Group

Turn on a radio between 1978 and 1987 and you were sure to hear Journey — any of the more than two dozen sumptuous yet muscular rock hits that shaped young America’s ideas about love, inspiration and wanting it the way you need it. Four decades later, the band’s music is still everywhere, including television, social media and streaming platforms like Spotify, where Journey has more monthly listeners than Bruce Springsteen, U2 or Bob Dylan. Yet Saturday night the group will bring what it’s calling its farewell tour to Crypto.com Arena — a capstone (at least if the band is to be believed) to a long career full of twists and turns.

Indeed, domination was hardly a given when guitarist Neal Schon and keyboardist Gregg Rolie — both of whom had played with Carlos Santana — formed Journey as a kind of jazzy proto-jam band in San Francisco in 1973. But with the addition a few years later of singer Steve Perry, the group found its gloriously dramatic sound and began racking up hits one after the next (though critics were rarely kind). Perry eventually quit, which took the wind out of Journey’s sails until Schon discovered an uncanny soundalike from the Philippines, Arnel Pineda, on YouTube; he’s helped the band get back into arenas and the occasional stadium even as Schon and keyboardist Jonathan Cain, who replaced Rolie in 1980, have battled each other in court over financial matters.

Got all that? To try to make sense of Journey’s path, I’ve ranked all 25 of the band’s hits that have charted on Billboard’s Hot 100, starting with the worst and ending with the best. Hold onto that feeling — it goes on and on and on and on.

25. ‘Walks Like a Lady’ (peaked at No. 32 in July 1980)

Some are born to sing the blues, as Perry once observed — just not Perry himself, who chews his way through this corny come-on like an overserved uncle at the Hard Rock Cafe. Nice showcase for Rolie’s organ work, though, on one of the last Journey singles he played on before leaving the band.

24. ‘Just the Same Way’ (peaked at No. 58 in May 1979)

Rolie and Perry tag-teaming lead vocals is not a form of democracy I’d vote for.

23. ‘After the Fall’ (peaked at No. 23 in August 1983)

Safe? Sterile? Soulless? Look, the haters can’t always be wrong.

22. ‘Too Late’ (peaked at No. 70 in January 1980)

“Before your time has run astray / You’ve got to try to get away.”

21. ‘Anytime’ (peaked at No. 83 in July 1978)

After overseeing Queen’s first few albums, producer Roy Thomas Baker turned his attention to Journey (and to the Cars); this midtempo number from the “Infinity” LP offers a credible approximation of Queen’s trademark stacked vocal harmonies.

20. ‘The Party’s Over (Hopelessly in Love)’ (peaked at No. 34 in April 1981)

Three platinum plaques in less than two years — for “Infinity,” “Evolution” and “Departure” — meant that Journey had no choice but to drop a live record, “Captured,” at the top of 1981. (It went platinum by Christmas.) As extra consumer bait, the double album closed with this new studio cut built around a killer Schon lick (and not much else).

19. ‘Good Morning Girl’/‘Stay Awhile’ (peaked at No. 55 in September 1980)

Phantom of the roller rink.

18. ‘Why Can’t This Night Go On Forever’ (peaked at No. 60 in May 1987)

Propelled by the success of his debut solo album — not to mention his appearance on the smash all-star “We Are the World” — Perry assumed greater control of Journey’s sound for 1986’s synthed-up “Raised on Radio,” which spawned no fewer than five singles, ending with this slightly lugubrious ballad. Yet the takeover came with a cost: By the end of 1987, the band had entered a hiatus that would last nearly a decade.

17. ‘Still They Ride’ (peaked at No. 19 in July 1982)

Listen to how nimbly Perry maneuvers some very tricky intervals.

16. ‘When You Love a Woman’ (peaked at No. 12 in December 1996)

Journey reunited for 1996’s “Trial by Fire,” which brought the band its only Grammy nomination (and which might feature the ghastliest album cover in music history). If the members knew that rock had changed dramatically while they were away, they didn’t show it in the LP’s romantic lead single: “When You Love a Woman” — a chart-topper for three weeks on Billboard’s adult contemporary tally — clearly sought to pick up where “Open Arms” and “Faithfully” had left off.

15. ‘Girl Can’t Help It’ (peaked at No. 17 in November 1986)

Wonder what Perry and Huey Lewis talked about between takes on “We Are the World.”

14. ‘Be Good to Yourself’ (peaked at No. 9 in May 1986)

“Karate Kid”-core.

13. ‘Only the Young’ (peaked at No. 9 in March 1985)

More “Karate Kid”-core, in this case released first as a song by Patty Smyth’s band Scandal; Journey’s version later wound up alongside Madonna’s “Crazy for You” on the soundtrack to “Vision Quest.”

12. ‘Wheel in the Sky’ (peaked at No. 57 in May 1978)

Before Perry came aboard in 1977, Journey spent a few months with Robert Fleischman as lead singer — long enough for Fleischman to co-write the group’s first Hot 100 entry, not so long that he got to sing it on the record.

11. ‘Any Way You Want It’ (peaked at No. 23 in April 1980)

Ooh, baby, hold tight.

10. ‘Suzanne’ (peaked at No. 17 in August 1986)

Easily Perry’s most unhinged vocal performance.

9. ‘Send Her My Love’ (peaked at No. 23 in November 1983)

A luscious and melancholy white-soul song that I’d bet Phil Collins admired back in the day — and that Justin Bieber would probably flip for now.

8. ‘Lovin’, Touchin’, Squeezin’’ (peaked at No. 16 in October 1979)

Inducting Journey into the Rock & Roll Hall of Fame in 2017, Train’s Pat Monahan belted the na-na-na outro of the band’s first Top 40 hit as he made his case for the group’s excellence. “They didn’t even need lyrics — that’s how badass this band is,” he pointed out. Still, let’s not gloss over the appealing perversity of starting a song this horny the way Perry does: “You make me weep and want to die.”

7. ‘Lights’ (peaked at No. 68 in September 1978)

Dodgers fans can delight in the fact that Perry originally wrote this paean to San Francisco — an anthem taken up at one time or another by every Bay Area pro sports team, including the Giants — about the lights going down and the sun shining on … Los Angeles. (Swap out “the bay” for “L.A.”) Maybe that’s why “Lights” has always felt to me like a precursor to the Red Hot Chili Peppers’ “Under the Bridge.”

6. ‘Separate Ways (Worlds Apart)’ (peaked at No. 8 in March 1983)

[Listens to “Eye of the Tiger” once.]

5. ‘I’ll Be Alright Without You’ (peaked at No. 14 in February 1987)

Shout out to future “American Idol” judge Randy Jackson, who joined Journey for “Raised on Radio” and proceeded to lay down the slinkiest, sultriest, funkiest bass line the band had ever known.

4. ‘Don’t Stop Believin’’ (peaked at No. 9 in December 1981)

Believin’ in what, exactly? The genius of Journey’s most-streamed track on Spotify (with more than 2.9 billion plays) is its use of concrete images to advance a pretty mysterious narrative. We’ve all stood under a streetlight; we all know the smell of wine and cheap perfume. Yet everybody’s midnight train is going to a different anywhere.

3. ‘Open Arms’ (peaked at No. 2 in February 1982)

Famously — and fortuitously — rejected by a former bandmate of Cain’s as “sentimental rubbish,” “Open Arms” was perhaps just waiting to be embraced by Perry, who sings it with the wounded gusto of a man well acquainted with regret. In a poetic twist, Journey’s highest-charting hit was blocked from No. 1 by the J. Geils Band’s “Centerfold,” in which the heartbroken narrator goes laughing all the way to his bed.

2. ‘Who’s Crying Now’ (peaked at No. 4 in October 1981)

The first of three Top 10 singles from 1981’s 10-times-platinum “Escape,” this immaculate R&B jam imagines an alternate dimension where Perry and Cain hear Earth, Wind & Fire’s “After the Love Has Gone” and decide to form a new group with David Foster. Except Perry remembers the song as a high point for Schon: “You know the guitar outro from ‘Who’s Crying Now’?” he asked a New York Times reporter in 2003. “I fought for that because I knew no DJ would cut that song off with Neal’s guitar wailing at the end of it. It was too brilliant.”

1. ‘Faithfully’ (peaked at No. 12 in June 1983)

It wasn’t the first rock ballad about life on the road — and it definitely wasn’t the last — but “Faithfully” might be the most emotionally generous: “Loving a music man ain’t always what it’s supposed to be,” Perry tells his lady, grounding the song in the experience of those who leave and those left behind; later, he envisions their reunion with such tenderness — “I’ll get the joy of rediscovering you” — that you know he’s already decided to take off again.

When her home burned down in the Eaton fire, artist Susannah Mills felt lost and adrift — but never alone. Her home was part of an Altadena artists collective called JJU, or John Joyce University, named after a beloved carpenter who lived there for 26 years. And although the residents were forced to scatter in the wake of the January 2025 devastation, they remained in contact, looking for ways to support one another through what is still an ongoing process of recovery.

A few months after her loss, Mills was accepted into an artist residency at BKN, a retreat in the northern Stockholm Archipelago, where she expanded her watercolor practice from relatively small works to large scale, and explored installation. Like JJU, BKN prides itself on building community, and while there Mills began talking with BKN curator Anna Viola Hallberg about bringing other L.A. fire survivors to Sweden to experience the same sense of connection and relief Mills was feeling.

Hallberg had already been thinking along those lines and suggested they create another residency to do just that. In the fall of 2025, Mills and Hallberg, with the help of another L.A. artist, Rick Gradone, started an organization named Los Angeles Wildfire Survivors, or L.A.W.S., and raised the funds to send 13 Eaton and Malibu-based artists to BKN for two months.

The result was life-altering for the artists, most of whom were still working to rebuild from the devastating loss — and some of whom had been so occupied with the logistics of recovery that they had not been able to make time to work.

“It creates a network, and people who work together in the residency continue to help each other,” said Hallberg in a recent interview. “So there’s a really true new arts community that lingers beyond the residency.”

It soon became clear to the team behind L.A.W.S. that more needed to be done, and they solicited another round of applications for a residency, set to begin later this month at Pilchuck Glass School in Washington state. Eight Eaton fire survivors have been selected in a competitive process, and plans are in the works to bring another cohort of artists to Sweden next Spring.

“We want to expand this outside of Los Angeles ultimately, because there are fires everywhere and there is climate disaster everywhere,” Mills said, explaining that the group’s mission is growing as changing weather patterns result in escalating cataclysm and displacement of artists globally.

“The media focuses on the disaster really fast, and they don’t understand just how long the recovery takes,” Gradone said in a recent interview. “So this puts some kind of resource in place where people can continue to to get help, especially artists who lose everything that they’ve made, lose their studio spaces and homes. That can’t be recovered in six months.”

L.A.W.S. operates as a not-for-profit and has applied for official nonprofit status, a process that can take some time in California. It is also actively looking for fiscal sponsorship. Up until now the group has relied on its personal connections to raise money to support its artist residencies. Mills’ partner, Brian Huskey, is a comedian and actor who has rallied celebrity friends to auction off small pieces of art on cards in support of L.A.W.S. But there is a need for more help as the group grows.

“Word has really caught on with people who want to have this experience, which I’m really happy about,” said Mills.

I’m arts editor Jessica Gelt, wishing I could turn back time, Cher-like, to an era before the world fast-tracked climate change with its laissez faire approach to global warming. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Bruce Willis, left, talks with director M. Night Shyamalan on the set of the 2000 film “Unbreakable.”

(Frank Masi / Touchstone Pictures)

Unbreakable
M. Night Shyamalan’s 2000 superhero thriller with a twist stars Bruce Willis, Charlayne Woodard, Robin Wright, Samuel L. Jackson and Spencer Treat Clark.
7 p.m. Vidiots, The Eagle, 4884 Eagle Rock Blvd. vidiotsfoundation.org

SATURDAY

“the wheat leaping constantly from the shute,” Marley Freeman (2026). Oil, acrylic on linen, 58 by 54 inches.

(Marley Freeman / Parker Gallery)

Marley Freeman
The artist’s new exhibition of paintings, “worthless serpentine,” takes its title from the writings of Joan Didion.
Opening, 6-8 p.m. Saturday; 11 a.m.-6 p.m., Tuesday–Saturday, through Oct. 31. Parker Gallery, 6700 Melrose Ave. parkergallery.com

SUNDAY

Doyle Lane: Master Of Clay
The first major museum retrospective of the Los Angeles ceramic artist features more than 100 works from the 1950s through the 1980s, from functional pottery to monumental murals, as well as archival documents.
Through Feb 22. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Marie Atoinette
A 20th anniversary screening of the semibiographical period film with a postpunk- and new wave-fueled soundtrack with writer-director Sofia Coppola and star Kirsten Dunst in person. Coppola and photographer Andrew Durham will sign copies of their new book, “Making Marie Antoinette,” at the Academy Museum Store in a separately ticketed event prior the screening.
6:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

TUESDAY

Andrea Bocelli performs live in Vienna on Aug. 22.

(Thomas Kronsteiner / Getty Images)

Andrea Bocelli
The Italian tenor arrives at the Hollywood Bowl for two nights on his Romanza 30th Anniversary World Tour. 8 p.m. Tuesday-Wednesday. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com

WEDNESDAY

Elliott Hundley
“Book of Sand” is an exhibition of new paintings, sculptures and tapestries focusing on the artist’s “own exuberant internal universe” created through compiling paint, paper cutouts, string, encaustic and other found materials.
Artist led walk–through, 11 a.m.; opening reception, 6-8 p.m.; 10 a.m.-6 p.m. Tuesday-Saturday, through Oct. 24. Regen Projects, 6750 Santa Monica Blvd., Los Angeles. regenprojects.com

The Peterson Show
The world premiere of Janine Nabers’ play about a group of former child stars from a beloved TV show about a Black family come together after a scandal entangles their famous TV father. Directed by Michelle Bossy.
Previews, 8 p.m. Wednesday-Friday, opens, 8 p.m. Saturday (sold out), runs through Oct. 26. Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.com

THURSDAY

The Case-Book of C. Auguste Dupin
The world premiere of a new play adapted and directed by John Strysik, based on the stories of Edgar Allan Poe.
7:30 p.m. Thursdays-Saturdays, 2 p.m. Sundays, through Oct. 18. Mary Levin Cutler Theatre, 241 S. Moreno Drive, Beverly Hills. theatre40.org

The Ford/Hill Project
A Waterwell Production created by Lee Sunday Evans and Elizabeth Marvel, this documentary theater piece is based on the verbatim Senate testimony of Anita Hill and Christine Blasey Ford during Supreme Court confirmation hearings, 30 years apart. The cast includes Rosemarie DeWitt, Betty Gabriel, Dulé Hill and Jerry O’Connell.
8 p.m. Thursday-Saturday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

The SoCal scene

A view of the Lucas Museum of Narrative Art in Los Angeles from a garden.

(Ariana Drehsler / For The Times)

Hey, have you heard? The Lucas Museum of Narrative Arts will open Sept. 22 and began member previews late last week. Just kidding. Of course you have heard, because hot takes currently abound on the new $1-billion museum. Love it or hate it, it’s here to stay, and Team Arts spent the week rolling out a spate of stories explaining how we got here, as well as what you can find in the shiny new 300,000-square-foot Ma Yansong-designed building.

Times film critic Amy Nicholson wrote about what “Star Wars” fans can expect from the new museum and contributed to a piece about 11 must-see things while you’re there. We also commissioned a handy artist-drawn map of the place that should help you navigate the 100,000 square feet of gallery space with its more than 30 discrete galleries arranged by theme. Finally, Times contributor Jane Horowitz wrote two stories: one about whether or not the museum’s disregard for established art hierarchies will upend the art world; and another on how the museum’s epic search for a forever home ended in L.A.’s Exposition Park.

I also wrote about a lawsuit that a contractor filed against the museum claiming unpaid work that shines fresh light on the Museum’s Exposition Park land deal.

Randolph Thompson, Desiree Mee Jung, Adam J. Smith, Nicole Javier and Julanne Chidi Hill in “Pericles” at Boston Court Pasadena.

(Brian Hashimoto)

Times theater critic Charles McNulty spent an evening at Boston Court Pasadena watching Ellen McLaughlin’s modern verse translation of Shakespeare’s “Pericles,” which takes place at a disaster relief center, where anxious evacuees improvise a play to escape their fear of the storm they are fleeing. “It’s hard to allow yourself to fully believe in the incredible turn of events when the prevailing attitude is so emphatically tongue-in-cheek,” McNulty wrote of the West Coast premiere.

McNulty also had lunch in Manhattan with playwright Samuel D. Hunter, who has two plays running in L.A.: “Grangeville,” which McNulty calls “Los Angeles’ most acclaimed theatrical offering of the summer” and has been extended at Ruskin Group Theatre through Sept. 21; and “A Case for the Existence of God,” in a recently opened Rogue Machine production at the Matrix Theater’s Henry Murray Stage. “Drama in Hunter’s hands is built around an encounter. He doesn’t force his characters to jump through hoops,” writes McNulty in a profile. “He listens to them, as they navigate their complicated feelings, closely tracking the way their intersecting paths lead them toward incremental revelation.”

Paintings from the private collection of the late music executive Clive Davis, estimated to fetch more than $35 million, are heading for auction at Christie’s in November.

Culture news

Lucien Smith attends the Hugo Boss Prize 2014 ceremony at Guggenheim Museum in New York City.

(Dimitrios Kambouris)

Lucien Smith, a Los Angeles–born multidisciplinary artist who garnered loads of attention in 2010s art scene, has died at 37.

IAMA Theatre Company is set to launch its ninth annual New Works Festival, which will take place Sept. 14-28 at Atwater Village Theatre, and will feature staged readings of six new plays. Tickets are $18 for each reading and can be found at iamatheatre.com. This year’s festival includes “The Half-Sibling Play” by Agyeiwaa Asante; “All Remaining Assets” by Serena Berman; “The Starters” by Laura Winters; “Betta Mus Come” by Alicia Carroll; “Werewolves” by Liba Vaynberg; and “The Great Florida Python Challenge” by John Lavelle.

Additional tumult is coming for the Smithsonian Institution as secretary Lonnie Bunch announced he will step down from his leadership position. The news comes in the midst of President Trump’s pressure campaign on the organization and his administration’s attempts to alter what Smithsonian museums include in their exhibitions.

— Jessica Gelt

And last but not least

Oh, no! In-N-Out is making tweaks to staples like buns and ketchup!

U2 will be honored as the 2027 MusiCares Persons of the Year, the Recording Academy announced Thursday, half a century after the four members of the Irish rock band met as high school students in Dublin in 1976.

The award, which recognizes an act’s philanthropy and cultural impact and comes with an all-star tribute concert typically held two nights before the annual Grammy Awards, will be presented to the group’s Bono, the Edge, Adam Clayton and Larry Mullen Jr. at the Peacock Theater in downtown Los Angeles on Feb. 5.

In a statement, MusiCares Executive Director Theresa Wolters hailed the band’s work on issues “spanning global health, disaster response, addiction recovery, mental health and access to music education” and said that what “resonates so strongly” with the Recording Academy’s charitable arm is the members’ “belief that success in music comes with an opportunity to care for the people around you.”

Added Harvey Mason Jr., the academy’s CEO: “Not only has their music defined generations, but they’ve been equally exemplary in their dedication to humanitarian work and using their platform for good.”

The statement quoted the members of U2 as saying they’re “huge fans of MusiCares and the lifelines they provide across the incredible pool of talent that is the music industry. We’ve been recording and touring for 50 years because of that pool, from producers and engineers to carpenters and riggers.” The band said they are “very excited to be in the front row of our first ever U2 gig,” adding, “We know we’re gonna be outplayed.”

In late January, Mariah Carey received the MusiCares award at a gala that featured performances by Foo Fighters, Jennifer Hudson, Teddy Swims, Busta Rhymes, Laufey, Jon Batiste and Charlie Puth. Previous honorees include Joni Mitchell, Dolly Parton, Lionel Richie, Bob Dylan and Barbra Streisand; Bono was previously named Person of the Year on his own in 2003.

U2’s recognition comes in the wake of a much-discussed residency at Sphere in Las Vegas, where the band looked back at its 1991 album “Achtung Baby” in a high-tech multimedia presentation. In July, the group released “Street of Dreams,” the lead single from a studio album due out later this year.

Caracas, September 10, 2026 (venezuelanalysis.com) – Venezuelan Acting President Delcy Rodríguez presided over the signing of a memorandum of understanding between the Ministry of Ecosocialism and India’s Greens Zoological Rescue and Rehabilitation Centre (GZRRC) to “modernize and strengthen” Venezuela’s network of zoos, bioparks, and wildlife conservation centers.

GZRRC is the operating entity of the global conservation initiative Vantara, based in the Indian state of Gujarat.

According to the Venezuelan leader, Greens will provide “technical assistance, training, and technology to raise the standards for the management and protection of Venezuela’s biodiversity.” 

“Our professionals will be able to attend courses in India,” she added during the televised event on Saturday, September 5.

Rodríguez noted that Venezuela has 16 zoos and aquariums, 12 breeding centers, and four rescue centers. She also announced that the agreement involves “incorporating an aquarium, a wildlife conservation center, a veterinary center, and a wildlife hospital into the master plan for the recovery of La Guaira State” in the wake of the June 24 double earthquake.

The initiative with Vantara, which has a five-year time frame, also includes exchange programs for veterinarians, biologists, and other professionals involved in wildlife management and conservation.

Days earlier, Venezuela enacted the Law Approving the Framework Agreement for the Establishment of the International Big Cat Alliance (IBCA), which will focus on protecting seven feline species considered among the planet’s most representative. Venezuela is home to six of the world’s most important feline species, accounting for 14 percent of global feline biodiversity.

The legislation stems from a proposal put forward by India in 2023, which currently has the backing of 13 member states and applications for membership from more than 25 others.

During the recent ceremony, Rodríguez thanked Indian Prime Minister Narendra Modi, Ambassador P.K. Ashok Babu, Vantara, and the wealthy Ambani family for “all their support.”

Venezuela’s Acting President held a four-day visit to India in June to offer investment and trade opportunities to major Indian companies, including the Tata Group, Amul, and Reliance. The latter has been a major importer of Venezuelan crude in recent months.

Vantara is backed by Reliance Industries, a major conglomerate owned by the Ambani family, with a major presence in multiple economic sectors, including energy, telecommunications, financial services, and retail. Its wildlife rescue center is located within the Jamnagar refining complex in Gujarat, the largest in the world. The facility, which covers approximately 3,500 acres, is managed by businessman Anant Ambani, the youngest son of India’s richest man, Mukesh Ambani.

Despite Vantara’s declared wildlife conservation mission and philanthropic endeavors, the company has faced controversy in recent years.

Various environmental groups and international organizations have accused it of operating as “a large-scale private zoo,” managing wildlife as commodities around the world, and taking advantage of loopholes in international regulations that seek to ensure that the trade in wild animals and plants does not threaten their survival.

In 2024, India’s Supreme Court appointed a panel of retired judges to investigate the alleged illegal acquisition of animals by Vantara, particularly elephants, as well as possible violations of wildlife regulations and money laundering allegations. The court ultimately dismissed the complaint filed by the Karanartham Viramah Foundation.

However, criticism that Vantara is breeding exotic animals for trade, as well as environmental concerns over setting up a wildlife sanctuary in the vicinity of an oil refinery, have persisted.

Venezuela had dealings with the Indian group before the latest memorandum of understanding. A joint investigation by Süddeutsche Zeitung and Venezuelan outlet Armando.info claimed that at least 39,000 wild animals from all over the world had been transferred to Vantara’s facilities by the end of 2024. 

The identified transfers included over 5,000 animals from Venezuela, among them members of protected species such as the Orinoco crocodile, harpy eagle, lowland tapir, giant anteater, jaguars, and spider monkeys.

Edited by Ricardo Vaz in Caracas.

KANO, Nigeria: A popular Nigerian social media influencer known for outspoken political views was killed at his home in the northern city of Kano, his family and a rights group said Wednesday.

Ibrahim Khalil Dan Shagamu was found dead with his throat slit in his home late on Tuesday by friends and neighbors who scaled the fence after he failed to answer the door since Monday.

His death came as the election campaign season in Africa’s most populous nation swings into gear ahead of the January 16 presidential vote.

The 57-year-old father of six, popularly known as Dan Shagamu, was found “slaughtered with severe deep cuts to his head”, Aisha Sharu Lawan, his elder sister, told reporters in her home.

“It was a grisly sight. His two mobile phones were missing,” Lawan, 67, said.

Dan Shagamu, with a combined following of hundreds of thousands on Facebook and TikTok, was known for his aggressive videos in the Hausa language critical of government on local political and social issues.

It was not clear whether his death was linked to his political views, but Lawan said they suspected foul play.

“His friend said he had a disagreement with some people who threatened to kill him,” Lawan said, calling for investigation and prosecution of the killers.

Dan Shagamu was reporter for a state-funded local radio station before he resigned and became active on social media, building a huge fan base.

Amnesty International condemned his killing saying in a statement that he was “brutally slaughtered after being overpowered by his killers.”

Dan Shagamu’s killing came after election campaigning commenced last month.

Nigerian elections are usually tainted with violence, with politicians recruiting thugs to intimidate opponents and silence dissenting political views.

The paid thugs cause chaos during rallies and at election booths to help their candidates have an edge over opponents.

“As the elections approach, we continue to receive disturbing reports of politically related threats to life and intimidation,” Amnesty said.

The Eiffel Tower was temporarily closed on Monday after workers went on strike to protest the sidelining of female staff during a private visit by a Hindu religious group.

The tower, which has since reopened, shut after members of Bochasanwasi Akshar Purushottam Swaminarayan Sanstha (BAPS), a global socio‑spiritual Hindu denomination, visited the site. Female staff were reportedly asked to give way to male staff for the group’s tour, prompting protests from the workers’ union, outrage from French politicians and an apology from the Hindu group.

Here is more about BAPS and how the controversy unfolded.

What’s the controversy about?

The Eiffel Tower closed after staff walked out over the removal of women staff during a weekend visit by BAPS.

The Societe d’Exploitation de la Tour Eiffel, or SETE, which runs the Paris landmark, acknowledged that the group had requested the Saturday visit be organised in a way that limited “interactions with women”, and said “these conditions should not have been accepted”.

The BAPS monks, or sadhus, practise strict celibacy, which requires them to avoid physical contact with women and being alone in their company, and to minimise personal interaction or attention towards the opposite sex.

Wider community members of BAPS are not bound by these celibacy rules. According to news reports, the BAPS delegation visiting the Eiffel Tower comprised both monks and community members.

Eiffel Tower staff said in a statement that they condemned “professional instructions that led to female employees being sidelined, replaced and made invisible because of their sex” during the visit by the delegation.

“Some were asked to leave their posts and withdraw to other areas. In some posts they were replaced by men. And all female employees were instructed not to go through or cross certain areas while the delegation was present,” the staff union said, adding they were shocked to have been put in such a situation.

Paris Mayor Emmanuel Gregoire said an investigation would be launched “as soon as possible”. In a post on social media, he said he was aware of the employees’ anger and agreed their dissatisfaction was legitimate.

What is BAPS and how have they responded?

BAPS was founded in India in 1907 and began expanding internationally from the 1960s. It is a spiritual organisation which works on community building, constructing temples, helping with disaster relief and running medical camps, environmental drives and educational programmes.

It now also runs an extensive network of temples and cultural centres across the world, including more than 100 in the United States and more than 1,000 worldwide, including across Europe, Africa and Asia. BAPS also runs a temple in Paris.

On Tuesday, the BAPS Paris account posted a statement on X responding to the controversy.

“To our knowledge, at no time was access to the Eiffel Tower denied to anyone,” the account wrote, originally in French.

“Nevertheless, we wish to offer our sincere apologies to anyone who may have been hurt or inconvenienced by this situation,” it added.

How has the response in France been?

Leaders within France expressed outrage over reports of women being removed from the premises.

Aurore Berge, the minister delegate for gender equality and fight against discrimination in France, wrote in an X post on Monday: “In France, we do not ask women to step aside. No dogma, no religion is superior to the laws of the Republic.”

Yael Braun-Pivet, president of the National Assembly, wrote in a post on social media: “Welcoming others never means giving up our values. In France, women are fully present in public life. No one tells them to become invisible.”

Former French President Francois Hollande, now an MP, wrote on X on Tuesday: “We do not ask women to step aside to satisfy religious demands.”

He expressed support for the Eiffel Tower staff who walked out.

“Equality between women and men is a fundamental achievement of our Republic. It applies everywhere, to all women and all men, without exception,” Hollande wrote.

Parliamentarian and former PM Michel Barnier wrote on X: “It is therefore utterly unacceptable that an order aimed at making women disappear from this space could have been issued.”

Barnier added that “women are not hidden. They are not erased. They are respected, and their freedom is defended”, demanding an explanation from the SETE.

Jordan Bardella, the president of the far-right National Rally, wrote on X on Tuesday: “This degrading demand should never have been met. In a free country like France, gender equality is respected, and no religious reason can override women’s dignity.”

Prominent far-right MP and leader of the National Rally (RN), Marine Le Pen wrote in an X post: “In France, we will never accept that the presence of women be ‘limited.’”

Is BAPS linked to the Modi government?

BAPS is not officially part of a political party in India, and has long insisted that it is apolitical.

But researchers have long pointed to a close, cooperative relationship with Prime Minister Narendra Modi and his Bharatiya Janata Party (BJP) government.

In fact, the Eiffel Tower closure came just a day after Modi virtually inaugurated the BAPS temple in Paris.

Modi also attended the physical inauguration of the BAPS temple in the United Arab Emirates (UAE) in 2024.

Has BAPS faced other controversies in the past?

BAPS has faced a series of high-profile controversies in the past.

During a landmark legal battle in 1966, BAPS leaders argued in court that their sect was not part of Hinduism but a distinct religion. They did so in an attempt to avoid the Bombay Harijan Temple Entry Act, which required Hindu temples to open their doors to Dalits, a historically marginalised caste group. The Indian Supreme Court rejected the appeal made by BAPS.

In 2013, two former BAPS monks filed a complaint accusing senior BAPS leaders of sexual assault dating back to the 1970s. BAPS leaders denied the allegations. The complaint did not result in any publicly reported criminal charges.

In 2021, a US federal class‑action lawsuit accused BAPS of exploiting low‑caste labourers from India to work on its temples. The case, brought on behalf of about 200 Indian workers, alleged they were lured from India, coerced into employment agreements, and forced to work more than 12 hours a day with only five days off a year at a temple in Robbinsville Township, New Jersey.

The suit says they were paid as little as $1.20 an hour, far below the US federal minimum wage of $7.25 and New Jersey’s $12 statewide minimum.

A US federal investigation into labour trafficking at the Robbinsville temple has since been closed without criminal charges, but the civil class‑action lawsuit brought by the workers continues.

PHOENIX — The staff caring for Jakob Blodgett said he already had been sneaking candy and refused to take his insulin. An employee at the Arizona group home where the 9-year-old boy was being cared for texted a supervisor about the boy’s elevated blood-glucose reading.

The response? Give him water.

After two missed doses of the long-lasting insulin he needed, he was taken to the hospital. He was diagnosed with brain swelling, put on a ventilator and died in 2022 of complications from Type 1 diabetes.

There were no penalties imposed for Blodgett’s death, and Arizona’s largest group home provider now stands at the center of a political controversy swirling as Democratic Gov. Katie Hobbs seeks reelection. Records show Sunshine Residential Homes made political donations beneficial to Hobbs and months later received a rate increase from the state for providing beds for children.

The Arizona attorney general, a fellow Democrat, found no evidence of bribery. But Republican legislators are pushing back with their own questions, and the state auditor general’s office is conducting a separate investigation.

The boy’s death and the pay-to-play allegations highlight questions about Arizona’s congregate-care capacity for children, training for workers who care for them and oversight of providers and other contractors who hold leverage over the state simply due to their size and influence.

Alleged political favors become campaign fodder

Hobbs maintains she wasn’t involved in the decision to increase rates for Sunshine Residential Homes. But Republican challenger, U.S. Rep. Andy Biggs, has made the scandal a centerpiece of his campaign to unseat her.

“That was all handled by the department,” Hobbs said, “and they made the decision based on what was in the best interest of the department and the kids in their care.”

The allegations were first reported by The Arizona Republic and prompted an investigation by Democratic Attorney General Kris Mayes. However, Mayes’ office said it couldn’t find evidence to support bribery charges against Hobbs and concluded that Sunshine’s rate increases were the result of its “outsized leverage” as the state’s largest group home provider, not because of politics.

The company had threatened to reduce its bed capacity if it didn’t get an increase, saying it would instead use beds to house unaccompanied immigrant children for the federal government, officials said. Child welfare officials have said a reduction in Sunshine’s beds would significantly affect the state’s ability to place children in homes and would likely lead to siblings in foster care being split up and sent to different homes.

In all, Sunshine made $550,000 in contributions, including $100,000 to Hobbs’ inaugural fund in December 2022 and $150,000 to a legal defense fund for Hobbs between November 2023 and May 2024, according to records.

A separate investigation by the state auditor general’s office and Maricopa County Attorney Rachel Mitchell, a Republican, is continuing.

The Maricopa County Sheriff’s Office also has interviewed several Sunshine employees as part of an ongoing criminal investigation into Blodgett’s death. No one has been charged.

Blodgett isn’t the only diabetic child to die after a stay at an Arizona group home. In July 2024, a 15-year-old boy staying at a group home in Mesa operated by another company died of diabetic ketoacidosis after staff said the boy refused to take insulin, according to records.

Text messages outline concerns over a diabetic coma

Blodgett was staying at a foster home in metro Phoenix where only the house manager was trained in managing his diabetes.

Staff members said the boy was refusing to take his medicine. The manager advised an employee via text to tell the boy that the manager would be called if he refused to take his medicine.

“We don’t want him to go into a diabetic coma,” the manager texted.

The employee texted back about whether the child should get insulin. The manager didn’t respond.

The next day, the employee texted the boy’s blood glucose reading to the manager and asked what to do. The manager said to give Blodgett water but didn’t give any instructions about insulin, according to lawyers for the state and Blodgett’s family. The day after missing his second dose, Blodgett was taken to a hospital.

Violation nets no penalties

Two weeks before approving a 30% rate increase in May 2023, the Arizona Department of Child Safety issued a licensing violation against Sunshine over Blodgett’s case. The agency declined to specify to The Associated Press which policy was violated.

Robert Pastor, an attorney representing the family in a wrongful death lawsuit, said the violation was for not giving Blodgett the insulin as prescribed. The lawyer said Sunshine’s staff missed the signs of ketoacidosis, a serious complication caused by a lack of insulin, and waited too long to take Blodgett to the hospital. He also disputed claims that the boy had refused medication.

The state didn’t fine Sunshine or suspend or revoke its license as a result of the violation, according to court records. The agency said it detailed the steps Sunshine had to take to come into compliance, but declined to reveal to the AP what those steps were.

Pastor agreed with the attorney general’s conclusion that Sunshine has a lot of leverage over the state due to reliance on the company’s beds.

“That leverage gave Sunshine an increased rate increase,” Pastor said. “We also know that that leverage that Sunshine has over DCS means that when they kill a child, there will be no consequences. There will be no accountability.”

In a statement, Sunshine spokesperson Tommy McKone said the wrongful death lawsuit remains active, but declined to comment on the licensing violation and the company’s policy on responding to children who refuse medications.

“Sunshine Residential followed all policies and procedures for the required care, throughout his stay at our homes, under state law,” McKone said.

In court records, lawyers for Sunshine said the state indicated Blodgett’s medical needs were minimal and didn’t inform the group home provider that Blodgett’s diabetes management was complex.

Boy was hospitalized before heading to group home

Blodgett went into foster care in December 2022 after his father was jailed on a drug charge. His blood glucose levels were high when he was brought to a welcome center operated by the Department of Child Safety, which sought medical help for Blodgett from a children’s hospital where he was treated over several days.

Once discharged, Blodgett went to a Sunshine home.

While he went two days without getting the long-lasting insulin he needed before going to bed, the staff did give him another type of insulin — fast-acting insulin after eating meals — over both days. After the boy missed a long-lasting dose, the house manager contacted the same hospital to talk about how to improve his blood glucose levels.

In a deposition, the house manager testified there was nothing the staff could do if the child refused his medication. Pastor said the claim that the boy refused insulin is a false narrative aimed at blaming the child.

More workers should have been trained

Myriam Villarreal, an official in the Department of Child Safety’s operation that licenses group homes, testified in an April 2025 deposition that Blodgett’s condition wasn’t caught in time because group home workers weren’t trained in spotting the signs of ketoacidosis.

Pressed on why the company didn’t face any penalties, Villarreal testified that the state asked for policy modifications from the company. And she said training should have been provided to the staff members who directly cared for the boy, not just the house manager.

“We didn’t look that every single staff (member) had the appropriate training,” Villarreal testified.

Billeaud writes for the Associated Press.

Almost every day, quarterback and left-handed ace pitcher Joe Bell looks out on the La Cañada High football field and sees faces so familiar he might as well be taken back in time to the days of playing in the sandbox, in the street, in the backyard or at the local park.

It’s so fun as a high school senior to know the person at your side has been your friend and teammate for years. It’s the magic of going to your neighborhood school and being a multi-sport athlete.

There’s his younger brother, Jake, a sophomore middle linebacker and his catcher since birth. There’s Brandon Mohaghegh, a receiver and outfielder; Chase Regan, a running back and second baseman; Ross Piken, a receiver and pitcher; Ethan Wong, a right offensive tackle and designated hitter; and Caythan Kim, a left offensive tackle and.outfielder.

They know each other from Little League days and earlier.

Yes, the group likes to go take batting practice together before football practice, and everyone agrees it’s the coolest thing.

“It’s crazy,” said Bell, who’s 21 of 29 passing for the 2-0 Spartans and was the Rio Hondo League baseball player of the year with an 11-2 record and 1.71 ERA last season. “It’s impressive. We go to the locker room, change our stuff and leave our gear. Playing multiple sports is the best thing you can do as a kid. It’s completely doable to do both. And if you don’t you’re missing out.”

Said football coach David Avramovich: “It’s very common for them playing long toss or being in the cage once or twice a week. They’re walking by with their bats.”

Thanks to Avramovich and baseball coach Nathan Bernstein each being multiple-sports advocates, everyone is on the same page supporting each other. Avramovich sits in the parent section for baseball games; Bernstein stands on the sideline during football games.

“It’s really good for them to take a break,” Avramovich said of his football and baseball players.

The Bells are a family of three siblings with great grades and great parents. Jake has a twin sophomore sister who plays volleyball and softball.

“I need 30 Bells,” Avramovich said. “They’re all awesome.”

Quarterback Joe Bell of La Canada runs for yardage. He’s also a standout left-handed pitcher in baseball.

(Lisa Mattmann)

Joe Bell, with a 4.1 grade-point average, is living the life of someone ready to be a Division I college athlete but comfortable and thriving in his neighborhood setting while going from one sport to the next.

“I’ve always played as many sports as I can,” he said. “I played soccer, pick-up basketball, baseball. I actually credit my success in sports keeping it fun. I go to the park to throw a football with my friends, then go play hoops in some backyard.”

Bell is 6 feet 1, 185 pounds and loves being left-handed.

“It’s pretty nice,” he said. “It’s like being an anomaly. I would go to these football and baseball camps, ‘Is anyone a lefty?’ It was great being in that special group.”

For the first time, his brother, Jake, will be his catcher on varsity.

“Jake’s a Dawg,” Joe said. “It’s like playing catch in the backyard mound we built. I’ve been playing with him since the beginning. I’d say, ‘Jake, do you want to catch a bullpen?’’’

If Jake says no, it will be the first time.

If anyone is not inspired by the Bells and their friends, then you need to think back to the way high school sports used to be with the focus on having fun and winning with your neighborhood friends.

At La Cañada with this group, it’s Back to the Future and a return to the 1980s.

ALL-inclusive package holidays aren’t just for families squabbling over sunloungers – they also make great places for big group birthdays or stag and hen parties.

But as anyone who’s ever tried to organise one knows, finding a decent resort property that actually accepts group bookings without slapping you with ridiculous restrictions is an absolute nightmare.

That’s where being a Holiday Expert – like me – comes in handy.

Because I’ve studied the destinations, heard the inside track on the best deals and personally stayed in over 200 hotels across the world as a couple, solo, family and – most importantly – as part of a big group of rowdy Brits (my personal fave).

So using all that experience, I’ve found eight of the best group-friendly all-inclusive properties that give you massive value inside the hotel gates, with all of meals and drinks included to remove any arguments or maths over who is paying for dinner.

Not only that, but they put you within staggering distance of cheap local bars – and are complete with poolside sunbeds on standby, for when last night’s decisions catch up with you.

Read on for some inspiration for where to next book your mates’ holiday.

Prices correct at time of publication.

1. Dynastic Hotel, Benidorm, Spain

You don’t take a group of mates to Benidorm for a quiet retreat.

The Dynastic Hotel sits right in the heart of the lively Levante district, putting you a stone’s throw from the beach and surrounded by cabaret bars, sports pubs, and the legendary English Square.

Pints in the surrounding back-street bars are regularly advertised for as little as €1 (86p), making it an absolute goldmine for budget nights out.

And groups LOVE the Dynastic’s indoor spa and heated pool complex.

If someone in the group is suffering from a catastrophic hangover, you can retreat into the quiet, subterranean hydrotherapy circuit for a few hours to reboot before the evening session begins. Thank me later.

You can grab a three-night all inclusive stay here from £305pp, flying direct from London Luton on May 17, 2027.

2. Muthu Clube Praia da Oura, Albufeira, Portugal

If your group’s single requirement is “put us where the action is,” this is arguably the best-placed hotel on the entire list.

It sits right on the edge of Praia da Oura beach and is literally two minutes’ walk from Albufeira’s famous Strip – a neon mile of karaoke joints, sports bars and open-air clubs.

When I stayed, I’d jump into places like Wild & Co, Matt’s Bar and Liberto’s, where happy-hour cocktails can cost between €5 (£4.28) – €6 (£5.13), although head to sports bars for local beers from €3 (£2.57).

The standout feature here is that the property features a massive, elevated oceanfront sun terrace that steps directly down onto the sand.

It means you and your mates can load up on free all inclusive drinks from the pool bar and take them straight out to look over the Atlantic without spending a single euro on seafront bar prices.

And I found a three-night all inclusive break from £290pp, flying direct from London Stansted on May 2, 2027.

3. BLUESEA Montevista Hawai, Lloret de Mar, Spain

Lloret de Mar has been hosting big group trips for decades, and it remains one of the cheapest party enclaves in Europe – with shots in local spots frequently advertised for less than a quid.

The BLUESEA Montevista Hawai gives you a great pool set-up, buffet dining and multiple bars roughly a ten-minute stroll from the beach and main strip.

This is where where legendary late-night haunts like Disco Tropics and Moef Gaga keep things moving until sunrise.

The key perk at this hotel is its position slightly set back from the main strip noise.

You get all the rowdy benefits of Lloret’s legendary club scene by night, but the hotel courtyard itself stays remarkably calm during the day, giving your group an actual chance to sleep off the night before in peace.

And this is the cheapest deal on my entire list, because you can lock in three nights all inclusive here for just – wait for it – £175pp.

4. Las Piramides Resort, Playa de las Americas, Tenerife

If your crew wants guaranteed sunshine paired with a proper night out, this is the move.

Las Piramides sits right in central Las Americas, surrounded by Supermercados, sports bars and walking-distance access to both the Veronicas Strip and the Starco Centre.

The intense competition between local bars means 2-for-1 drink deals and free shot tokens are everywhere.

And an underrated perk for groups staying here is the fact that you’re getting an apartment to yourselves.

Having separate living rooms and private balconies means your group has a proper central base to congregate and pre-drink before heading out, rather than trying to cram six people onto a couple of single beds in a standard hotel room.

I tracked down a three-night all inclusive group holiday from £365pp, flying direct from Manchester on May 10, 2027.

5. Qawra Palace Resort & Spa, Qawra, Malta

Malta is a brilliant option for groups who want a buzzing nightlife scene without the wall-to-wall mega-club vibes in places like Ibiza.

The Qawra Palace sits right on the seafront with the waterfront pubs of Qawra and Bugibba Square stretching out right along the coastal path.

Local watering holes like Fat Harry’s Pub and the Royale Barrel Bistro run aggressive 2-for-1 happy hours and cheap pint-and-burger deals straight through the afternoon.

And I can guarantee that your group will love this hotel’s rooftop pool deck.

It gives you and your mates panoramic sea views over St Paul’s Bay while you make the most of the all inclusive bar, giving your trip a high-end, luxury-resort feel for a basic budget price.

You can book a three-night all inclusive stay here from £338pp, flying direct from Liverpool on May 11. 2027.

6. Sol Palmanova, Palma Nova, Majorca

Palma Nova in Majorca gives you the ultimate group compromise: a stunning beach by day, and walking-distance access to the famous party zone in neighbouring Magaluf by night.

And the Sol Palmanova hotel features outdoor pools, high-energy daytime sports activities and a massive buffet footprint to fuel up before a night out.

The killer feature for groups here is the hotel’s special late-breakfast service.

Unlike standard rigid hotels that shut their morning buffets at 9.30am sharp, the schedule here caters brilliantly to late risers.

So nobody in your group has to miss out on hot food just because they stayed out past 3am…

While searching for deals, I clocked a four-night all inclusive stay here from £340pp, flying direct from London Stansted on May 3, 2027.

7. Ponient Dorada Palace, Salou, Spain

While Salou is famous for theme parks by day, the resort flips into a massive party hub after dark.

With over 250 bars and 11 nightclubs packed into the resort, pint prices sit comfortably under £3.

The Ponient Dorada Palace sits a short walk from the main nightlife drag along Avinguda de Carles Buïgas, where spots like Danny Boy Irish Bar, Chaplins and Tropical Salou keep the energy high.

And this is another hotel with a rooftop pool section – only this time it’s adults-only.

It’s also equipped with loungers and a private bar, allowing your group to escape the family noise at the main pool deck and enjoy a sunbathing session overlooking the town.

You can grab a three-night all inclusive package from £250pp, flying direct from Birmingham on May 3, 2027.

8. BLUESEA Los Fiscos, Puerto del Carmen, Lanzarote

Puerto del Carmen is perfect for groups who want a buzzing atmosphere centred around live-music pubs, sports bars, and tavernas rather than multi-storey nightclubs.

BLUESEA Los Fiscos sits elevated just above the historic Old Town, putting you within an easy downhill stroll of both the harbour bars and the lively Avenida de las Playas strip.

Because the poolside bar terrace is all inclusive, sure, but also gives the group sweeping views straight out across the Atlantic Ocean.

It’s an unbeatable spot to grab your free all inclusive afternoon drinks while watching the boats come into the marina below.

Perhaps a hotel for the more sophisticated groups among us… If they’re out there?

I found a three-night all inclusive stay from £260pp, flying direct from London Stansted on May 2, 2027.

Dozens of Jewish artists are defending Mark Ruffalo after Paramount Skydance branded the actor’s criticisms about software company Oracle Corp. as “antisemitic tropes.”

Support for the actor comes as Paramount Chief Executive David Ellison has struggled to get its $111-billion Warner Bros. Discovery merger over the finish line amid considerable opposition.

Ruffalo has long been an irritant to Paramount as he is a leading figure in a high-profile Hollywood campaign to block the merger. In an Instagram post late last month, Ruffalo blasted Larry Ellison’s Texas-based software company Oracle for assisting with technology to help Israeli military efforts, including in Gaza — a conflict that Ruffalo and other progressive activists have opposed because of the killing of Palestinians.

In an open letter, signed by more than 150 filmmakers, academics, writers and even a few rabbis, the group denounced “the outrageous smear campaign against our respected colleague Mark Ruffalo.”

“Enough with the false and dangerous weaponization of charges of antisemitism against those who are brave enough to point out the obvious: that the assault on the Palestinian people and the assault on our liberties at home are deeply interconnected, and there is nothing antisemitic about recognizing that fact,” the group wrote.

Tuesday’s letter was signed by several high-profile filmmakers, including Joel Coen, Hannah Einbinder, Tony Kushner, Lisa Cholodenko, Ilana Glazer, Frances Fisher, Todd Haynes and Sarah Kunstler.

The group tied David Ellison’s merger ambitions to his billionaire father’s expansive network of businesses, which now include TikTok. Larry Ellison is personally guaranteeing the equity needed for Paramount to buy Warner Bros. Discovery, and the family will become controlling owners of the merged entity.

However, the Hollywood merger is stalled because of an antitrust lawsuit brought by California Atty. Gen. Rob Bonta and 11 other Democratic state attorneys general, including from New York, New Mexico, Colorado, Nevada and Oregon. Paramount agreed to pause the transaction until the court case can be decided.

A trial is set for March 2 in Oakland, but Paramount has been agitating for industry leaders and politicians to pressure Bonta to force a settlement that would allow the deal to go through.

“The proposed merger of Paramount and Warner Brothers Discovery is no mere combination of two huge multinational companies,” the group wrote in the letter. “Yes, it will destroy thousands upon thousands of livelihoods. Yes, it will further consolidate the oligarchic control of our media (witness the gutting of CBS News). Yes, it will strangle competition and creativity in film and television production and distribution.”

The group painted the Paramount-Warner Bros. merger as “part of a larger project of tech-driven domination, a project Larry Ellison and his partners have never been shy about trumpeting — and one they themselves have explicitly linked to their support for the ongoing depredations being visited on the people of Palestine and their silencing of critics of those horrors,” the group wrote.

Paramount declined to comment.

The merger fight has grown increasingly ugly in recent weeks after Paramount threatened to leave California if Bonta continued his court fight to unravel the deal. Paramount suggested it would pull up stakes from its Melrose Avenue film studio as soon as this fall.

Then, on Aug. 21, the company accused Ruffalo of injecting “antisemitic tropes” into the opposition campaign to thwart the industry-reshaping merger that would bring HBO, CBS News, CNN, TBS and the Warner Bros. and Paramount film and TV studios under the same roof.

Leaders of prominent Jewish organizations, including the Simon Wiesenthal Center and the Anti-Defamation League, came to Paramount’s defense, blasting the Emmy-winning actor known for playing the Hulk and roles in productions for HBO.

Ruffalo defended himself, saying he was not being antisemitic. He said he was speaking out against Oracle’s use of technology to assist Israel’s military in the war in Gaza, “what we now have come to see as a genocide, which was built on an apartheid system of oppression powered by Oracle,” Ruffalo wrote in his post.

Paramount leaders have branded some of the opposition to the deal as “antisemitic.”

“Pointing out the crucial connections between what is happening in Gaza and what is happening in Hollywood is the exact opposite of antisemitism,” the group wrote in the open letter. “It is, for us, the very essence of Jewish ethical duty.”

The letter cited recent polls that reflect a majority of “American Jews now agree that Israel is committing war crimes in Gaza; and four in ten even agree that these crimes amount to genocide,” the group wrote. “Do those attacking Mark Ruffalo as an antisemite seriously believe that all these American Jews are antisemites too?”

Bonta abruptly canceled settlement talks last week, but extended an olive branch to Paramount by saying he would be willing to meet with the company to discuss ways to address his antitrust concerns.

Rights groups warn that armed groups are increasingly recruiting children to their ranks through social media.

Three minors were among those killed in a Colombian military air strike on cocaine-trafficking rebels last week, authorities said, as President Abelardo de la Espriella intensifies operations against armed groups.

The August 27 bombing in the southern Guaviare department was the deadliest military operation since de la Espriella took office earlier this month. The National Institute of Legal Medicine and Forensic Sciences said that 10 people in total were killed in the operation. The Ministry of National Defence reported that two of the victims were 15 and another was 16.

The victims allegedly belonged to a dissident faction of the defunct Revolutionary Armed Forces of Colombia, or FARC, that rejected a 2016 peace agreement with the government.

De la Espriella, a right-wing leader and ally of United States President Donald Trump, said on Monday that another bombing in the same area killed eight members of a FARC dissident group led by commander Ivan Mordisco. It is not known whether any minors were among the dead.

“The bandits, who for decades have recruited minors to turn them into combatants or human shields, must pay for these crimes that violate International Humanitarian Law,” he wrote on X.

The Defence Ministry said on Monday that 24 suspected rebels have been killed in military operations since de la Espriella took office.

The strikes come as child recruitment by armed groups is again rising in Colombia, according to a Human Rights Watch (HRW) report published last week.

At least 1,500 children have been recruited by armed groups since 2021, with 625 cases reported in 2024, according to the report.

The watchdog said that criminal and rebel groups are using social media to recruit children, including to carry out increasingly dangerous tasks, such as operating drones loaded with explosives. They also reported that algorithms on platforms including Meta and TikTok “appear to have actively promoted” content encouraging children to join rebel groups.

“Armed groups in Colombia are recruiting children with impunity,” said Juanita Goebertus, HRW’s Americas director. “Protection systems are failing, and social media platforms have become a more effective recruiting ground.”

Meta and TikTok told HRW that they prohibit content promoting violence and had removed accounts flagged by the organisation.

A new plan by California lawmakers to help fund the state’s struggling journalism organizations could advance in the coming days but faces an uncertain future.

Assembly Bill 2222 would create refundable tax credits for California local news organizations based on the number of journalists they employ, which in practice would provide direct cash infusions to participating newsrooms.

The bill, introduced by Assemblymember Christopher M. Ward (D-San Diego) earlier this year, is the latest effort to provide a lifeline for the news industry. There has been much talk both in California and globally about government support for journalism. But this is potentially the largest relief plan to date, with the state tax board estimating it would make more than $40 million available to newsrooms annually. The bill passed the Assembly and needs approval from the Senate to reach the governor’s desk.

Publishers, journalists and their unions have long argued that online search and social media platforms are harming the journalism business by eating up advertising revenue while publishing content they don’t pay for.

Previous attempts by California lawmakers focused on forcing Google, Meta and other platforms to pay their share, but this proposal has a unique solution to funding the program.

Ward described the bill as an important step in keeping a strong press corps in California, which he said is more important than ever in an era of digital misinformation.

Ward said the bill would “strengthen democracy” and “keep the lights on” in newsrooms. He cited President Trump’s own attacks on the press. “We thought, ‘What more can California do to help support them?’” he said.

Trump’s efforts to strip public radio and television stations of federal funds and the steep downward profit-losing trend for commercial newsrooms has meant, Ward said, that newsrooms have severely scaled back operations. Rural areas in particular have altogether lost their news sources, with many forced to shut down.

The amount of advertising to local newspapers declined by 82% — a $40 billion drop — since 2000, Pew Research Center said in 2023. And almost 40% of all local U.S. newspapers have vanished, according to an annual report on the state of local news put out by Northwestern University’s Medill journalism school.

A report last year by data firm Muck Rack and Rebuild Local News, a nonprofit advocating for government help for the journalism sector that is sponsoring AB 2222, estimates there has been a 75% decline in the number of local journalists per 100,000 of population in the U.S. since 2002.

The law, if approved, would work by assigning a “job retention credit” of $20,000 per journalist for up to five positions, and after that $15,000 for every additional journalist. Part-time positions would be awarded half-credits. It also stacks an additional $15,000 credit for each new hire, to incentivize expanding journalist headcounts.

To pay for the credits, the bill would amend California’s tax code to align with a little-discussed component of Trump’s “Big Beautiful” tax bill that expanded taxes on some companies by eliminating a deduction for executive salaries of over $1 million annually.

It is common practice for the state to consider aligning its tax code with the federal structure to make filing taxes easier and administering them more cheaply. But California has not yet sought to adopt this federal tax expansion.

As a tax measure, AB 2222 requires approval from a supermajority two-thirds of the Legislature, no easy task in an election year and with a fast-approaching deadline for lawmakers to approve bills Monday, which marks the end of this year’s legislative session.

The California Taxpayers Assn. and groups representing business interests such as the California Chamber of Commerce oppose the bill because it raises taxes on employers that they argue already face billions of dollars in new taxes. They contend that the higher costs will be passed along to consumers, and they also take issue with funneling a new funding source to a niche industry without going through the budget process.

“Financing an industry-specific tax credit with a tax increase on an unrelated group of taxpayers is an unsound way to budget,” the taxpayers association wrote in its letter of opposition.

Republican lawmaker Carl DeMaio of San Diego has vocalized his opposition in discussions of the bill, criticizing the idea of providing funding to outlets that make political endorsements. DeMaio did not provide a response to a request for comment about his current position on the proposal.

The bill’s backers are hopeful it will wriggle through this legislative session and land on the governor’s desk.

Yet they are not sure whether Newsom will sign it. In the past, Newsom has been reluctant to greenlight laws that tinker with the state budget after those fiscal discussions conclude in the first half of the calendar year.

The governor’s finance office issued an analysis opposing the bill for not including a cap on the tax credits, thus creating “unlimited fiscal liability to the state,” and argued the bill mainly subsidizes existing activity rather than encouraging the creation of new jobs.

An analysis by the state’s Franchise Tax Board — the agency that levies personal and corporate income taxes — found that the funding stream would bring $29 million in new revenue to the state’s general fund in the 2026-27 year and $58 million the following year.

Meanwhile, the estimated amount of the tax credit for local news organizations would be $19 million the first year and $43 million the second year. After accounting for the tax credits as well as the administrative costs, the budget would still see a net increase of $10 million and $15 million in those years.

“It’s fully paid for,” said former state senator Steven Glazer, who is a passionate proponent of the bill. Glazer during his Senate term pushed similar legislation that was ultimately shelved in a deal with tech giants.

In recent years California lawmakers have also weighed tax credits for Hollywood jobs. In June, lawmakers approved a major expansion of the funding allocated each year to the state’s film and television tax credit program, moving to raise that cap to $750 million from $330 million. The legislature is also considering a bill that would provide some $100 million in annual funding to post-production work.

The newsroom bill is designed specifically so as to be as neutral as possible on the medium — whether print newspapers, digital news sites, ethnic media or television broadcasters — as well as the business model of the newsroom — whether for-profit, nonprofit or publicly subsidized. The point is to prevent the government from having strong influence or being able to pick winners and losers in the industry, said Matt Pearce, a director of policy for bill sponsor Rebuild Local News, which successfully backed similar legislation in Illinois.

“You have practically the whole range of the local news world represented in some form. Big, little, independent,” Pearce said.

Pearce formerly worked as a reporter at The Times, and served as president of Media Guild of the West, the union that represents Times journalists.

The bill is also supported by the California News Publishers Assn., of which the Los Angeles Times is a member.

A special type of indie film teaches you how to see it as you watch it — not as an instructor might a student, but as an ally would a new acquaintance. Shatara Michelle Ford’s sophomore feature, “Dreams in Nightmares,” about a road trip, a friendship and a Black queer landscape anchored by care, has that quietly confident appeal, like being invited into something intimate, then let free when your curiosity is at its zenith.

Ford made their name with the micro-indie, micro-focused “Test Pattern,” an act of upending as it dissected an interracial relationship’s fault lines in a moment of crisis. (It’s on the Criterion Channel now.) This time, with the drive of a born iconoclast, Ford sheds plot even further — save the loose construct of three besties in search of their absent fourth. What emerges, as the plot spans a North America whose inviting (or alienating) textures are attentively captured by cinematographer Ludovica Isidori, is an ode to the centering of chosen family when the realities of life, especially for people of color, always seem to demand soul-crushing acquiescence.

For creative writing professor Z (Denée Benton), recently let go from her Los Angeles-based university and uncertain about her future, a recurring dream featuring black-and-white imagery, a door and an enticing expanse of nature puts her in a journeying state of mind. Hopping to Brooklyn to connect with Tasha (Sasha Compère), a nervy consultant also recently shorn from her job, and Lauren (Dezi Bing), an emerging poet, this close-knit trio first decides to go dancing, then to seek out their celebrated artist pal Kel (Mars Storm Rucker), last heard from in the Midwest and who’s cut off all communication.

That framework, though, isn’t treated like some act-structured gauntlet in Ford’s telling. This is a road trip, after all, in that having a direction — to Pittsburgh, then Iowa City, Kansas City, Santa Fe and across the border — allows for some directionlessness, for different speeds, artful touches (conversations that become camera-facing interludes) and delicate epiphanies of feeling. The trio stops for a lively trans poetry reading. There’s a comically weird dinner with Kel’s ex, Sabrina (a scintillatingly eccentric Jasmin Savoy Brown). A stopover to see Kel’s parents (Regina Taylor and Robert Wisdom) illuminates, for better or worse, where some of these friends have come from and why moving forward matters.

In not adhering to the expected rules of conflict-based drama, “Dreams in Nightmares” can confound. But when you realize that this is exactly the point of Ford’s open-ended exploration, you begin to understand why Ford would rather create a roving, sensorial continuum that feeds intrigue (kudos to composer Ohyung) instead of cornering you. The performances bear that out, from Benton and Bing’s steady inner light to Compère’s coiled, watchful Tosha, a compelling portrait of skepticism inside this cocoon of warmth.

Yet of course, just when Tasha appears to be a fulcrum for narrative revelation, Ford re-balances everything, in waves of grace and gentleness, to remind us that sometimes the less we label, the more we’ll observe about the abiding importance of love and belonging. Ford has internalized the humanity of filmmakers like Mike Leigh, Hou Hsiao-Hsien and Jim Jarmusch. Even the most awkward parts of the film feel uniquely alive. But as “Dreams in Nightmares” wends its way to a close, it’s also easy to believe you’re witnessing a percolating virtuosity that’s all Ford’s own.

Dutch group Christians for Israel is taking the government to court in the Netherlands over its plans to introduce a ban on importing goods from illegal Israeli settlements in the occupied West Bank and Golan Heights.

The ban, which was announced in July, is due to take effect on September 22 and will run for three years. It bars importing, buying and selling goods produced in Israeli settlements, as well as intermediary services and any attempt to circumvent the rules.

But the Israel Product Centre (IPC), part of Christians for Israel (CvI), a Dutch evangelical organisation which a recent study found has donated about $300,000 to illegal settlements in the occupied West Bank, has responded by filing summary proceedings against the state, with the hearing due today.

Here’s what we know about this case.

What is the case about?

The IPC has issued summary proceedings against the Dutch state, seeking to block the July decree.

The IPC argues the measure is “one-sided” and that the window it now has to clear its existing stock – some 20,000 bottles of wine – is too short.

It is also arguing that a national ban conflicts with the European Union’s principle of free movement of goods.

A verdict is not expected for about two weeks.

How has this case come about?

EU rules have long required goods from illegal settlements in the occupied West Bank to be labelled by their origin – Palestine – rather than as “product of Israel”, but the bloc has not placed an outright ban on trading with Israeli settlements. That remains up to individual countries.

In February 2020, the Dutch advocacy group DocP urged consumers to file complaints with the Dutch food safety authority, NVWA, if they found wine and Dead Sea cosmetics had been mislabelled.

Following complaints, the IPC changed its labelling to “product uit een Israelisch dorp in Judea & Samaria [product from an Israeli village in Judea and Samaria],” which it argued accurately reflected the exact geographical and administrative reality of the origins of the products without deceiving the buyer. Judea and Samaria is the biblical name used by the Israeli government to refer to the West Bank. DocP argued this fell short of the requirement to label products correctly, and continued its campaign.

In 2021, the NVWA agreed and fined the IPC 2,100 euros (about $2,500) for mislabelling goods.

Then, in July 2024, the International Court of Justice (ICJ) issued an advisory opinion that Israel’s presence in the occupied Palestinian territory is unlawful and must end “as rapidly as possible”.

This shifted the legal argument beyond mere consumer labelling, with the court saying countries should take steps to prevent trade or investment relations which help to maintain the unlawful presence of Israeli settlers in the Palestinian territories.

The lower house of the Dutch parliament acted on that in September 2025, proposing an import ban.

The national decree against importing goods from Israeli settlements was made in July this year.

Does Christians for Israel describe the West Bank as ‘Israel’?

CvI describes the West Bank as a “disputed territory” rather than accepting the international legal description of it as “occupied Palestinian territory”.

It says it believes that Israel has strong claims to sovereignty there and that Jews have a right to live there.

The vocabulary matters in a legal sense, as “disputed territory” is not the same as “annexed territory”, therefore, the legal apparatus which would make settlement trade unlawful doesn’t straightforwardly apply.

The group’s stated reasons for funding projects there, it says on its website, are rooted in the Bible; it cites Ezekiel 47:21-23: “Peace for the Jewish people and resident foreigners inheriting alongside the tribes of Israel.”

However, the ICJ’s July 2024 advisory opinion is clear that the Fourth Geneva Convention’s Article 49(6) and successive Security Council resolutions treat the territories as occupied and the settlements as unlawful.

How have other Christian organisations in the West responded to trade with settlements?

Western churches are split on the issue, with CvI sitting at one end of the spectrum.

Mainline Protestants, including the Presbyterian Church in the United States, have divested shareholdings in Caterpillar, HP and Motorola Solutions as early as 2014, and from Israeli bonds in 2024. The United Methodist Church has opposed Israeli settlements since 1996 and sold its Israeli bond holdings last August.

The World Council of Churches called for sanctions against illegal Israeli settlements in 2025, divestment and an arms embargo.

The Vatican calls settlements an obstacle to peace but has avoided divestment so far.

Christian Zionist bodies, however, including Christians United for Israel (CUFI) and the International Christian Embassy Jerusalem, send funding for settlements and fight against boycotts.

How significant is this ban?

It is significant considering that the Netherlands is one of only four EU countries currently imposing a ban on trade with illegal Israeli settlements.

Trade from illegal settlements to the EU is estimated to be worth up to $400m per year.

The Netherlands is also a big market for the illegal settlements; a recent investigation by legal advocacy group Global Echo, which analysed thousands of shipments from Israeli settlements between 2017 and 2026, shows that within the EU, the Dutch market is the largest importer of goods from illegal settlements, with about 30 percent destined for or passing through the country.

Which European countries have banned products from West Bank settlements?

Spain has banned all imports of products from illegal Israeli settlements in the occupied Palestinian territory, including the West Bank, East Jerusalem and the Golan Heights, since September 2025. The decree also enforces an embargo on defence exports and dual-use technology to Israel, bans ships carrying military fuel for Israel from Spanish ports, and restricts advertising for services or goods linked to Israeli settlements.

Ireland’s parliament approved the text of its Israeli Settlements (Prohibition of Importation of Goods) Bill in May and the bill was signed into law in July. It covers all goods produced in Israeli settlements, but excludes services.

Belgium’s federal government approved a draft royal decree in July introducing a specific regime for goods from Israeli settlements in the West Bank and East Jerusalem. The precise details of the new law will be determined by the government in due course.

Slovenia imposed restrictions on imports from Israeli settlements under its previous government, but the new conservative government reversed them in June 2026.

The EU as a bloc remains deadlocked over whether a ban counts as foreign policy requiring unanimity or trade policy needing only a qualified majority, with ministers not meeting again in a decision-making format until October.

Israeli Foreign Minister Gideon Saar last year described the push by some European governments to implement the ICJ advisory opinion as “shameful”.

Which European countries still allow trade with West Bank settlements?

Nearly all of them.

Outside the three European Union states which still have bans in place, settlement goods can be sold legally everywhere, including in most of the EU.

At a July 2026 meeting of EU foreign ministers in Brussels, which addressed trade from Israeli settlements in Palestinian territories, Germany, Austria, Czechia and Hungary were opposed to an EU-wide ban.

Beyond the EU, the United Kingdom does not forbid trade with illegal Israeli settlements, although new Prime Minister Andy Burnham is reportedly considering a ban. In a recent parliamentary briefing, Amnesty International called on the UK government to implement a ban.

It said: “The argument for a UK ban on trade with settlements is clear. The UK government itself accepts it should take stronger action in response to settlement expansion and annexation. The International Court of Justice has directed states not to trade with Israel in relation to the Occupied Palestinian Territory; and there is precedent in UK law and policy to not trade with illegally occupied lands, ie Crimea and other illegally occupied parts of Ukraine.”

A prominent Latino group is raising fresh concerns about Paramount Skydance’s proposed acquisition of Warner Bros. Discovery, saying the blockbuster deal would crush Latino workers and small businesses that support Hollywood.

In an open letter to California Atty. Gen. Rob Bonta, the League of United Latin American Citizens urged the state’s top prosecutor to continue his legal fight to block Paramount’s proposed $111-billion takeover of the media company that owns HBO, CNN, HGTV and the Warner Bros. film and television studios.

“No state has more to lose from this disastrous merger … than California,” LULAC National President Roman Palomares and Chief Executive Juan Proaño wrote in the six-page letter sent to Bonta late Sunday.

Thousands of jobs would be lost, and Latino voices could be squelched should the deal go through as it is drawn, the LULAC leaders said.

“The current form of the consolidation would have a devastating and unacceptable impact on Latinos, including those who reside in the Los Angeles community,” they wrote, noting Latinos make up 40% of the state’s population and nearly half of Los Angeles County, where HBO and the Paramount and Warner Bros. studios are based.

At least 4,500 jobs in Southern California would be lost if the merger goes through, according to a 120-page report last week from Los Angeles County’s economic office.

Paramount’s proposed merger has carved deep divisions and become increasingly contentious.

In recent days, Gov. Gavin Newsom, Los Angeles Mayor Karen Bass and Democratic gubernatorial nominee Xavier Becerra publicly pressured Bonta to settle the lawsuit to avoid a drawn-out court fight.

Politicians have been reacting to Paramount’s threat to move its studio, and potentially Warner Bros., from Hollywood to Tennessee or Texas unless Bonta backs down.

Theater owners and two major Hollywood unions — the Directors Guild of America and the International Alliance of Theatrical Stage Employees — have joined the parade pleading for a settlement. But the Writers Guild of America and Teamsters have steadfastly opposed the merger, warning about its potential impact on working writers and film crews.

Paramount Chief Executive David Ellison was set Monday to meet Bonta and others representing the 12 states that sued to block the transaction. But Bonta abruptly canceled the mediation session, accusing Paramount of “playing games,” leaking details and making misrepresentations about the talks despite agreeing to keep them confidential.

Paramount later denied that it was the source of the leaks.

Paramount didn’t immediately comment on the LULAC letter, but previously has touted the merger as a way to build a stronger competitor amid a pullback in local production. The company said it would “invest $30 billion annually in production and release at least 30 films a year,” a commitment that would lead to “more jobs over time, and ultimately, a stronger, more durable entertainment industry for generations to come.”

“To have it thrown in your face that Paramount will leave Los Angeles if they don’t get what they want is really just tantamount to a threat … one that will be devastating to Latinos,” Proaño said in an interview with The Times.

“There is a significant number of small businesses — Latino small businesses — and Latino residents, employees and workers that support this industry,” Proaño said. “We’ve been invisible, we’ve been silent — but we wanted to make sure that LULAC is not silent in this moment.”

In its letter, LULAC pointed to Hollywood’s most recent mergers, including Discovery’s 2022 acquisition of WarnerMedia from AT&T, saying such tie-ups underscore how media consolidation tramples over Latino voices, particularly when companies resort to job eliminations and other cost cuts to balance the expense of a corporate takeover.

After Warner Bros. Discovery Chief Executive David Zaslav took the helm, his company plodded through years of turmoil and massive layoffs. The movie “Batgirl,” which was set to feature a young Afro-Latina as lead actor, was shelved to gain tax benefits. Warner also canceled “Gordita Chronicles,” a TV show about an immigrant Dominican family, despite solid viewership.

Latino families make up “a significant portion of the film and television industry audience,” the letter said, adding that Motion Picture Assn. data show Latinos annually attend more movies per person in theaters than any other demographic group.

“Hollywood returns almost nothing for that loyalty,” the letter said. “Latino characters filled only 5 percent of speaking roles across 1,300 top-grossing films.”

“These and other harms are not collateral to the antitrust case,” LULAC’s letter said. “They are consequences of the diminished competition that will result. Every studio absorbed by a rival is one fewer buyer for a script, one fewer employer for a crew and one fewer distributor willing to bet on a story its franchise slate does not need.”

Warner Bros. Discovery nearly drowned in debt that it took on to finance its $43-billion buyout from AT&T in 2022. Ellison’s proposed Warner Bros. takeover also will be heavily leveraged with nearly twice the debt that resulted from Zaslav’s previous deal.

David Ellison has lined up nearly $80 billion in debt financing to buy out Warner investors. The tech scion is relying on a guarantee from his billionaire father, Oracle co-founder Larry Ellison, and $24 billion in equity financing from three Middle Eastern sovereign wealth funds, representing the royal families of Saudi Arabia, Qatar and Abu Dhabi.

The deal comes one year after the Ellison family bought Paramount, which had been on the ropes because of significant under-investment over the years.

“Paramount followed the same script: within months of closing its Skydance merger in August 2025, it laid off roughly 2,000 employees, about ten percent of its workforce, just after dismantling its diversity programs earlier that year,” the LULAC letter reads.

“This time, Zaslav’s going to walk away with a billion-dollar parachute and Paramount may end up with these crown jewels assets when it comes to movie-making and television programming,” Proaño said.

Under the hot lights of the Crypto.com Arena in Los Angeles, the five members of Santos Bravos stood center stage, ready to stake their claim to international stardom. It was the first night of KCON — a three-day festival of Korean pop culture, held every year since 2013 — and on Aug. 14, Santos Bravos became the first Latin American act ever to grace the bill.

Despite the band having debuted less than a year ago, the crowd was buzzing with excitement, but its energy heightened as the slashing knife sounds of “Hooligan,” a song off BTS’ latest hit album, “Arirang,” began to ring out. Because of their popularity, BTS songs are frequently covered by groups at KCON, but newcomers Santos Bravos, who are under the same parent label, Hybe, had more to prove to this audience.

Santos Bravos, a Latin American boy band based in Mexico City, performs on the Artist Stage on Aug. 14 at KCON at the Los Angeles Convention Center.

(Arwen Clemans / Los Angeles Times)

“Hooligan” was produced by Spanish producers Fakeguido and El Guincho (who worked on two records with Rosalía), as well as South Korean producer Ghstloop and American producer Jasper Harris. The multicultural song, with lyrics in both Korean and English, was an apt choice for Santos Bravos — between the five members, they speak and sing in three languages and represent several Latin cultures.

For BTS fans, nothing less than near the performance level of the superstar group is acceptable. But as Santos Bravos sang the opening verses in English, the crowd roared with approval — especially as lead vocalist Kauê Penna, who hails from Brazil, slid onstage to take on the high parts of BTS lead Jungkook.

While artists from different backgrounds working together is nothing new, Santos Bravos, like the Hybe x Geffen girl group Katseye, are part of an effort to bring K-pop training, marketing methods and fandom culture to other regions of the globe.

Fans watch as members of Santos Bravos walk off the stage and into the crowd during a performance on Day One of KCON.

(Arwen Clemans / Los Angeles Times)

Off the global success of BTS, Hybe evolved from a mid-sized label into one of the biggest music and entertainment players in South Korea. Santos Bravos operates under a division called Hybe Latin America, which is based out of Mexico City, where the band calls home. They are the first Hybe group to be based in a region outside of the United States or Asia.

Selected from 17 finalists on a 2025 competition reality show called “Santos Bravos — La Serie,” the contestants had vied to become part of Santos Bravos. Along the way, they received feedback and coaching from Song Sun-deuk, BTS’s longtime former choreographer and performance director. They also worked closely with Miami-based Cuban American choreographer Cultura, who has previously worked with Maluma, J Balvin, and Karol G, among others.

The final five debuted as a group at the show’s finale in October of 2025, where they performed before an audience of 10,000 at the Auditorio Nacional Mexico. Santos Bravos’ members are Penna, 19, from São João de Meriti, Brazil; Kenneth Lavíll,16, from Veracruz, Mexico; Gabi Bermúdez, 21, from San Juan, Puerto Rico; Alejandro Aramburú, 22, of Lima, and Drew Venegas, 26, from L.A. County.

The selected members were no starry-eyed amateurs: Both Lavíll and Aramburú were professional actors in their countries, while the honey-voiced Penna won the fifth season of “The Voice Kids, Brasil” in 2020. Bermúdez, the effusive mood-lifter of the group, was gunning for a career as a soloist when he entered the ring. Venegas, a dance specialist who had performed as a backup dancer for BTS, had a brief stint as a member of the Future X, a co-ed group formed by Simon Fuller that featured members of the queer community.

Not even a year into their formation, Santos Bravos topped Billboard’s new Latin music poll. In January, they performed alongside Mon Laferte and Feid in Willy Chavarria’s Paris Runway show, “Eterno.” In June, their debut EP, “Dual,” made it as high as No. 17 on the Billboard Top Latin Pop Albums chart. That same month, the group won its first award, the fan-voted artist duo or group at the 2026 Premios Tu Música Urbano Mix.

“We’re very disciplined,” said Venegas, who called West Covina home before joining the band. I met the band inside the Los Angeles Convention Center on Saturday, after their KCON breakout moment.

“One day of training was equivalent to one week of training,” he added. “I think combining all of our cultures together, then keeping our Latin essence with the K-pop methodology, [brings] something very new and very fresh for the eye.”

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Santa Monica , CA – August 17: Drew Venegas of Santos Bravos at Hybe America on Monday, Aug. 17, 2026 in Santa Monica , CA. (Ronaldo Bolanos / Los Angeles Times)  (Ronaldo Bolanos/Los Angeles Times)

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Santa Monica , CA – August 17: Kaue Penna of Santos Bravos at Hybe America on Monday, Aug. 17, 2026 in Santa Monica , CA. (Ronaldo Bolanos / Los Angeles Times)  (Ronaldo Bolanos/Los Angeles Times)

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Santa Monica , CA – August 17: Ale Aramburu of Santos Bravos at Hybe America on Monday, Aug. 17, 2026 in Santa Monica , CA. (Ronaldo Bolanos / Los Angeles Times)  (Ronaldo Bolanos/Los Angeles Times)

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Santa Monica , CA – August 17: Kenneth Lavill of Santos Bravos at Hybe America on Monday, Aug. 17, 2026 in Santa Monica , CA. (Ronaldo Bolanos / Los Angeles Times)  (Ronaldo Bolanos/Los Angeles Times)

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Santa Monica , CA – August 17: Gabi Lopez of Santos Bravos at Hybe America on Monday, Aug. 17, 2026 in Santa Monica , CA. (Ronaldo Bolanos / Los Angeles Times)  (Ronaldo Bolanos/Los Angeles Times)

Although the group doesn’t perform in Korean — unless it’s for fun — they cater to K-pop fans, which is easy to do since they too are K-pop fans. They’ve paid a visit to the Hybe headquarters in Seoul, collaborated with bands like Le Sserafim and BoyNextDoor and livestreamed to fans via Hybe’s proprietary social platform Weverse. They’ve even performed on Korean television.

But for the members of Santos Bravos, the cultural exchange goes beyond marketing.

“In Mexico,” Venegas said, “when you’re eating we say, ‘Buen provecho,’ which is like ‘Enjoy your food,’ No matter who it is, no matter who you’re walking by. Food is a big part of acknowledging somebody, and that’s what we have in [common with Korean culture].”

Mostly talking to each other in Spanish — both Venegas and Penna learned to speak it as a second language — they occasionally forget which language they are speaking to each other in.

“Sometimes I find myself talking to Kenneth or Kauê in English when I don’t need to,” interjected the soft-spoken Aramburú, who plays the guitar — and, in between his shifts as a pop star, is finishing up his music degree at USC.

“The fact that we learn so many languages opens so many doors for us,” Aramburú said. “Personally, wherever we go, I love to learn the language. I’m on Duolingo learning Korean right now.”

Penna sees language as a way to not only open doors for Latin artists, but also reach people through their music.

“Thank God Latin America is being watched,” said Penna. “You know, people can see what we’re doing, and people also are interested in in our languages, in our culture. And in every country we [visit], we try to learn as much as possible about the culture. Now we’re focusing on Portuguese” — a language they test-drove in the song “Velocidade” — “and of course, English.”

Venegas has found that his experience as a Mexican American who didn’t grow up speaking Spanish resonates with some people.

“There were a couple of fans who came up to me who were of Mexican descent, but they didn’t get the chance to learn like me growing up,” he said. “And immediately, they were at a loss for words and kind of filled with emotions. I started getting emotional because I can feel the heartache and … feeling scared, like you don’t belong … and that’s what I felt like. Being able to speak with them and hear what they say made me feel like I’m not alone and like I do matter. Hearing, ‘OK you didn’t grow up getting spoken to in Spanish, but you were still called mijo like I was called mijo.’ ”

Asked why some people struggle to grasp multiracial Latino identity — Cardi B is brought up as an example — Penna weighed in.

“Being in Santos Bravos as an Afro Latino is something so important to me,” said Penna. “I feel like this ‘thing’ of being this or being that… It’s just cultural differences. I’m also working to understand how another culture sees me. As Brazilians, we are very mixed. Of course, I have my Afro side, my mom’s side, I have my Indigenous side… but of course, I am very open and very proud [with] what I’m representing in Santos Bravos.”

“People in general like to categorize,” said Bermúdez, who grew up idolizing Puerto Rican singer Chayanne. Raised in Puerto Rico by parents with both Boricuan and Cuban heritage, Bermúdez bristles at attempts to divide Latinos.

“We as Santos Bravos want to transmit to the world that Latin America is one,” he said

Santos Bravos

(Ronaldo Bolanos / Los Angeles Times)

On the Monday after KCON, I met up a second time with the members of Santos Bravos, who were milling about in the Hybe America offices in Santa Monica. Venegas scrolled through his phone while Penna shuffled past us to grab a drink from the office fridge. I ask whether he’s tired. “A little” he replies, but he’s good.

Upstairs, walking past a large poster of BTS, I met with Juanse Arenas, president of Hybe Global Label Services, who promotes artists outside of their home markets. He said the company looked closely at data and research when conceptualizing the group.

“Mexican regional music became really big, Bad Bunny himself went global,” Arenas said. “You have Karol G, J Balvin, all these massive artists who come from our countries. Latin music is no longer just Latin; it’s global, right? Now, there is a methodology that exists in K-pop that has produced very successful groups. But you can’t just apply that methodology blindly to new regions and to new places — you have to [consider] where the members are coming from, what makes them tick, what drives them and the audience they’re speaking to.”

After posing for individual promo portraits, they gathered for a group photo before singing an acapella version of the uptempo ballad “MHM” for social content. They also greeted their fans on the Weverse livestream, where they expressed sadness over leaving L.A.

“Nos vamos pronto de L.A., mi gente,” said Lavíll to fans. “Y estamos tristes.”

When the news broke last week that Mark Walter was selling the Lakers just one year after buying the storied basketball franchise, executives working for another crown jewel in his sports empire — the Dodgers — were quick to say the billionaire had no plans to sell the team.

The Dodgers have won three of the last six World Series and 12 division titles since an ownership group led by Walter bought the then-bankrupt team in 2012, and the Dodgers now are considered the most successful — and lucrative — franchise in Major League Baseball.

Yet, amid Walter’s financial difficulties, including a federal inquiry into his insurance empire regarding $16 billion to $21 billion in undisclosed loans to his own companies, questions remain over whether the blowback will hit the Dodgers.

Walter has denied wrongdoing, and sports business experts say it’s far too soon to know whether the Dodgers will be in play. No charges have been filed against Walter or anyone associated with his businesses.

“If you’re judging on that — winning and revenue created — he’s been at the helm of all of that. … He does truly look like a white knight as it relates to his ownership of the Dodgers,” said Patrick Rishe, executive director of the Sports Business Program at Washington University in St. Louis. Still, “we don’t know what the issues are, and we don’t know the severity and the magnitude.”

Aside from the Lakers, the Dodgers are, by far, the most valuable of Walter’s handful of sports franchises, and industry sources not authorized to speak publicly about any potential sale told The Times that the team could fetch $10 billion to $13 billion.

Walter’s sports portfolio includes the Los Angeles Sparks of the Women’s National Basketball Assn.; the Cadillac Formula 1 racing team; a premier women’s tennis competition, the Billie Jean King Cup; and the entire Professional Women’s Hockey League. The Bloomberg Billionaires Index estimates Walter has a net worth of $18.3 billion.

There have been reports that he is putting his shares of his most valuable professional soccer franchise, the Chelsea Football Club of the English Premier League, on the market.

But the Dodgers are the greatest show in baseball, playing before stadiums packed with fans willing to shell out top dollar to see a roster that includes international superstars Shohei Ohtani and Yoshinobu Yamamoto.

Last week, Dodgers president and part-owner Stan Kasten said the Lakers sale “really has nothing to do with the Dodgers” and that “there are no changes here or contemplated here.” And Dodgers manager Dave Roberts said at a news conference that he was “shocked” by news of the Lakers sale and had not heard of any potential changes to Dodgers ownership.

Andrew Granato, a law professor at the University of Texas at Austin who specializes in corporate finance and insurance, said that although it was not yet clear whether Walter would offload the Dodgers, it would not be impossible, given the speed and scale of the billionaire’s recent financial transactions and the mounting federal and public scrutiny.

“I imagine that no fan feels particularly comfortable if the owner of their favorite team is under … investigation. Certainly, it’s not an ideal situation,” he said.

Walter was riding high after the Dodgers’ success and his $10-billion purchase of the Lakers last year. But the last few months have been challenging.

The loans by two Delaware life insurers that Walter owns were made to companies tied to him or his TWG Global holding company but were not disclosed as “related party” transactions as required, the Wall Street Journal reported. Related-party transactions made by insurers are required to be reported to limit conflicts of interest and protect policyholders, who have an interest in the financial strength of their insurers.

Walter, the 66-year-old chief executive of Chicago investment firm Guggenheim Partners, led a group that included another Guggenheim executive and Magic Johnson in acquiring the Dodgers for $2.15 billion in 2012, then a record for an MLB team.

The Times has reported that he tapped the insurers he owned for financing, a deal that was later vetted by state insurance regulators.

However, the amount of related-party loans made by the two affiliated life insurers now under federal scrutiny is vastly more, amounting to 40% of the invested assets of Delaware Life as of Dec. 31, according to Fitch Ratings. The credit rating firm said that is the most of any North American life insurers it reviews.

It’s unclear where the money went, but the Wall Street Journal reported that billions were passed through a third party before being received by entities tied to Walter or his TWG Global holding company.

Last week, Walter stunned the sports world by selling a majority stake in the Lakers for $12.5 billion to former Disney Chief Executive Bob Iger and venture capitalist Joshua Kushner, who is the brother of President Trump’s son-in-law Jared Kushner.

Walter has declined to comment on whether the sale was tied to the federal investigation.

The framework for a deal was consummated in a matter of days, Iger told interviewers last week. It still must be approved by the NBA Board of Governors, which meets in September.

Projecting an exact value for the Dodgers is difficult because MLB and its players union are engaged in contentious collective bargaining negotiations that many experts believe could result in a lockout when the current agreement expires in December.

Should a salary cap be agreed upon for the first time in MLB history, the valuation could jump to the high end, the source said. And about $1 billion of any sale would be subtracted to cover the Dodgers’ future commitments on deferred contracts.

The Dodgers’ massive local television deal with SportsNet LA directly elevates the franchise’s overall valuation.

Listing potential buyers should the Dodgers be for sale is challenging because the estimated value of the franchise is so much greater than almost any other MLB team. The record price for a sports franchise was the $12.5 billion for the Lakers.

Besides Kushner and Iger, those who have bid for teams aren’t in the $10-billion-plus ballpark. The San Diego Padres were sold last week for $3.9 billion to José E. Feliciano and Kwanza Jones.

Another question that has arisen as Walter’s financial troubles have garnered headlines is whether MLB would conduct its own investigation into Dodgers ownership or pressure the billionaire and his partners to sell the team.

“Any time there is any kind of public question about owners, they look into it,” former Dodgers president Bob Graziano told The Times. “I would guess, because there is a federal investigation going on, they’re not launching their own investigation, but they are going to wait to see what comes out of the federal investigation.”

No investigation of any kind into the matter has been announced by MLB.

MLB has never formally stripped an owner of a franchise or forced an outright sale through a vote of franchise owners. But the league forced Frank McCourt to sell the Dodgers in 2012 by exerting pressure and threatening a financial takeover or disciplinary action that would have stripped operational control.

When McCourt sold the team to Walter’s Guggenheim group, the franchise was in Chapter 11 bankruptcy.

When Guggenheim purchased the team in 2012, it outbid billionaire hedge fund manager Steven Cohen, who now owns the New York Mets. A group headed by former Yankees and Dodgers manager Joe Torre and L.A. developer Rick Caruso dropped out of the bidding ahead of Cohen. Additional bidders included media executive Leo Hindery, billionaire Tom Barrack, then-St. Louis Rams owner Stan Kroenke and Jared Kushner.

Times staff writer Laurence Darmiento contributed to this report.

A first group of deportees, out of an expected total of 1,200, has landed at the Roberts International Airport in Monrovia, Liberia, from the United States.

Thursday’s flight is part of an expanding trend of third-country deportations under the administration of US President Donald Trump, whereby foreign nationals are sent to countries that are not their own.

The inaugural flight carried 20 people, largely from Latin American countries like Venezuela and Cuba.

After landing, the group boarded a bus and was taken away by Liberian authorities without being allowed to speak to reporters.

The flight follows an agreement, announced on Tuesday, between the US and Liberia that will bring up to 1,200 deportees to the African country over the coming year.

Liberia is part of a growing list of countries striking agreements with the Trump administration.

Since taking office for a second term as US president in 2025, Trump has inked deals with at least 35 countries to accept third-country deportees, according to the nonprofit Human Rights First.

In exchange, some of those countries have received financial aid and trade deals. Senate Democrats in February estimated that at least $40m had been spent on such deals in the first year of Trump’s second term.

The US, for example, awarded Liberia $5m this year for “migration management activities”.

But in announcing the transfer deal earlier this week, Liberia’s Ministry of Information denied any reports that it agreed to the deportations for financial motives.

“The transfer of persons to Liberia is not a transaction with a quid pro quo,” the ministry said in a statement. “Liberia has not demanded or received any compensation or promise of reward in exchange for its consent to participate in the program.”

Liberia’s Information Minister Jerolinmek Piah also told the news agency Reuters that the International Organization for Migration and the United Nations refugee agency would help provide services for the deportees.

Those brought to Liberia will be allowed to apply for asylum and are “free to depart the country when they so desire”, according to Tuesday’s statement.

Liberia has said that the deportees are not “criminals and are not being prosecuted in any manner”.

“Liberia, the first black African independent nation on the African continent, has a long history of accepting people seeking refuge from political and other crises,” the ministry’s statement said.

“As a matter of fact, Liberia itself was founded as a refuge for freed slaves from the United States of America and other parts of the world.”

But critics have questioned whether smaller countries in Africa and elsewhere are being used as a “dumping ground” for US deportees, and whether the immigrants forcibly sent abroad will have adequate access to the resources they need.

Some have characterised such third-country deportations as excessively punitive, stranding migrants and asylum seekers in places where they sometimes cannot even speak the language.

The Trump administration, meanwhile, has framed the third-party deportations as necessary for immigrants whose home countries will not accept them. It has also framed the removals as a form of deterrence.

Guatemalan President Bernardo Arevalo on Thursday estimated that, this year alone, roughly 2,300 Mexican citizens have been deported from the US to his country, as opposed to being sent directly to Mexico.

Media outlets, including CBS News, have reported that the manouevre is part of an effort to disincentivize Mexican nationals from returning to the US without legal immigration status.

Arevalo explained, however, that such deportees are swiftly sent back to Mexico. “They are arriving in planes of Guatemalan returnees, and what we have done is process them as in transit, ‌in coordination with the Mexican immigration authorities,” he said.

England women’s hopes of success at the FIH Hockey World Cup ended at the group stage after a 0-0 draw with India.

David Ralph’s side finish third in Pool D on four points, with two teams moving forward to the next round, and will now play in a classification phase that sees teams placed from 9th to 16th.

England won their opening match 4-0 against South Africa on Sunday but lost to China two days later, conceding four before Tess Howard and Sophie Hamilton reduced the deficit.

The national side have not challenged in tournaments since winning Commonwealth gold in 2022, finishing fourth in the 2023 EuroHockey Nations Championship, and fifth last year.

Teams from England and Great Britain have finished no higher than sixth in the FIH Pro League since a third place in 2020-21, while Great Britain also finished eighth at the 2024 Paris Olympics.

Meanwhile England’s men are through to the second stage of the men’s World Cup, topping Pool D with three wins out of three.

They defeated Pakistan 4-1 and India 4-2 prior to beating Wales 8-2 in their final group stage match on Wednesday.

They move in a second stage pool with India, with their 4-2 win carried forward, and will face two qualifiers from Pool A on Saturday and Monday as they attempt to reach the semi-finals.

England women play Chile on Friday and Japan on Sunday in their classification pool, with both World Cups being held in Wavre in Belgium and Amstelveen in the Netherlands.