case

The podcast series comes a week after a public inquiry reported on the case of former neonatal nurse Lucy Letby who was convicted of murdering seven babies and attempting to murder seven others at a hospital in Chester a decade ago.

While the circumstances are very different, Norris’ supporters also argue that his case hinges on disputed interpretations of medical evidence.

The story begins in 2002 when Norris, a 26-year-old nurse, originally from Glasgow, found Ethel in an hypoglycemic coma as she recovered from a broken hip.

Doctors took blood samples to find out what caused her blood sugar to drop so low.

The test results seemed conclusive – she had a massive amount of insulin in her blood.

She died 21 days later, sparking a murder investigation.

A nurse who had been on shift on the night Ethel was found told the police that Norris had predicted the 86-year-old might not last the night.

He quickly became the prime suspect.

The police operation trawled retrospectively through all the deaths on Norris’s wards, looking for potential murders that may have gone unnoticed.

They identified three other cases of unexplained severe hypoglycemic deaths and one where the patient recovered.

No blood tests had been taken from these cases at the time of their deaths to be able to prove insulin poisoning but experts for the prosecution said in court that their medical charts showed persistent and severe low blood sugar readings.

They said that because this was so rare in non-diabetics that it must be murder.

When it came to court in 2007, experts called by the defence said four of the five patients had died of natural causes.

But after a five-month trial and a deadlocked jury, Norris was convicted by a majority of 11-1 and told he would not be eligible for parole for 30 years.

After the verdict, Ethel’s son Stuart Hall said: “I don’t think he should come out again. He’s got the knowledge to commit murder but do it discreetly.”

WASHINGTON — A federal judge early Thursday temporarily blocked President Trump’s move to ban three news outlets from the White House grounds and said CNN, MS NOW and Politico must have their access restored.

It’s the latest development in an escalating showdown between Trump and media outlets whose coverage he dislikes. The president announced he was banning the outlets Sept. 18, assailing what he called “fake news.” More recently, Trump has said negative coverage is dangerous for the country.

The outlets argued that they were singled out because of the content of their coverage — in other words, viewpoint discrimination — and called the ban a “blatant violation” of the 1st Amendment.

In an order posted shortly after midnight Eastern time, U.S. District Judge Timothy Kelly said the media outlets had met the legal thresholds needed to obtain a temporary restraining order, which include the likelihood of succeeding on the merits of the case and of suffering irreparable harm without an order.

“This is a high bar, but Plaintiffs have met it,” he wrote.

Kelly — whom Trump nominated in 2017 and who ordered a CNN journalist’s access restored in a similar case in 2018 — heard arguments Wednesday and ended the hearing without ruling.

On Thursday, he issued the temporary restraining order, which will be in effect for 14 days. Such orders are typically designed to preserve the status quo pending a closer review of the case by the court.

During the hearing, Kelly questioned whether the administration had met its legal responsibilities and provided CNN, MS NOW and Politico with adequate due process before banning them.

The rulings in two prior cases over press access, including one that went to the U.S. Supreme Court, made it clear that journalists are entitled to an opportunity to be heard before they have their press passes revoked.

Justice Department attorney Michael Velchik argued that the rulings in the earlier cases were wrong.

The judge noted that his decision would be guided by prior rulings in comparable 1st Amendment cases, even if the government disagrees with them.

Former NFL star Antonio Brown has accepted a plea deal that will reduce the charge of attempted second-degree murder he’s facing in Florida to aggravated assault, his attorney told The Times on Wednesday.

The move will result in a significantly lighter sentence for the Super Bowl LV champion, according to attorney Mark Eiglarsh, who said Brown would receive three years of probation with the possibility of early termination after half that time is served.

A conviction for the first-degree felony of attempted second-degree murder with a firearm would have brought a prison sentence of 20 to 30 years.

Eiglarsh added that Brown will be given a withholding of adjudication, meaning he will not be considered a convicted felon. He also said that the main requirement of Brown’s probation is simply “staying away from the alleged victim, which he has no problem doing.”

“No community service hours,” Eiglarsh said. “No anger management. No evaluation psychologically. No drug treatment, no evaluations for anything like that. No letter of apology, no fines, nothing.”

A spokesperson for the Miami-Dade County state attorney’s office would not confirm that a plea deal had been reached, stating in an email that “whatever is to transpire regarding an open & pending case will be fully clarified at the next hearing,” which is scheduled for Sept. 30.

A warrant was issued for Brown’s arrest in June 2025 stemming from an altercation outside a celebrity kickboxing event in Miami the previous month. According to the warrant, “cell phone video obtained from social media” showed Brown advancing toward the other man with a gun in hand and captured “two shots which occur as Mr. Brown is within several feet” of the alleged victim.

Brown wasn’t arrested until November, when he was apprehended by U.S. Marshals in Dubai. He entered a not guilty plea to the first-degree felony charge of attempted second-degree murder with a firearm.

In December, Brown filed a motion for the case to be dismissed under Florida’s “Stand Your Ground” law, which means an individual has no duty to retreat before using deadly force in certain circumstances of self-defense.

Earlier this month, the alleged victim, Zul-Qarnain Kwame Nantambu, released a statement through his attorney saying that he “does not wish to participate” in Brown’s prosecution.

In a statement sent to news organizations on Wednesday morning, Eiglarsh said that despite changing his plea, Brown still maintains that he acted lawfully during the incident.

“Antonio believes in his innocence. He believes strongly in his Stand Your Ground defense, and he believes he would ultimately prevail at trial,” Eiglarsh said. “But when prosecutors put an offer on the table that transforms a potential decades-long prison sentence into a significantly reduced charge and probation, there was simply no way he could reasonably turn it down.”

He added: “Antonio has eight children who depend upon him, and every additional day this case remains unresolved creates extraordinary obstacles for him in securing endorsement opportunities and other business opportunities necessary to support his family. He has spent more than 10½ months living under the cloud of a case with no realistic end in sight. At some point, closure has tremendous value.”

DES MOINES, Iowa — A judge on Wednesday dismissed President Trump’s lawsuit accusing the Des Moines Register and its former pollster of misrepresenting the state of the 2024 presidential race, rejecting the president’s claim that the newspaper’s poll coverage violated Iowa’s consumer fraud law.

Calling the case extraordinary, Iowa District Judge Scott J. Beattie said that allowing the lawsuit and its “faulty” claims to proceed could have a chilling effect that “can discourage others from reporting on and debating public affairs.” He sided with pollster J. Ann Selzer and the newspaper, which described the lawsuit as a conspiracy theory and an affront to free speech protections.

The ruling Wednesday came hours after a judge heard arguments but did not rule from the bench in a case on Trump’s ban of CNN, MS NOW and Politico from White House grounds. Trump banned the three outlets beginning Friday, assailing what he called “fake news.”

Trump filed the lawsuit against Selzer, the Des Moines Register and the newspaper’s parent company in December 2024, accusing them of fraudulently publishing inaccurate poll results to damage him and help Democrats, saying coverage of polls is not protected speech.

Trump and his team have filed several lawsuits against media organizations accusing them of bias, calling into question the boundaries of free speech protections, particularly for press. Some of those lawsuits have ended in settlements.

In dismissing the case in Iowa state court, Beattie wrote that Trump’s suit sought to “stretch both Iowa statutory and common law beyond their current bounds, turning speech that enjoys the highest category of First Amendment protection into a liability.” After hearing the arguments, the judge concluded the constitutional protection “is too great and the reach is too far. The case must therefore be dismissed.”

Beattie said the case would have to be dismissed even if, solely for the purpose of deciding the motions, he accepted the Trump team’s allegations that the poll was intentionally skewed and its results fabricated.

“Even with this assumption, each of the three counts still fails,” the judge wrote, because the lawsuit did not meet the legal requirements for fraud or consumer deception. He made clear that the poll and coverage of it are constitutionally protected political speech and not a commercial product.

The White House referred questions to the president’s personal lawyers, who did not immediately respond to messages.

U.S. Rep. Mariannette Miller-Meeks and former Iowa state Sen. Brad Zaun, both Republicans, joined the lawsuit. Selzer and her co-defendants wanted the case moved to federal court but, after a year of legal proceedings, the first hearing took place this year in state court.

The poll, conducted by Selzer’s company in the final days of October and released just days before election day in 2024, showed then-Vice President Kamala Harris, the Democrats’ presidential nominee, capturing 47% of Iowa likely voters, to Trump’s 44%.

Trump ultimately won the support of 56% of the nearly 2 million Iowans who voted.

Trump, Miller-Meeks and Zaun alleged the misleading coverage diminished their reputations, valuable time in the final days of the campaign, and campaign funds and resources.

Selzer’s case was taken up by the free speech advocacy group Foundation for Individual Rights and Expression. In separate filings, the Iowa pollster and the Register, with its parent company, Gannett Co., argued that courts never have considered polls or newspapers covering them to be commercial speech even though they may be sold for a profit.

They said the poll coverage, whether right or wrong in capturing the state of the race, was constitutionally protected political speech.

They also disputed the consumer fraud claim, emphasizing the poll and coverage of it were not connected to transactions between the companies and Trump, Miller-Meeks or Zaun.

Fingerhut writes for the Associated Press.

Love is the name. Fraud allegedly was his game. And the list of his victims — several of whom said they became romantically involved with him — continues to grow.

Daejon Labrayae Love, 35, and his accomplice Taylor Jamie Chan, 18, remain in federal custody after their arrest Aug. 24 in Boise, Idaho, on wire fraud and conspiracy to commit wire fraud charges. The FBI charged the two men with scamming at least 26 women in four states out of at least $1.3 million.

Since then many more women have come forward to say they were victims of Love’s schemes, which often involved him impersonating a San Francisco 49ers player. The FBI said it has identified 35 additional women who say they were defrauded, ratcheting up the number of alleged victims to more than 60.

The latest development is especially troubling. A woman told ESPN on Tuesday that she submitted a complaint about Love on the 49ers website eight months ago on Dec. 20, 2025, yet the team apparently did little with the information.

Gwen Herndon submitted a complaint/concern form, writing “there is a federal investigation surrounding a man pretending to be a 49ers player.” She named Love, saying he stole money from women.

“I wanted you to be aware of the situation and are hopefully proactive in denouncing his involvement on your team,” she wrote in the message, which was reviewed by ESPN.

Herndon said the only response she received from the 49ers came from a Levi’s Stadium guest services account a week after her report, encouraging her to contact law enforcement agencies with the information.

“We take reports of individuals misrepresenting themselves as members of the San Francisco 49ers very seriously,” the 49ers response said. “For safety and legal reasons, the team cannot comment on ongoing investigations or specific individuals…. Our internal team will also monitor any instances of impersonation and take action as appropriate to protect fans and the team’s reputation.”

A 49ers spokesperson declined to confirm that Herndon’s email was viewed by team officials, citing the ongoing FBI investigation.

Federal investigators, meanwhile, are working to verify that the 35 women who have come forward in recent days are in fact victims of Love and Chan, Portland FBI Special Agent in Charge Doug Olson said in a news conference.

“We were surprised how many people were victimized in such a short period of time and then to have that many more come forward,” Olson said. “It’s a large volume for just a couple of subjects. Our concern is that this fraud could be replicated by other individuals that are out there victimizing other people in similar schemes.”

The FBI alleges that from February 2022 until they were arrested, Love and Chan fraudulently solicited money from women in California, Oregon, Washington and Idaho.

Love portrayed himself on Instagram as a 49ers wide receiver who went undrafted but worked his way onto the roster. He met many of the women through dating apps and developed romantic relationships with several, according to the FBI. Chan falsely posed as Love’s financial adviser.

In an Instagram Story titled “NFL Journey,” Love held a 49ers helmet while driving and said, “I’m on my way to get my mom. I know I get a lot of fans who want to know how football works or how I got involved in the league…. If you know me and see me in person I’ll explain.”

Experts on interpersonal relationships say that a person can instantly assume someone is trustworthy who exudes warmth and confidence as a first impression — especially if they find the person attractive.

“When we meet someone for the first time, our brains are quietly trying to answer two big questions: Can I trust this person, and do they seem capable and confident?,” said Tammi Pickle, an executive at the personalized matchmaking agency Elite Connections. “Someone who comes across as confident might suddenly seem smarter, kinder, more successful and even more trustworthy simply because of the way they carry themselves.

“When we are attracted to someone, our brains have a tendency to fill in the blanks with positive assumptions. The catch? Those assumptions aren’t always accurate.”

Love quickly gained the trust of dozens of women, allegedly convincing them to give him large sums of money. The FBI said Love instructed several women who did not have cash to invest to take out personal loans, assuring them they would quickly be repaid.

“The scheme relied on Love’s creation of fictitious personas and display of a lavish lifestyle which Love presented to victims both in person and on social media websites,” federal authorities said in a press release.

“Chan and Love also hosted three-way FaceTime calls in which they showed victims falsified investment gains and encouraged victims to part with their money. Victims sent Love and Chan money due to their belief that their money would be invested in legitimate investment vehicles on the victims’ behalf.”

One women who didn’t fall for Love’s scheme told KPTV in Oregon that she went on a 2024 date with him in 2024 after meeting on a dating app. He told her his name was John Prince and claimed he was a Swiss real estate developer.

Anderson said his behavior during their first date raised suspicion.

“He said, ‘I’m very intentional and efficient when it comes to dating, and if I pursue you, you will be the only one I pursue. I need someone who has been around money, who understands that, you know, these things aren’t luxuries to me. This is just my normal life.’

“Within five minutes, I decided I wasn’t gonna see him again.”

Love also manipulated AI. Search engines and AI rely on web scraping and frequency of mentions, and the sheer volume of his fake posts caused AI to mistakenly identify him as an NFL wide receiver. He showed screenshots of erroneous AI search summaries to alleged victims, convincing them he was worthy of their trust.

On an Instagram story, he posted a one screenshot of a webpage AI Overview that says “Daejon Love is a wide receiver for the San Francisco 49ers and information about his position, contract and teammate texting habits is available online. He is also associated with the team in various social media content and articles.”

Love then turns the camera on himself and says, “That’s Google. That’s not me, that’s Google.”

He goes on to explain why he isn’t currently playing, lifting a crooked finger to the camera and saying he is injured. He concludes the story by again saying he wants “full transparency” because “people ask, what do I do? How can I afford a $500,000 car? How can I afford a $300,000 [Lamborghini] Urus? “

He says that he is driving to pick up his mother, then concludes by inviting those watching to reach out to him in person.

In the month before his arrest, Love traveled to New Mexico, California, Oregon, Nevada, Utah and Idaho to meet with women, according to investigators. He allegedly used several fictitious names, including Jon Love, Avril Lyto Love and Jordan Love.

The romp abruptly ended at the Boise airport when Love and Chan were removed from a white sports car by federal agents, according to a video obtained by TMZ. Love appears to be wearing red Niners gear as he is handcuffed.

“Victims were encouraged to take out personal loans and make life-altering financial decisions based on the belief they were building a future with someone they cared about,” said Olson, the FBI special agent. “Once the money was taken, the victims were cut off, left without answers, without funds, and often without closure. Many lost not only their savings, but their sense of security and confidence.”

The Dodgers plan to give catcher Dalton Rushing a chance to make his case for a spot on the postseason roster, after playing just four games in the last seven weeks because of a right elbow injury.

He’s set to be activated from the injured list before the end of the season, manager Dave Roberts said, and he’ll serve as a left-handed bat off the bench.

“Just showing them that I can swing it, and it’s an option,” Rushing told The Times after taking live batting practice Tuesday for the first time since landing on the IL earlier this month. “I know that you kind of tie [the team’s] hands up when you can’t play defense. So, I’m not expecting anything… just continue to take at-bats and see where we go from there.”

The slight tear in Rushing’s ulnar collateral ligament made headlines after he landed on the IL on Aug. 3. But Rushing’s MRI scans suggest the UCL — which is associated with Tommy John surgery — is not the issue.

The pain in his elbow seems to stem from a flexor strain. The small tear in his UCL has remained the same size since 2022, he said.

Rushing received platelet-rich plasma injection after aggravating the flexor injury a second time while working through a throwing program at the beginning of the month.

“I’m pretty confident I can still avoid surgery after the shot,” he said, noting that he’s been getting regular scans to monitor his healing. “Obviously, when I re-injured it the second time, I was almost 70-30, thinking that I was for sure going to need surgery. But after I got the shot and it ran its course, I feel as close to healthy in my arm as I have in a pretty long time.”

This time, Rushing has abandoned the throwing program. But he said he doesn’t regret trying to return to the field the first time around.

“In my eyes, me trying to throw is me showing them that obviously I want to help the team win,” he said. “I want to give us the best available option that we have at that moment, and that was my whole plan all along. So I hope they see there wasn’t any selfishness in that.”

The Dodgers will need a left-handed bat off the bench in October, but Rushing now has competition.

Rookie Josue De Paula replaced Shohei Ohtani on the roster when the superstar landed on the 15-day IL two weeks ago. His first major-league hit was a three-run home run, and he entered Tuesday with a .974 OPS in 10 games.

Even if the Dodgers option De Paula on Wednesday when they reinstate Ohtani, 10 days before the NL Division Series, he will be eligible to be added to the NLDS roster via petition to the Commissioner’s Office.

“It’s going to be a good debate,” Roberts said. “Hitting off the bench is very difficult, and so you’re just trying to figure out who gives us the best chance. To be quite frank, it’s going to be tougher for Dalton given the time that he’s missed, and … you have three games to get back in the playoff form, which is tough to do. It’s not a knock on him. He’s been great for us. But it’s still tough given that also you’re talking about the consistency of at-bats recently from Josue. We have to have those conversations and make a decision.”

Rushing played a large role in the Dodgers’ regular season. In his second year in the majors, he was thrust into the primary role behind the plate for two months because of Will Smith’s lingering neck injury. Now, he might not see the field in the postseason.

“It sucks,” he said of the injury derailing him down the stretch. “I mean, that’s really the only thing I can say about it, it’s not what I wanted — by no means.”

Looking beyond the playoffs, Rushing plans to evaluate his routine, hoping to set himself up to be available for more of 2027.

“I don’t even want to talk about it right now because we still have obviously a bigger task at hand,” Rushing said. “But my main plan moving into playing every day in the future is, make sure that my body can hold whatever stress or whatever is needed for this team — first base, behind the plate, whatever they need. I want to make sure my body can handle it and do it for 162.”

Normally when a telephone rings inside a bar, it’s the duty of the staff to pick it up. But when an old-timey rotary dial phone suddenly springs to life at the Last Canteen, it’s up to guests to decide what to do next.

Answer it — or attempt to make a call from it — and you’ll encounter one of dozens of pre-recorded messages. They’re calls from an imagined future, one when a war-torn America is on the mend from some sort of apocalyptic catastrophe. They’re messages, perhaps, for the bar’s fictional founder, a shotgun-carrying mysterious woman known for her mean bartering skills, or maybe if you’re lucky, you will dial into what sounds like an early 20th century party line and hear from those looking for a date in the Valley, now a neutral zone among warring factions.

The Last Canteen, situated on a stretch of Ventura Boulevard that’s just a short walk from the Universal City metro and minutes from Universal Studios Hollywood, is a new restaurant and bar that looks lifted from a theme park. It also feels like a throwback to an earlier time, when Los Angeles was an epicenter of the themed restaurant.

Southern California has a storied history when it comes to themed establishments. There’s our penchant for food-shaped eateries, of course — see our giant doughnuts or the Tail o’ the Pup — but dinner with a side of story is a Los Angeles-area staple that predates any corporate chains such as Rainforest Cafe or Chuck E. Cheese. From the long-forgotten Jail Cafe in the 1920s to our region’s birth of the tiki bar to the themed restaurant explosion of the ‘80s and ‘90s, when even Steven Spielberg got into the action with the submarine-focused DIVE! in Century City, the themed restaurant has long found a receptive audience in Southern California.

And the Last Canteen feels especially built for our moment.

The Last Canteen’s three founders were going for a lived-in feel.

(Eric Thayer / Los Angeles Times)

Taking influence from the likes of “Mad Max,” “Fallout” and a host of other dystopian, postapocalyptic media, the Last Canteen is a bar for an era — and a city — when the future seems especially uncertain. Whether it’s AI, corporate consolidation, inflation or the struggles of Hollywood that’s got you down, the Last Canteen wants to be your “Cheers” of sorts.

“It’s not the brightest of times, I would say for most of the world, but certainly younger generations are feeling like we got the rug pulled over us — the state of the economy and corporate overreach,” says Jimmy Clements, 32, who founded the Last Canteen with two other friends from the hospitality industry.

“We always joke that the world is ending, but there’s some charm in fully embodying what that would mean, and realizing there’s something on the other side,” he adds. “That’s what attracts me to the genre. OK, the worst thing possible happened, but there’s still people on the other side. We still need community and a place to eat and drink.”

A grenade fashioned out of a baseball is one of the items hidden in the Last Canteen.

(Eric Thayer / Los Angeles Times)

Or as Clements’ partner TJ Lewis says, “Who doesn’t watch ‘Mad Max’ and dream of riding on top of a crazy car with a spike in your hand?”

Despite a potentially bleak concept, the Last Canteen is open and welcoming. The color palette is soft, leaning heavily on dust-like sandy vibes, the cocktail menu takes influence from the fruity, complex world of tiki bars, and a sense of humor permeates the main dining room.

Yes, a demolition bomb, which is actually a movie prop from Angelina Jolie’s “Unbroken,” hangs from the ceiling, but take a moment to explore the venue and you’ll find grenades colorfully fashioned out of baseballs, or rewritten maps of the Valley in its new “Wasteland” era. Universal Studios’ famed minion still stands, but the Ikea is now a “hall of justice.”

Newspapers dot the walls. They’re filled with fiction that tell of the bar’s new reality, giving the place a sense of history and lore. One article, for instance, speaks of a battle that broke out near the remnants of US-101 next to the old “sidewalk stars site.” Another tells of how the bar’s founder took over the land where the establishment now stands. By force, of course. And don’t miss the beer taps, fashioned out of bullets, guns and baseball bats.

The Last Canteen is a themed bar that feels ripe for our era, one in which the future is filled with uncertainty.

(Eric Thayer / Los Angeles Times)

“It’s the difference for us between immersive and themed,” says Lewis. “Like the Hard Rock Cafe is themed. It’s got music on the wall, but you don’t feel like you’re at a concert when you’re there. It’s not immersive. What we were really going for is a lived-in space. We didn’t cover this in ‘Max Max’ posters. It is in the world of. It’s really open-ended. All the details on the wall help paint a picture.”

Of course there were limits. The team jokes that if they really wanted to exploit the dystopian theme, then drinks should likely be served in red plastic cups. Instead, the Last Canteen has proper drinkware, but each type of glass does come from a different set, as the owners wanted to give it a found materials vibe. The menu doesn’t stray too heavily from bar fare, and there are bowls of bison chili ($18), a burger ($18), a charcuterie plate ($21) and, of course, a “Last Meal,” which is a half grilled cheese, a cup of chili and a glass of sarsaparilla ($25).

The cocktail program, however, is extensive. The blackberry-infused Blackthumb or the spiced A Torch or Rosemary feel like darker twists on brighter, lively tiki fare. For those craving the latter, there is currently a frozen version of a Zombie. Bar founders Clements, Lewis and Drew Aloe say the menu, both cocktails and food, will change seasonally.

The Last Canteen founders Jimmy Clements, from left, TJ Lewis and Drew Aloe.

(Eric Thayer / Los Angeles Times)

And the tiki influence is no accident. The three cite the Disneyland Hotel’s Trader Sam’s as the Last Canteen’s primary influence. Also an inspiration? Oga’s Cantina at Disneyland’s Star Wars: Galaxy’s Edge. Theme parks were on their mind as much as the apocalypse.

“What they do so well is they feel really lived in,” Clements says of Trader Sam’s and Oga’s. “It doesn’t feel like a cute homage. You walk in the door and you’re somewhere else.”

And guests are noticing.

“We had someone opening weekend tell me that this feels like an end-of-the-world Trader Sam’s. Thank you. That’s all we want,” Lewis says.

This week in SoCal theme parks

Fast & Furious: Hollywood Drift is now in daily operations at Universal Studios Hollywood.

(Ronaldo Bolaños / Los Angeles Times)

• New coaster. New accolades. New noise complaints. Universal Studios Hollywood officially opened its Fast & Furious: Hollywood Drift last week after months of running the thrill ride in a soft open phase. Fans were happy, with some even calling it the “best” coaster in SoCal. But nearby neighbors in Toluca Lake still want change, arguing that the sound of rider screams from the coaster is disrupting their lives.
• Calling all Disney film buffs. Starting this Sunday, Santa Ana’s Frida Cinema will begin hosting a weekly “Walt Disney Studios” film series hosted by historian/educator Jeff Kurtti. First up is “20,000 Leagues Under the Sea,” which will also feature a presentation from artist/designer Kevin Kidney, who over the years has contributed to many a Disney parks project. Other Sunday screenings will include “Alice in Wonderland,” “Disneyland Handcrafted,” “Swiss Family Robinson” and more. Check out the full series here.
• And speaking of “Disneyland Handcrafted.” It’s the last call for tickets to a stellar Disneyland history and charity event at Santa Ana’s Bowers Museum, which on Sunday will screen the Leslie Iwerks documentary as well as host a reception and panel. Historian and author Tim O’Day will moderate a talk that includes the film’s producer, Mark Catalena, former Imagineer-turned-historian Tom Morris and current Imagineer Emily “Emo” O’Brien, who oversees creative at Disneyland and is leading the team behind the just-announced makeover of Tomorrowland. Tickets start at $125 and are on sale now.

Ride report

The concluding, trippy scene in Inked, a new maze from Knott’s Scary Farm.

(Todd Martens / Los Angeles Times)

As we get deeper into Halloween season, I wanted to highlight another haunted maze, this one being the best one at this year’s Knott’s Scary Farm event. Inked is the maze, and it’s set in a 1930s cartoon studio. While of course having the requisite number of scare actors who will pounce on guests after they turn any corner, the maze also charms as it features original animation in the style of Disney’s classic “Silly Symphony” cartoons. Nearly every room in the haunted house boasts a cartoon scene starring a cutesy ghost, a little cat and an often sad pumpkin man.

The story is the drawn figures have come to life and are now murderous, but you’ll wish you could stop and watch a graveyard short or hang with a jazzy skeleton band. Giant pumpkin heads are animated with cartoon eyes and a mirror-heavy psychedelic scene, pictured above, brings the maze to a fiery conclusion. Knott’s is perhaps relying too heavily on returning mazes of late, but Inked is a winner.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Magic Mountain’s currently shuttered X2 coaster has been in the news of late.

The X2 ride has for years been the Valencia park’s crown jewel, the first roller coaster in the world that spun riders 360 degrees in their seats. It even topped my ranking of thrill rides at the park. I wrote that it was a risky choice, as the coaster is not for the faint of heart. Its seats extend off the track, giving you a sensation of flight at its most chaotic, with an assortment of loops that suddenly shift direction and segue into drops. Due to the constantly changing direction of its seats, the path of the track can be hard to discern.

But X2 has come under close inspection after several lawsuits allege people were injured on the ride. Six Flags shut down X2 in July amid a state investigation into the coaster. The Times’ Fedor Zarkhin has the story.

U.S. Immigration and Customs Enforcement has stopped publicly revealing where it is holding thousands of detainees who are subject to final deportation orders, an unannounced move that has made it far more difficult for lawyers and relatives to find them, according to current and former officials familiar with the practice.

ICE removed those detainees from its online detainee locator system on Sept. 15, according to three current and former ICE officials who spoke on condition of anonymity because they were not authorized to discuss the change. Several lawyers contacted by The Associated Press confirmed their clients vanished from the system this week, and the American Immigration Lawyers Association warned its members about the situation Friday.

The move represents a stark departure from previous practice and highlights the hardline nature of President Trump’s immigration crackdown, leaving thousands of detainees exceedingly hard to trace and potentially unable to exercise all of their legal options.

The practice, which applies to detainees who have received final orders of removal from an immigration court, could speed deportations by making last-minute legal challenges harder to pursue, immigration lawyers said. Nearly 16,000 people who were arrested and booked into ICE detention in July were subject to final removal orders, more than a third of the overall bookings, according to ICE data obtained by the Deportation Data Project based at U.C. Berkeley and UCLA.

The practice does not apply to detainees held at a detention facility in Adelanto, California or at temporary holding facilities in Minneapolis, New York City or suburban Chicago, the sources said. Judges have ordered ICE to list detainees in those facilities in the online locator promptly upon their arrival, as part of litigation over their detention practices.

Lawyers and relatives distressed by lack of information on detainees

The effort to hide their locations adds to the ways in which the Trump administration has made life harder for detainees and their families as it has increased pressure on them to waive appeals and agree to deportation.

ICE did not publicize the move and in a statement issued to the AP, the agency did not confirm or deny it. The statement said detainees with final removal orders were being prioritized for deportation, even as ICE faces a “historic number of injunctions” from courts stopping individual removals.

As a result of the change, lawyers and relatives lost track of their clients and loved ones without explanation, which is especially concerning because detainees are frequently moved to new facilities before deportation, said Greg Chen, senior director of government relations at the American Immigration Lawyers Association.

“Families are freaking out because they think the person has been deported and they don’t know where the person might be,” he said. “On the attorney side, this has serious implications for the ability to contact their client. It certainly has implications about how it will interfere with the attorney-client relationship.”

The Department of Homeland Security, ICE’s parent agency, has argued that people who are subject to final removal orders have received due process. That usually means an immigration judge has ordered their removal after a hearing, including cases when immigrants fail to show up, and the decision was affirmed on appeal or not appealed.

Detainees with final removal orders still have options to appeal

Still, those detainees have options to challenge their detention and removal, including seeking to reopen the case or by bringing what’s known as a habeas petition asking a judge to release them on constitutional grounds. Federal judges have granted thousands of rulings ordering that detainees be released or granted bond hearings.

ICE detention facilities held more than 65,000 people as of early July, the most recent available data. Around 30% of them likely have final removal orders, said Michelle Mendez, legal director at the National Immigration Project.

More people have been issued final removal orders after failing to show up for hearings in recent months because the administration’s immigration courts have taken steps to make it harder to participate and to reopen such cases, she said.

“To me, it’s just another iteration of disappearing people,” she said. “Why would we do that in the United States of America? It’s something we’d hear about in another country and be concerned about individual rights and due process.”

Some with final removal orders also have legal protections against deportation to their countries of origin based on the likelihood they would be tortured or persecuted. Many of them are facing removal to third-party countries where they have no ties and their disappearance in ICE’s system will make legal challenges harder, lawyers said.

Lawyers say clients have vanished from ICE locator system

ICE initiated the online detainee locator system in 2010 to allow relatives, lawyers and the public to search for people in custody. Previously they had to call ICE regional offices or individual facilities to try to track them down.

Many advocates and lawmakers have complained that the system updates too slowly and contains too much inaccurate or missing information, allowing ICE to shield the locations of detainees for days or weeks. Minors, people who have been held by U.S. Customs and Border Protection for less than 48 hours, and detainees who are being transported are not in the system, among others.

But the exclusion of detainees with final removal orders has no apparent parallel, several immigration lawyers said. Atenas Burrola Estrada, a deputy program director with the Amica Center for Immigrant Rights, said that “every single one of our clients who has a final order has disappeared from the locator,” including 17 in all as of Monday.

Among those disappeared from the locator system are eight Somali men being detained at the U.S. military base in Guantanamo Bay, Cuba, according to one of their attorneys, My Khanh Ngo, of the American Civil Liberties Union. She said the change could make it “nearly impossible” for people to challenge their removals in some cases.

“If you can’t find your client, don’t know what’s happening to your client, you can’t get that information to the court to stop their removal,” she said.

Foley writes for the Associated Press.

Kim Kardashian grapples with a health scare that hits close to home in a new trailer for “The Kardashians.”

The reality star and fashion mogul reveals in the reality series’ Season 8 trailer released Thursday that she has been diagnosed with esophagitis.

“I have something called esophagitism,” Kim tells a stylist in the trailer. The Skims founder is then shown in a hospital bed in a series of clips, one in which it appears she’s being wheeled into a procedure. While it’s unclear who is speaking to Kim, someone off-screen says, “Didn’t your father … isn’t it what he died of?”

If esophagitis is left untreated, there’s a risk of developing Barrett‘s esophagus condition, in which the cells lining the esophagus are damaged from acid reflux, according to Mayo Clinic. The condition raises the risk of cancer that starts in the esophagus, which is called esophageal cancer.

Kim’s dad, famed attorney Robert Kardashian, died in September 2003 at the age of 59. He had been diagnosed with esophageal cancer just months before his death.

“I can’t, it makes me want to cry,” Kim’s mom Kris Jenner says in the trailer, alluding to the frightening diagnosis.

Esophagitis is inflammation of the tissues that line the esophagus, per the Mayo Clinic. The condition can be painful and make swallowing difficult, and it can cause chest pain. While there are a variety of causes for the condition, the trailer does not reveal which has contributed to Kim’s case.

Kim Kardashian in “The Kardashians” in 2022.

(Photo from Hulu)

Treatment for the health issue can vary and depends upon the severity of tissue damage and the cause. Without proper treatment, the lining of the esophagus, which is the tube that carries food and water to your stomach, can be badly damaged. This can lead to more serious health issues including scarring and narrowing of the esophagus, or even tearing in the esophagus.

When detected early, however, the condition is considered treatable.

Universal Studios Hollywood’s landscape-changing, park-altering new thrill ride, Fast & Furious: Hollywood Drift, is officially open. The coaster boasting spinning, drifting cars along 4,100 feet of track had been in a soft launch phase since late July. But as of Wednesday morning, the theme park has declared the ride fit for daily operation.

“It elevates us to a new level,” says Jon Corfino, the park’s lead creative executive. “When we first started thinking about this 10 years ago, we recognized that. It’s our first big outdoor coaster. It changes the complexion of who we are, even the visual nature of who we are. You can see this from the freeway.”

The theme park hosted a private ribbon-cutting ceremony — in this case, a metal chain cutting to better represent the action-focused, garage-like grit of the “Fast & Furious” film franchise — on Tuesday evening. Mark Woodbury, the chairman and chief executive of Universal Destinations & Experiences, and Scott Strobl, executive vice president and general manager of Universal Studios Hollywood, together sliced the cable.

‘“Fast & Furious’ has delivered 25 years of high-speed thrills and big blockbuster movie moments and it was the perfect story for us to build this incredible, one-of-a-kind innovative attraction,” Woodbury said, noting a similar coaster, set to open next year, is under construction for Universal’s Florida resort.

Universal Studios Hollywood’s Fast & Furious: Hollywood Drift towers over the theme park.

(Ronaldo Bolaños / Los Angeles Times)

The coaster reaches a top speed of 72 mph, the fastest coaster in Universal’s global portfolio, and places riders in authentic, mini-re-creations of real cars that can rotate 360 degrees to create the drifting sensation of a stunt vehicle. With four inversions that bring guests upside down, Hollywood Drift is decidedly intense.

Wait times on Wednesday were hovering around 90 minutes. “I’m a big fan of the movies, and I think this is the best coaster in Southern California, hands down,” said L.A.’s Peter Lee, 43, as he was exiting the attraction on Wednesday. Lee has ridden the coaster 10 times since late July, but wanted to attend its opening day to purchase a picture of himself on the ride on its first proper day of operations.

Phillip Lambert Duke, 42, of Orlando, came to Universal Studios Hollywood to experience the West Coast edition of Halloween Horror Nights but said Hollywood Drift will be a highlight of the trip. “It’s fantastic,” Lambert Duke said. “It’s beautiful. I love how all the cars move independently of one another. “

Yet Fast & Furious: Hollywood Drift has also attracted some unwanted attention from the neighboring community of Toluca Lake, where residents have cried foul at the sound of rider screams emanating from the coaster. “Untenable,” “disturbing” and “like someone is getting murdered” have been a few of the ways longtime Toluca Lake homeowners have described the noise of riders.

An upside down rider enjoying Fast & Furious: Hollywood Drift at Universal Studios Hollywood.

(Ronaldo Bolaños / Los Angeles Times)

A number of Toluca Lake residents sent a media alert and hosted reporters in their neighborhood on Wednesday’s opening day to showcase just how disruptive the screams could be. Standing in the backyard of a house situated near a neighboring golf course, rider screams are certainly audible, and residents said the consistency of them is destroying their quality of life.

“It’s a constant stress,” said Colby Jensen, 55, a Toluca Lake resident of 26 years. Jensen said some residents have begun exploring their legal options, citing both the emotional duress of hearing constant screams and also a fear of potentially lower property values.

“It’s not just a noise, like the freeway, which is in the background,” Jensen said. “It’ll be quiet for a minute, and then you’ll hear this cacophony of screams. It inherently raises your blood pressure and stress level and it’s unnatural to hear that.”

Sofia S., who declined to give her full last name, said she just returned home to Toluca Lake after graduating from Indiana University. The 22-year-old noted the coaster has made it difficult to work from home.

“I have a little dog, and she’s barking a lot more because she thinks people are trying to come into the house,” she said.

Fast & Furious: Hollywood Drift was designed as one of the quietest thrill rides ever constructed so as not to disrupt the working studio below and the communities nearby. Its track has been filled with pea gravel to mitigate rumbles, and multiple walls and glass-outfitted curved shields have been placed on or near its layout. Universal has even stated that it can rotate the cars so riders scream away from the nearby neighborhood at particularly extreme moments. Such measures have been welcomed by the community, but they’re not enough, say many neighbors.

Universal has scheduled a community meeting with residents for Sept. 30. The park also last month pledged to build additional sound barriers to further dampen rider screams.

Fast & Furious: Hollywood Drift has been the most anticipated theme park attraction of 2026.

(Ronaldo Bolaños / Los Angeles Times)

At Tuesday’s media event, Universal executives declined to discuss community concerns or efforts to alleviate them, but later issued a statement acknowledging that community feedback has been an important part of the process.

“Testing completed to date confirms the attraction is operating in compliance with sound ordinances applicable to Universal property, which are more stringent than city and county codes,” the emailed comment reads.

Toluca Lake residents dismiss criticisms that this comes with the territory of living next to a theme park, noting for much of its history Universal focused on indoor attractions and has previously worked with the community, such as adjusting the audio on its “WaterWorld” stunt show.

Fred Iberri, who said he’s lived in his inherited Toluca Lake home since the early ’70s, said everyone has a right to peace in their home.

“People say, ‘If you don’t like it, it’s your choice to live next to a theme park.’ That’s not true. Universal hasn’t had a coaster outside until three months ago,” Iberri said. “I’ve been here for 52 years, my family for 90, and Toluca Lake has been a peaceful neighborhood until three months ago. Anyone who says that doesn’t know us or the neighborhood. It’s not so easy for seniors to just pick up and move.”

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

PARIS: France’s ex-culture minister Rachida Dati appeared in court Wednesday on corruption charges linked to dealings with the Renault-Nissan group, just months after her bruising defeat in the Paris mayoral race.

One of the most prominent figures on the French right, Dati, 60, stood in court dressed in black to hear the charges against her, all of which she denies.

Carlos Ghosn, the fugitive former Renault-Nissan chief now living in Lebanon, is being tried in absentia.

Dati has been dogged by controversies for much of her political career.

She resigned as culture minister in February to concentrate on the Paris mayoral race, but lost to Socialist rival Emmanuel Gregoire in March.

She stands charged with corruption and influence-peddling over alleged lobbying for Renault-Nissan between October 2009 and February 2013 while she was a member of the European Parliament.

She became an MEP after serving as justice minister between 2007 and 2009 under President Nicolas Sarkozy.

She has been accused of accepting 900,000 euros (around $1 million) in lawyers’ fees from a Netherlands-based subsidiary of Renault-Nissan.

Dati, who is still the mayor of the French capital’s wealthy seventh district, denies all the charges.

She faces up to 10 years in prison and a fine of up to 450,000 euros, if convicted. She could also face a five-year ban on holding public office.

Her legal team said Dati worked “exclusively” as a lawyer for the Netherlands-based subsidiary.

“Unfounded allegations of influence-peddling in the European Parliament stem from an artificial intellectual construct devised by the prosecution,” her lawyers said.

– ‘Explain facts’ –

French prosecutors argue that a legal services contract signed in 2009 between Dati and Ghosn, under which the former minister was paid an annual fee of 300,000 euros, was used to disguise lobbying work.

Investigators obtained the contract in 2019 during a search of Renault’s headquarters following Ghosn’s arrest in Japan, in a separate case.

Ghosn, the 72-year-old former chairman and chief executive of the Renault-Nissan-Mitsubishi alliance, was arrested in Japan in 2018 on suspicion of financial misconduct, before being sacked by Nissan’s board.

He made a dramatic escape from Japan hidden in an audio-equipment box, landing in Beirut, where he remains at large.

Ghosn faces a litany of charges, including abuse of power and bribery. He has denied any wrongdoing.

In a letter sent to the court in August and seen by AFP, Ghosn requested that the proceedings be postponed.

Denying any attempt to “delay the trial”, Ghosn said he was prepared to appear by video link to “explain facts” that he disputes.

Dati has repeatedly sought to have the charges against her quashed.

She has also been accused of accepting nearly 300,000 euros in undeclared payments from energy group GDF Suez, also while an MEP.

Prosecutors said last year they were looking into reports that Dati failed to declare jewelry and watches worth 420,000 euros upon taking ministerial office.

She has denied any wrongdoing.

Early in life I discovered I had a particular affliction, and that was a proclivity for spending time at theme parks. I only phrase it that way because I understand some may find such a desire peculiar, which has made me particularly attuned to many comments about theme parks, especially those that aren’t positive.

Too hot, too crowded, too expensive or simply geared only for children. And while I’m happy to discuss or debate all aforementioned topics, there’s one particular criticism that I find especially grating: Theme parks are fake.

This is the argument that they are heavily fabricated and designed to elicit an emotional response, or worse, manipulate us. And it’s one I hear time and time again from grown-up peers. Over the years, it’s cropped up from friends. “Why do you go there?” they will say. “Everything is fake.” It’s appeared in books such as Henry A. Giroux’s and Grace Pollock’s scathing “The Mouse that Roared,” which dismisses the parks as presenting an “infantilized” worldview. And I’ve heard it from people I’ve interviewed, such as the USC professor of psychology who told me that theme parks were so fake, they forbade surprises.

The criticism irks me, in part, because of what it implies. By dismissing a Disneyland or a Universal Studios park as “fake,” there’s an implication that something is “more real.” A national park, perhaps, or a dedicated art institution. I adore those types of spaces as well, of course, but there’s an ignorant snobbery to this sort of remark, a thumbing of the nose that seems to argue I should spend some of my free time elsewhere.

This has been on my mind of late for a pair of reasons. One, I recently visited the Lucas Museum of Narrative Art and have been consumed with the discourse surrounding the value of story-driven art. And two, I recently read “Floating Mountains: The Art of Imagining the Impossible” by famed Disney designer Joe Rohde. The book is many things — an impassioned dissection of creative collaboration, a look at Rohde’s 40 years with Walt Disney Imagineering — but it is also a subtle argument that theme parks are vital, artistic spaces.

A statue of Walt Disney and Mickey Mouse in front of a very real fantasy castle.

(Christina House / Los Angeles Times)

I agree, and so I decided to bring up my pet peeve while talking to Rohde at the recent all-things-Disney fan convention D23.

“It’s a very odd criticism,” Rohde says of the knock on theme parks as being fake.

“Of course they are not real,” he tells me. “Movies are not real. Theater is not real. It’s like René Magritte, ‘Ceci n’est pas une pipe.’ Of course, a picture of a pipe is not a pipe. I don’t understand why that is an issue. It is a creation. In some cases it is a photo-realistic creation. In some cases it is a stylistic creation. But it is a creation. That’s what makes it a work of art.”

In “Floating Mountains,” Rohde, the primary creative behind the stunning Disney’s Animal Kingdom (second only to the original Disneyland in my mind), documents the myriad of disciplines that must come together to create such spaces. Animal Kingdom is full of real-world details. I can spend days exploring just the Africa section of the park, reading anti-poaching signs and piecing together a story that helps inform the area’s magnificent safari ride.

This is a work of art, albeit a less understood one, for narrative place-making and environmental storytelling are borderline experimental, less common than, say, a book or a film. Place-making requires that we not just take in our surroundings but constantly analyze them for story insights.

Joe Rohde, in 2017, discussing Pandora — the World of Avatar at Disney’s Animal Kingdom in Florida’s Walt Disney World.

(Jay L. Clendenin / Los Angeles Times)

Rohde also notes the degree to which Imagineers are taking influence from real-world spaces in an effort to bring narrative details into the parks, ensuring they appear at once familiar and fantastical. In the case of Animal Kingdom, it was Africa’s Lake Manyara National Park, among many other locales, that gave that park its realistic grit. And when it came to the fully imagined floating mountains of Pandora — The World of Avatar, it was finding inspiration in the Italian Baroque art of Gian Lorenzo Bernini, as seen in the entangled vines descending from the apparently hovering mountains.

Now, I am not someone who argues that a trip to Animal Kingdom is a stand-in for a vacation to Africa. Or that visiting the World Showcase of Epcot is akin to a jaunt around Europe. Or that hanging out in Cars Land is a substitute for a drive down Route 66. And an afternoon slugging pints at Hog’s Head at Wizarding World of Harry Potter is certainly not the equivalent of a day at an authentic British pub. No, what a theme park offers is an artistic interpretation, one that filters the natural world through the stories that define our lives.

Theme parks are not so much an escape from the world but a way to make sense of it. View them with an open mind, and they are an entree into storytelling exploration. This is different to me than, say, a re-creation of the Eiffel Tower being plopped into Las Vegas, which is preying on replication as generic spectacle. Theme parks, of course, can fall victim to this, too, when they utilize signposts or characters from a film as a substitute for innovation (see much of the design of Pixar Pier at Disney California Adventure).

Cars Land in Disney California Adventure was inspired by the scenery and history of Route 66.

(Mark Boster / Los Angeles Times)

France at Epcot’s World Showcase, in contrast, aims to weave a brochure-like tale of the country, to introduce us to culinary and architectural standouts that can inspire us to dig deeper. For some, sure, that’s deeper into their wallets, but World Showcase inspired a young me to be curious about the world beyond the suburban Chicago neighborhood I grew up in.

And purely fantastical creations — at least the ones that are done well — are not just references to things we saw on a movie or television screen. I think of Guardians of the Galaxy — Mission: Breakout! at Disney California Adventure, which is specifically designed as a cartoon-like intrusion, a building meant to clash and call attention to its surroundings. It’s all an effort to heighten the concept that the modern American myth — the superhero film — is work that encroaches, with uplifting exaggeration, on real-world settings.

And even a Disneyland classic such as Pirates of the Caribbean requires deep analytical reframing to properly understand it. Sure, it’s a boat ride with singing robot pirates, but that’s not the reason it has endured for more than half a century. I’ve described the attraction as the template for the perfect theme park ride, one that invites the guest to discover a host of mini stories based upon where riders are directing their focus. It’s a huge influence, for instance, on the world of open-world video games, which allow players to pick a direction and discover a narrative path. It’s anything but fake.

Pirates of the Caribbean is a study in environmental storytelling.

(Christina House / Los Angeles Times)

The criticism that theme parks are fake is a surface one, one that fails to properly meet the medium where it’s at. It’s easy, of course, to look at the nostalgia of a Main Street, U.S.A, and the castle up ahead and to write off Disneyland as a rosy, idealized take on America. This is the undiscerning view, for Disneyland is a presentation of an America that never existed, one disrupted by a castle that also doubles as an extended hand.

Think of it as an ask to use one’s imagination and to be open to play: Theme parks are a wholly unique medium that requires a different set of criticism, one that is looking at architecture and design as a storytelling device. And when one gets on a ride, a theme park expects us to be open to a somewhat abstract form of storytelling. Theme parks are also, at their core, a form of participatory art, inviting us to take on a starring role.

The mechanization of what makes a theme park a theme park is simply too complex, too vast and involving too many people to be dismissed as fake. And let me say that there’s no shame in wanting to be immersed in a world crafted by the hands of many a skilled artist, whether that’s the new David Geffen Galleries at LACMA or the Disneyland Resort.

This week in SoCal theme parks

Concept art for Magic Mountain’s upcoming 2027 coaster Thrill Glider.

(Six Flags Magic Mountain)

• A new coaster coming to Magic Mountain. Six Flags announced that coming in 2027 to its Valencia park will be Thrill Glider, a first of its kind thrill ride designed by coaster manufacturer Vekoma exclusively for Magic Mountain. Riders will board what the park is referring to as “hoverbikes,” essentially bike vehicles designed to simulate a flying sensation by being suspended from the track.
• Scary Farm is upon us. Halloween season is officially in full swing as Knott’s Scary Farm opens Thursday. New this year are two mazes, including one that intermixes a host of vintage animation, as well as a magic show collaboration with the Magic Castle.
• Fast & Furious: Hollywood Drift officially opens. Though it’s been in a soft open phase since late July, Universal Studios Hollywood’s Fast & Furious: Hollywood Drift will be properly open as of Wednesday. This means the coaster has passed its final testing and is ready for daily operation. Here’s everything you need to know about Universal’s fancy new coaster.
• Legoland expands its Halloween event. Brick or Treat at Carlsbad’s Legoland begins on Saturday and it’s bigger than ever in 2026. The family friendly event, for which costumes are encouraged, this year has added Brick or Treat Street, with six life-size monster homes to interact with. Also, be sure to head to the park’s new coaster, the Galacticoaster, which has received a Halloween overlay.
• A Walt Disney exhibition at Forest Lawn. Head to Glendale’s Forest Lawn Museum on Saturday evening for the opening reception of “California Visionaries: The Lives and Legacies of Walt Disney and Hubert Eaton,” which explores the connection between Disney and Forest Lawn Memorial-Parks founder Eaton. The exhibition, which promises concept art, rare Disney sheet music as well as items from early Disneyland attractions, is on display until Feb. 7.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Attention readers who are in or near Fillmore: This Saturday is the first-ever edition of the “Time Travel Convention,” a new interactive theatrical experience from Live Action Attractions. Many veterans of the theme park industry worked to bring this event to life, including some who collaborated on the now-shuttered Star Wars: Galactic Starcruiser, colloquially known as the “Star Wars” hotel.

The story: Once a year, time travelers from the distant future head back in time to witness a historic day in small-town America. Players are cast in the role of time travelers, and throughout the day Saturday expect a series of games and costumed characters to interact with. There will be three theatrical moments staged throughout downtown Fillmore beginning at 10:01 a.m.

Register online, and you’ll receive info on where to meet. The event is highly recommended.

Boxer Fernando Vargas Jr. was arrested on suspicion of DUI following a multi-vehicle collision at a Universal Studios Hollywood parking lot, according to law enforcement and multiple media outlets.

California Highway Patrol responded to the incident on Thursday after receiving a call at 7:51 p.m.

CHP confirmed to The Times that one arrest was made at the scene for “suspicion of DUI.” No other injuries were reported at the scene.

Reports by KTLA confirmed that the 29-year-old was the individual arrested after officers observed “signs of alcohol impairment from Vargas” and conducted a DUI investigation.

Officers took him to the CHP Central Los Angeles Area office. The case will be submitted to the Los Angeles city attorney’s office for possible charges.

Hours before the arrest, Vargas posted a video to Instagram of himself and a woman inside a vehicle, who appeared to be in the passenger seat, TMZ reported.

The super welterweight boxer is the oldest son of two-time middleweight world champion Fernando Vargas. The famed Mexican American fighter from Oxnard — who at one point was the youngest U.S. national amateur champion — also faced legal troubles of his own for his role in a 1999 assault case.

Since fighting his first professional match in 2020, Vargas Jr. himself has built a steady record in the ring with 15 knockouts in 17 wins. His last bout was during the Canelo Alvarez-Terence Crawford card in September 2025, where he lost to Irish boxer Callum Walsh.

Sept. 11, 2026 5:29 PM PT

WASHINGTON — An Afghan woman who was accused of supporting an Islamic State-inspired plot in the United States and whose case was the first for an obscure and long-dormant court has been deported, the Justice Department said Friday.

Nazira Haji Zada, 47, was arrested in July at her Fort Worth home and brought before the Alien Terrorist Removal Court on a Justice Department application to deport her from the U.S. On Friday, the department said that she had waived her rights to challenge her detention and had agreed to be deported to Afghanistan.

Haji Zada’s attorneys said her decision to consent to removal “should not be seen as an endorsement of this court’s legitimacy.”

“Dragging lawful permanent residents into court but refusing to show them or their attorneys the evidence that will be used against them is a plain violation of due process,” the defense lawyers said in a statement Friday. “We are confident that the Alien Terrorist Removal Court will be struck down as unconstitutional as soon as a judge is asked to address the issue.”

Court filings about Haji Zada’s deportation, including a judge’s Aug. 20 removal order, remained under seal until after she reached her destination.

The swift resolution averts what could have been a protracted legal fight testing the authority of the court, which was established in 1996 but until July had not received any petitions, as well as the strength of allegations against Haji Zada.

Atty. Gen. Todd Blanche said the case’s outcome is “a win for national security and the rule of law.”

“Those who support and condone terrorism should not be living in the United States, and this first-ever case before the [court] shows how the Department will use every tool at its disposal to protect our country,” Blanche said in a statement.

The Justice Department has described Haji Zada as a supporter of the Islamic State and identified her at the time as the mother and mother-in-law of two Afghan men who were convicted in Oklahoma of plotting an attack in the U.S. on election day in 2024. The plans were foiled before any attack took place.

Her lawyers at the time of the deportation had been pressing the court to force the Justice Department to share information and other evidence to support the allegations in the case.

The court has specific authority to conduct deportation proceedings for people whom the Justice Department classifies as “alien terrorists.” The court is composed of five federal judges from different districts across the country who are appointed by the U.S. chief justice.

“Those who plot acts of terrorism against the United States have no place in our country,” Homeland Security Secretary Markwayne Mullin said in a statement. “We will find them, and we will use every lawful tool available to remove them.”

On July 30, Judge Joan Ericksen presided over the first hearing for the court’s first case since its creation 30 years ago.

One of Haji Zada’s attorneys argued at the hearing that the Trump administration’s activation of the court violates her constitutional rights. Attorney Matthew Farley urged the judge to dismiss the case and immediately release his client.

An FBI memo dated July 15 said it “developed information” that Haji Zada is an Islamic State supporter who had her children pledge their loyalty to the terrorist group. Her son, Abdullah Haji Zada, was sentenced in November to 15 years in prison and court records show he previously agreed to be removed from the U.S. after his release.

Her son-in-law, Nasir Ahmad Tawhedi, previously worked as a security guard for an American military installation in Afghanistan. He pleaded guilty to conspiring and attempting to provide material support to the Islamic State group. Prosecutors have said he took steps to advance his attack plans by ordering AK-47 rifles, liquidating his family’s assets and buying one-way tickets for his wife and child to travel home to Afghanistan.

Tucker and Kunzelman write for the Associated Press.