furious

WARNING – DISTRESSING CONTENT: New Netflix documentary Freefall: A Reckoning for Boeing, investigates the story of Boeing whistleblower John Barnett, who was found dead in his truck in 2024

John Barnett worked for Boeing for 32 years before turning whistleblower and dying in mysterious circumstances.

New Netflix documentary, Freefall: A Reckoning for Boeing, explores the story of Barnett, who publicly condemned Boeing’s safety processes before he was found dead in his truck. He was in the process of testifying against the company.

From 2010, Barnett was employed as a quality manager at the North Charleston plant, which built the longhaul 787 Dreamliner, before retiring in 2017 on health grounds.

After Boeing merged with a former rival McDonnell Douglas, several former Boeing employees alleged the company started focussing more on increasing profits rather than safety and quality.

Barnett told the Today Show before his death: “From day one, it’s just all been about schedule, and hurry up, and just get it done. Push a plane out. We’re behind schedule. We don’t have time to worry about issues that y’all bring up.”

He alleged there were severe production and safety flaws such as defective oxygen systems and metal shavings near critical wiring on the 787 Dreamliner program.

Just before he left Boeing in 2017, Barnett filed a complaint against the company, accusing bosses of retaliating against him for raising safety concerns. He was outspoken on the issue with journalists – and in 2022 appeared in acclaimed director Rory Kennedy’s investigative film Downfall: The Case Against Boeing.

But then, on March 9, 2024, Barnett was found dead in his truck with a gunshot wound to his head.

Deeply affected by Barnett’s death and ongoing concerns about Boeing’s safety culture, Kennedy reunited with her team to produce the documentary sequel, Freefall: A Reckoning for Boeing, which is being released on August 19, 2026.

Speaking to the Guardian about Barnett’s death, Oscar-nominated filmmaker Kennedy said: “I was horrified and heartbroken. I spoke to his mom pretty immediately after we had heard that news. She said to me, ‘We need to make sure John’s story gets out there,’ and that was a big part of why we decided to revisit this.

“I’ve never done a documentary follow-up in this kind of way, but we all felt that Boeing is such a big company, and we all fly these airplanes all over the world. I don’t want one of these planes falling out of the sky, and I feel like I have a lot of inside knowledge and also connections to understanding what’s going on inside of Boeing, and I just felt like we’ve got to stay at this.”

Details of the circumstances surrounding Barnett’s death came to light when his mother sued Boeing in a wrongful death suit in March 2025. The complaint alleged that Barnett was subjected to a campaign of harassment, abuse and humiliation after he raised concerns about safety issues. It further claimed that the conduct of the company was “the clear, foreseeable cause” of his death. In September that year, Boeing settled the lawsuit, agreeing to pay at least $50,000 to Barnett’s mother, who, in return, agreed to drop her claims that the company contributed to her son’s death by suicide.

The complaint contained a copy of Barnett’s suicide note, and the annexes presented the full police report concluding that he died by his own hand.

In conversations with Fortune in March 2025, the family’s longstanding counsel Rob Turkewitz added further details on his client’s last hours.

He said that on the evening of March 8, 2024, Barnett left the law offices of Boeing’s outside counsel in Charleston after testifying for two days in his OSHA case against the company. OSHA rules make it unlawful to retaliate against a whistleblower.

Barnett was giving his account of how Boeing allegedly violated its own policies and procedures, and FAA rules, during his seven years as a quality inspector at the North Charleston plant.

He’d delayed a trip back to his home in Louisiana to finish his deposition the next day, which was a Saturday. Videos cited in the police report show Barnett leaving the hotel around 8:30pm, and getting in his orange Dodge truck.

When Barnett failed to show up the next morning for his final round of testimony, Turkewitz called the Holiday Inn to conduct a welfare check. It was then that a hotel employee saw Barnett slumped in the front seat of his vehicle.

Charleston police arrived to discover Barnett barefoot and clutching a Smith and Wesson pistol in his right hand. His right temple showed a bullet entry wound, and an exit wound appeared in the back of his head.

On the seat next to Barnett’s body lay a message written on a single page of a red-covered notebook, with sentences written in all directions.

It contained phrases including: “America come together or die!!! Pray that the motherfk…ers who destroyed my life pay!!! I pray that Boeing pays!!! Bury me face down so that Boeing and their lying ass leaders can kiss my ass.”

Elsewhere: “I can’t do this any longer!!! F-k Boeing!!! Family and friends, I love you’ll [sic].”

“To my family and friends, I found my purpose! I am at peace! I love you more John/Mitch Barnett aka Swampy Fununcle Mitch.”

The complaint also included a heartbreaking email that Barnett sent Turkewitz in 2021, which read: “I can understand the direct costs that we can establish, ie lost pay, bonuses, etc. What I’m struggling with is how do you restore a person’s overall outlook on life? I used to be a very happy-go-lucky guy who loved his job and the products he built. I had a very positive outlook on life. Boeing absolutely destroyed my outlook on life. What is a person’s ‘outlook on life’ worth? How to put a price on that?'”

Freefall: A Reckoning for Boeing is scheduled to debut on Netflix on August 19, 2026 .

For mental health support, contact the Samaritans on 116 123, email them at jo@samaritans.org or visit samaritans.org to find your nearest branch

Kate Garraway and Ranvir Singh returned to host ITV’s Good Morning Britain on Friday

Viewers of Good Morning Britain have been left feeling unimpressed.

Kate Garraway and Ranvir Singh returned to host the ITV programme on Friday (August 14), delivering the day’s biggest headlines from across the UK and around the world.

They primarily focused on Nigel Farage winning the Clacton by-election with 22,239 votes after quitting as an MP and fighting to reclaim his seat. His main rival, parody candidate Count Binface, was backed by just over 9,000 voters.

This came after the Reform UK leader triggered the by-election in protest of the scrutiny of donations from his backers.

There was also early-morning drama as Farage announced he would not be attending the result declaration. He told activists he had been made aware of plans to “disrupt and degrade” the proceedings.

Kate and Ranvir discussed the result during the latest episode of GMB, alongside former Scottish trade union leader Christina McAnea and Reform MP Nadhim Zahawi.

But viewers were left feeling frustrated over the show dedicating much of its coverage to the politics, as well as the hosts and guests repeatedly talking over one another.

“ITV needs to shake up #GMB. The BBC is the place for political debate in the morning. We need a more light hearted alternative,” one person wrote on X (formerly Twitter).

Another added: “What the hell are you doing bringing Zahawi on? Are you kidding me? get him off!” while a third said: “Just a load of noise with 2 s**** presenters and 2 guests talking over each other on #GMB move on.”

Someone else commented: “Turned off within 20 seconds this morning,” with another fuming: “Doing my head in now.”

Other frustrated fans said “come on”, while a seventh said: “I turned off. Many people lost their homes in wildfires in Stourbridge last night but they are giving full on airtime to Nigel Farage.”

Meanwhile, other viewers praised Ranvir and Kate for their handling of the story as they spoke to Zahawi and interviewed his colleague Richard Tice.

Another headline that was focused on was the weather. Laura Tobin revealed that cooler weather is on the way for the UK after Brits endured another week of record breaking heat.

Kew Gardens provisionally recorded a top temperature of 38.1 degrees on Thursday (August 13), surpassing the previous high of 38 degrees on June 26, the Met Office said.

Good Morning Britain airs weekdays on ITV1 and ITVX at 6am

OLIVIA Dean broke down in tears while singing her song ‘Let Alone The One You Love’ live on stage.

The singer, 27, performed in Boston earlier this week as part of her ‘The Art of Loving’ tour but became overcome with emotion during the poignant track.

The moment was shared on TikTok, with Olivia looking stunning in a gorgeous red dress with a lace detailing.

As she belted out the track, she struggled to keep her emotion in as she began to cry.

She wiped the tears away from her face as the audience cheered loudly for her.

Olivia continued singing as she attempted to hold it together during the performance.

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The song in question was released in September last year as part of her critically acclaimed studio album of the same name as her tour.

The track delves into the painful realisation that a partner is trying to stop your personal growth.

It explores the heavy emotional toll of romantic disappointment, capturing the grief of choosing self-love over a relationship where you feel small or disposable.

The lyrics include: “Though I’ve tried to hold on, and, if you knew me at all, you wouldn’t try to keep me small.

“Who would do that to a friend, let alone the one you love?”

Fans flocked to TikTok to share their thoughts as one asked: “Who hurt her?”

Another person demanded: “OK s**t just got real. Who hurt my baby?”

Somebody else commented: “NAAAH she’s singing it like she’s talking to someone.”

Yet another penned: “It’s okay, I cry during her songs too.”

While a fifth added: “These lyrics are real as f**k and that pain is DEEP!”

It comes after she turned down the chance to headline Glastonbury next year – where Harry Styles is topping the bill.

She was romantically linked to the former One Direction star two years ago, although they always denied they dated.

She is said to be opting to work on new music in 2027 instead and hopes to perform at the music festival in 2028.

An insider told The Sun: “Olivia’s team had conversations with Glastonbury about headlining in 2027 and she was extremely flattered.

“But after some reflection, she said she wants to take some time to work on new music next year, with a rough plan to return when her third album is ready.

“Of course, if she did it next year, her name would be right next to Harry’s and she just wants to move on from that now.

“She’s happy for him to have his moment, but she doesn’t feel like next year is hers.”

Universal Studios Hollywood appears to be taking steps to address noise complaints regarding its new high-speed, outdoor roller coaster. The office of L.A. City Councilmember Adrin Nazarian stated the theme park will install two additional sound barriers to mitigate the sound of rider screams on its new ride Fast & Furious: Hollywood Drift, which have been described by nearby residents as “disturbing” and “untenable.”

Nazarian’s office made the announcement Monday evening on social media. A Universal Studios Hollywood spokesperson has not yet responded to a request for comment.

Fast & Furious: Hollywood Drift, which is currently in a soft open phase, has come under attack from residents in the nearby Toluca Lake neighborhood.

“You think something is happening,” said Toluca Lake’s Patrick Nazari. “Like someone is getting murdered out there.”

Nazarian’s Instagram post stated that construction of the new sound barriers would be completed by early September. It also insinuated that recent testing of the coaster has met Universal’s sound requirements with the county. A community meeting is being planned by Universal and the Toluca Lake Homeowners Assn., stated the post.

Fast & Furious: Hollywood Drift does not yet have an official opening date. The ride is operating in what Universal refers to “technical rehearsals,” which is essentially still a testing phase. It is not guaranteed to be operational on any given day, but has been cycling guests in recent days.

Universal Studios Hollywood has been proactive with Fast & Furious: Hollywood Drift, devoting a website to just how silent and unobtrusive its groundbreaking coaster would be. Multiple noise mitigation efforts were undertaken — sound walls, scream shields and even pea gravel in the coaster’s tracks.

Residents have stated the coaster runs relatively quiet, noting that there were no complaints until it began testing with guests. At that point, say many Toluca Lake residents, the screams became untenable.

“I heard it, and I thought to myself, ‘There are going to be problems with this,’” said Toluca Lake’s Leonard R. Garner Jr.

Fast & Furious: Hollywood Drift has been about a decade in the making. It’s a feat of engineering, situated on a hill between the park’s upper and lower lots, extending out toward Lankershim Boulevard. Universal has its own interest in limiting noise from the ride, beyond being a polite neighbor, as it is still a working studio.

The theme park has made outreach into the neighborhood over the years in an attempt to assuage concerns, be it distributing fliers or attending community meetings. And many a Toluca Lake resident enjoys some theme park perks courtesy of Universal, such as free parking, and invites to preopening events at the park.

LORD Alan Sugar has publicly hit out at a credit card company for allegedly refusing to increase his spend limit.

It comes despite the businessman’s reported £1.138 billion net worth and his reputation as a entrepreneurial tycoon.

Taking to his X account on Monday, the billionaire – who has no qualms about speaking his mind – slammed card issuer American Express as he claimed they haven’t allowed him to borrow more money on his credit card.

He wrote: “I spent a hour on the phone with American Express. I was passed to 4 different people.”

“I was asking for an increase in my credit limit.

“Finally I got to speak to a person in the UK at Brighton who knew who I was and my financial status. However my request was refused due to their system.”

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In the replies, several users were confused as to why Lord Sugar – who fronts BBC show The Apprentice – would need more money on his credit card.

One wrote: “I’m not sure why anyone worth a billion pounds needs a credit card”.

Another joked: “I have a spare 20 quid I can lend you if you’re struggling to see the month out? Just let me know.”

Responding to users questioning him, Lord Sugar explained he needs a credit card ‘to buy things’ as he ‘doesn’t carry bags of cash’.

He wrote in one response: “DO PRACTICE BEING AN IDIOT. I DON’T WALK AROUND WITH BAGS FULL OF CASH. I NEED A CREDIT CARD TO BUY THINGS .”

“I AM NOT MOANING JUST EXPOSING WHAT A BUNCH OF IDIOTS AMEX ARE,” he said in another tweet.

The Sun has reached out to American Express for comment.

The famous businessman began building his fortune by founding consumer electronics company Amstrad.

He now has a portfolio of companies under his umbrella, as well as his booming TV career on the BBC.

Coming off their best win of the season in Minnesota on Thursday, the Sparks didn’t have much of that same energy to start their first home game since the trade deadline.

The fourth quarter, though, looked a lot like the best basketball they’ve played all season.

The Sparks came out flat and gave up 29 first-quarter points from the Golden State Valkyries in an 84-78 loss Sunday, their eighth in the last 10 games. They made it a game in the fourth with a 16-5 run but were too far back and it took just a couple of Valkyries shots to put the game out of reach.

An Ariel Atkins three-pointer with 2:18 left got the Sparks within one point, then after it was matched by Golden State, a three from Erica Wheeler made it a one-point contest again with 1:38 to go.

Nneka Ogwumike missed what would have been a tying shot with 52 seconds left before the Valkyries made it a two-possession score to close it out.

Wheeler missed two three-point attempts with less than 30 seconds left. She finished with 15 points while Ogwumike finished with a team-high 16 points.

There are 13 games left in the season and the Sparks are six games back of Dallas for the eighth and final WNBA playoff seed, giving them an uphill climb to get back in the postseason conversation.

On Sunday, the Sparks (12-19) committed five early turnovers and struggled to defend the perimeter against the shot-happy Valkyries, trailing 29-15 after one quarter.

After getting back within nine, the Sparks were down 45-32 at halftime following three consecutive buckets from Golden State guard Tiffany Hayes.

Sparks forward Nneka Ogwumike, right, reacts after being fouled by Golden State center Kiah Stokes in the first half Sunday.

(Harry How / Getty Images)

Cameron Brink hit a three-pointer to get back within 12 with 7:27 left in the fourth. The Sparks outscored Golden State 31-20 overall in the fourth to get back within four with less than four minutes to play.

Brink, who had seven points, seven rebounds and two steals, got into foul trouble in the third quarter, going into the fourth with four. Rae Burrell, who had scored in double figures in every game since July 22, didn’t score until the fourth quarter and finished with nine points.

The Valkyries capitalized with 18 points off the Sparks’ 11 turnovers.

Kiana Williams scored 10 points, her most since she joined the team from Phoenix in June off of a developmental deal.

The Sparks have not beaten Golden State (23-9) since a 84-67 victory on May 16, 2025, the first game in Valkyries franchise history.

On Sunday, the Valkyries were led by 15 points from Cecilia Zandalasini, who shot five for five from three-point range.

After she scored seven points against Minnesota, newly acquired guard Monique Akoa Makani missed Sunday’s game with a right ankle injury she sustained in the final minute against the Lynx.

The Sparks will host Phoenix (12-22) in Kelsey Plum’s return to L.A. on Tuesday at USC’s Galen Center.

A TODDLER’S antics got a flight canceled as air crews aborted takeoff due to unsafe cabin conditions.

The shocking incident grounded Porter Airlines flight PD444 that was departing Victoria International Airport in British Columbia on Thursday.

Furious passengers were forced to get off the aircraft and wait overnight for a new flight.

The airline revealed that as the plane was leaving the terminal and was heading for the runway when cabin crew noticed the child “standing in their seat” refusing to “secure their seat belt,” Porter Airlines told PEOPLE.

“The aircraft could not takeoff in this unsafe condition, so the crew elected to return to the terminal and have the passengers disembark.”

Numerous attempts had been made by the crew and the child’s parents to get them to co-operate but these all failed.

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The toddler’s unruly antics triggered major schedule delays to the point where the airport runway had closed by the time they looked at rescheduling the departure.

After the plane returned to the terminal, passengers got off with their baggage, and flight planes were refiled, it was gone 12:30am and all passengers and crew had to wait overnight for a new flight.

Porter Airlines issued a grovelling apology to everyone affected by the child’s behavior.

The flight eventually took off for Toronto on Friday at 10:49 pm and arrived at its destination at 6:16 am Saturday morning, delaying passengers by a whole day.

Under the airline’s policy, child safety seats or a restraint device is mandatory for any child under two years old occupying a seat.

The family involved have not publicly been identified.

AN OUTRAGED traveller has shared photos of a bag that appears to fit in a bag sizer, claiming that a major budget airline is “chasing” commission.

In a photo shared on the social media platform X, a traveller has called out Ryanair after their bag fit in the sizer but they were still charged an oversized bag fee.

In a tweet @laura_myers said: “Hey @Ryanair, I want a refund for the £75 that the absolute jobsworth at Manchester Airport this afternoon took from me for an “oversized” bag I’ve used and never had an issue with on this exact journey maybe 30+ times over the last seven years.”

Laura followed up, commenting: “I asked a staff member “have the measurements changed recently?” and they said no, but that the enforcement was more stringent – in other words, the guy was really chasing his €2.50 per bag commission fee for the sake of millimetres.

The budget airline announced back in May that its staff would get bigger bonuses for identifying oversized bags.

The commission was already raised last November for its gate staff from €1.50 (£1.30) to €2.50 (£2.16) per bag.

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And in the future, CEO Micheal O’Leary has suggested it could get raised to as much as €3.50 (£3.03) per bag.

The outraged traveller added: “What a nice little earner of a con you’re pulling at the gate, will specifically avoid this route at all costs in future even if it means taking two connecting flights!”

Many people have flooded to the post to comment their thoughts, including pointing out that the bag appears to go a few millimetres beyond the line at the bottom of the sizer.

Other users have shared their outrage, with one commenting: “How are people defending Ryanair.”

Another added: “You won’t get a reply I’m afraid, they’re too busy taking the p*** out of people that booked window seats.”

A third said: “Flown with Ryanair once, I’d rather walk than have that experience again.”

Replying to comments on the post, Laura explained how she had paid to have a cabin bag as well as priority boarding.

Other users also questioned why the traveller used the airline with Laura replying that they are the only airline that fly to where she was heading.

A spokesperson for Ryanair said: “This passenger booked a Regular Fare for this flight from Manchester to Göteborg Landvetter (4 Aug), which allowed them to carry a small personal bag and 10kg cabin bag measuring up to 55 x 40 x 20 cm onboard.

“As this passenger’s cabin bag exceeded the permitted size, she was correctly required to pay a standard gate baggage fee by the gate agent at Manchester Airport.”

The creator of “New Girl” has a dark, twisty new show about a … female serial killer?

Since the end of her breakout sitcom, Liz Meriwether has imbued her sharp and charming brand of funny in network comedies like “Single Parents” and “Bless This Mess.” But she’s steadily embraced darker tones in her work — first, with the Emmy-winning Elizabeth Holmes biodrama “The Dropout,” then with last year’s FX miniseries “Dying for Sex,” a delicate dance between laughter and sorrow in its exploration of a woman’s commitment to live her best sexual life following a terminal cancer diagnosis. “Furious,” though, may be her darkest project yet.

Loosely inspired by the 1987 neo-noir “Black Widow,” which starred Theresa Russell as a serial killer who marries and poisons wealthy men for their inheritances, and Debra Winger as the investigator obsessed with tracking her down, the Hulu crime drama deepens the cat-and-mouse dynamic. It follows an FBI rookie and her search for a female serial killer seeking vengeance against the men who abused her as a teenager. And still, it manages to find moments of levity. The first three episodes are currently streaming, with new episodes released every Monday until the finale Aug. 31.

“I’ve just been loving trying different things with my writing,” Meriwether told me during a recent video call. “When this came up, I was like, ‘Oh, wow, a crime thriller, a serial killer show.’ It was so different than what I’d done before. It’s like the shows that I love, so I was excited to try to write one, somewhat naively. It’s funny because I would always roll my eyes a little bit when drama writers thought they could write comedy and then I found myself in the flip side of that being like, ‘Oh, this is so hard.’”

Check out more of my conversation with Meriwether in Guest Spot. And yes, as a devoted “New Girl” re-watcher forever trying to retain my Youths! status, I asked about about the reboot discourse that’s become its own comedy.

Also in this week’s Screen Gab, our writers recommend the return of a detective comedy that has its schoolteacher-turned-self-taught P.I. on another wild adventure and a Spanish-language limited series that takes place during the 1986 World Cup. — Yvonne Villarreal

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Diarra Kilpatrick as Diarra Brickland and Shannon Wallace as Chris in Season2 of “Diarra From Detroit.”

(BET / Paramount+)

“Diarra from Detroit” (Paramount+)

Diarra Kilpatrick (“Perry Mason”) created and stars in this smart, sparky mystery as a middle school teacher, also named Diarra, who turns self-described Black Nancy Drew when a man she was dating (Shannon Wallace as Chris) disappears. The new season, which sees the series folded into Paramount+ along with other BET+ series, finds them together again (retrospective spoiler alert: she rescues him at the end of Season 1), with issues — he’s got trauma to navigate, she’s sorting out her identity and desires — and mysteries still to solve, including the identity of the Chief, the city’s Mr. Big. The new season, which feels even more self-assured, picks up old themes of friends and family, as the search for a missing antique desk leads Diarra and friends and accomplices Aja (DomiNque Perry) and Tea (Bryan Terrell Clark) into fanciful new territory, including encounters with Black Freemasons and bikers, the history of Prohibition and a treasure hunt. Local food culture (Superman ice cream, coney dogs, Faygo) gets its due. The mix of suspense, romance and comedy is deft; small details keep the characters surprising and lifelike.— Robert Lloyd

Rafaella Lopez as Barbara, Ian Andrade as Salvador, Aldo Emiliano Navarro as Miguel, Damian Vergara as Tono and Regina Arroyo as Maria in “I’m Not Afraid.”

(Julieta Horak / Netflix)

“I’m Not Afraid” (No Tengo Miedo) (Netflix)

The dilapidated La Esmeralda coffee estate in Mexico’s Veracruz mountains is a lush, beautiful and spooky place — the perfect setting for a kidnap mystery. But in “I’m Not Afraid,” it’s also the wonderfully imperfect backdrop for a compelling tale about friendship and family bonds as seen through the eyes of a child. Set in 1986 during FIFA World Cup fever and a blight that’s ruined the region’s coffee crops, 10-year-old Miguel (played with depth and authenticity by Aldo Emiliano Navarro) first discovers boy captive Felipe (Yago Andreu) hidden and chained in and overgrown area that’s said to be haunted. He’s sure it’s the work of a witch spoken about in local folklore until it’s revealed his beloved parents may have something to do with the abduction. Poverty has driven them and the other families on the estate to make desperate choices. Adapted from Niccolò Ammaniti’s acclaimed novel by Ernesto Contreras (“The Secret of the River”), this six-episode series explores what happens when adults do desperate things in the hope of securing a better future for their children, but it’s the kids who end up saving the day. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Emmy Rossum as FBI agent Alice Black in “Furious.”

(Sarah Shatz / Disney)

“Furious” feels like a crime story for the Epstein age. The eight-episode psychological thriller stars Emmy Rossum as Alice Black, a troubled rookie FBI agent who left her job as an NYPD detective to escape a violent and traumatic relationship with a fellow cop. She gets enlisted to help track down a female serial killer, played by Lola Petticrew, whose targets are the wealthy men who exploited and trafficked her for sex. But the series isn’t as concerned with its ripped-from-the-headlines relevance. Over video call, creator Liz Meriwether discussed what she was interested in unpacking in TV’s latest addition to the crime drama genre and contributing to the red flag roles played by Jake Lacy. —Y.V.

The series is loosely based on the “Black Widow” film. But how much did current events, specifically stories surrounding Jeffrey Epstein and the powerful men in his orbit, inform what or how you wanted to explore here?

It really did start as a “Black Widow” adaptation. This female serial killer and this female FBI agent in this cat-and-mouse game that has this very weird third act, where they just end up hanging out together on a beach, being friends. I loved that part of it. In the midst of this very exciting female killer-female FBI agent crime movie, there was this story about two women connecting who don’t have anybody else really in their lives to connect with. I dug into that and quickly saw that if the serial killer was just a black widow like she is in the movie, that it wasn’t going to give me enough story for eight episodes. I did a lot of research about real-life female serial killers, which are pretty rare. Female serial killers are almost all victims of horrible violence at different times in their lives. That really got me going, OK, what does it mean if you’re a victim of violence and you start being perpetrator of violence? What are the things that we can forgive and understand, and what are the things that we can’t?

And yes, when I looked out into the wider world and current events and what I was thinking and feeling, I definitely scooped up a lot of a lot of stories that are out there. But it’s not the story of a specific predator. There’s a lot to choose from right now. It should feel relevant. It should have echoes of what’s going on out there. But I wanted the focus to be on these characters, not the men that did these acts.

The parallels between Alice and Catherine — what they each have survived and the different ways they deal with it — come into focus. What were you interested in exploring about the traumatic and lingering effects of abuse through these two women?

Initially, when we were casting Catherine, the question of age came up because all of my writer instincts were like, “Oh well, we need to have Catherine be very young and closer to when she was actually a victim of this predator.” But as I started thinking about it, I was like, I don’t think we’ve seen as many stories about the long-term effects of this violence. There’s no flashbacks in the show. I’m not interested in showing what was done to either one of them [Catherine and Alice]. I really was interested in the aftereffects.

I spoke to a social worker, a psychologist and a trafficking victim, which was one of the hardest conversations I’ve ever had, and also a beautiful conversation. Her name is Jay Benke, and she has an organization that helps people that have been trafficked. She made a really interesting point that stuck with me, which is that when these FBI agents and law enforcement officials build cases, they’re looking at putting the traffickers in jail; they’re not looking at what the people who have been trafficked need for their lives to heal. There’s also an amazing website that a lawyer pointed me to called thelifestory.org, which is videos from different people who’ve been trafficked telling their story — from their childhood, all the way through having been trafficked and then coming out — and it’s in the shape of a circle. Those two resources for me were incredible. On the Alice side of things, we tend to think of the experience of being a [domestic violence] victim as being much more cut and dry than it is for a lot of people. The victim’s relationship with violence and love is very complicated and violence and intimacy can become linked in their brain. It was something that I started to learn about in my research for “Dying for Sex” and continued on with “Furious.”

Lola Petticrew as Catherine in “Furious.”

(Sarah Shatz / Disney)

We see these very girly things, stickers and gemstones, that Catherine holds onto. It reminds us of her emotional or mental stasis.

I don’t know what Lola would say about this, but my thought about the character of Catherine was she was a bit trapped. The choice to go on the path of vengeance feels like a very active choice, but in some ways it’s really limited. It makes your whole life about what happened to you. I feel like Catherine’s story is about breaking out of that trap a little bit, almost trying to give her character a chance to to grow up in some ways. That was definitely a struggle for me going into this because I was like, how am I going to give a serial killer an emotional arc? Catherine is trapped and needs to put the pieces of her memory and her life together in order to move forward.

The thing I love in Episode 3 is the bag that Catherine puts on the bed. That was a big breakthrough for me for Catherine’s character in that her history is something that she’s had to piece together and hold on to, and there’s big gaps in her memory, so she holds on to these material objects in order to just feel like she’s a person. Then in looking at Alice’s character, we felt like she was the opposite in a lot of ways. She had run out of her life with Marshall and [did] not really bring that much. Her whole life is her job; her apartment is really bare.

I don’t mean to sound glib in regard to the subject matter, but you mentioned Marshall, played by Jake Lacy. Why has Jake cornered the market on playing toxic dudes who seem like nice guys?

I haven’t seen “All Her Fault” yet — it’s something that I really need to see. He’s extraordinary in the show [“Furious”], and I had a long conversation with him before he signed on. It’s a very tricky part to play. It was very important to me throughout the process that none of the characters were easily put into bad or good categories — hopefully, we’re constantly making the audience question their feelings and their judgments about people. There’s an incredible documentary called “A Better Man” that is impossible to find. I had to pay like $50 to rent it. It’s this couple that dated when they were in high school, and he was abusive toward her. She got out of the situation, and they’re coming back in their 30s, meeting again and talking about what happened. It’s an unbelievable documentary. I had Jake watch it because I really wanted him to think about Marshall as a human. He really contributed to that, and you can see it in his performance. He’s [Jake’s] a very nice guy.

You know I can’t let you go without mentioning this “New Girl” reboot — or at least the talk of it. It’s become a bit at this point — Lamorne Morris and Jake Johnson pointing fingers at each other. You posted a video on Instagram confessing to sending explicit messages that have caused some tension.

In some ways, I feel like the videos and the interviews and stuff is maybe better than a reboot. If we can see that as the reboot, maybe that would be good for everybody. [The video] came from me getting this question from journalists during the [“Furious”] junket, It was like Hour Eight of the junket, and my brain just disappeared, and I started talking like a stream of consciousness — like I don’t have any more stories to tell or something. And then I went home that night and texted the cast and I was like, “I really messed up the question.” It had been this running joke on our text threads about how they just constantly blame each other, but a lot of the times they blame me like I’m the one that’s like holding up the reboot. I find it so annoying, but then I like answered this question in a horrible way, and then I was like, “Oh, I am going to be the one who has to answer to this.”

If it does happen, it’s going to be a really dark “New Girl” reboot, given the tone of recent projects.

[Laughs] I don’t even know if fans would want what would come out of me at this point.

Last question: What have you’ve watched recently that you’re recommending to everyone?

I love “Taskmaster” [YouTube, Pluto TV]. It’s the thing that brings me joy when I need it and so I always recommend that to everybody — but with the caveat that you have to love British humor. If you love joy and British humor, I highly recommend “Taskmaster.” And Kumail [Nanjiani] was on this last season, which was like really fun.

I’m very behind. “Widow’s Bay” [Apple TV] is No. 1 on my list. I need to watch it. I love Katie [Dippold, the show’s creator] so much.

ICYMI

Must-read stories you might have missed

Gladiators star Cyclone, whose real name is Lystus Ebosele, has featured on the BBC show since January 2025 but is now said to have been axed along with two others

Another one bites the dust… Cyclone has become the third professional to be axed from BBC show Gladiators. The TV star, whose real name is Lystus Ebosele, joined Bradley and Barney Walsh’s BBC revival of the 1990s classic last year, and has so far filmed two series.

But just as production got underway at the Utilita Arena in Sheffield for the next series of the reboot, Lystus, 25, is said to have been cut from the line-up and is not impressed with bosses.

A source told The Sun: “Cyclone won’t be back and she’s not happy about it. She’s now cut all ties with the show – it’s a pity as fans absolutely loved her.” The powerlifting champion has also unfollowed the official Instagram account for the programme and deleted all pictures of herself on the show.

News of Lystus’ exit comes just days after it was reported that Matty Campbell, who stars as Bionic, and Karenjeet Kaur Bains, better know to fans as Athena, had also been axed from the show, having missed out on a considerable amount of the last series after both suffering injuries.

A source said: “They won’t film this year for the show but could be back for the tour, depending on how they recover from their injuries.”

Earlier this year, Giant, 40, whose real name is Jamie Bigg, departed Gladiators amid much controversy when he went public with then-girlfriend Taylor Ryan, 28, and it emerged that she worked as a model on OnlyFans.

Execs were quick to air their disapproval, and the athlete said that he was “shocked and disappointed” by the move, which he directly linked to his partner’s racy work. It was then reported that body builder and fitness instructor Ahmad Rabus, 37, would act as his replacement, and it became apparent that he would be one of several new faces on the show.

Team GB medallist Tabby Stoecker, along with fitness influencer Florence Wong and World’s Strongest Man champion Tom Stoltman are reportedly in the lineup, whilst The Sun also reported that former England rugby star Joe Marler would be making an appearance.

The new series will introduce a soon to be revealed event, as well as the other well known challenges such as Duel, Hang Tough and the Eliminator. Popular additions from the previous series — Everest, Destruction and Suspension Bridge — are also set to return after receiving a strong response from viewers.

Produced by Hungry Bear Media in partnership with MGM Alternative UK, part of Amazon MGM Studios, Gladiators remains one of the BBC’s flagship entertainment programmes.

The most recent series, which came to an end in March, attracted an average audience of 4.6 million viewers across BBC One and BBC iPlayer over a 28-day period, while continuing to perform particularly strongly among younger audiences.

Kalpna Patel-Knight, BBC’s Head of Entertainment, said: “Since Gladiators burst back onto screens in 2024, it’s been amazing to see families across the UK rally behind the contenders and champion our phenomenal Gladiators as the true stars of Saturday nights.

“With a brand‑new series confirmed and another celebrity special on the way, audiences can look forward to even more colossal clashes, even more edge of your seat excitement and plenty of opportunities to raise those foam fingers high once again.”

The Mirror has contacted representatives for comment.

* Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Halfway through a ride on Universal Studio Hollywood’s new coaster, I didn’t know whether to laugh or scream.

The track turned, angled so my car was completely vertical to the ground, a cliff below me. And then my ride vehicle ever so slightly started to twist, to drift as if banking around a tight curve in a video game. Straight down from me was rocky terrain, but if I looked up and beyond the tracks, I had perhaps the best view of the Valley I’ve ever seen.

Granted, it was fleeting. But I was alternately in awe and fearful of what Fast & Furious: Hollywood Drift was presenting before me. I held onto my lap bar, gripping it tighter as I lifted out of my seat, and I couldn’t help but smile at my predicament. I was in a mini, expertly re-created Toyota Supra, hanging over a bluff. I was soaring, the sensation of a car careening off a canyon, only here, my life, thankfully, wasn’t at risk. And I didn’t want it to end.

Fast & Furious: Hollywood Drift is intense, yes, but more important, it’s a delight. It’s a roller coaster not just full of thrills but of surprises, of wondering where and when a coaster vehicle will be spin, careen or accelerate. Every turn, twist, flip will leave you guessing. And it’s the smoothest coaster I’ve ever been on, a feeling that lends it a sense of approachability not typically found in rides of this speed and unpredictability.

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It is also a ride that will forever change the tone and tenor of Universal Studios Hollywood, a destination that just two decades ago was largely a behind-the-scenes showcase dedicated to movie-making magic. No more. Universal Studios Hollywood is one of the foremost theme parks in the nation, home to the Wizarding World of Harry Potter, Super Nintendo World and now one of the strongest thrill rides in Southern California, changes that haven’t always been met with approval by the park’s neighboring Toluca Lake residents.

Fast & Furious: Hollywood Drift surprise-opened to guests Monday afternoon. The ride is in technical rehearsals, a soft opening, more or less. That means it’s still in a testing phase and may not always be running. If getting on the coaster is a priority for you, it’s best to wait until Universal gives it a grand opening.

A look at Fast & Furious: Hollywood Drift careening over the park’s escalators.

(Todd Martens / Los Angeles Times)

The coaster — designed by Universal, manufactured by Intamin — has long been circled as the most important theme park attraction of 2026, a feat of engineering nestled on a steep hill between the park’s upper and lower lots that was 10 years in the making. Boasting 4,100 feet of track, two towering inverted loops as well as a pretzel loop and the ability to reach 72 mph through four individual launches, Fast & Furious: Hollywood Drift is full of unique attributes, including its ability to go above and under the park’s famed escalators.

But those not attuned to coaster speak need not be overwhelmed. Know only that at times you’re upside down, at times you’re on your side, some moments you’re facing the ground, others you’re glancing at the horizon, and then you may suddenly be flipped backward. And before you have time to worry about it, you’ll be rocketing forward.

The four cars, all expertly themed to storied vehicles from the film franchise in which the coaster takes its name, can rotate 360 degrees. The choreography is sudden, but not jolting and never gratuitous. I’ve gotten motion-sick on other coasters that can rotate, ones specifically in which designers have opted to move the vehicles in time to a soundtrack, but here, the movement is cleverly attuned to the track. If we spike upward at an angle, the cars twirl as if taking off in flight. A dive downward, and we may hear braking noises as the cars lock in a side-facing position. In short, the vehicles feel forever aligned with the designed course. I rode Fast & Furious: Hollywood Drift twice with no issues.

Unversal Studios’ Hollywood’s Fast & Furious: Hollywood Drift features expertly created mini cars.

(Todd Martens / Los Angeles Times)

And those cars! They are not small. I’m 6-foot-2 and more than 200 pounds and I had ample leg room. And I know those bigger than I am have had no issues riding this new coaster, which seats four per vehicle. Modern coasters aren’t always known for their accessibility, but Universal has created a ride that should be accommodating for many. The ampleness of the cars, coupled with the smoothness of the track, allows Fast & Furious: Hollywood Drift, I believe, to alternately appease those seeking high thrills while not freaking out those who may be more coaster cautious. The goal here is fun, not to terrify.

Universal has crafted some spectacular coasters in recent years: Florida’s Jurassic World VelociCoaster, Stardust Racers and Hiccup’s Wing Gliders, among them. Fast & Furious: Hollywood Drift is not just a worthy addition to that portfolio, but a ride that many, I bet, will declare their favorite. Universal Creative, the division of the company responsible for theme park experiences, and especially the Universal Studios Hollywood team led by Jon Corfino, have accomplished what, just 10 years ago, would have been unthinkable. A high-speed outdoor coaster, in a landlocked studio tour park? Far-fetched, at best.

But instead, it’s a reminder that theme parks are where we go to imagine the impossible.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Mr. Todd’s Wild Ride typically comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

“Furious,” which premieres Monday on Hulu, is technically a serial killer story, since there are multiple murders committed by a single character, but happily that is the least of it.

Broadly speaking, these kinds of stories — powered by a stop-them-before-they-kill-again clock, making their antagonists out to be finicky geniuses or horror movie monsters instead of opportunistic mediocrities — strike me as a low form of fiction. But “Furious” is as much relationship drama as procedural, animated by a quartet of excellent performances, with some things to say about abuse, exploitation and love along the way.

Although “Furious,” created by Elizabeth Meriwether (“New Girl,” “Dying for Sex”), acknowledges an inspirational debt to the 1987 Theresa Russell-Debra Winger film “Black Widow,” all it really preserves are a couple of names, the idea of a female serial killer and an emotional relationship with the woman hunting her. The killer is Catherine (Lola Petticrew), a petite young woman who goes about in a variety of wigs, under a variety of names, careful to mask in public. Her murdering is not a compulsion but a mission, like Jeanne Moreau in “The Bride Wore Black.”

Her nemesis is Alice Black (Emmy Rossum), a former police detective now answering phones for the FBI. She became persona non grata in the NYPD after identifying her detective boyfriend (Jake Lacy as Marshall) as the person who put her in the hospital, because, you know, cops. One day a request comes from former colleague Danny Kelly (Scoot McNairy) to assist him in investigating the homicide we see Catherine commit at the top of the series.

Various elements of the crime bring to mind an earlier killing; Alice believes they’re connected and might have something to do with sex trafficking or, eventually, a Jane Doe cold case. This brings her to the desk of Nora Washington (Quincy Tyler Bernstine), who also happens to be running the very FBI department Alice has been hoping to join. “You requested my squad,” says Nora. “Why do you want to work in the basement on sex crimes and crimes against children — do you hate yourself?” Maybe she does — she orchestrates internet dates where foreplay is a fistfight, and has some relevant trauma in her past.

Catherine (Lola Petticrew), a petite young woman whose murdering is not a compulsion but a mission.

(Sarah Shatz / Disney)

Sharing scenes with the other principal characters, intense or sensitive as the moment requires, Alice is the hub around whom the series revolves and hurtles forward. Danny, who found himself isolated in the department when he said he believed her, is her only friend. (“But here’s the crazy s—. You don’t … talk to me anymore, either.”) Nora, who has a hard edge and a drinking problem, has a few things to teach her, sometimes with a quote from Balzac (“Laws are spiderwebs through which the big flies pass and the little ones get caught”) and Beckett (the dead “make a noise like feathers”) or a tale from Greek mythology. (“I’m not a former cop. I went to a fancy school, and I’m very smart,” she says, very drunk.)

As to Catherine, she is a mix of a sly fox and a wounded bird. She may be manipulative and murderous, but as we’re given reasons to dislike her victims, a collection of rich white people — with one sad exception — and because Alice feels connected to her in some way, and because she’s had a terrible life, there is not a little of the protagonist in her antagonist. There are some sad ironies stitched into the plot, and an upsetting late twist, though the show doesn’t wallow in it. We understand that Catherine has her reasons, and in a strange way we want to see her carry out her mission. She may be a killer, but she isn’t the villain.

It’s not perfect. We are not surprised at least as much as we are. Some of the plot points strain credulity. There are some old-school jurisdictional clashes between the police and the FBI (as in every fourth episode of “The Closer”), and a heaping helping of professional jealousy within departments.

But the show stays fascinating less for the plot than for the performers. Rossum attacks her role as if playing a Greek tragedy. (The hair redoubles the impression.) McNairy, one of TV’s most likable actors, brings warmth. Petticrew evokes broken innocence. Bernstine finds new notes in a role that typically runs to cliche.

I also want to mention the great Hope Davis as the sister of a victim, the son of a well-connected mogul with something to hide, and especially Steve Way, as Alden (“Ramy”), a force for good in Catherine’s life, and for humor in the series; born with muscular dystrophy, he manages some excellent physical comedy in his motorized wheelchair. The direction (Brian Kirk helmed the first two episodes) is crisp and matter of fact, staying out of the way, which is all you can ask when the writing is good and the actors are too.

Universal Studios Hollywood surprise-opened its flashy new high-speed roller coaster Fast & Furious: Hollywood Drift on Monday. After much hype and anticipation — and even some unfounded rumors that the coaster would not hit its promised summer launch — Hollywood Drift is at last ready for its close-up.

Billed as one of the most intense roller coasters in Universal Studios’ global ride portfolio, Fast & Furious: Hollywood Drift can reach speeds of 72 mph while taking guests through multiple inversions in vehicles that can rotate 360 degrees. It is the fastest coaster that Universal Creative, the division of the company responsible for theme park experiences, has designed.

There is some fine print.

Fast & Furious: Hollywood Drift has still not announced its official grand opening. The ride is operating in what Universal is calling “technical rehearsals.” Think of this as a soft opening.

What that means: Fast & Furious: Hollywood Drift is not guaranteed to be running if you visit the park. It’s still, for all intents and purposes, in a testing phase, and can be closed down at any time. If you’re thinking about rushing to the park to be one of its first riders, proceed with caution. Until Universal gives the coaster a proper opening — and expect some sort of gala to go with it — Hollywood Drift may not be fully operational.

Technical rehearsals help ensure that when a ride does receive a formal opening, it can operate, in theory, without any issues or prolonged downtime. My advice: Visiting a theme park is an investment, and if experiencing Hollywood Drift is vital to your day at Universal Studios, it would be safest to wait until the coaster gets its date. At this point, it should be a matter of weeks, if not days.

A view of Fast & Furious: Hollywood Drift when it was still in testing mode.

(Kayla Bartkowski/Los Angeles Times)

But I certainly understand that theme park FOMO.

Hollywood Drift has long been circled as the most important theme park attraction opening in North America in 2026. The ride has been about 10 years in the making, and has many unique attributes. Not the least of which is its location, as the coaster is built on a steep hill between the park’s upper and lower lots, meaning at times it will go over and under its famed escalators.

“It wouldn’t be your first choice,” says Jon Corfino, Universal Studios Hollywood’s lead creative, of the topography. “But in a way, it makes it more dynamic that we were able to do it.”

Meanwhile, the ride has also raised eyebrows among the community surrounding Universal Studios Hollywood. The park’s neighbors in the adjacent Toluca Lake neighborhood have been none too pleased with some of the rider screams that emanated from the coaster on a day of testing earlier this summer. I talked to several residents as well as Universal and representatives from Los Angeles County for a story published last week, “Fast & Furious’ coaster screams rattle quiet neighborhood: ‘Like someone is getting murdered.” Whether those concerns fade, or how that issue is ultimately resolved, will be but one of the storylines that will follow the attraction.

Fast & Furious: Hollywood Drift on a test-run. The coaster has been the most anticipated theme park opening of 2026.

(Todd Martens / Los Angeles Times)

Yet most guests will simply be concerned with how it rides. While other coasters can rotate 360 degrees, they don’t do it at this speed and through this many twists, turns and loops. And then there’s the design. Hollywood Drift puts riders in mini cars, each one heavily detailed and with unique engine and breaking noises. Of course, the ride may simply move too fast to pay attention to all that.

“It’s a high level of intensity, absolutely, for sure,” Corfino says.

Stay tuned to Mr. Todd’s Wild Ride for detailed impressions of Fast & Furious: Hollywood Drift.

This week in SoCal theme parks

A glass slide from the Medusa portrait in Disneyland’s Haunted Mansion is going up for auction.

(Matt Roppolo / HA.com)

• Bid on a piece of Disneyland history. I have mixed feelings on auctions involving Disneyland artifacts. And by mixed, I mean mostly negative, as they tend to inflate prices for the fans who care about the items most, and many of these treasures belong in a museum rather than someone’s private collection. But if you’ve ever wanted a mummy prop from Indiana Jones Adventure, or — gasp — an original glass slide from the Haunted Mansion’s changing Medusa portrait, now’s your chance. The Disney Experiences Auction — Rare and Remarkable Finds is part of next month’s all-things Disney fan convention D23, and is hosted by Heritage Auctions. The live auction is Aug. 16, but online bidding is open.
• A Halloween Horror Nights original. Spooky season is now just a few weeks away, and Universal Studios Hollywood’s lineup for Halloween Horror Nights is mostly set. The latest addition to the event, which begins Sept. 3, is an exciting one, as it’s a brand new haunted house not based on any existing film or television properties. The maze, Dead, Deader, Deadest, is set in a funeral home, based on a plot involving a “miracle drug” that can restore the features of the deceased without embalming. Halloween Horror Nights mastermind John Murdy revealed on socials that it connects to past original haunted houses at the park, for those deep into Halloween Horror Nights lore.
• Hope you like Kraft Mac & Cheese, Disney fans. Times Business writer Samantha Masunaga reports on a deal between the Walt Disney Co. and Kraft Heinz. As part of the agreement, more Kraft Heinz products will be available in Walt Disney Co.’s U.S.-based theme parks and on cruise ships, including Heinz, Philadelphia cream cheese and Kraft Mac & Cheese.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

Leonard R. Garner Jr. loves roller coasters. And the mostly-retired television director and actor has a place in his heart for Universal Studios Hollywood, the theme park atop the studio where he spent many days behind a camera.

He also adores the tranquility of his home. As a resident of Toluca Lake, the tiny neighborhood nestled below the Wizarding World of Harry Potter, Super Nintendo World and other park staples, Garner watched with curiosity as Universal Studios began erecting Fast & Furious: Hollywood Drift, its new outdoor, high-speed thrill ride. He continued to track the construction over the next three or four years while out on afternoon walks.

At last, when Universal Studios began testing the ride this spring, Garner breathed a sigh of relief. “I was amazed at how quiet it was,” he said. “I could not hear it at all.”

But he wasn’t considering one detail: There were no people on it.

Everything changed, Garner and numerous other Toluca Lake residents said, the summer day when Universal Studios began running the coaster with a full slate of riders. There were screams. They were loud — piercing even double-paned windows. And they were constant.

“Disturbing,” said one resident, Dr. Christopher Zito.

“You think something is happening,” said Patrick Nazari, another resident. “Like someone is getting murdered out there.”

Garner said he stopped in his tracks. “I heard it, and I thought to myself, ‘There are going to be problems with this.’”

Universal’s new Fast & Furious: Hollywood Drift coaster can be seen (and heard) from Toluca Lake.

(Kayla Bartkowski / Los Angeles Times)

Headaches at least, both for the residents of Toluca Lake and for Universal Studios Hollywood in the days before the ride’s opening this summer. For residents, there’s panic as to what, if any, recourse they may have at this late stage, with one man joking he may forever have to blast loud music all day to mask rider screams. For Universal Studios Hollywood, the complaints, first reported on social media and quickly picked up by media outlets, have added a sudden jolt of negative publicity around what was intended to be the North American ride of 2026.

Longtime Toluca Lake residents have had to get used to its high-powered neighbor making changes over the past few decades. Through the last 10 years in particular, Universal Studios Hollywood has accelerated in growth, evolving from a behind-the-movie-magic showcase to a park that’s increasingly ride-centered, each addition bringing with it new worries of disruptions to the community. None, say residents, have been more tone-altering than this one.

Karen Rogers has lived in Toluca Lake for more than 20 years. “It was a never a roller coaster kind of park,” she said. “When a lot of residents moved in, it was about the history of film, and everything was inside the park. This is different because it’s hanging over a neighborhood. It’s just disappointing.”

Rob Cerny remembers the moment he heard the screams. He had just exited the Metro B Line across the street from the studio.

“Every minute you hear this big scream,” he said. “When I got home, my wife was upset. It’s made our backyard unusable. It’s extremely prominent, the noise. I really don’t think this is going to be tenable.”

Around the issue of noise, Universal Studios Hollywood has been proactive with Fast & Furious: Hollywood Drift, devoting a website to just how silent and unobtrusive its groundbreaking coaster would be. Multiple noise mitigation efforts were undertaken — sound walls, scream shields and even pea gravel in the coaster’s tracks.

And those were all welcome, say Garner, Cerny and other residents. All are eager to speak out, but they’re also cautious. They’re aware that some of those who have gone to the press have been attacked on social media, with many a non-Toluca Lake resident appearing unsympathetic to their cause, comparing them to not-in-my-backyard complainers.

Toluca Lake residents are fearful Universal’s Fast & Furious: Hollywood Drift will be constant noise.

(Kayla Bartkowski / Los Angeles Times)

If you live next to a theme park, goes the primary argument, what did you expect?

“That’s a good point,” said Cerny, who has resided next to Universal Studios for 30 years, around the time the park was opening what is now known as Jurassic World: The Ride, but long before additions such as the “Harry Potter” franchise or Nintendo.

“This was not Magic Mountain,” Cerny continued. “I grew up here. It was a studio tour place. Now it’s a major thrill theme park. That’s a different deal.”

And it’s not, he said, background noise, such as the barely audible soundtrack from Wizarding World. “It’s screams,” he said. “Screaming is a disturbing noise. It’s not a lullaby.”

Universal says it’s listening.

“We appreciate hearing from the community, and that feedback is an important part of the process,” reads a statement from Universal Studios Hollywood. “The coaster is currently in its testing and commissioning phase, which is designed to evaluate the attraction over time and under a variety of operating conditions. As part of that process, we are actively reviewing sound levels to ensure the coaster is operating in compliance.”

Fast & Furious: Hollywood Drift has been about a decade in the making. It’s a feat of engineering, situated on a hill between the park’s upper and lower lots, extending out toward Lankershim Boulevard. Universal has its own interest in limiting noise from the ride, beyond being a polite neighbor, as it is still a working studio.

The theme park has made outreach into the neighborhood over the years in an attempt to assuage concerns, be it distributing fliers or attending community meetings. And many a Toluca Lake resident enjoys some theme park perks courtesy of Universal, such as free parking, and invites to pre-opening events at the park. Garner still speaks fondly of getting on Mario Kart: Bowser’s Challenge before the bulk of the public.

“We all went to meetings about it,” Rogers said of Fast & Furious: Hollywood Drift. “Universal says they want to be a good neighbor. They made a big deal about making it the quietest coaster ever. Well, that’s nice, but you can’t put tape over people’s mouths.”

While residents say the screaming is crushingly loud, there’s no indication as of yet the ride violates any county standards. The path for the coaster was cleared with 2013’s Universal Studios Specific Plan. Presented to and approved by the County of Los Angeles, the documents outline studio, theme park and hotel expansion plans, detailing requirements such as as height, noise and more. While nothing in the papers explicitly previewed any potential ride specifics, such as a 72 mph coaster with 360 degree rotating cars, county officials note there was also nothing in the pitch for Fast & Furious: Hollywood Drift that would violate terms of the plan.

Thus, say county officials, there was no requirement for Universal to hold public hearings to be granted approval to build the coaster. That’s left some residents feeling slighted, saying they were unaware of the attraction until ground was moved.

Universal Studio Hollywood’s Fast & Furious: Hollywood Drift will reach speeds of 72 mph and take riders on multiple inversions.

(Todd Martens / Los Angeles Times)

It should be noted, however, that before construction began, Universal Studios did place speakers on its old special effects and stunt buildings to see how noise traveled down the hill. And as per the documents, Universal Studios Hollywood must track noise at six designated monitoring sites outside and around the park. At least three are in the heart of Toluca Lake, situated on or near Valley Springs Lane.

Residents are also given a number to call for complaints such as a noise. Zito has been in touch with park technicians near his home, noting they are sitting with microphones and equipment to capture sonic readings. “I always go up to them and say, ‘You’re not here when it’s really noisy,’” he said. Another resident spoke of downloading a smartphone app to track decibel levels throughout the day, intending to document the noise of the coaster screams and report any violations.

Allowable decibel levels in the neighborhood vary depending on the time of day, as well as the type of noise. Operational sound, such as those from an attraction, are classified differently than “impulsive noise,” such as a gunshot from a film production. A scream, said county officials, is considered operational noise, and decibel levels should hover somewhere around 50 dBa during peak hours.

Most decibel charts consider that moderate noise, somewhere between steady rainfall and a dishwasher. Over the years Universal has been required to make alterations to its attractions, such as replacing some live special effects in its “Waterworld” show with prerecorded digital tracks.

The office of county supervisor Kathryn Barger is aware of the complaints of Toluca Lake residents. Her staff has been facilitating a conversation with people at Universal Studios and has found them to be “very willing partners,” said Helen Chavez Garcia, Barger’s communications director. “They are very interested in finding common ground to address the community concerns, while also meeting their bigger objectives of bringing a new attraction to keep their theme park thriving. They’ve been good partners at the table and this is going to be a continued work in progress.”

With the coaster slated to open in the coming days or weeks, residents aren’t optimistic for change or the sudden construction of more noise buffers. Rogers, for instance, said her and husband have begun shopping for water fountains, wondering if installing them in their backyard will mask the screams. Coaster fan Garner, however, said the only recourse may be to find a way to live with — and enjoy — the ride.

“I’m dying to get on it,” he said. “I’m sure it’s going to be something to experience and I’m sure it’s going to be great.”

Then he pauses for a moment. “But I don’t want to have to listen to it all day and into the night.”

Universal Studios Hollywood has long been slated to have the biggest theme park opening of 2026 with its new high-speed coaster, Fast & Furious: Hollywood Drift. But with no officially announced opening date, questions have started to intensify and rumors have begun to swirl as to what may be causing the park to go radio silent on what is expected to be its centerpiece attraction.

According to Universal, there is no need for concern.

Yet speculation has zeroed in on the potential noise of the coaster as being a problem for residents of the nearby of Toluca Lake. Rumors were fueled Friday by Fox 11 Los Angeles reporting, via a since-deleted post on social media network X that Hollywood Drift’s opening had been delayed at least until the end of year due to neighborhood complaints. Videos of audible screams of riders on the coaster have gone viral in recent weeks.

A spokesperson for Universal said reports that the coaster’s opening is postponed until the end of 2026 are “not accurate” and disputed the notion that the coaster has been delayed. Fast & Furious: Hollywood Drift, the spokesperson said, is still on target to open before the end of summer.

“We expect to announce an opening date soon,” read an official statement from the company. “The information online is incorrect.”

The summer season lasts through the end of September. The park begins its popular fall Halloween Horror Nights on Sept. 3. Tickets for the latter are currently on sale, and Universal is promising access to Hollywood Drift for those who purchase its line-skipping express pass, which starts at $259.

Sources familiar with the coaster’s operations have also disputed the notion that noise is a cause for the coaster having not yet opened, instead pointing to more routine mechanical issues that have arisen during its test and adjustment phase. One theme park insider, however, stressed that when Hollywood Drift does open, it will likely be considered a “top-5, or top-10 coaster, in the world.”

The view of Fast & Furious: Hollywood Drift from Universal Studios Hollywood’s Wizarding World of Harry Potter.

(Todd Martens / Los Angeles Times)

Fast & Furious: Hollywood Drift is unique in that it is a 72 mph ride with vehicles created to rotate 360 degrees through multiple inversions. Designed to mimic the feel of stunt cars, its four-seated vehicles will twist and turn through banks in the track in an effort to create a drifting sensation.

Universal’s own website earlier this summer posted June 26 as an opening date, and while that was once the targeted launch, the date was quickly removed from the site. Universal began hosting media for walkthroughs of the coaster in May.

Fast & Furious: Hollywood Drift has been in the works for than a decade. Built essentially on a cliff between the park’s upper and lower lots, the ride’s existence is a feat of engineering, and Universal has described it as among the most intense attractions in its global park portfolio.

Before land was moved, Universal began a series of tests to track how noise would travel through the surrounding neighborhood. Universal placed speakers on the old special effects and stunt buildings to see how ride screams traveled down the hill.

Ultimately, the tracks would be complemented with multiple sound walls and shields, the latter clear structures designed to block coaster rumbles and audience screams. And because the cars can rotate 360 degrees, Universal can in theory direct rider yells away from the studio below and the neighborhood nearby. The actual track has been filled with pea gravel, designed to minimize noise from any reverberations.

“It’s incredibly quiet,” said Jon Corfino, the lead creative at Universal Studios Hollywood. “We were able to do that by putting materials inside portions of the track to deaden the sound. I’m not sure we would have needed it, but it was important to do the right thing. It’s pea gravel and rocks. It’s quieter than I ever thought it was going to be.”

Fast & Furious: Hollywood Drift isn’t the only notable coaster slated to open in Southern California this year. Buena Park’s Knott’s Berry Farm initially intended to launch its reimagined Montezooma’s Revenge, now known as Montezooma: The Forbidden Fortress, on Monday. Late last night, the park indefinitely delayed its public unveiling, with a spokesperson citing additional fine-tuning that surfaced during its final days of testing.

The delay is not expected to be a prolonged one.

“We appreciate everyone’s understanding and look forward to welcoming media and guests in the coming days when we can showcase the attraction exactly as intended,” read a statement from the park. Montezooma: The Forbidden Fortress has been in development for the past four years.

IT’S everybody’s worst nightmare bumping into their ex-partner, let alone when they are with their new girlfriend – But we can reveal that Laura Hamilton is said to be bracing herself for just that.

Yesterday, The Sun told how her former husband had moved on with a stunning PR girl and now, insiders tell us how the A Place in the Sun presenter really feels about it  – and why their two worlds could collide. 

Laura, who split from Alex Goward in 2022 after 13 years together, is understood to be unhappy about his new romance with stunning PR guru Becky Knowles – a relationship we can reveal has actually been quietly underway for more than a year.

Alex, 45, and Becky, who bears a striking resemblance to his ex-wife, went public with their relationship this week.

However, Alex does in fact appear on Becky’s social media as far back as June last year, with the couple also enjoying a romantic holiday together last September.

The pair are said to have kept things low-key out of respect for Laura and the children she shares with Alex – Rocco, 12, and 11-year-old Tahlia – but felt that after a year together, it was the right time to make things public.

However, Laura is said to be worried about coming face-to-face with her ex’s new girlfriend as they move in similar showbiz circles.

She is also said to be uncomfortable with Becky’s high-profile friendship group, which includes Pussycat Doll Ashley Roberts, Louise Redknapp and singer Cheryl.

“Becky has always moved in fabulous circles – even more so than Laura!” a source said.

“She has lots of showbiz friends and her sister Emma Lucy is a famous crystal healer who regularly appears on This Morning and is best friends with Holly Willoughby. Becky was also very close to Caroline Flack.

“One person not so happy about it all is Laura. She’s had a while to come to terms with it all privately, but now it’s out in the open; it’s opened old wounds – nobody wants to see their ex with someone younger and more beautiful, let alone so successful.

“Laura is also very worried about bumping into them because Becky moves in the same showbiz circles. She attends the premieres, celebrity launches and has lots of A-list friends, so she’s dreading bumping into her ex and Becky in public. It will be incredibly difficult and awkward for her.”

Becky and Alex went Instagram official this week, sharing snaps of the pair enjoying a date night together.

In one photo, he rested his hand on Becky’s leg as she, dressed in a short black skirt and heels, posed alongside him at a bar. A second image showed the couple holding drinks, with Becky kissing him on the cheek.

Stunning Becky uploaded the snaps with the caption: “Us” and a love heart emoji, before Alex reposted them to his story.

Friends say she is “smitten” and that it’s the happiest they’ve ever seen her.

One said: “We all knew this was very serious as soon as she posted him on her Instagram – everyone was like ‘omg who’s this guy’? Because Becky has been single for years and years and years!

“She’s very confident, outgoing, smart and has got extremely high standards. She’s also so incredibly beautiful. She has always had admirers, but she is far too driven and busy with work and her friends to be tied down to just anyone – so we knew that he must be the one.

“They’ve actually been together for over a year now, but kept things low-key out of respect for Laura and his children. It felt like the right time to go Instagram official this week – they are so in love and the happiest they’ve ever been.”

Laura has also been trying to move on following her split – but has found Alex’s news hard to take.

Our source said: “Laura wants her ex to be happy, but she can’t help feeling a bit irked by Becky and all this. The last thing she wants to see is him draped all over his beautiful new girlfriend in the press. That’s her world!”

In 2023, Laura opened up about her “tough” divorce from Alex, saying she had to stay strong for their children.

She said: “You say content, but I have moments when I feel this is tough, this is hard, this is not what I expected my life to be. But I’m a glass-half-full person, and I have to be positive. I have to be strong. Am I making the best of the situation as I can right now? Yes, 100 per cent.

“But I do get sad because things went the way they did. I might look like everything is fine all the time, and that’s how things come across on social media, but no, I’d be a robot if I didn’t have those emotions.

‘Do I let myself cry? Yes, all the time. And I encourage Rocco and Tahlia to always share their feelings. It is better to talk and let the emotions out than bottle up.”

Two years after their divorce, Laura was linked to married businessman James Pettigrew, who was said to also be going through a divorce at the time, and the pair were seen kissing in her car.

But she later refused to be drawn on the relationship.

She said at the time: “I’m dating. I’m having fun. No, I don’t have the apps. I’ve tried those in the past three years. I went on Raya and thought: ‘This is not for me.’ I like to meet people organically.

“People do look at me and say: ‘I know you from somewhere…’ and that starts a conversation.

“I did go out on a date with somebody, and the only thing he wanted to talk about was buying a property in the sun. I’m not here to be your property consultant!

“But it’s quite difficult for me to date when you look at my life and how busy I am. I’ve got two children and I’m abroad every other week.” 

But while dating has been difficult for Laura, it seems it’s not been quite so much of a struggle for her ex.

Emmerdale fans have been left furious after Dr Caitlin Todd was killed off at the end of Wednesday night’s episode, meaning that Charity Dingle will now never get justice for the abuse she faced

Emmerdale fans have been left furious after Dr Caitlin Todd was killed off at the end of Wednesday night’s episode. The medic, played by Caroline Harkin, had relentlessly bullied Sarah Sugden’s partner Jacob when she was in charge of him at the hospital, and things have only got worse since she retired.

Last year, Charity tried become a surrogate for her granddaughter Sarah only to find out that she was naturally pregnant by Ross Barton. Still, she kept this all a secret and Sarah believed that all had gone to plan with the surrogacy. Todd found out the truth and used it to blackmail Charity into handing over money. This all culminated in harrowing scenes where she sexually assaulted a drunken Charity.

Earlier this week, Charity, who confessed all about to Mack, found the courage to go to the police but Mack, having had enough of the whole lie, stormed to the hospital to confront Todd. At the very end of Wednesday night’s episode, Charity vowed to get justice but then, Mack was seen with Todd as he said: “Would we call it winning if you stopped breathing? If you ever come near Charity again, I will bury you!”

A random flashforward, complete with the sound effects of a camera shutter to imply something had very suddenly become a crime scene investigation, showed Todd in the future lying dead, with blood coming out of her head. Todd is now the fourth person in the small Yorkshire village to be murdered this year – after John Sugden, Ray Walters and Celia Daniels.

This all seems to confirm that, despite her evil ways, Doctor Todd will never face justice for the way she abused Charity and fans were not impressed. Taking to X, one fan raged: “I just had a feeling that #Emmerdale was gonna kill Dr Todd off and here we are!

“Charity deserves justice , unfortunately now it’s not gonna happen And now this storyline has turned into a whodunit! I have no words. Soaps needs to do better instead off killing off the villain! This storyline is so important to raise awareness for and in my opinion they have gone and ruined it for a cheap plot!”

Another said: “It angers me that both Charity and Jacob will never get justice for what Dr. Todd did to them. Her abuse of both should have been dealt with not this cheap cop out.”

It all comes after fellow ITV soap Coronation Street made the decision to kill off domestic abuser Theo Silverton, and viewers will know that Sarah Platt (Tina O’Brien) was revealed as the killer when the whole story began as a plot to raise awareness on an issue rahter than a whodunnit.

Another said: “can soaps stop unaliving the abusers please! todd and charity deserved to get justice. #emmerdale #corrie.” Another said: “two brilliant actors & two brilliant villains. two storylines that brought attention to important topics, only for them to end unrealistically & for the sake of drama. im disappointed both soaps chose this, the characters deserved justice & so did the audience

One particular irate fan blasted the those in charge of the soaps, which have favoured an onslaught of constant crime stories above all else in recent years.

They wrote: “The fact [the soap bosses] are all stuck in this endless loop of stupid ridiculous outlandish who dunnit stories and killing abusers, health stories that aren’t even researched properly and toxic men. Also stupid pairings that are past their sell by date. Not to mention the never ending introduction of villains to these tiny places – just stop.”

Another wrote: “I don’t mind the copper stories I find some interesting, when they get it right but my gripe is the constant cycle of villains and murders! I would rather watch an episode of them all at the rovers for some sort of party with funny scenes not this abysmal year upon year of violence.”

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads .

The hosts of Good Morning Britain turned their attention to England’s knockout match

Viewers of Good Morning Britain were not impressed during the latest live show.

Ranvir Singh and Ed Balls were back in the ITV studio on Wednesday (July 1) to deliver the day’s biggest headlines from across the UK and around the world.

All eyes will be on Atlanta later today as England take on the Democratic Republic of Congo in their round of 32 match at the FIFA World Cup. England came through Group L unbeaten, following wins against Croatia and Panama, and a goalless draw with Ghana, but have so far fallen short of the sort of performances needed if they are to progress deep into the competition.

Their opponents have reached the knockout stage for the first time in their history, sealing their spot with a 3-1 win against Uzbekistan, in which Newcastle United striker Yoane Wissa scored twice.

Ranvir and Ed hosted a tense debate on GMB, after some fans are calling for their employers to give them a half day so they can enjoy the match, which kicks off at 5pm UK time.

Lindi Glass, the founder and director of Explode Social Media, has given her staff a half day to watch the match, while construction business owner Claudia Hearne firmly disagrees.

“It only happens every four years. I’m not a huge fan, but everybody is when the World Cup’s on. When it comes to business, I don’t think it’s about just salary, it’s about feeling great, it’s about output,” Lindi began.

Claudia interrupted to say: “This only happens every four years, but the games are happening several times over the next few weeks. If we manage to get through, we’ve got another five matches! Is that five half days we’re getting off?”

She went on: “How do we think the country is going to fare economically, would we be paralysed, if the 32 million workers in the country take a half day for one football match that’s not a final?”

Lindi replied: “Claudia, you’re at risk of sounding like a blithering plutocrat… I feel [like] that is an incorrect statement.”

ITV viewers were not impressed with the debate, with many sharing complaints on X (formerly Twitter).

“Congo are going to park the bus, England will struggle to break them down and the game will be s****. I can’t see us getting near the final so I’ve lost interest tbf,” one person wrote, with another adding: “Love a bit of shouting over each other 1st thing in the morning.”

A third said: “This programme is more ridiculous than ever,” with someone else sharing: “Why do u need a half day to get home an hour early?”

Another frustrated fan commented: “Where does it end … good question …. it doesn’t as everyone needs to be included these days with all the whataboutery,” while another wrote: “An afternoon off to watch #England play the rubbish #football they’ve been playing? You’ve got to be kidding!”

A seventh fan echoed the sentiment, saying: “What a load of old s****.”

Oasis legend Liam Gallagher even shared his thoughts on the GMB debate, writing: “Did RANVIR on GMB just say England fans who are working should be allowed to f*** off home early or am I hearing things.”

Good Morning Britain airs weekdays on ITV1 and ITVX at 6am, while England’s World Cup knockout match will air from 4pm on BBC One on Wednesday (July 1)

NE-YO and Akon fans have been left feeling furious after their concert started two hours late – and the stage was still being built as they arrived.

The Grammy award-winning hitmakers are undertaking their global tour but some fans said it was past their bedtime before one of their gigs even began.

The much anticpated Nights Like This concert in Calgary was advertised as starting at 8pm but at 10pm the organisers were still testing the equipment and setting up the stage.

Hundreds of ticket holders were not allowed into the lower floor while the organisers were lifting heavy speakers for health and safety reasons.

Posting to TikTok an audience member said: “The Ne-Yo and Akon concert is 2 hours late and they’re still setting up the stage. It’s currently 10pm.”

Fans flocked to comment and one wrote: “10pm, the full lights on, and still setting up? Oh absolutely not.”

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Another added: “And their audience is definitely 30-45, we are going to bed.”

A third said: “Right it’s past my bedtime already. Lol.”

A fourth wrote: “I’d be going home.”

A fifth explained: “I’d ask for a refund!”

While a sixth exclaimed: “How disrespectful. You pay for a show to be at a specific time. I’d want a refund!”

A seventh wrote: “Ye-No I’m leaving.”

However, another fan posted an update shortly afterwards and explained that the show eventually started at 10:45 and ended at 12:45.

She said: “People were on the floors. 100s were not allowed to sit until the stage was completely set up (safety).”

A fan replied: “My best friend had surgery 2 weeks ago and was so sore from having to stand for so long.”

Another said: “Oh heck no, I would have raged having to wait that long to be let in! Would have left honestly.”

While a third said: “Yeah i was kind of p***ed cause i wasn’t allowed to my floor seat until 10:45!!! It was a good show.”

KATIE Price has furiously hit back after Meg Matthews branded her “utterly irresponsible” for buying a £2,000 dog with husband Lee Andrews in Dubai. 

The 48-year-old announced yesterday how she and Lee, 43, had dropped the huge sum of cash on a male pomsky, which is a mix between a Siberian Husky and a Pomeranian.

Following the news, Meg, 60, took to Instagram to slam Katie, writing: “Why buy a puppy when you don’t live in Dubai?

“This is utterly ridiculous, irresponsible… a husky mix in Dubai, heat training takes time [and] commitment.

“Do they have a house and garden/yard? Just heartbreaking, sends the wrong message.”

Katie wasted no time in responding to Meg’s words, commenting on her post:  “Am I missing something Meg?

slip up?

Katie Price appears to wish Princess happy birthday on wrong day – but had reason

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Katie Price & Lee say ‘we’re having a baby boy’ as they buy £2k puppy in Dubai

“Go back through your messages to me, how nice you have always been, asking me for help and now this?

“You don’t know me personally so calm down. And Lee lives in Dubai, my husband.”

Katie and Lee excited announced their newest addition yesterday, with her telling fans: “Just like we signed for our marriage, we’ve signed for our baby.

Lee added: “We’re new owners of this baby boy.”

Katie jumped in, explaining: “We’ve got no kids but this is our baby boy.”

“He’s our first baby together,” she later added as she introduced the puppy to fans.

The couple have chosen to call the blue-eyed dog Dubaii – with an extra ‘i’ – as a nod to where he’s from.

It comes days after the death of one of Katie’s Sphynx cats and disappearance of two others – Eilleen and Doris.

Announcing the sad news on Cameo, Lee told a fan: “I love dogs, I love cats, I love animals. So does Kate, so we share that empathy. She’s got five Sphynxes actually. One has just passed away.

“Sorry, eight Sphynxes, five dogs. Eight Sphynxes, now seven, one passed away.”

Fans are hailing the film as a ‘masterpiece’ and calling it their favourite movie of the year

A gripping thriller based on a popular novel has finally landed on streaming and viewers are calling it a ‘masterpiece’.

The action-packed movie, adapted from a novel by Stephen King, hit cinemas last year and is tailor-made for fans of nail-biting franchises such as Mission: Impossible or Fast and Furious.

Its IMDb synopsis reads: “A man joins a game show in which contestants, allowed to flee anywhere in the world, are pursued by ‘hunters’ hired to kill them.”

The film was helmed by legendary director Edgar Wright, celebrated for cult favourites such as Shaun of the Dead, Hot Fuzz and Baby Driver.

The Running Man is the most recent 2025 adaptation of King’s iconic novel, with Glen Powell taking on the lead role of Ben Richards – a part previously made famous by Arnold Schwarzenegger in the 1987 original.

The supporting cast boasts an impressive line-up including Josh Brolin, Colman Domingo, Lee Pace, Michael Cera, Emilia Jones and Martin Herlihy, reports the Express.

The film currently holds a 61% fresh score on Rotten Tomatoes alongside a 6.4 rating on IMDb, with legions of fans applauding this fresh take on the dystopian tale.

Now available on Paramount Plus, the streaming platform has teased: “The Running Man is a fun, unhinged deadly game show where contestants must survive 30 days while being hunted by professional assassins, with every move broadcast to a bloodthirsty public and each day bringing a greater cash reward.”

Over on IMDb, one enthusiast awarded the film a perfect 10/10, declaring: “Let me put it this way. I saw it at a matinee this afternoon and now I’m going back with my husband. I’m not a Glen Powell fan but I do live Edgar Wright movies and this one delivers. Don’t go see it if you want to relax!

“I read the Stephen King novel years and years ago and saw the Arnold Schwarzenegger movie years ago as well, so i can’t tell you how it compares, but this one stands on its own as the best action movie of the year… and maybe the decade…so far.”

A second viewer hailed the film as a ‘masterpiece of literary adaptation’, remarking: “Hands down the best adaptation of King’s work. You can literally watch the movie and turn pages. Powell’s Richards jumps out of the book.

“The ending got the Hollywood treatment, but still accomplished the same goal. I waited 34 years for a faithful version of this, and now we have it. The casting feels like they all read the novel.”

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Another cinema-goer commented: “One of the best movies of the year. After being trailer after trailer at the cinema for what seems the whole year, I was fearing this would be a total flop.

“I need not have worried because this is an action packed, well scripted remake of the original. Everyone is cast perfectly and all performances are great. It keeps you guessing throughout the movie and the twists and turns keep it going. Thoroughly enjoyed it. Well worth a visit.”

One further viewer chipped in: “It was perfect. Edgar Wright nailed I.T. on this expensive movie. The action, everything. A lot better than the 1987. It follows the book. Glen Powell did a great Job on playing the character Ben Richards.”

They even drew comparisons to other beloved action franchises, adding: “This film feels like a big mix of Fast and Furious and Mission: Impossible. I love the chase scenes.”

Over on Rotten Tomatoes, one enthusiastic viewer gushed: “Excellent film! Glen Powell did great with his character, Ben Richards.”

“Fresh! Intensely gripping all the way through. Great acting on all parts,” another remarked, while a further viewer noted: “Loved this. Im 100% certain that Stephen King will be so happy with this version of his brilliant book. Great all round really enjoyable watch.”

Not everybody was won over, however, with one person writing: “A real disappointment, falling flat both as social commentary and as an action movie.”

Another disgruntled viewer complained: “The first one was way better. Loved the satire and Richard Dawson, who was a game show host in real life, as the host in the original. Tired of remakes with all the social commentary without improving the whole movie.”

The Running Man is available to stream on Paramount Plus now.

Guests on Channel 4 programme Four in a Bed were horrified by what they found.

Welsh Four in a Bed contestants have voiced their frustration after receiving less than the full amount on the Channel 4 show after their guests were left horrified.

In a repeat episode broadcast on Saturday, June 27, the proprietors of Tin Can Retreat in Ceredigion, Stuart and Amy, found themselves on the defensive against their rivals.

The married pair had hoped to offer their guests a taste of vintage Americana at their distinctive property, but faced criticism over cleanliness concerns.

Shortly after settling in for the night, Newquay hotel owners Oleg and Emma, Devon glampsite owners Mandy and Elly, and Devon country pub owners Steve and Mandy raised their objections.

They uncovered what appeared to be mould in the fridge, “minging” dirt, dead flies behind the sink, and even “dog hair in the fridge”. Guests also found dust and water along the windowsills, while the toilets had been left uncleaned, reports Wales Online.

Consequently, Stuart and Amy received poor scores for the cleanliness of Tin Can Retreat, prompting him to remark: “Dagger to the heart, that is.”

On payment day, Stuart and Amy faced their critics, and discovered they had been underpaid by all three other teams.

They first heard from Mandy and Elly, who complained about a smell from the diesel heater, leaving them “complaining of a headache and feeling nauseous”.

Stuart insisted the accommodation had been fitted with a carbon monoxide detector, defending: “I just have to disagree with you… I’m not wrong.”

They then heard from Steve and Mandy, after receiving a “massively disappointing” score of four for cleanliness from them.

“We did find a lot of uncleanliness, we opened up the fridge and there was lots of mould in the seal, and the window sills had a lot of dirt and mould in them,” Mandy explained. “In our bedroom, there was water, the whole place felt quite grubby.”

Emma stepped in to add: “Mandy said grubby but to me it was a little bit beyond that, it was not of a standard that I would be comfortable to ever charge people.”

She went on: “I lifted the lid on the toilet seat and there was lots of crusty residue, it’s not something that’s just been missed. There was actual dirt in lots and lots of places.”

Mother-daughter duo Mandy and Elly added: “For us unfortunately, much the same. There was quite a lot of dog hair left around, our fridge was mouldy in the seals and the side.”

Stuart replied: “That’s obviously very difficult for us to hear and we are quite shocked by it. We’re not a new business, we’ve been operating for over two years and this is new news coming to light. We need to go back and work out where it’s going wrong. We needed that reality check on the cleanliness.”

He later added to the camera: “This afternoon for us was hard to take but we’re going to go away now, collate all those comments and we’ll absolutely be implementing fixes for everything that was found.”

The couple discovered they had been underpaid a total of £74 by the three teams, due to the issues raised on payment day.

And though they accepted all three payments, they admitted the money they received from Steve and Mandy was “harsh”.

“We thought the £50 underpayment from Mandy and Steve was harsh,” Stuart admitted. “We offer great value for money, although there were some cleanliness issues, I don’t think they found anything major.”

Mandy meanwhile admitted she knew the result would come as a “shock” but insisted it was “justified”.

After the feedback, and a result which saw Stuart and Amy’s Tin Can Retreat come in last place, Stuart shared: “We’re gutted we came in fourth position, I think we knew it was coming.

“We’ve obviously got some issues we need to immediately address which we will do, and then let’s see what the future holds, maybe some more sites.”

Four in a Bed is available to watch on Channel 4.