heat

England players are set to use high-tech palm-cooling devices in the United States to help combat the heat during the World Cup.

The expected hot and humid conditions during the tournament will be a crucial factor with studies showing that at least a third of the games during the World Cup will be played in temperatures higher than 26C.

On Tuesday, temperatures reached 32C during England’s opening training session in West Palm Beach, Florida.

The use of palm-cooling equipment is becoming popular among professional athletes, with Manchester United known to use the technology.

Research shows that cooling the palms can significantly lower core body temperature which can prove vital for in-game recovery and ultimately enhance performance.

It is understood England will use them in training sessions and during the planned water breaks during World Cup matches.

When asked about the importance of acclimatising, Jordan Henderson said that this first week was being used to “build capacity to the conditions”, adding “the warm-up games will be good for that”.

The Brentford midfielder praised the “team behind the team” for the “top level research” that has been done on “cool down and recovery”.

“Hopefully that can give us a little edge when we get into the tournament,” he added.

England play friendly matches against New Zealand on Saturday, 6 June (21:00 BST) and Costa Rica on Wednesday, 10 June (21:00).

Thomas Tuchel’s side start their World Cup campaign against Croatia on Wednesday, 17 June (21:00) before playing Ghana on 23 June (21:00) and Panama on 27 June (22:00).

They call this place the Sunshine State for a reason. It beats down with a fierce intensity, allowing little air to puncture it… until a fierce thunderstorm hits.

Such sweltering conditions were exactly what Clarke wanted, though, as he stressed the importance of “acclimatising” this week to the conditions his squad will face throughout their tournament.

The Scots start against Haiti (Sunday, 14 June, 02:00 BST) – live across the BBC – and also play Morocco in Boston, before returning to Miami to face Brazil on Wednesday, 24 June (23:00).

“It maybe would have been a shock if we had came out to the Miami game because it hits you as soon as you come off the plane, the humidity and the heat,” Hendry told BBC Scotland at the team’s hotel in Fort Lauderdale.

“So it’s good that we can come out here for this week, prepare and get used to it and I’m sure that will put us in really good stead going into the game.”

Water breaks will be in operation, and Hendry stressed the importance of “using them efficiently”.

“They’re certainly going to help us from a recovery point of view, but maybe tactical. as well,” he said.

“I’m accustomed to it in Saudi; we have these water breaks and it might disrupt the rhythm of the game a wee bit, but from the players’ point of view it definitely helps.”

By the time the Scots return south following back-to-back games in Boston, it could be they have already done what no other Scotland side have by reaching the knockout stages of a World Cup.

It’s undoubtedly the aim for this talented, together squad, but they’re not looking too far ahead. They’re still Scottish after all.

“It’s just trying to get as far as possible, I think,” Hendry said of what success for the country looks like this summer.

“It’s difficult to look too far ahead. The main ambition is going to be trying to get out of the group. Then we see where we can go afterwards.

“We can’t look too far ahead, just take it game by game and if we do that, enjoy it and play the best we can, then we should be able to achieve that.

“We’ve got to make the most of it and make sure we don’t come out of this with any regrets.”

“Hell’s Kitchen,” the Alicia Keys musical that has landed at the Hollywood Pantages Theatre in a blaze of rousing sound, deploys the R&B star’s glorious treasure trove of work in the service of a semi-autobiographical version of her coming-of-age story in the Manhattan neighborhood that gives the show its title.

The Hell’s Kitchen of Alicia Keys’ story, set in the 1990s, isn’t the gang-ridden Hell’s Kitchen of West Side Story, set in the 1950s. Keys grew up in Manhattan Plaza, a federally subsidized residential complex that provides affordable housing for artists. But for a teenager in rebellion from her watchful mother, the vibrant, music-filled street life comes with its share of dangers.

Kennedy Caughell as Jersey and Maya Drake as Ali in the North American Tour of Alicia Keys’ “Hell’s Kitchen” at the Hollywood Pantages Theatre.

(Marc J. Franklin)

Ali (Maya Drake, who’s making her professional debut in this North American tour production) is a 17-year-old ready to break out of the cage her mother, Jersey (Kennedy Caughell), has placed her in. Jersey, a single mom, isn’t a tyrant. She just doesn’t want to see her daughter make the same mistakes that she did, namely get pregnant at a young age before she’s had a chance to realize her own dreams.

The book by playwright Kristoffer Diaz (“The Elaborate Entrance of Chad Deity”) is structured around a loving but combustible mother-daughter relationship amid the creative ferment of New York. This artistic neverland is crystallized in the apartment building that has music pouring out of every floor when Ali rides the elevator.

Maya Drake as Ali and the company of the North American Tour of Alicia Keys’ “Hell’s Kitchen” at the Hollywood Pantages Theatre.

(Marc J. Franklin)

The story isn’t the strong suit of “Hell’s Kitchen,” which is powered by Alicia Keys’ versatile catalog, which has been supplemented with original material. The hits — “You Don’t Know My Name,” “Girl on Fire,” “Fallin’,” “If I Ain’t Got You,” “Like You’ll Never See Me Again,” “No One” and “Empire State of Mind,” among them — reverberate inside the Pantages with a thrilling exuberance.

What’s most impressive, however, is the way these tracks have been arranged both musically and dramatically. Jukebox musicals are notorious for shoe-horning in beloved songs without regard for storytelling integrity. “Mamma Mia!,” which crammed in as many ABBA hits as possible, hardly even bothered to find pretext for their inclusion. The lucrative example paved the way for more than two decades of musical theater shamelessness.

The company of the North American Tour of Alicia Keys’ “Hell’s Kitchen” at the Hollywood Pantages Theatre.

(Marc J. Franklin)

“Hell’s Kitchen,” directed by Michael Greif, takes a more dignified approach, raiding Keys’ greatest hits in a way that doesn’t cause dramatic offense and better yet, adds a layer of surprise to music that is so well known.

The songs are allocated in unexpected ways. Numbers that you might think belong to Ali are divided among the company. Jersey is first in line, and Caughell makes the most of her opportunities. But sharing in the bounty are Davis (Desmond Sean Ellington), Ali’s mostly absent and chronically unreliable father; Knuck (Jonavery Worrell), Ali’s forbidden love interest; or Miss Liza Jane (Roz White), a pianist who lives in the building and becomes Ali’s formidable mentor.

There are other characters who offer luminous assistance, but these are the principals in a musical tale built around Ali’s central relationships. Keys’ origin story is more dynamic on an atmospheric than dramatic level. A mother having difficulty with her boy-crazy teenage daughter isn’t exactly breaking any ground, and Diaz avoids venturing into more turbulent territory. Ali’s divided identity, stemming in part from an all-too-present white mother and all-too-missing Black father, sets up issues that are touched on but never deeply engaged.

Desmond Sean Ellington as Davis and Kennedy Caughell as Jersey and the company of the North American Tour of Alicia Keys’ “Hell’s Kitchen” at the Hollywood Pantages Theatre.

(Marc J. Franklin)

Miss Liza Jane spots Ali’s musical gift right away and fills her with a sense of pride and responsibility in her Black heritage. But her character’s role is somewhat earnestly compartmentalized. Knuck recognizes that Ali’s fascination with him stems in part from the way she sees him, much as her mother does, as a “thug.” But their tentative affair is secondary to the complex bond between Ali and Jersey, whose troubled connection with Davis helps Ali understand why her mother is so paranoid about her romantic choices.

But these concerns fall away when the performers start singing. Drake has a beautiful voice, but her Ali is slighter than that of Maleah Joi Moon, who won a Tony for her Broadway debut performance. I didn’t mind that Davis sings “Fallin’,” as Ellington has a voice of luscious thunder. Worrell’s Knuck more than holds his own with his duets with Ali. (In fact, I was more taken by his velvety interpretation of “Like You’ll Never See Me Again” than Ali’s more straightforwardly pretty version.) White’s Miss Liza Jane takes the Pantages audience to church in her numbers. And when Caughell magnificently directs “No One” to Ali, I can’t imagine there’s a dry eye in the house.

Desmond Sean Ellington as Davis and Maya Drake as Ali in the North American Tour of Alicia Keys’ “Hell’s Kitchen” at the Hollywood Pantages Theatre.

(Marc J. Franklin)

This tour production isn’t crisp in all areas. The dancing isn’t always smooth, the costumes struck me as a road show idea of New York cool, and the acting didn’t do much to compensate for some of the book’s less subtle moments.

But the energy of the production is infectious. “Hell’s Kitchen,” a New York story of a wunderkind discovering her gift, helped me get over my allergy to the jukebox genre. The soaring quality of the orchestra and the delectable company of voices pay exhilarating homage to a singular artist, who seems right at home at the Pantages.

CLOVIS — Cool conditions produced a bunch of fast times Friday at the CIF state track and field championships.

Rosary Academy sprint coach Jon Gilmer was worried 4×100-meter relayers Tra’via Flournoy, Justine Wilson, Pfeiffer Lee and Maliyah Collins might get complacent at prelims, but the Royals were the top qualifiers in 45.13 seconds — nearly a full second faster than Canyon Country Canyon (46.07) — at Buchanan High School.

“It’s different not having Calabasas here,” Gilmer said. “Now we’ve got to push ourselves.”

Rosary set a state record (44.23) at the Arcadia Invitational on April 11, but lost to the Coyotes one week later at the Mt. SAC Relays. However, the anticipated state finals clash was not to be as Calabasas dropped the baton in the Southern Section finals and failed to advance.

Collins had a huge lead by the time she received the stick for the anchor leg Friday.

“This is maybe our fourth- or fifth-fastest time but we just wanted to make finals,” said Wilson, who ran the second leg before handing off to Lee. “We want to run faster tomorrow when we go for a PR, the meet and the state record.”

Calabasas might be out of the relay, but three Coyotes remain in contention in the 100, led by Malia Rainey (the top qualifier in 11.54), Marley Scoggins (11.63) and Olivia Kirk (11.63).

Calabasas sprinter Marley Scoggins, center, wins her 100-meter heat at the CIF state track and field preliminaries on Friday.

(Steve Galluzzo / For The Times)

Collins won her heat in 11.62, the third-fastest time.

Servite won the first heat in the boys 4×100 relay in 40.29 — two hundredths off its winning time at last year’s state finals — and is primed to defend its title in the event. Concord De La Salle (40.81) was the second-fastest qualifier, followed by the other heat winners, Rancho Cucamonga (40.87) and Loyola (40.93).

“We got the stick around pretty good today,” said Jorden Wells, who ran the first leg Friday instead of his customary second leg, which was run by Jaelen Hunter. “Did it feel different? Not really, I’ve done it before.”

Wells said his twin brother Jace will run the first leg Saturday, he will run the second while Kamil Pelovello and Benjamin Harris will stay in the third and fourth positions.

Harris, the favorite to win the 100 meters, won his heat in a wind-legal 10.36, but three others were fractions faster in wind-aided times — Elk Grove’s Cy Lugo (10.20), Will Wood’s Deshawn Seymour (10.34) and De La Salle’s Damari Dean (10.34). Newbury Park’s Jaden Griffin won the last heat in 10.37, setting the stage for an exciting finals sprint as all nine qualifiers ran under 10.48.

Harris put himself in position for a Saturday double by winning his 200 heat in 21.10 but as he did in the 100, Lugo (the Sac-Joaquin Section record holder) had the fastest time (20.73), followed by Seymour (20.88), Camren Hughes (20.93) of Palos Verdes and Jace Wells (21.02). Jordan Wells (21.11) also made the cut.

Newbury Park’s Jaden Griffin, center, shouts after winning his heat in the 100 meters at the CIF state track and field preliminaries on Friday.

(Steve Galluzzo / For The Times)

Servite (3:15.43) had the second-fastest qualifying time in the 4×400-meter relay behind only El Cerrito (3:14.96) of the North Coast Section.

Coming off a state-record 3:33.83 at the Masters Meet in Moorpark, Long Beach Wilson’s 4×400 girls relay had the fourth-fastest qualifying time (3:46.73) without two out of its best runners (Clara Adams and Saniah Varnado), taking second in the first heat behind San Luis Obispo (3:45.85) and safely advancing to the finals along with Heat 2 runner-up Rosary (3:45.08) and Heat 3 winner Canyon Country Canyon (3:46.77).

Having broken the Southern Section record in the 400 meters six days earlier in 51.98, Adams put it in cruise control to win her heat in 53.53, the fastest qualifying mark. Joining her in the final will be her three relay teammates Varnado (54.42), Wilson (54.57) and Fowler (54.62). Adams later won her 200 heat in 23.60, a tenth of a second behind fastest qualifier Naiaja Sizemore of Vanden.

San Jacinto Valley Academy’s Kaahliyah Lacy ran a wind-legal 13.59 for the top qualifying spot in the girls 100 hurdles and Varnado (40.85) was the top qualifier in the 300 hurdles.

Another showdown is brewing in the boys 400, where Loyola’s Ejam Yohannes (47.08) and Hunter (47.21) won their heats in the two fastest times Friday. Hunter clocked 46.32 to set a California freshman record last spring, but lost to Yohannes by 11 hundredths of a second at the Masters Meet.

City Section champion Jayden Rendon showed good form in his bid to defend the state 300 hurdles crown, posting the fastest prelims time (36.80). He also advanced to the finals in the 110 hurdles with a 13.83 effort. Moorpark’s Davis Benson (14.03) nabbed the last spot.

Corona Santiago’s Braelyn Combe, right, wins the first heat of the 800 meters at the CIF state track and field preliminaries on Friday.

(Steve Galluzzo / For The Times)

Corona Santiago senior Braelyn Combe won her 1,600 heat in 4:46.88 and is set for a four-lap battle with San Diego Section champion Chiara Dailey of La Jolla, who won the second heat in 4:46.00. Combe is the defending champion, having edged Hanne Thomsen of Santa Rosa Montgomery by five hundredths of a second in the finals last year.

“I just wanted to advance with as little effort as possible,” Combe said. “It was not as hard as I expected. I don’t want to leave any regrets. I’m taking it one race at a time.”

Combe also had the fastest time (2:08:25) of three heats in the 800 meters.

Venice senior Lawrence Kensinger, who set the City Section shot put record with a state-leading throw of 65 feet 11 inches last week, had the third-best mark at prelims (59-6¾) and easily advanced to the finals. Defending state high jump champion JJ Harel of Sherman Oaks Notre Dame tied nine others for the second-best mark (6-6) heading into the second day.

Aliso Niguel senior Jaslene Massey had the top marks in the girls shot put (51-3¾) and discus (175-6) and transgender athlete AB Hernandez from Jurupa Valley was the leading qualifier in the girls long jump (20-5½) and triple jump (41-8½) and was one of 13 qualifiers in the high jump.

AB Hernandez competes at the CIF state track and field preliminaries at Buchanan High School on Friday.

(Tomas Ovalle / For The Times)

Republic of Ireland midfielder Jamie McGrath says he expects the controversy surrounding the side’s upcoming Israel fixtures to “heat up” after Thursday’s friendly win over Qatar was disrupted.

The Aviva Stadium game – which the Republic of Ireland won 1-0 thanks to Nathan Collins’ early header – was twice briefly interrupted in the first half when home fans threw tennis balls featuring the Palestine flag on to the pitch.

After the game, RTE reported that protesters were ejected from the ground, and McGrath expects more backlash before the Republic of Ireland face Israel in a neutral venue on 27 September and 4 October in Dublin in the Nations League.

Earlier this week, Republic of Ireland stalwart Seamus Coleman said the situation “should have been dealt with above us”.

“I obviously listened to Seamus’ interview and I think he was spot on,” McGrath told BBC Sport NI.

“It’s obviously a unique scenario. The people [protesters], we have to listen to them, they have the right to do what they do, as long as it’s done in a peaceful way, that’s all that matters.

“I’m sure it’s going to heat up over the next few months. Like I said, we don’t want to be put into a position. Hopefully the powers above us can work something out or use it for the greater good, I’m not sure what the process will be as it heats up.

“At the end of the day, we’re footballers and we don’t want to be caught in this, but sometimes we might have to.”

Parisians cooled off in the city’s Saint-Martin canal as an unprecedented heatwave pushed temperatures across Europe far above seasonal norms. Swimmers ignored long-standing bans, swimming outside designated bathing sites.

May 26 (UPI) — Western European countries are caught up in an extreme and early heat wave in late May, with temperatures breaking records and officials warning of health risks.

In Great Britain, London broke heat records Monday and again Tuesday, with Monday marking the hottest May day on record when it hit 94.6 degrees Fahrenheit (34.8 degrees Celsius), two whole degrees higher than the previous record, CNN reported.

Tuesday temperatures reached 95 degrees (35 degrees Celsius). The average high temperature for this time of year is about 68 degrees (20 degrees Celsius).

The country experienced a “tropical night” Monday, which is one in which the temperature doesn’t fall below 68 degrees (20 degrees Celsius).

Not many people in Great Britain have air conditioning – about 5% percent, CNN reported. The UK Climate Change Committee said in a report last week that the country was “built for a climate that no longer exists.”

France is experiencing a similar heat wave, with temperatures regularly exceeding 86 degrees (30 degrees Celsius). Monday was also the country’s hottest May day on record. Officials said about seven people have died since Saturday due to issues caused by the heat, The New York Times reported. At the French Open, organizers installed water misters to help sweltering fans.

In Spain, the trend continues. While the country is more used to hotter temperatures, they may reach 104 degrees (40 degrees Celsius) later this week, the country’s weather service said.

Ruud, a two-time runner-up at Roland Garros, said: “As we know, there’s a bit of a heatwave at the moment and that can sometimes cause problems.

“It felt like it was a bit of a kind of heatstroke feeling. I experienced something similar some years ago when I played in Washington DC and I had to retire in the third set because I had that – that’s the only time I had that same feeling as I had today in the fourth set where I felt at times really dizzy, really tired and walking around like a zombie almost.

“Luckily, I was 2-1 up still and allowed myself to kind of lower the intensity a bit to get my pulse and body temperature down as much as possible in the fourth to see if there was any chance to finish in the fifth and have some extra energy. Luckily, that ended up working.”

Asked if he felt it was a mental victory or physical victory, the 27-year-old said: “It feels like a mental win.

“At times in the fourth [set] I was thinking ‘I have to book the flight home tomorrow and I’ll be watching from home on the sofa the next two weeks’. Luckily, that’s not the case.

“Physically, also, I’m proud because I never really gave in. I didn’t give up.”

May 5 (UPI) — Iran warned Tuesday that it was “just getting started” after its military clashed with U.S. forces attempting to guide commercial vessels marooned in the Persian Gulf out through the Strait of Hormuz.

Mohammad Ghalibaf, Speaker of the Iranian Parliament, signaling Iran’s intention to exploit the United States’ need for a timely resolution to the conflict, said Iran was digging in for an extended fight that it was prepared to keep going for as long as necessary.

“The new equation in the Strait of Hormuz is being solidified. Shipping security and energy transit have been jeopardized by the U.S. and its allies with the cease-fire violations and blockade. However, their evil acts will fail. We know well that the continuation of the status quo is intolerable for America, while we are just getting started,” said Ghalibaf.

Speaking at a news briefing at the Pentagon on Tuesday morning, U.S. Defense Secretary Pete Hegseth appeared to try to de-escalate the situation, stressing that the mission to free trapped merchant ships was a short-term, defensive operation purely aimed at providing protection for the hundreds of vessels he said “are lining up to transit.”

“Project Freedom is defensive in nature, focused in scope and temporary in duration, with one mission, protecting innocent commercial shipping from Iranian aggression. American forces won’t need to enter Iranian waters or airspace. It’s not necessary. We’re not looking for a fight,” he said.

However, echoing threats made by U.S. President Donald Trump on Monday night, Hegseth said that Iran “will face overwhelming firepower” if it attacks commercial shipping and that he expected other countries to “step up” to protect the strategically important sea lane “at the appropriate time.”

Day one of Trump’s Project Freedom on Monday saw Iran claim it fired on U.S. naval vessels approaching the strait, forcing one to turn around, while Trump said U.S. forces sank seven Iranian navy “fast boats,” prompting Iranian Foreign Minister Abbas Araghchi to dub the effort “Project Deadlock,” warning that the conflict could only be resolved through compromise.

The UAE also said it was targeted with Iranian missiles and drones for the first time since a cease-fire came into force April 9, blaming the attacks for a fire in its Fujairah Oil Industry Zone in which three people were injured.

“Events in Hormuz make clear that there’s no military solution to a political crisis. As talks are making progress with Pakistan’s gracious effort, the U.S. should be wary of being dragged back into a quagmire by ill-wishers. So should the UAE,” said Araghchi.

The comments came hours after Trump threatened to blow Iran “off the face of the Earth’ if it attacked U.S. vessels involved in Project Freedom.

U.S. Central Command said no U.S. Navy ships had taken fire while Iran rejected as “outright lies,” claims by CENTCOM that two U.S.-flagged merchant vessels “successfully transited through the Strait of Hormuz and are safely headed on their journey.”

MYLEENE Klass is back in the swim of things in a white bikini — 20 years after famously wearing one in the I’m A Celebrity jungle shower.

The presenter, 48, wore the simple two-piece in the sea in a South Africa photoshoot.

The design is for Freemans.com — after her first range for them sold out last year.

Myleene first wore her most famous look during a stint on the ITV1 show in 2006, on which she was a runner–up behind winner Matt Willis, 42.

She then returned to the jungle to compete in 2023’s first all-stars series, I’m A Celebrity… South Africa, which she won.

She previously said she had no idea the 2006 swimwear — later auctioned for £7,500 for charity — would cause a stir and bought it in a rush before the show.

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She admitted last year: “I remember one of the show’s producers looking at my bikinis in the hotel before I went to camp.

“One was covered in stripes, and they said, ‘We’ll have to stop at the shops as that’s probably going to strobe on camera’.

“I ran into the shop en route to the jungle and asked the shop assistant for the plainest bikini she had. Best $40 I ever spent!”

Pitching coach Gus Rico was having dinner on Thursday when head coach Matt Mowry of Birmingham High complimented him on closer Aidan Martinez recording all seven of his outs on strikeouts.

“I had no idea,” Rico said. “Everything is a blur when I’m calling pitches.”

Martinez is throwing some blurs these days after returning this season following Tommy John surgery in June 2024. He touched 92 mph with his fastball and has been improving each week, getting better command and walking fewer batters. He has 28 strikeouts in 15 innings and three saves.

Birmingham is one game behind El Camino Real in the West Valley League standings going into showdown week, playing El Camino Real on Wednesday at home and Friday on the road. The Patriots need a sweep to have a chance at their first league title under Mowry, who prefers winning City titles.

With Martinez throwing so well, it would be a good strategy for opposing teams to make sure they are leading going into the last two innings.

“He’s got a bright future,” Rico said.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.