L.A

A Bangkok-raised chef is now serving vibrant Thai street food such as pan-fried noodles, grilled Isan sausage, Wagyu short rib with herbs and sticky rice, and flame-kissed pork jowl in Old Pasadena. To drink, there’s local ube beer and natural wine.

“I love to eat street food so much,” said Thaim chef-owner Ruethai Boonlieng. “I go back to Thailand all the time, and I always ask my friends, “Hey, don’t take me to the mall — take me to street food. It’s a true food for my soul, and people make the street food with care.”

Boonlieng’s Thaim is a portmanteau of “Thai” and “I am.” While some of her recipes are traditional — such as her mom’s preparation of Sukhothai pad Thai — others are modern spins, like brightening her sweet-spicy mango salad with fresh dill or turning her childhood favorite, egg tofu, into a deep-fried egg custard.

The chef grew up in Bangkok and learned to cook by watching her mother prepare home meals, then took pastry courses in Thailand as an adult. Boonlieng studied finance but entered the restaurant industry to help an aunt and a friend open a Thai restaurant — then discovered she loved it. She opened multiple restaurants in the Bay Area, then moved to Los Angeles to help open another and never wanted to leave.

As an owner of sweets-focused cafe U Dessert Story, with two locations in the Bay Area, Boonlieng wanted to incorporate some of her signature desserts at Thaim, too. Look for Thai tea panna cotta, matcha lava cakes and more.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Gavin J. Quinton, giving you the latest on city and county government.

Deputy Atty. Gen. Marissa Roy did big numbers in the June 2 primary election, coming in first place in the race for city attorney and knocking City Atty. Hydee Feldstein Soto out of the running entirely.

Roy secured 43% of the vote in round one. Now that she’s in a head-to-head contest against Deputy Dist. Atty. John McKinney, she’s well ahead in fundraising as well.

Campaign spending reports for the Nov. 3 runoff, filed over the last few days, show that Roy’s campaign collected nearly $74,000 during the fundraising period that ended June 30. By comparison, McKinney collected just $3,000, according to his own contribution report.

“I plan to be a City Attorney for the people, and I’m proud to have a campaign supported by the people. If your campaign isn’t, then I think it’s fair to ask who it is for,” Roy said in a statement.

The race is one of three downballot contests where the candidate who came in first on June 2 is also well ahead in the scramble for campaign contributions. Things were similarly lopsided in council races in South L.A. and the San Fernando Valley.

McKinney, who received nearly 29% of the vote in the primary, said his campaign will have plenty of resources to “educate voters that Marissa Roy is a bad fit for Los Angeles.”

“The recent financial disclosure reflects just one week of activity,” he said in a statement. “Since the June 30th [fundraising] deadline, we’ve raised more than $65,000 from more than 80 individual donors and have nearly 15 fundraising events scheduled.”

Several of the donors who gave to Roy occupy the left end of the political spectrum, such as Loraine Lundquist, who ran for City Council twice in the San Fernando Valley, losing both times to Councilmember John Lee. Roy also picked up a donation from airport commissioner Victor Narro, project director for the UCLA Labor Center.

Roy received $1,800 from attorney Carol Sobel, who has sued the city many times on behalf of various clients over policing and its treatment of the homeless population. Another $1,800 came from Genie Harrison, who is representing former fire chief Kristin Crowley in her lawsuit over her ouster.

McKinney, who works for Dist. Atty. Nathan Hochman, is likely to have his own big-money support in the coming weeks. During the primary, an array of well-financed allies, including Airbnb, spent a combined $3.2 million on efforts to elect him.

In South L.A., Ugarte ramps up his fundraising

The fundraising was also lopsided in the race to replace City Councilmember Curren Price, a veteran lawmaker who is stepping down after 13 years in a district stretching from the Convention Center south to 95th Street.

Former Price aide Jose Ugarte collected about $35,000 for the runoff, much of it from other city workers, particularly council aides, records show.

Community organizer Estuardo Mazariegos took in about $5,400, pulling in donations from the progressive L.A. Forward Action Fund and from Lundquist, the former council candidate.

A number of elected officials have lined up behind Ugarte, who garnered 39% of the vote in the primary. He received $1,000 apiece from State Assemblymembers Mark Gonzalez (D-Los Angeles), Mike Fong (D-Alhambra) and José Luis Solache (D-Lynwood), according to his filing. Ugarte also received $1,000 each from former Councilmember David Ryu and from the Hollywood Chamber of Commerce.

Records show that Ugarte received $1,000 from the Los Angeles Police Protective League, the union that represents rank-and-file police officers, but then returned the contribution. Ugarte does not accept donations from the police union, his campaign strategist said.

“I support Mayor Bass’s efforts to increase staffing, strengthen community policing, and improve transparency and accountability. I also want to see more officers on foot patrols and bike patrols in our neighborhoods,” Ugarte said in a statement. “Returning this contribution does not change or influence my views on these priorities.”

In the Valley, Gaspar pulls in a big haul

In the race to replace Councilmember Bob Blumenfield in the west San Fernando Valley, businessman Tim Gaspar is proving to be a fundraising powerhouse.

Gaspar reported more than $180,000 in donations to his runoff campaign through June 30, compared with about $31,000 for Barri Worth Girvan, an aide to County Supervisor Lindsey Horvath, according to her filing.

“After finishing with the most votes in the primary, our campaign is grateful for the outpouring of support from business owners, neighbors, and friends across the West Valley,” Gaspar said in a statement.

Gaspar received 46% of the vote in the primary, compared with more than 42% for Worth Girvan.

In an interview, Worth Girvan said she’s not troubled by the fundraising gap. During the primary, backers of Gaspar spent about $1.4 million on independent expenditures supporting his election bid.

“We still came within 4 percentage points,” she said. “To me, it’s always been about the voters, so that’s what I’m focused on.”

Worth Girvan picked up donations from longtime Democrats, including Gonzlaez, the state Assembly member, former state Assembly Speaker Anthony Rendon and Ryu, the former City Council member. She told The Times her fundraising picked up significantly after the June 30 fundraising deadline, bringing her total haul to more than $100,000.

Gaspar picked up donations from several public safety unions, including $1,000 from the Police Protective League and $500 from a political action committee set up by the city’s port police. He received $1,000 from real estate developer Rick Caruso, who ran unsuccessfully for mayor in 2022.

State of play

— WINDS OF CHANGE: For the first time since 1963, L.A.’s 9th Council District will not have a Black representative. The race to represent that South L.A. district features two Latino candidates who immigrated to the U.S. as children, both of them undocumented at the time. Ugarte, the former council aide, was born in Oaxaca and is Mazateco, an Indigenous group native to the Mexican state. Mazariegos, a community organizer, was born in Guatemala.

— DISAPPEARING ACT: Records dealing with the activities of the Los Angeles Police Department — emails, text messages, audio recordings — have vanished from a city website devoted to the release of public information. Although the removal of such records does not violate any laws, “it’s certainly not a best practice,” one expert said.

— PERMIT PROBLEMS: A representative of Lineage, whose massive cold storage facility burned down in Boyle Heights two months ago, filed a permit this week to rebuild the company’s 491,000-square-foot warehouse to its original pre-fire condition. Bass called the filing a “slap in the face” to families in Boyle Heights and ordered her department heads to put the application on hold until the site receives extensive study.

— SCHOOLS AND SAFETY: Meanwhile, with less than two weeks left before the start of school, families in Boyle Heights and East L.A. are worried about health and safety at eight campuses located within a mile of the Lineage site, which has been beset with the stench of rotting food, rats and swarms of flies.

— ZOO COUP: Feldstein Soto may have lost her bid for a second term, but she did rack up a key court victory in the city’s battle over money for the Los Angeles Zoo. The city has been trying to claw back about $50 million raised for the facility by the Greater Los Angeles Zoo Assn., the nonprofit that helped run it until recently. GLAZA filed for Chapter 11 bankruptcy protection in June, citing “incessant litigation” from the city. This week, at the city’s request, a judge dismissed the bankruptcy filing.

— TAKING IT TO THE STREETS: L.A. is on track to repeal a city law prohibiting kids from playing baseball, basketball, soccer or other ball games out in the street. The law was passed in 1936 out of a fear that children would be struck by cars. Councilmember Bob Blumenfield says it’s time the ordinance was erased from the books.

— FIXING THEIR MISTAKE: L.A. County’s Board of Supervisors voted Tuesday to send voters a charter amendment that would reverse the repeal of Measure J, which was approved six years ago and sets aside money for alternatives to incarceration. Measure J, through a series of errors, was supplanted in 2024 by Measure G, which will increase the number of supervisors. The new measure would restore Measure J to the county charter.

— SPEAKING OF ERRORS: Last week, we mentioned a proposal to reduce the number of required council meetings from three per week down to one, saying that the idea failed to make the ballot. That was wrong! The measure will in fact go before voters in the Nov. 3 election as part of Charter Amendment EE.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to bring homeless people indoors went to Skid Row, bringing 23 people inside, according to the mayor’s team. The area is represented by Councilmember Ysabel Jurado.
• On the docket next week: After a month off, the City Council resumes its business on Tuesday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

If you are over the age of, say, 14, you might not be familiar with daughter-father duo Salish and Jordan Matter. But if you are a parent of a Gen Alpha kid, it can feel like you hear about nothing but Salish and Jordan Matter. Their YouTube videos — a high-octane mix of zany challenges, games and hijinks — are admittedly hard to resist, which may be why they rake in millions of views as soon as they blast into the social media universe.

Sixteen-year-old Salish was in elementary school when she started appearing in her father’s YouTube videos and the channel is like a time capsule of her childhood — or, well, the most public, heavily produced version of it. There’s the day Salish turned her house into a waterpark (73 million views) or the night she had a secret sleepover in a mall (31 million views) or the time she survived 100 babysitters in 24 hours (61 million views). “A blessing and a curse for me is that we’ve documented it all,” says Jordan, whose background is in photography. “I have these beautiful videos of her when she was 10. I was just watching them 30 minutes ago and was like, oh wow, it feels like yesterday.”

Now their creator journey is taking a new turn. Salish and Jordan recently signed a deal with Netflix to develop, produce and star in original projects — it’s the largest such creator partnership for the streaming giant. Their show, “Salish & Jordan Matter,” reached Netflix’s Top 10 this month. Beyond the screen, the duo co-founded the popular teen skincare brand Sincerely Yours. (The launch of one glossy lip balm brought 2,000 fans to the Santa Monica Pier earlier this summer.)

It’s been a wild ride for the pair, but despite their snowballing fame, they swear they’re like any other dad and daughter who bicker, joke around and simply enjoy each other’s company.

“I think we’re pretty chill, right?” Jordan says.

“Yeah, we’re pretty chill,” Salish agrees.

Here they share what they’d do together on a Sunday Funday around their South Bay home, noting that a perfect day would involve the whole family, including mom Lauren Matter and Salish’s 20-year-old brother, Hudson Matter.

This interview has been edited for length and clarity.

10 a.m.: Wake up and debate the day’s options

Jordan: Salish, what time would you actually wake up?

Salish: Probably like 10.

Jordan: OK, so we’re sleeping in until 10. Then why don’t we go get breakfast? We’ll go to Ocean Diner in Hermosa Beach. We’ll both get huevos rancheros and fresh orange juice. And then I would love to go get coffee at Boy and the Bear in Redondo Beach.

Salish: Or Two Guns!

Jordan: No, I prefer Boy and the Bear.

Salish: Oh, I prefer Two Guns.

Jordan: Well, if we go to Two Guns, Salish would get the avocado toast.

Salish: No, the chai! It’s so good!

Jordan: OK, well, if Salish has an opinion, that’s what we’re doing. But later today, one thing I would love is a bike ride on the beach. Are you still down?

Salish: [High-pitched voice] Yeah.

Jordan: Did you hear that voice?! That tone is like, “Yeah, but not for much longer.”

Salish: [Laughs] No, I like doing bike rides with you! It’s just that I don’t know how much of a “biker” I am.

Jordan: You’re not one.

Salish: I’m not.

Jordan: But you have an electric bike! You just have to go like [makes e-bike revving motion] vvrrrrrruurr.

11:15 a.m.: Shopping and soup dumplings

Jordan: The next thing we’re going to do is …

Salish: Go to the mall! I like picking out new outfits for him because every day he just wears a black T-shirt.

Jordan: OK, and if we’re going to go to Del Amo mall, we’ll have lunch at …

Salish: Oh, Din Tai Fung.

Jordan: Which means we’ll have to put our name on the waiting list.

Salish: It’s like a two-hour wait.

Jordan: So we’ll put our name down right after breakfast. And then we’ll shop for clothes before our reservation.

Salish: I’ll go to Aritzia and probably Garage. And then you’ll go to Express and Levi’s. I go to PacSun a lot too but normally I don’t find anything there. I always wear sweats and hoodies — literally just sweats and hoodies.

Jordan: Also tank tops. Salish doesn’t like to repeat outfits on videos, so she does need at least one new outfit a week.

And I’ll just follow her around. I’ll be like, ‘Oh, that looks good.’ And she’ll be like, ‘No, it doesn’t.’ And I’ll be like, ‘No, it looks really good.’ And she’ll be like, ‘You’re just saying that.’ And then she’ll ask, ‘Which color?’ I’ll say the blue, and then she’ll get the pink. And I’m like, ‘I’m glad I could be helpful.’ So that’s how shopping with Salish goes. Then finally, there’s Din Tai Fung.

3 p.m.: An afternoon by the ocean

Jordan: Then we would leave the mall because I’m not gonna be there all day. We’re gonna go paddleboarding in Long Beach, in the Naples Canals area. We love anything with water, right? We love vacationing in Lake Tahoe, swimming and boating.

Then we would probably go for a bike ride along the Strand. I would vote for pulling over and having dinner. There’s a really good taco place right near the Hermosa Beach Pier called Palmilla Cocina Y Tequila.

Salish: [Winces slightly] I’m not gonna lie. I don’t really like tacos.

Jordan: Salish is an absolutely impossible eater. All she eats is Chipotle. She’s a vegetarian but she’s a picky vegetarian, so that combo makes it almost impossible for her to find food anywhere. But she’d get the black beans and rice and tortillas and cheese and mix it all together.

Salish: Yeah.

Jordan: See, I basically know everything about you.

Salish: And you would get the chicken!

Jordan: Yes.

Salish: I knew it. But you have to make sure it’s white meat.

Jordan: White meat chicken, mole, enchiladas — yum!

8 p.m.: Family hang time

Jordan: Now if there’s a good horror or suspense movie out, I might convince Salish to go. But that would be a tough sell. So maybe we’ll go back home. We just got a pool, so that’s exciting. And late nights in the pool has become a thing. We might play ping pong or a board game.

Salish: Then my brother and I would probably just chill and talk in one of our rooms. He doesn’t live here so we try to talk as much as we can while he’s home.

Jordan: Our family isn’t looking for big things to have fun — just time together. We just talk and hang out. With Salish, we talk about work but I’m also super interested in what her everyday life is like. You know, from the time she was young, I feel like I treated her like an adult in a way and we’ve always had real conversations. That’s made it easier as she’s grown up. It feels comfortable having these types of conversations.

Salish: Also, I’m a great kid, so like …

Jordan: Of course, of course. You are such a great kid. But you were a spitfire when you were little, I’ll say!

Salish: [Laughs]

Jordan: It’s a joy. It’s a joy to be with her every day.

This is the people pleaser. Phoenix Bakery’s now-iconic strawberry-and-whipped-cream cake has been called “L.A.’s most popular cake” for good reason. It’s light, not too sweet, packed with fresh berries and surrounded by a cloud of airy whipped-cream frosting with a border of sliced almonds for crunch. For generations of L.A. kids, including my own, this is the birthday cake. Dreamed up by the late Lun F. Chan as an extravagant expansion of strawberry shortcake, it has a double-layer base of chiffon cake (another L.A. invention). You can order tres leches and other types of cakes at the bakery, founded in 1938 by Chan’s brother, Fung Chow Chan, but nearly everyone comes in for the strawberry cake, which except for holidays is almost always available for walk-ins. And with prices starting at $29.95 for a 6-inch cake that serves five to six people, it’s also one of this city’s most affordable ways to make a birthday special.

Estuardo Mazariegos and Jose Ugarte, running against each other for a city council seat representing part of South Los Angeles, are immigrants from Latin America who arrived undocumented as children.

Both 40 years old, they grew up in the area and established themselves as community organizers.

And no matter which of them wins election on Nov. 3, it will be a historic change for Council District 9, which has been represented by a Black council member since 1963, even as its demographics shifted to a Latino majority.

Mazariegos and Ugarte both said they are committed to representing all their constituents equally, including Black residents who have expressed concerns about the change.

Ugarte, who was until recently a deputy chief of staff to the current council member, Curren Price, got about 39% of the vote in the June primary to 26% for Mazariegos, in a six-candidate field.

Ugarte was born in Oaxaca and is Mazateco — an Indigenous group native to the Mexican state. He has spent most of his life in South L.A., where he was embraced by his Black neighbors and schoolmates. He wants to model himself after Price, who he said is known in the community as the most “pro-Latino Black councilman.”

“I want to be a voice for Black residents in my district,” Ugarte said at his campaign headquarters on Avalon Boulevard. “I want to be called the most pro-Black Latino council member that the city really has.”

Last year, Ugarte agreed to pay a $17,500 fine to the city’s Ethics Commission, later increased to $25,000, for repeatedly failing to disclose outside income he made from his lobbying and consulting firm while also working as a council staffer. He said the issue stemmed from “an unintentional clerical reporting error on my part.”

Mazariegos is the L.A. co-director of the Alliance of Californians for Community Empowerment, a statewide nonprofit that organizes lower-income Black and brown communities for progressive change. Born in Guatemala and brought to the U.S. by his parents, he also was shaped by growing up in racially diverse parts of South L.A. He said he’s reaching out to different sectors of the community, including Black organizations and churches.

Organizing is about “always having open ears to the community,” Mazariegos said while sitting outside Mercado La Paloma, a food hall in the district. “It’s fighting for, honoring the Black legacy and fighting for a Black future, and you do that by building together.”

In his early 20s, Mazariegos pleaded guilty to a misdemeanor charge of carrying a concealed weapon in a vehicle. He said he was holding on to the gun for a friend and that the conviction makes him a better candidate because he can relate to people in the district who have had run-ins with law enforcement.

Council District 9 encompasses the Convention Center, USC and neighborhoods along the Harbor Freeway, including Vermont Square, South Park and Florence-Graham. In a district with the highest poverty rate in the city, residents are concerned about issues including illegal dumping, public safety, a dearth of grocery stores and a sense of being neglected by City Hall.

Price, who has represented the district since 2013, is terming out. He has been fighting corruption charges, with a judge deciding in January that there was enough evidence to move to trial on four counts of voting on matters in which Price had a conflict of interest, five counts of embezzlement and three counts of perjury.

Price said he never intended to do anything wrong and questioned the fairness of a prosecution over what he said was essentially a paperwork error.

The growth of the Latino population in a district that is now nearly 80% Latino has created political tensions for decades, said Manuel Pastor, a USC professor and author of “South Central Dreams: Finding Home and Building Community in South L.A.”

Four years ago, those tensions resurfaced after a recording emerged of a conversation among three Latino city council members and a labor leader that featured racist and disparaging remarks about Black people, Oaxacans and others. The revelations tested a fragile alliance of Black and Latino coalitions that organizers have sought to maintain.

More recently, some Black community leaders expressed concern that a proposal to allow noncitizens to vote in local elections would diminish Black political power. The City Council ended up sending the proposal to a committee for more study.

Pastor noted that Price made an effort to focus on Latino residents, who have grown up alongside Black residents and suffered the same disinvestment in their neighborhoods.

This election, Pastor said, will pit the strength of L.A.’s political establishment against the rising power of the Democratic Socialists of America.

Ugarte’s endorsements include Price and the L.A. County Democratic Party, while Mazariegos has been endorsed by Councilmember Eunisses Hernandez, City Controller Kenneth Mejia and the Democratic Socialists of America’s L.A. chapter, among others.

Through May 27, Ugarte had raised $510,000 in campaign contributions and Mazariegos had raised $254,000.

Ugarte has benefited from nearly $1 million in independent expenditures, which differ from campaign contributions, with Airbnb contributing $302,000 to support his candidacy and the California Apartment Assn. Housing Solutions Committee spending $230,000.

Mazariegos has received support from the political arms of United Teachers Los Angeles as well as his employer, the Alliance of Californians for Community Empowerment Action, which together spent about $118,000.

On a recent Sunday morning, Ugarte stopped by services at two predominantly Black churches. At McCoy Memorial Baptist Church in South Park, he accepted a warm hug from longtime Pastor R.A. Williams Jr., who endorsed his candidacy. Ugarte then traveled a few blocks to Experience Christian Ministries, where Pastor Shep Crawford also has endorsed him.

“I met him years ago, boots on the ground, in the streets making changes,” Crawford told the congregation.

That same day, about three miles north at Audio Graph Beer Co., Mazariegos was cheering at a World Cup final watch party that doubled as a fundraiser. He posed for photos with supporters, who wore buttons declaring him “the people’s candidate.” He credited making the runoff election to his years in the community advocating for anti-displacement measures for tenants and lowering the rent cap.

Angie Gonzalez, 22, said Mazariegos earned her support because of his work advocating for tenant rights.

“I like how Estuardo is trying to empower us,” she said.

Odilia Romero, a resident of District 9 and executive director of CIELO, an advocacy group for Indigenous people, said she is not endorsing in the race. But she acknowledged the importance of an Indigenous candidate, four years after the audio leak scandal.

After The Times broke that story, Ugarte said, he secured permits for a march from L.A. Trade Tech to City Hall, where Oaxacans and others rallied.

Ugarte said if he is elected, he’d become the first Indigenous Oaxacan council member. He wants to show anyone critical of immigration — including the Trump administration — that “immigrants are here to build things to make the country better.”

“I want to be a council member that came from another country, that came as an immigrant, that came from an Indigenous state, and that made a name for himself, that [improved] his community,” he said.

Mazariegos said that while he may not be a political insider, he makes up for it as a “community insider.”

“There’s a lot of mistrust for the status quo right now,” he said. His goal is “making sure that the 9th district has representation that actually fights for it.”

These days, he said, campaigning has turned into an all-day affair, meeting people as he walks with his family around the district.

Mazariegos has in recent months appeared at City Hall to advocate for charter reform, including increasing police accountability, expanding the size of the City Council and advocating for noncitizen voting. None of those measures made the November ballot.

Organizers in the district said that no matter who wins, they intend to hold the new council member accountable.

“We hope that whoever wins this race keeps working-class people and their issues on the forefront,” said Ron Gochez, a longtime district resident and organizer with Union del Barrio, which advocates for immigrants. “We will pressure whoever wins to do the right thing.”

Last things first: Eve Babitz is a major minor L.A. writer who died five years ago at age 78. She spent nearly a quarter-century as a recluse, having suffered in 1997 a shocking and disfiguring accident while striking a match to light her Tiparillo. Her thin Indian skirt caught fire searing her panty hose into her flesh, leaving her with third-degree burns over more than half her body. She never published again, though many championed her gifts, including me. At the time of her misfortune, I was book editor of the Los Angeles Times. I had long admired her, especially the rollicking and indispensable “Slow Days, Fast Company,” first published in 1977, a charming and insightful series of stories bursting with pluck and sass. I recommended to John Carroll, the then-editor of the paper, that he make her a columnist and urged Babitz to write him directly. She did, and that letter from October 2000 is the last included in “Too L.A.: Letters Never Sent (But Some Were),” a book of letters expertly edited and chosen by Lili Anolik. Babitz tells Carroll that “what the paper needs is some writers that cause such an uproar, people will have to read it in order to stay abreast of the edge.” Babitz knew what she was talking about. She’d been living on that edge since she was a teenager at Hollywood High in the late 1950s.

The posthumous resurrection of Babitz’s writings is most welcome. Yet there is a risk of overpraising her merits. She was an unabashed booster of the glossy L.A. that became synonymous with a rising creative elite whose élan and narcissism she found irresistible.

Lili Anolik makes the case in her perfervid introduction: “The letters are everything you could want” and often “profound” and “frequently brilliant, invariably amusing.” She says they deserve to be put on the short shelf next to Virginia Woolf’s imperishable “A Room of One’s Own” for they are “every bit as candid, every bit as lucid, every bit as brutal, every bit as delicate as Virginia Woolf’s celebrated manifesto.”

If only.

Regrettably, Anolik, who is almost singlehandedly responsible for Babitz’s literary exhumation, has so fallen in love with her subject as to almost blind her to Babitz’s defects, both with respect to her writing and to the life. With two previous books — “Hollywood’s Eve” (2019) and “Didion and Babitz” (2024) — prompted by Anolik’s riveting March 2014 Vanity Fair profile, Anolik has become Babitz’s greatest champion. Now with “Too L.A.,” a title taken from Babitz’s own over-oxygenated writing, she has gathered and edited a trove of letters. They brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona. Babitz herself, on the strength of these 197 letters, only 30 of which she ever mailed, understood in a way Anolik doesn’t the limitations of her talents, even as she strives to slip the shackles of a mansplaining culture which at almost every turn tried to blunt her ambitions, both artistic and writerly, even as her editors and admirers sought (often with her ardent encouragement) to slip between her sheets.

Eve Babitz was born in 1943 to Hollywood neo-royalty. Her Brooklyn-born father, Sol, was first violinist for both the Los Angeles Philharmonic Symphony and then the 20th Century Fox Studio Orchestra. Sol would ultimately marry Lily Mae Laviolette, a beautiful Cajun Catholic shiksa willing to convert to Judaism. Eve’s godfather was Sol’s good friend Igor Stravinsky. When puberty burst upon her at age 14, Babitz’s blossoming made her a prime candidate for induction by the fast-track girls at Hollywood High who called themselves the Thunderbird Girls and cruised the Sunset Strip in their cool cars, looking for the main chance.

At 20, Babitz posed nude playing chess with the fully clothed Marcel Duchamp to promote Duchamp’s retrospective exhibition at the Pasadena Art Museum. At the time, Babitz was having an affair with the museum’s 32-year-old married director, Walter Hopps, which perhaps explains Babitz’s reluctance to have her face photographed so as not to give the game away to Mrs. Hopps, who attended the opening. A month later, Babitz confides in an (unsent) letter: “Everything’s so fabulous for me now I can’t believe it. There’s nothing like two boyfriends to do it for you every time. There are such fabulous boys around and they take you out on dates and to movies and I feel just like a teenager. (I’m recapturing my lost youth.) I get to get dressed up and I flirt outrageously and put people on and I do things like look soulfully out the window and man it’s just too hoozie for words. … If only all of this could last forever — not that it will, but I can.”

She spent the rest of her life torn between the excitements of everyday life — cruising the hangouts du jour (Barney’s Beanery in the early 1960s where she met many of L.A.’s up-and-coming artists — Ed Kienholz, Billy Al Bengston, Laddie Dill, Peter Alexander, and the Ruscha brothers, Ed and Paul, both of whom she’d bed, Paul becoming an on-again, off-again boyfriend whose bisexuality made for a sometimes tenuous connection; and after seducing Jim Morrison before he became famous and later the Troubadour in the late 1960s which was a happy hunting ground — Steve Martin, Glenn Frey, Don Henley, J.D. Souther, Country Joe Mcdonald, Jackson Browne, to name only a few, and then Ports restaurant where she anchored a corner table) — and the seductions of drugs — uppers, acid (which she seemed to ingest with an alarming frequency), pot, of course, and then by the mid-1970s, tragically, an Everest of cocaine. She had entered what she aptly called the era of “squalid overboogie.”

The name-dropping is relentless and if, like me, you have an insatiable appetite for hoovering them up, this volume will not disappoint. Still, there are many pages of vapid jottings — “I cleaned the house, did the laundry, and vowed to quit smoking” — that suggest why Babitz was a failure as a novelist (see her dud “Sex and Rage”) and a superb writer of short stories and essays that stylishly plumbed the depths of her own sensibility precisely in the degree to which she was uninterested in other people.

Nearly 30 years after she stripped to please her married lover and startle the unsuspecting Duchamp, the father of Dada, and eight years after she joined AA in 1982 — the year her beloved father died of Huntington’s disease at age 70 which ultimately would also kill her — and gave up drugs and alcohol and (almost entirely) writing as well, which had always been seen by her as enabled by dope of one kind or another, she boasted that, looking back, “Everybody wanted to be me — they looked at me with yearning faces, and said, ‘Boy, you sure had fun.’ ” She was not entirely wrong. She had struck many admirers both then and now, as the quintessential California girl, a daughter of Dionysus, whose devotion to pleasure was free of misgiving or regret. She detested the East Coast avatars of apocalypse, like Nathanael West, who saw only doom and gloom in sunny L.A. Babitz, by contrast, saw things sunny side up. If Joan Didion was unsettled and made anxious by the hot Santa Anas that regularly kicked up, Babitz luxuriated in them, recalling how she and her sister would as young girls rush to embrace them, spinning madly round and round. In a 1977 unsent letter to Joseph Heller, who had championed her work when she had sent him an unsolicited fan letter after having read “Catch-22” when it was first published and she was barely 20, she declares proudly: “I’m a gossip storyteller who likes L.A. rather than hates it.” She refers to her “shallow nature,” writing that “I feel like an upstream salmon, determined to reach the shallow water, no matter how fast the river is running the other way.”

On the evidence of these letters, she had two great loves: Ahmet Ertegun, a principal founder of Atlantic Records, and Tom Dowd, renown recording engineer and producer who worked for Ertegun. Of the two, Ertegun had the edge, if for no other reason than he came with buckets of dough, making possible assignations at his regular bungalow at the Beverly Hills Hotel with limo pickup and dropoff services, and the best champagne and other assorted stimulants. Ertegun was effortlessly elegant and erudite, and there was no one he didn’t know and who wouldn’t return his calls. He was married, age 45, 20 years older than Babitz, when they fell for each other in 1969. She began sleeping with him even as she agreed to profile him for Jann Wenner’s newly launched Rolling Stone. The writing didn’t go well. Wenner wanted a tougher piece than she was willing to write. Ultimately, she abandoned the assignment, claiming (not unreasonably) that she didn’t see how she could write objectively about a man she loved.

Babitz courted danger with heedless bravado and exemplary recklessness. She once had the moxie to rid herself of a would-be rapist: When told not to scream, she said with unimaginable sangfroid: “Why not?” The man bolted. It might be said of Babitz, as Oscar Wilde said of his life, that she spent her talent on her writing and reserved her genius for her life. Sculpting her natural gifts of wit and brazenness into a living artwork dazzled all who came within her orbit. Her lust for life was palpable. The letters are proof. She came at people without fear. She left them without apology. She was the boss of herself. She was the girl who seemed to have it all. The only thing she lacked was inexperience.

Wasserman, a former book editor of the Los Angeles Times, is publisher of Heyday Books, a nonprofit, independent publishing house founded in 1974 in Berkeley. He is the author of “Tell Me Something, Tell Me Anything, Even if It’s a Lie: A Memoir in Essays.”

Tax incentives for film and television productions have not been enough to counter a still-sluggish environment for filming in the greater Los Angeles region, according to a new report.

For the three-month period that ended June 30, there were a total of 4,711 shoot days in the greater L.A. area, a nearly 13% decline from the same time last year, according to second-quarter data from FilmLA, a nonprofit that tracks local filming.

Compared to the five-year average, that second-quarter figure is a drop of about 36%.

Feature film shoots were down 20% in the second quarter compared to last year, while TV production decreased by 30%.

Incentivized productions are, however, making up a growing number of shoot days. For instance, 33% of the 443 total shoot days for feature films in the second quarter came from productions that received a tax credit. For the TV category, roughly 28% of the 1,607 shoot days last quarter were for projects that benefited from the tax incentive, particularly for dramas and comedies.

“While there is still much work to do, FilmLA’s quarterly report is proof that incentives are working: local incentivized productions are on the rise,” said L.A. Mayor Karen Bass in a statement.

Shoot days for TV dramas were down 6.4% to 732 days this past quarter, with just over 38% of those days coming from incentivized projects. TV comedy production saw a 43% decline to 57 days, with 21 of them coming from projects that received a tax credit. FilmLA noted that many local comedy productions are based on stage and not accounted for in the latest research.

“Because scripted television production supports more industry jobs than any other production category, helping to attract these types of productions is an important step towards bringing filming back to the region, restoring jobs and strengthening our local production economy,” said FilmLA Chief Executive Denise Gutches in a statement.

But any boost from the incentives was offset by serious declines for productions that are not eligible for the state’s film and TV tax credit program.

Shoot days for reality TV, for instance, were down 40% to 676 days compared to the second quarter of 2025. While large-scale competition shows are eligible for the state’s tax credit, such as Jimmy Kimmel’s “Schooled!” science experiment series for kids, other kinds of popular reality TV shows cannot apply for production incentives.

Filming for commercials in the second quarter was down nearly 22% from last year to 543 days. That total marked a 46% decline compared to the five-year average.

In a bright spot, FilmLA’s “other” category, which captures shoot days for student productions, still photography, documentaries and music videos, climbed 10% in the second quarter to 2,118 days.

That boost came largely from online content shoots, which rose by 47%. Filming for short films and documentaries were also higher in the second quarter, though those two segments had much smaller numbers of shoot days, FilmLA said.

He said the quiet part out loud. As the artistic director of New York’s Public Theater and one of the art form’s most prominent leaders, Oskar Eustis is known to do that. And as always, he got the art world talking.

When Eustis, 67, announced Wednesday that he would step down from his role at the Public in 2028 — after 23 years — he said in a New York Times interview that “the American nonprofit theater movement is over.” This has been whispered about and lamented since the COVID-19 pandemic led to temporary theater closures across the country that have since become permanent, but it is rare to hear it expressed so candidly.

Did Eustis, one of the key players in that vaunted movement — the man who helped foster “Hamilton” — really mean what he said? And if so, how does theater move on in the face of obstacles that at times feel as though they are scattered across an increasingly difficult course? In a wide-ranging follow-up interview with the Los Angeles Times, Eustis addressed the path forward.

It’s not an easy one, but Los Angeles theater leaders working in the trenches, including Tarell Alvin McCraney at Geffen Playhouse, Danny Feldman at Pasadena Playhouse and Snehal Desai at Center Theatre Group, already knew that. They talked with the Los Angeles Times about their plans at the crossroads reached by American theater in light of Eustis’ imminent exit.

Eustis traces the rise of the American nonprofit theater movement to the late 1950s when W. McNeil “Mac” Lowry, director of the arts and humanities program at the Ford Foundation in New York, began organizing existing regional theaters into a national movement.

“What happened during that period was that a consensus emerged,” Eustis said, noting that it was expressed in the form of national endowments, state arts agencies, public policy institutes and corporate philanthropic departments. “An idea of the common good was held throughout the country, and there were many stakeholders. And part of that idea of the common good was a broadly held belief that Americans deserved serious, non-market-driven performing arts.”

With no feudal background, America lacked a capital city like London or Paris designed to showcase the arts, so the idea spread across all 50 states. This led to the proliferation of the regional theater movement, said Eustis, as well as that of symphony orchestras and ballet companies.

“The explosion of the regional theater movement is actually, in retrospect, astonishing,” Eustis said. “From a few scattered theaters in the 1950s, by the early ‘70s, there were over 400 professional nonprofit theaters in every state of the union. Tens of thousands of people were employed. Millions and millions of audience members every year. That’s the field that I walked into in the early ‘70s.”

Fifty years later, those stakeholders have “absolutely zero consensus on whether theater should exist as a nonprofit performing arts field or whether we should exist at all,” Eustis said. “It’s gone.”

“We’ve kind of been living, in a way, off inertia of this old idea,” he added.

The great pandemic pause, along with the racial reckoning in the wake of George Floyd’s murder and the continued fracturing of a shared reality under President Trump, served to reveal how fragile that consensus was, Eustis said, and, “It’s not coming back.”

Where does that leave American theater in 2026?

“We’re faced with the need to prove to the people in our individual communities that we matter enough to them that they should support us,” Eustis said. “Now, that’s not a very bad demand to put on an art form.”

Except, as every theater that has lately dared put on a show created by new, experimental or unknown artists knows, it can feel like an insurmountable task.

Smaller theaters across the country, including many in L.A., have shuttered with staggering regularity in the last six years, which puts even greater pressure on the city’s most prominent nonprofits to shine a light on a sustainable model moving forward.

Feldman, Pasadena Playhouse’s artistic director, noted that Eustis represents the second generation of leaders of the “first chapter” of the nonprofit regional theater movement. “And that to me is what is now undeniably at the end.”

He said he and Eustis have discussed the subject at length. “We are now in a very different era. And the things that got us to this point are not the things that are going to get us to the next chapter.”

McCraney, Geffen Playhouse’s artistic director, said forging a path forward in nonprofit theater without succumbing to commercial pressure to produce only guaranteed hits requires the delicate balance of surfing.

“And there’s no better place to surf than in L.A.,” McCraney said over the phone from the Public, where he was meeting with Eustis and other theater leaders to share ideas. “I feel very connected to a bunch of folks who recognize that the regional theater model has always had to have radical vision, and that those radical visions need revision, because our most practical job is to make sure that communities have stories.”

It’s not just the way theater tells — and funds — stories that must evolve. It’s the entire business model, the leaders note.

The beauty and the founding of the original regional movement, said Feldman, was artists saying, “New York is not just where it’s at. We’re going to go to our communities. We’re going to make things with and for them, and really build these ecosystems that are deeply entrenched in these local communities around the country. … And I think the underbelly of that — that maybe has not been discussed as much — was always an element of subsidized labor involved.”

In L.A. and elsewhere that meant a lot of artists in the front and back of the house working for incredibly low wages. The pandemic effectively put an end to that, and as workers demanded fair compensation, the cost of producing shows skyrocketed. Most theater leaders agree that part is as it should be. Eustis points to the recent unionization of the Public’s production department as a case in point.

“For the first time in history, everybody who’s swinging a hammer on our productions has health insurance,” he said. “They have it through the union. That’s a good thing. And it’s put a shock wave through the whole industry, but you know what? We figured out how to pay development directors. We should figure out how to pay carpenters. That’s part of growing up.”

Desai, CTG’s artistic director, said he views Eustis’ decision to step down as a “pass the mantle moment.”

“Oskar has been a huge mentor to so many of us,” Desai said. “It’s up to us, the next generation of leaders, to figure it out, just as his generation did in the ‘60s, ‘70s and ‘80s when they built these institutions for us.”

At CTG that means exploring a new way of doing things including touring shows, intensive work in various communities and site-specific productions, all of which “can change the financials and the model of how we’re doing business.”

As for Eustis? He plans to leave the Public in the best possible shape for the next generation of artists, and never wavers from its core mission. “This is a theater of democracy that believes that the culture belongs to everybody,” he said.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg giving you the latest on city and county government.

There’s no exact way to measure the effectiveness of Los Angeles City Council members.

But we analyzed three basic elements — meeting attendance, committee assignments and amount of legislation drafted — to give readers a sense of what their local electeds are up to.

Meeting attendance

As part of charter reform efforts, the City Council considered reducing the number of council meetings from three per week to just one.

The proposal failed earlier this month after receiving stiff pushback from at least one councilmember, Monica Rodriguez.

“Meeting less for a city of 4 million people I think sends the wrong message. Particularly when you have the best-paid council in the country,” said Rodriguez in an interview on Fox 11 earlier this year (each councilmember makes an annual salary of more than $244,000). “This idea that we would be meeting less I believe runs contrary to what the public is demanding form their council.”

Yet Rodriguez isn’t a stickler for showing up to meetings herself, ranking near the bottom of her colleagues for attendance. Since the start of 2025, Rodriguez has attended about 86% of meetings, missing 25 out of 177 meetings, according to a Times analysis.

Gabriel Avalos, a spokesperson for Rodriguez, implied that other work-related matters kept her from the meetings.

“There’s no distinction for absences related to city business, but she certainly wasn’t absent due to dishes and laundry,” Avalos said.

Only two other councilmembers missed more meetings than Rodriguez — mayoral candidate Nithya Raman, who missed 30 meetings, and Curren Price, who missed 34 while dealing with illnesses.

On the other end of the spectrum, Council President Marqueece Harris-Dawson, who runs the meetings, missed the fewest — just four of the 177 meetings from January 2025 until this month.

Eunisses Hernandez and Ysabel Jurado each attended 169 meetings, or about 96%.

Stella Stahl, a spokesperson for Raman, said that most of the councilmember’s absences were due to her position as the city’s representative on the South Coast Air Quality Management District.

The remaining absences, Stahl said in a statement, “were tied to a small number of previously scheduled conferences and speaking engagements relevant to her committee work and district priorities, along with occasional sick days and travel for a funeral.”

Committee assignments

Council members are appointed to committees by the council president. They can sit on additional committees if the president lets them.

These small groups of council members are responsible for reviewing the first drafts of legislation. Committee chairs have the power to move legislation forward — or stall it — by either putting it on the agenda, or not.

The busiest councilmembers are Hugo Soto-Martínez and Adrin Nazarian, who each sit on nine committees, including some temporary “ad-hoc” ones. Councilmember Tim McOsker follows with seven committee assignments.

But the number of committee assignments isn’t necessarily the clearest indication of power. Katy Yaroslavsky serves on only five committees, but she chairs the Budget and Finance Committee, which edits and approves the mayor’s proposed budget before sending it to the full council for one of its most important annual votes.

At the bottom of the list is Price again, who sits on four committees, including as chair of the Committee on Economic Development.

Legislation

Another easy marker is the amount of legislation a council member authors.

At each meeting, dozens of pieces of legislation go before the council — some high-profile, others just to keep the lights on at City Hall (literally).

Rodriguez, despite her relatively low attendance, was at the top of the legislative list over the last year and a half, drafting 199 motions.

A good chunk were motions on whether to support or oppose bills at the state and federal level. Rodriguez also had the most ceremonial street namings of any council member, with 13.

Rodriguez pointed to more significant legislation, like an ordinance banning city workers from taking on additional gigs for Immigration and Customs Enforcement, as her proudest achievements.

After Rodriguez, McOsker was the second-most prolific author, with 178 pieces of legislation, followed by Traci Park with 163.

At the bottom were Price with 84 and Harris-Dawson with 90.

State of play

— HOMELESSNESS RISING: Homelessness, including those living in shelters and other temporary facilities, went up by 3.4% across the city compared with 2025. Unsheltered homelessness — those living outdoors or in their vehicles — was up 7.9% after two consecutive years of decreases, dealing a fresh blow to Mayor Karen Bass as she runs for reelection.

— DISAPPEARING ACT: Bass’ press relations office communicates through WhatsApp messages that auto-delete every 24 hours, potentially shielding the messages from public records requests, according to three sources familiar with the office.

— PLAY BALL: In 1936, Los Angeles made it a misdemeanor to play baseball, basketball, soccer or any other ball game on a street or sidewalk. Nearly a century later, when kids spend half as much time outside as their parents did, City Councilmember Bob Blumenfield wants to cut the obscure law from the books.

— THE ICE EFFECT: A new study from the UCLA Latino Policy & Politics Institute found that businesses within half a mile of nine ICE enforcement sites had 46,000 fewer customer visits and an estimated $3.16 million in accumulated revenue losses during the two weeks after enforcement activity.

— NEW HONCHO: Los Angeles schools Supt. Andrés E. Chait made a calm official entry into his new job Tuesday, emphasizing rising test scores and “a sense of belonging” that binds school communities.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program was at San Pedro Street Elementary School in Ysabel Jurado’s district, bringing 34 people indoors.
• On the docket next week: The Los Angeles City Council remains on recess next week.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Kylie Cantrall loves having a day off in the Valley.

Born and raised in the L.A. area, Cantrall has been working in entertainment since launching a YouTube channel at 7 years old. At 21, she’s been rising through Hollywood’s ranks, doing everything from animated voices to toplining live-action series, all while garnering millions of social media followers. These days, she’s best known to the teen, tween and under set for her starmaking turn as “Red” in Disney’s “Descendants” franchise, with “Descendants: Wicked Wonderland,” which dropped last week. Ever the multi-hyphenate, Cantrall is also hoping her new eight-song EP — the aptly-titled “Valley Girl Problems,” which she’s been promoting with “Life of a Valley Girl” travelogs on TikTok — will help further her career in mainstream pop music.

Because of all that ambition, Cantrall is busy nearly all of the time. Except Sundays. “Sunday is my favorite day of the week,” she says, “and that’s because of all the things I get to do.”

Here’s everything Cantrall would do on a sunny Sunday.

This interview has been edited for length and clarity.

9 a.m.: Sleep, then hike

I’ll grab a yogurt for breakfast and then head out the door, on my way to Fryman Canyon for a little morning hike. That’s my go-to spot because I like that you can actually control how hard you want the workout to be. It’s not the craziest hike — it’s actually pretty calm — but there are a couple of incline points. It really is the perfect place for when you want to meet up with a friend and get some steps in, but you also don’t want to be dying while you’re trying to have a conversation.

Noon: Empanadas at the farmers market

After a hike, I’ll usually go to the Studio City Farmers Market. I’ll get a little vanilla latte with oat milk, and I’ll stop at this stand, King’s Empanadas, because they make my favorite empanada in L.A. I get the shredded chicken one, which is cute and tiny but really filling.

There’s another vendor there [Bautista Family Organic Ranch] that sells dates and they’re literally the best dates I’ve ever had in my life. They’re desserts, essentially. They’re so caramelly and sweet.

I always get berries at the market, too, like raspberries and blueberries. There’s another vendor [Thyme for Honey] who makes different flavors of granola and their coffee-flavored granola is so bomb that I’ll always get that too.

2 p.m.: Flea market finds

I’d probably meet up with a friend and go to the Silverlake Flea Market, which I’ve been really liking recently. It’s a bit of a drive for me since I’m in the Valley, though, like a cute 25 to 30 minutes.

At the Silverlake Flea Market, I’ve had a lot of luck with jewelry, like I’ve found a lot of really great rings, necklaces, and earrings, or little random other things. I always end up picking up a crystal too. It’s like an energy that just takes over me.

I might also luck out and find a cute baby tee. They have really good vintage artist T-shirts and I got a cute Janet Jackson Rhythm Nation tour shirt last time I was there.

4 p.m.: Matcha stop

After the Silverlake Flea [which is held in Atwater Village], I’ll go to a coffee shop that I’m obsessed with. It’s called Laveta, and they have the best matcha I’ve ever had. It’s got a good cream top, and the shop has a cool vibe and ambience.

6 p.m.: Fighting traffic with the top down

I like to go and frolic every now and then just to get out of my Valley bubble, but after Laveta I’d probably head home. I’m thinking I’d hit some 6 p.m. traffic, but I’d be listening to music with the top down in my Mini Cooper. Maybe some Sade, maybe some Brandy. I might throw in a little Kim Petras if traffic is clear, and I’m speeding down the freeway.

7 p.m.: Laundry and “The Morning Show”

I’d probably try to be home by 7 to do laundry. I’d watch “The Morning Show,” which is my favorite show right now. Maybe I’d do a face mask too.

For dinner, I’ll go pick up some Katsuya if I’m feeling crazy. Their spot in the Valley has my favorite sushi, and I’m a big sushi gal. I’ll get the Robert roll and maybe even a miso soup if I’m feeling crazy. I’ve got to add crispy rice with spicy tuna too.

After that, probably just more “Morning Show” and then I usually try to be in bed by 11 p.m.

When a pitcher purposely throws high and inside, the batter has four choices.

He can stare down the pitcher. He can charge the mound. He can get revenge by walloping the next pitch for a hit.

Or he can ignore the intimidation tactic and continue as if nothing happened.

The last choice is the wimp’s way out, since the batter will lose his teammates’ respect, while opposing pitchers will consider him a pushover and fire more brushback pitches at him.

Ever since the Dodgers visited the White House last spring to commemorate their 2024 World Series win, President Trump has launched a barrage of metaphorical fastballs trying to hurt Los Angeles — in the courts, in speeches and on social media, but especially via his deportation deluge that’s starting to simmer again.

So how have the Boys in Blue responded in defense of the metropolis they wear on their jerseys and the community that has sustained them for nearly 70 years, making Dem Bums one of the most valuable franchises in baseball?

They’re scheduled to visit the White House today so Trump can use them as a photo op and bask in their 2025 championship.

That’s like staying in the dugout during a bench-clearing brawl after a pitcher plonks a batter, then offering the offender a handshake the next inning.

Winning back-to-back titles and blazing through this season has brought Angelenos much-needed happiness during a terrible stretch for the city — but winning is what the Dodgers are supposed to do. They’re also supposed to do more.

This is the team of pioneers like Jackie Robinson and Sandy Koufax, Glenn Burke and Fernando Valenzuela. The squad whose mythology insists it’s a franchise apart from the rest of professional sports because the Dodger Way is kinder, braver and more willing to take moral risks that transcend baseball and make society better.

And yet manager Dave Roberts told Times sports columnist Bill Shaikin in February that he would gladly accept another White House invitation “to continue to try to do what tradition says and not try to make political statements, because I am not a politician.”

Well, thank God the Dodgers broke baseball’s longstanding tradition of segregation long before Roberts, who is Black and Japanese American, was born!

Most of the Blue Crew fans I know — who are mostly Trump haters, by the way — roll their eyes every time a wokoso member of Dodger Nation complains about the team’s White House visits or the failure of players, coaches and executives to speak out more forcefully against Trump’s anti-immigrant campaign. Politics have no place in baseball, my friends and family members will say.

But standing up for L.A. by snubbing Trump or calling out his war against us isn’t political at all.

Angelenos need a champion on the Dodgers to say what needs to be said: The City of Angels is wonderful, and Trump is wrong to target it. If you can’t stand up for the simple belief that we don’t deserve to be Trump’s personal piñata, then you have no place playing for the Dodgers.

Only two players have announced they’re not going to the White House: superstar Mookie Betts and fan favorite Kiké Hernández. The latter, a native of Puerto Rico, endeared himself to the Dodger faithful last year during the height of the immigration raids with an Instagram post that read, “I cannot tolerate watching our community continue to be violated, attacked, abused and separated. ALL people deserve to be treated with respect, dignity and their human rights.”

This time around, Hernández told the Times that he’s not going so he can focus on a rehabilitation stint in the minors. When pressed by reporter Maddie Lee, he said, “I’d rather take a day off than do team activities.”

Nice way to rhetorically strike out, Kiké.

Betts, meanwhile, said he wants to spend time with his newborn child — as legitimate a reason as any. But then he sat down for a short interview with Fox News.

“I don’t know why the world sees athletes as political figures or these people that can make change,” Betts said. The future Hall of Famer, who like Roberts owes a lot to Robinson for paving the way for him and other Black players, hemmed and hawed as if he didn’t quite believe what he was saying.

Dodgers past and present haven’t been averse to political stands — they just usually happen to be of the conservative variety.

After his retirement, Robinson campaigned for Richard Nixon’s unsuccessful 1960 presidential bid but left the GOP eight years later, accusing Nixon of “prostituting himself to the bigots in the South” to win the presidency.

Other Dodger legends, from former owner Peter O’Malley to Steve Garvey to Tommy Lasorda, were proud, vocal Republicans as well. Reliever Blake Treinen pitched in a game with “Charlie Kirk” written on his hat after the assassination of the far-right commentator — you know, the guy who lambasted L.A.’s response to Trump’s immigration hammer as “open rebellion to American sovereignty and authority … in a corrupt blue city.”

Treinen — who skipped the Dodgers’ 2021 White House visit when Joe Biden occupied the Oval Office — was at it again this year when he and teammate Alex Call declined to wear Pride Night-themed caps, choosing instead to play with the standard-issue one. They followed the example of Dodgers titan Clayton Kershaw, who wore a Pride cap last year but adorned it with a verse from the Book of Genesis commandeered by MAGA Christians to accuse LGBT+ people of appropriating rainbow colors to celebrate their supposedly wicked ways.

Dodgers management didn’t browbeat Treinen and Call, and that’s fine — ballplayers should be entitled to share their personal thoughts, however noxious. I even understand why the team might want to ham it up with Trump this week — that’s what multimillionaires seem to want to do these days, after all.

What offends me most is that Dodgers owner Mark Walter knows what Trump is doing to L.A. is wrong, even if he’ll never publicly say anything.

Last June, the team announced that it had prevented Immigration and Customs Enforcement agents from entering the Dodger Stadium parking lot — the feds denied that this happened. The Dodgers also announced they would donate $1.1 million to nonprofits to assist people affected by the immigration raids — a response to community disgust about video of federal agents in front of a Dodger Stadium gate with people who had been detained at a nearby Home Depot.

Soon after, the Dodgers were hit with a federal civil rights complaint, filed by a legal group co-founded by Stephen Miller, accusing them of discrimination because of their diversity, equity and inclusion initiatives. This year, Walter’s investment firm rid itself of all shares in GEO Group, which runs immigrant detention centers on behalf of the federal government.

Yet now, the Dodgers are going to the White House.

Enjoy the trip, fellas. Hey, maybe one of you will shake Trump’s hand and tell him that multicultural, immigrant, Dodgers-blue Los Angeles is all right.

Hey, maybe the Angels will win the pennant.

In 1936, there were no video games keeping children inside. Most households didn’t have televisions.

Amid concern that kids playing in the streets would get hit by cars, Los Angeles made it a misdemeanor to play baseball, basketball, soccer or any other ball game on a street or sidewalk.

Nearly a century later, when kids spend half as much time outside as their parents did, City Councilmember Bob Blumenfield wants to cut the obscure law from the books.

Blumenfield, who authored a motion to start the process, called the law, along with its punishments of a $1,000 fine and up to six months in jail, “uncommonly silly.”

It’s illegal for a parent to play catch on the sidewalk with a child in front of their home, said Blumenfield, who represents the southwest San Fernando Valley. Nor can a group of children kick a soccer ball on a quiet residential street without violating the law.

The law also prohibits throwing a “stone, pellet, bullet, arrow or any other missile, in, over, across, along or upon any street or sidewalk or in any public park.” It prohibits playing ball games in public parks, except on designated courts or fields.

“Let kids play,” said Olsen Ebright, who is on the Los Feliz Neighborhood Council. “Why in God’s name would we be having the city try to curb playing soccer or throwing a football? “

The benefits of exercising on public land, when done safely and under supervision, outweigh the risks of injury or property damage, such as a baseball going through a neighbor’s window, Ebright said.

Blumenfield’s motion, introduced last August, was supported unanimously by the City Council in a January vote, for which only Blumenfield was absent, as well as by the Los Feliz Neighborhood Council. For it to move forward, the city attorney’s office needs to draft language codifying the change.

Blumenfield’s staff unearthed the 1936 law while researching public rights of way, said Kristine Cajulis, a communications deputy for the council member. Cajulis said she is unaware of anyone who has been penalized under the law.

One instance of enforcement occurred in 2006, when a former city council field deputy reported her Sherman Oaks neighbors for having basketball hoops near their curbs, according to the Los Angeles Daily News.

In addition to the anti-ball playing ordinance, the neighbors were accused of violating an ordinance prohibiting structures on sidewalks or grassy strips next to curbs.

Nate Brogin had set up a basketball hoop that drew neighborhood kids for pickup games and helped his then-18-year-old son lose 30 pounds.

Brogin, who said at the time that the law was akin to fascism, fought the city, unsuccessfully. He said he never paid his fine — he doesn’t remember how much it was — but he eventually pulled the hoop down.

“That’s a long time to let something so backwards go on,” Brogin, now 77, said of the law.

In newspaper stories from the 1930s, local officials warned parents to keep their children from playing in the streets to avoid being struck by cars.

Children should be allowed play in vacant yards or empty spaces but should not be permitted “to risk injury by playing their games in the path of moving vehicles,” said George Hjelte, then-superintendent of Los Angeles playgrounds, in a Feb. 3, 1936 Daily Breeze article.

In today’s L.A., the road safety groups Streets For All and Streets Are For Everyone see Blumenfield’s proposal as a positive step. Safety starts with drivers paying attention to people in the streets, whether biking, walking or playing, they said.

Some drivers in Los Angeles believe the road belongs to them, said Michael Schneider, founder and chief executive of Streets For All.

“Changing that takes a lot more than repealing a law,” he said.

Kids still play in the streets in Brogin’s Sherman Oaks neighborhood. He said that fewer than 10 cars pass through in a typical hour, and drivers stop for children to pause their games and move out of the way — just as he did when he was a boy.

“It’s a great social exercise,” Brogin said. “I don’t see any negative to it.”

On stage at Red Rocks Amphitheatre in Colorado, a far cry from the sweaty basement punk shows of the band’s early days, Jimmy Eat World played breakthrough power pop hit “The Middle” as the sold-out crowd sang along with the final chorus that “everything will be all right, all right.”

“It really is incredible to us to think about everyone who bothered to spend time with this record and made something of it for themselves over 25 years. This is your guys’ record as much as it’s ours, really,” singer-guitarist Jim Adkins said from the stage.

The band, which has generally shied away from nostalgia plays over its 30-plus year career, is performing the platinum-selling “Bleed American” album in its entirety on tour this summer, including a stop at Warped Tour in Long Beach on Saturday, a matching bookend to the band’s original promotion of the album.

“It solidified us as, ‘This is what we do. Let the day job go.’ It turned into full-time rock and roll. And that moment only happens once, so it felt appropriate to honor it at 25,” bassist Rick Burch said backstage before the band’s Brooklyn tour stop in June.

Released on July 24, 2001, “Bleed American” was one of the last great rock records of the monoculture, arriving months before Apple’s iPod launched and made shuffle the default and 15 years before streaming became the dominant way to consume music.

A hit with Hollywood roots

Just over a quarter of a century ago, four guys from Mesa, Ariz., came to L.A. to record their fourth album.

Jimmy Eat World’s Adkins, Burch, drummer Zach Lind and guitarist Tom Linton earned recording money between tours by working construction, driving around car dealership customers and selling art supplies and auto parts.

The band had cut ties with Capitol Records after 1999’s “Clarity” — a sweeping, lush and highly influential work highly regarded by their contemporaries that would inspire third-wave emo superstars including My Chemical Romance, Fall Out Boy and Paramore — that the major label had no idea how to market, even after “Lucky Denver Mint” got pickup on L.A.’s alt rock tastemaker KROQ-FM.

“If that song would have been on ‘Bleed American,’ that would have been a No. 1 song,” said Jim Suptic, of Kansas-based second-wave emo band the Get Up Kids, who have been on the “Bleed American” anniversary run. Suptic said that he was inspired to start the band after seeing Jimmy Eat World live in the mid-’90s.

With the band’s tight budget, producer Mark Trombino, who produced “Clarity” and predecessor “Static Prevails,” worked with the band for free in L.A., banking on the future success of the album. After recording drums at Cherokee Studios, the band relocated to Harddrive Analog & Digital Recording in North Hollywood to make the bulk of “Bleed American.”

“The studio was so small, it didn’t have a lounge,” Lind recalled.

But there was a bus stop outside they used instead, where they would hang out with “an assortment of characters,” Adkins said.

He and Lind commuted to the Valley from Redondo Beach, where they crashed on the floor of Lind’s brother’s place. Linton fondly remembers the great food in the city and hanging out with friends in other bands while Burch spent downtime skateboarding in L.A.

Even without the cash or support from a label, recording “Bleed American” didn’t feel like a do-or-die moment for the band’s future.

“We just kind of figured we might have to go out and just release this ourselves. Let’s just do the best job we can, and be happy with what we put out,” Linton said.

But with the buzz growing around the new music, record labels came calling.

‘The Middle’ meets the moment

By the time the album dropped in July 2001, the guitar-heavy snarling title track of “Bleed American” had already been in regular rotation on alt-rock stations for a month.

After a stint on the Warped Tour, Jimmy Eat World set out on a U.S. headlining tour in the fall, with Hey Mercedes opening.

“I remember that tour in particular, them sort of really finding their confidence in their voice and their shows and their performance and the whole package. And this was before ‘The Middle’ really broke, but I could tell that they were really firing on all cylinders,” said Hey Mercedes singer-guitarist Bob Nanna, whose influential emo group Braid first played with Jimmy Eat World in 1998.

The album landed on the Billboard charts three weeks after its release, and while its peak position was 31, it remained on the chart for 70 weeks. (A couple of months after the Sept. 11, 2001, attacks, the name of the album was changed to “Jimmy Eat World” on pressings before reverting to the original title in 2008.)

“When ‘Bleed American’ took off it was right at the transition of the internet,” Adkins said.

The media landscape hadn’t yet transformed. Rock music magazines like Spin, NME, Alternative Press and Kerrang! were thriving. The band made the rounds on the late-night talk shows as “The Middle” video clip played on MTV’s popular show “Total Request Live.”

“Things hadn’t splintered out into a zillion niche locations just quite yet,” Adkins said.

By March 2002, “The Middle” had hit the Billboard charts, where it climbed to No. 5 by the summer and spent 33 weeks on the Hot 100.

“They were a real band that had a radio hit, and not a radio band reverse engineered,” the Get Up Kids’ Suptic said.

The success was surreal for the band members as they heard the song on the radio, in restaurants and the gym. Today, you can still summon an entire generation with the opening guitar melody.

“I understand why that song has resonated,” Lind said. “I think there’s a few themes in the album that resonate with people in times when things are going tough. You know, ‘The Middle’ is definitely one of those songs that so many people have found encouragement from, whether they’re dealing with a breakup or going through cancer.”

“It seems like one of those songs that people have used to feel better and I think that’s obviously really powerful.”

Here we are now

But the fans selling out the tour dates around the U.S. know much more than the hits, singing along to the deep cuts after traveling hundreds of miles to get to the show, in some cases.

Fans traveled from states like Michigan and Texas for the tour kickoff at Red Rocks in Colorado.

Robie O’Donnell took the train up to New York from the Washington, D.C., area to take his 12-year-old daughter to her first Jimmy Eat World show. The Brooklyn show was his 25th after he discovered them in the late ‘90s from a recommendation on the Get Up Kids’ website.

Behind him in line hours before doors opened was Jane Kung, who was only 8 when “Bleed American” was released and got into it when she was in high school. She didn’t want to miss the chance to hear it live.

“The fact that so many people wanted to come see this is something I didn’t expect,” Adkins said about the tour.

The fans get a chance to geek out over the rarely-played deep cuts from the album, like “Your House,” which required a revamp because of the studio work on the song, and the live debut of “(Splash) Turn Twist,” which was on the Japanese import of the album. Even louder than the sing-along to “The Middle” is the call and response from the crowd on the album’s second-biggest hit, “Sweetness.”

“Having this piece that we’ve created be embraced by so many is a very accomplished feeling,” Burch said.

Nanna even ventured into the crowd after Hey Mercedes opened the Brooklyn show, singing along to “A Praise Chorus,” the band’s crunchy guitar-filled love letter to rock music, among others.

“The world is a tough, s— place now and to have these moments where everybody can sing along to something that’s just pure joy was really soul enriching,” he said.

The ongoing saga of the Cinerama Dome, among the most iconic movie theaters in Los Angeles, took another twist Tuesday. Reports surfaced that Sony and Alamo Drafthouse, the theater chain owned by the company, have been in talks to take over operation of the venue.

The theater and the adjacent 14-screen ArcLight Hollywood multiplex have been closed since March 2020. In April 2021 it was announced that the venue would not be reopening and it has sat dormant ever since, becoming the focus of intense public interest.

The news of Sony and Alamo’s interest in the property was first reported by Deadline. Representatives for Sony did not immediately respond to a request for comment.

A city hearing in May regarding alcohol sales at the site provided a rare opportunity for public comment on the property.

“I know that this has been hard and it has seemed like the citizens versus the ownership — that’s not what it is,” local preservation advocate Kim Cooper said. “People want to come together and help and bring this place back.”

The Dome has long been owned by the family of William R. Forman — the founder of Pacific Theatres — who opened the Dome in 1963. In an interview with The Times following the May meeting, Elizabeth Peterson-Gower, a land use consultant representing the venue’s owners, said the owners hoped to have a reopening time frame “in the near future.”

Sony purchased the Austin, Texas-based Alamo Drafthouse in 2024, with venues in major cities all across the U.S., including L.A. Though the Drafthouse chain was rooted in a fan-friendly ethos and a notoriously strict no-phones policy in its theaters, the company has recently come under fire for switching up the ordering system for its in-seat food service, forcing patrons to pull out their phones during a movie.

The Cinerama Dome news comes on the heels of a strong summer of moviegoing, as audiences have been flocking to theaters to see movies such as “The Odyssey,” “Toy Story 5,” “Backrooms” and “Obsession.” There has been a newfound attention on theatrical presentation and film formats, including the limited number of venues capable of projecting Imax 70mm or 70mm film, around the country.

Theatergoing in L.A. has been undergoing a renaissance of its own. The Alex Theatre in Glendale is showing a first-run movie with “The Odyssey” for the first time since 1991, while the American Cinematheque has relaunched the Village Theatre in Westwood under the new name the Directors Village to acknowledge the consortium of filmmakers who took over ownership.

A section of Sunset Boulevard remained closed on Sunday because of last week’s destructive water main break, with officials saying they didn’t know when repairs to the 110-year-old pipe would be completed or the street reopened.

“While there is no set completion date yet, our crews remain dedicated to finishing the repairs as quickly and safely as possible,” the Los Angeles Department of Water and Power said in a Sunday release.

Some West Hollywood residents remained displaced Sunday from apartments where underground garages were flooded by Thursday’s water main rupture. And some businesses near the scene remained indefinitely closed.

Vanessa Lopez, an LADWP spokeswoman, said that two other water pipe ruptures on Saturday — one in Venice and another in Hollywood — had been repaired.

The city received a report of yet another break on an 8-inch water main at 1501 Lincoln Blvd. on Sunday morning, she said, which crews were still working to repair.

Lopez said those breaks were not related to each other or to Thursday’s fracture of the far bigger pipe in West Hollywood, which was constructed in 1916.

Officials said Sunday that Sunset Boulevard remains closed between Sherbourne Drive and San Vicente Boulevard, with limited local access on nearby streets including Cynthia and San Vicente.

City officials urged the public to avoid the area.

LADWP said tap water in West Hollywood remains safe to drink, but officials encouraged residents to conserve.

With the 36-inch water transmission line undergoing repairs, West Hollywood is currently being served by an 8-inch distribution pipe. Residents may notice low water pressure, especially those living in upper-floor apartments, officials said.

Book Soup, a popular bookstore on Sunset Blvd, was one of the shops and restaurants forced to close after streets were flooded.

“For the safety of staff and the community, we’re keeping the store closed for the time being,” an employee said in a recording on its answering machine Sunday.

“We want to reassure everyone that the store is completely fine and our books are safe and dry,” she added.

Thursday’s fracture was on a steel pipe that forms the major arteries for water delivery from reservoirs and tanks to smaller distribution lines across Los Angeles. That section of the Sunset Trunk Line had been slated for replacement in 2031, according to the utility.

In 2019, LADWP said roughly 29% of the city’s pipes were over 80 years old, nearing their typical 100-year lifespan.

When the trunk line ruptured early Thursday morning, millions of gallons of water gushed down Holloway Drive, inundating businesses and flooding underground parking garages.

West Hollywood Mayor John Heilman estimated that between 150 and 200 cars were damaged or destroyed in the flood.

The leak was stopped after a few hours, leaving a giant sinkhole in the middle of Sunset Boulevard.

On Saturday, city crews replaced a 25-foot section of the line. Workers have refilled the pipe with water and are now working to repressurize it, officials said Sunday.

The workers must then disinfect the pipe with chlorine and test the water’s quality for safety. The hole in Sunset Blvd. will then be filled and the street repaired, officials said.

Residents and businesses who lost property and suffered damages can find information about filing claims at www.LADWP.com/Claims.

Jennifer Finch, bassist for the influential Los Angeles rock band L7, has died. She was 59.

Finch died of “an aggressive form of brain cancer,” according to a statement from the band.

“We are shattered by the loss of our beloved bandmate, sister and friend Jennifer Finch, whose fierce spirit, humor and boundless creativity helped shape L7 and changed all of our lives forever,” the group said in its statement. “Jennifer was a true original who lived entirely on her own terms, and the impact she made on music, art and everyone lucky enough to know her cannot be measured. We love her beyond words and will carry her with us always. Rest in power our dear friend.”

Finch was receiving ongoing treatment for brain cancer, and just last week backed out of the band’s planned final tour. The group said those dates were “planned along with Jennifer when all four of us were in good health and spirits,” and Finch had asked the band to continue the shows while she sought treatment.

Finch, raised in Los Angeles, was an outspoken and ambitious fixture of ‘90s rock. She briefly performed in a band with Courtney Love pre-Hole and Babes In Toyland’s Kat Bjelland, and once dated Dave Grohl. But she came to prominence in L7, a foundational act in the alt-rock scene of the ‘90s.

Formed in 1985 by guitarists and singers Suzi Gardner and Donita Sparks, drummer Dee Plakas and Finch, they made a fast impact on L.A.’s punk scene, which was growing out of the hyper-masculine hardcore era of the ‘80s. Alongside Hole and Sleater-Kinney, L7 helped usher in the riot grrl wave of confrontational, female-led rock acts onto charts and festival bills.

“Rock ‘n’ roll was invented and became popular because of its rebellious nature,” Finch told the Times in 1993. “But the world has seen every form of rebellion–from throwing TVs out the windows to heroin abuse to just the guy in the leather jacket with greased-back hair–and the rebel image is becoming tired and burnt out. So (the press) is finding new interest in women who (rebel), creating a whole new aspect.”

“The unfortunate thing is that journalists are trying to create a genre out of gender, which trivializes it,” she added. “That’s extremely ignorant, because it bypasses the uniqueness between the groups.”

Bolstered by Finch’s ferocious basslines, hit single “Pretend We’re Dead” received significant airplay on alternative rock stations and became the group’s signature song, along with the biting anti-war anthem “Wargasm.” Finch wrote several songs across the group’s catalog, including the scabrous single “Everglade.” L7 went on hiatus in 2001, but reunited in 2014.

Finch was a talented photographer, whose intimate shots of SoCal bands lent an air of tragic grit to an ascendant punk and rock scene. “The irony is not lost on me when I’m driving from my house just blocks from where I grew up, and I’m heading to the L.A. Weekly to publish pictures of us as kids hanging out and shooting up, 20 years ago,” she told L.A. Weekly in 2006.” It feels weird but strangely hopeful. That was a totally unique time and it defined who we are, so then maybe it’s not a bad thing to be nostalgic about.”

Beyond L7, her song with OtherStarpeople, “Then There’s None,” appeared on the beloved “Office Space” soundtrack, and founded the punk band The Shocker in 2002. She acted in John Waters’ dark comedy “Serial Mom” as a member of the fictional band Camel Lips.

L7’s last album, “Scatter the Rats,” was released in 2019, and its final tour, “The Last Hurrah,” is booked to kick off in San Diego on Oct. 6.

L7 and Finch’s family opened a GoFundMe to support her medical care, saying “We love her, and we want her to feel the full strength of the community that has loved and supported her for so many years.” Information on surviving family was not immediately available.

The Son, as they say, will come out tomorrow.

Bet your bottom dollar that Son Heung-min, LAFC’s $26 million man — the record MLS fee for an incoming player — would peel himself off the mat and clear away the cobwebs and sorrows of the past few weeks and months.

He did it with a sizzling, right-footed goal in the 57th minute of LAFC’s 3-0 victory Friday over the Galaxy in the 27th rendition of El Tráfico and the first this year. Also, the first crosstown showdown of Son’s so-far, so-so tenure in L.A.

His arrival last August from Tottenham Hotspur in England’s Premier League was met with uncommon fanfare. Here came another global soccer icon to Major League Soccer — and to L.A., where the South Korean sensation was welcomed enthusiastically by a Korean diaspora that’s about 250,000 strong.

The first Asian player to win the Premier League Golden Boot, Mayor Karen Bass spoke at Son’s introductory news conference. The Dodgers invited him to throw out the first pitch on Shohei Ohtani’s bobblehead night (and turned around this season and produced a bobblehead of Son throwing that pitch).

His first LAFC goal — a free kick over the wall in a 1-1 draw with FC Dallas — was named the MLS’s goal of the year. After notching 173 goals across all competitions with Tottenham Hotspur, he finished with nine goals in his first 10 regular-season appearances for LAFC.

Then the scoring stopped. As if someone turned off the spigot.

Before Friday, Son recorded nine assists but no goals over 13 unlucky matches this season. He went 44 shots without striking a goal. And 237 days between goals, according to The Chosun Daily’s tally.

Yeah, just a bit of what his LAFC teammate Mark Delgado described as “a drought.”

Most painfully, Son also was shut out in South Korea’s disastrously short World Cup stay.

South Korea entered the tournament with the expectation that its “golden generation” – led by Son – would reach the knockout stage. But after it opened Group A with a 2-1 win over Czechia, the Koreans lost 1-0 to Mexico and 1-0 to South Africa and failed to qualify for the round of 32 as one of the eight best third-placed teams.

The uproar in South Korea that followed included the country’s president demanding an investigation.

For his part, a heartbroken Son shared a statement on Instagram: “I don’t dare to convey the disappointment and hurt of the fans with a single word ‘sorry.’ So even saying those words feels insufficient.”

It was impossible not to wonder: What the heck?

Where was the version of Son that everyone was celebrating a year ago?

How did the 34-year-old’s game decline so suddenly?

Was this a classic case of overpromising and underdelivering?

It still might be. LAFC — now 8-5-3 and third in MLS’s Western Conference — is going to face tougher competition in the days ahead than the work-in-progress Galaxy.

But on Friday, the center-forward was aggressive and in control. He took two shots in the first seven minutes, both blocked by defenders. He toyed with the Galaxy just before halftime, lining up to take a penalty before turning it over to Denis Bouanga, who scored to make it 2-0.

Then he and Delgado exchanged passes in the second half to set up Son’s first goal in darn near forever.

LAFC coach Marc Dos Santos gave Son 10 days off after the World Cup, but Son said he was eager to return to L.A., because he so enjoys the camaraderie of this club.

Those good vibes were on display when Son’s shot whizzed between two defenders and the outstretched arms of Galaxy goalkeeper Novak Micovic.

Son put his finger to his lips in the universal “shhh” sign and then did his patented camera celebration — click! — miming a snapshot. Because every goal is precious, and let’s be real, you never know when another will come.

Around him, the crowd and his colleagues went wild.

Dos Santos did some vein-popping flexing on the sideline. Mathieu Choinière pumped his fists as though he were operating a handcrank. Jacob Shaffelburg and Ryan Hollingshead flanked him on either side as though posing for a family photo. Son’s hair got tousled and nobody wearing black and gold could stop smiling.

“He deserves it, coming back from an emotional World Cup, and joining us right away,” Dos Santos said.

“He’s a great guy,” Delgado said. “He’s been in a bit of a goal drought, and, you know, we all want him to score. We all, he’s always smiling, and in training, he’s always scoring.

“And we’re like, ‘yeah, we need that, we need that!’ Trying to give him confidence,” Delgado continued. “And in games, he finally is getting that confidence back. So to see him score and put the ball in the net and just see his face light up with a smile is awesome. We all want to see him succeed here. We all want him to lead this club like we know he can.”

Now the goal is to keep the goals coming.

“Scoring the first goal of this season, I think it [will] help me,” Son said. “I think, definitely, going forward through the second part of the season. So, let’s keep going, and hope Wednesday [against Salt Lake] I can score another goal.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from Connor Sheets, giving you the latest on city and county government.

As Los Angeles city officials deal with the fallout from last month’s Lineage warehouse fire, one powerful lobbying firm has been at the center of the efforts.

M Strategic Communications took on Lineage as a client two days after the fire ignited at the company’s cold storage facility in Boyle Heights, spewing toxic smoke for miles. A putrid odor from 85 million pounds of rotting food remains a concern.

The company said in a filing to the city’s Ethics Commission that it would be lobbying the mayor and other city officials and would also handle “crisis communications and work related to impact of facility fire.”

Shortly after the fire started, Lineage CEO Greg Lehmkuhl got on the phone with Mayor Karen Bass, and the mayor suggested that Lineage give money to the nonprofit California Community Foundation to disburse to local organizations, according to Jeff Rivera, the company’s chief operating officer.

California Community Foundation has also hired M Strategic Communications to lobby the mayor and other city officials related to reforms to the city’s mansion tax.

After Bass’ suggestion, M Strategic Communications put its two clients, Lineage and CCF, in touch. By that point, according to M Strategic, CCF had already created a fund to help with the emergency.

The lobbying firm also has close ties to Bass. One of its two principals is Shannon Murphy, who was a deputy chief of staff to Bass when Bass was speaker of the State Assembly more than a decade ago. Murphy remains a close confidant of Bass, according to a source with knowledge of the mayor’s office.

M Strategic Communications subcontracted some of the work in its June 19 contract with Lineage to Yusef Robb, who was an unpaid advisor and spokesperson to the mayor until early June.

Robb initially continued to serve as an unpaid, unofficial advisor to the mayor, though no longer as a spokesperson. After The Times and other outlets reported on his work for Lineage last Saturday, Robb said he would no longer serve as an unpaid advisor.

CCF has been paying out the $2 million in funds to more than 20 groups to provide relief to Boyle Heights residents.

During a raucous town hall in Boyle Heights last week, where residents booed the officials who spoke, Bass noted that Airbnb was providing short-term rental assistance for people who live close to the fire.

As it turns out, Airbnb is also a client of M Strategic Communications, which was brought on to help legalize vacation home rentals in the city.

Airbnb has provided more than 1,000 nights of free housing to local residents since the fire, the company said.

“We are grateful that so many of those we work with step up when Los Angeles is in need,” said Chris Modrzejewski, a principal at M Strategic Communications.

Whither auditors?

L.A. City Controller Kenneth Mejia investigates inefficiencies, fraud and other issues in the city’s more than 40 departments, whose budgets add up to more than $46 billion per year.

He employs eight auditors and five fraud, waste and abuse investigators, which he says is far from enough. He has requested more staff, to no avail.

On Thursday, Mejia endorsed Councilmember Nithya Raman for mayor, arguing that she would better fund his department and would be more open and transparent with information than Bass’ office has been.

“Nithya believes in the power of transparency and accountability as a tool,” Mejia said during a press conference with Raman.

Raman did not provide specific numbers on how many people she would hire for Mejia’s team.

“I’ve committed to ensuring that we’re fully funding that fraud, waste and audit team,” she said. “The other piece is not standing in the way, but actually opening the door when the controller asks for information about various programs and departments.”

Bass did not immediately respond to a request for comment.

Fire funds

Local leaders aren’t happy that Congress still hasn’t appropriated supplemental funding to assist with recovery from the Palisades and Eaton fires.

The catastrophic fires were extinguished more than a year-and-a-half ago, but federal lawmakers have yet to fund a combined request for $15.7 billion from the L.A. city and county governments.

That’s different from what happened after past disasters, such as Hurricane Katrina and Superstorm Sandy, when Congress appropriated large portions of the amounts that were requested.

The federal money would go toward projects like restoring and rebuilding infrastructure, parks, schools and senior centers, as well as housing and residential support.

The delays have slowed the recovery process and hamstrung reconstruction efforts, according to Bass and L.A. County Supervisor Kathryn Barger.

This week, the pair sent joint letters to congressional leaders and members of the county’s congressional delegation, calling on them to fund the requests.

They also lamented the fact that the Trump administration’s recent $87.6 supplemental funding request did not detail support for fire victims.

Bass and Barger called on Congress to appropriate supplemental funds “to cover the infrastructure and rebuilding needs associated with the Eaton and Palisades fires.”

State of play

— ROBB JOBS: While serving as a top informal advisor to Bass, Yusef Robb was also working as a crisis communications consultant for Lineage, the company whose cold storage warehouse in Boyle Heights erupted in flames last month. Robb stepped down as an advisor to the mayor following The Times and other outlets’ reporting.

— FREE AND FOR SALE: Robb worked for the mayor as an unpaid spokesperson and advisor for months earlier this year, at the same time that he had a $587,500 contract with Los Angeles World Airports.

— ANOTHER ONE GONE: A top spokesperson for Los Angeles Mayor Karen Bass departed Monday after a brief tenure, joining a growing list of communications aides who have left over the last nine months. Kolby Lee, who started as Bass’ director of communications in February, said he was resigning to spend time with family and loved ones.

— AIRING GRIEVANCES: The contractor for Los Angeles International Airport’s long-awaited automatic people mover train filed a lawsuit against the city, amid ongoing disputes over project delays.

— PROJECT NIXED: The state has rescinded a $73.4-million grant for a new mental health and drug treatment facility in San Pedro, putting the future of the controversial project in jeopardy. Neighbors had picketed outside the property at 2100 S. Western Ave. and packed a town hall in April to oppose the project, with some expressing fears about drug users coming to the area.

—TO FLOCK OR NOT TO FLOCK: Less than a week after the Los Angeles Police Department halted its relationship with Flock Safety over concerns about how the company shares data from automated license plate readers, police officials said they are working out a new agreement — this time with more protections.

— HEAT WAVE: The Bass administration has appointed a new chief heat officer. Daniela Simunovic took on the role on May 31 after the administration discreetly fired Marta Segura, the first person to hold the position. Simunovic served as Bass’ senior director of climate and sustainability for three years.

QUICK HITS

• Where is Inside Safe? This week, the mayor’s signature homelessness program went to Chatsworth in City Councilmember John Lee‘s district, bringing 22 people inside.
• On the docket next week: The L.A. City Council remains on recess next week.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Mary Steenburgen moved to California to work with Jack Nicholson.

It was 1977, and Steenburgen — an Arkansas native — had been waiting tables in New York at night while studying acting with Sandy Meisner at the Neighborhood Playhouse during the day. She’d been pounding the pavement for about seven years, she says, when her “overnight moment came” and she was called in to read for a film Nicholson was both directing and starring in called “Goin’ South.”

Getting the role, Steenburgen says, changed her life in every way. “I flew out [to film] and had an amazing introduction to the town,” she explains. “I lived at the Chateau Marmont and went to Paramount Studios every day, where [Nicholson] would screen movies for me and then come in at the end to give me a little film-slash-acting lecture about each one. It really helped me get ready to dive into the big leagues.”

Though she spent some years in an old Ojai farmhouse in the 1980s raising her kids with former husband Malcolm McDowell, she’s always had a base of operations here in L.A. She shares her L.A. abode now with husband Ted Danson, whom she married in 1995 and with whom she’s starred in numerous projects, including the Netflix series “A Man on the Inside.” L.A. is also where she filmed her latest movie, “The Dink,” an Apple TV comedy centered on one of her favorite pastimes: pickleball.

Here’s how Steenburgen would spend her perfect, pickleball-filled Sunday in Los Angeles.

This interview has been edited for length and clarity.

5:30 a.m.: Early morning meditation and mental exercise

We always wake up early. After so many years of going to work at 5 in the morning, we always wake up between 5 and 6 now.

We’re morning meditators, or we try to be since our dog [Blue] just sits on our laps and stares at us until he’s been fed. Then we have to do all the New York Times games, and then I’ll try and find a pickleball game. We love Spelling Bee. We have to get to Genius, at least. Occasionally we’ll get to Queen Bee, but if we don’t get to at least Genius, then my day is ruined.

If my husband and I are working that week, whoever’s not working will have to run lines with the one who is. So we’ll generally spend a few hours doing that in the morning, too.

8:30 a.m.: Light gardening

I love my garden. A lot of it was hand-planted by me. Not the big trees — someone else planted those — but everything else, like the ground cover and smaller plants, I did. So I’ll spend a little time out there, too.

I like to go to Armstrong Garden Centers. They hire very knowledgeable people there. When I first started planting my garden — I live on a hill and it was all dirt back there and not everything grows well that way so I was looking for ground cover that would grow quickly but also didn’t mind a hillside. The people at Armstrong knew the answer, and they were great.

10 a.m.: Pickleball-palooza

I try to play pickleball for at least two hours a day, if I can. I try to find a game with friends, or I’ll go and play in different parks.

This morning, I played at a friend’s house. She has a beautiful tennis court and they put tape down on it so we can use it for pickleball, too. I played with her daughter and her friend.

I also have a pickleball coach and sometimes we’ll go play at this place called Pickle Pop that’s on the Third Street Promenade. Other times, I’ll play at the Santa Monica Pickleball Center.

My son just brought eight members over from [one of] London’s biggest pickleball club[s], Lemon Pickleball, and they all stayed with me. We played all over the place and we had so much fun. They loved Southern California, and seeing it through their eyes made me love it even more.

On their last night here, I called a wonderful family I know that cooks fantastic Mexican food, because I knew [the Brits] hadn’t ever really experienced great Mexican food. I met them because they’re set up every weekend in the parking lot at Rustic Coffee [in Santa Monica]. They’re lovely folks. So they came over and cooked, and we had a wonderful night for the Brits, putting up all kinds of lights and decorations too.

12:30 p.m.: Magical brunch with the grandkids

We go to Kreation a lot for lunch, just because it’s nice and it’s very healthy. I was just there yesterday with my granddaughters, after we all played Pickleball.

Actually, this weekend we all went to the Magic Castle together, too. I hadn’t been for decades and two of my five grandkids were here, and they’d never been either. Mostly it’s no kids at the Magic Castle but on weekends they do a brunch where kids can come so we went to that. The last magician in the show even called my granddaughter up on stage to be a sort of assistant, and it was very cute.

3 p.m.: Hiking with the dog

Because we work a lot and our days often belong to someone else from early in the morning until pretty late at night, weekends are more laid back.

We like to go on hikes and walks around Santa Monica. We have this big Australian Shepherd and we take him for long, slow walks. They’re slow because he has to say hello to every dog and person along the way — especially babies, who are his absolute favorite.

There’s something magical about my dog, I think. People will say, “Oh, my dog hates all dogs” and then my dog pulls me over and the dog that hates all dogs just melts. It’s like he calms other dogs. He even calms people that think they don’t like dogs. I know I’m very prejudiced, but I’m also very proud.

6 p.m.: Breakfast (or Goop) for dinner

We’re big on breakfast for dinner, so maybe we’d have some poached eggs on toast or poached eggs on creamed spinach.

If we order in, we might get food from Goop Kitchen. They have so many healthy, fantastic choices. Even their pizzas are pretty healthy.

8:30 p.m.: TV in bed

Sometimes I read a book at night, but we also have a show we absolutely love to go to sleep to, even if you’re not supposed to do that. It’s this British game show called “Would I Lie to You?” and unfailingly it makes me laugh. I’ve seen every single episode — some of them twice — and I like to go to sleep laughing.

I also just said to Ted that I think we’re going to have to start “Cheers” again soon. We just lost our friend Jimmy Burrows, who was a magnificent human and so important to Ted’s whole career, and one of the great things about watching “Cheers” is, if you know Jimmy’s laugh, you can actually pick it out multiple times during each episode.

It’s been a long time since we’ve watched “Cheers,” and it honestly never gets old. I first watched it in Ojai when I was married and had young children. We would watch it with our best friends on Thursday nights, like everybody would go down to their house in their pajamas and we’d watch “Cheers” and then I’d come home to put the kids to bed. Then, when I was going through my divorce I would watch it at 10 o’clock at night because I was very lonely and it was the thing that cheered me up at the end of the day during a hard time in my life. Little did I know that one day I’d be sleeping with Sam Malone.

It’s a rare day when you cannot hike somewhere in Los Angeles.

But as I write this, L.A. County is under an extreme heat warning through Thursday evening. California recently saw its first storms of monsoon season, which I learned is the reason I found myself earlier this week whining about the humidity. We’ve now entered the period of summer when you need to plan your trips with heat in mind.

In this week’s edition of The Wild, our weekly outdoors newsletter, I will highlight three hikes around L.A. where, if you go early, you can enjoy a quick, shady jaunt in nature. But first, let’s talk summer trail safety.

How to hike safely in L.A. in summer

• ⌚Avoid hiking in the hottest part of the day. This will vary by day and region, but I typically plan to leave the trail by 11 a.m. in summer, or hike in the evenings, around 6 p.m.
• 🫗Pack more water than you normally need. Dehydration is a major reason that adventurers out on a day hike need to be rescued. It’s generally recommended to drink at least 1 quart every two hours (the amount in your typical Nalgene bottle). In summer, you will need to increase that. During summer, I also like to carry electrolyte powder and gummies.
• 🌤️ Check the weather forecast of where you’re heading. If headed to Angeles National Forest, which includes the San Gabriel Mountains, take a look at the “Current Conditions” tab to find relevant weather information. The Santa Monica Mountains National Recreation Area has a similar page here. If hiking in an L.A. park, remember that, because the region has several microclimates, temperatures can vary widely across the county.
• 😎 Wear sun protection. This includes a sun hoodie, wide-brimmed hat and sunglasses. I also recently started regularly carrying the hiking umbrella that I reviewed in last year’s Times Gift Guide.
• 🥵 Know the signs of heat illness. Heat cramps can be the first signal from your body that something is amiss, usually presenting as painful spasms in your legs and/or abdomen. Next comes heat exhaustion. Symptoms include clammy skin, nausea, cramps, vomiting and headache. “Don’t ignore a headache when hiking in hot weather!” the American Hiking Society cautions. “This is serious stuff. Stop. Drink. Rest.”
• 📲 Tell someone where you’re going. Complete this form (or something similar) and share it with a friend or family member. Place an additional copy on your vehicle’s dash if driving to the trailhead. The last thing you want is to be injured without anyone knowing where you are.

3 shady hikes around L.A.

As I’ve said many times, the best hike is where you are. The three hikes below all feature early-morning shade, but if they’re farther than you can drive or reach by transit, check out this guide I wrote about how to find shady hikes near you. I returned to it when writing this piece to remind myself of my own tips!

OK, let’s imagine the air blowing from your office fan or air conditioner is actually a light mountain breeze as we explore these three great hikes. Adventure awaits!

1. Sullivan Canyon Trail

Distance: 8.8 miles out and back
Elevation gained: 1,200 feet
Difficulty: Moderate
Dogs allowed: Yes
Nearest to: Brentwood and the Pacific Palisades
Accessible alternative: Inspiration Loop Trail at Will Rogers State Historic Park

The Sullivan Canyon Trail is an 8.8-mile out-and-back trek along a seasonal creek, shaded by tall sycamores (easy to identify because of their mottled bark) and thick old coast live oaks. There are a few options to explore the canyon, including a loop, but that will include a more exposed route.

To start the most shaded option, you’ll walk past a green gate on Queensferry Road and head down a short, steep paved road. (The walk back up will be the hardest part of the entire hike.)

After about a fifth of a mile, you’ll head northwesterly onto the trail, a wide dirt and gravel road. I immediately felt like I’d been transported into a fairy-tale scene where someone in a carriage would come heading down the trail toward me. Instead, it was a mountain biker, which was less enchanting, but fine nonetheless.

Quickly, I noticed there’s a tree swing builder who loves this canyon. I spotted two swings, one of which I stopped and enjoyed because, why not?

I was surprised to see that the Sullivan Canyon creek, which is about 6.2 miles and starts (per this map) near San Vicente Mountain Park, was still flowing. You will cross the creek and its offshoots a few times, an easy enough task in the summer months when the water is lower.

As you navigate the creek, you’ll notice tadpoles swimming about. I was charmed when I noticed one of these larval amphibians use a leaf to camouflage its movements as it darted to and fro in a shallow pool. That’s one way to trick a bird looking for a snack!

I was admiring the chaparral growing up the canyon walls and the late-blooming wildflowers when I gasped. A few feet ahead, a snake sunned itself on the trail. I used iNaturalist, a citizen science app, to photograph the reptile. The app AI identification system informed me it was 82% sure this was a gopher snake. I laughed to myself, thinking about telling the rescuers after I was struck, “I was 18% sure it wasn’t a rattlesnake!” I passed without issue, but will note that both species are common sights in the canyon.

You do not have to hike the entire length of the trail to enjoy Sullivan Canyon. Because the first 2 miles in are fairly flat, this is a great hike for when you’d like to walk and talk with a friend. Or you could bring a child who needs to frolic, as there are multiple large old trees with thick branches low to the ground, tempting even an older millennial outdoors journalist to try to climb them.

The only downside to this hike is the parking situation. When I arrived, I quickly realized my first task would be to solve a bureaucratic riddle. There were signs noting parking was prohibited from 7 a.m. to 7 p.m. and then other signs with just arrows pointing in various directions.

Puzzled, I asked a driver in an REI shirt who was standing nearby, as I figured they were probably outdoorsy. They confirmed that amid the arrows, there were gaps where people are allowed to park. As I packed up my bag to head on the hike, feeling semi-confident that my car wouldn’t be towed, a mountain biker pulled up next to my car and asked where he could park. I laughed to myself, suddenly a newfound expert on where to park on Queensferry Road! (And if you want the history of how and when these parking restrictions went into place, you can read this 1998 Times story.)

But even with the parking headaches, Sullivan Canyon remains a treasure worth exploring for the shade, light breeze and beauty it offers to early-morning hikers.

2. Dawn Mine Trail

Distance: About 6 miles out and back
Elevation gained: About 1,550 feet
Difficulty: Moderate
Dogs allowed: Yes
Nearest to: Altadena
Accessible alternative: Gabrielino Trail near NASA’s JPL

This 6-mile jaunt to the Dawn Mine offers hikers a shade-lined path along Millard Creek where it’s common to spot California tree frogs and newts, along with a host of native shrubs and trees.

To begin your hike, you can either parallel park near Nuccio’s Nurseries, taking care to obey all parking signage, or if those spots are all taken, park nearby and order a rideshare to drop you at the trailhead. I had cell reception with Verizon here, so it should be possible to order a ride back to your vehicle.

From here, you have two options to reach the Dawn Mine trailhead.

1. Follow Chaney Trail road for a mile until you reach Mt. Lowe Motorway (called Mt. Lowe Road on some maps), where you’ll turn east. Chaney Trail road offers limited shade, so start early.

2. Walk about half a third of a mile north from Nuccio’s, and then near a bend in the road you’ll take the Chaney Trail, a winding dirt path north, for about half a mile where it’ll meet up with Mt. Lowe Motorway. (This option is also about a mile, although distance will depend on where you park.)

Headed northeast-ish on Mt. Lowe Motorway, you will walk just over a third of a mile before heading off the pavement and onto a trail. You’ll reach Millard Creek in about two-thirds of a mile.

You’ll head east and northeast until reaching Dawn Mine, which former Times outdoors writer John McKinney noted was a literal gold mine from 1895 through the 1950s. These days, it’s a figurative gold mine for local history buffs or those who want to take a cool selfie.

It is not safe to enter the mine, but you can enjoy the frigid breeze coming out of its mouth. Mountain air-conditioning!

I’d advise turning around from here. You might notice on your map that it’s possible to make a loop, and although that route offers great views, it’s exposed and not ideal on the hotter days of summer.

3. Franklin Canyon Park loop

Distance: 1.2-mile loop with options to extend (see map)
Elevation gained: About 200 feet
Difficulty: Easier end of moderate
Dogs allowed? Yes
Nearest: The hillsides between Beverly Hills and Studio City
Accessible alternative: Franklin Canyon Drive loop

Franklin Canyon Park is 605 acres of public land north of Beverly Hills that features chaparral and oak woodlands. The park has three bodies of water: the 3-acre Franklin Canyon Lake, Heavenly Pond and Wild Pond.

To reach the park, you’ll enter through either the northern or southern gate. (The northern gate was closed for months while the L.A. Department of Water and Power completed a project.)

Take good care as you drive into the park, as there are a few tight corners with low visibility.

Upon arrival, I’d recommend taking a 1.2-mile loop, which I’ve mapped out here, that will take you past the lake and ponds and up into the park’s hillsides. Whenever I’ve visited the park, I’ve found it to be cooler than the nearby neighborhoods, thanks to its water and abundant shade provided by oaks, sumac and other trees.

To begin your hike, you’ll park in the large dirt main parking lot. Head south on Franklin Canyon Drive, where you’ll quickly find a trail entrance with wooden steps that lead down near Franklin Canyon Reservoir. I hope you’re greeted by the sound of quacking waterfowl like I was!

Continue in the southerly direction, appreciating the gnarled coast live oaks and sound of shy red-eared sliders plopping off their logs into the water. This short trail will lead you back up to the road where you’ll walk south for just a bit before turning onto the gentle path that loops around Heavenly Pond. This is an especially good spot to find turtles and ducks.

From Heavenly Pond, continue south on the paved road, following it past the private residence to the wooden steps at the reservoir’s southern end. Take these stairs down onto Chernoff Trail. You’ll quickly spot toyon and pine trees, among other natural delights. Soon, you’ll bear right (or northeast) to take stairs onto the road. Cross the road and continue northeast onto the trail. Take the next set of steps up past thick bunches of black sage.

Continue north on Blinderman Trail, following as it bears east before it loops back around west. Along the way, you’ll pass well-maintained benches and bridges. If it’s already sunny out, please consider shortening your jaunt up these steeper trails in Franklin Canyon and consider repeating your excursion around the ponds.

At any point you need to refill your water bottle, there are water fountains near the Eugene and Michael Rosenfeld Auditorium, which is just southeast of the main lot.

***

We are so lucky to have an abundance of public land tucked throughout L.A. I hope you find blissful shade, trickling streams and the experience you need out there!

3 things to do

1. Make new friends on a hike in L.A.
The Better Future Club will host a short hike at 9:30 a.m. Saturday in Griffith Park. Participants will gather at the Trails, a cafe in the park, before heading out. Register at luma.com.

2. Chill out with the mountain chickadees near L.A.
The Antelope Valley Audubon Society will host a birding field trip from 8 a.m. to noon Saturday at Chilao Visitor Center in Angeles National Forest. All experience levels welcome. Society members will bring extra binoculars, but guests are encouraged to bring their own if they have a pair. Register at eventbrite.com.

3. Saunter down Santiago Creek in Orange
The Santiago Creek Greenway Alliance will host a five-mile community bike ride from 1 to 3 p.m. Sunday in Orange. Riders will meet at the Sports Center at Grijalva Park parking lot (368 N. Prospect in Orange). The group will take the Santiago Creek Bike Trail to the Santiago Park ECO Center in Santa Ana. Register at eventbrite.com.

The must-read

I personally love “Gray May” and “June Gloom,” the times when Los Angeles is overcast for several days in late spring and early summer. It makes choosing a hike easy, as I don’t need to exclude every single exposed path or fire road from the possibilities of where I will go on a particular day. We are now entering what I’ve laughingly dubbed, mostly in my head, “You Fry July!” Although the L.A. temperatures are nothing like what my friends and family back in Oklahoma are experiencing, our dry heat is getting hotter as we move more fully into summer. That’s why, instead of hiking, consider taking a dip at one of these 24 affordable L.A. pools. Or take a dip after a morning hike. Either way, stay cool, stay hydrated and stay safe, friends!

Happy adventuring,

P.S.

Two weeks ago, I wrote about great first-come, first-served campgrounds near L.A. where you can often find a spot, even when arriving last minute. A reader later commented on my story that Google Maps had taken them on a harrowing back road to reach Horse Flat Campground. My heart dropped, as I worried I had sent a Wild reader into danger. I quickly checked which route Google Maps was recommending — and I got big mad. Google Maps was showing that Angeles Crest Highway was closed just east of Red Box Picnic Area, which was inaccurate. I contacted Google (crickets from them) and the California Department of Transportation, who quickly corrected the route to accurately portray where the highway is actually closed. The best way to know about closures along Angeles Crest Highway is to check the California Department of Transportation’s QuickMap tool. Please be safe out there!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

The bubbly laugh. The megawatt smile.

The queen of joyful gymnastics is back.

Seven years after gaining fame as UCLA’s “perfect 10 gymnast” and 13 years since last competing at an elite level, Katelyn Ohashi has returned to gymnastics with new goals and the same outlook.

“I want to have fun with it,” Ohashi said on a video conference Thursday, less than two weeks after making her return to competitive gymnastics at the American Classic. “I want to see how far I can go with it, and how far I can push myself.”

Still only two competitive routines into her comeback, Ohashi said the idea of competing in a home Olympics at the 2028 Los Angeles Games is “a beautiful thing to think about.”

She is plotting her own path. The 29-year-old’s first elite meet since 2013 was on June 27, when she tied for third on beam and performed a floor routine with light tumbling passes. She will compete at the U.S. Classic on July 18 with hopes of qualifying for the U.S. championships, which determines the national team roster.

Competing on only beam and floor, Ohashi needs to reach 26.80 points in her routines to qualify for the national championships. The meet in August would be her first U.S. championship as a senior gymnast. Gymnasts typically make senior debuts at 16 years old. More than a decade older than some of her competitors, Ohashi can’t help but giggle at how circuitous her path has been.

“It’s really funny, also,” Ohashi said through laughter, “because, like, I’m pretty much a senior citizen.”

The deadline for a female gymnast’s Olympic dreams used to be 16 years old, Ohashi was told. But watching Simone Biles, Suni Lee, Jade Carey and Jordan Chiles win team gold at the Paris Olympics inspired Ohashi. The team, which also included 16-year-old Hezly Rivera, was the oldest U.S. women’s gymnastics team in the Olympics since 1952. Every gymnast who competed in the team final was in her 20s.

In 2024, the then-27-year-old Biles was the oldest U.S. female gymnast to qualify for the Olympics since 1952. When Ohashi recently called her longtime friend about her plan to return to elite gymnastics after a 13-year retirement, Biles “thought I was crazy,” Ohashi said.

“Which,” Ohashi continued, “most people, I think, might.”

Ohashi has nothing left to prove. In her first senior international competition at 15, she beat Biles for the 2013 American Cup all-around crown — the last time Biles lost an all-around title. After injuries derailed her promising elite career and the sport’s abusive culture robbed her of her joy, Ohashi reached superstar status while rediscovering her love of the sport with UCLA. She won a team NCAA title and the floor individual title in 2018. As a senior, her perfect 10 floor routine garnered 500 million views, landed her in Rolling Stone magazine and drew sold-out crowds to almost all of UCLA’s meets.

Since her final college routine in 2019, Ohashi was loving her retired athlete life. She did speaking appearances, traveled and published a book of her poetry. She enjoyed all the time and freedom she had.

She still missed the gym.

“I have not been able to replicate the feeling or the joy, sensations, adrenaline that gymnastics or competing brings,” Ohashi said.

Staying connected in the sport by participating in Biles’ “Gold Over America Tour” in 2021 and 2024, Ohashi would often joke of a comeback. Calculating her age and looking toward an Olympics in the city that helped her fall in love with gymnastics again, Ohashi knew that if the joke was ever going to become real, it had to be soon.

So Ohashi started working with a personal trainer, lifting weights for three hours a day for four days a week. In January, she moved back to her hometown of Seattle, in part to be closer to her family, and started training with Cale Robinson at Pacific Reign Gymnastics in Woodinville, Wash.

Most skills came back seamlessly, even ones she hadn’t executed in competition since she was 16. The first month felt great. Then fatigue started setting in. Ohashi loved that challenge.

Because Ohashi, who suffered a back fracture and injuries to both shoulders during her elite career, can’t do as many reps as she did as a teenager, she makes each one count more now. Between training her upgraded skills, she focuses on conditioning and religiously attends physical therapy sessions.

Still early in her comeback, Ohashi said she’s “physically getting there.” She is mentally stronger than ever.

“There are still those hard days, but it’s a lot easier when I know that I’m doing it for me, and me only,” Ohashi said. “And only I can push myself on those days.”

Ohashi wants to push past the baseline she set at the American Classic, where her two-event total was 24.65 points. The meet, which was staged in a gym with one set of bleachers and fans sitting on mats, was an intimate warm up for the arena stage Ohashi will take at the U.S. Classic in Hartford, Conn.

Ohashi walked into her first elite meet in 13 years next to Carey, who, at 26, is trying for her third Olympics. Entering the gym, Ohashi giggled that so many of the judges from a decade ago were still there. She recognized so many coaches. She was greeting everyone and waving. Carey looked at her in shock and asked what she was doing.

She was just having fun.

In the latest episode of “The De Los Podcast,” actor and comedian Fabrizio Guido spoke with hosts Fidel Martinez and Suzy Exposito about his role in the Netflix series “Running Point” — as well as being a part of a new wave of young Latino Hollywood stars and how he got his start in the stand-up comedy world.

Having grown up in L.A. himself, Guido talked about owning the persona of “Running Point” character Jackie Moreno: a concession-worker-turned-executive-assistant from Boyle Heights.

“I just felt I had all the tools necessary to bring this character to life,” Guido said. “It was a really important opportunity for people to see this side of L.A. … to get to know that kid that you see on the street or at the mall [and say] ‘Oh, that guy reminds me of Jackie.’”

Part of the appeal of the character was the chance to “showcase how much heart L.A. has.”

Alongside actors like Xolo Maridueña, Keyla Monterroso Mejia, Isabela Merced and Jenna Ortega, Guido is part of a new class of young Latinos taking Hollywood by storm — something the “Running Point” star said is “an honor.”

“It can be isolating if you’re the only Latino on a set,” Guido shared. “So to have peers that share a similar upbringing as you — you walk away with a friendship most of the time because you have stuff in common.”

He also mentioned that the bump in Latino talent has led to diversity in roles within the community.

“For the longest time, it could’ve been stereotypical — the only things Latino could play,” Guido said. “For the first time we’re starting to see this emergence of what it means for each one of us to be Latino. I’m bringing my experience to the table, Keyla is bringing her experience to the table, Xolito is bringing his. We’re not going by what the industry thinks Latino is, we’re bringing what we think Latino is.”

But beyond the acting world, Guido has also tackled the stand-up comedy scene in recent years.

He shared that he got his first gig thanks to comedian Gabriel Iglesias, who he worked with on the Netflix sitcom “Mr. Iglesias.” The arena comic convinced Guido to do a five-minute set — which Guido worked on for two weeks — at the Brea Improv.

“I got on stage, did my first joke and was super nervous,” he said. “Second joke did really well and it afforded me enough time to get present and then I ran through my five minutes, got off stage a different person. I knew I was in love. I felt like something in my life had shifted in that moment and I’ve been in love with stand-up ever since.”