Great

April 21 (UPI) — Uncertainty over Iran peace talks put Vice President JD Vance’s trip to Pakistan on hold Tuesday, as Iranian officials were silent on whether they intend to take part in the talks at all.

The New York Times reported that talks could, however, restart at any time. Officials in Tehran were divided on whether to take part in negotiations while the United States held firm on its embargo on ports in Iran, Axios reported.

President Donald Trump said earlier in the day that he expects to reach a deal with Iran in negotiations to end the war on Tuesday, but if no deal is made, he is prepared to resume bombing.

The two-week cease-fire Trump agreed to is set to expire on Wednesday, with the Strait of Hormuz remaining a centerpiece to the conflict between the United States and Iran.

“What I think is that we’re going to end up with a great deal,” Trump said in an interview on CNBC on Tuesday. “I think they have no choice. We’ve taken out their navy. We’ve taken out their air force. We’ve taken out their leaders, frankly. It is regime change, no matter what you want to call it. Which is not something I said I was going to do but I’ve done, indirectly maybe, but I’ve done it.”

Trump said the United States’ blockade of the Strait of Hormuz has been a “tremendous success,” adding that “we totally control the strait.”

The president added that he does not want to extend the cease-fire, noting that negotiations will take place near the time the two-week cease-fire ends.

If a deal is not agreed to on Tuesday and Wednesday, Trump said, “I expect to be bombing,” and “we are raring to go.”

“We’re totally loaded up. We have so much of everything; much more powerful than it was four or five weeks ago,” Trump said. “We caught a ship yesterday that had some things on it, which wasn’t very nice. A gift from China perhaps, I don’t know.”

Trump claimed that Iran has executed 42,000 protesters in the last two months, a number that has not been verified, though former Iranian Supreme Leader Ayatollah Ali Khamenei said thousands were killed earlier this year.

On social media, Trump shared a post saying the Islamic Republic is “preparing to hang eight women.” Trump called on Iranian leaders to release the women.

“I would greatly appreciate the release of these women,” Trump wrote. “I am sure that they will respect the fact that you did so. Please do them no harm! Would be a great start to our negotiations!”

Garret Anderson was a Hall of Fame-caliber major league baseball player who never made the Hall of Fame. Baseball is a numbers game, and GA didn’t have enough of them.

When he finished his career and was eligible for the vote in 2016, he got just one vote. That represented 0.2% of the total. It also meant that he wasn’t even on the ballot the next year.

So, when he died Friday, way too soon at age 53, it presented an interesting twist. Had he lived into his 80s or 90s, there would have been few still around to remember anything about him but statistics. Now, the memory of his underrated greatness remains. What he did and how he did it is still in the frontal lobe of those who watched and those who wrote and broadcast about him.

He was the quiet man who played for various versions of the Angels for 15 seasons — the California Angels, the Anaheim Angels and the Los Angeles Angels. Right there, you have a Hall of Fame problem. A team struggling so hard to find its own identity does not attract the deep and passionate interest of the bulk of the writers/voters who live in time zones whose bed time is the same as game time in Anaheim.

It should have mattered that GA delivered the most important hit in Angels’ history, the game-winner in the 2002 World Series. It was Game 7, it was at Angel Stadium and the opponent was the San Francisco Giants, who had superstar slugger Barry Bonds and his line drives that created dents in outfield fences, except when they flew over them, which was often.

Anderson came to the plate in the third inning. The bases were loaded and Anderson took a shoulder-high fastball, slapped it down the right-field line and three runs came home. The Angels won 4-1 and haven’t come close to a World Series title, much less a World Series, since then. That at least got Anderson into the Angels Hall of Fame in 2016.

Mike Scioscia was the manager then and the most effective the team has had. He is the one who, Saturday, called Anderson’s Game 7 hit the greatest in team history.

“I remember looking out there when he went to the plate with the bases loaded,” Scioscia said, “and thinking he is exactly the guy I want there right now.”

Scioscia called Anderson’s death “a punch in the gut.” He said the player everybody called GA, didn’t have to be managed. “He was a resource for me,” Scioscia said. “He had an incredible inner drive. He was one of the most talented players I have been around. I’d call him a superstar.”

Scioscia, reminded that his “superstar” didn’t make baseball’s Hall of Fame, said, “Sometimes, great players slip through the cracks.”

Anderson’s not-quite-Hall-of-Fame performances included three All-Star game appearances. He was the game’s MVP in 2003 and also won the home run derby that year. He beat out Albert Pujols, then of the Cardinals. His career batting average was .293, he hit 287 home runs and had 1,365 runs batted in. He went to the plate to hit, not to watch. He never drew more than 38 walks in a season and never struck out more than 100 times.

Yet the statistic he felt gave him the best chance for the Hall of Fame was number of hits. Getting 3,000 hits would make him almost an automatic choice. He ended with 2,529, and near the end of his career with the Angels, he sat down with a reporter to discuss just that, plus one other thing.

Garret Anderson, left, talks with Jackie Autry, widow of Angels team owner Gene Autry, as he is inducted into the Angels Hall of Fame on Aug. 20, 2016.

(Reed Saxon / Associated Press)

It was uncharacteristic for Anderson to have this sort of conversation with anybody outside of his teammates, or maybe his family. It was lunch at Zov’s in Tustin and the question was how this voting system works and could maybe 200 more hits get him in. Could 2,750 do it? He wasn’t a big ego guy by any stretch of the imagination, but the Hall of Fame seemed to be dangling there and any baseball player who could see that for himself in the distance had to be intrigued.

There was no discussion of the intangibles, no consideration of the Angels being the Angels and what effect that will always have. Do voters even look much at other stats, such as his 24 walks and 35 home runs in the same season? The reporter wasn’t a great help. He wasn’t even a voter. Anderson wasn’t really stressed out over the Hall of Fame premise, just kind of fascinated. The reporter was probably more encouraging than realistic. Zov’s food was good, the company great.

Eventually, Anderson got to the second issue that had prompted the lunch: How to deal with Times columnist TJ Simers. He asked because the reporter was once Simers’ boss. Simers tended to probe and kid and seek to stir up things, but Anderson also recognized that he could be highly accurate, perceptive and even fun. Anderson, as a team star, was bracing for frequent visits. How should he handle it?

The answer was simple: Don’t lie to him. Don’t hide from him. If he is being a jerk, tell him so. He will accept that. If he is wrong, tell him that and tell him how. If he insults you, insult him back. He loves that.

Tim Mead, former director of public relations, when asked for his thoughts on Anderson, said that his perspective or quotes would not be as telling or as meaningful as simply watching the tape of Anderson’s three-run double that won the 2002 World Series for the Angels.

“Just watch it, just watch his reaction when he gets to second base,” Mead said Saturday.

And so we did. Anderson slaps his hit down the right field line, just fair. Angel Stadium goes crazy. Anderson stops at second base, claps his hands four times, then stands there quietly. Little emotion. Little hoopla. No contortions for “SportsCenter.” He has done his job. He has done what was expected of him. There are six more innings left. Let’s celebrate when it is truly over.

That was Garret Anderson, GA to his friends, a Hall of Fame player in all the ways that numbers don’t show.

B&M is selling the XL set ‘perfect for suitcases, backpacks, and carry-on luggage’

B&M shoppers can save space in their cabin baggage and suitcases with a £6 set. Known for selling budget-friendly accessories, the retailer is stocking the travel items ahead of the summer holidays. The bargain chain is selling a new pack of XL packing cubes in stores now.

For shoppers interested in the Beach Club XL Packing Cubes, the four-piece set could help to ‘simplify packing’. There are also three colours available, so families looking to streamline their luggage can each choose their own set to separate their outfits.

The product description says: “Simplify packing for your next trip with our space-saving Beach Club XL Packing Cubes. Great for organising and separating outfits and accessories. Perfect for suitcases, backpacks, and carry-on luggage.”

B&M is stocking a selection of travel accessories ahead of the summer holidays. For shoppers looking for more packing cubes, there’s also a pack of six Travel Packing Cubes for £5. The description explains: “This set includes six packing cubes in various sizes, great for separating outfits and accessories with ease, and for maximising your storage space.”

The retailer also sells small accessories such as travel pillows, suitcase locks, and adapter sets. Meanwhile, shoppers looking for luggage items, including cabin bags and suitcases, could be in luck.

B&M’s current selection includes a £15 Excel Foldable Cabin Case and a £55 Havana Suitcase. The product description for the cabin case says: “Designed for your next getaway, this stylish Foldable Cabin Case is built to make travelling a breeze. Features an adjustable handle and plenty of space for your trip away, whether for work or leisure.”

For holidaymakers looking for more options, there are several budget-friendly retailers such as Home Bargains and Dunelm selling travel accessories. For instance, Dunelm sells £12 Sophie Robinson Packing Cubes.

Dunelm says: “These colourful cubes are the perfect way to sort and store your essentials, making packing and unpacking a breeze. With vibrant prints that add a dash of fun, they’re the ideal match for the coordinating luggage from this collection (sold separately).”

The set is popular with reviewers, with 4.8 out of five stars online. One happy shopper said: “I love the patterns, they are really pretty and make me smile. Much easier to spot which one you need. I spent ages looking for some which didn’t cost too much but were good quality.”

Another fan wrote: “Really nice quality and love the colours – makes a difference to other more boring cubes on the market. Took them on holiday and had no issues, zips worked well and I fit lots of clothes inside.”

Someone else replied: “These colourful packing cubes are delightful. Fit beautifully in my case, smooth zip and easy to wash.”

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

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“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

Ingle has come a long way since beginning her junior career with Vale Wanderers, a boys’ team in Barry.

She was forced to give up the sport when aged 12 because Football Association of Wales (FAW) rules meant she could no longer play with the boys.

Thankfully for Welsh football, Ingle returned to the pitch when her Vale Wanderers coach set up a girls’ team when she was 14.

She then played for Dinas Powys Ladies and Cardiff City Ladies before joining Chelsea for the first of two spells in 2012.

By that stage, Ingle was an established Wales international, having made her senior debut in a 2-1 World Cup qualifying defeat to Azerbaijan three years earlier, only a matter of weeks after her 18th birthday.

Ward scored Wales’ goal in Baku, with Ingle coming off the bench.

“It was a horrible game, horrible pitch, but this kid just made it look like she’d been doing it her whole life,” Ward remembers.

“She’s just a top player… technique is unbelievable, the way she reads a game, the way she can find a pass.

“She’s my favourite footballer in the world.”

Adrian Tucker was the manager who gave Ingle her first cap, in an era when the landscape was very different in women’s football.

“She was good technically but she was also really good on the physical side, which was a really big thing at that time,” he says.

“Did I think she would go on to win 150 caps? In 2009, I didn’t think Wales would play 150 games. We were struggling to get five games a season.

“But since then there has been a boom in women’s football and Sophie has been on the crest of that wave.”