L.A

The advertising blitzkrieg of L.A.’s mayoral campaign is here.

Mayor Karen Bass and her opponent, City Councilmember Nithya Raman, dropped new campaign commercials over the last week, buying time on television, streaming channels and other platforms. Supporters of both candidates released ads as well.

The two candidates relied heavily on free media for most of the summer, putting videos on Instagram and inviting the news media to cover their appearances.

The dam effectively burst on Monday, with Raman touting her new Hollywood-themed ad “For Your Consideration,” timed to coincide with the Emmy Awards.

The 30-second spot starts with Raman stepping out on the town, then shifts to some standard L.A. imagery: freeways, palm trees, Echo Park Lake and, of course, the Hollywood sign.

“L.A. shows the world what it means to be a star,” declares the ad’s narrator, actor and screenwriter Bob Odenkirk. “And every Angeleno deserves the chance to reach for their own.”

After Raman has stopped off at a taco stand and hugged a dog, Odenkirk delivers the ad’s final message: “Change. Affordability. An L.A. that loves you back.”

That ad ran on television a few times before being cycled onto social media, per the Raman campaign.

Three days later, Bass went up with a 30-second spot — on digital platforms for now — centered on President Trump’s immigration raids.

The ad offers footage from the day in July 2025 when Bass confronted federal immigration agents in MacArthur Park. The video features images of gun-toting federal agents in military uniforms and Bass hopping out of a car in an aquamarine pant suit to face them.

“When someone comes after your family, you don’t hesitate,” Bass says. “You stand up. You fight.”

One of Bass’ most formidable allies — the Los Angeles Police Protective League — went hard negative with its first ad of the runoff campaign, offering the message that Raman “Doesn’t Get It.”

The commercial, released Friday, follows a young girl as she walks past a homeless encampment, juxtaposed against video of Raman talking about her opposition to a law that prohibits encampments near schools.

“I don’t think a kid’s gonna be safer because a tent is 500 feet away from a school,” Raman said in the clip, which was taken from a 2024 candidate forum in Sherman Oaks.

The backpack-wearing child speaks to the camera and says: “Walking to school shouldn’t be scary.”

“I’m just a kid,” she says. “But even I know I’d be safer if this was 500 feet away.”

The police union says the ad will start running on television this weekend and already is on social media platforms.

Meanwhile, Raman’s backers have an assortment of attack ads running on Facebook and Instagram.

Streets For All, a group that wants to expand the city’s bus and bike lane network, pulled video footage from a different Sherman Oaks candidate forum — this one featuring Bass and Raman last month.

At that event, Bass told the audience that Raman is unresponsive to her constituents, forcing many in Sherman Oaks to contact the mayor’s office directly.

“Many of you have my cellphone, you have called me,” Bass says in the ad. “You called on me specifically for help.”

Streets For All contends those remarks show that Bass gives wealthy homeowners her number while “regular Angelenos get ignored.”

“L.A. deserves a mayor who doesn’t just listen to the rich and powerful,” the ad says.

By Friday, Streets For All had nearly two dozen different video spots opposing Bass over such issues as homelessness, transparency and the Palisades fire, according to Ethics Commission filings.

The biggest backer of the group’s political action committee is hedge fund manager Aaron Sosnick. Of the $1.2 million that the group plans to spend in the mayor’s race, Sosnick has provided $1 million, said Michael Schneider, who heads the group.

Schneider said the committee also has financial support from retired real estate developer Yuval Bar-Zemer — known for his work in the Arts District — and Todd Wexman, chief principal of 4SITE Real Estate, a real estate development company.

Raman pollster says she’s in the lead

The Raman campaign shared the results of a new internal poll that showed their candidate with a five-point lead over Bass.

Of the 600 likely voters who were surveyed, 44% supported Raman and 39% backed Bass, with 17% undecided, according to a memo provided to the campaign and viewed by The Times. The survey, conducted by Hart Research Associates in early September, had a margin of error of 4 percentage points.

“In the initial trial heat for Los Angeles mayor, Councilmember Nithya Raman is in the rare position for a challenger of already LEADING the incumbent,” the polling firm wrote.

Another poll, commissioned by an independent expenditure group supporting Raman, portrayed the race as a statistical tie, at least initially. Estamos con Nithya for Mayor of LA 2026, sponsored by the Western States Regional Council of Carpenters, said its poll showed Bass with 38% and Raman at 37%.

However, when voters received more information on the candidates, Raman took a 7-percentage-point lead, with 41% supporting her and 34% supporting Bass, according to a memo prepared by the group’s pollster.

The margin of error was 3.7 percentage points.

The Bass campaign declined to share its internal polling when contacted by The Times.

However, Neighborhoods for a Better L.A., an independent expenditure group supporting the mayor, said a survey it commissioned in early August showed the mayor with an edge over Raman of 41% to 35%, with 24% of the electorate undecided.

That poll, conducted by Tulchin Research, surveyed 1,200 likely Los Angeles voters and has a 2.8-percentage-point margin of error, the group said.

The poll also found that when given “balanced biographies” about both candidates, Bass’ support grew to 45% while Raman went down to 33%.

“Communications focused on Raman’s record can both reduce her support and consolidate voters behind Bass,” the pollsters wrote.

Giving back El Grito cash

Los Angeles City Councilmember Imelda Padilla locked down sponsorships for the city’s celebration of El Grito, which marks Mexico’s independence.

Tuesday’s event, which featured an evening of musical performances, was sponsored by an assortment of city contractors and government agencies, including waste hauler Athens Services and the Department of Water and Power.

Still, Padilla decided she didn’t want to partner with one particular business, announcing at the last minute that organizers no longer would accept a $5,000 sponsorship from Home Depot.

On the day of the celebration, Padilla issued an apology on Instagram, saying she had heard from community members upset over the event’s affiliation with Home Depot, whose parking lots have been the site of many federal immigration raids.

“We have rescinded their partnership for this event,” Padilla said in her post. “The spirit of El Grito is rooted in celebrating our Latino heritage and creating a space where our families feel welcomed, safe, and celebrated.”

In an email, a Home Depot spokesperson said the company is not involved in immigration enforcement activities and doesn’t coordinate with Immigration and Customs Enforcement or U.S. Border Patrol. The company also doesn’t receive advance warning about enforcement actions, the representative said.

“We cannot legally interfere with federal enforcement agencies, including preventing them from coming into our stores and parking lots,” Home Depot spokesperson Evelyn Fornes said.

State of play

— COZY WITH CARUSO: Billionaire developer Rick Caruso, who was defeated by Bass in 2022, appeared alongside the mayor at a groundbreaking for the Palisades Recreation Center. Caruso praised her for her work on the project but stopped short of endorsing, saying he intends to meet with Raman in the coming weeks.

— LIFE AFTER PRATT: The voters who picked reality TV personality Spencer Pratt in the June 2 primary election are now up for grabs. But will they stay home instead of picking a mayoral candidate?

— BASS BAILS: The mayor skipped a congressional hearing on waste and fraud in homeless spending this week, calling the session politically motivated. Rep. Tim Burchett, the Republican who chaired the subcommittee meeting, accused her of dodging accountability.

— FINDING FRAUD: Federal authorities arrested three people who were working in Los Angeles-area homeless nonprofits this week, accusing one of them of misappropriating more than $7.5 million in taxpayer funds. Scott Turner, secretary of the Department of Housing and Urban Development, said the Los Angeles Homeless Services Authority, which provided the funding, had allowed fraud to “run rampant.”

— WE’RE IN THE MONEY: The 2028 Summer Olympic Games in Los Angeles will generate up to $40.6 billion in increased economic output and add as many as 224,000 jobs, according to an upbeat economic forecast released this week. Another, more tempered estimate put the increase at $20.5 billion to $25.4 billion.

— SEETHING OVER SKID ROW: Some activists want dogs taken away from homeless residents living in Skid Row, saying those animals are living in an unsafe environment. A Bass aide responded by cautioning that it is “neither humane nor legal to remove animals from their human companions without appropriate cause.”

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness went to Avalon Boulevard and 64th Street in South L.A., an area represented by Councilmember Curren Price.
• On the docket next week: The council’s Public Works Committee meets Tuesday to discuss ways of cleaning, safeguarding or demolishing nuisance properties.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Known as MEHKOs, microenterprise home kitchen operations come in many shapes and sizes. They are coffee shops, barbecue joints, supper clubs, backyard tea parties, pickup-only pizzerias and everything in between. For some of these operators, it’s a passion project, and for others, it’s their only source of income.

MEHKOs were first legalized by state lawmakers in 2019, spurred by advocacy from nonprofit organization the COOK Alliance. Riverside County was the first in the state to adopt the program in 2019. MEHKOs were greenlighted in L.A. County in May 2024, and since then over 400 licenses have been approved. While informal backyard restaurants are nothing new in L.A., the program offers a legal, health-department-approved pathway for many existing home kitchens to thrive.

MEHKOs can only sell up to 30 meals per day and no more than 90 meals per week. They’re also not allowed to advertise with signs on their homes or front lawns. And unlike commercial restaurants, where line cooks will often prep ingredients for the rest of the week, MEHKOs can only serve food that was prepared the same day.

“A home kitchen is not designed or required to have the same commercial infrastructure, such as ventilation systems, grease interceptors, specialized wastewater systems,” said James Dragan, who oversees initiatives including the MEHKO program at the L.A. County Department of Public Health. “The limits are important because of the food safety perspective.”

When dining at a MEHKO, be flexible. It might not be as easy as just placing an order. These home businesses are often open just a few days per week with limited hours, and might only accept orders placed in advance. For example, Palestinian home kitchen Mid East Eats — one of L.A.’s first MEHKOs — currently only offers private dinners and monthly supper clubs. It was previously open for walk-ins with a larger menu, but the format was difficult to sustain and would often create food waste.

“I want to continue doing my private dinners because that’s my favorite thing to do,” said Mid East Eats founder Sumer Durkee. “It’s satisfying to me and feels like home, and people leave feeling so happy.”

MEHKOs can serve as a relatively low-cost stepping stone toward opening a brick-and-mortar and offer one-of-a-kind food experiences, even in a city with as rich a culinary vocabulary as L.A. These eight home kitchens, all of which offer dine-in service, are a great starting place to discover the city’s burgeoning MEHKO scene.

WASHINGTON — Los Angeles Mayor Karen Bass declined to testify Tuesday before a House subcommittee investigating alleged fraud and mismanagement in the region’s homelessness system, but that did not stop her from going after Republican leaders on the panel.

As the hearing began, Bass’ reelection campaign accused “extremist Republicans in Congress” of staging a politically motivated attack on Los Angeles and its efforts to address homelessness, months after the Trump administration attempted to suspend federal funding for the city.

“Los Angeles will not be bullied,” Bass wrote. “Not by this President, and not by this Congress. I’m going to keep doing my job — cleaning up encampments, getting Angelenos inside, and making LA safer.”

Bass had notified Rep. Tim Burchett (R-Tenn.), the chair of the Subcommittee on Delivering on Government Efficiency, on Sept. 4 that she would not be available to testify, but her absence still drew criticism from Burchett, who told The Times he was willing to use the “fullest extent of the law” and possibly issue subpoenas to compel her to testify.

“I’d like to get her in,” he said after the hearing. “I realize that we have elections coming up and she knows that as well as anybody … but I would hope that she would come up here and answer questions.”

Burchett added that there are “legitimate questions” about how federal homelessness funds were used in Los Angeles and what he believes was their mismanagement. In his opening remarks, Burchett said he was concerned about how the city spent federal funds given the ongoing homelessness issue in the area.

“Los Angeles is at the center of American homelessness,” Burchett said, and specifically pointed to Skid Row as an example of the “abject failure” of the city’s approach to homelessness. “Under Mayor Karen Bass, law and order in the neighborhood has collapsed.”

Burchett added that the Los Angeles Homeless Services Authority was “ripe for corruption and financial mismanagement,” and raised concerns about contracts that have been doled out to nonprofits in Los Angeles and the surrounding areas.

Bass had served on LAHSA’s 10-member board since 2023 but stepped down last week, in part citing scheduling issues. Burchett suggested she “suddenly removed herself” from the board to dodge accountability after being asked to testify.

In a letter sent this month, Burchett noted that he wanted to scrutinize how homelessness has gotten worse during her tenure as mayor. David Michaelson, the mayor’s attorney at City Hall, pushed back on Burchett’s assertions, saying unsheltered homelessness in L.A. — the number of people living outside or in their vehicles — has dropped by 11% since Bass took office in 2022.

“She has achieved these results by focusing on interim housing, not ‘Housing First,’ and has also challenged certain ‘Harm Reduction’ strategies that are ineffective,” Michaelson wrote. “For example, Mayor Bass ordered that City contractors no longer provide needles to drug users and instead focus on services that encourage rehabilitation and protection of human life.”

Burchett’s effort to force Bass to testify over concerns about “potential misallocation of federal dollars” by LAHSA is the latest example of congressional Republican leaders trying to examine California’s handling of regional issues and finances. In the last year, Republican have launched investigations into the Palisades wildfire preparations as well as the distribution of charity funds for the victims of the Palisades and Eaton fires.

Rep. Melanie Stansbury (D-N.M.), the top Democrat on the subcommittee, said Tuesday’s hearing was an “unserious and political show targeting” the most vulnerable Americans and the services they need.

“Housing is a human right, and we’re not going to sit here while you use the housing and homeless crisis of this country to try to cough up whatever you’re trying to do politically before the midterms,” Stansbury said.

During the hearing, Burchett showed a short video of Skid Row, filmed by Jonathan Choe, a MAGA-aligned news influencer, who offered testimony during the hearing as well. Choe mostly focused his testimony on his concerns about substance abuse not being enough of a priority in addressing homelessness.

Paul Webster, a senior fellow at the Cicero Institute and executive director of the L.A. Alliance for Human Rights, also testified. Prior to the hearing, he testified in writing that LAHSA — the region’s primary Continuum of Care administrator — has been marked by financial mismanagement and fraud even as its federal funding has grown.

“Los Angeles and its utilization of federal homeless assistance policy is not an outlier,” Webster wrote. “It is the leading edge of a system that lacks accountability, effective monitoring, and prioritizes inputs rather than outcomes.”

Burchett said the panel will continue to take a “good hard look” at homelessness in Los Angeles and other “leftists” cities. He added that he intends to file legislation to require federally funded housing services to offer substance abuse treatment.

Also Tuesday, the LAHSA board voted not to compete with the city and county to keep carrying out many of its core duties, such as operating a homeless database and applying for federal funds on behalf of other agencies.

With L.A. city and county agencies preparing their own applications, a decision to compete with them “would only fracture regional collaboration during an already complex time,” LAHSA said in a statement.

The decision comes a few months after the Trump administration sought to suspend LAHSA from applying for and receiving federal funds. The agency sued to block that effort, winning a partial victory in federal court. The 9th Circuit Court of Appeals stayed that decision on appeal.

In response to the suspension and the ongoing legal battle, the federally mandated board that contracted with LAHSA for those functions put next year’s contract out to bid, forcing the agency to compete.

LAHSA, already diminished by the county’s decision last year to divert its homelessness funds to a new county homelessness department, now retains contracts for programs in the city. But Bass has said the city needs to take over those as well.

Ceballos reported from Washington, Smith from Los Angeles.

For Orville Peck, the best Sundays are basically all the same. And they are pretty similar to every other day of the week too. The masked country singer (and now actor) got sober three years ago and has figured out a routine that helps him stay clear-minded and present with the people in his life whom he cares about.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“If I don’t keep up that routine, especially on a day like a Sunday, it quickly falls into no day feeling fun,” he says. “[The routine], which to some people is like, ‘Oh God, that looks like hell,’ is fun for me because it is fun for me to show up for myself.”

Peck’s latest album, “Mule,” which details his sobriety journey, is out Friday. That same day, he’s headlining the Hollywood Bowl, one of his favorite venues in the city.

Peck currently lives in the Hollywood Hills and has been in Los Angeles, on and off, for 18 years. “It’s definitely home to me,” he says. “I met my partner there. I’ve had some of the most important moments of my life in Los Angeles. I will always love this city.”

It’s also particularly conducive to his new lifestyle. “There’s a ton of other crazy people going to the gym and swimming and going to [12-step] meetings every single day,” Peck says. “So I’m in appropriately obsessive company for sure.”

This interview has been lightly edited and condensed for length and clarity.

5 a.m.: Early to rise

I wake up painfully early. I’ve been doing that since I was a toddler. I used to hold my mother’s eyelids open in the morning to get her to wake up.

When I wake up, the first thing I will do is meditation. I do transcendental meditation. I find every other form of meditation impossible. I’ll do TM for 20 minutes. My partner started doing it and I saw how much he was benefiting from it, so I decided to go and take the course and just loved it.

And then I’m an avid journaler, so I usually journal for probably about half an hour in the morning.

7 a.m.: Caffeination and hydration

I will make a very large iced coffee. I’m not snobbish about coffee, I’ll drink whatever.

I also fill up a massively obnoxious water bottle that has times on it that I carry everywhere. It looks like performative hydration, but it’s literally because if I don’t challenge myself to drink water, I just won’t drink water at all. It’s basically to shame myself into drinking water.

8 a.m.: Pool time, Part 1

I get to a public pool and I do laps. I grew up in South Africa and you’re forced to play every sport known to mankind. I always excelled at swimming, so it’s the one thing I still love to do. I just started up [again] within the last year.

I work out a lot, but when I’m at the gym, I don’t do any cardio. I’m never going to be on a treadmill or anything like that. Swimming feels like a fun way to keep me engaged.

10 a.m.: Meal prep

Then I go meet back up at home with my partner. We’ll go take our dog for a walk or we’ll go to a farmers market to get some produce for the week.

Then we’ll go grocery shopping because I love to cook. I will go to whatever is easiest. I’ll frequent a Gelson’s or a Ralphs or a Whole Foods. If I’m going to Whole Foods, I’m not doing regular grocery shopping. I want brands. I like a Coca-Cola.

I’d say I’m cooking usually about five or six nights a week. I’m very organized — I’m a Capricorn, if you can’t tell. I usually have a whole menu of what I’m going to do for the week, so I’ll get everything I need for that.

I will read a recipe or see a recipe I like, and then I will just freestyle it. I used to work in restaurants, so I feel pretty confident about it. But in terms of the style [of cooking], I’m best at recipes that take a long time, so anything that requires lengthy flavor building, like stews or curries.

Noon: Pool time, Part 2

Back at the house, we’ll have some lunch, something easy by the pool. So more swimming.

2 p.m.: Gym time

I’ll work out either at the house or go out to the gym. I’ve been sticking with a weight training routine for a couple of years now, but I try to evolve the exercises all the time because I get bored really easily.

Sometimes I work with a trainer. I filmed “Street Fighter” last year in Australia, so I did a ton of different training and martial arts training for months. It opened up my horizons to a lot of different forms of working out that I just didn’t know before. I’ve got a pretty big encyclopedia to pull from at this point.

4 p.m.: Recovery

I’ll usually head to a 12-step meeting, I’ll either catch one online or try to find one in person because there’s a lot around L.A.

6 p.m.: Not cooking tonight

On the weekend is where we will typically order in or eat out, maybe with some friends. Some places I love to order in from are the Sisters Cafe, which is Vietnamese, and Jon and Vinny’s.

9 p.m.: Early to bed

Both my partner and I are 80 years old at heart. We always have grand plans about watching a movie or whatever, and then we’re both inevitably snoring by 10 p.m. at the latest.

I used to live my life like a psycho maniac doing everything unhealthy. It definitely didn’t involve going to 12-step meetings and swimming laps at seven in the morning. It was whatever the opposite of that is.

When I went through the first two years of my sobriety, I went through a lot of trial and error in terms of overdoing it with things like therapy and mindfulness, and then also underdoing it as well. It took me a couple of years to really find what are the things that make me feel good about myself, make me feel grounded, make me feel accountable, and still feel like I’m living a happy life and not just white-knuckling 12 hours of, essentially, therapy every day. So I’ve found the things that really work for me.

There’s days where I will totally not do every one of those things. There’s days where I’m too lazy to go swimming and there are days where I’m like, “I don’t want to go to the gym.” I’m not militant about it. The other thing I’ve learned is to be easy with myself.

Paramount Skydance Chief Executive David Ellison faces a pivotal decision: Should he uproot his Hollywood studio — the birthplace of such film classics as “Sunset Boulevard,” “The Godfather” and “Beverly Hills Cop”?

Paramount floated shifting its home base to Tennessee or Texas in July, hoping to deter California Atty. Gen. Rob Bonta from waging a legal battle to block Paramount’s $111-billion acquisition of Warner Bros. Discovery.

Bonta rejected the tactic, calling it “blackmail.” His antitrust lawsuit, filed in collaboration with 11 other Democratic state attorneys general, has since stalled the largest Hollywood merger in decades and put Ellison in a jam.

The 43-year-old tech scion — a film aficionado who has spent two decades building his career in Hollywood — has told associates he doesn’t want to leave L.A. But he has signaled that he’s prepared to sell the historic studio lots and move Paramount’s and Warner Bros.’ operations from California if the merger isn’t finalized by next month, according to people familiar with the situation who were not authorized to comment.

The prospect has rattled a region already reeling from steep declines in film production, heavy job losses, empty soundstages and shuttered small businesses.

“It would be devastating,” Assemblymember Rick Chavez Zbur, who represents a district that includes the Melrose Avenue movie lot and neighborhoods near Warner Bros. in Burbank, said of a Paramount move. “We need to do everything we can to protect these important jobs in California’s iconic industry.”

Paramount declined to comment.

Ellison is frustrated after securing approvals from more than 65 regulators worldwide for the mammoth merger that would bring HBO, CNN, CBS, Comedy Central, MTV and TBS under the same roof.

Bonta’s lawsuit stands in the way.

“California is the fourth-largest economy in the world and the best place to do business,” a spokesman from Bonta’s office said. “Strong antitrust enforcement is essential so everyone can benefit from a vibrant economy.”

A federal judge in Oakland temporarily blocked the deal, prompting Paramount to agree not to finalize the acquisition until after a trial or June 1, whichever comes first. Settlement talks collapsed in late August after Bonta accused Paramount of leaking and misrepresenting their discussions.

Paramount has plenty at stake. U.S. District Judge Araceli Martínez-Olguín set the trial for March, but the company urgently needs the valuable Warner assets to better compete against tech behemoths. And beginning Oct. 1, Paramount must increase its payout to Warner Bros. Discovery shareholders by $7 million a day, so-called ticking fees that will heap more debt onto the highly leveraged transaction.

Paramount asked the judge to require California and other plaintiff states, including Nevada, Oregon and New York, along with the Writers Guild of America (which also sued) to post a $1.88-billion bond that could compensate Paramount for ticking fee costs. A hearing is set for Sept. 24.

For weeks, Paramount’s most potent weapon has been its in-the-works plan to leave L.A.

Lobbying has been intense, prompting a parade of politicians led by Gov. Gavin Newsom, L.A. Mayor Karen Bass and gubernatorial nominee Xavier Becerra to urge the two sides to settle the lawsuit.

“It’s a game of chicken,” Kevin Klowden, an economist and managing director at the Melcene Advisory firm, said in an interview. “But I’m not dismissing the threat because it is very real.”

Relocating from Los Angeles would allow Ellison’s cash-hungry media company to qualify for lucrative tax incentives offered by another state. Ellison’s short list includes Tennessee, Texas and Georgia. But leaving its longtime home would be costly for Paramount too, given how much of the talent and deal-making remains concentrated around L.A.

Tennessee’s Department of Economic and Community Development declined to discuss its negotiations with Paramount, but in a statement a spokesperson said the state “remains committed to working with companies across a wide range of industries that are exploring opportunities to invest and grow in Tennessee.”

Early this month, a pro-merger group was set to hold a news conference outside Paramount, but it moved its gathering to a warehouse a few blocks away after anti-merger activists planned a counterprotest.

The pro-merger organization, Neighbors for Strong Communities, was incorporated in Washington, D.C., in June and has lobbed text messages to Californians urging them to press Bonta to drop the case.

Speakers were concerned with just one issue: What would happen should Paramount pull out?

“What are we going to do with all these people who have invested their lives and many generations into building something here?” asked Keyla Wood, who moved from Mexico to L.A. about a decade ago after getting her start in Spanish-language soap operas.

“It’s been one thing after the other: The pandemic, the strikes and then it was the fires,” said Wood, who has worked as a stand-in for Eva Longoria and Salma Hayek. “So many people never work again.”

David Ellison is deciding whether to leave Hollywood.

(Bloomberg via Getty Images)

L.A.’s very identity is at stake, added Daniela Kelly, an actor and dancer who arrived from Brazil two decades ago.

“Everyone in the world sees Los Angeles and Hollywood as the platform for their dreams,” Kelly said. “Imagine if a huge studio with 100 years of history here just leaves? What will we be?”

Businesses like Kelly’s small Kreashen Studios USA, which provides video and podcasting space in Marina del Rey, depends on the region’s entertainment economy.

“It’s difficult financially right now to keep open,” she said. “So I’m pro having Paramount stay because this is the center, the heart of Hollywood.”

But deal opponents and some experts say the merger would actually worsen L.A.’s already bleak production picture.

Paramount has promised to cut $6 billion in expenses — a figure that doesn’t factor in the cost of ticking fees, which would add $650 million each quarter to the $81 billion that Paramount had anticipated paying Warner shareholders.

“We’ve seen from previous mergers that jobs have been lost,” L.A. City Councilmember Adrin Nazarian said at a City Hall event recently.

Combining Paramount and Warner could result in the elimination of nearly 4,500 positions over three years and put at risk an additional 5,865 jobs within businesses that serve the studios, according to an August report by the Los Angeles County Department of Economic Opportunity.

“When you look at the economic impact, it’s pretty staggering,” Kelly LoBianco, the department director, said in a recent interview. “An estimated $4 billion in economic output lost, and another $550 million lost in tax revenue at the local, state and federal level.”

The merger also could erase $79 million in tax revenue to Los Angeles County even if Paramount stays in L.A., she said.

But state and county tax revenue would plummet further should Paramount dispatch hundreds of its workers to Tennessee or some other state, Klowden said.

“If Ellison moves all the management out and all of the productions out, you’re talking about potentially tens of thousands of jobs,” Klowden said. “That, bluntly, isn’t just devastating to L.A. That becomes devastating to everybody.”

A report commissioned by Paramount from Los Angeles Economic Development Corp. predicted even steeper losses of at least 28,000 jobs should the studio move its entire operation out of state, according to a draft report given to Politico.

Under a less dire scenario, Paramount could shift its corporate headquarters to another state to qualify for incentives but still maintain large staffs in the creative hubs of Los Angeles and New York, where the company has its legal headquarters.

When the Ellison family acquired Paramount from the Sumner Redstone family last year, Ellison shifted operations to L.A., where he and other key executives work on the Melrose Avenue lot.

The threat to pull up stakes has created a disconnect after Ellison has spent more than a year touting how his family’s growing collection of media properties would strengthen traditional Hollywood.

The relocation campaign echoes a tactic used by software giant Oracle Corp., co-founded by Ellison’s billionaire father, Larry Ellison. For three decades, Oracle thrived in Redwood City, Calif., but in 2020, the company moved its headquarters to Austin, Texas, joining other California tech firms leaving in protest of the state’s high taxes.

The elder Ellison announced in 2024 that Oracle would be moving again, this time to Nashville, although that relocation hasn’t been finalized.

Paramount would risk leaving behind a skilled talent pool filled with experienced production workers and entertainment executives, Klowden said.

Fleeing L.A. could prompt “a talent bleed-out,” Klowden said. “Creative types are like: ‘Would I feel comfortable moving there?’ And, ‘What if I move there and something goes wrong? There would be nowhere else for me to go.’”

He pointed to Nissan’s 2006 U.S. headquarters move to the Nashville area from Gardena in L.A.’s South Bay, which dramatically reset the automaker’s workforce as fewer than half of its Southern California employees made the trek to Tennessee.

On Friday, a magistrate judge told both sides to identify dates in late October to meet for court-ordered settlement talks.

Each has motivations to settle — including avoiding a years-long court fight. Bonta has said Paramount must be willing to part with assets to alleviate market concentration, which could lead to a sale of Warner’s New Line Cinema, which has rights to “The Lord of the Rings” and “The Conjuring” franchises, and potentially cable channels such as CNN, Food Network or Cartoon Network.

Paramount, as part of a settlement, could abandon plans to leave L.A.

“All of the parties need to understand what this [issue] means to workers and small businesses,” Zbur, the local Assembly member, said. “I’m hopeful for a settlement that assures that Paramount and Warner Bros. will maintain their operations and remain a significant economic and employment force in Los Angeles.”

Times staff writer Cerys Davies contributed to this report.

Labor Day is behind us, election day is less than two months away, and the question before Los Angeles voters is this:

Can anyone run this city?

Two fires at abandoned properties, one in Studio City and the other on the eastern edge of Larchmont, offer windows into City Hall dysfunction as Mayor Karen Bass defends her job against a challenge by City Councilmember Nithya Raman.

Let’s start on Babcock Avenue, just south of Moorpark Street, where, for roughly five years, neighbors of a vacant house begged City Hall for attention to what had been a dumping ground, a fire hazard and a homeless hangout.

To no avail.

When they received any response at all, they got the runaround.

Resident Jon Manzanares told me he has supported Bass and Raman in the past. But in a spring 2025 email to City Hall, he said both “should be ashamed and resign in disgrace.”

Well, they didn’t. And following an Aug. 26 fire at the Babcock property, which damaged the rear of an adjacent home, Bass and Raman went after each other for not having addressed all those pleas for help.

“Nithya Raman wants to lead the whole city,” said a Bass campaign social media post, but after six years in office “she can’t even get a single lot cleaned up in her own district.”

Raman shot back, saying she had alerted the mayor’s office about the nuisance property 10 months earlier.

“I cannot call her about the 200-plus issues that we’re dealing with that are at this level of risk,” Raman snapped.

The finger-pointing doesn’t inspire confidence, does it?

At least, said Manzanares, a retired lawyer, L.A. found out what it takes to get a response from the two mayoral candidates.

“The news crews showed up” to cover the fire, Manzanares told me, “and it finally got some attention because of the election.”

But festering eyesores are everywhere, as Bass herself indicated when she called in to KTLA-TV.

Fire damage is seen at an abandoned Studio City property following a overnight blaze on Aug. 26.

(KTLA-TV)

“You know,” she said, “this is a situation that unfortunately exists all over the city.”

A for honesty. F for failing to clean up all those messes, regardless of whether the problem is departmental failure or communications breakdowns with council members.

The fire in Studio City spread to a neighboring property and damaged a structure that Kayt Miranda uses for storage and as a home office. I spoke to Miranda on the front porch of her home, and she said she had filed multiple complaints about the nuisance property over a five-year period.

Five years.

“And we never heard back,” Miranda said, telling me she had seen people set up camp at the property, bringing in mattresses, book shelves and clothing racks. “Then we went to Raman’s office … They would send responses, but … we never saw any action.”

Manzanares showed me an email from a Raman staffer last month that said, “unfortunately, there is not a clear and expeditious path forward on this case.”

Why not? Was it going to take another five years?

Miranda said exasperated neighbors had banded together to put up more lighting and cameras to protect their properties, “but it really did feel like this is forever, because nothing was going to happen.”

When I was done in Studio City, I drove across town to meet with construction worker and pastor Juan Galicia, whose house was torched in March when fire jumped from an adjacent abandoned property.

I had first heard about Galicia in April, when I toured a nearby Hollywood neighborhood for a column about a homeowner who had hired her housekeeper to report illegal dumping, help bag up the daily mess and try to reduce the fire risk around encampments. The city wasn’t doing its job, Stefanie Keenan had told me, so she was spending her own money to protect herself and neighbors. And she still is.

Galicia didn’t get the protection he needed, despite multiple contacts with police and city offices — by him, relatives and neighbors —regarding the empty dwelling next door to his on North St. Andrews Place. Galicia said squatters were in and out of the house, with periodic fighting and drug use. Police would come, he said, but when they left, the trouble would return.

Galicia was preaching at his church in South L.A. when flames engulfed his home, where he lived with an extended family of 10.

“Eighteen years,” he said of his time in the house. “And in 10 minutes, you have nothing.”

I followed him into the house, with its charred walls, ceiling and flooring. Galicia wore a somber expression, as if still suffering from the shock, and he saw new evidence of trespassers, along with some fresh graffiti.

Galicia told me, as he told The Times’ Seamus Bozeman in July, that he intends to rebuild. But his insurance settlement won’t cover the cost of rebuilding, and he’s still paying $2,000 a month on the mortgage, plus $6,200 for temporary lodging in a rented house.

Meanwhile, as he struggles with a crushing financial problem he did not create, he’s aware that millions are being spent on homelessness without significant progress.

Aerial view of Larchmont home belonging to Pastor Juan Galicia that was destroyed by a fire that began at a vacant property next door.

(Robert Gauthier/Los Angeles Times)

“I don’t understand,” Galicia said.

A spokesperson for City Councilmember Hugo Soto-Martínez told me his office became aware of Galicia’s issue in January, but because of paperwork and the complexity of legal records, could not track down the owner of the adjacent property before the fire.

In L.A., people trip and fall in droves and successfully sue the city for millions. I wondered if Galicia might have a liability case against the city, but two attorneys told me going after the next-door property owner could be more fruitful.

In a Sept. 5 press release, Bass said she was directing city crews to clean and secure nuisance properties citywide. OK, fine, but what took her so long?

Bass also said she had earlier signed legislation initiated by Councilmember Monica Rodriguez to speed the process of cracking down on negligent property owners and to hit them with stiffer penalties.

Those fines ought to go into a fund to assist Juan Galicia and others like him.

Between 2018 and 2024, according to the L.A. Fire Department, homelessness was a factor in about one-third of all fires in the city.

“I feel for these people, I really do. I’m not unsympathetic,” Jon Manzanares told me in Studio City. “But by the same token, we need to do something constructive and not have these encampments that start fires.”

With less than two months to go before the election, it’s on Bass and Raman to convince voters they can make a difference.

The finger-pointing is useless.

steve.lopez@latimes.com

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, giving you the latest on city and county government.

It wasn’t that long ago that the Los Angeles Homeless Services Authority was the place to be — at least, if you were a local politician.

L.A. Mayor Karen Bass put herself on the agency’s 10-member board in 2023, saying direct oversight would help her confront the region’s homelessness crisis. L.A. County Supervisors Lindsey Horvath and Kathryn Barger joined that year as well.

Those who follow local politics — and the travails of the region’s beleaguered homeless agency — know what happened next.

Barger left the board, comprised of city and county representatives, after a single year. Horvath lasted two. Both spearheaded the effort to shift more than $300 million out of LAHSA and into a new county homelessness department, saying they had lost confidence in the agency.

On Wednesday, Bass finally stepped down too, offering the latest and perhaps most crucial sign that LAHSA’s days could be numbered.

Bass, now in a tough reelection fight, portrayed her resignation partly as a scheduling issue, saying she recently became chair of the board that oversees the Metropolitan Transportation Authority.

But Bass also said she has concluded that the city needs direct control over homeless services, replacing the joint city-county governance structure that has existed for three decades.

“To me, it is not functional at this point,” the mayor told reporters on Wednesday.

Bass was in fact Metro’s board chair when she joined LAHSA three years ago, juggling the two roles. But things are different now. LAHSA, long a subject of criticism, is under attack from all sides.

The Trump administration has spent months trying to strip LAHSA of its federal funding. Federal court battles have highlighted weak oversight at the agency. L.A. City Council members have voiced renewed frustration with LAHSA’s handling of the yearly homeless count. All of this follows years of critical news coverage and unflattering audits.

Paul Rubenstein, a LAHSA spokesperson, said the agency remains focused on its work — moving unhoused Angelenos indoors, managing public funds and “ensuring transparency and accountability across our rehousing system.”

Bass and her opponent in the mayor’s race, City Councilmember Nithya Raman, tried without success last year to dissuade county officials from pulling their funding out of LAHSA. At the time, they sent a letter telling the supervisors they were “going backwards into a silo.”

Now, LAHSA’s core responsibilities are up for grabs. County officials plan to compete for those duties, including management of the homeless count.

Bass and Raman want the city to compete as well. Asked this week if that process spells the end of the homeless agency, Raman hedged a bit.

“I don’t know what moment will be the death knell of LAHSA,” Raman said. “What I am saying right now is that the city … should be able to take greater control over the dollars that we are investing.”

Bass said Friday that she can envision a scenario where LAHSA continues to exist but is much, much smaller.

“Our $300 million would stay within the city,” she said.

Traci Park unloads on Raman

Raman has been taking her campaign to Pacific Palisades, talking to residents about her recovery plan for the community, which was devastated by the January 2025 wildfire. During one recent appearance, she told an audience that the city has let them down.

“I don’t want to let you down. I feel an urgency to show up,” she said.

That appearance — and Raman’s social media posts on the issue — drew a testy response last week from Councilmember Traci Park, who represents the Palisades. Appearing on KFI’s The John Kobylt Show, Park said Raman never spoke with her one on one about the disaster or what her constituents needed in the aftermath.

Park said she had council members tour the burn area with her early on, to help them understand what would be required during the recovery. Although most of her colleagues took her up on that offer, Raman did not, Park said.

“The Palisades have been through enough,” Park said. “They don’t need politicians discovering their suffering, and the challenges they’re dealing with, only when it becomes politically useful.”

Raman, through a campaign spokesperson, said she did tour the Palisades both before and after launching her mayoral bid — and signed on to multiple council motions dealing with wildfire prevention and disaster recovery.

In a statement, Raman also offered praise for Park, saying she has “worked tirelessly to support the rebuilding of the Palisades.”

“As mayor, I’ll be the strongest partner to her and Palisades residents to help them rebuild and return home as quickly as possible,” Raman said.

Park remains the only council member who has not endorsed in the mayor’s race. Thirteen others are backing Bass.

Dueling controllers unite for Raman

Raman has picked up endorsements from something of a political odd couple: two city controllers who have not always had kind things to say about each other.

City Controller Kenneth Mejia, who recently won reelection, stood with Raman in Chinatown on Wednesday as she called for L.A.’s nonprofit homeless providers to be paid based on their success rates.

A day later, Raman appeared in the San Fernando Valley with former City Controller Laura Chick as the two spoke out against the city’s $2.6-billion upgrade of the Convention Center.

The back-to-back appearances brought back memories. Chick had tough words for Mejia back in 2022, calling him “unfit for public office.” She pointed to his tweets calling then-President Joe Biden a rapist and a racist, and his decision to pose for a photo with a poster of Hillary Clinton photoshopped to look like she was behind bars in an orange prison jumpsuit.

Mejia responded by blasting Chick, a former City Council member, as a career politician who recycled lies and “exaggerated attacks.”

Chick, who served as controller from 2001 to 2009, went after Mejia again this year, endorsing his opponent, real estate executive Zach Sokoloff, in the run-up to the June 2 primary. This time, she said Mejia was not producing enough reports to fulfill his office’s watchdog role.

In many ways, Chick was the Mejia of her day, railing against the status quo and turning a spotlight on the city’s shortcomings, drawing the ire of other elected officials.

So could the Raman campaign bring about a detente between the two?

Chick, in an interview, said she hasn’t spoken with Mejia but would gladly take his call. She said she wishes him well now that he has another four years in office.

“I think she’s trying to get us together,” Chick said, referring to Raman.

Chick said she’s hoping that Raman, as mayor, will receive “lots of vigorous audits” from the controller and then implement the findings.

“I yearned for a mayor, as city controller, that I could turn to and say, ‘Here. Here are the findings of my audit. Please do something about it.’ She’ll have that with Mejia,” Chick said.

We should point out that Bass has picked up support from at least two former city controllers: Rick Tuttle, who served from 1985 to 2001, and Wendy Greuel, a former city councilmember who succeeded Chick in 2009.

State of play

— STICKER SHOCK: A long-promised makeover of the Veteran Administration’s historic Building 13 in West L.A. will create 24 units of housing for homeless veterans, at an estimated cost of $1.25 million per apartment. “It must be one of the most unaffordable projects ever undertaken,” said Bobby Shriver, the former Santa Monica mayor.

— LINEAGE LAWSUIT: Lineage, whose cold storage warehouse recently burned down in Boyle Heights, leaving behind the stench of rotting meat, said in a new lawsuit that a company that operated a solar array on the building’s roof is to blame for the fire. Altus Power, the solar company, said it would fight the allegations in court.

— BOTHERED BY BUSES: Business owners in Eagle Rock are worried about a dedicated bus lane coming to Colorado Boulevard — and the potential impact on customer visits.

— SETTING A SCHEDULE: The City Council voted this week to draft legal language that would require fast-food restaurants to give employees notice of their work schedules at least two weeks in advance. The move would build on an existing city ordinance that currently applies to retail employees at large companies.

— BACKING A BILL: Hollywood film and TV post production workers stood with Bass and Assemblymember Nick Schultz (D-Burbank) on Thursday, urging Gov. Gavin Newsom to sign a bill that would create the state’s first standalone post-production tax incentive.

— LIFE AFTER PRATT: Bass or Raman for mayor? In Spencer Pratt’s Pacific Palisades, some say that’s no choice at all.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness went to Skid Row, an area represented by Councilmember Ysabel Jurado.
• On the docket next week: A House subcommittee holds a hearing Tuesday to discuss waste and fraud in L.A. County’s homelessness response system — one that won’t be attended by Bass.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Imagine Paris in the 1920s, only it’s Los Feliz today — the Figaro Bistro patio humming with literary gossip from mercurial poets through clouds of cigarette smoke. It’s a proposition that Sammy Ginsberg is willing to explore.

A longtime writer and former high school English teacher, Ginsberg found writer gatherings to be inaccessible — either too large in scope or too exclusive. Luckily, Vermont and Hillhurst avenues are just right. The Los Feliz Writer Festival was born.

“Los Feliz is super artsy and filled with writers. It’s fun to organize one in the neighborhood,” says Ginsberg.

Ginsberg is weary of the well-trodden conversations about the New York literary scene, steeped in endless mythology. We may not have the New Yorker or the Paris Review, but we have each other: “There are 40 million people who live in L.A. County. I’m like, ‘We don’t need New York. We have people.’ ”

Willa Lane writes in a notebook at the closing Los Feliz Writers Festival event that featured journaling and meditation in Barnsdall Art Park.

(Samahra Litte )

That scrappy DIY quality can make Los Angeles’ literary community feel mysterious, even to the people living in it. A San Fernando Valley native, Ginsberg knows there’s plenty happening around the city — you just have to know where to look.

“There’s a lot of things going on, but you have to be in the know,” she says. “It’s happening in someone’s living room because it costs so much money to book a venue.”

In late August, Ginsberg organized the second annual Los Feliz Writer Festival, a sprawling collection of readings, workshops, parties and other literary miscellany. “Last year we did it, and it went really well,” she says. “This year, it’s even bigger and crazier and magical.”

The festival is, in some ways, an extension of the community Ginsberg has been quietly building all year. Since October, she’s hosted a weekly “Shut Up & Write” at Los Feliz watering hole the Big Bar at Alcove. “We have dinner and then write next to each other quietly,” says Ginsberg. “You can see each other every week, and it’s a natural, slow way to get to know people.”

The Los Feliz Writer Festival kicked off with Poets Are the New Popstars, a reading-meets-house-party at a private home in Los Feliz. Over the course of the festival’s 13 events, writers could attend personal essay workshops, receive tarot readings, and celebrate the 100th birthdays of Frank O’Hara, Allen Ginsberg and Harper Lee at East Hollywood bar Tabula Rasa. “I made these limited-edition official after-party zines with a poem and quote from the authors,” says Ginsberg.

Alex Moreno reads from her poetry collection “Sticky Time” at Poets Are the New Popstars.

(Toby Shapiro)

Ginsberg imagines the literary scene as a collaborative project. “For me, this is kind of like hipster ‘Dungeons & Dragons.’ I’m playing with my friends,” she says of the festival, which she plans to organize annually. In the future, the festival hopes to include more diverse voices. “In the second year, we’re trying to open up the conversation,” she says. “We, too, believe that L.A. is for everyone and want it to be a writers festival for everyone.”

Christina Catherine Martinez, a critic, writer and comedian, has a more pointed take on the Los Angeles literary world.

“A lot of parties and readings, but not a lot of bylines,” she muses. “Substack IRL but still gunning for the traditional publishing deal — kind of an old world is dying, a new world is not yet born.”

Yet, Martinez welcomes the proliferation of readings that have emerged throughout the city. “I love that there are so many readings,” she says. “Fifteen years ago the only time I mingled with other writers was at the yearly Artforum dinner, when the lit scene was barnacled to the art scene.”

This fall, Los Angeles will host an eclectic mix of literary events, from readings by acclaimed novelists to intimate gatherings for emerging writers and readers. For those looking to immerse themselves in the city’s burgeoning literary scene, here are 16 readings and literary events taking place across Los Angeles.

Harry Styles isn’t ready to end his Together Together tour just quite yet.

The three-time Grammy winner and One Direction alum announced on Thursday that he will extend his tour well into 2027. The newest leg will include additional stops across several locations including Los Angeles, where he will take over the Rose Bowl in Pasadena on April 23 and 24 with some assistance from Kylie Minogue.

Styles begins his tour extension in April with Tinashe in Phoenix before later hitting the road with additional guests including LCD Soundsystem, the Womack Sisters and Caroline Polachek. His stateside shows include stops in Dallas, Atlanta and Chicago. The “As It Was” and “Watermelon Sugar” singer will also take his music back across the Atlantic for concerts in Berlin, Paris, Madrid and London, where he will close out the tour in late August.

The 32-year-old musician launched his Together Together tour in May and is currently in the second month of his marathon 30-night residency at Madison Square Garden. He obviously knows a thing or two about going the distance.

Styles announced his Together Together tour in January, with some help from NBC’s Steve Kornacki, ahead of the release of his latest album “Kiss All The Time. Disco, Occasionally.” This year’s album marked Styles’ fourth solo release, following 2022’s “Harry’s House,” which earned the singer two Grammy awards including album of the year in 2023.

Los Angeles County launched a probe into Farmers Insurance Company’s handling of claims by policyholders impacted by last year’s devastating Eaton and Palisades wildfires, after a growing number of residents complained of delays, denials and underpayments.

In a letter sent to Farmers on Wednesday, the county’s lawyers said if the company is engaging in any unlawful or unfair business practices, it must immediately stop.

“Eaton Fire survivors did everything right—responsibly paying their premiums year after year—but when disaster hit, Farmers left them with a contaminated home and refused to pay for testing and cleanup,” said Los Angeles County Supervisor Kathryn Barger, who represents Altadena, in a statement.

“My constituents shouldn’t have to walk back into homes with lead and asbestos because an insurance company won’t pay for the test that would prove it’s there,” she added.

Farmers disputed the county’s claims.

“As always, we operate in accordance with applicable laws and regulations,” the insurer said in a Thursday statement. “We do not believe the inquiry accurately characterizes our actions or practices and will cooperate through the appropriate process.”

“Serving our customers during difficult times is at the heart of what we do, which is why each claim is reviewed individually, taking into account the specific circumstances of the loss and the coverage provided under the policy,” the company said. “We remain focused on handling claims with care, consistency and attention to each customer’s unique situation.”

County officials said that at a recent meeting with Eaton fire survivors, those with Farmers policies said the insurer had been slow or resistant to pay for toxin testing by qualified industrial hygienists, forcing residents to pay for it themselves.

The testing revealed that many homes were contaminated with unsafe levels of lead, asbestos, chromium, and other toxic substances, the county said.

The residents also told the county that Farmers has refused to pay for adequate remediation of the contaminants and declined to cover ongoing living expenses.

“After paying millions of dollars in premiums, policyholders deserve the benefits and support they paid for,” said Supervisor Lindsey Horvath, whose district includes Pacific Palisades. “Families whose homes survived the Palisades and Eaton Fires but remain damaged or contaminated should not be forced to choose between returning to an unsafe home and financial devastation.”

The new investigation comes after the county filed a lawsuit against State Farm on Aug. 31 for its handling of Eaton and Palisades fire claims. The county claims State Farm engaged in illegal and deceptive business practices that kept victims from receiving what they were entitled to under their policies. State Farm denied the county’s claims.

As a kid growing up in rural Oklahoma, I feared what lurked beneath the lake water.

I’d listen as my family spun yarns about the massive catfish they’d discovered while noodling. I was terrified that, despite their docile nature that not a single adult told me about, an alligator gar would eat me while I bobbed in the lake. Old timers would recount finding a water moccasin in their boat. And I’ve still never recovered from the concept of a “breeding ball,” which a friend’s cousin’s cousin claimed to have run into while water skiing.

Despite the fact that nothing bad ever happened to me in a lake, my fear stayed with me into adulthood. I’ve met several Californians who hold fears similar to mine, but rather than lakes, their outsized anxieties lie within the ocean. It not only keeps them from swimming at our local beaches but also from venturing beyond the shallow shoreline.

An underwater view near Terranea Resort on the Palos Verdes Peninsula.

(Allen J. Schaben / Los Angeles Times)

In this week’s edition of The Wild, our weekly outdoors newsletter, I will discuss how to safely tackle those fears and start exploring with a snorkeling kit. Get ready to learn about the incredibly diverse and colorful world that lives beneath our local waters — you’re about to feel like Ariel exploring a whole new world! Let’s dive in.

I spoke to Ralph Buck, who founded Barnacle Busters, an L.A.-based LGBTQ scuba club, with two others almost 40 years ago. Buck’s passion for helping others learn how to safely explore the ocean was so infectious that by the time we ended our call, I was seriously considering whether I should get my scuba certification (which is a story for another day).

Here’s what Buck advised regarding snorkeling.

The Wild writer Jaclyn Cosgrove snorkels among what appear to be grunion or topsmelt near the coastline of the Palos Verdes Peninsula.

(Allen J. Schaben / Los Angeles Times)

1. Get the right gear

Generally you will need the following gear to get started:

• A correctly sized mask and snorkel.
• A wetsuit (with booties, as a bonus, to protect your feet): Generally, 7 mm is a great thickness for Southern California, although our water is warmer because of our El Niño season (and climate change).
• A life jacket or flotation device: This is considered optional, as the wetsuit will help you float, but there’s absolutely no shame in being extra safe! (And if you don’t have a wetsuit, please do wear a life jacket.)
• Fins: It might be too strong to suggest they’re “optional,” but they can be awkward for those new to snorkeling and not necessary if you’re in calm enough waters or an overall strong swimmer.
• Camera: Very, very optional. While out at Santa Cruz Island two weeks ago, I took some terrible underwater photos with my iPhone and wished I’d just left it on the shore.
• Weight belt: If you want to dive, you might need a weight belt to help you go under. That said, this is a more advanced tool, and it’s good to just focus on the basics as you get more comfortable in the water.

One thing new snorkelers might not realize is the level of buoyancy that a wetsuit gives you. Both times I’ve been in the past month, I wore a 7-mm suit and loved how easy it was to float above the eel grass at Santa Cruz Island and the kelp on the coast of Palos Verdes. I love a sport that includes just lying around.

Kelp, sea grass and various algae grow beneath the water at Terranea Beach Cove in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

2. Plan for getting your wetsuit on

For anyone on the shore of Prisoners Harbor two weeks ago, they got the pleasure of watching me groan (and curse) as I maneuvered into a thick wetsuit without anything but my swimsuit on. I told my friend I knew what sausage felt like as it’s shoved into its casing.

Zach Cantrell, owner of Ventura Dive and Sport, gave me a tip I will be eternally grateful for: Bring a plastic bag or something else that will help you slide into your wetsuit, as it helps reduce the friction between your body and the wetsuit. I brought one with me when my colleague, Allen J. Schaben, and I went out last week, and getting my wetsuit on was a breeze. No human sausage vibes (or cursing).

Buck suggested other options might be pantyhose or a long-sleeved unitard. Anything to help you slide into your wetsuit!

3. Before going out, practice in a pool

“I would suggest before hitting the open water, go hop in a pool and maybe find an experienced snorkeler to go with you simply because there are some subtle little pieces to the puzzle, which are” easy to miss for a new snorkeler, Buck said.

That includes the direction to point your snorkel. If it’s pointing too far forward, you will likely find yourself breathing straight saltwater as the waves hit you. But if you point it straight up or tilt it a bit backward, it’ll help your breathing apparatus stay clear.

A variety of marine life living around the rocky bottom of Terranea Beach Cove in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

4. Never snorkel alone

You look out at the ocean and see calm waters. You hear the siren’s call. You are alone. Resist.

Despite looking like a fairly chill activity, snorkeling still comes with significant risks that will be exacerbated if swimming alone. While out with my colleague off the coast of Rancho Palos Verdes, he pointed out a massive rock that I thought I could maneuver around. I timed my movements wrong and whacked right into it. I was fine, but also glad someone had my back if I wasn’t.

5. Assess the day’s conditions

• Check the weather. If it is a particularly windy day, it’s likely not a good day for snorkeling, not only for safety reasons but also visibility.
• Check the surf. There are several websites that pull data about the height of the surf, including the L.A. County Department of Beaches & Harbors.
• Before entering, scan the shore to assess the movement of the water.
• Learn how to spot rip currents. Rip currents “most commonly form at low spots or breaks in sandbars and near structures such as groins, jetties, and piers,” according to the National Oceanic and Atmospheric Administration.

“If you’re a beginner, and the waves are higher than knee high, I would just go to brunch,” Buck said. “If the surf’s too big, your visibility is going to suck anyway.”

I do love any excuse to have waffles.

The Wild writer Jaclyn Cosgrove carefully enters the water at Terranea Cove Beach in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

6. Choose an area that’s easy to enter and exit

This includes sandy beaches, where you can easily wade into the water without losing your balance. At Prisoners Harbor, I fell over several times because the shore is covered in various fist-sized rocks. (I need to work on my balance.) Snorkeling off the Palos Verdes Peninsula, I took my time, watched the waves and slowly moved into the water as the waves allowed. I found that, when there are rocks around, walking into the water like I’m navigating a balance beam is a good approach.

Also, in terms of looking for the best spots to snorkel, look for kelp forests and rock reefs. And because you’re newer, I would stick to spots known for snorkeling.

7. Plan for fog

Buck said before the COVID-19 pandemic, the Barnacle Busters, like most diver clubs, would recommend a simple solution to fog in your goggles: Spit. They still recommend using your spit in bodies of water where your germs won’t immediately affect other swimmers like in the ocean.

You can also buy an anti-fogging agent for your goggles. If you take your goggles off at any point as you snorkel, you’ll need to reapply either spit or anti-fog spray.

While I was out snorkeling, I was amazed at how well spit worked. (And if you want to understand the science behind why this works, check out this blog post from Scuba.com.)

A garibaldi, California’s state fish, at Casino Point Dive Park on Catalina Island in 2016.

(Allen J. Schaben / Los Angeles Times)

8. Check in with yourself and your partner

You should check in with your partner every 30 seconds. That might feel like it’s way too frequent, but you’ll be amazed at how far apart you can float from your friend in that time frame. It can be as simple as making sure you see them and they see you.

9. Keep an eye out for hazards

When entering the water, you’ll want to do the “stingray shuffle” to ensure you alert any nearby rays of your presence. Around L.A. County, you’ll also want to watch out for sea urchins because their spines can prick your skin, which will require treatment if you bump into them.

As our county lifeguards point out, L.A. beaches aren’t typically places you’ll find the most dangerous jellyfish. “Jellyfish in Southern California are usually smaller in scale and have a more mild sting than other species found around the world,” according to the agency’s website.

(And don’t worry. Electric eels don’t live in the ocean.)

I asked Buck how often he and his fellow divers check for hazards like sharks.

He told me that outside of rocks, high surf and going out too deep for one’s skill level, he and his diving partners don’t think too much about hazards in our local waters.

Purple sea urchins grow on a rock near the shore of Prisoners Harbor on Santa Cruz Island in the Channel Islands National Park.

(Jaclyn Cosgrove / Los Angeles Times)

“Well, we don’t consider sharks to be a hazard at all. My husband and I blame Steven Spielberg for the irrational fear of sharks,” Buck said, referencing Spielberg’s 1975 film “Jaws” and the adverse effects the film had on white sharks.

Buck said he and his husband rarely see sharks. He does give some weight to the argument that divers in wetsuits can resemble seals and sea lions when floating on the surface.

“But in areas where you’ll probably be snorkeling, you’ll probably be snorkeling on shallow rocky reefs or shallow kelp. It’s not even a consideration for us,” he said.

Lastly, if you or your partner start to shiver, get out.

The Wild writer Jaclyn Cosgrove snorkels at Terranea Cove Beach in Rancho Palos Verdes.

(Allen J. Schaben / Los Angeles Times)

10. Don’t touch anything

Practice Leave No Trace in the ocean too. “That’s our philosophy for diving too,” Buck said. “Look, but don’t touch.”

And never feed the marine life.

11. Have fun!

Since learning to snorkel, I’ve already found two friends who also enjoy it, and I plan to ping them to go out soon. If you don’t have anyone in your circle who snorkels yet, consider joining a local club.

In a world that feels hard right now, I felt like I had a two-hour vacation as I floated above the bright green sea grass and golden yellow kelp, watching garibaldi and what appeared to be grunion or topsmelt bob and dive around me. I came out refreshed and grateful to live here.

3 things to do

The hike to Eaton Canyon Falls in the San Gabriel Mountains before the 2025 Eaton fire.

(Myung J. Chun / Los Angeles Times)

1. Learn about Eaton Canyon’s future in Arcadia
L.A. County Parks and Recreation will host From Ashes to Action: Reimagining Eaton Canyon from 5 to 7 p.m. Wednesday at the L.A. County Arboretum’s Ayres Hall (301 N. Baldwin Ave. in Arcadia). Attendees will learn about design concepts for the next Eaton Canyon nature center along with the latest work completed in the natural area. The event is free, but registration is required. Register at arboretum.org.

2. Service sage in San Pedro
Cabrillo Marine Aquarium (3720 Stephen M. White Drive) needs volunteers from 9 to 10:30 a.m. Saturday to work on its native plant garden. Participants will learn about plants as they work. All ages welcome. Learn more at cma.recreation.parks.lacity.gov.

3. Launch into Latino Conservation Week in L.A.
The Audubon Center at Debs Park will kick off Latino Conservation Week from noon to 6 p.m. Sunday at Metabolic Studio (1745 N. Spring St.). Activities include a bachata class, panel discussion and guided nature hike. Learn more at act.aubudon.org.

The must-read

Burn damage to the Torrey pine grove at Santa Rosa Island, as seen from a ferry on June 8.

(Kayla Bartkowski / Los Angeles Times)

Last week, the National Park Service announced that up to 80% of the rare Torrey pines on Santa Rosa Island in the Channel Islands National Park could die after being harmed by a wildfire in May. Times staff writer Corinne Purtill wrote that initially park officials were hopeful that because the fire, which charred through 40% of the 18,000-acre island, burned at low intensity through the grove, the trees could recover. Research found the fire hurt the mature trees’ exposed root systems. However, I am holding onto hope — for a few reasons. “Park staff have also collected more than 14,000 seeds released from the pine cones. Viable seeds will be planted and raised in a nursery until the seedlings can be planted in the grove,” Purtill wrote.

Another reason is that volunteers are already actively working to save these trees. You can help with that. The California Institute of Environmental Studies needs volunteers to help with recovery as well as with Channel Islands Restoration. You can also donate to the Channel Islands Park Foundation’s Santa Rosa fire resilience fund.

Now more than ever, it’s on us to protect our public lands.

Happy adventuring,

P.S.

While out kayaking off the coast of Santa Cruz Island last month, I yanked a plastic wrapper out of the ocean. I frequently pick up plastic snack wrappers and corners of wrappers that people have accidentally dropped on the trail. And not infrequently have I found thick plastic bags — those said to be reusable — floating in shallow water near the beach. In recent years, California lawmakers have passed laws to address our state’s plastic consumption, including the Plastic Pollution Prevention and Packaging Producer Responsibility Act, or Senate Bill 54. Starting in 2027, the state will receive $500 million every year for 10 years to address plastic pollution, and state leaders want to hear from you how to best spend that money. You can submit your thoughts through Sept. 30 using this form or send your message using the email listed on the form’s webpage. Times staff writer Susanne Rust recently wrote about how there’s a secretive multimillion-dollar campaign to crush California’s landmark plastics law. If the battle over single-use plastic in California is something you’re passionate about, consider subscribing to Boiling Point, where my Times colleagues explore what’s happening to our climate-changed world. They’ll definitely keep you posted!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

Throughout his 40 years in Los Angeles, one piece of advice on where to live still rings true for Jimmy Smits, known for starring in “L.A. Law,” “NYPD Blue” and “Sons of Anarchy.” Long ago, producer Steven Bochco, who helped launch Smits’ TV career, encouraged the native New Yorker to stick around.

“He said, ‘I think you’re going to be working at Fox or around here for a while,’” Smits recalls. “‘Don’t be a schmuck. Stay near, so you can get to work on time. Get the s— house in the best ZIP Code you can.’”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

And so, from West Los Angeles to Santa Monica to Brentwood, Smits and his wife, actor Wanda De Jesus, have made the Westside their home base.

“Even when I lived in Brooklyn, we were near water,” Smits says. “It’s not Coney Island, but it’s the Santa Monica Pier. We have this New York-L.A. thing.”

When he’s not working, Smits prioritizes relaxation and his spiritual life. Most Saturday evenings, there’s a Mass to attend. All physical activities are done near water.

Beyond acting, the Emmy and Golden Globe winner is an advocate for education and the arts. This year is the 30th anniversary of the National Hispanic Foundation for the Arts, which he co-founded to support emerging talent in the performing arts.

Here’s a look at his ideal Sunday, with a bit of a New York-L.A. state of mind.

This interview was edited for length and clarity.

6:30 a.m.: First, the news

I still love reading the newspaper, tactile-wise. I keep the entertainment sections for weeks at a time for both the L.A. Times and New York Times. I recently had to go digital with the New York Times because my wife was like, “we can’t have all these newspapers around here!”

8 a.m.: People watching over breakfast

We’re not real foodies. Food is more like fuel for me. I love to experiment with different types of cuisines, but going to restaurants is more about the atmosphere. For breakfast, we’ll go to the Brentwood Farmers Market off San Vicente or the Coast Beach Café at Shutters on the Beach. You can people watch there. Or, they have an enclosure in the back that’s more chill. You can feel the ocean breeze on the water. If I’m really hungry, I’ll have the brioche French toast with some scrambled eggs and turkey bacon. But most of the time, it’s a pressed juice, English breakfast tea with warm milk and honey and a blueberry muffin.

9:30 a.m.: Beachside workouts

Part of the day will always have some kind of physical thing, and it’ll always relate to the water. Biking, brisk walking or wogging on the beach is ideal. If we’re biking, we’ll go up to where Will Rogers State Park is. It’s much quieter around there. We’ll start there and go towards the Santa Monica Pier and do laps back and forth. We’ll make stops along the way, at the Annenberg Community Beach House in Santa Monica or the bluffs at Palisades Park in Santa Monica, where they have a rose garden, [the California Incline roadway] and a lot of ways to get physical activity.

11:30 a.m.: What’s for lunch? Pasta

For lunch, it’s Divino, which is an Italian place in Brentwood. I’d order a light pasta and salad.

1 p.m.: Head to the playhouse for a matinee

My main go-to theaters are the Geffen Playhouse, which is close to us on the Westside; the Center Theatre Group, with the Ahmanson Theatre or the Mark Taper Forum, the Pasadena Playhouse or the Latino Theater Company Center at the Los Angeles Theatre Center, which specializes in Latino and multicultural productions. I get my New York theater fix by going to see plays at one of those places.

4 p.m.: Family time

At some point in the day, there would always be an East Coast call that winds up lasting way too long. With FaceTime, wherever we’re at, we can talk with the family, who are mostly in New York.

6 p.m.: Longtime faves for dinner

One of our favorite restaurants is Carlitos Gardel Argentine Steakhouse on Melrose Avenue, which has been around since the ‘90s. Italy plays big in Argentinian food, so you can get wonderful pastas there. I’ll usually have the entraña, which is a wood-grilled skirt steak, and the gnocchi is off the hook. The place reminds me of my college buddy-celebrity chef Michael Lomonaco, and his [former] restaurant Porter House in New York, where we’d go after the theater.

If not there, we’ll go to the restaurant we’ve been going to since I first got here. One of my first jobs was at then-MGM, which is now Sony, in Culver City. In ’86, I was working on “L.A. Law” and had a lunch break. I just wanted to walk around and found a Cuban restaurant called Versailles. I thought it was the closest I was going to get to the way Mom cooked. I developed a great relationship with the owners, the Garcia family. They have great Cuban food. I’ll have their arroz con pollo, which is chicken and rice.

8:30 p.m.: TV catch-up time

After dinner, we’d go home and get ready for the week. Depending on whether we go to a matinee or evening play, we would DVR stuff, like whatever sports that were on during the day that I missed. We’d definitely watch “60 Minutes,” “John Oliver” and pop in a movie or watch a stand-up comedy show. If we’re shooting something, I have to study for the next day. If not, we just relax, watch TV and go to bed between 10 p.m. and 11 p.m.

Retail employees in Los Angeles working irregular schedules, called in for shifts with just a few hours’ notice, got some relief years ago in the form of a city law requiring large retailers to give them notice of their schedules at least two weeks in advance.

Now, that 2024 law could be expanded to encompass the city’s fast-food industry, whose precarious workforce — largely women from immigrant communities — has long raised concerns over unstable schedules that they say make it difficult to plan their finances, child care, medical appointments and other obligations.

The L.A. City Council’s economic development and jobs committee late last month approved the ordinance, which also would establish a mandatory six-hour paid training to educate workers on minimum wage laws and other labor protections. It goes to the full council for a vote on Tuesday.

The proposal is backed by a statewide union of fast-food workers — established in 2024 — that is affiliated with the Service Employees International Union, which for years has helped organize fast-food employee walkouts over wage theft, safety and pay.

The California Fast Food Workers Union‘s organizing director, Maria Maldonado, said workers often are unaware of their rights regarding heat exposure and other risky conditions common in kitchens. The training, she said, would show them they have recourse and city support for reporting employers when conditions are unsafe.

“If you know there is support to enforce the law, we are going to see a difference in the industry,” Maldonado said.

City Councilmember Hugo Soto-Martinez first introduced the ordinance in 2024.

Although worker-friendly proposals usually are ultimately backed by the L.A. City Council, the process often is lengthy, with business interests lobbying against such measures.

The California Restaurant Assn. wrote in a letter to the council that the ordinance would greatly increase costs in a state that already is expensive to operate in and that it unfairly singles out an industry that has long served as a successful pathway to business ownership for minority entrepreneurs.

In the letter, business groups took issue with third parties administering worker training, arguing that labor groups could use them to prime the workforce for union campaigns.

The ordinance would “not only duplicate existing law but also force neighborhood restaurants to pay thousands of dollars so groups with ulterior motives can hold team members as a captive audience,” the letter said.

The group also argued that training would create third-party access to workers’ data even as many immigrant workers are fearful of heightened immigration enforcement, noting that the training might “require employers to disclose sensitive information to outside entities, creating serious privacy risks.”

A report commissioned by McDonald’s, compiled by the firm Beacon Economics and Pepperdine University, surveyed some 1,200 workers in L.A. County and found that a majority, about 70.6%, opposed the proposed paid training, while 29.4% said they would want such training, the survey said.

California’s fast-food industry employs more than 750,000 people and is a growing sector, according to state data. The state fast-food union has argued that local and state protections are crucial.

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1. Palm Canyon Drive. (Christopher Reynolds / Los Angeles Times) 2. A metal sculpture of a serpent by artist Richard Breceda. (Luis Sinco / Los Angeles Times)

This lonely San Diego County desert town, about 50 miles from the nearest Starbucks, deserves the attention of anyone who really wants peace and quiet. It’s home to perhaps 4,000 year-round residents, star-struck by night, startling at dawn, surrounded by the largest state park in California, Anza-Borrego Desert State Park.

Dark skies, aimless days and spring wildflowers draw many people. But fall visitors can hike the park’s Borrego Palm Canyon Trail (3 miles round trip) or the narrow canyon known as The Slot. Keep an eye out for bighorn sheep and dozens of metal artworks by sculptor Ricardo Breceda scattered around town, especially the 350-foot-long sea serpent (along Borrego Springs Road), which has become a community mascot.

Check out: The town’s biggest party of the year, Borrego Days, is coming Oct. 17-18. And its seasonal Farmers Market returns to Christmas Circle Community Park on Nov. 6.

Distance: A 4-hour drive from L.A. (154 miles from L.A. City Hall, via Google Maps).

Thousands of union workers, their family members and supporters marched through the streets of industrial Wilmington on Monday, taking part in a Labor Day parade whose festive mood overshadowed their serious concerns about the future.

Jesse Munoz, a 63-year-old longshoreman, who belongs to International Longshore and Warehouse Union Local 13, talked of how automation has eliminated more than 2,000 jobs over the last 15 years or so and worries that foreign-owned companies will do more to shrink the workforce and worsen working conditions.

“The concern is the future,” Munoz said. “I have a son that’s on a list to become a casual worker, which is a worker that will accumulate his hours, and then hopefully within time become a regular member of the union. But the future is not as promising as we would like it to be.”

“If you eliminate the workforce, you eliminate taxes. You eliminate pensions,” he said.

International Longshore and Warehouse Union members throw candy to onlookers at Monday’s Labor Day parade.

(Kayla Bartkowski / Los Angeles Times)

The Wilmington rally joined Labor Day events throughout the nation Monday, a holiday that also marks a prime campaign opportunity for candidates in midterm elections and other political races.

The first U.S. Labor Day celebration took place in New York City on Sept. 5, 1882, with 10,000 marchers. In 1894, President Cleveland signed a congressional act establishing the first Monday of September as a legal holiday, which has become known for promotional sales as well as a day off for many.

The holiday has particular resonance in Southern California, where the labor movement remains large in numbers and powerful in political influence. Across the nation, that’s far from a given.

The number of workers represented by unions rose by 463,000 in 2025, according to data collected by the pro-labor American Prospect, and national density — meaning the number of U.S. workers who are unionized — edged from 9.9% to 10.0%. However, private-sector union density stayed at 5.9%, meaning the numerical gain came chiefly from government employment.

Munoz said he has a message for President Trump, who has used steep tariffs on foreign-made goods in an attempt to return more manufacturing to the United States, leading to price increases domestically.

“Stop those tariffs and stop this automation,” Munoz said. “Just get the people back to work. Help the economy build itself up again with the workers, not with politicians.”

Giovanna Mendez, right, hugs her sibling’s elementary school teacher during the Labor Day parade in Wilmington.

(Kayla Bartkowski / Los Angeles Times)

While the Wilmington crowd was heavily Democratic, one longshoreman in his early 60s showed it was possible to be pro-labor and pro-Trump.

“We’re a lot better than when [President] Biden was in, way better,” said the worker, who also spoke of his union as “wonderful.”

Jordan Gonzales, a 20-year longshoreman, expressed worries about the future of trade work.

“A lot of people would rather be in the office and in the AC,” said Gonzales. “We’ve lost our workers that are outside of an office.”

He was enjoying a hearty free breakfast at a union hall and looking forward to his 12-year-old’s marching band performance in the parade, where she played a glockenspiel.

Participating school bands included San Pedro High, Banning High, Harry Bridges Middle, Port of Los Angeles High and Garfield High.

Delegations from many unions marched with their local chapters and a procession of restored and souped-up cars completed the picture. L.A. Mayor Bass was front and center behind the banner of the shore workers.

Politicians at work on Labor Day

In the pre-parade free breakfast inside the Longshoremen’s & Warehousemen’s Memorial Assn. cavernous meeting hall, a parade of elected and aspiring politicians introduced themselves, straining to be heard and noticed in brief remarks over a sometimes inattentive din.

Xavier Becerra, the Democratic candidate for California governor spoke briefly, thanking union members for their daily labors and campaign support.

“None of us should forget where we came from,” Becerra said. “Let us work hard,” he said, referring to election day. “November 3rd belongs to us just the way Labor Day belongs to us.”

Also on hand were both Los Angeles mayoral candidates: incumbent Bass and challenger Nithya Raman.

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1. L.A. Mayor Karen Bass speaks to security during the Labor Day parade in Wilmington. 2. L.A. mayoral candidate Nithya Raman greets parade watchers. (Photographs by Kayla Bartkowski / Los Angeles Times)

Bass praised the city and union movement for positive strides “even in the midst of Donald Trump, who has done everything he can do against working people, including invading our city, but we are back, and we stay united, and we’re going to continue to do that,” she said. “L.A. is a labor city, and I am there with you 100%.”

Labor leaders also are almost 100% behind her in terms of endorsements. One exception is the Western States Regional Council of Carpenters, which endorsed Raman. The union represents about 65,000 members across 10 states.

“We need more housing in L.A.,” said Doug Hicks, the union’s vice president and director of organizing. “How many cranes are there in downtown Los Angeles today?”

In her brief breakfast remarks, Raman, an L.A. City councilmember, said that “automation, AI, are taking away jobs all over this country, and it is up to us to step up and fight back, and that is why I’m here to stand alongside the workers of this country.”

Master carpenter Joseph W., who did not want to give his last name, declined to speak about endorsements, focusing instead on the challenges of workers.

“We build the houses, but we can’t buy them,” he said. In 1977, his dad bought a house in Norwalk in 1977 for less than $50,000. Now that property is worth close to a million dollars.

“That’s 20 times what my dad paid for it,” said Joseph, who is 55 and rents his own home. “I don’t make 20 times what my dad got paid.”

The younger workers included members of ILWU Local 56, the “ship scalers” union, which cleans up hazardous materials and provides environmental remediation both in the ports and beyond. Its members were involved in wildfire cleanups and removing waste from the hazardous Lineage warehouse fire in Boyle Heights in June.

Two members of the Western States Regional Council of Carpenters bump fists after Monday’s Labor Day parade.

(Kayla Bartkowski / Los Angeles Times)

Evan Briseno, 18, would like to move on to safer work before his health is potentially affected. But fellow union member Francisco, 21 — who declined to give his last name, wants to move up in the trade, while noting that some areas are so dangerous that every patch of skin needs to be covered.

Neither follows politics, but they’re both concerned with workplace safety issues.

Other unions included Teamsters, Service Employees International, SAG-AFTRA (for performers) and teachers — along with their students.

Mark Ramos wore multiple hats as chair of the Los Angeles County Democratic Party and president of the United Food and Commercial Workers International Union Western States Council and UFCW Local 1428.

Ramos said one current union battle is to make self-serve checkout lines manageable for the workers who must supervise them.

Up to 25 people can kick it with the kitties at any one time, and the 50-minute sessions can be booked online. Other offerings include: Cats & Mats yoga (offered one Friday evening a month), Crochet With Cats (one Sunday afternoon a month) and cat-accompanied sound baths. (An employee I chatted with said the crochet class, with its preponderance of dangling yarn, is particularly popular with the cats.)

Price: $19.99 for 50-minute sessions, which start at the top of the hour

Hours: Monday, 11 a.m.-6 p.m.; Thursday-Sunday, 11 a.m.-6 p.m. (reservations end 1 hour before closing)

Pro tip: A shorter and less expensive option — $10 for 20 minutes — is available on a walk-in basis only at the top of the hour, depending on capacity.

The first edition of the remade “60 Minutes” under CBS News editor in chief Bari Weiss debuts Sept. 13 with a reliable formula from the venerable newsmagazine’s playbook.

Correspondent Jon Wertheim will lead off the 59th season with an in-depth look at the Los Angeles Rams, the favorite of oddsmakers to win the Super Bowl this season. Wertheim sits down with Rams general manager Les Snead, head coach Sean McVay and veteran quarterback Matthew Stafford. The segment will also explore team owner Stan Kroenke’s investment in technology, including artificial intelligence, to help the team gain an edge on the field.

Jon Wertheim interviews Los Angeles Rams head coach Sean McVay.

(CBS News)

“60 Minutes” has often turned to sports-related segments when a season premiere follows a late afternoon NFL game. Last year, Wertheim profiled Ultimate Fighting Championship Chief Executive Dana White for the 58th season premiere. The program scored more than 10 million viewers and was the most-watched non-sports program of the week. In 2023, Wertheim interviewed University of Colorado head football coach Deion Sanders for the 56th season opener.

CBS News will be under pressure to have “60 Minutes” get off to a strong start in the ratings following the major upheaval at the program earlier this year.

After the completion of a successful season where ratings were up 9% over the previous year, Weiss fired “60 Minutes” correspondents Sharyn Alfonsi and Cecilia Vega — both of whom complained that the executive pushed them to add right-wing talking points to their stories. Weiss also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

In response to the firings, longtime correspondent Scott Pelley accused Weiss of “murdering” the program and claimed she was putting “her thumb on the scale” for more favorable coverage of President Trump’s administration. Pelley was shown the door with cause after confronting management at a June 1 meeting. CBS denied the claims.

The discord meant the program spent much of the summer hiring replacement correspondents, including Ross Douthat, a conservative New York Times opinion writer with no experience as a TV journalist.

Weiss, founder of the heterodox digital news site the Free Press, was hired by Paramount Chief Executive David Ellison with a mandate to pull the news division to the political center. The stated goal has put every move by Weiss under heavy scrutiny, as many critics have suggested she is at the network to placate the Trump White House while Paramount pursues its acquisition of Warner Bros. Discovery.

Other new “60 Minutes” contributors include author and journalist Sebastian Junger, former CNN and Vice News correspondent Gianna Toboni, and Trevor Phillips, a British journalist who joined CBS News earlier this year as a senior global affairs correspondent. They will join correspondents Wertheim, Norah O’Donnell, Bill Whitaker and Lesley Stahl.

The program will also feature stories with CBS News correspondents outside of the core group at “60 Minutes,” such as Seth Doane and Matt Gutman.

The other two segments on the “60 Minutes” premiere, — which could include a significant newsmaker interview, — will be announced sometime next week.

This year’s premiere should get a strong boost, as most of the country will get CBS coverage of a late afternoon match-up between the Green Bay Packers and the Minnesota Vikings, two contenders in the highly competitive NFC North. The network’s pregame show “The NFL Today” is traveling to Green Bay for the telecast.

On the night of the June primary, standing before cheering supporters at a downtown brewery, Nithya Raman was in a familiar position:

Outspent by rivals. Mocked by online haters. Her political career left for dead.

In early returns for Los Angeles mayor, Raman was in third place behind incumbent Karen Bass and reality TV villain Spencer Pratt. The City Council member thanked everyone for helping her “little campaign” but seemed resigned to defeat.

“We may not get an answer we like,” Raman said. “But regardless of what happens next, nobody — nobody — can take away what all of us have built together.”

She ended her short speech by going on the dance floor to greet well-wishers and boogie for a bit. The move came off to me as someone losing herself in happiness so she didn’t have to think about the sad reality.

But when I think about that moment now, it seems clear that she was embracing another familiar position:

Confident in what was ahead. Content with being underestimated. Ready to upend City Hall yet again.

As more votes were counted, Raman overtook Pratt to face Bass in the November runoff. Raman’s last-minute decision to enter the race had shocked L.A.’s political class and drawn accusations of betrayal for challenging Bass, a longtime ally whom she had endorsed. Yet Raman managed to pull off a hard-fought campaign, with Pratt as an unexpectedly strong insurgent from the right — a winning streak that continued this week when she scored two key endorsements.

The L.A. chapter of the Democratic Socialists of America and Unite Here Local 11, the powerful hospitality workers union, will now bring their renowned get-out-the-vote operations to L.A. doorsteps, street corners and smartphone screens on Raman’s behalf. Unite Here gives Raman’s campaign a working class cred it has sorely lacked. The DSA will unleash the democratic socialist trade winds that have swept across elections nationwide and helped five of its six endorsed candidates in L.A. County either win outright in the June primary or move on to the general election.

Neither endorsement was guaranteed. Even though Raman is a member and the L.A. chapter had endorsed her two City Council campaigns, the group didn’t officially support her in the mayoral primary. Some members openly questioned whether having a democratic socialist run a city seemingly destined for the dumpster was the best look for their movement. Raman’s positions on police funding, the mansion tax and the Oct. 7 Hamas attacks also ran counter to the party orthodoxy.

Unite Here had regularly endorsed Bass throughout her 22-year political career and seemed likely to join the dozens of other unions backing the mayor.

But with the one-two punch, Raman has shown yet again that she’s the comeback kid of L.A. politics. Every time critics throw her a curveball, she smacks it to the opposite field and gets on base, ready to grind her way to a win.

People line up to attend a Democratic Socialists of America fundraiser May 17 in Los Angeles.

(Jason Armond / Los Angeles Times)

In 2020, the city’s establishment initially dismissed Raman, then a political novice, as a wokosa fluke, until she beat David Ryu, who became the first L.A. council incumbent to lose in 17 years.

A year later, Raman was seen as such a threat that the powers that be sought to torpedo her for good. In the infamous City Hall leaked audio, then-Councilmember Kevin de León suggested to then-Councilmember Gil Cedillo, then-council President Nury Martinez and labor leader Ron Herrera that Raman’s district could be “put in the blender and [chopped] up, left and right” during redistricting to dampen her reelection chances.

On the recording, Martinez enthusiastically endorsed the plan, telling the other three that Raman had complained about her redrawn district.

“Go f— do the work,” Martinez said she told Raman, “and see if you can” win again.

Raman did win, scoring an outright victory in the 2024 primary (Martinez, of course, resigned in disgrace). A censure from DSA-LA because Raman accepted the endorsement of a pro-Israel group proved no more debilitating than a stray eyelash.

In this year’s mayoral primary, Raman raised less money than Bass and Pratt and flopped during their one debate against each other. Her fellow democratic socialist council members — Eunisses Hernandez, Ysabel Jurado and Hugo Soto-Martínez — all endorsed the mayor.

None of it mattered. Raman is now easily scoring off of Bass mishaps, like the mayor’s response to the Lineage warehouse fire and her random broadside against street vendors during a debate in Sherman Oaks last month. The Dodgers should sit Raman in their dugout come playoff time, because her knack for rallying from behind is almost preternatural.

The road to victory remains hard, of course. Bass has never lost an election and won’t easily fold, even as her first term has careened from one crisis to another. Raman’s fiercest critics on the council — Marqueece Harris-Dawson, Traci Park and Monica Rodriguez — lord over South L.A., the Westside and the eastern San Fernando Valley, respectively, regions where Raman needs strong showings. The DSA endorsement will make it easier for critics to paint Raman as left of Lenin, even though her record is more pragmatist than pinko puppet.

She’s even drawing the ire of Pratt, who spent most of his campaign deriding the mayor as “basura” — trash — but is now blasting Raman, while the 26% of Angelenos who voted for him and are a key swing constituency are waiting to see who, if anyone, he’ll favor.

Raman anticipated all of this when she jumped into the race, she told supporters on primary night.

“These powerful interests spent millions of dollars against this little campaign, spent millions trying to preserve this city’s broken and unjust status quo,” she said. “And we said no.”

But the words I recall the most from that party at Boomtown Brewery came from Raman’s father, Venkit. After joking that his daughter didn’t go into a profession that most Indian immigrant parents wish for their children, he explained that her full name — Nithya Varsha — means “forever monsoon” in Sanskrit.

“If you think about it more, that’s exactly what she is,” Venkit said to cheers. “A constant, unstoppable force that brings life to the land.”

Let’s see how far the Raman storm goes.

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

As a proud Atlantan, I’ve loved lemon pepper wings my entire life. Zesty and crispy-skinned, they were present every Super Bowl Sunday and Labor Day weekend. When my family of four wanted takeout, it was the one item we could all agree on to order.

I learned to like lemon pepper wings as an alternative to buffalo wings, which were way too spicy for me as a child. My taste buds eventually learned to handle the heat, but there’s still something in me that prefers a dry rub lemon pepper wing over anything else.

Lemon pepper wings are widely believed to be the invention of J.R. Crickets, an Atlanta-based wing chain that has now expanded to several locations throughout Georgia since opening in 1982. The classic recipe involves wings covered in a blend of lemon zest, pepper and butter, but the regional restaurant is also known for a flavor that’s not explicitly on the menu — “lemon pepper wet.” Sparking curiosity worldwide after being featured on the Emmy award-winning TV series “Atlanta” in 2017, these wings are first covered in buffalo sauce before sprinkling the lemon pepper seasoning on top.

“Lemon pepper wet” can also refer to wings that are covered in a lemon pepper sauce, in addition to the usual dry rub. American Deli, a fast-food chain that opened in Atlanta in 1989, claims to be the inventor of this flavor.

Today, the preference for lemon pepper wings has spread beyond the South. Atlanta-born rappers Future and Gucci Mane have rapped about the dish in their songs. Memes and TikToks about the famous lemon pepper wet wings from Atlanta’s Magic City, an adult entertainment club, have gone viral on social media and some restaurants are even adding the flavor to cocktails.

When I moved to Los Angeles this summer, I began searching for spots that served wings that reminded me of home. Chef Melissa Cottingham, founder of Melnificent Wingz, went through a similar journey. She’s been selling wings in L.A. since 2021, but has been cooking since her childhood in Memphis, Tenn.

“I couldn’t find any wings that reminded me of that Southern brine, [with] wet, buttery citrus sauce as well as a spice blend,” she said. “So I was like, I’m gonna create it myself.”

She sells many flavors of wings, but says lemon pepper is by far her most popular.

From panko-fried chicken legs in the heart of Koreatown, to wing platters served alongside Cajun-style rice and gravy, restaurants across L.A. have added their own spin to the dish that helped put Atlanta’s food scene on the map.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

Greg Ito with “Personal Effects,” 2026, “The Spectrum Within,” 2025 and “Love is a Vessel,” 2026.

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

Jerson Hondall in the library of Gagosian Gallery, Beverly Hills.

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

Aleza Zheng in her South L.A. studio featuring “The Unbearable Lightness of Being,” 2026, “Of Providence,” 2026 and “All That Is In Heaven,” 2026.

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.