exit

Death in Paradise’s ‘best’ detective makes brutal swipe at BBC show after exit

Ardal O’Hanlon was a firm favourite on Death in Paradise as DI Jack Mooney before leaving in 2020

Death in Paradise star Ardal O’Hanlon has taken a savage swipe at the show, three years after his exit.

The actor portrayed DI Jack Mooney in the popular BBC crime drama, after joining in 2017. And during his stint, he became a firm favourite with fans, who often dubbed him the programme’s ‘best’ detective.

However, in 2020, Ardal left the cherished Caribbean-set show after three years. During his appearance on The One Show this week, the Irish star reflected on his time on the programme.

Revealing how filming Death in Paradise inspired his new book, A Plot to Die For, Ardal said: “I did 24 episodes. It must have been at least 30 murders. I didn’t even have to read the script, I knew who did it.”

Ardal went on: “When I was there I was always trying to dream up imaginative kind of murders.” Although he then said he “loves” the show, Ardal made a savage swipe at it’s storylines.

“But you would be thinking to yourself, ‘have we not done this plot before?’ You know, someone falling off a balcony again!” as his co-stars and show hosts laughed along with him.

Ardal was previously asked whether Jack Mooney leaving the show was a mutual decision. He told the Mirror: “From day one, it was always going to be like three series.

“As it turned out, I ended up doing part of a fourth series as well, before the handover to Ralf Little’s character [Neville Parker]. So to be honest with you, like you just wouldn’t be fit to do any more than that.”

He added: “It’s very gruelling, and you’re away from home for a very long time. So, you know, that was always the plan, and there was really very little that was going to change my mind about that.”

Ardal also went on to say that he believes the reason for the show’s success is the constant rotation of detectives. He stated: “I think the secret of the show’s success is constantly changing the lead detective, you know, before people get bored with them.”

What’s more, despite enduring “very harsh” weather conditions during filming of the show, Ardal branded the experience a “lovely job to do”.

Death in Paradise airs on BBC One and iPlayer

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China and UAE’s Exit from OPEC: Risks and Opportunities

The United Arab Emirates’ announcement of its withdrawal from OPEC and the OPEC+ alliance, effective May 1, 2026, represents a major strategic shift in the global energy market, with direct and significant implications for China, the world’s largest oil importer. The primary impact of this UAE withdrawal on China is the enhancement of Chinese energy security, as it will increase available supplies. The UAE will now be able to raise its production towards its target of 5 million barrels per day by 2027, without being bound by OPEC quotas. This expansion will provide China with a substantial and stable source of oil outside the constraints of production alliances. Furthermore, the UAE’s withdrawal from OPEC will impact China’s diversification policy, as China relies on imports to cover approximately 70% of its oil needs. The UAE’s departure will grant Beijing greater flexibility in purchasing from the spot market at potentially more competitive prices.

This also has a significant impact on import costs (prices) through prolonged downward pressure. The UAE’s increased oil production (up to 680,000 barrels per day above previous levels) is expected to put downward pressure on global Brent crude prices in the medium term (12-24 months), thus reducing China’s energy import bill. This could lead to short-term volatility, as, despite the potential benefit, the closure of the Strait of Hormuz (due to current regional tensions in April 2026) limits the immediate ability to capitalize on the UAE’s withdrawal from OPEC, since most of the UAE’s exports to China pass through this waterway.

China could benefit from the UAE’s withdrawal from OPEC by enhancing its capacity for financial and trade cooperation and expanding trade in local currencies, particularly the Chinese yuan. The UAE’s departure from OPEC could (facilitate the expansion of oil trade agreements) in rubles, rupees, and yuan, moving away from OPEC’s traditional dollar pricing. This aligns with China’s drive to internationalize the yuan. Such a move could boost joint investments, given China’s existing stakes in UAE oil concessions. With Abu Dhabi freed from restrictions, these Chinese investments could generate higher returns through increased production. Furthermore, China might leverage the UAE’s withdrawal from OPEC to bolster the strategic and geopolitical value of weakening OPEC’s influence. This withdrawal diminishes OPEC’s ability to control global supply, which benefits major consuming nations like China by reducing the likelihood of price shocks resulting from collective production cuts.

In this context, Chinese discussions and analyses have intensified, examining the potential benefits for China from the UAE’s withdrawal from OPEC. Chinese experts are analyzing the likelihood and impact of such a move should it materialize, particularly given the UAE’s increasing production capacity and its desire for greater flexibility. If we assume the UAE’s withdrawal from OPEC is indeed the case, China stands to be the biggest beneficiary for the following reasons. First, it would break the dominance of the petrodollar. The departure of a player the size of the UAE from traditional OPEC constraints opens the door wide to bilateral agreements for pricing oil in digital yuan (or Chinese yuan), thus supporting Beijing’s strategy of internationalizing the yuan to reduce its dependence on the Western financial system (SWIFT). In addition to the increased Chinese-Emirati supply, since Chinese companies such as CNPC and CNOOC hold stakes in oil concessions in Abu Dhabi, the UAE’s release from OPEC production quotas means these companies can increase production and secure China’s growing energy needs at preferential prices and with favorable terms. This facilitates the revitalization of joint UAE-China investments, allowing for deeper Chinese capital flow into the UAE’s refining and petrochemical sector. The exchange of finished goods and crude oil within an economic cycle based on local currencies reduces conversion costs and the risks associated with dollar fluctuations. This supports China’s policy of moving towards BRICS+. As the UAE is a member of the BRICS group, any move away from traditional OPEC frameworks aligns with the group’s overall direction to create a parallel financial system that supports the ruble, rupee, and yuan. This scenario, if it were to occur, would transform the relationship from one of buyer and seller to a comprehensive strategic partnership, making energy the driving force behind the new financial system that China seeks to lead.

Accordingly, the UAE’s withdrawal represents a strategic gain for China in terms of increased supply and potential cost reductions, but maximizing the benefit remains contingent on the stability of shipping lanes in the Arabian Gulf.

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OPEC After the UAE Exit: The End of Oil Unity

The withdrawal of the United Arab Emirates to abandon OPEC is far more than just a change in policy, but represents a change in the paradigm of worldwide energy governance. In a region that, already, has been influenced in oil market operations by geopolitical frictions, climate changes, and alliances, the UAE action begs an immediate question: is the era of shared oil control becoming one of autonomy of choice?

OPEC had been a mainstay of oil prices globally. Through the coordination of production quotas, the member states were trying to control supply and manipulate prices. Nevertheless, the emergence of non OPEC producers, especially the United States of America with its own shale revolution and the increasing influence of Russia could have calories undermined the power of OPEC. Responding, the organization became OPEC+, a more wide-ranging alliance that tried to reassert itself by coordinating more.

But with this change, new fault lines were also presented. OPEC+ is not a close bloc, but an adaptable arrangement anchored on overlapping, and indeed competing, interests. Its success largely relies on the collaboration of key actors such as the Saudi Arabia and Russia countries having different geopolitical interests. Such delicate equilibrium has rendered the sustainability of cohesion even more of a challenge.

It is here that the withdrawal of the UAE is noteworthy. Abu Dhabi has been rethinking its economic and strategic priorities. Although oil is still significant, UAE has been spending on renewable energy, international financial and logistics as well as technology. It has a long term vision of diversification and global competitiveness rather than oil dependency.

These goals might not have been consistent with staying within OPEC quota system. Designed to stabilize the prices, production limits may limit the capacity of a country to operate at capacity or flexibly respond to market opportunities. Like any exit, the UAE will have more flexibility in its output policy, which will enable it to harmonize the national economic objectives with energy policy.

This is indicative of a larger conflict over collective discipline and national sovereignty. The success of OPEC has been pegged on compliance with quotas by its members. But when the economic priorities move apart, they are more difficult to maintain. The UAE motion indicates that in some cases the advantages of independence can now surpass the benefits of action.

This is reflected in this concept of OPEC 2.0. The basic model is also more fluid and pragmatic compared to its predecessor, which was more or less a cohesive cartel. It is based on momentary agreements, but not the institutional unity. Although this flexibility maybe handy when dealing with a crisis in the short term, it also casts an element of stability in the long term.

Should other producers start to emulate the UAE, the effects may be far reaching. A disintegrated system can have difficulties in controlling supply even more resulting into a greater price volatility. The global markets would, in that case, not be fueled by coordinated policy but rather competition among the producers.

Simultaneously, the move that the UAE made should not be construed as a total denial of collaboration. Energy diplomacy is not going away but changing. Nations can move towards selective and form partnerships depending on similar interests as opposed to unbreakable unions. This would result in a more energetic yet unpredictable energy environment.

The decision is also representative of a larger trend in the Middle East geopolitically. States in the Gulf are claiming to be more independent economically and in the foreign policy. They havebbeen diversifying collaborations, looking into new spheres, and establishing themselves as international centres of commerce and innovation. Energy policy is evolving merely as a part of a broader strategic approach.

To people worldwide, the ramification is ambivalent. In the short run, on the one hand, a decrease in coordination among the producers may result in instability in the market and price variations. Conversely, over competition can lead to efficiency and speed up investment in alternative power sources. This might promote the movement of the world towards non fossil fuels in the long run.

Finally, the UAE withdrawal is a turning point. It highlights a transition into the flexible interestdriven strategies including strict institutional structures. There is a growing challenge of a more complicated and multipolar reality to the classical structure of oil governance with its emphasis on unity and joint control. The future of the global energy could probably not be characterized by one powerful protagonist, but a system of changing alliances and strategic choices. The adaptability in this new order can become important than unity. The UAE has decided to take that direction and their move might potentially determine the next chapter of energy politics across the world.

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Carol Kirkwood leaves BBC co-star stunned with career away from TV after show exit

Carol Kirkwood’s career away from the cameras took her BBC co-star by surprise, following her recent exit from the corporation after 28 years

Carol Kirkwood has left her BBC co-star stunned by her career away from television. The former BBC Breakfast weather presenter bid farewell to the programme in April after 28 years at the corporation.

In a lengthy on-air statement at the time, the 63-year-old said: “Thank you for trusting me, be it telling you about heatwaves or snow, to the everyday question of, ‘Do I need to take a brolly?’. To my colleagues past and present, both in front and behind the camera, I owe you all so much. You’ve been my team, my safety net, and, very often, my family.

“We’ve shared breaking news, long shifts, plenty of laughter, bad hair days, and the occasional moment of pure chaos. And do you know what? I wouldn’t change a second of it.”

While she is best known for presenting the weather, Carol has also turned her hand to writing in recent years – much to the surprise of Carol Klein.

The Gardeners’ World host appeared taken aback when learning about Carol’s other career during an appearance on the Pottering with Tom Allen podcast.

After discussing the changing weather during the recording, she said: “That Carol Kirkwood, she’s lovely isn’t she, she’s a keen gardener.”

“She’s a great writer as well,” Tom chimed in, to which she appeared stun and questioned: “Is she?”. Tom went on to say: “She’s got a lot of novels out.”

“I haven’t read anything, I’ll have to,” the BBC star replied. Praising the books, Tom insisted they are a good read and “always set in lovely places”.

Recently speaking about her future after leaving the show, the weather presenter said she is looking forward to more freedom with her husband Steve Randall, who she married in 2023.

“The freedom of being able to get in the car, drive and go anywhere we want for as long as we want is really appealing,” she told the BBC.

She also revealed there was a more personal reason behind her decision. “I’m not getting any younger, I’m newly married and we’ve had some losses in our lives recently,” Carol added.

She went on to say those experiences had helped her realise that she needed to “get on with my retirement and that’s what I’m going to do”.

However, retirement doesn’t mean she’s stopped working altogether. Her sixth romance novel is set to be published in October, and she has reportedly already committed to writing at least two more books afterwards.

The television star has also said she would love to learn the guitar and adopt a couple of cats.

BBC Breakfast airs daily from around 6am on BBC One and the BBC News channel.

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Coronation Street star says Megan ‘is done for’ in murder hint as exit confirmed

Coronation Street’s Megan Walsh could be set for a brutal exit as actress Beth Nixon dropped a massive hint about her character and another villain’s fates on the ITV soap

One Coronation Street star may have given away which villain dies on the ITV soap this week.

Beth Nixon, who plays child groomer Megan Walsh, has teased the game is up for her character. Not only that, but she teased the same about another character who could die this week.

Five villains including Megan face the chop, with someone killed off in Friday’s episode. Speaking exclusively to The Mirror, Beth confessed the doesn’t fancy her survival chances.

She told us: “Megan and Theo are up there as the worst villains. The others can be redeemed but me and Theo are done for aren’t we…” So does this confirm an exit is on the way for Megan and Theo either way, and could one or both of them die?

READ MORE: Coronation Street star warns ‘dangerous’ Theo could kill again as ‘next victim revealed’READ MORE: Coronation Street star teases victim’s identity as Kit ‘figures out killer immediately’

Beth also told us how her character had to go as there was no way she could be redeemed at this point. She is keen for fans to get their justice, but admitted she would love a brutal demise for Megan.

She said: “I’d love it if Megan died a dramatic death. She would proper milk it as well wouldn’t she. But I think the best course of justice for her and what she’s done is to be punished.

“I love to see the viewers theories about what they want. I have seen a lot of people say she needs to go to prison and they don’t want her to be the victim as they want the prison exit.”

Beth also laughed off the moment Megan gets attacked, with her shown wandering round with a bloody nose. Beth said: “She’s like, look what they’ve done to me. I’m the victim, call the police now.

“She’s covered in blood. The way it cuts to her, I was having a giggle. Just wipe your face love!” Beth thinks fans will be shocked by the death when it airs.

She said: “I think the audience are gonna love it. I think they’ll jump up at the TV and scream. I’d love to see it on Gogglebox.” With it heavily hinted time is running out for Megan, Beth has loved playing the character because of how fearless she is.

She explained: “She doesn’t care. It’s so fun to play. Me in real life I’m like, ‘oh sorry’ and Megan’s just like, ‘get out the way.’ She’s so far from who I am it’s so much fun.

“I get to speak to people however I want. It is a very important storyline but it’s been made so easy for me in terms of having to deal with it. There’s been a lot of support from the team here. I’ve felt quite held with it.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .



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Oil prices rise despite UAE exit from OPEC as Iran war ceasefire hangs in balance

Oil markets face renewed instability following the United Arab Emirates’ formal exit from the Organisation of the Petroleum Exporting Countries (OPEC) and its wider alliance (OPEC+), announced on Tuesday and taking effect on Friday.


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The move, which ends decades of membership, comes as the global economy continues to reel from the ongoing war with Iran and the blockade of the Strait of Hormuz remains in place.

Investors are currently weighing the potential for higher future output from the UAE against the immediate and acute risks posed to global supply routes, as well as the increased chances that more countries drop out of OPEC and OPEC+.

Following the announcement, markets reacted swiftly as the potential for oversupply from the UAE was priced in. Oil prices fell by between 2% and 3%, particularly in futures contracts a couple of months ahead.

However, the move was just as quickly offset by the risk premium associated with the Middle East conflict and the current halt to US-Iran negotiations.

At the time of writing, US benchmark crude, WTI, is trading above $105 a barrel, while Brent crude, the international standard, is over $112. Both prices are around 4% higher on Wednesday from the UAE announcement low.

The UAE’s decision follows years of simmering tension between Abu Dhabi and Riyadh over production quotas. The UAE has invested over $150 billion (€128bn) in the state-owned Abu Dhabi National Oil Company (ADNOC) to expand its capacity to five million barrels per day.

However, under OPEC’s restrictive framework, much of this capacity remained underutilised, now prompting the government to prioritise its national interest.

The departure of the group’s third-largest producer is a significant blow to the cohesion of the 60-year-old organisation. Maurizio Carulli, global energy analyst at Quilter Cheviot, noted the limitations this exit places on the remaining members.

“Until tanker traffic through the Strait of Hormuz is safe again, OPEC’s ability to stabilise prices is sharply constrained, while US producers have gained outsized influence,” Carulli explained.

While the UAE has pledged to bring additional production to the market in a “gradual and measured” manner, the sudden lack of coordination within OPEC has introduced a new layer of uncertainty.

For the UAE, the blockade served as a final catalyst for its exit. With its primary export route under threat, Abu Dhabi has sought the diplomatic flexibility to forge independent security and trade partnerships outside the traditional cartel structure.

Despite the geopolitical turmoil, energy equities have remained resilient.

According to Carulli, “integrated majors such as BP, Shell, TotalEnergies, ENI, Chevron and ExxonMobil are benefitting from a price uplift that could add 5-10% to operating cash flow for every $10 increase in oil prices.”

Standoff over the Strait of Hormuz

In a separate but related development, the security situation in the Middle East remains precarious despite a fragile ceasefire. Iran has recently offered a ten-point proposal to reopen the Strait of Hormuz.

In exchange for restoring maritime traffic, Tehran is demanding a full withdrawal of the US naval blockade and an end to the current hostilities.

US President Donald Trump, who recently extended the two-week ceasefire mediated by Pakistan, described the latest Iranian offer as “much better” than previous iterations but still did not accept the terms.

Shortly after, Trump posted on social media claiming that Iran is in a dire and desperate condition with no leverage to negotiate.

Washington continues to insist on a permanent settlement regarding Iran’s nuclear programme and an “unconditional” reopening of the waterway before sanctions are lifted.

The impact of this blockade on global energy security cannot be overstated.

“The prolonged closure of the Strait of Hormuz has removed roughly 12% of global oil supply from the market, according to the IEA, a bigger disruption than the Yom Kippur war, the Iran‑Iraq conflict, the invasion of Kuwait or even the fallout from Ukraine,” Carulli highlighted.

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UAE To Exit OPEC, Fracturing Powerful Gulf Oil Alliance

UAE exits OPEC, exposing Gulf rift over oil strategy, Iran policy, and market stability.

The United Arab Emirates’ announcement to leave OPEC on May 1 marks more than a policy shift: It signals the unraveling of a long-eroding Gulf consensus on oil, economic strategy, and Iran. The announcement comes on the heels of the Gulf Creators event in Dubai on April 27.

“Every Gulf state had its own policy of containment toward Iran, and all of those containment policies have failed,” senior Emirati official Anwar Gargash said at the event. “All our policies have failed miserably,” he added—a rare public admission of strategic exhaustion that underscores why Abu Dhabi is recalibrating its regional and energy posture.

That recalibration now includes leaving the Organization of the Petroleum Exporting Countries. The UAE joined the bloc in 1967, when Abu Dhabi—now the federation’s capital—emerged as an oil producer. In announcing its exit from both OPEC and OPEC+ (a larger coalition that includes Russia), the UAE said the move aligns with its long-term strategy and will allow it to increase output in line with market demand gradually.

Widening Divide

At the heart of the split is a widening divide between Riyadh and Abu Dhabi. Oil policy has long been a source of tension between the two Gulf powerhouses. The UAE’s exit now leaves Saudi Arabia to shoulder a heavier burden in stabilizing global oil markets.

The UAE isn’t the only country to abandon OPEC cohesion. Qatar exited OPEC in 2019, breaking with the Saudi-led bloc amid an ongoing boycott.

Angola and Ecuador also left in recent years. The UAE’s similar move underscores that politics continues to shape the cartel, even as it focuses on stabilizing oil prices through production decisions. And because of its status as a major producer, the UAE’s exit is structurally more consequential for global supply management.

Experts say the UAE produced about 3.4 million barrels per day—about 13% of OPEC’s total output—and had the capacity to reach 5 million barrels per day before the US-Iran war began on February 28.

In effect, OPEC is not just losing a member—it is losing a key balancing force at a moment when geopolitical instability and oil market fragmentation are accelerating.

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Emmerdale spoilers: Todd’s revenge on Jacob, Bear exit ‘sealed’ and Joe’s downfall

Emmerdale spoilers for next week tease huge scenes as Bear Wolf faces court with his fate revealed, while Dawn Taylor targets Joe Tate and Dr Todd plots against Jacob Sugden

It’s a huge week for Emmerdale as several characters’ futures are teased in new spoilers.

We’ve got a revenge plan just as someone finally stands up to their bully. Three characters await to learn if they will be sent to prison or not, with an exit teased.

Two characters confirm they are targeting a villain, which seems to set the path for his downfall. It’s clear it’s a big week for many, so here are the full spoilers for next week’s episodes.

Paddy and Dylan prepare for their day in court, with April expected to give her testimony about Ray’s abuse. As Bear’s trial begins, he is overwhelmed as he’s forced to relive Ray’s death and his experience at the farm.

READ MORE: Coronation Street star ‘confirms’ exit for villain Theo – but he ‘might not’ dieREAD MORE: Who dies on Coronation Street? Clues ‘let slip’ victim and killer ahead of major week

As April and Dylan take their turn to testify, it’s soon Simo’s turn. When he spirals, it’s decided that Bear must take the stand the next day, but is he up to it? Elsewhere, Jacob is uncomfortable bumping into Dr Todd in the village as she mocks him overtly.

When Dr. Todd maliciously implies to Sarah how Jacob is desperate to return to work despite their baby, Sarah heads to confront Jacob. Jacob realises Todd has lied and confronts her, following her into the ladies toilets at the pub where he’s caught by Vanessa.

When Vanessa confronts Jacob about his earlier conduct and Sarah demands to know what’s happening, Jacob finally comes clean to her about all of Todd’s harassment.

Sarah realises how much Jacob is suffering thanks to Todd, and after urging him to stand up to her, she has it out with Vanessa for believing Todd over Jacob. When Jacob finally decides to make a formal complaint with HR, he’s shocked to realise Todd has beaten him to it.

Todd has provided a substantial file of evidence, including voice recordings, leaving Jacob fearing the worst. Also next week, Dawn is struggling to keep up pretences with Joe as she plots against him with Moira.

Moira supports Cain as he shares his concerns over his operation, while Moira’s also feeling guilty as she hides Robert’s betrayal from Cain. It’s a big week for Emmerdale, with revelations and potentially show-changing twists.

Emmerdale isn’t the only soap with big things ahead and if you fancy trying out a different fictional world, Home and Away sees some big moments next week too. Spoilers reveal that tensions are high for Abigail and Mali which leads to a split, while Mackenzie and Levi appear to be back in their happy pregnancy bubble.

David reads Cash the riot act over Tane being on the run, while Tane is back in a cell. Brax considers handing himself in, while an ashamed John admits to Justin, Leah and Roo that the garage will have to close permanently.

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .



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‘White Lotus’ Season 4: Bonham Carter exit, Cannes backdrop, more news

Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter attends the UK Premiere of "Agatha Christie's Seven Dials" on January 13, 2026 in London, England.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Vincent Cassel 2024 in Cannes, France.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the "White Lotus du Cap."

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”

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How the Kings got to the brink of another first-round playoff exit

Kings coach D.J. Smith gave his team the day off Friday, but he sent his players home with a message: if they don’t show up for work Sunday, they’ll have the rest of the spring and summer off, too.

Players don’t like to call any game a “must-win” because of the pressure it brings, but there’s no other way to look at Sunday’s game for the Kings. After losing the first three games of their best-of-seven playoff series with the Colorado Avalanche, the Kings are one loss away from being eliminating in the first round for a fifth consecutive season.

“Must-win game,” agreed defenseman Drew Doughty, who hasn’t played on a winning team in a playoff series since the Kings last won the Stanley Cup in 2014. “Everyone’s going to give everything and we’ve got to win that one. And then hopefully go back to Denver.”

The most recent loss came Thursday when the Avs scored two fluky goals on pucks that bounced in off the skates of Kings players and put another one into an empty net in a 4-2 victory that pushed the Kings to the brink of elimination once again.

“You don’t like the result,” Smith said. “And it’s tough to swallow.”

For Colorado, the best team in the NHL during the regular season, it hasn’t been the most stylish of postseasons. But after a pair of hard-fought 2-1 wins at home, the Avs have a chance to sweep a playoff series for the first time since 2022, when they won their last Stanley Cup.

“All the games have been tight. We’re right there,” forward Quinton Byfield said. “Each guy, including myself, we just have to give a little bit more.

“We’re doing the right things, we just have to dig in a little bit more.”

It’s hard to say how. The Kings’ power play has been good, scoring a goal in each of the three games, and their penalty kill even better, shutting out the top-scoring team in the NHL on nine tries with a man advantage.

The Kings have been physical and fast and goaltender Anton Forsberg has been brilliant in his first career playoff series, making 90 saves in the three games. Yet none of that has paid off with a win.

“Sometimes you play real well for stretches and you don’t get the results. And then you’ll win a game you don’t deserve to win,” Smith said. “Maybe we didn’t stay with it long enough.”

“Those games are over with,” a frustrated Byfield added. “You can’t look back at those games. It’s just on to the next one, that’s our focus.”

Doughty said the Kings need to wear down the Avalanche, something they clearly couldn’t do in the two games played in Denver’s mile-high altitude. They might have a better chance Sunday at sea level.

“I don’t think we’re creating enough Grade A chances,” he said. “They’re statistically one of the best teams in the neutral zone. So for us to beat them, we’ve got to wear them down in the D zone, make them tired and score goals that way. We haven’t done that enough.”

Every team has its kryptonite and the for the Kings that appears to be the first round of the playoffs. Over the past dozen seasons, the team has gone 9-27 in the postseason, taking a series to a seventh game just once in six tries. Along the way they’ve changed general mangers twice, changed head coaches five times and even changed their opponents, facing the Avs this year after losing four straight series to the Edmonton Oilers.

None of that has changed the results.

Smith, in fact, is an interim coach, having taken over for Jim Hiller with 23 games left in the regular season. He figures to be coaching for his future Sunday since a playoff sweep won’t look good at his resume.

“There’s no quit in there,” Smith said of the Kings’ locker room. “We’ll get reset with practice [Saturday] and I think you’re going to see our best effort.

“Now we’ve got to make a few changes and see if we can spark something.”

If that works, the Kings will be heading back to Denver. If it doesn’t, they’ll be heading home for another long summer.

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Beverley Callard breaks down in tears as she says I’m A Celebrity exit was start of cancer hell

Beverley Callard cried in a new video posted this evening as she explained how I’m A Celebrity was the start of her struggles, which eventually led to her being diagnosed with breast cancer

Beverley Callard broke down in tears as she said her I’m A Celebrity exit was the start of her cancer battle.

The Coronation Street star was forced to quit I’m A Celebrity days before the final on medical grounds. She departed the show after falling ill, with bosses telling her she had to leave for her health.

However, now Beverley has spoken out and explained how she lost consciousness whilst on the show, admitting “I didn’t know then that I had cancer” as she reflected on her time on the show.

Speaking after her exit aired on the ITV show, she said: “I just watched my exit on I’m A Celeb and it made me cry all over again. Of course, I didn’t know then that I had cancer but I just knew that it was the last couple of days there that I hadn’t felt very well.

“What happened was, I went into the Bush Telegraph and apparently, I lost consciousness for a little while. I just wasn’t feeling myself. They took me to a medical hut and they were amazing; they really looked after me and they said you can’t go back.”

She added: “And I said ‘don’t say that, don’t send me home, I’ll be fine. I wanted to succeed and make it through to the end but that was the start of everything. It’s made me really emotional but I will beat this. I will beat it.”

Announcing her exit to her campmates tonight, Beverley explained how she was told she had to leave. She gathered them around and cried as she said: “Hi guys, I’ve just got something to tell you all.

“I didn’t feel very well this morning… and the medics have advised I can’t return to camp. I’ve got to go home. I don’t want to go. I’m absolutely gutted. I wanted to finish.”

She said she “had a funny turn and they’ve said I can’t come back in and I’ve got to go out. I don’t want to go. I’m gutted I wanted to finish. I wanted to prove older women could do it.”

Scarlett then told her: “Your health is more important,” with Adam adding: “Look how far you have come. I’m so proud of you.” Craig said of her exit: “She gave a really good account of herself and can leave with her head held high.”

Since announcing her diagnosis in February, Beverley has been keeping fans updated on her health and recovery.

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Claudia Winkleman says Strictly ‘deserves’ change as she admits truth behind sad exit

Claudia Winkleman explains it was a very emotional moment when she left Strictly Come Dancing with Tess Daly last year

They will be watching the new series of Strictly Come Dancing together. But Claudia Winkleman says she and Tess Daly decided to bow out from the BBC show because they worried about becoming complacent in their roles.

No one ever doubted the pair loved BBC’s ballroom series. But speaking in-depth about their decision to leave, Claudia says she started to see signs that they needed to go ahead with their pact to quit at the same time.

“You want to leave on a high,” says Claudia. “And you want to leave when you are loving it. We were tiny cogs in this huge sparkly, glittery thing. We were tiny as we had props guys holding Eiffel Towers, the amazing band, the dancers, the costume and hair and make-up and everything else and the lighting.

“We thought it was time to leave. Years earlier they said Gloria Estefan was playing in Blackpool and we were like ‘I cant believe it’. I phoned my husband and said ‘I have to practice the Conga’.”

By then end of their run though, even big names and learning new dances were commonplace. She explains: “We thought it was time to leave. You know, not that I was not excited at the end, but both of us were a bit like ‘Oh yeah…cool. Alright, so then I do that…(routine)’.

“It deserves ‘new’ (change). But what shocked me was, we did the last live show. All week was like ‘We are fine’ but I could not stop crying as it has been my entire life. You know sometimes when you decide something like ‘Let’s move house’. Then you pick up the final box. Not that you have done something wrong but it just feels big.”

For Strictly’s launch in 2026, it will be all change in terms of hosts but also with some things still be the same. Claudia and Tess will be together, but snuggled up away from the cameras.

“Tess and I have already planned. We are having jacket potatoes and I am having the salmon. She is coming to ours, her and Vern(husband Vernon Kay). I am not joking. I am going to set her up with a nightie and we are going to watch and support and love it.”

For many years now, pretty much every TV show Claudia Winkleman has touched turned to gold.

Her Strictly Come Dancing stint on the main show for 15 years, hosting The Traitors and now huge spin off hit Celebrity Traitors too, as well as smaller shows like The Piano which won critical acclaim for Channel 4.

For her other major project The Traitors, Claudia says it requires very different skills compared to fronting Strictly, where she says a lot of the credit should go to Tess.

“Tess did all the heavy lifting on Strictly and I am grateful for it. But on Traitors I had to be strict. I was worried about that. I am in life a cheerleader like if my kids fill the dishwasher I am like ‘Lets film it’. So I am a cheerleader and I am able do that on Traitors when they do the missions. I want to feed them chocolate as I am on their side.

“But I have to get a bit strict like when my kids have not done their homework. I love the game so much so that is how I have to be. The producers did tell me to push it.”

Whilst she will continue to front the series, she admits it has made her more thoughtful about lying and deceit in real life.

“Traitors makes me cry. I am not that harsh. I want the traitors to win and the faithful to get them in equal measure. Also it is a lot of money if it is for charity or for them individually.

I have learned a lot of things that I wish I had not. It has made me realise there is no such thing as gut instinct. It is all about what you tell yourself afterwards. And I have learnt you can know the truth but you can persuade people to follow you and that makes me heartbroken. Will I do a children’s version? No.”

After referencing her kids, Claudia, at a charity Q&A event, is asked more about her own family.

She has been married to film producer Kris Thykier since 2000, and they have three children: Jake, Matilda, and Arthur. But there appears to be no risk of nepo babies in the Winkleman household.

With a grin Claudia says: “I told them to nepo up. One wants to work in hospitality, one wants to be a doctor and one wants to be a chemist. I said ‘I can navigate you work experience’ and they were like ‘No thanks mum.’ They are not interested in film (husband’s work) like they say ‘Not unless it comes in a test tube’. So no. That is not what they have asked for.”

Claudia was giving a rare interview to TV director Ben Winston at St John’s Wood Synagogue in London in aid of Lira Winston Fellowships, which focus on identifying and nurturing Jewish school educators

Asked about her thoughts on rising anti semitism, she said: “How do I navigate the industry? The industry itself does not feel anti-Semitic to me. That is my experience. But the growing anti-Semitism and the growing Islamophobia and racism that we see everywhere is really, really terrifying I suppose.

“I don’t want to say terrifying in front of my kids, but it is worrying. And that is why it is so important that we have got to look after each other and people from other communities.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.



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Barcelona appeal to UEFA over Laws of Game failure in Champions League exit | Football News

European football’s governing body has already rejected one appeal by Barca about their quarterfinals against Atletico.

Barcelona have lodged another complaint with UEFA, after their protest about a handball incident in the first leg of their Champions League quarterfinal defeat to Atletico Madrid was rejected this week.

The Spanish club said in a statement on Thursday that several refereeing decisions across both legs of the tie, which Atletico won 3-2 on aggregate, “did not comply with the Laws of the Game, resulting from an incorrect application of the regulations and a lack of appropriate intervention by the VAR system in incidents of clear significance”.

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The Catalan club, which finished both matches with 10 men after the dismissals of Pau Cubarsi and then Eric Garcia, believe they were on the wrong end of several contentious decisions, including two potential penalty situations that did not trigger VAR intervention.

“The accumulation of these errors had a direct impact on the course of the matches and on the final outcome of the tie, causing significant sporting and financial harm to the club,” the reigning Spanish champions added.

Barcelona said the club “reiterates the requests previously made to UEFA” and offer to “collaborate with the organisation with the aim of improving the refereeing system to ensure a more rigorous, fair and transparent application” of the regulations.

On Tuesday, UEFA had rejected as “inadmissible” the five-time Champions League winners’ initial complaint regarding a handball on a goal kick by Atletico defender Marc Pubill in the first leg, which his side won 2-0.

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Where is Coronation Street’s Kirsty actress now 13 years after exit for abusing Tyrone

Kirsty Soames is one of Coronation Street’s most infamous villains before she was sent to prison for her crimes over a decade ago

Coronation Street’s Kirsty Soames caused plenty of drama during her stint – but what has the actress been up to since her exit?

Back in 2011, Kirsty (Natalie Gumede) made her debut as the love interest of Tyrone (Alan Halsall). The pair soon hit it off – and even went on to welcome a daughter, Ruby, together in 2012.

However, things took a dramatic turn when Kirsty started to abuse Tyrone, often turning against him in violent rages. The nasty police officer ended up lying and accusing Tyrone of abusing her.

However, during his trial in 2013, Kirsty confessed that she was the abuser and Tyrone was cleared of any wrongdoing while she was convicted and sent to prison. She nominated Tyrone to have custody of Ruby, and he told her he never wanted to see her ever again.

A year later though, she was referenced on the long-running ITV soap when she sent Tyrone abusive texts after leaving prison in 2014. Fast forward to 2021 and Tyrone was informed that Kirsty had died. It was claimed that Kirsty died from an aneurysm, and she was discovered in her flat by a neighbour.

And over on the long-running soap this week, Tyrone’s domestic abuse past was mentioned after it came out that Todd Grimshaw (Gareth Pierce) has been abused by husband Theo Silverton (James Cartwright).

Talking about her decision to leave the soap, Kirsty actress Natalie previously said: “It was really tough, but I was ready to leave.

“I think it was a healthy time to go after such an intense storyline, but it’s surprising how a place kind of creeps under your skin, and I don’t think I could have wished to work with a better team so it did surprise me how emotional I was at leaving.””

After her cobbles exit, Natalie was in high demand. She appeared on BBC’s Strictly Come Dancing in 2013, and was partnered with Artem Chigvintsev. The pair lost out to Abbey Clancy & Aljaz Skorjanec and came joint second along with Susanna Reid & Kevin Clifton.

Her other TV credits include 2015’s ITV Jekyll & Hyde, Vera in 2019 and Netflix’s Free Rein from 2017 to 20192. Natalie also appeared in the 2022 Netflix smash Your Christmas or Mine? and it’s sequel in 2023, playing Kaye Taylor.

Speaking at the premiere of the movie, Natalie revealed it was refreshing to play the fun Kaye after always playing a “dark” and “sinister” character.

“Aunty Kaye is one of the my most favourite characters I’ve ever played. I’m always sort of the dark, slightly miserable character, a bit cold a bit sinister,” she said. Natalie added: “And so for the first time I could really just get my teeth into something where I could just be silly and have fun and I absolutely loved it.”

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX

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With Swalwell exit, California governor’s race is starting anew

Eric Swalwell is out — of the California gubernatorial race and Congress, spending time with family, as they say, after allegations of rape and sexual misconduct. That could be considered good news for the slew of Democrats who remain in the running, and even the two Republicans currently polling near the top.

But this muddled campaign season has clearly failed to capture voters’ imagination. This despite a sex scandal, a billionaire spending his millions, a dark horse spending tech-bro millions, a debate where the invitations were so controversial the event was canceled and a sheriff seizing ballots in a failed MAGA-pandering stunt. (President Trump ended up backing his opponent.)

After all that, you’d think Californians would care, at least in a spectacle sort of way.

But they don’t. At least not yet.

So is “undecided” going to remain the leader in the race until voters are forced to fill in their ballots? Even Republicans, with the Trump-endorsed Steve Hilton and Riverside Sheriff Chad Bianco as their main choices, can’t make up their minds.

Times columnists Anita Chabria and Mark Z. Barabak ponder why the race is such a hot mess, who benefits from the Swalwell implosion, whether anyone will ever get excited about any of these candidates — and what all that means for the future of California.

Chabria: We are less than 50 days out from the primary on June 2 and somehow this race remains both boring and unpredictable.

There’s lots of talk about whether the two remaining top Democratic candidates, former Rep. Katie Porter and billionaire investor Tom Steyer, will scoop up Swalwell’s supporters — or if a second-tier contender such as San José Mayor Matt Mahan, former state Atty. Gen. Xavier Becerra or ex-L.A. Mayor Antonio Villaraigosa may rise from the near-dead with a surprise surge.

With such a short amount of time and candidates who have already proved their lack of charisma, I’m worried that what happens next really comes down to money — which Steyer and Mahan have. Mahan’s tech-industry backers are already said to be lining up millions of dollars in ad buys to blitz his name and image on our consciousness in these final days, like a breakfast cereal we didn’t know we wanted to buy.

Ditto Steyer, though he’s got a much higher profile and backing from several key unions.

Do you think that money is going to rule the finish line in this one, or do any of the other candidates have a shot through sheer determination?

Barabak: Let’s be real.

If Tom Steyer was some schmo named Tom Steinway without a vast fortune buoying his political ambitions, he wouldn’t be remotely in the running, much less talked about as one of the putative front-runners. As it is, Steyer has burned through the equivalent of a small country’s GDP and he’s still not cracking 15% in polls.

That’s not exactly a ringing endorsement, notwithstanding all those he’s managed to leverage through his wealth.

California has a long history of rejecting moneybag candidates. In fact, not one has ever been elected governor. That said, we’ve never seen a contest like this one — and that was before Swalwell’s candidacy went up in salacious smoke.

The closest parallel — absent that above-referenced self-immolation — was in 1998. Voters weren’t crazy about the two leading candidates, including a rich guy blasting them with a firehose of TV advertising, so they opted for the colorless guy running far back in the pack. (And yes, dear reader, Gray Davis was eventually recalled, but that came well after the fact.)

There’s a saying in Iowa, around its presidential caucuses. The secret is to organize, organize, organize and then get hot at the end. California, obviously, is not the kind of state you win by holding a million and one kaffeeklatsches. But the principle — lay the groundwork, then count on timing and good fortune — could apply here.

Who might that be? Mahan’s sudden cash gusher can’t hurt. But your guess is as good as mine.

Chabria: The thing about organizing is that for Democrats, much of that work is done by labor unions. They provide the people, the phone banks, the door knockers. The California Labor Federation this time around endorsed basically everybody (Swalwell, Steyer, Villaraigosa and Porter), giving none of the Democratic candidates an advantage.

In a rare move, the California Labor Federation and Service Employees International Union California pulled their endorsement of Swalwell, as have other unions after these allegations came out. But labor remains split among the other candidates (though Steyer seems to be gaining unions’ affections), a real problem when it comes to that kind of organizing.

It’s that division of real people power that makes me worry money will have even more influence this time around.

But also, there is the unknown. There’s chatter online that a famous or strong contender (Kamala? A celebrity?) could stage a last-minute write-in campaign. Although state law no longer allows a write-in for the general election, there’s a tiny window left for one in the primary. What do you think? Could someone new swoop in and excite the voters enough to go rogue?

Barabak: Well, there’s Steve Cloobeck.

Who, you’re probably asking?

He’s a rich real estate developer who quit the race in November after an unsung yearlong campaign. Upon exiting, he enthusiastically endorsed his close friend, Eric Swalwell.

Speaking with our colleague Seema Mehta, Cloobeck said he wished the Legislature would amend the state Constitution so he could file to reenter the governor’s race — a delusion right up there alongside President Trump comparing himself to Jesus.

Seriously, political gossips abhor a vacuum, so they fill it with all sorts of fantastical scenarios of candidates riding in on white horses and rescuing us from … what exactly?

I’ve been the rare voice arguing this governor’s race is not at all boring. Boring would have been Kamala Harris holding a commanding lead for the Democratic nomination and people speculating whether anyone could stop her. While this bunch of candidates won’t send laser light dancing across the darkened sky, there are plenty of quite capable people still in the running, unless you’re looking for someone to entertain and/or offer California four years of distraction and diversion.

And we’ve seen what putting a reality-TV star in the White House has gotten us.

Chabria: At the end of the day, or at least election day, this is a question of whom we trust with the future of California. Ultimately, that’s why this race is a hot mess — none of the candidates, Republican or Democrat, have offered a vision inspiring enough to make voters want to trust them with the next four or eight years.

To me, that’s the real failure here. I don’t think voters would mind boring at all, if it was dolled up with credibility and competence.

I agree with you that we don’t need another reality star in any elected office. And more than one of these candidates has the skills to run the state. But in an era of deceit, arrogance and flashy incompetence, voters do want someone they feel they can trust.

So far, none of the candidates have delivered that sense of security, that they are campaigning as a public servant — instead of the thirsty contender hoping for a rose.

So either someone steps up and earns the rose, or it goes to the top-two least-worst. The June primary is holding on to her secrets for now.

Barabak: You know me; always one to look on the bright side!

If you’re a Republican, the bright side is the long shot, but not impossible, prospect of Bianco and Hilton nabbing both spots on June 2. That would mean one of the two lands in the governor’s office in January, notwithstanding California’s overwhelmingly Democratic leaning.

For an unaffiliated voter and political noncombatant like me, a Californian who deeply cares about my home state, the bright side is this: At least people are finally paying attention to the governor’s race.

So dive in! You’ve got just under seven weeks to make up your mind.

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TikTok ad leader steps down in latest high-profile exit

TikTok advertising leader Khartoon Weiss is leaving the short-form video company, joining a wave of American executives stepping down over the past year.

Weiss is departing to pursue a new opportunity, the company said Tuesday. She had been at the video service for nearly six years, most recently in charge of TikTok’s global brands and agency business for North America.

Other recent departures have included global head of creators, Kim Farrell, who left earlier this year after almost six years, and Blake Chandlee, who departed in 2025 after leading advertising and marketing for six years.

Michael Beckerman, a public policy executive who helped lead TikTok’s fight against a US ban, also exited last year, as did music chief Ole Obermann. And Erich Andersen, who served as US-based general counsel for TikTok and its Chinese parent ByteDance Ltd., left that role in 2024.

Though ByteDance spun off key parts of its US business in January — part of a national security deal brokered by the Trump administration — the Chinese company remains in control of the advertising and marketing arm. In March, Weiss was the star of TikTok’s first major event since this tumultuous regulatory saga came to a close following more than half a decade.

“We’re going to kick into fifth gear,” Weiss said at the event. “We’re going to completely accelerate.”

In a memo this week, Weiss told advertisers that a search was underway for a replacement. The message was first reported by Digiday.

ByteDance regularly restructures TikTok teams and shuffles leaders. In some cases, it’s enlisted leaders or personnel who worked in China, angling to replicate the success it’s enjoyed in that country with TikTok’s sister app, Douyin.

Levine writes for Bloomberg.

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Katie Boulter suffers first-round exit to Elena-Gabriela Ruse in Austria

Britain’s Katie Boulter suffered a first-round defeat to Romania’s Elena-Gabriela Ruse at the Upper Austria Ladies Linz Open.

Boulter, 29, went down 7-6 7-6 on clay to world number 87 Ruse, who will now face Ukraine’s Dayana Yastremska or American Ann Li in the last 16.

Boulter lost her first two service games in the opening set but twice broke before she was edged out in a tie-break.

The British number three broke Ruse’s serve for a third time to take an early advantage in the second set but her opponent immediately responded in a see-saw encounter.

Boulter staved off match point at 6-5 down to force another tie-break, but Ruse claimed two mini breaks to move 5-2 ahead before serving out to seal her win.

World number 62 Boulter won the fourth WTA Tour title of her career at the Ostrava Open in February and reached the last eight at the Merida Open in Mexico.

However, she did not make it past the second and third rounds respectively at Indian Wells and the Miami Open prior to this loss.

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Midsomer Murders’ Neil Dudgeon praises co-star’s ‘fantastic’ replacement after exit

EXCLUSIVE: Midsomer Murders star Neil Dudgeon has nothing but praise for his co-stars

TM: Neil Dudgeon says he isn’t leaving Midsomer Murders

Midsomer Murders star Neil Dudgeon has paid tribute to his “absolute treasure” co-star while discussing his return as DCI Barnaby in the popular ITV series.

Production for the forthcoming series of Midsomer Murders is presently underway, with Neil reprising his role as DCI Barnaby alongside his sidekick Sergeant Jamie Winter (portrayed by Nick Hendrix) and Dr. Fleur Perkins (Annette Badland).

However, in an exclusive chat with Reach PLC, Neil revealed what it was like collaborating with his cherished co-stars.

When questioned about working with Nick and Annette “so closely”, Neil responded, “It is great. Annette has played Fleur for years and years and is still there.

“Whenever we meet her, she’s saying, ‘Oh, you know, I’ve just come back from such and such, where I’ve been filming this, and I’m going to Manchester next week,” reports the Express.

“She’s in three or four days, and episodes in between, she’s going off doing all sorts of things, but she’s in great demand, because she’s such an absolute treasure.”

He added, “And Nick is fantastic, and I feel very blessed. I’ve always felt very blessed because when I started, I had Jason Hughes, who was the Sergeant.

“And then when Jason left, I thought ‘Oh, it won’t be the same’, and then Gwilym Lee came along, and it changed him because Barnaby and Jason’s characters were more similar in age, they had a different kind of relationship, and me and Jason had a different kind of relationship, which was hilarious.” Recalling an amusing behind-the-scenes incident, the DCI Barnaby star added, “And we behaved terribly.

“I remember one day we were both so overcome with the hysterics that the director said to us, ‘You can’t carry on until you calm down…alright, both of you out’.

“And he sent us out of the location, and to the car park to calm down, which just made us worse.”

Heaping further praise on his co-stars, the actor continued, “And then Gwilym came along, who was just wonderful and lovely and fantastic.

“And then when he left, I thought, ‘Oh no, I can’t be lucky a third time’. And then Nick came along, and he’s just fantastic. He’s great to work with, and I think we get along pretty well, and it’s so important, because for the five months or so that we’re filming, you meet up at seven o’clock in the morning, and you’re standing next to each other, working with each other until seven o’clock at night.”

Emphasising the significance of their working relationship, he explained, “You know, it’s like 12 hours a day, five days a week for five months. During that period, I’m seeing much more of him than I am of my own family. I think if you’re doing that with somebody you didn’t get on with, that would be really, really hard.”

Midsomer Murders is available to stream on ITVX.

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Kris Marshall’s Beyond Paradise exit ‘sealed’ as Humphrey and Martha ‘set to leave’

Beyond Paradise fans think Humphrey and Martha will leave Shipton Abbott for good

Beyond Paradise enthusiasts have voiced a devastating theory that Detective Humphrey Goodman (portrayed by Kris Marshall) will depart the Shipton Abbott police force to protect one of his team members.

During the opening episode of series four, Humphrey was informed by his new superior that, due to budget constraints, he must dismiss one of his colleagues.

Yet, while Humphrey has not yet broken the devastating news to the team, viewers believe they’ve already determined who will be departing – and there will be more than one exit on the cards.

One viewer commented on social media, “Could this be his last outing as they are looking to reduce staff? May he goes to save the others?”

Another concurred, “I was thinking the same thing,” while a third speculated, “Could be Humphrey, maybe he and Martha go back to Saint Marie?”, reports the Express.

“I’d love for this to happen,” a fourth enthusiast continued, with another suggesting, “Humphrey leaves to save the station and takes a job in Saint Marie.”

After Friday evening’s second episode, Zoe Williams (Melina Sinadinou) revealed to PC Kelby Hartford (Dylan Llewellyn) her intentions to leave Shipton Abbott and embark on travels to Australia.

Certain viewers also suspect Kelby might ultimately depart to travel alongside Zoe. One fan posted on social media, “Is Kelby going to leave to go travelling with Zoe?”

Another proposed, “Zoe off to Dolphin Cove would be great!!! Kelby in tow even more amazing (as long as he comes back) Poor Esther.”

A third enquired, “Kelby and Zoe off travelling?” Fans were equally quick to spot the nod to Death in Paradise spin-off, Return to Paradise, and were delighted at the possibility of a crossover between the two series.

As Zoe and Kelby crossed paths, Zoe remarked, “Sorry, I was miles away.”

“In Dolphin Cove,” Kelby replied, to which Zoe asked, “Have you been?”

“I wish,” the police officer responded. “It just says there. Sorry, I wasn’t snooping; it caught my eye. It looks like paradise. Are you planning on a holiday?”

“I am thinking about going travelling, seeing a bit of the world,” Zoe replied. “That is what life is about, isn’t it?”

Beyond Paradise is available to watch on BBC iPlayer.

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