exit

Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”

Kings coach D.J. Smith gave his team the day off Friday, but he sent his players home with a message: if they don’t show up for work Sunday, they’ll have the rest of the spring and summer off, too.

Players don’t like to call any game a “must-win” because of the pressure it brings, but there’s no other way to look at Sunday’s game for the Kings. After losing the first three games of their best-of-seven playoff series with the Colorado Avalanche, the Kings are one loss away from being eliminating in the first round for a fifth consecutive season.

“Must-win game,” agreed defenseman Drew Doughty, who hasn’t played on a winning team in a playoff series since the Kings last won the Stanley Cup in 2014. “Everyone’s going to give everything and we’ve got to win that one. And then hopefully go back to Denver.”

The most recent loss came Thursday when the Avs scored two fluky goals on pucks that bounced in off the skates of Kings players and put another one into an empty net in a 4-2 victory that pushed the Kings to the brink of elimination once again.

“You don’t like the result,” Smith said. “And it’s tough to swallow.”

For Colorado, the best team in the NHL during the regular season, it hasn’t been the most stylish of postseasons. But after a pair of hard-fought 2-1 wins at home, the Avs have a chance to sweep a playoff series for the first time since 2022, when they won their last Stanley Cup.

“All the games have been tight. We’re right there,” forward Quinton Byfield said. “Each guy, including myself, we just have to give a little bit more.

“We’re doing the right things, we just have to dig in a little bit more.”

It’s hard to say how. The Kings’ power play has been good, scoring a goal in each of the three games, and their penalty kill even better, shutting out the top-scoring team in the NHL on nine tries with a man advantage.

The Kings have been physical and fast and goaltender Anton Forsberg has been brilliant in his first career playoff series, making 90 saves in the three games. Yet none of that has paid off with a win.

“Sometimes you play real well for stretches and you don’t get the results. And then you’ll win a game you don’t deserve to win,” Smith said. “Maybe we didn’t stay with it long enough.”

“Those games are over with,” a frustrated Byfield added. “You can’t look back at those games. It’s just on to the next one, that’s our focus.”

Doughty said the Kings need to wear down the Avalanche, something they clearly couldn’t do in the two games played in Denver’s mile-high altitude. They might have a better chance Sunday at sea level.

“I don’t think we’re creating enough Grade A chances,” he said. “They’re statistically one of the best teams in the neutral zone. So for us to beat them, we’ve got to wear them down in the D zone, make them tired and score goals that way. We haven’t done that enough.”

Every team has its kryptonite and the for the Kings that appears to be the first round of the playoffs. Over the past dozen seasons, the team has gone 9-27 in the postseason, taking a series to a seventh game just once in six tries. Along the way they’ve changed general mangers twice, changed head coaches five times and even changed their opponents, facing the Avs this year after losing four straight series to the Edmonton Oilers.

None of that has changed the results.

Smith, in fact, is an interim coach, having taken over for Jim Hiller with 23 games left in the regular season. He figures to be coaching for his future Sunday since a playoff sweep won’t look good at his resume.

“There’s no quit in there,” Smith said of the Kings’ locker room. “We’ll get reset with practice [Saturday] and I think you’re going to see our best effort.

“Now we’ve got to make a few changes and see if we can spark something.”

If that works, the Kings will be heading back to Denver. If it doesn’t, they’ll be heading home for another long summer.

Beverley Callard cried in a new video posted this evening as she explained how I’m A Celebrity was the start of her struggles, which eventually led to her being diagnosed with breast cancer

Beverley Callard broke down in tears as she said her I’m A Celebrity exit was the start of her cancer battle.

The Coronation Street star was forced to quit I’m A Celebrity days before the final on medical grounds. She departed the show after falling ill, with bosses telling her she had to leave for her health.

However, now Beverley has spoken out and explained how she lost consciousness whilst on the show, admitting “I didn’t know then that I had cancer” as she reflected on her time on the show.

Speaking after her exit aired on the ITV show, she said: “I just watched my exit on I’m A Celeb and it made me cry all over again. Of course, I didn’t know then that I had cancer but I just knew that it was the last couple of days there that I hadn’t felt very well.

“What happened was, I went into the Bush Telegraph and apparently, I lost consciousness for a little while. I just wasn’t feeling myself. They took me to a medical hut and they were amazing; they really looked after me and they said you can’t go back.”

She added: “And I said ‘don’t say that, don’t send me home, I’ll be fine. I wanted to succeed and make it through to the end but that was the start of everything. It’s made me really emotional but I will beat this. I will beat it.”

Announcing her exit to her campmates tonight, Beverley explained how she was told she had to leave. She gathered them around and cried as she said: “Hi guys, I’ve just got something to tell you all.

“I didn’t feel very well this morning… and the medics have advised I can’t return to camp. I’ve got to go home. I don’t want to go. I’m absolutely gutted. I wanted to finish.”

She said she “had a funny turn and they’ve said I can’t come back in and I’ve got to go out. I don’t want to go. I’m gutted I wanted to finish. I wanted to prove older women could do it.”

Scarlett then told her: “Your health is more important,” with Adam adding: “Look how far you have come. I’m so proud of you.” Craig said of her exit: “She gave a really good account of herself and can leave with her head held high.”

Since announcing her diagnosis in February, Beverley has been keeping fans updated on her health and recovery.

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Claudia Winkleman explains it was a very emotional moment when she left Strictly Come Dancing with Tess Daly last year

They will be watching the new series of Strictly Come Dancing together. But Claudia Winkleman says she and Tess Daly decided to bow out from the BBC show because they worried about becoming complacent in their roles.

No one ever doubted the pair loved BBC’s ballroom series. But speaking in-depth about their decision to leave, Claudia says she started to see signs that they needed to go ahead with their pact to quit at the same time.

“You want to leave on a high,” says Claudia. “And you want to leave when you are loving it. We were tiny cogs in this huge sparkly, glittery thing. We were tiny as we had props guys holding Eiffel Towers, the amazing band, the dancers, the costume and hair and make-up and everything else and the lighting.

“We thought it was time to leave. Years earlier they said Gloria Estefan was playing in Blackpool and we were like ‘I cant believe it’. I phoned my husband and said ‘I have to practice the Conga’.”

By then end of their run though, even big names and learning new dances were commonplace. She explains: “We thought it was time to leave. You know, not that I was not excited at the end, but both of us were a bit like ‘Oh yeah…cool. Alright, so then I do that…(routine)’.

“It deserves ‘new’ (change). But what shocked me was, we did the last live show. All week was like ‘We are fine’ but I could not stop crying as it has been my entire life. You know sometimes when you decide something like ‘Let’s move house’. Then you pick up the final box. Not that you have done something wrong but it just feels big.”

For Strictly’s launch in 2026, it will be all change in terms of hosts but also with some things still be the same. Claudia and Tess will be together, but snuggled up away from the cameras.

“Tess and I have already planned. We are having jacket potatoes and I am having the salmon. She is coming to ours, her and Vern(husband Vernon Kay). I am not joking. I am going to set her up with a nightie and we are going to watch and support and love it.”

For many years now, pretty much every TV show Claudia Winkleman has touched turned to gold.

Her Strictly Come Dancing stint on the main show for 15 years, hosting The Traitors and now huge spin off hit Celebrity Traitors too, as well as smaller shows like The Piano which won critical acclaim for Channel 4.

For her other major project The Traitors, Claudia says it requires very different skills compared to fronting Strictly, where she says a lot of the credit should go to Tess.

“Tess did all the heavy lifting on Strictly and I am grateful for it. But on Traitors I had to be strict. I was worried about that. I am in life a cheerleader like if my kids fill the dishwasher I am like ‘Lets film it’. So I am a cheerleader and I am able do that on Traitors when they do the missions. I want to feed them chocolate as I am on their side.

“But I have to get a bit strict like when my kids have not done their homework. I love the game so much so that is how I have to be. The producers did tell me to push it.”

Whilst she will continue to front the series, she admits it has made her more thoughtful about lying and deceit in real life.

“Traitors makes me cry. I am not that harsh. I want the traitors to win and the faithful to get them in equal measure. Also it is a lot of money if it is for charity or for them individually.

I have learned a lot of things that I wish I had not. It has made me realise there is no such thing as gut instinct. It is all about what you tell yourself afterwards. And I have learnt you can know the truth but you can persuade people to follow you and that makes me heartbroken. Will I do a children’s version? No.”

After referencing her kids, Claudia, at a charity Q&A event, is asked more about her own family.

She has been married to film producer Kris Thykier since 2000, and they have three children: Jake, Matilda, and Arthur. But there appears to be no risk of nepo babies in the Winkleman household.

With a grin Claudia says: “I told them to nepo up. One wants to work in hospitality, one wants to be a doctor and one wants to be a chemist. I said ‘I can navigate you work experience’ and they were like ‘No thanks mum.’ They are not interested in film (husband’s work) like they say ‘Not unless it comes in a test tube’. So no. That is not what they have asked for.”

Claudia was giving a rare interview to TV director Ben Winston at St John’s Wood Synagogue in London in aid of Lira Winston Fellowships, which focus on identifying and nurturing Jewish school educators

Asked about her thoughts on rising anti semitism, she said: “How do I navigate the industry? The industry itself does not feel anti-Semitic to me. That is my experience. But the growing anti-Semitism and the growing Islamophobia and racism that we see everywhere is really, really terrifying I suppose.

“I don’t want to say terrifying in front of my kids, but it is worrying. And that is why it is so important that we have got to look after each other and people from other communities.”

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European football’s governing body has already rejected one appeal by Barca about their quarterfinals against Atletico.

Barcelona have lodged another complaint with UEFA, after their protest about a handball incident in the first leg of their Champions League quarterfinal defeat to Atletico Madrid was rejected this week.

The Spanish club said in a statement on Thursday that several refereeing decisions across both legs of the tie, which Atletico won 3-2 on aggregate, “did not comply with the Laws of the Game, resulting from an incorrect application of the regulations and a lack of appropriate intervention by the VAR system in incidents of clear significance”.

The Catalan club, which finished both matches with 10 men after the dismissals of Pau Cubarsi and then Eric Garcia, believe they were on the wrong end of several contentious decisions, including two potential penalty situations that did not trigger VAR intervention.

“The accumulation of these errors had a direct impact on the course of the matches and on the final outcome of the tie, causing significant sporting and financial harm to the club,” the reigning Spanish champions added.

Barcelona said the club “reiterates the requests previously made to UEFA” and offer to “collaborate with the organisation with the aim of improving the refereeing system to ensure a more rigorous, fair and transparent application” of the regulations.

On Tuesday, UEFA had rejected as “inadmissible” the five-time Champions League winners’ initial complaint regarding a handball on a goal kick by Atletico defender Marc Pubill in the first leg, which his side won 2-0.

KeyCorp plans to repurchase at least $1.3 billion in shares in 2026, raised from prior guidance of $1.2 billion, and indicated that Basel III revisions could add over 100 basis points to CET1, potentially enabling even more buybacks if market conditions allow.

Kirsty Soames is one of Coronation Street’s most infamous villains before she was sent to prison for her crimes over a decade ago

Coronation Street’s Kirsty Soames caused plenty of drama during her stint – but what has the actress been up to since her exit?

Back in 2011, Kirsty (Natalie Gumede) made her debut as the love interest of Tyrone (Alan Halsall). The pair soon hit it off – and even went on to welcome a daughter, Ruby, together in 2012.

However, things took a dramatic turn when Kirsty started to abuse Tyrone, often turning against him in violent rages. The nasty police officer ended up lying and accusing Tyrone of abusing her.

However, during his trial in 2013, Kirsty confessed that she was the abuser and Tyrone was cleared of any wrongdoing while she was convicted and sent to prison. She nominated Tyrone to have custody of Ruby, and he told her he never wanted to see her ever again.

A year later though, she was referenced on the long-running ITV soap when she sent Tyrone abusive texts after leaving prison in 2014. Fast forward to 2021 and Tyrone was informed that Kirsty had died. It was claimed that Kirsty died from an aneurysm, and she was discovered in her flat by a neighbour.

And over on the long-running soap this week, Tyrone’s domestic abuse past was mentioned after it came out that Todd Grimshaw (Gareth Pierce) has been abused by husband Theo Silverton (James Cartwright).

Talking about her decision to leave the soap, Kirsty actress Natalie previously said: “It was really tough, but I was ready to leave.

“I think it was a healthy time to go after such an intense storyline, but it’s surprising how a place kind of creeps under your skin, and I don’t think I could have wished to work with a better team so it did surprise me how emotional I was at leaving.””

After her cobbles exit, Natalie was in high demand. She appeared on BBC’s Strictly Come Dancing in 2013, and was partnered with Artem Chigvintsev. The pair lost out to Abbey Clancy & Aljaz Skorjanec and came joint second along with Susanna Reid & Kevin Clifton.

Her other TV credits include 2015’s ITV Jekyll & Hyde, Vera in 2019 and Netflix’s Free Rein from 2017 to 20192. Natalie also appeared in the 2022 Netflix smash Your Christmas or Mine? and it’s sequel in 2023, playing Kaye Taylor.

Speaking at the premiere of the movie, Natalie revealed it was refreshing to play the fun Kaye after always playing a “dark” and “sinister” character.

“Aunty Kaye is one of the my most favourite characters I’ve ever played. I’m always sort of the dark, slightly miserable character, a bit cold a bit sinister,” she said. Natalie added: “And so for the first time I could really just get my teeth into something where I could just be silly and have fun and I absolutely loved it.”

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX