L.A

WASHINGTON — Amid growing national security concerns, the FBI said Tuesday that it has launched a broad investigation in the deaths or disappearances of at least 10 scientists and staff connected to highly sensitive research, including four from the Los Angeles area.

“The FBI is spearheading the effort to look for connections into the missing and deceased scientists. We are working with the Department of Energy, Department of War, and with our state and state and local law enforcement partners to find answers,” the agency said in a statement.

The FBI’s announcement comes after the House Oversight Committee announced that it would investigate reports of the disappearance and deaths of the scientists, sending letters seeking information from the agencies involved in the federal inquiry as well as NASA, which owns the Jet Propulsion Laboratory in La Cañada Flintridge, where three of the missing or dead scientists worked.

“If the reports are accurate, these deaths and disappearances may represent a grave threat to U.S. national security and to U.S. personnel with access to scientific secrets,” Reps. James Comer (R-Ky.), chairman of the committee, and Eric Burlison (R-Mo.) wrote in the letters.

President Trump told reporters last week that he had been briefed on the missing and dead scientists, which he described as “pretty serious stuff.” He said at the time that he expected answers on whether the deaths were connected “in the next week and a half.”

Michael David Hicks, who studied comets and asteroids at JPL, was the first of the scientists who disappeared or died. He died on July 30, 2023, at the age of 59. No cause of death was disclosed.

A year later, JPL physicist Frank Maiwald died at 61, with no cause of death disclosed.

Two other Los Angeles scientists are part of the string of deaths and disappearances.

On June 22, 2025, Monica Jacinto Reza, a materials scientist at JPL, disappeared while on a hike near Mt. Waterman in the San Gabriel Mountains.

On Feb. 16, Caltech astrophysicist Carl Grillmair was fatally shot on the porch of his Llano home. The Los Angeles County Sheriff’s department arrested Freddy Snyder, 29, in connection with the shooting. Snyder had been arrested in December on suspicion of trespassing on Grillmair’s property.

Snyder has been charged with murder.

There is no evidence at this point that the deaths and disappearances, which occurred over a span of four years, are connected.

A spokesperson for NASA, which owns JPL, said in a statement on X that the agency is “coordinating and cooperating with the relevant agencies in relation to the missing scientists.

“At this time, nothing related to NASA indicates a national security threat,” agency spokesperson Bethany Stevens wrote. “The agency is committed to transparency and will provide more information as able.”

Representatives from Caltech did not immediately respond to a request for comment.

“Gambrel roofed Barnhaus,” the listing read, “next door to the best burritos in town.”

Its photos revealed something unusual for Inglewood, which is famous for its mix of architectural styles, including Midcentury Modern homes by R.M. Schindler and Googie-style coffee shops: a brick-red barn-style house on a large corner lot, listed at $449,000.

When Meeshie Fahmy and her husband, Aaron Snyder, toured the house, they learned that the burrito claim was true. The photos, however, had clearly been touched up to make the house, located just a few miles from the Kia Forum and SoFi Stadium, look better than it actually was.

Outside, the former dirt lot is now a lush garden with towers of colorful black-eyed susans on arches, planters full of nasturtiums and vegetables, a firepit and pergola.

Inside, the house had “wall-to-wall carpets on both floors that were heavily stained and worn, dated wood paneling on the walls, holes in the walls,” Fahmy says.

Despite these flaws, the couple saw the home’s potential and decided to buy it, even though a leaning retaining wall nearly derailed their escrow. “It was a blank canvas for us to play and experiment,” she recalls a decade later.

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After they moved in, neighbors revealed the house was not original to the site. Years earlier, the original Craftsman had been torn down; the current house, a sweepstakes prize, arrived in two pieces by crane. “Our neighbors recalled it was quite a sight,” Fahmy says.

At the time, Fahmy, 44, worked as an event planner at the Getty Museum. As renovations started and she followed her passion for interior design, Snyder proudly introduced her to staff at the local Carniceria as “an interior designer.” She replied, “That’s not what I do.”

“I told her, ‘If you don’t start saying it, it’s not going to happen,’” says Snyder, 49, who pursued his own dream of becoming a professional skateboarder before moving into video editing. “Speak it to existence.”

Finishing the house took years, patience and a lot of DIY projects because of their budget. But Fahmy didn’t just dream — she made it happen. In 2018, she started working for interior designer Willa Ford, who mentored her at WFord Interiors. By 2020, Fahmy launched her own design firm, Haus of Meeshie. “It’s been a progressive layering of colors, furniture, reupholstering, adding art, wallpaper, lighting,” she says. “Low and slow; the flavor is richer.”

Meeshie Fahmy and Aaron Snyder’s family room is a colorful maximalist dream with thrifted furnishings, art and layered textures and patterns.

Ninety percent of the furnishings are thrifted. “Nothing is too precious,” Fahmy says.

Today, their home reflects Fahmy’s fearless approach — it’s a true “petri dish for experimentation.” The vibrant, layered four-bedroom house is a maximalist fever dream, packed with furniture, accessories and art sourced from Facebook Marketplace, vintage shops, flea markets (Long Beach flea is a favorite), estate sales and secondhand stores in L.A. and elsewhere.

She estimates about 90% of the furnishings and accessories in her home are thrifted, antiques or things she found on the side of the road, and nothing is too precious, reaffirming her playful approach to decor.

A Jonathan Adler dining table, found on sale, sits in front of a wall filled with art arranged salon-style. Among the pieces is Fahmy’s favorite: a wedding portrait her father, Walter Fahmy, painted of her.

The speakeasy features a vintage standing bar from Craigslist, barstools and a Geo pendant light by Los Angeles designer Jason Koharik and a mirror Fahmy found at a neighborhood estate sale.

She likes to refer to her decorating style as “creatively unhinged.”

“It all flows,” she says, curled up with her dogs on a CB2 couch she found on Craigslist. “There’s a rhythm. Every piece tells a story. Pick one — I’ll share it.” She recalls throwing herself on a vintage Baker sideboard at a Florida Goodwill without knowing how she’d get it back to Los Angeles and laughs when Snyder discovers a tiny Jack Black-as-Jesus portrait tucked into a gilded dining-room oil painting.

The sink and vanity in the guest bathroom? That used to be a dresser she found on Craigslist.

Although others have questioned their home purchase, Fahmy never doubted they could transform the space into something special.

Color ties the house together. The powder room is purple, the entry hall is red, the kitchen has blue cabinets and the hallway is painted pink.

“When I first saw the house, when they bought it, I thought she was crazy,” Meeshie’s friend and former colleague, Talene Kanian, says in an email. “Other than keeping the ‘barn’ shape, she completely transformed the interior. Now, when you step inside, you’re welcomed into a home full of color, pattern and playfulness.”

Snyder adds: “Meeshie is able to visualize things 10 steps ahead of everyone else, even things that seem like a complete mess.“

Working together, the couple removed the shag carpeting and wood paneling from the first floor and the stairway, installing drywall in their place.

Next, they painted the walls — no beige here. The deep green living room sets a bold scene: a clock worthy of Dalí, leopard prints, pink Persian rugs, a snake ottoman and a thrifted tufted chair with Art Deco vibes from CB2.

“I did not venture into interior design formally,” Fahmy says. “I feel very lucky to have found this passion.”

The color story flows through the house: The powder room is purple, the entry hall red and the dining room walls pink, with one wall in a bold 1970s-style mushroom-pattern wallpaper from Londubh Studio. The speakeasy features a vintage standing bar from Craigslist that Snyder squeezed into his car, barstools and a Geo pendant light by Los Angeles designer Jason Koharik and a mirror Fahmy found at a nearby estate sale.

In the kitchen, they removed the 1970s-era wooden cabinets and Formica countertops, replacing them with more pink walls, Moroccan-style tile flooring and blue cupboard fronts from Semihandmade, which creates cabinet doors for IKEA cabinets.

Fahmy painted a Keith Haring-style black-and-white mural at the top of the stairs and continued onto the second-floor walls using a paintbrush taped to a broomstick. She finished by painting the handrail bright blue and wrapping each stair with a Persian-style runner.

Outside, the couple leveled the once-dirt backyard, added pea gravel, built a pergola with a handyman and installed a firepit where they enjoy entertaining their friends.

The main bedroom features burgundy walls, while the bathroom next to it has Persian rug-patterned wallpaper from House of Hackney.

Now the once-empty backyard is a lush garden: towers of colorful black-eyed susans on arches, planters of nasturtiums and homegrown vegetables. A trickling fountain greets visitors as they walk through the French doors. Snyder, an avid cook, can easily step out to cut fresh herbs mid-simmer, making the outdoors a true extension of the home.

The couple’s home is full of memories, and as you walk through, you can sense how much their stories matter to them. In the downstairs hallway, Snyder smiles as he points out photos of his family in Wisconsin. Similarly, Fahmy proudly shows a photo of her great-great-grandmother Theresa “Tessie” Cooke Haskins, a noted harpist whose daughter Maud Haskins was the first harpist to perform with the orchestra at the Hollywood Bowl.

Art is everywhere, from the Polaroids pinned to the walls in the powder room to the ceramics and masks hanging throughout the house. Yet Fahmy’s favorite possession is deeply personal: a portrait of her on her wedding day, painted by her father, Walter Fahmy, who studied art in Egypt before coming to America.

Upstairs, Fahmy created a black-and-white mural inspired by Keith Haring at the top of the stairs, then kept going along the second-floor walls using a paintbrush taped to a broomstick. She finished by painting the handrail a bright blue and wrapping each stair with a Persian-style runner.

French doors connect the house to the garden, so the backyard feels like a natural part of the home.

For Fahmy, these details matter. “I feel like our home is a love letter to my upbringing,” she says, referring to her parents, who were both pharmacists. “It’s an ode to them and the sacrifices they made for me.”

Visitors feel the same way. “Their house is a true labor of love, apparent the second you enter,” Kanian adds. “It radiates warmth and love.”

Snyder feels it too. “I feel an immense amount of pride when I walk into our house,” he says.

Like a barn raising that brings people together, their house has become a welcome part of the neighborhood with its blue siding, bright yellow front door and a playful mural by Venice artist and skateboarder Sebo Walker. “We’ve had neighbors knock on our door and tell us, ‘We love what you’re doing,’” says Snyder.

“I love color,” Fahmy says. “I love to experiment.”

With the main house finished for now, Fahmy hopes to turn the garage into an accessory dwelling unit, or ADU, in the style of Mexican architect Luis Barragán: bold with color and texture. “I’m envisioning a mini boutique hotel,” she says. “Simple to execute, yet unique in L.A. I’d love a pink building.”

Like the possibility of a pink building — or not — Fahmy’s freewheeling style proves it’s OK to experiment and make mistakes. (She wants to demo the kitchen next for a fresh look.)

“You’re not tattooing your face. You’re painting your walls,” she says as a way to encourage others to experiment. “Your home should be a reflection of who you are. I hope our home inspires others to live how they want to live.”

During a recent Zoom interview from his studio in Switzerland, Peter Zumthor offered a candid look at the making of the Los Angeles County Museum of Art’s new David Geffen Galleries.

The Pritzker Prize-winning architect addressed long-standing criticisms of the building and answered questions about his craft. He noted that the structure is a rejection of the overly “slick” architecture he believes defines the present moment, and shed light on the building’s early development, describing a contained process in which the concept was shaped before being presented to the public.

Finally, he discussed the broader ambition of the endeavor: dissolving traditional circulation and prioritizing emotional experience over institutional order.

The following interview excerpts have been edited and condensed for length and clarity.

You are well–known as both an architect and a craftsman. I think the biggest place for that focus was the concrete. I’m curious about how you formed it. It’s not the typical museum concrete.

I work like an artist in building. This means I custom-make buildings. I can use a few standard details or products, like in the basement. But where the building has an identity, becomes visible, it’s almost all handmade. I have an image of what I want to do, what the building should do, how it should look. So I need people who can help me make custom-made products.

The people who did the formwork — the concrete pouring — [worked in] groups of 100 or more. They were fantastic. They loved their work. At the beginning, formwork leaked on a door, and it looked terrible. They said, “Peter, we’re sorry. We made a mistake. We can fix this. You will not see this afterwards.” But if you make a mistake, you cannot mend it, because what you’re doing here is a concrete sculpture. Sculptures are never mended.

It’s not a perfectly smooth concrete. I’m assuming that’s on purpose?

I love this kind of rawness. This was what I gladly learned. Michael [Govan] in a very friendly, careful way let me know that he would like more “American details” and fewer “European details.” OK, my European details, they stand. That’s what I did 20, 30 years ago. My background as a furniture maker shows, and I can do this. But the challenge in this museum is to get the right “American” roughness. And I think I pretty much succeeded.

What I learned in California [came] back to Europe, and many times we now say in the office, “Let’s do this more L.A.-style.” Because we have too many slick magazines in the world. We have this corporate architecture which doesn’t want to see any touch of a hand. No mistakes. What we need is not refinement. We need wholehearted directness. This is what I take back from America. There’s a certain freshness. It’s not overly refined. I’m proud of that. The roughness has to do with our times. Because our time is slick and glossy, right? The time to make refined, slick architecture is over.

Horizontal light enters from floor-to-ceiling windows around the perimeter of LACMA’s new David Geffen Galleries, which use concrete as a kind of living building material.

(Iwan Baan)

In a 2023 interview with [architecture critic] Christopher Hawthorne, you said there were no “Zumthor details” left in the building. Do you think there are any Zumthor details now?

Of course there are Zumthor details. And I love them. They are not Swiss details. I think Christopher got this wrong. I was actually proudly speaking of how I learned a new way of looking at details. It doesn’t have to be refined all the time.

[Editor’s note: Zumthor told Hawthorne verbatim, “There are no Zumthor details any more,” in the 2023 interview with the New York Times.]

There’s always a tension with every building when it comes to value engineering. Were there any other places where you would want [David Geffen Galleries] to be different?

Basically, I say no. I’m very proud of this building. This is what I wanted to do, and this is what Michael helped me to do. This is exactly it. It’s one of my children and I love it.

Do you see this approach as an evolution in your work? Or is it more specifically for L.A.?

L.A. has changed me. And it’s in a good way. I would [not] have changed and reacted to our slick times the same way without L.A.

There were complaints that the project, and the process, were not as public as some people thought they should be. What is your reaction to that criticism?

I think I can say this: Michael said, “We cannot make a competition or anything like it, because competitions in the U.S. always end up with a winner who doesn’t build because he found out his own way of staging this whole procedure. The first, the most important thing, is that we start on a small budget, just the two of us.” That’s what we did. So when we started to talk about this museum, it was him and me, basically, and he gave me a little bit of money. And he said, “There will come a time when we will have to show something to the public. Let’s see whether people say yes.” They could have said no, but I think what they saw at that point was already too convincing.

Architect Peter Zumthor speaks at the press preview for the David Geffen Galleries at Los Angeles County Museum of Art.

(LACMA/ Museum Associates / Gary Leonard)

Because the museum’s not organized in a traditional way, it might be harder than normal to navigate for some people. It might be a little confusing. What do you say to that concern?

This will take some time, to see the benefits of this new type of museum. I think if you start to like this building in one corner or in another, or you get lost, you start to understand what it is all about. When something new comes, you have to learn, right? But I hope you can see this building never looks down on you. This building is, in a way, deeply human. And it lets you have your opinion.

There are people who have said, very loudly, this space shouldn’t have lost square footage. What is your response to that?

Small museums are beautiful, big museums tend to be really difficult. And the bigger the museum gets, the more difficult it is to make it easily accessible. So I’m very glad that this is not bigger. But it feels bigger.

What is this with bigness? What kind of a hang-up is this? You don’t have to be big. It has the right scale. We were often asked, “Can you experience this building and this collection in one day?” And we said, “Maybe. But maybe it will be better to come back.” Start from the other end. You have your own personal path. And then you research a little bit further. I think these are the beautiful ideas of how to experience the building. And I think it’s endless.

The interior of LACMA’s new David Geffen Galleries encourages guests to wander and make their own connections rather than follow a linear path.

(Eric Thayer / Los Angeles Times)

Can you go back to the beginning and talk about the core concept for the museum?

There are three major things that I always have to answer, whatever I do. What does the building do with the place? Does it help the place? Does it interpret the place? And then, what is the content of the building? What does the building have to do? Why are we building this?

To start out, there was a museum here which was modeled a bit after Lincoln Center. Later, it got clogged up with new buildings and you didn’t recognize the initial idea anymore. These things we took away. Whenever a building is there, whether it’s beautiful or ugly, it will always have grown into the soul of somebody. There will always be people saying, “No, no, I want to keep it.” This is part of my life. I understand this kind of thing always comes up.

The place was rather difficult because I couldn’t see any big urbanistic concept in L.A. L.A. [is] not urban in the European sense with, for instance, the market square.

There was a master plan, which was made by Renzo Piano. And this presented a long axis, and I tried to follow it. It just did not feel right. So I started to react in a more organic way, inspired by the tar pits. This whole area, which to me, is the ancient part of the site, became the starting point.

There was more: like the idea that side light is the most human light. Yeah, no skylights. And another thing was the museum had to be open to its surroundings. So contemporary L.A. should be present at all times. It should come in, whenever you can look out.

Another important thing … was to create or enlarge the public space that Michael [Govan] had started to create between his buildings. Friday evenings, Saturday, you saw so many families there. There is a desire here, a wish, for public space. This is not exactly the strength of L.A. So I think it was amazing that we were allowed to lift up the building and have the whole ground free for people.

Also, let’s do the museum on one level only. Classical museums have a main level, then they have a second level and a third level, a south wing and north wing and so on. And then, as an artist, you can have your work on the main level in the most beautiful spot. But as an artist, you can also land top left, third level near to the attic. So let’s make a building type which treats everybody equal.

LACMA’s David Geffen Galleries are hoisted above the ground on discrete piers, allowing for ample public space below.

(Eric Thayer / Los Angeles Times)

And then we started to think about how we wanted something open for wandering, experiencing and dreaming. This is always difficult to explain — let’s have the knowledge of art, of the history of art, coming second. It’s not because I think this is a secondary thing. It’s just because our experience should come first.

As a boy, I saw the opposite. There’s a tour and there’s a guide, and the guide starts to tell you what you should think. And I never liked this. We thought we should lay out things on a big plane where you can stroll and wander and develop your interest in art. Follow your own path.

You’re overturning a lot of unspoken rules in the art world. And I guess that’s the point in a lot of ways?

This is our point. You see other rules. For instance, if you do a new museum, the conservators say art can be exposed to less daylight. I told them as a joke, “If it goes on like this, soon the art will be in the basement, locked away.”

We have a building wide and long enough that within the building, you can find strong daylight for, let’s say, china or pottery, which love daylight. Then you can go deep into the building where it gets darker, and you can put pieces you don’t want to expose too much to the light. All without having to flip a switch.

I have a “big” birthday coming up. It’s the big 70 (gulp!). I’d like to throw myself a party, but one that might seem more fit for a 7-year-old than a 70-year-old (except when it comes to the food). I would like for there to be activities or games such as scavenger hunts, escape rooms, billiards, pinball, karaoke, pin-the-tail-on-the-donkey — you name it. But my friends and I also appreciate gourmet-quality food like the stuff that’s served at Providence, Crustacean and Mélisse. Is there any way to combine all of that into a party for 20-30 people? — Marla Levine

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

Marla, I love that you want to celebrate your milestone birthday in a playful way that sparks your inner child. Who says you can’t run around and play games with your friends just because you’re a “grown-up”?

Similar to you, I prefer fun activities over stuffy, formal parties. I’ve celebrated my birthday at a go-kart racing track and a bowling alley. One year, I hosted an adult field day at the park with sack races, water balloons and snow cones, so I have some fun ideas for you. While many of these spots don’t offer gourmet-level cuisine — unless you consider chicken tenders and fries fancy — I’ve paired them with nearby restaurants that you can walk to. Depending on your vibe, you can do the activity first then walk to dinner, or vice versa.

One of my favorite adult-only barcades in Los Angeles is EightyTwo in the Arts District. Not only is it nestled between an array of bars, shops and restaurants, it is home to more than 50 vintage pinball and arcade machines. They have all of the classics like “Donkey Kong,” “Galaga,” “Mario Bros.,” “Ms. Pac-Man” and “Mortal Kombat.” On certain nights, you can catch live DJ sets as well. For a meal, consider the Michelin-recommended restaurant Manuela, which received a stamp of approval from the late Times restaurant critic Jonathan Gold. Tucked inside of the Hauser & Wirth complex, Manuela is a farm-to-table establishment with a variety of modern American bites to choose from. Whatever you do, be sure to order cream biscuits for the table.

An activity that instantly makes me feel like a kid again is singing — OK, more like belting — my favorite song into a microphone while surrounded by loved ones. One of the coolest karaoke spots in L.A. is Break Room 86, a nostalgic speakeasy hidden inside Koreatown’s Line hotel, which has private karaoke rooms, live DJs (and sometimes dancers, including a Michael Jackson impersonator) and an ice cream truck that serves boozy ice cream and Jell-O shots. Times senior food editor Danielle Dorsey says, “Entering the bar feels like you’ve stepped through an ’80s time machine with vintage arcade games, stacks of box TVs with static-fuzzy screens and tape cassettes decorating the walls.” Break Room 86 doesn’t open until 9 p.m., so check out Openaire for a sunset dinner. Led by Michelin-starred chef Josiah Citrin (the same guy behind one of your favorites, Mélisse), the rooftop restaurant offers elevated American fare such as a brick-pressed jidori chicken and grilled branzino — and it’s inside a glorious light-filled greenhouse.

Another spot that would make for an enjoyable birthday celebration is Highland Park Bowl, the oldest functioning bowling alley in L.A. Built in 1927 during the Prohibition era, the venue still has that vintage aesthetic with old pinsetters that serve as chandeliers, a revamped mural from the 1930s and eight refurbished bowling lanes. There’s also a billiards room and a full bar (with a tasty cocktail menu that rotates twice a year). When you get hungry, take a quick walk to Checker Hall, a neighborhood bar and restaurant that serves California-Mediterranean food such as skewers, turkish chicken and chicken schnitzel. Actor-comedian Hannah Pilkes told The Times it’s her “favorite bar in all of L.A.” How she described it: “It has the best cocktails and it almost feels like you’re in New Orleans when you step inside. It has a beautiful patio overlooking Highland Park. The decor is funky and kitschy yet classy; it’s magical.” Afterward, you can take another short walk to Jeni’s Splendid Ice Creams for a sweet treat (if you don’t have a cake).

My colleague Todd Martens, who writes about theme parks and immersive experiences, says it’s difficult to find escape rooms that can accommodate 20 to 30 people, but if you don’t mind splitting up and staggering your start times, check out Hatch Escapes near Koreatown. The venue can accommodate about 10 people at a time. Martens wrote about their room called “the Ladder,” which he describes as a “90-minute interactive movie with puzzles, taking guests through five decades, beginning in the 1950s, in which they will play an exaggerated game of corporate life.” The room “incorporates a wide variety of games, puzzles, as well as film and animation,” he adds. If this theme doesn’t spark your interest, there are three other options, including “Lab Rat,” which can accommodate 12 people.

You sound like a fun person, so I have a feeling that anything you do will be a good time. I hope that these suggestions are helpful in planning your special day. If you end up visiting any of these spots, please send us a photo. We’d love to see it. Happy birthday!

Much of the news dominating the local restaurant scene has focused on sadness.

Two Los Angeles icons, Cole’s French Dip and Echo Park’s Taix restaurant, closed after more than 215 combined years of service.

It’s easy to be down and not necessarily want to go out.

Fortunately, our Food team, led by senior editor Danielle Dorsey, has some amazing recommendations for new favorites and old haunts that will fill your stomach and lift your spirits.

This month’s highlighted selections include locales from Altadena and Echo Park to Malibu and Westwood that the team feels are all worth your time.

Let’s take a look at a few of their selections.

Duke’s (Malibu)

The iconic restaurant along PCH was on the heels of reopening after the Pacific Palisades fire last February when heavy rain caused mudslides that led to flooding and extensive damage.

Fourteen months later, Duke’s Malibu is open with significant renovations and limited lunch and dinner menus featuring Hawaiian-influenced seafood staples such as crispy coconut shrimp, Korean sticky ribs and hula pie.

As the restaurant celebrates 30 years in operation, plans are underway for an anniversary party this summer.

(Kayla Bartkowski/Los Angeles Times)

Golden Leaf Restaurant (San Gabriel)

A Taiwanese restaurant in San Gabriel was forced to remove stinky tofu, a popular, culturally significant dish, from its menu after repeated complaints from residential neighbors and fines from the city.

City officials have encouraged Golden Leaf restaurant to install an expensive filter to address the pungent smell, though owners insist that none of their immediate shopping center neighbors have complained about the odor.

Supporters launched a Change.org petition last summer backing the preparation of the dish.

(Bill Addison / Los Angeles Times )

Hoja Blanca (Palm Springs)

If you’re heading to Coachella today, it’s worth making a detour for this weekly pop-up at a sleek Palm Springs bar.

From married couple Omar Limon and Blanca Flores Torres, with help from Omar’s brother Arnold Limon, Hoja Blanca offers a playful take on modern Mexican food with dishes such as quesabirria tacos, esquites with cauliflower and a tetela topped with pork belly, all served alongside Bryan Jimenez’s classic cocktails.

(Stella Kalinina/For The Times)

Meymuni Cafe (Rancho Park)

As war unfolds in Iran and neighboring countries, L.A.’s Persian community has found comfort and support at restaurants such as Meymuni, a modern Persian cafe that offers free tea and cookies to diners, many of whom stop by after related protests at the nearby Federal Building.

The cafe opened in 2025 with barbari bread and lavash wrap sandwiches, tahini-date shakes and chai lattes, plus a full slate of events aimed at uplifting the local Persian community.

(Stephanie Breijo / Los Angeles Times)

NADC Burger (Westwood)

The rapidly expanding smashburger chain from Pasta Bar and Sushi by Scratch Restaurants chef Phillip Frankland Lee has opened its first L.A. location in Westwood Village, with plans to open additional locations in the city.

The signature burger at NADC — an acronym for “not a damn chance” — features two Wagyu patties, American cheese, grilled onions, jalapeños, pickles and a house sauce, with beef tallow fries and brown butter chocolate chip cookies rounding out the short menu.

(Stephanie Breijo / Los Angeles Times)

Roshona Bilash (Larchmont)

After stepping away from the kitchen for decades, Abul Ibrahim has opened a quick-service restaurant in Melrose Hill that celebrates the Bangladeshi flavors he grew up with.

Roshona Bilash, which translates to “luxurious taste,” features Bengali classics such as bone marrow nihari, rice pilafs and meats and breads cooked in a clay oven, with plans to expand with regional specialties such as seafood dishes popular along the Bangladesh coast.

Check out the full list here.

The week’s biggest stories

(Kyra Saldana/For De Los)

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Have a great day, from the Essential California team

Jim Rainey, staff reporter
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It’s time to reveal memories, laughs and crazy times from Randy Rosenbloom’s 55 years as a TV/radio broadcaster in Los Angeles. He’s hopping in a car next Sunday with his wife, saying goodbye to a North Hollywood house that’s been in his family since 1952 and driving 3,300 miles to his new home in Greenville, S.C.

“When I walk out, I’ll probably break down,” he said.

He graduated from North Hollywood High in 1969. He got his first paid job in 1971 calling Hart basketball games for NBC Cable Newhall for $10 a game. It began an adventure of a lifetime.

“I never knew if I overachieved or underachieved. I just did what I loved,” he said.

Randy Rosenbloom (left) used to work with former UCLA coach John Wooden for TV games.

(Randy Rosenbloom)

John Wooden, Jerry Tarkanian and Jim Harrick were among his expert commentators when he did play by play for college basketball games. He called volleyball at the 1992 and 1996 Olympic Games for NBC and rowing in 2004. He’s worked more than 100 championship high school events. He did play by play for the first and only Reebok Bowl at Angel Stadium in 1994 won by Bishop Amat over Sylmar, 35-14.

“There were about 5,000, 6,000 people there and I remember thinking nobody watched the game. We ended up with a 5.7 TV rating on Channel 13 in Los Angeles, which is higher than most Lakers games.”

He conducted interviews with NFL Hall of Famers Gale Sayers and Johnny Unitas and boxing greats Robert Duran, Thomas Hearn and Sugar Ray Leonard. He’s worked with baseball greats Steve Garvey and Doug DeCinces. He called games with former USC coach Rod Dedeaux. He was in the radio booth for Bret Saberhagen’s 1982 no-hitter in the City Section championship game at Dodger Stadium. He was a nightly sportscaster for KADY in Ventura.

Randy Rosenbloom, left, with his volleyball broadcast partners, Kirk Kilgour and Bill Walton.

(Randy Rosenbloom)

He was the voice of Fresno State football and basketball. He also did Nevada Las Vegas football and basketball games. He called bowl games and Little League games. He was a public address announcer for basketball at the 1984 Olympic Games with Michael Jordan the star and did the P.A. for Toluca Little League.

Nothing was too small or too big for him.

“I loved everything,” he said.

He called at least 10 East L.A. Classic football games between Garfield and Roosevelt. He was there when Narbonne and San Pedro tied 21-21 in the 2008 City championship game at the Coliseum on a San Pedro touchdown with one second left.

Probably his most notable tale came when he was doing radio play-by-play at a 1998 college bowl game in Montgomery, Ala.

“I look down and a giant tarantula is crawling up my pants,” he said. “My color man took all the press notes, wadded them up and hit the tarantula like swinging a bat.”

Did Rosenbloom tell the audience what was happening?

“I stayed calm,” he said.

Then there was the time he was in the press box at Sam Boyd Stadium and a bat flew in and attached itself to the wooden press box right next to him before flying away after he said, “UNLV wins.”

Recently, he’s been putting together high school TV packages for LA36 and calling travel ball basketball games. He’ll still keep doing a radio gambling show from his new home, but he’s cutting ties to Los Angeles to move closer to grandchildren.

“I’m retiring from Los Angeles. I’m leaving the market,” he said.

Hopefully he’ll continue via Zoom to do a weekly podcast with me for The Times.

He’s a true professional who’s versatility and work ethic made him a reliable hire from the age of 18 through his current age of 74.

He’s a member of the City Section Hall of Fame and the Southern California Jewish Sports Hall of Fame. He once threw the shot put 51 feet, 7 1/2 inches, which is his claim to fame at North Hollywood High.

One time an ESPN graphic before a show spelled his name “Rosenbloom” then changed it to “Rosenblum” for postgame. It was worth a good laugh.

He always adjusts, improvises and ad-libs. He expects to enjoy his time in South Carolina, but he better watch out for tarantulas. They seem to like him.

The “Coachella of books” has arrived. The biggest literary event in the country, the L.A. Times Festival of Books, kicked off at USC this weekend. The 31st annual event features more than 500 authors, including Lionel Richie, Tina Knowles, Larry David, Pat Benatar, Amy Tan, Anne Lamott and more. Several of these talented individuals stopped by the L.A. Times photo studio to have their portraits taken between spirited panel discussions and book signings.

Here are some portrait highlights from the 2026 Festival of Books:

Lisa Rinna author of “You Better Believe I’m Gonna Talk About It.”

Morgan Hutchinson and Brett Hutchinson.

Daniel Humme and Roda Ahmed.

Rachel Renee Russell, Presli Noelle James, Kim James, Nikki Russell and Cori James.

Chet’la Sebree 2026 finalist for the LA Times Book Prize in Poetry for her collection “Blue Opening.”

Chanda Prescod-Weinstein.

Tens of thousands of readers of all ages, from toddlers clutching picture books to longtime fans carrying armfuls of paperbacks, fanned out across the USC campus Saturday for the opening day of the 31st Los Angeles Times Festival of Books, packing panels and lining up to see favorite authors and celebrity guests.

It was too early to know how many people attended the first day of the event, billed as the country’s largest literary festival, though organizers said they expect between 150,000 and 155,000 attendees over the weekend. By late morning, the campus was already bustling, with strong turnout expected for appearances by author T.C. Boyle and actors Sarah Jessica Parker and David Duchovny, among others.

Founded in 1996 and spread across eight outdoor stages and 12 indoor venues, the festival has become a fixture on Los Angeles’ cultural calendar, bringing together more than 550 storytellers for panels, author interviews, book signings, performances and screenings spanning a wide range of genres, from children’s story times to cooking demonstrations.

This year’s lineup features a broad mix of writers, performers and public figures, including comedian Larry David, musician Lionel Richie, multihyphenate businesswoman (and Beyoncé’s mother) Tina Knowles, author and social critic Roxane Gay and scholar Reza Aslan.

Under sunny skies, actor and reality TV personality Lisa Rinna brought humor and a bit of bite to a 10:30 a.m. conversation on the festival’s main stage. The “Real Housewives of Beverly Hills” alum released her second memoir, “You Better Believe I’m Gonna Talk About It,” in February, chronicling her time on the show and her recent turn on Season 4 of Peacock’s reality competition series “The Traitors.”

Reflecting on her approach to “Traitors,” Rinna said she wanted to strip away the conflict-driven persona she had cultivated on “Real Housewives” and present a more unfiltered version of herself. “I was like, ‘Self, listen. You’re gonna go in there and just be you. No housewife s—, none of that reactionary stuff.’ ”

In conversation with Times senior television writer Yvonne Villarreal, Rinna also spoke candidly about the loss of her mother, Lois Rinna, in 2021 and how her grief manifested in a feeling of rage while she was filming Season 12 of “Real Housewives.”

“It really took me by surprise,” she said. “And you have to give space for it because you can’t make it go away. … They always say time heals, but time makes everything just a little less intense.”

At a noon panel titled “Fire Escape: Wildfires and the Changing Geography of Southern California,” moderated by Times climate and energy reporter Blanca Begert, author and former wildland firefighter Jordan Thomas said the scale and frequency of California wildfires have shifted dramatically in recent decades.

“The vast majority of the largest wildfires in California’s recorded history have happened just in the past 20 years,” said Thomas, author of last year’s National Book Award finalist “When It All Burns: Fighting Fire in a Transformed World.” “While I was a hotshot, there were three of those fires burning simultaneously, including a million-acre fire — more than used to burn across the entire American West over the course of a decade.”

In the early afternoon, former Georgia Rep. Stacey Abrams spoke with moderator Leigh Haber about artificial intelligence and voter suppression in front of an enthusiastic, packed crowd at USC’s Bovard Auditorium.

Abrams’ latest Avery Keene novel, “Coded Justice,” came out last year and explores the role of artificial intelligence in the healthcare industry. AI has already become enmeshed in everyday life, she said, asking audience members to raise their hands if they had used TSA PreCheck or a streaming service.

“AI is a tool … but it is created by someone, it is programmed by someone, it is controlled by someone,” she said. “Regulation is not about slowing down progress. It is about asking questions and saying that in the absence of answers, we’re going to put on reasonable restraints that we can revisit.”

Abrams also revealed that her next book, the fourth in her Avery Keene thriller series, will focus on prediction markets.

“I write Avery Keene novels to tell stories about social justice, but I put it in a form that’s accessible to people who don’t think that they are social justice people,” Abrams said. “I want to meet people where they are, not where I want them to be.”

She also encouraged audience members to push back against voter suppression and defend democracy by volunteering at polling places — even in reliably blue districts — warning that she believes masked paramilitary groups will be allowed to patrol voting locations and target people of color in the upcoming midterm elections.

The festival kicked off Friday evening with the 46th Los Angeles Times Book Prizes ceremony at Bovard Auditorium, emceed by Times columnist LZ Granderson, recognizing both emerging voices and established writers.

Winners were announced in 13 categories for works published last year. Find a full list of winners here.

Oakland-born novelist Amy Tan, whose work often explores identity and the Chinese American immigrant experience, received the Robert Kirsch Award for lifetime achievement, and the literary nonprofit We Need Diverse Books received the Innovator’s Award for its work promoting diversity in publishing.

Accepting her award, Tan, author of the 1989 bestseller “The Joy Luck Club,” said that as a birthright citizen, she had never questioned her place in the country until recent debates over citizenship and belonging led her to reconsider whether she is, in fact, a “political writer.”

“My birthright and that of millions of others is now being argued before the Supreme Court, and no matter what the outcome is, it’s been a kick in the gut to know that those in the highest echelons of government and those who support them believe that we don’t belong.”

Tan said that as an author, “I imagine the lives of the people I write about,” and that act of compassion “reflects our politics and our beliefs. And so yes, I am a political writer.”

Addressing the attendees, Times Executive Editor Terry Tang pointed to the breadth of the weekend’s programming as an opportunity for connection and discovery. “If you take in just a fraction of these events, it will expand your mind,” she said. “This weekend gives all of us a chance to celebrate a sense of unity, purpose and support.”

The festival runs through Sunday. More information, including a schedule of events, can be found on the festival’s website.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser, Sandra McDonald and Alene Tchekmedyian, giving you the latest on city and county government.

Mayor Karen Bass is planning to give her second State of the City address of the year on Monday, with a digital twist from years past.

Traditionally the speech is given — in person — before City Council members and other machers at City Hall or another location. This year’s speech will be delivered by video.

Of course, Bass already did one State of the City speech this year, holding forth on the Olympics, the World Cup and Palisades fire rebuilding in a February address at Exposition Park.

The video State of the City will probably be more about the city budget, which also will be released Monday. The city is facing a budget gap of a few hundred million, according to Matt Szabo, the city administrative officer.

“Mayor Bass will update L.A. on the State of our City through a video that anyone can watch, anytime, anywhere,” said Paige Sterling, a spokesperson for Bass. “From Day One through today, Mayor Bass’ focus is changing the direction of L.A. by reversing long-standing [and long ignored] trends on homelessness, housing, public safety and infrastructure.”

Parisian payback

The city controller released information this week that showed how much L.A. paid for flights to Paris for L.A.’s delegation to the 2024 Summer Olympics.

One purchase stuck out: $22,000 for a first-class ticket for Bass to fly to Paris and back. It was purchased March 6, the same day Bass boarded the flight to the City of Light, according to the city, which released the information in response to a public records act request.

One reason for the high cost was the last-minute purchase, the mayor’s office said, which it said was the consequence of a packed mayoral schedule that makes advance planning difficult.

Secondly, the city was transferring over its travel booking platform to a company called Concur, and the only flights available for the mayor to purchase to arrive in Paris in time on the platform were first-class seats.

The mayor then reimbursed the city for $12,270, with half coming from her personal bank account, while the other half came from her Karen Bass For Mayor 2022 account, according to checks. That left the city on the hook for $10,000.

“Mayor Bass voluntarily paid for the majority of the ticket herself. City rules didn’t require her to, but she did it anyways. This was the only flight that would get her there on time, and this was the only ticket available,” said Kolby Lee, a spokesperson for the mayor.

Bass and a council delegation, including Councilmember Katy Yaroslavsky, were in Paris that March to “see behind the curtain” about how a city prepares to host the Games, Bass said at the time.

Yaroslavsky’s round trip cost the city $1,600.

Raman out of council leadership

Sometimes the drama at City Hall comes in the fine print. Last Friday, the City Council released its agenda for its April 14 meeting. Casual observers would be forgiven for missing a small change on the first page.

Under Council President Marqueece Harris-Dawson’s name, and under the name of President Pro Tempore Bob Blumenfield, there was a third name: Assistant President Pro Tempore John S. Lee.

That makes Lee No. 3 in council leadership, appointed to the position by Harris-Dawson. For all intents and purposes, the largely ceremonial position means he gets to sit on the dais and preside over council if Harris-Dawson and Blumenfield can’t make it.

But on the fourth floor of City Hall, where council offices are, the move had staffers chattering.

Lee replaces Councilmember Nithya Raman, who threw her hat in the ring to run for mayor against Bass — an ally of Harris-Dawson.

Bass had previously thrown her weight behind Raman during the council member’s tough 2024 reelection campaign.

Some thought Harris-Dawson was punishing Raman for her surprise bid against Bass, but Raman said that wasn’t the case.

“When I first announced my candidacy for Mayor, I told the Council President that I would step back from all of my appointed roles. One change has now been made. I remain focused on serving my district and the City of Los Angeles,” Raman said in a statement.

Harris-Dawson didn’t immediately respond to a request for comment.

There’s a long tradition of council members stepping down from leadership positions or getting the ax when they run for higher office.

In 2021, then Councilmember Joe Buscaino was voted out as president pro tempore after making disparaging remarks about numerous council members (including Raman) while he was running for mayor.

In 2011, then-Councilmember Eric Garcetti stepped down from his role as council president during his run for mayor.

Spotlight on Soto

Los Angeles City Atty. Hydee Feldstein Soto, who is seeking reelection in the June 2 primary, is taking heat from challenger Marissa Roy for her appearance last weekend at the Hope Fest LA rally at the L.A. Coliseum.

The event was put on by Hope California, which is led by evangelical pastor Ché Ahn, a supporter of President Trump and a write-in candidate for California governor. Ahn spoke at a Stop the Steal rally in Washington, D.C., the day before the Jan. 6, 2021, storming of the Capitol, and has repeated the unfounded claim that Joe Biden stole the election from Trump. (“I don’t have facts. I don’t have proof. That’s just my own personal opinion,” Ahn, who also opposes abortion, told The Times.)

Feldstein Soto is pro-choice and anti-Trump, and the speakers immediately preceding her expressed anti-gay and anti-trans views.

Roy said the positions expressed at the rally were wildly out of step with those of Los Angeles voters, and criticized the city attorney’s appearance at the rally as “disturbing.”

“Los Angeles is overdue for a City Attorney who fights for the people,” Roy said in a statement.

At the rally, Feldstein Soto spoke about the scourge of human sex trafficking, including of children along the Figueroa corridor in Los Angeles. She had been invited to the event by a human trafficking survivor to speak about their shared commitment to the issue, spokesperson Naomi Goldman said.

“The primary purpose of the City Attorney’s attendance was to shine a light on the exploitation of women and girls, and to stand in solidarity with those affected. She stayed at the event briefly to deliver her remarks and then departed,” Goldman said.

State of play

— THE KIDS ARE ALRIGHT: A strike that would have shut down schools for nearly 400,000 students was averted at the eleventh hour early Tuesday after the Los Angeles Unified School District reached a tentative agreement with the union that represents workers including custodians, bus drivers and cafeteria workers. Mayor Bass stepped into negotiations at the last minute to help avert a disruptive work stoppage.

— LA USD$: The price of the union deal will be nearly $1.2 billion in annual contract costs, and questions remain about whether the district can afford it.

— ONE AND DONE?: Mayoral candidate Spencer Pratt went on the Joe Rogan Experience this week and told the podcaster that Angelenos are fed up with their leadership. He explained the rules of the city’s June 2 primary to Rogan, saying that there would be no runoff — as most analysts expect — if a candidate wins 51% of the vote. “I think I become mayor June 2 and it won’t even go to November,” Pratt said.

— COUNTY BUDGET: The county unveiled its nearly $50-billion budget plan Monday, proposing $2.7 million invested to beef up the team of people investigating fraud within a deluge of recent sex abuse lawsuits, suggesting a broadening probe at the district attorney’s office. The supervisors must now review, then vote on the budget.

— HAHN AND OFF: L.A. County Supervisor Janice Hahn was booed by her neighbors in San Pedro at a Tuesday night town hall meeting after she spoke in support of a proposed substance abuse rehabilitation center in the South Shores neighborhood. “There will be a difference of opinion on this project, but let’s not tear each other apart,” Hahn urged residents, who picketed last weekend at the site of the proposed project.

— E-HIKE: A Los Angeles City Council panel is pushing to ban electric bikes from most city recreational trails, saying the machines pose a threat to hikers and equestrians. The council’s Arts, Parks, Libraries, and Community Enrichment Committee voted 3 to 0 in favor of the measure, which now goes to the council’s Transportation Committee before potentially advancing to the full City Council, which would have to approve the ban before it takes effect.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program moved more than 25 people off the street and inside in Koreatown this week.
• On the docket next week: The mayor will release her budget on Monday, along with her second State of the City. She is planning to hold a news conference on the budget Monday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Some of our finest contemporary writers got their laurels Friday night at the 46th Los Angeles Times Book Prizes ceremony at USC’s Bovard Auditorium.

At the awards ceremony, which opens the annual L.A. Times Festival of Books weekend, Oakland-born writer Amy Tan and literary nonprofit We Need Diverse Books received achievement honors, and finalists in 13 other categories became prize winners.

The presenters and awardees who took the stage balanced a spirit of playfulness — Times senior editor Sophia Kercher called the weekend’s festival “my personal Coachella” and Times columnist LZ Granderson saluted his fellow “booktroverts” — and one of reverence as they celebrated writing as an instrument for advocacy, imagination and history-keeping.

As Bench Ansfield virtually accepted his award in the history category for “Born in Flames: The Business of Arson and the Remaking of the American City,” which exposes a pattern of landlords setting residential fires to collect insurance payouts, he said, “It’s a scary time to be a historian in the United States.”

“Our field, like so many other fields, is under attack,” Ansfield said. “To understand the crises in front of us, we have to understand our history.”

Among the crises highlighted was AI encroachment, the subject of science and technology category winner Karen Hao’s “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI.” The AI expert and investigative journalist’s book is a critical investigation into the rise of OpenAI and its impact on society.

In Hao’s acceptance speech, read by presenter Jia-Rui Cook in her absence, the author said she “can’t help but be disturbed by how the themes of this book have grown more relevant by the day.”

“That said, I have never been more hopeful of our chance to advance a different future,” the author said, adding that L.A.’s history of resistance movements — including the recent Hollywood strikes — made it an apt place to accept her award.

“Gatherings like this are one of many radical acts of resistance against the imperial project that seeks to strip us of our meaning and our humanity,” Hao said. “Let us continue to resist defiantly together and let us remember lessons in history: When people rise, empires always fall.”

Tan echoed Hao’s sentiments as she accepted the Robert Kirsch Award, which celebrates literature with regional and thematic connections to the Western United States, for her acclaimed portfolio of writing exploring identity and cultural inheritance — often through the lens of the immigrant experience.

In her speech, “The Joy Luck Club” writer said that while she never particularly considered herself a “political writer,” her stance on that has changed as government actions have made her think critically about her own identities.

“My birthright and that of millions of others is now being argued before the Supreme Court, and no matter what the outcome is, it’s been a kick in the gut to know that those in the highest echelons of government and those who support them believe that we don’t belong.”

As an author, Tan said, “I imagine the lives of the people I write about,” and that act of compassion, for writers, inherently “reflects our politics and our beliefs. And so yes, I am a political writer.”

Later, Caroline Richmond, executive director of We Need Diverse Books, celebrated the work of her nonprofit — the recipient of this year’s Innovator’s Award — which has made it so her daughter “has never really had to look that far to find herself on the page.”

Still, she said ongoing book bans are threatening those strides toward a more diverse literary marketplace.

“The work is very much far from over,” Richmond said, “but I have to remind myself that the people banning books are never the good guys in history, and it’s up to us in this room and beyond — as readers, as book lovers — to fight back because diverse books, we really need them now more than ever.”

As the ceremony wore on, the room was as charged with celebration as it was with resistance.

When writer-editor and former child actor Adam Ross accepted the Christopher Isherwood Prize for “Playworld,” a semi-autobiographical novel about a teen growing up in 1980s New York, he gleamed with joy about his second novel being out in the world and finding readers.

“When it became clear to me that I was writing something that was going to be a lot bigger and take a lot longer than I planned, I promised myself I would use all of my ability to capture my experience of a particular era in an enduringly magical city, and to hopefully express it in such a way that any reader willing to embark on a journey with me, but upon finishing close the book and say, ‘Yes, I know exactly what that was like,’” Ross said in his acceptance speech.

“Winning this award makes me feel like I succeeded in that endeavor,” the author said.

Other winners included Ekow Eshun, who topped the biography category for “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them,” which parses Black masculinity as embodied by various civil rights activists, philosophers and other visionaries, and Bryan Washington, who accepted the fiction award for “Palaver,” which details the tense reunion of a Jamaican-born mother and her queer son, who are navigating years of estrangement in Tokyo.

The 31st annual L.A. Times Festival of Books will host 500-plus authors and celebrities and 300-plus exhibitors across more than 200 events including panels, book signings and cooking demonstrations. Top-billed guests include musician-memoirist Lionel Richie, veteran actor and recent Golden Globe Carol Burnett Award honoree Sarah Jessica Parker, and the mastermind behind “Curb Your Enthusiasm,” Larry David.

The schedule for the Saturday-Sunday event can be found here.

Here’s the full list of finalists and winners for the Book Prizes.

Robert Kirsch Award

Amy Tan

Innovator’s Award

We Need Diverse Books

The Christopher Isherwood Prize for Autobiographical Prose

Adam Ross, “Playworld: A Novel”

The Art Seidenbaum Award for First Fiction

Andy Anderegg, “Plum”

Krystelle Bamford, “Idle Grounds: A Novel”

Addie E. Citchens, “Dominion: A Novel”

Justin Haynes, “Ibis: A Novel” | WINNER

Saou Ichikawa translated by Polly Barton, “Hunchback: A Novel”

Achievement in Audiobook Production, presented by Audible

Molly Jong-Fast (narrator), Matie Argiropoulos (producer); “How to Lose Your Mother”

Jason Mott, Ronald Peet, and JD Jackson (narrators), Diane McKiernan (producer); “People Like Us: A Novel”

James Aaron Oh (narrator), Linda Korn (producer); “The Emperor of Gladness: A Novel”

Imani Perry (narrator), Suzanne Mitchell (producer); “Black in Blues”

Maggi-Meg Reed, Jane Oppenheimer, Carly Robins, Jeff Ebner, David Pittu, Chris Andrew Ciulla, Mark Bramhall, Petrea Burchard, Robert Petkoff, Kimberly Farr, Cerris Morgan-Moyer, Peter Ganim, Jade Wheeler, Steve West, and Jim Seybert (narrators), Kelly Gildea (producer); “The Correspondent: A Novel” | WINNER

Biography

Joe Dunthorne, “Children of Radium: A Buried Inheritance”

Ekow Eshun, “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them” | WINNER

Ruth Franklin, “The Many Lives of Anne Frank”

Beth Macy, “Paper Girl: A Memoir of Home and Family in a Fractured America”

Amanda Vaill, “Pride and Pleasure: The Schuyler Sisters in an Age of Revolution”

Current Interest

Jeanne Carstensen, “A Greek Tragedy: One Day, a Deadly Shipwreck, and the Human Cost of the Refugee Crisis”

Stefan Fatsis, “Unabridged: The Thrill of (and Threat to) the Modern Dictionary”

Brian Goldstone, “There Is No Place for Us: Working and Homeless in America” | WINNER

Gardiner Harris, “No More Tears: The Dark Secrets of Johnson & Johnson”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Fiction

Tod Goldberg, “Only Way Out: A Novel”

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Mia McKenzie, “These Heathens: A Novel”

Andrés Felipe Solano translated by Will Vanderhyden, “Gloria: A Novel”

Bryan Washington, “Palaver: A Novel” | WINNER

Graphic Novel/Comics

Eagle Valiant Brosi, “Black Cohosh”

Jaime Hernandez, “Life Drawing: A Love and Rockets Collection” | WINNER

Michael D. Kennedy, “Milk White Steed”

Lee Lai, “Cannon”

Carol Tyler, “The Ephemerata: Shaping the Exquisite Nature of Grief”

History

Char Adams, “Black-Owned: The Revolutionary Life of the Black Bookstore”

Bench Ansfield, “Born in Flames: The Business of Arson and the Remaking of the American City” | WINNER

Jennifer Clapp, “Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters”

Eli Erlick, “Before Gender: Lost Stories from Trans History, 1850-1950”

Aaron G. Fountain Jr., “High School Students Unite!: Teen Activism, Education Reform, and FBI Surveillance in Postwar America”

Mystery/Thriller

Megan Abbott, “El Dorado Drive” | WINNER

Ace Atkins, “Everybody Wants to Rule the World: A Novel”

Lou Berney, “Crooks: A Novel About Crime and Family”

Michael Connelly, “The Proving Ground: A Lincoln Lawyer Novel”

S.A. Cosby, “King of Ashes: A Novel”

Poetry

Gabrielle Calvocoressi, “The New Economy”

Chet’la Sebree, “Blue Opening: Poems”

Richard Siken, “I Do Know Some Things”

Devon Walker-Figueroa, “Lazarus Species: Poems”

Allison Benis White, “A Magnificent Loneliness” | WINNER

Science Fiction, Fantasy & Speculative Fiction

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Jordan Kurella, “The Death of Mountains”

Nnedi Okorafor, “Death of the Author: A Novel”

Adam Oyebanji, “Esperance”

Silvia Park, “Luminous: A Novel” | WINNER

Science & Technology

Mariah Blake, “They Poisoned the World: Life and Death in the Age of Forever Chemicals”

Peter Brannen, “The Story of CO2 Is the Story of Everything: How Carbon Dioxide Made Our World”

Karen Hao, “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI” | WINNER

Laura Poppick, “Strata: Stories from Deep Time”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Young Adult Literature

K. Ancrum, “The Corruption of Hollis Brown”

Idris Goodwin, “King of the Neuro Verse”

Jamie Jo Hoang, “My Mother, the Mermaid Chaser”

Trung Le Nguyen, “Angelica and the Bear Prince” | WINNER

Hannah V. Sawyerr, “Truth Is: A Novel in Verse”

Paul W. Downs can’t help it that even on the weekends, his life intersects with “Hacks,” the HBO comedy he co-created and co-showruns with his wife, Lucia Aniello, and their friend Jen Statsky. (He also appears on the show as Jimmy LuSaque Jr., the besieged manager of its two stars, played by Emmy winners Jean Smart and Hannah Einbinder.) The fifth and final season of “Hacks” premiered last week, but on Downs’ days off, he often finds himself at its previous filming locations or hanging out with cast members who have become like family.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Downs moved to Los Angeles in 2011, but soon after, he and Aniello were hired to write (and for him to act) on the über-New York show “Broad City,” keeping them away from the West Coast for years. Now the couple live in Los Feliz, which they enjoy with their young son.

“I love Los Feliz because it’s a real neighborhood with restaurants and bars, but also feels close to nature with Griffith Park,” Downs says. “Also it’s very central to my Eastside friends and Westside agents.”

And if he had to live at a local mall, like the character Ava Daniels did in the third season of “Hacks,” which would he choose?

“It would be the Americana, obviously.”

Here’s how he’d spend a perfect day in L.A.

10 a.m.: A late rise and a li’l barista

I’m sleeping in if I can, which I can’t because I have a toddler, but let’s say I can sleep ’til 10. That would be insane.

Then I’m making coffee at home. I’m making it with my 4-year-old because he likes to make my coffee now. He always wanted to help, now he really wants to do it on his own. I’m still there to supervise, but he does do a lot of it.

I do batch brew. I’m doing Verve Coffee that I’m grinding there, and then I’m brewing four cups because I need my coffee. I had a Moccamaster for a long time, but I recently got a Simply Good Coffee. There’s no plastic — it’s all glass and metal.

11 a.m.: Chocolate croissants for everyone

We’re driving to Pasadena and we’re going to [Artisanal Goods by] CAR, which is the place to get the best chocolate croissant, I think, in the world. I don’t just think in L.A., I think they’re better than Paris. I’m going there with my wife and my kid and I’m having another coffee and some pastry. We’re ordering three [chocolate croissants]. We’re not doubling up.

11:45 a.m.: The family business

We’re driving to Fair Oaks in Pasadena. There’s a place called T.L. Gurley. We shot “Hacks” there, actually. Not only in Season 1, but also full circle in Season 5. We’re going to shmay around and look at antiques. My kid is going to want to play a vintage pinball machine. We’re going to find a little piece of art for the house or what have you. It’s not necessarily that I’m on the hunt. It’s to pass the time and to have some fun. If I could do anything and have a leisurely day and take my mind off work, that’s what I’m doing.

People love to interact with my kid when he’s there. We’re really training him to appraise things at a young age. My parents are part-time dealers of antiques. My grandmother bought and sold antiques. It’s kind of a family business.

1:30 pm.: Baguettes and books

We’re driving to Larchmont and we’re getting a sandwich at Larchmont Village Wine, Spirits & Cheese. I’m doing prosciutto-mozzarella-basil on a baguette.

Then we’re going to Chevalier’s Books. What’s sad is that I’m often not looking for leisure material. I’m looking for something that I’m interested in learning more about or writing about, or that they’re turning into a show I want to audition for. But we’re also doing Little Golden Books for my son. He’s obsessed. We’re not huge on screen time, so we really encourage the book-buying.

2:30 p.m.: Cast pool party

We’re having some family fun in the pool and we’re doing that until evening. We invite people over all the time. My sister-in-law is a New Yorker, but she actually wrote last season on “The Rooster” and she’s often writing on shows in L.A., so she’s often here and she’ll have a couple friends come over. I know this sounds like a piece of PR or something, but we’ll really literally have Hannah [Einbinder] and maybe Mark Indelicato from “Hacks” come over to swim. Jen, our co-creator of “Hacks,” will come over.

6:00 p.m.: Family dinner

Sometimes we’ll order Grá to the house, which is a pizza place in Echo Park — excellent sourdough crust pizza. But if we don’t do that, an ideal evening is an early dinner at All Time on Hillhurst in Los Feliz. We’re ordering the ceviche and my son is having all of it and not sharing with anybody at the table.

8:45 p.m.: A thrilling ending to the day

After putting my kid to bed, my wife and I, in an ideal world (full disclosure: we haven’t done this in two years), we’ll watch something together that we’ve been meaning to watch. We have a long list of movies and we either want to revisit or that we haven’t seen that we need to watch.

We don’t watch a lot of comedies. It’s a dream to watch a “Black Bag” or a little espionage thriller. We really like that because it’s so different than the stuff that we’re working on in the day.

Often the things we watch are things that we admire. We like deconstructing it as fans of film and television. We do like talking about the making of it, but it’s less of a critique and more of a listing of the things we appreciated about it.

10:30 p.m.: No work tomorrow

And then it’s lovemaking ’til morning on a perfect Sunday. If it’s a perfect Sunday, there’s also a Monday that’s off.

I’ve come to resent the frenzy around superblooms.

Not because I don’t love seeing our hillsides blanketed with nature’s bounty, but because it misses the point that every wildflower that bursts out of the ground is its own sort of miracle. Have you ever slowed down on the trail just to stare at an individual California poppy and considered how in the world a seed that’s a fraction of an inch (1/20 to be exact-ish) became this bright orange delicate thing before you?

For me, each wildflower I spot on the trail is an opportunity to practice gratitude. I hope I can persuade you to consider the same.

With that same energy, I’d like to teach you how I find wildflowers and other plants I love, both as a hiker and outdoors journalist. Here is what I consider as I’m searching for the best spring hikes.

A large oak tree provides shade over a trail in Franklin Canyon Park.

(Jaclyn Cosgrove / Los Angeles Times)

1. Learn the landscapes

L.A. County is home to a multitude of diverse plant habitats, with each offering its own range of wildflowers, shrubs, trees and more. And often, these landscapes can be interspersed among each other.

Hikers around L.A. commonly encounter plant habitats and ecosystems that include:

• Coastal sage scrub: Found at lower elevations (generally below 3,000 feet), this fire-adapted plant community often includes bright yellow bush sunflower, sticky monkey flower (orange blooms), deerweed (orange and yellow blooms) and fragrant California sagebrush and black sage, which features white and bluish blooms; this is a great plant habitat to hike when you want to really stop and smell things.
• Chaparral: Often said to be the most extensive vegetation type in California, chaparral is found throughout Southern California’s mountain ranges up to about 5,000 feet, although it does grow higher; chaparral is a “continuous cover of low-growing shrubs creating a mosaic in shades of green,” according to research by the U.S. Forest Service; common flowering plants found in chaparral include woolly bluecurls, chamise (white flowers), ceanothus (shrubs with fragrant purple, white and sometimes pink blooms) and manzanitas.
• Oak woodlands: A plant habitat often found in low- to mid-elevations (generally below 5,000 feet) in foothills and valleys, this ecosystem is “officially defined as an oak stand in which at least 10% of the land is covered by oaks and other species, mostly hardwoods,” writes author Kate Marianchild in “Secrets of the Oak Woodlands”; wildflowers that often grow here include California buttercup (yellow blooms), Collinsia heterophylla (purple and white blooms), hummingbird sage (super cool plant with magenta flowers) and more.

Several coast live oaks, including this one with a swing, live along the Gabrielino Trail, left. Top right, there are several native plants and wildflowers along the Gabrielino Trail, including golden yarrow. Bottom right, Bush monkey flower, sometimes called sticky monkey flower, is a native shrub found along the Gabrielino Trail.

(Jaclyn Cosgrove / Los Angeles Times)

• Riparian habitats: This is the term used to describe the lush landscape found around rivers, creeks and in moisture-rich canyons and includes riparian woodlands; it is less defined by elevation and more so is used to describe the life found around water. Wildflowers and plants that bloom include western columbine, scarlet monkey flower and miner’s lettuce (white and pale pink blooms). You can often also find California bay laurels, which have a zesty pungent smell (that not everyone loves).
  • Where to see it: Essentially anywhere along the 28.8-mile Gabrielino Trail, which runs parallel in several sections to the San Gabriel River and Arroyo Seco.

The snow plant (sarcodes sanguinea Torr.) is starting to come up around pine trees at the Chilao Picnic Area in the Angeles National Forest. It grows in the spring, after snow has melted, has no chlorophyll and gets its nutrition from fungi growing on conifer roots in the soil.

(Raul Roa / Los Angeles Times)

2. Go higher for late-season blooms

Thanks to our proximity to the San Gabriel Mountains, the wildflower season often extends into late spring and early summer.

In Angeles National Forest, you can easily hike above 5,000 feet and even farther into the sub-alpine regions where you’ll find mixed conifer forests and a range of wildflowers and other interesting plants. One of my favorites to spot is the snow plant, a funky red parasitic plant that “derives sustenance and nutrients from mycorrhizal fungi that attach to roots of trees,” according to the California Native Plant Society. Other blooms you might spot include various types of lupine, pumice alpine gold and some types of paintbrushes.

Grape soda lupine grows in Angeles National Forest, including here along the Cooper Canyon trail.

(Jaclyn Cosgrove / Los Angeles Times)

3. Determine whether an area has burned in recent years

Many of the most beloved areas of the Santa Monica and San Gabriel mountains have burned in recent years. The immediate aftermath is devastating to witness: blackened hillsides with shrubs and trees burned down to nubs and stumps.

But, as the ecosystem starts to heal, several wildflowers known as “fire followers” will start popping up.

“Often boasting beautiful blooms, some germinate only when their seeds are exposed to heat, while others take advantage of the charred, mineral-rich soil left behind, helping to secure the land and reduce erosion,” according to TreePeople.

I’ve found this to be true in areas that burned in the 2020 Bobcat fire, where trails burst with blooms from several types of lupine (including grape-soda lupine, my personal favorite), phacelias, including large flowered phacelia and caterpillar phacelia, and withered snapdragon.

California poppies bloom next to the California State Route 138 near the Antelope Valley California Poppy Reserve State Natural Reserve on March 12. The state’s wildflowers typically bloom from mid-March through April.

(Kayla Bartkowski / Los Angeles Times)

4. Check the data and help others do the same

Before heading out, I often head to iNaturalist, a citizen science app where users submit photos of animals, plants and other living organisms they observe. I will usually look at what other users have submitted in recent weeks. And on every hike, I typically submit at least 20 observations of wildflowers, lizards and trees I noticed. (As of today, I’ve submitted 675 observations of 341 species, including eight California poppy observations and seven black bear observations, which are really just photos of scat.)

To use iNaturalist, you can either visit its desktop site or use the app, which is available for iPhone and Android. You can easily search specific plants — although rare and endangered specimens will have their locations hidden — to discern whether any have been spotted along the trail you’re headed to. This is one of the ways I discovered an abundant showing of wildflowers in Towsley Canyon and in the Santa Monica Mountains, which hopefully is still there thanks to the recent rainfall.

As you can tell, there is much to learn about the diverse landscapes covering Southern California. I hope this newsletter prompts you to learn even more as you venture out there.

May your adventures lead you to a day full of springtime color and a deep sense of gratitude for whatever you find!

3 things to do

Violet Tiul, 12, removes invasive mustard weed at Friends of the Los Angeles River’s Habitat Restoration & Earth Month Celebration at the Sepulveda Basin Wildlife Preserve in Los Angeles on May 24, 2025.

(Carlin Stiehl / Los Angeles Times)

1. Celebrate Earth Month at the L.A. River
Friends of the L.A. River needs volunteers from 8 to 11 a.m. Saturday at the Sepulveda Basin for its Earth Month habitat restoration day. Other local groups at the event will include the California Native Plant Society and the L.A. and San Fernando Valley chapters of the Audubon Society. Volunteers will yank weeds and install native plants and be rewarded with guided nature walks around the native reserve. Binoculars will be provided. Learn more at support.folar.org.

2. Explore the night sky in Joshua Tree
The Mojave Desert Land Trust will host an interactive evening exploring the night skies from 7 to 10 p.m. Friday at its headquarters in Joshua Tree. Interns from the trust’s Women In Science Discovering Our Mojave (or WISDOM) will share their research findings, and afterward, guests will be treated to s’mores and a night sky viewing with a National Park Service ranger. Learn more and register at mdlt.org.

3. Hike with bats and more in Calabasas
Malibu Creek State Park will host a guided night hike from 7:30 to 9 p.m. in Calabasas. Guests will learn about nocturnal animals as they hike about three miles round trip. Register at eventbrite.com.

The must-read

Carrizo Plain National Monument in San Luis Obispo County.

(Christopher Reynolds / Los Angeles Times)

If you’re feeling up for a road trip, may I suggest heading to the Carrizo Plain National Monument? Times staff writer Christopher Reynolds outlined how, even though we are past its peak wildflower season, the monument is still a gorgeous display of springtime blooms. “By the time my wife and I arrived in the first days of April, the flowers were past their peak, but the hills were still green and many meadows popped with yellow, purple and blue,” Reynolds wrote. “If I’m reading my wildflowers handbook right, these were tidy tips, Goldfields, Owl’s Clover, thistle sage, Valley Larkspur, coreopsis, phacelia and hillside daisies.”

We are so lucky to live among such rich biodiversity!

Happy adventuring,

P.S.

Would you like to meet me IRL? I am hosting “L.A. Hiking 101” at 1:45 p.m. Sunday at Mudd Hall 203 during the L.A. Times’ Festival of Books at USC. The festival is free to attend, as are several of the panels, mine included. I will share how to find some of the best hikes around L.A., what I’ve learned writing about our local wildlands and, as a fun show-and-tell, what I carry in my pack when I’m out on a day hike. Space is limited, so grab your ticket now for my talk. I am eager to hear what questions you have. See you there!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

Commenters who never have been — and never will go — complain about the cost, the influencers, the hype. Purists wax poetic about the days when they disappeared into three days of music and the field wasn’t overtaken by brands like Barbie and e.l.f. cosmetics. Defenders claim they can camp their way to an affordable weekend, and others spend the whole time posting. A select few even talk about great performances they saw — it’s still a music festival.

But one thing everybody can agree on: Coachella has changed. I should know. I’ve been covering it as a journalist since 2007.

Rapid advancements in technology and mass adoption of social media have brought out the best and worst of the festival — not just on screens thousands of miles away, but to those of us trying not to trip over the makeshift photoshoot you might have seen on Instagram.

Coachella pre-2010 was a purist’s paradise

Some of Coachella’s most iconic moments happened before smartphones: The Flaming Lips in a human hamster ball in 2004; Daft Punk’s 2006 pyramid set; Rage Against the Machine reuniting and calling for the George W. Bush administration to be tried for war crimes in 2007. If you even had a cellphone when Coachella started in 1999 it was probably a Nokia brick or a flip phone with an antenna that had limited talk and text options.

In the early years, there were no brand activations on the field; nobody knew what an influencer was and the only corporate sign you saw was for Heineken in the beer gardens. (There was no Heineken House with its own stage, just signs advertising the beer.)

The grounds were also considerably smaller, making it easier to explore the different stages and discover new music. You didn’t have fancy food options, but a slice of Spicy Pie was less than $10. (Coachella upgraded its food options from festival staples to weekend outposts of L.A. restaurants in 2014.)

The music was the draw. The festival’s track record includes artists like the Killers, the Black Keys, Childish Gambino and Kendrick Lamar climbing up from small type to headliner on the lineup poster.

Livestreams and influencers made Coachella’s reach global

The vibes started to shift in 2010 as smartphones grew in popularity, although the service on the field was spotty. It was the first year Coachella offered a livestream — available via Facebook and MySpace. The next year, the stream moved to YouTube, where it remains and draws millions of viewers.

As Coachella expanded to twin weekends due to popular demand on the ground in 2012, it also had the first viral moment fans could enjoy from thousands of miles away: Dr. Dre and Snoop Dogg brought 2Pac back to life via a hologram.

Celebrities were always at Coachella (I spotted Ryan Seacrest, Corbin Bernsen, David Hasselhoff and Danny DeVito in my early years), but the rise of social media made celebrity culture a key part of the event. By 2011, TMZ was posting about stars like Lindsay Lohan. Clips from Coachella went viral and ended up on shows like “Tosh.0” and referenced in “Community.”

The art, which was always part of the festival, became bigger and more iconic. On the growing photo app Instagram, larger-than-life sculptures of astronauts started appearing in selfies.

Brands saw an opportunity. American Express, H&M and Samsung launched activations on-site in 2015. The party scene outside the festival, with non-affiliated events that were timed because everyone was in town for Coachella, became marketing vehicles. Brands are still cashing in more than a decade later.

The next watershed moment was Beyoncé in 2018. Today, most headlining sets at the fest feel as if they are designed for the viewing experience on the livestream rather than the fans on the field (ahem, Justin Bieber and his laptop). But Beyoncé’s spectacle was just as mind-blowing on-site as it was at home. A year later, the “Homecoming” special debuted on Netflix, widening the reach.

Coachella became a key part of the pop culture landscape, and then it became a cornerstone of the influencer economy.

Behind all the hype, there’s still a music festival hiding

I inadvertently photobombed approximately 500 people just trying to go to and from the press tent last weekend and my inbox is overflowing with requests for coverage of off-site events with brands, celebs and TikTok influencers, including social media clips.

But at the end of the day, Coachella is still a music festival, and a really good one at that. The Strokes, David Byrne, Jack White, Iggy Pop, Turnstile, Wet Leg, Fujii Kaze and even Less Than Jake in the Heineken House were some of the best performances I had seen in years.

Coachella is what you make of it. And besides, everyone knows there are fewer influencers on Weekend 2.

Today’s top stories

A health worker administers a measles test on Fernando Tarin, of Seagraves, Texas, at a mobile testing site outside Seminole Hospital District on Feb. 21, 2025.

(Julio Cortez / Associated Press)

Increasing measles cases in California

• California in 2026 has already seen its highest number of annual measles cases in seven years amid an ongoing resurgence of a disease once considered effectively eradicated in the U.S.
• The re-emergence comes as vaccination rates have tumbled nationwide in recent years.

Testing LAX’s long-awaited train

• LAX’s 2.25-mile electric train system will begin running without passengers next week as testing advances following a series of delays.
• The Automated People Mover system began construction in 2019 and was initially slated to open to the public in 2023.

Nationwide recall of a popular anxiety drug

• Specific bottles of Xanax, one of the most widely prescribed medications to treat anxiety and panic disorders, has been recalled due to its failure to dissolve at a standard rate.
• FDA officials are not warning against consuming the product at this time.

What else is going on

Commentary and opinions

This morning’s must-read

Another must-read

For your downtime

Reporter Deborah Vankin gets a massage by an “Aescape” robot at Pause Wellness Studio.

(Christina House / Los Angeles Times)

Going out

Staying in

A question for you: Are you planning on leaving California for another state? If so, tell us why.

Laura says, “I left California during the pandemic. Part of the push factor for me was politics, but not blue politics. I had been living in OC since 2018 and was surprised it was so Conservative (and conservative). That became a bigger source of discomfort for me as the vaccine question demonstrated how our neighbors’ decisions can impact us directly. Rather than moving elsewhere in California, which would have sorted out the political discomfort nicely, I moved to a much more affordable state where I had family.”

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … from our archives

Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club on April 16, 2017.

(Amy Harris / Invision / AP)

On April 16, 2018, Compton’s own Kendrick Lamar became the first hip-hop artist to win the Pulitzer Prize for music.

He won for his album “Damn.,” which the Times’ Mikael Wood heralded as Lamar’s graduation to pop superstardom.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Fans are frustrated with LA28. City Council members are battling over billions of dollars and overdue contracts. But in front of the U.S. Olympic and Paralympic Committee board of directors, LA28 found support for the private organizing committee’s progress with a little more than two years remaining before the Games open in L.A.

Despite pushback from locals, LA28 leadership, including chief executive officer Reynold Hoover and chief executive officer responsible for revenue John Slusher, spoke to the USOPC on Wednesday about the ticket sale process, explained the superbloom-inspired look of the Games and celebrated the committee’s recent commercial success that surpassed more than $2 billion in sponsorship agreements.

“We were quite encouraged to hear from them,” USOPC chair Gene Sykes said during a conference call Wednesday after a board of directors meeting, “and quite confident in the direction of LA28 from an operational standpoint.”

The private group responsible for bringing the Games back to L.A. for the first time in four decades opened ticket sales this month after attracting a record number of interested fans. The first week of sales — reserved for locals in Southern California and Oklahoma City near competition venues — “significantly exceeded first-week sales for any previous Olympic Games,” LA28 said in a statement.

But many fans were shocked to see opening ceremony tickets topping $5,000. They complained about a shortage of options for the most in-demand sports and were surprised to see a 24% service fee. Global sales opened on April 9 and many of the problems, including website glitches and unavailable tickets, persisted.

The USOPC board discussed the fee with LA28, and recognized that it is “part of a framework that is a framework they accept,” Sykes said, “as opposed to challenging it or trying to make it something different.”

The fee is included in the listed price of the tickets, which start at $28. There will be 1 million tickets sold at $28 each, and nearly half of the Olympic tickets are under $200. More than 75% are under $400 and about 5% of tickets are more than $1,000.

“I know they’re thinking very, very seriously about how to manage the ticket activity so that it satisfies everybody,” Sykes said.

LA28 will have 14 million tickets available between the Olympics and Paralympics, which would break Paris 2024’s record of 12 million tickets sold. The current ticket drop, which is open to fans worldwide, ends April 19. LA28 expects to have a second drop this year, but has not released specific details about when.

Ticket headaches have added to a controversial run-up to the Games for LA28, which also faced backlash after chairman Casey Wasserman was mentioned in the Epstein files released in February. The LA28 executive committee backed Wasserman after a review with the assistance of outside counsel. Wasserman announced that month he would sell his talent agency but planned to continue working with LA28.

When asked Wednesday what the USOPC board believed Wasserman’s role with LA28 should be moving forward, Sykes said the organizations have had discussions and are monitoring the “impact on our community.” But it is ultimately the LA28 board’s decision to select its chair. Wasserman was appointed by former Mayor Eric Garcetti to lead the Olympic effort in 2014.

“Separate from the LA28 board … LA28’s leadership Reynold Hoover and John Slusher, but many other people among the hundreds of people who work for LA28 have continued to assemble a very strong team,” Sykes said, “and show measurable progress on all the fundamental things that they need to do to make the Games a very, very strong Games, and have a remarkable experience. We remain very confident that that progress is both evident and very solid and that [it] will involve the planning with partners, athlete engagement, public support and corporate interest, all of which remain very strong, and I think, very encouraging. The ongoing committee is executing effectively, and we’re very happy to work with them.”

A Los Angeles City Council panel is pushing to ban electric bikes from most city recreational trails, saying the machines pose a threat to hikers and equestrians.

The council’s Arts, Parks, Libraries, and Community Enrichment Committee voted 3 to 0 in favor of the measure, which now goes to the council’s Transportation Committee before potentially advancing to the full City Council, which would have to approve the ban before it takes effect.

“When you have something that’s motorized traversing that same space, especially if it’s somewhat of a rugged space, for folks that have sensitivities — knees, ankles — you don’t want to create an intimidating situation,” councilmember Adrin Nazarian said.

Although he voted to support the measure, Nazarian said he was open to making changes such as restricting some classes of e-bikes instead of a unilateral ban.

The ban, proposed by councilmember John Lee, would still allow e-bikes on designated bikeways in the city, including some of those along the L.A. River and city beaches.

Regular bikes are already banned from anything designated as a “trail,” according to a city ordinance, but a spokesperson for Lee said e-bikes were a gray area that his proposal aims to address.

Supporters of the measure include Lisa Baca of the Monteverde Ranch Equestrian Center in the northeast San Fernando Valley, who said horses are animals that can easily be spooked by facing moving e-bikes.

“They panic and it becomes very dangerous” for both riders, she said in an interview. At the same time, Baca noted that enforcing any ban on remote trails would be difficult.

Eli Akira Kaufman, director of the nonprofit advocacy group BikeLA, criticized the proposed ban as a “blunt instrument” and said the city should instead engage in a public education campaign aimed at getting people to share space safely.

Michael Schneider, chief executive of StreetsForAll, said the main problem on trails comes not from e-bikes but from people riding more powerful motorcycles and motorized trail bikes that aren’t street legal.

Federal regulations around e-bikes are lenient; they are considered nonmotorized vehicles like regular bikes and don’t require riders to have driver’s licenses or insurance. Local regulations, such as the one proposed by Lee, can vary widely by jurisdiction.

Under California law, e-bikes and e-motorcycles are separately classified by motor power, top speed and whether the bike has working pedals. Class 1 and Class 2 e-bikes don’t require licenses or insurance, while Class 3 riders need to be at least 16.

Catherine Lerer, a partner at law firm McGee Lerer Ogrin who has worked on dozens of e-bike accident cases, said accidents are more dangerous because riders — sometimes children — are moving faster than they would on a regular pedal bike.

“Minors riding e-bikes do not appreciate how fast that these bikes go, and they don’t know the rules that apply to riding an e-bike,” Lerer said. “It’s just a recipe for disaster.”

L.A. County officials want to put $2.7 million toward beefing up the team of people investigating fraud within a deluge of recent sex abuse lawsuits, suggesting a broadening probe at the district attorney’s office.

The funding allocation, part of the county’s $48.8-billion budget proposal unveiled Monday, would bring on 10 new people to the small team prosecuting alleged fraud within the county’s historic $4-billion sex abuse settlement. L.A. County Dist. Atty. Nathan Hochman announced the probe last November following a Times investigation that found nine people who said they were paid to sue.

The county has agreed to pay billions to settle more than 11,000 claims of sex abuse in juvenile halls and foster homes, a flood of lawsuits spurred by a 2020 law changing the statute of limitations. Since those settlements, more than 5,000 new lawsuits have been filed with an average of 150 new claims coming in per month, according to the county, raising the prospect of future costly payouts.

Acting Chief Executive Joseph Nicchitta said Monday the new filings would continue to be an “anchor” around the county’s finances.

“It is something that’s going to weigh on us going forward,” he said at a news conference announcing the new spending plan.

Hochman said in a statement that the investigation was a priority for his office and the money would be used to “pursue every credible lead and hold fraudsters accountable.”

“It is our pledge to the real survivors of childhood sexual abuse that we will root out and prosecute those who manufactured false claims and profited or tried to profit from those lies,” Hochman said. “As for those who filed fraudulent claims of sex abuse, the time is growing short for you to turn yourselves in before you are arrested, prosecuted and punished.”

Nicchitta made a pitch for legislative change, noting the county was looking to Sacramento to “eliminate loopholes allowing abusive practices by attorneys that inject weak and potentially fraudulent claims into settlement pools.”

The push by the county to change the law has been hotly criticized by some advocates who accuse government officials of trampling on victims’ rights.

“These reforms that we are seeking are anti-fraud,” said Nicchitta. “They are not anti-survivor.”

The payouts are yet another cloud looming over the budget proposal, along with rising labor costs and federal funding cuts. The recommended budget represents a 7% decrease in spending compared to the current plan.

But Nicchitta said Monday it wasn’t all doom and gloom, with the county managing to stave off layoffs and program cuts.

The upcoming budget proposal, he said, represented the calm before the next big wave of potential rollbacks.

“Remember, we’re in the eye of the hurricane,” he said.

The budget forecast was notably rosier than last year’s, in which the county was saddled with $2 billion in new wildfire costs and had made the first round of slashes to finance the sex abuse payouts. The county froze hiring at the time and made most departments shrink their budgets by 3%.

Those cuts, Nicchitta said, went deep enough that they can avoid major slashes this upcoming fiscal year, though he warned the fallout from the Trump administration’s “One Big Beautiful Bill” will soon wreak fresh havoc on the county’s finances. Health officials say they expect more than $2 billion to be cut from the budget for health services over the next three years.

Costs from wildfire will also continue to weigh on the county’s coffers. Officials say the federal government has yet to respond to a February request for rebuilding aid. Nicchitta said he was “optimistic” the money would soon be made available.

Growth from property taxes has given the county a small new pot of funds, which will be used largely to pay for increased salaries for county workers. An additional $12 million will go to public defenders, who say they’re buckling under untenably heavy caseloads, while the Office of Emergency Management will get roughly $10 million to add 44 positions, according to the proposal.

The office, which is responsible for coordinating during emergencies, was under scrutiny following the alert failures of the Eaton fire, and officials had promised in the aftermath to revamp the small office.

The supervisors will be briefed on the budget plan Tuesday.

The California Science Center announced Monday that construction has been completed on its new Samuel Oschin Air & Space Center, bringing the highly anticipated expansion one step closer to its public debut.

The culmination of a master project plan adopted in 1993, the sleek 20-story, 200,000-square-foot new building rising over Exposition Park will nearly double the museum’s exhibit space and anchor a $450-million campaign to permanently house the retired space shuttle Endeavour.

“I keep saying this, and it sounds cliché,” said Jeffrey Rudolph, the Science Center’s president and chief executive. “But it’s better than we ever dreamed.”

The Samuel Oschin Air & Space Center will be split into three galleries — air, space and shuttle — containing aerospace artifacts and hands-on exhibits demonstrating scientific principles.

At the heart of the new addition is Endeavour itself, displayed in a vertical “ready-to-launch” configuration that’s never been replicated with real hardware outside of a NASA or Air Force facility. The display includes rocket boosters from manufacturer Northrop Grumman and a massive external fuel tank from NASA.

Artifact installation is underway at the new Samuel Oschin Air & Space Center.

(Myung J. Chun / Los Angeles Times)

A veteran of 25 missions from 1992 to 2011, Endeavour arrived in L.A. in 2012 during a widely watched journey atop a modified Boeing 747, followed by a slow procession through city streets. For over a decade, the retired orbiter was exhibited horizontally in a temporary, tent-like structure known as the Samuel Oschin Space Shuttle Endeavour Display Pavilion.

In early 2024, Angelenos watched as the shuttle was carefully lifted and placed into its final upright position in an intensive overnight operation.

With several observation areas spanning the nearly 200-foot tall shuttle stack, Rudolph said the new installation will offer visitors “views that almost no one’s ever seen.”

A cutting-edge building design by architectural firm ZGF Architects contributes to that awe-inspiring experience with a 2,000-ton curved structural framework of diagonally intersecting steel beams called a diagrid, which eliminates interior columns and allows visitors unobstructed views of the shuttle stack.

The idea is that “you don’t have a sense there’s a building at all,” said Ted Hyman, partner at ZGF Architects. Instead, you’re meant to feel like you’re standing on a launch pad outside. The dimness of the shuttle gallery also assists in the immersive fantasy, both as an artistic choice and a practical one due to the shuttle’s sensitivity to light.

Yet while the structure is designed to be undetectable from the inside, it’s a full-blown metallic colossus on the outside — visible from the surrounding L.A. freeways. Its colors are most magnificent at sunset.

When asked whether he’d had any doubts about the feasibility of the intricately choreographed construction project, Hyman replied, “I think up until about last week.”

Nonetheless, he said, “you forget about the challenges when you see the building done.”

Lynda Oschin, wife of the new air and space center’s titular philanthropist Samuel, called the project a “dream come true.”

“This space shuttle is everything rolled into one that my husband loved: astronomy, innovation, exploration, science, math and especially children,” Oschin said. “What this is going to do for the children is just incredible.”

The donor said her husband, whose picture is in the cockpit of the Endeavour, would have been very proud — if a little embarrassed — that his name is on the new building.

The Samuel Oschin Air & Space Center is 20 stories tall.

(Myung J. Chun / Los Angeles Times)

With the construction phase in the rearview, Rudolph said the center is now focused on completing installation of the galleries’ artifacts and hands-on installations. The Samuel Oschin Shuttle Gallery, which houses the Endeavour shuttle stack, is nearest to completion. In the two others, artifact installation is well underway.

The Korean Air Aviation Gallery explores the mechanics of flight and will display approximately 25 aircraft, from historical relics like the WWII “Vampire” jet to modern supersonic jet fighters. The Kent Kresa Space Gallery will feature a wide array of spacecraft, planetary probes, telescopes and more. Rudolph was especially excited about acquiring a SpaceX Cargo Dragon, which will further the air and space center’s goal to “show people that this isn’t all history.”

“There’s a lot of amazing things going on in aviation and space, and a lot of it happening in California,” the executive said.

The interactive installations complementing the artifacts include a 747 flight simulation and a 45-foot-long slide carrying visitors down to the bottom of the shuttle stack, which Rudolph himself has already ridden. His goal with these novelties was to both educate visitors about scientific principles and get children excited about the subject, which can get flattened in the traditional school system.

“Kids get turned off to science very early,” Rudolph said, but when they come to the science center, it’s like a whole new world opens up to them.

Rudolph said he expects to announce an opening date for the Samuel Oschin Air & Space Center this summer. He added that while it’s his intention to open by the 2028 L.A. Olympics, “we’re not really building this for a two-week athletic event.”

“We’re building this for the next 50 years to serve our community and inspire people,” he said.

As Rudolph made his way across the science center campus in March, he chuckled at the children bumping into him on their way to the exhibits.

“Future scientists, right?” he said.

Four years ago, at the McDonald’s All-American game, future Bruins Kiki Rice and Gabriela Jaquez stood side by side at the end of the contest, having been named co-MVPs. It was the first time the two MVPs of the annual event were headed to the same college program.

Now, as the only remaining members of UCLA’s 2022 No. 1 recruiting class, they have reached their ultimate goal: an NCAA championship. Their work ethic, their high character, their loyalty, and the pride they take in wearing the four letters on their jerseys will long be remembered and appreciated. With fellow senior and graduate-student teammates — Lauren Betts, Angela Dugalic, Charlisse Leger-Walker and Gianna Kneepkens, all transfers from former Pac-12 teams — they have put themselves into the Bruin record books.

To this awesome group of young women: Thanks for the memories and the joy you have brought to Westwood. You will be missed.

Sandy Siegel
Sherman Oaks

After witnessing their first-round victory in person, the UCLA women looked ready to make a run in the NCAA tournament. What we saw was a way to compete in any style of play. There was a little bit of everything. But clearly they were the best team. Congratulations on your first title. I can’t wait to see the banner hanging in the rafters. Being a lifelong fan of UCLA sports, it just looks right when you see it in lights. UCLA BRUINS, NATIONAL CHAMPIONS!

David DeLong
Thousand Oaks

As a Trojan alum, it was awkward, but nonetheless, I was elated to see UCLA knock off USC. Party on!

David Marshall
Santa Monica

The UCLA women’s basketball team’s first NCAA national championship was especially sweet because they had to defeat USC in the title game!

Nick Rose
Newport Coast

Long live the Pac-12 Avengers!

Mark Ryan
Fullerton

What a great article on Gabriela [Jaquez] by Mirjam [Swanson.] I just so loved rooting for this UCLA women’s team because they’re such wonderful people as well as players. Having said that, Gabriela would have been my choice for MVP, but I’m fine with Lauren [Betts.]

Michael Reuben
Anaheim Hills

It was refreshing to watch the postgame after UCLA soundly defeated the University of South Carolina on Sunday. Everyone was crying — players, coaches, losers because they lost, winners because they won. This was so much nicer than the angry confrontation between coaches at the end of the South Carolina-UConn game on Friday, after which [Geno] Auriemma petulantly stalked off. As in politics, women seem to do it better without men.

Henry A. Hespenheide
Hermosa Beach

Remembering Lopes

Growing up in L.A. during the 1970s, the photo of Davey Lopes sliding into second against Dave Concepcion brought back memories of the Dodgers’ rivalry with the Big Red Machine during that decade. Being a huge fan of those Dodger teams, a large color photo of the Dodger infield of [Steve] Garvey, Lopes, [Bill] Russell and [Ron] Cey adorned my DTLA office for many years.

Davey Lopes was the most exciting of that great infield and the inspirational leader of the ‘74, ‘77, ‘78 and ‘81 World Series teams. Not only was he superior at stealing bases — he stole 47 at the age of 40 — but also hit for power, as exemplified by his team-leading three homers and seven RBIs in the ‘78 World Series. RIP, Davey.

Ken Feldman
Tarzana

Garvey, Cey, Russell and Lopes. What an infield! I grew up with that group, and they cemented my love for the Dodgers at a young age. Every spring you could count on those four as starters in the infield. Davey Lopes was just superb. A terrific base stealer who had over 500 steals in his career. Always reliable at second base and at the plate. He was an All-Star his last four years with the Dodgers, culminating with the World Series win in 1981 over the hated Yankees. Davey, we will miss you for sure.

Dave Ring
Manhattan Beach

Davey Lopes was the heartbeat of those great Dodgers teams — grit, intelligence, and pure excitement every time he reached base. For fans who grew up watching that legendary infield, his passing feels deeply personal, but his legacy will endure.

Steven Ross
Carmel

Championing fans

I had the privilege of attending Major League Baseball ownership meetings for a decade. Arte Moreno and his then team president, John Carpino, were the absolute leaders in advocating that MLB needed to be as financially fan friendly as possible. In my opinion, the Angels fully back their desire to have a sustainable and comfortable fan experience by offering a wonderful game-day fan experience.

When I am able to attend an Angels game, I do not hear gripes about parking costs, concession prices or ticket prices. The stadium staff at every level are simply wonderful and always so welcoming. And while I have no stats, the number of families and children in attendance appear significant.

Should the team ever come under different ownership, I hear that one of the under tapped values of owning the Angels is the ability to increase ticket and related revenues. The proven focus on having a sustainable fan game experience is the sole dictate of the owner.

Lew Wolff
Los Angeles

Sticker shock

After taking the time to sign up for LA28 with the hopes of getting an opportunity to purchase tickets for the Olympics, including tickets to the opening ceremony, I was gravely disappointed after receiving a time slot for purchases to learn that opening ceremony tickets were “currently unavailable.“ In further checking for other opportunities to purchase reasonably priced tickets, I also was disappointed to see that the cheapest tickets available for some of the high-interest sporting events were in the hundreds of dollars. It doesn’t look like the plan to have locals purchase tickets and fill the seats for the venues is going to work out the way LA28 thought it would. Shame on them.

Ruthanne Rozenek
Los Angeles

The Los Angeles Times welcomes expressions of all views. Letters should be brief and become the property of The Times. They may be edited and republished in any format. Each must include a valid mailing address and telephone number. Pseudonyms will not be used.

Email: sports@latimes.com

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Alene Tchekmedyian, with an assist from Rebecca Ellis, giving you the latest on all things local government.

Last summer, the Los Angeles Fire Department enlisted a public relations firm to help shape the narrative around its response to the Palisades fire as it geared up to release its long-awaited after-action report.

The optics around the devastating fire hadn’t been good.

A Times investigation revealed that top LAFD officials failed to pre-deploy engines in Pacific Palisades, despite forecasts of dangerously high winds. Mayor Karen Bass ousted the fire chief. The thousands of residents who lost their homes were growing increasingly angry. City and LAFD officials were concerned about how the report, which was intended to examine what mistakes the department made and how to avoid repeating them, would land.

“While we have a section that deals with press inquiries, media, and interview requests, they are not equipped to deal with what I call a ‘Crisis,’” LAFD Deputy Chief Kairi Brown wrote to the Lede Company in July.

The Times obtained the email and other materials this week through the California Public Records Act. Brown wrote in the email that his brother, Jay Brown, who co-founded the entertainment company Roc Nation with Jay-Z, recommended the firm.

At the time, LAFD’s public information director position was vacant, but a staff roster shows that two captains and four firefighters were assigned to the Community Liaison Office. The captains, Erik Scott and Adam Van Gerpen, each made more than $200,000 in overtime alone last year, on top of their roughly $200,000 base salaries, payroll data show.

Scott and Van Gerpen did not immediately respond to a question about what the overtime was for.

Fire officials also met with and considered another PR firm called Cielo Strategic Communications, but ultimately selected Lede for the job. Lede bills itself as a “full-service strategy, communications and social impact consulting firm,” with high-profile celebrity clients like Kerry Washington and Emma Stone, according to its website.

The Los Angeles Fire Department Foundation, which calls itself “the official nonprofit arm of the LAFD” that provides “vital equipment and funds critical programs to help the LAFD save lives,” took care of the $65,000 bill.

The Times has described efforts by Bass and others to water down the after-action report. Lede’s role, according to internal documents, was to shield the LAFD and the mayor’s office from “reputational harm” associated with the report’s release.

Bass also was involved in media spin, with Scott writing in an Oct. 9 email that “any additional interviews with the Fire Chief would likely depend on the Mayor’s guidance.”

The documents obtained by The Times this week reveal that Lede embarked on “Media 101” training for interim Fire Chief Ronnie Villanueva, including basic tips such as: “While reporters aren’t always out to get you, they’re not your friends either.”

“Tricks” that reporters use to get people talking, according to a Lede slideshow, include: “Speculate,” “Stir the pot,” “The long pause/silence” and “Act like your friend.”

Other advice from Lede: “Stay on message and don’t volunteer information that is not asked.” Don’t “offer information to fill the silence (this is a reporter tactic).”

The Lede Company previously declined to comment on its work for the LAFD, citing client confidentiality. An LAFD spokesperson did not immediately respond to a request for comment Friday.

Other records previously released show that Lede also analyzed news articles before and after the Palisades fire — the goal was to get a sort of vibe check of LAFD from the public — and found criticism of department leadership as well as support for the rank and file.

And a communications plan developed in the event that the after-action report was leaked to reporters involved convening an “emergency briefing between LAFD, Lede, and the Mayor’s Office within 60 minutes of discovery,” as well as embargoed briefings within a day “to control the narrative and reinforce lessons learned and key actions coming out of the LAFD.”

Lede worked with the LAFD until about mid-November, when Jaime Moore took over as fire chief. A couple of months later, the agency hired a public information director, Stephanie Bishop, to lead the Community Liaison Office.

State of play

— SB CANDIDATE: Los Angeles mayoral candidate Spencer Pratt acknowledged this week that he’s living in Santa Barbara County after the Palisades fire destroyed his home. He’s allowed to use his Palisades address to vote and run for office, as long as he intends to return, election officials said.

— BASS BUCKS: Bass and City Councilmember Ysabel Jurado say they want to allot more than $360 million to developers and nonprofits creating affordable housing. The money, which comes largely from the “mansion tax,” would fund 80 projects.

— REVOLVING DOOR: A Times analysis found the longer the mayor’s signature program to battle homelessness exists, the worse its metrics are. As Inside Safe finished its third year in December, roughly 40% of the people who had gone indoors were back on the street.

— CHANGE AGENT: Everyone running for L.A. mayor wants to be a champion of change. As her first term comes to an end, Bass is campaigning on change, vowing to tackle decades-old problems. So is City Councilmember Nithya Raman, who says her decision to run was based on “a sense of urgency that things needed to change.”

—FIGHT FLOP: More than a year after California Atty. Gen. Rob Bonta charged 30 probation officers with facilitating so-called “gladiator fights” among youths inside the county’s juvenile halls, almost half of the criminal cases are falling apart. State prosecutors dismissed charges against one-third of the officers, and four more entered into plea deals Tuesday that will end with their cases dropped.

— BADGE BREACH: Sensitive police records, including personnel files, were seized by hackers in a breach involving the L.A. city attorney’s office. A group known for conducting ransomware attacks on large entities took credit for the hack, which involves 337,000 files.

— OLYMPIC OOPS: Los Angeles officials are worried that taxpayers could be on the hook for budget-busting costs to support the 2028 Olympic Games, if the profit promised by LA28 doesn’t materialize. City Atty. Hydee Feldstein Soto and Councilmember Monica Rodriguez both want a contract pledging that LA28 cover any future costs incurred by the city.

— VANISHING BLUES: Up for reelection and facing a budget deficit, Bass says she’s shifting from her original plan to grow the L.A. Police Department to the 9,500-officer force it once was. Her new goal: making sure the department doesn’t shrink from its current total of 8,677 officers, which is the lowest in nearly a quarter-century.

— PRICEY PROTESTS: A well-known LAPD critic and two attorneys are suing the LAPD after officers allegedly fired less-lethal rounds at them during a protest last summer. Activist Jason Reedy says he was shot in the groin after confronting an officer outside LAPD headquarters.

QUICK HITS

• Where is Inside Safe? The mayor’s signature homelessness program monitored 126 encampment sites across the city and visited an interim housing site.
• On the docket next week: L.A. County officials will unveil their budget for the upcoming fiscal year Monday, with the supervisors weighing in at their Tuesday board meeting.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

War has a way of curtailing imagination. When the news breaks of faraway civilian casualties — an erroneous air strike on a school that relied on outdated intelligence, for example — the mind takes refuge in abstractions and statistics.

Grief isn’t an infinite resource. There’s only so much distant suffering anyone can take in. Yet our moral health as a society depends on the recognition of our common humanity. We share something with the inhabitants of those countries whose civilization our government has threatened to destroy.

This is an important moment to experience “English,” Sanaz Toossi’s Pulitzer Prize-winning drama, set in an English-language classroom outside of Tehran in 2008. The play, now having its L.A. premiere at the Wallis Annenberg Center for the Performing Arts, reminds us of the lives — the hopes, the dreams, the sorrows — on the other side of the headlines. (As I write this, the New York Times homepage has a story that stopped me dead in my tracks: ”Iranian Schools and Hospitals Are in Ruins, Times Analysis Shows.”)

Babak Tafti, left, and Marjan Neshat in “English” at The Wallis.

(Kevin Parry)

“English” isn’t trying to win any political arguments. Its focus is on the characters, who are in a Test of English as a Foreign Language (TOFL) prep class. The exam will have an oversize effect on the future possibilities of this small, mishmash group of students.

Elham (Tala Ashe) needs a high score to pursue her medical education in Australia. Roya (Pooya Mohseni) wants to join her son in Canada to be part of her granddaughter’s life, but Persian is frowned upon in her son’s assimilated, English-language household. Omid (Babak Tafti), whose English is far beyond anyone else’s level in the class, has a U.S. green card interview coming up. And Goli (Ava Lalezarzadeh), the youngest of the students, wants at the very least to be fluent in the lingua franca of American pop culture.

Marjan (Marjan Neshat), the teacher whose love for the English language is infused with longing and regret, harks back nostalgically on her years in Manchester before she returned to Iran. She insists for pedagogic reasons that the students only speak English in the classroom. But Elham, a contentious and fiercely competitive student, suspects that Marjan’s zeal for anglophone culture, including Hollywood romantic comedies, masks a resentment for the Iranian life she is now stuck with. (Neshat and Ashe are gracefully reprising their Tony-nominated performances.)

Tala Ashe, left, and Pooya Mohseni in “English” at The Wallis.

(Kevin Parry)

Mastering English can open doors, but what if you wish you didn’t have to walk through them? Elham is angry that she has to leave to pursue her medical dreams. When she speaks English, she feels like a diminished version of herself. She calls her accent “a war crime,” and grows frustrated in class that she can’t easily explain what she’s thinking and feeling in her halting English.

The other students might not be as truculent as Elham, but they are just as ambivalent about the necessity of learning English. Toossi doesn’t grapple explicitly with the fraught internal politics of the Iran of the period. The conversation in the classroom doesn’t turn to the repressive regime or the state requirement of headscarves or the geopolitical strategies that have alienated the Islamic Republic of Iran from the global community.

When I saw “English” in 2024 at the Old Globe in San Diego, I was acutely aware of what the playwright was not addressing. At the Wallis in 2026, in the wake of Operation Epic Fury and the blitzkrieg of unhinged rhetoric from President Trump, whose rationales and goals for the war seem to change with every public utterance, I was intensely appreciative of what Toossi was putting front and center — the variegated humanity of her characters.

Tala Ashe and Marjan Neshat in “English” at the Wallis.

(Kevin Parry)

This Atlantic Theater Company & Roundabout Theatre production, directed by Knud Adams, had a critically touted Broadway run, receiving four Tony nominations, including best play. The physical staging, featuring a rotating cube from set designer Martha Ginsberg, shows us the classroom from different vantages, bringing the play’s shifting perspective to three-dimensional life.

Toossi follows the interplay of the differing viewpoints and lived experiences. She’s not as concerned with settling differences as with understanding the thoughts and emotions animating the clashes of her divergent characters. The actors relish the pesky, droll, frequently adorable, sometimes incendiary individuality of their roles.

The play does something unique with language. When a character speaks English, an accent is employed and the manner is often a bit stumbling. When a character speaks Persian, the English that is heard is natural and relaxed, the sound of a native speaker.

The result is that these Iranian characters, when talking among themselves in their native tongue, sound awfully like Americans having a conversation in the mall or at a nearby table at a restaurant. We are no longer separated by language. The notion of the Iranian “other” falls by the wayside.

The cast of “English” at the Wallis.

(Kevin Parry)

It’s hard not to wonder if one of those missiles raining down on schools in recent weeks hit when Marjan was showing “Notting Hill” or another favorite rom-com to one of the students she was hoping might realize her dreams of living abroad. Omid, whose English surpasses Marjan’s own level, has excited such hopes, and the touchingly Chekhovian quasi-romance between them adds a gentle note of amorous wistfulness.

Adams’ production creates a cinematic penumbra through the projections of Ruey Horng Sun, a soundscape by Sinan Refik Zafar that lyrically underscores the actions and the emotionally attuned lighting of Reza Behjat. The effect heightens the romanticism of characters who are no longer lost to us in translation.

But the destination of the play is less about what these students sound like to an American audience than what they sound like to themselves. And that is a universal journey that transcends even the starkest barriers of language, culture and politics.

Living outside the community they want to represent can be a handicap for political candidates, but it’s not likely to be a problem for Los Angeles mayoral hopeful Spencer Pratt, who until recently was living in Carpinteria in Santa Barbara County, analysts say.

That’s because Pratt’s home burned in the January 2025 Palisades fire, making him a sympathetic figure among many voters — especially those living in his Westside base, they say.

“I don’t think this is going to be electorally consequential,” said Zev Yaroslavsky, a former Los Angeles County supervisor and L.A. City Council member who now runs the UCLA Luskin School of Public Affairs. “He’s a victim of the Palisades fire that doesn’t have a home to live in because it burned down.”

Pratt filed to run for mayor in February and was in second place behind Mayor Karen Bass in a recent poll by the Luskin school. He was certified by the Los Angeles city clerk on March 2 as one of 14 candidates in the June 2 primary election.

While some observers have raised questions about his eligibility, a state memorandum following the fires said that voters who were temporarily displaced from their homes can use their prior address as their permanent residence as long as they “intend to return” in the future.

Los Angeles mayoral candidate Spencer Pratt currently resides in a private community in Carpinteria, Calif.

(Myung J. Chun / Los Angeles Times)

Michael Sanchez, a spokesperson for the Los Angeles County Registrar-Recorder/County Clerk, said this also applies to candidates.

“In situations where a candidate has been temporarily displaced (such as the 2025 wildfires), their eligibility to run for office is not impacted, provided they maintain domicile in their district,” Sanchez said in a statement.

He explained that domicile is determined by a person’s primary residence and their intent to return to that residence. “Temporary relocation during rebuilding or recovery does not, by itself, change a person’s domicile.”

The Times asked the L.A. city clerk’s office last week about Pratt’s residency and eligibility.

“We cannot comment on the specifics of a candidate’s address due to confidentiality. Any matter concerning a candidate’s eligibility or residency, such as this situation, can be formally challenged through the court,” said Josue Marcus, a spokesperson for the city clerk’s office.

Any potential challenge to Pratt’s eligibility based on residency would turn on the question of whether he had intent to return, said Jessica Levinson, a Loyola Marymount University law professor. “Those are tricky inquiries because it depends on someone’s state of mind,” she said.

Pratt and his campaign aides didn’t respond to requests for comment. Pratt released a video Monday, following inquiries from The Times, defending his decision to move to Carpinteria but saying he now intends to live in a trailer placed on his burned-out lot in Pacific Palisades.

The city of Los Angeles sprawls across roughly 500 square miles, creating logistical hurdles if nothing else for a candidate seeking citywide office from a remote location, noted Democratic political consultant Mike Trujillo.

“Anyone that has done the drive from San Pedro to Sylmar knows that L.A. is a big place,” said Trujillo, who isn’t affiliated with any of the candidates in the June 2 mayoral primary. “To add another hour and a half to the drive is not advantageous if you’re trying to campaign in every corner of the city.”

Pratt, a former reality TV star, has millions of followers on social media, but Trujillo said that Pratt will need to show a strong presence in the community to wage a successful campaign.

Pratt is a Republican running in a Democrat-majority city. Developer Geoffrey H. Palmer, a major campaign donor to President Trump, plans to host a reception for Pratt at his Beverly Hills home April 28, according to a document the Pratt campaign filed with the city Ethics Commission.

The event is being organized by Trey Kozacik, who also organized a Trump fundraiser in Los Angeles in 2019.

The UCLA Luskin poll released this month showed Pratt with the support of 11% of likely voters, behind Bass with 25% and ahead of City Council member Nithya Raman with 9%.

Mayoral candidate Adam Miller, who polled at 3% in the survey, said Pratt’s party affiliation is his biggest hurdle to winning the mayoral race.

“I sympathize with Spencer for losing his home and feeling outrage toward the city, but he is not a viable candidate. It doesn’t matter where he lives, a Republican hasn’t been elected mayor in 30 years in this city, and he isn’t going to change that now,” said Miller, a tech executive.

Others say party affiliation is less of an issue.

“This is a nonpartisan race,” said Roxanne Hoge, the chair of the Los Angeles County Republican Party. “There’s no letter accompanying anyone’s name. … I personally support him because he’s an intelligent alternative.”

Some think Pratt will also hold appeal for some Democratic voters.

“There are people I speak to who I know to be Democrats who really, really like him,” said Maryam Zar, who heads the Palisades Recovery Coalition. “To the extent that people are disappointed in this recovery, they pin their hopes on Spencer. That’s not a bad place for him to be.”

When Halle Bailey moved from Georgia to Los Angeles as a wide-eyed preteen nearly 15 years ago, the city felt like a wonderland of possibility.

“Being from the South, when you first come to L.A., you’re like, ‘Hollywood. Wow. This is where all the celebrities are,’” says the Grammy-nominated singer and actress. At any moment, she thought she might cross paths with Halle Berry — the similarly named actress she’s often mistaken for — on the Hollywood Walk of Fame.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

But after living in the city for a while, Bailey, now 26, says she realized L.A. is made up of all sorts of different pockets — ones “where people are really Hollywood, bougie” and others “where people are chill, like hippies,” she says. Her favorite neighborhoods are Silver Lake, Venice and “places where people are just like, yeah, one love,” she says, laughing.

These days, Bailey is one of the celebrities people would be thrilled to see strolling down Hollywood Boulevard. She’s built a career that bridges music, TV and film: By 13, she and her sister Chloe Bailey — together known as Chloe x Halle — had signed to Beyoncé’s label; she’s earned six Grammy nominations (including one for her debut solo album released last fall); and she played young Nettie in “The Color Purple” and starred as Ariel in Disney’s live-action “The Little Mermaid,” a blockbuster role she’s recently been reflecting on.

Bailey’s next venture? Starring in her first romantic comedy, Universal’s “You, Me & Tuscany,” which hits theaters April 10. She plays Anna, a young woman who impulsively crashes at a empty Italian villa by pretending to be the owner’s fiancée.

“It felt good to play a young woman who was grown, but still discovering herself,” she says. “I felt like I was playing the essence of the Halle who is finding herself now.”

On her perfect Sunday in L.A., Bailey would have a day of fun with her 2-year-old son, Halo. Here’s what they’d do.

This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Wake up and jump into mommy duties

I love mornings. I leave my curtains open while I sleep because I like when the sun wakes me up. We all doomscroll, which is kind of bad to say, but the first thing I check is my phone. Then I have mommy duties right at 8 a.m. Sometimes before [Halo] wakes up, I get a chance to do some things for myself like go outside and sit in the sun for some meditation or stretching. I don’t get to do it every day, but I try. Or I’ll make some tea or a smoothie and just have a moment of gratitude for waking up that day.

8:30 a.m.: Crank up the music

Once Halo is up, we do breakfast right away. I don’t know why I’m super into boiled eggs right now [laughs]. But I love a boiled egg in the morning with either avocado or hash browns. My baby loves hash browns too. I try to make a balanced breakfast and then from there it’s kind of party time.

We’ve been blasting the new Jill Scott album and it’s really cool how the music you play in your house can just change the mood, the vibe and bring good energy into the space that you’re in. And on a Sunday, I don’t know if it’s just because of the way I was raised, but automatically I think, “OK, I need to straighten up for the week. I need to get the house reset.” So maybe I’m cleaning up the kitchen or organizing toys, or making sure the bathroom is straight, or washing clothes while the music is blasting and we’re dancing around, having fun.

12 p.m.: Solo time while the baby naps

I’ll take a lunch break. If I’m in the cooking mood, I love making comfort food like chicken and rice with cabbage and mac and cheese. Something that is just warm and comfy. If I’m not doing that, I’m ordering Wing Stop or Chipotle. I would chill outside for a while until my son’s nap time, which is around 12:30 p.m. He’ll sleep until like 3:30 p.m., so then I have two hours to myself and sometimes I do nothing. Sometimes I just need to sit down and I’ll be on my phone on TikTok or I’ll watch a show. I recently binged the new “Love is Blind” season. I also started watching “Real Housewives” again, but, like, the beginning seasons. I really love the show “My Strange Addiction.” It’s just so hilarious to me. Those are some guilt-free shows that I turn on and my brain can turn off.

I might even go into the studio if I’m hearing a melody in my head or pick up my guitar. Sometimes I might take a nap too, and that feels really good on a Sunday.

4 p.m.: Go on an easy sunset hike

If I feel up for leaving the house, we’ll go for a walk, to the park or maybe even a sunset hike. I’ve always been a nature girl and I feel like it just grounds me, and I’m able to center myself, especially for the start of a new week. There’s a lot of really beautiful hikes in California, but I’ve found ones that are easy and safe to take a baby on so I’m not stressing if he’s running ahead of me or behind me. On a Sunday, you just want to rest, so you’re not trying to do a full-blown workout. Sometimes we’ll get halfway through and then we’ll turn back and go home [laughs].

Near Studio City, there’s a really good one called Fryman [Canyon]. It’s hard in the beginning, but as you get higher it gets easier and you see the view, and you’re just like, “I can do this.” We recently went to Point Dume, which I had never been to, but I saw the view on TikTok. It’s a really beautiful beach hike in Malibu and I love it there. The hike up is super easy, but there’s a field of flowers that you walk through to get to the viewpoint where everyone takes pictures overlooking the beach.

6:30 p.m.: Bath time

I love a bubble bath. If my son is with me that night, we do a whole fun toys in the bath type of vibe. But if it’s a solo night, it’s like candles, lavender bubbles, lights are dim, jazz music is playing in the background, like Billie Holiday, and that is the ultimate reset.

7:30 p.m.: Dinner and a show

If I have a sitter, I might go out to dinner. I like Lucia, which is a Caribbean restaurant in Hollywood. I think the first time I went, they had a really good oxtail mac and cheese. When I went back the menu had changed and I ordered the jerk chicken, which was also good. Also, I’ve been loving the Blue Note recently. I saw Esperanza Spalding there last year.

10 p.m.: Watch something low–stakes before bed

Sometimes I try to force myself to turn off all screens, all phones and go to bed because I need the sleep. It’s either that or I’m up watching something. I just really like watching things that make me feel like I can laugh and I don’t have to think about it. I get really emotionally invested in shows. If I try to watch “The Pitt” at the end of the day, it feels so emotionally exhausting. During the day is OK, but at nighttime, I just need to laugh.