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Linea Personal is all in with LP ‘Todo ø Nada

Is there room in corridos tumbados for a little bit of R&B soul? Linea Personal is betting on it.

For three years, the música Mexicana band Linea from Stockton has been perfecting its sophomore album, “Todo ø Nada,” a 13-track project that incorporates elements of melodic trap, R&B, blues and corridos tumbados.

“It’s slow music, the lyrics transmit good feeling and it’s moody,” said frontman Gustavo Raya Garcia following the album’s release on March 26. “Our R&B style is a lot different from these [corrido] artists.”

At its core “Todo ø Nada” is a sad sierreño escapade that heavily has boisterous elements of corrido tumbados — often through wailing high-pitch strumming from a requinto and thunderous tololoche plucks, most notable in tracks like “Motorola” and “Tarot.”

But most distinct from the LP is the blues-infused “Caperuzita,” which kicks off the album with an ethereal, pitch-shifting cry that wades through the backdrop as an omniscient spirit — an interpolation inspired by Future’s “Wait for U” (featuring Drake and Tems) — while sounds of a banjo speckle about. The band also isn’t afraid to tap into other genres by infusing a drunken, jazzy trumpet into the sex positive “Ülala” — whose infatuating lyrics were partially inspired by the chorus line in Luther Vandross’ ”Never Too Much.

“R&B is our original sound and we wanted to bring that back to this album but a little different,” said Raya Garcia “We wanted it to have a little bit more feeling to it. That’s why we added new instruments.”

For the group — which includes frontman Raya Garcia, his brother and secondary voice Aidan Raya Garcia, requinto player Jorge Ontiveros Zúñiga and guitarist Edgar Lozoya Verduzco — bringing “Todo ø Nada” to fruition was a total slow burn.

The band — who gained traction through their 2024 hustler melodies “Holanda” and the melancholic “Hennessy” — was often stuck in lengthy creative meetings at Street Mob Records, the record label founded by Fuerza Regida’s Jesús “JOP” Ortiz Paz, who signed the band in 2021.

“It taught us a lot of patience and a lot of faith in God’s timing,” said Raya Garcia. “We really wanted this album to come out a year ago, but things happened for a reason.”

To help fuel their creative flow, the group went down to a beach retreat in San Carlos, Sonora, right Mexico’s Gulf of California. They compiled a total of 50 songs, then narrowed it down to the 13-track list.

“What we look at is the lyrics,” said Edgar Lozoya Verduzco, the group’s producer. “The one we were not too sure about was ‘P— Alcohol’ because it was too explicit.”

But at the end of the day, Lozoya Verduzco wanted to push against the grain with the obscenity-laced track whose lyrics’ double meaning are reminiscent of those in Lil Wayne’s 2008 “Lollipop.”

“We’re not scared to try something new,” said Lozoya Verduzco.

Gustavo Raya of Linea Personal

(Cat Cardenas / For De Los)

With the release of “Todo ø Nada,” Linea Personal hopes it can continue to build on the momentum achieved by many of its Mexican American contemporaries — including corrido tumbado forefather Natanael Cano and its mentor, Fuerza Regida. According to Spotify, corridos accounted for 77% of all música Mexicana streaming in 2023.

“We are inspired a lot [by these acts], we see their mentality,” said Lozoya Verduzco. “We need need to be exactly like that or work 10 times harder.”

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Center Theatre Group unveils ecclectic 2026–2027 season

Kicking off the upcoming season at the Mark Taper Forum — which recently celebrated its top-grossing musical ever with “Here Lies Love” — is the world premiere of Zack Zadek’s original musical “The Turning,” a folk thriller set in California’s Sequoia groves.

The show, said Center Theatre Group’s artistic director Snehal Desai as the company announces its 2026-27 slate of performances, has a “very L.A. vibe.”

Next up is a batch of shows meant to provide audiences some comedic relief amid a midterm season that’s sure to sow anxiety: Karen Zacarías’ “Destiny of Desire,” Cole Escola’s “Oh, Mary!” and the family-favorite “Dog Man: The Musical.” Then in the spirit of springtime renewal, thought-provoking plays like “John Proctor Is the Villain” and “Fences” will leave audiences in contemplation before festive summer item “Boop! The Musical” swoops in to lift spirits.

When Desai plans the company’s season lineup, he always surveys the year ahead — literally.

“I look at the calendar a lot as to, where do we think we’re gonna be a year from now? Six to eight months from now?” Desai said in a recent interview at his office in downtown L.A.

Some entries in Center Theatre Group’s upcoming season are scheduled intuitively, like the Mischief Comedy team’s “Christmas Carol Goes Wrong,” running in the thick of the holiday season. But with others, Desai said he orchestrated the lineup to tell a programmatic story, like an artist might order tracks on an album.

As an artistic director, Desai said, he always encourages visitors: “Join us all season, versus just coming for the things you like,” and maybe you’ll be pleasantly surprised.

This year as Desai consulted his calendar, he looked even farther ahead than usual, toward Center Theatre Group’s 60th anniversary season (2027-28) and the L.A. Olympics in 2028.

“We were having conversations of, what are the plays that we want to do or we want to bring back,” Desai said, when the theater company’s associate artistic director Lindsay Allbaugh suggested “Fences,” the final play of August Wilson’s acclaimed Century Cycle to be staged at Center Theatre Group.

“I said, ‘Oh, that’s what we want,’” Desai said, “both to end this season and kick off our 60th.”

The artistic director could not yet confirm who would direct the Pulitzer Prize-winning drama about a former Negro League baseball player and his family navigating life in 1950s segregated Pittsburgh.

Desai, who has not shied away from politically charged material during his tenure at the theater company, said Wilson’s play aligned with his intent this season to platform work “asking who we are as a country and as a community and society.”

“I wanted voices that felt bold and fearless, that were both outspoken and unafraid in a world where, right now, it feels like there’s a lot of things that are trying to stifle us from speaking out or coming together,” he said. To him, presenting “Fiddler on the Roof” in Yiddish is revolutionary, as is “John Proctor Is the Villain’s” dissection of a classic through a feminist lens.

Desai added that he planned to balance that rabble-rousing spirit with productions that leaned more “celebratory and communal” and provided “different ways of having catharsis.”

“Oh, Mary!” offers riotous fun, and “Destiny of Desire” is an homage to an oft-dismissed yet widely consumed medium, the telenovela.

“With ‘Destiny,’ you’re able to take that format of something that people often watch in isolation at home, and enjoy it together,” Desai said.

Regional theater faces a slew of challenges: rising production and personnel costs, post-pandemic audience declines and competition from digital media. The situation has felt particularly bleak in L.A., Desai said, as seeming moments of recovery in the past year or so were squashed by the L.A. wildfires, then last summer’s immigration crackdown and associated civil unrest.

“We just constantly live in this time period that feels like we’re on shifting sands,” Desai said. Nonetheless, the company is finding paths through the desert, including with alternative programming through CTG: FWD.

The CTG: FWD initiative this season will bring “Riverdance 30 – The New Generation,” “Clue” and “The Music Man” to the Ahmanson Theatre, and “Dog Man” to the Kirk Douglas Theatre.

Another strategy Desai said the theater company has employed is heavy investment in new works development, particularly new musical development. New works are time-and resource-intensive, Desai said, but they’re also good investments, offering the best chances at longevity and commercial prospects.

With “The Turning,” Center Theatre Group spotlights an emerging voice that Desai said represents “the future of American theater.”

After Desai was introduced to Zadek’s folksy musical “The Turning,” he said, “I just kept listening to it over and over again. I was like, ‘I can’t wait for the cast recording of this to be on Spotify.’”

The artistic director was also thrilled to find an ultra-rare gem in Zadek’s piece: a truly original story.

“A lot of things are adaptations these days: adaptations of films, of TV shows,” Desai said. “So to get a world premiere musical that is based on its own original concept — that, I found, was really compelling.”

Following back-to-back seasons of directing his own productions, Desai is taking a breather this go-around to focus on broader administrative duties. But he still hopes to be a resource for visiting directors learning how to navigate the “special space” that is the Mark Taper Forum — and its neighbors the Ahmanson Theatre and the Kirk Douglas Theatre, which will get its own season announcement in the spring or early summer.

See the full season, here.

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Connecticut Sun reach deal to relocate team to Houston in 2027

The Connecticut Sun have reached an agreement to sell the team to Rockets owner Tilman Fertitta for $300 million and will move to Houston in 2027, according to a person familiar with the deal.

The person spoke on condition of anonymity to The Associated Press on Friday because the deal hasn’t been announced publicly.

The WNBA Board of Governors still needs to approve the sale and the move. The team will play in Connecticut for the upcoming season before moving to Houston and becoming the Comets again.

This will end a 23-year run by the team in New England after the team moved to Connecticut from Orlando in 2003.

Houston was one of the groups that expressed interest in buying the team last year, eventually raising its bid to $250 million — the amount that Cleveland, Detroit and Philadelphia paid for expansion fees. Now with the $300 million sale price that’s the highest a team has been sold for in WNBA history.

The Sun had an offer for $325 million from a group led by Celtics minority owner Steve Pagliuca that would have moved the franchise to Boston. The WNBA basically blocked that deal from happening by saying that “relocation decisions are made by the WNBA Board of Governors and not by individual teams.”

The league also went on to say that other teams had gone through the expansion process and had priority over Boston.

WNBA Commissioner Cathy Engelbert said during a news conference to announce the three new expansion teams that Houston was up next.

Ever since Mark Davis bought the Las Vegas Aces in 2021, the league has added new owners that have some sort of NBA tie. Golden State, which came into the league last season, is owned by the Warriors. Portland and Toronto are coming into the WNBA this season and the ownership groups are connected to NBA teams.

The next three expansion teams — Cleveland, Detroit and Philadelphia — are all owned by NBA groups in those cities.

The WNBA just agreed to a new collective bargaining agreement last week where teams need to have top notch facilities similar to those of NBA franchises.

With the news of the deal on Friday, it allows the franchise to have clarity for potential free agents who could sign with the Sun next month.

The Houston Comets were one of the original franchises in the league that won the first four WNBA championships from 1997-2000. The franchise disbanded after the 2008 season.

The last WNBA team to move cities was the Las Vegas Aces, who relocated from San Antonio in 2017.

Feinberg writes for the Associated Press.

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Kash Patel’s personal email hacked by Iran-affiliated group

March 27 (UPI) — Iran-linked hackers broke into FBI Director Kash Patel’s personal email account, multiple news outlets reported Friday.

The hackers published photos and emails from the account from before Patel became FBI director, CNN, CNBC and CBS News reported. CNN said a source familiar with the breach confirmed the authenticity of the photos.

The emails the group stole from Patel date from around 2011 to 2022. They include personal, business and travel communication.

The hacking group, Handala Hack Team, said on their website that Patel “will now find his name among the list of successfully hacked victims.”

The photos published include Patel sniffing and smoking cigars, riding in an antique convertible, and making a face while taking a picture of himself in the mirror with a large bottle of rum. There are family photos and details of Patel searching for an apartment.

The group calls it a breach of “impenetrable” FBI systems, but the FBI was not breached.

“This isn’t an FBI compromise — it’s someone’s personal junk drawer,” cybersecurity researcher Ron Fabela told CNN.

“The FBI is aware of malicious actors targeting Director Patel’s personal email information, and we have taken all necessary steps to mitigate potential risks associated with this activity,” a statement from the FBI said. “Consistent with President Trump’s Cyber Strategy for America, the FBI will continue to pursue the actors responsible, support victims, and share actionable intelligence in defense of networks.”

It also said the information taken, “is historical in nature and involves no government information.”

The FBI also said that the State Department has offered a $10 million reward for information that leads to the identification of the Handala Hack Team.

The hackers have said they hacked the account to retaliate for a missile strike on an Iranian school, CNN reported.

Handala claimed Thursday to have published the personal data of dozens of Lockheed Martin employees stationed in the Middle East. The company said in a statement it was aware of the reports and had policies and procedures in place “to mitigate cyber threats to our business.”

Gil Messing, chief of staff at Israeli cybersecurity company Check Point, told CNBC that the move against Patel was part of Iran’s strategy to embarrass U.S. officials and “make them feel vulnerable.”

On March 19, the FBI took down two websites used by Handala after it hacked the medical company Stryker on March 11. The two sites were: one that had information about its hacks and the other used to dox people it alleges work with the Israeli military. The website it used to post Patel’s information was registered the same day the other sites came down.

President Donald Trump stands with U.S. Secretary of Agriculture Brooke Rollins during an event celebrating farmers on the South Lawn of the White House on Friday. Photo by Aaron Schwartz/UPI | License Photo

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The Riverside County sheriff has seized 650,000 ballots. Here’s what we know

Chad Bianco, the Riverside County sheriff and a leading Republican candidate for governor, has seized more than 650,000 ballots from last November’s election as part of an investigation that he called a “fact-finding mission” to determine if they were fraudulently counted.

Atty. Gen. Rob Bonta, the state’s top law enforcement official, has sharply criticized the probe, which he called “unprecedented in both scope and scale.”

In a March 4 letter to the sheriff, Bonta said the seizure of the ballots “sets a dangerous precedent and will only sow distrust in our elections.” He threatened to seek legal recourse if Bianco does not halt his investigation.

Bianco said Friday that his investigators are looking into allegations by a local citizens group that “did their own audit” and found that the county’s tally was falsely inflated by more than 45,000 votes — a claim that local election officials have emphatically rejected.

Here is what we know.

Why were ballots taken?

According to Bonta’s office, Bianco’s department on Feb. 26 took about 1,000 boxes of ballot materials in Riverside County related to the November election for Proposition 50, which temporarily redrew the state’s congressional districts to favor Democrats in response to partisan redistricting in Republican states, including Texas.

Bianco said that it’s his “constitutional duty” to investigate a potential crime and that he is not trying to change the election results.

The investigation includes all of the ballots cast in the county, where Proposition 50 passed with 56% of the vote, a margin of more than 82,000 ballots. Statewide, it passed with 64% of the vote, a margin of more than 3.3 million ballots.

Bianco said he had been contacted by “a group of citizen volunteers” that said it performed an audit finding that 45,896 more ballots were counted than were cast. He did not name the group, but the allegations match those made by a group called the Riverside Election Integrity Team.

In a February presentation to the Riverside County Board of Supervisors, Registrar of Voters Art Tinoco disputed the group’s allegations and said they were based on a misunderstanding of raw data that had not been fully processed.

The actual discrepancy, Tinoco said, was 103 votes — a variance of 0.016%.

How did the sheriff get the ballots?

Bianco said his department served the registrar with a warrant “approved and signed by a judge” on Feb. 9.

According to Bonta’s office, an additional warrant was issued on Feb. 23. Bianco said the warrants are now sealed.

In the March 4 letter to Bianco, the attorney general said he had “serious concerns” about whether the sheriff had probable cause to seize the election materials.

Bonta questioned whether Bianco had concealed information from the magistrate judge who approved the warrants, including details from the registrar’s analysis of the citizen group’s allegations.

An official from Bonta’s office told The Times that the attorney general “found out in the middle of the week that [Bianco] was going to execute the warrants on a Friday.” Bonta’s office asked the sheriff to slow down and share information about the investigation, but “instead of waiting, he actually moved it up” and seized the ballots sooner than planned, said the official, who would only speak on background.

Bianco said a Riverside County Superior Court judge ordered the appointment of a special master to oversee the ballot count. His investigators had already begun counting, but the tally would start over under the court’s guidance, Bianco said.

The ballots would have soon been destroyed

California law requires county officials to keep election materials — including ballots and voter identification envelopes — for 22 months for elections involving a federal office and for six months for all other contests.

The materials must be sealed and then destroyed at the end of the retention period.

The Proposition 50 election took place on Nov. 4, so the ballots are scheduled to be destroyed in May.

Why investigate now?

Political observers say that Bianco — a leading gubernatorial candidate — appears to be vying for attention from President Trump and his supporters.

Kim Nalder, a political science professor and director of the Project for an Informed Electorate at Sacramento State, said the investigation appears to be “an electoral ploy.”

“At this stage in the election, most voters haven’t really tuned into the gubernatorial race, and there are a ton of candidates,” she said. “People who don’t know his background will know now. This is clear signaling.”

Trump has repeatedly called on the federal government to “nationalize” state-run elections. He remains fixated on his 2020 election loss and has falsely claimed widespread fraud.

In January, the FBI raided the elections office in Fulton County, Ga., seizing 2020 presidential election records. And this month, the Republican leader of Arizona’s state Senate said he had handed over 2020 election records to the FBI, complying with a federal grand jury subpoena for records related to a controversial audit of the election in Maricopa County.

Bianco is an outspoken Trump supporter.

A poll released last week by UC Berkeley’s Institute of Governmental Studies and co-sponsored by The Times showed Bianco and conservative commentator Steve Hilton leading the crowded field of gubernatorial candidates by slim margins, with the Democratic vote split among multiple candidates in a left-leaning state.

The top two vote getters, regardless of party, will advance to the November election.

Bianco said the investigation was “not a recount” for Proposition 50 and had nothing to do with his campaign for governor.

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Fun social clubs and events to meet new friends in L.A.

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Keeping and maintaining friends as an adult is hard, especially with the demands of life, travel and work. In volunteering, I encounter more people like myself, which is nice, but sometimes it’s difficult to participate without a lot of commitment to the organizations. I’m wanting to explore smaller, intimate groups to build community with people who I share similar values with. I’m interested in self-growth, psychology, games, mindfulness and yoga. I loved the L.A. Times story “Awaken your inner child at this welcoming collage club for adults” and I would love to know about similar activities. Thanks! —Marlen I.

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

Marlen, I couldn’t agree more. As we get older, it can feel more and more difficult to sustain friendships, especially in Los Angeles, where people live so far apart and have busy lives. This struggle is exactly why so many social clubs have been sprouting up in L.A. over the last few years. From board game clubs to junk journaling meetups, there’s so many different ways to connect and maybe try something new. I’ve compiled a list of social clubs and community spaces that I think you’ll enjoy.

Since you’re already familiar with Art+Mind Studios, you should definitely check out Junk Journal Club. Junk journaling is essentially a craft practice that combines elements of collaging, journaling and scrapbooking. With the rise of junk journaling content on social media, the once solo pastime has turned into a lively social scene. Junk Journal Club, dubbed “the original junk journal club,” hosts monthly meetups, which can be found on its Instagram page. When my colleague Malia Mendez went to an event recently, people told her that attending Junk Journal Club “has made befriending strangers easy,” and many of them stay in touch.

Another craft-centered event that’s worth exploring is the Crafters Clubhouse, which founder Victoria Ansah calls “a creative third space for adult makers.” She hosts monthly arts and crafts workshops including activities like scrapbooking, punch needle embroidery and clay art.

Given that you’re interested in yoga and mindfulness, you may like WalkGood LA, a community-centered wellness organization that hosts a variety of activities including a run club and accessible yoga classes. During the pandemic, I found solace in attending their weekly yoga classes called BreatheGood. The outdoor sessions take place every first Sunday at Kenneth Hahn State Recreation Area and feature free chiropractic adjustments and healthy food vendors. The vibe of the intergenerational event feels warm and welcoming. All you have to do is show up with your yoga mat. The organization also hosts various classes including yoga, breath work, mindful meditation, mat Pilates and step aerobics at their studio, the WalkGood Yard, in Arlington Heights.

Another social club I recommend is Love, Peace & Spades, which my friend Kevin Clark started in 2022, to create a space where people could play the card game with others. With music provided by a live DJ, the monthly game night feels like being at a family cookout. Spades can be extremely intimidating to start as a beginner playing with pros. But don’t worry. Love, Peace & Spades has instructors who can teach you how to play.

If you’re interested in chess, L.A. Chess Club is “an event with the laid-back ease of a chill game night and all the social and romantic possibility of a night out on the town,” according to Times contributor Martine Thompson, who wrote a story about the event. At the weekly gathering, which features a food vendor, cocktails, tattoo artists and DJs, you can “competitively play chess, learn the game, meet new friends or mingle as a single person,” Thompson shares. Another fun event is RummiKlub, a monthly Rummikub game night that takes place in elevated, design-forward spaces across the city.

L.A. also has several fun creative venues that regularly bring people together, such as Junior High, a nonprofit art gallery and inclusive gathering space that hosts artist showcases, comedy nights, pottery workshops and more. There’s also Nina in Atwater, which holds a variety of gatherings including a monthly series that focuses on mindfulness called “Be Here Now: Simple Tools for an Everyday Nervous System Reset.”

I hope that these suggestions are a good starting point for finding the group, or several groups, that are an ideal fit for you. Just by putting yourself out there and being open, you are bound to build and find community. Best of luck on your journey!



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Boys’ basketball coach of the year: Mike LeDuc of Damien

Coaching high school basketball since the 1979-80 season and being the second-winningest coach in state history with 1,127 victories, Mike LeDuc is one of those old-school coaches who likes to push his players forward and fade into the background when team success comes.

This season at Damien, LeDuc can take a bow for guiding the Spartans to the state Division I championship with little size but a group of players who loved to shoot threes, never stopped hustling on defense and executed close to perfection on the biggest stage at Golden 1 Center and during his team’s playoff run.

For turning a group of players he fondly called “overachievers” into champions, LeDuc is The Times’ boys’ basketball coach of the year.

Through his many years of coaching at Damien and previously at Glendora, he’s mentored such outstanding players as Tracy Murray, Casey Jacobsen and Cameron Murray. Now Cameron’s sophomore son, CJ, plays for Damien. It’s a full circle moment for LeDuc, who was holding his granddaughter at the awards ceremony in Sacramento.

As the years go by and the game keeps changing, LeDuc continues to adapt, adjust and power on.

LeDuc‘s answer is, “Basketball is a real simple game. It’s a game of repetition and if you do it over and over, you expect it to be done perfectly.”

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Democratic Socialists of America won’t endorse in race for L.A. mayor

The Los Angeles chapter of the Democratic Socialists of America will not endorse a candidate for mayor.

After City Councilmember Nithya Raman decided at the last minute to run against her former ally Mayor Karen Bass, the group called a vote on whether to reopen the endorsement process, which it had closed without supporting a candidate.

DSA-LA backed Raman’s two successful city council runs, but she has been at odds with the group on some issues.

Also in the mix was another mayoral candidate, community organizer Rae Huang, whose positions align more closely with those of the group.

The two candidates were present for Saturday’s vote at Immanuel Presbyterian Church in Koreatown, though neither spoke.

The left-wing organization, which has about 5,000 members, is known for running strong ground game campaigns that include canvassing, door-knocking and phone banking. In addition to Raman, three other DSA-backed politicians now sit on the 15-member City Council.

Before the vote, DSA-LA members argued for and against reopening the endorsement process.

“The worst thing we can do right now for our movement is to say, ‘Well, actually, we’re not going to endorse Rae or Nithya. We’re going to do a third thing, which is to issue no endorsement.’ Who is the audience for this message?” said Leslie Chang, a co-chair of DSA-LA.

DSA-LA member Anna Gross argued that neither candidate was ideal, with Huang, who has little political experience, being a long shot and Raman hesitating to fully embrace the group.

“I do want a democratic socialist mayor, but as it stands, we have one candidate who is not going to win … and a candidate who will not openly identify as a democratic socialist,” Gross said.

Of the 488 members who voted Saturday, about 55% supported reopening the endorsement process, falling short of the required two-thirds majority.

If the process had been reopened, the group would have then voted on whether to endorse Raman, Huang or neither.

Huang’s earlier attempt to get the endorsement while the window was still open had failed because she did not obtain enough valid member signatures to qualify.

If the race is not decided in the June 2 primary, DSA-LA can still endorse a candidate in the runoff.

Besides Bass, Raman and Huang, the field of 14 candidates includes conservative reality TV star Spencer Pratt and tech entrepreneur Adam Miller.

Some members believed that a mayoral endorsement would take resources away from the slate of six local candidates they have already endorsed.

In city council races, DSA-LA is backing incumbents Hugo Soto-Martínez and Eunisses Hernandez; Faizah Malik, who is running against incumbent Traci Park on the Westside; and Estuardo Mazariegos for an open South L.A. seat.

The group is also backing Marissa Roy, who is challenging City Atty. Hydee Feldstein Soto, and Rocío Rivas, an incumbent L.A. Unified school board member.

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Inside Democratic Socialists of America’s decision on whether to endorse for L.A. mayor

The same day she announced her surprise bid for mayor, Los Angeles City Councilmember Nithya Raman called a member of the local Democratic Socialists of America chapter.

She wanted to meet with the group’s leadership to explain her late-breaking decision to challenge Mayor Karen Bass, her longtime ally, which took just about everyone in the city by surprise.

Two days later, Raman gathered at her Silver Lake home with leaders of DSA-LA, which has endorsed her two runs for City Council but has been at odds with her on some issues.

Leslie Chang, a co-chair of the 5,000-member chapter, recalled Raman saying, “‘The media is going to paint me as a DSA candidate, and I have a relationship with you, and I’m interested in maintaining that relationship. So let’s talk.’”

DSA-LA, which had declined to endorse in the mayor’s race, will decide on Saturday whether to reopen its endorsement process.

Some members believe that a mayoral endorsement would take valuable phone-banking and door-knocking resources away from the slate of six local candidates they have already endorsed.

If the process moves forward, the question would then be whether to back Raman or Rae Huang, a housing activist viewed by some members as more aligned with socialist principles, while others see her as less electable. The group could also decide not to endorse either candidate.

A woman poses for a portrait in front of Los Angeles City Hall.

Leslie Chang, co-chair for the Los Angeles chapter of the Democratic Socialists of America, at a rally at Molina Grand Park in Los Angeles on March 18.

(Gina Ferazzi / Los Angeles Times)

Going to bat for a mayoral candidate would be the highest-profile drive the local organization has run in a city where its influence has expanded since it knocked on doors for Raman’s first council campaign in 2020. In addition to Raman, three other DSA-backed politicians now occupy seats on the 15-member City Council.

In New York, DSA member Zohran Mamdani was recently elected mayor on a platform of rent freezes and free city buses.

“It would be a major coup for DSA to have one of their candidates be elected mayor [of Los Angeles],” said Sara Sadhwani, a politics professor at Pomona College.

The Rev. Rae Huang

The Rev. Rae Huang, who is running for mayor of Los Angeles, joined the Fair Games Coalition to announce the launch of the Overpaid CEO Tax Initiative in front of the Tesla Diner in West Hollywood on Jan. 14.

(Genaro Molina / Los Angeles Times)

As a city council member, Raman has delivered several major wins celebrated by DSA members, including strengthening renter protections and passing the first reform to the city’s rent stabilization ordinance in decades.

But she has sometimes been out of step with the group, approving budgets that increased police spending and seeking to revise Measure ULA, also known as the city’s “mansion tax,” to offer a 15-year exemption to developers of multifamily and commercial projects.

Raman’s most visible split with DSA occurred over the Oct. 7, 2023, Hamas attack that killed more than 1,200 Israelis.

DSA released a statement saying “this was not unprovoked.” Raman called the statement “unacceptably devoid of empathy for communities in Israel.”

In early 2024, DSA censured Raman for seeking and accepting an endorsement from Democrats for Israel-Los Angeles, a liberal Zionist group, chiding her for “accepting support from [DSA’s] enemies.”

“Why are people wary of endorsing Nithya for mayor? A lot of people who were in leadership at the time are hesitant because of that situation,” said Noah Suarez-Sikes, a member of DSA-LA’s steering committee.

In a statement to The Times, Raman called herself an “independent leader.”

“While I share the DSA’s emphasis on uplifting the working class and those who have been left behind by the political establishment, I don’t always agree with my allies on how to accomplish our goals,” she said.

Some DSA members see Huang, who has little citywide name recognition or political experience, as more connected to the group’s platform than Raman. Huang has called for “Fast and Free Buses” as well as for more public input on the city budget.

Huang highlighted her support for keeping the “mansion tax” as is, also telling The Times that she would reduce the Police Department budget and the number of officers.

Raman has said she believes the Los Angeles Police Department should maintain its current staffing of around 8,700 sworn officers.

Konstantine Anthony, a DSA member and Burbank City Council member who gathered signatures to reopen the endorsement window, is supporting Huang.

“She is the exact candidate DSA across the country should be running for every seat,” he said.

Keshav Kundassery, a DSA member since 2019, supports Raman.

While he called Huang’s campaign for mayor “inspiring,” Kundassery said he does not think that she can get enough support.

“DSA should be in the business of running campaigns to win,” he said.

DSA-LA has already endorsed in four city council races, backing incumbents Hugo Soto-Martínez and Eunisses Hernandez; Faizah Malik, who is running against incumbent Traci Park on the Westside; and Estuardo Mazariegos for an open South L.A. seat.

The group is also backing Marissa Roy, who is challenging City Atty. Hydee Feldstein Soto, and Rocío Rivas, an incumbent L.A. Unified school board member.

“Any consideration we make now we will make understanding the balance of resources of our six candidates and a potential seventh,” said Chang, the DSA-LA co-chair.

Times staff writer David Zahniser contributed to this report.

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Eight state attorneys general file suit to block TV station group merger

A group of attorneys general are taking legal action to block Nexstar Media Group’s proposed $6.2-billion acquisition of Tegna’s TV stations, calling the deal bad for consumer cable bills and local journalism.

A lawsuit filed Wednesday in U.S. District Court in Sacramento says the proposed deal by eight state law enforcers, including California Atty. Gen. Rob Bonta, claims the proposed deal will give Nexstar too much control of local TV stations, ultimately hurting consumers by diminishing the diversity of news sources in their markets.

Bonta said in a statement that the deal will cause “irreparable harm to local news and consumers who rely on their reporting as a critical source of information.” The plaintiffs also include state attorneys general in Colorado, Connecticut, Illinois, New York, North Carolina, Oregon and Virginia.

The Irving, Texas-based Nexstar is currently the largest station owner in the U.S., with 164 outlets including KTLA in Los Angeles. If the merger with Tegna succeeds, Nexstar would have 265 TV stations reaching 80% of the U.S. and multiple outlets in a number of markets.

The suit also claims that the merger would give Nexstar too much leverage in negotiating fees from pay-TV providers that carry their stations. Higher fees paid to Nexstar would be passed along to consumers in their cable and satellite bills, the lawsuit asserts.

Most of Nexstar’s stations are affiliates of ABC, CBS, NBC and Fox, all of which carry NFL football, the highest-rated programming on TV by a wide margin. Disputes over carriage fees between station owners and pay-TV providers often result in blackouts and service interruptions to consumers.

DirecTV, which serves around 11 million pay-TV subscribers in the U.S., filed a similar lawsuit in the same court on Thursday, claiming the Nexstar deal will “irreparably drive up consumer costs, reduce local competition, shutter local newsrooms, and increase both the frequency and duration of blackouts of key local teams and network programming.”

A Nexstar representative did not respond to a request to comment.

President Trump has said he favors Nexstar’s proposed deal. But every major TV station owner believes consolidation in the TV station business is necessary to thrive going forward as they battle to compete with streaming video platforms that have eaten away at their audience share.

The companies say they are at a disadvantage in competing with tech companies by being limited to owning stations in 39% of the U.S., a cap that was set in 2003.

Nexstar recently cut veteran anchors and on-air reporters from its stations in Los Angeles, Chicago and New York. Further reductions in local TV newsrooms would occur if Nexstar succeeds in acquiring Tegna, which would likely mean consolidation of local newsrooms in which it owns more than one station.

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Strikes kill two PMF fighters in northern Iraq amid wider war, group says | US-Israel war on Iran News

Air strikes come hours after pro-Iran armed group Kataib Hezbollah announces conditional suspension of US embassy attacks.

Air strikes have killed two fighters from the Popular Mobilisation Forces (PMF) in northern Iraq, the paramilitary group says from one of the fronts in the sprawling war engulfing the Middle East.

The two attacks targeted PMF positions early on Thursday in the Nineveh region, where Mosul city is located, and a military airport in Salah al-Din province, according to statements from the PMF, a predominantly Shia group that is part of Iraq’s security apparatus and includes several groups aligned with Iran.

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The PMF blamed the attack on Israel and the United States. Iraq has been drawn into the US-Israeli war on Iran, now in its third week.

The PMF was formed in 2014 as a volunteer force supporting Iraqi security forces in the fight against ISIL (ISIS).

Strikes have targeted Iran-backed groups, which in turn have claimed near-daily attacks on US interests in Iraq and across the region.

Elsewhere, a fire broke out at a naval base in southern Iraq when it was hit by a drone overnight. An Iraqi security source told Al Jazeera that a drone crashed into a water treatment station at the Umm Qasr naval base near the border with Kuwait.

Footage from the scene circulating on social media and verified by Al Jazeera showed flames and smoke rising from the site.

US embassy attacks to be suspended

Hours before the attacks on PMF fighters, the pro-Iranian armed group Kataib Hezbollah said its secretary-general had “issued orders to suspend operations targeting the US embassy in Baghdad for a period of five days”.

Designated by Washington as a “terrorist organisation”, Iraq’s Kataib Hezbollah listed several conditions of the suspension, including Israel ceasing its bombardment of the southern suburbs of Beirut.

Kataib Hezbollah also demanded “a commitment to refrain from bombing residential areas in Baghdad and other provinces”.

Whenever “the enemy violates” the truce, “the response will be immediate”, the group said, warning of more strikes after the five-day period.

The US embassy has been targeted by drone and rocket attacks several times in recent days. Air defences have intercepted most of the projectiles.

The embassy is in the Green Zone, a heavily fortified district in central Baghdad that houses Iraqi government institutions and embassies.

A US diplomatic and logistics centre at Baghdad International Airport that houses military personnel has also been regularly targeted.

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Civic group urges reform over ex-police joining law firms

The logo of the National Police Agency is displayed in Seoul. Photo by Asia Today

March 18 (Asia Today) — A South Korean civic group on Wednesday called for changes to ethics laws after finding that dozens of former police officers took jobs at law firms shortly after retirement, raising concerns about potential conflicts of interest.

The People’s Solidarity for Participatory Democracy said 144 retired police officials joined law firms between January 2020 and February 2026, based on data from the government ethics oversight body.

Of 228 post-retirement employment reviews during that period, 63.2% were approved, allowing former officers to take positions at law firms, the group said.

Nearly half of those cases – 68 out of 144 – involved individuals who joined law firms within three months of leaving the police force.

The group said the trend raises concerns that former officers could still wield influence over active investigators, particularly because many held mid-level supervisory roles directly involved in criminal investigations.

Such overlap could undermine the neutrality and fairness of police work, it added.

The civic group also noted that the expanding role of police following recent criminal justice reforms has increased the need for stronger safeguards to ensure impartial investigations.

It called for revising the Public Officials Ethics Act, arguing that current rules do not sufficiently restrict employment at law firms for retired officials who hold legal qualifications.

The group urged lawmakers to amend the law to require stricter review of such employment and prevent potential conflicts of interest.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260318010005507

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One group is helping musicians who lost their gear in the L.A. fires

When I think of the solidarity of musicians, I recall an iconic scene from the film “Titanic.”

It’s the one where a quartet plays “Nearer, My God, to Thee” as the great, “unsinkable” ship sinks into the North Atlantic Ocean.

They attempted to offer calm amid a sea of panic as passengers and crew feverishly boarded lifeboats. The events were based on a true story and historians note that the body of the Titanic band leader Wallace Hartley was found floating in the ocean “with his music case strapped to it.”

Even in tragedy, we seek music to bring us solace.

Much closer to home, musicians from Pacific Palisades, Altadena and other affected areas have been challenged to keep the music going after losing instruments, studio equipment and business along with their homes in the January 2025 fires that claimed the lives of 31 people.

One organization, Altadena Musicians, launched the app Instrumental Giving to connect donors who can spare an old piano or a gently used cello with those who lost similar instruments.

KC Mancebo, an Altadena Musicians advisor, spoke with The Times about the group’s mission and success.

The campaign’s genesis

It started with composers Brandon Jay and his wife, Gwendolyn Sanford, who saw their Altadena home, music studio and several instruments destroyed by the Eaton fire.

Shortly after the fire, Jay posted about the lost equipment and what each piece meant to his family.

He said the response from that post — hundreds of people offering their instruments and other types of aid — left him “overwhelmed and gobsmacked.”

He called friends and helpers from throughout the music industry, including Mancebo, chief executive of the event production and talent booking agency Clamorhouse, hoping to offer to others the same help he received.

Mancebo had been helping homeowners navigate fire insurance paperwork and processes.

“Brandon Jay asked, ‘Why don’t we start gathering instruments for our friends,” Mancebo said. “We had 25 friends in the Palisades and 15 friends in the Eaton fire that lost everything, so we and others got involved.”

How’s it going so far?

The organization has passed out around 3,500 instruments to 1,200 families since the first donations in late January 2025, Mancebo said.

The donations range from ukuleles to Steinway & Sons pianos.

“We’re providing instruments to anyone from children who lost their first instruments to people who lost their entire studio,” she said. “The need is great.”

The gifts have come from individual donors and corporate benefactors such as JBL, which has provided speakers and equipment, as well as guitar makers Fender and Gibson, among others.

Rebuilding from the ashes

Mancebo lost her Westside home eight years ago because of a defective dryer that caught fire, she said.

“I went through the whole process of insurance, permitting and rebuilding and we didn’t have FEMA or anyone to help,” she said. “I want to provide that help to those in a similar situation.”

Mancebo said it took eight years to recover and rebuild her home.

“No one is fine after the first year,” she said. “Everyone needs help.”

Brentwood resident Amy Engelhardt donated her Kawai Upright Piano to the Altadena Musicians organization on March 10, 2026.

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, donated her Kawai Upright Piano to the Altadena Musicians organization on March 10, 2026.

(Courtesy of Amy Engelhardt)

One person’s goodbye is another’s hello

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, loved her Kawai upright piano she purchased through a PennySaver ad in 2000.

“It was a deal for the starving artist,” she said. “I paid so little and I always considered it a gift.”

Since then, Engelhardt said she has written all of her music on that piano. She didn’t, however, play it while recording her Grammy-nominated vocal group, the Bobs.

Still, she donated her piano this week to a woman who lost her home. The instrument would not be making the permanent move with Engelhardt back to New York, where her playwriting services are in demand.

“I did get emotional about it, but it’s OK,” Engelhardt said. “It’s comforting knowing that someone else will love it and create their own memories.”

Those interested in donating can check out https://altadenamusicians.org.

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Advocates concerned city has not reviewed LA28 plan for homeless, human trafficking

A report on how Olympic organizers will tackle civil rights, homeless and human trafficking ahead and during the 2028 Games has not been made public by the city more than two months after it was filed and no date for its release has been set, leaving human rights advocates fearing the issues will not get the attention and funding they deserve.

Council president Marqueece Harris-Dawson, who chairs the ad-hoc committee on the LA28 Games, has not included the human rights report on the committee’s agenda. His office did not respond to requests for comment and Sharon Tso, the city’s chief legislative analyst, and Matthew Szabo, the city’s administrative officer, both said they have not seen the report and “nothing appears on the council file,” according to Tso.

The delay is limiting discussion on an important topic, said Stephanie Richard, a clinical professor who leads the Sunita Jain Anti-Trafficking Initiative at Loyola Law School, which released its own comprehensive report on human trafficking and the 2026 World Cup and 2028 Olympics in December.

“From an anti-trafficking perspective, this is a historic moment” she said. “Yet the public has no access to the draft.

“Without transparency, Los Angeles cannot responsibly prepare, and advocates cannot provide informed guidance. LA28 is setting a global precedent — one that currently lacks public accountability.”

LA28, the private nonprofit organizing committee for the 2028 Summer Olympic and Paralympic Games in Los Angeles, was responsible for developing a human rights strategy around the Games. Its report was due Dec. 31, a deadline it met, according to a spokesperson for the group. LA28 is not allowed to release the report publicly until the city does.

“As per our Games Agreement with the City, LA28 completed the Human Rights Strategy at the end of 2025,” said Jacie Prieto Lopez, the group’s vice-president of communications and public affairs, in LA28’s first public statement on the report. “We are now working closely with city leaders on next steps.”

What those next steps are and when they’ll be taken, no one seems to know.

FIFA is producing its own report on human rights and human trafficking around this summer’s World Cup, which will feature eight games at SoFi Stadium in Inglewood.

“In each host city, human rights teams are working towards tailored FIFA World Cup Human Rights Action Plans in consultation with local human rights stakeholders and in line with FIFA guidance,” a FIFA spokesperson said in a written statement. “Plans will be published ahead of the tournament. This work reflects a sustained and consistent commitment by FIFA to embed human rights considerations throughout the planning and delivery of the tournament.”

The FIFA report for Los Angeles isn’t expected to be released until May, according to sources close to the process not authorized to speak publicly, about a month before the tournament kicks off. Some of the other 11 U.S. host cities, among them Seattle and Houston, have already rolled out their own initiatives addressing the issue.

Richard, who was invited by the city to consult with LA28 on its study, said the release of both the Olympic and World Cup reports is important for Los Angeles because it allows for public comment and oversight.

Richard’s group has called on LA28 and FIFA to allocate between $2.75 and $3.1 million specifically for anti-trafficking implementation; to fund a public-awareness campaign and independent audits to ensure accountability and transparency; and to invest in long-term programs that extend beyond the two sporting events.

“One of the things our report starts from is the only evidence-based data connected to major sporting events is that labor trafficking increases,” Richard said. “Major sporting events requires an influx, a large influx, of workers, a lot of time immigrant workers who are highly vulnerable in the construction industry..

“Presumably a lot of these workers are brought in months ahead of time to do some of this work.”

Richard said the continued presence of federal immigration officers in Los Angeles adds another layer of complexity to the human trafficking mix.

In mid-February, nine state legislators signed a letter calling for LA28, FIFA and local officials to incorporate the recommendations made by Richards’ group into their own plans and to release the report publicly as “a critical step toward accountability.”

But when asked about the letter this month, the signatories contacted refused to comment. A spokesperson for assemblywoman Celeste Rodriguez, who represents the eastern San Fernando Valley, said Rodriguez was “unavailable to talk on this issue.”

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US blacklists Sudanese Muslim Brotherhood as ‘terrorist’ group | Muslim Brotherhood News

Trump administration accuses the group of receiving support from the Iran and carrying out violence against civilians.

The United States has designated the Sudanese Muslim Brotherhood as a “terrorist” group, as the administration of President Donald Trump widens its crackdown on the organisation.

The State Department accused the Sudanese Muslim Brotherhood on Monday of receiving support from Iran’s Islamic Revolutionary Guard Corps (IRGC).

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Washington labelled the group as a “specially designated global terrorist” (SDGT) and said that it will designate it as a “foreign terrorist organisation” (FTO) starting next week.

“The Sudanese Muslim Brotherhood uses unrestrained violence against civilians to undermine efforts to resolve the conflict in Sudan and advance its violent Islamist ideology,” Secretary of State Marco Rubio said in a statement.

The SDGT designation enables economic sanctions against the group, while the FTO label makes it illegal to provide material support to it.

The State Department accused Muslim Brotherhood fighters in Sudan – where the Sudanese military is fighting against the Rapid Support Forces (RSF) paramilitary group – of conducting “mass executions of civilians”.

The RSF, which has been accused of major human rights violations, and its supporters often argue that they are fighting Muslim Brotherhood forces.

On Monday, the United Arab Emirates welcomed Washington’s move to blacklist the group in Sudan.

The UAE Ministry of Foreign Affairs said the “US measure reflects the sustained and systematic efforts undertaken by the administration of President Trump to halt excessive violence against civilians and the destabilizing activities carried out by the Muslim Brotherhood in Sudan”.

In January, the Trump administration blacklisted Muslim Brotherhood affiliates in Lebanon, Jordan and Sudan, a move the groups rejected.

Established in 1928 by Egyptian Muslim scholar Hassan al-Banna, the Muslim Brotherhood has offshoots and branches across the Middle East, including political parties and social organisations.

The group and its affiliates say they are committed to peaceful political participation.

In the US and other countries in the West, right-wing activists have for years tried to demonise Muslim immigrant communities and Israel’s critics with accusations of links to the Muslim Brotherhood.

Some of Trump’s hawkish allies in Congress have also for years been calling for the group to be blacklisted.

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Joe McDonald, Woodstock legend and anti-war activist, dead at 84

Joe McDonald, lead singer and songwriter of Country Joe and the Fish — the band known for its resounding anti-war chant at Woodstock — has died. He was 84.

His wife, Kathy McDonald, announced his death Sunday morning. He died Saturday in his Berkeley home due to complications from Parkinson’s disease.

As a formative member of the American counterculture in the 1960s and ‘70s, McDonald leaves a legacy of bridging contemporary political satire and brazen anti-war sentiments with the early sounds of acid rock.

“We’re just so proud of him. He’s our hero. He instilled in us that we have to speak up when we can, on whatever platform we can, about issues that we feel are important,” said his daughter Seven McDonald, a film producer, music manager and writer.

“While he was a very serious, earnest activist, he also had such an acute sense of cynical humor that is so fantastic and was capable of scathing satire,” her brother Devin added. “He’s most famous for that, but he also did so many heartfelt benefits for different causes.”

The siblings, who spent their childhoods on the road and in recording studios with him, joke that he was always doing a benefit show.

The musician was born on Jan. 1, 1942, in Washington to Worden McDonald and activist Florence (Plotnik) McDonald, who were both members of the Communist Party. The family soon moved to the Southern California city of El Monte, where Joe McDonald was raised.

His musical roots reach back to when his father taught him to play the guitar at 7 years old. But before embarking on his career in music, McDonald enlisted in the Navy at age 17. He served as an air traffic controller at the Atsugi, Japan, air facility for three years. Upon coming back to the states, he tried out college for a short time before dropping out and moving to Berkeley.

Before experimenting with an early variation of Country Joe and the Fish alongside guitarist Barry Melton in the mid-1960s, McDonald started a small magazine called Rag Baby. Once the group was solidified, they decided to turn their folksy roots electric and made the move to San Francisco — just before the city’s legendary Summer of Love.

The group, born out of the Bay Area psychedelic rock scene, was soon signed by Vanguard Records and in 1967 released its debut album “Electric Music for the Mind and Body.” At the time the band’s label and producer were hesitant to let the musicians fully express their politics, and excluded the soon-to-be-hit anti-war anthem “I-Feel-Like-I’m-Fixin’-to-Die Rag” with the catchy chorus that began, “And it’s 1, 2, 3 what are we fighting for?”

Instead, they went with tracks like “Superbird,” a spoof of President Lyndon B. Johnson, which received little to no backlash. When the second album came around, the band was allowed to run with “I-Feel-Like-I’m-Fixin’-to-Die Rag” as the title track. Trouble started to arise with the anti-Vietnam war anthem when the group changed the beginning chant of F-I-S-H to a more profane four letter word that starts with an “F.”

They performed this altered cheer at a gig in Massachusetts, where McDonald received a charge for inciting an audience to lewd behavior and a $500 fine. With this police run-in, Country Joe and the Fish received a slew of press, riling up the public ahead of their Woodstock performance.

The moment the band members began this chant at Woodstock became arguably the biggest moment of their careers, with over 400,000 people joining in. It’s a moment of protest that has gone down in history.

Not long after the festival, the band went their separate ways. McDonald continued to release solo music that stuck with the similar themes of politics and the Vietnam War.

“He took the toll for taking the stand,” said Seven. “He was not the biggest pop star, because he just opted to speak his mind and do his thing.”

In 1986, McDonald released “Vietnam Experience,” an album full of songs analyzing its long-term impacts on his generation. And in 1995 he was “the driving force” according to an Associated Press story, behind a war memorial to honor Berkeley veterans killed in the Vietnam War.

He told The Times in 1986 that he had “an addiction to Vietnam … I’ve been doing work with veterans now for 15 years, and I probably know more about Vietnam veterans than any other person in the entertainment industry.”

“I’ve always believed that the veterans are a basic element to the understanding of war,” he added, “and the understanding of war is the only path to peace.”

McDonald is survived by his wife of 43 years, Kathy; his five children, Seven, Devin, Ryan, Tara Taylor and Emily; a brother, Billy; and four grandchildren.

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Bruce Johnston leaves the Beach Boys after 60 years

Bruce Johnston, a six-decade member of the Beach Boys’ live band, announced he will step away from the group.

The 82-year-old Johnston told Rolling Stone that “It’s time for part three of my lengthy musical career! I can write songs forever and wait until you hear what’s coming! As my major talent beyond singing is songwriting, now is the time to get serious again.”

The Beach Boys’ Mike Love also said in a statement that “Bruce Johnston is one of the greatest songwriters, vocalists, and keyboardists of our time. We’ve had the honor of his performance and participation for many many years with the Beach Boys. Change is always promised in life; today we find ourselves in a chapter of change, but not an end.”

Johnston originally joined the group in 1965, filling in as a live vocalist in place of frontman Brian Wilson, and earning a vocal credit on “California Girls.” He left the band in 1972 to pursue solo work, and penned Barry Manilow’s hit “I Write The Songs.”

Johnston returned to the Beach Boys in 1978, and continued to tour as the only member besides Love from the band’s original era. He also wrote several songs for the group, including “Disney Girls (1957),” “Deirdre” and “Tears in the Morning.” Johnston will be replaced by Chris Cron, vocalist for the Beach Boys tribute band Pet Sounds Live.

After Wilson’s death last year, Beach Boys fans still have several occasions to hear the catalog live. Love’s long-running edition of the Beach Boys will play three nights at the Hollywood Bowl over July 4 weekend (which Johnston said he’ll sit in on). Founding member Al Jardine is touring with Brian Wilson’s former backing ensemble, now called the Pet Sounds Band, with a set focused on the1977 LP “The Beach Boys Love You.”

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