L.A

Democratic socialists are looking to extend their power in Los Angeles City Hall this fall with their biggest prizes yet: mayor and city attorney.

Mayoral candidate Nithya Raman and city attorney hopeful Marissa Roy, both members of the Los Angeles chapter of the Democratic Socialists of America, are heading into the Nov. 3 general election with strong showings in the June 2 primary as tailwinds.

If she prevails in November, Raman would join the ranks of democratic socialists leading big U.S. cities, including New York’s Zohran Mamdani and Seattle’s Katie Wilson. Washington, D.C., looks to be next: Janeese Lewis George won the Democratic primary for mayor there this month, all but ensuring her a general election win in that deep-blue city.

In Los Angeles, a democratic socialist mayor and city attorney could mean added clout because of an ideological lockstep between the two offices, said Fernando Guerra, a political science professor at Loyola Marymount University. In such a scenario, he said, the city attorney’s office is less likely to be a check against the mayor’s authority to set policy on issues such as land use and public safety.

“It’s incredibly substantive that the city attorney will interpret much of the policy that the mayor may push to be the right policy, and not challenge it,” Guerra said.

The election of Raman and Roy would also underscore the leftward tilt of Los Angeles, which has four City Council members, including Raman, who are DSA members — two of whom were reelected in the primary. City Controller Kenneth Mejia, who was recommended (although not formally endorsed) by DSA, was also reelected.

The DSA champions ideas sharply to the left of more establishment Democrats, such as incumbent L.A. Mayor Karen Bass. The L.A. DSA chapter, for example, says its objectives include abolishing prisons and defunding the police.

DSA-L.A. co-chair Sean Wakasa said his organization is thriving in L.A. and across the country because it has destigmatized the concept of socialism.

“Democratic socialism ultimately, at the end of the day, is about making the politics that working-class Americans can see themselves in,” Wakasa said.

In Los Angeles, Wakasa said, a DSA mayor would be expected to build more public transit, strengthen protections for renters, fight for workers’ rights, raise the minimum wage and defend local immigrants from the federal government.

The city attorney, he said, would be expected to defend working-class Angelenos by enforcing renter protections, resolving wage-theft issues and enforcing sanctuary city policies.

Business groups and public safety advocates have voiced concerns over the prospects of DSA members calling the shots at City Hall.

“They would run roughshod over the city,” said Stuart Waldman, president of the Valley Industry and Commerce Assn. He said Raman and Roy “don’t just drink the DSA Kool-Aid, they live it.”

Waldman said he would expect Los Angeles under democratic socialist leadership to adopt overzealous tenant protection policies that would discourage new rental development. He said they would also seek to weaken the police, leading to a “free-for-all for crime.”

“They would run business out,” Waldman said.

Roy, who has promised to turn the city attorney’s office into “the largest public interest law firm in the city,” targeting wage theft, tenant harassment and other issues, disputed Waldman’s assertion.

“Allowing corporate bad actors to violate our laws doesn’t make L.A. safer or more affordable — enforcing protections for renters, workers, and consumers does,” Roy said in a statement.

Raman said in a statement that she shares “DSA’s commitment to fighting for working people and those who have been left behind by a political system that too often serves powerful interests instead of everyday Angelenos.”

But she also said “there is no liberal or conservative way to fill a pothole.”

“I’ve always believed the most progressive thing you can do is actually make government deliver,” Raman said. “Every time City Hall fails to do that— potholes that don’t get fixed, streetlights that stay dark, 911 calls that go unanswered — it erodes people’s faith that government can solve problems at all.”

Rick Cole, a former deputy mayor of L.A., said the DSA label for both candidates doesn’t mean they’ll adhere to the most dramatized versions of what DSA stands for. Neither candidate is an ideologue, he said.

Raman’s membership in DSA “is a signifier she’s going to be more skeptical of current policing,” said Cole, a Pasadena City Council member. “She’s going to be more focused on affordable housing. She’s going to be more focused on a humane approach to getting people off the streets.”

A poll by the UC Berkeley Institute of Governmental Studies that was co-sponsored by The Times showed that in a head-to-head runoff, Raman was supported by 32% of the registered voters polled, compared with 28% for Bass.

Bass finished first in the primary, ahead of Raman, with former reality TV personality Spencer Pratt finishing in third place.

With Pratt now out, the race is on for both campaigns to appeal to his voters, who are generally considered more conservative. Even so, the Bass campaign said it doesn’t plan to focus on Raman’s DSA affiliation.

“What’s important isn’t labels — it’s what her [Raman’s] record shows, and that’s voting over and over and over to allow encampments near schools and to shrink our police force. It goes against what L.A. needs and what most of L.A. believes,” Bass campaign spokesperson Alex Stack said in a statement.

Raman, who was twice elected to the City Council with DSA support, has voted against additional police hiring and spending and creating new anti-encampment zones around the city.

One irony is that the three other members of the DSA on the City Council — Eunisses Hernandez, Ysabel Jurado and Hugo Soto-Martínez — have all endorsed Bass, citing the mayor’s fierce resistance to the Trump administration’s immigration raids last year, among other factors.

In the primary, DSA’s L.A. chapter recommended Raman but didn’t endorse her, with the distinction being that an endorsement comes with active canvassing and support from DSA members. DSA-LA co-chair Leslie Chang said it wasn’t yet clear whether her group would endorse Raman in the runoff.

A DSA endorsement for Raman now might be a mixed blessing, given that Pratt’s support came from more conservative parts of the city, said Christian Grose, a political science professor at USC.

“Karen Bass is not popular with Pratt voters, and the DSA is not popular with Pratt voters, but that’s who will decide the mayor’s election,” he said.

Roy, a deputy state attorney general, finished first in the city attorney primary by a wide margin and will compete against John McKinney, a deputy district attorney, in the runoff.

McKinney said electing Roy to the city attorney’s office would be like “going back in time” to when George Gascón was the top prosecutor in Los Angeles County, which police and prosecutors said was a disaster for public safety.

In the recent City Council primaries, DSA-endorsed incumbents Hernandez and Soto-Martinez both won reelection easily, while DSA-endorsed Faizah Malik failed to push incumbent Traci Park into a runoff in her Westside district.

In the Council District 9 race, DSA-endorsed community organizer Estuardo Mazariegos will be in a runoff with Jose Ugarte, a former aide to termed-out incumbent Curren Price.

DSA leaders are pleased overall with how their candidates have performed.

“DSA has really claimed a foothold for ourselves in L.A. County politics,” Chang said.

Nneka Ogwumike called game.

The 10-time WNBA All-Star and Sparks forward hit a buzzer-beating three-point shot to give the Sparks an electric 98-97 come-from-behind win over the New York Liberty on Sunday at Crypto.com Arena.

In a rematch of the WNBA’s first-ever game from June 21, 1997, the Sparks overcame a 17-point Liberty lead, all while celebrating the inaugural matchup — and iconic alumni — that changed women’s sports forever.

Ogwumike led the way with a game-high 24 points on 11 of 18 shooting while the rest of the starting lineup — Dearica Hamby, Erica Wheeler, Kelsey Plum and Ariel Atkins — all finished in double figures. Guard Rae Burrell also scored 19 off the bench.

Sparks head coach Lynne Roberts spoke highly of her team’s locker room pregame, even as L.A. entered riding a two-game losing streak. But the Sparks continued to fight, as Roberts expected, ultimately beating the No. 2 team in the Eastern Conference.

“I think it’s good,” Roberts said. “I wish we were fully healthy. Not having [Cameron Brink] is a big loss, or an impactful absence. But we got [Kelsey Plum]. And obviously, as you guys know, she’s the head of the snake. So that gives us, the whole group, a little more confidence … a little swagger, maybe that’s the right word.

“But the mood is good. We’ve had some great wins and some tough losses … it’s the process. You have to stay present and not freak out or panic … We’ve got great people in that locker room.”

Without Brink, who remains out after suffering an ankle sprain against Golden State, the Sparks were glad to have Plum back. L.A. entered with a 6-0 record in games in which Plum recorded six-plus assists, and the four-time WNBA All-Star, in her return from a one-game absence due to a leg injury, finished with seven to go with 12 points.

New York led for most of the night despite a cold game from guard Sabrina Ionescu, who finished with a quiet two points. The rest of the Liberty’s starting five — Breanna Stewart, Satou Sabally, Leonie Fiebich and Jonquel Jones — delivered, though, with a combined 63 points.

“Well, they’re big,” Roberts said pregame of the Liberty. “I think the unique thing is New York is huge all the way across, and so that enables them to do some things that are unique. I think the other thing they’re doing is putting [Jones] and Stewie in kind of lead guard positions. … They’ve got Hall of Famers over there. It’s a talented roster, which presents problems in and of itself, but they’re a good team.”

However, after a halftime break honoring Sparks and Liberty legends like Lisa Leslie and Teresa Weatherspoon, among many others at half court, L.A. was rejuvenated for the final 20 minutes. And after rapper Warren G performed after the third quarter, the Sparks — and their crowd — had all the momentum in the world. Ogwumike just delivered the icing on the cake.

Sunday, before anything else, was a celebration of the WNBA’s existence and the pioneers who fought to bring the game to its current standing.

“Just know that we never took a day for granted,” Leslie said at halftime. “We appreciate every moment, every day, every moment that you guys supported the WNBA from New York to L.A. and everywhere in between.”

But after Ogwumike’s game winner? WNBA fans exited Sunday’s game spoiled.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Noah Goldberg and Melissa Gomez, giving you the latest on city and county government.

It’s long been the Holy Grail for the reform crowd that tracks L.A. city government: expanding the size of the City Council.

The idea of giving L.A. more council members was endorsed by the city’s redistricting commission in 2021. Two years later, the concept was debated at length by a council committee focused on reform. After that panel failed to reach a decision, the idea was assigned to the city’s Charter Reform Commission, which endorsed the change, saying the council should have 25 members, up from 15.

Yet even after that five-year journey, the council voted Wednesday to push a proposed ballot measure on that topic off to the future, sending the idea to a new reform committee for more deliberations.

So what happened this time around?

For one thing, the 13-member citizens commission that recommended the idea didn’t offer a lot of specifics on how the change would work.

The commission recommended 10 additional council members, a move that would cause each district to shed more than 100,000 residents, leaving each member with about 159,000 constituents.

But it never explained whether that decrease should be accompanied by a similar reduction in a council member’s salary, now nearly $245,000 a year.

“That’s one of the reasons why [council expansion] is slated for further study,” Councilmember Bob Blumenfield said in an interview. “While the commission might have had a nice discussion and a negotiation among themselves, what we need to have in front of us to vote responsibly is context and information.”

A councilmember’s pay could be a major sticking point for voters during a campaign over council expansion — especially if an opposition campaign arose to defeat it.

Blumenfield said the commission failed to vet other issues, including the number of council aides needed for each district if a district is smaller.

Councilmember Tim McOsker expressed a similar view.

“I think there were gaps in what the commission proposed — substantive gaps,” he said.

Backers of council expansion have argued that an increase in the number of districts would make the council more responsive and more diverse. Opponents said bigger does not necessarily mean better representation.

Raymond Meza, who chaired the Charter Reform Commission, acknowledged that pay, staffing and the cost of each council office didn’t come up during his panel’s deliberations. Those questions should have fallen to the council, which reviews and approves the city budget each year, he said.

“They would need to figure this out through the budget process, like they figure out most other things in the city,” he said.

Meza said he believes that, in the end, council members didn’t want to dilute their own power. Former City Councilmember Mike Bonin offered a similar take, saying elected officials generally don’t want to risk changing the system that got them into office.

“They are in power because of the way the system is structured,” said Bonin, who now runs the Pat Brown Institute for Public Affairs at Cal State LA.

Before sidelining the expansion proposal, Council President Marqueece Harris-Dawson said a larger council would shift the balance of power at City Hall, giving the mayor greater authority and the council less of it.

In the end, none of these delays may end up mattering. No one at City Hall expected council expansion to happen until 2032 anyway, since the change would require a new round of redistricting — the process of drawing new boundaries for each council district. Redistricting won’t happen until after the release of results from the 2030 U.S. Census.

In other words, there’s still time for voters to act.

What happened to the City Hall misconduct measure?

Here’s another proposal that got shunted to the sidelines during the council’s eight-hour marathon meeting: what to do about city elected officials who are charged with serious crimes.

Charter reform was, in part, a reaction to a string of corruption scandals. Among them: three sitting council members who were charged with felonies between 2020 and 2023.

In each case, council members had to decide whether to use their power, spelled out in the City Charter, to suspend colleagues accused of wrongdoing — stripping away their duties until their criminal cases were resolved.

The council moved swiftly to suspend then-Councilmember Jose Huizar in 2020, taking action the day he was arrested, before he even pleaded “not guilty” to racketeering and other charges. The council suspended then-Councilmember Mark Ridley-Thomas in 2021 after a lengthy floor debate, with some saying he was being denied his due process rights. (Ridley-Thomas, who was found guilty of seven felonies, is fighting his conviction.)

A few years later, the council decided not to suspend Councilmember Curren Price, allowing him to step off of his council committees but preserving his other council duties as he contests charges of embezzlement, perjury and conflict-of-interest violations.

Although the case is still ongoing, Price is back on various city committees.

Each of those cases put the council in a bind. Voting in favor of suspension can mean depriving a council member’s constituents of representation. It also runs counter to the idea that a colleague is innocent until proven guilty.

Voting against suspension has its own set of dangers, such as undermining trust in city government. It could also allow an elected official accused of wrongdoing to continue taking part in decisions about contracts, real estate development and other matters where the potential for corruption exists.

Under the current system, a council member can be suspended with just eight votes. Harris-Dawson, who supported the suspension of Huizar but opposed it for Ridley-Thomas, said early on that he wanted the Charter Reform Commission to look at the process for disciplining elected officials accused of wrongdoing.

The Charter Reform Commission offered its answer two months ago, recommending that the council retain the power to suspend, but only with a three-fourths vote — 12 out of 15. That safeguard was meant to guard against potential abuses of power, said Meza, the former commission chair.

The council declined to put that idea on the ballot, saying it needs more study.

Asked about that decision, Harris-Dawson said he has long had serious problems with the idea that “one set of elected officials could suspend another set of elected officials.” He suggested that a third party in another branch of government — not the council — determine whether a member merits suspension.

Under that arrangement, the council could initiate the process but leave it to a judge or other party to make the final call, he said.

“I personally think that we have checks and balances in government that should be respected,” Harris-Dawson said.

A last-minute union threat

One ballot proposal that did survive this week’s gauntlet of votes was a plan to increase, not decrease, the council’s power. That proposal, backed by Councilmember Hugo Soto–Martínez, would give the council the authority to set policy at the Los Angeles Police Department.

But even that proposal may be in danger, thanks to a dispute that has erupted between the city’s labor negotiators and the Los Angeles Police Protective League, the union representing rank-and-file officers.

Union leadership said this week that the league was not formally asked by management to meet and confer over various charter proposals dealing with the LAPD, including the one focused on policy. That step is legally required before such measures can be sent to voters, the union said.

City Administrative Officer Matt Szabo, the city’s chief labor negotiator, told council members on Monday that his office sent three emails to various employee units asking if they wanted to confer over the charter changes. He said his office received no response from the police union.

A day later, after learning of Szabo’s remarks, the league fired back.

In a letter to council members, the union said it only received emails about charter reform that had nothing to do with policing. Those emails did not constitute a formal invitation to meet and confer about potential changes at the LAPD, the union said.

The city “did not follow the law and did not formally contact us,” union President Ricky Mendoza said in a statement.

The council voted to draft the change in LAPD policy making, pending a confidential report from the city attorney on whether the city first has to bargain with the police union. Council members cast that vote even after the union demanded that they suspend any further consideration of the proposal for the Nov. 3 ballot.

If the city attorney concludes that the LAPD ballot proposal does not require further talks, the Police Protective League will file a lawsuit to protect its members’ legal rights, union officials said.

On Wednesday, Szabo said the proposal to give the council power over LAPD policy decisions doesn’t require collective bargaining.

The proposal to give council say over policy at the LAPD wasn’t the only one focused on that department. Another measure discussed by the council would have given the police chief power to terminate alleged problem officers.

The council sent it to a committee for more study. The union said that proposal also would have required a meet and confer process.

State of play

— CITY CHARTER GRAB BAG: As noted earlier, the council voted to draft an assortment of charter amendments for the Nov. 3 ballot, including one to allow the council to give noncitizen residents the right to vote in local elections. The council also ordered up a measure doubling the amount of money allocated for the Department of Recreation and Parks, discarding an alternative plan that would have increased it by 50%. Other measures would switch the city to a two-year budget process and require a five-year plan for maintaining and upgrading city infrastructure.

— KNOWING ME, KNOWING ULA: Looking to boost apartment construction, the council backed a surprise plan to rewrite Measure ULA, the tax on high-end property sales passed by voters in 2022 and sometimes called the mansion tax. The council voted 9-5 to instruct the city’s lawyers to draft a measure exempting apartment buildings sold within 10 years of construction from having to pay the tax. Another vote will be needed to get it on the ballot.

— ZOO STORY: Membership at the Los Angeles Zoo has fallen by 23% over the past year, dropping from 36,914 in April 2025 to 28,440 in February, according to a report issued by the Los Angeles County civil grand jury. That report urged the city to create a new public-private partnership to run the facility, saying such a move will be critical for the zoo’s long-term survival.

— SHERIFF SUBPOENAS: L.A. County’s Civilian Oversight Commission is suing the Sheriff’s Department, asking a judge to order the release of records on three use-of-force incidents involving its deputies. The commission issued three subpoenas to the agency in February 2025, but according to the suit, the department has declined to fully comply.

— UNION DUES AND DON’TS: A former high-level officer with L.A.’s firefighter union has been accused of stealing more than $82,000 from a charity for injured firefighters to pay for his online gambling, his mortgage and other personal expenses. Adam Walker, former secretary of United Firefighters of Los Angeles City Local 112, was charged with one count each of grand theft and forgery, prosecutors announced Wednesday.

— DOG DISASTER: The Los Angeles Police Department is facing a public outcry after its officers shot and killed the dog of a woman celebrating the New York Knicks’ NBA championship in Canoga Park. Video on social media showed the dog’s owner sobbing and hugging her dog, who was wearing a Knicks T-shirt, as several LAPD officers stood nearby.

— BASS WEIGHS IN: The Canoga Park incident prompted Mayor Karen Bass to issue a statement promising a thorough and transparent investigation into the death of Jameson, the dog killed by the LAPD. “Every life lost to violence is a tragedy, and we know that the devastating loss of Jameson will be felt by his family forever,” she said. “I have spoken directly to the Chief to ensure a full investigation and accountability for any wrongdoing.”

— OFFICE FIRE: A fire broke out at a building in Pacific Palisades where former mayoral candidate Spencer Pratt maintained an office for his crystals company. Pratt, whose home burned in the 2025 Palisades fire, called the latest blaze “very suspicious.” The fire department said it’s investigating.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness went to a stretch of Silver Lake Boulevard that passes under the 101 Freeway. That area is represented by Soto-Martínez.
• On the docket next week: The council meets Wednesday to take up the massive 4th & Central project, which calls for offices, retail space and nearly 1,600 units of housing on a 7.6-acre site in downtown.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

The Sports Report Hall of Fame, other colleges edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is the other colleges. You can vote for up to 15 people. You don’t have to vote for 15, you can vote for any number up to and including 15. Your vote should depend on what the person did on and off the field only as a member of their school. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The 10 people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

Abe Alvarez—One of the greatest pitchers in Long Beach State history. The all-time winningest left-hander in school history who won back-to-back Big West Pitcher of the Year awards in 2002 and 2003.

Damon Allen—A four-year quarterback (1981-84) and three-year pitcher (1983-85) at Cal State Fullerton. He led the football team to its only two conference (Pacific Coast Athletic Assn.) championships in 1983 and 1984.

Dain Blanton—At Pepperdine, lettered for four seasons (1991-94) as an outside hitter. Blanton was a key member of the 1992 NCAA championship team. Still holds the Pepperdine record for digs per game (2.30), and previously held the career record for total digs (707).

Lynn Biyendolo—The first Pepperdine Wave to represent Team USA on the international stage, Biyendolo was the 2011 West Coast Conference Freshman of the Year and eventually became a three-time All-West Region and WCC First Team selection. As a senior, Biyendolo put together an All-American season and helped the Waves reach the NCAA Round of 16 for just the third time in program history.

Doug Christie—A men’s basketball player at Pepperdine, Christie earned All-American honorable mention honors in his junior and senior seasons, and was named the West Coast Conference’s Player of the Year in both 1991 and 1992. He led the team in scoring, assists and steals both seasons and Pepperdine won both WCC regular-season and tournament titles and advanced to the NCAA tournament.

Tara Cross-Battle—A four-time All-American in women’s volleyball, Cross-Battle was the NCAA Player of the Year in 1988 and 1989. When she graduated, she had recorded more kills (2,767) than any man or woman in NCAA history and is or was the holder of nearly every Long Beach State record.

Bob Ctvrtlik—Though he played men’s volleyball at Pepperdine for just one season (1985), Ctvrtlik was the National Player of the Year and led the Waves to the national title. Ctvrtlik led the 1985 squad with 424 kills, 103 digs and 27 service aces and was named MVP of the NCAA tournament.

John Fishel—Holds NCAA records for the most career games played (295) and at-bats (1,114). He was the Most Outstanding Player of the 1984 College World Series.

Jeff Fryer—A key member of Loyola Marymount’s run to the Elite Eight in 1990. Averaged 22.7 points per game in 1990 and finished his career averaging 17.2 points, hitting 363 three-pointers.

Augie Garrido—While at Cal State Fullerton, Garrido’s baseball teams won three national championships, made seven College World Series appearances and 16 conference championships including 11 in a row (1974-84). Four times he won national coach of the year honors.

Hank Gathers—While at Loyola Marymount, Gathers led the nation in scoring (32.7) and rebounding (13.7 RPG) as a junior, only the second player at the time to lead the NCAA in both categories in the same season. LMU’s all-time leading scorer with 2,490 points.

Ashley Gonzales—Long Beach State’s career goals scored leader with 36, Gonzales was a dangerous striker for women’s soccer who led the school to three NCAA tournaments in her four seasons.

Dan Haren—As a pitcher at Pepperdine, Haren won Freshman All-American honors in 1999 from Baseball America and Collegiate Baseball. He was also the West Coast Conference’s Freshman of the Year. In 2001, he earned All-American second team honors and was named conference player of the year after going 11-3 with a 2.22 ERA and hitting .308 with five home runs and 47 runs batted in. Pepperdine advanced to NCAA Regional play in both 1999 and 2001.

Bo Kimble—Led Loyola Marymount to the Elite Eight in 1990 and led the nation in scoring with 35.5 points per game. Only player in school history to score 50 points in a game and he did it four times.

Billie Jean King—While her collegiate career was interrupted repeatedly by national and international competition, she won the Ojai Tennis Tournament intercollegiate singles title while playing for Cal State L.A.

Shayna Kimbrough—An outstanding shortstop for Long Beach State, and one of just two players in Big West history to be named the Big West Offensive and Defensive Player of the Year.

Mark Kotsay—Won the 1995 Golden Spikes Award while at Cal State Fullerton as the nation’s best college baseball player and is an inductee into the College Baseball Hall of Fame.

Evan Longoria—Spent two seasons at Long Beach State, hitting .336 with 16 home runs with 73 RBIs. The Big West Co-Player of the Year in 2006, Longoria was a Golden Spikes Award finalist.

Kevin Magee—A two-time All-American in the early 1980s while playing basketball at UC Irvine, Magee was also the PCAA Player of the Year in 1980–81 and 1981–82. In those two seasons, he averaged 26.3 points and 12.3 rebounds per game. Was a first-team All-American in 1981, when he became the first player in NCAA history to finish in the top four in three statistical categories, finishing third in the country in scoring (27.5), second in field-goal percentage (67.1) and fourth in rebounding (12.5).

Misty May-Treanor—Led the Long Beach State women’s volleyball team to an undefeated 34-0 national championship season in 1998.

Phil Nevin—Led Cal State Fullerton to the College Baseball World Series title game in 1992 and won the Golden Spikes Award.

Christian Okoye—The most celebrated athlete in Azusa Pacific history. Was a nine-time NAIA champion in track and field and a two-time NAIA All-American first team pick in football. On the track, Okoye led Azusa Pacific to four straight NAIA Outdoor Track and Field national championship titles (1983-86). He was the first person in NAIA history to win the discus four years, setting the NAIA record in the process with a heave of 208-4 in 1985. When Okoye was not selected for the Nigerian Olympic team of the 1984 Los Angeles Summer Games, he turned his attention for the first time ever to football and became one of the greatest running backs in small college football history, setting 14 school records and, in 1986, leading all of college football by averaging 186.7 rushing yards a game.

Mark O’Meara—As junior men’s golfer at Long Beach State in 1987, O’Meara won the U.S., California and Mexican amateur championships.

Mark Pringle—Despite playing just two seasons at Cal State Fullerton, he became the program leader in rushing touchdowns, and is second in rushing yards and scoring. In 1989, he set the single season all-purpose yards record with 2,690. Pringle also shared the NCAA single-game rushing record at one point with 357 yards against New Mexico State.

John Rambo—He led the Long Beach State basketball team in scoring in 1965 (20.3 points per game) and dominated in track. He was a two-time national champion in the high jump and, in 1964, jumped 7-1 to earn a bronze medal at the Tokyo Olympics.

Ed Ratleff—A two-time consensus All-American at a time when only 12 players in NCAA history had done so, Ratleff led Long Beach State to conference titles and NCAA tournament appearances in 1971, 1972 and 1973. He finished his three-year career as the school’s all-time scoring, rebounding and assist leader.

Sam Robinson—Jerry Tarkanian’s first recruit to Long Beach, Robinson led the 49ers to a pair of conference titles. He averaged 19.7 points and 10.3 rebounds a game during the 1969-70 season when Long Beach went 24-5 and earned its first invitation to the NCAA tournament. In 1970, Robinson became the first 49er taken in a pro basketball draft.

TJ Robinson—Still the only Long Beach State player to grab over 1,000 rebounds in his career, with 1,208. Fifth in career scoring with 1,718 points, Robinson was part of Long Beach State’s “Fab Four,” starting as freshman and winning back-to-back Big West titles before leading them to the 2011-12 NCAA tournament.

Terry Schroeder—Played men’s water polo for four seasons at Pepperdine and was the head coach for 20 seasons. As a player, earned three All-American awards and set school records for goals in a career (392) and season (138 in 1978). As head coach, he posted a career record of 340-220 and took Pepperdine to the NCAA championships eight times, including the program’s only national championship in 1997.

Steve Scott—Still holds the UC Irvine record in the 1,500 meters. The UC Irvine Steve Scott Invitational is named after him. Won the 1977 NCAA Men’s Outdoor Track and Field Division I championships 1,500-meter title after winning the 1,500 twice and the mile once at three previous NCAA Division II meets.

Jim Snyder—Played tennis for UC Irvine and was the first in school history to be named Big West Men’s Tennis Player of the Year in 1981, then won it again in 1982 and 1983. Won three straight Big West individual singles and doubles titles. First Anteater to qualify for the NCAA Division I tournament in singles. Compiled a 132-53 record and is still UC Irvine’s all-time singles wins leader.

Dwight Stones—Dominated the high jump while at Long Beach State. Set a world record on June 5, 1976 when Stones jumped 7-7 to win the NCAA championship.

Andy Sythe—Retired after 35 years as coach of the Cal State Long Beach track and field team. Over his tenure, he was named Big West Track and Field Coach of the Year 11 times.

Jerry Tarkanian—Compiling a 121-20 mark in his five years coaching Long Beach State men’s basketball. During that span, his teams won one California Collegiate and four Pacific Coach Athletic Assn. championships. Tarkanian’s last four 49er teams qualified for the NCAA Tournament and his 1971 team came within inches of the Final Four, losing to UCLA, 57-55.

Penny Toler—Key member of two Long Beach State Final Four teams in 1987 and 1988, Toler was a two-time All-American and a two-time Pacific Coast Athletic Assn. Player of the Year.

Jenny Topping—One of the most decorated players in softball history. She won an Olympic gold medal with Team USA at the 2004 Summer Olympics in Athens and was inducted into the Cal State Fullerton Athletics Hall of Fame.

Troy Tulowitzki—Started at shortstop for three years for Long Beach State. A second-team All-Big West selection as a freshman, Tulowitzki then made two first-team All-Big West teams while also earning All-America honors as a junior. Hit .310 over his career with 20 home runs, Tulowitzki then became the highest draft pick in school history, drafted No. 7 overall by the Colorado Rockies.

Tim Wallach—Won the 1979 Golden Spikes Award while at Cal State Fullerton.

Jered Weaver—Won seven different national player of the year awards after the 2004 season, during which Weaver led the nation in wins (15) and strikeouts (213), finishing the season with a 1.62 ERA and a 15-1 record over 144 innings. That capped a career that saw Weaver post a 37-9 overall record with a 2.43 ERA and 431 strikeouts with 73 walks. He holds the Long Beach State and Big West career records in wins and strikeouts, and also leads the school record books in innings pitched (370), starts (55), and consecutive wins (14).

Randy Wolf—Went 25-8 overall at Pepperdine and posted a 1.97 earned-run average with 328 strikeouts in 315 innings pitched. On Pepperdine’s all-time lists, he finished his career first in strikeouts and shutouts, second in ERA, fifth in innings pitched and seventh in wins. Wolf’s Pepperdine team won the 1995 WCC championship and advanced to the 1995 NCAA West Regional. During his time at Pepperdine, he pitched for the U.S. National Team in 1995 and 1996 and posted a 6-0 record.

Leon Wood—While at Cal State Fullerton, he led the United States’ men’s basketball team to gold in 1984, playing point guard. Earlier that year he earned first-team All-American honors.

You can vote here. You can vote for up to 15 people.

Voting is still open in these categories:

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Deacon Jones
Merlin Olsen
Eric Dickerson

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Just past noon, a young man appeared on the north side of San Vicente Boulevard, a block west of Hauser, and eyeballed the flow of westbound traffic.

When he saw an opening, he slid across to the median strip, where he waited for eastbound traffic to let up before crossing over to the south side of San Vicente to pick up some takeout food. And then he retraced his steps across the 150-foot wide thoroughfare that knifes through the heart of the city along what once was the Red Car line of the Pacific Electric Railway.

He should have used the nearby crosswalk, but there aren’t enough of those on the boulevard, so pedestrians routinely skitter and scoot across the street like they’re in a game of Frogger.

I watched this drama the other day from Dam Good Coffee, where I met with two guys who live in the neighborhood and, in their spare time, have been doing a lot of thinking. They’re fine-tuning a pitch to reengineer the boulevard, reduce traffic, improve access to two new transit lines and transform the Mid-City portion of San Vicente Boulevard — from the Beverly Center on the west to just past La Brea on the east — into a 3-mile, 30-acre linear park.

Ambitious. Outlandish. Insane.

From left, Catherine Geanacouras, Oren Hadar and Michael Wacht of the San Vicente Park Foundation have a plan to turn a stretch of San Vicente Boulevard into a greenway.

(Christina House / Los Angeles Times)

It’s all of that and a longshot undertaking, given the countless obstacles that can derail their dream. But Oren Hadar, a sound engineer, and Michael Wacht, an architect, are serious, along with a small coalition of neighborhood believers.

“One of the things I always say is L.A. needs to get back into the business of taking big swings,” Hadar said. He is motivated in part by the fact that his two young kids don’t have a nearby park to play in.

The big swing comes at a time when Los Angeles has just fallen from 90th to 93rd in terms of park acreage, investment and accessibility in the annual Trust for Public Lands ranking of the 100 largest cities in the U.S. You’d think a city with great weather and thousands of apartment dwellers with little or no outdoor space would fight its way into the top 10 rather than settle for sinking to the bottom of the heap.

“What if L.A.’s next great park was already here, hiding in plain sight?” a narrator asks in a video that appears on the group’s San Vicente Park website.

Local resident Jo and her dog Elle carefully cross San Vicente Boulevard in Los Angeles on Wednesday, June 17, 2026.

(Christina House/Los Angeles Times)

Sun-baked asphalt would give way to turf. Pedestrians and cyclists would have more breathing room. There’d be far less traffic.

“You can put in micro forests,” Wacht said. “You can do farmers markets. You can do growing areas. You can do fountains. Playgrounds.”

Catherine Geanuracos, a CicLAvia board member who was an advocate for turning the Silver Lake Reservoir into an aquatic park, joined our conversation and called the idea “eminently feasible.”

“I think this is what makes L.A. great,” Geanuracos said. She’s lived in New York City and San Francisco and thinks there’s greater opportunity here for engaged residents to advance their civic improvement ideas.

The advocates said they’d gotten some encouragement from Councilmembers Heather Hutt and Katy Yaroslavsky, whose districts include the area of the proposed park. Hutt’s office sent me a statement saying she supports “effrorts to create more walkable, green communities.” She said she has encouraged the group to keep exploring the vision, and she looks forward to hearing input from various other neighborhood groups.

Hadar writes a blog called The Future Is L.A., which is part love letter to Los Angeles and part lament on unmet potential.

“Just about every other major American city has a policy and research think tank dedicated to pursuing ideas that could make the city better,” Hadar recently wrote, calling for L.A. to have its own.

I don’t want to say the park idea’s chances are slim, but let’s look at a few hurdles.

Traffic passes through the intersection of San Vicente Boulevard and La Brea in Los Angeles on.

(Christina House / Los Angeles Times)

L.A. city government has trouble managing existing parks and even the open spaces around City Hall, so how can it build and care for another 30 acres of greenery?

The cost would be in the millions, and the cup does not runneth over.

And then there’s the biggest pothole of all on the road to pastoral wonder:

Creating the park would mean squeezing off one or two lanes of traffic in each direction of San Vicente. That would dump more cars onto surrounding streets and set up another road diet clash that pits car culture against growing demand for a city that is safer and more inviting for those who walk, bike and use transit.

All of this would be examined in a feasibility study the advocates are raising money for. But the supporters claim San Vicente is lightly traveled compared to Wilshire, Pico and Olympic, so stealing traffic lanes wouldn’t be catastrophic.

I mentioned that I’d think twice about sending kids to play in a median strip park. But the supporters said San Vicente would become more of a neighborhood service street than a thruway, with safer crossings into the new park, which by the way already has plenty of full-grown trees.

When I took a walk and polled people on the park idea, I got mixed reactions.

“That’s a bad idea,” said a man who was walking along the median strip. He said he thought that after the addition of bike lanes a few years ago squeezed vehicular traffic, San Vicente became more dangerous, and the idea of a park between lanes of traffic sounded disastrous to him.

Miguel Lopez looked like he was trying to bring the park vision to life. He sat on the median strip reading a book and smiled when he was shown a rendering of San Vicente Park.

Blanca Vanburian practices tai chi in her yard along San Vicente Boulevard on Wednesday.

(Christina House / Los Angeles Times)

Blanca Vanburian, who was doing a variation of Tai Chi on the lawn outside her apartment building, had several good questions, including one about whether the city could be trusted to maintain a new park. She said a lot of residents would be concerned about new traffic flows through side streets, and she wondered if the park would attract more homeless people.

Hadar told her the feasibility study would probe all of that, and the more she heard, the more Vanburian came around to the idea of the park.

“It’s up to us how we use public space,” Wacht said, looking out on a particularly unattractive stretch of roadway that generates so much exhaust and serves as a barrier, dividing two neighborhoods. “I get disappointed when I see so much of it devoted to this, and it’s keeping us from being more of a cohesive neighborhood.”

Margaret Free walks three basset hounds, named Bob, Doris and Ruth, along San Vicente Boulevard in Los Angeles on Wednesday.

(Christina House / Los Angeles Times)

Margaret Free was walking three Basset hounds — Bob, Doris and Ruth. She said she and the dogs could be counted as four votes in favor of the park.

A woman named Jo safely managed a Frogger crossing with her dog, Elle. Jo said she was absolutely in favor of a park and doesn’t think losing lanes of vehicle traffic is a bad thing, but she feared backlash from drivers who disagree and asked me to withhold her last name.

Joshua Mock, owner of Dam Good Coffee, said everyone would benefit from the park, especially neighborhood children. “It’d be dope,” he said, “and good for business.”

For all the doubters, the advocates point to several projects around the country where public spaces were repurposed, including the New York City High Line. And they note that several local projects are in the design or construction phase, including the L.A. River master plan, the Broadway-Manchester streetscape project and the park under the Sixth Street bridge.

If you have ideas for remaking your neighborhood, send them my way.

And take big swings.

steve.lopez@latimes.com

Netflix Inc. is under contract to buy Radford Studio Center, a historic Los Angeles movie studio space, for a fraction of its 2021 $1.85-billion sale price after lenders including Goldman Sachs Group Inc. repossessed the property.

The price is close to $400 million, according to two people with knowledge of the transaction, which is expected to close in the third quarter.

The Times reported in April that Netflix had plans to buy the studio property.

The one-time silent movie lot has been home to many popular TV series over the decades, including “Gunsmoke,” “Gilligan’s Island” and “Seinfeld.”

Netflix wants to consolidate its real estate footprint in one place and has been considering relocating from a group of Hollywood buildings it leases from Hudson Pacific Properties Inc. The Hudson Pacific leases expire in 2031.

Radford’s current owner, Hackman Capital Partners, defaulted on $1.1 billion of bondholder debt and turned the property over to lenders led by Goldman after it was unable to reach a refinancing deal last year. The sale will wipe out close to two-thirds of the debt.

The value of Los Angeles studio real estate has tumbled since interest rates climbed and production plummeted following strikes in 2023 by unions representing writers and actors. Landlords unaffiliated with studios, such as Hackman, have been hit particularly hard as production moved to space owned by the entertainment giants. Occupancy of L.A. soundstages fell to 62% in the first half of last year, according to FilmLA, a local permitting group.

Representatives of Goldman and Netflix declined to comment. A Hackman representative didn’t immediately provide a comment.

Netflix, which has historically leased rather than owned real estate, has stepped up investing in studio lots. It’s currently developing a $1-billion production center in Fort Monmouth, N.J. The streaming service reported $12.3 billion in cash and equivalents in its most recent quarter. Netflix was paid a $2.8-billion breakup fee by Paramount Skydance Corp., which won a bidding war for Warner Bros. Discovery Inc.

Before the recent slowdown, Hackman went on a buying spree of movie lots, banking on ever-growing demand for streaming TV production. In March, Deutsche Bank AG sued Hackman to foreclose on its Kaufman Astoria Studios in New York. Hackman-owned Television City in Los Angeles and Manhattan Beach Studios in nearby Manhattan Beach are both being marketed after lenders led by Deutsche Bank pushed for the sale, Bloomberg reported in May.

Brokerage Cushman & Wakefield Ltd. is selling the $240-million loan on the 22-acre Manhattan Beach property, which it describes in a marketing document as “one of the most strategically positioned opportunities in coastal Los Angeles, combining an institutional-quality operating asset with some of the most irreplaceable underlying land in the South Bay.”

The Radford Studio lot was only 71% leased as of March, according to mortgage filings.

Gittelsohn writes for Bloomberg.

Patton Oswalt is an avid reader. When he thinks about his ideal Sunday in the Valley, where he has lived for more than a decade, bookstores come up more than a few times, particularly ones like the neighborhood staple the Iliad, which encourages patrons to sit and read for hours.

Currently, the 57-year-old comedian says he is rereading Mo Daviau’s 2016 time-travel/rock-nerd novel “Every Anxious Wave,” the plot to which he “truly can’t describe,” adding: “It’s about, especially for me, how does Gen X grow old? And how do they try to dodge growing old? It’s pretty f— brilliant. Imagine a day just killing two or three hours in the Iliad just reading it. Oh, it’s the best.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Not that Oswalt always has time to sprawl out with a novel. Like any touring comedian of his caliber, he admits that his schedule is constantly in flux. Not only did he spend last summer and fall promoting his 10th stand-up hour, “Black Coffee and Ice Water” (out now on Audible), but he is constantly at work on new material. On June 9, he’s launching “Tea & Scotch” on YouTube, which delves into more observational comedy subjects such as ghost-seeing cats, AI paranoia and parenting a teenager. (Oswalt tells The Times that his daughter usually does her own thing on weekends, but sometimes they’ll journey to Burbank and hit the vintage shops on Magnolia, followed by poke for lunch.)

When he’s not earmarking time in his perfect Sunday for reading, Oswalt also delights in frequenting Valley small businesses that fully embrace the indie and oddball. “I like where the Valley’s going. I like how its residents are aging,” says Oswalt. “Because they’re aging into weirdness rather than safety, which is what I will always go for. Instead of just, ‘I want the nice, reliable chain restaurant, the nice, big book chain,’ I prefer smaller shops that take risks. They’re more quirky, an actual person works here, and the imperfections are what makes it amazing.”

Below, Oswalt shares his ideal Sunday in L.A., which sometimes begins later than he’d like it to.

7 a.m.: Enjoy a quiet breakfast at home

I try to be an early riser. Today I got up at 8:30, but a great day for me is getting up at 7, because I have that hour of quiet to have my breakfast, sip some tea, do some reading, and then start my day.

But it’s hard to have a lot of those mornings in a row, because unfortunately, I also have those nights where I’m just, like, lying awake thinking. I have those crash-out days where I’m like, “Sleep until noon today! Need it! Gotta catch up.” Anyone who says that they consistently wake up at 7 a.m., for the most part, they’re probably lying.

9 a.m.: Morning coffee with a side of people watching

What’s critical about the Valley, especially Studio City, is a lot of hipsters who have aged out of Los Feliz and Silver Lake have all moved here, and they brought the good sushi, the good bookstores and the good coffee with them. So, my perfect Sunday starts at the Studio City Farmers Market. You do this kind of roaming breakfast. Where they do the farmers market, there’s an amazing tamale stand that does these chicken and green chile tamales. You get one of those, and then you go over to Joan’s on Third, and you get yourself a really strong cup of coffee, because Joan’s is right there, part of the farmers market.

It’s almost like Joan’s is the motor on a sailboat. If you can’t find the food that you like roaming around the farmers market, you can hop into Joan’s and grab something, but that’s where the good coffee is. Then you get a thing of berries from one of the sellers, and you sit. There are musicians everywhere, and it is a really good opportunity to not start your day looking at a screen and instead actually look at beautiful and flawed and imperfect and awesome people moving around and interacting. For a comedian or writer, that is gold.

11 a.m.: Worm into a book

From there, I would go up to the Last Bookstore, which just opened a location on Lankershim Boulevard in NoHo. It’s a work in progress; you can see the beginnings of the cool building that they’re doing on the interior. It’s almost like when you watch the Talking Heads’ “Stop Making Sense” and you see them assemble the stage as the concert goes on. It’s kind of amazing. So I always drop by there and spend way too much money on a book.

1 p.m.: Catch a matinee (and a matcha)

One of my favorite things is to see a movie in the afternoon. The Laemmle NoHo 7 on Lankershim is my little ’90s throwback Sunset 5, but in the Valley. They show very cool first-run indie movies, and then they will just randomly throw in [a classic], “Oh yeah, we’re showing ‘Jules and Jim.’” I just check my Fandango, to see what they’re showing in the afternoon, then I go see a movie.

I don’t really eat lunch these days, but across the street from the NoHo 7 is a place called Horror Vibes Coffee. It’s all based around horror movies. It’s weirdly popular. All these goth kids go in there, and they make really good matchas. So I’ll go in there, I’ll get a matcha, and then take that into the movie theater, see a flick. The Laemmle NoHo 7 does make really good chicken nuggets, and they do make a really, really bad for you — but delicious — bagel dog. Listen, a bagel dog with a recent indie movie? That’s mwah. [Gestures a chef’s kiss.]

4 p.m.: Head back to the bookstore

When I’m done at the movies, I will take whatever book I’ve gotten and go back down to the Last Bookstore and just sit and read. Or if you really want to go goblin-mode reading, you go to the Iliad Bookshop on Cahuenga. They encourage you just to go in there, sit, read. There are store cats everywhere that are hanging around, and the store kitties are very friendly. The Iliad has these big, overstuffed couches and chairs with blown springs. You are encouraged to sit and lounge and read. They have no problem with you doing that. A big thing for me now is having two to three uninterrupted hours of just reading. No phone, no nothing. Don’t gotta go anywhere. Don’t do anything. [Editor’s note: The Iliad is closed Sundays.]

6 p.m.: Sit down for some sushi

I’m very spoiled living in the Valley, because I live near amazing sushi. If I really want to splurge out and have what I think is the best sushi in the Valley, then I visit Sushi Tomoki, which is on Cahuenga. I just cannot rave about this place enough. They have a black cod sushi, and the black cod is slightly seared. It’s not cold, but it’s not totally cooked. There is something about cold rice and then this slightly seared, slightly burned black cod. The flavor is so perfect, I love it.

Right now, in the Valley, I’m kind of spoiled for good restaurants. There’s OyBar on Moorpark that I could go to. I go there right at 5. Otherwise there’s a line. I go right when they open. And then there’s a place called Wood & Water, further up Ventura, kind of closer to Sherman Oaks. That place is just solid, good. Everything on the menu is great, great wine list, you know. But the word is out — it’s getting crowded. Not to be a snot rag, but I go to Wood & Water so much that they kind of know me there, and they can usually get me a table. Not that I’m a big celeb, it’s just I go there a lot because their food is so good.

Once you’re my age, when I hear, “You gotta wait in line”… like, that’s why I’ve never been to Sqirl. Because I know I can’t do that, man. If I’m gonna stand in line, I’m gonna go to All Time, but I’ll just get there when they open. I can’t do lines anymore. You can do it when you’re 20, but I just want my g— breakfast.

8 p.m.: Take an outdoor stroll, then return to your book

After dinner, if it’s summertime in the Valley, I just walk through my neighborhood. There’s really good hills and stuff to go for, like, a nice nighttime walk after dinner. Or, because I’m such a freaking bookworm, I go home and sit on my big, comfy couch and just read some more until I fall asleep. There’s nothing wrong with double-dipping — you don’t have to read just once during the day. You can go back and forth.

I was only about 30 minutes from my home, but there I was in the solitude of the San Gabriel Mountains without another soul on the trail.

Dozens of butterflies, likely variable checkerspots with hints of yellow and red on their wings, fluttered all around. A territorial hummingbird repeatedly buzzed past my head, resembling the sound of either the world’s largest bumblebee or a tiny angry drone zipping past my face. Western whiptails flitted across the trail and onto rocks. A cacophony of birdsong and calls filled my ears, including, per my birding app, spotted towhee, Western wood-pewee, wrentit, bushtit and a purple finch I looked long and hard to try to identify in the treetops. Later, a gray squirrel expressed its displeasure at an interloper disrupting its peace.

These are special and common experiences that I frequently find hiking along the Gabrielino Trail, a 28(ish)-mile route through the San Gabriel Mountains that runs from Chantry Flat north of Arcadia to a lush riparian area along the Arroyo Seco east of NASA’s Jet Propulsion Lab near Pasadena. Although it offers hikers an epic close-to-home backpacking experience, you do not need to complete the entire trail to enjoy it.

Because of its length and proximity to other trails, it is replete with epic day-hike opportunities and, because of that, it’s a great place to spend the summer solstice, both the mark of the beginning of summer and the longest day of the year.

This weekend, we will see just over 14 hours of sunlight on Friday, Saturday and Sunday. The sun will rise around 5:40 a.m. and set just after 8 p.m. It offers hikers the opportunity to not only travel longer distances, but also take rests along the way to really savor their surroundings.

In this edition of The Wild, our weekly outdoors newsletter, I will suggest a few routes along the Gabrielino Trail. I encourage you, though, to take a look at a paper map of Angeles National Forest (available at most local outdoors gear stores) or use a mapping service such as CalTopo or onX Backcountry to discern what would be the most fun for you and your hiking party.

Before we discuss the hikes, a few safety reminders:

• 🙅 Don’t drink water straight from the creek (unless in a serious emergency). Always use a filter or pack your own water.
• 🫗 Pack more water in summer than you would in other seasons. Dehydration can evolve into a serious and life-threatening situation.
• 🤮 Never relieve yourself in or next to a river, as it’s a major contributor to pollution; never leave toilet paper in the woods.
• 🥾 Wear water-resistant or waterproof footwear with good traction, and pack extra wool socks to better ensure you won’t get blisters.
• 📡 Bring a cellphone with satellite messaging capabilities or a satellite communicator to ensure you can call for help; you likely won’t have cellphone reception in the San Gabriel Mountains.
• 🤔 Freshen up on Leave No Trace principles and how to best pack your bag for the safest best day.

Additionally, please note that the segment of the Gabrielino Trail in and around the West Fork and Devore Trail camps was damaged in recent storms. The Lowelifes Respectable Citizens’ Club, a trail maintenance crew, is repairing it and hopes to have it online soon.

OK, here’s what I recommend along the Gabrielino Trail. Have fun out there!

A hiker meditates near the Brown Mountain Dam just off the Gabrielino Trail in Angeles National Forest.

(Jaclyn Cosgrove / Los Angeles Times)

1. Gabrielino Trail near JPL to Brown Mountain Dam (or beyond)

Distance: 7.6 miles
Elevation gained: About 650 feet
Difficulty: On the easier end of moderate
Dogs allowed? Yes
Accessible alternative: Paved segment of Gabrielino Trail from Windsor Avenue

This 7.6-mile out-and-back trek takes hikers along the Arroyo Seco, under the canopy of massive coast live oaks and past aromatic native plants such as California bay laurel.

You will park in the large dirt parking lot and take the steep paved road a very short jaunt to join the trail. If hiking with a wheelchair or if you’re a hiker who prefers pavement, it’s better to park in the lot south of the dirt lot.

Once on the Gabrielino Trail, you can hike as far as you’d like. Short on time? Hike two miles to Gould Mesa campground, have a little snack (and maybe a swim) and head back.

To reach the dam, follow the trail in the northwesterly direction for about 3.4 miles from the starting point. You’ll come to an intersection where the Gabrielino Trail continues northwest, leading you away from the river. Instead, you’ll want to follow the footpath along the river to reach the man-made-but-still-lovely waterfall.

1a. Want a longer day?

If you want a longer day, you could continue on the Gabrielino Trail after your side quest to the Brown Mountain Dam waterfall and ask a friend to pick you up at this gate off Angeles Crest Highway at a specific time. This point-to-point journey will be about 7.6 miles. The extension is also much more challenging than the first 3.7 miles, as it gains about 1,500 feet over 3.9 miles. This trail through Dark Canyon can be overgrown, so please plan accordingly, including downloading a map and bringing a paper map with you. (See map)

Switzer Falls in Angeles National Forest.

(Raul Roa / Los Angeles Times)

1b. Big adventure day

For an even longer point-to-point journey, leave the Brown Mountain Dam waterfall and take the Gabrielino Trail all the way to Switzer Falls, asking a friend to pick you up at the Switzer Picnic Area at a specific time. This point-to-point route will be about 11 miles, and you will gain about 2,350 feet in elevation. This is the most rugged option, and this trail can be overgrown in places. Plan accordingly! (See map)

The Gabrielino Trail, a 28-mile trek through Angeles National Forest, passes through various plant communities and canyons, providing pockets of shade along the way.

(Jaclyn Cosgrove / Los Angeles Times)

2. Red Box to Valley Forge Trail Camp via Gabrielino Trail

Distance: 4.8 to 6.6 miles, depending on your route
Elevation gained: About 1,200 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: Mt. Wilson Observatory paved walking path

This 4.8- to 6.6-mile out-and-back trek will take you along a delightful path that always feels a little bit like a fairy wonderland to me. You’ll pass under shady oak canopies and past moss-covered rock walls. You end at the Valley Forge Trail Camp, which has lovely tall conifers and a vault toilet (that’s usually clean).

To begin, you’ll park in the Red Box Picnic Area parking lot, which can fill up on the weekends and does require you to display an Adventure Pass or other federal public lands pass. You’ll find the trail’s start down some rock steps in the southern area of the lot.

Valley Forge Trail Camp, left, and mossy rocks.

(Jaclyn Cosgrove / Los Angeles Times)

Just over two miles in, you’ll near the trail camp. Take good care to ensure you’re on the right trail. Instead of following the Gabrielino Trail, keep your eyes peeled for the trail that descends toward the riverbed. After a nice rest at the trail camp, you can take the trail or fire road back. (See map)

As of mid-June, the Red Box Picnic Area is experiencing active bear activity, so be mindful if returning to your car around dusk.

2a. For those feeling hardcore

From near Valley Forge Trail Camp, you could consider taking the very steep Valley Forge Trail, a 2.6-mile trek that gains about 1,550 feet, to the Eaton Saddle. From here, you could take the Mt. Lowe Motorway to the San Gabriel Peak Trail, head north briefly using the Mt. Disappointment Road to take the Bill Riley Trail down to Mt. Wilson Red Box Road. The downside is that you’ll have to then take the road about a third of a mile down to Red Box, and drivers zoom through here like they suddenly learned burgers at In-N-Out are free for only the next hour. That’s to say: Proceed with caution.

City lights glow after sunset in a view along the road to Mt. Disappointment in Angeles National Forest.

(Brian van der Brug / Los Angeles Times)

Additionally, parts of this trip extension might be overgrown. It is about 5.5 miles and gains 2,300 feet in elevation. It will be through a beautiful area of the forest though! (See map)

Regardless of which route you take, please make sure to check the weather, pack smart and be OK with turning around if the conditions on the trail aren’t passable. Additionally, please be mindful of trails that remain closed under the Eaton fire area closure order.

The stretch of the Gabrielino Trail between Red Box and Switzer picnic areas offers great views of nearby peaks in the San Gabriel Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

3. Red Box Picnic Area to Switzer Picnic Area

Distance: About 8.6 miles
Elevation gained: About 1,450 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: West Fork National Scenic Bikeway

Earlier this week, I took this 8.6-mile moderate route, parking at the Red Box Picnic Area before heading down into the canyon on the segment of the Gabrielino Trail that runs parallel to Angeles Crest Highway. (See map)

This trail is both beautiful — lush with native plants and the last blooms of wildflower season with great views of nearby peaks — and exposed. There will be shady patches as you hike under healthy oak and maple tree canopy, but wear ample sun protection.

One of many deep pools along the rivers that run next to the Gabrielino Trail.

(Jaclyn Cosgrove / Los Angeles Times)

Although the trail runs parallel to the Arroyo Seco for a stretch, you cannot easily access the river because of a steep drop-off from the trail to the river. I didn’t cross the river until 3 miles in, and by then, I was feeling hot and ready for a quick dip.

That said, when I arrived at the Switzer Picnic Area, I felt like I’d won the lottery. I had skipped the nightmare that it has become to park here, but I still got to swim around in one of the river’s deep pools. It was 1.8 miles farther to Switzer Falls, one of the best cascades in Angeles National Forest.

Great views from the Gabrielino Trail.

(Jaclyn Cosgrove / Los Angeles Times)

***

If you have any questions or feedback about the suggested routes, you can simply reply to this email if you’re a Wild subscriber. It will go directly to me. I love hearing from you. Have fun out there and happy summer!

3 things to do

Volunteers work at a Channel Islands Restoration event.

(Channel Islands Restoration)

1. Serve the river in Santa Paula
Channel Islands Restoration, a Santa Barbara-based habitat restoration nonprofit, needs volunteers from 9 a.m. to noon Sunday at Santa Clara River Preserve (1368 Mission Rock Road in Santa Paula). The preserve spans almost two miles and is about 1,000 acres. All ages and skill sets welcome. The site is ADA-friendly, and restrooms are on-site. Register at cirweb.networkforgood.com.

2. Eradicate invasive plants in Irwindale
The California Native Plant Society San Gabriel Mountains Chapter needs volunteers from 8 to 10:30 a.m. Saturday to yank weeds from the Santa Fe Dam natural area. Volunteers will also learn from plant society members about the local flora and fauna. Learn more at chapters.cnps.org.

3. Investigate the invertebrates in Rowland Heights
The Invertebrate Club of Southern California will host a 1.5- to 3-mile hike from 6:30 p.m. to 9 p.m. June 26 through Big Dalton Canyon. Participants will learn about scorpions, beetles and other interesting creatures. Learn more at the group’s Instagram page.

The must-read

The Malibu coastline just south of Point Dume.

(Jackie Snow)

Freelance writer Jackie Snow was feeling inspired to get outdoors. After reading my 2024 piece about walking the entire 27.4 miles of Washington Boulevard, she came up with an idea: Walking the entire L.A. County shoreline. Snow took 10 trips from November through mid-January to accomplish her goal, walking 70(ish) miles in total. She maps out in her piece how you can do that too! “I have seen whale-watch perches, burned-out Malibu lots, crowded boardwalks and magnificent waves. The coastline is both fragile and welcoming — and walkable — if you’re willing to chase the tides,” Snow wrote in her article for The Times.

Happy adventuring,

P.S.

It’s ladybug season in Los Padres National Forest. Volunteers with the Los Padres Forest Assn. recently discovered thousands of the insects while they were working on the Piedra Blanca Trail. “If you know where to look, you can find them hibernating on rocks, leaf litter, and trees in masses called ‘lovelinesses,’” the association wrote on Instagram. “But, have you ever seen the next generation hatch and fly away in the springtime?” No, but I hope to someday.

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

SHAKIRA has sparked dating rumors with hunky actor Manuel Garcia-Rulfo.

The pair were seen leaving a hotel together in Los Angeles on Monday, days after Shakira turned up the heat at the World Cup opening.

Hips Don’t Lie singer Shakira and Manuel, who is known for starring in Lincoln Lawyer, were waiting at a valet stand outside the Sunset Tower Hotel.

As they waited for their vehicle in West Hollywood, the pair were seen smiling and chatting.

The photographs show that once their car arrived, Manuel proved chivalry isn’t dead.

He was ever the gentleman and politely opened Shakira’s door and waited for her to get in before he closed it.

Mexican hunk Manuel then walked around to the driver’s side and got in before driving off.

Shakira, 49, wore a simple outfit comprising of a black tank top with some blue jeans and some black boots.

Meanwhile, 45-year-old Manuel wore blue jeans, a black T-shirt and a matching jacket.

The couple looked incredibly content in one another’s company, and as they drove off they were both beaming.

The snaps were quick to circulate online, with fans rushing to react.

“Truth is, the dude really is hot. Even if it’s casual, I’m glad. Good for Shaki,” said one person on X.

“Omg what an upgrade,” penned a second.

While a third wrote: “The way those photos look like they’re from 2000 omg Shakira ages like wine.”

Someone else then echoed: “If you tell me it’s from 2002, I’ll believe you.”

And a fifth said: “Baby, doesn’t it feel like you’re seeing an old photo? It looks the same.”

Shakira has most recently been romantically linked to Lucien Laviscount.

Back in February, she took to Instagram to hard launch her relationship with the actor.

The relationship began after they met in early 2024 on the set of her music video for Puntería, in which he played her love interest.

But ahead of the World Cup, Shakira noted that she has “no space or time” for a relationship.

“Oh no, no romance for me for now,” Shakira told The Times recently, hinting she and Lucien were no longer an item.

“There’s no space or time in my life for that. My plate is quite full.

“My kids are my priority. And my career. Strangely enough, I’m in love with my career like I’ve never been in my life. I’m enjoying my time alone as well.”

In this week’s episode of The Envelope podcast, Rachel Sennott discusses finding the voice of “I Love L.A.” — and finding her footing as series creator — during a tumultuous time in her life.

Kelvin Washington: Welcome to The Envelope, Kelvin Washington alongside you know who, Yvonne Villarreal, Mark Olsen. Always great to have you two here and spend some time with you. We talked about it earlier, we had Emmy season — a few weeks ago we discussed it. But now Emmy nominations are on the way. Yvonne, I’ll start with you, just maybe someone, a show, a couple of things you’re looking at saying, “Hey, I would love to see this or that person nominated.”

Yvonne Villarreal: I wanna give some shout-outs to the women right now. I was really frustrated when Rhea Seehorn didn’t get love until the final season of “Better Call Saul,” and I’m hoping — and I do have a lot of hope — that she will be recognized for “Pluribus.” [I] was a really big fan of “The Comeback” this season. I would like to [see] Lisa Kudrow get in there. Show-wise, I would like to see “The Testaments” in there. I don’t know how much of a dark horse that one is, but that’s my pick for show.

Washington: You’ve been riding “The Testaments.” What about you, Mark?

Olsen: I’m sort of leapfrogging over nominations, and I’m just thinking about what would be exciting on the show. And last year, I remember Stephen Colbert won for talk show kind of right after his show had been canceled, and that seemed like a very exciting moment. And so this year, with Jimmy Kimmel, where this is the first Emmy cycle since he had his suspension last year, and really has been in the news, I just think if he were to be nominated and then to win, that just would be such an exciting moment at the show. What’s he gonna say? I just would really love to see that.

Washington: Yeah, he seems like he would have some things to say, right? Because just kind of the nature of who he is. We’ll have to wait and see. And just for me, a couple of people. Just a fan of this particular person, Janelle James is hilarious to me. She plays in “Abbott Elementary.” She plays that role great. And then this one is no real surprise, probably 50-plus-year career, but Martin Short. Every time I see him, he’s amazing, steals the scene. So those are folks that just jump off on the radar for me.

All right, I’ll get to you, Mark. You had a chance to sit down with Rachel Sennott of “I Love L.A.,” creator and star of it. Tell me a little bit more about that.

Olsen: She’s been kind of a real, like, bright light on the comedy scene for the last few years in films like “Shiva Baby,” “Bodies Bodies Bodies” and “Bottoms,” and, you know, she also was like a writer as well as a performer. And so with “I Love L.A.,” which is a look at sort of like the young creative class in Los Angeles, she is the star of the show, she created the show, she writes on the show, she’s executive producer, she actually made her directing debut with one of the episodes. And so it’s just exciting to see her sort of really like come into her voice and come into her own with this new show.

Washington: Kind of reminds me a little bit of, you know, now maybe a decade ago Issa Rae’s surge in L.A. and comedy creating, and then Riz Ahmed, who you spoke with last week — same thing creating and starring and stuff. Seems like that’s the energy [we’re] getting from a lot of the young talent. Well, here is Mark and Rachel now.

Rachel Sennott, creator and star of HBO’s “I Love L.A.”

(Evan Mulling / For The Times)

Mark Olsen: We’re here with Rachel Sennott, creator, executive producer, writer, star, and for the first time, director on the show “I Love L.A.,” as well as co-creator and writer on “Big Mistakes.” That’s a lot.

Rachel Sennott: When you say it like that, I’m like, “Oh, my God.” And I’m also a friend, daughter, let’s not forget girlfriend. Yeah, those are all things that I am doing. And I am so grateful and having so much fun doing that.

Olsen: Hopefully this isn’t something that just I get a kick out of, but we’re here at the L.A. Times offices in El Segundo, and the Randy Newman song “I Love L.A.,” one of the first lines in the song is “Rolling down the Imperial Highway.” And we are in fact on Imperial Highway.

Sennott: We’re here right now. We’re living it.

Olsen: Tell me about the title of the show, its relationship to the song and what was it that you liked about having the show called “I Love L.A.”

Sennott: We were between two titles for a while, “I Love L.A.” and “Climbers,” and the reason we went with “I Love L.A.” is because in the process of making the show, I moved here from New York and I had a hard time when I was first here. And in the process of filming the pilot, I really fell in love with L.A., and I think getting to make something here, I all of a sudden saw L.A. through this lens where everything was like a movie. I would go on my walks that I usually go on. I would walk through my neighborhood, I would go to my spots, and I just saw it through this different lens, and I was really falling in love with it in the process of making the show. And I think with “Climbers,” that title fell a little bit — it was a double meaning of like social climbers and then also, being the age that I am, where I feel like ever since I got to college, ever since I became an adult, there’s been this chaotic energy in the world and uncertain ground where things never felt expected. It was always unexpected events. Graduating into COVID and then there was a strike and everything. So I feel like Sisyphus, where you’re always pushing the rock up the hill and it’s never enough. But we were worried that “Climbers” would seem too negative … We didn’t want to set people up already judging the characters.

Olsen: And then what has it been like for you learning to be a showrunner in making “I Love L.A.”? It’s funny, your co-showrunner Emma Barrie, she mentioned how you were very organized, but she was struck that you had everything in a pink binder with horses on it. So it was you trying to learn this new thing while also holding on to your essence.

Sennott: I feel so grateful for everyone who works on the show with me. I learned a lot from Emma. I learned from Lorene [Scafaria], who inspired me so much as a director. Aida [Rodgers], our producer, Amy [Gravitt] and Allie [Wasserman] at HBO; Max [Silvestri], who’s one of our EPs and writers. Showrunning is a million different jobs, and some of the jobs I’d done before, some of them I hadn’t, and I felt like I got to see different people shine in certain things, people who are more talented or more skilled at structure than me, people who have directed before, people who understand shots and basically learn from everyone and see that everyone wants the show to be the best it can be. They’re bringing stuff to the table. And so I benefited from everyone else’s skills and talents and just being like, “If you know how to do this better than me, I’m gonna learn from you and watch you and hopefully take from that so I can do my job better.”

Olsen: In a lot of the press as you’ve been talking about the show, you’ve been talking a lot about the concept of the Saturn return and this sort of chaotic period people have in their late 20s. You yourself now are 30 —

Sennott: Yes, I made it. I literally just finished. I was relieved, but my Saturn return was the process, getting the show picked up and the first season of the show. That was my Saturn return.

Olsen: Can you already feel that something has settled or things are different somehow?

Sennott: Yes, a thousand percent. My Saturn return, the dates that it was the strongest were the month around when the show got picked up. Making the pilot was so amazing and I learned so much. And then I was in this moment where I had to pick — basically, I couldn’t take on acting jobs because I was gonna hopefully do the show, but I didn’t know if the show was picked up yet or not. And so I had to say no to certain things and kind of take this leap. At the same time I went through a breakup, and then I got arrested for having CBD in the Cayman Islands. And it was just a very chaotic month of my life where I was like in jail for six hours on a break with my boyfriend, so he, like, had no idea where I was, and I was like, I don’t even know if I have a show, I just said no to this other thing. I just felt like I didn’t know what was happening. I’m someone who it’s hard for me to take risks sometimes, and that was a big risk and leap into what I thought I should be doing. And then the rest of it was learning for the first season how to do a job I’d never done before. Obviously, I still have more to learn, but I think that was a big Saturn return for me, the roller coaster of it.

Olsen: It’s so interesting to hear you say that you think of yourself as a person who’s afraid of risk, because that’s not my impression of you.

Sennott: You’re like, “Stop taking risks. Chill on the risks, every second.” No, I think it’s more [that] I didn’t necessarily believe in myself as a creator on my own, and that was really scary for me. That was the risk, I think.

Olsen: Because especially in building up to making “I Love L.A.,” in your career, I feel like you’ve created this comedic persona for yourself. What is the biggest distinction between the Rachel I think I know and like the actual you?

Sennott: You mean the characters that I play? Or like the persona?

Olsen: These sort of hard-charging, very ambitious, but maybe not always understanding of themselves characters, and you. I’m just interested in how you see the distinction between that persona and the actual you.

Sennott: Well, I hope that the characters that I’ve played have been somewhat different from each other. I think “Shiva Baby,” that character, was a little bit more anxiety-inward. Alice in “Bodies” was way more outward and kind of no filter, said every inside thought. Maia on “I Love L.A.,” I think, is kind of bitter in the beginning of the first season and is pinning her failures, blaming them, on her friend. All of those characters, I always draw on some element of myself. I think all actors, you have to find some connection to the character. But I think I’m hopefully more grounded and balanced and mature than the character. I hope.

Olsen: You’ve talked about how “I Love L.A.” really explores the foibles and challenges that people have leading these very, like, online lives and the way that people nowadays are really sort of tethered to their phones all the time. Is that something that you feel like you grapple with yourself? Is it something you yourself have had to kind of get over?

Sennott: I would say I started my career on the internet, and I grew up on the internet, and basically, I created a different sort of persona on the internet that was based in truth of a time when I was in my early 20s in New York, and it was a lot more messy and a little chaotic, and I was just going through things in my life at that time [that inspired] — I say “writing,” but like the tweets, the jokes, the videos, whatever, that were coming out of me. And then I felt I changed, but I still wanted to kind of project that character. And so I actually ended up putting that character into Tallulah [played by Odessa A’zion]. And I think Maia was a little bit more the version of myself when I first moved to L.A. and I felt isolated and it was during COVID, and I felt I was kind of gripping onto my friends in a codependent way. And so I think the show is sort of dealing with, whether or not you’re an influencer or person online, anyone who’s grown up on the internet is projecting some sort of version of themselves. So I think it was that I was trying to explore.

Olsen: You mentioned that the character of Tallulah is this version of you that you used to be. So what was it like for you creating this character that was almost like your id unleashed?

Sennott: It felt like I was separating myself from her. At first, [it] maybe could have felt like a caricature. And then when we cast Odessa, who is so talented and just, as an actor, she has such depth and range, and I think she asked questions and brought so much to it. Then it actually made me sever myself from the character, and the character became its own thing that she brought to life.

Olsen: Your character, Maia, in some ways is the audience surrogate, she’s kind of the most “normal” character on the show. And considering that in “Bottoms” or “Bodies Bodies Bodies” you often were the outrageous character, what has it been like for you to play this character that’s a little more self-contained?

Sennott: It’s been fun. I think we sort of found her during the first season. I feel that Episodes 6 through 8 are really where the show finds its footing and where we find what’s the comedy of Maia. It takes a little for her to kind of crack open, what’s funny about her as a character, but also I think Tallulah is almost like an agent of change for her — Maia was set in her ways and sort of struggling and depressed, and I think Tallulah puts her on track, and she’s going through her Saturn return and all that stuff. And so I think we get to see at the end of the season and just having been writing Season 2, I think that we get see her do a lot more fun stuff.

Olsen: It’s funny, as viewers, a lot of times people say, “Oh, you know, there’s this show you should watch, it really gets going on like Episode 3” or whatever. And I don’t think I’ve ever heard a creator say before, like, “Oh, 6, 7, and 8, we figured it out.” Do you feel you knew that in the moment, or has that only come to you as you’ve been working on Season 2?

Sennott: I think as we were editing the first season. Tone is something that you can say, like, “We want it to be like, this needs this, and it’s that and that and the tone of that.” But tone is what you find in the edit. I think you shoot different versions of a line, of a scene, and then you piece it together. And I think for me, that’s when I felt like, “This is the tone of the show. This is the world of the show.” And in writing Season 2 as well, just living more in that world.

Olsen: You kind of touched on this, but the characters on the show, they kind of skirt this line between being endearing and annoying. What is it that you like about that?

Sennott: Because I think that’s how people are. I am not interested in seeing perfect people or people who are flawed in a way that’s not actually real. So I love all the characters. I think Alani [played by True Whitaker], for example, is someone where you could really easily be like, “Oh, a nepo baby, she’s so privileged, whatever.” I think she’s the character with the biggest heart. She’s the best friend out of the whole group. She cares for everyone. She’s so deeply sensitive. And she’s actually been through a lot of s— and she drops these little things, these clues where you’re like, “Gee, she went through something crazy but is choosing to look at life half-full,” and I think that’s fun. I like the characters who make you feel or expect something of them and then show you another side. Charlie [played by Jordan Firstman] I think does that as well, where you meet him and you think he’s a little acerbic, he’s a little judgmental, and then he goes through loss and grief when Lukas, spoilers, Lukas Landry dies, RIP Lukas. That’s really hard for him. I’ve been friends with Jordan for so long, and I love him so much. I think he’s so talented. But I think he showed a totally new side of himself with the character.

Olsen: I agree. I found those scenes very touching. There’s an emotion there that’s kind of unexpected. Another moment that I really like in the show is Odessa’s character, she wants to change a dinner reservation to five people at 8 o’clock. And then you have to spend hours trying to make that happen. And I really appreciated how it’s something that sounds like it should be simple, and for some people it’s no big deal. But then for other people, it’s the biggest hurdle imaginable. Did you like that the show explores this sort of proximity to ease? Sometimes you end up at this party in a big, big house, but it’s not your house. Was that something you wanted to explore about life in L.A.?

Sennott: Totally. There’s also something specific to L.A. and specific to the industry we’re exploring — which is the internet as opposed to Hollywood — that I would say is relatable to me, to anyone in their late 20s, early 30s. When you’re in your early 20s, everyone’s sort of grouped together or feels like they’re in the same bucket. It’s like, “Oh we’re all doing this same thing, we’re all roommates, we’re all in school together, we’re all whatever.” But people make decisions that you don’t even see. I feel like the first time I found out that one of my friends had a SEP IRA, I was like, “When did we all decide that we’re getting SEP IRAs?” And it was a friend who loves to party, and I was thrown. Now I’m panicking I didn’t do that. Or who’s getting in a serious relationship, whatever. People start making decisions in their late 20s, all of a sudden everyone’s off on different paths. It’s like, “Wait, you’re getting married, but you’re still partying the way that we did when we were in college.” This person is moving, this person is changing their career path. And so you all of a sudden feel a little bit betrayed or on your own, and it’s isolating, and that is something that, yes, we’re doing it through a specific lens of L.A. and this world and these characters, but I think it’s really relatable to people at that age.

Olsen: I’ve heard you describe yourself as a zillennial cusp.

Sennott: Yeah, I’m cusp, and I feel like I relate to a little bit of both.

Olsen: But do you feel a pressure for the show to feel like some sort of a generational statement, to capture these kind of big-picture things?

Sennott: No. Ayo [Edebiri] and I were texting each other because there’s always an article that’s like, “Turns out these b— are 30. Yeah. They’ve been lying the whole time. They said they’re Gen Z.” I’m like, “I didn’t say anything. I was born in ’95. I’m 30.” Call me what you want, but I was just writing to what I feel at the time. I think people who grew up on the internet in the way that I did will relate to it, but I think you can relate too if you’re older or you’re younger.

Olsen: As people are writing about the show, they very frequently are referencing “Girls,” “Insecure,” “Sex and the City.” But I’ve heard you reference “Entourage” quite a bit. Could you explain that?

Sennott: “Girls” and “Sex and the City” and “Insecure,” all of those shows, all HBO shows, are formative to me as an artist. I remember watching “Girls,” I was in high school and looking at colleges with my dad and we went and toured [New York University], and in the hotel room that night, he was like, “I heard so much about this new show, ‘Girls,’ we should watch it. And it was the episode with Patrick Wilson where they f— in his nice apartment the whole time, and we turned it on and my dad was like, “OK, you can watch this later on your own, this is for you.” And I remember going to bed being like, “I’ve gotta go to New York, like whoa, this is crazy.” I think naturally those were already gonna inspire me. “Entourage” and “Atlanta,” those were two references that I mentioned a lot when we were making the show. “Entourage” because I feel I got to come up in this industry with my friends, and when I’m with my friends I feel completely invincible, and so there was that aspect. It was like, “I wanna see ‘Entourage’ but from a different point of view and perspective and a slightly different industry.” And then “Atlanta,” there is already having a family relationship and friendship on top of managing. Like how [Earn] manages Paperboi. And then I think “Atlanta” did such a great job of capturing a city that has almost magical realism elements to it. And L.A., a lot of the time, there’s things that happen here that are crazy, that feel almost unreal, but they are real. So that was a big inspiration for the show as well. Like the opening of the show, sex during an earthquake. That’s happened to me, but it also feels a little ridiculous, but it happens in L.A.

Olsen: You mentioned earlier that in waiting for the show to come around, you felt you were having to turn things down or you were really having to sort of change your mindset in a way. Can you talk a little more about that? With the show “Big Mistakes” that you created with Dan Levy, is that one of the things that you had to step away from or readjust how you were gonna be involved because of the fact that you were going to have “I Love L.A.”?

Sennott: I was more talking about acting roles. When you step into a creator role, it’s a different mindset than acting jobs and you have to commit to a longer time period. When you’re just acting in things, you can pop in, pop out and you leave set and you’re like, “I love you guys so much. I’ll see you in a year at the premiere,” which is fabulous too — love doing that. But when you are creating something, you’re in it from beginning to end, and you really wanna give your all to it. So I think I was more talking about just, like, betting on myself as a creator, as opposed to just acting.

Olsen: And how has that felt now that you’re on the other side of it, with one season of “I Love L.A.” made? How do you feel about having made that decision, having bet on yourself like that?

Sennott: I think it’s changed me, in a way where I’m so happy I did it. And it’s sometimes harder and there’s more parts to it, but I feel more in myself creatively than I ever have before, I think.

Olsen: It changed you how?

Sennott: Just because you all of a sudden see all the different parts of the process of making something and all these different jobs that maybe I wasn’t as aware of before. And I think there’s also something beautiful about popping into something and acting and just being like, “I am present as my character. This is what I am thinking about. I’m thinking about what does the character want.” And that’s amazing too. But I feel so lucky to have been able to experience other parts of making something.

Olsen: What was it like learning how to switch hats, especially during production? I would imagine you have a producer brain, you have an actor brain, then for one episode you have a director brain.

Sennott: I had to like sort of take it day by day. There are days where it’s a lighter scene for me and I can be on the side approving locations, taking meetings during lunch. There was a day where I had two sex scenes, for Episodes 6 and 7. So we shot the end of 7, the fight scene with me and Josh [Hutcherson], and the sex scene where it’s Maia and Dylan but she’s fantasizing about Ben. It was a lot. And so I was like, to Emma and Max and Aida, “Let’s not do any other meetings today in the middle of the day,” and they were like, “Totally got you.” That day I was more focused. I really needed to be present in the scene and have this be my main focus. And then on a day where I’m shooting like, “you’re texting on your phone” and “you’re walking on your walking treadmill,” I can do other stuff. So I think it was just taking each day as it comes and having so much support from the rest of the team.

Olsen: It’s wild to think of just one day providing all this material for the show. Just a single day could be so pivotal.

Sennott: Yeah, totally. A lot can happen in a day and then other days you’re like, “I’m just opening doors.” You never know.

Olsen: How did you come to conceive of how you kind of wanted to depict the online world, how people text, whether they’re FaceTiming and things like that? The show obviously exists with that world, as part of it, but you didn’t spend a whole lot of time animating texts. How did you come to conceive of how to depict people’s online life?

Sennott: I wanted it to feel how it does in the real world, which is the internet is just a big part of everyone’s life, but people aren’t explaining it to each other all the time. So we wanted to have the internet feel like the real internet, but our own internet. We didn’t want to ever reference anything that would date us because the internet moves so fast. So, like, Coke Larry, for example, when Dylan gets made into a meme, whatever, that’s our own thing, but it moves the same way as the internet does. And we tried not to have too much phone screens, texting, whatever. Like for example you [just] see snippets of Tallulah making videos or posting or whatever. In “Entourage,” you don’t really see that much of Vince acting. You see all the stuff around it. So that was sort of our model for the show.

Olsen: You directed the final episode of the season. Do you expect to be directing more in Season 2?

Sennott: Yeah.

Olsen: And how did you find the experience? What did you like about it?

Sennott: I loved it. You’re just in every aspect of the process. You are thinking about everything, and it was so engaging and exciting, and afterwards I felt fried, and I like crawled onto the edit couch and I was like limp and it took a lot out of me. People describe it like giving birth. And then you’re like, “I gotta do it again.” So that’s kind of how I felt on the other end.

Olsen: Can you talk a little about that final episode? The show is called “I Love L.A.” You send the main characters to New York for the final episode, which has turned into kind of a controversial decision. A lot of people have talked about that. Can you talk just a little about deciding to end the season in New York?

Sennott: I think it was because it was sort of addressing the fact that these girls went to school in New York together. They lived in New York and they chose to move to L.A., and I think when you do that there’s always going to be the push and pull of the two cities, and going back to New York, it was almost like getting a chance to get back together with your ex and being like, “You know what, there’s a reason it didn’t work out.” And they end the episode with, “I miss L.A.” So I think that’s kind of what we were aiming to do.

Olsen: And then before we wrap up, I should be sure to ask, is there anything that you could tell us about Season 2? What can people look forward to?

Sennott: It’s sort of what we were talking about earlier, Episodes 6 through 8, I think, I just feel we’ve locked in to our tone, we get to see other sides of characters we haven’t before, we go deeper on certain characters. And I think there’s some fun stuff that we set up in the finale that we get to explore.

An effort to exempt new apartment buildings in Los Angeles from the so-called mansion tax moved forward Wednesday, amid concerns that the tax is suppressing housing construction and making the affordability crisis worse.

In a 9 to 5 vote, the City Council directed the City Attorney to draft a ballot measure that would ask voters to change Measure ULA, which funds subsidized housing construction and homeless prevention efforts by taxing nearly all property sales over $5.3 million.

Once the proposal is drafted, it must come back to council for a final approval to make it onto the November ballot.

Wednesday was the deadline for the council to take the vote and stay on track to make the ballot this fall, said Councilmember Katy Yaroslavsky, who introduced the proposal along with Councilmember Tim McOsker.

“We should protect what is working and fix what’s not,” Yaroslavsky told colleagues before the vote. “If we fail to act today, that door closes.”

The ULA tax, approved by voters in 2022, is known as the mansion tax but applies a 4% tax to nearly all properties — whether they are mansions or not — if they sell for more than $5.3 million, increasing to 5.5% for sales at or above $10.6 million.

Under the proposed ballot measure, the ULA tax wouldn’t apply to multifamily buildings sold within 10 years of construction. There would also be some more technical changes put before voters, including to allow ULA money to be spent on temporary housing for homeless people.

Since ULA passed, apartment construction in Los Angeles has plummeted. Some studies have found that the additional tax on property sales has played a big role in the drop-off by adding extra costs for developers.

That’s led to fears that the tax, in some ways, is making the affordability crisis worse by suppressing new supply.

A coalition of business groups and pro-development activists have been pushing the council to amend ULA, in part hoping that the effort will blunt another possible measure on November’s ballot that would cancel ULA and other similar taxes altogether.

ULA supporters, however, have fought the exemption for new construction and say that other factors — like high interest rates — are the reasons for the multi-year construction drop-off. They also point to a surge in new building during the first three months of this year to argue that it’s too early to know ULA’s long-term impact.

Also on Wednesday, the council, in a unanimous vote, directed the City Attorney to draft a separate ballot measure that would exempt homeowners impacted by the Palisades fire from paying the ULA tax for five years, retroactive to Jan. 7, 2025.

“ULA has been an impediment to the Palisades recovery, leaving properties sitting empty and people mired in tax and regulatory hell,” City Councilmember Traci Park, who represents Pacific Palisades, told colleagues before the vote. “We need to move forward with this exemption.”

Similar to the broader ULA changes, the Palisades changes must receive a second council approval to make the ballot.

In this week’s episode of “The De Los Podcast,” hosts Fidel Martinez and Suzy Exposito sat down with actor Xolo Maridueña to chat about his East L.A. upbringing, the importance of Latino representation in his career and a litany of projects he has in the works.

Born and raised in El Sereno, Maridueña was exposed to the arts at a very young age through local community arts hubs Casa 0101 and the Boyle Heights Art Conservatory, where his mother, Carmelita Ramírez-Sánchez, now serves as executive director.

The 25-year-old actor credited his mom, who also previously worked as a radio DJ for decades in L.A., for encouraging him to explore a creative career.

“She was in the music world at a time when that wasn’t really a thing as a Latina woman,” Maridueña said. “She met so many roadblocks and overcame those that when it came time to for her to eventually raise her own family, she understood the want to try something that was outside of what the education system would deem successful. As a Latina, she also instilled these values of remaining curious, questioning certain traditions and the ways our experiences are affected by some systems that are larger than ourselves.”

He also touched on what it was like being the first Latino lead in a live-action superhero film in “Blue Beetle” — and the importance of continued Latino representation in Hollywood.

Xolo Maridueña is featured on “The De Los Podcast.”

(L.A. Times Studios)

“It was such a wild ride doing something like ‘Blue Beetle,’ that was the first in a lot of categories… But once the movie came out, it was so heartwarming to see that there were already like 10 other Latino superheroes that were making their debuts on the screen,” Maridueña said. “[Filming the movie] was the first time I had witnessed some much of the crew being Latino, or just being diverse — there were a lot of women and queer folks on that set.”

Having worked on hit series like “Parenthood” and the Netflix phenomenon “Cobra Kai” in addition to his theatrical roles, Maridueña wants to help provide an avenue for fellow Latino artists to succeed.

“I just hope [that] with this body of work, I can help open the door and prop it open for everyone else,” he said.

The conversation with Maridueña wrapped with him discussing the litany of projects he has coming out in the near future, including a leading role in the film “Dog Years” alongside Xochitl Gomez, a part in the Al Pacino-led movie “Killing Castro” and a spot in the upcoming season of Netflix’s live-action adaptation of “One Piece.”

He will also feature alongside Sandra Bullock and Nicole Kidman in the upcoming sequel to the witchy 1998 film “Practical Magic,” which is set for release Sept. 11.

“It’s been a blessing to expand not only the types of people I’ve gotten to work with, but [also] the genres and types of characters I’ve gotten to bring on to the screen,” said Maridueña. “Projects like ‘One Piece’ are so wonderful for the reach and then movies like ‘Dog Years’ and ‘Killing Castro’ are just as fulfilling in the sense that because they get to be smaller productions, the cast and crew have a bit more ownership of what they’re doing.”

A former top officer of the Los Angeles Fire Department’s labor union was arrested Wednesday and charged with grand theft and forgery for allegedly stealing more than $82,000 from a charity for injured firefighters.

Prosecutors from the state attorney general’s office announced the charges against Adam Walker, former secretary of the United Firefighters of Los Angeles City, at a news conference.

Walker “abused a position of trust for personal gain,” Atty. Gen. Rob Bonta said alongside Los Angeles County Dist. Atty. Nathan Hochman.

Walker opened a foundation bank account and transferred funds to his personal accounts, Bonta said, attempting to conceal those transfers with fake reimbursement records and forging receipts to mislead auditors. He used the funds for personal expenses, including online gambling, Bonta said.

Walker has been under scrutiny since 2024, when the local union’s parent organization, the International Assn. of Fire Fighters, suspended him from his union position and accused him of improperly depositing more than $75,000 of the charity’s funds into his personal accounts from December 2022 to January 2024. The IAFF accused him of using $5,000 for personal expenses.

Walker, who continued to work as a firefighter, told The Times last year that those allegations were false. He said the account he drew from was not for the charity, the UFLAC Fire Foundation, but was set up for two golf tournaments to raise money for a disabled former firefighter. He said all of the deposits were reimbursements for his legitimate out-of-pocket expenses for the tournaments.

“Not one penny of the money was foundation money,” he said. He said he understood that the deposits “look bad” but were a reflection of his “poor bookkeeping” and not any wrongdoing.

The Washington D.C.-based IAFF also suspended Walker from his positions as chairman and director of the foundation, which aids injured firefighters and their families, provides scholarships and is helping firefighters who lost their homes in the January fires.

The run-up to the World Cup in Los Angeles was marked by anxiety over how immigration enforcement, travel restrictions and anti-Trump backlash would affect the spirit and attendance of the games.

But on the streets of L.A. over the last week, something very different has happened.

Fans from a kaleidoscope of cultural backgrounds have come together to act out the kind of world — and city — they want to live in.

On the shuttle bus from downtown to Inglewood on Monday, there were scores of people with Farsi-emblazoned shirts and crowds of grinning Kiwis as one would expect for the Iran-versus-New Zealand showdown that evening. However, there were also clusters of striped blue Argentina T-shirts, plenty of Team USA jerseys, and a loud group of fans chanting “Viva Mexico” from the back of the bus.

The mood was joyful before Monday’s match among fans of Iran’s national team. The players, because of restrictions by the Trump administration, have had to commute to the games from Tijuana.

(Allen J. Schaben / Los Angeles Times)

Similar scenes played out on the Metro K Line as World Cup-goers from all over traded stories of how they scored tickets, tips for navigating L.A.’s transit system, and wistful memories of tournaments past.

“This festival is about unity and bringing the whole world together; there are 48 nations and everybody is having a good time,” said Ardy Salem, an Iranian American dentist who traveled from the Bay Area to attend the game, as he surveyed the crowd outside SoFi Stadium on Monday with unabashed glee.

“Just for a moment,” he said, “we get to leave all the politics behind.”

David Leon, 32, of Watts was grinning from ear to ear as he stood outside the stadium entrance in his forest-green Mexico jersey, despite the fact that he initially didn’t support having the World Cup in Los Angeles.

“I thought it was going to be a big issue for a bunch of different people to come here,” Leon said.

Fans of New Zealand show their support as they perform the haka, a traditional Maori dance and chant, at Monday’s match.

(Allen J. Schaben / Los Angeles Times)

Leon worried that people from other countries would be turned off by American politics and fearful about traveling to the U.S.

Instead, he’s been delightfully entertained by tourists documenting their wholesome reactions to American culture on social media — such as the German man experiencing Waffle House for the first time and the Swedish woman blown away by ranch dressing.

“It really does bring people together from all these different ethnicities,” Leon said, looking at the lines of people waiting to get into the stadium. “I’ve seen Colombians, I’ve seen Mexicans, people from New Zealand, people from Iran, Germans, Spaniards.”

And for his own community of Mexican Americans, he said the matches had brought a much-needed infusion of joy. This time last year, Immigration and Customs Enforcement raids were roiling Los Angeles, instilling fear throughout immigrant households.

Fans of Mexico are on hand at Monday’s match at SoFi Stadium. Before the World Cup, there were widespread fears of ICE presence at the games.

(Kelvin Kuo/Los Angeles Times)

Just last month, about 2,000 SoFi Stadium workers threatened to strike if they didn’t receive assurance that immigration agents would be kept out of the venue during the World Cup.

Leon said he was definitely worried that ICE would take advantage of crowds gathering for the matches to perform further immigration enforcement.

But, so far, that has not been the case. Instead, many people in his hometown of Watts have been consumed with “World Cup fever,” calling out of work to attend watch parties at local bars and walking down the streets with eyes glued to a livestream of a game on a phone, he said.

While joy was the overriding mood among soccer fans gathered in Inglewood on Monday, the day was not entirely free of tension or pangs of grief for the people who were missing out on the fun.

James Carling, 63, of Ventura said it pains him to know that many fans from countries such as Iran, Haiti and Senegal are unable to attend the matches because of the Trump administration’s travel restrictions.

“Let’s face it, our government hasn’t made it easy for people to visit us, which is a shame,” he said outside the stadium. “There were people from countries whose teams made it [to the World Cup] who were not allowed to come and, sorry, that’s wrong.”

The shadow of the U.S. war with Iran and the anger many Iranian Americans feel over Iran’s current government were also present in Inglewood on Monday. Outside the stadium, some Iranian soccer fans had heated encounters with protesters who felt that supporting the Iranian national team was synonymous with supporting an oppressive regime.

Yet the atmosphere among the Iranians attending Monday night’s game was one of cathartic celebration, where for a few hours they could set aside geopolitical tensions and unite over the simple love of soccer.

In the stadium parking lot, David Arias, a Mexican American resident of Inglewood, gave a fist bump to Kam Pirouz, an Iranian fan who had traveled from Washington, D.C., to see the game.

Mexico and Iran are “homies right now,” Arias said, referencing the fact that the Iranian players are commuting to the Los Angeles games from Tijuana because of restrictions placed on them by the Trump administration.

Fans watch the World Cup group stage match between Iran and New Zealand at SoFi Stadium on Monday.

(Ronaldo Bolanos/Los Angeles Times)

Although Arias did not have tickets to the match, he said he could not resist the chance to meet people from all over the world. So he decided to take his local barbershop to the parking lot outside the stadium and offer free haircuts to fans.

With an hour to go before Monday night’s game, all three seats at his pop-up shop were occupied; Pirouz, the Iranian fan, was getting a fresh fade while seated next to a Mormon missionary from Utah and an Egyptian fan.

“It’s the World Cup, man, the entire world comes together, and it’s beautiful,” Pirouz said mid-haircut. “Best sport in the world.”

Times staff writer Seamus Bozeman contributed to this report.

Los Angeles is the best food city in the United States. When considering breadth and scope, quality of ingredients and cooking, diversity and innovation, and sheer volume, it just can’t be beat. There’s no beginning and no end to its wonders.

But it’s more than that. Although our city can feel chronically fractured, our foods and restaurants may be the only possible glue that binds us. So we asked our Food writers, what are the local dining experiences that define living in our city?

This is our answer. The following are not the definitive “best” restaurants or meals in L.A. — we have a proper critics’ list for that each year. Instead, these experiences are the foundation for understanding what it means to love L.A. through its foods.

Tell us if you disagree, or if there’s anything you think we missed. Whether you’re a hard-boiled native or a first-time visitor with a big appetite, we’re confident that any combination of these 50 dining experiences will make your heart sing with love for L.A.’s invincible food scene. — Daniel Hernandez

And yet to set foot in a WeFly cockpit is to be alternately in awe and overwhelmed. I was in a near 1:1 replica of the insides of a Boeing 737 Max. Buttons, knobs, switches and flashing lights surrounded me. And to fly a plane, I would have to let go of everything I knew about driving a car. Turning in the air, for instance, is much different than turning on a runway. And do I watch the screen, or look out the windshield? Often the former, even though I enjoyed buzzing Long Beach’s Queen Mary, flying under the Golden Gate Bridge and circling Chicago’s Wrigley Field. When it came time to land however, my palms got a little sweaty. Navigating height, winds and the steadiness of my plane was a challenge, one akin to handing a grade-schooler a calculus book, summarized Joyce. Let’s just say I needed his co-piloting skills. And I’m not great at math.

Typically, WeFly’s clientele, says Joyce, are a mix of aviation aficionados or non-commercial pilots. The space also gets a fair share of those with a fear of flight, arriving at WeFly with the hopes to conquer it. “They want a sense of control,” Joyce tells me. But WeFly is also ideal for anyone who is amazed by air flight, or those who may someday dream of being a pilot. Though it uses “Microsoft Flight Simulator,” it is no game. Sessions for 30 minutes start at $129, and WeFly’s trainers will tailor it toward one’s experience. I made sure, for instance, that crashing was turned off. But I forgot, however, to turn with the brakes when it came time to land. Yet the plane was intact, and, as Joyce reminded me, “At least you’re on airport property.”

Olivia Rodrigo has officially begun her new era, and this time she invited her fans to experience it alongside her.

To celebrate the release of her latest album, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo collaborated with American Express to re-create the set of her music video for “The Cure.” The pop-up event, which opened last Thursday and ran until Sunday at Mica Studios, featured props from the video, storyboards, exclusive merchandise and several photo ops for fans.

With a beating felt heart and lab beakers to pose with, the pop-up transformed an industrial studio space in the Arts District into a pastel-painted cardboard hospital. Ahead of the public opening, Rodrigo surprised a small group of AMEX cardholders and select fans.

“I have an album that’s coming out today in about one hour, which is crazy,” Rodrigo said, wearing a blue “Nurses Do It Better” baby tee. “I figured since we’re all here, maybe we should just listen to a few of them together? Would that be cool?”

A little over an hour before the album’s release, Rodrigo played four songs from the album as the room brewed with excitement. She began with “Maggots for Brains,” a song about being so infatuated you can’t focus when your partner is away. Although it was their first listen, the song’s catchy chorus already had fans dancing along.

Banner for Rodridgo’s pop-up event hands above Mica Studios

(American Express)

Rodrigo explained that her next song, “Purple,” paid homage to the aesthetics of her previous albums, “Guts” and “Sour.”

“Obviously, this is my first non-purple album, but I just had to shout out purple somehow,” Rodrigo joked. “This song started out as a love song and sort of devolved from there, so I’ll let you guys be the judge.”

Playing off the somber vibes of “Purple,” Rodrigo played “Less” next. The piano ballad follows the dissolution of a relationship as the couple grows apart.

“I’ve been going back and forth on what the saddest song on the record is, but I think this one might be it,” Rodrigo said.

In a room full of fans, the song struck an emotional chord with many of the listeners. To bring the mood back up, Rodrigo finished the night by playing her new single, “Stupid Song.”

“This next one is a happy one, and it actually has a music video that comes out tonight,” Rodrigo said. “I love this song so much. It’s basically about having such an intense crush on someone that it drives you totally f— insane. I feel like we’ve all been there at some point in our lives.”

Rodrigo was all smiles at her event celebrating her latest album steeped in heartbreak and romance.

(American Express)

After Rodrigo previewed her music, “The Cure” music video exhibition was opened up to the fans. The showcase ranged from interactive photo ops to gallery walls featuring behind-the-scenes photos from the video shoot and Rodrigo’s nurse costume on display. The video’s props, which were primarily designed using cardboard and felt, were displayed in glass cases for visitors to admire.

Dressed in fun fashion including light pink and polka-dot outfits, fans posed throughout the set, re-creating scenes from the music video as “The Cure” played overhead. Many had thrown on a piece of the Los Angeles-exclusive merchandise on sale at the pop-up, with shirts and hats reading “You Seem Pretty Sad for a Girl in Los Angeles.”

So while some fans teared up at her lyrics and others beamed with excitement, everyone was hyped to experience Rodrigo’s new album.

“I really hope you enjoy this little exhibition. It is so gorgeous, and I am so proud of it,” Rodrigo said. “Thank you guys for being here, and I really hope you love ‘You Seem Pretty Sad for a Girl So in Love’ as much as I do.”

With the largest Olympic and Paralympic Games in history approaching, LA28 announced Monday it will open volunteer applications on July 14, the two-year mark before the Olympics officially begin.

LA28 is searching for 60,000 volunteers to work during an Olympics that will feature more than 11,000 athletes across 15 days of competition. Volunteer responsibilities range from welcoming and guiding spectators and athletes, to specialized roles, including medical care and language translation. While the majority of Games-time volunteer opportunities are in the L.A. area, volunteers are needed for every Olympic venue city: Oklahoma City will host softball and canoe slalom events, and soccer preliminaries will be held in New York, Columbus, Nashville, St. Louis, San José and San Diego.

Applicants can specify their preferred location, their special skills and whether they would like to volunteer for the Olympics or Paralympics.

The Olympics, which run from July 14-30, 2028, have a volunteer period from March to August. The Paralympics, which open on Aug. 15, 2028 and close on Aug. 27, needs volunteers from August to September. Games-time volunteers must be available to complete at least 10 nonconsecutive shifts of approximately eight hours each during each Games period and must be 18 years or older.

“Volunteers are the backbone of the Games,” LA28 chief executive officer Reynold Hoover said in a statement. “They are a friendly face who helps welcome the world, create memorable experiences and bring the Olympic and Paralympic spirit to life. Their passion and energy will help define LA28 for athletes, fans and communities across the region.”

LA28’s volunteer program started in 2025 with community-based opportunities. LA28 volunteers have already worked with local nonprofits on beach, street and trail cleanups, habitat restoration and fresh food packing. Volunteering in the community through the LA28 program is not required to earn a spot for the Games, but the experience can strengthen an applicant’s chance.

Updates about the LA28 volunteer program are available at la28.org/volunteer, where potential volunteers can register their interest to automatically receive more information about the Games-time application process when it opens.

Béla Guttmann may be the most consequential soccer coach you’ve never heard of. But if it weren’t for Guttmann, you may never have heard of Pelé.

And Brazil may never have become the greatest soccer-playing country on Earth.

That’s because Guttmann changed the shape of modern Brazilian soccer — and changed the sport forever — when he imported the revolutionary 4-2-4 system from Hungary to Sao Paulo in 1957. A year later, Brazil won the first of five World Cups and the joga bonito was born.

But what Guttmann brought to Brazil isn’t nearly as interesting as how he got it there. That’s just one of the fascinating stories in “The Beautiful Game … The Untold Story,” the exhibit that will open the Holocaust Museum LA on Sunday at the Goldrich Cultural Center, a $70-million expansion that will double the size of the Pan Pacific Park museum’s campus to 70,000 square feet.

A soccer ball from the holocaust is among the items on display in the exhibit “The Beautiful Game … The Untold Story” at the Holocaust Museum LA.

(Eric Thayer/Los Angeles Times)

The exhibit was unveiled during a private reception on Saturday followed by a free preview day open to the public from 10 a.m. to 5 p.m. The grand public opening will take place in August.

The show’s launch coincides with eight local World Cup matches, which kicked off with the United States’ 4-1 win over Paraguay on Friday at SoFi Stadium, and it shines a light on the important but largely overlooked relationship between Jewish life and the global game, as well as how Jewish innovators like Guttmann shaped the modern rhythm, style and culture of the sport.

“It was in the same intellectual level as jazz, as art and everything modern and progressive,” journalist Allon Sander, who helped curate the exhibit, said of Jewish participation in European soccer in the years before World War II.

“The origin of the game and how it intersects with Jews and the Holocaust and the impact that these Jewish footballers and coaches had to shape the game and help popularize the sport is so fascinating,” added Beth Kean, the museum’s CEO. “And it’s an unknown history.”

Much of that story can be told through Guttmann, who was born in Budapest in the final year of the 19th century and developed into one of the sport’s first Jewish stars, representing Hungary in the 1924 Olympics and playing for nine teams in two countries before retiring to become a coach.

But none of that success mattered when the Hungarian government began introducing anti-Jewish laws in 1938, costing Guttmann his job and nearly his life when he was sent to a Nazi forced-labor camp, where he was tortured. Just days before he believed he would be shipped to Auschwitz, which meant certain death, he escaped alongside Erno Erbstein, another Jewish coach.

Erbstein revolutionized soccer in Italy before dying in 1949, along with the entire Torino team, when their plane crashed into a hilltop outside Turin. Four years ago, he was inducted into the Italian soccer hall of fame. Guttmann, meanwhile, who lost much of his family in the Nazi death camps, would go on to coach for 42 years in 14 countries, winning championships in six of them yet only staying in a single place for more than two years just once.

“He’s running away from his demons,” said Ronen Dorfan, a journalist and sports historian based in Budapest whose research was instrumental in putting the exhibit together. “His father was murdered, his sister was murdered. You never know how you survived in Budapest during the war so he had guilt feelings.”

A jersey worn by player Max Wozniak and a jersey from the 1930s are displayed in an exhibit called “The Beautiful Game … The Untold Story.”

(Eric Thayer/Los Angeles Times)

The exhibit was designed in three sections, the first devoted to the years before World War II, the second is about the Holocaust and the third is the postwar years. And while it details Jewish participation in, and influence on, global soccer, it also challenges the cliché that Jews were intellectuals, artists and laborers but not athletes.

“We are always trying to challenge stereotypes. Stereotypes that we might have about ourselves and even stereotypes that we believe about others,” said Jordanna Gessler, the museum’s vice president of education and exhibits who helped curate the show. “It’s crucial to help people find their place and their voice and really see the unity, the similarities between people.

“This is a story that was lost in time and we’re really bringing it out,” Gessler added. “To really have this conversation and encourage people to explore stories that they might not know.”

One thing people might not know is that in the 1920s and ‘30s, Europe’s best teams weren’t in England, Germany or France, but in Austria and Hungary, where they were led by Jewish players and coaches such as Hugo Meisl, Jozsef Braun, Arpad Weisz, Marton Bukovi, Gusztav Sebes and Gyula Mandi. Weisz and Braun were both killed by the Nazis.

A soccer ball from the 1974 World Cup is displayed at an exhibit called “The Beautiful Game … The Untold Story.”

(Eric Thayer/Los Angeles Times)

The surge of antisemitism and fascism in Germany, Italy and Eastern Europe helped spread the influence of those revolutionary players and coaches around the world.

“With the rise of the Reich and the Holocaust, the coaches ran away,” Dorfan said. “And they ran to every corner of the world, to Brazil, to Argentina, to Portugal [and] provided coaches to Real Madrid, to Barcelona, to Benfica, to Flamengo.

“There isn’t one of these clubs that doesn’t owe its tactical development in the ‘40s and ‘50s to the Jewish coaches, which came primarily from Hungary.”

The primary tactical development was the shift from the popular but rigid 2-3-5 formation, which required immense physical endurance and tactical discipline, to the fluid 4-2-4, which spread the wingers to the touch line and allowed for improvisation and creativity on the attacking end, a formation pioneered in Budapest in the 1920s.

“They developed a more refined game of passing the ball, keeping it on the carpet rather than the English kick and run, and really put thought into tactical thinking,” Dorfan said.

Guttmann, who played or coached for more than two dozen teams in his career — including one, in Romania, that paid him in vegetables during the postwar period — brought the Hungarian approach to Brazil in 1957 when he coached Sao Paulo to a championship. After Vicente Feola, the manager Guttmann replaced at Sao Paulo, took over the national team a year later, he brought the formation with him, popularizing many of the tactics still used in modern soccer, such as fluid defensive wingers, overlapping full backs, the use of a withdrawn striker and an attacking midfield.

The soccer team at the Theresienstadt concentration camp’s flag is displayed in a Holocaust Museum LA exhibit called “The Beautiful Game … The Untold Story.”

(Eric Thayer/Los Angeles Times)

“He is the whole exhibition in one man,” Dorfan said of Guttmann.

“Obviously if we wouldn’t have had the Holocaust, those [coaches] wouldn’t be kept out of Europe, Europe would be much stronger, much more developed. [And] then the development of Brazil or the success of Brazil would be coming much later,” Sander said.

Dorfan spent the better part of two years tracking down many of the more than 100 trophies, uniforms, photos and trinkets that make up “The Beautiful Game” exhibit, a search that required determination, perseverance and more than a little luck. Many of the items, because of their ties to Jewish athletes and teams, were hidden during the war and presumed lost. Others resurfaced only through detective work that sent Dorfan following leads that spanned decades and crossed more than a dozen borders.

That also cost money. So Alan Rothenberg, the man who, as president of the U.S. Soccer Federation, first brought the World Cup to Los Angeles 32 years ago, stepped up to lead an effort that raised more than $1 million to fund the exhibit.

“The story really needs to be told, particularly with what’s going on right now with respect to antisemitism,” Rothenberg said. “It’s really important for people to realize what can happen. And soccer is a great vehicle to draw them in. The one main thing in the museum is bringing schoolkids in.”

The Nazis and their collaborators failed in their attempt to erase the history of Jewish soccer pioneers; in fact, they inadvertently popularized both the men — and women — and their ideas. But the sport also helped other Jews survive a dark period and Kean said that may be the most beautiful and uplifting part of “The Beautiful Game.”

“The main reason we decided to do this exhibition in the first place is because for years so many survivors, when they talk about their life before the war, so many of them talk about soccer. So many of them were passionate and fond of the sport,” she said.

“We knew the exhibit opening was going to coincide with the World Cup. L.A. is going to be on the world stage. This is a great opportunity for the museum to get these stories out.”

June 13 (UPI) — Reality TV star-turned-Los Angeles mayoral candidate Spencer Pratt says he does not expect to advance to the general election after projections from primary voting suggest he will rank third behind incumbent Karen Bass and challenger Nithya Raman.

The Hills alum ran on a platform of making the city’s streets cleaner and safer, and speeding up the rebuilding of homes and businesses destroyed by wildfires in the Pacific Palisades more than a year ago.

Pratt, who lost his home in the blaze, released a 3-minute video Friday, stating the “campaign portion of my mission to save Los Angeles is coming to a close and I’m moving on to the next, more interesting phase.”

The spot already has gotten more than 8.6 million views on X.

It appears to be a mix of real and AI-generated footage, as well as movie clips.

In the video, Pratt said he plans to keep fighting to improve the lives of Los Angeles residents using the national social media following he has amassed in recent months.

He added that he has evidence that could damage one of the candidates as they head to the general election in November.

“We have some recordings of one of your exalted candidates doing and saying something that would make her resign in shame. I was saving it for the general election,” Pratt said.

“So, Karen, Nithya, ask yourself, ‘Is it possible that one of your employees may have a recording of you doing or saying something that would force you to resign in disgrace?’ Hope you sleep well at night over the next five months.”

The Los Angeles Times said the Bass and Raman campaigns have declined to comment on Pratt’s remarks.

According to the votes tallied Bass is in first place with 34 percent of the vote, Raman earned 29 percent and Pratt scored 26 percent.

If Pratt had won, he would have been the first Republican mayor of Los Angeles since Richard Riordan served two terms, ending in 2001.

Last January, Spencer Pratt’s house in Pacific Palisades was razed by the raging flames of the Palisades Fire. Now, there has been what he called a “very suspicious fire” in a building in the neighborhood’s tony Highlands where he maintained an office for his crystals company.

Pratt, a former reality TV star who ran a high-profile campaign for Los Angeles mayor that he appeared to concede on Friday, talked to the California Post about the incident, which was first reported by the Palisadian-Post. According to the company’s website, the business sells precious and semi-precious crystal pendants, carvings and chains.

“I want to be careful to not compromise an arson investigation, but this incident is very suspicious,” Pratt told the California Post.

“I will wait for the investigators to make public the details, but this was no accident, and the timing of this … on the heels of all of the contentious election tomfoolery of the last two weeks, it is very suspect, indeed.”

Fire officials have not determined what sparked the blaze, and, in an interview with the Palisadian-Post, the building superintendent said he doesn’t believe the fire is related to Pratt’s campaign for mayor.

A spokesperson for Pratt did not immediately respond to phone calls and a text message seeking comment Saturday afternoon. Pratt suggested in his remarks to the California Post that he believes the fire may have been a politically motivated arson.

“This fire was not an accident, and it would not surprise me in the least if this were a reprisal for my work in opposing Karen Bass and Nithya Raman,” he said.

LAFD Public Service Officer Jamie Stewart told The Times in a phone interview Saturday afternoon that the department received a call at 6:09 p.m. Thursday reporting “a two-story commercial building with light smoke showing.” Stewart added that “arson was notified” and that LAFD arson personnel “did respond and they were on scene” of what he said was a one-alarm fire.

According to the Palisadian-Post, on Thursday, “Multiple firefighting units, including two ladder trucks, were dispatched by LAFD from Fire Stations 23 and 69 in the Palisades and Station 92 in Cheviot Hills to respond to the fire.”

The complex’s superintendent, Oscar Chang, told the local publication that the building was being remediated while waiting for a permit for work on its roof. Eyewitnesses, he told the Palisadian-Post, “saw two guys exiting the building shortly before the fire was reported.”

Chang added that he did not believe the fire was related to Pratt’s political campaign.

“One of the tenants shared a video with me of a homeless person right around the corner,” Chang told the publication, but “no one was living in the building.”

On Saturday morning, Pratt posted on social media about the Thursday fire, which tore through the Highlands Circle commercial complex at 1515 Palisades Drive. The complex was best known as the longtime home of the beloved Italian eatery Casa Nostra Ristorante, which closed a week before the Jan. 7, 2025, Palisades Fire and never reopened.

In the social media posting, he referred to the Los Angeles Times as the El Segundo Times — a derisive moniker referring to the location of its building in the coastal city near LAX Airport — and his repeated allegation that the newspaper “doxxed” him by reporting in April that he was staying in Santa Barbara County, not L.A.

“The El Segundo Times were very eager to dox where my children sleep; they thought that was newsworthy,” he wrote on X, formerly known as Twitter. “Have they reported on the arsonists who set fire to my office in the middle of my election?”

Overhead video footage of the fire posted on the Palisadian-Post’s YouTube channel showed smoke rising from the building as firefighters stood on the roof.

A filing in February with the L.A. City Department of Buildings and Safety proposed work for “change of use from commercial to retail, 2-story” at the property. In September, the department issued a code enforcement violation for “ABANDONED OR VACANT BUILDING LEFT OPEN TO THE PUBLIC.”

The city witnessed Carl Lewis win four Olympic gold medals, cheered Valerie Brisco-Hooks’ historic golden double and watched Edwin Moses extend his 400-meter hurdles unbeaten streak. L.A. has history with track and field.

Now when Ato Boldon, a UCLA Hall of Famer and four-time Olympic medalist for Trinidad and Tobago, looks to this weekend’s L.A. Grand Prix and the city’s future with the sport, he wonders what it holds.

“I’ve always felt like L.A. needs a signature event,” Boldon said, “and with the Olympics coming up in two years, you look at the quality of this event this weekend, and you’re like, yeah, this is the kind of meet they should have all the time.”

At the halfway mark of the Olympic quadrennium, the USA Track & Field event serves as an important checkpoint for the sport’s hope to break out of the four-year popularity cycle.

The two-day event, which begins Saturday with the women’s hammer throw at the South Bay Athletic Club, features 18 Olympic or world champions competing primarily at USC’s Allyson Felix Field. Sunday’s marquee competition beginning at 1 p.m. will be televised on NBC.

With USA Track & Field building toward a home Olympics, L.A. has been a critical but stubborn market to conquer. Last year’s L.A. Grand Prix, which would have been the third edition of the meet, was canceled in April. The decision, USA Track & Field Chief Executive Max Siegel said, came down to another meet scheduled in the same venue within the same month.

But that competing event, part of Michael Johnson’s upstart Grand Slam Track league, was canceled only weeks before it was set to take place at UCLA’s Drake Stadium, leaving L.A. without a major track competition last summer.

“We knew last year when we canceled the meet that we had every intention leading up to the Olympics to be present in the L.A. market,” Siegel said.

The city knows great track. UCLA boasts legends such as Rafer Johnson, Jackie Joyner-Kersee and Florence Griffith-Joyner. USC, which boasts more Olympians than any other U.S. university, had athletes win nine Olympic medals in track and field at the 2024 Games in Paris, including double gold medals for Rai Benjamin in the 400-meter hurdles and 4×400-meter relay and a 4×100-meter relay championship for TeeTee Terry.

After Terry ran the second leg of the relay, Sha’Carri Richardson’s stare down at the end of her anchor leg became one of the iconic shots of the Paris Games, where 70,000 people packed Stade de France and millions more tuned in for one of the most-watched Olympics.

But the sport is back in the shadows like it always seems to be outside of Olympic years, said Boldon, now NBC Sports’ track and field analyst. There have been several attempts to penetrate the U.S. sports consciousness since the successful Paris Games. Reddit co-founder Alexis Ohanian launched Athlos, a women’s track and field meet that began in New York City in 2024 and added a stop in London to its 2026 schedule. Grand Slam Track, founded by the Olympic legend Johnson and touting major names including Gabby Thomas and Sydney McLaughlin-Levrone, filed for bankruptcy last year, after completing only three of four planned events in its first season, and is only now emerging from it.

This year’s inaugural USATF Tour aims to organize the fragmented sport by streamlining the calendar and working with existing event coordinators to provide resources, including prize money and travel for top athletes, marketing and drug testing. The tour, which was in College Station, Texas, last week for the Lone Star Grand Prix, has 17 events in 10 states.

American Tara Davis-Woodhall after winning the women’s long jump at the 2025 world championships in Tokyo.

(Ashley Landis / Associated Press)

“I feel like LA28 gives the country something to organize around,” said Siegel, who hopes track and field can rise to be among the five most popular sports in the United States. “People are paying more attention to athlete stories in anticipation of what’s going to happen on U.S. soil.”

There is no shortage of stories at the L.A. Grand Prix. Almost everyone who matters in American track and field will be there, Boldon said. Kenny Bednarek, the silver medalist in the 200 meters in Paris, will line up in the 100 meters against Botswana’s Letsile Tebogo, who took gold in the 200 in 2024.

Tara Davis-Woodhall, the reigning Olympic long jump champion, will compete in her signature event and race in the 100-meter hurdles for just the second time in the last five years. Her husband, Hunter Woodhall, will race in the 400 meters on Saturday, when Para athletes will be among those competing in the L.A. Distance Classic at Allyson Felix Field.

Richardson will run her first 100-meter race of the season. The 2024 Olympic silver medalist could be in line to end a three-decade gold medal drought in 2028. No U.S. woman has stood atop an Olympic podium for the 100 since 1996, when Gail Devers won in Atlanta.

Such a stacked field outside of an Olympic year on U.S. soil could be a sign of a changing tide for track and field, Boldon said. The L.A. Grand Prix is a gold-level event on the World Athletics Continental Tour, the second-highest tier of single-day international competition. As athletes vie for world ranking points, the event could be a true Olympic preview two years before the Games begin at the Coliseum.

“This,” Boldon said, “is not a normal week in our sport.”