“It’s my favorite city in the world,” says the comedian, musician and actor best known for the beloved sketch comedy series “Portlandia” and for “Saturday Night Live.” “It has a really strong sense of community for such a giant city,” he adds, noting the recent celebration surrounding the new Los Angeles County Museum of Art and Metro’s D Line extension.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Armisen enjoys being behind the wheel, which is how he first noticed Hulu’s “Deli Boys,” where he plays casino boss Max Sugar in the show’s second season.
“Strangely, I was a fan before I was a fan of the show,” he says. “I was a fan of the billboards. I saw ads for it, and I was immediately curious. Like, ‘What is that? Why is it called ‘Deli Boys’? Who are these people?’ There was something about the three leads, a sort of chemistry or charisma, that I wanted to be a part of.”
For him, the perfect Sunday involves traversing the city, checking out record stores and visiting museums like the Museum of Jurassic Technology in Culver City. “I fell in love with it as its own art piece,” he says. He also enjoys going to live shows, sometimes performing and spending time at home with his family. For him, the ideal day in L.A. “is a mix of all of those things.”
The one place you won’t find the sun-averse actor is the beach. “Los Angeles is a great place for people who hate the sun,” he says. “There’s a goth quality to it. So many of the best punk bands came out of Los Angeles.” He appreciates that you can avoid the sun by staying in your car. “It feels like I get to confront my hatred for the sun without being in it,” he says.
This interview has been lightly edited and condensed for length and clarity.
5 a.m.: Early rising
I love Los Angeles so much that sometimes, when I wake up, it’s still dark outside. So it’ll be, like, 5 or 6 o’clock in the morning, and it’s dark, but the palm trees are silhouetted in the sky. Right away, I’ll have granola or Grape Nuts with almond milk and blueberries. And then I just like to sit in silence while it’s still dark out, while sipping two mugs of coffee. If I do go out, the Village Bakery and Cafe on Los Feliz Boulevard is really nice for breakfast or if you have to meet someone. There is a scramble there that I really like. But lately, I’ve also been getting granola with yogurt.
8 a.m.: Make it a work day in Elysian Valley, a.k.a. Frogtown
I like to make every day a work day. So even if I have a day off, I still try to do one work-related task. I have a music-and-writing space in Frogtown where I’ve had an office for a while. I had one there when we wrote “Portlandia.” I’ve got my drums set up, and I usually like to get things ready for touring. I have all these flight cases and drums there and I get all my equipment together. I’ll just clean them up a little bit. Sometimes I practice — not practicing to get my rudiments up for drumming — but just because I enjoy drumming so much.
11 a.m:. Lunch in Frogtown
There are a few places in Frogtown where I like to have lunch. There’s a vegan cafe near me called Just What I Kneaded, which is great, or the Spoke Bicycle Cafe, which is a little down the river. I like the chickpea farro bowl with Brussels sprouts and tempeh. Sometimes I’ll go to Wax Paper and order the Kai Ryssdal sandwich. Their sandwiches are really good and are named for National Public Radio hosts. We have to embrace being pretentious. I think in these cafes, we should talk about the Velvet Underground. It’s almost like cosplaying. Like, let’s really be Silver Lake. Well, you know, with bicycles.
1 p.m.: Run errands at the Americana at Brand
I can’t just stay in Frogtown, so I’d next go to the Americana at Brand outdoor mall because sometimes, when a place is devoid of all those pretensions, it’s actually very relaxing. You can walk around and get a lot of errands done. I love the sushi place the Bar — Hand Rolls by Seabutter.
2 p.m.: Take a drive through Griffith Park
I love driving. That’s one thing that I love about Los Angeles. Everywhere I go, I get to be in my car. I like listening to the radio. It’s just a peaceful place to be. There’s something special about it, especially as day turns into dusk. I like going down Sunset Boulevard or Beverly Boulevard. I also love driving Crystal Springs Drive through Griffith Park. It is the prettiest drive. The speed limit is nice and slow. In the summer, there’s a free Shakespeare festival in that same park. I haven’t made it yet because I’m usually traveling, but I’ve always wanted to go.
3 p.m.: Hit the record stores
I know it’s a cliché for me to say I go to record stores, but I do. I like going to Amoeba Music in Hollywood. I’ll get any reissue, like a new box set. And there’s always something that’s just come out. Sometimes I’ll go to a musical instrument store called Caveman Vintage Music in Lincoln Heights just to pick up a few things that I’ll need, you know, drumsticks or whatever. Or sometimes I’ll get a weird little amp or keyboard.
6 p.m.: Sushi dinner in Glendale
If I go out to dinner, I like going to Sasabune in Glendale. It’s on the third floor of a building near the Americana. In my opinion, Los Angeles has the best sushi in the world. Ventura Boulevard in the Valley is amazing, but this place is my favorite restaurant in the world. Wow. I love it.
8 p.m.: See live music
Once a month, although not usually on Sundays, I play covers at a bar and record store called Permanent Records Roadhouse in Cypress Park. Sometimes I do stand-up at Largo at the Coronet. But I love to see live bands. The Bellwether and the Teragram Ballroom are great venues to see bands. Those two, I’d say, are my two favorites to go to because I like a little bit of space, because I can’t be up at the front. You know, I’m so famous that bands stop playing [laughs] when they see me. No, I’m just a patron. I’m a fan. TheGreek Theatre is a fantastic place to see live music. And the Ford amphitheater! The last time I went, I thought, ‘Why don’t I come to every show here?‘ because it’s the perfect size. It’s outdoors. It’s not gigantic. Every seat is good. It’s really, really great. I saw Neil Young there. I saw Paul McCartney at the Fonda Theatre in March, and he was unbelievable. I love that he played there. I like the Hollywood Bowl, obviously, but everybody knows that.
When Republican Spencer Pratt burst into Los Angeles politics, venting a torrent of online fury against Mayor Karen Bass’ handling of the Palisades fire, he pitched his mayoral campaign as a full-bore challenge to L.A.’s political status quo.
The former reality TV star, who lost his home in the blaze, started as a long shot but emerged as a national story, with the ability to harvest social media attention, rally a base and dominate the news cycle.
But in a city overwhelmingly Democratic, where Republicans make up just 15% of registered voters, even some of his supporters wondered how far he could rise. In the end, voters selected Bass, a Democratic centrist, and democratic socialist City Councilmember Nithya Raman, who ran to Bass’ left, to face off in the runoff.
Still, for many of the 200,000 Angelenos who voted for Pratt, his brash, social media-fueled campaign was not just a long exercise in trolling. Pratt gave voice to their discontent with the system of one-party rule and said things they too often felt uncomfortable saying.
And now, they face a difficult choice of who to support in November.
“I know a lot of people who are disappointed,” said Meghan Daum, an L.A. writer and podcaster and former Los Angeles Times columnist who endorsed Pratt. “They are saying, ‘OK, now what? What can we do?”’
While Pratt did not make the runoff, political experts said his candidacy tapped into Angelenos’ dissatisfaction with the Democratic establishment and resonated with a sizable number of Angelenos who are rarely represented in L.A. politics.
“He identified a previously invisible level of anger and frustration,” said Dan Schnur, a longtime politics professor at USC, UC Berkeley and Pepperdine University, of Pratt. “The question going forward is whether he, or someone else, can shape that raw emotion into a movement.”
Pratt has yet to put out a statement conceding the race or contesting the results. As a stream of Republicans, including President Trump, made unfounded allegations of election fraud in California, the campaign’s most online candidate was conspicuously absent on X and Instagram.
Some Democrats in L.A. urged Pratt to make good on his promise to leave the city if Bass or Raman were elected. Late night TV host Jimmy Kimmel, a prominent Democrat, told Pratt he had rented him a U-Haul.
Despite the snark from Democrats, political observers say Pratt changed the terms of L.A.’s mayoral debate.
“He forced the more conventional candidates to talk about the issues in a way that would not have been the case if he weren’t in the race,” Schnur said.
“For the first time in years, there is a critical mass of citizens who are done pretending that what they see before their eyes isn’t really there,” Daum wrote on her Substack. “The people in charge will have to answer to those citizens.”
In the final weeks of the campaign, Pratt became ubiquitous in the national media. There were profiles in high-end publications, podcast interviews and regular reports from Fox News. But the results show he fell short of persuading enough Angelenos to make the runoff.
“It doesn’t appear that he’s impacted the political underpinnings of a deep blue city like Los Angeles,” Schnur said. “His impact was less ideological than attitudinal. He wasn’t convincing the voters to become more conservative, he was convincing them that it was OK for them to vent their anger in an unconventional way.”
Dissatisfaction is building in L.A. as the city’s cost of living mounts and a new generation of young Angelenos are unable to buy homes. Many are concerned about the lack of visible progress on street homelessness. Some are angry at what they see as city leaders’ poor preparation and response to the Palisades fire.
Ultimately, the momentum for change in Los Angeles was divided. As Pratt challenged Bass from the right, Raman tacked to the left of Bass on homelessness and policing and made affordability a key plank of her campaign.
Whatever their concerns about the status quo in L.A., many Angelenos were unwilling to vote for a Republican.
During the course of the campaign, Daum said she had numerous conversations with Angelenos who said: “I can’t associate with anybody who voted for Trump. I can’t have them in my house. I can’t have a conversation with them. I want nothing to do with them.”
A 42-year-old millennial who became famous on “The Hills” and owns a business selling “healing” crystals, Pratt had no political experience when he entered the mayoral race. He didn’t even appear to have a campaign manager.
“The system in Los Angeles isn’t struggling, it’s fundamentally broken,” Pratt said as he launched his campaign on Jan. 7, the anniversary of the fire. “It is a machine designed to protect the people at the top and the friends they exchange favors with while the rest of us drown in toxic smoke and ash.”
As Pratt talked about homelessness, his message resonated with Marissa Comstock, 36, a stay-at-home mom and former software engineer in Eagle Rock.
“It’s totally obvious to me,” she said. “We need to get these people off the street.”
Last year, Comstock said she and her husband had a negative encounter at Griffith Park as they pushed their daughters around in strollers. Just a few minutes into their hike, she said, they were accosted by an unhoused person who screamed at them and threatened to cut off their daughters’ legs.
Since that incident, Comstock said, she takes her daughters only to places like the Huntington or Descanso Gardens that require membership to be admitted.
“I don’t feel comfortable even being on regular streets,” she said. “If there’s some crazy homeless person, what am I supposed to do?”
Pratt did extraordinarily well in capturing attention and developing a message, said Paul Mitchell, vice president of the Sacramento-based bipartisan firm Political Data Inc. Many Angelenos, he noted, had a better sense of Pratt’s viewpoint than they did of much more deeply funded California gubernatorial candidates, like Matt Mahan or Xavier Becerra.
During his campaign, Pratt did not express support for Trump or the Make America Great Again movement. He insisted he was a nonpartisan candidate running on local issues.
“I’m going to show everybody that I’m their mayor,” Pratt said on election night.
But even if Pratt was not explicitly MAGA, his reality TV theatrics mixed with antiestablishment populism were so MAGA-coded that he struggled to persuade disaffected liberal Angelenos. He referred to the homeless as “fentanyl zombies.” He railed against California’s “socialism.” He called Bass “Basura,” Spanish for trash.
When Trump spoke of Pratt, telling reporters “I heard he’s a big MAGA person,” Raman was quick to share Trump’s remarks on social media, warning Angelenos that Pratt was wildly out of step with their views.
While Pratt impressed some political observers with his performance in a May 6 televised debate with Bass and Raman, others said he alienated a significant portion of Angelenos with some of his social media antics.
“He could have talked about the drug use and the risks and the filth and the fire risks and all that,” said Rob Stutzman, a GOP political strategist, of Pratt’s zombie rhetoric, “but then paired that with, ‘My God, these liberals are leaving these people out here to die,’ and expressed some humanity towards the population that’s on the streets.”
Ultimately, Daum said Pratt was a “terrible candidate.”
“He did a million things wrong,” she said. “The whole time, I was yelling on Twitter about how he’s got to stop it: the AI videos are gonna hurt him, the Basura stuff, the zombie stuff. Like, stop it! Stop it!”
As Pratt’s campaign came to an end, Stutzman said, it is not clear that he represents any kind of lasting political movement.
“The question remains: Did he create a political movement or did he exploit the opportunity to run for mayor to restoke his diminishing fame?” Stutzman said. “He’s in the mold of a Kardashian: He’s just found ways to be famous without ever really doing anything important. I suspect that this was more about him acting out as to what he is as a reality celebrity versus becoming a leader of a political movement in L.A. We’ll see.”
When Angelenos go to the polls in November, there are several paths for Pratt voters.
Some, Mitchell said, will probably sit the election out entirely.
“You’ll get some Republicans who vote for Raman because they’re like, ‘Well, she’s a socialist and I can’t stand her, but I’m just voting no on Bass.’ And then you’ll have a lot of Republicans who are like, ‘OK, Raman’s a socialist.’”
After Raman made it to the runoff, Bass’ campaign slammed the city council member for voting against hiring more police and blocking efforts to keep homeless encampments away from schools. Meanwhile, Raman positioned herself as the anti-status quo candidate.
In a statement celebrating her advance to the general election, Raman did not mention Pratt or his supporters, but railed against “powerful interests” in City Hall.
“Working people pay the price in higher rents, depleted services, and a city that has stopped working for them,” she said. “If you’re as frustrated by the broken status quo as I am, I hope you’ll join our movement to build a city that works for everyone.”
Even as Daum felt depressed that Pratt’s campaign was not continuing, she said she felt more engaged in L.A. politics than she had ever been. She planned to vote in November and would be watching both Bass and Raman to see how they responded to Angelenos’ concerns about street homelessness.
“If Karen Bass said, ‘OK, I get it, “housing first” is not the panacea that I’ve been thinking it is. Seriously, I’m gonna put together a task force of people who are going to actually think this through.’ … I would be following that. I would be very curious,” Daum said. “Same if Nithya said that, too. I’m open to either of them, I guess.”
Comstock said she would probably vote for Bass in the runoff.
“Nithya Raman is just way too far on the socialist scale for me and will likely do more damage, rather than Karen Bass’ ineffectualness,” she said. “I don’t want to go any farther left.”
There’s nothing like taking a cool dip after a hot day, especially in L.A. summer weather. As peak swimming season kicks off, the Hansen Dam Aquatic Center pool in Lake View Terrace reopened Memorial Day on weekends after being closed for the season. It will be open daily for swim and play starting Saturday.
The popular San Fernando Valley aquatic center spans 40 acres that include a massive 1.5-acre pool lined with sand like a beach. There’s also a nine-acre lake used for fishing and nonmotorized boat activities.
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1.Jaylia Martinez, 5, left, is splashed with water by Elijah Santillana, 6.2.The height chart for the water slide at the Hansen Dam Aquatic Center.3.Visitors enjoy the pool at the Hansen Dam Aquatic Center.(Kayla Bartkowski / Los Angeles Times)
“As one of the largest pools in the U.S., capacity [being] 3,500, we get so many people from all over the city, all over the county, people coming from out of state to this place,” Edwin Realegeno, aquatic facility manager of the center, said.
Along the pool’s sandy shores, individuals can use the volleyball courts and teqball table. There are also different levels of shallow water for young swimmers and toddlers.
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Paty Santillana, a Van Nuys resident, has visited the Hansen Dam Aquatic Center for the last 15 years. “It’s perfect for little kids. I have a 5-year-old and also a 21-year-old, who we used to come here with,” Santillana said. She adds that her grandchildren are ecstatic every time she mentions a visit to the pool.
Idalia Fraga, a 12-year-old swimmer who has been to the pool twice since its reopening on Memorial Day weekend, said she enjoys the pool for its affordability.
“Prices are very cheap … it really helps those families who struggle,” Fraga said.
After some renovations to its large water slide that will be reopening Saturday, the pool is open to swimmers for an admission fee of $4 for adults and children 17 and under for $1. The center takes cash only.
The recreational lake is open year-round and is restocked with fish from the California Department of Fish and Wildlife.
Christopher Lopez relaxes by regularly fishing at the Hansen Dam Recreation Lake on the weekends.
(Kayla Bartkowski / Los Angeles Times)
Along the lake, people enjoy walking the surrounding grassy pathway and fishing. Christopher Lopez, a Pacoima resident, who also goes by the nickname Squid, goes to the lake for the latter.
Lopez started fishing nearly two months ago with his longtime friend from elementary school. “[It’s about] getting out of the house and having something to do on the weekends and being able to enjoy the day,” he said. “Spending our time out here I think is just a great addition.”
For Lopez, catching bass or trout and enjoying the occasional breeze is a perfect day to absorb the beauty of nature.
Lifeguards Israel Orozco, left, and Ian Zabel, right, watch the pool as visitors cool off at the Hansen Dam Aquatic Center.
(Kayla Bartkowski / Los Angeles Times)
The recreational center is hosting fundraising 1K and 5K runs on Sunday followed by a party with free access to the pool. Realegeno said the fundraiser is to help fund public pool centers across L.A. County and to promote swimming safety lessons.
Supporters of a new Los Angeles County half-cent sales tax rallied Wednesday to celebrate what they framed as a historic win for the region’s cash-strapped healthcare system.
After a rocky election night that showed the tax lagging, supporters claimed victory Tuesday after the latest vote tally pushed Measure ER further over the 50% margin needed to pass. The measure would impose a new half-cent sales tax countywide, with the proceeds going toward local hospitals and clinics hit by federal funding cuts.
Jim Mangia, the chief executive of St. John’s Community Health who helped craft the measure, summed up the campaign as “grueling and expensive.”
“We had to ask an already overtaxed community — in the midst of runaway inflation and [an] affordability crisis — to tax themselves yet again,” he told a crowd of supporters Wednesday.
L.A. County already has a sales tax of 9.75%, and some cities add their own on top. Measure ER passing would raise the countywide sales tax to 10.25%, with some individual cities having a sales tax of more than 11%, according to the California Department of Tax and Fee Administration.
Despite a recent winning streak for sales taxes in L.A. County, some political observers had forecast doom for the measure, which came at a time of skyrocketing gas prices and cost-weary voters.
The largely informal opposition had consisted mainly of local cities that warned another sales tax would disproportionately burden the poorest residents and force shoppers across the county border in hopes of finding lower costs. Some city leaders had also dinged the county for misusing homelessness money generated from a previous sales tax and argued this new pot of dollars would be handled no better.
But supporters were able to eke out a narrow victory, according to the latest election returns, by emphasizing looming hospital closures and the temporary nature of the tax, which is set to sunset in five years.
“It’s a lifesaver to carry us through the storm we’re all in,” said county Supervisor Holly Mitchell, who led the push within the Board of Supervisors to get the measure on the ballot.
County leaders in February voted 4-1 to put the tax on the ballot after federal legislation threatened to pull health insurance from the poorest residents, leaving the already cash-strapped county to foot the bill for their care. Officials say cuts in the One Big Beautiful Bill Act are expected to slash more than $2 billion from the county’s budget for health services over the next three years.
“It’s disgusting what’s going to happen to our residents,” said Supervisor Hilda Solis, who championed the measure alongside Mitchell.
The tax, which begins Oct. 1, comes at a time of budget-tightening for the county amid rising labor costs and a $4-billion sex abuse settlement that is set to be paid out over the next five years.
Officials estimate the tax will bring in about $1 billion per year, which will go to clinics, hospitals and Planned Parenthood services that supporters say are at risk of closure without a new source of cash.
A similar proposed healthcare sales tax in Contra Costa County, meant to generate $150 million a year, was soundly rejected with about 57% of voters opposing the measure, according to votes tallied as of Wednesday.
You can now make our guides your own by saving individual recommendations for later — mixing and matching from food to fun and everything in between — with the confidence that your choices are backed by L.A. Times experts.
Saving is simple. Visit any of our local guides, find something that interests you and look for the “Save” button. From there, you can choose a category in which to save your item, such as Food & Drink or Things to Do.
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Call it a wish list, bucket list or checklist — the dashboard is all yours. Revisit your saves, remove ones you don’t want and even see your items on a personal map.
LA28 reserved the first Olympic tickets for locals. To kick off the second round of ticket sales, it’s a sponsorship connection that could help fans get to the front of the line.
Before the second Olympic ticket drop officially begins Aug. 10, LA28 announced Wednesday there will be a presale for Visa cardholders that will run from July 29-31.
Visa has sponsored the Olympics for 40 years and is the only credit card accepted for payment in Olympic zones. For a chance to be selected for the presale, fans need to first confirm their status as a Visa cardholder. Fans who have already registered can log into their existing LA28 ticket account, check the “Visa presale box” and save changes. New registrants must select the Visa cardholder option during the registration process. All ticket sales during the presale must be completed with a Visa credit card.
Fans can register for the second ticket drop at tickets.la28.org until July 22. Those who already registered for Drop 1 but weren’t selected or didn’t purchase their full 12-ticket allotment do not have to sign up again and are automatically entered into the lottery for Drop 2, which will run from Aug. 10-20.
Fans who are randomly selected for the Visa presale will be notified of their time slot on July 27. Those who aren’t selected for the presale remain eligible for a time slot in Drop 2. Email notifications for Drop 2 time slots will go out from Aug. 6-7.
The second ticket drop will offer tickets across all Olympic sports at a range of price points, LA28 said in a statement, subject to inventory availability. Prices start at $28 for individual tickets, but of the total 1 million $28 Olympic tickets, half were scooped up during the Drop 1 presale that was reserved for locals living near venue cities in Southern California and Oklahoma City.
April’s ticketing debut frustrated fans who were surprised by high prices, a 24% service fee on every ticket and limited inventory for key events. Still, LA28 sold 4 million tickets across 85 countries, a historic number that had International Olympic Committee officials giddy for the potential of the 2028 Games.
“What we thought we were going to sell, and what we thought we were going to get for people who registered for interest, we exceeded those by magnitudes,” LA28 Chief Executive Officer Reynold Hoover told The Times on June 4 after IOC members visited L.A. “We were able to set Olympic records in terms of sale, but I think the broader picture about all of that is people want to be a part of something really big and be part of something here in L.A., a part of history.”
LA28, the organizing committee behind L.A.’s first Olympics in 40 years, expects to generate $2.5 billion in ticketing and hospitality to support what has been advertised as a privately funded Games. The estimated $7.1-billion operations budget is also buoyed by $2.5 billion in expected sponsorship revenue. LA28 already has $2 billion in domestic partnership money.
He had a heart-tugging origin story that saw him transform from a has-been television star into one of the thousands of residents who lost their home in last year’s Palisades fire. He faced an unpopular incumbent in Mayor Karen Bass. He was powered by a vigorous social media presence and an angry electorate thirsty for change.
He was able to capitalize on those conditions to outraise his main rivals, Bass and city council member Nithya Raman, and transform his candidacy from an afterthought into a national story. Running as a Republican in a super-blue city like L.A. put him at an automatic disadvantage — one that might have been extremely difficult to overcome in the end. But the Pratt posse started to feel like a bona fide movement the more it thundered on, the type of revolt against the old guard that in previous eras led to the passage of Proposition 13 and the recall of Gov. Gray Davis — the type of movements that forever alter California politics.
Pratt, however, faced an apparently insurmountable obstacle.
Pratt.
With almost all votes counted, he’s going to finish in third place with about 26% of the electorate — the same slice Donald Trump received in 2024 — while Bass and Raman proceed to face each other in November. Political strategists will teach his failed attempt to their clients as a cautionary tale of how a candidate blew every advantage they had when they couldn’t afford to lose one.
Pratt’s first mistake was thinking that Angelenos wanted a campaign of wanton rage. Yes, many residents are furious at the state of the city. Yes, they want change. Yes, the angry Angeleno archetype is a real phenomenon that flares up in local elections to smack back at the powers that be.
But L.A. is not MAGAlandia — running from the right on apocalyptic, whiny messaging will only get you the few Republicans that remain in the city and some disaffected liberals. Pratt didn’t run as a MAGA candidate, but it’s hard to say he didn’t run like one — even as he swore he was running for everyone.
He took every opportunity to ridicule progressives in a city where four democratic socialists sit on the city council, one of them — Raman — has a good chance of becoming the next mayor, and five of the six candidates endorsed by the local chapter of the Democratic Socialists of America either won outright or are moving on to the general election.
Instead of making overtures to that side of the populist coin, Pratt recorded videos obsessing over Bass’ trip to communist Cuba in the 1970s, a well-known fact he treated as revelatory and which made Pratt sound like he was stuck in a John Birch Society meeting circa 1965. His dismissal of Raman as “stupid” and the mayor as “Basura” — trash — came off as facile juvenilia at a time when we already have the Big Juvenile Delinquent running things in the White House. Ridiculing homeless people as “zombies,” “vagrants” and “bums” only riled up the worst elements of the city and turned off anyone with a heart.
Keith Casey of Casey’s Family BBQ serves up food as L.A. mayoral candidate Spencer Pratt hosts a campaign “block party” event on 10th Avenue in Los Angeles on May 20.
(Robert Gauthier / Los Angeles Times)
Pratt undoubtedly attracted votes from a good amount of non-MAGA people fed up with various problems afflicting L.A. But many of the supporters who brayed the loudest on his behalf were the same people already doing daily propaganda on social media for a failed, hate-filled president and his baleful cronies.
Pratt acted like he believed the AI-generated videos created by fans that cast him as a comic-book hero was real life instead of forgetting that he was a novice trying to take on two experienced politicians. While Bass and Raman trekked across the city during the primary, Pratt limited his public appearances mostly to the Westside and random encounters with supporters he posted on social media. The few times he appeared outside those safe spaces came off as safari expeditions in a mysterious city the 42-year-old lifelong Angeleno obviously didn’t know.
Take the South L.A. block party he hosted last month. Instead of having something thoughtful to say about the state of Black L.A. or how its political leaders continue to neglect the region, all Pratt seemed to take away from that afternoon was that it was in the territory of the Rollin’ 60s Neighborhood Crips, a detail he shared ad nauseum on social media and to the press — as if kicking it with gang members would fix L.A. or gain him any votes or grant some kind of street cred.
That self-centered cluelessness ended up torpedoing Pratt’s best campaign moment. In the one debate he participated in, Pratt put Bass on the defensive, turned Raman into a tongue-tied mess, kept his answers sharp and relatable, and even earned the praise of the moderators. He should’ve demanded more gatherings like that to flex his mastery of television cameras, make his case to as many Angelenos as possible and showcase the self-proclaimed Pratt Daddy as someone willing to take on hard questions anytime, anyplace, from anyone.
Instead, Pratt declined an invite to their only other scheduled debate and never bothered with the forums civic groups across the city held in order for their members to hear from candidates. Instead, Pratt flew out to New York the week before election day to appear on Fox News.
Sticking to largely sycophantic media who lobbed softball questions hardened his ceiling. Pratt needed to proselytize — not preach to the choir.
The thing is, Pratt made some strong points about the inefficiencies of L.A.’s political status quo and the outrage that is having tens of thousands of people live on our streets. And there’s something appealing about an outsider crashing City Hall, which is way too beholden to sclerotic lifers who can be as clueless about what the city needs as Pratt turned out to be.
Instead, he platformed people who saw L.A. as a hellhole — or “shithole,” as Trump likes to call certain places. It was hard to see what some of Pratt’s loudest and most strident supporters actually thought was worth preserving in the city — but not why they felt he was their man.
In the wake of his loss, Pratt sure hasn’t push back against unfounded claims by too many of his followers and Trump, Vice President JD Vance and House Speaker Mike Johnson that Democrats somehow rigged the election against him. Quite the contrary, Pratt has insinuated on social media that they’re onto something.
That last point reinforces the ultimate reason Pratt could never become L.A.’s next mayor: He really doesn’t believe in L.A.
Angelenos don’t mind haters — it’s the type of city that frustrates residents even on its best days. But one insult residents won’t brook is someone who doesn’t have confidence in better days ahead for the city no matter how dire things may be.
Angelenos can spot a phony from far away — and Spencer, you’re turning out to be phonier than the fake drama on any of the television shows you ever appeared in.
You vowed to leave L.A. if you didn’t win the race for mayor. Maybe you should stay and try to righteously pressure Bass and Raman to make much needed changes. If you do, urge your followers to do the same instead of them pouting and sitting out the mayor’s race.
But if you don’t, well, maybe you never really loved L.A. as much as the City of Angels, warts and all, deserves. And you kind of need to really love L.A. to really fix what ails it.
There’s a sense of quiet mystery in tarot. That’s why during my reading last week, it was more peculiar than disruptive when a dancer hopped on a table to lay at a 90-degree angle and jet her feet in the air.
Despite said activity, the tone was contemplative, and moments later, as I was being asked to describe the colors and mood of a Ten of Swords card, I was tapped on the shoulder. After a gesture to follow, I was handed a lantern.
The way I swayed the light would now dictate the performer’s movements. We may not have been dancing, but it was close. Melancholic and intimate, the performer (Haylee Nichele) silently guided me to become comfortable in my discomfort, to sit with the evening’s themes of longing, loss, confusion and impending grief.
Sam Alper’s Bill, foreground, and Haylee Nichele’s Constance in Koryn Wicks’ “You Must Be Here for the Reading,” an immersive tarot show.
(Daniel Kleen)
“You Must Be Here for the Reading,” running through June 20 at North Hollywood’s After Hours Theatre, is part theatrical and dance performance, part tarot reading and part cocktail hour. It’s also personal, led by two actors who encourage the attendees to open up, to complete poems and to generally tune into their vulnerability.
The 60-minute show, partly scripted and partly improvised, comes from the mind of Koryn Wicks. Trained in dance and choreography, Wicks’ day job is in themed entertainment while her personal projects explore the immersive space. They’re theatrical works that experiment with audience interaction. “You Must Be Here for the Reading” is no different.
The setup: Collectively, our group of eight has arrived at a tarot reading, only the famed reader we are there to work with, Constance, performed by Nichele on the night I saw, never arrives for her assigned role. We know her fate, but her partner, Sam Alper’s Bill, who nervously attempts to carry on with the performance in her absence, does not.
From there, “You Must be Here for the Reading” becomes a show heavy on audience participation. There are scripted, story-specific beats, but the cards pulled — and the tales they tell — is, of course, randomized.
Sam Alper as Bill, an unsuspecting tarot card reader in Koryn Wicks’ “You Must Be Here for the Reading.”
(Daniel Kleen)
“I knew that I wanted the audience to be the primary drivers of the tarot reading,” Wicks says. “I knew that I wanted the host to not be a tarot reader and there to be some sort of event that made it so the audience would have to take the reins and read the tarot.”
In turn, “You Must Be Here for the Reading” works for both those who are novices to the space as well as those who are more experienced. During the pre-show, guests can explore tarot books and uncover slips of paper hidden in them that prompt us to answer questions or complete poems — the latter will figure into the performance. A worksheet given to us asks us to interpret some core tenets, as well as to enter the reading with a question we would like to explore.
The show then focuses on how each attendee’s desires, concerns or lived experiences shape the perception of the reading.
“What’s drawn me to tarot is the way it’s built on symbolism and the way that symbolism is embedded in the collective unconscious,” Wicks says. “I think it’s really fascinating that we have this artifact that has this ability to give us insight into a lot of shared experiences. When I’ve read different books about tarot, or had my cards read by different people, there is an openness to interpenetration.
“The assignment I gave myself for this piece,” Wicks continues, “was to create an experience in which you had a group of people coming together and going through the process of defining the symbolism and meaning of the cards in real time.”
And yet the show also pulls from Wicks’ background in dance. While Constance never shows for the reading, her presence is still felt, often hovering or circling around the table with movements designed to interpret the tone of the reading. She’s a ghostly presence, the gracefulness heightening the somber emotions of the night. Though she and Bill never interact directly, much of the dance seeks to explore their unseen bond. At times, Constance may call on various audience members to act as a dance partner.
Koryn Wicks, creator of “You Must Be Here for the Reading,” an immersive tarot performance in which audiences are tasked with deciphering their own cards while a melancholic story unfolds around them.
(Kayla Bartkowski / Los Angeles Times)
“I really believe that one of the most beautiful things art does for us is remind us that we are not alone,” Wicks says.
Immersive art allows for a sense of participation, which Wicks hopes will increase one’s appreciation of dance.
“Dance is an embodied art form,” Wicks says. “There is science that shows that some of the enjoyment from watching dance comes from imagining yourself moving. In North America, a lot of people haven’t had an experience or education with dance, especially not concert dance. Then we ask them to sit in a dark auditorium in a small chair and not move to enjoy it. I found through my research, both practical and academic, there is something to inviting audiences to participate in dance that allows them to derive meaning from it.”
‘You Must Be Here for the Reading’
While there isn’t enough time in the show for everyone to have a one-on-one experience with the dancer, watching an audience and cast member attempt to get in sync with each other underlines the night’s themes of connecting. Ultimately, that’s the space where the show resides. “You Must Be Here for the Reading” uses tarot as a means to bring some structure to our often disconnected lives.
“It stands in contradiction to our current historical moment,” Wicks says of the show. “It’s very anti-AI. It’s asking people to sit with books and to find little seeds and not necessarily pursue solutions or puzzles. It’s asking us to connect, sometimes with strangers.”
I kept my question that I brought to the reading secret, but I found the show provided a hopeful answer. Not because the cards offered a solution. Instead, they provided a community.
Supporters of a half-cent sales tax proposed to help fund health services in Los Angeles County declared victory Tuesday after days of steadily gaining ground as more ballots were counted.
The latest results show the “yes” camp ahead by a slim margin, with just more than 50% of the vote. The measure needs a simple majority to win.
“Today, Angelenos sent a clear message: we take care of each other,” said Jim Mangia, chief executive of St. John’s Community Health and a spokesperson for the campaign, in a statement. “For months, we watched Washington make decisions that stripped healthcare away from hundreds of thousands of our neighbors — and today, Los Angeles County answered.”
The campaign said it would be organizing a news conference Wednesday to celebrate the “historic win.”
The proposal, on the ballot as Measure ER, had gained traction since election night, when results showed the tax had failed to gain a majority of support among early voters. Voters have not rejected a sales tax hike in L.A. County since 2012, when a transportation measure fell just short of a needed two-thirds majority with 66.1% support.
Approval of Measure ER would impose a new sales tax of half a penny of every dollar spent in the county, with the proceeds going to local hospitals and clinics that say they’re bleeding funding after federal cuts. Officials anticipate it will bring in $1 billion annually to patch the holes in the health services network.
The tax, which was championed by a coalition of healthcare advocates, takes effect Oct. 1 and will last for five years.
Ana Cruz was 13 when she arrived to the U.S. from Mexico with her family. But after 23 years of living in Los Angeles, raising two children and working as a community organizer, she has never been able to vote in any elections because of her status as a Deferred Action for Childhood Arrivals recipient, which doesn’t offer a pathway to citizenship.
She’s now among those backing a proposal from Los Angeles City Councilmember Hugo Soto-Martínez that would allow noncitizens to cast ballots in city and Los Angeles Unified School District elections.
“For me, it will be the first time I will have a chance to vote and help decide who represents me,” Cruz said during a press conference in support of the measure at City Hall Tuesday. “Without a doubt, this strengthens our democracy.”
Soto-Martínez is seeking council support to include the measure in a package of City Charter reforms that will go to voters for approval in the Nov. 3 general election. The council is scheduled to discuss this and other proposed charter changes Friday.
The expanded voting eligibility would only apply to Los Angeles city and Los Angeles Unified School District elections, and not county, state or federal contests.
Other cities and states, including Maryland, Vermont and San Francisco, have adopted similar measures.
“People have spent many years here, and in many cases, decades, contributing to the city of Los Angeles,” Soto-Martinez said. “This is about local representation and local democracy.”
The proposal has already faced push back.
Ira Mehlman, spokesperson for the Federation for American Immigration Reform, said Tuesday that noncitizens who pay taxes benefit from public services, and temporary status serves as a probationary period until people take an oath to become citizens.
“Citizenship does mean something, it means you are a fully participating member of society,” he said. “It doesn’t seem unreasonable to say you’ve got to do some time here and demonstrate that you’re somebody that we want as a citizen.”
If placed on the ballot and approved by voters, the City Council would then need to pass an ordinance creating a residential voting program and establishing eligibility requirements.
While those requirements have yet to be determined, advocates have discussed possible options might include extending voting to lawful permanent residents, or green card holders, DACA recipients and others who live, work and pay taxes Los Angeles, according to the council member’s office.
Soto-Martínez first pitched the idea in April, with the support of councilmember Ysabel Jurado, who also signed the motion.
Soto-Martínez represents District 13, which includes many immigrant and mixed-status communities living in Echo Park, Hollywood and Filipinotown. He said the Trump administration has terrorized communities by conducting mass immigration raids and breaking up families, and that his measure is aimed at underscoring the city’s values.
“We say L.A. is for everyone, and that means no exceptions,” he said.
Among those who could benefit are Grace McManus, a Filipina mother, caregiver and resident of L.A. for 24 years. With permanent resident status, she said she has no say in electing officials who shape her everyday life, despite contributing taxes and caring for the elderly.
“I am too familiar with the feeling of working and taking on low-wage work while feeling invisible because my voice is disregarded just because of our broken immigration system,” McManus said.
Public speakers at Tuesday’s City Council meeting also urged approval.
“Trump and MAGA want to limit voting. We need to fight to expand it, so all of our neighbors have the same rights as us,” said Julie Van Winkle, vice president of the United Teachers Los Angeles, during public comment.
Martha Arévalo, executive director of the Central American Resource Center, stood alongside Soto-Martínez as he rallied for support.
“We know that immigrant communities uphold the economy in this nation, and I think that people who contribute to their community, that call this home, should have a say in their local government,” Arévalo said.
Since its creation more than a century ago, the Los Angeles Bureau of Street Lighting has been in the lamppost business and little else.
But in recent months, the little-known city agency has found itself pulled into a fierce debate over L.A.’s relationship with Flock Safety, a surveillance technology company that has been criticized for supplying data used to enable the Trump administration’s immigration crackdown.
In L.A., Flock operates dozens of automated license plate readers, which allow authorities to scan for vehicles that have been reported stolen or are registered to known fugitives, tracking their movements throughout the city.
The devices are often mounted on municipal light poles, which makes the Bureau of Street Lighting responsible for their installation.
Reports that Flock has shared license plate data with federal authorities, including U.S. Immigration and Customs Enforcement, have prompted dozens of mostly smaller cities across the country to end their relationship with the company. But in L.A. it still has found willing customers, including the LAPD.
Hundreds of emails obtained by The Times through public records requests reveal how LAPD boosters, homeowner associations and elected officials have engaged in a months-long campaign to pressure the Bureau of Street Lighting to speed up installations of the plate readers.
Flock, headquartered in Atlanta, said that it contracts with roughly 5,000 U.S. law enforcement agencies nationwide, and that its technology complies with a California law that limits what information can be shared with federal authorities. A company spokesperson said that Flock’s technology is “built around transparency, accountability, and local control.”
“Our customers own and control their data, which is deleted after 30 days by default,” the spokesperson, MoMo Zhou, said in a statement to The Times. “Our platform includes safeguards like audit trails to help ensure accountability at every step. Every day, Flock supports communities across the country in addressing crime and locating missing people.”
The Bureau of Street Lighting, with 177 employees and a relatively modest budget of $49.4 million, would seem an unlikely player in the broader debate over police surveillance. It is primarily tasked with repairing and fortifying the city’s more than 210,000 streetlamps — a frequent target of copper wire thieves — and maintaining its network of electrical vehicle charging stations.
The push to put up more plate readers has come amid calls for greater transparency around the Los Angeles Police Department’s dealings with Flock. In March, the Police Commission asked the department to report back on what information the company’s scanners collect and share. In recent months, the commission declined to approve donations of Flock cameras.
Members of the Stop LAPD Spying Coalition held a news conference to express opposition to Flock Safety, a license plate reader, ahead of a Los Angeles Board of Police Commissioners meeting on March 3, 2026.
(Genaro Molina / Los Angeles Times)
The commission ordered its inspector general to conduct an audit of the LAPD’s use of license plate reader technology, with the findings expected to be released in the summer.
Recently, Councilmember Ysabel Jurado introduced a motion urging the commission to “refrain from entering into any new Memoranda of Understanding, Contracts, or other Agreements, or implement any pilot programs with Flock Safety or its affiliates.” LAPD officials said last month that the city attorney’s office has been working on drawing up a formal contract with Flock.
Behind the scenes, though, the pressure to work with Flock has been ratcheting up from other council offices and community groups.
When a representative from Councilmember Katy Yaroslavsky’s office emailed the streetlighting bureau urging speed, she received a response that said the installation process shouldn’t be rushed because some city light poles can’t support the weight of a Flock reader, which is normally powered by a solar panel.
“The last thing we need is to have a pole fall onto someone or something if there are high winds,” the bureau’s Clinton Tsurui wrote in the June 4, 2025, email.
In another exchange, Tsurui expressed frustration with a colleague who had offered what he thought was an overly optimistic timetable for installing new plate readers.
He wrote: “smh, promising things we can’t do is going to catch up with us one day.”
The Los Angeles Police Foundation, a nonprofit group that has long bankrolled equipment for the LAPD and offered other support, has criticized delays in installing the Flock devices. Last year, the foundation facilitated the donation of dozens of Flock cameras, most of which ended up in affluent neighborhoods on the city’s Westside and in the San Fernando Valley.
Records show that in May 2025, Dana Katz, the foundation’s executive director, reached out to the mayor’s office with a request to waive permit and rental fees associated with installing the new readers. Katz wrote in an email that the extra expense of around $2,000 per device were “cost prohibitive and detrimental to public safety.”
Katz also pointed out that in some places, there are no city-owned poles on which to mount the devices — but offered a possible solution.
“Flock has its own pole that has been accepted by the County of Los Angeles for these situations, and we would like the City to accept the use of them, too,” she wrote to Robert Clark, the city’s then-deputy mayor of public safety.
A few of L.A.’s historic streetlights stand outside the Bureau of Street Lighting’s office near Virgil Avenue and Santa Monica Boulevard.
(Jason Armond / Los Angeles Times)
Katz wrote Clark again on Aug. 6 to ask why officials were estimating a six-to-12-month wait for approval of new Flock readers on public property in the neighborhoods of Cheviot Hills and Brentwood Park, where there were no existing city poles to mount them. She noted that the county’s engineering department had already approved the company’s poles, and asked Clark whether there was a way for the city to “piggyback on these other entities’ approvals in order to speed this up so that these neighborhoods don’t have to wait so long for help in preventing these home invasions?”
In the following weeks, Katz’s emails took on an increasingly urgent tone. In one of her last messages, email records show, she told an aide she expected more help than the mayor’s office was offering.
“With all due respect, the answers you have provided are completely generic and do not provide any guidance and direction as to how we can expedite this process,” she wrote.
She added: “I’ve said it before, and I will say it again — these delays are harmful to public safety.”
A spokesperson for the mayor’s office told The Times that ultimately neither Clark nor the aide intervened on the Los Angeles Police Foundation’s behalf.
Email records show Flock’s courtship of the bureau dates at least to spring 2024, when the company agreed to donate two of its plate readers to help combat copper thefts.
Tsurui emailed LAPD Capt. Celina Robles to say that the company’s executives had requested an in-person meeting with the bureau and the LAPD “to discuss the benefits of this product and how it can benefit the city moving forward.”
On June 24, 2024, a lobbyist from the D.C. firm Modern Fortis emailed Bureau of Street Lighting Executive Director Miguel Sangalang seeking to “explore a public-private partnership” between Flock and the city. Sangalang took another meeting to discuss Flock a few months later with former City Councilmember Joe Buscaino, who after leaving City Hall had gone to work for Ballard Partners, a powerful Florida-based lobbying firm.
In January 2025, after wildfires devastated Pacific Palisades, Altadena and other areas, Flock stepped in again. The company agreed to donate more than 50 plate readers, free of charge for six months, to the wealthy Palisades area, where residents and law enforcement officials were on high alert about potential theft.
A Flock Safety automated license plate reader in Costa Mesa.
(Courtesy of the city of Costa Mesa)
In the days and weeks that followed, city and police officials continued to pepper the bureau about speeding up the approval process.
On Jan. 21, 2025, records show, Cmdr. Randall “Randy” Goddard of the LAPD’s Information Technology Bureau wrote streetlighting officials to say that the Palisades community “could use a big favor from your department.”
LAPD Chief Jim McDonnell “fully supports this and has been working with the City Attorney’s office to finalize the terms,” Goddard wrote.
Welcome to the Sports Report, our weekday morning newsletter covering L.A. sports. To sign up to receive it via email (it’s free), go here.
The second ballot we sent out for the L.A. Times Sports Report Hall of Fame was the NBA ballot, with 24 names appearing. People were able to vote for up to 10 candidates.
Reminder: Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot.
There were 12,725 ballots cast in the NBA voting, and six candidates received at least 75% of the vote, and a worthy six they are.
Go beyond the scoreboard
Get the latest on L.A.’s teams in the daily Sports Report newsletter.
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Inductees
Kareem Abdul-Jabbar, appeared on 99.3% of ballots
Magic Johnson, 96.2%
Jerry West, 94.7%
Kobe Bryant, 90.1%
Elgin Baylor, 76.2%
Chick Hearn, 75.8%
Didn’t make it, but will remain on ballot
Shaquille O’Neal, 72.8% Wilt Chamberlain, 59.9% Pat Riley, 58.4% Jerry Buss, 53.3% James Worthy, 49.5% Phil Jackson, 41.6% Gail Goodrich, 24.4% Jamaal Wilkes, 12% Michael Cooper, 10% Pau Gasol, 8.1% Jack Kent Cooke, 7% Blake Griffin, 5.2% Ralph Lawler, 4.4%
Bottom five, dropped from ballot for two years
Chris Paul, 4.1% Derek Fisher, 3.8% Byron Scott, 3% Elton Brand, 2.5% Stu Lantz, 1.9%
Thanks to everyone who voted! There is still time to vote in our other active categories. The next ballot will be released Thursday morning.
To vote in the Rams/Chargers/Raiders ballot, click here.
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
You can’t own the beach in California. Our shoreline is public — thanks to the Coastal Act and the Coastal Commission — even when everything around it gets expensive and complicated. You can live next to it, monetize it and build a personality around proximity to it, but the wet sand itself belongs to everyone.
Jackie Snow takes a selfie by the new public stairs at Escondido Beach, also known as Hidden Beach.
(Jackie Snow)
In 2024, my colleague Jaclyn Cosgrove walked 27.4 miles of Washington Boulevard in a single day, from Whittier to the ocean. I read it in awe of the shape of it. One street. One day. A city revealed in a straight line.
And then a thought occurred to me, I could do something like that. What if I walked the entire L.A. shoreline? What would happen if I went to the beach and just kept walking along the crest of its waves? Except the shore does not reward this approach. It closes. It opens. Erosion pushes you onto the road and lets you back when it feels like it.
I set out to walk the 75 miles along the Los Angeles coastline anyway. I started at the mouth of the San Gabriel River and worked north toward the Ventura County line, taking 10 trips from the end of November to the second week of January, mostly waiting on tides and weather to cooperate.
Being a surfer helped. I already knew that wet sand means public access in California, that satellite view tells you things the default map doesn’t, and that tides can make or break an outing. For someone wanting to do a similar journey, the California Coastal Trail website is a valuable resource. You can walk long stretches and return back, but I went point to point, which means figuring out how to get back to your car. I usually Ubered, although public transit exists on some stretches. The slickest option is going with a friend who has a car: leave their car at the end, drive yours to the start, and walk. Their car is waiting at the finish to bring you both back to yours. Beyond that, bring more water than you think you need to especially as most stretches have no fountains, no services and no shade. Pack snacks that will sustain you throughout the journey, wear a hat and put on sunscreen, then reapply it. Even on gray, marine-layer days, you’re exposed for hours with nothing overhead.
If you’re inspired by this mega-trek but want to instead do a micro version, I suggest the 5.7 miles from Malibu Pier to Escondido Beach. You can park at one end and take a picturesque bus back where a tasty lunch at the pier’s Malibu Farm awaits at the finish. One last tip I picked up: be nice. People sometimes will give you water, or offer help, wanting to see you get to your destination too.
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1.A red-tailed hawk perched on a coastal access sign along the boardwalk in Long Beach.2.A bench off the Long Beach boardwalk, near the start of the 75-mile walk.3.Birdhouses located near the Long Beach boardwalk.(Jackie Snow)
Alamitos Beach to Port of Long Beach: 4.9 miles
I start at the mouth of the San Gabriel River at Alamitos Park at about 10 a.m. on a busy Sunday at the end of November, walking with a friend. The first stretch is a flat, easy boardwalk. We stop at the Long Beach Museum of Art, which sits on the bluffs overlooking the water, and grab lunch at Claire’s, the museum’s outdoor cafe. From there, we walk toward the mouth of the Los Angeles River, passing through the marina, where boats sit quietly and a pirate ship is inexplicably for sale. We don’t make it up the man-made pier to the Queen Mary. Instead, we turn around just short of it, one river book-ending the other.
Looking back toward the marina near the mouth of the Los Angeles River, one river bookending the other.
(Jackie Snow)
Cabrillo Beach to Portuguese Bend Beach Club: 8.7 miles
I park at Cabrillo Beach, along the Port of Los Angeles, around 6:30 a.m. People are already playing ping-pong. Someone is dancing alone on the sand.
I start along the Cabrillo Beach Walking Path, which you enter at the south end of the beach where the sand ends and the bluffs start. In what feels like two seconds, I’m up on the cliffs, which quits partway and dumps me onto the residential streets of Coastal San Pedro, a neighborhood that looks quintessentially California. The houses are probably a few million dollars each, but they’re tidy bungalows, not the kind of aggressive beachfront wealth that makes you feel like you’ve wandered somewhere you’re not supposed to be.
I pass through Point Fermin Park, home to a lighthouse perched above the water. Down below, the beaches are rocky and loud. The waves are being sucked forcefully back out between the rocks, a sound that feels more industrial than oceanic. There’s more neighborhood walking on West Paseo Del Mar, interrupted by a Little Free Library stop where I add a few books to my bag. I hit the San Pedro hike trails, and the coastline turns dramatic, and suddenly I can’t step two feet off the path without risking a fall, but it’s breathtaking in its beauty.
Cabrillo Beach at the Port of Los Angeles, where the second walk began.
(Jackie Snow)
I hit another closed section, this one bordering Trump National Golf Club in Rancho Palos Verdes. Not wanting to end up on a Secret Service list that bars me from flying, I find another way around, on a surprising trail that curves between holes that’s part of the Ocean Trails Reserve. I climb down to the beach and start picking my way along the rocks toward the Portuguese Bend Beach Club, moving slowly and trying not to break my neck. You can definitely skip this part.
A security guard named Gilbert Blair waves me over and explains to me what I already know: I’m allowed to walk on the wet sand, but everything else is private. When I tell him what I’m doing, he starts offering advice, pointing out places on my Google map he thinks are closed because of last year’s heavy rains. This area is some of the shiftiest parts of all of California, with landslides going back all through the geographical record. In 2024, areas were moving 9 to 12 inches a week, although it has slowed down to 1 to 2 inches a week. He tells me the unstable land actually created a new beach, which the coast almost never does. People came from all over to see it, he says, gesturing toward a new form of sand that locals have called “unreal.”
Blair is nice, but not nice enough to wave me off the wet sand and through Portuguese Bend’s private roads so I can call an Uber. I have to backtrack, spending more time than I’d like carefully navigating the rocks. I briefly consider stopping at the nearby Trump National Golf Club to eat and use the bathroom, but I’m hot, sweaty and not in the mood to test my welcome.
The trail descending toward the rocky beaches below Point Fermin, where waves get sucked back out between the rocks with a sound more industrial than oceanic.
(Jackie Snow)
Terranea Beach to Palos Verdes Estates Shoreline Preserve: 5.4 miles
Based on Blair’s advice, I skip a section that isn’t open to the public and probably not safe. I drive Palos Verdes Drive South, a rutted, uneven road that skirts the area and feels vaguely off-roading. I park at Terranea Resort, which charges a fee, but there is also nearby free public parking. I pick the walk back up at the charming tucked-away Terranea Beach. As I head north, the trail climbs. I can see stretches of shoreline closed off, tantalizingly visible with no way to reach them.
I stop at the Point Vicente Interpretive Center, a modest but free museum perched above the water. Several people are gathered outside with binoculars, scanning the horizon. They tell me humpbacks were spotted farther out earlier, feeding. It’s easier to see them on the far side of Catalina, they explain, but they still watch from here, every day, sunrise to sunset, December through May. This is the Gray Whale Census and Behavior Project, run by the American Cetacean Society. Volunteers have been coming here for 43 years, counting whales as they migrate past the point.
The Point Vicente lighthouse, perched above the water where Gray Whale Census volunteers keep watch.
(Jackie Snow)
Volunteers with the Gray Whale Census and Behavior Project scanning the horizon. They’ve been counting whales here for 43 years.
(Jackie Snow)
After I peel myself away from looking for whales, the tides won’t allow me to climb down to Honeymoon Cove. I stay on the cliffs and admire the impressive houses around me. I continue until I round the Palos Verdes Estates cliffs, on Paseo del Mar, and see the long, flat stretch of built-up beaches unfurling ahead, South Bay-style, Malibu faint in the distance.
I’ve only done about 15 miles of my walk and suddenly I see how much more there is to go. I’m hot. I’m tired. I packed bad snacks. The sheer expanse of it, frankly, stresses me out. I had planned to make it to Rat Beach in Palos Verdes Estates, but I call it early.
The small coves that punctuate the Palos Verdes coastline, visible from the cliffs above.
(Jackie Snow)
Palos Verdes Estates Shoreline Preserve to El Porto Beach: 7.9 miles
I start back at Palos Verdes Estates cliffs. A couple of turns in, I come across my first real surf spot of the walk. I don’t think I’ve ever seen a surf break from this high up. The waves look less like waves and more like pulses of energy moving under the skin of the ocean.
When I finally hit Rat Beach and see how flat the coastline stretches ahead, I feel like dropping to my knees and kissing the ground. After days of cliffs and detours, the openness feels generous.
Hermosa Beach is busy with volleyball nets in use at a level that suggests Olympic aspirations. Forty minutes later, I stop atErcole’s in Manhattan Beach two blocks off the boardwalk and demolish one of its famed burgers. Instead of stopping where I planned, I keep going and end at my familiar surf spot El Porto.
Surfers walking out to the break at El Porto.
(Jackie Snow)
El Porto Beach to Ballona Creek Jetty: 4.8 miles
I’m back at El Porto Beach, this time walking a paved boardwalk through a thick, foggy marine layer with my husband and a friend who’s in town visiting.
Suddenly, my friend realizes he’s dropped his wallet somewhere north of El Segundo. Cue a round of retraced steps and mild panic. An angel named Dr. Gaz finds it, looks up my friend, and bikes it over so we don’t have to retrace any further. The wallet is returned. Our trio survives. We keep walking, stopping at Ballona Creek Jetty.
A dog and his man relaxing on the beach in Marina Del Rey.
(Jackie Snow)
Marina Del Rey to Will Rogers Beach: 7.4 miles
In this classic boardwalk stretch, we eye the muscle men of Muscle Beach, pause for a quiet break atSmall World Books in Venice and walk next to skateboarders (including one dressed as a Santa) in Santa Monica, before ending at Will Rogers State Beach.
The rocks and tide pools just past Malibu Lagoon, where the king tide pulled the water back farther than usual.
(Jackie Snow)
Will Rogers Beach to Malibu Pier: 7.7 miles
I do this stretch with my husband on New Year’s Day, parking at Will Rogers Beach Lot Three and timing it to a king tide. The highs are higher, but the lows are lower too, which is the part we’re interested in.
Even with the king tide low, the beach opens up and pinches closed without warning, and we move between wet sand, rocks we feel like traversing, and the shoulder of the Pacific Coast Highway when we don’t.
Soon enough, we hit the section of burned-out houses that still haunt the beach nearly a year later. I think I can still smell the smoke. It’s the quietest stretch of the whole walk, and the only place the emptiness feels like loss instead of calm.
The Malibu coastline near Escondido Beach.
(Jackie Snow)
When we finally reach the Malibu Pier, it feels like stepping back into civilization. People are on the beach. Nobu is packed. We eat at Malibu Farm and sit indoors, grateful for chairs, shade and food that isn’t trail mix.
Afterward, we take the bus back to the car from a stop near the Pier on the PCH, which turns out to be one of the most beautiful bus rides in existence, with the coastline framed perfectly by wide windows.
Malibu Pier to Escondido Beach: 5.7 miles
We come back the next day for another king tide, despite rain in the forecast. I start on the other side of Malibu Lagoon State Beach, which looks like nothing else on this walk. It’s swampy and green and quietly buzzing, reminding me of Florida, my home turf. Birders are out, rain jackets zipped, binoculars already up.
There are still rocks and little rivers to navigate, but the tide is so low it’s exposing tide pools I didn’t know existed up here. The sand is packed and forgiving, and we cover distance quickly until the rain really starts coming down.
We exit using the new stairs at Escondido Beach, also known as Hidden Beach, which were installed in 2023 after a multidecade battle over access. I take them slowly as I celebrate a mostly triumphant walk.
The Malibu coastline just south of Point Dume.
(Jackie Snow)
Escondido Beach to Zuma Beach: 6.7 miles
I head back to Escondido Beach, a few days later at low tide, though the tide is already coming in. That turns out to be a mistake. My second mistake is coming alone. As I scramble over rocks helpfully labeled with a sign warning not to climb on them, it’s dangerous, I notice my phone has no service. I decide the safest option is to soak my hiking boots instead along the incoming tide.
With my shoes sloshing and Google Maps satellite view looking deeply uncommitted to the stretch just south of Point Dume, I try to exit. Nope. Gated community. Not ready to give up, I keep going.
The surfer south of Point Dume whose companions offered to unlock the gate.
(Jackie Snow)
I spot a woman surfing and stop to take a photo. Her non-surfing companions start chatting with me. When they hear what I’m doing and where I’m trying to go, they offer to unlock the gate. It’s a genuinely kind gesture. But since I’m doing this for you, reader, I ask if there’s an exit farther along. They say there are stairs up ahead, probably reachable. I tell them, in the nicest way possible, that I hope I don’t see them again, and keep going.
My shoes are now collecting water on every step, the bottoms of my pants are wet, and everything underfoot is baseball-sized rocks, which I think is the worst possible rock size for walking. I round the curve. I spot the stairs.
If I had turned off satellite view, the stairs would have been obvious. So much for trying to read the coastline.
I climb out and walk to the tip of Point Dume and look south. I can see the South Bay, where I called it early weeks ago, hot and tired and hating my snacks. I’m still hot. I’m still tired. My snacks are still crummy. But standing here, salty and damp, I realize I don’t want this to walk to end.
The view from the cliffs near Point Dume.
(Jackie Snow)
Zuma Beach to county line: 5.3 miles
Today I timed the hike with a tide going out and my husband joins me so I don’t have a repeat from last time. We park along the PCH at Zuma. The first stretch we go by “Hannah Montana’s View,” a very persistent Google map label. It’s calm until a curve, where a gaggle of adolescent boys, shirtless and shoeless, are trying but failing to climb over the mussel-covered rocks ahead of us. For the second time on this walk, I have to turn around and back-track to the last exit, maybe a quarter mile back.
Luckily, the sighting of a Little Free Library makes the detour feel less like a failure and more like a reward. We cut through a small gated community that turns out to have a door for exactly this purpose, a quiet acknowledgment that people do, in fact, want to walk through here. There is so much rock walking. So much. Eventually we reach Leo Carrillo State Beach, where Los Angeles actually ends and Ventura County begins. Despite the name, County Line Beach is another mile or so away.
Gated Lechuza Point neighborhood has a beach access road that lets walkers get to the shore.
(Jackie Snow)
I watch people walk across the county border without noticing it at all, no fanfare, no announcement, no sense that anything has changed. They keep going. I stop. They are not done walking, but I am.
I haven’t seen every inch of the Los Angeles County coastline. I double-checked my walking distance and I’m still not at 75 miles, more like 65. The number I found online is probably not entirely accurate (the coastline is constantly changing). Maybe it’s closer to 70. But I have seen whale-watch perches, burned-out Malibu lots, crowded boardwalks and magnificent waves. The coastline is both fragile and welcoming — and walkable — if you’re willing to chase the tides.
TIJUANA — Iran’s soccer team arrived in Mexico on Sunday morning for training ahead of the World Cup, before its first two group matches at SoFi Stadium in Inglewood later this month.
Ehsan Hajsafi was the first player to exit the plane with markings for German charter airline USC, which arrived at about 5:05 a.m. He led the team, dressed in blue blazers over white T-shirts, through a brief security check with Mexican officials and dogs before boarding a bus.
The bus stopped briefly at the entrance to the Tijuana airport, where around 20 or so Iran fans waved flags.
The team’s participation in the World Cup, jointly hosted by the United States, Mexico and Canada, has been complicated by the Iran war. Problems with processing visas earlier led Iran to move its training base from Tucson to Tijuana.
The team has been training in the Turkish city of Antalya. It flew directly to Mexico on a private jet from the Mediterranean city’s airport.
Some members of their entourage were reportedly still without U.S. visas, according to Iranian state television Saturday. Those include the Iranian Football Federation’s secretary-general, Hedayat Mombeini, and its vice president, Mehdi Mohammad Nabi.
Iran plays its first two games at SoFi Stadium in Inglewood against New Zealand on June 15 and Belgium on June 21, then heads to Seattle to face Egypt on June 26. Iran and the U.S. could meet in the Round of 32 on July 3 in Arlington, Texas, if both teams finish second in their groups.
In March, President Trump discouraged Iran from participating in the tournament, saying he didn’t think it was “appropriate” and raising concerns over players’ “life and safety.” A day later, Iran’s national team countered, saying “no one can exclude” it from playing.
Iran finalized its team on Monday, including 17 home-based players whose clubs haven’t played since February because of the war. Star forward Sardar Azmoun was dropped in March, reportedly because of a social media post that angered Iranian authorities during the war.
Iran’s sports minister said in March that it would “not be possible” for the team to participate in the World Cup, but the Islamic Republic’s soccer federation said in May that it was moving ahead with a team. The federation had insisted that all players and staff be granted visas, including those who had military service in the Islamic Revolutionary Guard Corps.
A site of big changes, the Music Center has become farewell central. Alongside the Gustavo Dudamel hullabaloo at Walt Disney Concert Hall, James Conlon has begun his final appearances in the Dorothy Chandler Pavilion as music director for two decades of Los Angeles Opera, with his own signature form of enchantment in Mozart’s “Magic Flute.”
The silent-movie panache of Barrie Kosky’s production, which opened Saturday night at the Dorothy Chandler Pavilion and runs through June 21, is on its way to becoming a perennial. This is the third revival since L.A. Opera first staged it in 2013 — all four times with Conlon in the pit. The production operates like an operatic graphic novel and live animated film charmingly all in one. The scene is a giant movie screen broken up in sections and upon which is projected witty, fantastical background animation, while the characters are the live singers, dressed as though silent film stars.
The orchestra plays Mozart’s score as though it were, as orchestras did in the old days, accompanying a silent movie but to radically different effect. Fulgurous cinematic spectacle may immerse your attention, but the opera’s essence is transferred from the stage to the pit. The singers, meanwhile, function to an unusual degree as choreographed characters in a cartoon, leaving little opportunity for body language, allowing, instead, individual expression almost exclusively to their voices.
In Mozart’s opera, Tamino, a prince in a fairyland of mystic temples and mystifying gods, relies on his supernatural flute that turn sorrow into joy to get him out of jams. The genius of Kosky’s singularly musical production is that it magically makes the orchestra itself a compendious magic flute. It more than ever becomes an agent of delight.
That is where Conlon comes in. He has, while leading L.A. Opera for 20 seasons (half the company’s existence), served as an advocate for the core operatic repertory — notably Mozart, Verdi and Wagner — much of it little heard in our late-blooming former operatic desert. He has also been an international champion of his “recovered voices” project, salvaging the neglected operas of composers in the first half of the 20th century who were silenced by Nazi Germany.
“The Magic Flute,” one of the world’s two or three most popular operas, needs no such patronage. Written at the end of Mozart’s life as a popular entertainment, its a singspiel, or sung play. As a proto-Broadway musical operatic genre of spoken word and musical numbers, it appeals on all levels. The fairy-tale libretto is child-friendly. Mozart’s score is tune heaven.
The troublesome Queen of the Night dazzles with high notes that shoot out like daggers. The main lovers, Tamino and Pamina, are lyrical wonders. The comical bird-catcher, Papageno, is everyone’s darling. The domineering Sarastro, an all-powerful priest, bellows spiritual profundities. But if you start digging under the surface, deeper than the symbolic Freemasonry and all, you may never find bottom.
The opera begins with three ceremonial chords in the orchestra that signal a brief, sober introduction quickly undercut by an exhilarating fast-forwarding overture. Those three chords can be made to mean many things. Often, they come across as commands by an orchestra to sit up straight and pay attention. They may be dignified or downright quirky and playfully no big deal, just a here-we-go.
Conlon handles them as a sweet, perfectly tuned, almost amorous invitation to pleasure, implying this will be a genial, gracious, laid-back “Flute.” Among his accomplishments in L.A. has been to make the opera’s orchestra capable of producing just such velvety, flowing Mozart, as well as terse, tight theater.
Here, Conlon offers a lesson in the kind of leadership generally lacking in modern society, by simultaneously staying out of the way yet being at the essential center of things. Depth here is not announced, but the care of phrasing implies that there is more to everything Mozart is saying than first meets the ear, that, under it all, the “Magic Flute” is not fantasy but a spiritual lesson in morality.
Many in the cast, this revival, are young singers, not yet well known and new to the company. Sydney Mancasola and Miles Mykkanen, as Pamina and Tamino, are likable, lyric lovers. Kyle Miller catches Papageno’s vulnerable charm. Aigul Khismatullina, Queen of the Night, impresses with the silvery pricks of her high notes, while Kwangchul Youn’s Sarastro, unsteady in middle register, takes on weight at the bottom of his bass. Zhengyi Bai’s lustful Monostatos, disguised in the production as a hammy vampire, almost steals the show a time or two. The Three Ladies and Three Spirits provide vocal allure.
One of the evening’s most theatrical moments, though, came after the music stopped when what sounded like a gun interrupted curtain calls. But as if rescued by a magic flute, an instant of fear turned to joy, glittery gold graffiti filling the Chandler and celebrating Conlon.
‘The Magic Flute’
Where: Dorothy Chandler Pavilion, 135 N. Grand Ave., L.A.
When: Through June 21
Tickets: $49-$440
Running time: About 2 hours, 50 minutes, with one intermission.
The World Cup arrives in L.A. on Thursday. This marks the first time the festivities have taken place in the Southland since 1994, when Pasadena’s Rose Bowl hosted the final between Brazil and Italy, which famously ended in a scoreless tie and was decided by a penalty shootout that led to Brazil winning its fourth World Cup title. (The U.S. hosted the Women’s World Cup in 1999 and 2003, with the finals at the Rose Bowl and Home Depot Center [now known as Dignity Health Sports Park], respectively.)
Soccer is art and art is soccer and soccer is life — and also one of the most beloved sports on the planet — and thankfully for you, dear arts lover, you can mix your passion for art and fútbol by heading to a free public viewing party at a number of local museums and cultural institutions.
This year sees Spain and France as favorites, with England, Brazil, Portugal and defending champions Argentina all in the running. No matter who your team is, there is a museum watch party for you. Here are your top choices, in no particular order:
The Getty Center: A variety of watch parties will take place on newly installed big screens at the museum’s Trellis Bar & Lounge and Garden Terrace Cafe, which will also feature themed menu items and drinks. The Getty will stay open until 9 p.m. on June 12, 19, 26 and July 3 to accommodate evening games. Normal Friday hours will resume July 10. Admission is free, but a reservation is required. Parking is free after 5 p.m.
Los Angeles County Museum of Art: The museum is hosting two free outdoor watch parties on large screens located on its Smidt Welcome Plaza on Wilshire Boulevard. Mexico vs. Korea can be seen from 6 to 8 p.m. on June 18; and Uruguay vs. Cape Verde will take place at 3p.m. on June 21.
LACMA is also hosting a few soccer-themed events, including “Andell Family Sundays: ‘Fútbol Is Life’,” set to take place on June 7, 14 and 28 from 12:30 to 3:30 pm. The event features art-making workshops inspired by the museum’s ‘Fútbol Is Life’ exhibit featuring soccer miniatures by Lyndon J. Barrois Sr., and led by artists Karl Petion and Patricia Yossen. There is also an event called “Let’s Play: Soccer Juggling,” from noon to 3 p.m. on June 21. This is also tied to the exhibit and offers lessons in soccer basics through a drop-in juggling and accuracy workshop led by representatives from American Youth Soccer Organization. All ages and experience levels are welcome. RSVP required.
The Autry Museum of the American West: The Autry’s free Griffith Park watch party will take place at 4 p.m. June 12 when Paraguay takes on USA. The event will feature food trucks, themed cocktails, soccer-inspired games and activities, and local vendors selling specialty wares. Free, but an RSVP is required.
The Music Center: It’s not a museum, but it’s one of the city’s most beloved cultural centers. It’s also hosting a free public screening of Spain vs. Uruguay from 5 to 7 p.m. on June 26 on its lovely Jerry Moss Plaza, including family-friendly activities and themed refreshments. Bring a picnic or pick your dinner from an on-site restaurant. Stick around after the game for a free global dance party celebrating the start of the 22nd season of the Music Center’s Dance DTLA.
I’m Arts editor Jessica Gelt putting my game face on. This is your arts and culture news for the week.
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The week ahead: A curated calendar
FRIDAY
Gustavo Dudamel: Celebrating 17 Years In his final concert as L.A. Phil music director at Disney Hall, the maestro joins his Venezuelan and American identities, conducting two poetry-inspired choral symphonic works. John Adams’ “Harmonium” borrows texts from Emily Dickinson and John Donne to explore time, harmony and rhythm. “Cantata Criolla” by composer Antonio Estévez follows a Venezuelan troubadour who squares off against the devil. 8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Haunted In this one-act dance opera, composer Paul Salerni unites poetry and music to share a tale of doomed love entwined with a ghost story with an unexpected conclusion. Based on a libretto by former California Poet Laureate Dana Gioia. 8 p.m. Friday and Saturday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org
SATURDAY
Family Fest: Pride A free, outdoor event celebrating love, identity and inclusivity, featuring Bob Baker Marionette Theater, Iwalani Music, Everybody Dance LA, Drag Story Time, Color Me Face Painting and more. 11 a.m.-2 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
“Catapult” by Alex Gardner, 2025. Acrylic on canvas. 48 1/16 x 96 1/16 inches.
(Wild Don Lewis Photography; courtesy of Alex Garden and Perrotin)
Alex Gardner, Gabriel Rico and Makiko Kudo A trio of new exhibitions connected through the natural world and the creatures, great and small, who inhabit it: In “Animals,” painter Alex Gardner explores his experience of fatherhood; Gabriel Rico’s “Gabrielinos (I Am You And What I See Is Me),” the artist’s first solo show in Los Angeles, uses textile, assemblage and sculpture to encourage viewers to think about the world around them; the life and death of Japanese painter Makiko Kudo’s pet cat inspired “Reincarnation,” a series of oil paintings. Opening reception, 6-8 p.m.; exhibitions run through July 11. Perrotin Los Angeles, 5036 W. Pico Blvd. perrotin.com
Magnificent Mozart & Mahler Eckart Preu conducts the Long Beach Symphony in two classical masterpieces, “Eine Kleine Nachtmusik” and Mahler’s Fifth. 7:30 p.m. Long Beach Terrace Theater, 300 E. Ocean Blvd. longbeachsymphony.org
Will Geer Theatricum Botanicum The summer repertory season launches with Shakespeare’s “Romeo and Juliet” and “A Midsummer Night’s Dream” in the great outdoors of Topanga Canyon. “Romeo and Juliet,” 7:30 p.m. Saturday-Sept. 26; “A Midsummer’s Night Dream,” Sunday-Oct. 10. Will Geer Theatricum Botanicum, 1419 Topanga Canyon Blvd., Topanga. theatricum.com
SUNDAY
Juneteenth Block Party Debbie Allen Dance Academy (DADA) hosts its annual free community celebration featuring free dance master classes, live performances, carnival rides, games, food trucks, music and a marketplace for local and minority-owned businesses. Noon-7 p.m. Debbie Allen Dance Academy, 1850 S. Manhattan Place, L.A. debbieallendanceacademy.com
L’Chaim America! The Braid theater company performs real stories of American Jewish life centered on gratitude and possibility. 2:30 p.m. Skirball Cultural Center, 2701 N. Sepulveda Blvd., L.A. skirball.org
MONDAY National Museum of the Aftermath The project, conceived and titled by Cauleen Smith and curated by Jon Rubin and Harrison Kinnane Smith, travels from city to city adopting a different name and form in each location. For two months, it will operate within Oxy Arts, challenging the status quo of history and speculating on the future. 11 a.m.-4 p.m. Tuesday-Saturday; through Aug. 8. Oxy Arts, 4757 York Blvd., L.A. oxyarts.oxy.edu
WEDNESDAY
Denise Burse, from left, Charlayne Woodard and Deborah Joy Winans in rehearsal for “Angry, Raucous, and Shamelessly Gorgeous” at Geffen Playhouse.
(Isaak Berliner.)
Angry, Raucous, and Shamelessly Gorgeous An expat actor of a certain age returns to the U.S. primed for a comeback, only to face a new generation with very different ideas from her own. Written by Pearl Cleage and directed by LaTanya Richardson Jackson. Denise Burse, Olivia Washington, Deborah Joy Winans and Charlayne Woodard star. Through July 12. Geffen Playhouse, 10886 Le Conte Ave., Westwood. geffenplayhouse.org
The Revolutionists Playwright Lauren Gunderson turns France’s Reign of Terror on its ear in this raucous comedy about women fighting for égalité. Directed by Jamie Torcellini. Previews, 7:30 p.m. Wednesday and Thursday; 7:30 p.m. Thursday-Saturdays and 2 p.m. Sundays, through June 28. International City Theatre, 330 E. Seaside Way, Long Beach. https://ictlongbeach.org/therevolutionists/
THURSDAY
Double Take: Photographs in Pairs An intriguing exhibition matching photographs based on their formal qualities: the angle of a body, the geometry of a space, the relationship between figures and the interpretation of color. Photographers featured include Diane Arbus, Walker Evans, Robert Frank, Lauren Greenfield, Mary Ellen Mark, Helmut Newton, Irving Penn, Herb Ritts, Sam Taylor-Johnson, Bruce Weber and Bastiaan Woudt. Opening reception 7-9 p.m. Thursday; exhibition runs through July 18. Fahey/Klein Gallery, 148 N. La Brea Ave. faheykleingallery.com
Esa-Pekka Salonen conducts the Los Angeles Philharmonic at the Walt Disney Concert Hall in 2025.
(David Swanson/For The Times)
Ojai Music Festival This year’s music director, Esa-Pekka Salonen, is in the spotlight as a composer with the U.S. premiere of his new work for violin and cello and the first complete performance of his “Six Preludes” for piano, and other works; Salonen also conducts the Friday, Saturday and Sunday evening concerts. In its 80th year, the festival pays tribute to its defining musical figures and welcomes L.A. Phil New Music Group, Colburn Orchestra, L.A. Dance Project and many other noteworthy artists. Through June 14, 2026. Libbey Bowl, 210 S Signal St., Ojai. ojaifestival.org
Rheology This experimental play by Pulitzer Prize finalist and Obie winner Shayok Misha Chowdhury is a collaboration with his mother, physicist Bulbul Chakraborty, filled with dramatic urgency. 8 p.m. Thursday, and June 12-13. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Thursday Night Jazz Weekly series featuring guest musicians backed by the Jack Lieberman Trio. Upcoming guests include the Tyler Hammond Jazz Experience (June 11); Ido Eylon and Willem Jochems (June 18); and Joey Du Bois with Kahlil Childs (June 25). 8 p.m. Thursdays. The Spotlight, 1601 N. Cahuenga Blvd., Hollywood. thespotlight.la
Arts anywhere
New and recent releases of arts-related media.
Ann Patchett and her novel “Whistler.”
(Los Angeles Times illustration; images from Emily Dorio, Harper)
Ann Patchett, ‘Whistler’ What does a literary novelist have to do with the performing and visual arts? In Patchett’s stories, the past is often inextricably entwined with the present and within those threaded timeframes lie traces of genetic code leading to the arts and art-adjacent worlds. In “Taft” (1994), the protagonist is a former jazz musician turned Memphis bar owner; “The Magician’s Assistant” (1997) finds the title character unraveling the illusions of her own life; “Bel Canto” (2021) features a famous American soprano at the center of a hostage crisis; and “Tom Lake” (2023) revolves around a Michigan woman’s long ago love affair with a soon to be famous actor during a summer stock production of Thornton Wilder’s “Our Town.” Of the writer’s latest book, “Whistler,” Times contributor Leigh Haber wrote, “This exquisite writer has once again delivered an incandescent work of fiction — sweet, but never sentimental, infinitely wise and suffused with love. It’s also an ode to New York City itself.” And that ode notably begins with the protagonist and her husband at the Metropolitan Museum of Art. A place that Haber notes, “one gets the sense, they know by heart.” This connection to art may prove to be tangential — I’ve only read a quarter of the book — but Patchett’s appreciation of these worlds is anything but. Harper: 304 pages, $30
— Kevin Crust
Culture news and the SoCal scene
Jeff LeBeau, left, and Tim Cummings in the West Coast premiere of Samuel D. Hunter’s “Grangeville” at the Ruskin Group Theatre Arts Center, dairected by John Perrin Flynn.
(John Perrin Flynn)
Times theater critic Charles McNulty reviewed the West Coast premiere of playwright Samuel D. Hunter’s “Grangeville,” directed by John Perrin Flynn, at the Ruskin Group Theatre. The play, which explores the lives of two estranged half brothers from a small Idaho town, is “beautifully acted,” McNulty writes, adding, that Hunter, “the bard of Idaho,” is “one of the theater’s outstanding American realists.”
McNulty also loved the Alicia Keys jukebox musical, “Hell’s Kitchen,” which staged its L.A. debut last week at the Hollywood Pantages Theatre. The musical tells the story of Key’s upbringing in the Manhattan neighborhood of the show’s title, but the story isn’t where the show shines, writes McNulty, noting that the joy comes from the way Keys’ music is seamlessly integrated into the narrative.
Yo-Yo Ma plays the solo for the premiere of Angelica Negron’s “Mudillo” on Thursday, May 28, 2026.
(Jason Armond / Los Angeles Times)
“Our streets are garlanded with ‘Gracias, Gustavo’ banners and billboards. The Walt Disney Concert Hall shop has become a Dudamel-torium, aisles bursting with Gustavo T-shirts, hoodies, tote bags, refrigerator magnets and this and that,” writes Times classical music critic Mark Swed in a review of Dudamel’s penultimate weekend at Walt Disney Concert Hall, including one featuring cellist Yo-Yo Ma.
Dancers from choreographer Benjamin Millepied’s L.A. Dance Project rehearse at LACMA’s David Geffen Galleries on Friday, May 22, 2026, in Los Angeles.
(Carlin Stiehl / For The Times)
Benjamin Millepied’s L.A. Dance Project is staging a free, two-week-long series of public shows called “City of Dance” which take place at nine Southern California landmarks, including LACMA, Hollywood Forever Cemetery, Tongva Park and Stearns Wharf. Read all about how the project came to be, including its use of Philip Glass’ score from the critically acclaimed 1982 documentary film, “Koyaanisqatsi.”
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Wallis Annenberg Center for the Performing Arts announced its 2026-27 season.
(Jason Kempin / Getty Images for Wallis Annenber)
Wallis Annenberg Center for the Performing Arts has unveiled its 2026-27 season, its first under the leadership of its new executive director and CEO, Jean Davidson. Highlights include music by Joshua Redman Quartet; Ronald K. Brown and his dance company Evidence, comedy and cabaret by performers including Sandra Bernhard and designer Isaac Mizrahi; recitals by L.A. Opera, concerts featuring Los Angeles Chamber Orchestra and much more. “At the heart of this season is a belief in the power of live performance to connect people to ideas, to one another, and to the shared human experience. We are proud to support artists who spark curiosity, foster empathy, and invite dialogue, while continuing to strengthen The Wallis as a vibrant gathering place for all audiences,” said Davidson in a news release. See the full schedule here.
Pacific Jazz Orchestra also announced its 2026-27 season led by composer, arranger and conductor Chris Walden. The 40-piece string orchestra and big band hybrid is entering its fourth season with five programs dedicated to jazz, swing, soul R&B, Broadway and pop, staged in six venues across the region, including in Beverly Hills, Irvine, Northridge, Palm Desert, Santa Barbara and Ventura. Featured guest artists include Broadway star Sutton Foster, pianist David Benoit and vocalist Nayanna Holley. See the full schedule here.
UCLA’s Center for the Art of Performance has announced “Far Away, Here,” a new multiyear international opera initiative that will launch in the 2026-27 season with the U.S. premiere of a new adaptation of “Kafka’s Letter to His Father, “ scheduled to run Nov. 12-14 at the UCLA Nimoy Theater. The initiative will continue to present U.S. premieres of under-the-radar operas by artists from around the world, and is curated and produced by tenor Timur Bekbosunov, in collaboration with CAP UCLA’s executive and artistic director, Edgar Miramontes.
Los Angeles City Councilmember Nithya Raman cut deeper into the lead of reality television personality Spencer Pratt on Saturday, as his lead slimmed to just a single percentage point.
Pratt fell to just over 27% of the vote while Raman jumped up to slightly over 26%, according to the results from the Los Angeles County Registrar-Recorder. Pratt now leads Raman by just 7,494 votes.
“We’ve seen Nithya Raman catching up on every update and the last two in particular she’s accelerated,” said Paul Mitchell, vice president of the bipartisan voter data firm Political Data Inc. “She’s continued to gain at a rate that means she will eventually catch up unless Pratt starts getting some ballots coming in that are either geographically or demographically better for him.”
Democratic consultant Michael Trujillo, who doesn’t represent anyone in the mayoral race, said the results suggest Raman will surpass Pratt as more votes are counted.
“I think it’s over,” Trujillo said. “It appears Nithya will be in the runoff. Pratt doesn’t appear to be growing much more.”
The second-place finisher in the mayoral primary will face Mayor Karen Bass in a Nov. 3 runoff. On election night Tuesday, the Associated Press determined that Bass had secured enough votes to qualify for the runoff.
Pratt has been in second place since then, but Raman has gradually eroded his lead as mail-in ballots have been counted. The updated vote tally released Thursday showed Pratt with 29% of the vote and Raman with 23%.
With Friday’s update, Raman’s share had risen to 25% and Pratt’s shrank to 28%, for a 3 percentage point gap.
In the most recent batch of mail-in ballots counted, Raman received 23,514 votes, while Pratt gained 10,336.
Election analysts expected Raman to gain ground as the mail-in ballots were tallied, reasoning that many left-of-center voters — Raman’s base — held onto their mail-in ballots until the last minute as they waited to choose between Democratic gubernatorial candidates. They also say younger, more progressive voters tend to hold onto their ballots longer generally.
Although the mayor’s race is nonpartisan, Pratt is a Republican in a city that is overwhelmingly dominated by Democratic voters and elected officials.
A poll by the UC Berkeley Institute of Governmental Studies, which was co-sponsored by The Times, had Pratt running in third place behind Bass and Raman.
The poll of 1,351 likely voters conducted May 19-24 had Bass with 26% support, Raman with 25% support and Pratt with 22% support, with a 3% margin of error.
Los Angeles voters have become accustomed to seeing election results change as late-arriving ballots are tabulated. In the 2022 mayoral primary, real estate developer Rick Caruso led the pack for about a week before Bass pulled ahead.
Pratt was favored in many of the same neighborhoods that voted for Caruso, according to a Times analysis of precinct-level returns provided by the Los Angeles County Registrar-Recorder on Wednesday, when an estimated 62% of the projected vote had been counted. Raman, by comparison, made inroads in progressive areas dominated by Bass four years ago.
Pratt, whose Pacific Palisades fire home burned in the January 2025 fire, was strong there and on the Westside, as well as in the San Fernando Valley communities of Encino, Woodland Hills, Chatsworth and Sunland-Tujunga.
Raman dominated precincts known for their progressive politics, particularly those with younger people in renter-heavy neighborhoods stretching from Hollywood to Highland Park, including her home base of Silver Lake.
Mail-in ballots with an election day postmark will continue to be accepted by county election officials through Tuesday.
Spencer Pratt’s election night party at Don Antonio’s Mexican restaurant in West Los Angeles included a few uninvited guests, and it wasn’t just members of the news media.
As Pratt spoke to reporters relegated to the sidewalk, a Virginia man convicted of joining in the Jan. 6, 2021 assault on the U.S. Capitol hovered behind him, trying to horn his way into the candidate’s frame as Pratt spoke to the news cameras.
A member of Pratt’s security team grabbed the man, Jon Mellis, by the shoulders, dragged him past the TV cameras and pushed him down onto the pavement of Pico Boulevard as cars whizzed by.
Mellis — a member of the far-right Proud Boys who was pardoned by President Trump along with the other Jan. 6 rioters — wasn’t thrilled. He attempted to interrupt multiple news broadcasts to air his grievances.
“They can’t assault me like that,” Mellis said.
“They hate MAGA,” someone else in his group chimed in.
Earlier Tuesday evening, Mellis had happily mugged for one news camera after another, expressing his fealty for Pratt.
Mellis described himself as “ultra-MAGA” to The Times and, pre-shove, said he didn’t mind that Pratt was distancing himself from the MAGA movement as he campaigns for votes in the Democratic stronghold of Los Angeles.
Recent polling showed most Democrats were less likely to vote for Pratt when perceiving the candidate as tied to MAGA and Trump. Given that, it’s hardly surprising that Pratt’s security team gave Mellis and his friends the bum’s rush.
“Those guys are paid ops,” a member of Pratt’s campaign wrote on X. “They crash every single event.”
Airbnb’s election night sweep
It was a good election night for short-term rental giant Airbnb, which infused numerous city races with cash and didn’t take a single loss.
The company teamed up with the Central City Assn., a group representing downtown Los Angeles businesses, to fund ads in support of Karen Bass, city attorney candidate John McKinney and five City Council candidates.
The business group said its PAC, which received funding from Airbnb and the Los Angeles Police Protective League, spent nearly $5 million during the primary election cycle, up from $1 million during the 2024 primary and general elections.
“We have been intentional about supporting candidates and causes focused on building more housing; investing in public safety, transportation, and infrastructure; and supporting the diverse businesses that provide jobs and put paychecks in Angelenos’ pockets,” said Nella McOsker, president of the Central City Assn.
“The results speak for themselves,” said Justin Wesson, Airbnb senior manager of public policy in California. “Airbnb has arrived in L.A. politics — not as a guest, but as a permanent resident.”
In council, CCA and Airbnb supported Traci Park, who declared victory and had a big lead over her opponent; Jose Ugarte, who will probably advance to a November runoff; and Timothy Gaspar, who was leading in his primary as well, though votes are still being tallied and it wasn’t clear if he would make the majority threshold needed for an outright victory. CCA also supported Monica Rodriguez, who ran unopposed and Tim McOsker (Nella McOsker’s father), who coasted to a big lead in the primary.
Betting on whims and vibes
This is Los Angeles’ first mayoral election in the age of prediction markets, and two giants of the field, Kalshi and Polymarket, have been actively promoting betting on who will be the next mayor — and even sub-bets within the election, such as which candidate will come in second place in the primary or which two candidates will advance to the runoff.
On election night, as Spencer Pratt led Nithya Raman for second place by about 9 percentage points, both Kalshi and Polymarket had Pratt favored to move on to the runoff.
But overnight, the market shifted, with a Bass versus Raman runoff now considered more likely by bettors, probably due to a widely held belief that the remaining votes to be counted will lean more Democratic as the county tallies late-arriving vote-by-mail ballots.
Although Kalshi promotes its markets as the “odds” that a certain candidate will win, experts warn it merely represents the beliefs of bettors, who are not always the best-informed.
“This is people’s whims and vibes. You might have better luck in Vegas; at least when you bet in Vegas there’s math involved,” said Democratic consultant Mike Trujillo.
A spokesperson for Kalshi said “sharp traders on Kalshi are experts at pricing likelihoods in real time.”
Eric Zitzewitz, a professor of economics and expert on prediction markets at Dartmouth College, said that sites such as Kalshi and Polymarket are pretty accurate, and that smart money usually corrects the market.
“Historically that movement in Pratt’s price would reflect a movement in his odds,” Zitzewitz said.
As of Friday, Polymarket had a Bass-Raman runoff at 80%, and a Bass-Pratt runoff around 22%. Kalshi gave Bass and Raman a 78% chance of advancing and Bass and Pratt 22%.
Pratt currently leads Raman, but Los Angeles County is still tallying ballots and Raman has gained some ground following initial results Tuesday.
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State of play
— BASS VERSUS?: Mayor Bass will advance to a runoff against either Pratt or Raman after a bruising primary campaign during which the incumbent was attacked from the left and the right.
— COALITION KAREN: A broad coalition of supporters assembled by the mayor helped her secure a spot in the Nov. 3 runoff. On her side was organized labor, including the powerful police officers’ union; business leaders, working closely with Airbnb; the Los Angeles County Democratic Party, including key elected officials; and immigrant rights groups that applauded Bass for her condemnation of federal ICE raids.
— COMEBACK COUNCILMEMBER?: Raman is still running behind Pratt, but experts say the remaining ballots to be counted should favor Democrats. “Don’t count [Councilmember] Nithya Raman out yet,” said Zev Yaroslavsky, director of the Los Angeles Initiative at UCLA Luskin.
— INCUMBENTS IN CONTROL: The mood was celebratory in Los Angeles City Council chambers Wednesday, as incumbents up for reelection held wide leads over their challengers as vote counting from Tuesday’s primary continued.
— FELDSTEIN SOTO OUT, MEJIA IN: Los Angeles City Atty. Hydee Feldstein Soto all but conceded that her reelection bid had failed Wednesday morning, as she lagged far behind her two well-funded challengers based on early returns. Her incumbent colleague, City Controller Kenneth Mejia, appeared to be faring better in his bid to stay in office, holding a double-digit lead over finance executive Zach Sokoloff.
QUICK HITS
Where is Inside Safe? The mayor’s signature program moved 20 people inside from Skid Row in Council District 14.
On the docket next week: Proposals from the Charter Reform Commission are still being reviewed by the Rules, Elections, and Intergovernmental Relations Committee, with the next meeting scheduled for June 12.
Stay in touch
That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Ron, a West L.A. resident, thinks he knows why former reality TV star and political newcomer Spencer Pratt won so much support in his run for mayor.
People are frustrated, frightened and angry about homelessness “and the crime associated with it,” Ron said in an email. He added that he voted for Mayor Karen Bass, but “almost everything Pratt said about the homeless resonated with me. … The homeless run wild here, without consequence.”
“Many of us support him not because we think he’s perfect,” said Kathy, “but because we are deeply dissatisfied with the direction of Los Angeles and feel that traditional politicians have not delivered the results we were promised.”
Bob, “a left-leaning Palisades resident,” said the issue is not Pratt’s lack of credentials, but the failures of incumbents. “There was a columnist … who documented in depth the situation at MacArthur Park,” Bob wrote in reference to me. “What was his name and what happened to him? Did he change his tune?”
These are all fair points, and if Pratt holds onto one of the top two spots and makes it to the Nov. 3 general election, or he’s overtaken by late-charging Councilmember Nithya Raman, we’re going to hear a lot more about homelessness in coming months.
So whether we’re looking at a Bass-Raman contest or a Bass-Pratt showdown, here are some random musings, and I’ll begin by responding to Bob’s question about whether I have changed my tune.
Not in the least.
The situation in MacArthur Park — targeted Thursday in a crackdown that involved multiple arrests — has long been a disgrace, and the same is true of many other places I’ve written about for the past quarter of a century. Last month, I visited a Hollywood neighborhood where one frustrated resident hired her housekeeper to document chronic problems related to homelessness, illegal dumping and criminal activity.
Residents have good reason to ask why they haven’t gotten better results after responding to politicians’ pleas for more money over the years.
It’s no surprise that Bass had high unfavorability ratings and why, despite leading in the primary vote count, she’ll fall far short of the 50% needed to avoid a second election phase. I still can’t believe that when I first asked her about the sad state of MacArthur Park, she told me she was fully aware, because she often drove through the area on her way to work.
Then why hadn’t she led the charge to address the problems and return the park to the community?
It shouldn’t take months, let alone years, to take back control of public spaces, and Pratt’s criticism is warranted, no doubt. And my main issue is not the hypocrisy of him saying God wants him to be mayor while calling his opponents demonic entities and villainizing homeless people he intends to shoo away to Seattle. It’s that his “fixes” demonstrate a lack of understanding.
Let me make a confession. From one angle or another, I’ve been writing about the intersection of homelessness, mental illness and addiction for a couple of decades, and I still have a lot to learn.
And on a personal note, I lost my son to a drug overdose. He had a job and wasn’t homeless, but like a lot of people who struggle with depression and other demons, he was resistant to help, and even to the idea that he needed help.
There are a lot more substance users like him, living out of public view, than there are on the street. We notice only those who don’t have the means to pay the rent or the mortgage as housing prices rise. So when Pratt says we don’t have a homelessness problem, but a drug problem, he’s missing a critical component in understanding why L.A. has tens of thousands of unsheltered people.
Pratt said on his website that his “treatment first” approach would direct resources into mental health and drug treatment care, which sounds good except that those responsibilities are primarily under county jurisdiction, not city control.
He and others have attacked harm reduction practices, such as distribution of needles and other paraphernalia. And I have to admit that it seems counterintuitive to enable further drug use. But the idea is to prevent death, engage clients and start a relationship that might lead to transformative care.
The county reports that in 2024, fentanyl-related deaths decreased by 37% and meth-related deaths by 20%. Harm reduction can be “absolutely invaluable,” addiction specialist Rick Rawson told me when I was working in MacArthur Park, but we need much more than that.
“When you have someone who becomes so incapacitated that they can’t stand up,” Rawson said, “to say that you’re just going to provide them with harm reduction and hope they don’t die, I think that falls short of the responsibility we have to each other and to the sickest people.”
I’ll add here that I firmly believe we should intervene more aggressively with people who are gravely ill, or are a threat to themselves or others. I recently profiled two San Diegans who are advocating for use of an existing law to allow for deeper evaluations and longer-term treatment plans for people with chronic drug and mental health issues.
It’s worth noting that drug and alcohol rehab is seldom a quick or surefire remedy. As for mental illness, it took me one year, along with the help of trained professionals, to convince my friend Nathaniel to seek help after he’d spent decades on the street following a diagnosis of schizophrenia.
What I’ve found over the years is that many of those living in tents and cars and alleys and parks are damaged in numerous ways.
I’m less inclined to judge people from a distance after having met a man on Skid Row who said he fell apart after his young daughter drowned. I’ve met women who are victims of domestic abuse or sexual assault. People in the grip of killer drugs like meth or fentanyl don’t think as clearly as we’d like them to, and they repeatedly sabotage their own self-interest.
To see people take over public spaces, openly sell or use drugs, lash out and scare those around them is disturbing and sometimes scary. But to say they choose to live on the street, as Pratt has, is to miss the point, to excuse our own complicity, to overlook historic policy failures, and to choose contempt over compassion.
Homelessness can cause mental illness, and mental illness can cause addiction, and vice versa. One condition alone can be difficult to address, but intertwined maladies further complicate matters.
I recently checked in with a guy I wrote about who had been addicted and homeless in Koreatown, and he said his recovery took more than half a year. He was in residential treatment for a few months, then in intensive outpatient treatment. There are no shortcuts, he said.
I’m not here to defend Bass, or Raman and the rest of the City Council, which shares responsibility for the current state of the city. Limited progress has been made in the last 3½ years, with a marginally lower number of homeless people.
But there’s a long way to go in moving people indoors and restoring a sense of order and public safety. The many needs include smarter enforcement of existing laws, faster development of low-cost interim and permanent housing, better coordination of outreach and follow-up services and more people willing to do all of this work.
Let’s hope that in the coming months we’ll get an honest conversation about what’s working, what isn’t, and how to do better.
Mayor Karen Bass ran the table in South Los Angeles, Spencer Pratt found strong support from his Westside base, and Nithya Raman racked up votes in Echo Park and other neighborhoods with a concentration of renters, according to a Times analysis of partial precinct-level results from this week’s primary election.
The Times analysis, based on an estimated 62% of the ballots counted so far, found that Pratt was favored in many of the same neighborhoods that voted for mayoral candidate Rick Caruso in 2022, while Raman made inroads in progressive areas dominated by Bass four years ago.
Bass found support in neighborhoods along much of the Harbor and Santa Monica freeway corridors, along with central San Fernando Valley communities from Van Nuys to Arleta.
With much of the vote left to be counted, a map prepared by The Times showing how neighborhoods voted represents a snapshot of an election still very much underway. Bass garnered enough votes on election night to qualify for a Nov. 3 runoff, the Associated Press determined, but votes are still being tallied and it’s not yet clear if she will face Pratt or Raman.
Early returns show Pratt with a significant lead over Raman, but some analysts expect the remaining ballots to lean Democratic, as many left-of-center voters held onto their mail-in ballots until the last minute as they waited to choose between Democratic gubernatorial candidates.
Not surprisingly, Pratt did well in the Pacific Palisades, where his home burned down in the 2025 fire, garnering 60% in one precinct. The next closest candidate there was Adam Miller at 14%.
A registered Republican, Pratt also led in many of the more conservative neighborhoods that were dominated in the 2022 mayoral primary by Caruso, a former Republican who switched to being a Democrat before running for mayor. Pratt was ahead in much of the Westside and the West Valley, the analysis found, including much of Woodland Hills, Encino, West Hills and Chatsworth — just like Caruso four years ago.
“The Pratt vote mirrors a tremendous amount of the Rick Caruso vote: geographically, demographically and ideologically,” said Dave Jacobson, a Democratic consultant and co-founder of J&Z Strategies.
Certain Valley neighborhoods that supported Caruso didn’t go to Pratt, though, as Bass made inroads in areas including Northridge and North Hills, extending her support farther west into the Valley than she did in her last primary.
At the same time, Pratt appeared poised to win some neighborhoods that Bass carried in 2022. He was leading in Studio City and Hancock Park, according to the preliminary returns in areas where Bass led Caruso after the primary.
Bass’ stronghold in South L.A.
Bass’ support eroded to some extent since 2022, when she secured 43% of the vote in the primary against Caruso, then-Councilmember Kevin de Leon and leftist Gina Viola, the analysis based on partial returns shows. Even so, Bass outperformed her 2022 primary results in many areas south of the Santa Monica Freeway, though the precincts are slightly different than they were four years ago, making direct comparisons difficult.
In one precinct in Gramercy Park, Bass picked up 82% of the vote so far — up from a similar precinct where she won about 75% of the vote in 2022. Part of Bass’ dominance in the area could have to do with the fact that Pratt and Raman didn’t perform as well as Caruso did in many of these South L.A. neighborhoods.
Still, in some parts of the neighborhood, Bass underperformed 2022, though she still won more than half the vote.
In a Baldwin Hills neighborhood precinct where she won 77% of the vote last time, Bass was down to about 64% this year so far, as Raman took 20% of the precinct and Pratt had 9%. In 2022, Caruso won less than 13% of the area.
Bill Carrick, a longtime Democratic consultant, said it was unsurprising to see Bass’ support continue to be strong in South L.A.
“She’s been in the community there, lived there a long time and represented them in various capacities,” he said. “She’s a pretty well-known figure. She’s tied into all the networks.”
The Raman factor
The partial election returns show Raman leading the pack in precincts known for their progressive politics, particularly those with younger people in renter-heavy neighborhoods stretching from Hollywood to Highland Park.
Every neighborhood that Raman won was taken by Bass during the primary in 2022, though Viola, a leftist candidate that year, also did well in these precincts compared with other parts of the city.
On the Westside, Raman found few spots to lead, taking Sawtelle and Palms by fairly narrow margins, although those margins could possibly increase as more votes are counted.
She also dominated the Westwood precinct that includes UCLA, winning 56% of the vote in one precinct, compared with Bass’ 19% and Pratt’s 10%. And in a Los Feliz precinct in her council district, Raman so far has 58% of the vote, far ahead of Bass and Pratt.
Still, as of Wednesday, Raman was trailing in 54 of the 66 precincts in her own council district.
Zachary Donnini, a data expert with the nonpartisan group VoteHub, said he expects to see Raman’s numbers rise as the county continues to count late-arriving mail-in ballots, which he says tend to skew younger and more Democratic — which is Raman’s base.
“All the areas that are good for Pratt are going to become less good for him, and all areas that look less good for Raman are going to look better for her,” Donnini said.
Too close to call
Across the city, certain battleground precincts were so tight that no single candidate had a lead as of Wednesday’s count, on which The Times’ analysis was based.
In two adjacent Koreatown precincts, Bass and Raman were tied, with 117 votes in one and 187 votes in another, with Pratt trailing not far behind in both.
Bass and Raman also split a downtown Los Angeles precinct with 199 votes each, though Raman carried much of the rest of downtown, which Bass won in 2022.
In the Valley, it was Bass and Pratt who split precincts. In one Sun Valley precinct, the two each took 151 votes compared with Raman’s 80. They also tied in an Encino precinct.
Since election night in California, a single theory of election fraud has taken root like no other — not just among online conspiracy theorists or bot accounts, but among major conservative influencers and people close to President Trump.
Late on election night, an update of vote counts in the Los Angeles mayor’s race appeared on election results pages of various media outlets including the Los Angeles Times.
It showed leading Democrats Mayor Karen Bass and Councilmember Nithya Raman receiving tens of thousands of new votes, and leading Republican former reality TV star Spencer Pratt receiving no new votes.
Close observers of the vote tally immediately took screenshots, with some shouting fraud. Others ran statistical analyses that showed it would be impossible for a candidate such as Pratt — running second in the race — to receive zero votes in such a large batch of ballots.
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“They’re not even trying to hide the fraud anymore,” wrote Elon Musk, the world’s richest man and one-time member of Trump’s inner circle.
The claim fit into the broader narrative being pushed relentlessly by Trump and other Republicans in recent days, that California Democrats were cheating.
But the discrepancy in the Tuesday vote count in the mayor’s race was not fraud.
What attracted far less attention than the update with zero Pratt votes was another update one minute later that showed tens of thousands of votes for Pratt, and none for Bass or Raman.
There was no batch of votes that included zero votes for any candidate, as Los Angeles County’s own data show plainly.
But voting data pushed out by the Associated Press came as two separate updates one minute apart, with Bass’ and Raman’s votes in the first and Pratt’s in the second.
“The AP vote count receives updates as provided by election officials and adds them to our vote count. What happened in this case is that there was a lag in an automated update such that some candidates’ votes were added in one update and the other candidates followed about a minute later,” the Associated Press said in a statement to The Times.
“Specifically, an electronic update from the Los Angeles County website pulled in votes for only one group of candidates, including Karen Bass and Nithya Raman. Exactly one minute later, the electronic update picked up the votes for another group of candidates including Spencer Pratt. Taken together, the updates included 21,870 votes for Pratt, 12,850 votes for Bass and 9,521 votes for Raman, along with votes for other candidates.”
The Times’ election results page relies on the AP’s data feed, and checks for updates once a minute.
According to a Times review of election night results data, The Times pulled data from the AP’s feed at approximately 8:35 p.m. that included 0 new votes for Pratt and eight other candidates. When The Times’ system next checked for new numbers a minute later, there was an update with votes for Pratt but no new votes for Raman, Bass and others.
Michael Sanchez, a spokesperson for Dean Logan, head of the L.A. County registrar-recorder/county clerk’s office, said he could not speak for how news outlets report county data, but that he could confirm there were no batches of votes that included zero votes for Pratt.
“It is false,” he said of that narrative. “In every single result update that we released on election night and since election night, he has received votes,” Sanchez said.
Justin Grimmer, a political science professor at Stanford University and senior fellow at the Hoover Institution who researches and evaluates claims of election fraud, conducted his own data analysis of the vote updates, and came to the same conclusion.
He said there was an initial update with no Pratt votes, but a second one 41 seconds later with no votes for Bass or Raman — leading him to believe the single batch of ballots was just reported in two back-to-back updates rather than one.
“Because they came so close together, it looks like it was just a sequence of updates,” he said.
Grimmer said news outlets are “thinking about speed” and the best way to get people the most accurate information as quickly as possible, but “haven’t quite adjusted to being in this world where there’s this group of people who monitor these data feeds as if they are official government reports.”
“It leads to these horrible tweets about there being evidence of fraud,” he said.
Grimmer said he operates under the “mantra” that such fraud claims can’t be dismissed “by mere assertion” that the fraud didn’t happen, but must be looked into — which is why he dived into the data in the first place. This claim, he said, was similar to claims about odd-seeming vote tallies that were made during and after the 2020 election of Joe Biden over Trump, so he was familiar with how to look into the data.
“You can just go to the source code for the page, and then you can find where the sort of feed is, and that’s all I did — just found the feed, downloaded it, and then just saw what the updates were,” he said.
Grimmer said it was not surprising to him that people were watching the data feeds come in closely enough to notice an apparent discrepancy in the data that lasted less than a minute.
“There is a group of individuals who are convinced that there’s lots of fraud going on in U.S. elections, and for whatever reason, this group is convinced that they’re gonna uncover this by careful monitoring of these data feeds and the data that is being reported,” he said.
Grimmer said he would not presume to tell news outlets how to do their job of delivering election results quickly in the future, but does hope they balance the need to move quickly with “this reality that their feeds are now being monitored by individuals who think that they’re able to discover instances of fraud from what’s happening in the feeds.”
Sanchez reiterated that the county’s own official results of votes have been accurate — saying that “at no point” did the county office “report an official results update in which Pratt received zero votes.”
When it comes to exploring Los Angeles, there are three things that actor and comedian Randall Park loves to do: shop, eat and run. Park, a native Angeleno, grew up on the Westside, attended UCLA, chose a career here and can’t imagine living anywhere else.
“I consider myself a small town person who happened to be born in the big city,” Park says. “I’ve traveled a lot for work, and have gotten a greater appreciation for L.A. There’s a little part of everywhere here. There’s so much good food in L.A., so many fun things to do and really great people here.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
The son of Korean immigrants, Park grew up in the South Robertson area, “a part of L.A. that was extremely diverse,” he says. “My friends, growing up and to this day, are all different backgrounds, races and religions. We were like a bunch of punk kids running around the city.”
Park is known for his roles as Agent Jimmy Woo in the Marvel Cinematic Universe, FBI Special Agent Edwin Park in the Netflix series “The Residence” and Taiwanese American patriarch Louis Huang in the ABC sitcom “Fresh Off the Boat.”
Recently, Park, his wife (actor Jae Suh Park) and their 13-year-old daughter Ruby left Studio City, where they had lived for 15 years, to move back to the Westside. When asked what his ideal Sunday would include, Park’s answer was jam-packed. It was so jam-packed that it would be impossible to fit it all in one day. So, take his schedule with a grain of salt. This is his magical Sunday where time bends, L.A. traffic doesn’t exist and bellies are never too full.
This interview has been lightly edited for length and clarity.
9 a.m.: Go for a run before a day of delicious eats
I’d sleep in, then go for a run to the beach and run around Venice. Sometimes my daughter’s up earlier. She’s on the autism spectrum, and really loves art and making stuff. We have a little art room that’s dedicated to her. She’s always painting, drawing, making little sculptures, just always creating.
10 a.m.: Breakfast and then pastries
Rae’s in Santa Monica is a very old-school diner, and we really love it there. They do these biscuits and gravy that are really good. They’re probably not that good for you, but I just ran, so it’s OK. There’s also a great bakery-cafe that we like to go to called Röckenwagner. So breakfast at Rae’s, then a coffee and pastry at Röckenwagner. We’ll be eating all day, which is why I ran in the morning.
11 a.m.: Stroll the farmers’ market
Next, we’d hit up the farmers’ market in Mar Vista. We’ll get fruits and vegetables for later in the week. There’s a hummus stand that I really love. There’s always a band playing, so we just soak it all in. It’s a really nice walk.
Noon: Shopping, with more eating along the way
Then I’d go shopping, and would either drag my family with me, or I’d go alone while they did their thing. First, there’s a small shop called General Quarters on La Brea. I know the owner there, Blair Lucio, and they always carry the coolest stuff. They specialize in California heritage-style clothing for men. Another store I love is Sid Mashburn in the Brentwood Country Mart. They do suits and really cool menswear. I discovered it in Atlanta when I was working on a job and loved it so much that every time I’d be in Atlanta, I’d go to it. Then I discovered they had one in L.A.
Or, I’d go to Sawtelle Boulevard. That whole street is fun with so many great stores. The Giant Robot store there has a lot of pop culture, Japanese and Asian pop culture, a lot of art, graphic novels. There’s also a great record store called We Share Records. It’s mostly vinyl and a lot of it is from Japan. They’ll even have American artists, but the Japanese editions of their records, so it’s really cool to see the Japanese versions of a Whitney Houston album. The last thing I bought there was a Hall & Oates record from Japan.
For lunch, I’ve been really into a place calledSun Nong Dan on Sawtelle. They have a few locations, but the newer one in Sawtelle is the only one that I go to since I’m on the Westside. I usually get either the Galbi-tang, which is a short rib soup, or the Tta Roh Guk Bap, which is a brisket and dried cabbage soup, or the Dduk Mandu Guk, which is a rice cake and dumpling soup. Very much Korean comfort food. Plus, they’re open 24 hours, which sometimes comes in handy.
If not there, I’d go to El Tepeyac Cafe in Boyle Heights, which is one of my all-time favorites as a kid that my dad would take me to. It’s very homestyle Mexican food, and I would get their Hollenbeck burrito, which is pretty epic.
6 p.m.: Baseball or dinner out
If there’s a Dodgers game, I’d go to the game. Growing up in L.A., there’s a lot of nostalgia with the Dodgers for me. I’ve always been a fan. My wife and I will go to the games and eat Dodger Dogs and nachos.
If not, we’d go to Musso & Frank Grill to get a shrimp cocktail and steak dinner. It’s very Old Hollywood, and you can feel the history in there. A lot of the leather booths have a story. I love when L.A. preserves its landmarks. Getting a sense of the history of the city through these restaurants is really fun.
For something more low-key, there’s this restaurant in Koreatown called Kobawoo House. They specialize in bosam, which are wraps with [fillings like] pork. They also specialize in Korean seafood pancakes that are so good.
If we’re going to go fancy, which we don’t often do, there’s a restaurant called Kato at the Row, near downtown. It’s a Michelin-starred Taiwanese omakase-style restaurant that’s so good. You don’t order. They just give you courses, and you can pair it with wine or just order cocktails. I usually just order an Old Fashioned, which is really good there. The food is just out of this world.
8 p.m.: A little night jazz
After dinner, we’d drive down to South Pasadena where there’s a bar and grill called the Barkley. My childhood friend Richie Glaser has a jazz band [the Richard Glaser Quartet] and they play at the Barkley every Sunday night. We’d get a cocktail, listen to the band and hang out.
9:30 p.m.: Winding down for bedtime
We’d come home, relax and watch TV, probably old episodes of “The Dick Van Dyke Show.” My daughter would go to bed before us, and would be asleep before we officially go to sleep. The end of the day is very low-key and quiet. Every Sunday is different, but my ideal Sunday would be one of food, family, friends and frolicking throughout the city.
