Rosalind Ashford, the soprano behind hits from Martha and the Vandellas including “Dancing in the Street” and “Heat Wave,” has died. She was 83.
The singer died of natural causes on Tuesday in the Michigan suburb of Redford Township, per the Detroit Free Press.
Ashford was an original member of the Motown girl group Martha and the Vandellas, best known for their timeless soul pop songs. She sang on more than 20 of the group’s top 40 singles on Billboard’s R&B chart, including “Heat Wave,” which hit No. 1, and “Dancing in the Street,” which peaked at No. 2 on the U.S. Billboard Hot 100 chart.
“I am deeply saddened to hear about the passing of Rosalind Ashford,” Martha Reeves said in a statement. “Rosalind played an important part in the early days of Martha and the Vandellas. Her voice will forever be with us through our great recordings together, and she will be missed, but never forgotten. Our Motown Family has just gotten a little smaller. My heart is heavy.”
In 1995, Martha and the Vandellas were inducted into the Rock & Roll Hall of Fame, becoming the second all-female group to land the acclaim.
Born on Sept. 2, 1943, to John and Mary Ashford, the budding soprano developed her chops singing in the church choir and then in the glee club at Wilbur Wright High School in Detroit. In 1957, the musically inclined teen landed an audition at the Detroit YMCA, and it was there that she, Annette Beard and Gloria Williams linked up with local music manager Edward “Pops” Larkins, and formed the girl group the Del-Phis.
According to the Motown Museum, the Del-Phis invited Reeves — then a secretary to William “Mickey” Stevenson, Motown’s Artists and Repertoire director — to join their girl group. Together, they took on gigs as backup singers, including on Marvin Gaye’s early songs “Hitch Hike” and “Pride and Joy.”
The Del-Phis became Martha and the Vandellas when “My Guy” singer Mary Wells missed a fortuitous recording session. Reeves, with the Del-Phis singing backup, filled in for Wells, and Motown was so impressed, the label signed the group to the Gordy label in 1962, sans Williams, who left the group around this time.
The trio’s breakout hit, “Come and Get These Memories,” was released in 1963 and performed well on the Billboard charts, reaching No. 6 on the R&B singles chart. “(Love Is Like a) “Heat Wave” dropped the same year and topped the charts, followed by “Quicksand,” which also became a top-10 hit. The 1967 song “Jimmy Mack” went to No. 1 on the Billboard R&B singles chart and was the final top-10 hit in the U.S. for the group.
“Heat Wave” scored the group a Grammy nomination for best R&B recording for 1964 and made the trio the first Grammy-nominated Motown group.
Ashford left the group and the music business behind in 1969, and worked at the Michigan Bell Telephone Co., though she would occasionally reunite with former Vandellas members for reunion performances.
Classic Motown posted a tribute to the singer on Thursday, writing that her harmonies served as the soundtrack to a generation. “The Motown family mourns the passing of a true icon, Rosalind Ashford,” read the statement. “As an original founding member of Martha and the Vandellas, Rosalind’s vocal talent helped define the golden era of the Motown sound.
“Rosalind’s contribution to American music and Motown history will never be forgotten. Rest in power, Rosalind. Thank you for the music.”
A Bay Area Republican Party leader who earlier this year claimed dead people cast votes in Marin County in the Proposition 50 special election has backtracked on that comment.
But don’t expect him to stop digging. In an interview with The Times, John Turnacliff, chairman of the Marin County Republicans, said he still thinks more should to be done to ensure voter rolls are accurate, and indicated that he and his group would continue their probe.
At a Marin County Board of Supervisors meeting last week, Turnacliff apologized for his dead-voter claims. SFGATE was first to report on his apology.
“I’m here today to retract that statement I made a few months ago as far as those voters being on the roll,” he said at the meeting. “I did not find them. I apologize to the Board of Supervisors and to the registrar’s office and to the registrar for any angst and consternation that could have put on you since then.”
When the county supervisors met on Feb. 10, he claimed that Marin Republicans found that 73 dead people voted in the Nov. 4 Proposition 50 special election following a ballot analysis. The proposition, which passed by a wide margin, takes effect in January and redraws California’s congressional districts to favor Democrats.
Turnacliff then called on Natalie Adona, the county’s registrar of voters, to investigate.
“In summary, dead people are voting in Marin County, and we would like to know why,” he said at the meeting.
The county voluntarily reviewed the list of names provided to them by the Marin Republicans, according to reporting by SFGATE; the registrar found that there were up to five deceased people in the list, but there was no record of votes in their names following their deaths.
Following the county’s investigation, Turnacliff checked his work. He bought subscriptions to Ancestry.com and another personal information database. As he looked up the names on his group’s list, he realized that many were in fact alive.
“I jumped the gun,” he told The Times on Wednesday, referring to his “dead people” list. “I just thought, if I was wrong, I should admit it.”
He publicly apologized because he wanted to take the “aggressive high road,” and because he does not want to have an adversarial relationship with the registrar and her office, since he intends to work with them in the future and plans to observe future vote counts, he said.
He’s been praised for his admitting he was wrong, but some people have incorrectly interpreted the apology as an admission that voter fraud doesn’t exist, he said.
Turnacliff, who works in equipment leasing, began digging into Marin County voter rolls after the 2020 election, which he described as “not right,” echoing claims touted by Trump and beliefs held by many Republicans. “It comes from the heart. … There’s no political agenda,” Turnacliff said of his intentions.
He later added, in an email, that his group planned to keep investigating “other irregularities.”
“The next time I speak about election irregularities, I will have bulletproof evidence,” he said in the email.
The Trump administration has cut or frozen up to $177 billion in federal grants since the president took office for his second term, according to a tracking tool released Wednesday by a pro-democracy nonprofit and a group of researchers and scientists.
The cuts affected all 50 states and the District of Columbia, with health, nutrition, the environment and disaster relief making up the largest share of cuts, the States United Democracy Center and Grant Witness organization found.
Among the grants that were eliminated, frozen or delayed were ones related to maternal health in Michigan, education research in Mississippi and assistance to minority farmers in Iowa, the researchers found. California, Texas, New York, Illinois and North Carolina saw the highest amounts of interrupted grant money. The tracking tool is called Lost Funds.
“By bringing thousands of funding disruptions from the Trump administration together in a publicly accessible, verified database, Lost Funds puts the magnitude of their impact on full display,” Scott Delaney, co-founder of Grant Witness, said in a statement.
The $177 billion finding represents nearly 10% of federal discretionary spending, the groups said.
The tracker’s organizers said the disrupted grants were beyond the kind of cuts that typically happen when administrations change.
“Lost Funds shows the extraordinary scale and real human impact of these disruptions, and how states are once again on the front lines protecting their residents,” said Kelly Rader, States United Democracy Center’s research director.
In some cases, courts have ruled against the administration’s grant funding cuts.
The new tool, which is being made available for public use, relies on data from USASpending.gov, an open data source of federal spending information, according to the groups’ methodology. They said the tracker would be updated regularly as the administration takes new action and lawsuits move through the courts.
States United bills itself as a nonpartisan group dedicated to the rule of law and free, fair, secure elections. It was co-founded by Norm Eisen, an attorney who has been involved in prominent lawsuits against the Trump administration, including over the Kennedy Center. Eisen left States United in 2021.
Grant Witness is a group of scientists, researchers and attorneys who document how funding is changing under President Trump’s administration.
A message seeking comment on the analysis was sent to the White House.
Turn on a radio between 1978 and 1987 and you were sure to hear Journey — any of the more than two dozen sumptuous yet muscular rock hits that shaped young America’s ideas about love, inspiration and wanting it the way you need it. Four decades later, the band’s music is still everywhere, including television, social media and streaming platforms like Spotify, where Journey has more monthly listeners than Bruce Springsteen, U2 or Bob Dylan. Yet Saturday night the group will bring what it’s calling its farewell tour to Crypto.com Arena — a capstone (at least if the band is to be believed) to a long career full of twists and turns.
Indeed, domination was hardly a given when guitarist Neal Schon and keyboardist Gregg Rolie — both of whom had played with Carlos Santana — formed Journey as a kind of jazzy proto-jam band in San Francisco in 1973. But with the addition a few years later of singer Steve Perry, the group found its gloriously dramatic sound and began racking up hits one after the next (though critics were rarely kind). Perry eventually quit, which took the wind out of Journey’s sails until Schon discovered an uncanny soundalike from the Philippines, Arnel Pineda, on YouTube; he’s helped the band get back into arenas and the occasional stadium even as Schon and keyboardist Jonathan Cain, who replaced Rolie in 1980, have battled each other in court over financial matters.
Got all that? To try to make sense of Journey’s path, I’ve ranked all 25 of the band’s hits that have charted on Billboard’s Hot 100, starting with the worst and ending with the best. Hold onto that feeling — it goes on and on and on and on.
25. ‘Walks Like a Lady’ (peaked at No. 32 in July 1980)
Some are born to sing the blues, as Perry once observed — just not Perry himself, who chews his way through this corny come-on like an overserved uncle at the Hard Rock Cafe. Nice showcase for Rolie’s organ work, though, on one of the last Journey singles he played on before leaving the band.
24. ‘Just the Same Way’ (peaked at No. 58 in May 1979)
Rolie and Perry tag-teaming lead vocals is not a form of democracy I’d vote for.
23. ‘After the Fall’ (peaked at No. 23 in August 1983)
Safe? Sterile? Soulless? Look, the haters can’t always be wrong.
22. ‘Too Late’ (peaked at No. 70 in January 1980)
“Before your time has run astray / You’ve got to try to get away.”
21. ‘Anytime’ (peaked at No. 83 in July 1978)
After overseeing Queen’s first few albums, producer Roy Thomas Baker turned his attention to Journey (and to the Cars); this midtempo number from the “Infinity” LP offers a credible approximation of Queen’s trademark stacked vocal harmonies.
20. ‘The Party’s Over (Hopelessly in Love)’ (peaked at No. 34 in April 1981)
Three platinum plaques in less than two years — for “Infinity,” “Evolution” and “Departure” — meant that Journey had no choice but to drop a live record, “Captured,” at the top of 1981. (It went platinum by Christmas.) As extra consumer bait, the double album closed with this new studio cut built around a killer Schon lick (and not much else).
19. ‘Good Morning Girl’/‘Stay Awhile’ (peaked at No. 55 in September 1980)
Phantom of the roller rink.
18. ‘Why Can’t This Night Go On Forever’ (peaked at No. 60 in May 1987)
Propelled by the success of his debut solo album — not to mention his appearance on the smash all-star “We Are the World” — Perry assumed greater control of Journey’s sound for 1986’s synthed-up “Raised on Radio,” which spawned no fewer than five singles, ending with this slightly lugubrious ballad. Yet the takeover came with a cost: By the end of 1987, the band had entered a hiatus that would last nearly a decade.
17. ‘Still They Ride’ (peaked at No. 19 in July 1982)
Listen to how nimbly Perry maneuvers some very tricky intervals.
16. ‘When You Love a Woman’ (peaked at No. 12 in December 1996)
Journey reunited for 1996’s “Trial by Fire,” which brought the band its only Grammy nomination (and which might feature the ghastliest album cover in music history). If the members knew that rock had changed dramatically while they were away, they didn’t show it in the LP’s romantic lead single: “When You Love a Woman” — a chart-topper for three weeks on Billboard’s adult contemporary tally — clearly sought to pick up where “Open Arms” and “Faithfully” had left off.
15. ‘Girl Can’t Help It’ (peaked at No. 17 in November 1986)
Wonder what Perry and Huey Lewis talked about between takes on “We Are the World.”
14. ‘Be Good to Yourself’ (peaked at No. 9 in May 1986)
“Karate Kid”-core.
13. ‘Only the Young’ (peaked at No. 9 in March 1985)
More “Karate Kid”-core, in this case released first as a song by Patty Smyth’s band Scandal; Journey’s version later wound up alongside Madonna’s “Crazy for You” on the soundtrack to “Vision Quest.”
12. ‘Wheel in the Sky’ (peaked at No. 57 in May 1978)
Before Perry came aboard in 1977, Journey spent a few months with Robert Fleischman as lead singer — long enough for Fleischman to co-write the group’s first Hot 100 entry, not so long that he got to sing it on the record.
11. ‘Any Way You Want It’ (peaked at No. 23 in April 1980)
Ooh, baby, hold tight.
10. ‘Suzanne’ (peaked at No. 17 in August 1986)
Easily Perry’s most unhinged vocal performance.
9. ‘Send Her My Love’ (peaked at No. 23 in November 1983)
A luscious and melancholy white-soul song that I’d bet Phil Collins admired back in the day — and that Justin Bieber would probably flip for now.
8. ‘Lovin’, Touchin’, Squeezin’’ (peaked at No. 16 in October 1979)
Inducting Journey into the Rock & Roll Hall of Fame in 2017, Train’s Pat Monahan belted the na-na-na outro of the band’s first Top 40 hit as he made his case for the group’s excellence. “They didn’t even need lyrics — that’s how badass this band is,” he pointed out. Still, let’s not gloss over the appealing perversity of starting a song this horny the way Perry does: “You make me weep and want to die.”
7. ‘Lights’ (peaked at No. 68 in September 1978)
Dodgers fans can delight in the fact that Perry originally wrote this paean to San Francisco — an anthem taken up at one time or another by every Bay Area pro sports team, including the Giants — about the lights going down and the sun shining on … Los Angeles. (Swap out “the bay” for “L.A.”) Maybe that’s why “Lights” has always felt to me like a precursor to the Red Hot Chili Peppers’ “Under the Bridge.”
6. ‘Separate Ways (Worlds Apart)’ (peaked at No. 8 in March 1983)
[Listens to “Eye of the Tiger” once.]
5. ‘I’ll Be Alright Without You’ (peaked at No. 14 in February 1987)
Shout out to future “American Idol” judge Randy Jackson, who joined Journey for “Raised on Radio” and proceeded to lay down the slinkiest, sultriest, funkiest bass line the band had ever known.
4. ‘Don’t Stop Believin’’ (peaked at No. 9 in December 1981)
Believin’ in what, exactly? The genius of Journey’s most-streamed track on Spotify (with more than 2.9 billion plays) is its use of concrete images to advance a pretty mysterious narrative. We’ve all stood under a streetlight; we all know the smell of wine and cheap perfume. Yet everybody’s midnight train is going to a different anywhere.
3. ‘Open Arms’ (peaked at No. 2 in February 1982)
Famously — and fortuitously — rejected by a former bandmate of Cain’s as “sentimental rubbish,” “Open Arms” was perhaps just waiting to be embraced by Perry, who sings it with the wounded gusto of a man well acquainted with regret. In a poetic twist, Journey’s highest-charting hit was blocked from No. 1 by the J. Geils Band’s “Centerfold,” in which the heartbroken narrator goes laughing all the way to his bed.
2. ‘Who’s Crying Now’ (peaked at No. 4 in October 1981)
The first of three Top 10 singles from 1981’s 10-times-platinum “Escape,” this immaculate R&B jam imagines an alternate dimension where Perry and Cain hear Earth, Wind & Fire’s “After the Love Has Gone” and decide to form a new group with David Foster. Except Perry remembers the song as a high point for Schon: “You know the guitar outro from ‘Who’s Crying Now’?” he asked a New York Times reporter in 2003. “I fought for that because I knew no DJ would cut that song off with Neal’s guitar wailing at the end of it. It was too brilliant.”
1. ‘Faithfully’ (peaked at No. 12 in June 1983)
It wasn’t the first rock ballad about life on the road — and it definitely wasn’t the last — but “Faithfully” might be the most emotionally generous: “Loving a music man ain’t always what it’s supposed to be,” Perry tells his lady, grounding the song in the experience of those who leave and those left behind; later, he envisions their reunion with such tenderness — “I’ll get the joy of rediscovering you” — that you know he’s already decided to take off again.
When her home burned down in the Eaton fire, artist Susannah Mills felt lost and adrift — but never alone. Her home was part of an Altadena artists collective called JJU, or John Joyce University, named after a beloved carpenter who lived there for 26 years. And although the residents were forced to scatter in the wake of the January 2025 devastation, they remained in contact, looking for ways to support one another through what is still an ongoing process of recovery.
A few months after her loss, Mills was accepted into an artist residency at BKN, a retreat in the northern Stockholm Archipelago, where she expanded her watercolor practice from relatively small works to large scale, and explored installation. Like JJU, BKN prides itself on building community, and while there Mills began talking with BKN curator Anna Viola Hallberg about bringing other L.A. fire survivors to Sweden to experience the same sense of connection and relief Mills was feeling.
Hallberg had already been thinking along those lines and suggested they create another residency to do just that. In the fall of 2025, Mills and Hallberg, with the help of another L.A. artist, Rick Gradone, started an organization named Los Angeles Wildfire Survivors, or L.A.W.S., and raised the funds to send 13 Eaton and Malibu-based artists to BKN for two months.
The result was life-altering for the artists, most of whom were still working to rebuild from the devastating loss — and some of whom had been so occupied with the logistics of recovery that they had not been able to make time to work.
“It creates a network, and people who work together in the residency continue to help each other,” said Hallberg in a recent interview. “So there’s a really true new arts community that lingers beyond the residency.”
It soon became clear to the team behind L.A.W.S. that more needed to be done, and they solicited another round of applications for a residency, set to begin later this month at Pilchuck Glass School in Washington state. Eight Eaton fire survivors have been selected in a competitive process, and plans are in the works to bring another cohort of artists to Sweden next Spring.
“We want to expand this outside of Los Angeles ultimately, because there are fires everywhere and there is climate disaster everywhere,” Mills said, explaining that the group’s mission is growing as changing weather patterns result in escalating cataclysm and displacement of artists globally.
“The media focuses on the disaster really fast, and they don’t understand just how long the recovery takes,” Gradone said in a recent interview. “So this puts some kind of resource in place where people can continue to to get help, especially artists who lose everything that they’ve made, lose their studio spaces and homes. That can’t be recovered in six months.”
L.A.W.S. operates as a not-for-profit and has applied for official nonprofit status, a process that can take some time in California. It is also actively looking for fiscal sponsorship. Up until now the group has relied on its personal connections to raise money to support its artist residencies. Mills’ partner, Brian Huskey, is a comedian and actor who has rallied celebrity friends to auction off small pieces of art on cards in support of L.A.W.S. But there is a need for more help as the group grows.
“Word has really caught on with people who want to have this experience, which I’m really happy about,” said Mills.
I’m arts editor Jessica Gelt, wishing I could turn back time, Cher-like, to an era before the world fast-tracked climate change with its laissez faire approach to global warming. This is your arts and culture news for the week.
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The week ahead: A curated calendar
FRIDAY
Bruce Willis, left, talks with director M. Night Shyamalan on the set of the 2000 film “Unbreakable.”
(Frank Masi / Touchstone Pictures)
Unbreakable M. Night Shyamalan’s 2000 superhero thriller with a twist stars Bruce Willis, Charlayne Woodard, Robin Wright, Samuel L. Jackson and Spencer Treat Clark. 7 p.m. Vidiots, The Eagle, 4884 Eagle Rock Blvd. vidiotsfoundation.org
SATURDAY
“the wheat leaping constantly from the shute,” Marley Freeman (2026). Oil, acrylic on linen, 58 by 54 inches.
(Marley Freeman / Parker Gallery)
Marley Freeman The artist’s new exhibition of paintings, “worthless serpentine,” takes its title from the writings of Joan Didion. Opening, 6-8 p.m. Saturday; 11 a.m.-6 p.m., Tuesday–Saturday, through Oct. 31. Parker Gallery, 6700 Melrose Ave. parkergallery.com
SUNDAY
Doyle Lane: Master Of Clay The first major museum retrospective of the Los Angeles ceramic artist features more than 100 works from the 1950s through the 1980s, from functional pottery to monumental murals, as well as archival documents. Through Feb 22. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Marie Atoinette A 20th anniversary screening of the semibiographical period film with a postpunk- and new wave-fueled soundtrack with writer-director Sofia Coppola and star Kirsten Dunst in person. Coppola and photographer Andrew Durham will sign copies of their new book, “Making Marie Antoinette,” at the Academy Museum Store in a separately ticketed event prior the screening. 6:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
TUESDAY
Andrea Bocelli performs live in Vienna on Aug. 22.
(Thomas Kronsteiner / Getty Images)
Andrea Bocelli The Italian tenor arrives at the Hollywood Bowl for two nights on his Romanza 30th Anniversary World Tour. 8 p.m. Tuesday-Wednesday. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com
WEDNESDAY
Elliott Hundley “Book of Sand” is an exhibition of new paintings, sculptures and tapestries focusing on the artist’s “own exuberant internal universe” created through compiling paint, paper cutouts, string, encaustic and other found materials. Artist led walk–through, 11 a.m.; opening reception, 6-8 p.m.; 10 a.m.-6 p.m. Tuesday-Saturday, through Oct. 24. Regen Projects, 6750 Santa Monica Blvd., Los Angeles. regenprojects.com
The Peterson Show The world premiere of Janine Nabers’ play about a group of former child stars from a beloved TV show about a Black family come together after a scandal entangles their famous TV father. Directed by Michelle Bossy. Previews, 8 p.m. Wednesday-Friday, opens, 8 p.m. Saturday (sold out), runs through Oct. 26. Atwater Village Theatre, 3269 Casitas Ave. echotheatercompany.com
THURSDAY
The Case-Book of C. Auguste Dupin The world premiere of a new play adapted and directed by John Strysik, based on the stories of Edgar Allan Poe. 7:30 p.m. Thursdays-Saturdays, 2 p.m. Sundays, through Oct. 18. Mary Levin Cutler Theatre, 241 S. Moreno Drive, Beverly Hills. theatre40.org
The Ford/Hill Project A Waterwell Production created by Lee Sunday Evans and Elizabeth Marvel, this documentary theater piece is based on the verbatim Senate testimony of Anita Hill and Christine Blasey Ford during Supreme Court confirmation hearings, 30 years apart. The cast includes Rosemarie DeWitt, Betty Gabriel, Dulé Hill and Jerry O’Connell. 8 p.m. Thursday-Saturday. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
The SoCal scene
A view of the Lucas Museum of Narrative Art in Los Angeles from a garden.
(Ariana Drehsler / For The Times)
Hey, have you heard? The Lucas Museum of Narrative Arts will open Sept. 22 and began member previews late last week. Just kidding. Of course you have heard, because hot takes currently abound on the new $1-billion museum. Love it or hate it, it’s here to stay, and Team Arts spent the week rolling out a spate of stories explaining how we got here, as well as what you can find in the shiny new 300,000-square-foot Ma Yansong-designed building.
Randolph Thompson, Desiree Mee Jung, Adam J. Smith, Nicole Javier and Julanne Chidi Hill in “Pericles” at Boston Court Pasadena.
(Brian Hashimoto)
Times theater critic Charles McNulty spent an evening at Boston Court Pasadena watching Ellen McLaughlin’s modern verse translation of Shakespeare’s “Pericles,” which takes place at a disaster relief center, where anxious evacuees improvise a play to escape their fear of the storm they are fleeing. “It’s hard to allow yourself to fully believe in the incredible turn of events when the prevailing attitude is so emphatically tongue-in-cheek,” McNulty wrote of the West Coast premiere.
McNulty also had lunch in Manhattan with playwright Samuel D. Hunter, who has two plays running in L.A.: “Grangeville,” which McNulty calls “Los Angeles’ most acclaimed theatrical offering of the summer” and has been extended at Ruskin Group Theatre through Sept. 21; and “A Case for the Existence of God,” in a recently opened Rogue Machine production at the Matrix Theater’s Henry Murray Stage. “Drama in Hunter’s hands is built around an encounter. He doesn’t force his characters to jump through hoops,” writes McNulty in a profile. “He listens to them, as they navigate their complicated feelings, closely tracking the way their intersecting paths lead them toward incremental revelation.”
IAMA Theatre Company is set to launch its ninth annual New Works Festival, which will take place Sept. 14-28 at Atwater Village Theatre, and will feature staged readings of six new plays. Tickets are $18 for each reading and can be found at iamatheatre.com. This year’s festival includes “The Half-Sibling Play” by Agyeiwaa Asante; “All Remaining Assets” by Serena Berman; “The Starters” by Laura Winters; “Betta Mus Come” by Alicia Carroll; “Werewolves” by Liba Vaynberg; and “The Great Florida Python Challenge” by John Lavelle.
Additional tumult is coming for the Smithsonian Institution as secretary Lonnie Bunch announced he will step down from his leadership position. The news comes in the midst of President Trump’s pressure campaign on the organization and his administration’s attempts to alter what Smithsonian museums include in their exhibitions.
U2 will be honored as the 2027 MusiCares Persons of the Year, the Recording Academy announced Thursday, half a century after the four members of the Irish rock band met as high school students in Dublin in 1976.
The award, which recognizes an act’s philanthropy and cultural impact and comes with an all-star tribute concert typically held two nights before the annual Grammy Awards, will be presented to the group’s Bono, the Edge, Adam Clayton and Larry Mullen Jr. at the Peacock Theater in downtown Los Angeles on Feb. 5.
In a statement, MusiCares Executive Director Theresa Wolters hailed the band’s work on issues “spanning global health, disaster response, addiction recovery, mental health and access to music education” and said that what “resonates so strongly” with the Recording Academy’s charitable arm is the members’ “belief that success in music comes with an opportunity to care for the people around you.”
Added Harvey Mason Jr., the academy’s CEO: “Not only has their music defined generations, but they’ve been equally exemplary in their dedication to humanitarian work and using their platform for good.”
The statement quoted the members of U2 as saying they’re “huge fans of MusiCares and the lifelines they provide across the incredible pool of talent that is the music industry. We’ve been recording and touring for 50 years because of that pool, from producers and engineers to carpenters and riggers.” The band said they are “very excited to be in the front row of our first ever U2 gig,” adding, “We know we’re gonna be outplayed.”
In late January, Mariah Carey received the MusiCares award at a gala that featured performances by Foo Fighters, Jennifer Hudson, Teddy Swims, Busta Rhymes, Laufey, Jon Batiste and Charlie Puth. Previous honorees include Joni Mitchell, Dolly Parton, Lionel Richie, Bob Dylan and Barbra Streisand; Bono was previously named Person of the Year on his own in 2003.
U2’s recognition comes in the wake of a much-discussed residency at Sphere in Las Vegas, where the band looked back at its 1991 album “Achtung Baby” in a high-tech multimedia presentation. In July, the group released “Street of Dreams,” the lead single from a studio album due out later this year.
Acting President Rodríguez has pursued trade opportunities with the Modi government and associated business groups. (Presidential Press)
Caracas, September 10, 2026 (venezuelanalysis.com) – Venezuelan Acting President Delcy Rodríguez presided over the signing of a memorandum of understanding between the Ministry of Ecosocialism and India’s Greens Zoological Rescue and Rehabilitation Centre (GZRRC) to “modernize and strengthen” Venezuela’s network of zoos, bioparks, and wildlife conservation centers.
GZRRC is the operating entity of the global conservation initiative Vantara, based in the Indian state of Gujarat.
According to the Venezuelan leader, Greens will provide “technical assistance, training, and technology to raise the standards for the management and protection of Venezuela’s biodiversity.”
“Our professionals will be able to attend courses in India,” she added during the televised event on Saturday, September 5.
Rodríguez noted that Venezuela has 16 zoos and aquariums, 12 breeding centers, and four rescue centers. She also announced that the agreement involves “incorporating an aquarium, a wildlife conservation center, a veterinary center, and a wildlife hospital into the master plan for the recovery of La Guaira State” in the wake of the June 24 double earthquake.
The initiative with Vantara, which has a five-year time frame, also includes exchange programs for veterinarians, biologists, and other professionals involved in wildlife management and conservation.
Days earlier, Venezuela enacted the Law Approving the Framework Agreement for the Establishment of the International Big Cat Alliance (IBCA), which will focus on protecting seven feline species considered among the planet’s most representative. Venezuela is home to six of the world’s most important feline species, accounting for 14 percent of global feline biodiversity.
The legislation stems from a proposal put forward by India in 2023, which currently has the backing of 13 member states and applications for membership from more than 25 others.
During the recent ceremony, Rodríguez thanked Indian Prime Minister Narendra Modi, Ambassador P.K. Ashok Babu, Vantara, and the wealthy Ambani family for “all their support.”
Venezuela’s Acting President held a four-day visit to India in June to offer investment and trade opportunities to major Indian companies, including the Tata Group, Amul, and Reliance. The latter has been a major importer of Venezuelan crude in recent months.
Vantara is backed by Reliance Industries, a major conglomerate owned by the Ambani family, with a major presence in multiple economic sectors, including energy, telecommunications, financial services, and retail. Its wildlife rescue center is located within the Jamnagar refining complex in Gujarat, the largest in the world. The facility, which covers approximately 3,500 acres, is managed by businessman Anant Ambani, the youngest son of India’s richest man, Mukesh Ambani.
Despite Vantara’s declared wildlife conservation mission and philanthropic endeavors, the company has faced controversy in recent years.
Various environmental groups and international organizations have accused it of operating as “a large-scale private zoo,” managing wildlife as commodities around the world, and taking advantage of loopholes in international regulations that seek to ensure that the trade in wild animals and plants does not threaten their survival.
In 2024, India’s Supreme Court appointed a panel of retired judges to investigate the alleged illegal acquisition of animals by Vantara, particularly elephants, as well as possible violations of wildlife regulations and money laundering allegations. The court ultimately dismissed the complaint filed by the Karanartham Viramah Foundation.
However, criticism that Vantara is breeding exotic animals for trade, as well as environmental concerns over setting up a wildlife sanctuary in the vicinity of an oil refinery, have persisted.
Venezuela had dealings with the Indian group before the latest memorandum of understanding. A joint investigation by Süddeutsche Zeitung and Venezuelan outlet Armando.info claimed that at least 39,000 wild animals from all over the world had been transferred to Vantara’s facilities by the end of 2024.
The identified transfers included over 5,000 animals from Venezuela, among them members of protected species such as the Orinoco crocodile, harpy eagle, lowland tapir, giant anteater, jaguars, and spider monkeys.
KANO, Nigeria: A popular Nigerian social media influencer known for outspoken political views was killed at his home in the northern city of Kano, his family and a rights group said Wednesday.
Ibrahim Khalil Dan Shagamu was found dead with his throat slit in his home late on Tuesday by friends and neighbors who scaled the fence after he failed to answer the door since Monday.
His death came as the election campaign season in Africa’s most populous nation swings into gear ahead of the January 16 presidential vote.
Amnesty International strongly condemns the killing of a social media political commentator Ibrahim Khalil Dan Shagamu whose body was found today in a pool of blood at his home in Kano. He was brutally slaughtered after being overpowered by his killers.
The 57-year-old father of six, popularly known as Dan Shagamu, was found “slaughtered with severe deep cuts to his head”, Aisha Sharu Lawan, his elder sister, told reporters in her home.
“It was a grisly sight. His two mobile phones were missing,” Lawan, 67, said.
Dan Shagamu, with a combined following of hundreds of thousands on Facebook and TikTok, was known for his aggressive videos in the Hausa language critical of government on local political and social issues.
It was not clear whether his death was linked to his political views, but Lawan said they suspected foul play.
“His friend said he had a disagreement with some people who threatened to kill him,” Lawan said, calling for investigation and prosecution of the killers.
Dan Shagamu was reporter for a state-funded local radio station before he resigned and became active on social media, building a huge fan base.
Amnesty International condemned his killing saying in a statement that he was “brutally slaughtered after being overpowered by his killers.”
Dan Shagamu’s killing came after election campaigning commenced last month.
Nigerian elections are usually tainted with violence, with politicians recruiting thugs to intimidate opponents and silence dissenting political views.
The paid thugs cause chaos during rallies and at election booths to help their candidates have an edge over opponents.
“As the elections approach, we continue to receive disturbing reports of politically related threats to life and intimidation,” Amnesty said.
The Eiffel Tower was temporarily closed on Monday after workers went on strike to protest the sidelining of female staff during a private visit by a Hindu religious group.
The tower, which has since reopened, shut after members of Bochasanwasi Akshar Purushottam Swaminarayan Sanstha (BAPS), a global socio‑spiritual Hindu denomination, visited the site. Female staff were reportedly asked to give way to male staff for the group’s tour, prompting protests from the workers’ union, outrage from French politicians and an apology from the Hindu group.
Here is more about BAPS and how the controversy unfolded.
What’s the controversy about?
The Eiffel Tower closed after staff walked out over the removal of women staff during a weekend visit by BAPS.
The Societe d’Exploitation de la Tour Eiffel, or SETE, which runs the Paris landmark, acknowledged that the group had requested the Saturday visit be organised in a way that limited “interactions with women”, and said “these conditions should not have been accepted”.
The BAPS monks, or sadhus, practise strict celibacy, which requires them to avoid physical contact with women and being alone in their company, and to minimise personal interaction or attention towards the opposite sex.
Wider community members of BAPS are not bound by these celibacy rules. According to news reports, the BAPS delegation visiting the Eiffel Tower comprised both monks and community members.
Eiffel Tower staff said in a statement that they condemned “professional instructions that led to female employees being sidelined, replaced and made invisible because of their sex” during the visit by the delegation.
“Some were asked to leave their posts and withdraw to other areas. In some posts they were replaced by men. And all female employees were instructed not to go through or cross certain areas while the delegation was present,” the staff union said, adding they were shocked to have been put in such a situation.
Paris Mayor Emmanuel Gregoire said an investigation would be launched “as soon as possible”. In a post on social media, he said he was aware of the employees’ anger and agreed their dissatisfaction was legitimate.
What is BAPS and how have they responded?
BAPS was founded in India in 1907 and began expanding internationally from the 1960s. It is a spiritual organisation which works on community building, constructing temples, helping with disaster relief and running medical camps, environmental drives and educational programmes.
It now also runs an extensive network of temples and cultural centres across the world, including more than 100 in the United States and more than 1,000 worldwide, including across Europe, Africa and Asia. BAPS also runs a temple in Paris.
On Tuesday, the BAPS Paris account posted a statement on X responding to the controversy.
“To our knowledge, at no time was access to the Eiffel Tower denied to anyone,” the account wrote, originally in French.
“Nevertheless, we wish to offer our sincere apologies to anyone who may have been hurt or inconvenienced by this situation,” it added.
How has the response in France been?
Leaders within France expressed outrage over reports of women being removed from the premises.
Aurore Berge, the minister delegate for gender equality and fight against discrimination in France, wrote in an X post on Monday: “In France, we do not ask women to step aside. No dogma, no religion is superior to the laws of the Republic.”
Yael Braun-Pivet, president of the National Assembly, wrote in a post on social media: “Welcoming others never means giving up our values. In France, women are fully present in public life. No one tells them to become invisible.”
Former French President Francois Hollande, now an MP, wrote on X on Tuesday: “We do not ask women to step aside to satisfy religious demands.”
He expressed support for the Eiffel Tower staff who walked out.
“Equality between women and men is a fundamental achievement of our Republic. It applies everywhere, to all women and all men, without exception,” Hollande wrote.
Parliamentarian and former PM Michel Barnier wrote on X: “It is therefore utterly unacceptable that an order aimed at making women disappear from this space could have been issued.”
Barnier added that “women are not hidden. They are not erased. They are respected, and their freedom is defended”, demanding an explanation from the SETE.
Jordan Bardella, the president of the far-right National Rally, wrote on X on Tuesday: “This degrading demand should never have been met. In a free country like France, gender equality is respected, and no religious reason can override women’s dignity.”
Prominent far-right MP and leader of the National Rally (RN), Marine Le Pen wrote in an X post: “In France, we will never accept that the presence of women be ‘limited.’”
Is BAPS linked to the Modi government?
BAPS is not officially part of a political party in India, and has long insisted that it is apolitical.
But researchers have long pointed to a close, cooperative relationship with Prime Minister Narendra Modi and his Bharatiya Janata Party (BJP) government.
In fact, the Eiffel Tower closure came just a day after Modi virtually inaugurated the BAPS temple in Paris.
Modi also attended the physical inauguration of the BAPS temple in the United Arab Emirates (UAE) in 2024.
Has BAPS faced other controversies in the past?
BAPS has faced a series of high-profile controversies in the past.
During a landmark legal battle in 1966, BAPS leaders argued in court that their sect was not part of Hinduism but a distinct religion. They did so in an attempt to avoid the Bombay Harijan Temple Entry Act, which required Hindu temples to open their doors to Dalits, a historically marginalised caste group. The Indian Supreme Court rejected the appeal made by BAPS.
In 2013, two former BAPS monks filed a complaint accusing senior BAPS leaders of sexual assault dating back to the 1970s. BAPS leaders denied the allegations. The complaint did not result in any publicly reported criminal charges.
In 2021, a US federal class‑action lawsuit accused BAPS of exploiting low‑caste labourers from India to work on its temples. The case, brought on behalf of about 200 Indian workers, alleged they were lured from India, coerced into employment agreements, and forced to work more than 12 hours a day with only five days off a year at a temple in Robbinsville Township, New Jersey.
The suit says they were paid as little as $1.20 an hour, far below the US federal minimum wage of $7.25 and New Jersey’s $12 statewide minimum.
A US federal investigation into labour trafficking at the Robbinsville temple has since been closed without criminal charges, but the civil class‑action lawsuit brought by the workers continues.
The Eiffel Tower was shut on Monday after staff went on strike claiming women were asked to step out of sight during a visit by a Hindu group. Around 100 people from the BAPS Hindu movement were among the delegation as France inaugurated its first major Hindu temple.
