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HE has long been known for his enthusiasm for so-called throuples.

Now David Haye‘s ex has spoken of the day he asked her to “bring your girlfriends” to his hotel room, where he was waiting in his boxer shorts.

Model Zoe Gregory says the I’m A Celeb star seemed fascinated by her unconventional romance with Playboy boss Hugh Hefner, with whom she shared a bed along with six other women.

She met heavyweight boxing champion Haye after he fought a bout at Hef’s notorious mansion in LA in 2003.

In an exclusive interview Zoe, 51, revealed: “He asked me what group sex is like and I said, ‘It works.’

“He seemed fascinated and very curious. He probably thought, OK I’ll have to give that a try one day. After I gave him my number, he asked me to visit him and he said: ‘Bring your girlfriends to the hotel too.’

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“He was on a high after the boxing match and he probably thought, they all want to smash me. I was in awe of him so it didn’t put me off. He’s a smooth operator. I don’t remember exactly what he said, but he was charming and persuasive.

“He was very complimentary when I turned up to the hotel but I knew he just wanted to get in my pants.

“When I reached his hotel, I thought we would chill by the pool, but he said, ‘No come to the room, I’m still getting ready.’

“He opened the door in his boxer shorts and I wasn’t expecting that, but I wasn’t mad either. He literally grabbed me out the doorway and threw me on the bed so that was that.”

Zoe opened-up about her time with the boxer after he was slammed for his “sexist” comments while competing on the all-star version of I’m A Celeb in South Africa.

Referring to his long-term girlfriend Sian Osborne as having the personality of “a proper ugly bird,” he went on to claim that most good-looking women are “idiots” and that less attractive girls work harder on their personalities to win attention.

Singers Ashley Roberts and Sinitta were left shaking their heads while Corrie actress Beverley Callard later complained: “I’ve never heard anything so sexist in my life.”

Fashion model Sian, 33, defended him, saying in an exclusive interview: “I consider it a compliment.

“A big one. I’m fluent in David by now and my family find it hilarious.”

Miami-based Zoe, who cheated on Hefner with Haye, also backs him.

She explains: “I totally agree with him because everyone judges a book by its cover. People will look at me, blonde hair and big tits, and assume that I’m a bimbo.

“That’s because most blondes are bimbos, unfortunately. Blondes are very ditzy and that’s why they get that label. I’ve found myself saying the same things as David.

“Being around the girls at the Mansion, the ugly ones were always overcompensating with their personality. They would feel, I’m not that great looking so I’m going to have to do cartwheels to compete with the favourites.

“When I go the gym, I see girls wearing next to nothing and they don’t have a body to be wearing that – or a face. They don’t even look like they work out but sometimes people go that extra mile to overcompensate, to fit in.

“I feel bad saying it, but it’s true. It’s the way society is and social media has made it even worse. You are always going to have girls that get bent out of shape by comments like David’s and they are usually the fat ugly ones.

“David has met enough women to be an authority on this. If this is his opinion based on all the women he’s met, I can’t say he’s wrong.

“But he is in a corner with the public and he’s got to take a beating. Everything he says, people are watching and listening and they will use it against him to make out he’s a bad person. But he’s really not a bad person.

“He’s an opinionated person and he’s got a right to his own opinion. David is known for talking his mind and having a crazy sex life and being open about it.

“I can’t fault him for being like that.”

Mum-of-one Zoe moved from London to Los Angeles in her early 20s to work as a model and erotic B movie actress. She was accompanied by her husband, DJ Chris Paul and their young son, who is now in his 30s.

But once offered the chance to live with Hefner at his £150m LA mansion – having met the magazine boss at one of his notorious parties – she decided the opportunity was too good to turn down.

She lived with Hef, who was then in his 70s and relying heavily on Viagra to perform in bed, from 2001 to 2004.

But still married to her first husband, she always living with Hef as a job rather than a romantic relationship and she walked out following a series of rows with his number one girlfriend Holly Madison.

In 2024, she published a memoir called From Britain to Bunny in which she detailed her “hot 15 minutes” with Haye, which she described as “crazy and electric.”

Looking back on that day, she recalls: “David did seem fascinated by Hef. He asked me lots of intimate questions about him.

“He said, ‘So you’ve got to sleep with him?’ I said, ‘Yes, but it’s more of a job for me.’

“He said, ‘That’s weird.’ Then he asked, ‘Can Hef still get it up?’ I said, ‘Yes, of course.’

“I told him what went on in the bedroom – the orgies and Hef’s harem of women – and he seemed impressed by that. He was very complimentary towards me – he told me I have both beauty and brains.”

Zoe, who now works in promotions, last bumped into Haye at a restaurant in Miami two years ago just before her book was released. He was with girlfriend Sian, who has allowed him to spend time with Saturdays’ singer Una Healy and DJ Mica Jova – relationships that have been described as ‘throuples.’

Zoe continued: “David and Sian were over for a boxing event and it turned out we had a mutual friend, a photographer.

“David was surprised to see me. He was like, ‘Oh!’ It was a bit awkward because I wasn’t sure if Sian knew about our history.

“David said, ‘You look really well.’ I said ‘Yes, you too.’ It was a flirty moment and it was funny. And I swear David looked exactly the same as I remembered him. He’s aged very well.

“I got to meet Sian and she’s lovely, sweet girl. When I first met her, she didn’t say much and wasn’t very outgoing. She just sat there.

“I introduced myself and was doing extra to make her feel comfortable and after a few minutes, she warmed up. I kept the conversation away from him because I didn’t know what she knew and the book hadn’t come out yet.

“I wouldn’t say, ‘Oh by the way I f****d your boyfriend.’ I would never have a conversation like that. I do think David has got used to women throwing themselves at him.

I told him, ‘You need to go for an older woman that doesn’t get intimidated by you and can put you in your place.’

“Because otherwise he is just going to walk all over a girl, because it’s his way or the highway. He’s got his cake and he’s eating it – and I love him for that.”

By early 1963, the Station Hotel in London had become an epicenter of the burgeoning British blues scene. On a blustery, snowy night that February, the Rolling Stones’ classic early lineup took the stage for one of the first times, dazzling the audience with ferocious renditions of blues standards like Muddy Waters’ “I Want to Be Loved” and Jimmy Reed’s “Bright Lights, Big City.”

Multi-instrumentalist Brian Jones, the band’s founder and leader, synchronized guitars with Keith Richards, who favored a distinctive slashing and stinging style. Drummer Charlie Watts, the group’s newest member, a jazz aficionado and an accomplished percussionist, propelled the music forward with a rock-solid beat.

Anchoring the rhythm section with him was bassist Bill Wyman, who was recruited more for his spare VOX AC30 amp that the guitarists could plug into than for his musical skills. The stoic bassist proved a strong and innovative player. Together, he and Watts would go on to form one of rock’s most decorated rhythm sections.

Ian Stewart’s energetic boogie-woogie piano style rounded out the sound. Months later, manager Andrew Loog Oldham kicked him out of the band for being “ugly,” although Stewart continued to record, tour and serve as the band’s road manager until his death in 1985.

This April 8, 1964, file photo shows the Rolling Stones during a rehearsal. The members, from left, are Brian Jones, guitar; Bill Wyman, bass; Charlie Watts, drums; Mick Jagger, vocals; and Keith Richards, guitar.

(Associated Press)

Fronting the group was Mick Jagger. Channeling the music like a crazed shaman, Jagger shimmied and sashayed, owning the stage like few lead singers have before or since. By the end of the night, the Stones had the crowd in a frenzy. Although only 30 people had made it to the gig because of the treacherous weather conditions, the hotel’s booker had seen enough: He offered the Stones a regular gig.

“The Rolling Stones had caught fire. The music they were playing and the way they played it struck a chord with a young crowd starved for something different, something their own… It was soul-stirring, loud and uncompromising,” writes Bob Spitz in “The Rolling Stones: The Biography,” his magisterial work that charts the 60-year journey of “the greatest rock and roll band in the world.”

Spitz, the author of strong biographies on the Beatles and Led Zeppelin, as well as Ronald Reagan and Julia Child, captures the drama, trauma and betrayals that have kept the Stones in the public’s consciousness for more than six decades. It’s all here: The Stones’ evolution from a blues cover band to artistic rival of the Beatles; the musical peaks — “Aftermath,” “Let It Bleed” and “Exile on Main Street” as well as misfires like “Dirty Work”; Keith’s descent into a debilitating heroin addiction that nearly destroyed him and the band; the death of the ‘60s at the ill-fated Altamont free concert; Marianne Faithfull, Anita Pallenberg, Bianca Jagger, Jerry Hall and other lovers, partners and muses; the breakups, makeups and crackups; and perhaps most important, the unbreakable bond between Jagger and Richards at the center of it all.

Although Spitz unearths little new information, he excels at presenting the Stones in glorious Technicolor. Spitz homes in on the telling details and anecdotes that give the band’s story a deep richness and poignancy.

Take “Satisfaction,” the Stones’ 1965 classic and first U.S. chart topper. The oft-told story is that Richards woke up in the middle of the night, grabbed the guitar that was next to his bed, and recorded the iconic riff and the phrase “I can’t get no … satisfaction” on a cassette recorder in his Clearwater, Fla., hotel room before falling back asleep. But as Spitz notes, the song initially went nowhere in the studio. That is until Stewart purchased a fuzz box for Richards a few days later, which gave the tune a raunchier sound that perfectly matched Jagger’s lyrics of frustration and alienation. A classic was born.

Piercing the Stones mythology

Spitz’s deep reporting often pierces the mythology surrounding the band. Contrary to the popular belief of many fans, for instance, Jones bears much of the responsibility for the rift with his bandmates and his tragic demise.

The most musically adventurous member of the group — he plays sitar on “Paint It Black” and dulcimer on “Lady Jane” — Jones wasn’t a songwriter. That stoked his jealousies and insecurities, along with frontman Jagger stealing the spotlight from him. A monster of a man, Jones impregnated multiple teenage girls and physically and emotionally abused several women, including Pallenberg. Perhaps that’s why she left him for Richards. Over time, Jones made fewer contributions in the studio and onstage, becoming a catatonic drug casualty. The Stones fired Jones in June 1969 but would have been justified doing so a couple years earlier. He drowned in his pool less than a month later.

Author Bob Spitz

(Elena Seibert)

Similarly, Stones lore has long romanticized the making of “Exile on Main Street” in the stifling, dingy basement of Richards’ rented Villa Nellcôte in the South of France, where the Stones had decamped to avoid British taxes. In this telling, Richards, deep in the throes of heroin addiction, somehow managed to come up with one indelible riff after another built around his signature open G tuning — taught to him by Ry Cooder — leading the band to create one of the best albums in rock history. That’s not entirely accurate, according to Spitz.

Yes, Richards came up with the licks for “Rocks Off,” “Happy” and “Tumbling Dice.” But it’s equally true that a strung-out Richards missed myriad recording sessions, invited dealers, hangers-on and other distractions to Nellcôte, and repeatedly failed to turn up to write with Jagger. Far from completing the album in the druggy haze of a French basement, the band spent six months on overdubs at Sunset Sound in Los Angeles, where Jagger contributed many of his vocals.

Beatles vs. Stones

One of the more interesting themes Spitz develops is the symbiotic relationship between the Beatles and Stones, with the Fab Four mostly overshadowing them — until they didn’t.

John Lennon and Paul McCartney wrote “I Wanna Be Your Man” and gave it to the Stones, whose 1963 rendition, with Jones on slide guitar, became the group’s first UK Top 20 hit. The Lennon-McCartney songwriting partnership inspired Jagger and Richards to begin penning their own songs. In early 1964, the Beatles came to the U.S. for the first time, making television history with their appearance on “The Ed Sullivan Show” and playing Carnegie Hall. A few months later, the Stones kicked off their inaugural American tour at the Swing Auditorium in San Bernardino. In 1967, the Beatles released “Sgt. Pepper’s Lonely Hearts Club Band,” a psychedelic masterpiece. The Stones responded with “Their Satanic Majesties Request,” a psychedelic mess.

The Rolling Stones: The Biography cover

As the Beatles began to splinter, Spitz writes, the Stones sharpened their focus. The band released “Beggars Banquet” in late 1968 and “Let It Bleed” the following year, albums every bit as innovative and visionary as “The White Album” and “Abbey Road.” For the first time, the two groups stood as equals.

When the Beatles broke up in 1970, the Stones kept rolling. With Jones replaced by virtuoso guitarist Mick Taylor — whose fluid, melodic style served as a tasty foil to Richards — they produced what many consider their finest works, “Sticky Fingers” and “Exile on Main Street.” More impressively, the band, with Taylor’s successor, Ronnie Wood, has continued to dazzle audiences with incendiary live shows, touring as recently as 2024 behind the late-career triumph “Hackney Diamonds.” The Beatles, by contrast, retired from the road in 1966 and devoted their energies to the studio.

Hundreds of books have been written about the Rolling Stones, but few sparkle quite like Spitz’s. For anyone who loves or even likes the Stones, it’s indispensable.

Like most of the band’s biographers, Spitz gives short shrift to the post-“Exile” period after 1972. He curtly dismisses 2005’s strong “A Bigger Bang” and 2016’s “Blue & Lonesome,” a back-to-basics album of blues covers, as “adequate endeavors that signaled a band living on borrowed time.” That critique is both off target and under-developed. Spitz ignores the band’s legendary live album, “Brussels Affair,” recorded in 1973, or why the band waited decades before officially releasing it.

These are small quibbles. Spitz has written a book worthy of its 704-page length; another 50 or so pages covering the later years would have made it even stronger. To quote the Rolling Stones: “I know it’s only rock ‘n roll, but I like it, like it, yes, I do.”

Marc Ballon, a former Times, Forbes and Inc. Magazine reporter, teaches an advanced writing class at USC. He lives in Fullerton.

Published on 18/04/2026 – 22:58 GMT+2•Updated
23:06

A coalition of EU-based chemical producers of titanium dioxide – a strategic chemical used in green energy and aerospace – has lodged a complaint with the Commission alleging unfair foreign subsidies against leading Chinese producer LB Group, which is seeking to acquire a UK plant of British competitor Venator, Euronews has learned.

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The move follows the European Commission’s decision in January 2025 to impose anti-dumping duties on LB Group, a trade defence measure targeting low-priced imports into the EU.

Acquiring a production plant in the UK would allow the Chinese group to export its products to the European market duty-free under the EU-UK trade agreement, circumventing EU anti-dumping tariffs.

The EU chemical sector is under pressure from growing competition from Chinese rivals, which are flooding the market with overcapacity.

The alliance behind the complaint against LB Group includes several companies producing in the EU — US-based Tronox and Kronos, Czech Precheza and Slovenian Cinkarna — collectively accounting for about 90% of EU titanium dioxide production.

Enforcing the Foreign Subsidies Regulation outside the EU

Sources said the complaint was filed in December 2025, urging the European Commission to investigate the Chinese company over alleged unfair foreign subsidies used to finance the acquisition of Venator’s plant.

The EU’s Foreign Subsidies Regulation, adopted in 2022, allows the Commission to investigate non-EU companies to assess whether they benefit from distortive foreign subsidies to make acquisitions in the EU or take part in public procurement.

The tool was initially designed with China in mind, reflecting concerns over excessive state subsidies support for Chinese companies acquiring strategic EU assets or infrastructure. However, the regulation has not yet been applied outside the EU.

The plant targeted by LB Group is located in Greatham in northeast England, which left the EU in 2020 after Brexit. The UK’s Competition and Markets Authority is currently reviewing the deal and is expected to issue a decision in May.

If the European Commission opens an investigation under the Foreign Subsidies Regulation, it could set a precedent and send a strong signal globally.

The move would come as the EU chemical industry loses market share in Europe.

According to Cefic, which represents the sector in Brussels, the bloc has lost around 9% of its production capacity since 2022, resulting in the loss of 20,000 direct jobs.

The elephant in the room for the Lakers as they enter the playoffs has been, and will continue to be, the status of their starting backcourt, Luka Doncic and Austin Reaves.

Both are out because of injuries — Doncic with a grade 2 left hamstring strain and Reaves with a grade 2 left oblique strain — and neither is expected to play in the best-of-seven, first-round playoff series against the Houston Rockets that begins Saturday at 5:30 p.m. at Crypto.com Arena.

After practice Friday, coach JJ Redick was quick to say “there’s not” when asked about an update on Doncic and Reaves.

After Doncic and Reaves were injured on April 2 at Oklahoma City, the Lakers said both would be out until the end of the regular season. According to people not authorized to speak on the matter, both are expected to be out four to six weeks.

Doncic went to Spain to get treatment, and Reaves has been working diligently in L.A., with the hope that they can return sooner.

The Lakers miss their combined output of 56.8 points, 13.8 assists and 12.4 rebounds per game. Doncic led the NBA in scoring (33.5) and was third in assists (8.3); he was second on the Lakers in rebounding (7.7).

During the week of practice, Reaves was around his teammates and seen shooting after a few practices. He appeared to be in good spirits. Doncic was supposed to be back by Friday.

“We love having Austin here and we’re glad he is in a position to do his return-to-play [work], however long it takes with us,” Redick said. “Excited to get Luka back and be around the group. Austin and I talk just about every day about different things. So he’s … just being a part of this. …

“The mindset for our team and for those two guys, like we’re gonna try to make this season as long as possible so that we can get those guys back at some point. We don’t know what that is, and that’s just our job. And their job is to do everything they can to be in a position to come back at some point. It may not work, but that’s what we’re trying to do.”

The theme of the Lakers’ week at practice was to “elevate” their work.

Yes, they won’t have Doncic and Reaves, but that didn’t mean the Lakers couldn’t work harder.

When they worked on box-out drills in preparation for the way the Rockets attack the offensive boards, the Lakers went hard. When they watched film and had practice sessions, the Lakers worked with a purpose.

“The word we’ve used all week is ‘elevate.’ I think that’s what it is,” Redick said. “We all know the playoffs are different. They’re harder. There’s no easy matchups, and you have to be able to elevate your play. But beyond that, it’s elevating your recovery, your attention to detail, your preparation.

“I talked about that with my coaches as we started this week on Monday morning. It was an off day for the guys, but we were in there for six hours and we’ve all collectively gotta elevate. And particularly when you’re missing two of your top guys, part of elevating is elevating each other and the belief that the group as a whole can be great.”

The Rockets are a tough and rugged team that is good on defense and at rebounding.

They ranked fourth in the NBA in points given up (110.0) and tied for fifth in opponents’ field-goal percentage (46.0). They were tops in rebounding (48.1) and offensive rebounds (15.0).

That has the Lakers’ attention and is why they worked so hard during practice.

“It’s been great. The level of focus and attention to detail, the communication, everything has been elevated,” forward Jarred Vanderbilt said. “We’ve got a lot of guys that’s been to the playoffs and know what it takes.

“Like you said, everything elevates around this time and having a veteran group that’s kind of been there and had a taste of the playoffs, we all know what it takes to win games in the playoffs. It’s everybody going out and doing their job and paying attention to the game plan.”

Reese Witherspoon is hyping A.I. again, and American authors have a few thoughts.

The Oscar-winning actor and producer, known for spotlighting women’s voices through her famed book club, television and screen projects, may have been barking up the wrong tree when she told her social media followers that it was time to learn A.I. on Wednesday.

“Well…I’ve decided it’s TIME,” she wrote in the caption of an Instagram reel on Wednesday. “The AI revolution has begun, and I need to learn as much as I possibly can about AI and share it with all of you. Also, FYI: the jobs women hold are 3x more likely to be automated by AI, yet women are using AI at a rate 25% lower than men on average. We don’t want to be left behind. So…do you want to learn with me?”

In the video, which the star shared across social media platforms, Witherspoon said she was with 10 women at a book club this week. “I said to the 10 of them, ‘How many of you guys use AI?’ And only three of them used AI. And then I said, ‘How many of the three of you feel like you really know what you’re doing or using it the right way?’ And there was only one person,” she said.

“So, if three out of 10 women are the only ones using AI, that means 70% of that group is not keeping up. The thing I’ve learned about technology is if you don’t get a little bit of understanding from the very beginning, it just speeds past you. So you have to have little bits of learning just to keep up.”

The “Big Little Lies” star then seemingly put out a feeler for an A.I. learning course saying, “I think we should learn the basics together and learn some really good tools that are going to make our everyday lives easier and better. Do you want me to share what I’m learning with you?”

While there were plenty of comments from fans and stars hyping up Witherspoon’s sentiment — Former co-stars Ali Larter said “Yes yes yes!” and Kerry Washington said “THIS” — many of the replies called the actor out, citing environmental, economic, social, educational and intellectual concerns, among others.

One group that was especially vocal in their opposition to A.I., was the literary community, and writers and authors across the country didn’t hold back when sharing their two cents.

Bestselling “Bad Feminist” author Roxane Gay chimed in on Threads, writing, “Oh Reese. Absolutely not.”

“This is obviously a scripted ad and it’s genuinely infuriating. Notice how AI’s biggest defenders are the ones cashing checks from it,” wrote screenwriter and director Charlene Bagcal on Threads. “AI isn’t inevitable. Technology follows society. If people stop using it, it dies. We still have agency.”

“Jagged Little Pill” author and literary agent Eric Smith weighed in, “As someone who champions authors and books the way you do, this is so disappointing.”

“AI plagiarized all my books. It seems unlikely that I’ll be ‘left behind’ if I don’t use it, given that it’s trained on work I did years ago,” wrote “Get Well Soon” author Jennifer Wright.

Writer and actor Rati Gupta said, “How am *I* the one being “left behind” by not using AI when *my* cognitive function will remain fully intact and uncompromised?”

And Sophia Benoit posted, “There’s something particularly insidious about seeing that women— the group you have built your brand on— have not adopted something and instead of assuming it’s out of wisdom, infantalizing them with ‘we’re falling behind.’”

In 2021, Witherspoon’s company, Hello Sunshine, partnered with World of Women (WoW), an NFT collective, and the actor similarly caught flak from followers for tweeting “In the (near) future, every person will have a parallel digital identity. Avatars, crypto wallets, digital goods will be the norm. Are you planning for this?”

Representatives for Witherspoon have not responded to the Times request for comment.

WASHINGTON — President Trump railed against a federal judge’s decision on Thursday that continues to block above-ground construction of a $400-million White House ballroom, allowing only below-ground work on a bunker and other “national security facilities” at the site.

U.S. District Judge Richard Leon’s latest ruling comes in response to an appeals court’s instruction to clarify an earlier decision on the 90,000-square-foot ballroom planned for the site where the East Wing of the White House once stood.

Trump on social media called Leon, who was nominated to the bench by Republican President George W. Bush, a “Trump Hating” judge who “has gone out of his way to undermine National Security, and to make sure that this Great Gift to America gets delayed, or doesn’t get built.”

The administration filed a notice that it will ask the U.S. Court of Appeals for the District of Columbia Circuit to review Leon’s latest decision, too.

Carol Quillen, president and chief executive of National Trust for Historic Preservation, whose group sued to challenge the project, said in a statement that the group is pleased with the court’s ruling.

Leon said that below-ground work on security measures is exempt from his order suspending above-ground construction. Government lawyers have argued that the project includes critical security features to guard against a range of possible threats, such as drones, ballistic missiles and biohazards.

Leon’s latest ruling comes several days after a three-judge panel from the D.C. appeals court instructed him to reconsider the possible national security implications of stopping construction.

In his previous order, Leon barred above-ground work on the ballroom from proceeding without congressional approval. The judge also ruled on March 31 that any construction work that’s necessary to ensure the safety and security of the White House is exempt from the scope of the injunction. Leon said he reviewed material that the government privately submitted to him before concluding that halting construction wouldn’t jeopardize national security.

Leon had suspended his March 31 order for two weeks. He stayed his latest decision for another week, which gives the administration more time to seek Supreme Court review.

Leon said he is ordering a stop only to the above-ground construction of the planned ballroom, apart from any work needed to cover or secure that part of the project. Otherwise, the Trump administration is free to proceed with the construction of any excavations, bunkers, military installations, and medical facilities below the ballroom.

“Defendants argue that the entire ballroom construction project, from tip to tail, falls within the safety-and-security exception and therefore may proceed unabated,” the judge wrote. “That is neither a reasonable nor a correct reading of my Order!”

On Saturday, the appeals court panel said it didn’t have enough information to decide how much of the project can be suspended without jeopardizing the safety of the president, his family or the White House staff.

Leon said he recognizes the safety implications of the case, but stressed that “national security is not a blank check to proceed with otherwise unlawful activity.” He also said he has “no desire or intention to be dragooned into the role of construction manager.”

On April 2, two days after Leon’s previous ruling, Trump’s ballroom won final approval from the 12-member National Capital Planning Commission, which is charged with approving construction on federal property in the Washington region.

The preservation group sued in December, a week after the White House finished demolishing the East Wing to make way for a ballroom that Trump said would fit 999 people. Trump says the project is funded by private donations, although public money is paying for the bunker construction and security upgrades.

Kunzelman writes for the Associated Press.

Many passengers are facing waits of up to three hours at Spanish airports due to the new controls

Travellers in Spain are experiencing significant delays at airports. And experts are warning that one particular group is bearing the brunt of new border controls, according to a Spanish travel organisation.

There have been widespread reports of waiting times of up to three hours. New regulations have been introduced, with some passengers in particular facing very long waits.

Spanish media reports indicate waiting times of up to three hours at Palma airport alone, with similar delays reported in France, Greece, Italy and beyond. Travel group Aviba is now calling for urgent measures to prevent chaos this coming summer.

Pedro Fiol, president of the travel association, is demanding immediate action to avert disruption this summer, and has revealed he has been pushing for such measures for months, according to Ultimata Hora. The new system has only just been introduced, having fully launched on April 10, following a trial period that began late last year.

The EU’s new Entry/Exit System (EES) initially began operations on 12 October 2025, with a phased rollout across 29 European countries. Now it is fully in place.

The system replaces passport stamping with digitally recorded entries, exits or refusals of entry of non-EU nationals arriving for short stays. Travellers’ facial images, fingerprints and personal data from the travel document will also be recorded.

Mr Fiol said: “The implementation of the new European Border and Security System (EES) is already beginning to be felt at the Balearic airports, especially at Son Sant Joan, the main gateway to Mallorca, where we are still operating with a hybrid model. At certain times, it is causing some slowdowns in the controls, particularly for non-EU passengers.”

He warned that “we are facing a structural change in how borders are managed across Europe: biometric registration is replacing manual passport stamping, and this means more time for the passenger’s first contact with their destination.” In his view, so far “the experience has been inconsistent: some days the operation runs relatively smoothly, while others, according to agencies and tour operators, can take more than two hours from the moment the plane lands until the traveller collects their luggage, and even nearly three hours in some specific cases.”

Ultima Hora reports that the National Police have acknowledged the delays, though they say they have seen no evidence of prolonged hold-ups. Sources close to the security forces have told Spanish media that additional staff have been deployed during peak hours in a bid to ease any difficulties that may occur during periods of heavy passenger congestion at checkpoints.

Travellers passing through airports in countries including France, Germany, Belgium, Italy, Spain and Greece are facing waits of several hours at border controls, according to the Airports Council International (ACI). Olivier Jankovec, the director of the ACI European division, told the Financial Times: “This situation, in the coming weeks and certainly over the peak summer months, is going to be simply unmanageable.

“We are seeing those queueing times now, at peak times, when traffic is just starting to build up.” A spokesperson for the European Commission told the Guardian: “What we can see from the first days of full operation is that the system is working very well. In the overwhelming majority of member states there are no issues.”

The commission said that the average registration of a passenger was 70 seconds, although the ACI has claimed that it can take up to five minutes. The spokesperson said there were a “few member states where technical issues have been detected” but that they “are being addressed”.

They said: “It is up to member states to ensure the proper implementation of the EES on the ground.” Luke Fitzpatrick, from independent travel agency Perfect Getaways, told the BBC this week that travellers should plan ahead to make border checks as smooth as possible.

“It’s about being as prepared as you can be,” Fitzpatrick told BBC Radio Merseyside. “There is a lot of uncertainty at the moment as people are getting used to the new system.”

While he said the advice was to arrive at the airport “at least three hours early”, he said it could be more difficult for people booked on a package holiday. “If you’re on a shared transfer back, everyone’s coming together at the same time,” he said.

EES changes and the impact on transfer and pick-ups

Pedro Fiol told Ultima Hora that “this situation is forcing a restructuring of transfer and pick-up operations at destinations to better co-ordinate exact times, avoid additional downtime, and guarantee the smoothest possible service.” Given this situation, he says that “travel agencies are concerned that if resources are not properly allocated at airports with such high tourist pressure as those in the Balearic Islands, significant queues and a negative first experience for visitors are possible.”

What do Brit tourists need to do with EES rules?

The govuk website states that “if you are travelling to a country in the Schengen area for a short stay using a UK passport, you may be required to register your biometric details, such as fingerprints and a photo, when you arrive. You do not need to take any action before you arrive at the border, and there is no cost for EES registration.

“EES registration is replacing the current system of manually stamping passports when visitors arrive in the EU. EES may take each passenger extra time to complete so be prepared to wait longer than usual at the border.”

The countries in the Schengen area are: Austria, Belgium, Bulgaria, Croatia, Czechia, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, and Switzerland.

SEOUL, April 14 (UPI) — South Korea’s LG AI Research said Tuesday that it will work with local brokerage Kiwoom Securities and London Stock Exchange Group to develop AI agent services for retail investors.

Under the contract, the three parties aim to provide stock-specific forecast scores alongside easy-to-understand explanations on Kiwoom’s retail trading platform. They also plan to introduce AI-powered wealth management services.

Toward that end, LG AI Research plans to leverage its EXAONE-Business Intelligence system. LG said the system is built on four specialized AI agents — AI journalist, AI economist, AI analyst and decision-maker.

They are intended to collect real-time data, analyze it to forecast market trends and generate reports before evaluating various scenarios to produce final scores for stocks.

Established in 2020 as an affiliate of LG Group, LG AI Research focuses on developing cutting-edge AI technologies and addressing related challenges.

“For financial AI agents, explainability and reliability are just as crucial as accuracy,” LG AI Research chief Lim Woo-hyung said in a statement.

“EXAONE Business Intelligence is evolving into a practical AI system that supports human judgment as expert agents collaborate to perform tasks ranging from analysis and forecasting to report preparation,” he said.

London Stock Exchange Group senior executive Nicolas Falmagne said the three-way alliance would mark a turning point in creating greater value across the entire financial ecosystem.

LG AI Research is not publicly listed. The share price of LG Group’s holding company, LG Corp., edged down 0.11% on the Seoul bourse Tuesday. Those of Kiwoom Securities rose 4%.

A constellation of stars are lining up against Paramount’s proposed takeover of Warner Bros. Discovery, expressing fears the blockbuster merger would devastate the industry and shrink production jobs.

The letter was signed by nearly 1,000 artists and movie creators, including such big names as Ben Stiller, Bryan Cranston, Noah Wyle, Joaquin Phoenix, Kristen Stewart and Jane Fonda, whose group the Committee for the First Amendment, helped organize the campaign.

“This transaction would further consolidate an already concentrated media landscape, reducing competition at a moment when our industries—and the audiences we serve—can least afford it,” according to the letter. “The result will be fewer opportunities for creators, fewer jobs across the production ecosystem, higher costs, and less choice for audiences in the United States and around the world.”

The Hollywood workforce has shrunk by more than 42,000 jobs between 2022 and 2024, according to a recent study. The economy has not bounced back following shutdowns due to the COVID-19 pandemic, followed by the twin labor strikes three years ago.

Thousands of film workers have been searching for work — but many of the big opportunities have moved abroad.

The strikes prompted studio executives to reset their output after previously spending big to build streaming services to compete with Netflix.

Two other consolidations led to widespread cutbacks: Walt Disney Co.’s acquisition of Fox entertainment assets in 2019, and Discovery’s takeover of AT&T’s WarnerMedia four years ago.

The resulting entity — Warner Bros. Discovery, led by David Zaslav — instituted deep cost cuts and thousands of layoffs to cut expenses because the firm was nearly drowning in deal debt — $43 billion — from the day Zaslav took the helm.

Paramount’s proposed takeover of Warner Bros. would result in a significantly higher debt load, $79 billion in debt, prompting concerns from the group and others about further cuts.

Tech scion David Ellison, son of billionaire Oracle co-founder Larry Ellison, is leading the effort to buy Warner Bros. Discovery to prop up Paramount, which the family acquired in August. Ellison’s Paramount Skydance prevailed in a nearly six month bidding war in late February after Netflix bowed out when the elder Ellison agreed to financially back his son’s $111-billion deal.

Warner shareholders will be asked to approve the merger April 23.

Ellison is pushing to wrap the deal up this summer.

“We are deeply concerned by indications of support for this merger that prioritize the interests of a small group of powerful stakeholders over the broader public good,” the letter said. “The integrity, independence, and diversity of our industry would be grievously compromised. Competition is essential for a healthy economy and a healthy democracy. So is thoughtful regulation and enforcement.”

The group urged California Atty. Gen. Rob Bonta and his fellow state attorneys general to sue to block the transaction.

Bonta has told The Times that his office is reviewing the transaction to see if it violates anti-trust rules. Two historic movie studios, several streaming services and dozens of cable channels would be brought under one roof.

“Media consolidation has already weakened one of America’s most vital global industries,” the group said, “one that has long shaped culture and connected people around the world.”

Bonta’s office is leading the charge against another merger, TV station giant Nexstar Media Group’s $6.2-billion takeover Virginia-based Tegna. Eight state attorneys general, including Bonta, have sued to block that deal. A judge is expected to rule on whether to issue a preliminary injunction later this week.

Buyout firm Leonard Green & Partners is reportedly close to acquiring Cumming Group from New Mountain Capital, in a transaction that could value the business at around $3 billion including debt.

The deal, which could be announced within weeks, would transfer ownership

April 10 (Asia Today) — A South Korean Christian group called for an end to political entanglement with religion ahead of upcoming local elections, warning such practices could undermine the church.

The group, Start with Me Forum, issued a declaration after holding its fifth forum in Seoul on Thursday, urging believers to reject improper ties between faith and politics.

“Prayer must not become lobbying for a candidate, and offerings must not be turned into political funds,” the group said. “If the faith community becomes a vote bank, the church will collapse.”

The forum was led by Rev. Ryu Young-mo, who emphasized the need to break what he described as a long-standing pattern of using religion for political power.

Participants said the risk of religion being used as a political tool is increasing ahead of the June 3 local elections, calling for “painful self-reflection” within the Protestant community.

The declaration rejected both political forces seeking to influence religious groups for votes and religious organizations aligning with politics for institutional benefits, stressing the need to uphold the separation of church and state.

At the same time, the group opposed a proposed bill aimed at preventing church-state collusion, arguing it could infringe on religious freedom as well as freedoms of expression and association.

Speakers at the forum also highlighted broader concerns about religious involvement in politics. Professor Tak Ji-il said inappropriate ties with political power are not limited to fringe groups but affect mainstream churches as well.

“It is urgent for churches to establish safeguards to prevent irrational behavior carried out in the name of orthodoxy,” he said.

The forum included discussions on patterns of political participation among Korean Protestant churches and historical debates over church-state separation.

The organization was founded in 2017 to promote reform within the Korean church and encourage greater social responsibility among believers.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260410010003228

A MEMBER of a huge girlband has teased a reunion tour – and fans will likely be bursting with excitement over the potential slew of gigs should they set plans in motion.

The Saturdays are approaching their 20th anniversary, with a reunion tour now on the cards for the girls, as per one of the members.

The hit girlband, who had hits with What About Us and Ego, was made up of Molly King, Frankie Bridge, Rochelle Humes, Vanessa White and Una Healy.

Una is the bandmate who has hinted the possibility of a tour.

The Irish beauty has revealed she is “rallying all the girls” for a reunion tour after discussing plans with bandmate Molly. 

The band initially rose to fame in 2007 before disbanding in 2014. 

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At the time, the girls insisted they were not splitting up, but instead taking a “break”.

Speaking on 2FM Morning with Laura Fox, Una said now would “be a good time” to get reunion plans in the works. 

Una said: “I hope so, you know that it has been 18 years now.

“So only two more to go. It was 2008 since the first single.

“The years are flying by it’s scary.”

She then added: “I was recently talking to Molly and she just reminded me. She was like ‘you know it’s the big 20th now, in two years’.

“I always think that the noughties was ten years ago. So I think that it would be a good time. It would take time to get a tour together.”

Una then revealed: “I am trying to rally them all up and I want it to be all of us as well. We all do. That’s how we all collectively feel. 

“If we ever do anything again it would have to be all five or it wouldn’t be the same.

“I would just love if it was all of us.”

Last summer, we reported the mysterious ‘feud’ between two of the bandmates as the stars ‘snubbed’ each other at Wimbledon after a 24-year friendship.

Rochelle and Frankie grew up in the spotlight together but last summer they mingled with celebrities just yards from each other yet failed to speak between them.

At the time, an insider told The Sun: “It was clear the women were keeping their distance. They sat on opposite sides of the suite and kept to themselves.”

SEOUL, April 10 (UPI) — The Korea Federation of Community Credit Cooperatives said Friday it launched a savings product that offers an annual interest rate of up to 12% in an attempt to boost childbirth.

The one-year installment savings product provides a base rate of 4%, which increases by steps to 12% depending on the number of the customer’s children. It is subject to a deposit limit, though.

For savers with a newborn in areas experiencing population decline, the country’s top apex organization said that the maximum 12% interest would be guaranteed regardless of the number of children.

“We have introduced dedicated financial products every year since 2023 in an effort to help address the low birth rate,” cooperative Director Cho Bong-eop said in a statement.

“As a community-based financial institution, we will keep fulfilling our social responsibilities by supporting vulnerable groups and revitalizing local economies, in addition to tackling the low birth rate,” he added.

South Korea has one of the world’s lowest fertility rates, which fell to 0.72 in 2023, according to Statistics Korea. The figure rebounded slightly to 0.75 in 2024 and 0.8 last year, still far below the replacement level of 2.1.

This means that for every 100 South Korean women, only 80 babies are expected to be born over their lifetimes, leading to a gradual population decline. The country’s population stands at 51.6 million.

To address the challenge, the Seoul government has funneled a huge amount of money over the past decades to little avail. In recent years, even private companies stepped in, providing bonuses and various benefits to employees who have a baby.

Last month, Statistics Korea reported nearly 27,000 births in January, the highest monthly figure in nearly seven years. However, the fertility rate still remained below 1.

The disciplinary files of Los Angeles police officers are closely guarded secrets, protected by some of the nation’s strictest confidentiality laws.

But now, many of those secret files have been splashed across the internet, along with tens of thousands of other sensitive records from the L.A. city attorney’s office.

The extent of the data breach is still unclear, and city officials have said they are investigating to find out what was taken, who was responsible and how the city’s cybersecurity was compromised.

A ransomware hacking collective called WorldLeaks, which has gained a reputation for extorting private and public entities by threatening to disclose confidential files on the internet, has claimed responsibility.

The group first announced the breach on March 20. City and LAPD officials did not comment on whether the hackers requested a ransom in return for not releasing the information — or whether the city paid one. Some reports suggest that the group was behind a hack of L.A. Metro last month that forced it to shut down part of its transit network.

The Times spoke with several sources familiar with the investigation into the data breach who requested anonymity because they were not authorized to discuss the case publicly, and reviewed a partial inventory of the leaked files, including screenshots of some materials.

Here’s what we know so far.

How did hackers get the LAPD files?

The hacking group appears to have exploited vulnerabilities in a system used by the Los Angeles city attorney’s office, enabling the group to make off with nearly 340,000 files, according to the sources familiar with the case.

In the wake of the George Floyd protests, the sources said, the city was flooded with dozens of lawsuits from protesters who had been injured by LAPD officers. To handle the deluge of new cases, the city created a file-sharing system so that attorneys on both sides could access discovery materials, including some considered private under court orders.

It was akin to Dropbox or Google Drive, the sources said, and access was supposed to be restricted to just authorized users.

But the system, according to two sources familiar with the investigation, was not password-protected because city officials believed that it needed to be accessible to other parties, including outside attorneys hired to assist with civil litigation.

The sources said the system expanded far beyond its initial scope and came to include records from hundreds of lawsuits involving the LAPD.

In a statement issued to The Times on Wednesday, Ivor Pine, a spokesperson for the city attorney’s office, described the hack as “unauthorized access to a third-party tool used by the City Attorney’s Office to transfer discovery to opposing counsel and litigants.”

How did the LAPD and city officials find out?

Few inside the LAPD knew about the extent of the leak until The Times published a story Tuesday revealing files that appeared online.

After the news broke on Tuesday, the department released a brief public statement acknowledging the disclosure of “discovery documents from previously adjudicated or settled LAPD civil litigation cases.” The department noted that the “breach does not involve any LAPD systems or networks.”

Pine said that once the city attorney’s office realized its file-sharing system was compromised, it “took immediate steps to secure the tool and investigate what information was accessed.”

“No other City applications or systems were involved in this incident,” Pine said. “The information was self contained in this application without any links or access to any department records or systems.”

What are the consequences of the massive leak?

The data breach could have political ramifications for embattled City Atty. Hydee Feldstein Soto, who is up for reelection.

Last week, she earned the endorsement of the powerful Los Angeles Police Protective League, which represents rank-and-file LAPD officers. But union officials contend that Feldstein Soto failed to mention the leaked documents to them until they learned of the hack Tuesday evening.

On Wednesday, the union issued a scathing statement.

“To say we are disappointed by the lack of urgency and forthrightness from the City Attorney’s office is an understatement,” the union’s statement said. “We will keep asking the tough questions and once we receive answers we will take appropriate action.”

Feldstein Soto’s challenger in the city attorney’s race, John McKinney, said the public deserves immediate answers.

“The lack of transparency isn’t just concerning, it’s unacceptable,” said McKinney, who currently leads the major crimes bureau at the L.A. County district attorney’s office. “By keeping the public in the dark, witnesses and Los Angeles Police Department families may have been put at risk.”

Lawyers for police officers reported numerous calls from clients worried their personnel and medical records were exposed, raising the prospect of more costly litigation. About 900 officers are currently suing the department over the 2023 release of mugshot-style images and other materials in response to a public records request.

How much information was snatched and what’s in it?

In all, according to posts about the data breach, 7.7 terabytes of information was available for download.

The LAPD statement described the files in the recent hack as coming from closed cases, but at least one of the files reviewed by The Times involved a lawsuit over an alleged sexual assault by a police officer that was set for trial next week.

Also disclosed were personnel files from dozens of current and former officers. Every officer’s personnel records are contained within a system called TEAMS II.

It is a detailed history that includes records on arrests they have made, training sessions they have attended, citizen complaints received against them and lawsuits they have been involved in, along with any history of traffic collisions, shootings or other uses of force, commendations, assignments, workers’ compensation claims and more.

Such records can be turned over as discovery in civil cases, but almost always under a protective order that restricts them from being shared publicly.

An untold number of internet users have downloaded the terabytes of data in the weeks since its release. What surfaces next remains to be seen.

Pro-Iran groups have used artificial intelligence to create internet memes in English to try to shape the narrative during the war against the U.S. and Israel and foster opposition to it.

Analysts say the memes appear to be coming from groups linked to the government in Tehran and are part of a strategy of leveraging its limited resources to inflict damage on the U.S., even indirectly. That includes how Iran has used attacks and threats to control the flow of traffic through the Strait of Hormuz and maintain a stranglehold on the world’s economy. A ceasefire raised hopes Wednesday of halting hostilities, but many issues remained unresolved.

“This is a propaganda war for them,” Neil Lavie-Driver, an AI researcher at the University of Cambridge, said, referring to Iran. “Their goal is to sow enough discontent with the conflict as to eventually force the West to cave in, so it is massively important to them.”

It’s not the first time memes have been used in a conflict, and they have evolved to include AI images in recent years. AI imagery bombarded Ukrainians after the Russian invasion in 2022. Last year, the term “AI slop” became widely used to describe the glut of imperfect images posted online during the Israel-Iran war to try to destroy the country’s nuclear program.

In the conflict that began Feb. 28 with joint U.S.-Israel strikes, the memes have used well-honed cartoons that lambast U.S. officials.

The memes are steeped in American culture

The memes are fluent not just in English but in American culture and trolling. Published on various social platforms, they are racking up millions of views — though it’s not clear how much influence they have had.

They have portrayed President Trump as old, out of step and internationally isolated. They have referenced bruising on the back of Trump’s right hand that prompted speculation about his health; infighting in Trump’s MAGA base; and U.S. Secretary of Defense Pete Hegseth’s fiery confirmation hearing, among other things.

“They’re using popular culture against the No. 1 pop culture country, the United States,” said Nancy Snow, a scholar who has written more than a dozen books on propaganda.

The pro-Iran images circulating online include a series that uses the style of the “Lego” animated movies. In one, an Iranian military commander raps, “You thought you ran the globe, sitting on your throne. Now we turning every base into a bed of stone,” as Trump falls into a bullseye built of “Epstein files,” the U.S. government’s investigative records on disgraced financier and convicted sex offender Jeffrey Epstein.

Analysts believe groups making the memes are cooperating with the government

The animations show levels of sophistication and internet access that indicate ties to government offices, said Mahsa Alimardani, a director of Witness, a human rights group working on AI video evidence.

“If you’re able to have the bandwidth needed to generate content like that and upload it, you are officially or unofficially cooperating with the regime,” she said, pointing to severe restrictions Iran has imposed on the internet as part of a crackdown on nationwide protests earlier this year.

State media has reposted some of the memes, including some from the account behind the “Lego”-style videos, Akhbar Enfejari, which means Explosive News.

Akhbar Enfejari described itself as an independent group of Iranians with no connection to the government. “We don’t even receive any funding. We’re just a group of friends working voluntarily — paying for our own internet, using our own laptops and computers, and doing all of this ourselves,” the group told the Associated Press on the messaging app Telegram.

The group said it is producing and upload from within Iran to try to disrupt decades-long dominance of Western control of the airwaves.

“They’ve long dominated the media landscape and, through that power, imposed narratives on many nations,” Akhbar Enfejari said. “But this time, something feels different. This time, we’ve disrupted the game. This time, we’re doing it better.”

In addition to the memes coming from pro-Iran groups, Iranian government accounts have trolled the U.S., including in a post Wednesday from Iran’s Embassy in South Africa that said, “Say hello to the new world superpower,” with a picture of the Iranian flag. Both the U.S. and Iran declared victory after agreeing to a ceasefire.

Analysts say the deep grasp of U.S. politics and culture is the fruit of more old-school methods of propaganda: a decades-long Iranian government program to promote narratives against the U.S. and Israel.

“This meme war comes from institutions that are very aware what the American public is aware of and pop cultural references that can appeal to them,” Alimardani said.

Messaging from the U.S. and Israel

Analysts say the U.S. and Israel do not appear to be engaging in the same kind of campaign — and given the restrictions Iran has put on internet access in the country, getting such messages to ordinary Iranians would be difficult.

Early in the war, Israeli Prime Minister Benjamin Netanyahu released a video that used AI to make it seem like he was speaking in Farsi, in which he urged Iranians to overthrow their government. The White House has published a steady stream of memes, but those are aimed at a U.S. audience and feature clips from American TV shows and sports.

The U.S. government-run Voice of America, which for decades beamed news reports to many countries that had no tradition of a free press, does still broadcast in Farsi, though it is has been operating with a skeleton staff since Trump ordered it shut down.

“This world order is really changing overnight and the U.S. is not going to end up necessarily as the state that everybody listens to,” Snow said.

McNeil writes for the Associated Press.

Memorial was co-winner of 2022 Peace Prize for its work in documenting human rights abuses in Russia.

The committee that awards the Nobel Peace Prize has condemned attempts by Moscow to designate the human rights group and Peace Prize laureate Memorial as an “extremist organisation”.

The chairman of the Norwegian Nobel Committee, Jorgen Watne Frydnes, said in a statement on Wednesday that it was “deeply alarmed by the Russian authorities’ latest attempts to destroy Memorial – a co-recipient of the 2022 Nobel Peace Prize – by seeking to designate [it] as an extremist organisation”.

The statement was issued as Russia’s Supreme Court is expected to examine a petition from the Ministry of Justice on Thursday to add Memorial to Russia’s list of “undesirable” entities.

The designation would ban the organisation from operating in Russia, with those affiliated with it could face up to four years in prison and fines.

Memorial has already been declared a “foreign agent”, and the Supreme Court ordered it dissolved in Russia at the end of 2021.

Frydnes stressed that if the latest petition by the Justice Ministry is upheld, “all activities of Memorial will be criminalised. Anyone taking part in, or funding, Memorial’s work – or even sharing its published materials – will risk imprisonment.”

“To designate such an organisation as extremist is an affront to the fundamental values of human dignity and freedom of expression,” he added.

The committee called “on the Russian authorities to immediately withdraw this claim and to cease all harassment of Memorial and its members”.

Memorial won the Nobel Peace Prize with the Ukrainian human rights organisation Centre for Civil Liberties and Ales Bialiatski, who has worked to promote democracy and human rights in Belarus. Memorial, established in 1987, focuses on documenting human rights abuses in Russia.

Before it was banned in Russia, Memorial formed a network of about 50 organisations across Russia and outside its borders. Some of its constituents based in Germany, France and Italy continue to operate.

Several Russian Memorial leaders have been subjected to criminal proceedings – including Oleg Orlov, who was freed in a prisoner exchange in 2024 after being imprisoned for speaking out against the Ukraine war – are now working outside Russia to continue documenting human rights abuses.

Paramount President Jeff Shell is expected to exit the company after being entangled in a legal battle with a controversial Las Vegas gambler and self-styled “fixer.”

Shell has been negotiating his exit and is expected to leave imminently after just eight months on the job, said two people familiar with the matter who were not authorized to comment publicly.

The veteran entertainment executive officially joined the media company with David Ellison’s takeover in August, though he had been a key member of Ellison’s team for nearly two years as the group worked to assemble the pieces of the tech scion’s growing empire. Ellison’s Skydance Media acquired Paramount and then pulled off a stunning $111-billion deal to buy Warner Bros. Discovery in late February.

Shell brought substantial experience running a media company to Ellison’s inner circle, a group that included former investment bankers and others who haven’t run a large-scale enterprise. Shell also served as a member of Paramount’s board and is expected to leave that role, too.

His exit comes after the high-roller, Robert James “R.J.” Cipriani, sued Shell in Los Angeles County Superior Court on March 9, alleging fraud and breach of an oral contract. Cipriani claimed that he provided Shell with “sophisticated, high-value crisis communications services,” according to his suit. He alleged Shell spilled corporate secrets, which Shell has denied, and also failed to deliver on a verbal pledge to help Cipriani develop an English-language version of a Roku TV Spanish music show.

Shell maintains Cipriani fictionalized the two men’s dealings, then spread “false and salacious lies to extract a massive payday.” Cipriani has been seeking $150 million in damages. Shell filed a counterclaim, saying the two men met only twice and that Shell owed him nothing.

The legal skirmish cast a cloud over Shell’s tenure helping lead the company because the Ellisons wanted to stay focused on their Warner Bros. takeover and lining up regulators approvals in the U.S. and abroad. The Cipriani controversy made Shell’s future at Paramount untenable, the sources said.

Shell’s departure comes three years after he was ousted as NBCUniversal chief executive.

NBCUniversal-owner Comcast hired a law firm to investigate him after a CNBC anchor filed an internal sexual harassment claim against him. Shell stepped down, acknowledging that he’d had an “inappropriate relationship” with the journalist, who has since left the company.

The job at Paramount was envisioned to be his second act.

Shell’s dealings with Cipriani began with an August 2024 meeting at litigator Patty Glaser’s Century City office. At the time, Glaser represented both men and urged Cipriani to “cease” his efforts to drum up damaging stories about Shell, who was trying to recover from the scandal that cost him his job at NBC.

Jeff Shell, Paramount Skydance president.

(Paramount / Skydance)

The most serious of Cipriani’s allegations was that he made a report about Shell to the U.S. Securities & Exchange Commission that Shell had discussed highly sensitive Paramount information with him: Paramount’s proposed $7.7-billion deal with the UFC owner to bring the mixed-martial arts fights to CBS and other Paramount outlets. Shell, in his lawsuit, denied the allegation.

Robert James “R.J.” Cipriani in Amazon Prime Video’s 2025 series, “Cocaine Quarterback.”

(Courtesy of Prime)

Paramount’s brass hired the Gibson Dunn law firm to investigate Shell’s surreptitious dealings with Cipriani. Investigators have been reviewing whether Shell had divulged any secrets. The review is still pending.

“Nobody believed me,” Cipriani said Wednesday. “The best thing I did was cooperate with Gibson Dunn and showed them that the texts were real.”

It’s unclear whether Ellison will look to bring in other experienced media executives or look to senior Warner Bros. Discovery executives following Paramount’s proposed takeover of that company.

Billionaire investor Bill Ackman’s Pershing Square has proposed a takeover of Universal Music Group in a $64bn deal, the latest twist in his nearly five-year quest for the music label giant.

Pershing Square proposed a cash-and-shares offer on Tuesday through its acquisition vehicle that values Universal Music at about 30.40 euros ($35) per share, a 78 percent premium to the last closing price of 17.10 euros ($20), making the deal worth 55.75 billion euros ($64.31bn).

Universal Music Group (UMG) – the company behind international superstars, including Taylor Swift, Billie Eilish and Kendrick Lamar – is expected to move its listing to New York from Amsterdam, paving the way for more investors, including index funds, to own the company and ultimately lead to more robust earnings and a higher valuation.

Universal Music declined a Reuters news agency request for comment.

For Ackman, one of the world’s most voluble investors, who cemented his fame and fortune as an activist investor, forcefully pushing corporate America to adopt changes, this is a far friendlier approach, investors and industry analysts said.

Even as the music industry is flourishing, UMG’s share price has lagged, something Ackman is pledging to fix with this proposed deal.

Ackman’s letter to Universal Music Group’s board carried a mixed tone, at times complimentary of current management, led by chairman and chief executive Lucian Grainge, and critical of the company’s “underutilized balance sheet” and handling of its 2.7 billion euro ($3.1bn) investment in Spotify Technology.

Fears of AI disrupting the music industry have played a role in UMG’s lacklustre performance. Its share of the music market has been sliding, and streaming growth is decelerating, Wells Fargo analysts noted. In March, UMG delayed its plans for a US listing.

Nonetheless, Ackman will need the support of UMG’s top shareholders – Bollore Group, which holds an 18.5 percent stake, and Vivendi, which owns 13.4 percent – to push through any transaction. China’s Tencent is a significant shareholder. French billionaire Vincent Bollore’s family controls 80 percent of UMG’s voting rights.

Old target

Ackman first flirted with Universal Music Group in 2021, when his Pershing Square Tontine Holdings, a shell corporation created to take a private company public, zeroed in on its target. But Ackman shelved the complex deal in the wake of heavy US regulatory scrutiny. Instead, Pershing Square became one of UMG’s biggest investors in 2021, and Ackman sat on its board until last year.

Post transaction, Ackman said Grainge should remain Universal Music’s chief executive.

Ackman said he and former Hollywood super-agent Michael Ovitz met with Grainge over dinner “a couple of weeks ago” to discuss the potential merger.

“Lucian encouraged us to send it in,” Ackman said.

Ackman proposed adding new directors, including Ovitz – who shepherded the careers of Madonna and Michael Jackson – who would become the board chair. Additionally, two representatives from Pershing Square would get seats, he said, not saying yet whether he would be one of the directors.

Shares of UMG, which is listed in Amsterdam, were up 13 percent on Tuesday, while Bollore Group climbed 5 percent. Shares in Vivendi were up more than 10 percent.

Pershing bought a 10 percent stake in UMG from Vivendi ahead of its 2021 Amsterdam IPO and has since repeatedly pressed for a New York listing, arguing it would boost UMG’s share price and liquidity.

Pershing currently has a 4.7 percent stake, making it UMG’s fourth-biggest shareholder.

UMG’s shares have lost almost a third of their value since its IPO.

Even as global music revenues grow year after year, UMG and other major labels, like Sony and Warner Music, are scrambling to stay competitive as streaming services from Spotify, Amazon, Apple and Deezer take an ever greater share.

They are now also contending with disruptions brought on by the expansion of AI – from copyright disputes to the advent of song-generating AI tools – that threaten to upend how music is created, consumed and monetised.

One survey last year found that a staggering 97 percent of listeners could distinguish between AI-generated and human-composed songs.

Under Tuesday’s proposal, Pershing’s SPARC Holdings would merge with UMG, and the new entity would become a Nevada corporation listed on the New York Stock Exchange.

Tzruya “Suki” Lahav, a violinist and poet who played with Bruce Springsteen and the E Street Band in the mid 1970’s on some of the band’s most beloved LPs, has died. She was 74.

Yonatan Albalak, her son, posted on Facebook April 2 that his mother had been “gathered into infinity after a short and hard battle with the cursed disease” of cancer.

“She wrote songs that touched people’s hearts,” he wrote, describing her as “a special woman, smart, pure in heart and loving life. She was the best mom I could ever ask for.”

Lahav’s tenure with the group lasted only between 1974 and 1975, yet she contributed several standout moments to Springsteen’s catalog. She performed on “The Wild, the Innocent and the E Street Shuffle” and its follow-up, the smash “Born to Run.” She played the famed violin intro to the classic single “Jungleland,” and performed the multi-tracked choir on “4th Of July, Asbury Park (Sandy)” after a church vocal group failed to turn up for the session. She also played on a fan-favorite, widely-bootlegged cover of Bob Dylan’s “I Want You.”

She entered Springsteen’s camp after her husband, Louis Lahav, engineered on Springsteen’s 1972 debut album, “Greetings From Asbury Park.” Lahav told the Jerusalem Post in 2007 that she joined the group as “a young girl in a flowing white dress from Kibbutz Ayelet Hashahar in the Upper Galilee, barely out of the army, barely married … I went from kibbutz harvest music to rocking with Bruce.”

She remained a major artist in Israel for decades after her tenure with Springsteen. She recorded with the Israeli rock band Tamuz, and wrote songs for prominent Israeli artists like Rita, including “Yemei Hatom” and “Shara Barkhovot.” She won the ACUM Lifetime Achievement Award and the Arik Einstein Prize there. In 1990, “Shara Barkhovot” was Israel’s submission to the Eurovision Song Contest.

April 3 (Asia Today) — South Korea’s largest labor group on Thursday called on the government to adopt a more worker-centered approach in shaping industrial and trade policies, emphasizing job security amid economic and technological changes.

The Korean Confederation of Trade Unions made the request during a meeting with Industry Minister Kim Jeong-kwan at its headquarters in central Seoul.

The group said employment stability must be a key consideration in industrial policymaking and trade negotiations, particularly as industries undergo restructuring driven by artificial intelligence and face overlapping challenges from climate change, global trade tensions and economic uncertainty.

The meeting was organized to raise the need for labor-focused policy and to establish a framework for ongoing communication and cooperation with the government.

Union officials, including Chairman Yang Kyung-soo, Vice Chairman Jeon Ho-il and other senior staff, attended the session, along with ministry officials responsible for industrial and manufacturing policy.

Yang said industrial and trade policies are directly tied to workers’ livelihoods and warned that policies focused primarily on corporate competitiveness could shift economic burdens onto labor.

“Government agencies must rethink their view of labor,” he said. “Labor is not a cost but the foundation that sustains industry.”

He added that industrial transitions should not come at the expense of workers and called for what he described as a “just transition” that protects jobs and working conditions.

The union said it would continue engaging with the government to push for broader changes aimed at placing workers at the center of economic policy decisions.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260403010001087

Is there room in corridos tumbados for a little bit of R&B soul? Linea Personal is betting on it.

For three years, the música Mexicana band Linea from Stockton has been perfecting its sophomore album, “Todo ø Nada,” a 13-track project that incorporates elements of melodic trap, R&B, blues and corridos tumbados.

“It’s slow music, the lyrics transmit good feeling and it’s moody,” said frontman Gustavo Raya Garcia following the album’s release on March 26. “Our R&B style is a lot different from these [corrido] artists.”

At its core “Todo ø Nada” is a sad sierreño escapade that heavily has boisterous elements of corrido tumbados — often through wailing high-pitch strumming from a requinto and thunderous tololoche plucks, most notable in tracks like “Motorola” and “Tarot.”

But most distinct from the LP is the blues-infused “Caperuzita,” which kicks off the album with an ethereal, pitch-shifting cry that wades through the backdrop as an omniscient spirit — an interpolation inspired by Future’s “Wait for U” (featuring Drake and Tems) — while sounds of a banjo speckle about. The band also isn’t afraid to tap into other genres by infusing a drunken, jazzy trumpet into the sex positive “Ülala” — whose infatuating lyrics were partially inspired by the chorus line in Luther Vandross’ ”Never Too Much.”

“R&B is our original sound and we wanted to bring that back to this album but a little different,” said Raya Garcia “We wanted it to have a little bit more feeling to it. That’s why we added new instruments.”

For the group — which includes frontman Raya Garcia, his brother and secondary voice Aidan Raya Garcia, requinto player Jorge Ontiveros Zúñiga and guitarist Edgar Lozoya Verduzco — bringing “Todo ø Nada” to fruition was a total slow burn.

The band — who gained traction through their 2024 hustler melodies “Holanda” and the melancholic “Hennessy” — was often stuck in lengthy creative meetings at Street Mob Records, the record label founded by Fuerza Regida’s Jesús “JOP” Ortiz Paz, who signed the band in 2021.

“It taught us a lot of patience and a lot of faith in God’s timing,” said Raya Garcia. “We really wanted this album to come out a year ago, but things happened for a reason.”

To help fuel their creative flow, the group went down to a beach retreat in San Carlos, Sonora, right Mexico’s Gulf of California. They compiled a total of 50 songs, then narrowed it down to the 13-track list.

“What we look at is the lyrics,” said Edgar Lozoya Verduzco, the group’s producer. “The one we were not too sure about was ‘P— Alcohol’ because it was too explicit.”

But at the end of the day, Lozoya Verduzco wanted to push against the grain with the obscenity-laced track whose lyrics’ double meaning are reminiscent of those in Lil Wayne’s 2008 “Lollipop.”

“We’re not scared to try something new,” said Lozoya Verduzco.

(Cat Cardenas / For De Los)

With the release of “Todo ø Nada,” Linea Personal hopes it can continue to build on the momentum achieved by many of its Mexican American contemporaries — including corrido tumbado forefather Natanael Cano and its mentor, Fuerza Regida. According to Spotify, corridos accounted for 77% of all música Mexicana streaming in 2023.

“We are inspired a lot [by these acts], we see their mentality,” said Lozoya Verduzco. “We need need to be exactly like that or work 10 times harder.”