in L.A., I’ll make a note and maybe check it out sometime.”

When Yankovic spoke to us, he was wrapping up his Bigger & Weirder tour, which spanned two years and included 165 concerts. His last appearance of the year takes place on Halloween at the Greek Theatre. The one-time event will feature a showing of “UHF,” the 1989 cult classic film that he co-wrote and starred in, along with a live orchestral performance of its score conducted by John Du Prez, a Q&A session and surprise guests.

This interview has been lightly edited and condensed for length and clarity.

8 a.m.: Planning ahead for breakfast

I wake up, fall out of bed, drag a comb across my head. Then I find my way to the kitchen for a little breakfast.

My favorite breakfast treat is Courage Bagels. I wouldn’t actually go to Courage Bagels on a Sunday morning, so the standard protocol is every six to eight weeks I drive out there and just get a big bag full of assorted loosies, as we call them. Then I immediately go home and slice them in half and wrap them in cling wrap and put them in an airtight Ziploc baggie and throw them in the freezer.

Then whenever I want one, I just take it out, I sprinkle a little water on it, toast it, cover it with Violife vegan cream cheese, a little slice of tomato, a little onion, some fresh ground pepper, some Maldon salt, a little Graza drizzle and maybe a little lemon twist.

A lot of New Yorkers might say, ‘Oh, that’s not a real bagel’ — because it’s not a real New York bagel, they call it a Montreal-style bagel — but it’s what I like.

10 a.m.: Sunday service

I go to church. I don’t manage to go to church when I’m on the road, but when I’m at home, I do.

Noon: Old and newer favorites

After church, since I’m already out and about, I pick up a little lunch to go. If I’m in the mood for Indian, I’d probably go with Curry Kingdom on Santa Monica. It’s a really small hole-in-the-wall place with great food.

If I want Thai, I’d probably do Toi on Sunset, which is one of my old standbys. I’ve been going there for decades. I love the food. I love the funky rock ‘n’ roll vibe. We probably eat in more than we take out there. If I’m dining with the family, we try to get the low table in the back where you can sit on the floor. You’re not allowed to take off your shoes, they make that very clear.

1 p.m.: Members only

There’s honestly nothing better than a Sunday afternoon nap, so that would be a big attraction for me. But if there’s something cool playing at the Directors Guild or the Writers Guild, my wife and I love doing that. The DGA is maybe the best place in L.A. to actually watch a movie. I’ve had both of the movies that I’ve done in my life screened at the DGA and I’ve never seen them look better or sound better.

I am a member of the Directors Guild and the Writers Guild. I pay my dues, so I want to take advantage of that and see as many movies there as possible. And honestly, my wife and I will go there even if it’s a bad movie because we’re just entertained by seeing the illusion of motion created by a rapidly projected series of still images.

3 p.m.: All who wander

We might do a little of what we call tumbleweeding. That’s what we call rolling around town with no set destination in mind, just going wherever the wind blows us. We just get in the car and see where we wind up.

A lot of times we’ll wind up in Silver Lake or Little Tokyo. We love to stop there and grab a little mochi candy or matcha ice cream to keep us awake.

6 p.m.: Pizza or Postmates

By that point, we’re probably ready for dinner. I hesitate to plug them because it’s already virtually impossible to get reservations there, but Pizzeria Sei has absolutely the best pizza you can get west of New York City. Their Special Margherita’s my go-to. It’s Neopolitan-style with a bit of Japanese flair. My wife and I always comment after dinner that you can eat there until you’re absolutely stuffed and you never feel gross afterwards.

But again, reservations are hard to come by, so another good option is our favorite Mexican food place, which is the Gardens of Taxco. It was off of Santa Monica Boulevard for forever. Sadly it closed down a few years ago, but you can still order their food from Postmates. The only difference is now Jaime won’t be serenading you with “Bésame Mucho” while you’re eating your quesadilla.

8 p.m.: Choose your own post-dinner adventure

My wife and I just love staying home. We celebrate whenever plans get canceled, that kind of thing. So if we’re staying at home, sometimes we’ll just grab a blanket and go into the den and get cozy on the couch and binge something on our big TV. I’ve seen a lot of shows on the road and my wife will get jealous that I watched without her, so I’ll watch the whole series again at home with her.

If we feel more energetic, because I’m not really a gym guy, I do like to walk. My wife and I are trying to stay healthy together. We never really feel like exercising, but we force ourselves, so we will drive to Beverly Hills and do the walking path along Santa Monica Boulevard, which is quite lovely. It goes through a cactus garden. It’s also fun to FaceTime our daughter while we’re walking. She’s living on the Lower East Side in New York, but we talk to her pretty much every day, and that’s a nice time to touch base with her.

We’ll walk for a couple hours, and if we’re in the mood for a drink or a treat, we’ll head across the street to heytea or Go Greek. Go Greek is a big favorite of ours, and it’s crazy busy in the evenings, but it’s definitely worth waiting for.

And if we’re feeling social, something we absolutely love is doing a ding dong. Maybe that only makes sense to a small handful of people, but it’s basically a musical dinner party, and the one that we go to is full of really cool and talented people like Eric Idle, Peter Asher, Mike Geier (who’s Puddle’s Pity Party, who I’m touring with currently), and a bunch of other amazingly talented musicians. We all just bring our instruments and have a potluck dinner, and then we’ll just sit around in someone’s living room singing old Beatles songs all night long. It’s the absolute best. It’s one of those things I can’t believe I get to do.

Late night: Rock ‘n’ roll hours

Right now, I’m sort of on my rock ‘n’ roll schedule, I tend to stay up pretty late at night anyway, and my wife has got a more normal schedule. If we can go to bed at the same time, that’s great, but if not, my wife will head to the bedroom and I’ll stay in the den with my headphones on and I’ll play video games until the wee morning hours. When I finally get tired of shooting people in the face, then I’ll snuggle in next to her and fall asleep.

Dozens of groups have lined up behind the proposal, including the Trust for Public Land, TreePeople, Friends of the Los Angeles River and many others. At City Hall, the measure is backed by Rodriguez and several other council members as well as City Controller Kenneth Mejia.

Rodriguez and Mejia signed the ballot argument in favor of Charter Amendment PRK, as did Rev. Gregory Boyle, founder of Homeboy Industries, Nicole Chase, president and chief executive of the Boys & Girls Club of the San Fernando Valley, and several others.

Backers of the measure say the parks department provides an essential safety net for the city’s low-income residents, offering summer camps, sports activities and senior programs for free or at reduced prices.

When temperatures soar, the city’s recreation centers welcome residents who lack air conditioning. During emergencies, those facilities are converted into places of refuge from fires, floods or other disasters.

Despite those varied responsibilities, the department has been underfunded for years, said Tori Kjer, executive director of the Los Angeles Neighborhood Land Trust, who pushed for the measure to reach the ballot.

“If you talk to many Angelenos, they are unhappy with their local park, and that is because we have not funded it with the resources it needs,” she said.

Kjer said the department never recovered from the 2008 recession, when city leaders cut staffing by more than 25%, leaving it with about 1,500 workers last year. The city also began charging the department for the cost of water, electricity, trash pickup and other city services.

On a blazing hot Silver Lake morning, ushering in yet another heatwave day, Anna Holmes and I say “no” to a steamy sidewalk table at Millie’s Cafe, opting instead for an indoor, air-conditioned spot. Our server reads our order back to us, shaking his head in theatrical disbelief. “Pancakes. French toast. Biscuit. Waffle with whipped cream.” He glances from one of us to the other. “No protein?” he asks. “Just the carbs?”

“I guess I’ll have some egg whites, too,” I cave. Not so my brunch companion who confirms, “Just the carbs.” Holmes grins, “I’m not a fan of fad diets that make women hate ourselves.”

In fact, Holmes has built a career of saying “no” to woman-hating of all kinds — starting in 2007, when she founded the boundary-pushing feminist website Jezebel, the sister site of the notoriously provocative Gawker. “I decided that NO would be our mantra of sorts,” she writes in her new book, “The Power of No: A Celebration.” “‘No’ to diet tips, ‘no’ to sexist gossip, ‘no’ to conspicuous consumption. We drove the point home again and again … creating new definitions and examples of what it means to be female.”

Raised in a biracial, working-class family in Davis, Calif., Holmes escaped to New York at 18, chasing her writer’s dream. “Davis was a safe, homogenous little town,” she tells me, spearing one of the sliced strawberries fanned prettily across her waffle. “Being Black, I wasn’t one of the homogenies. I couldn’t wait to get out.”

“The Power of No: A Celebration” by Anna Holmes

(Crown)

Accepted by several top universities, Holmes said ‘yes’ to New York University. “They gave me money,” she explains. “And they had a journalism school.” After graduating, Holmes grabbed a rung on the media ladder and started climbing: writing and editing for Glamour, InStyle and Entertainment Weekly. Holmes published her first book, “Hell Hath No Fury: Women’s Letters from the End of the Affair,” featuring a collection of breakup letters from the likes of Anaïs Nin, Charlotte Brontë and Sylvia Plath, in 2002.

“So, you’ve always been a slacker,” I say.

Holmes laughs. “I come by my drive honestly. It stems from my fear of failure. And growing up lower-middle class, without the kinds of connections the wealthier kids had.”

Next came the breakthrough media success of Jezebel. Her project quickly reached 10 million monthly views, exceeding Gawker’s. But the bold irreverence that drew droves of devoted readers to Jezebel brought contention, too. In June 2010, Jezebel reported that women’s exclusion from senior positions at “The Daily Show” — which the article called a “boys’ club” — was “frustrating and alienating” for women. The story earned an on-air mention by Jon Stewart, who announced “Jezebel thinks I’m a sexist prick” — and an open letter signed by more than 30 female “Daily Show” employees, refuting Jezebel’s allegations.

Author Anna Holmes.

(Annie Noelker / For The Times)

Weeks later, under the header “How feminist blogs like Jezebel gin up page views by exploiting women’s worst tendencies,” former Gawker employee Emily Gould wrote in Slate, “When Jezebel was founded, it proposed itself as an explicit alternative to traditional women’s magazines … but the easiest way for Jezebel writers to be provocative is to stoke readers’ insecurities — just in a different way.”

Holmes says some Jezebel haters were anti-feminist or far-right. “Others were politically aligned with Jezebel, but felt we were too pop-culture-focused. Some accused us of being snarky to other women,” she adds.

After three years, Holmes resigned. “I’d done what I went to Jezebel to do,” she says. “Also, the 14-hour workdays were threatening my marriage, my sanity and my health. I was smoking too much. Drinking too much. Gaining weight.”

Holmes said a final goodbye to her creation in 2013 by publishing “The Book of Jezebel: An Illustrated Encyclopedia of Lady Things.” Despite — and because of — having founded one of the internet’s most provocative publications, she helped lift up journalists, and journalism, in her wake.

“I would follow Anna off of a cliff, professionally and personally,” says Reyhan Harmanci, Wired’s editorial director, who reported to Holmes at Topic magazine a decade ago. “She channels her curiosity in a way that opens the world to readers.”

Former Gawker editor A.J. Daulerio also lights up at the mention of Holmes’ name. “If you look back at Anna’s history of finding and developing talent, you can see her impact. Writers who’ve worked with and for her can be found on podcasts, on mastheads at major publications and on bestseller lists.” Meanwhile, New York magazine’s Emily Gould, who wrote the biting Slate critique of Jezebel in 2010, has come to admire Holmes. “Nobody’s right 100% of the time,” Gould says, “especially when publishing around the clock and reacting to news as it unfolds. My current sense of Anna is that she’s genuinely brave, clear-sighted and wise. I’m eager to read her new book.”

Post-Jezebel, Holmes wrote the “Bookends” column for the New York Times Book Review. Her byline grew a few picas when she replaced Roxane Gay as editor of the Times’ popular “Work Friend” column. Having “made it there,” Holmes decided to leave New York.

“I never considered myself a New Yorker,” she says, stirring a foam flower into her latte. “When people asked, I’d say, ‘I’m from California but I live in New York.’”

While deliberating about where to go next, Holmes says, “I got a job offer with the Obamas’ production company in L.A.”

“The Obamas?” I blurt. Holmes nods. “I was tired of New York. And wanting to be closer to my elderly mom.” In the first week of the COVID shutdown, Holmes packed her two hissing black cats, donned an N95 mask and flew to LAX. Six years later, after several moves around town, she shares the upper half of a sun-splashed 1920s duplex with Ewok and Harriet.

“I didn’t have a writing community in New York and I don’t have one here,” Holmes says about her L.A. move. “I had a media community in New York. If that exists here, I’m not invited to those parties.” She cocks her head. “Every once in a while, I wonder, ‘Does Susan Orlean have regular salons? And if so, can I please go?’”

Holmes continues to settle into a slower, more domestic groove. “I’m 53 now,” she says. “I don’t want to go out all the time. I like going to bed early. All the cliches are true of me: moving from NYC to L.A. and ending up in Silver Lake — with a Volvo, no less. In my defense, I dress like a tomboy, I don’t have tattoos and I’ve never been to Bar Stella.”

Since her big move, Holmes has written “The Power of No” and is finishing up her fourth book, a sexual memoir. Her articles on wildly divergent topics continue to appear in the New York Times, the New Yorker, the Atlantic and L.A. Material.

“The Power of No” is a slim but impactful guide to the human dance between yes and no; vulnerability and ambition. The book consists of readily digestible yet smart, sophisticated bits, including quotes from luminaries, research findings, anecdotes from Holmes’ own life and others, practical tips, and lists like “Ways to Say No” (which is especially helpful to have on hand during the upcoming holiday season).

“No,” Holmes writes on Page 1: “As uttered by a woman, a provocation. Has there ever been a more fraught relationship between women and word?” By way of example, she cites what she calls “my biggest NO, my strongest rejection of what was expected of me as a woman: founding Jezebel.”

“Has writing about ‘no’ made you better at saying it?” I ask Holmes.

“I don’t purport to be good at it,” she answers. “But I’m more cognizant now of wanting to say it, at least.”

Maran, author of “The New Old Me” and other books, lives in Silver Lake.

Six weeks into the NFL season and Chargers versus the Kansas City Chiefs pits a winless team against an unbeaten one. Last season, when the Chargers swept the Chiefs, feels like a lifetime ago.

This game might not be as lopsided as it appears, considering these teams know each other so well. But these are rough times for the Chargers, who are still missing their two starting tackles and All-Pro safety Derwin James Jr. What’s more, it has been a terrible start for Justin Herbert, who has five touchdowns, seven interceptions, an anemic passer rating of 70.2 and has been sacked 17 times.

Conversely, Chiefs quarterback Patrick Mahomes is on a roll despite returning from last season’s devastating knee injury. He has nine touchdowns, two interceptions, a 106.2 rating and six sacks — almost two-thirds fewer than Herbert.

A big battle for Los Angeles will be on defense, as the Chargers have done a good job against the run and are facing Kansas City’s Kenneth Walker III, who has rushed for 537 yards at an average of 6.2 yards per carry.

After the L.A. mayoral debate on NBC4 ended Tuesday, reporters rushed downstairs to a courtyard hoping to speak with the candidates or their surrogates.

Speaking for Mayor Karen Bass were Councilmember Monica Rodriguez and State Assemblymember Rick Chavez Zbur (D-Los Angeles). On the other side, speaking for Councilmember Nithya Raman, the sole spin doctor was Controller Kenneth Mejia.

“What Councilmember Nithya Raman did up there was show a better path, a better vision for what this city could be,” Mejia told reporters outside the NBC4 and Telemundo52 studios in Universal City.

Mejia isn’t just listed as Raman’s top endorser on her campaign website. He’s also her biggest cheerleader, and the only elected official at City Hall publicly supporting her mayoral bid. (Raman’s camp has contended throughout the campaign that endorsements are not necessarily a sign of how the electorate is feeling.)

Of all the elected officials out there, Mejia is an obvious ally for a politician like Raman who has been somewhat ostracized at L.A. City Hall since she announced her candidacy in February. Not a single council member — even her three fellow comrades in the Democratic Socialists of America — has endorsed Raman’s candidacy.

“When you’re in office, once you learn how status quo works and how to game it, you don’t want to change it,” Mejia told The Times, referring to the three DSA council members supporting Bass.

As for Mejia, he doesn’t mind being on the outside.

“It’s been lonely since I’ve been here [at City Hall],” he said.

“People have told me, ‘Kenneth you ruined your political career by endorsing Nithya,’” he said. “I’m honored to be the only one endorsing her … Karen Bass said the political establishment doesn’t like Nithya and I said, ‘So? I won by bucking political establishment.’”

Mejia has turned into an attack dog for Raman over the past few weeks. After endorsing her in July, he has showed up at news conferences with her and posts sometimes multiple times per day on social media supporting her or attacking the mayor.

One reason for his endorsement is that Bass declined to consent to Mejia performing an audit into her signature homelessness program Inside Safe.

Raman, meanwhile, has said she’ll open the books to Mejia.

If Raman wins, she will have a formidable City Hall ally in Mejia, who has not been shy about using social media to attack an assortment of political targets in and outside city government. On Friday, he announced that he had issued subpoenas to LA28, the private Olympic organizing committee, demanding financial records on the planning for the 2028 Games.

A vote, but no endorsement

Fourteen members of the Los Angeles City Council have endorsed Bass (yes, that includes Raman, who subsequently decided to challenge the incumbent).

The sole holdout on the council, Traci Park, made her allegiances — soft as they may be — abundantly clear Wednesday at a town hall in Pacific Palisades when she said she would be voting for Bass but not endorsing her.

“I want some change too,” Park said, addressing her constituents about the mayor’s race. “But the alternative does not actually get us where we want to be. I think it actually impedes our progress.”

“I have deep concerns about the leadership and effectiveness of both candidates. I have personally been deeply frustrated and angry with our current mayor. We have tangled on some major policy issues. But always respectfully.”

Park said that as difficult as things may be now, they could get worse if Raman were elected.

The council member, who represents a large swath of L.A.’s Westside, said she is “very, very concerned” about a Raman mayoralty.

Park represents the Palisades, where the Palisades fire burned last year, destroying thousands of homes and killing 12 people.

Park told The Times in an interview that an endorsement of Bass would have represented “an affirmative statement of support earned based on agreement with someone’s records or positions or accomplishments.”

But Bass is someone Park can work with, the council member told The Times.

“I cannot say the same thing about Nithya Raman. That’s the problem. She doesn’t work with others. I think that deep frustration with her unwillingness to collaborate with others is reflected in the fact that no other council members at all are endorsing her,” Park said.

Bass goes to Ramanland

Bass went hard after Raman at this week’s NBC4/Telemundo 52 debate, accusing her of neglecting constituents in her district, which stretches from Silver Lake to the San Fernando Valley. She pushed even harder the following morning, appearing with some of those dissatisfied residents and business owners in Sherman Oaks.

Standing outside the Valley Inn Restaurant and Martini Bar, Bass said she reached out to Raman early on as mayor to warn her that some of her Valley constituents had contacted the mayor’s office to voice unhappiness with Raman. Bass said she told Raman she was going to meet with them.

“She essentially said to me that … she knew that they didn’t like her, that it was a feeling that was mutual, and to have at it if I want,” Bass said. “To me, I thought that was a strange way to respond.”

Raman spokesperson Liz Garcia denounced Bass’ comments as “bizarre and simply not true,” saying her boss has maintained positive relationships with her constituents. In a statement, she pointed to recent polling that showed Raman with an 8-point lead in the Valley.

“Nithya’s results in her district help explain why: She has reduced encampments, tents and RVs by 70% in her district over the past three years, helped businesses succeed, protected tenants, installed traffic safety upgrades and improved quality of life for residents,” Garcia said.

Raman has been pushing back against the mayor’s claims in other ways, noting that two-thirds of voters in the June 2 primary chose someone other than the incumbent.

During this week’s debate, Raman criticized Bass for boasting that she had given Sherman Oaks residents her personal cell number, saying it showed that regular government operations are dysfunctional.

Standing outside the martini bar, Bass acknowledged that her own staffers aren’t always happy about her generosity with her cell number. But things were worse when she was a member of Congress, she said.

“My cellphone was on my business card,” Bass said.

State of play

— BLOW FOR BLOW: The gloves came off in the final debate between Bass and Raman this week, with the two candidates trading verbal jabs over public safety, the Palisades fire and the fate of Police Chief Jim McDonnell. Meanwhile, here’s who three L.A. Times columnists believe won the debate.

— A MOVING TARGET: Raman has shifted her position on police hiring, public safety spending, the so-called mansion tax and other issues, causing some to question what she stands for. Raman has defended her various policy shifts, saying she made them after receiving new information or recognizing changed circumstances.

— CHIEF AMONG THEM: Raman and Bass have diverged over whether to keep Chief McDonnell. Raman said she would replace the chief if she becomes mayor, although she offered mixed messages on the timing. Bass said that McDonnell’s replacement before the 2028 Olympics could throw the LAPD into turmoil.

— GATES-GATE: Bass denounced Raman for saying the “gold standard” for the LAPD’s noncooperation with immigration enforcement took place during the tenure of former police chief Daryl Gates. Bass suggested Raman is not in touch with the city’s Black community, while Raman said the mayor had deliberately twisted her words.

— HOPE FOR HOUSING: Both Bass and Raman have been talking up their work on housing affordability. Bass said her administration has fast-tracked tens of thousands of units of affordable housing, while Raman has boasted of her success in enacting the strongest tenant protections in L.A. in 40 years.

— FIGHTING FRAUD: Los Angeles County voters are concerned about a host of voter fraud issues that could disrupt the Nov. 3 general election, even though they have a high degree of confidence in local elections officials, according to a new poll funded by the nonprofit California Community Foundation.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program did not have an operation this week.
• On the docket next week: The final, pre-election campaign finance statements are due in Los Angeles runoff contests on Thursday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

A spectacular run that included back-to-back World Series championships and delivered unforgettable memories ended with a whimper for the Los Angeles Dodgers on Thursday.

The Milwaukee Brewers, humiliated by the Dodgers last year in a four-game sweep, returned the favor at Chavez Ravine, defeating L.A., 6-4, in the National League Championship Series. The loss eliminated the Dodgers and ended their run at a vaunted three-peat, or three consecutive titles.

No North American sports franchise can claim such an accomplishment since the Shaq- and Kobe Bryant-led Lakers from 2000 to 2002.

How did a team of All-Stars fall short? Our sports team delivered tremendous coverage that answers that question and many more.

Columnist Bill Plaschke wrote how a team with seemingly every advantage fell short, beat writer Maddie Lee documented what led to the demise, while columnist Bill Shaikin provided updates to several questions on the team’s future. The devoted fans of the Boys in Blue have also had a chance to react.

Let’s sample some of their in-depth reporting.

Shohei Ohtani’s declining health was too much to overcome

Plaschke wrote that the single biggest reason the Dodgers didn’t three-peat centered on the health of designated hitter and pitcher Shohei Ohtani.

The owner of four MVP trophies, Ohtani began the season with a goal of also winning the Cy Young Award. So he focused on pitching, and he pitched well, going 8-2 with a 1.79 ERA in 14 starts.

Then he injured his knee, but he still pitched, long past when he should have been pitching, said Plaschke. He was finally pulled off the mound in early July, but by then he had also injured his elbow and his offense suffered because he was so worried about the pitching. It was at this point the Dodgers should have shut him down entirely, given him a month off to ensure he would be ready for October, according to Plaschke.

But no. Ohtani insisted he was fine even though his plummeting batting numbers said otherwise. When he was finally placed on the injured list in early September, Plaschke said it was too late, and he entered the playoffs as a shell of his former great self.

An autopsy reveals much

Lee agreed with third baseman Max Muncy when he said, “The train finally ran out of steam, I guess.”

A major aspect of the challenge of winning three straight is simply workload. The Dodgers not only have played more games than any other team the last two years, but their schedule has included grueling travel.

The Dodgers started both the 2024 and 2025 seasons early and overseas, playing in the Seoul Series and Tokyo Series in consecutive years. And both years ended with coast-to-coast travel for the World Series, as the Dodgers won titles over the New York Yankees and Toronto Blue Jays.

The team’s collective age — the oldest lineup in the majors this year, according to Baseball Reference, weighted by at-bats and games played — may not have helped.

Cap concerns

Shaikin wrote about a lockout expected this winter as Major League Baseball owners attempt to implement a salary cap, which limits the amount of money a team can spend on player salaries.

The owners initially proposed a salary cap of $245 million for next year. The Dodgers already have $347 million committed to 14 players next year, according to Cot’s Baseball Contracts.

Under a cap, the owners have promised a transition period to account for existing commitments, and an actual negotiated cap could be higher, said Shaikin.

Even if the players do not agree to a cap — and they insist they won’t — whatever economic system emerges from collective bargaining would likely make it painful for the Dodgers to spend so freely, according to Shaikin.

What some Dodgers fans are saying

Most baseball teams create a now well-anticipated “thank you fans” social media post after the conclusion of a season.

Passionate fans use the post as a sounding board for everything that ails them about their favorite teams. Just look at the “thank you fans” X posts from the New York Yankees and Philadelphia Phillies laced with profanities and vitriol fiercer than any East Coast nor’easter.

But on Friday, Dodgers fans were gracious and supportive on the fan appreciation post on X.

“Thank you for the great run over the last three years. Let’s come back stronger,” wrote one user.

“Thank you for the ride,” another tweet noted. “We’ll be back next year!”

The week’s biggest stories

A house burns off Calle Miramar in San Juan Capistrano during the Norte fire on Friday.

(Sandy Huffaker/For The Times)

Southern California wildfires

Olympics and sports news

Crime, courts and protests

More news

Editor’s pick

More picks

Things to do

(Ariana Drehsler / For The Times)

• 🎭The world premiere play “Bobby Robotowitz” brings AI questions into your living room — literally — with performances on the Eastside and Westside.
• 👀 The 10 biggest revelations of Nathan Fielder’s new Elizabeth Holmes documentary, ‘You Can See Everything.’
• 🍽️ For many, like the preservationists pushing to save Santa Monica’s Mel’s Drive-In, the mere thought of demolishing the iconic restaurant is offensive. Eating there was certainly on the bingo card for columnist LZ Granderson when he and his son first drove across the Southwest decades ago, and it continues to be a favorite breakfast spot of theirs.

Today’s recipe

(Stephanie Breijo / Los Angeles Times)

Many meatballs are made with a panade, often a mixture of white bread soaked in milk, which lends moisture to the final meatballs. For these lamb meatballs, cooking editor Cody Reiss decided to make his panade out of ingredients that felt more in-line with the mutabbal he was serving them with. He ended up using a mixture of leftover pita bread and labneh (drained yogurt). The resulting meatballs were moist, herby, spiced, seasoned, spicy and just a joy to eat.

Photo of the day

Volunteers led by guerrilla activist Jonathan Hale paint over the faded crosswalks of an intersection near USC on Sept. 19.

(Etienne Laurent/For the Times)

Games

Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.

Have a great day, from the Essential California team

Jack Dolan, investigative reporter
Hugo Martín, assistant editor, Fast Break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Cameron Winter had one last knife to twist for the Dodger faithful in the audience at Hollywood Forever on Thursday night.

“My husband lost everything but the kitchen sink, because he spent it all on DraftKings,” Winter deadpanned during the band’s closing hit “Trinidad,” where he typically sneers ad-libs about domestic nihilism. “He bet everything on the Dodgers, and they f—ing lost.”

The crowd cracked up in grim commiseration (as a Mets fan, Winter could probably sympathize). It felt cathartic when he hit that song’s freaked-out chorus — “There’s a bomb in my car!” — in a hail of guitar noise.

Geese had an atypical, if kind of old-fashioned, run on the hype train for a young rock band. Structured around Winter’s twitchy, stentorian vocals with contortions of feedback and meditative jams, the New York City quartet is, to paraphrase something Brian Eno said about My Bloody Valentine, “The vaguest music ever to have been a hit.” A group rooted both in Sonic Youth’s avant-garde pedal squalling and haunted, pre-Beatles rock ’n’ roll, they can still play “Saturday Night Live” and get its frontman a luscious prestige concert doc filmed at Carnegie Hall directed by Paul Thomas Anderson.

That sudden ascent, for a band spiritually in league with the Velvet Underground and Suicide, led some to wonder what exactly happened behind the social media scenes to get them there (one conspiratorial phrase got thrown around in particular). Geese were always an odd band to pin to anxieties about fabricated culture — if a label had resources and abilities to manufacture stars, why not do it for a 100x-hyperscaling pop act instead? But if they didn’t have the goods after three LPs so far, they’d fade out soon enough.

At Hollywood Forever, Geese showed they did indeed have the mettle to run their scabrous noise into arenas. Much has been made of Winter’s idiosyncratic star power, and as an extremely tall, wet-dog-handsome instrumental virtuoso with a one-of-a-kind voice and just enough self-aware wit and lacerating lyricism to keep it relatable, that’s indisputable.

Geese perform at Hollywood Forever on Oct. 15.

(Lewis Evans)

But Geese is also a band, in the sense that every musician matters to a distinct aesthetic. I was just as compelled by guitarist Emily Green’s swells of reversed reverbs and sad-eyed, contrapuntal melodies, or drummer Max Bassin’s patience in building moods before firing off a relentless, redlining backbeat halfway between outlaw country and krautrock. Bassist Dominic DiGesu brought gnarled ballast to everything, and even touring keyboardist Sam Revaz added texture and levity (what was up with that twenty-second, heavily filtered sample of Randy Newman’s “I Love L.A.” halfway through “2122”?)

Last year’s LP “Getting Killed” raised the stakes formidably, both for the band’s fame and their songwriting prowess. From “Long Island City Here I Come” onward, the band were merciless but measured in their attack. The slinky, lurching “Husbands,” “Islands of Men” and frantic “Bow Down” sounded meaner and more electric than on the record. “Au Pays du Cocaine” hit even more mournful and lonesome in an actual cemetery — “You can stay with me, and just pretend I’m not there” never felt so apropos.

A few tracks from 2023’s “3D Country” like “Cowboy Nudes” and “Gravity Blues” showed their insouciant Americana streak — you can easily imagine Bruce Springsteen getting wind of another grimy New York noise-rock act to champion. To judge from the lines of young, very devoted fans snaking around the cemetery, Geese has already built the requisite subculture to thrive longer-term. In decades past, some greasy label dude would probably tell them to go write a real hit next. These days, what they’re doing now already feels like one.

Winter will have some tough choices about how to balance both Geese and his regal piano-centric solo career (his late 2024 solo LP “Heavy Metal” is fantastic, and captivated no less an authority than PTA himself). You can see why Olivia Rodrigo wanted to get dinner with him. But for the next couple of nights in L.A., a genuinely beguiling and astringent new rock band is at the height of its powers and has captured the zeitgeist. Savor that.

Karina Longworth loves Los Angeles for all its quirks and charms.

Born and raised in the San Fernando Valley, the film critic, author and journalist has made a career out of celebrating her city. Her podcast “You Must Remember This,” about “the secret and/or forgotten histories of Hollywood’s first century,” has spent 21 seasons diving into the intricacies of the movie industry, from lauded stars to undersung production designers. (Its new season, “The Bisexuals,” tells the story of singer turned actor Libby Holman, whose love life would later intersect with the now-famously queer screen star Montgomery Clift.)

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

She’s also fiercely loyal to the hangouts and haunts she grew up frequenting.

“Until they closed down three or four years ago, my favorite Indian restaurant was this place in Studio City on Ventura Place called Gangadin,” she says. “That was the only place I would order from, and I have not been able to find an Indian spot that I like since just because I’m comparing it to Gangadin, which probably wasn’t even the most authentic or the best. It’s just what I had been eating for 30 years.”

Here’s how Longworth would spend her perfect Sunday in L.A., from a stroll down Mulholland Drive to grabbing a cup of frozen yogurt with a cinematic spin.

This interview has been lightly edited for length and clarity.

9 a.m.: Get up and grab a latte

I try to sleep as late as possible, but the older I get, the harder it is to actually sleep in. Ideally on a perfect Sunday, I would sleep until 9. It doesn’t always happen, but I try.

My favorite place to get coffee in L.A. is Kings Road Cafe. I’ve been going there since the ‘90s, and I still think they have the best coffee in Los Angeles. It’s very strong and they give you a large portion, and I find that you rarely get both of those things in L.A. (I like a coffee that can last me multiple hours.) I’ll usually get an almond milk latte — iced if it’s warm out, hot if it’s not.

10 a.m.: A Laurel Canyon hike

Probably what I’d do next is go over to Laurel Canyon. I built my recording studio in a tiny house at the end of a cul-de-sac in Laurel Canyon a few years ago, and I really like hiking around there. So I’d drive up, park there, and then walk up Laurel Pass to the Nancy Hoover Pohl Overlook.

The first half of that walk is really tough because it’s just straight uphill until you get to Mulholland, but I like it because it’s not a hiking trail, so it’s not dusty and there aren’t that many people. There’s an element of solitude and quiet to it, and I love that the end of it is all downhill so you can just kind of run down and get it over with.

Growing up in the Valley, I always romanticized Mulholland Drive, which was always quote-unquote “over the hill.” There’s something about manifesting and then realizing my ideal adult life that I can come to understand by standing at the overlook and looking at the other side, remembering when I dreamed of living where I do now.

In the ‘80s and ‘90s, the Valley wasn’t what it is now. There wasn’t an Alfred Coffee or anything like that. It was a few years behind the times compared to Hollywood or Beverly Hills, where all the cool stuff that I wanted to do was usually happening. All the good record stores, all the good bookstores and movie theaters.

I used to go to the Silent Movie Theater when I was a teenager or the Beverly Cinema, which is now the New Beverly. I’d go to the Nuart all the time, too. I saw a lot of important movies at the Sunset Five, which is now called the Landmark Sunset [Hollywood] and isn’t going to be showing the 2026 equivalent of “Gummo.” I think being in the Valley just felt like being in the Los Angeles version of suburbia and so it was like, “I’ve got to get out of here and go to where things are actually happening.”

11:30 a.m.: An old favorite

After that walk, I’ll go back to my place in Laurel Canyon to have a shower and get dressed and then it’s off to Art’s Deli on Ventura Boulevard in Studio City, which is a place that I’ve been going to since 1987. I had friends that worked there in high school, too, so I was there almost every day having matzo ball soup and coffee.

There used to be a lot more really good delis in L.A. My favorite actually was Solley’s in Sherman Oaks, where I used to go with my grandfather. I’ve never had white fish salad that’s better than what they had at Solley’s, but Art’s Deli is good, too. I really like their knishes, or I’ll get a half-sandwich and soup. I’d probably do turkey on rye with mustard, but with coleslaw and Russian dressing on the side so I can add small amounts when I want. That and a cup of split pea soup.

1 p.m.: Sweet treats

Ideally after lunch, I’ll get dessert at Humphrey Yogart. It’s sort of a funny joke that I’ve become this classic movie person and there’s this frozen yogurt place inspired by the name Humphrey Bogart, but I’ve actually been eating Humphrey Yogart since before I knew who Humphrey Bogart was.

They take frozen yogurt — sweet or tart — add mix-ins, and then put it in this crazy blender that’s like a giant drill with a handle that comes down. I like to do sort of a fake Cherry Garcia with cherries and some kind of nut, but they also have an option called Killer Chocolate where they take plain tart yogurt and add a dark chocolate syrup, which I really like. I’ll add orange and espresso to that, and sometimes I’ll have them put sprinkles on top because sprinkles are amazing.

2 p.m.: Movie magic

I love to go to the movies. On Sundays at the Los Feliz Three, they do something called “Sunday Print Edition” where they show a 35mm print and have somebody come and talk about it, which is always cool. Or if there’s a festival happening at the Egyptian or something I wanted to see at Vidiots, maybe I’d do that.

I think the Egyptian is probably my favorite movie theater in L.A. It’s historic, it’s beautiful inside, and I find that the projection and programming are both very good. It’s also close to where I live so that’s convenient and, assuming they’re open, you can go have a drink or food at Musso and Frank after, which is perfect.

4 p.m.: Dodgers and drinks

Usually on Sundays, the Dodgers play at 1 o’clock, but if it’s a nationally broadcast game sometimes it’ll be on at 4 o’clock. If that’s the case, then I’d like to go to Colombo’s to sit at the bar, have a drink, and watch some of the game.

I think I’d have either a vodka martini, a Manhattan on the rocks, or maybe a glass of wine. Colombo’s is my favorite place to watch a Dodger game that’s not a sports bar. I don’t really love sports bars anyway, but if it’s a big World Series game maybe I’d go somewhere in Koreatown that’s more sporty to watch. But for sitting in a dark bar to watch an hour and a half of a game while you have one or two drinks, Colombo’s is perfect.

6 p.m. Dinner at Da Prato

Right now, I really like Da Prato, which is run by this chef Elisa Da Prato, and she’s calling it a supper club. It’s in this strange almost-loft space on 2nd Street downtown, and I’ve been there three times since early July. Each time it’s gotten busier and busier, too, so I think word of mouth is growing.

She just makes very beautiful traditional but artistically done Italian food. Everything is homemade, and it’s very L.A., but at the same time, it feels like you stumbled into some small place in an alleyway in Rome because it’s informal and they only have a small staff. It’s such a great experience, but you have to think of it in a European way because it’s not a place where you’re going to get in and out in 45 minutes. You’re going to have several courses, you’re going to linger over your food, order a couple bottles of wine, and everything’s going to be very relaxed and wonderful.

If I can’t go to Da Prato or if I need a more “special occasion” place, I’d do Jacaranda, which was started by chef Daniel Patterson and his wife, Sarah Lewitinn. I’ve been internet friends with Sarah for 15 to 20 years, so I went a couple times when they were doing it as a pop-up in their house, and now I’ve gone once since they opened the official restaurant. I’m not normally a tasting menu person because some places it can feel like too much food, but Daniel’s cooking is so phenomenal and you can absolutely manage to eat all 12 courses without feeling like you want to die.

10 p.m.: Skincare and sleep

After dinner, I’d head home and maybe take a little walk to burn off dinner a bit. Otherwise, it’s time for my nighttime routine, which is boring middle-aged lady stuff like skincare and taking magnesium. I try to be asleep by 10, but oftentimes the only time I really have to read a novel or to read for pleasure is in the 10 minutes before bed. So I’ll read a physical book or my Kindle or put on a show that I’ve seen 1,000 times if I just need something to fall asleep.