L.A

Harry Styles isn’t ready to end his Together Together tour just quite yet.

The three-time Grammy winner and One Direction alum announced on Thursday that he will extend his tour well into 2027. The newest leg will include additional stops across several locations including Los Angeles, where he will take over the Rose Bowl in Pasadena on April 23 and 24 with some assistance from Kylie Minogue.

Styles begins his tour extension in April with Tinashe in Phoenix before later hitting the road with additional guests including LCD Soundsystem, the Womack Sisters and Caroline Polachek. His stateside shows include stops in Dallas, Atlanta and Chicago. The “As It Was” and “Watermelon Sugar” singer will also take his music back across the Atlantic for concerts in Berlin, Paris, Madrid and London, where he will close out the tour in late August.

The 32-year-old musician launched his Together Together tour in May and is currently in the second month of his marathon 30-night residency at Madison Square Garden. He obviously knows a thing or two about going the distance.

Styles announced his Together Together tour in January, with some help from NBC’s Steve Kornacki, ahead of the release of his latest album “Kiss All The Time. Disco, Occasionally.” This year’s album marked Styles’ fourth solo release, following 2022’s “Harry’s House,” which earned the singer two Grammy awards including album of the year in 2023.

Los Angeles County launched a probe into Farmers Insurance Company’s handling of claims by policyholders impacted by last year’s devastating Eaton and Palisades wildfires, after a growing number of residents complained of delays, denials and underpayments.

In a letter sent to Farmers on Wednesday, the county’s lawyers said if the company is engaging in any unlawful or unfair business practices, it must immediately stop.

“Eaton Fire survivors did everything right—responsibly paying their premiums year after year—but when disaster hit, Farmers left them with a contaminated home and refused to pay for testing and cleanup,” said Los Angeles County Supervisor Kathryn Barger, who represents Altadena, in a statement.

“My constituents shouldn’t have to walk back into homes with lead and asbestos because an insurance company won’t pay for the test that would prove it’s there,” she added.

Farmers disputed the county’s claims.

“As always, we operate in accordance with applicable laws and regulations,” the insurer said in a Thursday statement. “We do not believe the inquiry accurately characterizes our actions or practices and will cooperate through the appropriate process.”

“Serving our customers during difficult times is at the heart of what we do, which is why each claim is reviewed individually, taking into account the specific circumstances of the loss and the coverage provided under the policy,” the company said. “We remain focused on handling claims with care, consistency and attention to each customer’s unique situation.”

County officials said that at a recent meeting with Eaton fire survivors, those with Farmers policies said the insurer had been slow or resistant to pay for toxin testing by qualified industrial hygienists, forcing residents to pay for it themselves.

The testing revealed that many homes were contaminated with unsafe levels of lead, asbestos, chromium, and other toxic substances, the county said.

The residents also told the county that Farmers has refused to pay for adequate remediation of the contaminants and declined to cover ongoing living expenses.

“After paying millions of dollars in premiums, policyholders deserve the benefits and support they paid for,” said Supervisor Lindsey Horvath, whose district includes Pacific Palisades. “Families whose homes survived the Palisades and Eaton Fires but remain damaged or contaminated should not be forced to choose between returning to an unsafe home and financial devastation.”

The new investigation comes after the county filed a lawsuit against State Farm on Aug. 31 for its handling of Eaton and Palisades fire claims. The county claims State Farm engaged in illegal and deceptive business practices that kept victims from receiving what they were entitled to under their policies. State Farm denied the county’s claims.

As a kid growing up in rural Oklahoma, I feared what lurked beneath the lake water.

I’d listen as my family spun yarns about the massive catfish they’d discovered while noodling. I was terrified that, despite their docile nature that not a single adult told me about, an alligator gar would eat me while I bobbed in the lake. Old timers would recount finding a water moccasin in their boat. And I’ve still never recovered from the concept of a “breeding ball,” which a friend’s cousin’s cousin claimed to have run into while water skiing.

Despite the fact that nothing bad ever happened to me in a lake, my fear stayed with me into adulthood. I’ve met several Californians who hold fears similar to mine, but rather than lakes, their outsized anxieties lie within the ocean. It not only keeps them from swimming at our local beaches but also from venturing beyond the shallow shoreline.

An underwater view near Terranea Resort on the Palos Verdes Peninsula.

(Allen J. Schaben / Los Angeles Times)

In this week’s edition of The Wild, our weekly outdoors newsletter, I will discuss how to safely tackle those fears and start exploring with a snorkeling kit. Get ready to learn about the incredibly diverse and colorful world that lives beneath our local waters — you’re about to feel like Ariel exploring a whole new world! Let’s dive in.

I spoke to Ralph Buck, who founded Barnacle Busters, an L.A.-based LGBTQ scuba club, with two others almost 40 years ago. Buck’s passion for helping others learn how to safely explore the ocean was so infectious that by the time we ended our call, I was seriously considering whether I should get my scuba certification (which is a story for another day).

Here’s what Buck advised regarding snorkeling.

The Wild writer Jaclyn Cosgrove snorkels among what appear to be grunion or topsmelt near the coastline of the Palos Verdes Peninsula.

(Allen J. Schaben / Los Angeles Times)

1. Get the right gear

Generally you will need the following gear to get started:

• A correctly sized mask and snorkel.
• A wetsuit (with booties, as a bonus, to protect your feet): Generally, 7 mm is a great thickness for Southern California, although our water is warmer because of our El Niño season (and climate change).
• A life jacket or flotation device: This is considered optional, as the wetsuit will help you float, but there’s absolutely no shame in being extra safe! (And if you don’t have a wetsuit, please do wear a life jacket.)
• Fins: It might be too strong to suggest they’re “optional,” but they can be awkward for those new to snorkeling and not necessary if you’re in calm enough waters or an overall strong swimmer.
• Camera: Very, very optional. While out at Santa Cruz Island two weeks ago, I took some terrible underwater photos with my iPhone and wished I’d just left it on the shore.
• Weight belt: If you want to dive, you might need a weight belt to help you go under. That said, this is a more advanced tool, and it’s good to just focus on the basics as you get more comfortable in the water.

One thing new snorkelers might not realize is the level of buoyancy that a wetsuit gives you. Both times I’ve been in the past month, I wore a 7-mm suit and loved how easy it was to float above the eel grass at Santa Cruz Island and the kelp on the coast of Palos Verdes. I love a sport that includes just lying around.

Kelp, sea grass and various algae grow beneath the water at Terranea Beach Cove in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

2. Plan for getting your wetsuit on

For anyone on the shore of Prisoners Harbor two weeks ago, they got the pleasure of watching me groan (and curse) as I maneuvered into a thick wetsuit without anything but my swimsuit on. I told my friend I knew what sausage felt like as it’s shoved into its casing.

Zach Cantrell, owner of Ventura Dive and Sport, gave me a tip I will be eternally grateful for: Bring a plastic bag or something else that will help you slide into your wetsuit, as it helps reduce the friction between your body and the wetsuit. I brought one with me when my colleague, Allen J. Schaben, and I went out last week, and getting my wetsuit on was a breeze. No human sausage vibes (or cursing).

Buck suggested other options might be pantyhose or a long-sleeved unitard. Anything to help you slide into your wetsuit!

3. Before going out, practice in a pool

“I would suggest before hitting the open water, go hop in a pool and maybe find an experienced snorkeler to go with you simply because there are some subtle little pieces to the puzzle, which are” easy to miss for a new snorkeler, Buck said.

That includes the direction to point your snorkel. If it’s pointing too far forward, you will likely find yourself breathing straight saltwater as the waves hit you. But if you point it straight up or tilt it a bit backward, it’ll help your breathing apparatus stay clear.

A variety of marine life living around the rocky bottom of Terranea Beach Cove in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

4. Never snorkel alone

You look out at the ocean and see calm waters. You hear the siren’s call. You are alone. Resist.

Despite looking like a fairly chill activity, snorkeling still comes with significant risks that will be exacerbated if swimming alone. While out with my colleague off the coast of Rancho Palos Verdes, he pointed out a massive rock that I thought I could maneuver around. I timed my movements wrong and whacked right into it. I was fine, but also glad someone had my back if I wasn’t.

5. Assess the day’s conditions

• Check the weather. If it is a particularly windy day, it’s likely not a good day for snorkeling, not only for safety reasons but also visibility.
• Check the surf. There are several websites that pull data about the height of the surf, including the L.A. County Department of Beaches & Harbors.
• Before entering, scan the shore to assess the movement of the water.
• Learn how to spot rip currents. Rip currents “most commonly form at low spots or breaks in sandbars and near structures such as groins, jetties, and piers,” according to the National Oceanic and Atmospheric Administration.

“If you’re a beginner, and the waves are higher than knee high, I would just go to brunch,” Buck said. “If the surf’s too big, your visibility is going to suck anyway.”

I do love any excuse to have waffles.

The Wild writer Jaclyn Cosgrove carefully enters the water at Terranea Cove Beach in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

6. Choose an area that’s easy to enter and exit

This includes sandy beaches, where you can easily wade into the water without losing your balance. At Prisoners Harbor, I fell over several times because the shore is covered in various fist-sized rocks. (I need to work on my balance.) Snorkeling off the Palos Verdes Peninsula, I took my time, watched the waves and slowly moved into the water as the waves allowed. I found that, when there are rocks around, walking into the water like I’m navigating a balance beam is a good approach.

Also, in terms of looking for the best spots to snorkel, look for kelp forests and rock reefs. And because you’re newer, I would stick to spots known for snorkeling.

7. Plan for fog

Buck said before the COVID-19 pandemic, the Barnacle Busters, like most diver clubs, would recommend a simple solution to fog in your goggles: Spit. They still recommend using your spit in bodies of water where your germs won’t immediately affect other swimmers like in the ocean.

You can also buy an anti-fogging agent for your goggles. If you take your goggles off at any point as you snorkel, you’ll need to reapply either spit or anti-fog spray.

While I was out snorkeling, I was amazed at how well spit worked. (And if you want to understand the science behind why this works, check out this blog post from Scuba.com.)

A garibaldi, California’s state fish, at Casino Point Dive Park on Catalina Island in 2016.

(Allen J. Schaben / Los Angeles Times)

8. Check in with yourself and your partner

You should check in with your partner every 30 seconds. That might feel like it’s way too frequent, but you’ll be amazed at how far apart you can float from your friend in that time frame. It can be as simple as making sure you see them and they see you.

9. Keep an eye out for hazards

When entering the water, you’ll want to do the “stingray shuffle” to ensure you alert any nearby rays of your presence. Around L.A. County, you’ll also want to watch out for sea urchins because their spines can prick your skin, which will require treatment if you bump into them.

As our county lifeguards point out, L.A. beaches aren’t typically places you’ll find the most dangerous jellyfish. “Jellyfish in Southern California are usually smaller in scale and have a more mild sting than other species found around the world,” according to the agency’s website.

(And don’t worry. Electric eels don’t live in the ocean.)

I asked Buck how often he and his fellow divers check for hazards like sharks.

He told me that outside of rocks, high surf and going out too deep for one’s skill level, he and his diving partners don’t think too much about hazards in our local waters.

Purple sea urchins grow on a rock near the shore of Prisoners Harbor on Santa Cruz Island in the Channel Islands National Park.

(Jaclyn Cosgrove / Los Angeles Times)

“Well, we don’t consider sharks to be a hazard at all. My husband and I blame Steven Spielberg for the irrational fear of sharks,” Buck said, referencing Spielberg’s 1975 film “Jaws” and the adverse effects the film had on white sharks.

Buck said he and his husband rarely see sharks. He does give some weight to the argument that divers in wetsuits can resemble seals and sea lions when floating on the surface.

“But in areas where you’ll probably be snorkeling, you’ll probably be snorkeling on shallow rocky reefs or shallow kelp. It’s not even a consideration for us,” he said.

Lastly, if you or your partner start to shiver, get out.

The Wild writer Jaclyn Cosgrove snorkels at Terranea Cove Beach in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

10. Don’t touch anything

Practice Leave No Trace in the ocean too. “That’s our philosophy for diving too,” Buck said. “Look, but don’t touch.”

And never feed the marine life.

11. Have fun!

Since learning to snorkel, I’ve already found two friends who also enjoy it, and I plan to ping them to go out soon. If you don’t have anyone in your circle who snorkels yet, consider joining a local club.

In a world that feels hard right now, I felt like I had a two-hour vacation as I floated above the bright green sea grass and golden yellow kelp, watching garibaldi and what appeared to be grunion or topsmelt bob and dive around me. I came out refreshed and grateful to live here.

3 things to do

The hike to Eaton Canyon Falls in the San Gabriel Mountains before the 2025 Eaton fire.

(Myung J. Chun / Los Angeles Times)

1. Learn about Eaton Canyon’s future in Arcadia
L.A. County Parks and Recreation will host From Ashes to Action: Reimagining Eaton Canyon from 5 to 7 p.m. Wednesday at the L.A. County Arboretum’s Ayres Hall (301 N. Baldwin Ave. in Arcadia). Attendees will learn about design concepts for the next Eaton Canyon nature center along with the latest work completed in the natural area. The event is free, but registration is required. Register at arboretum.org.

2. Service sage in San Pedro
Cabrillo Marine Aquarium (3720 Stephen M. White Drive) needs volunteers from 9 to 10:30 a.m. Saturday to work on its native plant garden. Participants will learn about plants as they work. All ages welcome. Learn more at cma.recreation.parks.lacity.gov.

3. Launch into Latino Conservation Week in L.A.
The Audubon Center at Debs Park will kick off Latino Conservation Week from noon to 6 p.m. Sunday at Metabolic Studio (1745 N. Spring St.). Activities include a bachata class, panel discussion and guided nature hike. Learn more at act.aubudon.org.

The must-read

Burn damage to the Torrey pine grove at Santa Rosa Island, as seen from a ferry on June 8.

(Kayla Bartkowski / Los Angeles Times)

Last week, the National Park Service announced that up to 80% of the rare Torrey pines on Santa Rosa Island in the Channel Islands National Park could die after being harmed by a wildfire in May. Times staff writer Corinne Purtill wrote that initially park officials were hopeful that because the fire, which charred through 40% of the 18,000-acre island, burned at low intensity through the grove, the trees could recover. Research found the fire hurt the mature trees’ exposed root systems. However, I am holding onto hope — for a few reasons. “Park staff have also collected more than 14,000 seeds released from the pine cones. Viable seeds will be planted and raised in a nursery until the seedlings can be planted in the grove,” Purtill wrote.

Another reason is that volunteers are already actively working to save these trees. You can help with that. The California Institute of Environmental Studies needs volunteers to help with recovery as well as with Channel Islands Restoration. You can also donate to the Channel Islands Park Foundation’s Santa Rosa fire resilience fund.

Now more than ever, it’s on us to protect our public lands.

Happy adventuring,

P.S.

While out kayaking off the coast of Santa Cruz Island last month, I yanked a plastic wrapper out of the ocean. I frequently pick up plastic snack wrappers and corners of wrappers that people have accidentally dropped on the trail. And not infrequently have I found thick plastic bags — those said to be reusable — floating in shallow water near the beach. In recent years, California lawmakers have passed laws to address our state’s plastic consumption, including the Plastic Pollution Prevention and Packaging Producer Responsibility Act, or Senate Bill 54. Starting in 2027, the state will receive $500 million every year for 10 years to address plastic pollution, and state leaders want to hear from you how to best spend that money. You can submit your thoughts through Sept. 30 using this form or send your message using the email listed on the form’s webpage. Times staff writer Susanne Rust recently wrote about how there’s a secretive multimillion-dollar campaign to crush California’s landmark plastics law. If the battle over single-use plastic in California is something you’re passionate about, consider subscribing to Boiling Point, where my Times colleagues explore what’s happening to our climate-changed world. They’ll definitely keep you posted!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

Throughout his 40 years in Los Angeles, one piece of advice on where to live still rings true for Jimmy Smits, known for starring in “L.A. Law,” “NYPD Blue” and “Sons of Anarchy.” Long ago, producer Steven Bochco, who helped launch Smits’ TV career, encouraged the native New Yorker to stick around.

“He said, ‘I think you’re going to be working at Fox or around here for a while,’” Smits recalls. “‘Don’t be a schmuck. Stay near, so you can get to work on time. Get the s— house in the best ZIP Code you can.’”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

And so, from West Los Angeles to Santa Monica to Brentwood, Smits and his wife, actor Wanda De Jesus, have made the Westside their home base.

“Even when I lived in Brooklyn, we were near water,” Smits says. “It’s not Coney Island, but it’s the Santa Monica Pier. We have this New York-L.A. thing.”

When he’s not working, Smits prioritizes relaxation and his spiritual life. Most Saturday evenings, there’s a Mass to attend. All physical activities are done near water.

Beyond acting, the Emmy and Golden Globe winner is an advocate for education and the arts. This year is the 30th anniversary of the National Hispanic Foundation for the Arts, which he co-founded to support emerging talent in the performing arts.

Here’s a look at his ideal Sunday, with a bit of a New York-L.A. state of mind.

This interview was edited for length and clarity.

6:30 a.m.: First, the news

I still love reading the newspaper, tactile-wise. I keep the entertainment sections for weeks at a time for both the L.A. Times and New York Times. I recently had to go digital with the New York Times because my wife was like, “we can’t have all these newspapers around here!”

8 a.m.: People watching over breakfast

We’re not real foodies. Food is more like fuel for me. I love to experiment with different types of cuisines, but going to restaurants is more about the atmosphere. For breakfast, we’ll go to the Brentwood Farmers Market off San Vicente or the Coast Beach Café at Shutters on the Beach. You can people watch there. Or, they have an enclosure in the back that’s more chill. You can feel the ocean breeze on the water. If I’m really hungry, I’ll have the brioche French toast with some scrambled eggs and turkey bacon. But most of the time, it’s a pressed juice, English breakfast tea with warm milk and honey and a blueberry muffin.

9:30 a.m.: Beachside workouts

Part of the day will always have some kind of physical thing, and it’ll always relate to the water. Biking, brisk walking or wogging on the beach is ideal. If we’re biking, we’ll go up to where Will Rogers State Park is. It’s much quieter around there. We’ll start there and go towards the Santa Monica Pier and do laps back and forth. We’ll make stops along the way, at the Annenberg Community Beach House in Santa Monica or the bluffs at Palisades Park in Santa Monica, where they have a rose garden, [the California Incline roadway] and a lot of ways to get physical activity.

11:30 a.m.: What’s for lunch? Pasta

For lunch, it’s Divino, which is an Italian place in Brentwood. I’d order a light pasta and salad.

1 p.m.: Head to the playhouse for a matinee

My main go-to theaters are the Geffen Playhouse, which is close to us on the Westside; the Center Theatre Group, with the Ahmanson Theatre or the Mark Taper Forum, the Pasadena Playhouse or the Latino Theater Company Center at the Los Angeles Theatre Center, which specializes in Latino and multicultural productions. I get my New York theater fix by going to see plays at one of those places.

4 p.m.: Family time

At some point in the day, there would always be an East Coast call that winds up lasting way too long. With FaceTime, wherever we’re at, we can talk with the family, who are mostly in New York.

6 p.m.: Longtime faves for dinner

One of our favorite restaurants is Carlitos Gardel Argentine Steakhouse on Melrose Avenue, which has been around since the ‘90s. Italy plays big in Argentinian food, so you can get wonderful pastas there. I’ll usually have the entraña, which is a wood-grilled skirt steak, and the gnocchi is off the hook. The place reminds me of my college buddy-celebrity chef Michael Lomonaco, and his [former] restaurant Porter House in New York, where we’d go after the theater.

If not there, we’ll go to the restaurant we’ve been going to since I first got here. One of my first jobs was at then-MGM, which is now Sony, in Culver City. In ’86, I was working on “L.A. Law” and had a lunch break. I just wanted to walk around and found a Cuban restaurant called Versailles. I thought it was the closest I was going to get to the way Mom cooked. I developed a great relationship with the owners, the Garcia family. They have great Cuban food. I’ll have their arroz con pollo, which is chicken and rice.

8:30 p.m.: TV catch-up time

After dinner, we’d go home and get ready for the week. Depending on whether we go to a matinee or evening play, we would DVR stuff, like whatever sports that were on during the day that I missed. We’d definitely watch “60 Minutes,” “John Oliver” and pop in a movie or watch a stand-up comedy show. If we’re shooting something, I have to study for the next day. If not, we just relax, watch TV and go to bed between 10 p.m. and 11 p.m.

Retail employees in Los Angeles working irregular schedules, called in for shifts with just a few hours’ notice, got some relief years ago in the form of a city law requiring large retailers to give them notice of their schedules at least two weeks in advance.

Now, that 2024 law could be expanded to encompass the city’s fast-food industry, whose precarious workforce — largely women from immigrant communities — has long raised concerns over unstable schedules that they say make it difficult to plan their finances, child care, medical appointments and other obligations.

The L.A. City Council’s economic development and jobs committee late last month approved the ordinance, which also would establish a mandatory six-hour paid training to educate workers on minimum wage laws and other labor protections. It goes to the full council for a vote on Tuesday.

The proposal is backed by a statewide union of fast-food workers — established in 2024 — that is affiliated with the Service Employees International Union, which for years has helped organize fast-food employee walkouts over wage theft, safety and pay.

The California Fast Food Workers Union‘s organizing director, Maria Maldonado, said workers often are unaware of their rights regarding heat exposure and other risky conditions common in kitchens. The training, she said, would show them they have recourse and city support for reporting employers when conditions are unsafe.

“If you know there is support to enforce the law, we are going to see a difference in the industry,” Maldonado said.

City Councilmember Hugo Soto-Martinez first introduced the ordinance in 2024.

Although worker-friendly proposals usually are ultimately backed by the L.A. City Council, the process often is lengthy, with business interests lobbying against such measures.

The California Restaurant Assn. wrote in a letter to the council that the ordinance would greatly increase costs in a state that already is expensive to operate in and that it unfairly singles out an industry that has long served as a successful pathway to business ownership for minority entrepreneurs.

In the letter, business groups took issue with third parties administering worker training, arguing that labor groups could use them to prime the workforce for union campaigns.

The ordinance would “not only duplicate existing law but also force neighborhood restaurants to pay thousands of dollars so groups with ulterior motives can hold team members as a captive audience,” the letter said.

The group also argued that training would create third-party access to workers’ data even as many immigrant workers are fearful of heightened immigration enforcement, noting that the training might “require employers to disclose sensitive information to outside entities, creating serious privacy risks.”

A report commissioned by McDonald’s, compiled by the firm Beacon Economics and Pepperdine University, surveyed some 1,200 workers in L.A. County and found that a majority, about 70.6%, opposed the proposed paid training, while 29.4% said they would want such training, the survey said.

California’s fast-food industry employs more than 750,000 people and is a growing sector, according to state data. The state fast-food union has argued that local and state protections are crucial.

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1. Palm Canyon Drive. (Christopher Reynolds / Los Angeles Times) 2. A metal sculpture of a serpent by artist Richard Breceda. (Luis Sinco / Los Angeles Times)

This lonely San Diego County desert town, about 50 miles from the nearest Starbucks, deserves the attention of anyone who really wants peace and quiet. It’s home to perhaps 4,000 year-round residents, star-struck by night, startling at dawn, surrounded by the largest state park in California, Anza-Borrego Desert State Park.

Dark skies, aimless days and spring wildflowers draw many people. But fall visitors can hike the park’s Borrego Palm Canyon Trail (3 miles round trip) or the narrow canyon known as The Slot. Keep an eye out for bighorn sheep and dozens of metal artworks by sculptor Ricardo Breceda scattered around town, especially the 350-foot-long sea serpent (along Borrego Springs Road), which has become a community mascot.

Check out: The town’s biggest party of the year, Borrego Days, is coming Oct. 17-18. And its seasonal Farmers Market returns to Christmas Circle Community Park on Nov. 6.

Distance: A 4-hour drive from L.A. (154 miles from L.A. City Hall, via Google Maps).

Thousands of union workers, their family members and supporters marched through the streets of industrial Wilmington on Monday, taking part in a Labor Day parade whose festive mood overshadowed their serious concerns about the future.

Jesse Munoz, a 63-year-old longshoreman, who belongs to International Longshore and Warehouse Union Local 13, talked of how automation has eliminated more than 2,000 jobs over the last 15 years or so and worries that foreign-owned companies will do more to shrink the workforce and worsen working conditions.

“The concern is the future,” Munoz said. “I have a son that’s on a list to become a casual worker, which is a worker that will accumulate his hours, and then hopefully within time become a regular member of the union. But the future is not as promising as we would like it to be.”

“If you eliminate the workforce, you eliminate taxes. You eliminate pensions,” he said.

International Longshore and Warehouse Union members throw candy to onlookers at Monday’s Labor Day parade.

(Kayla Bartkowski / Los Angeles Times)

The Wilmington rally joined Labor Day events throughout the nation Monday, a holiday that also marks a prime campaign opportunity for candidates in midterm elections and other political races.

The first U.S. Labor Day celebration took place in New York City on Sept. 5, 1882, with 10,000 marchers. In 1894, President Cleveland signed a congressional act establishing the first Monday of September as a legal holiday, which has become known for promotional sales as well as a day off for many.

The holiday has particular resonance in Southern California, where the labor movement remains large in numbers and powerful in political influence. Across the nation, that’s far from a given.

The number of workers represented by unions rose by 463,000 in 2025, according to data collected by the pro-labor American Prospect, and national density — meaning the number of U.S. workers who are unionized — edged from 9.9% to 10.0%. However, private-sector union density stayed at 5.9%, meaning the numerical gain came chiefly from government employment.

Munoz said he has a message for President Trump, who has used steep tariffs on foreign-made goods in an attempt to return more manufacturing to the United States, leading to price increases domestically.

“Stop those tariffs and stop this automation,” Munoz said. “Just get the people back to work. Help the economy build itself up again with the workers, not with politicians.”

Giovanna Mendez, right, hugs her sibling’s elementary school teacher during the Labor Day parade in Wilmington.

(Kayla Bartkowski / Los Angeles Times)

While the Wilmington crowd was heavily Democratic, one longshoreman in his early 60s showed it was possible to be pro-labor and pro-Trump.

“We’re a lot better than when [President] Biden was in, way better,” said the worker, who also spoke of his union as “wonderful.”

Jordan Gonzales, a 20-year longshoreman, expressed worries about the future of trade work.

“A lot of people would rather be in the office and in the AC,” said Gonzales. “We’ve lost our workers that are outside of an office.”

He was enjoying a hearty free breakfast at a union hall and looking forward to his 12-year-old’s marching band performance in the parade, where she played a glockenspiel.

Participating school bands included San Pedro High, Banning High, Harry Bridges Middle, Port of Los Angeles High and Garfield High.

Delegations from many unions marched with their local chapters and a procession of restored and souped-up cars completed the picture. L.A. Mayor Bass was front and center behind the banner of the shore workers.

Politicians at work on Labor Day

In the pre-parade free breakfast inside the Longshoremen’s & Warehousemen’s Memorial Assn. cavernous meeting hall, a parade of elected and aspiring politicians introduced themselves, straining to be heard and noticed in brief remarks over a sometimes inattentive din.

Xavier Becerra, the Democratic candidate for California governor spoke briefly, thanking union members for their daily labors and campaign support.

“None of us should forget where we came from,” Becerra said. “Let us work hard,” he said, referring to election day. “November 3rd belongs to us just the way Labor Day belongs to us.”

Also on hand were both Los Angeles mayoral candidates: incumbent Bass and challenger Nithya Raman.

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1. L.A. Mayor Karen Bass speaks to security during the Labor Day parade in Wilmington. 2. L.A. mayoral candidate Nithya Raman greets parade watchers. (Photographs by Kayla Bartkowski / Los Angeles Times)

Bass praised the city and union movement for positive strides “even in the midst of Donald Trump, who has done everything he can do against working people, including invading our city, but we are back, and we stay united, and we’re going to continue to do that,” she said. “L.A. is a labor city, and I am there with you 100%.”

Labor leaders also are almost 100% behind her in terms of endorsements. One exception is the Western States Regional Council of Carpenters, which endorsed Raman. The union represents about 65,000 members across 10 states.

“We need more housing in L.A.,” said Doug Hicks, the union’s vice president and director of organizing. “How many cranes are there in downtown Los Angeles today?”

In her brief breakfast remarks, Raman, an L.A. City councilmember, said that “automation, AI, are taking away jobs all over this country, and it is up to us to step up and fight back, and that is why I’m here to stand alongside the workers of this country.”

Master carpenter Joseph W., who did not want to give his last name, declined to speak about endorsements, focusing instead on the challenges of workers.

“We build the houses, but we can’t buy them,” he said. In 1977, his dad bought a house in Norwalk in 1977 for less than $50,000. Now that property is worth close to a million dollars.

“That’s 20 times what my dad paid for it,” said Joseph, who is 55 and rents his own home. “I don’t make 20 times what my dad got paid.”

The younger workers included members of ILWU Local 56, the “ship scalers” union, which cleans up hazardous materials and provides environmental remediation both in the ports and beyond. Its members were involved in wildfire cleanups and removing waste from the hazardous Lineage warehouse fire in Boyle Heights in June.

Two members of the Western States Regional Council of Carpenters bump fists after Monday’s Labor Day parade.

(Kayla Bartkowski / Los Angeles Times)

Evan Briseno, 18, would like to move on to safer work before his health is potentially affected. But fellow union member Francisco, 21 — who declined to give his last name, wants to move up in the trade, while noting that some areas are so dangerous that every patch of skin needs to be covered.

Neither follows politics, but they’re both concerned with workplace safety issues.

Other unions included Teamsters, Service Employees International, SAG-AFTRA (for performers) and teachers — along with their students.

Mark Ramos wore multiple hats as chair of the Los Angeles County Democratic Party and president of the United Food and Commercial Workers International Union Western States Council and UFCW Local 1428.

Ramos said one current union battle is to make self-serve checkout lines manageable for the workers who must supervise them.

Up to 25 people can kick it with the kitties at any one time, and the 50-minute sessions can be booked online. Other offerings include: Cats & Mats yoga (offered one Friday evening a month), Crochet With Cats (one Sunday afternoon a month) and cat-accompanied sound baths. (An employee I chatted with said the crochet class, with its preponderance of dangling yarn, is particularly popular with the cats.)

Price: $19.99 for 50-minute sessions, which start at the top of the hour

Hours: Monday, 11 a.m.-6 p.m.; Thursday-Sunday, 11 a.m.-6 p.m. (reservations end 1 hour before closing)

Pro tip: A shorter and less expensive option — $10 for 20 minutes — is available on a walk-in basis only at the top of the hour, depending on capacity.

The first edition of the remade “60 Minutes” under CBS News editor in chief Bari Weiss debuts Sept. 13 with a reliable formula from the venerable newsmagazine’s playbook.

Correspondent Jon Wertheim will lead off the 59th season with an in-depth look at the Los Angeles Rams, the favorite of oddsmakers to win the Super Bowl this season. Wertheim sits down with Rams general manager Les Snead, head coach Sean McVay and veteran quarterback Matthew Stafford. The segment will also explore team owner Stan Kroenke’s investment in technology, including artificial intelligence, to help the team gain an edge on the field.

Jon Wertheim interviews Los Angeles Rams head coach Sean McVay.

(CBS News)

“60 Minutes” has often turned to sports-related segments when a season premiere follows a late afternoon NFL game. Last year, Wertheim profiled Ultimate Fighting Championship Chief Executive Dana White for the 58th season premiere. The program scored more than 10 million viewers and was the most-watched non-sports program of the week. In 2023, Wertheim interviewed University of Colorado head football coach Deion Sanders for the 56th season opener.

CBS News will be under pressure to have “60 Minutes” get off to a strong start in the ratings following the major upheaval at the program earlier this year.

After the completion of a successful season where ratings were up 9% over the previous year, Weiss fired “60 Minutes” correspondents Sharyn Alfonsi and Cecilia Vega — both of whom complained that the executive pushed them to add right-wing talking points to their stories. Weiss also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

In response to the firings, longtime correspondent Scott Pelley accused Weiss of “murdering” the program and claimed she was putting “her thumb on the scale” for more favorable coverage of President Trump’s administration. Pelley was shown the door with cause after confronting management at a June 1 meeting. CBS denied the claims.

The discord meant the program spent much of the summer hiring replacement correspondents, including Ross Douthat, a conservative New York Times opinion writer with no experience as a TV journalist.

Weiss, founder of the heterodox digital news site the Free Press, was hired by Paramount Chief Executive David Ellison with a mandate to pull the news division to the political center. The stated goal has put every move by Weiss under heavy scrutiny, as many critics have suggested she is at the network to placate the Trump White House while Paramount pursues its acquisition of Warner Bros. Discovery.

Other new “60 Minutes” contributors include author and journalist Sebastian Junger, former CNN and Vice News correspondent Gianna Toboni, and Trevor Phillips, a British journalist who joined CBS News earlier this year as a senior global affairs correspondent. They will join correspondents Wertheim, Norah O’Donnell, Bill Whitaker and Lesley Stahl.

The program will also feature stories with CBS News correspondents outside of the core group at “60 Minutes,” such as Seth Doane and Matt Gutman.

The other two segments on the “60 Minutes” premiere, — which could include a significant newsmaker interview, — will be announced sometime next week.

This year’s premiere should get a strong boost, as most of the country will get CBS coverage of a late afternoon match-up between the Green Bay Packers and the Minnesota Vikings, two contenders in the highly competitive NFC North. The network’s pregame show “The NFL Today” is traveling to Green Bay for the telecast.

On the night of the June primary, standing before cheering supporters at a downtown brewery, Nithya Raman was in a familiar position:

Outspent by rivals. Mocked by online haters. Her political career left for dead.

In early returns for Los Angeles mayor, Raman was in third place behind incumbent Karen Bass and reality TV villain Spencer Pratt. The City Council member thanked everyone for helping her “little campaign” but seemed resigned to defeat.

“We may not get an answer we like,” Raman said. “But regardless of what happens next, nobody — nobody — can take away what all of us have built together.”

She ended her short speech by going on the dance floor to greet well-wishers and boogie for a bit. The move came off to me as someone losing herself in happiness so she didn’t have to think about the sad reality.

But when I think about that moment now, it seems clear that she was embracing another familiar position:

Confident in what was ahead. Content with being underestimated. Ready to upend City Hall yet again.

As more votes were counted, Raman overtook Pratt to face Bass in the November runoff. Raman’s last-minute decision to enter the race had shocked L.A.’s political class and drawn accusations of betrayal for challenging Bass, a longtime ally whom she had endorsed. Yet Raman managed to pull off a hard-fought campaign, with Pratt as an unexpectedly strong insurgent from the right — a winning streak that continued this week when she scored two key endorsements.

The L.A. chapter of the Democratic Socialists of America and Unite Here Local 11, the powerful hospitality workers union, will now bring their renowned get-out-the-vote operations to L.A. doorsteps, street corners and smartphone screens on Raman’s behalf. Unite Here gives Raman’s campaign a working class cred it has sorely lacked. The DSA will unleash the democratic socialist trade winds that have swept across elections nationwide and helped five of its six endorsed candidates in L.A. County either win outright in the June primary or move on to the general election.

Neither endorsement was guaranteed. Even though Raman is a member and the L.A. chapter had endorsed her two City Council campaigns, the group didn’t officially support her in the mayoral primary. Some members openly questioned whether having a democratic socialist run a city seemingly destined for the dumpster was the best look for their movement. Raman’s positions on police funding, the mansion tax and the Oct. 7 Hamas attacks also ran counter to the party orthodoxy.

Unite Here had regularly endorsed Bass throughout her 22-year political career and seemed likely to join the dozens of other unions backing the mayor.

But with the one-two punch, Raman has shown yet again that she’s the comeback kid of L.A. politics. Every time critics throw her a curveball, she smacks it to the opposite field and gets on base, ready to grind her way to a win.

People line up to attend a Democratic Socialists of America fundraiser May 17 in Los Angeles.

(Jason Armond / Los Angeles Times)

In 2020, the city’s establishment initially dismissed Raman, then a political novice, as a wokosa fluke, until she beat David Ryu, who became the first L.A. council incumbent to lose in 17 years.

A year later, Raman was seen as such a threat that the powers that be sought to torpedo her for good. In the infamous City Hall leaked audio, then-Councilmember Kevin de León suggested to then-Councilmember Gil Cedillo, then-council President Nury Martinez and labor leader Ron Herrera that Raman’s district could be “put in the blender and [chopped] up, left and right” during redistricting to dampen her reelection chances.

On the recording, Martinez enthusiastically endorsed the plan, telling the other three that Raman had complained about her redrawn district.

“Go f— do the work,” Martinez said she told Raman, “and see if you can” win again.

Raman did win, scoring an outright victory in the 2024 primary (Martinez, of course, resigned in disgrace). A censure from DSA-LA because Raman accepted the endorsement of a pro-Israel group proved no more debilitating than a stray eyelash.

In this year’s mayoral primary, Raman raised less money than Bass and Pratt and flopped during their one debate against each other. Her fellow democratic socialist council members — Eunisses Hernandez, Ysabel Jurado and Hugo Soto-Martínez — all endorsed the mayor.

None of it mattered. Raman is now easily scoring off of Bass mishaps, like the mayor’s response to the Lineage warehouse fire and her random broadside against street vendors during a debate in Sherman Oaks last month. The Dodgers should sit Raman in their dugout come playoff time, because her knack for rallying from behind is almost preternatural.

The road to victory remains hard, of course. Bass has never lost an election and won’t easily fold, even as her first term has careened from one crisis to another. Raman’s fiercest critics on the council — Marqueece Harris-Dawson, Traci Park and Monica Rodriguez — lord over South L.A., the Westside and the eastern San Fernando Valley, respectively, regions where Raman needs strong showings. The DSA endorsement will make it easier for critics to paint Raman as left of Lenin, even though her record is more pragmatist than pinko puppet.

She’s even drawing the ire of Pratt, who spent most of his campaign deriding the mayor as “basura” — trash — but is now blasting Raman, while the 26% of Angelenos who voted for him and are a key swing constituency are waiting to see who, if anyone, he’ll favor.

Raman anticipated all of this when she jumped into the race, she told supporters on primary night.

“These powerful interests spent millions of dollars against this little campaign, spent millions trying to preserve this city’s broken and unjust status quo,” she said. “And we said no.”

But the words I recall the most from that party at Boomtown Brewery came from Raman’s father, Venkit. After joking that his daughter didn’t go into a profession that most Indian immigrant parents wish for their children, he explained that her full name — Nithya Varsha — means “forever monsoon” in Sanskrit.

“If you think about it more, that’s exactly what she is,” Venkit said to cheers. “A constant, unstoppable force that brings life to the land.”

Let’s see how far the Raman storm goes.

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

As a proud Atlantan, I’ve loved lemon pepper wings my entire life. Zesty and crispy-skinned, they were present every Super Bowl Sunday and Labor Day weekend. When my family of four wanted takeout, it was the one item we could all agree on to order.

I learned to like lemon pepper wings as an alternative to buffalo wings, which were way too spicy for me as a child. My taste buds eventually learned to handle the heat, but there’s still something in me that prefers a dry rub lemon pepper wing over anything else.

Lemon pepper wings are widely believed to be the invention of J.R. Crickets, an Atlanta-based wing chain that has now expanded to several locations throughout Georgia since opening in 1982. The classic recipe involves wings covered in a blend of lemon zest, pepper and butter, but the regional restaurant is also known for a flavor that’s not explicitly on the menu — “lemon pepper wet.” Sparking curiosity worldwide after being featured on the Emmy award-winning TV series “Atlanta” in 2017, these wings are first covered in buffalo sauce before sprinkling the lemon pepper seasoning on top.

“Lemon pepper wet” can also refer to wings that are covered in a lemon pepper sauce, in addition to the usual dry rub. American Deli, a fast-food chain that opened in Atlanta in 1989, claims to be the inventor of this flavor.

Today, the preference for lemon pepper wings has spread beyond the South. Atlanta-born rappers Future and Gucci Mane have rapped about the dish in their songs. Memes and TikToks about the famous lemon pepper wet wings from Atlanta’s Magic City, an adult entertainment club, have gone viral on social media and some restaurants are even adding the flavor to cocktails.

When I moved to Los Angeles this summer, I began searching for spots that served wings that reminded me of home. Chef Melissa Cottingham, founder of Melnificent Wingz, went through a similar journey. She’s been selling wings in L.A. since 2021, but has been cooking since her childhood in Memphis, Tenn.

“I couldn’t find any wings that reminded me of that Southern brine, [with] wet, buttery citrus sauce as well as a spice blend,” she said. “So I was like, I’m gonna create it myself.”

She sells many flavors of wings, but says lemon pepper is by far her most popular.

From panko-fried chicken legs in the heart of Koreatown, to wing platters served alongside Cajun-style rice and gravy, restaurants across L.A. have added their own spin to the dish that helped put Atlanta’s food scene on the map.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

Greg Ito with “Personal Effects,” 2026, “The Spectrum Within,” 2025 and “Love is a Vessel,” 2026.

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

Jerson Hondall in the library of Gagosian Gallery, Beverly Hills.

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

Aleza Zheng in her South L.A. studio featuring “The Unbearable Lightness of Being,” 2026, “Of Providence,” 2026 and “All That Is In Heaven,” 2026.

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.

L.A. Clippers are the L.A. Cheaters

From Bill Plaschke: Boom, goes the Clippers.

Steve Ballmer has been tattered. Lawrence Frank has been shredded. Their team future has been flattened.

Boom, goes those damn Clippers.

They had transformed themselves from the ridiculed Clip Joint to a top-shelf NBA organization, with the billionaire owner, the beautiful arena, the best coach and the most devoted fans … but they apparently got greedy, seemingly played dirty, and now have been affixed with a scarlet eight letters that will follow them forever.

Cheaters.

The NBA has ruled that the Clippers are cheaters.

Ballmer, cheater. Frank, cheater. Even president of business operations Gillian Zucker, cheater.

The NBA suspended Ballmer and Zucker for one year and Frank for six months Wednesday for violating salary cap rules when they signed Kawhi Leonard in 2019.

In arguably the harshest punishment in sports since SMU was given college football’s death penalty in 1987 — this is even worse than the USC sucker punch of 2010 — the league added injury to insult by stripping the team of five consecutive draft picks from 2029 to 2033.

Continue reading here

NBA hammers Clippers, Steve Ballmer and Kawhi Leonard following investigation

Read the NBA’s investigation of the Clippers, Steve Ballmer, Kawhi Leonard

Shohei Ohtani seems off as Dodgers lose to Cardinals

From Joaquin Ruiz: Shohei Ohtani didn’t look right when striking out in the 10th inning of the Dodgers’ 8-6 loss to the St. Louis Cardinals on Wednesday.

Ohtani, who hasn’t pitched since July 3 due to lingering knee and biceps issues, winced in pain throughout his eight-pitch at-bat against reliever Riley O’Brien, seeming to strain himself with every muscle flex, let alone big-league hacks.

“I saw the same thing that everyone saw,” manager Dave Roberts said. “I’m going to talk to [Ohtani] tomorrow and really try to figure out … where he’s at physically. Because, yeah, I saw the shaking of the arm, I saw the wincing, and clearly, the swings aren’t who he is.

“Obviously, there’s some compensation. So, I’m going to talk to him, and then I’ll make a decision tomorrow about his availability.”

Roberts isn’t sure if Ohtani, who went 0-for-4 on Wednesday with four strikeouts and a walk, will need to go on the injured list.

“It won’t be an IL, unless it is,” Roberts said. “But it’s very unlikely.”

Continue reading here

Dodgers box score

MLB standings

Angels lose to Yankees

Cam Schlitter gave up one run and two hits in eight superb innings, and the New York Yankees scored five two-out runs in the 10th in a series-clinching, 6-3 victory over the Angels on Wednesday night at Angel Stadium.

New York loaded the bases with one out in the 10th when Jose Caballero singled, the automatic runner holding at third, and Jazz Chisholm Jr. walked against reliever Luke Murphy (0-2).

Murphy got Luis Garcia Jr. to pop out, but Austin Wells stroked a two-run single to right, Cody Bellinger hit an RBI single to center, Trent Grisham hit an RBI single to left, and Ben Rice had an RBI single to right for a 6-1 lead.

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Angels box score

MLB standings

Jordan Chiles returns to gymnastics

From Thuc Nhi Nguyen: That Girl is back.

Olympic gold medalist Jordan Chiles announced her intention to train for the L.A. Olympics on Wednesday, publicly beginning her attempt for a third Olympic Games in a video narrated by NBA legend Michael Jordan.

“Why again?” says Jordan, whom Chiles is named after. “Because the dream is still there.”

Chiles helped the United States to a team gold medal in 2024, competing in all four events in the final. She won her first individual Olympic medal, a bronze on floor with her energetic Beyoncé-inspired routine, but that result still is being considered by the Court of Arbitration for Sport after controversy involving the inquiry process that led to Chiles’ score being upgraded to overtake Romania’s Ana Barbosu.

Chiles is the fourth member of that gold medal-winning team to announce a comeback for the 2028 Olympics, joining Suni Lee, Jade Carey and Hezly Rivera. Simone Biles, the 29-year-old, 11-time Olympic medalist, has not officially come out of retirement.

Continue reading here

This day in sports history

1908 — Canadian world heavyweight boxing champion Tommy Burns KOs Australian Bill Lang in six rounds in Melbourne in a warmup fight for his famous title bout with Jack Johnson.

1921 — The U.S. defeats Japan in five straight matches to win the Davis Cup.

1932 — Ellsworth Vines wins the men’s singles title in the U.S. Lawn Tennis Assn. championships with a three-set victory over France’s Henri Cochet.

1944 — Frank Parker wins the men’s singles title with a four-set victory over Bill Talbert in the U.S. Lawn Tennis Assn. championships. Pauline Betz captures her third straight women’s title with 6-3, 8-6 victory over Margaret Osborne.

1945 — Frank Parker defends his U.S. Open title, defeating Bill Talbert 14-12, 6-1, 6-2 in the final of the first postwar U.S. Open.

1956 — Jockey John Longden surpasses Sir Gordon Richards’ then-record number of wins by riding Arrogate to victory in the Del Mar Handicap at Del Mar Racetrack to attain his 4,871st victory.

1974 — Future Naismith Memorial Basketball Hall of Fame guard Oscar Robertson retires; leaves NBA with 26,710 points, 9,887 assists and 7,804 rebounds in 1,040 games.

1975 — Martina Navratilova, 18, defeats Margaret Court, who is 33 and competing in her 11th and final U.S. Open, 6-2, 6-4 in the quarterfinals.

1977 — Ken Rosewall, two months shy of his 43rd birthday, is beaten by 24-year-old Jose Higueras, 6-4, 6-4. The best-of-three-set third-round match marks Rosewall’s final U.S. Open singles match.

1989 — Chris Evert defeats 15-year-old Monica Seles, 6-0, 6-2, for her 101st and final U.S. Open singles win.

1994 — Miami beats Georgia Southern 56-0, breaking an NCAA record with its 58th consecutive home victory. The Hurricanes surpass Alabama’s record of 57 wins in a row at home set from 1962-82.

2001 — Jockey John Velazquez becomes the first jockey to ride six winners on a single card at Saratoga Racecourse. Velazquez guides Starine to a 5¼-length victory in the Diana Handicap, a 1 1-8 mile turf race, for his sixth win.

2006 — Sparks center Lisa Leslie wins the WNBA’s Most Valuable Player award, joining Sheryl Swoopes as the league’s only three-time winners.

2016 — Serena Williams’ dominating third-round victory at the U.S. Open is notable for a milestone: 307 Grand Slam wins. Williams’ 6-2, 6-1 win over 47th-ranked Johanna Larsson of Sweden improves her major-tournament mark to 307-42, putting her one win up on Martina Navratilova among women and tying Roger Federer among all players in the Open era.

2017 — UCLA’s Josh Rosen fakes the spike and throws a 10-yard touchdown pass to Jordan Lasley with 43 seconds remaining and UCLA overcomes a 34-point deficit to stun Texas A&M 45-44. Rosen is 35 of 59 for 491 yards and throws four fourth-quarter touchdowns. UCLA scores on five straight possessions after trailing 44-10 with 4:08 to play in the third quarter.

2022 — 23-time Grand Slam tennis champion Serena Williams plays her final singles match at the US Open, losing 7-5, 6-7, 6-1 to Ajla Tomljanovic of Australia in a third round match in New York.

Compiled by the Associated Press

This day in baseball history

1917 — Philadelphia’s Grover Cleveland Alexander went the distance in both games of the Phillies’ 5-0 and 9-3 sweep of the Brooklyn Dodgers.

1947 — Bill McCahan pitched a no-hitter to give the Philadelphia Athletics a 3-0 win over the Washington Senators. One batter reached base for Washington, a two-base throwing error by first baseman Ferris Fain in the second inning.

1947 — The New York Yankees had 18 hits, all singles, in an 11-2 victory over Boston at Fenway Park. Tommy Henrich and Joe DiMaggio each had four hits.

1957 — Warren Spahn of the Milwaukee Braves pitched his 41st career shutout with an 8-0 victory over the Chicago Cubs at Wrigley Field. Spahn’s shutout set a major league record for left-handers.

1970 — Billy Williams of the Chicago Cubs asked to be kept out of the lineup, ending his National League record of 1,117 consecutive games played. His record was broken in 1983 by Steve Garvey.

1976 — Milwaukee’s Mike Hegan hit for the cycle and drove in six runs to lead the Brewers to an 11-2 rout of Mark Fidrych and the Detroit Tigers.

1986 — Billy Hatcher’s homer in the top of the 18th inning gave the Houston Astros an 8-7 victory over the Chicago Cubs. The teams played 14 innings the day before and used a major league record 53 players in the game.

1990 — Bobby Thigpen set a major league record with his 47th save in a 4-2 Chicago White Sox victory over Kansas City. Thigpen broke the record set by Dave Righetti of the New York Yankees in 1986.

2000 — Kenny Lofton’s 1st-inning run ties a 1939 major league record set by the Yankees ’Red Rolfe for scoring in 18 consecutive games. The speedy Indians outfielder, besides hitting the game-winning homer in the 13th, also steals five bases tying Cleveland’s single-game record set by Alex Cole.

2001 — Bud Smith became the 16th rookie in modern history to throw a no-hitter and the second to do it to San Diego this season in St. Louis’ 4-0 win. Smith was making his 11th start.

2007 — Pedro Martinez completed his comeback from major shoulder surgery and quickly went into the record books, becoming the 15th pitcher to strike out 3,000 batters in his career. The New York Mets right-hander needed only two strikeouts to reach the mark in a 10-4 win over Cincinnati.

2011 — Milwaukee’s George Kottaras hit for the cycle to lead the Brewers to an 8-2 win over the Houston Astros.

2013 — Pinch-hitter Travis Snider homered in the ninth inning to lift Pittsburgh to a 4-3 win over the Milwaukee Brewers that clinched the Pirates’ first non-losing record in 21 seasons.

2017 — Jose Ramirez tied a major league record with five extra-base hits, including a pair of home runs that deflected off Detroit outfielders, and the Cleveland Indians routed the Tigers 11-1 for their 11th straight victory. Ramirez had three doubles in becoming the 13th player with five extra-base hits in a game.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Here is the NBA’s investigation into allegations the Los Angeles Clippers circumvented the league’s Collective Bargaining Agreement.

The NBA handed down sweeping penalties to Clippers owner Steve Ballmer, team executives, the team and Kawhi Leonard following an
investigation. The Clippers said in a statement that they “vehemently reject the NBA’s findings” and vowed to challenge them.

Read the full report here:

Meow Wolf is getting closer to unveiling its Los Angeles locale. When doors open — the company is targeting late 2026 — anticipate a walk-around, floor-to-ceiling experience that pays homage to the art of cinema with a sci-fi, psychedelic-like bent.

And to bring that vision to life, the Santa Fe, N.M.-based experiential art collective will be working with nearly 40 L.A. artists across multiple mediums. Expect more than a dozen sculptural and diorama artists to contribute, along with those who specialize in mixed media for interactive and video content. Local artists will also create a number of murals for the space, and a handful of artists have been chosen to curate their own life-size rooms in the venue at West L.A.’s Howard Hughes entertainment complex.

Artist Gabriela Ruiz will be contributing a major piece to Meow Wolf L.A.

(Jason Armond / Los Angeles Times)

While the bulk of a Meow Wolf exhibition is envisioned and designed by a core in-house team in Santa Fe, the company partners with dozens of local artists in each city to ensure a local flavor. Here in Los Angeles, the task of curating L.A. artists fell heavily to Han Santana-Sayles. As a SoCal native from a Mexican American family, Santana-Sayles has told me, “I would be dishonored” if the exhibit failed in its mission to capture the breadth of the L.A. population.

“It’s really important to make that intentional,” Santana-Sayles said. “I’m not just going out and saying, ‘They have art I like. I’m going to bring them in.’ It’s a combination. Yes, they’re an amazing artist, and they have a really important story for this region.”

Santana-Sayles worked closely with art curator AJ Girard as Meow Wolf’s local art liaison. Girard has spoken of being inspired by everything from L.A.’s emphasis on social media to commercialism to graffiti art.

“Social media and social capital is so relevant in our city,” Girard said. “How do we make fun of it in an avant-garde, punk, radical way? How do we poke holes at it?”

Artists tapped to create full-scale rooms at Meow Wolf L.A. include Gabriela Ruiz, who crafted an adorably vibrant, multicolored insect that will serve as a periscope, and collective Everything Is Terrible, who described their space as featuring a “cartoony, root vegetable floating alien god.”

Also look for contributions from Compton’s Charles E. Dickson, a renowned self-taught sculpture artist, whose public works can be found throughout the region, including at Metro’s Mariposa Station and outside the California African American Museum, and Jen Stark, whose geometric kaleidoscope art flirts with the natural and the synthetic. Stark’s “Chromatic Cascade” is a staple of downtown’s Art’s District.

Lauren YS (a.k.a Squidlicker) is also tapped to have a room at Meow Wolf L.A., known for hyper-vivid colors and surrealist mythology. The artist currently has a piece in “Mythical Creatures: The Stories We Carry” at the USC Pacific Asia Museum.

Downtown L.A. street artist S.C. Mero will be contributing a sculpture piece to Meow Wolf L.A.

(Kayla Bartkowski / Los Angeles Times)

Others with exhibiting rooms include Wayne White, album artist, surrealist and puppeteer, perhaps best known for his work as the main puppet-maker for the children’s show “Pee-wee’s Playhouse; Seth Bogart, known best as a local musician (Hunx and his Punx); upcycled fashion specialist Corinne Loperfido; cartooney psychedelic artist Killer Acid; and longtime Meow Wolf contributor Nick Toll.

Meow Wolf L.A. lists seven artists as contributing either video installations and games to the space, including artist/musician Vinyl Williams and musician/animator Hugo Shiboski with director/media artist Will Wharton. Animators Réka Bucsi, Agnus Oakes and Cadmiumcoffee, as well as digitial artist Blake Kathryn will also contribute. It was previously announced that local animation house Titmouse would be supplying media for Meow Wolf L.A.

Six artists are slated to paint murals for Meow Wolf L.A. Look for work from Bunnie Reiss, Ozzie Juarez, Greg Ito, Harlen Hue, Evelyn Tan and Devin Reynolds.

Finally, more than a dozen L.A. artists are listed as contributing either sculptures or dioramas to the exhibition. Those artists range from downtown L.A. street artist S.C. Mero to multidisciplinary artist Ruben Ulises to former Coachella Valley Music & Arts Festival contributor Sofia Enriquez.

Rounding out the list will be David Altmejd, Sharif Farrag, Joe Holliday, Nemo Gould, Alake Shilling, Elrod, Brooke Weston, Shrine, Hana Ward, Roberto Benavidez, Estevan Oriol, Wizard of Barge, Mike Chattem and Karla Ekaterine Canseco.

Meow Wolf helped define the modern immersive space. Since 2016, when the once-scrappy Meow Wolf opened Santa Fe’s “House of Eternal Return” exhibition, the company has welcomed about 10 million visitors across its four venues in locales such as Las Vegas, Denver, Houston and the Dallas suburbs.

Los Angeles County announced Monday that it had filed a lawsuit against State Farm General after hundreds of victims of last year’s devastating wildfires complained that their claims had been delayed, denied or underpaid.

The lawsuit alleges that State Farm engaged in illegal and deceptive business practices that kept victims of the Palisades and Eaton fires from receiving what they were entitled to under their policies.

County officials said their investigation into the complaints found unreasonable delays in processing claims, as well as “systematic underpayments.”

Officials said they also found that State Farm had illegally suppressed smoke damage claims.

“Survivors are just asking for what’s right,” L.A. County Supervisor Kathryn Barger, who represents Altadena, said at a Monday news conference.

Bob Devereux, a State Farm spokesman, said in a statement that the company would respond to the lawsuit through the legal process.

“State Farm General strongly disagrees with Los Angeles County’s characterization of our wildfire claims response,” he said.

Devereux said that State Farm has so far paid more than $6.2 billion on claims related to the two wildfires, including about $1 billion for smoke-related damage. About 78% of the claims have been closed, he said.

“We continue working directly with customers whose claims remain open and evaluating each claim based on the facts of the loss and the coverage provided by the customer’s policy,” he said.

“Our focus remains on helping customers recover,” he said.

Wildfire victims praised county officials for the lawsuit, which was filed in L.A. County Superior Court.

Joy Chen, executive director of Every Fire Survivor’s Network, said at the news conference that, in the months after the fires, it became apparent in talking to victims that those with State Farm policies were not getting the benefits they had paid for.

She said for those families, insurance had become “a barrier to recovery” rather than a safety net.

“Nineteen months after the fires, families are still suffering,” she said.

The county’s investigation included looking at complaints that Chen’s group and others had collected, as well as hundreds of other documents from State Farm policyholders.

County officials said that State Farm “failed to substantially comply” with their requests for documents and information during their investigation.

With more than 2.8 million residential and commercial policies, State Farm is California’s largest private insurer.

The county’s lawsuit includes dozens of complaints of L.A. County fire victims.

“After six decades of paying thousands a year for insurance, we expect them to honor their agreement,” said one family.

Many families say the insurer refused to test their homes for toxins left by smoke.

The lawsuit claims that State Farm “drastically lowballed” estimates of financial losses for destroyed or partially damaged homes.

“They offered us $11,000 to remediate our five-bedroom house,” complained one family. ”That’s only 13% of the actual cost.”

According to the California Department of Insurance, 11,300 State Farm policyholders filed homeowner claims arising from last year’s L.A. County fires.

The lawsuit asks the court to require State Farm to pay full restitution to policyholders, as well as civil penalties for violating state law.

The glowing bar is decorated like a DJ lives there with shelves of classic records, ghetto blasters, plush couches, upscale food and craft cocktails. It feels like seeing a comedy show in the living room of a friend with taste. Comics who’ve come to the stage include Donnell Rawlings, Iliza Shlesinger, Morgan Jay, Josh Johnson and Kam Patterson. Unlike most club shows that are quick to kick you out, the promoters encourage people to hang out for what feels like an after-party worth sticking around for. Though the show is seasonal and runs until Sept. 22, the promoters plan to come back in December.

When: 8 p.m. Tuesdays
Tickets: Varies

It’s back-to-school time for the Broad.

The Broad museum is launching a new educational initiative, it announced on Saturday. “Our Block, Our Stories” will pair students with contemporary artists to explore how those artists have been inspired by their local neighborhoods, communities and personal experiences.

The program, open to grades 3 through 12, includes off-site activities and field trips to the museum. The Broad is paying for students’ transport to the museum.

The inaugural project will focus on South Los Angeles students and spotlight L.A. artist Lauren Halsey. Students will visit Halsey’s South L.A. sculpture garden, “sister dreamer, lauren halsey’s architectural ode to tha surge n splurge of south central los angeles,” to explore themes of neighborhood, memory and belonging. Halsey’s work, which debuted in March, was presented by Los Angeles Nomadic Division and curated by LAND co-founder Christine Y. Kim.

Students will then, on the same day, travel to the Broad for guided tours, discussions and writing prompts. They’ll be encouraged to connect their personal experiences to works in the museum’s collection while also considering how they might creatively express their own life stories, from their individual communities, through art. April De Leon, Broad interim school program manager, is overseeing the program.

“It’s so we can bring hundreds of young people [to the museum] so they can be inspired to be creative — and in a way that helps their community, gives back to their community, transforms their community and their city,” said Ed Patuto, Broad director for audience engagement. “We’ll look at how other artists, too — like Mark Bradford, John Ahearn and Rigoberto Torres — deal with their neighborhoods and opportunities in their neighborhoods for inspiration.”

The museum will provide educators with on-site worksheets and background materials on the artists, along with other pre-visit and post-visit resources in English and Spanish.

Field trips to the museum begin Sept. 18, though the Broad is still enrolling schools in the program. It’s giving priority to schools and youth organizations in and around South L.A. The Halsey program runs through Dec. 11.

Lauren Halsey’s South L.A. sculpture garden, “sister dreamer.”

(Allen Chen @_h_studio)

Patuto said that Halsey was the perfect artist to launch the program. Not only is her work represented in the Broad’s collection, but “she’s an artist who’s influenced by her community and, like a Mark Bradford, is actually building something in her community, for her community,” he said. “And that needs to be supported by arts institutions around the city.”

The idea behind the sculpture park, when Halsey first conceived it about 16 years ago, she said in an interview, was a space that represents and pays homage to the neighborhood, both aesthetically and conceptually.

“The heroes, the poetics, the material culture, the everyday,” she said. “But also, that it’s a sculpture park that serves — and for free — the neighborhood and L.A. at large.”

The Broad says it will continue to develop “learning modules” over the next several years.

The next one will launch in conjunction with the upcoming exhibition, “Has the myth been shattered,” opening in November. The show of Broad collection works spanning six decades, as curated by Jen Vanegas Rocha, addresses myths “and the way social media, mass media, can kind of mythologize things that happened to us,” Patuto said.

Free, youth-oriented cultural programming such as “Our Block, Our Stories” is a game-changer, Halsey said, adding that field trips she took to LACMA in middle school helped give her confidence to create and solidify her identity as an artist.

She hopes the Broad’s new educational initiative does the same for other young artists.

“It builds pride in one’s own neighborhood and validates experiences and expands on the possibility of what you can be as a young child and sparks your imagination,” she said. “I didn’t have that growing up in South Central, this access to art. So it’s really cool that the Broad came in and is partnering with me to bring this amazing, free programming to the neighborhood.”

An aspiring Los Angeles-area rapper was arrested on Wednesday and charged in connection with a multimillion-dollar check-cashing scheme, according to the U.S. Department of Justice.

Ada William Obayuwana of Quartz Hill, who goes by “ColdheartedAC” and “AC,” and two others were charged in a 25-count federal grand jury indictment alleging that they illegally possessed more than 50 stolen U.S. Treasury checks and hundreds of other checks belonging to individuals and businesses worth more than $8.1 million, then cashed or attempted to cash them at lenders throughout Southern California.

Albert Tai Vu, of Westminster, and Cassandra Marie Murrillo, of San Diego, are the other two defendants charged in the case.

According to the indictment, between April 2022 and December 2023, the trio obtained the stolen checks, some containing tax refunds and veterans’ and Social Security Administration benefits, then forged endorsements or modified names and addresses to steal the money.

The trio is accused of opening bank accounts to receive the money. They also used business documents to impersonate the identities of the victims connected to the stolen checks and deposited the money into bank and credit union accounts across Los Angeles, Orange and San Diego counties, the indictment says.

During this period, Obayuwana allegedly tried to cash at least three Treasury tax refund checks worth $382,109 and was successful in cashing one, withdrawing $229,109, federal authorities allege.

In December 2023, Obayuwana “possessed in his car in Oceanside more than 100 stolen or fraudulent checks, cumulatively worth more than $6.1 million,” states the indictment. Among the checks were 48 stolen Treasury checks worth some $2,555,417 in tax refunds, veterans’ benefits,and Social Security benefits.

Obayuwana was able to cash eight of them worth about $1.7 million, according to federal investigators.

Vu tried to cash at least six Treasury checks totaling $2.15 million and successfully cashed two tax fund refunds worth $772,159, the indictment says. He also allegedly cashed a pair of cashier’s checks, each valued at $250,000, at an Anaheim bank and used money from one to buy a Range Rover and the second to pay Murillo.

Murillo is accused of trying to cash at least two checks worth $60,193, successfully cashing one for $31,405.

Following his arrest, Obayuwana remains in federal custody. He is charged with nine counts of bank fraud and faces three counts of delivering stolen Treasury checks and one count of aggravated identity theft.

Vu, who was arrested Thursday, is charged with five counts of delivering stolen Treasury checks, four counts of money laundering and two counts of aggravated identity theft.

Murillo, who is expected to surrender to federal authorities in Los Angeles on Monday, is charged with an additional count of delivering stolen Treasury checks.

Imagine a Saturday night “spectacular,” under the stars at the Hollywood Bowl, with the Los Angeles Philharmonic performing as fireworks explode in the night sky — for $10?

Not a pipe dream.

The L.A. Phil has taken a major step in expanding its accessibility. The organization announced this week that it will offer Los Angeles County residents with active Medi-Cal or EBT cards $10 tickets to L.A. Phil performances at the Hollywood Bowl starting with the 2027 season.

It will offer at least 100 of these tickets at each of the orchestra’s Hollywood Bowl concerts. Tickets will be offered on a first-come, first-served basis. The L.A. Phil didn’t say exactly how eligible residents could secure such tickets. It plans to announce that process in Spring 2027 before the season starts.

L.A. Phil Vice President of Community and Government Engagement, Cynthia Fuentes, said in an interview that the organization has been “prioritizing accessibility for a very long time.”

“When you create accessibility programs, they have to be very intentional,” Fuentes said. “Folks are really struggling to make ends meet right now, and for us, it’s so important not only that we create great music on our stages, but that people can afford to see it. Your income levels shouldn’t dictate whether you have access to the arts or not.”

The $10 ticket announcement is the latest move towards making L.A. Phil events more accessible at a time when tickets to see the orchestra at the Hollywood Bowl are, on average, about $48, Fuentes said.

The L.A. Phil has been offering discounted tickets since the 1970s. It now offers more than 50,000 $1 Hollywood Bowl tickets annually — some seats open to the general public and others given out by the L.A. Phil in partnership with the L.A. County Board of Supervisors and L.A. County Parks, to low-income students, senior centers and others in need.

Last year the L.A. Phil boosted the numbers of its $1 tickets from 36,000 to 55,000. It also distributes tens of thousands of free tickets to non-profit organizations through a program called Community Concert Connections.

The L.A. Phil debuted its new accessibility program at the Ford during the venue’s 2026 season. The program is still active at the Ford.

“That was our pilot program for the L.A. Phil, with the intention of implementing it at the Hollywood Bowl,” Fuentes said. “When we started looking into EBT cardholder tickets, [we realized] it happens in a lot of museums but not a lot at performance arts organizations. Partly because it’s a ticketed structure with assigned seats and it’s a more controlled environment. We wanted to build the infrastructure of how you execute it on the back end. The Ford was an incredible way to start the process — do it on a smaller scale, look at what works and then be able to scale up to the bowl.”

The L.A. Phil is in a period of transition. Daniel Harding will step in as the L.A. Phil’s new Music Director, replacing Music & Artistic Director Gustavo Dudamel, starting with the 2027–2028 season. He’ll oversee orchestral programming at Walt Disney Concert Hall and the Hollywood Bowl. Newly appointed Creative Director Esa-Pekka Salonen begins his tenure at the start of the 2026/27 concert season in early October. He’ll conduct and curate subscription concerts and multidisciplinary projects. Anna Handler will serve as conductor in residence for the next three years starting with the 2026/27 season.

“But Gustavo will be back every summer to do a suite of concerts at the Hollywood Bowl and also in December of this year at Walt Disney Concert Hall,” Fuentes said. “He’ll continue to have a presence with the L.A. Phil.”

Operating the Hollywood Bowl is a partnership between the L.A. Phil and the Los Angeles County Department of Parks and Recreation.

Los Angeles County Supervisor Kathryn Barger, whose district includes the Hollywood Bowl, said in a statement that the L.A. Phil has been “a trailblazer in the arts” for more than a century. Their new accessibility initiative, she said, is “that same spirit of innovation and partnership.”

“The Hollywood Bowl is one of Los Angeles County’s most cherished public assets,” Barger said, “and every resident should have the opportunity to experience the joy, inspiration, and sense of community that it offers.”

Several other L.A. area cultural institutions offer EBT card holders free or deeply discounted admission, including: the Huntington, in San Marino, the Natural History Museum of Los Angeles County, the Autry Museum of the American West and LACMA.

“But there’s no other L.A. County facility, for performing arts, that we found in our research that had an EBT Program,” Fuentes added. “Part of our goal is to take our findings to the field to share so that other performing arts non-profits follow, especially L.A. County-based [ones], so we can ensure we’re creating accessibility for everyone in the county.”

Fuentes pointed to her own upbringing to illustrate the importance of accessibility programs in the arts.

“I grew up in South Central with working-class parents that had three kids,” she said. “When you don’t have disposable income, you don’t have opportunities [to see arts performances]. Everyone should have the opportunity to go to a show and share a communal experience around music without the fear of not having enough to make your rent or mortgage.”